1 00:00:00,176 --> 00:00:01,111 >> Dicky: FROM HOLLYWOOD, IT'S 2 00:00:01,111 --> 00:00:01,978 "JIMMY KIMMEL LIVE!" 3 00:00:01,978 --> 00:00:04,247 TONIGHT ‐‐ 4 00:00:04,247 --> 00:00:07,183 TRACY MORGAN, PENN BADGLEY, AND 5 00:00:07,183 --> 00:00:09,252 MUSIC FROM BILLY STRINGS. 6 00:00:09,252 --> 00:00:19,462 AND NOW, JIMMY KIMMEL! 7 00:00:19,462 --> 00:00:23,066 >> Jimmy: HELLO. 8 00:00:23,066 --> 00:00:29,172 I'M JIMMY. 9 00:00:29,172 --> 00:00:31,074 I'M THE HOST OF THE SHOW. 10 00:00:31,074 --> 00:00:34,744 THANK YOU FOR WATCHING. 11 00:00:34,744 --> 00:00:38,748 WE ARE BACK TO WORK. 12 00:00:38,748 --> 00:00:41,918 THANK YOU FOR BRAVING THE 13 00:00:41,918 --> 00:00:43,019 ELEMENTS TO BE WITH US ON A RARE 14 00:00:43,019 --> 00:00:45,155 DAY OF RAIN HERE IN SOUTHERN 15 00:00:45,155 --> 00:00:45,455 CALIFORNIA. 16 00:00:45,455 --> 00:00:48,892 THIS MORNING, EVERYONE IN L. A. 17 00:00:48,892 --> 00:00:50,894 WENT IN THE CLOSET AND FOUND 18 00:00:50,894 --> 00:00:52,996 THEIR ONE AND ONLY WATERPROOF 19 00:00:52,996 --> 00:00:53,229 JACKET. 20 00:00:53,229 --> 00:00:53,797 IT'S SO FUNNY WHEN IT RAINS 21 00:00:53,797 --> 00:00:55,065 HERE. 22 00:00:55,065 --> 00:00:55,699 MY FAVORITE THING IS SEEING HOW 23 00:00:55,699 --> 00:00:58,401 MY CO‐WORKERS DRESS. 24 00:00:58,401 --> 00:01:01,204 USUALLY EVERYONE IS IN JEANS, 25 00:01:01,204 --> 00:01:02,706 MAYBE A BUTTON DOWN SHIRT. 26 00:01:02,706 --> 00:01:04,608 BUT THE SECOND THERE'S A 27 00:01:04,608 --> 00:01:06,910 DRIZZLE, EVERYONE SHOWS UP 28 00:01:06,910 --> 00:01:07,410 DRESSED LIKE THE GORTON'S 29 00:01:07,410 --> 00:01:07,677 FISHERMAN. 30 00:01:07,677 --> 00:01:10,814 YOU KNOW WE HAD AN EARTHQUAKE 31 00:01:10,814 --> 00:01:11,881 YESTERDAY AT 7:00 A. M. 32 00:01:11,881 --> 00:01:12,515 IT MEASURED A MAGNITUDE OF 3.6. 33 00:01:12,515 --> 00:01:15,151 FOR THOSE OF WHO ARE NOT 34 00:01:15,151 --> 00:01:15,785 FAMILIAR WITH WHAT THAT MEANS, I 35 00:01:15,785 --> 00:01:16,386 ALSO HAVE NO IDEA. 36 00:01:16,386 --> 00:01:17,354 NO ONE DOES. 37 00:01:17,354 --> 00:01:20,490 I DIDN'T EVEN FEEL IT. 38 00:01:20,490 --> 00:01:23,326 >> I DIDN'T FEEL IT EITHER. 39 00:01:23,326 --> 00:01:24,861 >> Jimmy: WERE YOU IN BED WHEN 40 00:01:24,861 --> 00:01:25,161 IT HAPPENED? 41 00:01:25,161 --> 00:01:28,898 >> I WOKE UP AROUND 8:00 OR 42 00:01:28,898 --> 00:01:29,165 SOMETHING. 43 00:01:29,165 --> 00:01:30,600 >> Jimmy: THEY SHOULD START 44 00:01:30,600 --> 00:01:32,002 MEASURING EARTHQUAKES BY HOW 45 00:01:32,002 --> 00:01:33,069 MANY PEOPLE POST ABOUT THEM ON 46 00:01:33,069 --> 00:01:34,270 SOCIAL MEDIA. 47 00:01:34,270 --> 00:01:35,105 "DID YOU FEEL THAT 2 MILLION 48 00:01:35,105 --> 00:01:36,239 TWEETER LAST NIGHT?" 49 00:01:36,239 --> 00:01:40,710 BUT THE RAIN, EVEN THOUGH THE 50 00:01:40,710 --> 00:01:41,277 EARTH ITSELF SHOOK UNDER OUR 51 00:01:41,277 --> 00:01:41,878 BACKS, THE RAIN TODAY WAS THE 52 00:01:41,878 --> 00:01:42,979 MAIN EVENT. 53 00:01:42,979 --> 00:01:43,580 AND WHENEVER IT RAINS EVEN A 54 00:01:43,580 --> 00:01:44,447 LITTLE HERE IN L. A., OUR LOCAL 55 00:01:44,447 --> 00:01:46,383 WEATHER AND NEWS PEOPLE GO HOG 56 00:01:46,383 --> 00:01:46,549 WILD. 57 00:01:48,785 --> 00:01:50,887 >> IT'S OMINOUS, DARK CLOUDS ARE 58 00:01:50,887 --> 00:01:51,254 HERE. 59 00:01:51,254 --> 00:01:53,590 AND WE'RE STARTING TO SEE A VERY 60 00:01:53,590 --> 00:01:54,357 LIGHT DRIZZLE. 61 00:01:54,357 --> 00:01:55,859 YOU PROBABLY CAN'T SEE IT OVER 62 00:01:55,859 --> 00:01:58,395 THE CAMERA RIGHT NOW AND THE 63 00:01:58,395 --> 00:01:59,596 LIGHTS. 64 00:01:59,596 --> 00:02:00,964 >> WE'RE JUST NOW STARTING TO 65 00:02:00,964 --> 00:02:04,601 GET A LIGHT RAIN HERE IN SANTA 66 00:02:04,601 --> 00:02:05,101 CLA 67 00:02:05,101 --> 00:02:05,335 CLARITA. 68 00:02:05,335 --> 00:02:06,436 >> THE GROUND IS A LITTLE WET. 69 00:02:06,436 --> 00:02:07,671 >> I DON'T KNOW IF YOU CAN SEE 70 00:02:07,671 --> 00:02:09,472 IT, BUT THERE ARE SOME SPRINKLES 71 00:02:09,472 --> 00:02:10,640 AS ANTICIPATED. 72 00:02:10,640 --> 00:02:12,976 >> WE HAVE A CAMERA TO SHOW YOU 73 00:02:12,976 --> 00:02:14,744 HOLLYWOOD, BUT WE KEEP LOSING 74 00:02:14,744 --> 00:02:16,913 IT, AND MAYBE THAT'S RAIN 75 00:02:16,913 --> 00:02:17,681 RELATED. 76 00:02:17,681 --> 00:02:20,617 IT'S RAINING HERE IN HOLLYWOOD. 77 00:02:20,617 --> 00:02:23,453 >> IF YOU HAVEN'T TAKE AN SHOWER 78 00:02:23,453 --> 00:02:24,921 YET TODAY, DON'T BOTHER. 79 00:02:24,921 --> 00:02:26,156 WE ARE SOAKED. 80 00:02:26,156 --> 00:02:27,791 >> IT'S JUST ENOUGH TO RUIN 81 00:02:27,791 --> 00:02:28,224 ONE'S HAIR. 82 00:02:28,224 --> 00:02:30,827 >> THIS IS A LIVE VIEW, STREET 83 00:02:30,827 --> 00:02:31,227 VISION. 84 00:02:31,227 --> 00:02:34,030 IT'S A LITTLE MISTY. 85 00:02:34,030 --> 00:02:35,999 >> IN CASE YOU DIDN'T KNOW IT, 86 00:02:35,999 --> 00:02:37,434 IT'S WET OUTSIDE AND HAS BEEN 87 00:02:37,434 --> 00:02:39,302 FOR MANY, MANY HOURS. 88 00:02:39,302 --> 00:02:44,207 IT'S AN ANNOYANCE AT THIS POINT. 89 00:02:44,207 --> 00:02:45,842 > Jimmy: THEY GOT THE JET BOAT 90 00:02:45,842 --> 00:02:47,544 JUST IN CASE. 91 00:02:47,544 --> 00:02:48,912 DON'T WORRY. 92 00:02:48,912 --> 00:02:49,546 THE GOVERNOR HAS ACTIVATED THE 93 00:02:49,546 --> 00:02:50,814 NATIONAL GUARD. 94 00:02:50,814 --> 00:02:53,817 WE'RE GOING TO BE OKAY. 95 00:02:53,817 --> 00:02:54,651 IT WAS A DREARY WEEKEND FOR THE 96 00:02:54,651 --> 00:02:55,285 DODGERS, WHO WILL NOT GET A 97 00:02:55,285 --> 00:02:56,486 CHANCE TO DEFEND THEIR TITLE. 98 00:02:56,486 --> 00:02:57,687 THE ATLANTA BRAVES ARE HEADED TO 99 00:02:57,687 --> 00:02:58,555 THE WORLD SERIES INSTEAD, WHERE 100 00:02:58,555 --> 00:03:00,724 THEY WILL FACE THE HOUSTON 101 00:03:00,724 --> 00:03:00,957 ASTROS. 102 00:03:00,957 --> 00:03:02,792 THE SERIES HASN'T EVEN STARTED 103 00:03:02,792 --> 00:03:03,426 AND THE ASTROS HAVE ALREADY BEEN 104 00:03:03,426 --> 00:03:06,296 CURSED. 105 00:03:06,296 --> 00:03:09,165 BY A RETWEET FROM TED CRUZ. 106 00:03:09,165 --> 00:03:11,568 LOOK CLOSELY AT THAT PHOTO. 107 00:03:11,568 --> 00:03:12,068 THOSE AREN'T STREAMERS. 108 00:03:12,068 --> 00:03:14,370 THAT'S THE INK TED SQUIRTS WHEN 109 00:03:14,370 --> 00:03:17,173 HE GETS EXCITED. 110 00:03:17,173 --> 00:03:19,075 ON THE FOOTBALL FIELD, TOM BRADY 111 00:03:19,075 --> 00:03:19,642 SCORED ANOTHER MAJOR CAREER 112 00:03:19,642 --> 00:03:24,247 MILESTONE YESTERDAY. 113 00:03:24,247 --> 00:03:25,048 DURING TAMPA BAY'S WIN OVER THE 114 00:03:25,048 --> 00:03:27,650 CHICAGO BEARS. 115 00:03:27,650 --> 00:03:28,218 BRADY IS NOW THE INAUGURAL 116 00:03:28,218 --> 00:03:29,152 MEMBER OF WHAT THEY CALL THE 117 00:03:29,152 --> 00:03:29,586 600 TOUCHDOWN CLUB. 118 00:03:29,586 --> 00:03:30,153 CAN YOU CALL IT A CLUB WHEN 119 00:03:30,153 --> 00:03:31,921 THERE'S ONLY ONE PERSON IN IT? 120 00:03:31,921 --> 00:03:33,123 LIKE WOULD I BE THE "INAUGURAL 121 00:03:33,123 --> 00:03:37,060 MEMBER" OF THE "TOOK MY CLARINET 122 00:03:37,060 --> 00:03:40,497 TO HOMECOMING" CLUB? 123 00:03:40,497 --> 00:03:41,097 SO THE RECEIVER WHO CAUGHT THE 124 00:03:41,097 --> 00:03:41,631 RECORD‐SETTING PASS, WIDE 125 00:03:41,631 --> 00:03:45,168 RECEIVER MIKE EVANS, FOR HIM, IT 126 00:03:45,168 --> 00:03:45,802 WAS ONLY HIS 65th TOUCHDOWN, SO 127 00:03:45,802 --> 00:03:49,072 HE GENEROUSLY, AND UNWITTINGLY, 128 00:03:49,072 --> 00:03:49,706 GAVE THE HISTORIC BALL AWAY TO A 129 00:03:49,706 --> 00:03:51,074 FAN WHO WAS WEARING A MIKE EVANS 130 00:03:51,074 --> 00:03:54,043 JERSEY. 131 00:03:54,043 --> 00:03:56,880 >> WATCH THIS, EVANS ‐‐ NO, YOU 132 00:03:56,880 --> 00:03:58,748 CANNOT DO THAT, MIKE! 133 00:03:58,748 --> 00:03:59,249 MIKE, MIKE! 134 00:03:59,249 --> 00:04:02,685 >> THAT'S THE ONLY 600 135 00:04:02,685 --> 00:04:02,952 TOUCHDOWN. 136 00:04:02,952 --> 00:04:04,721 >> REALIZING, OH, MY GOSH, I 137 00:04:04,721 --> 00:04:06,289 GAVE IT AWAY, THE FOOTBALL. 138 00:04:06,289 --> 00:04:07,457 >> OH, NO! 139 00:04:07,457 --> 00:04:09,125 >> NOW YOU'RE ABOUT TO SEE ONE 140 00:04:09,125 --> 00:04:09,726 OF THE GREAT NEGOTIATIONS 234 141 00:04:09,726 --> 00:04:11,494 NFL HISTORY. 142 00:04:11,494 --> 00:04:13,062 >> Jimmy: AND THEN THERE'S A BIT 143 00:04:13,062 --> 00:04:14,397 OF BACK AND FORTH, AND 144 00:04:14,397 --> 00:04:15,031 EVENTUALLY THE FAN RETURNS THE 145 00:04:15,031 --> 00:04:18,768 BALL. 146 00:04:18,768 --> 00:04:19,369 WHICH AN EXPERT ESTIMATED WAS 147 00:04:19,369 --> 00:04:20,970 WORTH AT LEAST HALF A MILLION 148 00:04:20,970 --> 00:04:24,340 DOLLARS, POSSIBLY MORE. 149 00:04:24,340 --> 00:04:25,208 MAYBE UP TO A MILLION DOLLARS. 150 00:04:25,208 --> 00:04:27,243 A LOCAL SPORTS REPORTER CAUGHT 151 00:04:27,243 --> 00:04:28,812 UP WITH THE FAN, A GUY NAMED 152 00:04:28,812 --> 00:04:29,445 BYRON KENNEDY, WHO SHED LIGHT ON 153 00:04:29,445 --> 00:04:30,780 WHAT WENT DOWN DURING THAT 154 00:04:30,780 --> 00:04:33,883 EXCHANGE. 155 00:04:33,883 --> 00:04:37,754 >> I TOLD THE TRAINER NO TWICE. 156 00:04:37,754 --> 00:04:39,155 FINALLY I SAID YES. 157 00:04:39,155 --> 00:04:40,924 >> HOW DID HE CONVINCE YOU? 158 00:04:40,924 --> 00:04:42,358 >> HE JUST ASKED A COUPLE OF 159 00:04:42,358 --> 00:04:42,725 TIMES. 160 00:04:42,725 --> 00:04:45,428 HE SAID TOM BRADY REALLY WANTED 161 00:04:45,428 --> 00:04:45,595 IT. 162 00:04:45,595 --> 00:04:47,564 I WAS ABLE TO TAKE PICTURES, ALL 163 00:04:47,564 --> 00:04:48,665 THAT SORT OF STUFF. 164 00:04:48,665 --> 00:04:52,468 HE SAID TOM BRADY MIGHT SAY HEY. 165 00:04:52,468 --> 00:04:53,102 HOPEFULLY I'LL GET TO SHAKE HIS 166 00:04:53,102 --> 00:04:53,303 HAND. 167 00:04:53,303 --> 00:04:53,870 >> Jimmy: IMAGINE YOU FIND 168 00:04:53,870 --> 00:04:54,504 YOURSELF ON NATIONAL TELEVISION 169 00:04:54,504 --> 00:04:57,173 WITH MILLIONS OF PEOPLE WATCHING 170 00:04:57,173 --> 00:04:58,942 YOU ON THE SAME DAY YOU DECIDED 171 00:04:58,942 --> 00:05:01,010 TO WEAR THAT HAT. 172 00:05:01,010 --> 00:05:04,280 THIS IS GOOD TOO. 173 00:05:04,280 --> 00:05:08,351 THIS IS FROM A COLLEGE GAME, 174 00:05:08,351 --> 00:05:08,818 MISSISSIPPI STATE AND 175 00:05:08,818 --> 00:05:09,118 VANDERBILT. 176 00:05:09,118 --> 00:05:10,920 THE BULLDOGS WON IT, AND 177 00:05:10,920 --> 00:05:11,888 AFTERWARDS, THEIR COACH 178 00:05:11,888 --> 00:05:12,522 MIKE LEACH TREATED US TO ONE OF 179 00:05:12,522 --> 00:05:13,122 THE MOST DELIGHTFUL POST‐GAME 180 00:05:13,122 --> 00:05:13,690 INTERVIEWS I'VE EVER SEEN. 181 00:05:13,690 --> 00:05:14,290 IT'S LONG, BUT STICK WITH IT, 182 00:05:14,290 --> 00:05:18,261 YOU'LL BE GLAD YOU DID. 183 00:05:18,261 --> 00:05:20,797 >> WE TALKED ABOUT ON THE 184 00:05:20,797 --> 00:05:22,832 BROADCAST HOW YOU HATE CANDY 185 00:05:22,832 --> 00:05:23,132 CORN. 186 00:05:23,132 --> 00:05:24,534 WHAT IS YOUR FAVORITE? 187 00:05:24,534 --> 00:05:26,870 >> I COMPLETELY HATE CANDY CORN. 188 00:05:26,870 --> 00:05:29,505 WHEN I WAS A KID ‐‐ WELL, GUMMY 189 00:05:29,505 --> 00:05:30,406 BEARS. 190 00:05:30,406 --> 00:05:37,013 GUMMY BEARS FOR SURE. 191 00:05:37,013 --> 00:05:40,350 AND THEN THE OTHER THING I LIKE 192 00:05:40,350 --> 00:05:42,619 IS WHEN THEY USED TO HAVE THE ‐‐ 193 00:05:42,619 --> 00:05:45,321 THE SQUEEZE IN A BOX, 194 00:05:45,321 --> 00:05:45,622 OUTSTANDING. 195 00:05:45,622 --> 00:05:46,990 YOU HAVE TO GO TO THE DOLLAR 196 00:05:46,990 --> 00:05:48,691 STORE TO FIND IT, BUT I DO. 197 00:05:48,691 --> 00:05:51,761 AND THEN THE LATEST, YOU KNOW, 198 00:05:51,761 --> 00:05:54,864 THERE'S STILL CANDY ANIMATION, 199 00:05:54,864 --> 00:05:59,569 ALTHOUGH A WHILE BACK I FOUND 200 00:05:59,569 --> 00:06:01,638 OUT EUROPE HAD BETTER CANDY THAN 201 00:06:01,638 --> 00:06:03,473 WE DID. 202 00:06:03,473 --> 00:06:05,008 BUT THEN THE ‐‐ YOU KNOW, THEY 203 00:06:05,008 --> 00:06:08,211 HAVE THOSE NERDS CLUSTERS, WHICH 204 00:06:08,211 --> 00:06:08,745 IS NEW. 205 00:06:08,745 --> 00:06:09,946 WHICH IS GOOD. 206 00:06:09,946 --> 00:06:12,115 THE NERDS CLUSTERS IS GOOD. 207 00:06:12,115 --> 00:06:14,183 AND THEN IF YOU GO CHOCOLATE, 208 00:06:14,183 --> 00:06:15,518 PROBABLY ALMOND JOY. 209 00:06:15,518 --> 00:06:17,387 >> HOPEFULLY YOU'LL GET SOME OF 210 00:06:17,387 --> 00:06:17,754 THAT NEXT WEEK. 211 00:06:17,754 --> 00:06:25,028 >> WE'LL SEE. 212 00:06:25,028 --> 00:06:27,096 >> Jimmy: IF ANYONE THAT LOOKS 213 00:06:27,096 --> 00:06:29,432 LIKE HIM SHOWS UP AT YOUR DOOR 214 00:06:29,432 --> 00:06:30,700 TRICK OR TREATING, GIVE HIM THE 215 00:06:30,700 --> 00:06:31,100 WHOLE BOWL. 216 00:06:31,100 --> 00:06:31,701 THAT IS A MAN WHO APPRECIATES 217 00:06:31,701 --> 00:06:32,001 CANDY. 218 00:06:32,001 --> 00:06:34,103 MEANWHILE, THE SOUR PATCH KID OF 219 00:06:34,103 --> 00:06:35,905 THE NBA, KYRIE IRVING, IS STILL 220 00:06:35,905 --> 00:06:36,472 REFUSING TO GET VACCINATED, 221 00:06:36,472 --> 00:06:37,106 WHICH MEANS HE WILL RIDE THE 222 00:06:37,106 --> 00:06:38,808 BENCH FOR THE NETS. 223 00:06:38,808 --> 00:06:39,909 THIS WAS THE SCENE IN BROOKLYN 224 00:06:39,909 --> 00:06:40,977 DURING THE NETS HOME OPENER 225 00:06:40,977 --> 00:06:44,247 YESTERDAY. 226 00:06:44,247 --> 00:06:46,716 A GROUP OF ANTI‐VAXERS SHOWED UP 227 00:06:46,716 --> 00:06:48,284 TO TERRORIZE SECURITY GUARDS WHO 228 00:06:48,284 --> 00:06:48,918 HAD NOTHING TO DO WITH THIS AT 229 00:06:48,918 --> 00:06:49,152 ALL. 230 00:06:49,152 --> 00:06:52,288 LOOK AT HOW CRAZY THIS IS. 231 00:06:52,288 --> 00:06:53,990 THEY'RE SAYING THEY HAVEN'T SEEN 232 00:06:53,990 --> 00:06:56,359 A MOB LIKE THIS IN BROOKLYN 233 00:06:56,359 --> 00:06:59,128 SINCE THEY INTRODUCED THE 234 00:06:59,128 --> 00:06:59,362 CRONUT. 235 00:06:59,362 --> 00:06:59,996 THE SIGNS WERE ALMOST AS NUTTY 236 00:06:59,996 --> 00:07:00,563 AS THE PEOPLE CARRYING THEM. 237 00:07:00,563 --> 00:07:02,632 "STAND WITH KYRIE." 238 00:07:02,632 --> 00:07:03,232 YOU KNOW YOU'RE ON THE WRONG 239 00:07:03,232 --> 00:07:04,233 SIDE WHEN WHITE POWER 240 00:07:04,233 --> 00:07:10,974 SANTA CLAUS IS BACKING YOU UP. 241 00:07:10,974 --> 00:07:12,942 KYRIE IRVING FAMOUSLY SAID HE 242 00:07:12,942 --> 00:07:15,345 WASN'T SURE THE WORLD WAS ROUND. 243 00:07:15,345 --> 00:07:16,479 HE'S BEEN FOLLOWING AND 244 00:07:16,479 --> 00:07:19,048 LIKING POSTS FROM A CONSPIRACY 245 00:07:19,048 --> 00:07:19,682 THEORIST WHO CLAIMS THE VACCINE 246 00:07:19,682 --> 00:07:20,750 IS PART OF A SCHEME TO CONNECT 247 00:07:20,750 --> 00:07:23,052 BLACK PEOPLE TO A MASTER 248 00:07:23,052 --> 00:07:23,653 COMPUTER AS PART OF A SATANIC 249 00:07:23,653 --> 00:07:24,721 PLAN. 250 00:07:24,721 --> 00:07:25,455 DOES SATAN REALLY NEED A 251 00:07:25,455 --> 00:07:29,559 COMPUTER? 252 00:07:29,559 --> 00:07:30,860 HE WORKED WITHOUT ONE FOR A 253 00:07:30,860 --> 00:07:32,462 REALLY LONG TIME. 254 00:07:32,462 --> 00:07:33,696 IT'S A SHAME FOR THE FANS IN 255 00:07:33,696 --> 00:07:37,100 BROOKLYN WHO WERE EXPECTING TO 256 00:07:37,100 --> 00:07:38,001 HAVE THIS GREAT TEAM. 257 00:07:38,001 --> 00:07:38,501 INSTEAD THEY'RE 1‐2. 258 00:07:38,501 --> 00:07:39,135 BUT I THINK I HAVE AN IDEA FOR 259 00:07:39,135 --> 00:07:39,736 HOW THEY COULD MAKE EVERYONE 260 00:07:39,736 --> 00:07:43,306 HAPPY. 261 00:07:43,306 --> 00:07:48,144 >> NOW IT'S KYRIE IRVING. 262 00:07:48,144 --> 00:07:49,946 IRVING LETS IT FLY. 263 00:07:49,946 --> 00:07:52,348 HE'S GOT IT. 264 00:07:52,348 --> 00:07:52,682 KYRIE IRVING! 265 00:07:52,682 --> 00:07:55,184 >> Jimmy: NIKE COULD MAKE A LOT 266 00:07:55,184 --> 00:07:56,586 OF MONEY SELLING THOSE. 267 00:07:56,586 --> 00:08:01,090 SPEAKING OF SATANIC PLANS, 268 00:08:01,090 --> 00:08:02,325 FACEBOOK IS GEARING UP FOR 269 00:08:02,325 --> 00:08:04,794 ANOTHER BAD WEEK AFTER MORE THAN 270 00:08:04,794 --> 00:08:05,795 10,000 PAGES OF INTERNAL 271 00:08:05,795 --> 00:08:06,396 DOCUMENTS WERE LEAKED TO THE 272 00:08:06,396 --> 00:08:06,596 PRESS. 273 00:08:06,596 --> 00:08:07,764 "THE FACEBOOK PAPERS," WHICH IS 274 00:08:07,764 --> 00:08:09,332 WHAT THEY'RE BEING CALLED, 275 00:08:09,332 --> 00:08:12,235 PROVIDE AN UNPRECEDENTED VIEW 276 00:08:12,235 --> 00:08:12,969 INTO HOW EXECUTIVES AT THE 277 00:08:12,969 --> 00:08:13,703 SOCIAL MEDIA GIANT WEIGH 278 00:08:13,703 --> 00:08:14,337 TRADE‐OFFS BETWEEN PUBLIC SAFETY 279 00:08:14,337 --> 00:08:15,638 AND THEIR OWN BOTTOM LINE. 280 00:08:15,638 --> 00:08:16,739 TURNS OUT THE WAY THEY WEIGH 281 00:08:16,739 --> 00:08:18,574 THEM IS INCORRECTLY. 282 00:08:18,574 --> 00:08:20,143 MARK ZUCKERBERG TOLD CONGRESS 283 00:08:20,143 --> 00:08:21,811 LAST YEAR THAT THE COMPANY 284 00:08:21,811 --> 00:08:23,513 REMOVES 94% OF THE HATE SPEECH 285 00:08:23,513 --> 00:08:25,448 IT FINDS. 286 00:08:25,448 --> 00:08:28,718 BUT RESEARCHERS DISCOVERED THAT 287 00:08:28,718 --> 00:08:29,352 FACEBOOK WAS ACTUALLY REMOVING 288 00:08:29,352 --> 00:08:29,986 LESS THAN FIVE PERCENT OF HATE 289 00:08:29,986 --> 00:08:30,219 SPEECH. 290 00:08:30,219 --> 00:08:32,355 AND YOU KNOW HOW THEY DISCOVERED 291 00:08:32,355 --> 00:08:32,855 THIS? 292 00:08:32,855 --> 00:08:36,726 THEY WENT ON FACEBOOK. 293 00:08:36,726 --> 00:08:39,562 ARE WE REALLY SURPRISED BY THIS? 294 00:08:39,562 --> 00:08:40,296 FINDING OUT "WHAT DID FACEBOOK 295 00:08:40,296 --> 00:08:41,864 KNOW?" 296 00:08:41,864 --> 00:08:42,965 LET ME CLEAR IT UP FOR YOU. 297 00:08:42,965 --> 00:08:43,800 THEY KNOW EVERYTHING. 298 00:08:43,800 --> 00:08:44,434 THEY KNOW YOUR SOCIAL SECURITY 299 00:08:44,434 --> 00:08:46,335 NUMBER. 300 00:08:46,335 --> 00:08:46,869 THEY KNOW WHERE YOU LIVE. 301 00:08:46,869 --> 00:08:47,670 WHAT YOU'RE HAVING FOR LUNCH. 302 00:08:47,670 --> 00:08:48,271 THEY KNOW THE WINNERS OF THE 303 00:08:48,271 --> 00:08:49,739 NEXT FIVE SUPER BOWLS. 304 00:08:49,739 --> 00:08:53,009 THEY'RE BASICALLY SPECTRE. 305 00:08:53,009 --> 00:08:53,409 BUT WE CAN'T STOP! 306 00:08:53,409 --> 00:08:55,311 WE HAVE TO MONITOR THE WEIGHT OF 307 00:08:55,311 --> 00:09:00,416 OUR FORMER LOVE INTERESTS. 308 00:09:00,416 --> 00:09:01,084 WE ARE LEARNING MORE ABOUT WHO 309 00:09:01,084 --> 00:09:02,452 WAS BEHIND THE JANUARY 6th 310 00:09:02,452 --> 00:09:04,654 ATTACK ON THE CAPITOL IN AN 311 00:09:04,654 --> 00:09:05,288 EXPLOSIVE REPORT FROM "ROLLING 312 00:09:05,288 --> 00:09:07,223 STONE." 313 00:09:07,223 --> 00:09:14,997 TWO PEOPLE WHO HELPED ORGANIZE 314 00:09:14,997 --> 00:09:18,367 THE RALLY IN D. C., SAID THEY 315 00:09:18,367 --> 00:09:19,435 PLANNED THE EVENT WITH SEVERAL 316 00:09:19,435 --> 00:09:20,069 REPUBLICAN MEMBERS OF CONGRESS. 317 00:09:20,069 --> 00:09:20,636 THEY HAD DOZENS OF PLANNING 318 00:09:20,636 --> 00:09:21,270 MEETINGS WITH MEMBERS OF 319 00:09:21,270 --> 00:09:23,072 CONGRESS AND WHITE HOUSE STAFF. 320 00:09:23,072 --> 00:09:23,639 LAUREN BOEBERT OF COLORADO, 321 00:09:23,639 --> 00:09:24,407 LOUIE GOHMERT OF TEXAS, 322 00:09:24,407 --> 00:09:28,511 MARJORIE TAYLOR GREENE OF 323 00:09:28,511 --> 00:09:29,145 MORDOR, AND SEVERAL OTHERS WERE 324 00:09:29,145 --> 00:09:30,680 SAID TO BE IN ON THE PLANS TO 325 00:09:30,680 --> 00:09:31,781 OVERTURN THE ELECTION. 326 00:09:31,781 --> 00:09:34,083 WHAT A SAD LINEUP THAT IS. 327 00:09:34,083 --> 00:09:37,086 IT'S THE LEGION OF DUMB. 328 00:09:37,086 --> 00:09:37,687 REPRESENTATIVE PAUL GOSAR OF 329 00:09:37,687 --> 00:09:41,124 ARIZONA WAS NAMED TOO. 330 00:09:41,124 --> 00:09:42,825 THIS GUY. 331 00:09:42,825 --> 00:09:46,963 WHEN HE WAS RUNNING FOR OFFICE, 332 00:09:46,963 --> 00:09:47,597 SIX OF HIS SIBLINGS MADE AN 333 00:09:47,597 --> 00:09:48,231 ATTACK AD AGAINST HIM AND CALED 334 00:09:48,231 --> 00:09:51,100 HIM A TRAITOR. 335 00:09:51,100 --> 00:09:51,701 BEFORE HE WAS ONE OF THE MOST 336 00:09:51,701 --> 00:09:52,401 HATED MEMBERS OF CONGRESS, HE 337 00:09:52,401 --> 00:09:53,169 WAS THE MOST HATED MEMBER OF HIS 338 00:09:53,169 --> 00:09:55,938 FAMILY. 339 00:09:55,938 --> 00:09:57,273 GOSAR REPORTEDLY TOLD THE 340 00:09:57,273 --> 00:09:59,342 ORGANIZERS REPEATEDLY THAT 341 00:09:59,342 --> 00:10:00,543 THEY'D GET A "BLANKET PARDON" 342 00:10:00,543 --> 00:10:03,779 FROM TRUMP. 343 00:10:03,779 --> 00:10:05,148 AND THEY WERE ALL LIKE, "GREAT! 344 00:10:05,148 --> 00:10:08,050 BECAUSE IF THERE'S ONE THING WE 345 00:10:08,050 --> 00:10:09,652 KNOW ABOUT DONALD TRUMP, HE'S AS 346 00:10:09,652 --> 00:10:10,453 GOOD AS HIS WORD. 347 00:10:10,453 --> 00:10:11,254 OF COURSE, THE INSURRECTION DID 348 00:10:11,254 --> 00:10:13,089 NOT WORK. 349 00:10:13,089 --> 00:10:13,656 JOE BIDEN IS OUR PRESIDENT. 350 00:10:13,656 --> 00:10:15,158 THIS MORNING, THE BIDENS DROPPED 351 00:10:15,158 --> 00:10:18,194 BY A PRESCHOOL CLASS IN 352 00:10:18,194 --> 00:10:19,262 NEW JERSEY WHERE THEY WERE MET 353 00:10:19,262 --> 00:10:21,164 BY A VERY ENTHUSIASTIC GROUP OF 354 00:10:21,164 --> 00:10:23,466 YOUNG FANS. 355 00:10:23,466 --> 00:10:27,069 >> HEY, GUYS, HOW ARE YOU? 356 00:10:27,069 --> 00:10:29,172 HOW ARE YOU DOING? 357 00:10:29,172 --> 00:10:35,811 HELLO, HOW ARE YOU? 358 00:10:35,811 --> 00:10:39,882 LET'S GO OVER HERE. 359 00:10:39,882 --> 00:10:41,450 >> Jimmy: YEAH, JUST STAND OVER 360 00:10:41,450 --> 00:10:41,817 THERE. 361 00:10:41,817 --> 00:10:43,419 NEXT TIME, MAYBE DRESS UP AS ONE 362 00:10:43,419 --> 00:10:47,690 OF THE DOGS FROM "PAW PATROL." 363 00:10:47,690 --> 00:10:48,257 YOU'LL GET A MORE FRIENDLY 364 00:10:48,257 --> 00:10:49,091 RESPONSE. 365 00:10:49,091 --> 00:10:50,293 ON THE SUBJECT OF UNFRIENDLY 366 00:10:50,293 --> 00:10:51,794 CHILDREN, DONALD TRUMP JR. IS 367 00:10:51,794 --> 00:10:54,430 HARD AT WORK MAKING CAMEO 368 00:10:54,430 --> 00:10:54,764 VIDEOS, AND ‐‐ 369 00:10:54,764 --> 00:10:57,466 WELL, THAT'S IT REALLY. 370 00:10:57,466 --> 00:10:59,302 THAT'S ALL HE DOES. 371 00:10:59,302 --> 00:11:00,469 HE HAS A WEBSITE. 372 00:11:00,469 --> 00:11:01,103 AND THIS IS A REAL ITEM HE JUST 373 00:11:01,103 --> 00:11:01,904 POSTED FOR SALE. 374 00:11:01,904 --> 00:11:03,940 A SHIRT THAT SAYS "GUNS DON'T 375 00:11:03,940 --> 00:11:04,574 KILL PEOPLE, ALEC BALDWIN KILLS 376 00:11:04,574 --> 00:11:05,174 PEOPLE." 377 00:11:05,174 --> 00:11:05,708 WHAT A KIND AND WONDERFUL 378 00:11:05,708 --> 00:11:07,476 PERSON. 379 00:11:07,476 --> 00:11:11,847 ALL PROCEEDS FROM THE SALE OF 380 00:11:11,847 --> 00:11:12,481 THE SHIRT GO TO ‐‐ UP JUNIOR'S 381 00:11:12,481 --> 00:11:15,585 ONE WORKING NOSTRIL. 382 00:11:15,585 --> 00:11:17,153 NO, THE ‐‐ GO TO HIS BANK 383 00:11:17,153 --> 00:11:19,322 ACCOUNT. 384 00:11:19,322 --> 00:11:20,523 AND THE GOOD NEWS IS, THEY'RE 385 00:11:20,523 --> 00:11:21,057 MADE IN THE USA. 386 00:11:21,057 --> 00:11:21,691 THE ONE TIME THOSE GHOULS MAKE 387 00:11:21,691 --> 00:11:22,325 SOMETHING IN THE USA, IT'S THIS. 388 00:11:22,325 --> 00:11:23,125 I'M NOT EVEN SURE WHAT TO SAY 389 00:11:23,125 --> 00:11:25,595 ABOUT THIS. 390 00:11:25,595 --> 00:11:26,195 THIS SURPRISES ME, EVEN FROM 391 00:11:26,195 --> 00:11:31,200 HIM. 392 00:11:31,200 --> 00:11:32,868 I'D LIKE TO IMAGINE DON, JR. AT 393 00:11:32,868 --> 00:11:33,269 THE PEARLY GATES. 394 00:11:33,269 --> 00:11:33,769 ST. PETER IS OUT FRONT. 395 00:11:33,769 --> 00:11:34,437 HE HAS NO NOTES. 396 00:11:34,437 --> 00:11:35,304 USUALLY HE'S GOT A CLIPBOARD, 397 00:11:35,304 --> 00:11:37,974 BUT THIS TIME HE JUST SAYS 398 00:11:37,974 --> 00:11:39,675 "QUICK QUESTION. DID YOU MAKE 399 00:11:39,675 --> 00:11:40,309 THESE T‐SHIRTS TO SELL ON YOUR 400 00:11:40,309 --> 00:11:41,811 WEBSITE?" 401 00:11:41,811 --> 00:11:42,545 OKAY. 402 00:11:42,545 --> 00:11:46,415 HELL. 403 00:11:46,415 --> 00:11:47,049 PUT HIM IN THE '75 CHEVY VEGA TO 404 00:11:47,049 --> 00:11:53,689 HELL." 405 00:11:53,689 --> 00:11:54,557 THE NUMBER ONE MOVIE IN THE 406 00:11:54,557 --> 00:11:56,859 COUNTRY THIS WEEKEND WAS "DUNE." 407 00:11:56,859 --> 00:12:01,097 "DUNE" MADE OVER $40 MILLION AT 408 00:12:01,097 --> 00:12:01,530 THE BOX OFFICE. 409 00:12:01,530 --> 00:12:03,566 PEOPLE WENT TO THE MOVIES TO SEE 410 00:12:03,566 --> 00:12:03,933 IT. 411 00:12:03,933 --> 00:12:04,567 EVEN THOUGH I WATCHED IT FOR 412 00:12:04,567 --> 00:12:04,934 NOTHING ON HBO. 413 00:12:04,934 --> 00:12:06,736 AND WHENEVER A MAJOR MOTION 414 00:12:06,736 --> 00:12:08,070 PICTURE COMES OUT, WE UNLEASH 415 00:12:08,070 --> 00:12:09,538 OUR IN‐HOUSE MOVIE CRITIC, 416 00:12:09,538 --> 00:12:10,740 YEHYA, TO REVIEW IT. 417 00:12:10,740 --> 00:12:11,941 HERE HE IS NOW TALKING ABOUT THE 418 00:12:11,941 --> 00:12:15,144 NEW MOVIE "DUNE." 419 00:12:15,144 --> 00:12:19,081 ♪ 420 00:12:19,081 --> 00:12:20,283 >> ACTION. 421 00:12:20,283 --> 00:12:27,490 HI, IT'S ME, I TALK AND THE NEW 422 00:12:27,490 --> 00:12:28,124 MOVIE. 423 00:12:28,124 --> 00:12:30,559 U, U, U, U, AND ME. 424 00:12:30,559 --> 00:12:33,529 THE MOVIE IS IN THE DESERT, 425 00:12:33,529 --> 00:12:34,163 LOOKS LIKE "STAR WARS." 426 00:12:34,163 --> 00:12:35,531 >> THIS IS ONLY THE BEGINNING. 427 00:12:35,531 --> 00:12:40,036 >> THE YOUNG GIRL, SHE'S NAMED 428 00:12:40,036 --> 00:12:40,503 ZANDA. 429 00:12:40,503 --> 00:12:43,105 SHE'S IN THE MOVIE ALSO. 430 00:12:43,105 --> 00:12:48,377 IT'S NOT TOBY MAGUIRE. 431 00:12:48,377 --> 00:12:51,147 SHE'S ALSO IN THE NEW MOVIE WITH 432 00:12:51,147 --> 00:12:53,983 LeBRON JAMES, THE BASKETBALL. 433 00:12:53,983 --> 00:13:00,056 AND THEN THE YOUNG BOY, HE'S IN 434 00:13:00,056 --> 00:13:04,360 THE MOVIE WITH THE GUY, I GOT A 435 00:13:04,360 --> 00:13:06,329 PICTURE WITH HIM IN ITALY, THIS 436 00:13:06,329 --> 00:13:06,529 GUY. 437 00:13:06,529 --> 00:13:08,397 YOU KNOW, WITH THE BEARD. 438 00:13:08,397 --> 00:13:11,300 HIS NAME IS ISAAC. 439 00:13:11,300 --> 00:13:16,906 AND HIS FRIENDS WILL ‐‐ 440 00:13:16,906 --> 00:13:18,140 >> WHAT SIT, BUDDY? 441 00:13:18,140 --> 00:13:20,810 >> I LOVE THE "STAR WARS" GUY. 442 00:13:20,810 --> 00:13:24,347 THE GUY WITH THE HOOD, HIS NAME 443 00:13:24,347 --> 00:13:27,550 IS JEFFREY, AND HE'S A GOOD 444 00:13:27,550 --> 00:13:31,487 ACTOR AND HE MARY VANILLA B. 445 00:13:31,487 --> 00:13:32,054 CRUZ. 446 00:13:32,054 --> 00:13:34,190 HE'S IN THE COUNTRY "NO COUNTRY 447 00:13:34,190 --> 00:13:36,826 FOR OLD GUY." 448 00:13:36,826 --> 00:13:38,961 THIS GUY, GEORGE BRO, AND THE 449 00:13:38,961 --> 00:13:42,465 MOVIE "SUPERHERO," HE SNAP HIS 450 00:13:42,465 --> 00:13:45,101 FINGER AND SAY, EVERYBODY DIE. 451 00:13:45,101 --> 00:13:47,069 GO WATCH THE MOVIE IN THEATER. 452 00:13:47,069 --> 00:13:55,177 AND THE COMPUTER, GO WATCH IT. 453 00:13:55,177 --> 00:13:56,679 >> Jimmy: THANK YOU, YEHYA. 454 00:13:56,679 --> 00:13:57,279 WE'VE GOT A FUN SHOW FOR YOU 455 00:13:57,279 --> 00:13:57,913 TONIGHT‐ PENN BADGLEY IS HERE. 456 00:13:57,913 --> 00:13:58,347 WE HAVE MUSIC FROM 457 00:13:58,347 --> 00:13:59,248 BILLY STRINGS. 458 00:13:59,248 --> 00:14:00,449 AND WE'LL BE BACK WITH 459 00:14:00,449 --> 00:14:01,751 TRACY MORGAN. 460 00:14:12,261 --> 00:14:13,162 >> Jimmy: WELCOME BACK TO THE 461 00:14:13,162 --> 00:14:13,929 SHOW. 462 00:14:13,929 --> 00:14:16,932 TONIGHT, FROM THE VERY POPULAR 463 00:14:16,932 --> 00:14:18,567 SERIES "YOU" ON NETFLIX, 464 00:14:18,567 --> 00:14:21,470 PENN BADGLEY IS HERE. 465 00:14:21,470 --> 00:14:22,037 THEN LATER, HE IS A GRAMMY 466 00:14:22,037 --> 00:14:24,273 AWARD‐WINNER. 467 00:14:24,273 --> 00:14:24,874 HIS LATEST ALBUM OF BLUEGRASS 468 00:14:24,874 --> 00:14:25,741 MUSIC IS CALLED "RENEWAL." 469 00:14:25,741 --> 00:14:27,910 BILLY STRINGS FROM THE 470 00:14:27,910 --> 00:14:28,911 MERCEDES‐BENZ STAGE. 471 00:14:28,911 --> 00:14:31,280 [ APPLAUSE ] 472 00:14:31,280 --> 00:14:34,049 TOMORROW NIGHT, JEREMY RENNER 473 00:14:34,049 --> 00:14:36,852 AND OLIVIA RODRIGO WILL JOIN US. 474 00:14:36,852 --> 00:14:38,454 OUR FIRST GUEST IS ONE OF THE 475 00:14:38,454 --> 00:14:40,523 FUNNIEST AND MOST SEXUALLY 476 00:14:40,523 --> 00:14:41,991 POTENT MEN IN ALL THE WORLD. 477 00:14:41,991 --> 00:14:45,761 HE IS HERE TONIGHT TO REMIND US 478 00:14:45,761 --> 00:14:46,362 THAT SEASON FOUR OF HIS SHOW 479 00:14:46,362 --> 00:14:46,896 "THE LAST O. G." PREMIERES 480 00:14:46,896 --> 00:14:47,363 TOMORROW NIGHT ON TBS. 481 00:14:47,363 --> 00:14:48,063 PLEASE SAY HELLO TO 482 00:14:48,063 --> 00:14:51,667 TRACY MORGAN. 483 00:14:51,667 --> 00:15:03,379 [ CHEERS AND APPLAUSE ] 484 00:15:03,379 --> 00:15:19,462 ♪ 485 00:15:21,931 --> 00:15:24,099 >> Jimmy: LOOKING GOOD. 486 00:15:24,099 --> 00:15:26,001 IS THIS YOUR HALL WEEP COSTUME? 487 00:15:26,001 --> 00:15:27,703 >> NO, I'M OUT THERE FIGHTING 488 00:15:27,703 --> 00:15:29,171 CRIME ON THOSE STREETS. 489 00:15:29,171 --> 00:15:30,473 >> Jimmy: YOU'RE FIGHTING CRIME? 490 00:15:30,473 --> 00:15:33,809 >> YEAH, I'M FIGHTING CRIME. 491 00:15:33,809 --> 00:15:35,644 I'M SUPERMAN THE MAN WITH A 492 00:15:35,644 --> 00:15:36,745 CHAIN AND EARRING. 493 00:15:36,745 --> 00:15:38,514 >> Jimmy: DOES THE CHAIN HIT 494 00:15:38,514 --> 00:15:40,149 SUPERMAN IN THE FACE WHEN HE 495 00:15:40,149 --> 00:15:40,349 FLIES? 496 00:15:40,349 --> 00:15:41,884 >> SOMETIMES. 497 00:15:41,884 --> 00:15:43,085 HOW YOU DOING? 498 00:15:43,085 --> 00:15:44,587 CAN I SAY SOMETHING TO YOU? 499 00:15:44,587 --> 00:15:49,959 LIKE I TOLD AQUAMAN, LOWIS LANE 500 00:15:49,959 --> 00:15:50,659 IS MY WOMAN. 501 00:15:50,659 --> 00:15:54,230 HE TRIED TO PUSH UP ON HER. 502 00:15:54,230 --> 00:15:54,930 TRIED TO PUSH UP. 503 00:15:54,930 --> 00:15:56,432 SHE WAS SWIMMING, WENT FOR A 504 00:15:56,432 --> 00:15:58,467 SWIM AT THE BEACH AND HE CAME 505 00:15:58,467 --> 00:16:01,003 OUT OF NOWHERE. 506 00:16:01,003 --> 00:16:02,471 RIDING ON SOME WHALE OR 507 00:16:02,471 --> 00:16:02,738 SOMETHING. 508 00:16:02,738 --> 00:16:05,040 I CAME OUT OF THE SKY, SWOOPED 509 00:16:05,040 --> 00:16:05,241 DOWN. 510 00:16:05,241 --> 00:16:09,044 THAT'S MY WOMAN. 511 00:16:09,044 --> 00:16:12,748 I GOT SOMETHING GOING ON AT THE 512 00:16:12,748 --> 00:16:14,383 FORTRESS OF SOLITUDE, WATCHING 513 00:16:14,383 --> 00:16:15,684 NETFLIX OVER THERE. 514 00:16:15,684 --> 00:16:16,819 >> Jimmy: WHAT IS GOING ON? 515 00:16:16,819 --> 00:16:20,222 IS THIS FOR A ROLE? 516 00:16:20,222 --> 00:16:22,625 >> YEAH. 517 00:16:22,625 --> 00:16:23,125 SUPERMAN. 518 00:16:23,125 --> 00:16:24,660 I'M A HERO. 519 00:16:24,660 --> 00:16:26,161 >> Jimmy: SUPERMAN FOR WHAT, 520 00:16:26,161 --> 00:16:26,495 SPECIFICALLY? 521 00:16:26,495 --> 00:16:27,029 >> HUH? 522 00:16:27,029 --> 00:16:31,066 >> Jimmy: I MEAN, LIKE, 523 00:16:31,066 --> 00:16:31,400 SUPERMAN ‐‐ 524 00:16:31,400 --> 00:16:33,335 >> I JUST GOT TIRED OF SUPERMAN 525 00:16:33,335 --> 00:16:33,636 BEING WHITE. 526 00:16:33,636 --> 00:16:40,843 >> Jimmy: OH. 527 00:16:40,843 --> 00:16:43,312 >> YOU KNOW, SWITCH IT UP. 528 00:16:43,312 --> 00:16:46,148 SUPERMAN IS BLACK WITH A GUT. 529 00:16:46,148 --> 00:16:47,650 >> Jimmy: I HAVE READ THOSE 530 00:16:47,650 --> 00:16:49,818 STORIES ABOUT PERHAPS D. C. 531 00:16:49,818 --> 00:16:52,087 COMICS IS LOOKING TO CAST A 532 00:16:52,087 --> 00:16:53,956 BLACK ACTOR. 533 00:16:53,956 --> 00:16:55,991 >> AND HERE HE IS. 534 00:16:55,991 --> 00:17:01,297 >> Jimmy: I THINK IT'S GREAT. 535 00:17:01,297 --> 00:17:03,866 >> I'M NOT SCARED OF NO 536 00:17:03,866 --> 00:17:04,433 KRYPTONITE. 537 00:17:04,433 --> 00:17:05,834 CAN I SAY SOMETHING TO YOU? 538 00:17:05,834 --> 00:17:06,835 >> Jimmy: YES, PLEASE. 539 00:17:06,835 --> 00:17:09,772 >> I'M A METHOD ACTOR. 540 00:17:09,772 --> 00:17:12,775 DURRELL IS MY FATHER. 541 00:17:12,775 --> 00:17:13,242 >> Jimmy: DURRELL? 542 00:17:13,242 --> 00:17:22,818 >> HIS NAME IS DURRELL. 543 00:17:22,818 --> 00:17:26,055 >> Jimmy: ALL RIGHT. 544 00:17:26,055 --> 00:17:28,123 >> DURRELL LEE MORGAN. 545 00:17:28,123 --> 00:17:29,425 >> Jimmy: SO YOUR PARENTS ‐‐ 546 00:17:29,425 --> 00:17:31,527 YOUR ADOPTED PARENTS, ARE THEY 547 00:17:31,527 --> 00:17:33,262 STILL A WHITE FAMILY IN KANSAS? 548 00:17:33,262 --> 00:17:33,862 >> YEAH. 549 00:17:33,862 --> 00:17:35,097 >> Jimmy: THEY ARE, OKAY. 550 00:17:35,097 --> 00:17:40,502 ARE THEY THE KENT FAMILY? 551 00:17:40,502 --> 00:17:42,237 ARE THEY STILL LIKE ‐‐ ARE YOU 552 00:17:42,237 --> 00:17:43,372 STILL CLARK KENT? 553 00:17:43,372 --> 00:17:44,573 IS THAT YOUR SECRET IDENTITY? 554 00:17:44,573 --> 00:17:46,108 >> DEREK KENT. 555 00:17:46,108 --> 00:17:49,144 >> Jimmy: OKAY. 556 00:17:49,144 --> 00:17:51,113 YOU JUST REALLY LIKE THE ONLY 557 00:17:51,113 --> 00:17:52,815 NAME WHITER THAN CLARK IS DEREK 558 00:17:52,815 --> 00:17:53,949 I FEEL. 559 00:17:53,949 --> 00:17:55,284 >> I DON'T MESS WITH CLARK. 560 00:17:55,284 --> 00:17:59,221 >> Jimmy: SO YOU'RE DEREK KENT. 561 00:17:59,221 --> 00:18:03,025 >> THEY CALL ME D‐LOW ON THE 562 00:18:03,025 --> 00:18:03,258 STREETS. 563 00:18:03,258 --> 00:18:04,059 >> Jimmy: YOU SAID YOU STILL 564 00:18:04,059 --> 00:18:06,095 HAVE A PROBLEM WITH KRYPTONITE. 565 00:18:06,095 --> 00:18:08,564 >> I AIN'T GOT NO PROBLEM WITH 566 00:18:08,564 --> 00:18:08,897 KRYPTONITE. 567 00:18:08,897 --> 00:18:11,900 I AIN'T SCARED OF NO ROCK. 568 00:18:11,900 --> 00:18:13,802 >> Jimmy: SO THERE'S NO 569 00:18:13,802 --> 00:18:15,304 SUBSTANCE THAT WEAKENS YOU? 570 00:18:15,304 --> 00:18:16,038 >> YEAH. 571 00:18:16,038 --> 00:18:17,239 >> Jimmy: WHAT? 572 00:18:17,239 --> 00:18:18,974 >> CREAM OF WHEAT. 573 00:18:18,974 --> 00:18:28,117 [ LAUGHTER ] 574 00:18:28,117 --> 00:18:30,352 >> Jimmy: IF YOU EAT IT, OR IT 575 00:18:30,352 --> 00:18:34,456 GETS NEAR YOU? 576 00:18:34,456 --> 00:18:37,059 >> YOU SEE CRIME RIGHT HERE IN 577 00:18:37,059 --> 00:18:37,960 YOUR MIND. 578 00:18:37,960 --> 00:18:38,894 >> Jimmy: YOU LOOK GREAT. 579 00:18:38,894 --> 00:18:40,496 HAVE YOU BEEN WORKING OUT FOR 580 00:18:40,496 --> 00:18:40,996 THIS? 581 00:18:40,996 --> 00:18:41,363 >> NO. 582 00:18:41,363 --> 00:18:43,699 >> Jimmy: NO, NOT AT ALL? 583 00:18:43,699 --> 00:18:45,868 NO, YOU'VE BEEN ‐‐ 584 00:18:45,868 --> 00:18:48,671 >> I DRINK 40s. 585 00:18:48,671 --> 00:18:49,438 >> Jimmy: DO YOU DRINK BEER? 586 00:18:49,438 --> 00:18:52,675 >> NO, I'M NOT A BEER DRINKER. 587 00:18:52,675 --> 00:18:55,010 >> Jimmy: I SAW PICTURES OF YOU 588 00:18:55,010 --> 00:18:57,479 AT THE KNICKS GAME. 589 00:18:57,479 --> 00:18:59,448 I HAVE A PICTURE. 590 00:18:59,448 --> 00:19:03,952 >> THAT'S CALLED TRUCK. 591 00:19:03,952 --> 00:19:07,589 THAT'S ME AND FERG RIGHT THERE. 592 00:19:07,589 --> 00:19:10,726 THAT'S ASOP FERG. 593 00:19:10,726 --> 00:19:12,227 >> Jimmy: JUST TO BE CLEAR, 594 00:19:12,227 --> 00:19:13,862 THAT'S ASOP FERG, THIS IS NOT. 595 00:19:13,862 --> 00:19:15,631 >> I DON'T KNOW THAT DUDE RIGHT 596 00:19:15,631 --> 00:19:15,998 THERE. 597 00:19:15,998 --> 00:19:18,133 >> Jimmy: WHERE Y IS IT CALLED 598 00:19:18,133 --> 00:19:19,535 TRUCK JEWELRY? 599 00:19:19,535 --> 00:19:24,840 >> BECAUSE IT LOOKS LIKE TRUCK 600 00:19:24,840 --> 00:19:26,175 JEWELRIES. 601 00:19:26,175 --> 00:19:26,775 >> J 602 00:19:26,775 --> 00:19:27,910 ‐‐ CABLES. 603 00:19:27,910 --> 00:19:29,945 I'M OUT THERE LOOKING FOR AMAZON 604 00:19:29,945 --> 00:19:30,679 THIS TIME. 605 00:19:30,679 --> 00:19:33,549 I'M GOING BIG. 606 00:19:33,549 --> 00:19:35,317 I'VE GOT TO GO BIG. 607 00:19:35,317 --> 00:19:37,052 I'M ON THAT TURNPIKE. 608 00:19:37,052 --> 00:19:43,325 I'M OUT THERE ON THAT TURNPIKE. 609 00:19:43,325 --> 00:19:47,930 >> Jimmy: AND THEN YOU'RE 610 00:19:47,930 --> 00:19:48,564 SITTING RIGHT THERE COURTSIDE 611 00:19:48,564 --> 00:19:49,398 WITH MICHAEL J. FOX. 612 00:19:49,398 --> 00:19:52,267 >> ONE OF MY COMEDIC HEROES, 613 00:19:52,267 --> 00:19:52,434 TOO. 614 00:19:52,434 --> 00:19:54,837 >> Jimmy: DO YOU TALK TO HIM 615 00:19:54,837 --> 00:19:55,037 MUCH? 616 00:19:55,037 --> 00:19:57,806 >> YEAH. 617 00:19:57,806 --> 00:19:59,141 HE OWES ME LIKE $16. 618 00:19:59,141 --> 00:20:00,642 HE OWE ME MONEY. 619 00:20:00,642 --> 00:20:03,879 I WANT MY MONEY, MIKE. 620 00:20:03,879 --> 00:20:06,949 >> Jimmy: THAT WAS A GREAT GAME. 621 00:20:06,949 --> 00:20:08,450 GAME WAS DOUBLE OVERTIME. 622 00:20:08,450 --> 00:20:10,686 >> WHENEVER YOU SEE SPIKE LEE IN 623 00:20:10,686 --> 00:20:13,489 A SUIT RUNNING UP AND DOWN THE 624 00:20:13,489 --> 00:20:15,624 COURTS, NEW YORK PRIDE IS BACK. 625 00:20:15,624 --> 00:20:17,893 >> Jimmy: SPIKE LEE IS ALWAYS 626 00:20:17,893 --> 00:20:18,127 THERE. 627 00:20:18,127 --> 00:20:21,029 >> HE WAS IN BROOKLYN FOR EIGHT 628 00:20:21,029 --> 00:20:21,230 YEARS. 629 00:20:21,230 --> 00:20:21,797 HE CAME BACK. 630 00:20:21,797 --> 00:20:25,033 NOW HE'S IN NEW YORK. 631 00:20:25,033 --> 00:20:25,367 WE GOOD. 632 00:20:25,367 --> 00:20:28,003 >> Jimmy: BROOKLYN IS IN NEW 633 00:20:28,003 --> 00:20:28,570 YORK, YOU KNOW THAT, RIGHT? 634 00:20:28,570 --> 00:20:31,073 >> IT IS? 635 00:20:31,073 --> 00:20:32,508 >> Jimmy: YEAH, THAT'S PART OF 636 00:20:32,508 --> 00:20:33,642 THE WHOLE DEAL. 637 00:20:33,642 --> 00:20:35,511 >> I WAS BORN IN BROOKLYN. 638 00:20:35,511 --> 00:20:36,478 >> Jimmy: I THOUGHT YOU WERE 639 00:20:36,478 --> 00:20:37,146 FROM THE BRONX. 640 00:20:37,146 --> 00:20:42,284 >> NO, I WAS BORN IN BROOKLYN. 641 00:20:42,284 --> 00:20:48,390 >> Jimmy: WHAT PART OF BROOKLYN? 642 00:20:48,390 --> 00:20:51,693 >> BAY SIDE, BROOKLYN. 643 00:20:51,693 --> 00:20:54,596 SUPERMAN IS FROM BROOKLYN. 644 00:20:54,596 --> 00:20:56,732 >> Jimmy: WHY NOT? 645 00:20:56,732 --> 00:20:59,034 WHY WOULDN'T SUPERMAN BE FROM 646 00:20:59,034 --> 00:20:59,301 BROOKLYN. 647 00:20:59,301 --> 00:21:01,336 WHEN YOU WERE A KID, DO YOU 648 00:21:01,336 --> 00:21:03,105 REMEMBER THE FIRST KNICKS GAME 649 00:21:03,105 --> 00:21:03,939 YOU WENT TO? 650 00:21:03,939 --> 00:21:08,043 >> MY UNCLE AL TOOK ME AND WE 651 00:21:08,043 --> 00:21:10,579 SAT WAY UP THERE. 652 00:21:10,579 --> 00:21:11,413 AND THE FIRST GAME ON THE FLOOR 653 00:21:11,413 --> 00:21:14,383 WAS WITH HORACIO SANDS. 654 00:21:14,383 --> 00:21:16,185 AND THEY HAD TO STOP THE GAME 655 00:21:16,185 --> 00:21:20,823 BECAUSE I SPILLED BEER ALL OVER 656 00:21:20,823 --> 00:21:22,257 THE FLOOR, AND THE PLAYERS WERE 657 00:21:22,257 --> 00:21:22,624 SLIPPING. 658 00:21:22,624 --> 00:21:24,893 THEY HAD TO STOP AND MOP IT UP. 659 00:21:24,893 --> 00:21:27,429 >> Jimmy: IS THAT WHY YOU QUIT 660 00:21:27,429 --> 00:21:29,965 DRINKING THE BEER? 661 00:21:29,965 --> 00:21:30,199 >> YEAH. 662 00:21:30,199 --> 00:21:30,866 >> Jimmy: UNCLE AL TOOK YOU TO 663 00:21:30,866 --> 00:21:32,067 THE GAME. 664 00:21:32,067 --> 00:21:32,734 THAT'S PRETTY GOOD. 665 00:21:32,734 --> 00:21:35,737 >> HOW LOW, AL? 666 00:21:35,737 --> 00:21:36,371 >> Jimmy: DO YOU REMEMBER WHO 667 00:21:36,371 --> 00:21:37,773 THE KNICKS WERE PLAYING AND DO 668 00:21:37,773 --> 00:21:39,241 YOU REMEMBER ANY OF THE PLAYERS? 669 00:21:39,241 --> 00:21:41,910 >> I THINK BERNARD KING WAS ON 670 00:21:41,910 --> 00:21:47,216 THE TEAM, BERNARD. 671 00:21:47,216 --> 00:21:47,649 AN 672 00:21:47,649 --> 00:21:48,650 AND THEY MIGHT HAVE BEEN PLAYING 673 00:21:48,650 --> 00:21:48,984 MILWAUKEE. 674 00:21:48,984 --> 00:21:50,385 BECAUSE I USED TO PLAY IN THE 675 00:21:50,385 --> 00:21:51,854 LEAGUE, TOO. 676 00:21:51,854 --> 00:21:53,088 >> Jimmy: IN WHICH LEAGUE, THE 677 00:21:53,088 --> 00:21:53,322 NBA? 678 00:21:53,322 --> 00:21:54,756 >> YEAH. 679 00:21:54,756 --> 00:21:55,858 >> Jimmy: WHICH TEAM WERE YOU 680 00:21:55,858 --> 00:21:56,024 ON? 681 00:21:56,024 --> 00:21:58,060 >> BACK IN THE '60s. 682 00:21:58,060 --> 00:21:59,728 I WAS ON MILWAUKEE. 683 00:21:59,728 --> 00:22:03,332 I SPENT A STINT WITH MILWAUKEE. 684 00:22:03,332 --> 00:22:05,634 THEN THEY TRADED ME TO PHILLY. 685 00:22:05,634 --> 00:22:07,336 >> Jimmy: I WOULD GUESS THAT YOU 686 00:22:07,336 --> 00:22:13,475 WERE BORN IN AROUND 1969, RIGHT? 687 00:22:13,475 --> 00:22:16,245 >> I PUT THE BALL ON THE FLOOR 688 00:22:16,245 --> 00:22:18,013 AND THE HOOK. 689 00:22:18,013 --> 00:22:19,114 >> Jimmy: EVER GO TO THE GAMES 690 00:22:19,114 --> 00:22:20,816 OUT HERE IN L. A.? 691 00:22:20,816 --> 00:22:23,785 >> NO, I DON'T GO TO NO GAMES IN 692 00:22:23,785 --> 00:22:23,952 L.A. 693 00:22:23,952 --> 00:22:25,020 >> Jimmy: WHY NOT? 694 00:22:25,020 --> 00:22:26,421 >> I'M NOT AN L. A. FAN. 695 00:22:26,421 --> 00:22:28,590 WHY WOULD I GO TO A GAME IN 696 00:22:28,590 --> 00:22:28,790 L.A.? 697 00:22:28,790 --> 00:22:30,592 I LOVE L. A., BUT I'M IN A NEW 698 00:22:30,592 --> 00:22:31,226 YORK FAN. 699 00:22:31,226 --> 00:22:35,264 >> Jimmy: WHAT IF THE NKNICKS 700 00:22:35,264 --> 00:22:35,998 WERE HERE? 701 00:22:35,998 --> 00:22:41,403 >> WHAT IF THEY BEAT ME UP IN 702 00:22:41,403 --> 00:22:41,737 L.A.? 703 00:22:41,737 --> 00:22:42,371 >> Jimmy: THEY'RE NOT GOING TO 704 00:22:42,371 --> 00:22:44,606 BEAT YOU UP. 705 00:22:44,606 --> 00:22:47,242 >> WHO'S GOING TO SAVE ME? 706 00:22:47,242 --> 00:22:47,709 YOU? 707 00:22:47,709 --> 00:22:49,044 >> Jimmy: SUPERMAN, WE'RE GOING 708 00:22:49,044 --> 00:22:49,878 TO TAKE A BREAK. 709 00:22:49,878 --> 00:22:51,313 WHEN WE COME BACK, WE'RE GOING 710 00:22:51,313 --> 00:22:53,181 TO SEE A SCENE FROM "THE LAST 711 00:22:53,181 --> 00:22:53,382 O.G." 712 00:22:53,382 --> 00:22:54,716 TRACY MORGAN IS WITH US. 713 00:23:02,057 --> 00:23:04,192 >>> DAD, TELL US WHO YOU SAW 714 00:23:04,192 --> 00:23:05,227 HEAVEN AGAIN? 715 00:23:05,227 --> 00:23:07,896 >> I SAW BIGGY SMALLS. 716 00:23:07,896 --> 00:23:09,765 HE'S GOT THAT DIABETES UNDER 717 00:23:09,765 --> 00:23:11,300 CONTROL. 718 00:23:11,934 --> 00:23:14,469 I SAW DIRTY BASTARD, HE GOT 719 00:23:14,469 --> 00:23:16,038 EIGHT ANGELS PREGNANT. 720 00:23:16,538 --> 00:23:19,474 I SAW MICHAEL JACKSON. 721 00:23:21,043 --> 00:23:22,444 HE SAID, HEY, I DIED IN THAT 722 00:23:22,444 --> 00:23:23,211 PEPSI COMMERCIAL. 723 00:23:24,246 --> 00:23:26,548 >> I GOT THE ORDER TO TAKE OUT 724 00:23:26,548 --> 00:23:26,915 YOUR CATHETER. 725 00:23:26,915 --> 00:23:28,583 >> I'VE GOT TO GO, DAD. 726 00:23:28,583 --> 00:23:30,118 I LOVE YOU, BUT I'M NOT GOING TO 727 00:23:30,118 --> 00:23:30,385 SEE THAT. 728 00:23:30,385 --> 00:23:32,120 >> THAT'S NASTY. 729 00:23:32,120 --> 00:23:33,889 >> IT'S JUST A CATHETER. 730 00:23:33,889 --> 00:23:36,358 WHERE Y'ALL GOING? 731 00:23:36,358 --> 00:23:36,925 >> Jimmy: THAT IS "THE LAST 732 00:23:36,925 --> 00:23:37,125 O.G." 733 00:23:37,125 --> 00:23:42,531 TRACY MORGAN IS HERE. 734 00:23:42,531 --> 00:23:44,599 IT'S A LITTLE ‐‐ I HAVE TO SAY 735 00:23:44,599 --> 00:23:46,268 IT'S A LITTLE WEIRD TO SEE YOU 736 00:23:46,268 --> 00:23:48,637 IN THAT HOSPITAL BED AFTER YOU 737 00:23:48,637 --> 00:23:50,105 SPENT REAL TIME AT THE END OF 738 00:23:50,105 --> 00:23:52,074 LAST SEASON, YOU GOT ‐‐ YOUR 739 00:23:52,074 --> 00:23:52,808 CHARACTER GOT SHOT. 740 00:23:52,808 --> 00:23:54,409 HE WENT INTO A COMA. 741 00:23:54,409 --> 00:23:57,379 AND THIS SEASON, I MEAN, IS THAT 742 00:23:57,379 --> 00:23:59,581 SOMETHING THAT YOU WANTED TO DO 743 00:23:59,581 --> 00:24:01,283 OR THEY CAME TO YOU AND ASKED 744 00:24:01,283 --> 00:24:03,051 YOU AND DID THEY DO IT 745 00:24:03,051 --> 00:24:03,352 DELICATELY? 746 00:24:03,352 --> 00:24:05,887 >> WELL, NO, I PRETTY MUCH WROTE 747 00:24:05,887 --> 00:24:06,621 THE SEASON. 748 00:24:06,621 --> 00:24:07,990 THAT'S WHAT REALLY HAPPENED TO 749 00:24:07,990 --> 00:24:09,257 ME IN MY REAL LIFE. 750 00:24:09,257 --> 00:24:12,761 I WANTED TO JUST SAY IT, TO HAVE 751 00:24:12,761 --> 00:24:12,995 CLOSURE. 752 00:24:12,995 --> 00:24:14,329 THAT'S WHAT HAPPENED IN MY LIFE. 753 00:24:14,329 --> 00:24:16,965 I WANTED TO SEE ME GO THROUGH 754 00:24:16,965 --> 00:24:17,699 IT. 755 00:24:17,699 --> 00:24:19,534 >> Jimmy: WHAT DID IT FEEL LIKE 756 00:24:19,534 --> 00:24:22,304 TO BE IN THAT BED, IN THAT GOWN. 757 00:24:22,304 --> 00:24:23,405 >> IN REAL LIFE? 758 00:24:23,405 --> 00:24:25,307 >> Jimmy: NO, NOT IN REAL LIFE. 759 00:24:25,307 --> 00:24:28,710 >> IT BROUGHT BACK A LOT ‐‐ I 760 00:24:28,710 --> 00:24:29,911 RELIVED IT AND IT WAS DONE. 761 00:24:29,911 --> 00:24:31,780 TO BE IN THAT BED AND THEN ‐‐ I 762 00:24:31,780 --> 00:24:33,148 REMEMBER THE DAY THE LADY CAME 763 00:24:33,148 --> 00:24:36,251 AND TOOK THE CATHETER OUT. 764 00:24:36,251 --> 00:24:38,220 I REMEMBER JUST BEING IN THAT 765 00:24:38,220 --> 00:24:38,487 HOSPITAL. 766 00:24:38,487 --> 00:24:39,588 I WENT BACK TO THE HOSPITAL 767 00:24:39,588 --> 00:24:40,822 AFTER I FILMED THAT. 768 00:24:40,822 --> 00:24:42,224 I WENT BACK TO THE HOSPITAL I 769 00:24:42,224 --> 00:24:45,227 WAS IN, AND THERE'S PICTURES OUT 770 00:24:45,227 --> 00:24:47,729 THERE WHERE YOU SEE ME IN MY 771 00:24:47,729 --> 00:24:48,997 ACTUAL ROOM, KNEELING ON THE 772 00:24:48,997 --> 00:24:50,832 FLOOR CRYING ON MY BED. 773 00:24:50,832 --> 00:24:51,867 >> Jimmy: WOW. 774 00:24:51,867 --> 00:24:54,036 >> BECAUSE IT HIT ME THAT HARD. 775 00:24:54,036 --> 00:24:55,670 I WAS BACK THERE FOR A MINUTE. 776 00:24:55,670 --> 00:24:57,372 THEN I HAD TO GET MYSELF 777 00:24:57,372 --> 00:24:59,341 TOGETHER AND REALIZE I SURVIVED 778 00:24:59,341 --> 00:25:02,611 IT AND I'M HERE, AND MY FRIEND 779 00:25:02,611 --> 00:25:04,312 JIMMY MAC IS WITH ME EVERY DAY. 780 00:25:04,312 --> 00:25:05,680 AND I'M LIVING MY LIFE NOW. 781 00:25:05,680 --> 00:25:10,719 [ APPLAUSE ] 782 00:25:10,719 --> 00:25:12,654 YOU KNOW WHAT'S SO FUNNY IS THAT 783 00:25:12,654 --> 00:25:13,522 THIS SEASON IS VERY, VERY 784 00:25:13,522 --> 00:25:18,627 SPECIAL TO ME, BECAUSE MY BEST 785 00:25:18,627 --> 00:25:21,463 CO‐WORKER, MY BEST CO‐STAR, MY 786 00:25:21,463 --> 00:25:24,066 DAUGHTER IS WITH ME. 787 00:25:24,066 --> 00:25:25,967 SHE'S 8 YEARS OLD AND SHE'S IN 788 00:25:25,967 --> 00:25:28,003 THE FIRST EPISODE AND THROUGHOUT 789 00:25:28,003 --> 00:25:28,503 THE SEASON. 790 00:25:28,503 --> 00:25:30,705 AND WHO INSPIRED ME TO DO THAT 791 00:25:30,705 --> 00:25:32,607 WAS EDDIE MURPHY. 792 00:25:32,607 --> 00:25:36,244 WHEN I DID "COMING TO AMERICA 2" 793 00:25:36,244 --> 00:25:36,611 WITH HIM. 794 00:25:36,611 --> 00:25:39,548 HIS DAUGHTER ON THE SHOW IS HIS 795 00:25:39,548 --> 00:25:40,849 DAUGHTER IN REAL LIFE. 796 00:25:40,849 --> 00:25:42,384 >> Jimmy: DID YOU ASK YOUR 797 00:25:42,384 --> 00:25:44,419 DAUGHTER IF SHE WANTED TO BE ON 798 00:25:44,419 --> 00:25:45,087 THE SHOW WITH YOU? 799 00:25:45,087 --> 00:25:47,089 >> NO, I MADE HER DO IT. 800 00:25:47,089 --> 00:25:48,824 BUT SHE'S A NATURAL. 801 00:25:48,824 --> 00:25:50,092 ONCE SHE STARTED DOING IT, SHE'S 802 00:25:50,092 --> 00:25:53,528 NEVER DROPPED A LINE. 803 00:25:53,528 --> 00:25:54,996 SHE DROPPED ONE LINE, AND WHEN 804 00:25:54,996 --> 00:25:57,899 SHE DROPPED THE LINE, SHE SAID, 805 00:25:57,899 --> 00:25:58,133 LINE. 806 00:25:58,133 --> 00:26:01,269 AND EVERYBODY STARTED LAUGHING. 807 00:26:01,269 --> 00:26:03,138 LIKE, I NEVER REALIZED SHE WOULD 808 00:26:03,138 --> 00:26:04,773 WATCH ME WHEN I'M HOME. 809 00:26:04,773 --> 00:26:06,775 LIKE WHEN WE GOT TO THE SET, SHE 810 00:26:06,775 --> 00:26:08,343 WOULD LITERALLY HAVE A 811 00:26:08,343 --> 00:26:10,112 HIGHLIGHTER, HIGHLIGHTING HER 812 00:26:10,112 --> 00:26:10,312 LINES. 813 00:26:10,312 --> 00:26:11,947 I SAID WHOA, THIS GIRL WAS 814 00:26:11,947 --> 00:26:13,381 WATCHING ME ALL THAT TIME. 815 00:26:13,381 --> 00:26:14,883 AND THEN SHE KNEW HOW TO DO IT 816 00:26:14,883 --> 00:26:17,452 BECAUSE SHE WATCHED HER DAD DO 817 00:26:17,452 --> 00:26:17,719 IT. 818 00:26:17,719 --> 00:26:19,788 AND I WANT HER TO DO WHAT SHE 819 00:26:19,788 --> 00:26:20,689 WANTS TO DO IN LIFE. 820 00:26:20,689 --> 00:26:22,224 YOU DON'T HAVE TO BE AN ACTRESS. 821 00:26:22,224 --> 00:26:25,560 I WANT YOU TO BE WHATEVER GOD 822 00:26:25,560 --> 00:26:25,927 WANTS YOU TO BE. 823 00:26:25,927 --> 00:26:26,962 >> Jimmy: RIGHT, YEAH. 824 00:26:26,962 --> 00:26:29,097 >> I REALLY NEED HER TO KNOW 825 00:26:29,097 --> 00:26:29,431 THAT. 826 00:26:29,431 --> 00:26:30,699 YOU CAN BE WHATEVER GOD WANTS 827 00:26:30,699 --> 00:26:31,433 YOU TO BE. 828 00:26:31,433 --> 00:26:34,536 >> Jimmy: AND YET YOU FORCED HER 829 00:26:34,536 --> 00:26:35,303 TO BE ON THE SHOW. 830 00:26:35,303 --> 00:26:36,404 >> ABSOLUTELY. 831 00:26:36,404 --> 00:26:38,540 THAT'S MY BABY, THAT'S MY HEART 832 00:26:38,540 --> 00:26:39,708 AND MY LIFE. 833 00:26:39,708 --> 00:26:41,710 I CAME OUT THAT COMA FOR HER. 834 00:26:41,710 --> 00:26:44,746 >> Jimmy: SHE'S SO CUTE. 835 00:26:44,746 --> 00:26:47,182 >> SHE WAS 10 MONTHS OLD WHEN I 836 00:26:47,182 --> 00:26:49,384 GOT HIT BY THAT TRUCK. 837 00:26:49,384 --> 00:26:51,520 PEOPLE DON'T JUST COME OUT OF 838 00:26:51,520 --> 00:26:51,720 COMAS. 839 00:26:51,720 --> 00:26:54,689 YOU FIGHT AND I FOUGHT FOR HER. 840 00:26:54,689 --> 00:26:55,357 >> Jimmy: SPEAKING OF FIGHTING, 841 00:26:55,357 --> 00:26:58,627 FIRST OF ALL, MIKE TYSON IS A 842 00:26:58,627 --> 00:27:01,396 RECURRING ‐‐ IS HE LIKE YOUR 843 00:27:01,396 --> 00:27:02,130 SPIRITUAL GUIDE? 844 00:27:02,130 --> 00:27:04,666 >> YEAH, MIKE TYSON AND EDDIE 845 00:27:04,666 --> 00:27:05,667 MURPHY, THEY'RE VERY IMPORTANT 846 00:27:05,667 --> 00:27:09,804 TO ME IN MY LIFE. 847 00:27:09,804 --> 00:27:10,872 >> Jimmy: YEAH, I LIKE TO THINK 848 00:27:10,872 --> 00:27:12,274 OF THE THREE MOST IMPORTANT TO 849 00:27:12,274 --> 00:27:15,477 YOU IS MIKE TYSON, EDDIE MURPHY 850 00:27:15,477 --> 00:27:16,044 AND MYSELF. 851 00:27:16,044 --> 00:27:18,313 >> AND MY DAD. 852 00:27:18,313 --> 00:27:19,447 >> Jimmy: I MEANT YOUR FATHER. 853 00:27:19,447 --> 00:27:20,882 >> IN "THE LAST O. G.," IF YOU 854 00:27:20,882 --> 00:27:22,851 LOOK ON THE WALL, YOU'LL SEE A 855 00:27:22,851 --> 00:27:26,154 PICTURE OF MY REAL DAD THERE. 856 00:27:26,154 --> 00:27:28,290 I HONOR MY FATHER, AND IN THE 857 00:27:28,290 --> 00:27:30,325 EIGHTH EPISODE, WE'RE PLAYING 858 00:27:30,325 --> 00:27:32,227 HIS LAST SONG THAT HE EVER MADE. 859 00:27:32,227 --> 00:27:34,196 MY FATHER WAS A MUSICIAN. 860 00:27:34,196 --> 00:27:35,897 SO THE LAST SONG HE EVER MADE, 861 00:27:35,897 --> 00:27:37,065 I'M PLAYING ON THE SHOW. 862 00:27:37,065 --> 00:27:37,999 >> Jimmy: OH, WOW. 863 00:27:37,999 --> 00:27:41,403 >> HE DIED OF AIDS WHEN I WAS 864 00:27:41,403 --> 00:27:42,270 19. 865 00:27:42,270 --> 00:27:44,406 HE WENT TO VIETNAM AND HE GOT 866 00:27:44,406 --> 00:27:44,839 IT. 867 00:27:44,839 --> 00:27:46,808 SO I HONOR MY FATHER AND MY 868 00:27:46,808 --> 00:27:47,742 MOTHER IN THE SHOW. 869 00:27:47,742 --> 00:27:49,411 AND THE LADY THAT PLAYS MY MOM 870 00:27:49,411 --> 00:27:51,413 IN THE SHOW, THAT'S LIKE MY MOM. 871 00:27:51,413 --> 00:27:52,948 SHE'S JUST LIKE MY MOTHER. 872 00:27:52,948 --> 00:27:54,216 SHE CHECK ME, MAN. 873 00:27:54,216 --> 00:27:55,584 SHE KEEPS ME IN CHECK. 874 00:27:55,584 --> 00:27:57,452 THE WAY SHE TALKS TO ME, SHE 875 00:27:57,452 --> 00:27:59,487 KEEPS ME IN CHECK. 876 00:27:59,487 --> 00:28:01,189 >> Jimmy: ONE OF YOUR EPISODES 877 00:28:01,189 --> 00:28:02,891 IS DIRECTED BY CARL WEATHERS. 878 00:28:02,891 --> 00:28:07,128 >> I GOT TO WORK WITH HIM. 879 00:28:07,128 --> 00:28:11,433 >> Jimmy: WHO IS APOLLO CREED IN 880 00:28:11,433 --> 00:28:11,866 "ROCKY." 881 00:28:11,866 --> 00:28:14,669 >> THE EPISODE HE DIRECTED IS 882 00:28:14,669 --> 00:28:14,970 INCREDIBLE. 883 00:28:14,970 --> 00:28:16,571 I LOVE AUTHENTICITY. 884 00:28:16,571 --> 00:28:20,275 SO WE FILMED IT IN WASHINGTON 885 00:28:20,275 --> 00:28:20,875 HEIG 886 00:28:20,875 --> 00:28:21,109 HEIGHTS. 887 00:28:21,109 --> 00:28:22,510 I HAVE A LOT OF DOMINICANS IN MY 888 00:28:22,510 --> 00:28:24,045 LIFE, SO I WANT THEIR VOICE TO 889 00:28:24,045 --> 00:28:24,713 BE HEARD. 890 00:28:24,713 --> 00:28:26,047 >> Jimmy: I FEEL LIKE KNOWING 891 00:28:26,047 --> 00:28:29,284 YOU THAT YOU PROBABLY ASKED CARL 892 00:28:29,284 --> 00:28:30,285 WEATHERS A MILLION QUESTIONS. 893 00:28:30,285 --> 00:28:31,953 >> A MILLION AND ONE. 894 00:28:31,953 --> 00:28:32,721 >> Jimmy: WHAT'S THE BEST THING 895 00:28:32,721 --> 00:28:35,123 HE TOLD YOU ABOUT "ROCKY" AND 896 00:28:35,123 --> 00:28:38,526 THAT EXPERIENCE OR WHATEVER? 897 00:28:38,526 --> 00:28:40,428 >> I CAN'T QUITE REMEMBER, BUT 898 00:28:40,428 --> 00:28:42,297 HE TOLD ME SOME STUFF ABOUT 899 00:28:42,297 --> 00:28:44,065 BEING IN THE RING WITH 900 00:28:44,065 --> 00:28:46,334 SYLVESTER, AND WHAT IT WAS LIKE. 901 00:28:46,334 --> 00:28:47,836 AND HE SAID THEY WERE ALMOST 902 00:28:47,836 --> 00:28:49,771 LIKE REALLY FIGHTING. 903 00:28:49,771 --> 00:28:50,805 >> Jimmy: REALLY? 904 00:28:50,805 --> 00:28:53,408 >> THEY HAD TO MAKE IT REAL. 905 00:28:53,408 --> 00:28:55,610 THAT'S WHAT DRAWS YOU INTO 906 00:28:55,610 --> 00:28:56,011 "ROCKY." 907 00:28:56,011 --> 00:29:00,081 I TOLD HIM MY GREATEST SCENE IN 908 00:29:00,081 --> 00:29:01,650 "ROCKY" IS WHERE MICK COMES TO 909 00:29:01,650 --> 00:29:04,119 HIS HOUSE AND TRIES TO GET THE 910 00:29:04,119 --> 00:29:04,286 JOB. 911 00:29:04,286 --> 00:29:06,755 AND ROCKY IS LIKE, WHAT ABOUT MY 912 00:29:06,755 --> 00:29:06,955 PRIDE? 913 00:29:06,955 --> 00:29:08,390 AND MICK LEAVES BUT HE DOESN'T 914 00:29:08,390 --> 00:29:10,091 QUITE LEAVE AND THEN HE LEAVES 915 00:29:10,091 --> 00:29:11,860 AND IS WALKING UP THE STREET AND 916 00:29:11,860 --> 00:29:14,329 THEN YOU ‐‐ FIVE MINUTES GO BY, 917 00:29:14,329 --> 00:29:16,298 AND YOU HEAR IT AND YOU SEE 918 00:29:16,298 --> 00:29:21,603 ROCKY COME RUNNING OUT AND RUN 919 00:29:21,603 --> 00:29:22,137 TO MICK. 920 00:29:22,137 --> 00:29:24,105 YOU SEE THEM SHAKE HANDS AND I 921 00:29:24,105 --> 00:29:26,941 SAID, HE'S GOING TO TRAIN HIM. 922 00:29:26,941 --> 00:29:28,176 >> Jimmy: TRACY MORGAN, 923 00:29:28,176 --> 00:29:28,643 EVERYBODY. 924 00:29:28,643 --> 00:29:30,812 THE SEASON PREMIERE OF "THE LAST 925 00:29:30,812 --> 00:29:33,548 O.G.," BACK‐TO‐BACK EPISODES 926 00:29:33,548 --> 00:29:35,684 10:00 P. M. TOMORROW ON TEXAS. 927 00:29:35,684 --> 00:29:37,152 WE'LL BE BACK WITH PENN BADGLEY. 928 00:29:45,894 --> 00:29:47,262 >> Jimmy: MUSIC FROM 929 00:29:47,262 --> 00:29:49,698 BILLY STRINGS IS ON THE WAY. 930 00:29:49,698 --> 00:29:50,799 OUR NEXT GUEST IS A PSYCHOPATHIC 931 00:29:50,799 --> 00:29:53,702 SERIAL KILLER, BUT NOT IN REAL 932 00:29:53,702 --> 00:29:55,870 LIFE, EXCLUSIVELY ON THE 933 00:29:55,870 --> 00:29:56,471 WIDELY‐CELEBRATED SHOW "YOU." 934 00:29:56,471 --> 00:29:57,072 SEASON THREE OF "YOU" IS ON 935 00:29:57,072 --> 00:29:58,206 NETFLIX NOW. 936 00:29:58,206 --> 00:30:03,812 PLEASE WELCOME PENN BADGLEY. 937 00:30:03,812 --> 00:30:14,989 [ APPLAUSE ] 938 00:30:14,989 --> 00:30:19,594 HOW IS IT GOING? 939 00:30:19,594 --> 00:30:20,829 >> I HAVE TO TELL YOU SOMETHING, 940 00:30:20,829 --> 00:30:22,163 PENN BADGLEY IS A VERY STRONG 941 00:30:22,163 --> 00:30:22,497 NAME. 942 00:30:22,497 --> 00:30:23,865 YOU COULD BE ANYTHING FROM A 943 00:30:23,865 --> 00:30:25,300 SENATOR OR A REAL ESTATE AGENT. 944 00:30:25,300 --> 00:30:27,469 >> THAT'S A WIDE SPECTRUM. 945 00:30:27,469 --> 00:30:31,373 >> Jimmy: PENN, IS THAT A FAMILY 946 00:30:31,373 --> 00:30:31,573 NAME? 947 00:30:31,573 --> 00:30:37,912 PENN GILLETTE, AND THAT'S KIND 948 00:30:37,912 --> 00:30:38,580 OF IT. 949 00:30:38,580 --> 00:30:40,281 A LOT OF LAST NAMES PENN. 950 00:30:40,281 --> 00:30:43,385 >> IT COMES FROM A TENNIS BALL. 951 00:30:43,385 --> 00:30:45,120 THAT'S THE EXTENT OF THE STORY. 952 00:30:45,120 --> 00:30:46,788 I WAS ‐‐ I WAS ‐‐ I THINK ABOUT 953 00:30:46,788 --> 00:30:48,990 THE SIZE OF A TENNIS BALL, 954 00:30:48,990 --> 00:30:50,892 THAT'S WHAT MY MOM SAID TO MY 955 00:30:50,892 --> 00:30:53,128 FATHER BOUNCING A TENNIS BALL 956 00:30:53,128 --> 00:30:55,130 AND THAT'S HOW IT HAPPENED. 957 00:30:55,130 --> 00:30:56,131 >> Jimmy: WOW. 958 00:30:56,131 --> 00:31:00,935 GOOD THING IT WASN'T A WHIFFLE 959 00:31:00,935 --> 00:31:01,302 BALL. 960 00:31:01,302 --> 00:31:04,939 OR WILSON, I GUESS. 961 00:31:04,939 --> 00:31:06,141 OR SLAZINGER COULD HAVE BEEN 962 00:31:06,141 --> 00:31:07,609 YOUR NAME. 963 00:31:07,609 --> 00:31:09,844 YOU PROBABLY GOT THE BEST OF ALL 964 00:31:09,844 --> 00:31:10,145 THE CHOICES. 965 00:31:10,145 --> 00:31:12,781 SO YOUR SHOW, ALSO, BY THE WAY, 966 00:31:12,781 --> 00:31:15,183 NOT THAT YOUR NAME IS CONFUSING, 967 00:31:15,183 --> 00:31:17,752 BUT THE SHOW NAME BEING "YOU" 968 00:31:17,752 --> 00:31:19,587 MUST BE ‐‐ 969 00:31:19,587 --> 00:31:22,824 >> YES, IT'S A PRO‐NOUN 970 00:31:22,824 --> 00:31:30,465 OBSTACLE. 971 00:31:30,465 --> 00:31:33,735 I AM YOU. 972 00:31:33,735 --> 00:31:35,170 >> Jimmy: ALSO, YOU'RE OBVIOUSLY 973 00:31:35,170 --> 00:31:36,571 THE LEAD CHARACTER ON THE SHOW. 974 00:31:36,571 --> 00:31:39,908 BUT THEN YOU'RE DOING THE 975 00:31:39,908 --> 00:31:42,177 INTERNAL ‐‐ THE VOICEOVER, KIND 976 00:31:42,177 --> 00:31:43,244 OF A NARRATION. 977 00:31:43,244 --> 00:31:45,447 IS IT PROPER TO CALL IT 978 00:31:45,447 --> 00:31:45,713 NARRATION? 979 00:31:45,713 --> 00:31:46,614 >> IT'S NARRATION. 980 00:31:46,614 --> 00:31:49,517 I THINK IT'S ‐‐ IT'S A LOT OF 981 00:31:49,517 --> 00:31:49,784 NARRATION. 982 00:31:49,784 --> 00:31:50,618 IT'S MORE THAN THAT. 983 00:31:50,618 --> 00:31:53,388 I WOULD SAY 80% OF MY LINES, IF 984 00:31:53,388 --> 00:31:55,957 NOT MORE, ARE ACTUALLY VOICE 985 00:31:55,957 --> 00:31:56,257 YEAR. 986 00:31:56,257 --> 00:31:59,194 SO MOST DAYS I GO TO WORK AND I 987 00:31:59,194 --> 00:32:00,862 DON'T HAVE ANY LINES OFTEN. 988 00:32:00,862 --> 00:32:04,232 I'M JUST LOOKING, AND THEN 989 00:32:04,232 --> 00:32:05,667 SOMETIMES BECAUSE THE CAMERA IS 990 00:32:05,667 --> 00:32:08,102 SO CLOSE TO MY FACE WHILE I'M 991 00:32:08,102 --> 00:32:10,004 HAVING ALL THOSE THOUGHTS, THEY 992 00:32:10,004 --> 00:32:11,172 CAN'T EVEN GET A PERSON IN FRONT 993 00:32:11,172 --> 00:32:13,074 OF THE CAMERA, SO I'M JUST 994 00:32:13,074 --> 00:32:15,643 LOOKING AT Xs ON THE BOX OF THE 995 00:32:15,643 --> 00:32:15,877 CAMERA. 996 00:32:15,877 --> 00:32:17,912 AND THEN MY STAND‐IN, DANNY, IS 997 00:32:17,912 --> 00:32:19,414 READING ALL THE THOUGHTS. 998 00:32:19,414 --> 00:32:21,449 AND THE ENTIRE SCENE, SOMETIMES 999 00:32:21,449 --> 00:32:23,251 IT'S LIKE A FOUR‐PAGE SCENE. 1000 00:32:23,251 --> 00:32:24,686 AND THE OTHER ACTORS ON THE 1001 00:32:24,686 --> 00:32:27,055 SCENE ARE LIKE, THEY'VE GOT 1002 00:32:27,055 --> 00:32:28,156 PAGES OF WHATEVER THEY'RE 1003 00:32:28,156 --> 00:32:31,593 SAYING, BUT SOMETIMES IT'S JUST 1004 00:32:31,593 --> 00:32:33,294 THE BACKGROUND WHILE I'M 1005 00:32:33,294 --> 00:32:33,561 THINKING. 1006 00:32:33,561 --> 00:32:37,065 SO IT'S LIKE A ‐‐ IT'S VERY 1007 00:32:37,065 --> 00:32:37,332 TECHNICAL. 1008 00:32:37,332 --> 00:32:39,334 >> Jimmy: THAT'S STRANGE. 1009 00:32:39,334 --> 00:32:40,001 >> IT IS. 1010 00:32:40,001 --> 00:32:41,703 I HAVE GROWN TO LIKE IT. 1011 00:32:41,703 --> 00:32:44,439 IT'S ALSO ‐‐ IT CAN BE A BIT 1012 00:32:44,439 --> 00:32:44,706 ISOLATING. 1013 00:32:44,706 --> 00:32:46,941 BUT, AGAIN, THE HIGHLY TECHNICAL 1014 00:32:46,941 --> 00:32:49,277 DANCE WITH THE CREW IS SOMETHING 1015 00:32:49,277 --> 00:32:51,513 YOU DON'T GET TO DO A LOT OF AS 1016 00:32:51,513 --> 00:32:52,480 AN ACTOR. 1017 00:32:52,480 --> 00:32:53,915 >> Jimmy: YOU HAVE TO TIME IT 1018 00:32:53,915 --> 00:32:55,283 ALL RIGHT AND GO BACK AND FIT IN 1019 00:32:55,283 --> 00:32:56,017 THE SPACES. 1020 00:32:56,017 --> 00:32:59,521 >> I DO THE VOICEOVER BEFORE. 1021 00:32:59,521 --> 00:33:00,788 AND IT JUST WORKS OUT MAGICALLY. 1022 00:33:00,788 --> 00:33:02,123 WE HAVEN'T MESSED WITH THE FORM 1023 00:33:02,123 --> 00:33:03,691 LAW ENFORCEMENT IT JUST WORKS. 1024 00:33:03,691 --> 00:33:04,959 IT'S A VERY DIFFERENT PROCESS. 1025 00:33:04,959 --> 00:33:06,628 >> Jimmy: I HEARD YOU STARTED ON 1026 00:33:06,628 --> 00:33:10,198 A CHILDREN'S RADIO STATION IN 1027 00:33:10,198 --> 00:33:10,465 SEATTLE. 1028 00:33:10,465 --> 00:33:11,165 >> I DID. 1029 00:33:11,165 --> 00:33:12,834 >> Jimmy: MY FIRST JOB WAS ON A 1030 00:33:12,834 --> 00:33:14,235 RADIO STATION IN SEATTLE. 1031 00:33:14,235 --> 00:33:15,436 IT WAS NOT FOR CHILDREN. 1032 00:33:15,436 --> 00:33:18,773 IT WAS FOR OLDER MEN, YEAH. 1033 00:33:18,773 --> 00:33:20,775 AND WE PLAYED "SWEET HOME 1034 00:33:20,775 --> 00:33:23,545 ALABAMA" A LOT OF TIMES. 1035 00:33:23,545 --> 00:33:24,746 BUT WHAT STATION WAS THAT? 1036 00:33:24,746 --> 00:33:26,948 >> IT WAS CALLED KID'S STAR. 1037 00:33:26,948 --> 00:33:28,383 THERE WAS LIKE MAYBE A THOUSAND 1038 00:33:28,383 --> 00:33:29,851 PEOPLE WHO HAVE HEARD OF IT. 1039 00:33:29,851 --> 00:33:35,256 >> Jimmy: AND SO IT WAS ALL KIDS 1040 00:33:35,256 --> 00:33:35,590 DEEJAYS? 1041 00:33:35,590 --> 00:33:38,126 >> NO, SO THERE WERE LIKE ‐‐ I 1042 00:33:38,126 --> 00:33:41,229 THINK BEHIND THE VEIL IT WAS ALL 1043 00:33:41,229 --> 00:33:46,034 ADULTS, TO BE HONEST. 1044 00:33:46,034 --> 00:33:46,968 ADULTS WRITING ‐‐ 1045 00:33:46,968 --> 00:33:48,603 >> Jimmy: STUFF IN KID LINGO. 1046 00:33:48,603 --> 00:33:50,738 >> I THINK KIDS HAD A LOT OF 1047 00:33:50,738 --> 00:33:51,239 INPUT. 1048 00:33:51,239 --> 00:33:53,675 FROM WHAT I RECALL, I WOULD DO 1049 00:33:53,675 --> 00:33:56,678 LIKE A FAKE NEWS CASTER THING 1050 00:33:56,678 --> 00:33:57,912 AND THERE WAS LIKE STORY 1051 00:33:57,912 --> 00:33:58,179 TELLING. 1052 00:33:58,179 --> 00:34:01,616 BUT THERE WERE NO KID DEEJAYS. 1053 00:34:01,616 --> 00:34:02,850 >> Jimmy: HOW OLD WERE YOU? 1054 00:34:02,850 --> 00:34:04,085 >> 9, 10. 1055 00:34:04,085 --> 00:34:05,820 >> Jimmy: I DIDN'T EVEN LEARN TO 1056 00:34:05,820 --> 00:34:08,656 READ UNTIL I WAS 12. 1057 00:34:08,656 --> 00:34:10,692 >> BUT LOOK AT YOU, YOU'RE HERE. 1058 00:34:10,692 --> 00:34:12,060 >> Jimmy: WOULD YOU DO 1059 00:34:12,060 --> 00:34:14,262 APPEARANCES, THE TYPICAL RADIO 1060 00:34:14,262 --> 00:34:16,164 DEEJAY STUFF? 1061 00:34:16,164 --> 00:34:19,133 DID YOU HAVE TO GO OUT TO LIKE 1062 00:34:19,133 --> 00:34:21,035 THE CARPET STORE AND GREET YOUR 1063 00:34:21,035 --> 00:34:22,704 FANS AND GIVE AWAY T‐SHIRTS? 1064 00:34:22,704 --> 00:34:23,371 >> NO. 1065 00:34:23,371 --> 00:34:25,306 IT WAS MORE LIKE A TRAINING 1066 00:34:25,306 --> 00:34:25,540 GROUNDS. 1067 00:34:25,540 --> 00:34:26,941 >> Jimmy: WHAT ABOUT LIKE BEING 1068 00:34:26,941 --> 00:34:28,810 AT HOME OR IN THE CAR AND 1069 00:34:28,810 --> 00:34:30,144 HEARING YOURSELF ON THE RADIO, 1070 00:34:30,144 --> 00:34:31,045 WAS THAT EXCITING? 1071 00:34:31,045 --> 00:34:31,946 >> IT MUST HAVE BEEN. 1072 00:34:31,946 --> 00:34:34,182 BUT LIKE I CAN'T ‐‐ I'VE BEEN 1073 00:34:34,182 --> 00:34:36,384 DOING THIS SO LONG, THAT KIND OF 1074 00:34:36,384 --> 00:34:39,120 STUFF HAS FADED INTO OBLIVION. 1075 00:34:39,120 --> 00:34:40,655 I'M SURE THE FIRST TIME I HEARD 1076 00:34:40,655 --> 00:34:42,824 IT I WAS STOKED. 1077 00:34:42,824 --> 00:34:44,058 >> Jimmy: SO YOU JADE QUICKLY. 1078 00:34:44,058 --> 00:34:47,862 >> I MEAN, IT WAS 25 YEARS AGO. 1079 00:34:47,862 --> 00:34:53,267 SO I JADE OVER A QUARTER OF A 1080 00:34:53,267 --> 00:34:54,469 CENTURY. 1081 00:34:54,469 --> 00:34:56,304 >> Jimmy: I REMEMBER EVERY 1082 00:34:56,304 --> 00:35:00,241 TRIUMPH FROM MY CHILDHOOD. 1083 00:35:00,241 --> 00:35:03,678 >> I THINK IT JUST BECOMES THIS 1084 00:35:03,678 --> 00:35:05,013 NEBULOUS, LIKE, I'VE BEEN 1085 00:35:05,013 --> 00:35:05,246 WORKING. 1086 00:35:05,246 --> 00:35:06,247 >> Jimmy: I WANT TO MENTION 1087 00:35:06,247 --> 00:35:07,815 QUICKLY, BECAUSE THIS IS 1088 00:35:07,815 --> 00:35:08,182 SOMETHING ELSE. 1089 00:35:08,182 --> 00:35:10,284 THE SHOW IS THE NUMBER ONE SHOW 1090 00:35:10,284 --> 00:35:12,420 ON NETFLIX, AND THAT'S A VERY 1091 00:35:12,420 --> 00:35:13,821 BIG DEAL, OBVIOUSLY. 1092 00:35:13,821 --> 00:35:15,790 WHEN YOU PERSONALIZE IT, THAT'S 1093 00:35:15,790 --> 00:35:17,225 WHEN IT BECOMES SOMETHING EVEN 1094 00:35:17,225 --> 00:35:18,226 MORE SO. 1095 00:35:18,226 --> 00:35:21,629 AND CARDY B. TWEETED ABOUT YOU. 1096 00:35:21,629 --> 00:35:25,833 SHE WAS EXCITED BECAUSE YOU 1097 00:35:25,833 --> 00:35:27,268 MENTIONED HER IN A LITTLE CHAT 1098 00:35:27,268 --> 00:35:29,437 YOU WERE HAVING THERE, AND SHE 1099 00:35:29,437 --> 00:35:33,441 USED MORE Os, Ms, Fs. 1100 00:35:33,441 --> 00:35:36,544 USUALLY SHE GOES WITH THE Ms AND 1101 00:35:36,544 --> 00:35:39,647 Fs THE MOST. 1102 00:35:39,647 --> 00:35:41,349 HE KNOWS ME. 1103 00:35:41,349 --> 00:35:47,855 THAT'S CARDY B. 1104 00:35:47,855 --> 00:35:52,427 THAT'S CARDY BADGELEY PERHAPS. 1105 00:35:52,427 --> 00:35:53,728 I DIDN'T UNDERSTAND THIS, BUT 1106 00:35:53,728 --> 00:35:56,130 FIRST OF ALL, YOU ‐‐ 1107 00:35:56,130 --> 00:35:59,734 >> THIS IS A THING THAT WE HAVE 1108 00:35:59,734 --> 00:36:00,568 NOW. 1109 00:36:00,568 --> 00:36:02,370 >> Jimmy: WHY DID YOU SIGN? 1110 00:36:02,370 --> 00:36:03,271 WHAT'S GOING ON THERE? 1111 00:36:03,271 --> 00:36:05,373 >> THAT'S WHAT THE KIDS SAY. 1112 00:36:05,373 --> 00:36:06,474 THAT'S AN EXPRESSION OF ‐‐ IT'S 1113 00:36:06,474 --> 00:36:12,714 LIKE WHEN YOU'RE ‐‐ 1114 00:36:12,714 --> 00:36:13,514 WHAT DOES ONE SAY. 1115 00:36:13,514 --> 00:36:14,649 >> Jimmy: I LEARNED SOMETHING 1116 00:36:14,649 --> 00:36:17,819 ABOUT YOU TONIGHT. 1117 00:36:17,819 --> 00:36:21,823 AND THEN CARDI B CHANGED HER 1118 00:36:21,823 --> 00:36:25,626 THING. 1119 00:36:25,626 --> 00:36:27,295 SHE SAID, I TURN AROUND AND 1120 00:36:27,295 --> 00:36:28,362 THERE STANDS YOU. 1121 00:36:28,362 --> 00:36:31,165 OKAY, FINISH IT OFF, NETFLIX. 1122 00:36:31,165 --> 00:36:32,967 DOES THAT MEAN SHE'S GOING TO BE 1123 00:36:32,967 --> 00:36:33,534 ON THE SHOW? 1124 00:36:33,534 --> 00:36:34,168 >> I DON'T KNOW. 1125 00:36:34,168 --> 00:36:35,770 I DEFINITELY CAN'T SAY. 1126 00:36:35,770 --> 00:36:37,505 BUT THERE IS, I BELIEVE THIS IS 1127 00:36:37,505 --> 00:36:42,243 TRUE, THERE'S AN ACTUAL 1128 00:36:42,243 --> 00:36:47,115 CHANGE.ORG PETITION. 1129 00:36:47,115 --> 00:36:47,782 >> Jimmy: YOU SAID, I DON'T 1130 00:36:47,782 --> 00:36:49,484 KNOW, I CAN'T SAY. 1131 00:36:49,484 --> 00:36:51,686 IT CAN'T BE BOTH OF THOSE 1132 00:36:51,686 --> 00:36:52,120 THINGS. 1133 00:36:52,120 --> 00:36:54,021 >> I CAN'T SAY, BECAUSE I DON'T 1134 00:36:54,021 --> 00:36:55,223 KNOW. 1135 00:36:55,223 --> 00:36:56,457 I ACTUALLY DON'T KNOW. 1136 00:36:56,457 --> 00:36:58,092 I'M NOT BEING COY. 1137 00:36:58,092 --> 00:37:00,328 >> Jimmy: CARDI B KILLS EMILY IN 1138 00:37:00,328 --> 00:37:00,528 PARIS. 1139 00:37:00,528 --> 00:37:02,764 RIGHT? 1140 00:37:02,764 --> 00:37:04,899 THINK ABOUT IT. 1141 00:37:04,899 --> 00:37:07,135 IT'S GREAT TO HAVE YOU HERE. 1142 00:37:07,135 --> 00:37:08,369 PENN BADGLEY, EVERYBODY. 1143 00:37:08,369 --> 00:37:09,003 SEASON 3 OF "YOU" IS ON NETFLIX 1144 00:37:09,003 --> 00:37:09,837 NOW. 1145 00:37:09,837 --> 00:37:10,471 WE'LL BE RIGHT BACK WITH MUSIC 1146 00:37:10,471 --> 00:37:11,739 FROM BILLY STRINGS. 1147 00:37:19,914 --> 00:37:20,615 >> Dicky: THE JIMMY KIMMEL LIVE 1148 00:37:20,615 --> 00:37:21,249 CONCERT SERIES IS PRESENTED BY 1149 00:37:21,249 --> 00:37:22,083 MERCEDES‐BENZ. 1150 00:37:22,083 --> 00:37:23,284 THE BEST OR NOTHING. 1151 00:37:23,284 --> 00:37:24,752 >> Jimmy: HIS ALBUM IS CALLED 1152 00:37:24,752 --> 00:37:26,087 "RENEWAL." 1153 00:37:26,087 --> 00:37:26,721 HERE WITH THE SONG "RED DAISY," 1154 00:37:26,721 --> 00:37:29,423 BILLY STRINGS! 1155 00:37:29,423 --> 00:37:29,724 [ APPLAUSE ] 1156 00:37:29,724 --> 00:37:42,270 ♪ 1157 00:37:42,270 --> 00:37:46,140 ♪ DAISY RED DAISY 1158 00:37:46,140 --> 00:37:49,010 GROWING ON A HILL 1159 00:37:49,010 --> 00:37:49,610 SUNSHINE FALLING ON 1160 00:37:49,610 --> 00:37:54,015 HER PETALS SO FINE ♪ 1161 00:37:54,015 --> 00:37:56,184 ♪ AT FIRST WHEN I FOUND YOU 1162 00:37:56,184 --> 00:38:00,555 ALL COVERED IN THE DEW 1163 00:38:00,555 --> 00:38:01,055 THE STARS HAD ALL FADED 1164 00:38:01,055 --> 00:38:07,862 THE DAY WAS BRAND NEW ♪ 1165 00:38:07,862 --> 00:38:08,362 ♪ DAISY RED DAISY 1166 00:38:08,362 --> 00:38:13,234 GROWING ON A HILL 1167 00:38:13,234 --> 00:38:14,135 SUNSHINE FALLING ON 1168 00:38:14,135 --> 00:38:22,109 HER PETALS SO FINE ♪ 1169 00:38:22,109 --> 00:38:36,891 ♪ 1170 00:38:36,891 --> 00:38:38,092 ♪ WHEN THE SKIES ARE GLOOMY 1171 00:38:38,092 --> 00:38:40,228 AND YOU'RE COVERED IN THE FROST 1172 00:38:40,228 --> 00:38:41,662 DAISY RED DAISY 1173 00:38:41,662 --> 00:38:47,034 I FEAR MY SOUL IS LOST ♪ 1174 00:38:47,034 --> 00:38:51,873 ♪ DAISY RED DAISY 1175 00:38:51,873 --> 00:38:54,141 GROWING ON A HILL 1176 00:38:54,141 --> 00:38:54,575 SUNSHINE FALLING ON 1177 00:38:54,575 --> 00:39:00,248 HER PETALS SO FINE ♪ 1178 00:39:00,248 --> 00:39:15,229 ♪ 1179 00:39:15,229 --> 00:39:18,399 ♪ QUEEN OF THE SPRINGTIME 1180 00:39:18,399 --> 00:39:21,369 MY BODY'S GETTING OLD 1181 00:39:21,369 --> 00:39:22,536 WINTER WINDS MIGHT BIND ME ♪ 1182 00:39:22,536 --> 00:39:26,140 ♪ BUT I'LL KEEP YOU 1183 00:39:26,140 --> 00:39:30,077 FROM THE COLD ♪ 1184 00:39:30,077 --> 00:39:32,680 ♪ DAISY RED DAISY 1185 00:39:32,680 --> 00:39:34,081 GROWING ON A HILL 1186 00:39:34,081 --> 00:39:34,515 SUNSHINE FALLING ON 1187 00:39:34,515 --> 00:39:36,584 HER PETALS SO FINE ♪ 1188 00:39:36,584 --> 00:39:49,330 ♪ ONE DAY A PASSING TRAVELER 1189 00:39:49,330 --> 00:39:55,303 ♪ 1190 00:39:55,303 --> 00:39:58,539 ♪ ONE DAY A PASSING TRAVELER 1191 00:39:58,539 --> 00:40:01,142 PLUCKED YOU FROM THE GROUND 1192 00:40:01,142 --> 00:40:02,977 OH HOW I'LL MISS YOU 1193 00:40:02,977 --> 00:40:08,649 AND YOUR CRIMSON CROWN ♪ 1194 00:40:08,649 --> 00:40:12,453 [ CHEERS AND APPLAUSE ] 1195 00:40:13,220 --> 00:40:14,422 >> Dicky: THE JIMMY KIMMEL LIVE 1196 00:40:14,422 --> 00:40:16,924 CONCERT SERIES IS PRESENTED BY 1197 00:40:16,924 --> 00:40:19,026 MERCEDES‐BENZ. 1198 00:40:19,026 --> 00:40:20,061 THE BEST OR NOTHING. 1199 00:40:22,196 --> 00:40:24,598 >> Jimmy: I'VE TO THE SOME GOOD 1200 00:40:24,598 --> 00:40:25,333 NEWS. 1201 00:40:25,333 --> 00:40:26,434 I'VE QUIT THE SHOW AND JOINING 1202 00:40:26,434 --> 00:40:26,901 THE BAND. 1203 00:40:26,901 --> 00:40:29,437 I JUST GOT TO FIGURE OUT AN 1204 00:40:29,437 --> 00:40:30,104 INSTRUMENT TO PLAY. 1205 00:40:30,104 --> 00:40:31,339 BILLY STRINGS, EVERYBODY. 1206 00:40:31,339 --> 00:40:31,939 THANKS TO TRACY MORGAN, PENN 1207 00:40:31,939 --> 00:40:33,207 BADGLEY. 1208 00:40:33,207 --> 00:40:34,208 APOLOGIES TO MATT DAMON. 1209 00:40:34,208 --> 00:40:36,444 TOMORROW NIGHT, JEREMY RENNER 1210 00:40:36,444 --> 00:40:37,945 AND OLIVIA RODRIGO WILL JOIN US. 1211 00:40:37,945 --> 00:40:39,347 "NIGHTLINE" IS NEXT. 1212 00:40:39,347 --> 00:40:40,448 THANKS FOR WATCHING, GOODNIGHT.