1 00:00:00,277 --> 00:00:00,877 >> Lou: FROM HOLLYWOOD, IT'S 2 00:00:00,877 --> 00:00:03,380 "JIMMY KIMMEL LIVE"! 3 00:00:03,380 --> 00:00:04,447 TONIGHT ‐‐ 4 00:00:04,447 --> 00:00:06,316 LADY GAGA, AND JAKE TAPPER. 5 00:00:06,316 --> 00:00:14,891 AND NOW, JIMMY KIMMEL! 6 00:00:14,891 --> 00:00:15,425 [ CHEERING AND APPLAUSE ] 7 00:00:15,425 --> 00:00:18,361 >> Jimmy: HI, EVERYONE. 8 00:00:18,361 --> 00:00:20,397 THANK YOU. 9 00:00:20,397 --> 00:00:22,065 HI. 10 00:00:22,065 --> 00:00:22,399 HOW YOU DOING? 11 00:00:22,399 --> 00:00:25,335 THANKS. 12 00:00:25,335 --> 00:00:26,770 VERY KIND. 13 00:00:26,770 --> 00:00:29,439 I APPRECIATE IT. 14 00:00:29,439 --> 00:00:29,940 I'M JIMMY. 15 00:00:29,940 --> 00:00:32,475 I'M THE HOST OF THE SHOW. 16 00:00:32,475 --> 00:00:35,211 THANKS FOR WATCHING. 17 00:00:35,211 --> 00:00:37,814 THANKS FOR JOINING US. 18 00:00:37,814 --> 00:00:38,348 LOOK, EVERYBODY IS HAPPY. 19 00:00:38,348 --> 00:00:39,015 IT WAS A BIG WEEKEND HERE IN LOS 20 00:00:39,015 --> 00:00:39,783 ANGELES. 21 00:00:39,783 --> 00:00:40,383 A LOT OF VERY EXCITING STUFF 22 00:00:40,383 --> 00:00:41,384 GOING ON. 23 00:00:41,384 --> 00:00:41,952 FIRST OF ALL, MERCURY IS IN 24 00:00:41,952 --> 00:00:43,486 RETROGRADE. 25 00:00:43,486 --> 00:00:49,759 WHICH MEANS ‐‐ NOTHING. 26 00:00:49,759 --> 00:00:51,361 AND THE RAMS, THE LOS ANGELES 27 00:00:51,361 --> 00:00:54,364 RAMS WON A THRILLER. 28 00:00:54,364 --> 00:00:54,664 [ CHEERING ] 29 00:00:54,664 --> 00:00:55,398 . 30 00:00:55,398 --> 00:00:56,066 >> Jimmy: TO EARN A SPOT IN THE 31 00:00:56,066 --> 00:00:57,834 NFC CHAMPIONSHIP GAME. 32 00:00:57,834 --> 00:00:58,435 DID YOU WATCH THE GAMES THIS 33 00:00:58,435 --> 00:01:00,570 WEEKEND, GUILLERMO? 34 00:01:00,570 --> 00:01:01,738 >> Guillermo: YES, OF COURSE. 35 00:01:01,738 --> 00:01:03,106 CRAZY GAMES. 36 00:01:03,106 --> 00:01:05,675 >> Jimmy: NOW YOU'RE ROOTING FOR 37 00:01:05,675 --> 00:01:06,409 THE RAMS. 38 00:01:06,409 --> 00:01:09,779 YOU WERE A COWBOYS FAN LAST 39 00:01:09,779 --> 00:01:11,247 WEEK. 40 00:01:11,247 --> 00:01:12,415 VERY LOYAL. 41 00:01:12,415 --> 00:01:13,383 EVERY NFL PLAY‐OFF GAME CAME 42 00:01:13,383 --> 00:01:14,751 DOWN TO THE FINAL PLAY THIS 43 00:01:14,751 --> 00:01:16,019 WEEK, AND THE RAMS SOMEHOW 44 00:01:16,019 --> 00:01:18,922 TURNED IT AROUND ON TOM BRADY. 45 00:01:18,922 --> 00:01:22,659 IT WAS CLASSIC TOM BRADY. 46 00:01:22,659 --> 00:01:22,859 27‐3. 47 00:01:22,859 --> 00:01:24,361 HE BROUGHT THEM BACK TO TIE THE 48 00:01:24,361 --> 00:01:26,262 GAME, BUT 40 SECONDS LEFT, THE 49 00:01:26,262 --> 00:01:27,330 RAMS MARCH DOWN THE FIELD AND 50 00:01:27,330 --> 00:01:28,898 KICK THE LAST‐SECOND FIELD GOAL 51 00:01:28,898 --> 00:01:30,266 TO WIN THE GAME IN REGULATION. 52 00:01:30,266 --> 00:01:33,603 IT WAS CRAZY TO SEE TOM BRADY. 53 00:01:33,603 --> 00:01:35,672 IT WAS LIKE TO COYOTE FINALLY 54 00:01:35,672 --> 00:01:37,207 CAUGHT THE ROADRUNNER AND ATE 55 00:01:37,207 --> 00:01:38,875 HIM RIGHT THERE ON TV. 56 00:01:38,875 --> 00:01:41,344 THE RAMS WILL HOST THE 49ers. 57 00:01:41,344 --> 00:01:43,913 THE 49ers CAME BACK TO BEAT 58 00:01:43,913 --> 00:01:45,348 AARON RODGERS AND GREEN BAY WITH 59 00:01:45,348 --> 00:01:47,050 ANOTHER LAST‐SECOND GOAL. 60 00:01:47,050 --> 00:01:48,218 AARON MAY RECALL WAS CAUGHT IN A 61 00:01:48,218 --> 00:01:49,819 SERIES OF LIES ABOUT HIS 62 00:01:49,819 --> 00:01:50,687 VACCINATION STATUS EARLIER IN 63 00:01:50,687 --> 00:01:50,987 THE SEASON. 64 00:01:50,987 --> 00:01:53,556 BEFORE THE GAME, HE LASHED OUT 65 00:01:53,556 --> 00:01:55,158 AT PRESIDENT BIDEN, SAID WE HAVE 66 00:01:55,158 --> 00:01:56,926 A FAKE WHITE HOUSE, A BUNCH OF 67 00:01:56,926 --> 00:01:58,461 OTHER STUFF BEFITTING A MAN WHO 68 00:01:58,461 --> 00:02:01,264 HAS BEEN HIT IN THE HEAD A LOT 69 00:02:01,264 --> 00:02:02,065 OF TIMES. 70 00:02:02,065 --> 00:02:03,233 AARON RODGERS WASN'T THE ONLY 71 00:02:03,233 --> 00:02:04,701 SPEAKING OUT THIS WEEKEND. 72 00:02:04,701 --> 00:02:09,039 THE HUDDLED MASKLESS DESCENDED 73 00:02:09,039 --> 00:02:10,206 ON WASHINGTON. 74 00:02:10,206 --> 00:02:12,108 THOUSANDS OF FAR RIGHT WINGNUTS 75 00:02:12,108 --> 00:02:15,111 JOINED THOUSANDS OF FAR 76 00:02:15,111 --> 00:02:16,079 LEFT‐WINGNUTS FOR WHAT WAS 77 00:02:16,079 --> 00:02:17,647 BILLED AS A DEFEAT THE MANDATES 78 00:02:17,647 --> 00:02:17,847 RALLY. 79 00:02:17,847 --> 00:02:19,182 YOU THINK AT THIS POINT THE 80 00:02:19,182 --> 00:02:20,750 CHANCES OF DYING FROM COVID ARE 81 00:02:20,750 --> 00:02:22,452 60 TIMES HIGHER IF YOU'RE NOT 82 00:02:22,452 --> 00:02:23,987 FULLY VACCINATED MIGHT BE MAKING 83 00:02:23,987 --> 00:02:25,789 AN IMPACT. 84 00:02:25,789 --> 00:02:30,326 BUT THAT DIDN'T SEEM TO BE THE 85 00:02:30,326 --> 00:02:33,329 CASE AT COVID‐CHELLA. 86 00:02:33,329 --> 00:02:34,831 NO MASK, TOTALLY UNPRO TED. 87 00:02:34,831 --> 00:02:35,899 AND IF YOU'RE WONDERING WHAT 88 00:02:35,899 --> 00:02:36,533 KIND OF SPEAKERS THEY LINED UP 89 00:02:36,533 --> 00:02:37,167 FOR THIS MEETING OF THE MINDS, 90 00:02:37,167 --> 00:02:39,602 THE ANSWER IS THIS KIND. 91 00:02:39,602 --> 00:02:42,372 >> HI, I'M STEVE. 92 00:02:42,372 --> 00:02:45,375 I'M NOT A DOCTOR, BUT I RUN A 93 00:02:45,375 --> 00:02:49,345 REALLY POPULAR SUBSTACK ON 94 00:02:49,345 --> 00:02:49,913 COVID‐19 VACCINES. 95 00:02:49,913 --> 00:02:50,213 >> Jimmy: 96 00:02:50,213 --> 00:02:50,547 >> ALL RIGHT. 97 00:02:50,547 --> 00:02:50,980 SAY NO MORE, STEVE. 98 00:02:50,980 --> 00:02:51,347 THANK YOU. 99 00:02:51,347 --> 00:02:51,915 NEXT TIME, AFTER "I'M NOT A 100 00:02:51,915 --> 00:02:54,317 DOCTOR," STOP. 101 00:02:54,317 --> 00:02:57,053 THE KEYNOTE SPEECH CAME FROM 102 00:02:57,053 --> 00:02:57,654 ROBERT F. KENNEDY JR. WHO 103 00:02:57,654 --> 00:02:58,988 SOMEHOW MANAGED TO CONNECT THE 104 00:02:58,988 --> 00:03:02,058 DOTS FROM VACCINATION TO HITLER. 105 00:03:02,058 --> 00:03:04,761 >> EVEN IN HITLER GERMANY, YOU 106 00:03:04,761 --> 00:03:07,163 COULD CROSS THE ALPS TO THE 107 00:03:07,163 --> 00:03:07,464 SWITZERLAND. 108 00:03:07,464 --> 00:03:11,067 YOU COULD HIDE IN AN ATTIC LIKE 109 00:03:11,067 --> 00:03:12,669 ANNE FRANK DID. 110 00:03:12,669 --> 00:03:13,970 >> Jimmy: ROBERT NEVER ACTUALLY 111 00:03:13,970 --> 00:03:14,571 FINISHED THE BOOK. 112 00:03:14,571 --> 00:03:16,506 THEY MUST HAVE BEEN SO 113 00:03:16,506 --> 00:03:18,274 DISAPPOINTING. 114 00:03:18,274 --> 00:03:19,709 SOME OF THESE WHACK JOBS 115 00:03:19,709 --> 00:03:21,177 EXPECTED ROBERT F. KENNEDY TO 116 00:03:21,177 --> 00:03:22,512 COME BACK TO LIFE. 117 00:03:22,512 --> 00:03:25,815 IT'S LIKE GOING SEE THE JACKSON 118 00:03:25,815 --> 00:03:28,651 FIVE AND ONLY TITO SHOWS UP. 119 00:03:28,651 --> 00:03:30,820 ROBERT KENNEDY IS A NOTORIOUS 120 00:03:30,820 --> 00:03:31,888 LONG‐TIME ANTI‐VAXXER. 121 00:03:31,888 --> 00:03:34,591 HE DID HAVE A CHRISTMAS PARTY AT 122 00:03:34,591 --> 00:03:35,592 HIS HOUSE LAST MONTH, AND IN 123 00:03:35,592 --> 00:03:38,027 ORDER TO COME IN YOU HAD TO SHOW 124 00:03:38,027 --> 00:03:39,095 PROOF OF VACCINATION, BUT HE 125 00:03:39,095 --> 00:03:39,963 BLAMED THAT ON HIS WIFE. 126 00:03:39,963 --> 00:03:41,297 BECAUSE HE CARRIES THE KENNEDY 127 00:03:41,297 --> 00:03:42,866 NAIL, RFK, PEOPLE BELIEVE WHAT 128 00:03:42,866 --> 00:03:43,199 HE SAYS. 129 00:03:43,199 --> 00:03:44,667 HE IS LARGELY RESPONSIBLE FOR A 130 00:03:44,667 --> 00:03:45,935 LOT OF THE MISINFORMATION THAT'S 131 00:03:45,935 --> 00:03:47,971 OUT THERE. 132 00:03:47,971 --> 00:03:50,774 FOR A LOT OF THOSE IN EANES, HE 133 00:03:50,774 --> 00:03:52,175 WAS THE MAIN EVENT. 134 00:03:52,175 --> 00:03:53,643 YOU KNOW HOW YOU GO TO THE 135 00:03:53,643 --> 00:03:54,878 FARMER'S MARKET AND THERE IS A 136 00:03:54,878 --> 00:03:56,412 BAND OR A COMBO PLAYING. 137 00:03:56,412 --> 00:03:57,113 AND THERE IS ALWAYS ONE WEIRD 138 00:03:57,113 --> 00:03:59,282 LADY DANCING ALONE? 139 00:03:59,282 --> 00:04:00,150 SHE WAS THERE. 140 00:04:00,150 --> 00:04:10,326 ♪ 141 00:04:10,326 --> 00:04:13,229 ♪ ONLY LOVE 142 00:04:13,229 --> 00:04:14,364 >> Jimmy: IT'S EITHER DANCING OR 143 00:04:14,364 --> 00:04:14,798 A MEDICAL EMERGENCY. 144 00:04:14,798 --> 00:04:17,801 I'M NOT SURE. 145 00:04:17,801 --> 00:04:19,068 ON FRIDAY IN D. C., THE HOUSE 146 00:04:19,068 --> 00:04:19,803 SELECT COMMITTEE LOOKING INTO 147 00:04:19,803 --> 00:04:21,271 THE EXTENT OF TRUMP'S 148 00:04:21,271 --> 00:04:21,905 INVOLVEMENT IN THE INSURRECTION 149 00:04:21,905 --> 00:04:25,942 ON JANUARY 6 RECEIVED A LOAD OF 150 00:04:25,942 --> 00:04:27,310 DOCUMENTS THAT THE FORMER 151 00:04:27,310 --> 00:04:28,745 PRESIDENT SUED TO TRY TO PREVENT 152 00:04:28,745 --> 00:04:29,145 THEM FROM SEEING. 153 00:04:29,145 --> 00:04:30,380 ONE OF THOSE DOCUMENTS IS A 154 00:04:30,380 --> 00:04:32,015 DRAFT OF A VERY DAMNING 155 00:04:32,015 --> 00:04:34,350 EXECUTIVE ORDER THAT WOULD HAVE 156 00:04:34,350 --> 00:04:35,084 DIRECTED THE NATIONAL GUARD TO 157 00:04:35,084 --> 00:04:35,718 SEIZE VOTING MACHINES AFTER THE 158 00:04:35,718 --> 00:04:39,255 ELCTION. 159 00:04:39,255 --> 00:04:41,357 THESE MACHINES THAT WE USE AT 160 00:04:41,357 --> 00:04:42,325 THE POLLS, HE WANTED THE 161 00:04:42,325 --> 00:04:42,959 NATIONAL GUARD TO GO IN AND TAKE 162 00:04:42,959 --> 00:04:43,359 THEM. 163 00:04:43,359 --> 00:04:43,960 IT'S NOT CLEAR WHO WROTE THE 164 00:04:43,960 --> 00:04:44,961 DOCUMENT. 165 00:04:44,961 --> 00:04:48,264 TRUMP HIMSELF HAS BEEN RULED OUT 166 00:04:48,264 --> 00:04:49,432 BECAUSE THERE WAS NO DIPPING 167 00:04:49,432 --> 00:04:53,069 SAUCE ON ANY OF THE PAGES. 168 00:04:53,069 --> 00:04:55,505 BUT THIS ORDER THAT THE MILITARY 169 00:04:55,505 --> 00:04:57,073 WOULD SEIZE THE MACHINES AND 170 00:04:57,073 --> 00:04:59,909 CREATE A SPECIAL COUNCIL TO LOOK 171 00:04:59,909 --> 00:05:01,177 INTO TRUMP'S FALSE ALLEGATIONS 172 00:05:01,177 --> 00:05:01,878 IN A WAY TO MAKE THEM TRUE 173 00:05:01,878 --> 00:05:04,113 ALLEGATIONS. 174 00:05:04,113 --> 00:05:04,714 IT WAS A LAST DITCH EFFORT TO 175 00:05:04,714 --> 00:05:05,215 KEEP TRUMP IN POWER. 176 00:05:05,215 --> 00:05:06,783 A SIEG HAIL MARY, IF YOU WILL. 177 00:05:06,783 --> 00:05:07,417 FORTUNATELY, THE ORDER WAS NEVER 178 00:05:07,417 --> 00:05:07,851 ISSUED. 179 00:05:07,851 --> 00:05:09,953 TRUMP IS BIGLY UPSET RIGHT NOW 180 00:05:09,953 --> 00:05:11,020 BECAUSE THE HOUSE WANTS TO CHAT 181 00:05:11,020 --> 00:05:12,589 WITH HIS DAUGHTER, IVANKA, TO 182 00:05:12,589 --> 00:05:13,189 HEAR WHAT SHE KNOWS ABOUT THE 183 00:05:13,189 --> 00:05:17,827 INSURRECTION. 184 00:05:17,827 --> 00:05:20,196 TRUMP DID AN INTERVIEW WITH "THE 185 00:05:20,196 --> 00:05:20,663 WASHINGTON EXAMINER." 186 00:05:20,663 --> 00:05:21,731 HE BLASTED THAT DECISION. 187 00:05:21,731 --> 00:05:22,699 HE SAID THEY'RE USING THESE 188 00:05:22,699 --> 00:05:24,534 THINGS TO TRY AND GET PEOPLE'S 189 00:05:24,534 --> 00:05:26,502 MINDS OFF HOW INCOMPETENTLY OUR 190 00:05:26,502 --> 00:05:27,470 COUNTRY IS BEING RUN, AND THEY 191 00:05:27,470 --> 00:05:27,770 DON'T CARE. 192 00:05:27,770 --> 00:05:31,107 THEY'LL GO AFTER CHILDREN. 193 00:05:31,107 --> 00:05:35,144 HE KNOWS IVANKA IS 40, RIGHT? 194 00:05:35,144 --> 00:05:37,614 I KNOW HE MISSED A LOFT 195 00:05:37,614 --> 00:05:41,584 BIRTHDAYS, BUT HE'S GOT TO ‐‐ 196 00:05:41,584 --> 00:05:42,218 YOU CAN'T CALL THEM "CHILDREN" 197 00:05:42,218 --> 00:05:43,119 AND ALSO PUT THEM IN CHARGE OF 198 00:05:43,119 --> 00:05:43,753 PEACE IN THE MIDDLE EAST, IT'S 199 00:05:43,753 --> 00:05:45,889 ONE OR THE OTHER. 200 00:05:45,889 --> 00:05:46,923 THIS I THOUGHT WAS INTERESTING. 201 00:05:46,923 --> 00:05:49,792 TRUMP'S FORMER LAWYER 202 00:05:49,792 --> 00:05:50,393 MICHAEL COHEN SAID THAT TRUMP 203 00:05:50,393 --> 00:05:51,261 TOLD HIM IF IT EVER CAME DOWN TO 204 00:05:51,261 --> 00:05:55,398 IVANKA OR DON JR. GOING TO JAIL, 205 00:05:55,398 --> 00:05:58,368 MAKE SURE IT WAS DON JR. BECAUSE 206 00:05:58,368 --> 00:05:59,302 HE WOULD DO BETTER IN THERE. 207 00:05:59,302 --> 00:05:59,936 IF YOU'RE RANKING HOW WELL YOUR 208 00:05:59,936 --> 00:06:00,536 CHILDREN WOULD DO IN PRISON, 209 00:06:00,536 --> 00:06:01,104 MAYBE IT'S TIME TO SELL THE 210 00:06:01,104 --> 00:06:02,372 FAMILY BUSINESS. 211 00:06:02,372 --> 00:06:08,611 I DON'T KNOW. 212 00:06:08,611 --> 00:06:11,014 DON JR., THE SON WAS ON FACEBOOK 213 00:06:11,014 --> 00:06:12,882 THIS WEEKEND IN ANOTHER SAD AND 214 00:06:12,882 --> 00:06:14,550 MAYBE EVEN CLOUDED ATTEMPT TO 215 00:06:14,550 --> 00:06:15,151 EARN JUST A LITTLE NUGGET OF 216 00:06:15,151 --> 00:06:19,656 DADDY'S LOVE. 217 00:06:19,656 --> 00:06:21,124 >> CAN'T PUT JOE BIDEN IN THE 218 00:06:21,124 --> 00:06:22,058 SAME ROOM AS SOMEONE. 219 00:06:22,058 --> 00:06:26,029 HE MIGHT LET ONE RIP. 220 00:06:26,029 --> 00:06:29,799 GUYS, JOE BIDEN IS WHAT STANDS 221 00:06:29,799 --> 00:06:33,603 BETWEEN US AND THE NUCLEAR 222 00:06:33,603 --> 00:06:34,771 CAPABLE CHINA. 223 00:06:34,771 --> 00:06:36,172 JOE BIDEN IS THE GUY THEY'RE 224 00:06:36,172 --> 00:06:38,374 GOING TO CALL AT 3:00 IN THE 225 00:06:38,374 --> 00:06:38,908 MORNING. 226 00:06:38,908 --> 00:06:40,576 >> Jimmy: YEAH, I THINK WE KNOW 227 00:06:40,576 --> 00:06:42,278 WHO HE'S CALLING AT 3:00 IN THE 228 00:06:42,278 --> 00:06:42,912 MORNING, AND IT AIN'T GRUBHUB BY 229 00:06:42,912 --> 00:06:46,249 THE WAY. 230 00:06:46,249 --> 00:06:47,483 WHY JUNIOR THOUGHT IT WAS GOOD 231 00:06:47,483 --> 00:06:48,618 IDEA TO POST THIS, I DON'T KNOW. 232 00:06:48,618 --> 00:06:49,185 BUT IT DIDN'T GET MUCH MORE 233 00:06:49,185 --> 00:06:52,388 COHERENT FROM THERE. 234 00:06:52,388 --> 00:06:54,057 >> WHEN IDIOT JOE BIDEN DOES IT 235 00:06:54,057 --> 00:06:55,725 EVERY DAY, OH, IT'S JUST JOE, 236 00:06:55,725 --> 00:06:56,459 IT'S JUST JOE. 237 00:06:56,459 --> 00:06:57,927 IT'S ONLY THE PRESIDENT OF THE 238 00:06:57,927 --> 00:06:58,962 UNITED STATES, FOLKS. 239 00:06:58,962 --> 00:07:00,029 IT'S NOT LIKE HE IS GOING TO 240 00:07:00,029 --> 00:07:02,131 HAVE TO MAKE AN IMPORTANT 241 00:07:02,131 --> 00:07:03,199 DECISIN MAYBE ONE DAY. 242 00:07:03,199 --> 00:07:03,833 >> Jimmy: I THINK HE THINKS HE 243 00:07:03,833 --> 00:07:04,200 HAS A SHOW. 244 00:07:04,200 --> 00:07:05,401 YOU KNOW? 245 00:07:05,401 --> 00:07:07,837 I MEAN, HE HAS A LOGO FOR THIS 246 00:07:07,837 --> 00:07:12,909 DON JUNIOR. 247 00:07:12,909 --> 00:07:16,713 IT'S LIKE AN '80s TV SHOW, LIKE 248 00:07:16,713 --> 00:07:17,914 "AIRWOLF" OR SMOG. 249 00:07:17,914 --> 00:07:19,816 MAYBE HE DOES HAVE A SHOW. 250 00:07:19,816 --> 00:07:22,352 MAYBE DON JR. IS STAR OF A SHOW 251 00:07:22,352 --> 00:07:25,822 WE JUST HAVEN'T SEEN YET. 252 00:07:25,822 --> 00:07:37,667 ♪ 253 00:07:42,372 --> 00:07:56,919 ♪ 254 00:07:56,919 --> 00:08:14,137 ♪ 255 00:08:16,005 --> 00:08:21,844 >> Jimmy: YEAH. 256 00:08:21,844 --> 00:08:22,345 [ CHEERING ] 257 00:08:22,345 --> 00:08:22,612 . 258 00:08:22,612 --> 00:08:24,347 MAGA P. I.! 259 00:08:24,347 --> 00:08:25,815 UNFORTUNATELY FOR DJTJ, 260 00:08:25,815 --> 00:08:26,449 JOE BIDEN CAME BACK TO LIFE IN A 261 00:08:26,449 --> 00:08:26,783 BIG WAY TODAY. 262 00:08:26,783 --> 00:08:28,584 BIDEN WAS CAUGHT ON A HOT MIC 263 00:08:28,584 --> 00:08:29,218 TALKING ABOUT PETER DOOCY OF FOX 264 00:08:29,218 --> 00:08:35,191 NEWS. 265 00:08:35,191 --> 00:08:35,992 DOOCY ASKED. 266 00:08:35,992 --> 00:08:38,061 HE DOESN'T REALLY ASK QUESTIONS. 267 00:08:38,061 --> 00:08:41,497 HE SAYS OBNOXIOUS THINGS. 268 00:08:41,497 --> 00:08:43,833 HE ASKED BIDEN IF INFLATION IS A 269 00:08:43,833 --> 00:08:45,501 POLITICAL LIABILITY AHEAD OF THE 270 00:08:45,501 --> 00:08:46,069 MIDTERM ELECTIONS, WHICH OF 271 00:08:46,069 --> 00:08:46,769 COURSE IT IS. 272 00:08:46,769 --> 00:08:47,437 AND THEN WE GOT TO HEAR BIDEN 273 00:08:47,437 --> 00:08:49,839 DROP A DOOCY. 274 00:08:49,839 --> 00:08:54,343 >> Jimmy: THAT'S TELLING 'EM YOU 275 00:08:54,343 --> 00:08:55,845 OLD SNARKY MALARKEY. 276 00:08:55,845 --> 00:09:00,083 >> WHAT A STUPID SON OF A BITCH. 277 00:09:00,083 --> 00:09:00,883 >> Jimmy: WE'VE BEEN WONDERING 278 00:09:00,883 --> 00:09:01,818 WHERE HE WAS. 279 00:09:01,818 --> 00:09:04,487 I'M SURPRISED DOOCY DIDN'T ASK 280 00:09:04,487 --> 00:09:07,790 BIDEN TO WEIGH IN ON THE 281 00:09:07,790 --> 00:09:08,591 SEXINESS OF M&Ms. 282 00:09:08,591 --> 00:09:09,192 THE BIG STORY, ESPECIALLY IF 283 00:09:09,192 --> 00:09:09,826 YOU'VE BEEN WATCHING FOX NEWS IS 284 00:09:09,826 --> 00:09:10,159 ABOUT M&Ms. 285 00:09:10,159 --> 00:09:10,660 DO YOU KNOW ABOUT THIS? 286 00:09:10,660 --> 00:09:11,327 M&Ms ANNOUNCED SOME CHANGES TO 287 00:09:11,327 --> 00:09:15,932 THEIR PACKAGING. 288 00:09:15,932 --> 00:09:17,166 THEY'RE GOING FROM THIS ON THE 289 00:09:17,166 --> 00:09:18,501 PACKAGE TO THIS IN THE HOPE OF 290 00:09:18,501 --> 00:09:20,336 WHAT THEY SAID IS A MORE 291 00:09:20,336 --> 00:09:20,970 INCLUSIVE WORLD WHERE EVERYONE 292 00:09:20,970 --> 00:09:22,138 FEELS THEY BELONG. 293 00:09:22,138 --> 00:09:22,572 AND OF COURSE, THE 294 00:09:22,572 --> 00:09:23,206 TUCKER CARLSON CROWD LOST THEIR 295 00:09:23,206 --> 00:09:27,610 MINDS ABOUT THIS. 296 00:09:27,610 --> 00:09:30,313 PART OF A WOKE CONSPIRACY TO 297 00:09:30,313 --> 00:09:33,116 MAKE THE M&Ms HE SAID DEEPLY 298 00:09:33,116 --> 00:09:34,350 UNAPPEALING AND TOTALLY 299 00:09:34,350 --> 00:09:36,419 ANDROGYNOUS. 300 00:09:36,419 --> 00:09:36,986 AND IN SOME WAYS, I GET IT. 301 00:09:36,986 --> 00:09:37,553 WHY DO M&Ms EVEN HAVE BODY 302 00:09:37,553 --> 00:09:37,820 PARTS? 303 00:09:37,820 --> 00:09:39,555 IT DOESN'T MAKE SENSE FOR THESE 304 00:09:39,555 --> 00:09:41,157 CHARACTERS TO BE INCLUSIVE. 305 00:09:41,157 --> 00:09:41,691 THEY'RE 70 YEARS OLD. 306 00:09:41,691 --> 00:09:42,291 HOW MANY 70‐YEAR‐OLDS DO YOU 307 00:09:42,291 --> 00:09:43,793 KNOW WHO ARE INCLUSIVE? 308 00:09:43,793 --> 00:09:46,362 I DON'T KNOW ANY. 309 00:09:46,362 --> 00:09:49,832 THE COMPANY THAT MAKES M&Ms SAYS 310 00:09:49,832 --> 00:09:53,736 MOST OF THE CHANGES ARE 311 00:09:53,736 --> 00:09:54,837 REFLECTED IN THE SHOES THAT THE 312 00:09:54,837 --> 00:09:55,972 CHARACTERS WEAR WHICH THEY 313 00:09:55,972 --> 00:09:56,939 SUGGESTED IS REPRESENTATIVE OF 314 00:09:56,939 --> 00:09:58,374 THEIR CUSTOMERS AND A CUE PEOPLE 315 00:09:58,374 --> 00:09:59,976 REALLY PICK UP ON. 316 00:09:59,976 --> 00:10:01,310 THIS IS BY THE WAY WHAT HAPPENS 317 00:10:01,310 --> 00:10:04,313 WHEN YOU SELL THE SAME LITTLE 318 00:10:04,313 --> 00:10:04,914 CHOCOLATE ADVIL FOR 70 YEARS. 319 00:10:04,914 --> 00:10:05,448 YOU START TO HALLUCINATE. 320 00:10:05,448 --> 00:10:07,817 YOU START TO THINK YOUR 321 00:10:07,817 --> 00:10:08,451 CUSTOMERS WHO ARE FIVE, BY THE 322 00:10:08,451 --> 00:10:09,051 WAY, PICK UP ON SHOE‐RELATED 323 00:10:09,051 --> 00:10:12,522 CUES. 324 00:10:12,522 --> 00:10:13,789 BUT IT'S HARDLY SOMETHING TO GET 325 00:10:13,789 --> 00:10:14,056 MAD ABOUT. 326 00:10:14,056 --> 00:10:16,792 BUT THAT'S WHAT THESE GUYS DO, 327 00:10:16,792 --> 00:10:17,360 THEY GET MAD ABOUT STUFF ON 328 00:10:17,360 --> 00:10:18,494 TELEVISION. 329 00:10:18,494 --> 00:10:20,796 THE WORLD OF RIGHT WING OUTRAGE 330 00:10:20,796 --> 00:10:21,831 IS VERY OUTRAGED ON THIS 331 00:10:21,831 --> 00:10:22,064 SUBJECT. 332 00:10:22,064 --> 00:10:22,932 AND SO JOINING US NOW, FROM THE 333 00:10:22,932 --> 00:10:25,835 SHOW "TRIGGERED MUCH" IS 334 00:10:25,835 --> 00:10:26,569 CONSERVATIVE YOUTUBER 335 00:10:26,569 --> 00:10:27,637 NAMED KEN REYNOLDS. 336 00:10:27,637 --> 00:10:30,540 KEN, THANKS FOR BEING WITH US. 337 00:10:30,540 --> 00:10:33,109 I SEE YOU HAVE SOME STUFF THERE. 338 00:10:33,109 --> 00:10:35,578 EXPLAIN TO US, PLEASE, WHY THESE 339 00:10:35,578 --> 00:10:37,813 NEW M&Ms HAVE YOU SO UPSET. 340 00:10:37,813 --> 00:10:38,447 >> I'M UPSET BECAUSE I SEE WHAT 341 00:10:38,447 --> 00:10:39,015 IS HAPPENING TO OUR COUNTRY. 342 00:10:39,015 --> 00:10:41,250 OKAY? 343 00:10:41,250 --> 00:10:41,884 THIS IS JUST A NEW LOW FROM THE 344 00:10:41,884 --> 00:10:43,819 VIRTUE SIGNALING LIBERAL LEFT. 345 00:10:43,819 --> 00:10:44,987 THESE WOKE JOKERS ARE COMING FOR 346 00:10:44,987 --> 00:10:46,022 THE LAST BASTION OF AMERICAN 347 00:10:46,022 --> 00:10:49,825 INNOCENCE, OUR CANDY! 348 00:10:49,825 --> 00:10:50,459 >> Jimmy: I DON'T THINK THEY ARE 349 00:10:50,459 --> 00:10:52,895 ATTACKING CANDY. 350 00:10:52,895 --> 00:10:55,198 >> YES, THEY ARE. 351 00:10:55,198 --> 00:10:57,233 YOU SUSIE SNOWFLAKES HAVE YOUR 352 00:10:57,233 --> 00:10:59,068 SIGHTS SET ON MY BEAUTIFUL 353 00:10:59,068 --> 00:11:01,637 HARD‐SHELLED GODDESS, THE GREEN 354 00:11:01,637 --> 00:11:01,837 M&M. 355 00:11:01,837 --> 00:11:02,772 >> Jimmy: YOUR WHAT? 356 00:11:02,772 --> 00:11:04,440 YOUR HARD‐SHELLED GODDESS? 357 00:11:04,440 --> 00:11:04,874 >> THAT'S RIGHT. 358 00:11:04,874 --> 00:11:05,508 HEY JERRY, CAN YOU PULL UP THAT 359 00:11:05,508 --> 00:11:11,013 IMAGE I EMAILED YOU? 360 00:11:11,013 --> 00:11:12,114 I THINK SEARCH GREEN M&M. 361 00:11:12,114 --> 00:11:14,183 IT'S A JPEG. 362 00:11:14,183 --> 00:11:15,251 SEARCH "DADDY'S BONERFUEL." 363 00:11:15,251 --> 00:11:18,287 NO APOSTROPHE. 364 00:11:18,287 --> 00:11:19,889 THEN IT MIGHT COME UP. 365 00:11:19,889 --> 00:11:20,189 THERE IT IS. 366 00:11:20,189 --> 00:11:22,358 THERE SHE IS. 367 00:11:22,358 --> 00:11:26,095 LOOK AT MY BABY BEFORE SHE GOT 368 00:11:26,095 --> 00:11:29,332 COKE WOKIFIED HER, JIMMY. 369 00:11:29,332 --> 00:11:29,966 THAT SILKY SMOOTH FLESH, THOSE 370 00:11:29,966 --> 00:11:32,568 THIGH HIGH NAUGHTY‐BOOTS. 371 00:11:32,568 --> 00:11:33,202 THAT LOOK THAT SAYS, "I WANT YOU 372 00:11:33,202 --> 00:11:34,136 KEN. 373 00:11:34,136 --> 00:11:35,671 COME LET ME MELT IN YOUR MOUTH. 374 00:11:35,671 --> 00:11:36,839 OR IN YOUR HAND IF YOU'RE NOT 375 00:11:36,839 --> 00:11:39,842 READY FOR MOUTH STUFF." 376 00:11:39,842 --> 00:11:41,177 >> Jimmy: KEN, KEN. 377 00:11:41,177 --> 00:11:41,611 >> HUH? 378 00:11:41,611 --> 00:11:43,312 >> Jimmy: KEN, ARE YOU SAYING 379 00:11:43,312 --> 00:11:45,681 YOU'RE SEXUALLY AROUSED BY 380 00:11:45,681 --> 00:11:45,881 CANDY. 381 00:11:45,881 --> 00:11:50,786 >> ARE YOU SAYING YOU'RE NOT? 382 00:11:50,786 --> 00:11:54,323 >> Jimmy: UH, YEAH, I AM. 383 00:11:54,323 --> 00:11:55,024 >> WELL I'VE GOT AN IMAGE 384 00:11:55,024 --> 00:11:55,558 THAT'LL CHANGE YOUR MIND. 385 00:11:55,558 --> 00:11:55,925 SHOW HIM, JERRY. 386 00:11:55,925 --> 00:11:56,525 THE ONE WITH THE ‐‐ OH YEAH, 387 00:11:56,525 --> 00:11:56,792 THAT'S IT. 388 00:11:56,792 --> 00:11:58,828 YOU'RE GOING TO STAND THERE AND 389 00:11:58,828 --> 00:11:59,462 TELL ME THESE HOT, THICK LITTLE 390 00:11:59,462 --> 00:12:01,831 BITCHES DO NOTHING FOR YOU 391 00:12:01,831 --> 00:12:02,365 DOWNSTAIRS? 392 00:12:02,365 --> 00:12:04,934 >> Jimmy: WAIT. 393 00:12:04,934 --> 00:12:06,369 THOSE ARE NERDS. 394 00:12:06,369 --> 00:12:06,969 YOU'RE SEXUALLY ATTRACTED TO 395 00:12:06,969 --> 00:12:07,603 NERDS? 396 00:12:07,603 --> 00:12:08,004 >> WHAT CAN I SAY? 397 00:12:08,004 --> 00:12:10,006 I LIKE THE BRAINY TYPE. 398 00:12:10,006 --> 00:12:10,373 OKAY? 399 00:12:10,373 --> 00:12:11,007 WHAT'S THE MATTER, KIMMEL, TOO 400 00:12:11,007 --> 00:12:12,008 MATURE FOR YOU? 401 00:12:12,008 --> 00:12:12,608 I BET YOU'RE INTO SOUR PATCH 402 00:12:12,608 --> 00:12:13,843 KIDS, YOU SICKO. 403 00:12:13,843 --> 00:12:15,211 >> Jimmy: NO. 404 00:12:15,211 --> 00:12:16,379 NO, I'M NOT, KEN. 405 00:12:16,379 --> 00:12:16,979 >> OKAY THEN, WHAT ABOUT THE 406 00:12:16,979 --> 00:12:18,314 HARIBO GUMMY BEAR? 407 00:12:18,314 --> 00:12:19,815 OKAY? 408 00:12:19,815 --> 00:12:22,351 LOOK AT THAT FURRY LITTLE SEXPOT 409 00:12:22,351 --> 00:12:24,687 LETTING IT ALL HANG OUT. 410 00:12:24,687 --> 00:12:27,189 AND LOOK, LOOK, HIS BOW TIE IS 411 00:12:27,189 --> 00:12:27,423 CROOKED. 412 00:12:27,423 --> 00:12:27,957 DID YOU NOTICE? 413 00:12:27,957 --> 00:12:29,792 DO YOU KNOW WHY THAT IS? 414 00:12:29,792 --> 00:12:29,959 NO? 415 00:12:29,959 --> 00:12:31,661 BECAUSE HE'S BEEN BUSY, JIMMY. 416 00:12:31,661 --> 00:12:33,963 HE HAS BEEN A BUSY LITTLE BEAR. 417 00:12:33,963 --> 00:12:34,597 >> Jimmy: YOU KNOW, I THINK YOU 418 00:12:34,597 --> 00:12:36,098 MIGHT NEED HELP. 419 00:12:36,098 --> 00:12:39,268 >> YOU THINK I NEED HELP? 420 00:12:39,268 --> 00:12:40,269 >> Jimmy: YEAH. 421 00:12:40,269 --> 00:12:42,638 >> YOU KNOW WHO NEEDS HELP? 422 00:12:42,638 --> 00:12:43,005 THIS COUNTRY. 423 00:12:43,005 --> 00:12:43,839 >> Jimmy: I THINK YOU MIGHT NEED 424 00:12:43,839 --> 00:12:44,674 A BREAK. 425 00:12:44,674 --> 00:12:46,275 >> IF I TAKE A BREAK, IT WILL BE 426 00:12:46,275 --> 00:12:48,210 TO BREAK ME OFF A PIECE OF THAT 427 00:12:48,210 --> 00:12:49,712 KIT CAT BAR, SEXUALLY. 428 00:12:49,712 --> 00:12:50,079 >> Jimmy: OKAY. 429 00:12:50,079 --> 00:12:52,114 >> AS AARON AIN SAID ON SEVEN 430 00:12:52,114 --> 00:12:53,783 DIFFERENT PODCASTS, I WILL NOT 431 00:12:53,783 --> 00:12:54,317 BE SILENCED. 432 00:12:54,317 --> 00:12:57,486 I AM THE CANDY STORE, NOT IN THE 433 00:12:57,486 --> 00:12:59,121 CVS, AND CERTAINLY NOT HERE ON 434 00:12:59,121 --> 00:12:59,422 TELEVISION. 435 00:12:59,422 --> 00:13:01,824 YOU KNOW WHAT? 436 00:13:01,824 --> 00:13:02,758 WHERE ARE MY M&Ms. 437 00:13:02,758 --> 00:13:04,360 >> Jimmy: I DO APPRECIATE YOU. 438 00:13:04,360 --> 00:13:05,528 KEN, HOW TALL ARE YOU? 439 00:13:05,528 --> 00:13:06,028 >> I'M A NORMAL HEIGHT. 440 00:13:06,028 --> 00:13:07,129 WHY? 441 00:13:07,129 --> 00:13:11,067 >> Jimmy: OH, NO REASON. 442 00:13:11,067 --> 00:13:11,734 IT'S OKAY. 443 00:13:11,734 --> 00:13:12,835 >> YOU KNOW WHAT? 444 00:13:12,835 --> 00:13:16,172 IF WANTING TO SEXUALLY SATISFY A 445 00:13:16,172 --> 00:13:17,573 BOWL OF ROUND FIRM LITTLE 446 00:13:17,573 --> 00:13:19,442 CHOCOLATES MAKES ME NONPC, THEN 447 00:13:19,442 --> 00:13:21,344 GO AHEAD AND CANCEL ME, OKAY? 448 00:13:21,344 --> 00:13:25,681 I AM NOT ASHAMED, OKAY? 449 00:13:25,681 --> 00:13:26,882 >> Jimmy: OH, LOOK AT LITTLE 450 00:13:26,882 --> 00:13:27,316 KEN. 451 00:13:27,316 --> 00:13:28,384 >> YOU MIGHT LEARN SOMETHING. 452 00:13:28,384 --> 00:13:30,986 >> Jimmy: OKAY, THANK YOU, KEN. 453 00:13:30,986 --> 00:13:33,022 I THINK IT'S BEST ‐‐ THAT'S KEN 454 00:13:33,022 --> 00:13:34,323 REYNOLDS FROM A SHOW WE MADE UP. 455 00:13:34,323 --> 00:13:38,627 [ APPLAUSE ] 456 00:13:38,627 --> 00:13:40,329 HEY, WE GOT A FUN SHOW FOR YOU 457 00:13:40,329 --> 00:13:42,231 TONIGHT. 458 00:13:42,231 --> 00:13:43,099 ALL THE WAY FROM CNN, JAKE 459 00:13:43,099 --> 00:13:44,500 TAPPER IS HERE, AND WE'LL BE 460 00:13:44,500 --> 00:13:45,301 RIGHT BACK WITH THE LADY NAMED 461 00:13:45,301 --> 00:13:46,369 GAGA. 462 00:13:46,369 --> 00:13:46,836 SO STICK AROUND. 463 00:13:46,836 --> 00:13:48,270 ♪ 464 00:13:52,742 --> 00:13:53,242 >> Jimmy: HI THERE. 465 00:13:53,242 --> 00:13:54,744 WELCOME BACK TO THE SHOW. 466 00:13:54,744 --> 00:13:56,712 TONIGHT FROM "THE LEAD" AND 467 00:13:56,712 --> 00:13:57,646 "STATE OF THE UNION" ON CNN, 468 00:13:57,646 --> 00:13:59,582 JAKE TAPPER IS WITH US. 469 00:13:59,582 --> 00:14:00,182 THIS WEEK, WE HAVE NEW SHOWS 470 00:14:00,182 --> 00:14:01,717 WITH KRISTEN BELL, 471 00:14:01,717 --> 00:14:02,118 JOHNNY KNOXVILLE, 472 00:14:02,118 --> 00:14:02,852 IKE BARINHOLTZ, CHARLIE DAY, WE 473 00:14:02,852 --> 00:14:05,821 HAVE MUSIC FROM ERIC BELLINGER 474 00:14:05,821 --> 00:14:06,989 FEATURING SEVEN, THE WALTERS, 475 00:14:06,989 --> 00:14:07,490 AND IAN DIOR FEATURING 476 00:14:07,490 --> 00:14:09,425 TRAVIS BARKER. 477 00:14:09,425 --> 00:14:10,025 SO PLEASE JOIN US FOR ALL OF 478 00:14:10,025 --> 00:14:12,695 THAT. 479 00:14:12,695 --> 00:14:13,829 OUR FIRST GUEST TONIGHT IS AN 480 00:14:13,829 --> 00:14:15,431 OSCAR AND GRAMMY‐WINNING 481 00:14:15,431 --> 00:14:17,600 SUPERSTAR WHO WAS BORN BEFORE 482 00:14:17,600 --> 00:14:17,933 OUR VERY EYES. 483 00:14:17,933 --> 00:14:18,534 YOU CAN SEE HER NOW SMOKING, 484 00:14:18,534 --> 00:14:20,970 SCHEMING, AND SIPPING CAPPUCCINO 485 00:14:20,970 --> 00:14:21,570 IN "HOUSE OF GUCCI," IT IS IN 486 00:14:21,570 --> 00:14:22,104 THEATERS NOW. 487 00:14:22,104 --> 00:14:23,906 PLEASE SAY CIAO TO LADY GAGA. 488 00:14:23,906 --> 00:14:30,980 [ CHEERING ] 489 00:14:31,647 --> 00:14:42,425 ♪ 490 00:14:42,425 --> 00:14:46,796 >> Jimmy: HOW YOU DOING? 491 00:14:46,796 --> 00:14:48,063 WELL, THANKS FOR BEING HERE. 492 00:14:48,063 --> 00:14:49,732 I ALWAYS LOVE HAVING YOU HERE, 493 00:14:49,732 --> 00:14:51,000 AND I APPRECIATE YOU COMING. 494 00:14:51,000 --> 00:14:52,134 >> THANKS FOR HAVING ME. 495 00:14:52,134 --> 00:14:53,602 I'M SO HAPPY TO BE HERE. 496 00:14:53,602 --> 00:14:56,939 HELLO, BEAUTIFUL AUDIENCE! 497 00:14:56,939 --> 00:14:57,239 [ CHEERING ] 498 00:14:57,239 --> 00:14:58,307 >> Jimmy: IT FELT LIKE THEY WERE 499 00:14:58,307 --> 00:15:00,309 IN A BETTER MOOD THAN USUAL, AND 500 00:15:00,309 --> 00:15:01,510 I THINK IT'S BECAUSE YOU HAVE. 501 00:15:01,510 --> 00:15:01,944 >> NO. 502 00:15:01,944 --> 00:15:03,612 AND THE BAND. 503 00:15:03,612 --> 00:15:05,448 HOW ARE YOU FEELING? 504 00:15:05,448 --> 00:15:06,248 >> Jimmy: CLETO AND THE 505 00:15:06,248 --> 00:15:07,149 CLETONES, THEY'RE FINE, THEY'RE 506 00:15:07,149 --> 00:15:07,349 FINE. 507 00:15:07,349 --> 00:15:12,755 SOME OF THEM ARE ON DRUGS. 508 00:15:12,755 --> 00:15:14,256 HOW YOU DOING FOR THE WEEKEND? 509 00:15:14,256 --> 00:15:15,291 DO YOU WATCH FOOTBALL? 510 00:15:15,291 --> 00:15:16,225 DO ANYTHING LIKE THAT? 511 00:15:16,225 --> 00:15:17,960 >> I WATCH FOOTBALL, WATCH 512 00:15:17,960 --> 00:15:18,227 HOCKEY. 513 00:15:18,227 --> 00:15:18,694 >> Jimmy: YOU DO? 514 00:15:18,694 --> 00:15:20,029 >> PLAY WITH THE DOGS. 515 00:15:20,029 --> 00:15:20,796 >> Jimmy: OH, ALL RIGHT. 516 00:15:20,796 --> 00:15:21,997 I WAS THINKING ABOUT YOU AND THE 517 00:15:21,997 --> 00:15:23,699 SUPER BOWL, AND I WAS THINKING 518 00:15:23,699 --> 00:15:27,736 ABOUT DRE AND SNOOP AND MARY J. 519 00:15:27,736 --> 00:15:28,771 BLIGE, EMINEM DOING THE SUPER 520 00:15:28,771 --> 00:15:29,305 BOWL SHOW. 521 00:15:29,305 --> 00:15:30,639 WAS THAT A GOOD EXPERIENCE FOR 522 00:15:30,639 --> 00:15:31,874 YOU, LOOKING BACK AT IT? 523 00:15:31,874 --> 00:15:33,275 >> OH, YEAH. 524 00:15:33,275 --> 00:15:34,610 PLAYING THE SUPER BOWL IS A HUGE 525 00:15:34,610 --> 00:15:35,945 HONOR, AND I REMEMBER AND I GOT 526 00:15:35,945 --> 00:15:38,647 THE PHONE CALL TO PLAY THE SHOW, 527 00:15:38,647 --> 00:15:39,715 I JUST CRIED. 528 00:15:39,715 --> 00:15:41,784 I JUST CRIED AND RAN AROUND MY 529 00:15:41,784 --> 00:15:42,117 ROOM. 530 00:15:42,117 --> 00:15:44,019 AND THEN I DON'T KNOW WHY. 531 00:15:44,019 --> 00:15:46,222 I MADE A VERY SILLY DECISION TO 532 00:15:46,222 --> 00:15:48,123 TRY TO CATCH A TOUCHDOWN. 533 00:15:48,123 --> 00:15:48,858 >> Jimmy: THAT'S WHAT I WANTED 534 00:15:48,858 --> 00:15:50,326 TO ASK YOU ABOUT. 535 00:15:50,326 --> 00:15:51,160 >> YEAH. 536 00:15:51,160 --> 00:15:53,496 >> Jimmy: BUT IT WASN'T A SILLY 537 00:15:53,496 --> 00:15:53,829 DECISION. 538 00:15:53,829 --> 00:15:55,431 AND I THINK ALSO ‐‐ I DON'T 539 00:15:55,431 --> 00:15:56,932 KNOW, MAYBE I'M OVERTHINKING 540 00:15:56,932 --> 00:15:58,501 THIS, BUT I THINK THE FACT THAT 541 00:15:58,501 --> 00:16:02,404 THIS WENT THE WAY IT DID MAKES 542 00:16:02,404 --> 00:16:04,240 PERFECT SENSE IN THE ARC OF YOUR 543 00:16:04,240 --> 00:16:06,775 WHOLE LIFE, BECAUSE YOU ‐‐ WE 544 00:16:06,775 --> 00:16:08,010 KNOW YOU CAN SING. 545 00:16:08,010 --> 00:16:09,311 WE KNOW YOU CAN DANCE AND YOU'RE 546 00:16:09,311 --> 00:16:11,247 GOING TO DO ALL THESE THINGS, 547 00:16:11,247 --> 00:16:13,182 BUT THEN YOU DECIDE AT THE END 548 00:16:13,182 --> 00:16:13,883 OF THIS PERFORMANCE. 549 00:16:13,883 --> 00:16:16,118 >> Jimmy: I CAN PLAY FOOTBALL. 550 00:16:16,118 --> 00:16:21,323 >> YOU'RE GOING CATCH A PASS. 551 00:16:21,323 --> 00:16:24,894 WHICH IS RISKY, VERY RISKY. 552 00:16:24,894 --> 00:16:27,096 >> IT'S SUPER RISKY. 553 00:16:27,096 --> 00:16:28,130 I WANTED TO JUMP IN AND JUMP OUT 554 00:16:28,130 --> 00:16:29,431 OF THE PERFORMANCE BECAUSE I 555 00:16:29,431 --> 00:16:33,068 THOUGHT IT WAS COMPOSITIONALLY 556 00:16:33,068 --> 00:16:33,369 INTERESTING. 557 00:16:33,369 --> 00:16:35,638 SO I WAS SO SUPER EXCITED TO 558 00:16:35,638 --> 00:16:36,639 CATCH THIS FOOTBALL. 559 00:16:36,639 --> 00:16:38,440 BUT FOUR OUT OF FIVE TIMES THAT 560 00:16:38,440 --> 00:16:40,276 WE PRACTICED IT, I DIDN'T GET 561 00:16:40,276 --> 00:16:40,876 IT. 562 00:16:40,876 --> 00:16:42,311 AND EVERYBODY ON MY TEAM WANTED 563 00:16:42,311 --> 00:16:44,046 TO THROW THE FOOTBALL TO ME AT 564 00:16:44,046 --> 00:16:44,413 THE SUPER BOWL. 565 00:16:44,413 --> 00:16:45,314 >> Jimmy: THEY DID? 566 00:16:45,314 --> 00:16:45,915 >> AND I WAS GUYS, WE NEED A 567 00:16:45,915 --> 00:16:49,285 QUARTERBACK. 568 00:16:49,285 --> 00:16:50,085 I DON'T ‐‐ 569 00:16:50,085 --> 00:16:50,853 >> Jimmy: IS THAT RIGHT? 570 00:16:50,853 --> 00:16:52,488 >> THEY'RE I CAN DO IT, IT'S NO 571 00:16:52,488 --> 00:16:52,721 PROBLEM. 572 00:16:52,721 --> 00:16:54,356 I USED TO WITH MY BOYFRIEND IN 573 00:16:54,356 --> 00:16:54,890 HIGH SCHOOL. 574 00:16:54,890 --> 00:16:55,624 NO, NO. 575 00:16:55,624 --> 00:16:56,792 WE'RE NOT IN HIGH SCHOOL. 576 00:16:56,792 --> 00:16:57,293 I'M NOT YOUR BOYFRIEND. 577 00:16:57,293 --> 00:16:59,328 I NEED A QUARTERBACK. 578 00:16:59,328 --> 00:17:01,130 SO WE HAD A REAL QUARTERBACK 579 00:17:01,130 --> 00:17:02,298 COME AND THROW ME THAT BALL. 580 00:17:02,298 --> 00:17:04,900 AND WHAT WAS SO COOL WAS THAT MY 581 00:17:04,900 --> 00:17:12,174 SISTER, NATALIE, WHO IS A pDESI 582 00:17:12,174 --> 00:17:13,676 THIS INCREDIBLE FOOTBALL THAT 583 00:17:13,676 --> 00:17:16,211 WAS COVERED IN LIKE DIAMONDS. 584 00:17:16,211 --> 00:17:16,912 NOT REAL DIAMONDS. 585 00:17:16,912 --> 00:17:18,914 >> Jimmy: SHE MADE IT EVEN 586 00:17:18,914 --> 00:17:19,348 HARDER TO CATCH. 587 00:17:19,348 --> 00:17:21,016 >> SHE MADE THE BALL HEAVIER, 588 00:17:21,016 --> 00:17:22,318 AND SHE PUT MY NAME ON IT. 589 00:17:22,318 --> 00:17:24,286 SO WHEN I CAUGHT THE BALL, I 590 00:17:24,286 --> 00:17:25,788 CAUGHT IT RIGHT WHERE IT SAID 591 00:17:25,788 --> 00:17:27,189 GAGA ON IT. 592 00:17:27,189 --> 00:17:28,190 AND IT WAS FUNNY. 593 00:17:28,190 --> 00:17:30,392 NO ONE COULD SEE, BUT I LANDED 594 00:17:30,392 --> 00:17:31,760 IN THIS GIANT FOAM PIT THAT YOU 595 00:17:31,760 --> 00:17:33,529 WOULD SEE AT A GYM OR SOMETHING. 596 00:17:33,529 --> 00:17:35,130 AND I LANDED IN THE PIT AND DID 597 00:17:35,130 --> 00:17:36,332 I CATCH IT? 598 00:17:36,332 --> 00:17:37,433 I CAUGHT IT, I CAUGHT IT. 599 00:17:37,433 --> 00:17:40,369 DID I GET IT, DID THE PEOPLE SEE 600 00:17:40,369 --> 00:17:40,536 IT? 601 00:17:40,536 --> 00:17:41,770 >> Jimmy: WE ACTUALLY HAVE IT ON 602 00:17:41,770 --> 00:17:42,237 CAMERA RIGHT HERE. 603 00:17:42,237 --> 00:17:43,172 LET'S TAKE A LOOK. 604 00:17:43,172 --> 00:17:52,281 >> SUPER BOWL LI! 605 00:17:52,281 --> 00:17:53,482 >> Jimmy: DID YOU EVER THINK IF 606 00:17:53,482 --> 00:17:55,584 I MISS, IF THIS BALL BOUNCES OFF 607 00:17:55,584 --> 00:17:56,752 MY HEAD, EVERYONE IS GOING TO 608 00:17:56,752 --> 00:17:58,153 LAUGH AT ME FOR A LONG TIME? 609 00:17:58,153 --> 00:18:00,823 >> OH, I KNEW THE HEADLINE WOULD 610 00:18:00,823 --> 00:18:03,292 BE LIKE THE PATRIOTS WIN AND 611 00:18:03,292 --> 00:18:07,129 LADY GAGA LOSES. 612 00:18:07,129 --> 00:18:09,632 IT WAS STICK TO SINGING, HONEY. 613 00:18:09,632 --> 00:18:10,766 >> Jimmy: WHERE IS THAT FOOTBALL 614 00:18:10,766 --> 00:18:10,933 NOW? 615 00:18:10,933 --> 00:18:11,800 DO YOU STILL HAVE IT? 616 00:18:11,800 --> 00:18:12,601 >> YEAH, I DO. 617 00:18:12,601 --> 00:18:14,403 >> Jimmy: IS IT DISPLAYED 618 00:18:14,403 --> 00:18:14,670 SOMEWHERE? 619 00:18:14,670 --> 00:18:15,838 >> YEAH. 620 00:18:15,838 --> 00:18:17,106 >> Jimmy: OH, ALL RIGHT. 621 00:18:17,106 --> 00:18:19,108 DID YOU PLAY SPORTS AS A KID? 622 00:18:19,108 --> 00:18:19,742 >> I SWAM. 623 00:18:19,742 --> 00:18:21,243 >> Jimmy: YOU WERE ON THE SWIM 624 00:18:21,243 --> 00:18:21,510 TEAM? 625 00:18:21,510 --> 00:18:22,678 >> BRIEFLY. 626 00:18:22,678 --> 00:18:23,679 I WAS A DANCER. 627 00:18:23,679 --> 00:18:24,279 >> Jimmy: I GOT YOU. 628 00:18:24,279 --> 00:18:25,781 >> BALLET, JAZZ. 629 00:18:25,781 --> 00:18:26,982 >> Jimmy: SAME HERE. 630 00:18:26,982 --> 00:18:27,349 >> TAP. 631 00:18:27,349 --> 00:18:28,517 >> Jimmy: ALL OF THAT. 632 00:18:28,517 --> 00:18:29,184 >> COME ON. 633 00:18:29,184 --> 00:18:30,619 SHOW US WHAT YOU GOT, JIMMY. 634 00:18:30,619 --> 00:18:37,059 >> Jimmy: THEY KNOW. 635 00:18:37,059 --> 00:18:39,194 AND YOU'RE GETTING A LOT OF, AS 636 00:18:39,194 --> 00:18:41,830 YOU KNOW, AWARDS RECOGNITION FOR 637 00:18:41,830 --> 00:18:44,366 THIS MOVIE FOR "HOUSE OF GUCCI" 638 00:18:44,366 --> 00:18:44,667 PLAYING ‐‐ 639 00:18:44,667 --> 00:18:49,838 [ CHEERING ] 640 00:18:49,838 --> 00:18:51,240 NOW MOST PEOPLE THINK OF YOU AS 641 00:18:51,240 --> 00:18:53,909 A MUSICIAN WHO THEN JUST STARTED 642 00:18:53,909 --> 00:18:55,010 ACTING BECAUSE YOU WERE POPULAR. 643 00:18:55,010 --> 00:18:57,312 BUT THAT'S NOT REALLY HOW IT 644 00:18:57,312 --> 00:18:57,946 WENT AT ALL. 645 00:18:57,946 --> 00:18:58,447 >> FOOTBALL. 646 00:18:58,447 --> 00:18:59,748 >> Jimmy: AND FOOTBALL. 647 00:18:59,748 --> 00:19:00,883 PEOPLE THINK OF YOU AS A 648 00:19:00,883 --> 00:19:03,919 FOOTBALL PLAYER WHO NOW ‐‐ 649 00:19:03,919 --> 00:19:04,219 [ LAUGHTER ] 650 00:19:04,219 --> 00:19:05,721 WELL, YOU STARTED ACTING AND 651 00:19:05,721 --> 00:19:07,656 SINGING AT ROUGHLY THE SAME 652 00:19:07,656 --> 00:19:09,625 TIME, RIGHT, AS FAR AS TRAINING 653 00:19:09,625 --> 00:19:10,159 GOES? 654 00:19:10,159 --> 00:19:12,094 >> I MEAN, ACTUALLY, I STARTED 655 00:19:12,094 --> 00:19:12,928 ACTING EARLIER. 656 00:19:12,928 --> 00:19:13,729 >> Jimmy: EARLIER? 657 00:19:13,729 --> 00:19:15,064 >> YEAH, I DID. 658 00:19:15,064 --> 00:19:17,266 AND I ALWAYS WANTED TO BE AN 659 00:19:17,266 --> 00:19:18,367 ACTRESS, MUCH MORE THAN I WANTED 660 00:19:18,367 --> 00:19:19,601 TO BE A SINGER. 661 00:19:19,601 --> 00:19:22,971 AND I WENT TO DIFFERENT ACTING 662 00:19:22,971 --> 00:19:24,506 SCHOOLS, THE MONICA MAY ACADEMY 663 00:19:24,506 --> 00:19:26,642 WHEN I WAS VERY LITTLE. 664 00:19:26,642 --> 00:19:28,110 AND THEN THE LEE STRASBOURG 665 00:19:28,110 --> 00:19:29,344 INSTITUTE WHERE I STARTED A LOT 666 00:19:29,344 --> 00:19:31,747 OF SENSE MEMORY TECHNIQUE AND 667 00:19:31,747 --> 00:19:33,982 STANISLAUS SKI, THERE IS A 668 00:19:33,982 --> 00:19:34,750 CONSERVATORY CALLED CIRCLE IN 669 00:19:34,750 --> 00:19:35,484 THE SQUARE. 670 00:19:35,484 --> 00:19:36,885 AND I JUST ALWAYS WANTED TO BE 671 00:19:36,885 --> 00:19:39,088 AN ACTRESS, BUT I REALLY WAS 672 00:19:39,088 --> 00:19:40,189 TERRIBLE AT AUDITIONS. 673 00:19:40,189 --> 00:19:43,659 AND I GOT INTO TISH. 674 00:19:43,659 --> 00:19:45,060 I WENT TO COLLEGE FOR ABOUT FIVE 675 00:19:45,060 --> 00:19:45,327 MINUTES. 676 00:19:45,327 --> 00:19:46,862 >> Jimmy: AT NYU. 677 00:19:46,862 --> 00:19:47,796 >> YEAH. 678 00:19:47,796 --> 00:19:49,131 >> Jimmy: YOU MAJORED IN WHAT 679 00:19:49,131 --> 00:19:49,531 THERE? 680 00:19:49,531 --> 00:19:51,066 >> IN MUSICAL THEATER. 681 00:19:51,066 --> 00:19:52,901 >> Jimmy: IN MUSICAL THEATER. 682 00:19:52,901 --> 00:19:54,770 >> SO I USED TO GET IN TROUBLE 683 00:19:54,770 --> 00:19:57,072 BECAUSE YOU WEREN'T ALLOWED TO 684 00:19:57,072 --> 00:19:57,339 AUDITION. 685 00:19:57,339 --> 00:19:57,706 >> Jimmy: WHY? 686 00:19:57,706 --> 00:19:59,842 >> THEY WANTED YOU TO FOCUS ON 687 00:19:59,842 --> 00:20:01,477 STUDYING YOUR CRAFT, WHICH I'D 688 00:20:01,477 --> 00:20:03,378 BEEN STUDYING SINCE I WAS 4. 689 00:20:03,378 --> 00:20:04,246 >> Jimmy: RIGHT. 690 00:20:04,246 --> 00:20:06,815 >> BECAUSE I'M PSYCHOTIC ABOUT 691 00:20:06,815 --> 00:20:07,616 MY ART. 692 00:20:07,616 --> 00:20:09,351 AND, YOU KNOW, SO I WAS 693 00:20:09,351 --> 00:20:10,252 AUDITIONING ALL THE TIME. 694 00:20:10,252 --> 00:20:12,888 AND I REMEMBER THIS ONE TIME I 695 00:20:12,888 --> 00:20:15,858 GOT MANY, MANY CALLBACKS TO PLAY 696 00:20:15,858 --> 00:20:18,293 MAUREEN IN THE DOMESTIC TOUR OF 697 00:20:18,293 --> 00:20:18,527 "RENT." 698 00:20:18,527 --> 00:20:21,864 AND I WAS SO EXCITED, AND I GOT 699 00:20:21,864 --> 00:20:25,501 CALLBACK AFTER CALLBACK AFTER 700 00:20:25,501 --> 00:20:25,768 CALLBACK. 701 00:20:25,768 --> 00:20:27,436 AND ONE DAY THEY SAID HOW OLD 702 00:20:27,436 --> 00:20:28,003 ARE YOU? 703 00:20:28,003 --> 00:20:29,404 AND I ACTUALLY WAS IN COLLEGE 704 00:20:29,404 --> 00:20:29,938 WHEN I WAS 17. 705 00:20:29,938 --> 00:20:31,273 >> Jimmy: OH, REALLY? 706 00:20:31,273 --> 00:20:31,640 WOW. 707 00:20:31,640 --> 00:20:34,543 >> SO I HAD TO TELL THEM I WAS 708 00:20:34,543 --> 00:20:35,177 17. 709 00:20:35,177 --> 00:20:36,812 AND THEY ‐‐ SO I LEGALLY WASN'T 710 00:20:36,812 --> 00:20:38,614 ALLOWED TO GO ON THIS TOUR, AND 711 00:20:38,614 --> 00:20:40,315 I WASTED ALL THEIR TIME. 712 00:20:40,315 --> 00:20:41,083 WELL, WE CAN'T HIRE YOU. 713 00:20:41,083 --> 00:20:42,551 AND THEN I WENT BACK TO CLASS 714 00:20:42,551 --> 00:20:44,820 AND I GOT CALLED INTO THE 715 00:20:44,820 --> 00:20:46,655 PRINCIPAL'S OFFICE AND I GOT 716 00:20:46,655 --> 00:20:47,589 SCOLDED FOR AUDITIONING. 717 00:20:47,589 --> 00:20:49,424 >> Jimmy: THEY RATTED YOU OUT? 718 00:20:49,424 --> 00:20:51,593 >> THE PEOPLE, KIDS IN THE 719 00:20:51,593 --> 00:20:51,827 SCHOOL. 720 00:20:51,827 --> 00:20:53,529 I DON'T KNOW, SOMEONE FOUND OUT. 721 00:20:53,529 --> 00:20:56,165 ALSO, I SKIPPED CLASS. 722 00:20:56,165 --> 00:20:56,532 >> Jimmy: OKAY. 723 00:20:56,532 --> 00:20:58,567 WELL THAT MAY HAVE TIPPED THEM 724 00:20:58,567 --> 00:20:58,734 OFF. 725 00:20:58,734 --> 00:20:59,101 >> YEAH. 726 00:20:59,101 --> 00:21:00,469 >> Jimmy: DID YOU EVER DO 727 00:21:00,469 --> 00:21:02,504 COMMERCIAL AUDITIONS AND "LAW & 728 00:21:02,504 --> 00:21:03,172 ORDER," THAT NEW YORK STUFF, 729 00:21:03,172 --> 00:21:04,740 THAT KIND OF STUFF? 730 00:21:04,740 --> 00:21:06,141 >> I DID COMMERCIAL AUDITIONS. 731 00:21:06,141 --> 00:21:06,809 I WAS TERRIBLE. 732 00:21:06,809 --> 00:21:08,110 >> Jimmy: DO YOU REMEMBER ANY OF 733 00:21:08,110 --> 00:21:09,311 THE COMMERCIALS YOU AUDITIONED 734 00:21:09,311 --> 00:21:09,478 FOR? 735 00:21:09,478 --> 00:21:11,747 >> YES. 736 00:21:11,747 --> 00:21:14,983 >> Jimmy: WHAT WAS IT? 737 00:21:14,983 --> 00:21:17,820 >> THERE WAS A VERY SPICY 738 00:21:17,820 --> 00:21:21,290 LENSCRAFTERS COMMERCIAL. 739 00:21:21,290 --> 00:21:21,590 [ LAUGHTER ] 740 00:21:21,590 --> 00:21:22,658 >> Jimmy: LENSCRAFTERS, WOW. 741 00:21:22,658 --> 00:21:23,826 >> YEAH. 742 00:21:23,826 --> 00:21:27,529 AND I JUST ‐‐ I GOT A CALLBACK. 743 00:21:27,529 --> 00:21:28,363 CALLBACKS ARE WHEN THEY LIKED 744 00:21:28,363 --> 00:21:29,665 YOU THE FIRST TIME SO YOU CAN 745 00:21:29,665 --> 00:21:30,299 COME BACK. 746 00:21:30,299 --> 00:21:32,134 AND IT'S A GOOD IDEA TO WEAR THE 747 00:21:32,134 --> 00:21:33,569 SAME T‐SHIRT SO THEY REMEMBER 748 00:21:33,569 --> 00:21:35,070 THAT IT WAS YOU. 749 00:21:35,070 --> 00:21:37,139 I WORE THE SAME OUTFIT, AND I 750 00:21:37,139 --> 00:21:37,439 WENT BACK. 751 00:21:37,439 --> 00:21:38,740 AND I HAD ONE LINE. 752 00:21:38,740 --> 00:21:39,341 I DON'T REMEMBER WHAT MY ONE 753 00:21:39,341 --> 00:21:41,610 LINE WAS. 754 00:21:41,610 --> 00:21:42,945 BUT THIS TIME THERE WERE CAMERAS 755 00:21:42,945 --> 00:21:43,512 ON ME. 756 00:21:43,512 --> 00:21:44,780 THE FIRST TIME IT WAS JUST A 757 00:21:44,780 --> 00:21:46,114 COUPLE OF PEOPLE IN THE ROOM. 758 00:21:46,114 --> 00:21:48,083 AND SO NOW THERE WAS CAMERAS ON 759 00:21:48,083 --> 00:21:48,250 ME. 760 00:21:48,250 --> 00:21:51,119 I HAD NEVER BEEN IN FRONT OF 761 00:21:51,119 --> 00:21:52,087 TELEVISION CAMERAS BEFORE, AND I 762 00:21:52,087 --> 00:21:52,588 JUST COMPLETELY FROZE. 763 00:21:52,588 --> 00:21:54,623 AT SOME POINT IN THE COMMERCIAL, 764 00:21:54,623 --> 00:21:55,757 THE GLASSES WERE SUPPOSED TO 765 00:21:55,757 --> 00:21:56,491 FALL OFF. 766 00:21:56,491 --> 00:21:57,993 I WAS SUPPOSED TO FUMBLE MY 767 00:21:57,993 --> 00:21:58,994 GLASSES. 768 00:21:58,994 --> 00:22:00,796 I THINK THE IDEA WAS ANY GLASSES 769 00:22:00,796 --> 00:22:02,831 THAT AREN'T LENSCRAFTERS GLASSES 770 00:22:02,831 --> 00:22:03,999 ARE NO GOOD. 771 00:22:03,999 --> 00:22:05,200 >> Jimmy: THAT IS TRUE, YEAH. 772 00:22:05,200 --> 00:22:08,604 >> SO I SAY MY LINE AND THEY'RE 773 00:22:08,604 --> 00:22:11,440 LIKE UH, SWEETHEART, THE GLASSES 774 00:22:11,440 --> 00:22:12,641 ARE SUPPOSED TO FALL OFF. 775 00:22:12,641 --> 00:22:13,709 AND I WAS OH. 776 00:22:13,709 --> 00:22:18,647 AND THEN I STARTED LIKE ‐‐ I 777 00:22:18,647 --> 00:22:20,816 JUST STARTED MAKING THEM FALL 778 00:22:20,816 --> 00:22:23,318 OFF AND I DIDN'T REDO THE 779 00:22:23,318 --> 00:22:23,619 COMMERCIAL. 780 00:22:23,619 --> 00:22:24,753 AND THEN WHEN YOU DON'T GET THE 781 00:22:24,753 --> 00:22:31,994 PART THEY JUST GO "THANK YOU." 782 00:22:31,994 --> 00:22:35,330 >> Jimmy: WOW. 783 00:22:35,330 --> 00:22:36,531 THAT WOULD ‐‐ YOU KNOW WHAT? 784 00:22:36,531 --> 00:22:37,900 YOU LUCKED OUT REALLY, BECAUSE 785 00:22:37,900 --> 00:22:42,304 NOW I WOULD BE THROWING TO YOUR 786 00:22:42,304 --> 00:22:42,971 LENSCRAFTERS COMMERCIAL THAT YOU 787 00:22:42,971 --> 00:22:43,672 DID AND DIDN'T WANT ANYBODY TO 788 00:22:43,672 --> 00:22:43,872 SEE. 789 00:22:43,872 --> 00:22:44,907 >> AND I WOULD BE VERY PROUD. 790 00:22:44,907 --> 00:22:46,341 >> Jimmy: OKAY, YOU WOULD HAVE. 791 00:22:46,341 --> 00:22:47,609 >> YOU KNOW WHAT? 792 00:22:47,609 --> 00:22:48,477 I LEARNED SOMETHING THAT DAY. 793 00:22:48,477 --> 00:22:49,011 >> Jimmy: WHAT? 794 00:22:49,011 --> 00:22:50,379 >> I LEARNED ALL ABOUT REJECTION 795 00:22:50,379 --> 00:22:51,546 AND HOW THE TAKE IT LIKE A 796 00:22:51,546 --> 00:22:51,780 QUEEN. 797 00:22:51,780 --> 00:22:52,314 >> Jimmy: OKAY, ALL RIGHT. 798 00:22:52,314 --> 00:22:54,917 GOOD. 799 00:22:54,917 --> 00:22:56,151 I LEARN THAT A LOT. 800 00:22:56,151 --> 00:22:56,885 LADY GAGA IS HERE WITH US. 801 00:22:56,885 --> 00:22:57,486 "HOUSE OF GUCCI" IS THE MOVIE. 802 00:22:57,486 --> 00:23:00,188 WE'LL BE RIGHT BACK. 803 00:23:00,188 --> 00:23:01,757 ♪ 804 00:23:07,562 --> 00:23:09,598 >>> WHERE IS HE RIGHT I KNOW? 805 00:23:09,598 --> 00:23:12,734 WHERE IS HE RIGHT NOW? 806 00:23:12,734 --> 00:23:19,007 LOOK IN MY EYES. 807 00:23:19,007 --> 00:23:20,909 DO YOU SEE ANYTHING IN THESE 808 00:23:20,909 --> 00:23:22,778 EYES THAT WOULD LET YOU THINK 809 00:23:22,778 --> 00:23:25,247 THAT I WOULD EVER LET ANYONE 810 00:23:25,247 --> 00:23:29,584 RUIN MY DAUGHTER'S LIFE? 811 00:23:29,584 --> 00:23:32,354 COMPROMISE HER, DO YOU? 812 00:23:32,354 --> 00:23:37,993 DO YOU SEE THAT? 813 00:23:37,993 --> 00:23:40,495 YOU KNOW THAT WON'T HAPPEN. 814 00:23:40,495 --> 00:23:41,997 >> Jimmy: EAT YOUR HEART OUT, 815 00:23:41,997 --> 00:23:43,298 LENS CRAFTERS. 816 00:23:43,298 --> 00:23:44,599 IT'S LADY GAGA IN "HOUSE OF 817 00:23:44,599 --> 00:23:47,269 GUCCI." 818 00:23:47,269 --> 00:23:48,637 YEAH, YOU'RE GREAT IN THE MOVIE. 819 00:23:48,637 --> 00:23:51,073 IT'S AMAZING THAT YOU'RE THIS 820 00:23:51,073 --> 00:23:51,940 TALENTED AND LENS CRAFTERS 821 00:23:51,940 --> 00:23:52,374 DIDN'T RECOGNIZE IT. 822 00:23:52,374 --> 00:23:55,677 IT REALLY IS. 823 00:23:55,677 --> 00:23:58,080 YOU ARE AN ITALIAN AMERICAN, 824 00:23:58,080 --> 00:23:59,748 WHICH IS DIFFERENT FROM BEING AN 825 00:23:59,748 --> 00:24:01,283 ITALIAN IN A LOT OF WAYS. 826 00:24:01,283 --> 00:24:02,551 >> YEAH, TOTALLY. 827 00:24:02,551 --> 00:24:04,786 >> Jimmy: BEING OVER IN ITALY, I 828 00:24:04,786 --> 00:24:07,489 FIRST OF ALL, I WOULD HAVE TO ‐‐ 829 00:24:07,489 --> 00:24:08,824 THE PLOT OF THE MOVIE WOULD HAVE 830 00:24:08,824 --> 00:24:10,726 TO BE ME GETTING FATTER AS THE 831 00:24:10,726 --> 00:24:12,361 MOVIE GOES ALONG BECAUSE I DON'T 832 00:24:12,361 --> 00:24:14,296 THINK I COULD ‐‐ I DON'T KNOW, I 833 00:24:14,296 --> 00:24:14,896 DON'T THINK I COULD CONTROL 834 00:24:14,896 --> 00:24:16,198 MSELF KNOWING I'M THERE FOR A 835 00:24:16,198 --> 00:24:17,232 CERTAIN AMOUNT OF TIME. 836 00:24:17,232 --> 00:24:18,033 DO YOU HAVE THAT? 837 00:24:18,033 --> 00:24:20,002 OR IS THAT SOMETHING. 838 00:24:20,002 --> 00:24:21,336 >> I ATE THE ENTIRE TIME. 839 00:24:21,336 --> 00:24:22,070 >> Jimmy: GOOD. 840 00:24:22,070 --> 00:24:24,906 >> I ATE MY WAY THROUGH THE SET. 841 00:24:24,906 --> 00:24:25,640 >> Jimmy: WHAT'S THE BEST THING 842 00:24:25,640 --> 00:24:29,411 YOU ATE WHILE YOU WERE THERE? 843 00:24:29,411 --> 00:24:30,579 >> THERE WAS SO MUCH. 844 00:24:30,579 --> 00:24:32,848 THE PIZZA WAS SO GOOD. 845 00:24:32,848 --> 00:24:36,318 THE PASTA WAS SO GOOD. 846 00:24:36,318 --> 00:24:38,820 THE SANDWICHES. 847 00:24:38,820 --> 00:24:41,923 I HAD SO MUCH COFFEE THOUGH. 848 00:24:41,923 --> 00:24:44,159 >> Jimmy: COULD HAVE FOE. 849 00:24:44,159 --> 00:24:45,994 >> A DOPIO. 850 00:24:45,994 --> 00:24:47,195 IT'S A DOUBLE. 851 00:24:47,195 --> 00:24:49,531 BUT I HAD THEM ALL DAY. 852 00:24:49,531 --> 00:24:50,432 THINK 24 ESPRESSOS IN ONE DAY. 853 00:24:50,432 --> 00:24:52,768 EVERY HOUR. 854 00:24:52,768 --> 00:24:53,301 >> Jimmy: THAT'S A LOT OF 855 00:24:53,301 --> 00:24:57,039 ESPRESSOS. 856 00:24:57,039 --> 00:24:58,974 WAS IT FUN SPEAKING WITH THAT 857 00:24:58,974 --> 00:24:59,374 ITALIAN ACCENT? 858 00:24:59,374 --> 00:25:01,510 AND I KNOW YOU DID THAT, LIKE 859 00:25:01,510 --> 00:25:02,744 YOU DID THAT ALL DAY. 860 00:25:02,744 --> 00:25:04,613 SO YOU DIDN'T DROP OUT OF IT, 861 00:25:04,613 --> 00:25:04,880 RIGHT? 862 00:25:04,880 --> 00:25:06,515 >> YEAH, I SPOKE IN MY ACCENT 863 00:25:06,515 --> 00:25:08,350 ALL THE TIME SO THAT I COULD GET 864 00:25:08,350 --> 00:25:09,651 REALLY USED TO TALKING TO 865 00:25:09,651 --> 00:25:11,153 SOMEBODY WITH MY ACCENT AND HAVE 866 00:25:11,153 --> 00:25:12,821 A REALLY NORMAL CONVERSATION SO 867 00:25:12,821 --> 00:25:14,790 I COULD JUST BE IN MY BODY AND 868 00:25:14,790 --> 00:25:15,157 TALK. 869 00:25:15,157 --> 00:25:17,225 AND IT WAS REALLY GREAT FOR ME 870 00:25:17,225 --> 00:25:17,926 ON SET. 871 00:25:17,926 --> 00:25:19,227 BUT WITH MY FRIENDS AND FAMILY, 872 00:25:19,227 --> 00:25:19,961 YOU KNOW, I THINK THEY HAD TO 873 00:25:19,961 --> 00:25:22,297 GET USED TO IT. 874 00:25:22,297 --> 00:25:25,200 >> Jimmy: YEAH, RIGHT. 875 00:25:25,200 --> 00:25:25,667 YEAH. 876 00:25:25,667 --> 00:25:27,135 IT'S SOMETHING THAT OH, THAT'S 877 00:25:27,135 --> 00:25:28,403 GREAT, BUT YOUR SISTER WOULD BE 878 00:25:28,403 --> 00:25:29,771 ALL RIGHT, ENOUGH WITH THE 879 00:25:29,771 --> 00:25:30,739 ITALIAN ACCENT ALREADY. 880 00:25:30,739 --> 00:25:32,741 >> WELL, YOU KNOW WHAT'S SO 881 00:25:32,741 --> 00:25:35,010 FUNNY, MY FAMILY, IT'S LIKE MY 882 00:25:35,010 --> 00:25:39,347 CREATIVE NEUROSIS IS THEY'RE 883 00:25:39,347 --> 00:25:39,548 JUST. 884 00:25:39,548 --> 00:25:43,485 YOU HUNGRY? 885 00:25:43,485 --> 00:25:44,352 YOU'RE FROM BROOKLYN. 886 00:25:44,352 --> 00:25:45,720 MY FAMILY IS VERY ‐‐ THEY KNOW 887 00:25:45,720 --> 00:25:47,022 WHO I AM. 888 00:25:47,022 --> 00:25:50,492 I THINK IT'S MORE THAT FOR ME, 889 00:25:50,492 --> 00:25:52,160 THAT IMMERSIVE APPROACH TO 890 00:25:52,160 --> 00:25:53,829 ACTING IS SOMETHING THAT IS 891 00:25:53,829 --> 00:25:55,197 REALLY BEHOLDEN TO MY HEART. 892 00:25:55,197 --> 00:25:57,365 AND I HAVE TO SAY, YOU KNOW, WE 893 00:25:57,365 --> 00:25:58,800 DON'T ALWAYS TALK ABOUT THIS, 894 00:25:58,800 --> 00:26:00,902 BUT MY FELLOW ACTORS ON THAT 895 00:26:00,902 --> 00:26:02,070 SET, EVERYBODY WAS IN CHARACTER. 896 00:26:02,070 --> 00:26:03,805 IT WAS NOT JUST ME. 897 00:26:03,805 --> 00:26:07,209 THAT MOVIE WAS SHOT WITH AN 898 00:26:07,209 --> 00:26:08,076 INCREDIBLE CAST. 899 00:26:08,076 --> 00:26:09,444 >> Jimmy: WHAT A CAST. 900 00:26:09,444 --> 00:26:11,646 >> SO GRATEFUL TO HAVE WORKED 901 00:26:11,646 --> 00:26:11,847 WITH. 902 00:26:11,847 --> 00:26:13,915 AND WE WERE IN IT ALL THE TIME. 903 00:26:13,915 --> 00:26:16,218 >> Jimmy: JEREMY IRONS, AL 904 00:26:16,218 --> 00:26:16,451 PACINO. 905 00:26:16,451 --> 00:26:18,186 YOUR PARENTS HAD TO GO NUTS WHEN 906 00:26:18,186 --> 00:26:19,821 YOU TOLD THEM YOU WERE DOING A 907 00:26:19,821 --> 00:26:21,256 MOVIE WITH AL PACINO, RIGHT? 908 00:26:21,256 --> 00:26:22,357 >> OH, YEAH. 909 00:26:22,357 --> 00:26:24,159 MY FATHER HAS HAD HEART ISSUES 910 00:26:24,159 --> 00:26:24,926 HIS WHOLE LIFE. 911 00:26:24,926 --> 00:26:26,394 AND I WAS THIS IS GOING TO PUT 912 00:26:26,394 --> 00:26:28,296 HIM BACK IN THE HOSPITAL. 913 00:26:28,296 --> 00:26:29,664 MY FAMILY IS SO ITALIAN. 914 00:26:29,664 --> 00:26:30,432 WE'RE ITALIAN AMERICAN, BUT 915 00:26:30,432 --> 00:26:32,701 WE'RE ITALIAN. 916 00:26:32,701 --> 00:26:34,636 MY FATHER, I WAS LIKE ARE YOU 917 00:26:34,636 --> 00:26:35,170 SITTING DOWN? 918 00:26:35,170 --> 00:26:38,240 HE GOES WHAT HAPPENED? 919 00:26:38,240 --> 00:26:41,309 AND I'M LIKE, WERE YOU STRESSED 920 00:26:41,309 --> 00:26:41,676 TODAY? 921 00:26:41,676 --> 00:26:48,817 AND HE GOES WHO'S INVOLVED? 922 00:26:48,817 --> 00:26:50,652 LIKE YOU KNOW EVERY ITALIAN IN 923 00:26:50,652 --> 00:26:50,986 NEW YORK. 924 00:26:50,986 --> 00:26:53,488 >> Jimmy: YEAH, RIGHT. 925 00:26:53,488 --> 00:26:55,524 >> SO THEN I TELL HIM IT WAS 926 00:26:55,524 --> 00:26:55,757 PACINO. 927 00:26:55,757 --> 00:26:58,126 HE IS OH MY GOD, STEFANI ‐‐ 928 00:26:58,126 --> 00:26:59,995 THAT'S MY REAL NAME. 929 00:26:59,995 --> 00:27:03,198 AND MY SISTER SAID "THIS IS 930 00:27:03,198 --> 00:27:03,498 RIDICULOUS." 931 00:27:03,498 --> 00:27:03,965 MY WHOLE FAMILY. 932 00:27:03,965 --> 00:27:05,767 AND FOR EVERYBODY, FOR ADAM 933 00:27:05,767 --> 00:27:08,937 DRIVER, FOR SALMA HAYEK. 934 00:27:08,937 --> 00:27:10,605 >> Jimmy: SALMA HAYEK. 935 00:27:10,605 --> 00:27:12,207 >> AND JARED LETO. 936 00:27:12,207 --> 00:27:13,341 JARED LETO IS AMAZING. 937 00:27:13,341 --> 00:27:14,409 >> Jimmy: I DIDN'T EVEN KNOW IT 938 00:27:14,409 --> 00:27:14,743 WAS HIM. 939 00:27:14,743 --> 00:27:16,878 I FIGURED IT OUT AFTERWARDS. 940 00:27:16,878 --> 00:27:18,313 I THOUGHT JARED LETO WAS IN THIS 941 00:27:18,313 --> 00:27:18,547 MOVIE. 942 00:27:18,547 --> 00:27:21,616 OH, HE WAS IN THE MOVIE, YEAH. 943 00:27:21,616 --> 00:27:22,284 >> BUT IT'S SO GREAT DOING 944 00:27:22,284 --> 00:27:26,388 SCENES WITH JARED. 945 00:27:26,388 --> 00:27:28,156 JARED, WE'RE BOTH MANIACS TO A 946 00:27:28,156 --> 00:27:29,758 CERTAIN EXTENT. 947 00:27:29,758 --> 00:27:31,560 AND I THINK LIKE, YOU KNOW, IN 948 00:27:31,560 --> 00:27:34,596 SOME SORT OF WAY, I THINK IF ‐‐ 949 00:27:34,596 --> 00:27:35,997 UNLESS YOU'RE REALLY IN TUNE 950 00:27:35,997 --> 00:27:37,532 WITH YOURSELF AS AN ARTIST AND 951 00:27:37,532 --> 00:27:38,500 RESPECT THE PERSON THAT YOU'RE 952 00:27:38,500 --> 00:27:40,368 WORKING WITH, ALL THAT HAIR AND 953 00:27:40,368 --> 00:27:41,903 MAKEUP THAT WE WERE BOTH IN 954 00:27:41,903 --> 00:27:44,272 MIGHT FEEL REALLY HARD TO 955 00:27:44,272 --> 00:27:46,541 CONNECT ON A REAL AND HUMAN 956 00:27:46,541 --> 00:27:46,741 LEVEL. 957 00:27:46,741 --> 00:27:50,111 BUT I JUST NEVER MET JARED ON 958 00:27:50,111 --> 00:27:50,378 SET. 959 00:27:50,378 --> 00:27:53,882 I WAS ALWAYS WITH PAOLO AND HE 960 00:27:53,882 --> 00:27:56,117 WAS ALWAYS WITH PATRIZIA. 961 00:27:56,117 --> 00:27:59,988 YOU KNOW, THE FATHER, SON IN 962 00:27:59,988 --> 00:28:00,855 "HOUSE OF GUCCI," THAT WAS 963 00:28:00,855 --> 00:28:01,823 COMPLETELY AD LIBBED IN THAT 964 00:28:01,823 --> 00:28:02,257 SCENE. 965 00:28:02,257 --> 00:28:03,458 THAT WAS COMPLETELY SPONTANEOUS. 966 00:28:03,458 --> 00:28:04,526 IT WASN'T IN THE SCRIPT. 967 00:28:04,526 --> 00:28:05,560 >> Jimmy: WOW, THAT'S FUN. 968 00:28:05,560 --> 00:28:06,895 WHEN YOU HAVE MOMENTS LIKE THAT 969 00:28:06,895 --> 00:28:08,330 AND YOU GO OH, THAT'S JUST 970 00:28:08,330 --> 00:28:08,897 GREAT. 971 00:28:08,897 --> 00:28:10,365 AN THEN IT MAKES IT INTO THE 972 00:28:10,365 --> 00:28:10,565 FILM. 973 00:28:10,565 --> 00:28:13,335 >> YEAH, I USED TO IT DO IN MY 974 00:28:13,335 --> 00:28:14,469 TRAILER AS A PRAYER BEFORE I 975 00:28:14,469 --> 00:28:15,737 WENT TO DO MY SCENES. 976 00:28:15,737 --> 00:28:18,640 SO AFTER THE TEAM GOT ME ALL 977 00:28:18,640 --> 00:28:19,708 READY AND I STUDIED, I WOULD 978 00:28:19,708 --> 00:28:22,777 BEFORE I WOULD GO ON SET, I'D GO 979 00:28:22,777 --> 00:28:24,346 FATHER, SON AND HOUSE OF GUCCI. 980 00:28:24,346 --> 00:28:25,814 AND THEN WE WERE SHOOTING THE 981 00:28:25,814 --> 00:28:28,216 SCENE ONE DAY, AND HE GOES CAN 982 00:28:28,216 --> 00:28:29,517 YOU KEEP A SECRET? 983 00:28:29,517 --> 00:28:31,886 AND I SAID "FATHER, SON AND 984 00:28:31,886 --> 00:28:32,821 HOUSE OF GUCCI" AND IT NATURALLY 985 00:28:32,821 --> 00:28:34,789 MADE IT IN. 986 00:28:34,789 --> 00:28:35,924 >> Jimmy: AND YOU'RE PLAYING A 987 00:28:35,924 --> 00:28:36,358 REAL PERSON. 988 00:28:36,358 --> 00:28:39,327 SO THAT IS A LEAP TOO. 989 00:28:39,327 --> 00:28:41,296 YOU TALK ABOUT SALMA HAYEK, AND 990 00:28:41,296 --> 00:28:43,798 I HEARD IN AN INTERVIEW THAT YOU 991 00:28:43,798 --> 00:28:45,233 GUYS HAD A LOVE SCENE TOGETHER 992 00:28:45,233 --> 00:28:47,068 AND IT WAS EXCISED FROM THE 993 00:28:47,068 --> 00:28:47,269 FILM. 994 00:28:47,269 --> 00:28:48,870 WHO CUT THAT OUT OF THE MOVIE? 995 00:28:48,870 --> 00:28:53,308 >> NOT ME. 996 00:28:53,308 --> 00:28:54,809 I'LL NEVER FORGET WHAT I TOLD ‐‐ 997 00:28:54,809 --> 00:28:57,512 I WAS LIKE ‐‐ I WAS LIKE OKAY, 998 00:28:57,512 --> 00:28:57,746 LISTEN. 999 00:28:57,746 --> 00:28:59,848 SO BEFORE WE DO THIS SCENE, I 1000 00:28:59,848 --> 00:29:01,683 JUST WANT YOUR CONSENT TO DO 1001 00:29:01,683 --> 00:29:02,117 SOMETHING TOGETHER. 1002 00:29:02,117 --> 00:29:03,618 AND SHE IS OKAY, OKAY, OKAY. 1003 00:29:03,618 --> 00:29:05,587 WHAT DO YOU WANT TO DO? 1004 00:29:05,587 --> 00:29:07,756 AND I SAID OKAY, SO I WAS 1005 00:29:07,756 --> 00:29:09,858 THINKING, YOU KNOW, AFTER THE 1006 00:29:09,858 --> 00:29:12,394 HIT GETS PUT OUT ON MAURIZIO AND 1007 00:29:12,394 --> 00:29:13,795 YOU GET THE PHONE CALL THAT HE 1008 00:29:13,795 --> 00:29:15,463 IS DEAD, THAT I WILL GO OVER TO 1009 00:29:15,463 --> 00:29:17,265 YOU AND KISS YOU. 1010 00:29:17,265 --> 00:29:21,069 AND SHE IS WHAT? 1011 00:29:21,069 --> 00:29:25,307 SO THEN WE TOLD RIDLEY, AND HIS 1012 00:29:25,307 --> 00:29:27,475 WIFE WAS THE PRODUCER ON THE 1013 00:29:27,475 --> 00:29:27,676 FILM. 1014 00:29:27,676 --> 00:29:29,477 JANINE IS AMAZING. 1015 00:29:29,477 --> 00:29:30,745 SHE HAS BEEN CULTIVATING THIS 1016 00:29:30,745 --> 00:29:31,680 FILM FOR 20 YEARS. 1017 00:29:31,680 --> 00:29:33,481 SO THIS WAS 20 YEARS IN THE 1018 00:29:33,481 --> 00:29:33,748 MAKING. 1019 00:29:33,748 --> 00:29:35,750 SO THEN WE ASKED THEM, THEY WERE 1020 00:29:35,750 --> 00:29:37,152 LIKE YEAH, SURE, TRY IT. 1021 00:29:37,152 --> 00:29:38,119 AND WE DID IT. 1022 00:29:38,119 --> 00:29:39,587 THE ONLY REASON IT'S NOT IN THE 1023 00:29:39,587 --> 00:29:40,689 MOVIE IS BECAUSE THAT WHOLE 1024 00:29:40,689 --> 00:29:41,289 SCENE WAS CUT. 1025 00:29:41,289 --> 00:29:43,258 BUT IT WAS AN AWESOME SCENE. 1026 00:29:43,258 --> 00:29:44,626 BUT SHE'S WALKING AROUND THE 1027 00:29:44,626 --> 00:29:46,061 HOUSE, AND THE CAMERA WAS 1028 00:29:46,061 --> 00:29:47,662 FOLLOWING HER FEET AND ALL HER 1029 00:29:47,662 --> 00:29:49,497 CATS WERE FOLLOWING HER. 1030 00:29:49,497 --> 00:29:51,599 AND SALMA, IN ORDER TO GET THE 1031 00:29:51,599 --> 00:29:53,668 CATS TO FOLLOW HER, SHE PUT A 1032 00:29:53,668 --> 00:29:55,136 BUNCH OF CATNIP IN HER BOOT. 1033 00:29:55,136 --> 00:29:56,471 SO SALMA IS WALKING AROUND THE 1034 00:29:56,471 --> 00:29:57,138 HOUSE AND THE CATS ARE FOLLOWING 1035 00:29:57,138 --> 00:30:02,544 HER. 1036 00:30:02,544 --> 00:30:04,212 AND THEN WE'RE SURROUNDED BY 1037 00:30:04,212 --> 00:30:05,513 CAT, AND WE STARTED MAKING OUT. 1038 00:30:05,513 --> 00:30:09,684 AND I MADE OUT WITH SALMA HAYEK. 1039 00:30:09,684 --> 00:30:11,353 >> Jimmy: NABI WILL BE RELEASED 1040 00:30:11,353 --> 00:30:12,320 AS ITS OWN FILM. 1041 00:30:12,320 --> 00:30:15,090 >> BUT I'M LIKE THAT REALLY 1042 00:30:15,090 --> 00:30:16,791 ANNOYING KID IN SCHOOL THAT'S 1043 00:30:16,791 --> 00:30:18,493 LIKE BRAGGING THAT THEY MADE OUT 1044 00:30:18,493 --> 00:30:20,395 WITH THE POPULAR GIRL BUT HAS NO 1045 00:30:20,395 --> 00:30:24,399 PROOF. 1046 00:30:24,399 --> 00:30:26,434 I BREAK INTO RIDLEY. 1047 00:30:26,434 --> 00:30:26,935 >> Jimmy: DON'T WORRY. 1048 00:30:26,935 --> 00:30:27,402 I'LL GET THAT FOR YOU. 1049 00:30:27,402 --> 00:30:29,070 YEAH. 1050 00:30:29,070 --> 00:30:30,605 WELL, IT'S GREAT TO SEE YOU. 1051 00:30:30,605 --> 00:30:31,005 CONGRATULATIONS. 1052 00:30:31,005 --> 00:30:31,973 >> GREAT TO SEE YOU TOO. 1053 00:30:31,973 --> 00:30:33,742 >> Jimmy: THE MOVIE IS CALLED 1054 00:30:33,742 --> 00:30:34,142 "HOUSE OF GUCCI." 1055 00:30:34,142 --> 00:30:36,077 IT'S IN THEATERS NOW. 1056 00:30:36,077 --> 00:30:37,479 IT COMES OUT DIGITALLY ON 1057 00:30:37,479 --> 00:30:38,113 FEBRUARY 1. 1058 00:30:38,113 --> 00:30:40,014 LADY GAGA, EVERYBODY. 1059 00:30:40,014 --> 00:30:40,849 WE'LL BE BACK WITH JAKE TAPPER. 1060 00:30:40,849 --> 00:30:41,783 ♪ 1061 00:30:45,487 --> 00:30:52,460 ♪ 1062 00:30:52,460 --> 00:30:53,795 >> Lou: AND NOW, IT'S TIME TO 1063 00:30:53,795 --> 00:30:58,533 FIND OUT, WHERE IS RUSS HIDING? 1064 00:30:58,533 --> 00:31:06,241 WHERE IS RUSS HIDING THIS TIME? 1065 00:31:06,241 --> 00:31:10,211 >> I'M BEHIND THE CHAIR. 1066 00:31:10,211 --> 00:31:10,812 >> Lou: AND THAT'S WHERE RUSS 1067 00:31:10,812 --> 00:31:12,247 WAS HIDING. 1068 00:31:13,114 --> 00:31:16,751 ♪ 1069 00:31:16,751 --> 00:31:17,719 >> Jimmy: HI THERE. 1070 00:31:17,719 --> 00:31:18,253 WELCOME BACK. 1071 00:31:18,253 --> 00:31:19,821 OUR NEXT GUEST IS A TRUSTED 1072 00:31:19,821 --> 00:31:21,022 NEWSMAN WHO WORKS HARD TO KEEP 1073 00:31:21,022 --> 00:31:23,158 US INFORMED OF BOTH IMPORTANT 1074 00:31:23,158 --> 00:31:25,026 WORLD EVENTS AND HIS DAILY 1075 00:31:25,026 --> 00:31:26,761 WORDLE SCORE. 1076 00:31:26,761 --> 00:31:27,529 YOU CAN SEE HIM UP TO SIX DAYS A 1077 00:31:27,529 --> 00:31:28,363 WEEK ON BOTH "THE LEAD" AND 1078 00:31:28,363 --> 00:31:28,930 "STATE OF THE UNION" ON CNN. 1079 00:31:28,930 --> 00:31:30,799 PLEASE WELCOME JAKE TAPPER. 1080 00:31:30,799 --> 00:31:36,971 [ CHEERING ] 1081 00:31:39,541 --> 00:31:45,013 ♪ 1082 00:31:45,013 --> 00:31:49,584 >> Jimmy: HOW YOU DOING? 1083 00:31:49,584 --> 00:31:50,618 DID YOU MEET LADY GAGA? 1084 00:31:50,618 --> 00:31:51,953 >> I DID. 1085 00:31:51,953 --> 00:31:52,887 I DID MEET HER. 1086 00:31:52,887 --> 00:31:55,056 IT WAS QUITE A THRILL. 1087 00:31:55,056 --> 00:31:55,857 SHE'S AWESOME. 1088 00:31:55,857 --> 00:31:57,192 >> Jimmy: SHE IS SOMETHING ELSE, 1089 00:31:57,192 --> 00:31:57,525 YEAH. 1090 00:31:57,525 --> 00:31:58,927 >> AND NOW MY DAUGHTER HATES ME 1091 00:31:58,927 --> 00:32:00,261 EVEN MORE THAN SHE DID WHEN I 1092 00:32:00,261 --> 00:32:01,863 TOLD HER I WAS COMING OUT HERE. 1093 00:32:01,863 --> 00:32:02,730 SHE IS FURIOUS. 1094 00:32:02,730 --> 00:32:03,832 >> Jimmy: SHE LOVES LADY GAGA? 1095 00:32:03,832 --> 00:32:05,166 >> SHE LOVES LADY GAGA. 1096 00:32:05,166 --> 00:32:06,468 AND NOW HATES ME. 1097 00:32:06,468 --> 00:32:07,535 >> Jimmy: HOW OLD IS YOUR 1098 00:32:07,535 --> 00:32:08,036 DAUGHTER? 1099 00:32:08,036 --> 00:32:10,071 >> MY DAUGHTER IS 14, ALICE. 1100 00:32:10,071 --> 00:32:10,605 YOU MET HER. 1101 00:32:10,605 --> 00:32:11,206 >> Jimmy: YES. 1102 00:32:11,206 --> 00:32:12,574 A VERY NICE KID. 1103 00:32:12,574 --> 00:32:13,174 VERY, VERY NICE KID. 1104 00:32:13,174 --> 00:32:15,076 YOU HAVE TWO KIDS, ALICE AND 1105 00:32:15,076 --> 00:32:15,543 JACK. 1106 00:32:15,543 --> 00:32:16,377 >> ALICE AND JACK. 1107 00:32:16,377 --> 00:32:17,512 >> Jimmy: A GIRL AND A BOY. 1108 00:32:17,512 --> 00:32:20,114 >> YEAH, BUT I WANT TO SHARE 1109 00:32:20,114 --> 00:32:21,015 THIS WITH YOU. 1110 00:32:21,015 --> 00:32:22,450 I ASKED HER IF I COULD. 1111 00:32:22,450 --> 00:32:23,718 AND SHE DEMANDED THAT I DO. 1112 00:32:23,718 --> 00:32:24,919 >> Jimmy: OH, OKAY. 1113 00:32:24,919 --> 00:32:26,888 >> BECAUSE I WANTED TO SHARE HOW 1114 00:32:26,888 --> 00:32:28,256 ANGRY SHE IS AT ME. 1115 00:32:28,256 --> 00:32:29,157 >> Jimmy: EVEN BETTER. 1116 00:32:29,157 --> 00:32:32,160 >> SHE STARTED SENDING ME VERY 1117 00:32:32,160 --> 00:32:33,695 UPSET SNAPCHAT NOTES THAT I 1118 00:32:33,695 --> 00:32:34,429 SCREEN SHOT. 1119 00:32:34,429 --> 00:32:35,797 I CAN'T BELIEVE YOU DIDN'T TAKE 1120 00:32:35,797 --> 00:32:35,964 ME. 1121 00:32:35,964 --> 00:32:38,299 I AM SO INFURIATED. 1122 00:32:38,299 --> 00:32:40,835 SHE IS 14 AND SHE IS IN SCHOOL, 1123 00:32:40,835 --> 00:32:43,771 I SHOULD NOTE. 1124 00:32:43,771 --> 00:32:44,005 "OMG. 1125 00:32:44,005 --> 00:32:45,607 I'M JUST AT HOME WHILE YOU ARE 1126 00:32:45,607 --> 00:32:46,975 OUT TRAVELING TO GO HANG OUT 1127 00:32:46,975 --> 00:32:48,209 WITH CELEBRITIES AND LADY GAGA 1128 00:32:48,209 --> 00:32:49,010 AND YOU JUST LEFT ME HERE. 1129 00:32:49,010 --> 00:32:52,614 IT'S LIKE SO RUDE." 1130 00:32:52,614 --> 00:32:52,914 [ LAUGHTER ] 1131 00:32:52,914 --> 00:32:56,217 >> SHE IS VERY ANGRY ABOUT IT. 1132 00:32:56,217 --> 00:32:58,720 AND SHE KEEPS ON GOING AND GOING 1133 00:32:58,720 --> 00:32:59,787 "THIS WILL NOT STAND". 1134 00:32:59,787 --> 00:33:01,356 >> Jimmy: THIS WILL NOT STAND? 1135 00:33:01,356 --> 00:33:02,790 >> "THIS IS INEXCUSABLE. 1136 00:33:02,790 --> 00:33:05,827 I WILL REMEMBER THIS FOREVER." 1137 00:33:05,827 --> 00:33:08,396 I TOLD JIMMY ABOUT THIS. 1138 00:33:08,396 --> 00:33:09,631 ALICE, I TOLD JIMMY KIMMEL HOW 1139 00:33:09,631 --> 00:33:12,000 MAD YOU ARE FOR NOT BRINGING YOU 1140 00:33:12,000 --> 00:33:13,601 AND HE WANTS TO TALK ABOUT IT ON 1141 00:33:13,601 --> 00:33:15,203 AIR BUT WE WON'T IF YOU DON'T 1142 00:33:15,203 --> 00:33:17,238 WANT US TO AND SHE WRITES BACK 1143 00:33:17,238 --> 00:33:23,745 ALL CAPS, "DO IT!" 1144 00:33:23,745 --> 00:33:24,979 [ APPLAUSE ] 1145 00:33:24,979 --> 00:33:28,216 I FEEL LIKE THEY'RE SIDING WITH 1146 00:33:28,216 --> 00:33:28,383 HER. 1147 00:33:28,383 --> 00:33:31,019 AND THEN THIS IS MY FAVORITE, 1148 00:33:31,019 --> 00:33:33,121 "IT'S GENUINELY A CRIME YOU 1149 00:33:33,121 --> 00:33:33,988 DIDN'T BRING ME." 1150 00:33:33,988 --> 00:33:35,690 SO I SENT HER THIS. 1151 00:33:35,690 --> 00:33:36,991 >> Jimmy: OH, THAT'S RUBBING IT. 1152 00:33:36,991 --> 00:33:38,626 THAT'S NOT FAIR AT ALL. 1153 00:33:38,626 --> 00:33:40,295 >> I SENT THAT TO THE FAMILY 1154 00:33:40,295 --> 00:33:40,995 GROUP CHAT. 1155 00:33:40,995 --> 00:33:42,330 AND ALICE WROTE BACK "ABSOLUTELY 1156 00:33:42,330 --> 00:33:46,834 DESPICABLE." 1157 00:33:46,834 --> 00:33:47,335 [ APPLAUSE ] 1158 00:33:47,335 --> 00:33:49,537 >> Jimmy: IS SHE ‐‐ IS ALICE A 1159 00:33:49,537 --> 00:33:51,639 FOX NEWS VIEWER? 1160 00:33:51,639 --> 00:33:52,674 >> NOT A FOX PERSON. 1161 00:33:52,674 --> 00:33:54,075 >> Jimmy: YOU HAVE A LOT OF 1162 00:33:54,075 --> 00:33:54,342 JOBS. 1163 00:33:54,342 --> 00:33:56,611 YOU ARE A PARENT, OBVIOUSLY. 1164 00:33:56,611 --> 00:33:57,812 YOU'VE GOT A SHOW FIVE DAYS A 1165 00:33:57,812 --> 00:34:00,481 WEEK, TWO HOURS A DAY ON CNN. 1166 00:34:00,481 --> 00:34:02,450 YOU'RE THE LEAD ANCHOR. 1167 00:34:02,450 --> 00:34:03,751 IF ANYTHING HAPPENS, YOU GET 1168 00:34:03,751 --> 00:34:04,686 CALLED IN. 1169 00:34:04,686 --> 00:34:04,953 >> YEAH. 1170 00:34:04,953 --> 00:34:06,054 >> Jimmy: YOU ARE THE WEEKEND 1171 00:34:06,054 --> 00:34:06,254 SHOW. 1172 00:34:06,254 --> 00:34:08,356 >> WITH DANA BASH, THE SUNDAY 1173 00:34:08,356 --> 00:34:08,823 SHOW, RIGHT. 1174 00:34:08,823 --> 00:34:09,824 >> Jimmy: YOU HAVE WRITTEN A 1175 00:34:09,824 --> 00:34:10,725 WHOLE BUNCH OF BOOKS. 1176 00:34:10,725 --> 00:34:10,992 >> YES. 1177 00:34:10,992 --> 00:34:12,293 >> Jimmy: YOU'RE LIKE THE STEVE 1178 00:34:12,293 --> 00:34:13,861 HARVEY OF CABLE NEWS IN A LOT OF 1179 00:34:13,861 --> 00:34:14,162 WAYS. 1180 00:34:14,162 --> 00:34:15,163 THAT'S WHAT PEOPLE SAY. 1181 00:34:15,163 --> 00:34:16,898 >> AND THAT'S MY ROLE MODEL. 1182 00:34:16,898 --> 00:34:20,034 THAT'S HOW I DRESS. 1183 00:34:20,034 --> 00:34:21,603 >> Jimmy: AND NOW ‐‐ AND NOW 1184 00:34:21,603 --> 00:34:22,370 YOU'VE GOT ANOTHER SHOW. 1185 00:34:22,370 --> 00:34:23,771 >> A NEW SHOW. 1186 00:34:23,771 --> 00:34:26,507 CNN IS LAUNCHING A STREAMING 1187 00:34:26,507 --> 00:34:29,510 SERVICE CALLED CNN+. 1188 00:34:29,510 --> 00:34:30,778 >> Jimmy: WERE YOU EXPECTING 1189 00:34:30,778 --> 00:34:33,047 PEOPLE TO CLAP AT THAT MOMENT? 1190 00:34:33,047 --> 00:34:33,214 >>. 1191 00:34:33,214 --> 00:34:35,516 [ LAUGHTER ] 1192 00:34:35,516 --> 00:34:36,884 [ APPLAUSE ] 1193 00:34:36,884 --> 00:34:38,620 >> I KNOW PEOPLE ARE LIKE THERE 1194 00:34:38,620 --> 00:34:41,155 IS ANOTHER STREAMING SERVICE? 1195 00:34:41,155 --> 00:34:42,991 BUT WE'RE ASPIRING TO DO A LOT 1196 00:34:42,991 --> 00:34:43,691 OF NEW PROGRAMING. 1197 00:34:43,691 --> 00:34:45,393 AND WE'RE GOING TO BE HAVING AN 1198 00:34:45,393 --> 00:34:47,128 INTERVIEW SHOW ABOUT BOOKS WITH 1199 00:34:47,128 --> 00:34:47,362 AUTHORS. 1200 00:34:47,362 --> 00:34:49,631 JUST BECAUSE OTHER THAN C‐SPAN, 1201 00:34:49,631 --> 00:34:50,698 THERE REALLY ISN'T A SHOW THAT 1202 00:34:50,698 --> 00:34:53,201 YOU CAN DO A HALF HOUR, 40 1203 00:34:53,201 --> 00:34:54,435 MINUTE INTERVIEW WITH AN AUTHOR. 1204 00:34:54,435 --> 00:34:55,637 >> Jimmy: SO THESE ARE BOOKS 1205 00:34:55,637 --> 00:34:58,172 THAT YOU LIKE, YOU THINK YOU 1206 00:34:58,172 --> 00:34:58,473 MIGHT LIKE? 1207 00:34:58,473 --> 00:34:58,873 >> RIGHT. 1208 00:34:58,873 --> 00:35:04,045 BRING THE AUTHOR IN AND TALK 1209 00:35:04,045 --> 00:35:04,245 WITH. 1210 00:35:04,245 --> 00:35:06,781 >> WE HOPE TO HAVE 12 FOR THE 1211 00:35:06,781 --> 00:35:07,015 SEASON. 1212 00:35:07,015 --> 00:35:07,649 WE'VE ALREADY SHOT TWO. 1213 00:35:07,649 --> 00:35:09,083 ONE WAS EARLIER TODAY WITH THIS 1214 00:35:09,083 --> 00:35:13,254 GREAT YOUNG WOMAN, A WRITER 1215 00:35:13,254 --> 00:35:14,489 NAMED JEAN CHIN HO. 1216 00:35:14,489 --> 00:35:18,993 IT'S A LITERARY BOOK ABOUT TWO 1217 00:35:18,993 --> 00:35:20,595 BEST FRIENDS, TAIWANESE AMERICAN 1218 00:35:20,595 --> 00:35:21,429 GIRLS AND THEN WOMEN. 1219 00:35:21,429 --> 00:35:23,431 THE OTHER BOOK I DID, I 1220 00:35:23,431 --> 00:35:25,633 INTERVIEWED THE AUTHORS, IN 1221 00:35:25,633 --> 00:35:27,535 MARCH JAMES PATTERSON, WHO I'M 1222 00:35:27,535 --> 00:35:29,437 SURE YOUR AUDIENCE NOSE, 1223 00:35:29,437 --> 00:35:30,171 BEST‐SELLING AUTHOR. 1224 00:35:30,171 --> 00:35:31,406 >> Jimmy: WE SEE THOSE 1225 00:35:31,406 --> 00:35:31,739 COMMERCIALS. 1226 00:35:31,739 --> 00:35:34,075 >> JAMES PATTERSON CO‐WROTE A 1227 00:35:34,075 --> 00:35:35,777 BOOK WITH DOLLY PARTON. 1228 00:35:35,777 --> 00:35:37,011 >> Jimmy: OH, WOW. 1229 00:35:37,011 --> 00:35:38,579 >> AND DOLLY PARTON HAS AN ALBUM 1230 00:35:38,579 --> 00:35:40,581 THAT COMES OUT WITH THE BOOK 1231 00:35:40,581 --> 00:35:41,816 BECAUSE IT'S ABOUT TWO NASHVILLE 1232 00:35:41,816 --> 00:35:43,518 SINGERS. 1233 00:35:43,518 --> 00:35:44,152 IT'S A THRILLER. 1234 00:35:44,152 --> 00:35:46,387 I READ THAT, LISTENED TO THE 1235 00:35:46,387 --> 00:35:48,890 ALBUM AND INTERVIEWED THEM. 1236 00:35:48,890 --> 00:35:49,590 >> Jimmy: SO INTERVIEWED CLINTON 1237 00:35:49,590 --> 00:35:52,560 AND REPLACED THEM WITH DOLLY 1238 00:35:52,560 --> 00:35:52,794 PARTON. 1239 00:35:52,794 --> 00:35:54,362 >> I THINK HE PLAYS THE FIELD. 1240 00:35:54,362 --> 00:35:55,530 >> Jimmy: DID YOU GET THE SENSE 1241 00:35:55,530 --> 00:35:56,564 DOLLY REALLY WROTE THE BOOK? 1242 00:35:56,564 --> 00:35:57,899 >> I GOT THE SENSE THAT SHE 1243 00:35:57,899 --> 00:35:58,766 INFORMED A LOT OF THE 1244 00:35:58,766 --> 00:35:59,333 INFORMATION IN IT. 1245 00:35:59,333 --> 00:36:00,301 >> Jimmy: I SEE. 1246 00:36:00,301 --> 00:36:02,336 >> AND SHE DEFINITELY WROTE THE 1247 00:36:02,336 --> 00:36:02,570 SONGS. 1248 00:36:02,570 --> 00:36:03,237 >> Jimmy: INTERESTING. 1249 00:36:03,237 --> 00:36:04,405 ALL RIGHT. 1250 00:36:04,405 --> 00:36:06,641 SPEAKING OF SHOW BUSINESS AND 1251 00:36:06,641 --> 00:36:10,645 NEWS KIND OF CROSSING OVER, YOU 1252 00:36:10,645 --> 00:36:11,312 I THINK FAMOUSLY, I DON'T KNOW 1253 00:36:11,312 --> 00:36:13,014 THAT PEOPLE KNOW THAT WHEN 1254 00:36:13,014 --> 00:36:14,749 YOU'RE YOUNGER AND BEFORE SHE 1255 00:36:14,749 --> 00:36:17,385 WORKED AT THE WHITE HOUSE, YOU 1256 00:36:17,385 --> 00:36:18,419 DATED MONICA LEWINSKY. 1257 00:36:18,419 --> 00:36:18,853 ONE DATE. 1258 00:36:18,853 --> 00:36:20,421 >> I WENT ON ONE DATE WITH HER. 1259 00:36:20,421 --> 00:36:22,990 IT WAS ACTUALLY AFTER SHE ‐‐ IT 1260 00:36:22,990 --> 00:36:26,594 WAS IN THAT WEIRD PERIOD RIGHT 1261 00:36:26,594 --> 00:36:28,863 BEFORE THE WHOLE STORY BLEW UP. 1262 00:36:28,863 --> 00:36:30,198 SO IT WAS DECEMBER 1997. 1263 00:36:30,198 --> 00:36:32,166 AND I GUESS EVERYTHING BROKE IN 1264 00:36:32,166 --> 00:36:32,934 JANUARY 1998. 1265 00:36:32,934 --> 00:36:34,936 I WENT ON ONE DATE WITH HER. 1266 00:36:34,936 --> 00:36:36,337 I KNEW NOTHING. 1267 00:36:36,337 --> 00:36:37,004 BILL CLINTON'S NAME DID NOT COME 1268 00:36:37,004 --> 00:36:37,171 UP. 1269 00:36:37,171 --> 00:36:41,175 I WAS NEVER SUBPOENAED. 1270 00:36:41,175 --> 00:36:42,677 AND, BUT YEAH, I KNOW HER. 1271 00:36:42,677 --> 00:36:44,178 I STILL KNOW HER TO THIS DAY. 1272 00:36:44,178 --> 00:36:45,246 >> Jimmy: THE REASON I BRING 1273 00:36:45,246 --> 00:36:46,781 THIS UP IS NOT TO EMBARRASS YOU, 1274 00:36:46,781 --> 00:36:49,250 BUT RATHER TO MENTION THERE WAS 1275 00:36:49,250 --> 00:36:53,121 THIS ‐‐ THE MINISERIES, LIKE A 1276 00:36:53,121 --> 00:36:53,521 LIMITED. 1277 00:36:53,521 --> 00:36:55,523 >> IT WAS AMERICAN CRIME STORY. 1278 00:36:55,523 --> 00:36:56,691 >> Jimmy: AMERICAN CRIME STORY. 1279 00:36:56,691 --> 00:36:59,527 AND THEY DEPICTED THAT MEETING. 1280 00:36:59,527 --> 00:37:01,729 >> THEY DEPICTED OUR DATE. 1281 00:37:01,729 --> 00:37:02,830 >> Jimmy: IN THIS MINISERIES. 1282 00:37:02,830 --> 00:37:05,767 WE HAVE IT RIGHT HERE. 1283 00:37:05,767 --> 00:37:08,703 >> TRY AND GIVE OFF AN AIR OF 1284 00:37:08,703 --> 00:37:09,070 INACCESSIBILITY. 1285 00:37:09,070 --> 00:37:10,004 WAS I SUCCESSFUL? 1286 00:37:10,004 --> 00:37:11,305 >> OH, YES. 1287 00:37:11,305 --> 00:37:11,706 GOOD JOB. 1288 00:37:11,706 --> 00:37:15,476 >> I'M JAKE, JAKE TAPPER. 1289 00:37:15,476 --> 00:37:15,810 >> I'M MONICA. 1290 00:37:15,810 --> 00:37:16,310 >> CAN I BUY YOU A DRINK? 1291 00:37:16,310 --> 00:37:17,645 >> OH, IT'S A WEEK NIGHT. 1292 00:37:17,645 --> 00:37:19,013 I WAS GOING TO HEAD HOME AND 1293 00:37:19,013 --> 00:37:19,380 HAVE DINNER. 1294 00:37:19,380 --> 00:37:22,150 >> YOU KNOW YOU CAN HAVE FOOD 1295 00:37:22,150 --> 00:37:22,817 HERE. 1296 00:37:22,817 --> 00:37:24,418 IT'S TEX‐MEX. 1297 00:37:24,418 --> 00:37:25,553 >> Jimmy: WAS THAT ACCURATE? 1298 00:37:25,553 --> 00:37:27,588 DID YOU SAY I'M JAKE, JAKE 1299 00:37:27,588 --> 00:37:29,557 TAPPER, LIKE YOU WERE JAMES BOND 1300 00:37:29,557 --> 00:37:29,991 OR SOMETHING? 1301 00:37:29,991 --> 00:37:32,727 >> IT'S A LITTLE HOLLYWOODIZED. 1302 00:37:32,727 --> 00:37:34,595 BUT IT'S VAGUELY ACCURATE. 1303 00:37:34,595 --> 00:37:35,797 >> Jimmy: WAS IT A MEXICAN 1304 00:37:35,797 --> 00:37:36,097 RESTAURANT? 1305 00:37:36,097 --> 00:37:37,698 >> YEAH, WE DID HAVE TEX‐MEX. 1306 00:37:37,698 --> 00:37:39,901 IT WASN'T THAT SAME NIGHT. 1307 00:37:39,901 --> 00:37:42,069 FOR GOD'S SAKE, THAT'S 1308 00:37:42,069 --> 00:37:42,370 DESPERATE. 1309 00:37:42,370 --> 00:37:43,604 >>Jimmy: WERE YOU WEARING A 1310 00:37:43,604 --> 00:37:46,507 CABLE KNIT SWEATER ON THIS? 1311 00:37:46,507 --> 00:37:48,342 >> IT'S SO FUNNY YOU SAY THAT. 1312 00:37:48,342 --> 00:37:49,710 I'M STILL FRIENDS WITH MONICA. 1313 00:37:49,710 --> 00:37:51,212 AND WHEN I WATCH THE SCENE, I 1314 00:37:51,212 --> 00:37:53,080 TEXTED HER THE NEXT DAY AND I 1315 00:37:53,080 --> 00:37:54,549 SAID LIKE I DON'T KNOW WHERE 1316 00:37:54,549 --> 00:37:55,416 THEY GOT THAT. 1317 00:37:55,416 --> 00:37:58,186 I DID ACTUALLY OWN LIKE A WHITE 1318 00:37:58,186 --> 00:37:59,821 GREEK FISHERMAN'S SWEATER. 1319 00:37:59,821 --> 00:38:01,489 DID I WEAR THAT ON THE DATE? 1320 00:38:01,489 --> 00:38:02,623 AND THEN I KIND OF WAS WORRIED 1321 00:38:02,623 --> 00:38:05,626 THAT A, I DID, AND B, THAT SHE 1322 00:38:05,626 --> 00:38:06,360 REMEMBERED IT. 1323 00:38:06,360 --> 00:38:08,329 BUT SHE SAID I HAVE NO IDEA WHAT 1324 00:38:08,329 --> 00:38:09,497 YOU WORE. 1325 00:38:09,497 --> 00:38:10,431 OKAY, GOOD. 1326 00:38:10,431 --> 00:38:12,166 >> Jimmy: IS YOUR LIFE BORING 1327 00:38:12,166 --> 00:38:15,069 NOW THAT DONALD TRUMP IS NO 1328 00:38:15,069 --> 00:38:15,469 LONGER PRESIDENT? 1329 00:38:15,469 --> 00:38:17,638 >> NO, THE CURRENT PRESIDENT 1330 00:38:17,638 --> 00:38:19,440 JUST CALLED SOMEONE A DUMB SON 1331 00:38:19,440 --> 00:38:21,142 OF A BITCH TODAY. 1332 00:38:21,142 --> 00:38:22,543 >> Jimmy: THAT REPORTER, PETER 1333 00:38:22,543 --> 00:38:25,279 DOOCY, IS HE A DUMB SON OF A 1334 00:38:25,279 --> 00:38:25,847 BITCH? 1335 00:38:25,847 --> 00:38:27,515 >> I DON'T THINK ANY PRESIDENT 1336 00:38:27,515 --> 00:38:28,516 SHOULD BE CALLING ANY JOURNALIST 1337 00:38:28,516 --> 00:38:30,585 A DUMB SON OF A BITCH. 1338 00:38:30,585 --> 00:38:33,688 TO BE FAIR TO PETER DOOCY, THE 1339 00:38:33,688 --> 00:38:38,626 QUESTION WAS FAIRLY LY ANNO DIN 1340 00:38:38,626 --> 00:38:39,660 >> Jimmy: HE DIDN'T TECHNICALLY 1341 00:38:39,660 --> 00:38:43,431 CALL HIM A DUMB SON OF A BITCH. 1342 00:38:43,431 --> 00:38:45,132 IT WAS CAUGHT ON MICROPHONE. 1343 00:38:45,132 --> 00:38:46,834 >> IT WOULD BE LIKE ME CALLING 1344 00:38:46,834 --> 00:38:50,071 YOU A DUMB SON OF A BITCH RIGHT 1345 00:38:50,071 --> 00:38:51,739 NOW, IN FRONT OF A MICROPHONE. 1346 00:38:51,739 --> 00:38:53,541 IT WASN'T LIKE ROBERT DURST 1347 00:38:53,541 --> 00:38:54,175 CONFESSING TO MURDER IN THE 1348 00:38:54,175 --> 00:38:55,443 BATHROOM FOR GETTING HIS MIC ON. 1349 00:38:55,443 --> 00:38:56,577 IT WAS AT A PRESS CONFERENCE. 1350 00:38:56,577 --> 00:38:57,345 >> Jimmy: IT WAS LIKE THAT. 1351 00:38:57,345 --> 00:38:58,145 IT WAS LIKE THAT. 1352 00:38:58,145 --> 00:38:59,881 >> IT WAS IN THE BATHROOM? 1353 00:38:59,881 --> 00:39:00,681 >> Jimmy: WAIT A MINUTE. 1354 00:39:00,681 --> 00:39:02,383 FOX NEWS SAYS YOU ARE ‐‐ THAT 1355 00:39:02,383 --> 00:39:04,452 YOU'RE ON TEAM BIDEN, AND YOU 1356 00:39:04,452 --> 00:39:05,887 ARE A MOUTHPIECE FOR THE 1357 00:39:05,887 --> 00:39:06,754 DEMOCRATS. 1358 00:39:06,754 --> 00:39:09,490 AND YET HERE YOU ARE DEFENDING 1359 00:39:09,490 --> 00:39:10,758 PETER DOOCY, WHO AS FAR AS I 1360 00:39:10,758 --> 00:39:12,727 HAVE BEEN ABLE TO DO IS INDEED A 1361 00:39:12,727 --> 00:39:16,697 DUMB SON OF A BITCH. 1362 00:39:16,697 --> 00:39:16,998 [ APPLAUSE ] 1363 00:39:16,998 --> 00:39:19,367 >> SO I DO NOT AGREE WITH THAT. 1364 00:39:19,367 --> 00:39:22,837 AND I WILL SAY STANDARDS FOR 1365 00:39:22,837 --> 00:39:25,006 DECENCY DON'T HAVE TO DO WITH 1366 00:39:25,006 --> 00:39:25,640 WHETHER OR NOT YOU LIKE THE 1367 00:39:25,640 --> 00:39:27,541 PEOPLE THAT ARE BEING TREATED 1368 00:39:27,541 --> 00:39:27,775 POORLY. 1369 00:39:27,775 --> 00:39:29,543 IT JUST HAS TO DO WITH THE 1370 00:39:29,543 --> 00:39:29,810 STANDARD. 1371 00:39:29,810 --> 00:39:33,114 AND YES, I RECOGNIZE THAT ‐‐ 1372 00:39:33,114 --> 00:39:34,148 >> Jimmy: RIGHT. 1373 00:39:34,148 --> 00:39:35,516 >> I RECOGNIZE THAT PETER'S 1374 00:39:35,516 --> 00:39:36,517 CHANNEL PROBABLY WOULD NEVER 1375 00:39:36,517 --> 00:39:38,219 COME TO MY DEFENSE LIKE THAT. 1376 00:39:38,219 --> 00:39:39,553 BUT IT IS WHAT IT IS. 1377 00:39:39,553 --> 00:39:41,055 I SHOULD ALSO NOTE, JUST IN 1378 00:39:41,055 --> 00:39:43,024 TERMS OF BREAKING NEWS, BIDEN 1379 00:39:43,024 --> 00:39:45,927 DID CALL PETER DOOCY TO 1380 00:39:45,927 --> 00:39:46,227 APOLOGIZE. 1381 00:39:46,227 --> 00:39:47,862 THEY DID HAVE A PHONE 1382 00:39:47,862 --> 00:39:48,195 CONVERSATION. 1383 00:39:48,195 --> 00:39:48,763 HE DID. 1384 00:39:48,763 --> 00:39:49,463 >> Jimmy: OH, WOW. 1385 00:39:49,463 --> 00:39:51,599 >> SO ACCORDING TO OUR CNN ‐‐ 1386 00:39:51,599 --> 00:39:52,967 >> Jimmy: I'M SURE TRUMP DID 1387 00:39:52,967 --> 00:39:55,536 THAT, THOUGH. 1388 00:39:55,536 --> 00:39:55,836 [ LAUGHTER ] 1389 00:39:55,836 --> 00:39:56,804 >> YEAH. 1390 00:39:56,804 --> 00:39:57,672 >> Jimmy: YOU DON'T HEAR FROM 1391 00:39:57,672 --> 00:39:58,539 HIM, DO YOU? 1392 00:39:58,539 --> 00:39:59,106 >> HE GAVE OUT MAPS TO OUR 1393 00:39:59,106 --> 00:40:01,575 HOMES. 1394 00:40:01,575 --> 00:40:03,177 >> Jimmy: JAKE TAPPER, 1395 00:40:03,177 --> 00:40:03,945 EVERYBODY. 1396 00:40:03,945 --> 00:40:05,780 "THE LEAD" WITH JAKE TAPPER, 1397 00:40:05,780 --> 00:40:06,747 "STATE OF THE UNION," JAKE'S 1398 00:40:06,747 --> 00:40:08,049 BOOK CLUB ON CNN+. 1399 00:40:08,049 --> 00:40:10,484 HE'S DOING EVERYTHING. 1400 00:40:10,484 --> 00:40:10,885 WE'LL BE RIGHT BACK. 1401 00:40:13,654 --> 00:40:14,855 >> Jimmy: I WANT TO THANK LADY 1402 00:40:14,855 --> 00:40:16,924 GAGA AND THIS GENTLEMAN, JAKE 1403 00:40:16,924 --> 00:40:17,191 TAPPER. 1404 00:40:17,191 --> 00:40:18,426 I WANT TO APOLOGIZE FOR MATT 1405 00:40:18,426 --> 00:40:18,659 DAMON. 1406 00:40:18,659 --> 00:40:20,962 WE DID RUN OUT OF TIME FOR HIM. 1407 00:40:20,962 --> 00:40:23,431 JAKE, WILL YOU TELL YOUR VIEWERS 1408 00:40:23,431 --> 00:40:28,836 TOMORROW NIGHT WE HAVE KRISTEN 1409 00:40:28,836 --> 00:40:30,738 BELL AND IKE BERRINGER. 1410 00:40:30,738 --> 00:40:34,075 >> TOMORROW NIGHT KRISTEN BELL 1411 00:40:34,075 --> 00:40:36,577 WITH IKE BARONHEIGHTS. 1412 00:40:36,577 --> 00:40:40,114 >> ON YOUR SHOW, NOT MINE. 1413 00:40:40,114 --> 00:40:40,581 "NIGHTLINE" IS NEXT. 1414 00:40:40,581 --> 00:40:40,815 THANKS F