1 00:00:15,933 --> 00:00:17,476 I TOLD YOU, 2 00:00:15,933 --> 00:00:17,476 DON'T MOVE. 3 00:00:17,518 --> 00:00:19,060 [ SOFT JAZZY MUSIC ] 4 00:00:19,102 --> 00:00:21,438 LET YOUR--LET YOUR ARMS 5 00:00:19,102 --> 00:00:21,438 FALL BY YOUR SIDES. 6 00:00:32,115 --> 00:00:33,909 THAT'S BEAUTIFUL. 7 00:00:33,951 --> 00:00:36,871 [ ♪♪ ] 8 00:02:02,497 --> 00:02:05,459 [ ELECTRONIC MUSIC ] 9 00:02:05,500 --> 00:02:12,007 ♪ ♪ 10 00:02:21,016 --> 00:02:24,352 [ CAR HORN HONKING ] 11 00:02:24,394 --> 00:02:27,022 GOD DAMN IT. 12 00:02:27,064 --> 00:02:29,858 ALICE, I THOUGHT 13 00:02:27,064 --> 00:02:29,858 YOU SET THE ALARM. 14 00:02:29,900 --> 00:02:33,278 I DID. 15 00:02:29,900 --> 00:02:33,278 YOU SNOOZED IT. 16 00:02:33,320 --> 00:02:36,448 I'M LATE FOR MY FUCKING 17 00:02:33,320 --> 00:02:36,448 DUMBASS JOB. 18 00:02:36,490 --> 00:02:38,867 I'M SORRY. 19 00:02:38,909 --> 00:02:40,201 DO YOU WANT ME 20 00:02:38,909 --> 00:02:40,201 TO MAKE US COFFEE? 21 00:02:40,243 --> 00:02:41,244 NO THANKS. 22 00:02:41,286 --> 00:02:44,247 I'LL GET SOME 23 00:02:41,286 --> 00:02:44,247 ON THE WAY. 24 00:02:44,289 --> 00:02:45,540 SO ARE WE GOING TO 25 00:02:44,289 --> 00:02:45,540 GET TOGETHER LATER, 26 00:02:45,582 --> 00:02:47,250 OR WHAT? 27 00:02:47,292 --> 00:02:50,587 I HAVE A SCREENING 28 00:02:47,292 --> 00:02:50,587 WITH JOANIE... 29 00:02:50,629 --> 00:02:53,214 BUT I'LL CALL YOU. 30 00:02:55,009 --> 00:02:56,384 BYE. 31 00:03:44,349 --> 00:03:49,021 [ SPEAKING ITALIAN ] 32 00:03:49,063 --> 00:03:50,313 HEY. 33 00:03:49,063 --> 00:03:50,313 HEY. 34 00:03:50,355 --> 00:03:52,232 UM, COULD I SPEAK 35 00:03:50,355 --> 00:03:52,232 TO YOU, PLEASE? 36 00:03:52,273 --> 00:03:55,652 SURE, I'LL BE RIGHT THERE. 37 00:03:52,273 --> 00:03:55,652 WAIT A MINUTE? 38 00:03:55,694 --> 00:03:57,988 [ SPEAKING ITALIAN ] 39 00:04:00,407 --> 00:04:01,700 DO YOU WANT 40 00:04:00,407 --> 00:04:01,700 SOME COFFEE? 41 00:04:01,742 --> 00:04:03,702 NO. THANK YOU. 42 00:04:12,419 --> 00:04:14,629 FINALLY, "THE FLAGELLATION" 43 00:04:12,419 --> 00:04:14,629 BY DELMAS HOWE 44 00:04:14,671 --> 00:04:17,257 DEALS WITH THE DICHOTOMY 45 00:04:14,671 --> 00:04:17,257 BETWEEN MAN AS DIVINE 46 00:04:17,298 --> 00:04:18,466 AND MAN AS CREATURE. 47 00:04:18,508 --> 00:04:20,802 THE PAINTING, 48 00:04:18,508 --> 00:04:20,802 WHICH IS LARGE IN SCALE 49 00:04:20,844 --> 00:04:24,681 AND CLASSICAL IN ITS EXECUTION, 50 00:04:24,723 --> 00:04:25,974 ATTEMPTS TO RECORD 51 00:04:24,723 --> 00:04:25,974 THE ARTIST'S EXPERIENCES 52 00:04:26,016 --> 00:04:29,644 THROUGH JUXTAPOSITION 53 00:04:26,016 --> 00:04:29,644 AND NARRATIVE. 54 00:04:29,686 --> 00:04:33,648 RICHARD MORRISSEY HAS CALLED 55 00:04:29,686 --> 00:04:33,648 THIS PIECE "A REVELATION." 56 00:04:35,275 --> 00:04:38,904 "PROVOCATIONS" IS INTENDED 57 00:04:35,275 --> 00:04:38,904 TO DO JUST THAT... 58 00:04:38,946 --> 00:04:40,447 PROVOKE. 59 00:04:40,488 --> 00:04:42,574 IT IS DARING, IT IS INTENSE, 60 00:04:42,616 --> 00:04:45,119 AND IT IS THE EDGE 61 00:04:42,616 --> 00:04:45,119 WE HAVE BEEN LOOKING FOR, 62 00:04:45,160 --> 00:04:46,620 AND WITH A LITTLE 63 00:04:45,160 --> 00:04:46,620 FINESSING, 64 00:04:46,661 --> 00:04:49,414 IT WILL BE THE CAC'S 65 00:04:46,661 --> 00:04:49,414 SPRING EXHIBITION. 66 00:04:49,456 --> 00:04:52,876 ISN'T THAT OUR SLOT 67 00:04:49,456 --> 00:04:52,876 FOR THE IMPRESSIONISTS? 68 00:04:52,918 --> 00:04:55,378 YES, BUT WE'VE SHOWN 69 00:04:52,918 --> 00:04:55,378 "IMPRESSIONS IN WINTER" 70 00:04:55,420 --> 00:04:56,964 FOR THE LAST FIVE YEARS 71 00:04:55,420 --> 00:04:56,964 IN A ROW. 72 00:04:57,005 --> 00:04:58,590 I THOUGHT THIS YEAR 73 00:04:57,005 --> 00:04:58,590 WE WOULD WOW THEM 74 00:04:58,632 --> 00:05:00,508 WITH SOMETHING 75 00:04:58,632 --> 00:05:00,508 DIFFERENT. 76 00:05:00,550 --> 00:05:02,928 WE CAN'T MOVE 77 00:05:00,550 --> 00:05:02,928 THE IMPRESSIONISTS. 78 00:05:02,970 --> 00:05:05,931 EVERYBODY LOVES 79 00:05:02,970 --> 00:05:05,931 THE IMPRESSIONISTS. 80 00:05:05,973 --> 00:05:07,891 WELL, THE IMPRESSIONISTS 81 00:05:05,973 --> 00:05:07,891 NOTWITHSTANDING, 82 00:05:07,933 --> 00:05:09,309 YOU HIRED ME TO 83 00:05:07,933 --> 00:05:09,309 CREATE A NEW PROFILE 84 00:05:09,350 --> 00:05:10,894 FOR THE CAC. 85 00:05:10,936 --> 00:05:14,355 NOW, THE "PROVOCATIONS" EXHIBIT 86 00:05:10,936 --> 00:05:14,355 WILL PUT US ON THE MAP. 87 00:05:14,397 --> 00:05:15,816 IT PREMIERES AT MOMA 88 00:05:14,397 --> 00:05:15,816 IN NEW YORK, 89 00:05:15,857 --> 00:05:18,152 AND THEN AFTER THE CAC, 90 00:05:15,857 --> 00:05:18,152 IT MOVES ON TO THE WALKER, 91 00:05:18,193 --> 00:05:20,570 AND THEN TO LONDON'S 92 00:05:18,193 --> 00:05:20,570 TATE MODERN. 93 00:05:20,612 --> 00:05:22,530 OKAY, WELL, JUST 94 00:05:20,612 --> 00:05:22,530 ASSUMING FOR A MOMENT 95 00:05:22,572 --> 00:05:24,741 THAT WE WERE WILLING TO FOREGO 96 00:05:22,572 --> 00:05:24,741 "IMPRESSIONS IN WINTER," 97 00:05:24,783 --> 00:05:27,953 DESPITE THE FACT 98 00:05:27,995 --> 00:05:29,788 THAT IT'S OUR MOST POPULAR 99 00:05:27,995 --> 00:05:29,788 EXHIBITION, BAR NONE, 100 00:05:29,830 --> 00:05:33,541 FOR THIS... 101 00:05:29,830 --> 00:05:33,541 CAUSE CELEBRE OUT OF NEW YORK, 102 00:05:33,583 --> 00:05:34,751 WHAT MAKES YOU THINK 103 00:05:34,793 --> 00:05:36,295 YOU CAN PROCURE IT 104 00:05:34,793 --> 00:05:36,295 FOR THE CAC? 105 00:05:36,335 --> 00:05:38,379 WELL, I'VE SET UP A MEETING 106 00:05:36,335 --> 00:05:38,379 WITH GINA FERRARA, 107 00:05:38,421 --> 00:05:41,424 WHO IS THE CURATOR OF 108 00:05:38,421 --> 00:05:41,424 THE PEGGY PEABODY COLLECTION. 109 00:05:41,466 --> 00:05:44,094 NOW, I KNOW THAT BOTH MOCA 110 00:05:41,466 --> 00:05:44,094 AND LACMA ARE AFTER IT, 111 00:05:44,136 --> 00:05:45,553 BUT I'M COMPLETELY CONFIDENT 112 00:05:44,136 --> 00:05:45,553 THAT I CAN-- 113 00:05:45,595 --> 00:05:47,097 BETTE, IT 114 00:05:45,595 --> 00:05:47,097 IS OBVIOUS 115 00:05:47,139 --> 00:05:49,141 THAT YOU HAVE GONE TO 116 00:05:47,139 --> 00:05:49,141 A GREAT DEAL OF TROUBLE 117 00:05:49,183 --> 00:05:51,143 TO PREPARE FOR 118 00:05:49,183 --> 00:05:51,143 THIS PRESENTATION, 119 00:05:51,185 --> 00:05:54,479 BUT IT ISN'T WORTH THE RISK. 120 00:05:54,521 --> 00:05:56,898 "IMPRESSIONS IN WINTER" IS... 121 00:05:56,940 --> 00:05:58,692 IS TOO IMPORTANT 122 00:05:56,940 --> 00:05:58,692 TO US. 123 00:05:58,733 --> 00:06:01,153 [ MURMURING AGREEMENT ] 124 00:06:01,195 --> 00:06:04,823 WITH ALL DUE RESPECT, FRANKLIN, 125 00:06:04,865 --> 00:06:07,993 IF I'M NOT THE ONE 126 00:06:04,865 --> 00:06:07,993 SELECTING THE SHOWS, 127 00:06:08,035 --> 00:06:09,494 THEN I DON'T UNDERSTAND 128 00:06:08,035 --> 00:06:09,494 WHAT I'M HERE FOR. 129 00:06:09,536 --> 00:06:11,997 TO DO WHAT'S BEST 130 00:06:09,536 --> 00:06:11,997 FOR THE CAC. 131 00:06:12,039 --> 00:06:13,665 I WOULD THINK 132 00:06:12,039 --> 00:06:13,665 THAT WOULD BE FAIRLY OBVIOUS. 133 00:06:13,707 --> 00:06:15,000 NOW, WHAT I NEED YOU TO DO 134 00:06:15,042 --> 00:06:17,085 IS TO FOLLOW UP 135 00:06:15,042 --> 00:06:17,085 WITH SHELDON TOMLIN 136 00:06:17,127 --> 00:06:19,046 OVER AT HOYT AND IRON OUT 137 00:06:17,127 --> 00:06:19,046 THE DETAILS. 138 00:06:19,087 --> 00:06:20,463 WE WOULDN'T WANT 139 00:06:19,087 --> 00:06:20,463 ONE OF OUR RIVALS 140 00:06:20,505 --> 00:06:22,174 RUNNING OFF WITH IMPRESSIONS 141 00:06:20,505 --> 00:06:22,174 BECAUSE WE WERE 142 00:06:22,216 --> 00:06:23,675 A LITTLE SLOW ON THE UPTAKE, 143 00:06:22,216 --> 00:06:23,675 NOW WOULD WE? 144 00:06:23,717 --> 00:06:25,635 WAIT, WAIT, WAIT. 145 00:06:23,717 --> 00:06:25,635 I'M SORRY. 146 00:06:25,677 --> 00:06:28,305 FOLLOW UP? 147 00:06:25,677 --> 00:06:28,305 YOU'VE BOOKED IT ALREADY? 148 00:06:28,347 --> 00:06:32,517 I, UH, HAPPENED TO HAVE 149 00:06:28,347 --> 00:06:32,517 LUNCH WITH SHELLY LAST WEEK, 150 00:06:32,559 --> 00:06:35,354 AND I THOUGHT I'D 151 00:06:32,559 --> 00:06:35,354 SAVE YOU THE TIME. 152 00:06:35,394 --> 00:06:36,938 WELL, EVERYONE, 153 00:06:35,394 --> 00:06:36,938 THANKS, AND HOW ABOUT 154 00:06:36,980 --> 00:06:39,274 THANKING MS. PORTER 155 00:06:36,980 --> 00:06:39,274 FOR ALL HER HARD WORK. 156 00:06:39,316 --> 00:06:40,734 GREAT JOB. 157 00:06:40,775 --> 00:06:42,819 COULD I, UH, SEE YOU 158 00:06:40,775 --> 00:06:42,819 A LITTLE LATER? 159 00:06:50,577 --> 00:06:51,995 DO YOU WANT TO GO 160 00:06:50,577 --> 00:06:51,995 TO MY OFFICE? 161 00:06:52,037 --> 00:06:53,580 NO, THIS IS JUST GOING 162 00:06:52,037 --> 00:06:53,580 TO TAKE A MINUTE. 163 00:06:53,621 --> 00:06:54,581 HEY... 164 00:06:54,622 --> 00:06:55,665 HOW ARE YOU? 165 00:06:55,707 --> 00:06:57,125 HEY. 166 00:06:57,167 --> 00:06:58,293 HOW ARE YOU? 167 00:06:58,335 --> 00:06:59,544 HEY, JENNY. 168 00:06:59,586 --> 00:07:00,545 CAN WE GO INTO YOUR OFFICE, 169 00:06:59,586 --> 00:07:00,545 PLEASE? 170 00:07:00,587 --> 00:07:01,546 YEAH, SURE. 171 00:07:01,588 --> 00:07:02,630 THANK YOU. OKAY. 172 00:07:01,588 --> 00:07:02,630 SHANE. 173 00:07:02,672 --> 00:07:03,924 HEY, JENNY. 174 00:07:02,672 --> 00:07:03,924 HOW ARE YOU? 175 00:07:03,965 --> 00:07:05,717 WHATEVER. 176 00:07:03,965 --> 00:07:05,717 CAN WE HAVE HER TABLE? 177 00:07:05,759 --> 00:07:07,677 YEAH. 178 00:07:05,759 --> 00:07:07,677 YEAH? 179 00:07:09,388 --> 00:07:11,556 DID YOU SEE THAT? 180 00:07:13,392 --> 00:07:14,475 YOU CAN'T TELL ME, 181 00:07:13,392 --> 00:07:14,475 RIGHT? 182 00:07:14,517 --> 00:07:16,311 RIGHT, AL, I CAN'T TELL YOU. 183 00:07:19,856 --> 00:07:21,816 WHAT'S ON YOUR 184 00:07:19,856 --> 00:07:21,816 MIND, JENNY? 185 00:07:26,363 --> 00:07:28,240 I CAN'T BE 186 00:07:26,363 --> 00:07:28,240 AROUND YOU ANYMORE. 187 00:07:28,282 --> 00:07:29,699 IT'S CONFUSING TO ME, 188 00:07:29,741 --> 00:07:33,453 AND IT MAKES ME 189 00:07:29,741 --> 00:07:33,453 FEEL INSANE. 190 00:07:35,455 --> 00:07:36,706 YOU KNOW, 191 00:07:35,455 --> 00:07:36,706 TIM HAS BEEN 192 00:07:36,748 --> 00:07:39,500 SO WONDERFUL TO ME... 193 00:07:41,544 --> 00:07:43,463 AND I THINK THAT THIS 194 00:07:41,544 --> 00:07:43,463 IS THE VERY FIRST TIME 195 00:07:43,504 --> 00:07:45,757 IN MY LIFE... 196 00:07:45,799 --> 00:07:47,884 THAT I'VE ACTUALLY FELT SAFE. 197 00:07:55,100 --> 00:07:56,810 DO YOU WANT TO BE SAFE? 198 00:08:04,818 --> 00:08:07,070 [ SIGHS ] 199 00:08:07,112 --> 00:08:09,781 I'M GOING TO MARRY TIM. 200 00:08:12,867 --> 00:08:15,036 I CAN'T IMAGINE MY LIFE 201 00:08:12,867 --> 00:08:15,036 WITHOUT HIM. 202 00:08:16,704 --> 00:08:20,041 I DON'T WANT TO IMAGINE 203 00:08:16,704 --> 00:08:20,041 MY LIFE WITHOUT HIM. 204 00:08:23,795 --> 00:08:24,921 IS THAT WHAT YOU WANT? 205 00:08:24,963 --> 00:08:27,841 YES. 206 00:08:24,963 --> 00:08:27,841 THAT IS WHAT I WANT. 207 00:08:30,510 --> 00:08:32,720 THEN I WISH YOU WELL. 208 00:08:45,984 --> 00:08:47,610 I'M GOING TO GET ANOTHER. 209 00:08:45,984 --> 00:08:47,610 YOU OKAY? 210 00:08:47,652 --> 00:08:50,197 ♪ HEY GABBY, YOU'RE SO FINE ♪ 211 00:08:50,238 --> 00:08:51,281 ♪ YOU'RE SO FINE 212 00:08:50,238 --> 00:08:51,281 YOU BLOW MY MIND-- ♪ 213 00:08:51,323 --> 00:08:52,407 EASY WITH THE 80's POP 214 00:08:52,449 --> 00:08:54,117 THIS EARLY 215 00:08:52,449 --> 00:08:54,117 IN THE MORNING. 216 00:08:54,159 --> 00:08:56,286 ♪ HEY GABBY, HEY GABBY... ♪ 217 00:08:59,914 --> 00:09:02,042 TELL ME YOU DIDN'T. 218 00:09:02,083 --> 00:09:06,463 OKAY, THINK WHAT YOU WILL, 219 00:09:02,083 --> 00:09:06,463 SHE'S AMAZING. 220 00:09:06,505 --> 00:09:07,922 SHE'S AMAZING LOOKING, 221 00:09:07,964 --> 00:09:09,216 SHE'S AMAZINGLY SMART, 222 00:09:09,257 --> 00:09:10,258 SHE'S AMAZING IN BED-- 223 00:09:10,300 --> 00:09:11,385 SHE TREATS YOU LIKE SHIT. 224 00:09:11,426 --> 00:09:13,636 NO, SHE DOESN'T. 225 00:09:11,426 --> 00:09:13,636 SHE DOES. 226 00:09:13,678 --> 00:09:16,097 NO, NOT THIS TIME, 227 00:09:13,678 --> 00:09:16,097 TOTALLY CHANGED. 228 00:09:17,640 --> 00:09:19,184 I DON'T KNOW, AL. 229 00:09:19,226 --> 00:09:20,560 SHE STILL SEEMS PRETTY 230 00:09:19,226 --> 00:09:20,560 COLD IN THE STREETS TO ME. 231 00:09:20,601 --> 00:09:25,106 COLD IN THE STREETS, 232 00:09:20,601 --> 00:09:25,106 HOT IN THE SHEETS. 233 00:09:25,148 --> 00:09:26,649 SHE'S HAPPIER. 234 00:09:26,691 --> 00:09:29,194 SHE'S WRITING 235 00:09:26,691 --> 00:09:29,194 HER LESBIAN COPS SCREENPLAY. 236 00:09:29,236 --> 00:09:31,029 SHE'S A WHOLE NEW GABBY. 237 00:09:31,071 --> 00:09:32,697 WHAT? 238 00:09:32,739 --> 00:09:34,157 NOTHING. 239 00:09:34,199 --> 00:09:36,284 NO, NO, NO, NOT SAYING "NOTHING" 240 00:09:34,199 --> 00:09:36,284 WITH THAT FACE. 241 00:09:38,412 --> 00:09:39,579 ALL RIGHT, LOOK. 242 00:09:39,620 --> 00:09:43,333 LET'S SAY, 243 00:09:39,620 --> 00:09:43,333 HYPOTHETICALLY, 244 00:09:43,375 --> 00:09:45,960 THAT I SAW GABBY 245 00:09:43,375 --> 00:09:45,960 ALL OVER NADIA MEIRTSCHIN 246 00:09:46,002 --> 00:09:47,128 ON THURSDAY NIGHT. 247 00:09:47,170 --> 00:09:49,172 WHERE? 248 00:09:49,214 --> 00:09:50,673 MILK. 249 00:09:50,715 --> 00:09:52,426 WHAT WERE THEY DOING? 250 00:09:52,467 --> 00:09:55,011 UH... 251 00:09:55,053 --> 00:09:57,805 I'D PREFER NOT TO GIVE YOU 252 00:09:55,053 --> 00:09:57,805 THE DETAILS THIS TIME. 253 00:10:07,774 --> 00:10:10,193 YOU GUYS, KEEP AN EYE 254 00:10:07,774 --> 00:10:10,193 ON THE SAUCE. 255 00:10:19,827 --> 00:10:21,288 HEY... 256 00:10:21,329 --> 00:10:22,622 HEY! 257 00:10:22,663 --> 00:10:23,998 AH! 258 00:10:24,040 --> 00:10:25,708 OH, MY GOD! 259 00:10:24,040 --> 00:10:25,708 OH, MY GOD! I'M SORRY. 260 00:10:25,750 --> 00:10:27,419 IT'S OKAY. 261 00:10:27,461 --> 00:10:29,296 JESUS, YOU'RE DISFIGURED. 262 00:10:27,461 --> 00:10:29,296 I'M NOT DISFIGURED. 263 00:10:29,337 --> 00:10:32,215 BUT I COULD'VE KILLED YOU 264 00:10:29,337 --> 00:10:32,215 WHEN YOU WERE, YOU KNOW... 265 00:10:32,257 --> 00:10:33,633 IT HAPPENS ALL THE TIME. 266 00:10:33,674 --> 00:10:37,053 SHOULD WE CALL A DOCTOR? 267 00:10:33,674 --> 00:10:37,053 DANA! 268 00:10:37,095 --> 00:10:38,221 SECOND-DEGREE BURN 269 00:10:37,095 --> 00:10:38,221 FROM THE BECHAMEL SAUCE, 270 00:10:38,263 --> 00:10:39,889 RUNAWAY 271 00:10:38,263 --> 00:10:39,889 SHISH KEBOB, 272 00:10:39,931 --> 00:10:43,684 AN ATTACK FROM A PARTICULARLY 273 00:10:39,931 --> 00:10:43,684 HOSTILE LIVE LOBSTER, 274 00:10:43,726 --> 00:10:46,729 AND, UM, ELECTRIC CAN OPENER. 275 00:10:46,771 --> 00:10:50,191 IS THERE ANYTHING I CAN DO? 276 00:10:50,233 --> 00:10:53,736 YOU COULD KISS IT 277 00:10:50,233 --> 00:10:53,736 AND MAKE IT BETTER. 278 00:10:56,948 --> 00:10:58,575 UM... 279 00:10:58,617 --> 00:11:00,243 I WAS WONDERING 280 00:10:58,617 --> 00:11:00,243 IF MAYBE SOME-- 281 00:11:00,285 --> 00:11:01,411 I WOULD LOVE TO. 282 00:11:01,453 --> 00:11:03,330 REALLY? 283 00:11:03,371 --> 00:11:04,914 OKAY. 284 00:11:06,874 --> 00:11:08,502 OKAY, IS THURSDAY NIGHT OKAY? 285 00:11:08,543 --> 00:11:10,587 THURSDAY NIGHT IS GREAT. 286 00:11:10,629 --> 00:11:12,339 WHERE DO YOU WANT TO GO? 287 00:11:12,380 --> 00:11:13,590 ANYWHERE YOU'RE GOING. 288 00:11:13,632 --> 00:11:15,758 YEAH, BUT YOU'RE 289 00:11:13,632 --> 00:11:15,758 A FOOD PERSON, 290 00:11:15,800 --> 00:11:18,011 SO I WANT TO TAKE YOU SOMEPLACE 291 00:11:15,800 --> 00:11:18,011 REALLY GOOD, LIKE L'ORANGERIE. 292 00:11:18,052 --> 00:11:20,263 NO, NO, NO, 293 00:11:18,052 --> 00:11:20,263 THAT'S WAY TOO EXPENSIVE. 294 00:11:20,305 --> 00:11:21,764 I KNOW, 295 00:11:20,305 --> 00:11:21,764 BUT I'LL TAKE CARE OF IT-- 296 00:11:21,806 --> 00:11:23,975 WE'RE NOT STARTING OUT 297 00:11:21,806 --> 00:11:23,975 THAT WAY. 298 00:11:26,144 --> 00:11:27,854 UM...THERE'S THIS LITTLE PLACE 299 00:11:26,144 --> 00:11:27,854 IN KOREATOWN 300 00:11:27,895 --> 00:11:29,147 THAT I'VE BEEN DYING 301 00:11:27,895 --> 00:11:29,147 TO CHECK OUT. 302 00:11:29,189 --> 00:11:31,065 DO I NEED TO MAKE 303 00:11:29,189 --> 00:11:31,065 A RESERVATION? 304 00:11:31,107 --> 00:11:33,443 HOW ABOUT IF I TAKE CARE 305 00:11:31,107 --> 00:11:33,443 OF THAT PART, 306 00:11:33,485 --> 00:11:34,569 AND YOU JUST PICK ME UP 307 00:11:33,485 --> 00:11:34,569 AT 8:00? 308 00:11:34,611 --> 00:11:36,196 OKAY. 309 00:11:36,237 --> 00:11:37,447 OKAY. 310 00:11:37,489 --> 00:11:38,448 OKAY. 311 00:11:38,490 --> 00:11:40,950 OKAY. 312 00:11:40,992 --> 00:11:42,619 OKAY, BYE. 313 00:11:42,661 --> 00:11:43,620 HEY... 314 00:11:43,662 --> 00:11:44,787 YEAH? 315 00:11:44,829 --> 00:11:48,208 THANKS FOR ASKING ME OUT. 316 00:11:48,249 --> 00:11:51,670 OH, YEAH. NO PROBLEM. 317 00:11:51,710 --> 00:11:53,004 OOH! 318 00:11:53,046 --> 00:11:54,297 SORRY. 319 00:11:54,339 --> 00:11:55,298 YEAH, GINA FERRARA, PLEASE. 320 00:11:55,340 --> 00:11:57,342 IT'S BETTE PORTER. 321 00:11:57,384 --> 00:12:00,719 WE'RE HAVING DRINKS. 322 00:12:00,761 --> 00:12:03,097 CAN YOU JUST LET HER KNOW 323 00:12:00,761 --> 00:12:03,097 THAT I GOT HER MESSAGE? 324 00:12:03,139 --> 00:12:06,767 AND THE FOUR SEASONS 325 00:12:03,139 --> 00:12:06,767 IS FINE. 326 00:12:06,809 --> 00:12:08,603 YOU BROUGHT DINNER. 327 00:12:08,645 --> 00:12:09,854 YOU GOING OUT? 328 00:12:09,896 --> 00:12:12,731 I HAVE A DRINKS 329 00:12:09,896 --> 00:12:12,731 MEETING. 330 00:12:12,773 --> 00:12:14,192 THE BOARD DIDN'T GO FOR IT. 331 00:12:14,234 --> 00:12:15,734 WHAT? 332 00:12:15,776 --> 00:12:17,404 HELLO. IS 333 00:12:15,776 --> 00:12:17,404 GREG MASSEY IN? 334 00:12:17,445 --> 00:12:20,114 YEAH, IT'S BETTE PORTER 335 00:12:17,445 --> 00:12:20,114 FROM THE CAC. 336 00:12:20,156 --> 00:12:23,117 YES, I'LL HOLD. 337 00:12:23,159 --> 00:12:25,662 CAN YOU JUST HAVE HIM 338 00:12:23,159 --> 00:12:25,662 CALL ME BACK, PLEASE? 339 00:12:25,704 --> 00:12:28,415 THANKS. 340 00:12:28,456 --> 00:12:29,999 I HATE THEM ALL. 341 00:12:30,041 --> 00:12:31,876 THEY DIDN'T GO 342 00:12:30,041 --> 00:12:31,876 FOR "PROVOCATIONS"? 343 00:12:31,918 --> 00:12:34,212 YEAH, AND THEN, 344 00:12:31,918 --> 00:12:34,212 TO POUR SALT ON THE WOUND, 345 00:12:34,254 --> 00:12:35,880 FRANKLIN WENT BEHIND MY BACK 346 00:12:35,922 --> 00:12:38,841 AND BOOKED 347 00:12:35,922 --> 00:12:38,841 "IMPRESSIONS IN WINTER." 348 00:12:38,883 --> 00:12:39,842 SO WHO'RE YOU HAVING 349 00:12:38,883 --> 00:12:39,842 DRINKS WITH? 350 00:12:39,884 --> 00:12:41,678 GINA FERRARA, 351 00:12:41,720 --> 00:12:45,139 THE CURATOR 352 00:12:41,720 --> 00:12:45,139 OF THE PEGGY PEABODY COLLECTION. 353 00:12:45,181 --> 00:12:46,391 I THOUGHT YOU SAID 354 00:12:45,181 --> 00:12:46,391 THEY DIDN'T GO FOR IT. 355 00:12:46,433 --> 00:12:48,643 I'M NOT ROLLING OVER. 356 00:12:48,685 --> 00:12:50,520 RIGHT AFTER THE MEETING, 357 00:12:48,685 --> 00:12:50,520 I CALLED SHELDON TOMLIN, 358 00:12:50,562 --> 00:12:52,397 AND I UN-BOOKED 359 00:12:50,562 --> 00:12:52,397 THE IMPRESSIONISTS SHOW, 360 00:12:52,439 --> 00:12:53,565 AND NOW I'M GOING TO 361 00:12:52,439 --> 00:12:53,565 PROSTRATE MYSELF 362 00:12:53,607 --> 00:12:55,400 TO A WOMAN 363 00:12:53,607 --> 00:12:55,400 WHO HATES MY GUTS. 364 00:12:55,442 --> 00:12:56,817 WHY DOES GINA FERRARA 365 00:12:55,442 --> 00:12:56,817 HATE YOU? 366 00:12:56,859 --> 00:13:00,821 WE HAD A RUN-IN OVER AN ARTIST, 367 00:12:56,859 --> 00:13:00,821 MEGAN FRIEDMAN, 368 00:13:00,863 --> 00:13:01,864 WHEN WE WERE 369 00:13:00,863 --> 00:13:01,864 BOTH GALLERISTS. 370 00:13:01,906 --> 00:13:03,241 THAT SCULPTOR YOU SLEPT WITH? 371 00:13:03,283 --> 00:13:05,868 AND SHE'S HATED ME 372 00:13:03,283 --> 00:13:05,868 EVER SINCE. 373 00:13:05,910 --> 00:13:08,162 SO GINA FERRARA'S 374 00:13:05,910 --> 00:13:08,162 A LESBIAN? 375 00:13:08,204 --> 00:13:09,914 NO... 376 00:13:09,956 --> 00:13:11,207 BUT SHE WANTED THE SHOW, 377 00:13:11,249 --> 00:13:13,376 I GOT IT, AND NOW 378 00:13:11,249 --> 00:13:13,376 SHE HATES ME, 379 00:13:13,418 --> 00:13:17,589 BUT I AM GOING TO KISS 380 00:13:13,418 --> 00:13:17,589 HER ASS. 381 00:13:21,092 --> 00:13:23,136 SHE'S LUCKY. 382 00:13:24,387 --> 00:13:27,348 [ JAZZY CLUB MUSIC ] 383 00:13:27,390 --> 00:13:35,774 [ ♪♪ ] 384 00:13:35,814 --> 00:13:37,900 HEY, JEN. HEY, IT'S ME. 385 00:13:35,814 --> 00:13:37,900 LISTEN. 386 00:13:37,942 --> 00:13:39,694 I HAD A REALLY 387 00:13:37,942 --> 00:13:39,694 SHITTY DAY. 388 00:13:39,736 --> 00:13:43,782 MY 200-YARD FREE RELAY TEAM 389 00:13:39,736 --> 00:13:43,782 ATE SOME BAD SUSHI. 390 00:13:43,822 --> 00:13:45,408 THEY WERE UP ALL NIGHT PUKING, 391 00:13:45,450 --> 00:13:47,702 AND TRISH IS NOW OFFICIALLY 392 00:13:45,450 --> 00:13:47,702 ON ACADEMIC PROBATION, 393 00:13:47,744 --> 00:13:49,912 SO IF YOU GET THE MESSAGE, 394 00:13:47,744 --> 00:13:49,912 I'M AT THE PLANET. 395 00:13:49,954 --> 00:13:52,290 I MISS YOU. I HOPE YOU JOIN. 396 00:13:49,954 --> 00:13:52,290 BYE. 397 00:13:57,170 --> 00:13:58,879 OOH. 398 00:13:57,170 --> 00:13:58,879 HO HO HO. 399 00:13:58,921 --> 00:14:00,715 SHE'S GOOD. 400 00:14:00,757 --> 00:14:01,800 ANYONE ELSE? 401 00:14:01,840 --> 00:14:03,551 NO, THANKS. 402 00:14:03,593 --> 00:14:07,846 [ OVERLAPPING CHATTER ] 403 00:14:07,888 --> 00:14:09,932 COME ON. 404 00:14:07,888 --> 00:14:09,932 NO. 405 00:14:09,974 --> 00:14:13,394 COME ON. 406 00:14:13,436 --> 00:14:15,563 I'M OBVIOUSLY 407 00:14:13,436 --> 00:14:15,563 NO MATCH FOR YOU. 408 00:14:15,605 --> 00:14:17,732 WELL, YOU NEVER KNOW 409 00:14:15,605 --> 00:14:17,732 UNTIL YOU TRY. 410 00:14:17,774 --> 00:14:20,485 [ SIRENS WAILING ] 411 00:14:22,945 --> 00:14:24,905 COME ON, HURRY UP. 412 00:14:24,947 --> 00:14:26,907 YOU LOOK GREAT! 413 00:14:26,949 --> 00:14:29,035 COME ON. 414 00:14:26,949 --> 00:14:29,035 YOU WANNA GO OVER THERE? 415 00:14:29,076 --> 00:14:31,830 YEAH. 416 00:14:29,076 --> 00:14:31,830 [ CHATTER CONTINUES ] 417 00:14:31,871 --> 00:14:34,415 [ LAUGHTER ] 418 00:14:34,457 --> 00:14:37,418 [ BACKGROUND CHATTER ] 419 00:14:37,460 --> 00:14:40,421 [ ELECTRONIC MUSIC ] 420 00:14:40,463 --> 00:14:47,428 [ ♪♪ ] 421 00:14:47,470 --> 00:14:48,847 HEY. 422 00:14:48,888 --> 00:14:50,682 HI. 423 00:14:48,888 --> 00:14:50,682 HI. 424 00:14:50,724 --> 00:14:52,183 OH. 425 00:14:52,225 --> 00:14:53,434 HOW ARE YOU? 426 00:14:53,476 --> 00:14:54,686 YOU KNOW NADIA. 427 00:14:54,728 --> 00:14:56,354 YEAH. HEY. 428 00:14:54,728 --> 00:14:56,354 HEY. 429 00:14:56,396 --> 00:15:00,483 OH, MY GOD. 430 00:14:56,396 --> 00:15:00,483 HAVE YOU SEEN THIS? 431 00:15:00,525 --> 00:15:01,984 [ LAUGHING ] 432 00:15:07,657 --> 00:15:09,116 LACEY... 433 00:15:09,158 --> 00:15:10,159 LOOKS LIKE SHANE 434 00:15:09,158 --> 00:15:10,159 FINALLY TANGLED 435 00:15:10,201 --> 00:15:11,745 WITH THE WRONG 436 00:15:10,201 --> 00:15:11,745 CRAZY BITCH. 437 00:15:11,786 --> 00:15:12,746 HARSH. THERE'S, LIKE, 438 00:15:11,786 --> 00:15:12,746 A WHOLE STACK OF THEM 439 00:15:12,787 --> 00:15:14,581 OVER BY THE DOOR. 440 00:15:17,208 --> 00:15:18,167 GABBY... 441 00:15:18,209 --> 00:15:19,878 GABBY? 442 00:15:19,919 --> 00:15:21,546 I WAS KIND OF HOPING 443 00:15:19,919 --> 00:15:21,546 WE COULD BE ALONE. 444 00:15:21,588 --> 00:15:25,091 WE CAN BE ALONE 445 00:15:21,588 --> 00:15:25,091 WHEN WE'RE DEAD. 446 00:15:25,132 --> 00:15:27,510 IS THAT FIONA 447 00:15:25,132 --> 00:15:27,510 OVER THERE? 448 00:15:27,552 --> 00:15:30,971 I CAN'T BELIEVE SHE'D EVEN 449 00:15:27,552 --> 00:15:30,971 SHOW HER FACE IN HERE. 450 00:15:34,601 --> 00:15:35,602 [ BALLS CLATTER ] 451 00:15:35,643 --> 00:15:36,728 [ PHONE VIBRATING ] 452 00:15:36,770 --> 00:15:40,815 TIM. TIM, YOUR PHONE 453 00:15:36,770 --> 00:15:40,815 IS RINGING. 454 00:15:40,857 --> 00:15:42,776 CAN YOU GET IT? 455 00:15:46,153 --> 00:15:47,113 HELLO? 456 00:15:47,154 --> 00:15:49,990 TIM? 457 00:15:50,032 --> 00:15:51,534 UH, WHO IS THIS? 458 00:15:51,576 --> 00:15:53,244 HI, JENNY. 459 00:15:53,286 --> 00:15:54,245 IT'S MARINA. 460 00:15:54,287 --> 00:15:56,038 WHERE'S TIM? 461 00:15:56,080 --> 00:15:59,709 TIM IS PLAYING POOL, AND HE 462 00:15:56,080 --> 00:15:59,709 ASKED ME TO ANSWER THE PHONE. 463 00:15:59,751 --> 00:16:01,669 [ BEEP ] 464 00:16:01,711 --> 00:16:04,088 I DON'T THINK SHE'S HAPPY. 465 00:16:06,966 --> 00:16:09,594 JENNY? 466 00:16:09,636 --> 00:16:12,388 SHE GOT CUT OFF. 467 00:16:12,430 --> 00:16:14,724 I GUESS 468 00:16:12,430 --> 00:16:14,724 SHE'LL CALL BACK. 469 00:16:18,728 --> 00:16:20,104 YES! 470 00:16:20,146 --> 00:16:21,188 DID YOU JUST HUSTLE ME? 471 00:16:21,230 --> 00:16:23,274 YES! 472 00:16:23,316 --> 00:16:26,277 [ SMOOTH DANCE MUSIC ] 473 00:16:26,319 --> 00:16:34,243 [ ♪♪ ] 474 00:16:58,518 --> 00:17:00,770 JEN, HEY! 475 00:17:02,647 --> 00:17:05,149 YOU OKAY? 476 00:17:05,191 --> 00:17:08,736 JENNY... 477 00:17:11,698 --> 00:17:14,158 JEN, WHAT'S GOING ON? 478 00:17:14,200 --> 00:17:15,952 JENNY, CAN 479 00:17:14,200 --> 00:17:15,952 YOU HEAR ME? 480 00:17:15,994 --> 00:17:18,120 JENNY, BABY, 481 00:17:15,994 --> 00:17:18,120 CAN YOU HEAR ME? 482 00:17:18,162 --> 00:17:19,246 JEN... 483 00:17:19,288 --> 00:17:20,790 CAN YOU HEAR WHAT I'M SAYING? 484 00:17:20,832 --> 00:17:23,584 EVERYBODY, GET BACK. 485 00:17:20,832 --> 00:17:23,584 GIVE HER SOME AIR. 486 00:17:23,626 --> 00:17:25,085 SHE'S COMING AROUND. 487 00:17:25,127 --> 00:17:27,755 I'VE GOT TO GET HER 488 00:17:25,127 --> 00:17:27,755 SOMETHING FOR HER HEAD. 489 00:17:27,797 --> 00:17:29,215 JEN, HEY... 490 00:17:29,256 --> 00:17:31,133 IT'S OKAY. 491 00:17:29,256 --> 00:17:31,133 IT'S ALL RIGHT. 492 00:17:34,929 --> 00:17:36,014 IT'S OKAY. 493 00:17:36,055 --> 00:17:39,017 ♪ YOU WOULD HURT ME SO BAD ♪ 494 00:17:39,058 --> 00:17:40,768 ♪ IF IT WAS TRUE ♪ 495 00:17:40,810 --> 00:17:43,897 ♪ I WOULDN'T WANT TO KNOW ♪ 496 00:17:43,938 --> 00:17:45,982 OKAY. 497 00:17:46,024 --> 00:17:48,568 ♪ JUST TO RUIN MY LIFE ♪ 498 00:17:48,609 --> 00:17:51,362 ♪ SO I FAKE MY OWN ♪ 499 00:17:51,404 --> 00:17:53,239 ♪ SENSE OF CONTROL ♪ 500 00:17:53,280 --> 00:17:55,366 ♪ BLINDSIDED ♪ 501 00:17:55,408 --> 00:17:57,201 WHOA. 502 00:17:57,243 --> 00:17:59,203 WHAT HAPPENED 503 00:17:57,243 --> 00:17:59,203 TO HER? 504 00:17:59,245 --> 00:18:00,705 SHE PASSED OUT. 505 00:18:00,747 --> 00:18:01,706 WAS SHE DRINKING 506 00:18:00,747 --> 00:18:01,706 OR SOMETHING? 507 00:18:01,748 --> 00:18:03,041 I DON'T KNOW. 508 00:18:03,082 --> 00:18:07,587 BUT SOMEBODY ELSE WAS. 509 00:18:07,628 --> 00:18:09,088 ♪ BY YOU ♪ 510 00:18:09,129 --> 00:18:11,549 [ ♪♪ ] 511 00:18:11,591 --> 00:18:13,718 YOU'RE KIDDING. 512 00:18:13,760 --> 00:18:16,095 WHY DIDN'T YOU STOP HER? 513 00:18:16,136 --> 00:18:18,681 IT'S NOT MY PLACE. 514 00:18:18,723 --> 00:18:20,016 HOW WAS YOUR MEETING? 515 00:18:20,058 --> 00:18:21,434 THERE WAS AN ACCIDENT 516 00:18:20,058 --> 00:18:21,434 ON LA CIENEGA. 517 00:18:21,475 --> 00:18:22,769 I WAS 15 MINUTES LATE. 518 00:18:22,810 --> 00:18:24,311 I GOT THERE, 519 00:18:22,810 --> 00:18:24,311 SHE'D LEFT ALREADY. 520 00:18:24,353 --> 00:18:26,146 OH, BABE, I'M SORRY. 521 00:18:26,188 --> 00:18:27,690 WE'RE GOING TO 522 00:18:26,188 --> 00:18:27,690 RESCHEDULE TOMORROW. 523 00:18:27,732 --> 00:18:30,026 COME ON, LET'S GET 524 00:18:27,732 --> 00:18:30,026 YOU SOMETHING TO EAT. 525 00:18:40,954 --> 00:18:44,749 WELL, WE'RE DEFINITELY GETTING 526 00:18:40,954 --> 00:18:44,749 YOU TO A DOCTOR TOMORROW. 527 00:18:44,791 --> 00:18:47,961 IT'S LOW BLOOD SUGAR. 528 00:18:48,002 --> 00:18:49,420 YOU SCARED ME, YOU KNOW. 529 00:18:49,462 --> 00:18:50,838 WELL, YOU KNOW, YOU 530 00:18:49,462 --> 00:18:50,838 FUCKED EVERYTHING UP, 531 00:18:50,880 --> 00:18:52,090 BECAUSE YOU DECIDED TO GO 532 00:18:50,880 --> 00:18:52,090 TO THE PLANET 533 00:18:52,131 --> 00:18:53,674 WHILE I WAS MAKING YOU DINNER 534 00:18:53,716 --> 00:18:55,969 AND GO AND FLIRT 535 00:18:53,716 --> 00:18:55,969 WITH MARINA. 536 00:18:56,010 --> 00:18:57,219 DON'T BE RIDICULOUS. 537 00:18:57,261 --> 00:18:59,221 WELL, WHAT WERE YOU DOING, TIM? 538 00:18:59,263 --> 00:19:00,514 PLAYING POOL. 539 00:19:00,556 --> 00:19:02,141 WITH YOUR ARMS 540 00:19:00,556 --> 00:19:02,141 AROUND EACH OTHER? 541 00:19:02,182 --> 00:19:03,225 YOU KNOW, 542 00:19:02,182 --> 00:19:03,225 THAT'S EXACTLY RIGHT. 543 00:19:03,267 --> 00:19:04,811 WE WERE MAKING OUT, 544 00:19:04,852 --> 00:19:05,853 RIGHT THERE IN THE MIDDLE 545 00:19:04,852 --> 00:19:05,853 OF THE PLANET, 546 00:19:05,895 --> 00:19:08,022 WHILE EVERYONE WAS WATCHING. 547 00:19:12,318 --> 00:19:15,321 YOU NEED TO GET SOME SLEEP. 548 00:19:24,831 --> 00:19:27,792 [ RELAXED ELECTRONIC MUSIC ] 549 00:19:27,834 --> 00:19:29,710 [ ♪♪ ] 550 00:19:29,752 --> 00:19:30,878 [ PHONE RINGING ] 551 00:19:30,920 --> 00:19:32,088 BETTE PORTER'S OFFICE. 552 00:19:32,130 --> 00:19:33,673 HI, JAMES. 553 00:19:32,130 --> 00:19:33,673 YEAH, IT'S ME. 554 00:19:33,714 --> 00:19:35,466 CAN YOU JUST, UH, 555 00:19:33,714 --> 00:19:35,466 FORWARD MY CALLS TO MY CELL? 556 00:19:35,508 --> 00:19:36,509 THANKS. 557 00:19:36,550 --> 00:19:38,136 HEY, GUYS, CHECK THIS OUT. 558 00:19:38,177 --> 00:19:39,428 MY GOD, 559 00:19:38,177 --> 00:19:39,428 IT'S THE UNABOMBER. 560 00:19:39,470 --> 00:19:40,930 WHAT'S GOING ON? 561 00:19:40,972 --> 00:19:43,265 LACEY IS ON SOME SORT 562 00:19:40,972 --> 00:19:43,265 OF RAMPAGE. 563 00:19:43,307 --> 00:19:44,809 SHE'S PUTTING THESE 564 00:19:43,307 --> 00:19:44,809 ALL OVER TOWN-- 565 00:19:44,851 --> 00:19:46,435 GUYS, YOU GUYS... 566 00:19:46,477 --> 00:19:48,395 THERE'S A GIANT BILLBOARD 567 00:19:46,477 --> 00:19:48,395 OF SHANE ON SUNSET. 568 00:19:48,437 --> 00:19:50,857 JUST KIDDING. 569 00:19:52,316 --> 00:19:53,860 SO HOW'S YOUR 570 00:19:52,316 --> 00:19:53,860 LADY FRIEND? 571 00:19:53,901 --> 00:19:55,736 GOOD. 572 00:19:55,778 --> 00:19:57,404 I HAVE MY DATE 573 00:19:55,778 --> 00:19:57,404 TONIGHT. 574 00:19:57,446 --> 00:19:58,489 OH, MY GOD, 575 00:19:57,446 --> 00:19:58,489 DANA'S GOT A DATE. 576 00:19:58,531 --> 00:20:01,034 WHAT ARE YOU WEARING? 577 00:20:01,075 --> 00:20:03,036 UM, WELL, I WAS 578 00:20:01,075 --> 00:20:03,036 THINKING I'D WEAR THAT-- 579 00:20:03,077 --> 00:20:04,286 THAT BLUE SUNDRESS, YOU KNOW, 580 00:20:03,077 --> 00:20:04,286 WITH THE-- 581 00:20:04,328 --> 00:20:05,287 NO! 582 00:20:05,329 --> 00:20:06,539 NO. 583 00:20:05,329 --> 00:20:06,539 NO. 584 00:20:06,580 --> 00:20:08,166 NO. 585 00:20:06,580 --> 00:20:08,166 WHAT? 586 00:20:08,207 --> 00:20:11,044 HOW MANY TIMES DO I HAVE TO 587 00:20:08,207 --> 00:20:11,044 TELL YOU, NO SUNDRESSES. 588 00:20:11,085 --> 00:20:12,252 BUT I'M GOING TO 589 00:20:11,085 --> 00:20:12,252 A NICE PLACE, YOU KNOW. 590 00:20:12,294 --> 00:20:13,337 SOMEBODY MIGHT SEE ME. 591 00:20:13,379 --> 00:20:15,089 ONE GUY 592 00:20:13,379 --> 00:20:15,089 RECOGNIZES YOU, 593 00:20:15,131 --> 00:20:16,507 AND ALL OF A SUDDEN, 594 00:20:15,131 --> 00:20:16,507 YOU'RE LIKE TIGER WOODS-- 595 00:20:16,549 --> 00:20:18,342 BITE MY HEAD OFF. GOD. 596 00:20:18,384 --> 00:20:20,386 JESUS, AL, 597 00:20:18,384 --> 00:20:20,386 IT'S NOT DANA'S FAULT 598 00:20:20,427 --> 00:20:22,346 GABBY'S MACKING 599 00:20:20,427 --> 00:20:22,346 ON NADIA MEIRTSCHIN. 600 00:20:22,388 --> 00:20:24,140 OH, GOD, 601 00:20:22,388 --> 00:20:24,140 NADIA MEIRTSCHIN? 602 00:20:24,182 --> 00:20:25,683 I HATE THAT GIRL. 603 00:20:25,725 --> 00:20:27,685 I'VE BEEN INTRODUCED TO HER, 604 00:20:25,725 --> 00:20:27,685 LIKE, 24 TIMES, 605 00:20:27,727 --> 00:20:30,354 SHE NEVER REMEMBERS 606 00:20:27,727 --> 00:20:30,354 MY NAME. 607 00:20:30,396 --> 00:20:32,190 DIDN'T SHE TRY 608 00:20:30,396 --> 00:20:32,190 TO HIT UP ON YOU ONCE, 609 00:20:32,272 --> 00:20:33,649 NADIA MEIRTSCHIN? 610 00:20:33,691 --> 00:20:34,650 SHE WAS DRUNK. 611 00:20:34,692 --> 00:20:36,402 STILL... 612 00:20:37,653 --> 00:20:39,030 IT HAS TO END. 613 00:20:39,072 --> 00:20:40,990 SERIOUSLY, ALICE. 614 00:20:41,032 --> 00:20:42,533 YOU CAN'T LET GABBY CONTINUE 615 00:20:41,032 --> 00:20:42,533 TO TREAT YOU THIS WAY. 616 00:20:42,575 --> 00:20:44,035 YOU GUYS DON'T KNOW HER. 617 00:20:44,077 --> 00:20:46,245 I KNOW IT LOOKS LIKE 618 00:20:44,077 --> 00:20:46,245 SHE'S TREATING ME LIKE SHIT, 619 00:20:46,286 --> 00:20:47,788 BUT SHE'S JUST, YOU KNOW... 620 00:20:47,830 --> 00:20:49,540 TREATING YOU LIKE SHIT, AL. 621 00:20:49,582 --> 00:20:51,876 MAYBE. IT'S JUST-- 622 00:20:51,918 --> 00:20:54,045 NO "IT'S JUST." 623 00:20:54,087 --> 00:20:55,046 YOU DESERVE BETTER. 624 00:20:55,088 --> 00:20:57,297 I DO? 625 00:20:57,339 --> 00:21:02,344 ALL RIGHT, I DO, 626 00:20:57,339 --> 00:21:02,344 BUT I JUST FEEL LIKE AT TIMES, 627 00:21:02,386 --> 00:21:04,263 SHE'S, LIKE, SO RIGHT THERE, 628 00:21:02,386 --> 00:21:04,263 AND I FEEL LIKE WE CONNECT, 629 00:21:04,304 --> 00:21:06,557 AND THEN ALL OF A SUDDEN, SHE 630 00:21:04,304 --> 00:21:06,557 ACTS LIKE I DON'T EVEN EXIST. 631 00:21:06,599 --> 00:21:09,268 THAT'S BECAUSE 632 00:21:06,599 --> 00:21:09,268 SHE'S AN EMOTIONAL CRIPPLE. 633 00:21:09,309 --> 00:21:10,978 YEAH, EMOTIONAL CRIPPLE 634 00:21:11,020 --> 00:21:13,313 SLASH NARCISSISTIC 635 00:21:11,020 --> 00:21:13,313 PERSONALITY DISORDER. 636 00:21:13,355 --> 00:21:16,234 AND THE NEXT TIME 637 00:21:13,355 --> 00:21:16,234 SHE CALLS YOU, 638 00:21:16,275 --> 00:21:18,236 YOU HAVE TO END IT. 639 00:21:18,277 --> 00:21:20,071 I KNOW, IT'S JUST-- 640 00:21:20,113 --> 00:21:22,531 "IT'S JUST" NOTHING. 641 00:21:22,573 --> 00:21:23,741 WHAT ARE YOU GOING TO DO? 642 00:21:23,783 --> 00:21:25,243 WELL, I WAS GOING TO 643 00:21:23,783 --> 00:21:25,243 ASK HER-- 644 00:21:25,284 --> 00:21:26,326 NO ASKING. 645 00:21:26,368 --> 00:21:27,327 NO, YOU'RE GOING 646 00:21:26,368 --> 00:21:27,327 TO TELL HER. 647 00:21:27,369 --> 00:21:28,996 YOU'RE GOING TO SAY, 648 00:21:29,038 --> 00:21:30,539 "GABBY, I REALLY ENJOYED 649 00:21:29,038 --> 00:21:30,539 THE TIME WE SPENT TOGETHER, 650 00:21:30,581 --> 00:21:31,916 "BUT IT IS 651 00:21:30,581 --> 00:21:31,916 OBVIOUS TO ME 652 00:21:31,958 --> 00:21:33,584 "THAT WE ARE IN DIFFERENT 653 00:21:31,958 --> 00:21:33,584 PLACES IN OUR LIVES, 654 00:21:33,626 --> 00:21:35,253 "AND WE WANT DIFFERENT THINGS 655 00:21:33,626 --> 00:21:35,253 OUT OF A RELATIONSHIP, 656 00:21:35,294 --> 00:21:37,004 "AND I RESPECT MYSELF 657 00:21:35,294 --> 00:21:37,004 TOO MUCH 658 00:21:37,046 --> 00:21:38,672 TO LET YOU CONTINUE 659 00:21:37,046 --> 00:21:38,672 TO TREAT ME THIS WAY." 660 00:21:38,714 --> 00:21:40,007 "IT'S CLEAR TO ME NOW 661 00:21:40,049 --> 00:21:41,592 "THAT YOU ARE 662 00:21:40,049 --> 00:21:41,592 AN EMOTIONAL CRIPPLE 663 00:21:41,634 --> 00:21:43,886 WITHOUT ANY KIND OF CAPACITY 664 00:21:41,634 --> 00:21:43,886 TO UNDERSTAND TRUE LOVE..." 665 00:21:43,928 --> 00:21:45,679 "AND I'M NO LONGER 666 00:21:43,928 --> 00:21:45,679 WILLING 667 00:21:45,721 --> 00:21:47,598 TO WASTE MY VALUABLE TIME 668 00:21:45,721 --> 00:21:47,598 ON YOU." 669 00:21:47,640 --> 00:21:49,976 "SO STEP OFF, BITCH." 670 00:21:51,144 --> 00:21:52,352 YOU CAN DO IT. 671 00:21:52,394 --> 00:21:54,313 [ CELL PHONE RINGING ] 672 00:21:54,354 --> 00:21:55,397 HELLO? 673 00:21:55,439 --> 00:21:56,732 GINA...HEY. 674 00:21:56,774 --> 00:21:58,525 I'M SO SORRY 675 00:21:56,774 --> 00:21:58,525 ABOUT LAST NIGHT. 676 00:21:58,567 --> 00:21:59,735 I HOPE YOU GOT THE MESSAGE, 677 00:21:59,777 --> 00:22:01,361 THERE WAS 678 00:21:59,777 --> 00:22:01,361 THIS TERRIBLE ACCIDENT. 679 00:22:01,403 --> 00:22:02,780 YEAH, I'M REALLY 680 00:22:01,403 --> 00:22:02,780 LOOKING FORWARD 681 00:22:02,822 --> 00:22:04,698 TO TALKING TO YOU 682 00:22:02,822 --> 00:22:04,698 ABOUT "PROVOCATIONS." 683 00:22:04,740 --> 00:22:07,034 I THINK THAT THE-- 684 00:22:08,202 --> 00:22:10,121 OH... 685 00:22:12,039 --> 00:22:14,333 OH, REALLY? 686 00:22:16,418 --> 00:22:17,503 WELL, IS THERE 687 00:22:16,418 --> 00:22:17,503 ANY WAY 688 00:22:17,544 --> 00:22:19,130 THAT I COULD GET YOU 689 00:22:17,544 --> 00:22:19,130 TO RECONSIDER? 690 00:22:19,172 --> 00:22:21,757 BECAUSE I THINK 691 00:22:19,172 --> 00:22:21,757 THAT THE CAC-- 692 00:22:24,218 --> 00:22:27,305 OKAY. 693 00:22:27,345 --> 00:22:29,640 ALL RIGHT. 694 00:22:29,682 --> 00:22:32,768 NO. NO, NO, NO, NO. 695 00:22:29,682 --> 00:22:32,768 THANK YOU. 696 00:22:32,810 --> 00:22:34,603 BYE. 697 00:22:34,645 --> 00:22:36,272 WHAT HAPPENED? 698 00:22:38,649 --> 00:22:40,151 "PROVOCATIONS" WENT TO MOCA. 699 00:22:40,193 --> 00:22:41,819 THAT'S WHERE GINA 700 00:22:40,193 --> 00:22:41,819 WAS LAST NIGHT 701 00:22:41,861 --> 00:22:44,404 WHEN I WAS SITTING ALONE 702 00:22:41,861 --> 00:22:44,404 AT THE BAR AT THE FOUR SEASONS. 703 00:22:44,446 --> 00:22:47,658 OH, BABY, I'M SO SORRY. 704 00:22:47,700 --> 00:22:50,744 I KNEW GINA WOULD SCREW ME. 705 00:22:50,786 --> 00:22:53,331 I AM SO FUCKED. 706 00:22:53,371 --> 00:22:56,583 IS THERE ANYONE 707 00:22:53,371 --> 00:22:56,583 WHO CAN OVERRULE HER? 708 00:22:56,625 --> 00:22:57,793 JUST PEGGY PEABODY, 709 00:22:57,835 --> 00:22:59,086 THE BILLIONAIRESS 710 00:22:57,835 --> 00:22:59,086 RAVING LUNATIC. 711 00:22:59,128 --> 00:23:00,338 PEGGY PEABODY, 712 00:23:00,378 --> 00:23:01,421 UNIFIED STEEL 713 00:23:00,378 --> 00:23:01,421 HEIRESS? 714 00:23:01,463 --> 00:23:02,923 YEAH... 715 00:23:02,965 --> 00:23:04,342 SHE'S IN TOWN, YOU KNOW. 716 00:23:04,382 --> 00:23:05,343 SHE'S STAYING AT 717 00:23:04,382 --> 00:23:05,343 THE LOS ALAMENDROS, 718 00:23:05,383 --> 00:23:06,719 SANTA BARBARA. 719 00:23:06,760 --> 00:23:07,970 SHE'S HERE ON SOME CRAZY 720 00:23:06,760 --> 00:23:07,970 ART-BUYING SPREE, 721 00:23:08,012 --> 00:23:10,430 SPENT, LIKE, 6.3 MILLION 722 00:23:08,012 --> 00:23:10,430 BUCKS YESTERDAY. 723 00:23:10,472 --> 00:23:11,682 HOW DO YOU KNOW ALL THIS? 724 00:23:11,724 --> 00:23:15,311 I WAS EAVESDROPPING 725 00:23:11,724 --> 00:23:15,311 AT "L.A." MAGAZINE. 726 00:23:15,353 --> 00:23:16,436 DO YOU GUYS KNOW, 727 00:23:16,478 --> 00:23:17,437 THEY WANT ME TO DO A STORY 728 00:23:17,479 --> 00:23:18,438 ON THE 45-MINUTE ORGASM... 729 00:23:18,480 --> 00:23:20,358 AS IF. 730 00:23:20,398 --> 00:23:21,984 I MEAN, BY DEFINITION, 731 00:23:22,026 --> 00:23:23,401 THEY'RE SHORT 732 00:23:22,026 --> 00:23:23,401 AND INTENSE, RIGHT? 733 00:23:23,443 --> 00:23:24,611 BETTE PORTER'S OFFICE. 734 00:23:24,653 --> 00:23:25,863 HI, JAMES? 735 00:23:25,905 --> 00:23:27,781 CAN YOU GET ME 736 00:23:25,905 --> 00:23:27,781 DIRECTIONS 737 00:23:27,823 --> 00:23:29,200 FOR THE LOS ALAMENDROS 738 00:23:27,823 --> 00:23:29,200 IN SANTA BARBARA? 739 00:23:29,242 --> 00:23:30,576 FRANKLIN FOUND OUT 740 00:23:30,617 --> 00:23:31,702 YOU PASSED ON 741 00:23:30,617 --> 00:23:31,702 "IMPRESSIONS IN WINTER." 742 00:23:31,744 --> 00:23:33,037 WHAT ELSE? 743 00:23:33,079 --> 00:23:35,206 WELL, HE'S IN A RAGE THAT-- 744 00:23:35,248 --> 00:23:37,917 THAT YOU LEFT THE OFFICE 745 00:23:35,248 --> 00:23:37,917 IN A TIME OF CRISIS. 746 00:23:37,958 --> 00:23:39,126 TELL HIM 747 00:23:37,958 --> 00:23:39,126 TO BITE ME. 748 00:23:39,168 --> 00:23:40,627 I DON'T THINK I CAN SAY THAT. 749 00:23:40,669 --> 00:23:41,879 TELL HIM THAT ALL GREAT ART 750 00:23:40,669 --> 00:23:41,879 IS A RESPONSE 751 00:23:41,921 --> 00:23:43,547 TO SMALL-MINDED 752 00:23:41,921 --> 00:23:43,547 CORPORATE FASCISTS 753 00:23:43,589 --> 00:23:46,384 TRYING TO IMPOSE THEIR IGNORANCE 754 00:23:43,589 --> 00:23:46,384 ON THE SHEEPLIKE MASSES. 755 00:23:46,424 --> 00:23:48,177 WHY DON'T I JUST TELL HIM 756 00:23:46,424 --> 00:23:48,177 YOU HAVE A DENTIST APPOINTMENT? 757 00:23:48,219 --> 00:23:50,221 JUST TELL HIM IT'S 758 00:23:48,219 --> 00:23:50,221 NOT OVER UNTIL IT'S OVER. 759 00:23:50,263 --> 00:23:51,638 OKAY, CALL ME BACK 760 00:23:50,263 --> 00:23:51,638 WITH THE DIRECTIONS. 761 00:23:51,680 --> 00:23:53,224 THANKS. 762 00:23:53,266 --> 00:23:56,434 YOU'RE GOING 763 00:23:53,266 --> 00:23:56,434 TO SANTA BARBARA? 764 00:24:00,273 --> 00:24:02,191 GOOD LUCK! 765 00:24:10,699 --> 00:24:13,202 HI. HOW ARE YOU? 766 00:24:13,244 --> 00:24:16,163 HEY, HOW YOU DOING? 767 00:24:16,205 --> 00:24:18,624 HEY, WORD TO THE WISE, 768 00:24:16,205 --> 00:24:18,624 WATCH OUT FOR THAT WOMAN. 769 00:24:21,127 --> 00:24:22,544 MA'AM, HOW YOU DOING? 770 00:24:22,586 --> 00:24:25,214 KEEP AN EYE ON YOUR DAUGHTER. 771 00:24:22,586 --> 00:24:25,214 YOU NEVER KNOW. 772 00:24:25,256 --> 00:24:27,883 HI. HEADS UP. 773 00:24:35,141 --> 00:24:37,893 SO WHAT DO YOU THINK? 774 00:24:35,141 --> 00:24:37,893 I LEARNED PHOTOSHOP. 775 00:24:40,854 --> 00:24:42,356 LACE, WHAT ARE YOU DOING? 776 00:24:42,398 --> 00:24:44,442 WHATEVER I FEEL LIKE. 777 00:24:42,398 --> 00:24:44,442 ISN'T THAT WHAT YOU DO? 778 00:24:48,404 --> 00:24:51,615 ALL RIGHT, ENOUGH. 779 00:24:48,404 --> 00:24:51,615 COME ON. 780 00:24:51,657 --> 00:24:53,242 I THINK WE HAVE A BIG 781 00:24:51,657 --> 00:24:53,242 MISUNDERSTANDING. 782 00:24:53,284 --> 00:24:54,452 I MEAN, YOU AND ME 783 00:24:54,492 --> 00:24:55,453 HAD A REALLY GREAT 784 00:24:54,492 --> 00:24:55,453 TIME TOGETHER, BUT-- 785 00:24:55,493 --> 00:24:56,954 I KNOW. 786 00:24:56,996 --> 00:24:59,373 THAT'S WHY I DON'T UNDERSTAND 787 00:24:56,996 --> 00:24:59,373 WHAT HAPPENED. 788 00:24:59,415 --> 00:25:01,250 BABE, NOTHING HAPPENED. 789 00:25:01,292 --> 00:25:02,626 OKAY, IT'S JUST ABOUT 790 00:25:01,292 --> 00:25:02,626 HAVING A GOOD TIME 791 00:25:02,668 --> 00:25:04,295 AND ENJOYING 792 00:25:02,668 --> 00:25:04,295 EACH OTHER'S COMPANY. 793 00:25:04,337 --> 00:25:06,005 I KNOW, BUT THEN YOU WENT OFF 794 00:25:04,337 --> 00:25:06,005 WITH THE OTHER GIRL. 795 00:25:06,046 --> 00:25:07,465 YEAH... 796 00:25:07,505 --> 00:25:11,844 I DON'T SEE WHAT THE PROBLEM IS 797 00:25:07,505 --> 00:25:11,844 WITH THAT. 798 00:25:13,262 --> 00:25:16,349 LOOK, LACE, 799 00:25:13,262 --> 00:25:16,349 YOU'RE BEAUTIFUL, 800 00:25:16,390 --> 00:25:18,976 AND I LIKE YOU A LOT, 801 00:25:19,018 --> 00:25:22,229 BUT I LIKE A LOT OF PEOPLE. 802 00:25:22,271 --> 00:25:24,106 WHAT DOES SHE HAVE 803 00:25:22,271 --> 00:25:24,106 THAT I DON'T HAVE? 804 00:25:24,148 --> 00:25:25,649 NOTHING. 805 00:25:25,691 --> 00:25:26,775 IT'S NOT ABOUT 806 00:25:25,691 --> 00:25:26,775 HAVING SOMETHING 807 00:25:26,817 --> 00:25:30,112 OR NOT HAVING 808 00:25:26,817 --> 00:25:30,112 SOMETHING. 809 00:25:31,655 --> 00:25:33,991 DID YOU LIKE 810 00:25:31,655 --> 00:25:33,991 FUCKING HER BETTER? 811 00:25:35,993 --> 00:25:37,953 NO. 812 00:25:41,539 --> 00:25:43,459 BECAUSE I REALLY LIKED 813 00:25:41,539 --> 00:25:43,459 FUCKING YOU. 814 00:25:45,543 --> 00:25:49,006 YEAH, I LIKED 815 00:25:45,543 --> 00:25:49,006 FUCKING YOU, TOO, LACE. 816 00:25:49,048 --> 00:25:51,509 SO, THEN, 817 00:25:49,048 --> 00:25:51,509 WHAT'S THE PROBLEM? 818 00:25:53,844 --> 00:25:55,637 I DON'T DO RELATIONSHIPS. 819 00:25:58,474 --> 00:26:01,977 I'M NOT ASKING 820 00:25:58,474 --> 00:26:01,977 FOR A RELATIONSHIP. 821 00:26:05,647 --> 00:26:07,525 LOO--LA-- 822 00:26:07,565 --> 00:26:11,362 LOOK, DON'T-- 823 00:26:07,565 --> 00:26:11,362 HEY, DON'T CRY. 824 00:26:11,404 --> 00:26:13,280 I AM NOT CRYING. 825 00:26:13,322 --> 00:26:15,449 YES, YOU ARE. 826 00:26:15,491 --> 00:26:16,450 LOOK, I HATE IT 827 00:26:15,491 --> 00:26:16,450 WHEN GIRLS CRY. 828 00:26:16,492 --> 00:26:17,784 ALL RIGHT, COME HERE. 829 00:26:17,826 --> 00:26:20,371 COME HERE. 830 00:26:20,413 --> 00:26:23,916 I JUST REALLY LIKE YOU, 831 00:26:20,413 --> 00:26:23,916 IS ALL. 832 00:26:23,957 --> 00:26:25,667 YEAH, 833 00:26:23,957 --> 00:26:25,667 I LIKE YOU, TOO. 834 00:26:25,709 --> 00:26:27,044 I DO. 835 00:26:27,086 --> 00:26:29,380 I GUESS I GOT CARRIED AWAY 836 00:26:27,086 --> 00:26:29,380 WITH THE POSTERS 837 00:26:29,422 --> 00:26:33,717 AND THE FLIERS 838 00:26:29,422 --> 00:26:33,717 AND THE...BANNER. 839 00:26:33,759 --> 00:26:35,386 WHAT, YOU MADE-- 840 00:26:35,428 --> 00:26:38,472 YOU MADE BANNERS? 841 00:26:38,514 --> 00:26:41,100 JUST ONE, BUT THEY WOULDN'T 842 00:26:38,514 --> 00:26:41,100 LET ME HANG IT AT GIRL BAR. 843 00:26:43,060 --> 00:26:44,478 HONEY, 844 00:26:43,060 --> 00:26:44,478 YOU HAVE A LOT OF FEELINGS. 845 00:26:44,520 --> 00:26:45,896 I KNOW, AND THEN YOU WENT OFF 846 00:26:44,520 --> 00:26:45,896 WITH THE OTHER GIRL. 847 00:26:45,938 --> 00:26:47,731 OH, NO, SHH, DON'T, LOOK. 848 00:26:47,773 --> 00:26:49,942 PLEASE DON'T--DON'T. 849 00:26:47,773 --> 00:26:49,942 FORGET ABOUT IT, OKAY? 850 00:26:49,983 --> 00:26:51,609 DON'T EVEN THINK ABOUT THAT. 851 00:26:51,651 --> 00:26:53,862 I DON'T WANT A RELATIONSHIP 852 00:26:51,651 --> 00:26:53,862 WITH YOU, I JUST-- 853 00:26:53,904 --> 00:26:56,198 I JUST WANT TO BE WITH YOU 854 00:26:53,904 --> 00:26:56,198 ALL THE TIME. 855 00:27:02,455 --> 00:27:04,457 OH. HEY, OH. 856 00:27:04,498 --> 00:27:06,083 OH, I'M SO DUMB. 857 00:27:06,125 --> 00:27:09,336 I AM ALWAYS DOING THIS. 858 00:27:09,378 --> 00:27:11,547 I JUST WANT TO KNOW WHY 859 00:27:09,378 --> 00:27:11,547 EVERYBODY ALWAYS ABANDONS ME. 860 00:27:11,589 --> 00:27:14,049 WAIT-- 861 00:27:11,589 --> 00:27:14,049 NO ONE'S ABANDONING YOU. 862 00:27:15,717 --> 00:27:17,970 EVERYBODY LEAVES. 863 00:27:19,721 --> 00:27:21,348 MY FATHER LEFT 864 00:27:19,721 --> 00:27:21,348 WHEN I WAS FIVE. 865 00:27:21,390 --> 00:27:23,309 MY MOM DIED... 866 00:27:25,811 --> 00:27:28,188 AND MY SISTER... 867 00:27:28,230 --> 00:27:31,024 WHAT HAPPENED 868 00:27:28,230 --> 00:27:31,024 WITH YOUR SISTER? 869 00:27:31,066 --> 00:27:34,361 SHE MOVED TO WEST COVINA. 870 00:27:36,947 --> 00:27:38,491 I'M NOT GOING ANYWHERE, OKAY? 871 00:27:38,532 --> 00:27:40,993 I'M NOT GOING ANYWHERE. 872 00:27:42,995 --> 00:27:43,954 OKAY? 873 00:27:43,996 --> 00:27:44,955 OKAY. 874 00:27:43,996 --> 00:27:44,955 YEAH? 875 00:27:44,997 --> 00:27:47,124 YEAH. 876 00:27:47,166 --> 00:27:49,084 ALL RIGHT? 877 00:28:32,378 --> 00:28:33,920 AL, IT'S DANA. 878 00:28:33,962 --> 00:28:36,215 AL...ALICE. 879 00:28:36,256 --> 00:28:38,758 NO, DON'T WORRY, 880 00:28:36,256 --> 00:28:38,758 I'M WEARING PANTS. 881 00:28:38,800 --> 00:28:41,094 NO, THEY'RE NOT PATTERNED. 882 00:28:41,136 --> 00:28:43,681 LOOK, I'LL CALL YOU AFTER, OKAY? 883 00:28:43,722 --> 00:28:45,516 NO, I'M NOT GOING TO HAVE-- 884 00:28:43,722 --> 00:28:45,516 HOLD ON. 885 00:28:45,558 --> 00:28:47,309 JUST HOLD ON. 886 00:28:56,860 --> 00:28:58,278 I'LL BE RIGHT DOWN. 887 00:28:58,320 --> 00:29:00,364 OKAY, LOOK, SHE'S COMING. 888 00:28:58,320 --> 00:29:00,364 I GOT TO GO. 889 00:29:00,406 --> 00:29:02,616 HMM? 890 00:29:02,658 --> 00:29:04,076 NO, I'M NOT GOING TO HAVE SEX 891 00:29:02,658 --> 00:29:04,076 WITH HER TONIGHT. 892 00:29:04,117 --> 00:29:05,703 IT'S OUR FIRST DATE. GOD. 893 00:29:05,744 --> 00:29:08,706 I'LL CALL YOU LATER. 894 00:29:05,744 --> 00:29:08,706 BYE. 895 00:29:08,747 --> 00:29:10,666 HI! 896 00:29:10,708 --> 00:29:12,751 I OVER-DRESSED. 897 00:29:14,002 --> 00:29:15,504 NO, NO. 898 00:29:15,546 --> 00:29:17,089 OH, GOD, 899 00:29:15,546 --> 00:29:17,089 I FEEL LIKE SUCH A GEEK. 900 00:29:17,130 --> 00:29:18,257 NO, NO. 901 00:29:18,298 --> 00:29:19,633 MY FRIENDS 902 00:29:18,298 --> 00:29:19,633 MADE ME WEAR THIS. 903 00:29:19,675 --> 00:29:20,718 WHAT? 904 00:29:20,759 --> 00:29:22,428 MY FRIENDS SAID THAT-- 905 00:29:22,469 --> 00:29:24,054 THEY THOUGHT THAT YOU 906 00:29:22,469 --> 00:29:24,054 WOULD THINK I WAS A GEEK 907 00:29:24,096 --> 00:29:25,138 IF, YOU KNOW, 908 00:29:25,180 --> 00:29:26,265 IF I WORE A DRESS. 909 00:29:26,306 --> 00:29:28,183 SO I AM A GEEK. 910 00:29:28,225 --> 00:29:29,727 NO, I'M A GEEK 911 00:29:29,768 --> 00:29:32,229 FOR LETTING MY FRIENDS 912 00:29:29,768 --> 00:29:32,229 TELL ME WHAT TO WEAR. 913 00:29:32,271 --> 00:29:34,398 WELL, I COULD GO CHANGE, 914 00:29:34,440 --> 00:29:36,734 SO YOU DON'T FEEL SO GEEKY. 915 00:29:36,775 --> 00:29:39,403 NO, YOU LOOK BEAUTIFUL. 916 00:29:40,779 --> 00:29:41,905 OH, GOD. 917 00:29:41,947 --> 00:29:43,407 SEE, THAT WAS 918 00:29:41,947 --> 00:29:43,407 TOTALLY... 919 00:29:43,449 --> 00:29:45,659 JUST A TOTAL GEEK. 920 00:29:45,701 --> 00:29:47,786 I'M JUST... 921 00:29:50,456 --> 00:29:51,873 SHALL WE GO? 922 00:29:51,915 --> 00:29:53,833 YEAH. 923 00:29:58,297 --> 00:30:00,257 THANK YOU, SIR. 924 00:30:00,299 --> 00:30:01,967 [ LOBBY PIANO MUSIC ] 925 00:30:02,008 --> 00:30:03,802 HELLO, AND WELCOME 926 00:30:02,008 --> 00:30:03,802 TO LOS ALAMENDROS. 927 00:30:03,843 --> 00:30:05,220 HOW MAY I HELP YOU? 928 00:30:05,262 --> 00:30:06,346 YES, I'M HERE TO SEE 929 00:30:05,262 --> 00:30:06,346 MRS. PEABODY. 930 00:30:06,388 --> 00:30:08,014 THE CODE WORD? 931 00:30:09,308 --> 00:30:10,934 YOU NEED 932 00:30:09,308 --> 00:30:10,934 A SECRET CODE 933 00:30:10,976 --> 00:30:11,977 TO SEE PEGGY PEABODY? 934 00:30:12,018 --> 00:30:13,937 THAT'S CORRECT. 935 00:30:13,979 --> 00:30:15,731 SHAZAM. 936 00:30:15,773 --> 00:30:18,275 HMM... 937 00:30:18,317 --> 00:30:19,693 PERHAPS YOU'D LIKE 938 00:30:18,317 --> 00:30:19,693 TO LEAVE A NOTE? 939 00:30:19,735 --> 00:30:22,904 [ SMALL DOG BARKING ] 940 00:30:22,946 --> 00:30:24,823 THAT'S HER, ISN'T IT? 941 00:30:22,946 --> 00:30:24,823 RIGHT? 942 00:30:24,864 --> 00:30:26,450 MRS. PEABODY? 943 00:30:26,492 --> 00:30:28,952 MRS. PEABODY... 944 00:30:26,492 --> 00:30:28,952 HI. 945 00:30:28,994 --> 00:30:31,121 [ BARKING ] 946 00:30:31,163 --> 00:30:32,956 [ SIGHS ] 947 00:30:32,998 --> 00:30:34,040 WELL... 948 00:30:34,082 --> 00:30:35,584 MY DRIVER WAS LATE. 949 00:30:35,626 --> 00:30:36,918 THAT'S MY EXCUSE. 950 00:30:36,960 --> 00:30:38,295 AND IT'S GOING TO 951 00:30:36,960 --> 00:30:38,295 HAVE TO STAND. 952 00:30:38,337 --> 00:30:40,422 YOU HAVE SO MUCH TRAFFIC 953 00:30:38,337 --> 00:30:40,422 IN THIS INFERNAL CITY. 954 00:30:40,464 --> 00:30:41,923 I DON'T KNOW 955 00:30:40,464 --> 00:30:41,923 HOW YOU STAND IT. 956 00:30:41,965 --> 00:30:43,216 YOU KIND OF GET 957 00:30:41,965 --> 00:30:43,216 USED TO IT, ACTUALLY. 958 00:30:43,258 --> 00:30:46,136 ABSURD. 959 00:30:43,258 --> 00:30:46,136 PENTHOUSE. 960 00:30:46,178 --> 00:30:47,971 COME HERE. 961 00:30:48,013 --> 00:30:50,474 HOLD HIM FOR ME, 962 00:30:48,013 --> 00:30:50,474 WOULD YOU? 963 00:30:50,516 --> 00:30:52,768 HERE WE GO. 964 00:30:52,810 --> 00:30:54,311 [ DOG CONTINUES BARKING ] 965 00:30:54,353 --> 00:30:55,521 GOOD DOG. 966 00:30:55,562 --> 00:30:56,522 THERE, GO AWAY. 967 00:30:56,563 --> 00:30:59,107 DON'T COME BACK. 968 00:31:01,067 --> 00:31:02,027 I LET JOSE OFF. 969 00:31:02,068 --> 00:31:03,529 JOSE? 970 00:31:03,570 --> 00:31:04,822 WELL, HE'S MY HELPER. 971 00:31:04,863 --> 00:31:05,947 HE'S IN LOVE 972 00:31:04,863 --> 00:31:05,947 WITH THIS GIRL 973 00:31:05,989 --> 00:31:07,574 WHO WORKS 974 00:31:05,989 --> 00:31:07,574 FOR THE WEINTRAUBS-- 975 00:31:07,616 --> 00:31:08,784 OR IS IT THE FLEISHMANS, 976 00:31:08,826 --> 00:31:10,910 I'M NOT CERTAIN-- 977 00:31:10,952 --> 00:31:13,747 MAD, OBSESSIVE LOVE. 978 00:31:13,789 --> 00:31:17,417 I TOLD HIM, "GO! BE IN LOVE! 979 00:31:13,789 --> 00:31:17,417 TAKE THE NIGHT! 980 00:31:17,459 --> 00:31:18,960 SHOW HER THE SEA!" 981 00:31:19,002 --> 00:31:20,253 I THINK PEOPLE IN LOVE 982 00:31:19,002 --> 00:31:20,253 SHOULD SEE THE SEA. 983 00:31:20,295 --> 00:31:21,755 MRS. PEABODY, I-- 984 00:31:21,797 --> 00:31:23,923 CALL ME PEGGY. 985 00:31:23,965 --> 00:31:25,384 I DON'T LIKE "MRS." 986 00:31:25,425 --> 00:31:26,468 IT'S SO FRUMPY, 987 00:31:25,425 --> 00:31:26,468 LIKE I'M AN OLD MARE. 988 00:31:26,510 --> 00:31:28,970 PEGGY... 989 00:31:29,012 --> 00:31:30,556 YOU'RE HERE 990 00:31:29,012 --> 00:31:30,556 ABOUT THE KANDINSKY. 991 00:31:30,597 --> 00:31:31,557 KANDINSKY? 992 00:31:31,598 --> 00:31:32,558 WHAT ARE YOU DRINKING? 993 00:31:32,599 --> 00:31:34,560 NOTHING. I'M FINE. 994 00:31:34,601 --> 00:31:36,102 NONSENSE. 995 00:31:36,144 --> 00:31:38,397 I HAD THIS RIDICULOUS DRINK 996 00:31:36,144 --> 00:31:38,397 THE OTHER NIGHT. 997 00:31:38,438 --> 00:31:42,275 JOSE MADE IT FOR ME-- 998 00:31:38,438 --> 00:31:42,275 MANGO JUICE AND VODKA, I THINK. 999 00:31:42,317 --> 00:31:43,443 JUST RIDICULOUS. 1000 00:31:43,485 --> 00:31:45,738 JOSE! 1001 00:31:45,779 --> 00:31:47,072 I THINK JOSE IS OUT... 1002 00:31:47,113 --> 00:31:48,073 AT THE SEA. 1003 00:31:48,114 --> 00:31:49,115 OH, OF COURSE. 1004 00:31:49,157 --> 00:31:50,116 HE'S IN LOVE. 1005 00:31:50,158 --> 00:31:51,827 RIGHT. 1006 00:31:51,869 --> 00:31:56,373 NOW, THIS DRINK... 1007 00:31:51,869 --> 00:31:56,373 HAS A VERY SALUTARY EFFECT. 1008 00:31:56,415 --> 00:31:58,584 IT'S CALLED 1009 00:31:56,415 --> 00:31:58,584 A "ROAD KILL." 1010 00:31:58,625 --> 00:32:01,420 LET'S SEE IF YOU LIKE IT. 1011 00:32:06,466 --> 00:32:08,218 YUM. 1012 00:32:09,636 --> 00:32:11,722 MM. DELICIOUS. 1013 00:32:11,764 --> 00:32:13,432 SO...WHEN CAN I SEE IT? 1014 00:32:13,473 --> 00:32:15,100 SEE WHAT? 1015 00:32:15,141 --> 00:32:16,435 THE KANDINSKY. 1016 00:32:16,476 --> 00:32:18,478 YOU HAVE A REPUTATION 1017 00:32:18,520 --> 00:32:19,730 FOR DRIVING 1018 00:32:18,520 --> 00:32:19,730 A VERY HARD BARGAIN, 1019 00:32:19,772 --> 00:32:20,980 MISS REYNOLDS... 1020 00:32:21,022 --> 00:32:22,023 I THINK YOU HAVE ME 1021 00:32:21,022 --> 00:32:22,023 CONFUSED WITH-- 1022 00:32:22,065 --> 00:32:23,776 BUT I WILL HAVE IT. 1023 00:32:23,817 --> 00:32:25,861 I'M AFRAID 1024 00:32:23,817 --> 00:32:25,861 THAT YOU HAVE ME CONFUSED-- 1025 00:32:25,903 --> 00:32:27,279 HOW DOES THIS 1026 00:32:25,903 --> 00:32:27,279 DAMN THING WORK? 1027 00:32:27,320 --> 00:32:29,865 UGH, NASTY LITTLE MACHINE. 1028 00:32:29,907 --> 00:32:31,825 THIS IS 1029 00:32:29,907 --> 00:32:31,825 MS. PEABODY'S ROOM. 1030 00:32:31,867 --> 00:32:33,243 LEAVE A MESSAGE 1031 00:32:31,867 --> 00:32:33,243 AT THE TONE. 1032 00:32:33,285 --> 00:32:34,620 [ BEEP ] 1033 00:32:34,661 --> 00:32:37,581 HI, PEGGY... 1034 00:32:34,661 --> 00:32:37,581 THIS IS ABBY REYNOLDS. 1035 00:32:37,623 --> 00:32:39,291 I'M SO SORRY, 1036 00:32:37,623 --> 00:32:39,291 BUT I'M GOING TO HAVE TO CANCEL 1037 00:32:39,332 --> 00:32:41,084 ON OUR APPOINTMENT 1038 00:32:39,332 --> 00:32:41,084 THIS EVENING. 1039 00:32:41,126 --> 00:32:45,380 LET'S RESCHEDULE 1040 00:32:41,126 --> 00:32:45,380 THE TALK ABOUT THE KANDINSKY. 1041 00:32:49,927 --> 00:32:52,220 WHO THE HELL ARE YOU? 1042 00:32:52,262 --> 00:32:56,057 I'VE BEEN TRYING TO TELL YOU. 1043 00:32:52,262 --> 00:32:56,057 I'M... 1044 00:32:56,099 --> 00:32:57,225 I'M BETTE PORTER, 1045 00:32:57,267 --> 00:32:58,936 AND I AM THE DIRECTOR 1046 00:32:58,977 --> 00:33:00,771 OF THE CALIFORNIA ART CENTER. 1047 00:33:04,524 --> 00:33:07,193 CALIFORNIA--OH. 1048 00:33:07,235 --> 00:33:08,946 OH, YES. 1049 00:33:08,987 --> 00:33:10,238 THAT LITTLE MUSEUM 1050 00:33:08,987 --> 00:33:10,238 IN BERGAMOT STATION. 1051 00:33:10,280 --> 00:33:11,281 RIGHT. 1052 00:33:11,323 --> 00:33:13,283 OBSCURE. 1053 00:33:15,034 --> 00:33:16,829 AND THAT 1054 00:33:15,034 --> 00:33:16,829 WILL ALL CHANGE SOON, 1055 00:33:16,870 --> 00:33:19,957 ESPECIALLY IF YOU, 1056 00:33:16,870 --> 00:33:19,957 IN YOUR INFINITE WISDOM, 1057 00:33:19,998 --> 00:33:21,875 DECIDE THAT THE "PROVOCATIONS" 1058 00:33:19,998 --> 00:33:21,875 EXHIBIT SHOULD GO-- 1059 00:33:21,917 --> 00:33:23,335 YOU'RE THE LESBIAN. 1060 00:33:23,376 --> 00:33:25,086 EXCUSE ME? 1061 00:33:25,128 --> 00:33:26,964 THE LESBIAN MUSEUM DIRECTOR. 1062 00:33:27,005 --> 00:33:29,048 I'M SORRY? 1063 00:33:29,090 --> 00:33:31,343 I WAS A LESBIAN IN 1974. 1064 00:33:32,928 --> 00:33:34,805 JUST 1974? 1065 00:33:34,847 --> 00:33:36,974 JUST 1974. 1066 00:33:38,475 --> 00:33:40,519 THAT WAS ALL I NEEDED. 1067 00:33:40,560 --> 00:33:41,770 WELL, YOU KNOW, 1068 00:33:41,812 --> 00:33:43,856 THAT IS WHAT WE REFER TO 1069 00:33:41,812 --> 00:33:43,856 AS A "HAS-BIAN." 1070 00:33:50,445 --> 00:33:52,322 [ CHUCKLES ] 1071 00:33:52,364 --> 00:33:55,909 A HAS-BIAN... 1072 00:33:55,951 --> 00:33:59,245 THAT'S HILARIOUS! 1073 00:33:59,287 --> 00:34:01,206 I MUST TELL JOANNE 1074 00:33:59,287 --> 00:34:01,206 THAT ONE. 1075 00:34:03,667 --> 00:34:04,960 ARE YOU HUNGRY? 1076 00:34:05,002 --> 00:34:06,503 I'M JUST FAMISHED. 1077 00:34:06,545 --> 00:34:08,463 WHY DON'T YOU 1078 00:34:06,545 --> 00:34:08,463 ORDER US SOMETHING? 1079 00:34:08,505 --> 00:34:11,008 THERE'S A MENU IN HERE 1080 00:34:08,505 --> 00:34:11,008 SOMEWHERE. 1081 00:34:11,049 --> 00:34:13,134 THANK YOU. 1082 00:34:16,555 --> 00:34:18,473 [ KNOCKING ] 1083 00:34:26,815 --> 00:34:29,026 HEY, STRANGER. 1084 00:34:29,067 --> 00:34:32,029 YOU RAN OUT THE OTHER NIGHT. 1085 00:34:32,070 --> 00:34:33,947 YEAH, WELL, 12'S A CROWD. 1086 00:34:33,989 --> 00:34:35,448 I KNOW, 1087 00:34:33,989 --> 00:34:35,448 AND I'M SO SORRY. 1088 00:34:35,490 --> 00:34:36,783 I MEAN, 1089 00:34:35,490 --> 00:34:36,783 IT WAS JUST THAT I MISSED 1090 00:34:36,825 --> 00:34:38,368 CLARISSA'S BIRTHDAY 1091 00:34:36,825 --> 00:34:38,368 THE OTHER NIGHT, 1092 00:34:38,410 --> 00:34:39,369 AND THEN NADIA CALLED, 1093 00:34:39,411 --> 00:34:40,537 AND THEN 1094 00:34:39,411 --> 00:34:40,537 BEFORE I KNEW IT, 1095 00:34:40,579 --> 00:34:41,538 IT WAS LIKE A WHOLE BIG, 1096 00:34:40,579 --> 00:34:41,538 YOU KNOW... 1097 00:34:41,580 --> 00:34:42,748 I KNOW ABOUT YOU AND NADIA. 1098 00:34:42,789 --> 00:34:44,917 THERE'S NOTHING TO KNOW. 1099 00:34:44,958 --> 00:34:46,668 HALF OF HOLLYWOOD 1100 00:34:46,710 --> 00:34:48,378 SAW YOU GUYS 1101 00:34:46,710 --> 00:34:48,378 MAKING OUT, SO... 1102 00:34:48,420 --> 00:34:49,713 THAT WAS NOTHING. 1103 00:34:49,755 --> 00:34:52,799 ALICE, IT MEANT 1104 00:34:49,755 --> 00:34:52,799 NOTHING TO ME. 1105 00:34:52,841 --> 00:34:55,010 OKAY, HERE'S YOU, 1106 00:34:55,052 --> 00:34:57,512 AND HERE'S THE LIES 1107 00:34:55,052 --> 00:34:57,512 YOU'RE TELLING ME. 1108 00:34:57,554 --> 00:34:59,973 OKAY, I WON'T SEE HER ANYMORE. 1109 00:35:00,015 --> 00:35:01,725 I SWEAR. 1110 00:35:04,019 --> 00:35:05,311 IT'S JUST-- 1111 00:35:05,353 --> 00:35:06,813 YOU AND ME 1112 00:35:05,353 --> 00:35:06,813 ARE REALLY GOOD TOGETHER. 1113 00:35:06,855 --> 00:35:07,940 WE'RE BOTH WRITERS. 1114 00:35:07,981 --> 00:35:09,357 WE'RE ON 1115 00:35:07,981 --> 00:35:09,357 AN INTELLECTUAL PAR. 1116 00:35:09,399 --> 00:35:10,776 I CAN'T HAVE THE SAME 1117 00:35:09,399 --> 00:35:10,776 KIND OF CONVERSATIONS 1118 00:35:10,817 --> 00:35:13,319 I HAVE WITH NADIA 1119 00:35:10,817 --> 00:35:13,319 THAT I HAVE WITH YOU. 1120 00:35:16,949 --> 00:35:18,992 GABBY... 1121 00:35:19,034 --> 00:35:20,744 I'VE REALLY ENJOYED 1122 00:35:20,786 --> 00:35:22,537 THE TIME 1123 00:35:20,786 --> 00:35:22,537 WE'VE SPENT TOGETHER, 1124 00:35:22,579 --> 00:35:24,122 BUT IT'S OBVIOUS 1125 00:35:24,163 --> 00:35:26,249 YOU AND I 1126 00:35:24,163 --> 00:35:26,249 ARE ON TWO DIFFERENT LEVELS, 1127 00:35:26,291 --> 00:35:27,417 AND WE REALLY WANT 1128 00:35:26,291 --> 00:35:27,417 TWO DIFFERENT THINGS 1129 00:35:27,459 --> 00:35:29,461 OUT OF A RELATIONSHIP. 1130 00:35:29,502 --> 00:35:32,130 I RESPECT MYSELF TOO MUCH 1131 00:35:32,171 --> 00:35:34,716 TO LET YOU TREAT ME 1132 00:35:32,171 --> 00:35:34,716 LIKE THIS. 1133 00:35:34,758 --> 00:35:35,801 ARE YOU SERIOUS? 1134 00:35:35,842 --> 00:35:37,427 AND IT'S PRETTY CLEAR, 1135 00:35:37,469 --> 00:35:38,845 YOU'RE, LIKE, SOME SORT OF 1136 00:35:37,469 --> 00:35:38,845 EMOTIONAL CRIPPLE 1137 00:35:38,887 --> 00:35:40,931 WITHOUT THE CAPACITY 1138 00:35:40,973 --> 00:35:41,974 TO REALLY UNDERSTAND 1139 00:35:40,973 --> 00:35:41,974 TRUE LOVE, 1140 00:35:42,015 --> 00:35:46,019 AND I, UH... 1141 00:35:46,061 --> 00:35:51,608 I'M NOT GOING TO LET YOU 1142 00:35:46,061 --> 00:35:51,608 WASTE MY VALUABLE TIME, AND... 1143 00:35:51,650 --> 00:35:53,693 STEP OFF, BITCH. 1144 00:35:55,821 --> 00:35:57,114 "EMOTIONAL CRIPPLE"? 1145 00:35:57,155 --> 00:35:58,782 WHERE'D YOU GET THAT, 1146 00:35:57,155 --> 00:35:58,782 DR. PHIL? 1147 00:35:58,824 --> 00:36:00,366 WHY DON'T YOU 1148 00:35:58,824 --> 00:36:00,366 GET OUT OF MY HOUSE? 1149 00:36:00,408 --> 00:36:01,952 WHATEV. 1150 00:36:01,994 --> 00:36:04,621 SUIT YOURSELF, BUT I THINK 1151 00:36:01,994 --> 00:36:04,621 YOU SHOULD KNOW, ALICE, 1152 00:36:04,663 --> 00:36:07,624 THIS IS NOT A GOOD MOVE 1153 00:36:04,663 --> 00:36:07,624 FOR SOMEONE LIKE YOU. 1154 00:36:07,666 --> 00:36:09,167 EVERYONE KNOWS 1155 00:36:07,666 --> 00:36:09,167 YOU'RE DESPERATE. 1156 00:36:09,208 --> 00:36:11,711 YOU'RE NOT GOING TO 1157 00:36:09,208 --> 00:36:11,711 BOUNCE BACK FROM THIS. 1158 00:36:20,679 --> 00:36:23,515 [ SIGHS ] 1159 00:36:23,556 --> 00:36:26,518 [ ELECTRONIC MUSIC ] 1160 00:36:26,559 --> 00:36:34,484 [ ♪♪ ] 1161 00:36:50,792 --> 00:36:52,585 OH, HEY. 1162 00:36:50,792 --> 00:36:52,585 HEY. 1163 00:36:52,627 --> 00:36:54,629 I JUST WANTED TO SEE 1164 00:36:52,627 --> 00:36:54,629 HOW YOU WERE DOING. 1165 00:36:54,671 --> 00:36:56,173 GOOD, GOOD, GOOD. 1166 00:36:56,214 --> 00:36:57,883 ARE YOU WORKING? 1167 00:36:57,924 --> 00:36:59,384 I DON'T WANT TO BOTHER YOU 1168 00:36:57,924 --> 00:36:59,384 IF YOU'RE WORKING. 1169 00:36:59,425 --> 00:37:04,056 NO, NO, I HAVEN'T REALLY 1170 00:36:59,425 --> 00:37:04,056 BEEN ABLE TO FOCUS, 1171 00:37:04,097 --> 00:37:06,850 BUT I'M DOING GOOD. 1172 00:37:06,892 --> 00:37:08,267 NO MORE DIZZINESS? 1173 00:37:08,309 --> 00:37:10,228 MM-MM, NO. 1174 00:37:10,269 --> 00:37:11,396 I DON'T KNOW 1175 00:37:10,269 --> 00:37:11,396 WHAT HAPPENED. 1176 00:37:11,437 --> 00:37:13,231 I WAS JUST 1177 00:37:11,437 --> 00:37:13,231 SORT OF STANDING THERE, 1178 00:37:13,272 --> 00:37:14,566 WATCHING TIM AND... 1179 00:37:14,607 --> 00:37:16,609 MARINA. 1180 00:37:16,651 --> 00:37:19,196 MARINA. 1181 00:37:21,823 --> 00:37:24,492 YOU KNOW, JENNY, 1182 00:37:21,823 --> 00:37:24,492 I KNOW IT'S NONE OF MY BUSINESS, 1183 00:37:24,534 --> 00:37:25,994 BUT I WANTED 1184 00:37:24,534 --> 00:37:25,994 TO TELL YOU 1185 00:37:26,036 --> 00:37:28,454 THAT IF YOU WANT 1186 00:37:26,036 --> 00:37:28,454 TO TALK TO SOMEONE 1187 00:37:28,496 --> 00:37:29,748 ABOUT ANYTHING, 1188 00:37:29,789 --> 00:37:32,500 YOU CAN TALK TO ME 1189 00:37:29,789 --> 00:37:32,500 IF YOU WANT TO. 1190 00:37:32,542 --> 00:37:33,752 I KNOW 1191 00:37:33,793 --> 00:37:37,630 HOW INTENSE THIS CAN BE. 1192 00:37:37,672 --> 00:37:40,717 KEEPING IT PENT UP 1193 00:37:37,672 --> 00:37:40,717 CAN MAKE IT WORSE. 1194 00:37:40,759 --> 00:37:43,011 IT'S NO WONDER YOU PASSED OUT. 1195 00:37:43,053 --> 00:37:45,346 I DON'T KNOW 1196 00:37:43,053 --> 00:37:45,346 WHAT YOU'RE TALKING ABOUT. 1197 00:37:48,808 --> 00:37:51,477 OKAY...I'M SORRY. 1198 00:37:57,483 --> 00:37:58,944 UM... 1199 00:37:58,985 --> 00:38:02,488 HEY, DID, UH... 1200 00:38:02,530 --> 00:38:04,407 DID MARINA 1201 00:38:02,530 --> 00:38:04,407 SAY SOMETHING TO YOU? 1202 00:38:04,449 --> 00:38:06,743 NO. 1203 00:38:04,449 --> 00:38:06,743 SHE DIDN'T. 1204 00:38:08,536 --> 00:38:10,122 LOOK, I KNOW IT DOESN'T 1205 00:38:08,536 --> 00:38:10,122 SEEM THIS WAY, 1206 00:38:10,163 --> 00:38:13,708 BUT THIS CAN BE A SMALL TOWN. 1207 00:38:13,750 --> 00:38:15,543 SOMETIMES IT'S-- 1208 00:38:15,585 --> 00:38:17,629 OKAY, BECAUSE, YOU KNOW, 1209 00:38:15,585 --> 00:38:17,629 WHATEVER YOU HEARD, 1210 00:38:17,670 --> 00:38:20,799 IT'S JUST, LIKE... 1211 00:38:17,670 --> 00:38:20,799 IT'S A LIE, YOU KNOW. 1212 00:38:20,840 --> 00:38:24,136 IT'S JUST A RUMOR. 1213 00:38:24,177 --> 00:38:27,305 THE LESBIAN COMMUNITY, 1214 00:38:24,177 --> 00:38:27,305 IT JUST CAN BE 1215 00:38:27,346 --> 00:38:28,932 A HOTBED OF RUMOR 1216 00:38:27,346 --> 00:38:28,932 AND INNUENDO. 1217 00:38:28,974 --> 00:38:29,975 I MEAN, 1218 00:38:30,016 --> 00:38:31,268 YOU COULD LOOK AT SOMEONE, 1219 00:38:31,309 --> 00:38:32,602 AND 25 PEOPLE 1220 00:38:31,309 --> 00:38:32,602 WOULD KNOW ABOUT IT 1221 00:38:32,644 --> 00:38:35,772 WITHIN AN HOUR. 1222 00:38:35,814 --> 00:38:39,358 IF MARINA 1223 00:38:35,814 --> 00:38:39,358 CONFIDED IN SOMEONE, 1224 00:38:39,400 --> 00:38:41,360 I'M SURE 1225 00:38:39,400 --> 00:38:41,360 IT WAS JUST AS SIMPLE 1226 00:38:41,402 --> 00:38:45,782 AS HER SAYING 1227 00:38:41,402 --> 00:38:45,782 SHE WAS ATTRACTED TO YOU... 1228 00:38:45,824 --> 00:38:49,161 I JUST CAN'T BELIEVE 1229 00:38:45,824 --> 00:38:49,161 SHE DID THAT, YOU KNOW? 1230 00:38:49,202 --> 00:38:50,453 I DIDN'T SAY SHE DID. 1231 00:38:50,495 --> 00:38:51,579 LOOK, THANK YOU. 1232 00:38:51,621 --> 00:38:54,749 I'M JUST SAYING, WORD TRAVELS. 1233 00:38:56,375 --> 00:38:58,377 THANK YOU VERY MUCH. 1234 00:39:10,015 --> 00:39:11,474 [ PLEASANT PIANO MUSIC ] 1235 00:39:11,516 --> 00:39:13,893 PHOTOGRAPHY 1236 00:39:11,516 --> 00:39:13,893 IS MY NEW PASSION. 1237 00:39:13,935 --> 00:39:16,646 I BOUGHT A SALVADOR DALI 1238 00:39:13,935 --> 00:39:16,646 ETCHING THIS WEEK, 1239 00:39:16,688 --> 00:39:18,397 AND A DUCHAMPS, 1240 00:39:18,439 --> 00:39:23,195 BUT MY FAVORITE PURCHASE BY FAR 1241 00:39:18,439 --> 00:39:23,195 IS MY NEW CARLA MARIE FREED. 1242 00:39:23,236 --> 00:39:25,155 OH, GOD. 1243 00:39:25,197 --> 00:39:26,489 SHE WAS BRILLIANT. 1244 00:39:26,531 --> 00:39:29,742 SHE WAS COMPLETELY BRILLIANT. 1245 00:39:29,784 --> 00:39:34,039 POOR, WRETCHED ADDICT. 1246 00:39:34,080 --> 00:39:38,210 [ ♪♪ ] 1247 00:39:38,251 --> 00:39:41,838 WHAT IS YOUR FAVORITE 1248 00:39:38,251 --> 00:39:41,838 CARLA MARIE FREED PHOTOGRAPH? 1249 00:39:41,880 --> 00:39:42,839 THAT'S JUST... 1250 00:39:42,881 --> 00:39:44,257 THAT'S SO DIFFICULT. 1251 00:39:44,299 --> 00:39:46,926 OH, PLEASE, 1252 00:39:44,299 --> 00:39:46,926 DON'T BE SUCH A PUSSY. 1253 00:39:46,968 --> 00:39:49,554 FAVORITE CARLA MARIE FREED 1254 00:39:46,968 --> 00:39:49,554 PHOTOGRAPH, POST HASTE! 1255 00:39:49,595 --> 00:39:50,930 UM... 1256 00:39:56,519 --> 00:40:01,191 I WOULD HAVE TO SAY, 1257 00:39:56,519 --> 00:40:01,191 IT'S THE LAST TIME I AND YOU. 1258 00:40:04,069 --> 00:40:05,904 I'VE NEVER SEEN 1259 00:40:04,069 --> 00:40:05,904 THE ORIGINAL. 1260 00:40:05,945 --> 00:40:08,240 I MEAN, SHE DESTROYED 1261 00:40:05,945 --> 00:40:08,240 ALL OF HER NEGS, YOU KNOW. 1262 00:40:08,281 --> 00:40:13,286 EVEN THE REPRODUCTIONS 1263 00:40:08,281 --> 00:40:13,286 ARE JUST... 1264 00:40:13,328 --> 00:40:16,622 I MEAN, SHE PHOTOGRAPHED 1265 00:40:13,328 --> 00:40:16,622 THE SAME WOMAN 1266 00:40:16,664 --> 00:40:19,959 FOR 12 YEARS. 1267 00:40:20,001 --> 00:40:22,337 CAN YOU IMAGINE THAT? 1268 00:40:22,379 --> 00:40:25,673 I MEAN, CAN YOU IMAGINE 1269 00:40:25,715 --> 00:40:28,551 THAT ACT OF LOOKING? 1270 00:40:28,593 --> 00:40:34,057 LOOKING, AND SEEING, 1271 00:40:28,593 --> 00:40:34,057 AND THEN RE-SEEING, 1272 00:40:34,099 --> 00:40:37,602 JUST TO TRY TO GET 1273 00:40:34,099 --> 00:40:37,602 TO THE TRUTH OF SOMEONE. 1274 00:40:37,643 --> 00:40:43,108 I MEAN, THERE IS INCREDIBLE 1275 00:40:37,643 --> 00:40:43,108 MYSTERY AND PASSION 1276 00:40:43,149 --> 00:40:45,693 IN THAT WORK, YOU KNOW? 1277 00:40:50,115 --> 00:40:51,866 I MET HER 1278 00:40:50,115 --> 00:40:51,866 JUST BEFORE SHE DIED. 1279 00:40:51,908 --> 00:40:55,995 YEAH, IT WAS IN 1280 00:40:51,908 --> 00:40:55,995 SOME LITTLE BISTRO IN NEW YORK. 1281 00:40:56,037 --> 00:40:58,497 SHE WAS HIGH AS A KITE, 1282 00:40:58,539 --> 00:41:01,459 AND, YOU KNOW, 1283 00:40:58,539 --> 00:41:01,459 I WAS INTRODUCED TO HER, 1284 00:41:01,500 --> 00:41:05,380 AND SHE TOLD ME 1285 00:41:01,500 --> 00:41:05,380 TO GO FUCK MYSELF. 1286 00:41:07,465 --> 00:41:09,259 I TOTALLY 1287 00:41:07,465 --> 00:41:09,259 LOVED HER. 1288 00:41:09,301 --> 00:41:10,260 OH, THAT'S FUNNY. 1289 00:41:10,302 --> 00:41:12,845 JUST LOVED HER. 1290 00:41:12,887 --> 00:41:14,347 I LOVED HER. 1291 00:41:22,814 --> 00:41:24,983 COME HERE. FOLLOW ME. 1292 00:41:29,695 --> 00:41:33,032 CLOSE YOUR EYES. 1293 00:41:33,074 --> 00:41:34,909 KEEP THEM CLOSED. 1294 00:41:39,038 --> 00:41:41,333 OPEN THEM. 1295 00:42:22,123 --> 00:42:25,001 [ SIREN BLARES PAST ] 1296 00:42:37,596 --> 00:42:39,682 ♪ YOU KNOW ♪ 1297 00:42:39,724 --> 00:42:41,226 I'M SO HAPPY. 1298 00:42:41,267 --> 00:42:45,688 ♪ I HAVE TO WALK AWAY ♪ 1299 00:42:45,730 --> 00:42:49,067 ♪ YOU KNOW ♪ 1300 00:42:49,108 --> 00:42:53,863 ♪ I WILL NEVER STAY ♪ 1301 00:42:53,905 --> 00:42:56,615 ♪ I'M NOT LIKE YOU ♪ 1302 00:42:56,657 --> 00:42:57,867 WHERE ARE YOU GOING? 1303 00:42:57,909 --> 00:42:59,618 ♪ I'LL NEVER BE LIKE YOU ♪ 1304 00:42:59,660 --> 00:43:03,039 ♪ I'M NOT LIKE YOU ♪ 1305 00:43:03,081 --> 00:43:04,040 ♪ I'LL NEVER BE LIKE YOU ♪ 1306 00:43:04,082 --> 00:43:05,542 YOU PROMISED. 1307 00:43:05,583 --> 00:43:08,461 [ ♪♪ ] 1308 00:43:08,503 --> 00:43:10,296 ♪ TIME ♪ 1309 00:43:10,338 --> 00:43:11,297 ALL RIGHT. 1310 00:43:11,339 --> 00:43:12,298 ♪ TIME TO WALK ♪ 1311 00:43:12,340 --> 00:43:14,926 SEE YOU. 1312 00:43:14,967 --> 00:43:16,261 ♪ TIME TO WALK AWAY ♪ 1313 00:43:16,302 --> 00:43:19,556 BE GOOD, OKAY? 1314 00:43:19,597 --> 00:43:23,142 ♪ WALK AWAY ♪ 1315 00:43:23,184 --> 00:43:25,978 ♪ TIME ♪ 1316 00:43:26,020 --> 00:43:29,690 ♪ TIME TO WALK ♪ 1317 00:43:29,732 --> 00:43:34,237 ♪ TIME TO WALK AWAY ♪ 1318 00:43:34,279 --> 00:43:37,240 ♪ WALK AWAY ♪ 1319 00:43:37,282 --> 00:43:40,659 [ ♪♪ ] 1320 00:43:40,701 --> 00:43:42,579 YOU CAN'T IMAGINE 1321 00:43:42,620 --> 00:43:46,749 HOW JEALOUS I AM 1322 00:43:42,620 --> 00:43:46,749 OF YOU RIGHT NOW. 1323 00:43:46,791 --> 00:43:49,252 YOU'VE BEEN WAITING 1324 00:43:46,791 --> 00:43:49,252 TO BURST INTO TEARS AND MAKE 1325 00:43:49,294 --> 00:43:50,753 A COMPLETE FOOL 1326 00:43:49,294 --> 00:43:50,753 OF YOURSELF? 1327 00:43:50,795 --> 00:43:51,754 YOU KNOW STENDHAL? 1328 00:43:51,796 --> 00:43:53,214 THE FRENCH ART CRITIC. 1329 00:43:53,256 --> 00:43:57,343 HE WENT TO FLORENCE, 1330 00:43:53,256 --> 00:43:57,343 HE SAW THE CARAVAGGIO. 1331 00:43:57,385 --> 00:43:59,887 AND HE BURST INTO TEARS, 1332 00:43:57,385 --> 00:43:59,887 AND THEN HE FAINTED. 1333 00:43:59,929 --> 00:44:01,973 THE WORK OF ART 1334 00:43:59,929 --> 00:44:01,973 WAS SO BEAUTIFUL AND MOVING, 1335 00:44:02,014 --> 00:44:04,183 HE COULDN'T WITHSTAND 1336 00:44:02,014 --> 00:44:04,183 THE IMPACT. 1337 00:44:04,225 --> 00:44:06,769 THE STENDHAL SYNDROME... 1338 00:44:06,811 --> 00:44:08,521 "MY HEAD THROWN BACK, 1339 00:44:08,563 --> 00:44:10,689 "I LET MY GAZE 1340 00:44:08,563 --> 00:44:10,689 DWELL ON THE CEILING. 1341 00:44:10,731 --> 00:44:13,651 "I UNDERWENT THE PROFOUNDEST 1342 00:44:10,731 --> 00:44:13,651 EXPERIENCE OF ECSTASY 1343 00:44:13,692 --> 00:44:14,902 I HAD EVER ENCOUNTERED." 1344 00:44:18,573 --> 00:44:22,785 "I HAD ATTAINED THAT SUPREME 1345 00:44:18,573 --> 00:44:22,785 DEGREE OF SENSIBILITY 1346 00:44:22,827 --> 00:44:25,580 "WHERE THE DIVINE INTIMATIONS 1347 00:44:22,827 --> 00:44:25,580 OF ART 1348 00:44:25,622 --> 00:44:31,544 MERGE WITH THE IMPASSIONED 1349 00:44:25,622 --> 00:44:31,544 SENSUALITY OF EMOTION..." 1350 00:44:42,305 --> 00:44:44,765 YOU HAVE UTTERLY EXHAUSTED ME. 1351 00:44:44,807 --> 00:44:46,142 I HAVE TO GO TO SLEEP. 1352 00:44:46,184 --> 00:44:47,726 MRS. PEABODY... 1353 00:44:47,768 --> 00:44:51,897 PEGGY. 1354 00:44:51,939 --> 00:44:52,898 "PROVOCATIONS"? 1355 00:44:52,940 --> 00:44:54,984 IS THERE ANY WAY 1356 00:44:55,026 --> 00:44:58,112 THAT I COULD 1357 00:44:55,026 --> 00:44:58,112 PERSUADE YOU TO... 1358 00:44:58,154 --> 00:45:00,490 I HIRED GINA FERRARA 1359 00:44:58,154 --> 00:45:00,490 TO DO THAT JOB. 1360 00:45:02,158 --> 00:45:04,327 I KNOW YOU WOULD HATE IT 1361 00:45:02,158 --> 00:45:04,327 IF YOUR EMPLOYERS 1362 00:45:04,369 --> 00:45:08,705 INTERFERED WITH YOUR AUTONOMY 1363 00:45:04,369 --> 00:45:08,705 RUNNING YOUR LITTLE MUSEUM. 1364 00:45:08,747 --> 00:45:16,673 [ ♪♪ ] 1365 00:45:46,118 --> 00:45:47,537 WHY WOULD... 1366 00:45:47,579 --> 00:45:49,788 [ CLEARS THROAT ] 1367 00:45:49,830 --> 00:45:52,083 WHY WOULD YOU DO THAT? 1368 00:45:53,918 --> 00:45:58,047 ARE YOU TRYING 1369 00:45:53,918 --> 00:45:58,047 TO HURT ME? 1370 00:45:58,089 --> 00:46:00,425 HOW DID I HURT YOU, JENNY? 1371 00:46:02,093 --> 00:46:05,388 BECAUSE YOU TOLD SOMEONE. 1372 00:46:05,430 --> 00:46:07,640 EVERYBODY KNOWS. 1373 00:46:10,059 --> 00:46:13,354 SOME PEOPLE GUESSED 1374 00:46:10,059 --> 00:46:13,354 FROM THE WAY YOU WERE BEHAVING. 1375 00:46:19,151 --> 00:46:20,945 LISTEN... 1376 00:46:20,986 --> 00:46:24,532 I CAN'T HURT TIM, OKAY? 1377 00:46:24,574 --> 00:46:27,744 I UNDERSTAND. 1378 00:46:27,784 --> 00:46:30,288 I DON'T KNOW WHAT TO DO. 1379 00:46:37,295 --> 00:46:41,132 EVERY TIME 1380 00:46:37,295 --> 00:46:41,132 I LOOK AT YOU, I... 1381 00:46:41,173 --> 00:46:43,760 I FEEL SO COMPLETELY 1382 00:46:41,173 --> 00:46:43,760 DISMANTLED. 1383 00:47:26,177 --> 00:47:29,138 [ ACOUSTIC GUITAR MUSIC ] 1384 00:47:29,180 --> 00:47:37,980 [ ♪♪ ] 1385 00:47:38,022 --> 00:47:41,484 ♪ NOT A SINGLE DAY CRAWLS BY ♪ 1386 00:47:41,526 --> 00:47:45,822 ♪ HARD AS I TRY NOT TO ♪ 1387 00:47:45,862 --> 00:47:48,991 ♪ I STILL CARE ABOUT YOU ♪ 1388 00:47:49,033 --> 00:47:51,910 ♪ BABY, YOU KNOW I DO ♪ 1389 00:47:51,952 --> 00:47:56,165 ♪ WITH EACH TEAR FALLING ♪ 1390 00:47:56,207 --> 00:48:00,503 ♪ I'M AFRAID I MIGHT DROWN ♪ 1391 00:48:00,545 --> 00:48:03,381 ♪ IN OCEANS OF SORROW ♪ 1392 00:48:03,422 --> 00:48:08,177 ♪ IF YOU'RE GONE ♪ 1393 00:48:08,219 --> 00:48:12,473 ♪ JUST WHEN YOU KNOW ♪ 1394 00:48:12,515 --> 00:48:16,519 ♪ YOU JUST DON'T KNOW A THING ♪ 1395 00:48:16,561 --> 00:48:19,021 ♪ NO ONE CAN TELL YOU ♪ 1396 00:48:19,063 --> 00:48:23,568 ♪ EITHER WAY ♪ 1397 00:48:23,609 --> 00:48:27,697 ♪ BOTH HANDS ON THE WHEEL ♪ 1398 00:48:27,739 --> 00:48:30,907 ♪ ACCIDENT HAPPENING ♪ 1399 00:48:30,949 --> 00:48:33,536 ♪ BUT WHEN YOU LET GO ♪ 1400 00:48:33,578 --> 00:48:38,708 ♪ EVERYTHING'S OKAY ♪ 1401 00:48:38,750 --> 00:48:41,377 ♪ YOU JUST LET GO ♪ 1402 00:48:41,419 --> 00:48:44,839 ♪ AND EVERYTHING'S OKAY ♪ 1403 00:48:47,717 --> 00:48:51,011 ♪ WITH YOU TO THE VERY END ♪ 1404 00:48:51,053 --> 00:48:54,973 ♪ MY LOVER AND MY FRIEND ♪ 1405 00:48:55,015 --> 00:48:56,893 ♪ SOMEHOW ♪ 1406 00:48:56,933 --> 00:49:01,397 ♪ YOU CAN READ MY MIND ♪ 1407 00:49:01,439 --> 00:49:04,734 ♪ JUST WHEN YOU KNOW ♪ 1408 00:49:04,776 --> 00:49:07,612 ♪ YOU JUST DON'T KNOW A THING ♪