1 00:00:15,432 --> 00:00:18,185 [ KNOCKING ] 2 00:00:19,937 --> 00:00:22,272 [ KNOCKING ] 3 00:00:31,699 --> 00:00:33,742 [ KNOCKING ] 4 00:00:43,502 --> 00:00:45,462 OW. 5 00:00:55,472 --> 00:00:56,974 HEY, HELEN. 6 00:00:57,016 --> 00:00:58,225 STACY NEVER CAME HOME. 7 00:00:58,266 --> 00:01:00,686 YOU GOT A WILD ONE 8 00:00:58,266 --> 00:01:00,686 ON YOUR HANDS, HELEN. 9 00:01:00,728 --> 00:01:02,270 YOU KNEW THAT GOING IN. 10 00:01:02,312 --> 00:01:03,939 YOU DIDN'T RUN INTO HER 11 00:01:02,312 --> 00:01:03,939 AT THE BOILER ROOM? 12 00:01:03,981 --> 00:01:05,232 NO. 13 00:01:05,273 --> 00:01:06,650 I NEVER SAW HER TONIGHT. 14 00:01:06,692 --> 00:01:08,736 WHAT'S THAT? 15 00:01:08,777 --> 00:01:11,363 OH, I PICKED IT UP 16 00:01:08,777 --> 00:01:11,363 AT THAT ESTATE AUCTION. 17 00:01:11,405 --> 00:01:12,573 I THINK 18 00:01:12,614 --> 00:01:14,157 IT'S A JAMA-COAQUE 19 00:01:12,614 --> 00:01:14,157 FROM ECUADOR, 20 00:01:14,199 --> 00:01:15,492 ABOUT 500 A.D. 21 00:01:15,534 --> 00:01:17,578 SOME MINOR DEMON, LIKE ABRAXAS 22 00:01:17,619 --> 00:01:18,579 OR FORCAS 23 00:01:17,619 --> 00:01:18,579 OR SOMETHING. 24 00:01:18,620 --> 00:01:19,955 WHATEVER. 25 00:01:19,997 --> 00:01:21,623 LISTEN, DON'T STRESS OUT 26 00:01:19,997 --> 00:01:21,623 ABOUT STACY. 27 00:01:21,665 --> 00:01:22,708 YOU KNOW HOW SHE IS. 28 00:01:22,750 --> 00:01:23,751 SHE PROBABLY WENT 29 00:01:23,792 --> 00:01:25,210 TO ANOTHER PARTY 30 00:01:25,252 --> 00:01:26,962 AND IS PASSED OUT 31 00:01:25,252 --> 00:01:26,962 ON SOMEONE'S COUCH. 32 00:01:27,004 --> 00:01:28,296 WELL, WHAT IF SOMETHING 33 00:01:27,004 --> 00:01:28,296 HAPPENED TO HER? 34 00:01:28,338 --> 00:01:32,091 I'M SURE SHE'S FINE. 35 00:01:32,133 --> 00:01:35,721 I'M WAITING A FEW MORE HOURS, 36 00:01:32,133 --> 00:01:35,721 THEN I'M GOING TO THE POLICE. 37 00:01:52,487 --> 00:01:53,822 WHO WAS THAT? 38 00:01:53,864 --> 00:01:55,866 YOUR GIRLFRIEND. 39 00:02:25,312 --> 00:02:26,730 HEY. 40 00:02:26,772 --> 00:02:27,856 WHAT ARE YOU DOING HERE? 41 00:02:27,898 --> 00:02:29,858 I LIVE HERE, 42 00:02:27,898 --> 00:02:29,858 LAST TIME I CHECKED. 43 00:02:29,900 --> 00:02:31,151 I THOUGHT 44 00:02:29,900 --> 00:02:31,151 THAT YOU HAD PRACTICE. 45 00:02:31,192 --> 00:02:32,694 RANDY'S TAKING 46 00:02:31,192 --> 00:02:32,694 THE PRACTICE. 47 00:02:32,736 --> 00:02:35,280 I'M TRYING TO MAP OUT 48 00:02:32,736 --> 00:02:35,280 A STUDY SCHEDULE FOR TRISH. 49 00:02:35,322 --> 00:02:37,532 IF SHE DOESN'T 50 00:02:35,322 --> 00:02:37,532 PASS PHYSICS, 51 00:02:37,574 --> 00:02:40,327 SHE CAN'T COMPETE 52 00:02:37,574 --> 00:02:40,327 IN THE PAC-10s NEXT MONTH, SO... 53 00:02:40,368 --> 00:02:41,495 WOW. 54 00:02:41,536 --> 00:02:42,621 YOU LOOK FANTASTIC. 55 00:02:42,663 --> 00:02:43,747 REALLY? 56 00:02:43,789 --> 00:02:45,124 WHERE ARE YOU GOING? 57 00:02:45,165 --> 00:02:46,374 I'M...I'M JUST... 58 00:02:46,416 --> 00:02:47,584 GOING TO THE PLANET, 59 00:02:47,626 --> 00:02:49,210 AND I'M GOING 60 00:02:47,626 --> 00:02:49,210 TO GO WRITE. 61 00:02:49,252 --> 00:02:50,754 I NEED A CHANGE 62 00:02:49,252 --> 00:02:50,754 OF ENVIRONMENT, 63 00:02:50,796 --> 00:02:52,171 SO... 64 00:02:52,213 --> 00:02:53,298 I'LL SEE YOU LATER. 65 00:02:53,340 --> 00:02:54,758 YOU KNOW WHAT? 66 00:02:54,800 --> 00:02:57,594 THAT'S A GREAT IDEA. 67 00:02:57,636 --> 00:02:58,971 I'M GOING TO COME WITH YOU. 68 00:02:59,013 --> 00:03:02,016 I GOT TO GET 69 00:02:59,013 --> 00:03:02,016 OUT OF THE HOUSE. 70 00:03:06,227 --> 00:03:10,482 IT'S NOTHING 71 00:03:06,227 --> 00:03:10,482 TO BE ASHAMED OF. 72 00:03:10,524 --> 00:03:12,442 IT HAPPENS, DANA. 73 00:03:12,484 --> 00:03:15,154 IT'S NEVER 74 00:03:12,484 --> 00:03:15,154 HAPPENED TO ME. 75 00:03:15,194 --> 00:03:18,740 IT'S A PERFECTLY 76 00:03:15,194 --> 00:03:18,740 NATURAL THING. 77 00:03:18,782 --> 00:03:19,825 IT DOESN'T CHANGE 78 00:03:19,867 --> 00:03:22,036 THE WAY I FEEL 79 00:03:19,867 --> 00:03:22,036 ABOUT YOU 80 00:03:22,077 --> 00:03:25,080 OR HOW MUCH PLEASURE 81 00:03:22,077 --> 00:03:25,080 YOU GAVE ME. 82 00:03:27,791 --> 00:03:29,918 [ CAT MEOWS ] 83 00:03:45,059 --> 00:03:46,768 UGH. WHAT IS THAT? 84 00:03:46,810 --> 00:03:48,145 SANDWICH. 85 00:03:46,810 --> 00:03:48,145 WANT SOME? 86 00:03:48,187 --> 00:03:49,855 PASS. 87 00:03:52,482 --> 00:03:53,483 BYE, HON... 88 00:03:53,525 --> 00:03:56,195 OH, THAT IS 89 00:03:53,525 --> 00:03:56,195 DISGUSTING. 90 00:03:56,236 --> 00:03:57,237 BYE, BABE. 91 00:03:57,278 --> 00:03:59,531 BYE. 92 00:04:02,701 --> 00:04:05,662 [ JAZZY ROCK MUSIC ] 93 00:04:05,704 --> 00:04:10,751 ♪ ♪ 94 00:04:10,792 --> 00:04:14,129 ♪ I HEAR PEOPLE EVERYWHERE ♪ 95 00:04:14,171 --> 00:04:16,924 ♪ SAYING THEY DON'T CARE ♪ 96 00:04:16,965 --> 00:04:18,926 ♪ THIS DREAM FEELS LIKE ♪ 97 00:04:18,967 --> 00:04:22,596 ♪ IT'S CALLING OUT THE RAIN ♪ 98 00:04:22,637 --> 00:04:25,390 ♪ SO MANY KINDS OF LOVE ♪ 99 00:04:25,432 --> 00:04:28,143 ♪ TOO MANY TO KEEP TRACK OF ♪ 100 00:04:28,185 --> 00:04:30,229 ♪ TO BE MEASURED ♪ 101 00:04:30,270 --> 00:04:34,191 ♪ TOO MUCH PAIN ♪ 102 00:04:34,233 --> 00:04:37,027 ♪ NO PLACE YOU CAN SETTLE ♪ 103 00:04:37,069 --> 00:04:40,072 ♪ NO PLACE TO CALL YOUR HOME ♪ 104 00:04:40,114 --> 00:04:42,657 ♪ EVERYWHERE BY YOURSELF ♪ 105 00:04:42,699 --> 00:04:45,285 ♪ BUT NEVER QUITE ALONE ♪ 106 00:04:45,326 --> 00:04:47,955 ♪ NOT ENOUGH OXYGEN ♪ 107 00:04:47,996 --> 00:04:51,291 ♪ NOT ENOUGH OXYGEN ♪ 108 00:04:51,332 --> 00:04:55,754 ♪ AT ANY ELEVATION ♪ 109 00:04:55,796 --> 00:04:59,925 [ ♪♪ ] 110 00:04:59,967 --> 00:05:02,219 I'LL BE RIGHT BACK. 111 00:05:07,057 --> 00:05:09,226 I CAN'T BELIEVE THAT YOU CAN BUY 112 00:05:07,057 --> 00:05:09,226 THESE THINGS IN BULK. 113 00:05:09,268 --> 00:05:10,852 IT'S SO WEIRD. 114 00:05:10,894 --> 00:05:13,272 OH, MY GOD, I'D HAVE SO MUCH 115 00:05:10,894 --> 00:05:13,272 MORE RESPECT FOR THAT BOX 116 00:05:13,354 --> 00:05:14,898 IF IT HAD 117 00:05:13,354 --> 00:05:14,898 SOME MORE HONEST PICTURES, 118 00:05:14,940 --> 00:05:16,441 LIKE SOME SOBBING, 119 00:05:14,940 --> 00:05:16,441 INFERTILE WOMAN 120 00:05:16,483 --> 00:05:17,734 WITH A NEGATIVE 121 00:05:16,483 --> 00:05:17,734 TEST STICK IN HER HAND. 122 00:05:17,776 --> 00:05:20,237 YEAH, AND ON 123 00:05:17,776 --> 00:05:20,237 THE OTHER SIDE, 124 00:05:20,279 --> 00:05:21,613 IT COULD HAVE 125 00:05:20,279 --> 00:05:21,613 A TEENAGE GIRL 126 00:05:21,655 --> 00:05:23,490 WITH A POSITIVE ONE, 127 00:05:21,655 --> 00:05:23,490 ABOUT TO HANG HERSELF. 128 00:05:23,531 --> 00:05:25,325 YEAH. 129 00:05:23,531 --> 00:05:25,325 IT'D BE GOOD. 130 00:05:25,366 --> 00:05:33,292 [ ♪♪ ] 131 00:05:41,883 --> 00:05:44,094 HOW DO YOU NOT 132 00:05:41,883 --> 00:05:44,094 PEE ON YOUR HAND? 133 00:05:44,136 --> 00:05:45,386 YOU JUST AIM 134 00:05:44,136 --> 00:05:45,386 BELOW THE CLIT. 135 00:05:45,428 --> 00:05:47,097 OH, REALLY? 136 00:05:45,428 --> 00:05:47,097 YEAH. 137 00:05:47,139 --> 00:05:49,099 WHERE DID YOU THINK 138 00:05:47,139 --> 00:05:49,099 PEE CAME OUT OF? 139 00:05:49,141 --> 00:05:51,810 I DON'T KNOW. THERE'S A LOT 140 00:05:49,141 --> 00:05:51,810 GOING ON DOWN THERE. 141 00:05:51,852 --> 00:05:53,812 THIS IS MY 10th 142 00:05:51,852 --> 00:05:53,812 EARLY PREGNANCY TEST. 143 00:05:53,854 --> 00:05:55,189 IN HIGH SCHOOL, 144 00:05:55,230 --> 00:05:57,149 I USED TO THINK YOU 145 00:05:55,230 --> 00:05:57,149 COULD GET PREGNANT 146 00:05:57,191 --> 00:05:59,151 BY GIVING A GUY A BLOW JOB. 147 00:05:59,193 --> 00:06:00,277 I USED TO THINK YOU 148 00:05:59,193 --> 00:06:00,277 COULD GET PREGNANT 149 00:06:00,319 --> 00:06:01,778 THROUGH YOUR PANTS. 150 00:06:01,820 --> 00:06:04,614 OR BY TOUCHING THE HANDLE 151 00:06:01,820 --> 00:06:04,614 OF THE BOYS' BATHROOM. 152 00:06:04,656 --> 00:06:06,033 ARE YOU SURE YOU WANT 153 00:06:04,656 --> 00:06:06,033 TO GO BACK TO MEN? 154 00:06:06,074 --> 00:06:07,492 I'M POSITIVE. 155 00:06:07,534 --> 00:06:09,619 I'VE HAD ENOUGH DRAMA 156 00:06:07,534 --> 00:06:09,619 AND MIND FUCKS, 157 00:06:09,661 --> 00:06:11,454 AND WOMEN ARE 158 00:06:09,661 --> 00:06:11,454 FUCKING CRAZY. 159 00:06:11,496 --> 00:06:12,789 YEAH, AND MEN 160 00:06:11,496 --> 00:06:12,789 ARE BORING. 161 00:06:12,831 --> 00:06:14,415 YEAH, WELL, BRING IT ON, 162 00:06:12,831 --> 00:06:14,415 BECAUSE I COULD USE 163 00:06:14,457 --> 00:06:16,417 A LITTLE NICE, 164 00:06:14,457 --> 00:06:16,417 UNCOMPLICATED, 165 00:06:16,459 --> 00:06:20,130 BORING BOY-GIRL SEX 166 00:06:16,459 --> 00:06:20,130 MASQUERADING AS LOVE. 167 00:06:20,172 --> 00:06:22,632 THAT'S FINE WITH ME. 168 00:06:26,178 --> 00:06:34,102 [ ♪♪ ] 169 00:06:47,448 --> 00:06:49,701 ♪ NOT ENOUGH OXYGEN ♪ 170 00:06:49,743 --> 00:06:53,372 ♪ NOT ENOUGH OXYGEN ♪ 171 00:06:53,412 --> 00:06:59,336 ♪ AT ANY ELEVATION ♪ 172 00:07:03,298 --> 00:07:05,466 [ DOOR OPENS ] 173 00:07:05,508 --> 00:07:06,509 JEN? 174 00:07:06,551 --> 00:07:08,178 TIM? 175 00:07:08,220 --> 00:07:09,221 YOU ALL RIGHT? 176 00:07:09,263 --> 00:07:10,222 YEAH. 177 00:07:10,264 --> 00:07:12,182 I'M GOOD. 178 00:07:12,224 --> 00:07:13,558 YOU SURE? 179 00:07:13,600 --> 00:07:15,310 YEAH. 180 00:07:16,978 --> 00:07:19,689 YEAH, HEY. 181 00:07:19,731 --> 00:07:23,110 I HATE THESE 182 00:07:19,731 --> 00:07:23,110 UNISEX BATHROOMS. 183 00:07:23,151 --> 00:07:24,652 YOU KNOW? 184 00:07:24,694 --> 00:07:26,738 IT'S SHOCKING TO 185 00:07:24,694 --> 00:07:26,738 HEAR A MAN'S VOICE, 186 00:07:26,780 --> 00:07:28,323 AND THEY PEE 187 00:07:26,780 --> 00:07:28,323 EVERYWHERE. 188 00:07:28,365 --> 00:07:30,117 IT'S JUST... 189 00:07:30,158 --> 00:07:32,286 COMPLETELY GROSS. 190 00:07:32,327 --> 00:07:34,371 I'LL TRY TO BE 191 00:07:32,327 --> 00:07:34,371 CONSIDERATE. 192 00:07:41,336 --> 00:07:43,713 [ UNBUCKLES AND UNZIPS PANTS ] 193 00:07:45,299 --> 00:07:47,508 [ URINATES ] 194 00:07:52,097 --> 00:07:53,932 YOU KNOW WHAT? 195 00:07:52,097 --> 00:07:53,932 IT MAKES ME SICK 196 00:07:53,974 --> 00:07:56,768 WHAT THIS ADMINISTRATION'S DOING 197 00:07:53,974 --> 00:07:56,768 TO OUR ENVIRONMENT. 198 00:07:56,810 --> 00:07:57,811 OH, MY GOD. 199 00:07:57,852 --> 00:07:59,354 OH, MY GOD, OH, MY GOD. 200 00:07:59,396 --> 00:08:01,398 TINA, IT'S POSITIVE. 201 00:08:01,440 --> 00:08:03,900 WHAT? 202 00:08:03,942 --> 00:08:05,735 OH, MY... 203 00:08:05,777 --> 00:08:08,113 OH, MY GOD! 204 00:08:08,155 --> 00:08:09,156 I'M PREGNANT. 205 00:08:09,197 --> 00:08:11,366 YOU DID IT! 206 00:08:11,408 --> 00:08:14,035 OH, MY GOD! 207 00:08:14,077 --> 00:08:15,120 I'M PREGNANT. 208 00:08:15,162 --> 00:08:16,413 OH, MY... 209 00:08:15,162 --> 00:08:16,413 YOU DID IT. 210 00:08:16,455 --> 00:08:19,124 OH, MY GOD. 211 00:08:16,455 --> 00:08:19,124 I'M SO HAPPY FOR YOU. 212 00:08:19,166 --> 00:08:20,541 OH, MY GOD. 213 00:08:20,583 --> 00:08:22,085 LOOK, I'M A CLICHE. 214 00:08:22,127 --> 00:08:24,296 I'M SITTING HERE 215 00:08:22,127 --> 00:08:24,296 STUFFING MY FACE. 216 00:08:24,338 --> 00:08:25,713 HEY, GUYS. 217 00:08:25,755 --> 00:08:28,383 OH, GOD, IT'S KIT. 218 00:08:25,755 --> 00:08:28,383 KIT, COME HERE, COME HERE. 219 00:08:28,425 --> 00:08:30,510 TINA'S PREGNANT. 220 00:08:30,551 --> 00:08:31,511 WE JUST FOUND OUT 221 00:08:31,552 --> 00:08:33,138 JUST THIS SECOND. 222 00:08:33,180 --> 00:08:34,514 LOOK. 223 00:08:34,555 --> 00:08:37,476 WOW. 224 00:08:34,555 --> 00:08:37,476 OH, WOW. 225 00:08:37,517 --> 00:08:39,478 OH. 226 00:08:39,519 --> 00:08:42,272 OH, I'M SO HAPPY 227 00:08:39,519 --> 00:08:42,272 FOR YOU. 228 00:08:42,314 --> 00:08:43,731 THIS IS GREAT. 229 00:08:43,773 --> 00:08:45,317 OH, THIS IS GREAT. 230 00:08:45,359 --> 00:08:47,402 DOES BETTE KNOW? 231 00:08:47,444 --> 00:08:50,030 JEN, I HAVE TO RUN 232 00:08:47,444 --> 00:08:50,030 THESE STUDY PLANS OVER TO TRISH. 233 00:08:50,071 --> 00:08:52,157 OKAY. THAT'S FINE. 234 00:08:52,199 --> 00:08:55,160 [ TELEPHONE RINGS ] 235 00:08:55,202 --> 00:08:57,662 HELLO? 236 00:08:57,704 --> 00:09:00,290 OH, HEY. 237 00:09:00,332 --> 00:09:03,502 NO. NO, SHE 238 00:09:00,332 --> 00:09:03,502 DIDN'T MENTION THAT. 239 00:09:03,543 --> 00:09:05,086 REALLY? YEAH. 240 00:09:05,128 --> 00:09:07,630 YEAH, WELL, ANYWAY, 241 00:09:07,672 --> 00:09:11,176 YOU PROBABLY WANT 242 00:09:07,672 --> 00:09:11,176 TO TALK TO JENNY. 243 00:09:11,218 --> 00:09:14,137 THE GREAT 244 00:09:11,218 --> 00:09:14,137 NICK BARASHKOV. 245 00:09:14,179 --> 00:09:15,138 YOU SURE 246 00:09:14,179 --> 00:09:15,138 YOU WANT THIS? 247 00:09:15,180 --> 00:09:17,474 SHUT UP. 248 00:09:17,516 --> 00:09:19,684 HELLO? 249 00:09:19,726 --> 00:09:21,936 HI. HOW ARE YOU? 250 00:09:23,813 --> 00:09:25,648 GUESS WHAT. 251 00:09:25,690 --> 00:09:29,110 I KILLED SARAH SHUSTER. 252 00:09:29,152 --> 00:09:31,779 YOU PROMISE? 253 00:09:31,821 --> 00:09:33,532 WELL, YOU KNOW 254 00:09:31,821 --> 00:09:33,532 I PROMISE. 255 00:09:33,573 --> 00:09:35,242 I'M NOT WORRIED ABOUT YOU. 256 00:09:35,283 --> 00:09:36,701 YES, I PROMISE. 257 00:09:36,743 --> 00:09:38,537 I WON'T TELL BETTE WE KNEW 258 00:09:36,743 --> 00:09:38,537 BEFORE SHE KNEW. 259 00:09:38,578 --> 00:09:40,163 YOU'RE GOING TO HAVE 260 00:09:38,578 --> 00:09:40,163 TO BE SO GOOD. 261 00:09:40,205 --> 00:09:42,999 YOU CAN'T HAVE ANY MORE FUN. 262 00:09:40,205 --> 00:09:42,999 UH-UH. 263 00:09:43,041 --> 00:09:44,418 I KNOW. 264 00:09:44,459 --> 00:09:48,129 NO RED MEAT, NO ADDITIVES, 265 00:09:44,459 --> 00:09:48,129 NO MARGARITAS, 266 00:09:48,171 --> 00:09:49,548 WINE, BEER, 267 00:09:49,589 --> 00:09:52,050 AND NO XANAX, 268 00:09:52,092 --> 00:09:53,051 NO MATTER 269 00:09:52,092 --> 00:09:53,051 HOW STRESSED OUT I GET. 270 00:09:53,093 --> 00:09:54,135 NO MORE SMACK, 271 00:09:54,177 --> 00:09:57,431 NO MORE CRACK, 272 00:09:54,177 --> 00:09:57,431 AND NO MORE BLOW. 273 00:09:57,472 --> 00:09:58,848 I'M GOING TO DO 274 00:09:57,472 --> 00:09:58,848 EVERYTHING RIGHT. 275 00:09:58,890 --> 00:10:00,141 I'M GOING TO BE 276 00:09:58,890 --> 00:10:00,141 AS TOGETHER ABOUT THIS 277 00:10:00,183 --> 00:10:03,978 AS BETTE IS 278 00:10:00,183 --> 00:10:03,978 HER WORK. 279 00:10:04,020 --> 00:10:05,397 WE'RE GOING TO HAVE A FAMILY. 280 00:10:05,439 --> 00:10:07,232 UH-HUH. 281 00:10:07,274 --> 00:10:09,067 OH, MY GOD. 282 00:10:09,109 --> 00:10:11,445 WELL, I HAVE TO GO, 283 00:10:11,486 --> 00:10:13,113 SO I'LL TALK TO YOU 284 00:10:11,486 --> 00:10:13,113 LATER. 285 00:10:13,154 --> 00:10:15,115 LIPS ARE SEALED. 286 00:10:13,154 --> 00:10:15,115 PROMISE. 287 00:10:16,366 --> 00:10:18,159 TINA, 288 00:10:18,201 --> 00:10:19,494 THE REASON WHY I CAME 289 00:10:18,201 --> 00:10:19,494 IS BETTE TOLD ME 290 00:10:19,536 --> 00:10:20,787 THERE WAS A LETTER 291 00:10:19,536 --> 00:10:20,787 HERE FOR ME. 292 00:10:20,828 --> 00:10:22,581 OH, YEAH. THAT'S RIGHT. 293 00:10:22,622 --> 00:10:24,458 I'M SORRY. 294 00:10:26,709 --> 00:10:29,504 IT'S FROM DAVID. 295 00:10:35,135 --> 00:10:37,637 YOU OKAY? 296 00:10:37,678 --> 00:10:39,514 WOW. 297 00:10:37,678 --> 00:10:39,514 UH, YEAH. 298 00:10:39,556 --> 00:10:43,059 I HAVEN'T HEARD FROM HIM 299 00:10:39,556 --> 00:10:43,059 IN FIVE YEARS. 300 00:10:43,101 --> 00:10:46,271 OKAY. 301 00:10:46,313 --> 00:10:47,564 YOU AND BETTE 302 00:10:47,606 --> 00:10:48,815 ARE GOING TO BE 303 00:10:47,606 --> 00:10:48,815 GREAT PARENTS. 304 00:10:48,856 --> 00:10:49,899 THANKS, BABY. 305 00:10:49,941 --> 00:10:51,067 NOW, GO ON. 306 00:10:51,109 --> 00:10:52,777 YOU GO CALL HER 307 00:10:51,109 --> 00:10:52,777 BEFORE YOU EXPLODE. 308 00:10:52,819 --> 00:10:54,946 I'M OUT OF HERE. 309 00:10:57,616 --> 00:10:59,033 I WAS COMPLETELY 310 00:10:57,616 --> 00:10:59,033 DONE WITH HER, 311 00:10:59,075 --> 00:11:02,203 SO I JUST DECIDED 312 00:10:59,075 --> 00:11:02,203 SHE NEEDED TO GO. 313 00:11:02,245 --> 00:11:05,624 OH, NICK, OF COURSE 314 00:11:02,245 --> 00:11:05,624 I VALUE YOUR OPINION. 315 00:11:05,665 --> 00:11:07,208 YOU WERE THE FIRST. 316 00:11:07,250 --> 00:11:09,294 YOU ARE? 317 00:11:09,336 --> 00:11:11,212 OKAY. 318 00:11:11,254 --> 00:11:13,465 YES, I WOULD LOVE TO. 319 00:11:13,507 --> 00:11:15,883 I WOULD ABSO-ABSO-ABSOLUTELY 320 00:11:13,507 --> 00:11:15,883 LOVE TO. 321 00:11:15,925 --> 00:11:17,760 [ GASPS ] 322 00:11:17,802 --> 00:11:19,304 YOU HAVE A TAN? 323 00:11:19,346 --> 00:11:21,139 OH, MY GOD, 324 00:11:19,346 --> 00:11:21,139 DO YOU STILL... 325 00:11:21,181 --> 00:11:24,601 DO YOU LOOK LIKE 326 00:11:21,181 --> 00:11:24,601 GEORGE HAMILTON? 327 00:11:26,144 --> 00:11:27,686 [ BETTE ]: 328 00:11:26,144 --> 00:11:27,686 I UNDERSTAND YOUR CONCERNS. 329 00:11:27,728 --> 00:11:29,105 THE BILL VIOLA 330 00:11:29,147 --> 00:11:31,149 WENT TO SEATTLE. 331 00:11:29,147 --> 00:11:31,149 HE CAN MAYBE DO 2005... 332 00:11:31,191 --> 00:11:34,194 AND TINA'S STILL ON LINE THREE. 333 00:11:34,235 --> 00:11:35,403 YES. 334 00:11:35,445 --> 00:11:36,988 GREAT TALKING TO YOU TOO. 335 00:11:37,030 --> 00:11:39,491 OKAY. ALL RIGHT. BYE. 336 00:11:40,617 --> 00:11:42,202 BABY, I CANNOT TALK RIGHT NOW. 337 00:11:42,243 --> 00:11:44,496 OKAY, OKAY. 338 00:11:42,243 --> 00:11:44,496 I'LL MAKE IT REALLY QUICK. 339 00:11:44,538 --> 00:11:46,705 JUST PROMISE ME THAT YOU'LL COME 340 00:11:44,538 --> 00:11:46,705 HOME FOR DINNER TONIGHT. 341 00:11:46,747 --> 00:11:48,249 I'M COOKING. 342 00:11:48,291 --> 00:11:49,750 THAT'S GOING TO BE 343 00:11:48,291 --> 00:11:49,750 A TOUGH ONE TO SWING. 344 00:11:49,792 --> 00:11:51,169 PLEASE? IT'S 345 00:11:49,792 --> 00:11:51,169 REALLY IMPORTANT. 346 00:11:51,211 --> 00:11:52,420 I'LL TAKE CARE OF YOU. 347 00:11:52,462 --> 00:11:53,921 I'LL MAKE IT ALL BETTER. 348 00:11:53,963 --> 00:11:55,714 THE ONLY WAY YOU 349 00:11:53,963 --> 00:11:55,714 CAN MAKE IT BETTER 350 00:11:55,756 --> 00:11:58,593 IS IF YOU COME UP WITH A SHOW 351 00:11:55,756 --> 00:11:58,593 FOR MY BIG, GAPING, SPRING SLOT. 352 00:12:00,053 --> 00:12:01,179 SHELDON TOMLIN'S ON TWO. 353 00:12:01,221 --> 00:12:02,556 FUCK SHELDON TOMLIN. 354 00:12:02,597 --> 00:12:03,890 BABY, I CAN'T 355 00:12:02,597 --> 00:12:03,890 TALK RIGHT NOW. 356 00:12:03,931 --> 00:12:05,058 I WILL TRY TONIGHT. 357 00:12:05,099 --> 00:12:06,685 THAT IS THE BEST 358 00:12:05,099 --> 00:12:06,685 I CAN DO, OKAY? 359 00:12:06,725 --> 00:12:08,478 OKAY. TRY. 360 00:12:08,520 --> 00:12:11,189 OKAY. BYE. 361 00:12:18,196 --> 00:12:19,738 SHELDON! 362 00:12:19,780 --> 00:12:23,535 THANK YOU SO MUCH 363 00:12:19,780 --> 00:12:23,535 FOR CALLING ME BACK. 364 00:12:23,577 --> 00:12:25,453 NO, IT'S TRUE. 365 00:12:23,577 --> 00:12:25,453 WELL, YOU KNOW, 366 00:12:25,495 --> 00:12:27,914 MOCA'S A BIG INSTITUTION. 367 00:12:25,495 --> 00:12:27,914 IT'S HARD TO COMPETE. 368 00:12:27,955 --> 00:12:31,125 LOOK, UM, THE REASON 369 00:12:27,955 --> 00:12:31,125 THAT I WAS CALLING YOU... 370 00:12:31,167 --> 00:12:32,669 WELL, WHAT YOU'RE ABOUT TO HEAR 371 00:12:32,711 --> 00:12:34,128 IS THE SOUND 372 00:12:32,711 --> 00:12:34,128 OF ME EATING MY WORDS. 373 00:12:34,170 --> 00:12:35,589 SHELDON, 374 00:12:35,630 --> 00:12:39,384 I WOULD LIKE TO BOOK 375 00:12:35,630 --> 00:12:39,384 IMPRESSIONS IN WINTER, 376 00:12:39,426 --> 00:12:42,345 AND I HOPE THAT YOU DON'T 377 00:12:39,426 --> 00:12:42,345 HOLD IT AGAINST ME THAT-- 378 00:12:43,930 --> 00:12:46,600 FRANKLIN DIDN'T 379 00:12:43,930 --> 00:12:46,600 TELL ME ANYTHING. 380 00:12:47,975 --> 00:12:50,895 THAT IS ABSOLUTELY NOT TRUE. 381 00:12:50,937 --> 00:12:54,482 NO, THE C.A.C. 382 00:12:50,937 --> 00:12:54,482 IS NOT IN TURMOIL-- 383 00:12:54,524 --> 00:12:56,150 NO, OF COURSE. 384 00:12:56,192 --> 00:12:59,696 YOU KNOW, AND NOTHING PERSONAL 385 00:12:56,192 --> 00:12:59,696 ON MY PART, EITHER. 386 00:12:59,738 --> 00:13:02,031 OKAY. BYE. 387 00:13:02,073 --> 00:13:04,242 FRANKLIN, 388 00:13:02,073 --> 00:13:04,242 HEADING THIS WAY. 389 00:13:04,284 --> 00:13:05,702 GOD DAMN IT. 390 00:13:05,744 --> 00:13:08,455 DOES IT EVER FUCKING STOP? 391 00:13:10,831 --> 00:13:11,874 IS SHE IN? 392 00:13:11,916 --> 00:13:12,917 UH, NO. NOT YET. 393 00:13:12,959 --> 00:13:14,461 I SEE. 394 00:13:14,502 --> 00:13:16,170 WILL YOU TELL HER 395 00:13:14,502 --> 00:13:16,170 THAT THE BOARD 396 00:13:16,212 --> 00:13:17,714 IS CONVENING FOR 397 00:13:16,212 --> 00:13:17,714 AN UNSCHEDULED MEETING 398 00:13:17,756 --> 00:13:18,881 TOMORROW EVENING? 399 00:13:18,923 --> 00:13:20,508 AND SHE WOULD BE 400 00:13:18,923 --> 00:13:20,508 WELL ADVISED 401 00:13:20,550 --> 00:13:22,469 TO ATTEND. 402 00:13:22,510 --> 00:13:24,345 FRANKLIN, WHAT ARE YOU DOING 403 00:13:22,510 --> 00:13:24,345 TALKING TO MY DOOR? 404 00:13:24,387 --> 00:13:25,846 I'M OFF TO 405 00:13:24,387 --> 00:13:25,846 MY BERNARD RIDDLE MEETING. 406 00:13:25,888 --> 00:13:27,557 HE'S GOT HALF A BILLION DOLLARS 407 00:13:25,888 --> 00:13:27,557 HE WANTS TO LAY 408 00:13:27,599 --> 00:13:29,601 ON SOME MUSEUM 409 00:13:27,599 --> 00:13:29,601 SOMEWHERE IN LOS ANGELES 410 00:13:29,643 --> 00:13:31,352 THAT'S DOING ANYTHING 411 00:13:29,643 --> 00:13:31,352 REMOTELY PROGRESSIVE. 412 00:13:31,394 --> 00:13:32,604 BERNARD RIDDLE 413 00:13:32,646 --> 00:13:34,188 IS WAY OUT OF 414 00:13:32,646 --> 00:13:34,188 YOUR LEAGUE, DEAR. 415 00:13:34,230 --> 00:13:36,857 HE MAY BE OUT OF 416 00:13:34,230 --> 00:13:36,857 THE C.A.C.'S LEAGUE, FRANKLIN, 417 00:13:36,899 --> 00:13:38,817 BUT HE'S CERTAINLY 418 00:13:36,899 --> 00:13:38,817 NOT OUT OF MINE. 419 00:13:44,699 --> 00:13:46,451 OKAY, YOU GUYS, 420 00:13:46,493 --> 00:13:50,163 I JUST SAW THE CUTEST GUY 421 00:13:46,493 --> 00:13:50,163 I'VE EVER SEEN IN MY LIFE. 422 00:13:50,204 --> 00:13:51,498 WHAT? 423 00:13:51,539 --> 00:13:52,957 I DON'T WANT 424 00:13:51,539 --> 00:13:52,957 TO TALK ABOUT IT. 425 00:13:52,999 --> 00:13:54,501 YOU DON'T WANT TO TALK 426 00:13:52,999 --> 00:13:54,501 ABOUT WHAT? 427 00:13:54,542 --> 00:13:56,085 DID SOMETHING HAPPEN 428 00:13:54,542 --> 00:13:56,085 WITH YOU AND LARA? 429 00:13:56,127 --> 00:13:58,087 NO, I'M JUST NEVER 430 00:13:56,127 --> 00:13:58,087 HAVING SEX AGAIN, THAT'S ALL. 431 00:13:58,129 --> 00:14:00,465 EASY, DANA. 432 00:13:58,129 --> 00:14:00,465 COME ON. 433 00:14:00,507 --> 00:14:01,549 I'VE NEVER BEEN 434 00:14:00,507 --> 00:14:01,549 MORE HUMILIATED 435 00:14:01,591 --> 00:14:03,134 OR EMBARRASSED 436 00:14:01,591 --> 00:14:03,134 OR ASHAMED 437 00:14:03,176 --> 00:14:05,512 OF ANYTHING 438 00:14:03,176 --> 00:14:05,512 IN MY ENTIRE LIFE. 439 00:14:05,553 --> 00:14:07,597 WHAT, DID SHE TIE YOU UP 440 00:14:05,553 --> 00:14:07,597 AND LEAVE YOU? 441 00:14:07,639 --> 00:14:09,516 NO, NOTHING 442 00:14:07,639 --> 00:14:09,516 LIKE THAT. 443 00:14:09,557 --> 00:14:10,517 OKAY, OKAY. 444 00:14:10,558 --> 00:14:12,101 I HAVE A FRIEND, 445 00:14:12,143 --> 00:14:13,561 SHE WENT DOWN ON A GIRL, 446 00:14:12,143 --> 00:14:13,561 SHE WAS DOWN THERE, 447 00:14:13,603 --> 00:14:16,230 AND SHE SNEEZED. 448 00:14:13,603 --> 00:14:16,230 IS THAT IT? 449 00:14:16,272 --> 00:14:17,440 GROSS. 450 00:14:17,482 --> 00:14:20,067 IT WASN'T ME. 451 00:14:17,482 --> 00:14:20,067 IT WAS A FRIEND. 452 00:14:20,109 --> 00:14:21,235 SO WHAT? 453 00:14:20,109 --> 00:14:21,235 WHAT, WHAT, WHAT? 454 00:14:21,277 --> 00:14:22,862 GOD, YOU'RE KILLING ME. 455 00:14:22,903 --> 00:14:24,572 DID YOU QUEEF? 456 00:14:24,614 --> 00:14:26,115 DID I... 457 00:14:26,157 --> 00:14:28,242 SEE, I DON'T EVEN KNOW 458 00:14:26,157 --> 00:14:28,242 WHAT THAT IS. 459 00:14:28,284 --> 00:14:30,578 IS THAT... 460 00:14:35,458 --> 00:14:38,044 OKAY, IS THAT WHAT HAPPENED? 461 00:14:38,085 --> 00:14:41,088 SHE FEMALE EJACULATED. 462 00:14:41,130 --> 00:14:43,132 WELL, MISS DANA. 463 00:14:43,174 --> 00:14:46,219 WOW, THIS LARA MUST BE 464 00:14:43,174 --> 00:14:46,219 A KILLER IN BED, HUH? 465 00:14:46,260 --> 00:14:47,554 YEAH... 466 00:14:47,595 --> 00:14:50,097 YEAH, YEAH. SHE... 467 00:14:50,139 --> 00:14:51,182 THAT'S A GOOD THING? 468 00:14:51,224 --> 00:14:53,476 DANA, WOMEN STRIVE FOR THIS. 469 00:14:53,518 --> 00:14:56,563 THEY READ BOOKS ABOUT THE 470 00:14:53,518 --> 00:14:56,563 G-SPOT, THEY GO TO WORKSHOPS. 471 00:14:56,604 --> 00:14:59,733 OH, MY GOD, YOU SHOULD BE 472 00:14:56,604 --> 00:14:59,733 TOTALLY AND UTTERLY ECSTATIC. 473 00:15:01,568 --> 00:15:03,236 OH, MY GOD, 474 00:15:01,568 --> 00:15:03,236 THERE HE IS. 475 00:15:03,277 --> 00:15:04,571 TELL ME HE'S NOT THE CUTEST GUY 476 00:15:03,277 --> 00:15:04,571 YOU'VE EVER SEEN. 477 00:15:04,612 --> 00:15:06,656 OH, LIS. 478 00:15:06,698 --> 00:15:08,408 HEY. 479 00:15:08,449 --> 00:15:10,493 HOW YOU DOING? 480 00:15:08,449 --> 00:15:10,493 HOW ARE YOU? 481 00:15:10,535 --> 00:15:11,494 UM... 482 00:15:11,536 --> 00:15:12,787 THESE ARE MY FRIENDS. 483 00:15:12,829 --> 00:15:14,831 THIS IS ALICE, 484 00:15:12,829 --> 00:15:14,831 AND THIS IS DANA. 485 00:15:14,873 --> 00:15:16,207 GUYS, THIS IS LISA. 486 00:15:16,249 --> 00:15:18,418 HI. 487 00:15:16,249 --> 00:15:18,418 LIS-- 488 00:15:18,459 --> 00:15:19,544 THAT'S LISA. 489 00:15:18,459 --> 00:15:19,544 [ PHONE RINGS ] 490 00:15:19,586 --> 00:15:20,961 OH, SHIT. 491 00:15:21,003 --> 00:15:21,962 OH, GOD, 492 00:15:21,003 --> 00:15:21,962 IT'S MY MOTHER. 493 00:15:22,004 --> 00:15:23,172 EXCUSE ME. 494 00:15:23,214 --> 00:15:24,382 HELLO, MOTHER. 495 00:15:24,424 --> 00:15:25,383 WHAT DO YOU MEAN, 496 00:15:24,424 --> 00:15:25,383 YOU'RE IN L.A.? 497 00:15:25,425 --> 00:15:27,677 WHERE ARE YOU? 498 00:15:29,470 --> 00:15:30,430 WHO IS THAT? 499 00:15:30,471 --> 00:15:32,766 UH-UH. FORGET IT, MAN. 500 00:15:32,807 --> 00:15:33,767 YOU SURE? 501 00:15:33,808 --> 00:15:35,560 YEAH, SHE... 502 00:15:35,602 --> 00:15:38,772 WELL, SHE DOESN'T WANT 503 00:15:35,602 --> 00:15:38,772 TO BE A LESBIAN ANYMORE. 504 00:15:38,813 --> 00:15:39,898 SINCE WHEN? 505 00:15:39,980 --> 00:15:41,065 WELL, SHE WAS DATING 506 00:15:41,107 --> 00:15:43,317 ONE OF THOSE 507 00:15:41,107 --> 00:15:43,317 HOT-AND-COLD CHICKS, 508 00:15:43,359 --> 00:15:45,027 AND, WELL, 509 00:15:45,069 --> 00:15:46,195 SHE GOT HER HEART 510 00:15:45,069 --> 00:15:46,195 COMPLETELY BUSTED. 511 00:15:46,237 --> 00:15:47,697 NO! I... 512 00:15:46,237 --> 00:15:47,697 OKAY. 513 00:15:47,739 --> 00:15:49,365 I CAN'T COME, 514 00:15:47,739 --> 00:15:49,365 BECAUSE I HAVE TO GO TO... 515 00:15:49,407 --> 00:15:50,575 I HAVE TO GO TO WORK 516 00:15:50,617 --> 00:15:52,493 IN, LIKE, 517 00:15:50,617 --> 00:15:52,493 A HALF AN HOUR. 518 00:15:52,535 --> 00:15:53,536 THAT'S A SHAME... 519 00:15:53,578 --> 00:15:55,246 YEAH. 520 00:15:55,288 --> 00:15:56,956 BUT IT'S NO REASON 521 00:15:55,288 --> 00:15:56,956 TO SWEAR OFF BEING A LESBIAN. 522 00:15:56,997 --> 00:15:58,332 I AGREE. 523 00:15:58,374 --> 00:16:01,628 MAYBE I CAN CHANGE HER MIND. 524 00:16:01,669 --> 00:16:02,879 WAIT, I'M SORRY. 525 00:16:02,921 --> 00:16:04,464 I DON'T KNOW 526 00:16:02,921 --> 00:16:04,464 IF YOU'VE NOTICED, 527 00:16:04,505 --> 00:16:06,090 BUT YOU'RE A GUY. 528 00:16:06,132 --> 00:16:08,134 LISA'S A LESBIAN. 529 00:16:08,175 --> 00:16:12,764 I'M A LESBIAN-IDENTIFIED MAN. 530 00:16:12,806 --> 00:16:14,390 I KNOW. 531 00:16:17,602 --> 00:16:19,938 OKAY, WELL, 532 00:16:17,602 --> 00:16:19,938 MY MOM'S AT THE PLAZA. 533 00:16:19,979 --> 00:16:21,773 THERE'S BEEN SOME SORT 534 00:16:19,979 --> 00:16:21,773 OF MISUNDERSTANDING, 535 00:16:21,815 --> 00:16:23,483 AND SHE'S BEEN HERE 536 00:16:21,815 --> 00:16:23,483 FOR FIVE FUCKING DAYS. 537 00:16:23,524 --> 00:16:24,943 WELL, TELL HER I SAID HI. 538 00:16:24,984 --> 00:16:27,278 OH, HEY, IS SHE STILL 539 00:16:24,984 --> 00:16:27,278 WITH THAT STUNT GUY? 540 00:16:27,320 --> 00:16:28,362 ASK HER. 541 00:16:28,404 --> 00:16:30,114 BYE, ALICE. 542 00:16:32,158 --> 00:16:36,162 BYE. BYE, UH, 543 00:16:32,158 --> 00:16:36,162 IT'S...MY MOM... 544 00:16:36,203 --> 00:16:39,874 HEY, I TOTALLY UNDERSTAND. 545 00:16:43,795 --> 00:16:45,672 OKAY, GUYS. 546 00:16:43,795 --> 00:16:45,672 I'LL SEE YOU LATER. 547 00:16:45,713 --> 00:16:47,674 BYE, AL. 548 00:16:45,713 --> 00:16:47,674 BYE, AL. 549 00:16:51,010 --> 00:16:53,095 SWEETIE... 550 00:16:53,137 --> 00:16:55,348 I WAS PLANNING ON 551 00:16:53,137 --> 00:16:55,348 CALLING YOU TOMORROW. 552 00:16:55,389 --> 00:16:57,350 OH, IT'S BEEN 553 00:16:55,389 --> 00:16:57,350 SO CRAZY. 554 00:16:57,391 --> 00:16:59,894 I'M HERE FOR THE NEW 555 00:16:57,391 --> 00:16:59,894 GERARD LICHTMAN FILM, 556 00:16:59,936 --> 00:17:01,061 AND HE'S JUST BEEN 557 00:17:01,103 --> 00:17:02,522 SO DEMANDING 558 00:17:01,103 --> 00:17:02,522 OF MY TIME. 559 00:17:02,563 --> 00:17:04,524 DID YOU KNOW HE HAS 560 00:17:02,563 --> 00:17:04,524 FIVE STANDARD POODLES? 561 00:17:04,565 --> 00:17:06,192 GERARD LICHTMAN? 562 00:17:04,565 --> 00:17:06,192 WOW. REALLY? 563 00:17:06,233 --> 00:17:08,110 YEAH. 564 00:17:08,152 --> 00:17:09,904 OF COURSE, THEY HAVEN'T SET UP 565 00:17:08,152 --> 00:17:09,904 THEIR PRODUCTION OFFICES YET. 566 00:17:09,946 --> 00:17:11,197 THE FINANCING IS COMING 567 00:17:11,238 --> 00:17:13,992 FROM SOME AUSTRALIAN 568 00:17:11,238 --> 00:17:13,992 BEER CONGLOMERATE, 569 00:17:14,033 --> 00:17:16,703 SO I'M COVERING 570 00:17:14,033 --> 00:17:16,703 THE HOTEL MYSELF, WHICH IS FINE, 571 00:17:16,744 --> 00:17:20,540 EXCEPT THAT I'M HAVING A SLIGHT 572 00:17:16,744 --> 00:17:20,540 CASH FLOW PROBLEM AT THE MOMENT, 573 00:17:20,581 --> 00:17:23,125 AND THIS MANAGER 574 00:17:20,581 --> 00:17:23,125 IS BEING A TOTAL DICK. 575 00:17:23,167 --> 00:17:24,794 EXCUSE ME. 576 00:17:24,836 --> 00:17:26,504 I'M A HUGE FAN 577 00:17:24,836 --> 00:17:26,504 OF DYNASTY. 578 00:17:26,546 --> 00:17:28,088 I LOVED YOU AS ALEXIS. 579 00:17:28,130 --> 00:17:29,549 THANK YOU. 580 00:17:29,590 --> 00:17:33,636 ACTUALLY, 581 00:17:29,590 --> 00:17:33,636 I WAS BLAIR IN EMPIRE FALLS. 582 00:17:33,678 --> 00:17:35,137 MORON. 583 00:17:33,678 --> 00:17:35,137 MOM... 584 00:17:35,179 --> 00:17:36,389 I HAVE TO GO TO WORK, 585 00:17:35,179 --> 00:17:36,389 SO WHAT DO YOU WANT? 586 00:17:36,430 --> 00:17:37,807 OH, ALICE, 587 00:17:36,430 --> 00:17:37,807 PLEASE, CAN'T YOU 588 00:17:37,849 --> 00:17:39,559 TALK TO HIM FOR ME? 589 00:17:39,600 --> 00:17:41,728 HE'S EXHAUSTED ME. 590 00:17:41,769 --> 00:17:44,104 OKAY. ALL RIGHT. 591 00:17:44,146 --> 00:17:46,524 STAY HERE. 592 00:17:44,146 --> 00:17:46,524 I WILL TAKE CARE OF THIS. 593 00:17:49,402 --> 00:17:52,613 [ DIALS CELL PHONE ] 594 00:17:52,655 --> 00:17:54,365 SO ALL HER CREDIT CARDS 595 00:17:52,655 --> 00:17:54,365 WERE DECLINED? 596 00:17:54,407 --> 00:17:55,909 I'M AFRAID SO. 597 00:17:55,950 --> 00:17:57,618 WE HAVE TO COLLECT. 598 00:17:55,950 --> 00:17:57,618 SHE'S OVER OUR LIMIT. 599 00:17:57,660 --> 00:17:59,913 RIGHT, BUT SHE'LL HAVE IT 600 00:17:57,660 --> 00:17:59,913 IN, LIKE, A DAY OR TWO. 601 00:17:59,954 --> 00:18:02,707 SHE'S HERE TO BE 602 00:17:59,954 --> 00:18:02,707 IN A GERARD LICHTMAN FILM. SO... 603 00:18:02,749 --> 00:18:03,708 REALLY? 604 00:18:02,749 --> 00:18:03,708 YEAH. 605 00:18:03,750 --> 00:18:05,376 I LOVED BLAUNACHT. 606 00:18:05,418 --> 00:18:06,377 IT SHOULD'VE WON THE OSCAR 607 00:18:05,418 --> 00:18:06,377 FOR BEST FOREIGN FILM. 608 00:18:06,419 --> 00:18:08,046 RIGHT, AND YOU KNOW, 609 00:18:08,087 --> 00:18:09,463 SOMETIMES THEY START PAYROLL 610 00:18:08,087 --> 00:18:09,463 AFTER PRODUCTION'S STARTED, 611 00:18:09,505 --> 00:18:11,966 AND I'M SURE YOU GUYS 612 00:18:09,505 --> 00:18:11,966 DEAL WITH CELEBRITIES 613 00:18:12,008 --> 00:18:13,009 ALL THE TIME, SO... 614 00:18:13,051 --> 00:18:15,219 I KNOW, BUT, UH... 615 00:18:15,261 --> 00:18:17,304 SHE'S AT OUR LIMIT. 616 00:18:17,346 --> 00:18:19,640 RIGHT. 617 00:18:19,682 --> 00:18:21,893 OKAY, I MEAN, 618 00:18:19,682 --> 00:18:21,893 I CAN TAKE CARE OF THIS. 619 00:18:21,935 --> 00:18:24,979 IT'S NOT A PROBLEM. 620 00:18:25,021 --> 00:18:26,313 SO WHAT ARE WE LOOKING AT? 621 00:18:26,355 --> 00:18:27,774 WELL, 622 00:18:26,355 --> 00:18:27,774 I HAVE A PRINTOUT OF THE BILL. 623 00:18:27,815 --> 00:18:28,816 OKAY. 624 00:18:28,858 --> 00:18:31,861 THE TOTAL COMES TO $5,968.42. 625 00:18:31,903 --> 00:18:35,073 I'M SORRY, YOU SAID-- 626 00:18:35,114 --> 00:18:37,784 5,968.42. 627 00:18:37,825 --> 00:18:39,118 DOLLARS? 628 00:18:39,159 --> 00:18:40,453 WILL THAT BE CASH 629 00:18:39,159 --> 00:18:40,453 OR CREDIT CARD? 630 00:18:40,494 --> 00:18:42,246 I'M SORRY, 631 00:18:40,494 --> 00:18:42,246 HOW COULD ANYBODY 632 00:18:42,288 --> 00:18:44,916 SPEND $5,000 633 00:18:42,288 --> 00:18:44,916 ON A HOTEL ROOM? 634 00:18:44,958 --> 00:18:46,751 WELL, THE SUITE 635 00:18:44,958 --> 00:18:46,751 IS $950 A NIGHT... 636 00:18:46,793 --> 00:18:48,669 SHE WAS HERE 637 00:18:46,793 --> 00:18:48,669 FOR FIVE DAYS, 638 00:18:48,711 --> 00:18:50,129 THERE WAS ROOM SERVICE, 639 00:18:50,170 --> 00:18:52,381 AND I BELIEVE 640 00:18:50,170 --> 00:18:52,381 SHE MADE A FEW PHONE CALLS. 641 00:18:54,008 --> 00:18:55,593 RIGHT. 642 00:18:57,929 --> 00:19:00,014 OH, MOTHER. 643 00:19:00,056 --> 00:19:01,849 WELL, OBVIOUSLY, 644 00:19:00,056 --> 00:19:01,849 I'M GOOD FOR THE MONEY. 645 00:19:01,891 --> 00:19:03,810 I'M NOT SOME SORT 646 00:19:01,891 --> 00:19:03,810 OF CON ARTIST. 647 00:19:03,851 --> 00:19:05,144 AS SOON AS THIS JOB 648 00:19:03,851 --> 00:19:05,144 COMES THROUGH, 649 00:19:05,185 --> 00:19:07,354 JUST SEND ME THE BILL. 650 00:19:11,651 --> 00:19:13,945 YOU COULD ALWAYS 651 00:19:11,651 --> 00:19:13,945 HOCK THOSE PANTS. 652 00:19:13,987 --> 00:19:16,196 AREN'T THEY GREAT? 653 00:19:19,366 --> 00:19:20,785 ARE YOU BEING SARCASTIC? 654 00:19:25,205 --> 00:19:28,042 [ SPORTS SHOW 655 00:19:25,205 --> 00:19:28,042 PLAYING ON TELEVISION ] 656 00:20:07,665 --> 00:20:09,000 SO, UH... 657 00:20:09,042 --> 00:20:10,043 NICK IS IN TOWN, HUH? 658 00:20:10,084 --> 00:20:11,085 MM-HMM. 659 00:20:11,127 --> 00:20:12,795 HMM. 660 00:20:12,837 --> 00:20:14,547 IT'S THE MLA 661 00:20:12,837 --> 00:20:14,547 CONVENTION. 662 00:20:14,588 --> 00:20:16,507 I TOLD HIM THAT WE 663 00:20:14,588 --> 00:20:16,507 WERE GETTING MARRIED, 664 00:20:16,549 --> 00:20:18,134 AND YOU KNOW 665 00:20:16,549 --> 00:20:18,134 WHAT HE SAID? 666 00:20:18,176 --> 00:20:20,136 "CONGRATULATIONS." 667 00:20:20,178 --> 00:20:21,137 REALLY? 668 00:20:21,179 --> 00:20:22,972 YOU KNOW WHAT? 669 00:20:23,014 --> 00:20:24,264 NICK BARASHKOV 670 00:20:24,306 --> 00:20:27,977 IS, LIKE, THIS 671 00:20:24,306 --> 00:20:27,977 PRETENTIOUS ASSHOLE 672 00:20:28,019 --> 00:20:30,188 WHO MILKS HIS MINOR 673 00:20:28,019 --> 00:20:30,188 LITERARY STATURE 674 00:20:30,229 --> 00:20:31,605 BY FUCKING THESE 675 00:20:31,647 --> 00:20:34,650 IMPRESSIONABLE 676 00:20:31,647 --> 00:20:34,650 YOUNG UNDERGRADS. 677 00:20:34,692 --> 00:20:36,027 OKAY? 678 00:20:36,069 --> 00:20:38,112 YOU HAVE TO GIVE ME 679 00:20:36,069 --> 00:20:38,112 SOME MORE CREDIT. 680 00:20:38,154 --> 00:20:40,447 PLEASE? 681 00:20:52,543 --> 00:20:54,461 [ CLEARS THROAT ] 682 00:20:57,173 --> 00:20:59,175 YOU KNOW THE MEN'S 683 00:20:57,173 --> 00:20:59,175 SLALOM'S ON. 684 00:20:59,217 --> 00:21:00,885 I'VE BEEN WAITING 685 00:20:59,217 --> 00:21:00,885 ALL NIGHT FOR THIS. 686 00:21:00,927 --> 00:21:02,011 OH, I'M SORRY. 687 00:21:02,053 --> 00:21:03,221 OH. 688 00:21:03,262 --> 00:21:05,181 YEAH, OKAY. 689 00:21:12,438 --> 00:21:14,356 COME ON. 690 00:21:50,309 --> 00:21:53,562 [ GASPING AND MOANING ] 691 00:22:22,341 --> 00:22:25,678 WHERE ARE YOU? 692 00:22:27,387 --> 00:22:30,432 I'M RIGHT... 693 00:22:27,387 --> 00:22:30,432 I'M RIGHT HERE. 694 00:22:30,474 --> 00:22:31,642 YOU LOOKED 695 00:22:30,474 --> 00:22:31,642 LIKE YOU WERE SOMEPLACE ELSE. 696 00:22:31,684 --> 00:22:33,144 NO, NO. 697 00:22:33,186 --> 00:22:34,478 I'M RIGHT HERE. 698 00:22:34,520 --> 00:22:35,521 REALLY? 699 00:22:35,562 --> 00:22:37,023 YEAH. COME HERE. 700 00:22:37,064 --> 00:22:38,899 IT'S OKAY. 701 00:22:56,834 --> 00:23:00,713 I AM FUCKING DYING OUT THERE. 702 00:23:00,754 --> 00:23:01,797 THESE PHILISTINES 703 00:23:01,839 --> 00:23:04,050 ARE JUST BREAKING MY... 704 00:23:07,220 --> 00:23:09,680 NO. TINA... 705 00:23:09,722 --> 00:23:12,683 YOU INVITED SOMEONE TO DINNER? 706 00:23:12,725 --> 00:23:14,434 I'VE HAD THE WORST FUCKING DAY. 707 00:23:14,476 --> 00:23:15,936 THE LAST THING ON EARTH 708 00:23:14,476 --> 00:23:15,936 I WANT TO DO 709 00:23:15,978 --> 00:23:18,438 IS TO HAVE TO MAKE CON... 710 00:23:52,598 --> 00:23:56,018 I LOVE YOU. 711 00:23:52,598 --> 00:23:56,018 I LOVE YOU. 712 00:23:56,060 --> 00:24:01,107 I LOVE YOU. 713 00:23:56,060 --> 00:24:01,107 I LOVE YOU. 714 00:24:01,148 --> 00:24:04,777 I LOVE YOU. 715 00:24:01,148 --> 00:24:04,777 I LOVE YOU. 716 00:24:15,413 --> 00:24:16,872 I CALLED DR. WILSON, 717 00:24:15,413 --> 00:24:16,872 AND SHE SAID 718 00:24:16,914 --> 00:24:20,793 WE SHOULD COME IN TOMORROW 719 00:24:16,914 --> 00:24:20,793 FOR AN ULTRASOUND, 720 00:24:20,834 --> 00:24:23,254 JUST TO CONFIRM THE RESULTS. 721 00:24:23,296 --> 00:24:26,340 I'M SORRY 722 00:24:23,296 --> 00:24:26,340 I WAS SUCH AN ASSHOLE. 723 00:24:26,382 --> 00:24:29,093 I'M SORRY YOU HAD 724 00:24:26,382 --> 00:24:29,093 SUCH A BAD DAY. 725 00:24:29,135 --> 00:24:31,637 I'M SURE EVERYTHING 726 00:24:29,135 --> 00:24:31,637 IS GOING TO BE OKAY. 727 00:24:31,678 --> 00:24:33,806 SURE IT WILL. 728 00:24:33,847 --> 00:24:35,808 YEAH. 729 00:24:35,849 --> 00:24:37,559 WE'RE GOING TO HAVE A BABY. 730 00:24:37,601 --> 00:24:39,853 WE ARE. 731 00:24:39,895 --> 00:24:42,273 WE ARE. 732 00:24:42,315 --> 00:24:45,276 OH, I LOVE YOU. 733 00:24:45,318 --> 00:24:48,070 I LOVE YOU TOO. 734 00:24:48,112 --> 00:24:49,071 I TELL YOU, YOU'RE 735 00:24:48,112 --> 00:24:49,071 GOOD WITH YOUR MAMA, 736 00:24:49,113 --> 00:24:50,072 YOU'RE GOOD ALL OVER. 737 00:24:50,114 --> 00:24:51,740 AI, AI, AI. 738 00:24:50,114 --> 00:24:51,740 ALL RIGHT. 739 00:24:51,782 --> 00:24:54,285 JUST GIVE ME 740 00:24:51,782 --> 00:24:54,285 A TRIPLE SHOT. 741 00:24:54,327 --> 00:24:55,953 YOU GUYS, 742 00:24:55,995 --> 00:24:58,080 MY MOTHER'S LIVING WITH ME 743 00:24:55,995 --> 00:24:58,080 UNTIL HER JOB STARTS, 744 00:24:58,122 --> 00:24:59,165 AND IT'S NOT FUN. 745 00:24:59,206 --> 00:25:00,666 WOW. 746 00:25:00,707 --> 00:25:02,126 WHAT'S WITH MOPEY-PANTS? 747 00:25:02,168 --> 00:25:03,752 WHAT IS IT, DANA? 748 00:25:03,794 --> 00:25:04,920 ARE YOU HAVING EMBARRASSING 749 00:25:03,794 --> 00:25:04,920 MULTIPLE ORGASMS NOW? 750 00:25:04,962 --> 00:25:07,673 NO. 751 00:25:07,714 --> 00:25:09,591 IT'S JUST 752 00:25:07,714 --> 00:25:09,591 LARA HASN'T CALLED ME, 753 00:25:09,633 --> 00:25:11,469 AND IT'S BEEN, 754 00:25:09,633 --> 00:25:11,469 LIKE... 755 00:25:11,509 --> 00:25:12,594 IT'S BEEN 21 HOURS. 756 00:25:12,636 --> 00:25:13,846 WELL, HOW DID YOU LEAVE IT? 757 00:25:13,887 --> 00:25:15,348 I LEFT 758 00:25:13,887 --> 00:25:15,348 WITHOUT SAYING ANYTHING. 759 00:25:15,389 --> 00:25:16,432 FROM YOUR OWN APARTMENT? 760 00:25:16,474 --> 00:25:19,810 I WAS REALLY 761 00:25:16,474 --> 00:25:19,810 EMBARRASSED, ALICE. 762 00:25:19,852 --> 00:25:22,480 JAMES, I REALLY DON'T THINK 763 00:25:19,852 --> 00:25:22,480 THEY'RE GOING TO DO THAT. 764 00:25:22,520 --> 00:25:23,772 YOU DIDN'T DO ANYTHING, 765 00:25:22,520 --> 00:25:23,772 AND IF THEY DO, 766 00:25:23,814 --> 00:25:25,232 I'LL JUST MAKE 767 00:25:23,814 --> 00:25:25,232 A BUNCH OF PHONE CALLS 768 00:25:25,274 --> 00:25:28,194 AND GIVE YOU AN AMAZING 769 00:25:25,274 --> 00:25:28,194 RECOMMENDATION, OKAY? 770 00:25:30,237 --> 00:25:31,280 I LIKE YOUR SCARF. 771 00:25:31,322 --> 00:25:32,572 THIS IS FOR 772 00:25:31,322 --> 00:25:32,572 THE BABY. 773 00:25:32,614 --> 00:25:34,450 I MADE IT JUST FOR YOU. 774 00:25:32,614 --> 00:25:34,450 CONGRATULATIONS. 775 00:25:34,492 --> 00:25:36,910 I'VE GOT TO GO. 776 00:25:39,413 --> 00:25:40,831 ALL RIGHT, I KNOW, OKAY? 777 00:25:40,873 --> 00:25:42,166 I WAS EXCITED, AND... 778 00:25:42,208 --> 00:25:44,418 CONGRATULATIONS. 779 00:25:44,460 --> 00:25:45,836 SERIOUSLY, GUYS, 780 00:25:44,460 --> 00:25:45,836 IT'S SO AMAZING. 781 00:25:45,878 --> 00:25:47,796 CONGRATS. 782 00:25:45,878 --> 00:25:47,796 WAIT, WAIT, WAIT, WAIT. 783 00:25:47,838 --> 00:25:49,340 WHAT'S HAPPENING? 784 00:25:47,838 --> 00:25:49,340 WHY IS EVERYBODY 785 00:25:49,382 --> 00:25:50,508 CONGRATULATING 786 00:25:49,382 --> 00:25:50,508 YOU GUYS? 787 00:25:50,548 --> 00:25:51,842 TINA'S HAVING A BABY. 788 00:25:51,884 --> 00:25:52,968 THEY'RE PREGNANT. 789 00:25:53,010 --> 00:25:55,388 OH, MY GOD. 790 00:25:53,010 --> 00:25:55,388 CONGRATULATIONS. 791 00:25:55,429 --> 00:25:56,763 WOW. 792 00:25:56,805 --> 00:25:58,849 WHY AM I ALWAYS THE LAST TO KNOW 793 00:25:56,805 --> 00:25:58,849 THESE THINGS? 794 00:25:58,891 --> 00:25:59,850 THAT'S OKAY, DANA. 795 00:25:59,892 --> 00:26:02,769 I WAS SECOND TO LAST. 796 00:26:10,528 --> 00:26:12,654 CHECK IT OUT. 797 00:26:16,742 --> 00:26:18,576 THIS IS WHERE 798 00:26:16,742 --> 00:26:18,576 YOU TAKE THE FLOWER. 799 00:26:20,079 --> 00:26:21,121 COME HERE. 800 00:26:20,079 --> 00:26:21,121 I'M SORRY. 801 00:26:27,794 --> 00:26:29,922 GOD. 802 00:26:29,963 --> 00:26:31,131 SO FUCKING CUTE. 803 00:26:31,173 --> 00:26:32,508 YUCK. 804 00:26:34,343 --> 00:26:35,886 YEAH, WELL, YOU COULD HAVE 805 00:26:34,343 --> 00:26:35,886 WAITED UNTIL SHE LEFT 806 00:26:35,928 --> 00:26:38,264 TO DO THE 807 00:26:35,928 --> 00:26:38,264 PREGNANCY TEST, 808 00:26:38,305 --> 00:26:40,349 OR MAYBE YOU WANT ALICE 809 00:26:38,305 --> 00:26:40,349 TO BE YOUR LAMAZE PARTNER, TOO. 810 00:26:40,391 --> 00:26:41,892 IN FACT, YOU KNOW, REALLY, 811 00:26:40,391 --> 00:26:41,892 I'M SURPRISED 812 00:26:41,934 --> 00:26:43,310 THAT YOU DIDN'T INVITE HER 813 00:26:41,934 --> 00:26:43,310 TO COME WITH US 814 00:26:43,352 --> 00:26:45,187 FOR THE ULTRASOUND. 815 00:26:59,701 --> 00:27:01,036 I'M SORRY. 816 00:27:01,078 --> 00:27:03,539 LOOK, I KNOW HOW 817 00:27:01,078 --> 00:27:03,539 STRESSED YOU ARE. 818 00:27:03,581 --> 00:27:06,125 I'M TRYING 819 00:27:03,581 --> 00:27:06,125 TO LEAVE YOU ALONE, 820 00:27:06,166 --> 00:27:07,126 BUT SOMETIMES 821 00:27:06,166 --> 00:27:07,126 I NEED SOMEONE 822 00:27:07,167 --> 00:27:08,626 TO SHARE 823 00:27:07,167 --> 00:27:08,626 A MOMENT WITH. 824 00:27:08,668 --> 00:27:09,627 IS THAT REALLY 825 00:27:08,668 --> 00:27:09,627 SO WRONG? 826 00:27:09,669 --> 00:27:11,130 [ SIGHS ] 827 00:27:11,171 --> 00:27:12,630 NO... 828 00:27:12,672 --> 00:27:14,258 IT'S SAD. 829 00:27:21,557 --> 00:27:23,517 ALL RIGHT, LADIES, 830 00:27:21,557 --> 00:27:23,517 LET'S KEEP IT MOVING. 831 00:27:25,727 --> 00:27:28,230 I'M SO SORRY. I HAD TO BEG DURST 832 00:27:25,727 --> 00:27:28,230 TO MAKE UP MY PHYSICS EXAM-- 833 00:27:28,272 --> 00:27:29,523 TURN RIGHT BACK AROUND, TRISH. 834 00:27:29,565 --> 00:27:30,648 YOU DON'T COME TO PRACTICE 835 00:27:29,565 --> 00:27:30,648 ON TIME, 836 00:27:30,690 --> 00:27:31,691 DON'T BOTHER COMING. 837 00:27:31,733 --> 00:27:32,692 BUT, TIM-- 838 00:27:31,733 --> 00:27:32,692 WHAT? 839 00:27:32,734 --> 00:27:33,986 YOU'RE A GROWN-UP, RIGHT? 840 00:27:34,027 --> 00:27:35,862 WHY DON'T YOU TAKE 841 00:27:34,027 --> 00:27:35,862 SOME RESPONSIBILITY? 842 00:27:35,904 --> 00:27:37,615 ALL THESE WOMEN 843 00:27:35,904 --> 00:27:37,615 ARE IN THE WATER ALREADY. 844 00:27:37,655 --> 00:27:40,326 GO ON. 845 00:27:42,411 --> 00:27:43,621 TIM, WHAT THE HELL 846 00:27:42,411 --> 00:27:43,621 ARE YOU DOING? 847 00:27:43,661 --> 00:27:44,662 GET HER 848 00:27:43,661 --> 00:27:44,662 IN THE WATER, NOW. 849 00:27:44,704 --> 00:27:46,248 RANDY, SHE'S 850 00:27:44,704 --> 00:27:46,248 FUCKING UP. 851 00:27:46,290 --> 00:27:47,874 WE CAN'T JUST LET HER 852 00:27:46,290 --> 00:27:47,874 SET HER OWN SCHEDULE-- 853 00:27:47,916 --> 00:27:50,919 TRISH! 854 00:27:47,916 --> 00:27:50,919 GET BACK HERE! 855 00:27:50,961 --> 00:27:52,963 GO GET HER. 856 00:27:57,050 --> 00:27:58,636 TRISH... 857 00:28:12,024 --> 00:28:14,610 [ CELL PHONE VIBRATES ] 858 00:28:18,197 --> 00:28:20,658 WHAT? 859 00:28:20,698 --> 00:28:21,992 IS THAT WHAT YOU CALLED 860 00:28:20,698 --> 00:28:21,992 TO TELL ME? 861 00:28:22,034 --> 00:28:24,995 I CAN'T HEAR THAT 862 00:28:22,034 --> 00:28:24,995 RIGHT NOW, OKAY? 863 00:28:25,037 --> 00:28:26,163 ARE YOU READY? 864 00:28:26,205 --> 00:28:27,206 YEAH. 865 00:28:27,247 --> 00:28:29,458 BYE. 866 00:28:37,841 --> 00:28:39,801 SO WE'LL JUST APPLY 867 00:28:39,843 --> 00:28:42,888 A LITTLE BIT 868 00:28:39,843 --> 00:28:42,888 OF LUBRICANT HERE... 869 00:28:46,058 --> 00:28:48,686 AND HERE WE GO. 870 00:28:53,566 --> 00:28:55,442 YOU COMFORTABLE? 871 00:28:55,484 --> 00:28:56,943 ALL RIGHT. 872 00:28:59,279 --> 00:29:02,908 SO THERE'S YOUR 873 00:28:59,279 --> 00:29:02,908 LEFT OVARY, 874 00:29:02,949 --> 00:29:04,201 AND THAT LOOKS 875 00:29:04,243 --> 00:29:05,869 LIKE IT WOULD HAVE 876 00:29:04,243 --> 00:29:05,869 BEEN A FOLLICLE, 877 00:29:05,911 --> 00:29:07,663 AND THERE-- 878 00:29:07,705 --> 00:29:09,789 YOU SEE THAT 879 00:29:07,705 --> 00:29:09,789 LITTLE HEARTBEAT? 880 00:29:14,169 --> 00:29:15,795 IS THAT OUR BABY? 881 00:29:15,837 --> 00:29:18,965 THAT'S YOUR BABY. 882 00:29:19,007 --> 00:29:22,177 OH, MY GOD. 883 00:29:22,219 --> 00:29:24,680 OH, MY GOD. 884 00:29:29,476 --> 00:29:32,229 OH, MY GOD. 885 00:29:35,774 --> 00:29:38,360 LEFT ON THIRD. 886 00:29:38,402 --> 00:29:39,695 GERARD IS INSISTING 887 00:29:39,737 --> 00:29:42,197 ON SPENDING THE ENTIRE 888 00:29:39,737 --> 00:29:42,197 AFTERNOON WITH ME. 889 00:29:42,239 --> 00:29:44,366 LAST TIME I SAW HIM, 890 00:29:42,239 --> 00:29:44,366 MY GOD, 891 00:29:44,408 --> 00:29:46,368 WE TALKED 892 00:29:44,408 --> 00:29:46,368 ABOUT EVERYTHING. 893 00:29:46,410 --> 00:29:47,369 FILMS 894 00:29:46,410 --> 00:29:47,369 THAT INSPIRED HIM 895 00:29:47,411 --> 00:29:49,913 AS A CHILD IN BERLIN, 896 00:29:49,955 --> 00:29:51,123 MY DIVORCE... 897 00:29:51,164 --> 00:29:52,958 IT WAS AS IF 898 00:29:51,164 --> 00:29:52,958 WE'D KNOWN EACH OTHER 899 00:29:52,999 --> 00:29:54,460 FOR YEARS. 900 00:29:54,501 --> 00:29:56,169 LEFT! LEFT! 901 00:29:54,501 --> 00:29:56,169 MOM! 902 00:29:56,211 --> 00:29:57,296 I'VE LIVED IN THIS 903 00:29:56,211 --> 00:29:57,296 CITY MY WHOLE LIFE. 904 00:29:57,337 --> 00:29:58,297 I KNOW HOW 905 00:29:57,337 --> 00:29:58,297 TO GET TO PICO. 906 00:29:58,338 --> 00:29:59,506 GOD. 907 00:29:59,548 --> 00:30:01,091 WE WOULDN'T 908 00:29:59,548 --> 00:30:01,091 HAVE BEEN LATE 909 00:30:01,133 --> 00:30:04,052 IF YOU HADN'T SPENT 50 MINUTES 910 00:30:01,133 --> 00:30:04,052 IN THE BATHROOM. 911 00:30:06,096 --> 00:30:07,139 DO I LOOK OKAY? 912 00:30:07,180 --> 00:30:08,307 YOU LOOK GOOD. 913 00:30:08,348 --> 00:30:09,891 YOU LOOK GREAT. 914 00:30:09,933 --> 00:30:11,351 YOU DO. 915 00:30:11,393 --> 00:30:14,313 YOU REALLY DO. 916 00:30:14,354 --> 00:30:15,522 YOU COULD TAKE 917 00:30:14,354 --> 00:30:15,522 A LITTLE MORE TIME 918 00:30:15,564 --> 00:30:16,774 WITH YOUR FACE, YOU KNOW. 919 00:30:16,856 --> 00:30:19,735 YOU MIGHT HAVE 920 00:30:16,856 --> 00:30:19,735 A GIRLFRIEND BY NOW. 921 00:30:21,861 --> 00:30:22,821 [ HONKS ] 922 00:30:22,862 --> 00:30:24,615 FUCKING FUCKER! 923 00:30:22,862 --> 00:30:24,615 ASSHOLE! 924 00:30:24,657 --> 00:30:26,700 GOD! 925 00:30:24,657 --> 00:30:26,700 JESUS! 926 00:30:31,997 --> 00:30:33,290 KNOCK 'EM DEAD, MOM. 927 00:30:33,332 --> 00:30:35,000 DON'T WORRY SO MUCH. 928 00:30:35,041 --> 00:30:37,461 YOU'RE GETTING 929 00:30:35,041 --> 00:30:37,461 THIS BIG WRINKLE. 930 00:30:37,503 --> 00:30:39,797 YOU'RE STARTING TO LOOK 931 00:30:37,503 --> 00:30:39,797 LIKE ERNEST BORGNINE. 932 00:31:15,081 --> 00:31:20,629 [ TAPE REWINDING ] 933 00:31:20,671 --> 00:31:22,047 [ BLOODCURDLING SCREAMS ] 934 00:31:22,088 --> 00:31:25,676 [ VARIOUS VOICEOVERS 935 00:31:22,088 --> 00:31:25,676 AND SOUND EFFECTS ] 936 00:31:34,017 --> 00:31:35,227 SIGN IN AT 937 00:31:34,017 --> 00:31:35,227 THE FRONT DESK. 938 00:31:35,268 --> 00:31:37,604 THEY'LL GIVE YOU SIDES. 939 00:31:37,646 --> 00:31:38,856 WHAT IS THIS? 940 00:31:38,897 --> 00:31:40,023 IT'S AN OPEN CALL 941 00:31:40,065 --> 00:31:41,149 FOR THE PART 942 00:31:40,065 --> 00:31:41,149 OF MRS. SIMONS, 943 00:31:41,191 --> 00:31:42,442 ALIEN ONE, TWO, 944 00:31:41,191 --> 00:31:42,442 AND THREE, 945 00:31:42,484 --> 00:31:44,277 AND TED'S GRANDMOTHER. 946 00:31:44,319 --> 00:31:45,738 CURSE OF THE 947 00:31:44,319 --> 00:31:45,738 ROMALIANS, 948 00:31:45,779 --> 00:31:47,489 RETURN TO GONDOR, 949 00:31:45,779 --> 00:31:47,489 PART TWO? 950 00:31:47,531 --> 00:31:48,907 IS THIS 951 00:31:47,531 --> 00:31:48,907 A LICHTMAN FILM? 952 00:31:48,948 --> 00:31:52,494 GERARD LICHTMAN, 953 00:31:48,948 --> 00:31:52,494 THE GERMAN DIRECTOR? 954 00:31:52,536 --> 00:31:53,995 THE DIRECTOR 955 00:31:52,536 --> 00:31:53,995 IS MATT FREED. 956 00:31:54,037 --> 00:31:56,081 HE'S 22, AND HE'S 957 00:31:54,037 --> 00:31:56,081 FROM PASADENA. 958 00:31:56,122 --> 00:31:59,042 PLUS, HE'S 959 00:31:56,122 --> 00:31:59,042 A TOTAL ASSHOLE. 960 00:31:59,084 --> 00:32:00,627 EXCUSE ME. 961 00:32:09,511 --> 00:32:12,431 [ INDISTINCT CHATTER ] 962 00:32:41,209 --> 00:32:42,335 HEY, MAN. 963 00:32:42,377 --> 00:32:44,671 CAN I TALK TO YOU 964 00:32:42,377 --> 00:32:44,671 A SECOND? 965 00:32:44,713 --> 00:32:46,256 ABOUT WHAT? TRISH? 966 00:32:46,298 --> 00:32:47,925 YEAH, WELL, LOOK, 967 00:32:47,966 --> 00:32:49,092 TRISH NEEDS 968 00:32:47,966 --> 00:32:49,092 SUPPORT RIGHT NOW. 969 00:32:49,134 --> 00:32:50,260 SHE DOESN'T NEED 970 00:32:49,134 --> 00:32:50,260 TO BE CHEWED OUT 971 00:32:50,302 --> 00:32:51,344 IN FRONT 972 00:32:50,302 --> 00:32:51,344 OF THE WHOLE TEAM. 973 00:32:51,386 --> 00:32:52,429 YEAH? 974 00:32:52,471 --> 00:32:53,806 WELL, I DON'T EITHER. 975 00:32:53,847 --> 00:32:55,766 I'M JUST TRYING 976 00:32:53,847 --> 00:32:55,766 TO DO MY JOB. 977 00:32:55,808 --> 00:32:56,767 YOU'RE RIGHT. 978 00:32:56,809 --> 00:32:57,768 LOOK, MAN, I'M SORRY 979 00:32:57,810 --> 00:32:58,894 IF I WAS HARSH 980 00:32:57,810 --> 00:32:58,894 OUT THERE, 981 00:32:58,936 --> 00:33:00,145 BUT THIS 982 00:32:58,936 --> 00:33:00,145 IS THE REALITY 983 00:33:00,186 --> 00:33:01,229 OF OUR SITUATION. 984 00:33:01,271 --> 00:33:02,940 WITHOUT TRISH PEVERELL, 985 00:33:02,981 --> 00:33:04,775 WE SHOULDN'T BOTHER 986 00:33:02,981 --> 00:33:04,775 SHOWING UP NEXT WEEK... 987 00:33:04,817 --> 00:33:06,151 REALLY? 988 00:33:06,192 --> 00:33:07,319 AND ON THAT NOTE, 989 00:33:07,360 --> 00:33:09,070 I GOT AHOLD 990 00:33:07,360 --> 00:33:09,070 OF THE PHYSICS MIDTERM 991 00:33:09,112 --> 00:33:11,239 SHE'S GOING TO TAKE ON MONDAY. 992 00:33:11,281 --> 00:33:13,659 THERE IS NO WAY I'M JUST TURNING 993 00:33:11,281 --> 00:33:13,659 THAT TEST OVER TO TRISH. 994 00:33:13,700 --> 00:33:14,952 WOULD YOU RELAX? 995 00:33:14,993 --> 00:33:16,244 NO ONE IS TALKING 996 00:33:14,993 --> 00:33:16,244 ABOUT CHEATING. 997 00:33:16,286 --> 00:33:18,204 I'M TALKING 998 00:33:16,286 --> 00:33:18,204 ABOUT GIVING YOU THE TEST 999 00:33:18,246 --> 00:33:20,582 SO THAT YOU KNOW 1000 00:33:18,246 --> 00:33:20,582 HOW TO TUTOR HER. 1001 00:33:20,624 --> 00:33:21,959 YOU KNOW, 1002 00:33:20,624 --> 00:33:21,959 WHAT DIRECTION TO LEAD HER IN, 1003 00:33:22,000 --> 00:33:23,251 THAT'S ALL. 1004 00:33:23,293 --> 00:33:25,086 COME ON. 1005 00:33:28,340 --> 00:33:30,008 YOU ARE A TENSE MAN RIGHT NOW, 1006 00:33:28,340 --> 00:33:30,008 YOU KNOW THAT? 1007 00:33:30,049 --> 00:33:32,803 LISTEN, WHY DON'T WE 1008 00:33:30,049 --> 00:33:32,803 GO GET A COUPLE OF BEERS, 1009 00:33:32,845 --> 00:33:34,888 CHILL OUT A BIT? 1010 00:33:32,845 --> 00:33:34,888 IT'S ON ME. 1011 00:33:34,930 --> 00:33:36,264 I CAN'T. 1012 00:33:36,306 --> 00:33:38,016 WHAT, YOU AND JENNY 1013 00:33:36,306 --> 00:33:38,016 GOT PLANS? 1014 00:33:38,057 --> 00:33:39,351 NO, JENNY'S GOING 1015 00:33:38,057 --> 00:33:39,351 OUT TO DINNER 1016 00:33:39,392 --> 00:33:40,936 WITH ONE OF HER 1017 00:33:39,392 --> 00:33:40,936 OLD PROFESSORS. 1018 00:33:40,978 --> 00:33:43,939 AH. OH. 1019 00:33:43,981 --> 00:33:45,106 WAIT. 1020 00:33:45,148 --> 00:33:46,817 NOT THE BLOW JOB ONE? 1021 00:33:46,859 --> 00:33:49,027 THE ONE SHE WROTE 1022 00:33:46,859 --> 00:33:49,027 THAT STORY ABOUT? 1023 00:33:49,068 --> 00:33:50,570 OH, HELL, NO. 1024 00:33:50,612 --> 00:33:51,613 YOU'RE LETTING 1025 00:33:50,612 --> 00:33:51,613 YOUR FIANCEE 1026 00:33:51,655 --> 00:33:52,823 GO OUT WITH A DUDE 1027 00:33:52,865 --> 00:33:54,032 WHOSE DICK'S 1028 00:33:52,865 --> 00:33:54,032 BEEN IN HER MOUTH? 1029 00:33:54,073 --> 00:33:55,993 DON'T FUCKING 1030 00:33:54,073 --> 00:33:55,993 SAY THAT. 1031 00:34:04,459 --> 00:34:06,127 I DON'T OWN HER, 1032 00:34:04,459 --> 00:34:06,127 ALL RIGHT? 1033 00:34:06,169 --> 00:34:07,128 SHE'S HER OWN WOMAN. 1034 00:34:07,170 --> 00:34:08,964 NO, SHE'S NOT. 1035 00:34:09,006 --> 00:34:10,590 NOT SINCE SHE PUT 1036 00:34:09,006 --> 00:34:10,590 THAT RING ON HER FINGER 1037 00:34:10,632 --> 00:34:12,133 AND SAID YES. 1038 00:34:12,175 --> 00:34:13,719 MAN, YOU HAVE GOT 1039 00:34:12,175 --> 00:34:13,719 TO PUT YOUR FOOT DOWN. 1040 00:34:13,760 --> 00:34:15,345 NO. 1041 00:34:15,387 --> 00:34:17,764 THAT WHOLE CAVEMAN THING, 1042 00:34:15,387 --> 00:34:17,764 IT'S NOT MY STYLE. 1043 00:34:17,806 --> 00:34:19,850 THIS AIN'T GOT NOTHING TO DO 1044 00:34:17,806 --> 00:34:19,850 WITH CAVEMAN, ALL RIGHT? 1045 00:34:19,892 --> 00:34:22,185 THIS IS ABOUT TRUST, 1046 00:34:19,892 --> 00:34:22,185 PURE AND SIMPLE. 1047 00:34:22,227 --> 00:34:24,312 YOU DON'T TRUST HER, 1048 00:34:22,227 --> 00:34:24,312 YOU DON'T MARRY HER. 1049 00:34:24,354 --> 00:34:26,815 I'M SORRY TO SOUND 1050 00:34:24,354 --> 00:34:26,815 SO HARSH, MAN, 1051 00:34:26,857 --> 00:34:30,235 BUT THOSE ARE THE RULES 1052 00:34:26,857 --> 00:34:30,235 OF THE GAME. 1053 00:34:30,276 --> 00:34:32,404 I TRUST HER, OKAY? 1054 00:34:34,072 --> 00:34:37,116 YEAH. 1055 00:34:34,072 --> 00:34:37,116 TALK TO YOU LATER, ALL RIGHT? 1056 00:34:46,501 --> 00:34:47,836 HAVE A SEAT. 1057 00:34:52,549 --> 00:34:54,384 I'LL FOREGO THE BLINDFOLD. 1058 00:34:57,596 --> 00:34:59,222 MS. PORTER, AS I'M SURE 1059 00:34:57,596 --> 00:34:59,222 YOU'RE AWARE, 1060 00:34:59,264 --> 00:35:00,473 THE POSITION 1061 00:35:00,515 --> 00:35:02,350 OF DIRECTOR 1062 00:35:00,515 --> 00:35:02,350 OF THIS MUSEUM 1063 00:35:02,392 --> 00:35:05,520 INVOLVES MORE THAN MERELY 1064 00:35:02,392 --> 00:35:05,520 PULLING COLLECTIONS OUT OF HATS. 1065 00:35:05,562 --> 00:35:06,646 IT INVOLVES IMAGE. 1066 00:35:06,688 --> 00:35:07,898 IT INVOLVES 1067 00:35:06,688 --> 00:35:07,898 RELATIONSHIPS. 1068 00:35:07,940 --> 00:35:08,899 OKAY, YOU HAVE 1069 00:35:07,940 --> 00:35:08,899 TO TELL ME 1070 00:35:08,941 --> 00:35:10,692 WHAT YOU THOUGHT 1071 00:35:08,941 --> 00:35:10,692 OF MY STORY. 1072 00:35:10,734 --> 00:35:13,904 I'M SO FLATTERED 1073 00:35:10,734 --> 00:35:13,904 THAT YOU VALUE MY OPINION. 1074 00:35:13,946 --> 00:35:15,781 NICHOLAS, OF COURSE 1075 00:35:13,946 --> 00:35:15,781 I VALUE YOUR OPINION. 1076 00:35:15,822 --> 00:35:16,990 YOU'RE THE MOST... 1077 00:35:17,032 --> 00:35:21,954 BRILLIANT, 1078 00:35:17,032 --> 00:35:21,954 WONDERFULLY SMART EDITOR 1079 00:35:21,995 --> 00:35:23,538 THAT I'VE EVER HAD. 1080 00:35:23,580 --> 00:35:24,957 WHAT DO YOU THINK 1081 00:35:23,580 --> 00:35:24,957 OF THE TIE? 1082 00:35:24,998 --> 00:35:26,583 I THINK IT'S FUCKING SLEAZY. 1083 00:35:26,625 --> 00:35:29,044 EXCELLENT. 1084 00:35:29,086 --> 00:35:30,503 WELL, YOUR STORY... 1085 00:35:30,545 --> 00:35:31,588 YES. 1086 00:35:31,630 --> 00:35:32,589 IF YOU REALLY WANT TO KNOW... 1087 00:35:32,631 --> 00:35:34,049 I DO. 1088 00:35:34,091 --> 00:35:36,051 I THOUGHT WAS UTTER BULLSHIT 1089 00:35:34,091 --> 00:35:36,051 FROM BEGINNING TO END. 1090 00:35:36,093 --> 00:35:37,970 I MEAN, 1091 00:35:36,093 --> 00:35:37,970 BEAUTIFULLY WRITTEN. 1092 00:35:38,011 --> 00:35:39,721 YOU ALWAYS WRITE EXQUISITELY, 1093 00:35:39,763 --> 00:35:42,015 BUT... 1094 00:35:42,057 --> 00:35:43,976 "SWANS"? 1095 00:35:44,017 --> 00:35:45,518 THEY MATE FOR LIFE. 1096 00:35:45,560 --> 00:35:46,979 SURE, 1097 00:35:47,020 --> 00:35:49,355 AND THEY HAVE BRAINS 1098 00:35:47,020 --> 00:35:49,355 THE SIZE OF PING-PONG BALLS. 1099 00:35:49,397 --> 00:35:51,900 I MEAN, 1100 00:35:49,397 --> 00:35:51,900 WHERE'S YOUR EDGE, JENNIFER? 1101 00:35:51,942 --> 00:35:54,111 WHERE'S YOUR 1102 00:35:51,942 --> 00:35:54,111 NIHILISTIC PASSION? 1103 00:35:54,152 --> 00:35:56,237 WHERE'S THE GIRL 1104 00:35:54,152 --> 00:35:56,237 THAT MASTURBATED IN CHURCH? 1105 00:35:56,279 --> 00:35:57,238 SHH. 1106 00:35:57,280 --> 00:35:59,116 I MEAN, 1107 00:35:59,157 --> 00:36:01,118 "AND HE WOULD HAVE DIED 1108 00:35:59,157 --> 00:36:01,118 FOR HER, 1109 00:36:01,159 --> 00:36:03,369 AND SHE WOULD HAVE DIED 1110 00:36:01,159 --> 00:36:03,369 FOR HIM," WHAT'S THAT ABOUT? 1111 00:36:03,411 --> 00:36:06,873 IT'S ABOUT FUCKING COMMITMENT, 1112 00:36:03,411 --> 00:36:06,873 YOU KNOW? 1113 00:36:06,915 --> 00:36:07,916 REALLY? 1114 00:36:06,915 --> 00:36:07,916 YES. 1115 00:36:07,958 --> 00:36:09,584 BECAUSE IT READS 1116 00:36:07,958 --> 00:36:09,584 LIKE SPACKLE. 1117 00:36:09,626 --> 00:36:11,003 NOW, I KNOW 1118 00:36:09,626 --> 00:36:11,003 YOU'RE MARRYING THE COACH, 1119 00:36:11,044 --> 00:36:12,796 BUT IF THIS IS MEANT 1120 00:36:11,044 --> 00:36:12,796 AS A WEDDING PRESENT, 1121 00:36:12,838 --> 00:36:14,339 THEN KEEP IT 1122 00:36:12,838 --> 00:36:14,339 BETWEEN YOU AND HIM, 1123 00:36:14,380 --> 00:36:17,509 BECAUSE YOU ARE 1124 00:36:14,380 --> 00:36:17,509 MORE COMPLEX THAN THIS. 1125 00:36:21,805 --> 00:36:22,764 WHAT DID YOU THINK 1126 00:36:22,806 --> 00:36:23,765 JUST THEN? 1127 00:36:23,807 --> 00:36:25,433 WHERE DID YOU GO? 1128 00:36:25,475 --> 00:36:28,020 NOWHERE. 1129 00:36:28,061 --> 00:36:29,354 YOU'RE OBFUSCATING. 1130 00:36:29,395 --> 00:36:31,982 NOTHING. 1131 00:36:32,024 --> 00:36:33,817 LISTEN, JENNIFER. 1132 00:36:33,859 --> 00:36:36,277 COMMITMENT IS DREARY. 1133 00:36:36,319 --> 00:36:38,905 IT'S NOT YOUR THING. 1134 00:36:38,947 --> 00:36:41,825 YOU HAVE TO DIG DEEPER. 1135 00:36:44,243 --> 00:36:46,830 TELL ME SOMETHING INTERESTING. 1136 00:36:51,376 --> 00:36:54,295 I'VE BEEN DOING 1137 00:36:51,376 --> 00:36:54,295 THESE REALLY TERRIBLE THINGS. 1138 00:36:56,631 --> 00:36:57,632 WHERE THE HELL 1139 00:36:57,674 --> 00:36:59,176 IS THE DIRECTOR'S 1140 00:36:57,674 --> 00:36:59,176 OFFICE? 1141 00:36:59,217 --> 00:37:01,803 THIS PLACE 1142 00:36:59,217 --> 00:37:01,803 IS LIKE A GODDAMN LABYRINTH. 1143 00:37:01,845 --> 00:37:04,848 ANY MOMENT, I EXPECT 1144 00:37:01,845 --> 00:37:04,848 TO RUN INTO THE MINOTAUR. 1145 00:37:04,890 --> 00:37:06,683 HI. CAN I HELP YOU? 1146 00:37:06,725 --> 00:37:10,854 YES, WELL, YOU CERTAINLY LOOK 1147 00:37:06,725 --> 00:37:10,854 LIKE A VERY CAPABLE YOUNG MAN, 1148 00:37:10,896 --> 00:37:12,898 WHICH IS FORTUNATE, 1149 00:37:10,896 --> 00:37:12,898 SINCE I'M RATHER AT YOUR MERCY. 1150 00:37:12,939 --> 00:37:15,859 I NEED TO FIND BETTE PORTER 1151 00:37:12,939 --> 00:37:15,859 OR XANDRA ROSENMAN. 1152 00:37:15,901 --> 00:37:17,069 THEY'RE BOTH 1153 00:37:15,901 --> 00:37:17,069 IN A MEETING. 1154 00:37:17,110 --> 00:37:18,570 IN THERE? OH, GOOD. 1155 00:37:18,611 --> 00:37:20,405 TAKE THEM FOR A MOMENT, 1156 00:37:18,611 --> 00:37:20,405 WOULD YOU, PLEASE? 1157 00:37:20,446 --> 00:37:21,447 GET THEM SOME WATER. 1158 00:37:21,489 --> 00:37:23,033 YOU CAN'T GO IN THERE. 1159 00:37:23,075 --> 00:37:24,951 THAT'S A BOARD OF DIRECTORS 1160 00:37:23,075 --> 00:37:24,951 MEETING, MA'AM. 1161 00:37:24,993 --> 00:37:26,244 GET YOUR HAND OFF ME 1162 00:37:26,285 --> 00:37:29,206 IF YOU WANT TO GO ON 1163 00:37:26,285 --> 00:37:29,206 LIVING AND BREATHING. 1164 00:37:30,832 --> 00:37:33,835 PEGGY PEABODY? 1165 00:37:30,832 --> 00:37:33,835 WHAT ARE YOU DOING HERE? 1166 00:37:33,877 --> 00:37:34,878 PEGGY? 1167 00:37:34,920 --> 00:37:36,295 XANDRA, I GOT YOUR CALL. 1168 00:37:36,337 --> 00:37:37,923 WHAT IS THIS 1169 00:37:36,337 --> 00:37:37,923 ABOUT FRANKLIN 1170 00:37:37,964 --> 00:37:39,925 FIRING BETTE PORTER? 1171 00:37:39,966 --> 00:37:41,218 LET ME JUST SAY, 1172 00:37:41,259 --> 00:37:42,385 FRANKLIN, 1173 00:37:42,427 --> 00:37:43,845 AND ANYONE ELSE 1174 00:37:43,887 --> 00:37:46,014 WHO MAY BE INVOLVED 1175 00:37:43,887 --> 00:37:46,014 IN THIS LITTLE CABAL, 1176 00:37:46,056 --> 00:37:48,725 IF YOU FIRE 1177 00:37:46,056 --> 00:37:48,725 BETTE PORTER, 1178 00:37:48,767 --> 00:37:50,435 I'LL HAVE TO RECONSIDER 1179 00:37:48,767 --> 00:37:50,435 LENDING MY COLLECTION 1180 00:37:50,476 --> 00:37:51,436 TO THE C.A.C. 1181 00:37:51,477 --> 00:37:52,645 MS. PORTER 1182 00:37:52,687 --> 00:37:53,855 IS FAR AND AWAY 1183 00:37:53,897 --> 00:37:54,856 THE MOST 1184 00:37:53,897 --> 00:37:54,856 QUALIFIED PERSON 1185 00:37:54,898 --> 00:37:56,524 IN LOS ANGELES 1186 00:37:56,566 --> 00:37:58,568 TO PRESIDE OVER AN EXHIBIT 1187 00:37:56,566 --> 00:37:58,568 LIKE PROVOCATIONS. 1188 00:37:58,610 --> 00:38:00,737 I THOUGHT PROVOCATIONS 1189 00:37:58,610 --> 00:38:00,737 WAS GOING TO MOCA. 1190 00:38:00,779 --> 00:38:02,572 WELL, IT'S NOT, FRANKLIN. 1191 00:38:02,614 --> 00:38:05,117 IT'S GOING TO YOUR 1192 00:38:02,614 --> 00:38:05,117 UP-AND-COMING LITTLE MUSEUM, 1193 00:38:05,158 --> 00:38:06,367 BUT ONLY 1194 00:38:06,409 --> 00:38:07,535 ON ONE CONDITION. 1195 00:38:07,577 --> 00:38:08,703 MS. PORTER, 1196 00:38:08,745 --> 00:38:10,956 I'LL NEED 1197 00:38:08,745 --> 00:38:10,956 A GUARANTEE FROM YOU 1198 00:38:10,997 --> 00:38:13,291 THAT YOU WILL 1199 00:38:10,997 --> 00:38:13,291 REMAIN WITH THE C.A.C., 1200 00:38:13,332 --> 00:38:14,918 AT LEAST UNTIL PROVOCATIONS 1201 00:38:13,332 --> 00:38:14,918 MOVES ON TO THE WALKER 1202 00:38:14,960 --> 00:38:16,753 IN THE SUMMER. 1203 00:38:16,795 --> 00:38:17,796 WELL, I'M NOT IN A POSITION TO-- 1204 00:38:17,837 --> 00:38:19,172 MS. PORTER 1205 00:38:17,837 --> 00:38:19,172 HAS SIX MONTHS 1206 00:38:19,214 --> 00:38:20,799 REMAINING 1207 00:38:19,214 --> 00:38:20,799 ON HER CONTRACT, 1208 00:38:20,840 --> 00:38:22,134 PEGGY, 1209 00:38:22,175 --> 00:38:23,927 AND WE HAVE EVERY INTENTION 1210 00:38:22,175 --> 00:38:23,927 OF HONORING IT, 1211 00:38:23,969 --> 00:38:26,138 DESPITE WHAT YOU MAY HAVE HEARD 1212 00:38:23,969 --> 00:38:26,138 ABOUT HER BEING FIRED. 1213 00:38:26,179 --> 00:38:28,681 WELL, LET'S JUST 1214 00:38:26,179 --> 00:38:28,681 FORGET ABOUT THAT, THEN. 1215 00:38:28,723 --> 00:38:30,142 DO YOU HAVE 1216 00:38:28,723 --> 00:38:30,142 AN OPTION 1217 00:38:30,183 --> 00:38:32,852 IN THE CONTRACT? 1218 00:38:32,894 --> 00:38:34,104 OF COURSE WE DO. 1219 00:38:34,146 --> 00:38:35,521 18 MONTHS, I BELIEVE. 1220 00:38:35,563 --> 00:38:37,774 I SUGGEST 1221 00:38:35,563 --> 00:38:37,774 YOU EXERCISE IT HERE AND NOW. 1222 00:38:37,816 --> 00:38:40,693 BY THE TIME PROVOCATIONS 1223 00:38:37,816 --> 00:38:40,693 DEBUTS AT THE C.A.C., 1224 00:38:40,735 --> 00:38:41,778 MS. PORTER WILL ALREADY 1225 00:38:40,735 --> 00:38:41,778 HAVE BEEN WOOED 1226 00:38:41,820 --> 00:38:42,779 BY EVERY MUSEUM 1227 00:38:42,821 --> 00:38:44,906 IN THE COUNTRY. 1228 00:38:47,826 --> 00:38:49,744 WOW. 1229 00:38:47,826 --> 00:38:49,744 THAT'S INTERESTING. 1230 00:38:49,786 --> 00:38:52,122 YOU'VE FALLEN IN LOVE 1231 00:38:49,786 --> 00:38:52,122 WITH A WOMAN? 1232 00:38:52,164 --> 00:38:54,332 NO, NO, NO. 1233 00:38:52,164 --> 00:38:54,332 I DON'T KNOW IF IT'S LOVE. 1234 00:38:54,373 --> 00:38:56,084 IT MIGHT BE 1235 00:38:54,373 --> 00:38:56,084 SORT OF LIKE THIS... 1236 00:38:56,126 --> 00:38:58,586 YOU KNOW, FANTASTIC 1237 00:38:56,126 --> 00:38:58,586 SORT OF, LIKE, 1238 00:38:58,628 --> 00:38:59,796 DEMON POSSESSION 1239 00:38:59,838 --> 00:39:01,256 SORT OF THING. 1240 00:39:01,298 --> 00:39:02,674 OH, STOP IT. 1241 00:39:02,715 --> 00:39:03,716 DON'T LOOK SO SHOCKED. 1242 00:39:03,758 --> 00:39:04,801 I'M NOT SHOCKED. 1243 00:39:04,843 --> 00:39:07,971 I'M SURPRISED. I'M EXCITED. 1244 00:39:08,013 --> 00:39:09,014 IT'S EXOTIC AND-- 1245 00:39:09,055 --> 00:39:10,431 OH, SHUT UP, YOU PERVERT. 1246 00:39:10,473 --> 00:39:11,641 DEMON POSSESSION. 1247 00:39:11,683 --> 00:39:13,059 THAT'S IT. THAT'S... 1248 00:39:13,101 --> 00:39:15,312 THAT'S WHAT YOU HAVE 1249 00:39:13,101 --> 00:39:15,312 TO TAKE AND RUN WITH. 1250 00:39:15,353 --> 00:39:16,938 WHEN YOU WRITE ABOUT... 1251 00:39:16,980 --> 00:39:18,564 WHAT'S HER NAME? 1252 00:39:18,606 --> 00:39:20,192 MARINA. 1253 00:39:20,233 --> 00:39:22,068 WHEN YOU WRITE 1254 00:39:20,233 --> 00:39:22,068 ABOUT MARINA, 1255 00:39:22,110 --> 00:39:24,029 YOU MUST DIG, 1256 00:39:22,110 --> 00:39:24,029 YOU MUST DELVE, 1257 00:39:24,070 --> 00:39:27,782 YOU MUST OPEN UP 1258 00:39:24,070 --> 00:39:27,782 AND EVISCERATE EVERYTHING. 1259 00:39:27,824 --> 00:39:29,951 YOU DO YOUR BEST WORK 1260 00:39:27,824 --> 00:39:29,951 WHEN YOU LAY BARE 1261 00:39:29,993 --> 00:39:33,621 YOUR REMARKABLE 1262 00:39:29,993 --> 00:39:33,621 EMOTIONS. 1263 00:39:53,016 --> 00:39:54,976 [ KNOCKING ] 1264 00:40:03,109 --> 00:40:04,110 COACH. 1265 00:40:04,152 --> 00:40:05,778 WHAT A SURPRISE. 1266 00:40:05,820 --> 00:40:07,947 I'M LOOKING FOR JENNY. 1267 00:40:07,989 --> 00:40:10,950 AND I JUST BET YOU'RE GOING 1268 00:40:07,989 --> 00:40:10,950 TO TELL ME SHE'S NOT HERE. 1269 00:40:10,992 --> 00:40:12,785 SHE'S NOT HERE. 1270 00:40:12,827 --> 00:40:14,412 WE HAD DINNER 1271 00:40:12,827 --> 00:40:14,412 DOWNSTAIRS, 1272 00:40:14,453 --> 00:40:16,664 BUT SHE LEFT 1273 00:40:14,453 --> 00:40:16,664 15 MINUTES AGO. 1274 00:40:16,706 --> 00:40:18,083 COME IN AND HAVE A LOOK. 1275 00:40:18,124 --> 00:40:19,376 I'LL GET YOU A DRINK. 1276 00:40:19,417 --> 00:40:21,753 ABSOLUTELY. 1277 00:40:37,643 --> 00:40:38,895 BONJOUR. 1278 00:40:38,937 --> 00:40:40,980 BONJOUR. 1279 00:40:41,022 --> 00:40:42,732 DO YOU HAVE 1280 00:40:41,022 --> 00:40:42,732 A MINUTE FOR ME? 1281 00:40:44,901 --> 00:40:45,860 BUT OF COURSE. 1282 00:40:45,902 --> 00:40:47,987 TRES BIEN. 1283 00:40:48,029 --> 00:40:50,031 YOU SEE THESE TWO GIRLS 1284 00:40:48,029 --> 00:40:50,031 OVER THERE? 1285 00:40:50,073 --> 00:40:51,449 GIVE THEM THIS, 1286 00:40:51,490 --> 00:40:54,202 AND TELL THEM 1287 00:40:51,490 --> 00:40:54,202 DE LA PART DE MARINA. 1288 00:40:54,244 --> 00:40:56,704 WELL, LOOK AT 1289 00:40:54,244 --> 00:40:56,704 YOUR BEAUTIFUL DRESS. 1290 00:40:59,832 --> 00:41:01,793 WHAT CAN I GET YOU? 1291 00:41:01,834 --> 00:41:04,045 LET'S CUT 1292 00:41:01,834 --> 00:41:04,045 THE BULLSHIT, NICK. 1293 00:41:16,474 --> 00:41:18,184 LOOK... 1294 00:41:18,226 --> 00:41:21,020 JENNY AND I HAVE 1295 00:41:18,226 --> 00:41:21,020 A PASSIONATE RELATIONSHIP, 1296 00:41:21,062 --> 00:41:23,022 BUT, UH... 1297 00:41:23,064 --> 00:41:24,857 CURRENTLY, 1298 00:41:23,064 --> 00:41:24,857 IT'S PURELY INTELLECTUAL. 1299 00:41:24,899 --> 00:41:26,234 OKAY? 1300 00:41:29,946 --> 00:41:31,948 AND, COACH... 1301 00:41:31,990 --> 00:41:34,784 CONGRATULATIONS. 1302 00:41:55,638 --> 00:41:57,556 UH-OH. 1303 00:42:01,311 --> 00:42:02,437 HEY. 1304 00:42:05,064 --> 00:42:07,025 UH... 1305 00:42:07,066 --> 00:42:08,026 OH. 1306 00:42:08,067 --> 00:42:09,486 OH. 1307 00:42:09,527 --> 00:42:11,654 UM... 1308 00:42:11,696 --> 00:42:12,989 THERE'S NO TIME 1309 00:42:11,696 --> 00:42:12,989 FOR PLEASANTRIES, 1310 00:42:13,031 --> 00:42:14,199 'CAUSE TIM IS OUTSIDE 1311 00:42:14,240 --> 00:42:15,867 BY THE BAR, SO... 1312 00:42:14,240 --> 00:42:15,867 OH, FUCK. 1313 00:42:15,908 --> 00:42:17,827 NO, IT'S CROWDED, AND HE'LL 1314 00:42:15,908 --> 00:42:17,827 NEVER SEE YOU. COME ON. 1315 00:42:17,869 --> 00:42:19,829 I'LL COVER YOU. 1316 00:42:32,384 --> 00:42:35,178 YOU'RE WELCOME, BY THE WAY. 1317 00:42:40,099 --> 00:42:43,186 ♪ OH, OH ♪ 1318 00:42:43,228 --> 00:42:46,022 ♪ OH, OH ♪ 1319 00:42:46,064 --> 00:42:47,190 ♪ OH, OH ♪ 1320 00:42:47,232 --> 00:42:49,067 AAH! 1321 00:42:49,108 --> 00:42:51,610 CONGRATULATIONS! 1322 00:42:51,652 --> 00:42:54,113 BABY GIRL! 1323 00:42:51,652 --> 00:42:54,113 THANK YOU. 1324 00:42:54,155 --> 00:42:55,114 SO WHO ALL'S HERE? 1325 00:42:55,156 --> 00:42:56,241 OH, 1326 00:42:56,282 --> 00:42:57,242 THE USUAL SUSPECTS. 1327 00:42:57,283 --> 00:42:58,243 YEAH? 1328 00:42:58,284 --> 00:43:00,661 IT'S REALLY GOOD. 1329 00:43:00,703 --> 00:43:03,373 HEY, UM, 1330 00:43:00,703 --> 00:43:03,373 WHAT DID DAVID HAVE TO SAY? 1331 00:43:03,415 --> 00:43:05,917 OH, NOTHING. 1332 00:43:03,415 --> 00:43:05,917 NOTHING MUCH. 1333 00:43:05,958 --> 00:43:07,419 KIT... 1334 00:43:07,460 --> 00:43:09,504 OH... 1335 00:43:19,931 --> 00:43:22,183 IT'S JUST FORMS 1336 00:43:19,931 --> 00:43:22,183 FOR A MEDICAL HISTORY. 1337 00:43:22,225 --> 00:43:23,851 YEAH, BUT HE WROTE 1338 00:43:22,225 --> 00:43:23,851 SOMETHING ON IT. 1339 00:43:23,893 --> 00:43:26,229 ♪ OH, OH ♪ 1340 00:43:26,271 --> 00:43:28,106 HE WROTE YOU A LETTER 1341 00:43:26,271 --> 00:43:28,106 ON A POST-IT? 1342 00:43:28,147 --> 00:43:29,274 YEAH. 1343 00:43:29,315 --> 00:43:31,984 ♪ OH, OH ♪ 1344 00:43:32,026 --> 00:43:33,570 "DEAR KIT, I HOPE YOU ARE WELL. 1345 00:43:33,611 --> 00:43:35,654 "I NEED SOME 1346 00:43:33,611 --> 00:43:35,654 FAMILY MEDICAL HISTORY 1347 00:43:35,696 --> 00:43:39,200 "FOR MY APPLICATION 1348 00:43:35,696 --> 00:43:39,200 TO A RESIDENCY PROGRAM. 1349 00:43:39,242 --> 00:43:41,911 "I'VE ENCLOSED A SELF-ADDRESSED 1350 00:43:39,242 --> 00:43:41,911 STAMPED ENVELOPE 1351 00:43:41,953 --> 00:43:43,204 "FOR YOU TO SEND THE FORMS. 1352 00:43:43,246 --> 00:43:45,582 "GRANDFATHER TELLS ME 1353 00:43:43,246 --> 00:43:45,582 THAT YOU ARE 1354 00:43:45,623 --> 00:43:46,999 "IN A 12-STEP 1355 00:43:45,623 --> 00:43:46,999 PROGRAM, 1356 00:43:47,041 --> 00:43:49,710 "AND I WANT 1357 00:43:47,041 --> 00:43:49,710 TO OFFER YOU MY SUPPORT 1358 00:43:49,752 --> 00:43:50,962 "IN THAT ENDEAVOR. 1359 00:43:51,003 --> 00:43:52,671 "I WISH YOU SUCCESS 1360 00:43:52,713 --> 00:43:53,881 "WITH THE POSITIVE CHANGES 1361 00:43:52,713 --> 00:43:53,881 YOU ARE MAKING IN YOUR LIFE. 1362 00:43:53,923 --> 00:43:55,007 YOUR SON, DAVID WATERS." 1363 00:43:55,049 --> 00:43:56,050 I'M SORRY. 1364 00:43:56,092 --> 00:43:58,344 HEY. YOU KNOW, I... 1365 00:43:58,386 --> 00:44:00,721 I WASN'T AROUND TO TEACH HIM 1366 00:43:58,386 --> 00:44:00,721 HOW TO WRITE A LETTER. 1367 00:44:00,763 --> 00:44:04,725 ♪ BUT GRATITUDE 1368 00:44:00,763 --> 00:44:04,725 IS MORE LIKELY TO ATTRACT ♪ 1369 00:44:04,767 --> 00:44:05,851 YOU'RE HERE! 1370 00:44:05,893 --> 00:44:07,895 HEY. 1371 00:44:05,893 --> 00:44:07,895 HEY. 1372 00:44:07,937 --> 00:44:09,063 COME ON. 1373 00:44:09,105 --> 00:44:10,523 I'M OKAY. GO ON. 1374 00:44:09,105 --> 00:44:10,523 GO ON OUT THERE. 1375 00:44:10,565 --> 00:44:13,276 I'LL BE OUT THERE 1376 00:44:10,565 --> 00:44:13,276 IN A MINUTE. 1377 00:44:17,489 --> 00:44:20,116 ♪ OH, OH ♪ 1378 00:44:20,158 --> 00:44:21,159 ♪ OH, OH ♪ 1379 00:44:21,200 --> 00:44:23,453 BRAVA! 1380 00:44:21,200 --> 00:44:23,453 THE CONQUERING HEROINE! 1381 00:44:26,122 --> 00:44:28,040 THANK YOU. 1382 00:44:28,082 --> 00:44:30,918 CHEERS, BABY. 1383 00:44:30,960 --> 00:44:32,462 IT'S JUST ONE SIP. 1384 00:44:32,504 --> 00:44:34,130 I'M SO HAPPY FOR YOU. 1385 00:44:34,172 --> 00:44:35,340 FOR US. 1386 00:44:35,381 --> 00:44:37,175 FOR US. 1387 00:44:52,940 --> 00:44:54,066 ..."I'M ABRAXAS, 1388 00:44:54,108 --> 00:44:56,402 THE DEMON OF LIES AND DECEIT." 1389 00:44:56,444 --> 00:44:58,112 "SO... 1390 00:44:58,154 --> 00:45:01,949 WHAT DO YOU WANT TO KNOW 1391 00:44:58,154 --> 00:45:01,949 ABOUT LIES, MY DEAR?" 1392 00:45:01,991 --> 00:45:03,493 "I'M NOT A LIAR." 1393 00:45:03,535 --> 00:45:04,701 I TRY AGAIN TO GET UP. 1394 00:45:04,743 --> 00:45:06,204 THIS TIME I'M FLAYED, 1395 00:45:06,245 --> 00:45:07,205 SPLAYED. 1396 00:45:07,246 --> 00:45:09,040 I FEEL MYSELF SCREAMING. 1397 00:45:09,081 --> 00:45:10,749 I'LL TELL YOU ABOUT LIES. 1398 00:45:10,791 --> 00:45:13,378 THERE ARE WHITE LIES 1399 00:45:10,791 --> 00:45:13,378 AND BLACK LIES 1400 00:45:13,419 --> 00:45:16,130 AND MANY SHADES OF GREY LIES. 1401 00:45:16,172 --> 00:45:18,715 SOME LIES 1402 00:45:16,172 --> 00:45:18,715 ARE JUSTIFIED-- 1403 00:45:18,757 --> 00:45:21,302 LIES TOLD OUT OF KINDNESS. 1404 00:45:21,344 --> 00:45:23,513 LIES THAT PRESERVE DIGNITY. 1405 00:45:23,555 --> 00:45:26,015 I HAVEN'T HAD 1406 00:45:23,555 --> 00:45:26,015 A SINGLE BIT OF WORK DONE. 1407 00:45:26,057 --> 00:45:28,059 HOW OLD DO YOU 1408 00:45:26,057 --> 00:45:28,059 THINK I AM? 1409 00:45:28,100 --> 00:45:30,353 LIES THAT SPARE PAIN. 1410 00:45:30,395 --> 00:45:33,064 35? 1411 00:45:33,105 --> 00:45:35,274 MAYBE 40? 1412 00:45:40,238 --> 00:45:43,782 EVERYBODY'S A LIAR, DEAR. 1413 00:45:43,824 --> 00:45:45,368 LOOK AT THAT ONE. 1414 00:45:45,410 --> 00:45:47,078 SHE'S ABOUT TO TELL HER LOVER 1415 00:45:47,119 --> 00:45:49,581 SOMETHING 1416 00:45:47,119 --> 00:45:49,581 PATENTLY UNTRUE. 1417 00:45:49,622 --> 00:45:50,707 I JUST WANT YOU 1418 00:45:49,622 --> 00:45:50,707 TO KNOW 1419 00:45:50,747 --> 00:45:51,708 THAT WHATEVER HAD 1420 00:45:50,747 --> 00:45:51,708 HAPPENED TONIGHT 1421 00:45:51,748 --> 00:45:52,709 IN THAT BOARD MEETING, 1422 00:45:52,749 --> 00:45:53,792 WE WOULD HAVE 1423 00:45:52,749 --> 00:45:53,792 BEEN FINE. 1424 00:45:53,834 --> 00:45:55,420 LOOK AT THEIR 1425 00:45:53,834 --> 00:45:55,420 GESTURES. 1426 00:45:55,461 --> 00:45:58,631 SEE HOW THEY TOUCH EACH OTHER 1427 00:45:55,461 --> 00:45:58,631 TOO INTIMATELY? 1428 00:45:58,673 --> 00:46:01,300 HOW THEY AVERT THEIR EYES 1429 00:45:58,673 --> 00:46:01,300 AND COVER THEIR MOUTHS? 1430 00:46:01,342 --> 00:46:02,885 THEY LICK THEIR TEETH 1431 00:46:02,927 --> 00:46:05,762 AND HOLD THEIR CHINS. 1432 00:46:05,804 --> 00:46:09,601 THEY EMBELLISH THEIR STORIES 1433 00:46:05,804 --> 00:46:09,601 WITH FAR TOO MUCH DETAIL. 1434 00:46:09,642 --> 00:46:12,019 ANYWAY, I WAS SHOOTING THIS FILM 1435 00:46:09,642 --> 00:46:12,019 WITH TRUFFAUT AND ANOUK AIMEE, 1436 00:46:12,061 --> 00:46:14,897 AND I HAD THIS BIG SCENE 1437 00:46:12,061 --> 00:46:14,897 WITH HER LOVER IN THE FILM, 1438 00:46:14,939 --> 00:46:16,649 AND, OF COURSE, 1439 00:46:14,939 --> 00:46:16,649 THAT DAY 1440 00:46:16,691 --> 00:46:17,816 ANOUK SHOWS UP 1441 00:46:16,691 --> 00:46:17,816 ON THE SET, 1442 00:46:17,858 --> 00:46:19,277 BUT I DON'T CARE, 1443 00:46:17,858 --> 00:46:19,277 BECAUSE I KNOW 1444 00:46:19,318 --> 00:46:21,446 EXACTLY WHAT I'M GOING 1445 00:46:19,318 --> 00:46:21,446 TO DO WITH THE SCENE, 1446 00:46:21,487 --> 00:46:22,821 AND AT THE END 1447 00:46:21,487 --> 00:46:22,821 OF THE SCENE, 1448 00:46:22,863 --> 00:46:23,948 I HAVE MY BIG CLOSE-UP, 1449 00:46:23,989 --> 00:46:25,658 AND OF COURSE, 1450 00:46:23,989 --> 00:46:25,658 EVERYTHING HAPPENS. 1451 00:46:25,700 --> 00:46:26,867 MY GOD, 1452 00:46:26,909 --> 00:46:28,327 THE EMOTION COMES UP, 1453 00:46:26,909 --> 00:46:28,327 I CHASE IT AWAY, 1454 00:46:28,369 --> 00:46:29,786 I BRING IT BACK, 1455 00:46:29,828 --> 00:46:31,914 IT'S RICH, IT'S FULL, 1456 00:46:29,828 --> 00:46:31,914 IT'S SUBTLE, 1457 00:46:31,956 --> 00:46:33,207 AND AT THE END 1458 00:46:31,956 --> 00:46:33,207 OF THE TAKE, 1459 00:46:33,249 --> 00:46:35,876 TRUFFAUT TURNS 1460 00:46:33,249 --> 00:46:35,876 TO ANOUK AND SAYS, 1461 00:46:35,918 --> 00:46:38,003 "ZAT IS THE WAY 1462 00:46:35,918 --> 00:46:38,003 YOU SHOULD ACT." 1463 00:46:38,045 --> 00:46:39,922 [ LAUGHTER ] 1464 00:46:39,964 --> 00:46:41,882 CAN YOU IMAGINE? 1465 00:47:29,681 --> 00:47:31,974 YOU'RE WORKING. 1466 00:47:32,016 --> 00:47:34,018 YEAH. 1467 00:47:34,059 --> 00:47:35,520 NICK WAS SUCH A POMPOUS ASS. 1468 00:47:35,561 --> 00:47:37,188 HE RIPPED ME TO SHREDS. 1469 00:47:37,229 --> 00:47:39,064 I DON'T LIKE 1470 00:47:37,229 --> 00:47:39,064 THE SOUND OF THAT. 1471 00:47:39,106 --> 00:47:41,192 NO, IT'S GOOD. 1472 00:47:39,106 --> 00:47:41,192 IT'S GOOD. 1473 00:47:41,233 --> 00:47:45,237 I FEEL LIKE 1474 00:47:41,233 --> 00:47:45,237 I'M ONTO SOMETHING. 1475 00:47:45,279 --> 00:47:48,991 RIGHT. 1476 00:47:49,033 --> 00:47:50,409 WELL, I'LL, UH... 1477 00:47:50,451 --> 00:47:51,619 LEAVE YOU TO IT. 1478 00:47:51,661 --> 00:47:53,746 TIM... 1479 00:47:53,788 --> 00:47:57,667 CAN YOU STAY HERE WITH ME? 1480 00:48:16,310 --> 00:48:19,271 [ SOFT ROCK MUSIC ] 1481 00:48:19,313 --> 00:48:27,238 [ ♪♪ ] 1482 00:48:38,123 --> 00:48:43,962 ♪ YOU DIDN'T SEE ME WATCHING ♪ 1483 00:48:44,004 --> 00:48:49,134 ♪ DIDN'T EVEN GLANCE ♪ 1484 00:48:49,176 --> 00:48:53,681 ♪ AT THE ALIGNMENT 1485 00:48:49,176 --> 00:48:53,681 OF THE PLANETS ♪ 1486 00:48:55,725 --> 00:49:01,606 ♪ OR RANDOM CIRCUMSTANCE ♪ 1487 00:49:01,647 --> 00:49:07,069 ♪ I KNOW WHO YOU ARE ♪ 1488 00:49:07,111 --> 00:49:12,700 ♪ BUT YOU'LL NEVER 1489 00:49:07,111 --> 00:49:12,700 KNOW ME ♪ 1490 00:49:12,742 --> 00:49:16,871 ♪ I'LL NEVER LET YOU 1491 00:49:12,742 --> 00:49:16,871 DISCOVER ♪ 1492 00:49:20,833 --> 00:49:25,129 ♪ MY SECRET ♪ 1493 00:49:25,170 --> 00:49:29,508 ♪ MY SECRET IDENTITY ♪ 1494 00:49:32,595 --> 00:49:36,724 ♪ MY SECRET ♪ 1495 00:49:36,766 --> 00:49:41,103 ♪ MY SECRET IDENTITY ♪