1 00:00:00,321 --> 00:00:04,590 >>> FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE" WITH GUEST HOST 2 00:00:04,590 --> 00:00:11,297 PHOEBE ROBINSON! TONIGHT ‐‐ CHELSEA HANDLER, CHRIS BOSH, 3 00:00:11,297 --> 00:00:14,767 2021 SCRIPPS NATIONAL SPELLING BEE CHAMPION, ZAILA AVANT‐GARDE. 4 00:00:14,767 --> 00:00:18,504 AND MUSIC FROM MONEYBAGG YO. 5 00:00:18,504 --> 00:00:22,942 AND NOW, PHOEBE ROBINSON. 6 00:00:22,942 --> 00:00:33,986 [ CHEERS AND APPLAUSE ] 7 00:00:33,986 --> 00:00:39,158 >>> GIVE YOU A SPIN. GIVE YOU ANOTHER SPIN. 8 00:00:39,158 --> 00:00:52,905 [ CHEERS AND APPLAUSE ] 9 00:00:52,905 --> 00:00:55,441 HELLO. AND WELCOME TO "JIMMY KIMMEL 10 00:00:55,441 --> 00:00:57,276 LIVE." I'M YOUR GUEST HOST, PHOEBE 11 00:00:57,276 --> 00:01:00,112 ROBINSON. 12 00:01:00,112 --> 00:01:00,613 [ CHEERS AND APPLAUSE ] 13 00:01:00,613 --> 00:01:04,483 I MEAN, LOOK AT THIS DRESS. I'M GIVING YOU STUDIO 54 14 00:01:04,483 --> 00:01:09,722 REALNESS, HONEY. OKAY. I GOT TO BE HONEST. 15 00:01:09,722 --> 00:01:11,057 I HAD A TOUGH WEEK, YOU GUYS. 16 00:01:11,057 --> 00:01:16,583 >> I KNOW. THE OTHER NIGHT, MY BOYFRIEND 17 00:01:16,583 --> 00:01:23,420 FORCED ME TO WATCH A 90‐MINUTE DOCUMENTARY ABOUT ZZ TOP. 18 00:01:23,420 --> 00:01:27,291 BUT I GUESS IT'S MY FAULT FOR DATING WHITE PEOPLE. 19 00:01:27,291 --> 00:01:32,262 I BROUGHT THIS ON MYSELF. RIGHT, GUILLERMO? 20 00:01:32,262 --> 00:01:37,968 >> Guillermo: WHITE PEOPLE ARE THE WORSE. 21 00:01:37,968 --> 00:01:43,807 >> Phoebe: HOW MANY ARE YOU ARE 22 00:01:43,807 --> 00:01:48,378 VISITING FROM OUT OF TOWN? ME TOO. 23 00:01:48,378 --> 00:01:50,947 I FLEW IN FROM BROOKLYN TO DO THIS. 24 00:01:50,947 --> 00:01:54,951 6 HOURS, 4 MASKS, 12 RERUNS OF "BIG BANG THEORY." IT WAS GRIM. 25 00:01:54,951 --> 00:01:56,386 I'VE ACTUALLY BEEN ANXIOUS TO FLY, AND NOT JUST BECAUSE OF 26 00:01:56,386 --> 00:02:01,124 COVID, BECAUSE CRAZY STUFF LIKE THIS IS HAPPENING ON PLANES. 27 00:02:01,124 --> 00:02:05,262 >> WITH MORE AND MORE PASSENGERS GOING NUTS ON AIRPLANES AND 28 00:02:05,262 --> 00:02:11,101 EPISODES OF VIOLENCE ON AIRLINES, THE TSA IS CONDUCTING 29 00:02:11,101 --> 00:02:13,804 SELF‐DEFENSE CLASSES LIKE THIS FOR FLIGHT ATTENDANTS AND CREWS. 30 00:02:13,804 --> 00:02:18,575 THEY WILL LEARN HOW TO RESTRAIN OUT‐OF‐CONTROL PASSENGERS. 31 00:02:18,575 --> 00:02:20,377 [ CHEERS AND APPLAUSE ] 32 00:02:20,377 --> 00:02:25,649 >> Jimmy: OH, BOY. 33 00:02:25,649 --> 00:02:30,153 I CAN SMELL THE ACTIVIA YOGURT FROM HERE. 34 00:02:30,153 --> 00:02:31,421 THE FIRST RULE OF FLIGHT CLUB IS YOU DO NOT TALK ABOUT FLIGHT 35 00:02:31,421 --> 00:02:31,988 CLUB. 36 00:02:31,988 --> 00:02:35,859 [ LAUGHTER AND APPLAUSE ] 37 00:02:35,859 --> 00:02:39,262 SO HERE I AM IN L. A. 38 00:02:39,262 --> 00:02:43,867 WHICH, ACCORDING TO "U. S. NEWS & 39 00:02:43,867 --> 00:02:49,673 WORLD REPORT," IS THE 126th BEST CITY TO LIVE IN. 40 00:02:49,673 --> 00:02:52,142 THAT IS SO RUDE, Y'ALL. YOU KNOW WHAT CITY IS NUMBER ONE? 41 00:02:52,142 --> 00:02:57,114 BOULDER, COLORADO. YEAH. APPARENTLY THE BEST PLACE TO 42 00:02:57,114 --> 00:02:58,915 LIVE IS NAMED AFTER SOMETHING THAT CAN CRUSH YOU TO DEATH. 43 00:02:58,915 --> 00:03:00,117 [ LAUGHTER ] 44 00:03:00,117 --> 00:03:05,555 THE CITIES WERE RANKED BASED ON SEVERAL FACTORS, LIKE 45 00:03:05,555 --> 00:03:10,127 AFFORDABILITY, JOB PROSPECTS, AND KARENS PER CAPITA. 46 00:03:10,127 --> 00:03:14,965 NEW YORK CITY, WHERE I LIVE, CAME IN AT 118 ON THE LIST. 47 00:03:14,965 --> 00:03:18,935 BUT DON'T WORRY, IT'S STILL THE NUMBER ONE PLACE TO SEE A DUDE 48 00:03:18,935 --> 00:03:22,906 MASTURBATE ON THE L‐TRAIN. THIS PROBABLY ISN'T HELPING 49 00:03:22,906 --> 00:03:30,814 NEW YORK CITY'S RANKING. THERE IS A RESTAURANT ON THE 50 00:03:30,814 --> 00:03:38,054 UPPER EAST SIDE, THAT IS SELLING FRENCH FRIES, FOR $200. 51 00:03:38,054 --> 00:03:45,529 OKAY, I'M NOT MAKING THIS UP, 52 00:03:45,529 --> 00:03:51,401 YOU GUYS. 53 00:03:51,401 --> 00:04:04,581 THESE ARE THE FRIES. 54 00:04:04,581 --> 00:04:10,120 WE'VE FINALLY DONE IT. WE'VE GENTRIFIED POTATOES. 55 00:04:10,120 --> 00:04:15,792 THEY'RE CALLED "CREME DE LA CREME POMMES FRITES." 56 00:04:15,792 --> 00:04:17,060 THAT SOUNDS LESS LIKE A FRY AND MORE LIKE A POTATO WHO STUDIED 57 00:04:17,060 --> 00:04:18,261 ABROAD FOR A COUPLE OF MONTHS AND CAME BACK WITH AN ACCENT 58 00:04:18,261 --> 00:04:24,801 LIKE WE WOULDN'T NOTICE. WE ALL NOTICE, BITCH! 59 00:04:24,801 --> 00:04:28,038 YOU'RE FROM CONNECTICUT! WE ARE NOT FOOLED. 60 00:04:28,038 --> 00:04:36,012 THESE FRIES ARE LOADED WITH TRUFFLES AND COVERED WITH EDIBLE 61 00:04:36,012 --> 00:04:41,151 GOLD DUST. I FEEL LIKE THE GOLD DUST SHOULD 62 00:04:41,151 --> 00:04:46,556 BE DISQUALIFYING. GOLD IS NOT AN INGREDIENT. 63 00:04:46,556 --> 00:04:50,327 YOU CAN PUT GOLD ON ANYTHING AND MAKE IT EXPENSIVE. 64 00:04:50,327 --> 00:04:57,100 LIKE MR. T. IS NOT THE WORLD'S MOST EXPENSIVE MAN. 65 00:04:57,100 --> 00:05:01,872 HE'S JUST A DUDE WHO LIKES 66 00:05:01,872 --> 00:05:05,909 CHAINS. THIS RESTAURANT'S GOT A LOT 67 00:05:05,909 --> 00:05:06,810 GOING ON. HERE'S A REVIEW FROM AN ACTUAL 68 00:05:06,810 --> 00:05:07,577 CUSTOMER. "FOOD DIDN'T TASTE GOOD. 69 00:05:07,577 --> 00:05:08,845 IT IS WAY OVERPRICED AND THERE WAS AN EGGSHELL IN MY MEATLOAF. 70 00:05:08,845 --> 00:05:10,146 THE MANAGER JUST SAID, 'IT HAPPENS,' AND WALKED OFF." 71 00:05:10,146 --> 00:05:11,114 THAT'S NEW YORK CITY, BABY! 72 00:05:11,114 --> 00:05:19,489 [ CHEERS AND APPLAUSE ] 73 00:05:19,489 --> 00:05:23,460 WE'LL EAT A SLICE OF PIZZA WE 74 00:05:23,460 --> 00:05:30,901 DROPPED ON THE SIDEWALK, BUT PUT AN EGGSHELL IN OUR MEATLOAF, AND 75 00:05:30,901 --> 00:05:36,540 YOU CAN GO [ BLEEP ] YOURSELF. WE'RE GOING TO HAVE SO MUCH FUN 76 00:05:36,540 --> 00:05:36,773 TONIGHT! 77 00:05:36,773 --> 00:05:40,744 [ CHEERS AND APPLAUSE ] 78 00:05:40,744 --> 00:05:44,981 ALL THE WAY FROM LOUISIANA, THE 79 00:05:44,981 --> 00:05:51,521 WINNER OF THE SCRIPPS NATIONAL SPELLING BEE, ZAILA AVANT‐GARDE 80 00:05:51,521 --> 00:05:53,156 IS HERE. 81 00:05:53,156 --> 00:05:54,324 [ CHEERS AND APPLAUSE ] 82 00:05:54,324 --> 00:05:59,496 ZAILA IS THE FIRST AFRICAN‐AMERICAN TO WIN THE 83 00:05:59,496 --> 00:06:00,931 NATIONAL SPELLING BEE. 84 00:06:00,931 --> 00:06:05,268 [ CHEERS AND APPLAUSE ] 85 00:06:05,268 --> 00:06:06,436 SHE ALSO HOLDS NOT ONE, BUT THREE GUINNESS WORLD RECORDS, 86 00:06:06,436 --> 00:06:08,204 FOR BASKETBALL. OKAY? YES. 87 00:06:08,204 --> 00:06:11,508 [ CHEERS AND APPLAUSE ] 88 00:06:11,508 --> 00:06:15,579 MOST BALLS JUGGLED IN ONE MINUTE WITH FOUR BASKETBALLS. 89 00:06:15,579 --> 00:06:18,949 MOST DRIBBLES IN 30 SECONDS WITH FOUR BASKETBALLS. 90 00:06:18,949 --> 00:06:25,322 MOST BASKETBALLS DRIBBLED BY ONE PERSON SIMULTANEOUSLY. YEAH! 91 00:06:25,322 --> 00:06:28,758 [ CHEERS AND APPLAUSE ] 92 00:06:28,758 --> 00:06:32,228 AND SHE'S ONLY 14! THAT'S IMPRESSIVE. 93 00:06:32,228 --> 00:06:33,496 I'M 36 AND I DON'T EVEN HAVE A DRIVER'S LICENSE. 94 00:06:33,496 --> 00:06:35,365 [ LAUGHTER ] 95 00:06:35,365 --> 00:06:41,438 I'M SERIOUS. THAT'S SO TRUE. LIKE A LOT OF NEW YORKERS, I 96 00:06:41,438 --> 00:06:44,040 DON'T KNOW HOW TO DRIVE. BUT I'VE ALWAYS WANTED TO LEARN. 97 00:06:44,040 --> 00:06:48,612 SO WE FOUND A REAL DRIVER'S ED INSTRUCTOR HERE IN L. A. TO TEACH 98 00:06:48,612 --> 00:06:52,482 ME. AND THIS IS HOW THAT WENT. HOLD ON TO YOUR BUTT CHEEKS. HI. 99 00:06:52,482 --> 00:06:54,351 >> HI, HOW ARE YOU? 100 00:06:54,351 --> 00:06:55,352 >> Phoebe: I'M PHOEBE. 101 00:06:55,352 --> 00:06:57,587 >> I'M GEORGE. 102 00:06:57,587 --> 00:06:59,422 >> Phoebe: NICE TO MEET YOU. 103 00:06:59,422 --> 00:07:03,493 >> NICE TO MEET YOU. I'M GOING TO BE YOUR INSTRUCTOR 104 00:07:03,493 --> 00:07:03,960 TODAY. 105 00:07:03,960 --> 00:07:04,494 >> Phoebe: I'M SO EXCITED. 106 00:07:04,494 --> 00:07:04,628 ♪ 107 00:07:04,628 --> 00:07:04,828 ♪ 108 00:07:04,828 --> 00:07:12,335 ♪ 109 00:07:14,738 --> 00:07:18,208 >> LET'S GO OVER THE CONTROLS REAL QUICK. 110 00:07:18,208 --> 00:07:23,647 YOU HAVE THE GEAR SHIFT HERE. "D" FOR DRIVE. "R" FOR REVERSE. 111 00:07:23,647 --> 00:07:27,250 THE HORN THERE. 112 00:07:27,250 --> 00:07:28,652 >> Phoebe: LIKE THAT. IS THAT ANNOYING? 113 00:07:28,652 --> 00:07:30,587 >> IT MIGHT BE TO ANOTHER DRIVER. 114 00:07:30,587 --> 00:07:35,959 >> Phoebe: IF I'M REALLY MAD, CAN I JUST WAIL ON IT? 115 00:07:35,959 --> 00:07:38,161 JUST [ BLEEP ] ‐‐ 116 00:07:38,161 --> 00:07:42,399 >> TECHNICALLY, IT'S PROBABLY NOT THE RIGHT THING TO DO. 117 00:07:42,399 --> 00:07:45,068 >> Phoebe: SHH. LIKE THAT? 118 00:07:45,068 --> 00:07:45,802 >> NO. 119 00:07:45,802 --> 00:07:46,436 >> Phoebe: OKAY. 120 00:07:46,436 --> 00:07:48,772 >> YEAH. ARE YOU READY TO TRY THIS? 121 00:07:48,772 --> 00:07:50,807 >> Phoebe: OH, MY GOD. 122 00:07:50,807 --> 00:07:54,678 >> WE'RE GOING TO PARK BETWEEN THESE TWO CARS. PUT IT IN DRIVE. 123 00:07:54,678 --> 00:07:59,382 YOU'RE GOING TO DO THE WHOLE THING YOURSELF. GO FORWARD. 124 00:07:59,382 --> 00:08:01,551 AND TURN TO THE LEFT. YEP. 125 00:08:01,551 --> 00:08:04,587 >> OKAY. NOW, I HAVE TO REVERSE. 126 00:08:04,587 --> 00:08:04,821 >> YEP. 127 00:08:04,821 --> 00:08:09,459 [ BLEEP ]. 128 00:08:09,459 --> 00:08:11,494 >> OKAY. YOU'RE HITTING THE CAR. 129 00:08:11,494 --> 00:08:13,863 YOU JUST HIT THE LAMBORGHINI. 130 00:08:13,863 --> 00:08:17,167 >> Phoebe: LET'S MAKE A GETAWAY. HOLD ON. 131 00:08:17,167 --> 00:08:18,468 I'M GOING TO FIGURE IT OUT. 132 00:08:18,468 --> 00:08:23,907 >> YOU JUST HIT THE FERRARI. STOP. STOP. STOP. 133 00:08:23,907 --> 00:08:26,109 >> Phoebe: GEORGE. 134 00:08:26,109 --> 00:08:26,443 >> IT'S OKAY. 135 00:08:26,443 --> 00:08:29,112 >> Phoebe: AM I GIVING YOU A HEART ATTACK? 136 00:08:29,112 --> 00:08:34,317 >> YOU JUST CRASHED INTO THE CAR. THAT'S A CRITICAL ERROR. 137 00:08:34,317 --> 00:08:35,919 >> Phoebe: NO, NO, NO. 138 00:08:35,919 --> 00:08:40,523 >> THIS IS A LITTLE COURSE THAT WE SET UP. THAT'S THE BEGINNING. 139 00:08:40,523 --> 00:08:44,627 YOU SEE THOSE TWO CONES, WE'RE GOING TO DRIVE RIGHT IN THE 140 00:08:44,627 --> 00:08:45,095 MIDDLE. 141 00:08:45,095 --> 00:08:50,400 >> Phoebe: MY GOD, VIN DIESEL, KISS MY ASS. 142 00:08:50,400 --> 00:08:51,434 >> JUST SLOW DOWN. 143 00:08:51,434 --> 00:08:56,206 >> Phoebe: WHY IS THIS CAR SO FAST? SO MUCH PRESSURE, GEORGE. 144 00:08:56,206 --> 00:09:00,276 >> YOU GOT THIS. COME ON. 145 00:09:00,276 --> 00:09:01,945 >> Phoebe: I'M ‐‐ NO. 146 00:09:01,945 --> 00:09:05,048 >> COME ON. WE'RE GOING TO DO THIS UNTIL YOU 147 00:09:05,048 --> 00:09:09,919 FEEL COMFORTABLE DRIVING, OKAY? 148 00:09:09,919 --> 00:09:10,286 ♪ 149 00:09:10,286 --> 00:09:13,022 YOU'RE GOING TO STOP BEFORE THE SIDEWALK AND LOOK BOTH WAYS. 150 00:09:13,022 --> 00:09:19,395 MAKE SURE THERE'S NO PEDESTRIANS. CREEP IT NICE AND SLOW. 151 00:09:19,395 --> 00:09:22,999 TWO STROKES AND HOLD THAT. HOLD, HOLD, AND LET IT SLIDE. 152 00:09:22,999 --> 00:09:25,902 STRAIGHTEN OUT THE WHEEL. YOU'RE GOOD. 153 00:09:25,902 --> 00:09:29,272 >> Phoebe: IT FEELS LIKE THE OTHER CARS ARE SO CLOSE. 154 00:09:29,272 --> 00:09:32,976 >> DON'T STARE AT THEM. YOU'LL GO TOWARDS THEM. 155 00:09:32,976 --> 00:09:36,312 >> Phoebe: THE LANES ‐‐ ARE THEY ALWAYS THIS NARROW? 156 00:09:36,312 --> 00:09:38,782 >> YEAH. THEY ARE. 157 00:09:38,782 --> 00:09:43,219 >> Phoebe: WHY DOES THIS BITCH HAVE HER DOOR OPEN? 158 00:09:43,219 --> 00:09:47,357 >> THIS IS WHAT HAPPENS. IT'S A NARROW STREET. 159 00:09:47,357 --> 00:09:49,993 SIGNAL LEFT AND GO OVER TO THE RIGHT. 160 00:09:49,993 --> 00:09:53,396 >> Phoebe: CLOSE YOUR DOOR. DO YOU TELL PEOPLE THAT? 161 00:09:53,396 --> 00:09:55,765 >> I DON'T ROLL DOWN THE WINDOW TO TELL THEM. 162 00:09:55,765 --> 00:09:58,401 THIS IS A FAST LIGHT. WE HAVE TO BE AT THE READY. 163 00:09:58,401 --> 00:10:01,738 AND IF THE GUY IN FRONT OF US ISN'T GOING, YOU CAN GIVE A 164 00:10:01,738 --> 00:10:04,307 LITTLE TAP ON THE HORN. GO FOR IT. 165 00:10:04,307 --> 00:10:10,079 THAT'S A LITTLE TOO MUCH. OH, WOW. 166 00:10:10,079 --> 00:10:12,315 >> Phoebe: WE'RE GOING TO MAKE IT. 167 00:10:12,315 --> 00:10:17,320 >> WE JUST RAN A RED LIGHT. I WANT YOU TO JUST KIND OF CALL 168 00:10:17,320 --> 00:10:22,258 OUT THINGS YOU SEE AROUND YOU, AHEAD OF YOU, AND BEHIND YOU. 169 00:10:22,258 --> 00:10:26,129 THIS IS LIKE A SCANNING EXERCISE, RIGHT? 170 00:10:26,129 --> 00:10:27,897 >> Phoebe: LIKE THE HOT GUY STRETCHING. 171 00:10:27,897 --> 00:10:30,900 >> YEAH. YOU WOULD POINT HIM OUT. 172 00:10:30,900 --> 00:10:34,838 HE COULD POSE AS A POTENTIAL HAZARD. WHEN YOU'RE RIGHT. START. 173 00:10:34,838 --> 00:10:37,273 >> Phoebe: BUFFALO WILD WINGS. TARGET. 174 00:10:37,273 --> 00:10:39,309 >> THAT'S SHOPPING CENTER STUFF. 175 00:10:39,309 --> 00:10:45,048 >> Phoebe: OH, MY GOD. SPIDER‐MAN. YES. SPIDER‐MAN. 176 00:10:45,048 --> 00:10:50,386 >> I WANT YOU TO CALL OUT SIGNS. LIKE DO NOT BLOCK INTERSECTION. 177 00:10:50,386 --> 00:10:55,992 >> Phoebe: HOLLYWOOD PARKING. LOOK AT THAT TRUCK. OH, WEED. 178 00:10:55,992 --> 00:10:59,796 >> KEEP YOUR EYES ON THE ROAD. 179 00:10:59,796 --> 00:11:00,363 >> Phoebe: WHAT? 180 00:11:00,363 --> 00:11:03,299 >> KEEP IT TO THE LEFT. 181 00:11:03,299 --> 00:11:06,202 >> Phoebe: THIS IS TOO MUCH. OH, MY GOD. 182 00:11:06,202 --> 00:11:08,705 WHY WOULD YOU DO THAT? 183 00:11:08,705 --> 00:11:17,347 [ BLEEP ] FLIP‐FLOPS, JUST DO A 184 00:11:17,347 --> 00:11:21,684 U‐TURN? CAN I GIVE A MIDDLE FINGER? 185 00:11:21,684 --> 00:11:24,888 YOU GOT THIS. DID YOU SEE THAT? 186 00:11:24,888 --> 00:11:25,822 >> WE'RE GOOD. 187 00:11:25,822 --> 00:11:29,292 >> Phoebe: OH, NO. BITCH, DON'T SAY THANK YOU. 188 00:11:29,292 --> 00:11:32,328 >> I KNOW. 189 00:11:32,328 --> 00:11:34,130 >> Phoebe: YOU'RE NOT WELCOME. 190 00:11:34,130 --> 00:11:40,670 >> WE'RE PULLING INTO HERE. SIGNAL RIGHT. 191 00:11:40,670 --> 00:11:41,671 >> Phoebe: YES. 192 00:11:41,671 --> 00:11:44,741 >> YOU'RE GOING TO PARK ALL ON YOUR OWN. ALL YOU. 193 00:11:44,741 --> 00:11:47,076 STRAIGHTEN OUT THE WHEEL. A LITTLE MORE TO THE LEFT. 194 00:11:47,076 --> 00:11:49,045 PUT IT IN PARK. 195 00:11:49,045 --> 00:11:51,848 >> Phoebe: OH, MY GOD. THAT WAS SO FUN. 196 00:11:51,848 --> 00:11:53,816 >> I TOLD YOU. 197 00:11:53,816 --> 00:11:55,418 >> Phoebe: GEORGE, THIS WAS GREAT. 198 00:11:55,418 --> 00:11:57,153 YOU'RE SUCH A GOOD TEACHER. 199 00:11:57,153 --> 00:11:57,820 >> THANK YOU. 200 00:11:57,820 --> 00:12:01,524 >> Phoebe: THIS WAS AMAZING. THERE'S JUST ONE MORE THING I 201 00:12:01,524 --> 00:12:05,962 WANT TO DO. 202 00:12:05,962 --> 00:12:16,306 [ CHEERS AND APPLAUSE ] 203 00:12:16,306 --> 00:12:20,243 OH, MY GOODNESS. WE HAVE A GOOD SHOW FOR YOU 204 00:12:20,243 --> 00:12:22,378 TONIGHT. CHELSEA HANDLER IS WITH US. 205 00:12:22,378 --> 00:12:27,817 [ CHEERS AND APPLAUSE ] 206 00:12:27,817 --> 00:12:29,385 NBA GREAT CHRIS BOSH IS HERE. 207 00:12:29,385 --> 00:12:30,887 [ CHEERS AND APPLAUSE ] 208 00:12:30,887 --> 00:12:34,090 WE'VE GOT MUSIC FROM MONEYBAGG YO. 209 00:12:34,090 --> 00:12:34,590 [ CHEERS AND APPLAUSE ] 210 00:12:34,590 --> 00:12:36,859 AND WE'LL BE RIGHT BACK WITH SPELLING BEE CHAMPION 211 00:12:36,859 --> 00:12:38,161 ZAILA AVANT‐GARDE. 212 00:12:38,161 --> 00:12:43,174 [ CHEERS AND APPLAUSE ] 213 00:12:54,870 --> 00:12:55,662 [ CHEERS AND APPLAUSE ] 214 00:12:55,662 --> 00:13:01,021 >>> YES. WELCOME BACK TO "JIMMY KIMMEL 215 00:13:01,021 --> 00:13:05,057 LIVE." I'M PHOEBE ROBINSON. THANK YOU, SIR. 216 00:13:05,057 --> 00:13:12,035 I'M TAKEN BUT YOU'RE CUTE. THIS YOUNG WOMAN HAS A NATIONAL 217 00:13:12,035 --> 00:13:17,473 SPELLING BEE TITLE, THREE GUINNESS WORLD RECORDS, AND AN 218 00:13:17,473 --> 00:13:18,575 INCREDIBLY COOL NAME. PLEASE WELCOME, ALL THE WAY FROM 219 00:13:18,575 --> 00:13:21,711 INCREDIBLY TALENTED HE ‐ ZAILA AVANT‐GARDE. 220 00:13:21,711 --> 00:13:39,963 [ CHEERS AND APPLAUSE ] 221 00:13:39,963 --> 00:13:41,965 OKAY. MY FIRST QUESTION FOR YOU, IS 222 00:13:41,965 --> 00:13:45,802 HOW DO YOU FEEL ABOUT BEING AMERICA'S SPELLING SWEETHEART? 223 00:13:45,802 --> 00:13:51,207 >> I DON'T REALLY KNOW YET BECAUSE I'M STILL SOAKING IT IN. 224 00:13:51,207 --> 00:13:55,278 SO, LET ME ‐‐ ASK ME THAT IN LIKE A MONTH. 225 00:13:55,278 --> 00:14:01,384 RIGHT NOW, I DON'T REALLY KNOW. 226 00:14:01,384 --> 00:14:05,355 >> Phoebe: DURING THE SPELLING BEE, YOU ASKED FOR INFORMATION 227 00:14:05,355 --> 00:14:07,156 FOR YOUR FINAL WORD. TAKE A LOOK. 228 00:14:07,156 --> 00:14:16,232 >> THE WORD IS MURRIA. 229 00:14:16,232 --> 00:14:23,573 IS THIS ENGLISH NAME OF MURRAY, A COMEDIAN. 230 00:14:23,573 --> 00:14:27,877 >> M‐U‐R‐R‐A‐Y‐A. 231 00:14:27,877 --> 00:14:38,154 >> THAT IS CORRECT. 232 00:14:38,154 --> 00:14:42,492 >> Phoebe: OKAY. IS YOUR FAMILY BIG BILL MURRAY 233 00:14:42,492 --> 00:14:43,159 FANS? 234 00:14:43,159 --> 00:14:49,499 >> THE ONLY BILL MURRAY MOVIE I KNOW WATCHING IT WITH ME, WAS 235 00:14:49,499 --> 00:14:55,204 "LOST IN TRANSLATION." THAT'S HOW I REMEMBERED THAT. 236 00:14:55,204 --> 00:14:59,042 MURRAY, LIKE BILL MURRAY. HUH. 237 00:14:59,042 --> 00:15:05,314 >> Phoebe: NOT ONLY THE BEST SPELLER IN THE WORLD, BUT ONE, 238 00:15:05,314 --> 00:15:11,554 TWO, THREE, GUINNESS WORLD RECORDS FOR BASKETBALL. AMAZING. 239 00:15:11,554 --> 00:15:18,027 MOST DRIBBLES IN A MINUTE. MOST BALLS DRIBBLED AT ONE TIME. 240 00:15:18,027 --> 00:15:20,430 >> I DON'T KNOW WHAT'S GOING ON. I'VE BEEN WORKING ON IT SINCE I 241 00:15:20,430 --> 00:15:26,969 WAS 5. I HAD A LOT OF TIME TO WORK UP 242 00:15:26,969 --> 00:15:28,705 TO THAT LEVEL. 243 00:15:28,705 --> 00:15:33,209 >> Phoebe: I WANT TO ADOPT YOU BUT I WOULD PUT YOU DOWN THE 244 00:15:33,209 --> 00:15:37,246 WRONG PATH. YOU KILLED IT AT THE SPELLING 245 00:15:37,246 --> 00:15:40,783 BEE. WE HAVE A GREAT GAME. IT'S CALLED BEE BALL. 246 00:15:40,783 --> 00:15:51,260 [ CHEERS AND APPLAUSE ] 247 00:15:51,260 --> 00:15:52,929 GUILLERMO IS OUR BALL BEE, IN CHARGE OF OUR BASKETBALLS. 248 00:15:52,929 --> 00:15:56,265 YOU HAVE THREE CHALLENGES AHEAD OF YOU. 249 00:15:56,265 --> 00:16:03,106 THE FIRST CHALLENGE IS, DRIBBLE THREE BALLS SIMULTANEOUSLY WHILE 250 00:16:03,106 --> 00:16:09,345 SPELLING MACHIAVELLIAN. 251 00:16:09,345 --> 00:16:09,846 [ CHEERS AND APPLAUSE ] 252 00:16:09,846 --> 00:16:13,316 >> I BELIEVE THAT'S SPELLED ‐‐ 253 00:16:13,316 --> 00:16:22,525 [ CHEERS AND APPLAUSE ] 254 00:16:22,525 --> 00:16:26,596 >> OH, MY GOD. OKAY. OKAY. THIS ONE IS A LITTLE HARDER. 255 00:16:26,596 --> 00:16:33,402 FOR CHALLENGE NUMBER TWO, DRIBBLE SIX BALLS 256 00:16:33,402 --> 00:16:35,872 SIMULTANEOUSLY, WHILE SPELLING 257 00:16:35,872 --> 00:16:50,653 THE WORD AMARYLIS. 258 00:16:50,653 --> 00:16:56,058 MEANING A BULBOUS PLANT, WITH WHITE FLOWERS. YOU GOT THIS. 259 00:16:56,058 --> 00:17:07,203 >> I HOPE SO. 260 00:17:07,203 --> 00:17:09,071 AMARYLLIS. A‐M‐A‐R‐Y‐L‐L‐I‐S. 261 00:17:09,071 --> 00:17:15,945 [ CHEERS AND APPLAUSE ] 262 00:17:15,945 --> 00:17:21,184 >> Phoebe: OKAY. WOW. AND FOR YOUR FINAL CHALLENGE, WE 263 00:17:21,184 --> 00:17:28,191 HAVE A SPECIAL GUEST PRESENTER. ALL THE WAY FROM MARSEILLE, 264 00:17:28,191 --> 00:17:33,229 FRANCE, THE MAN WHO HELPED YOU WIN THE CROWN, MR. BILL MURRAY. 265 00:17:33,229 --> 00:17:43,406 [ CHEERS AND APPLAUSE ] 266 00:17:43,406 --> 00:17:46,108 OH, MY GOD. BILL, WHY ARE YOU ALL THE WAY IN 267 00:17:46,108 --> 00:17:48,578 FRANCE? WHAT'S GOING ON? 268 00:17:48,578 --> 00:17:52,548 >> HELLO. I CAME OVER HERE FOR A MOVIE 269 00:17:52,548 --> 00:17:57,920 CALLED "THE FRENCH DISPATCH." AND WE OPENED UP THE CANNES FILM 270 00:17:57,920 --> 00:18:01,324 FESTIVAL. IT IS A VERY GOOD FILM. AND THE FRENCH REALLY LOVED IT. 271 00:18:01,324 --> 00:18:08,898 I THINK THE AMERICANS WILL, TOO. I'M REALLY HAPPY FOR YOU. 272 00:18:08,898 --> 00:18:14,570 ON A COINCIDENTAL FRONT, I SPELLED YOUR NAME PROPERLY THE 273 00:18:14,570 --> 00:18:14,837 OTHER DAY. 274 00:18:14,837 --> 00:18:20,243 [ CHEERS AND APPLAUSE ] 275 00:18:25,214 --> 00:18:29,819 IT'S NOT ENOUGH TO WIN FOR THOSE SCRIPPS. 276 00:18:29,819 --> 00:18:33,756 YOU HAVE TO MULTITASK AS PHOEBE HAS POINTED OUT TO YOU. 277 00:18:33,756 --> 00:18:37,994 YOU SEE HOW SHE TALKS AND DRIVES A CAR AT THE SAME TIME. 278 00:18:37,994 --> 00:18:40,963 I THINK WITH GUILLERMO'S HELP, YOU CAN DO THIS. 279 00:18:40,963 --> 00:18:47,270 WHAT WE WANT YOU TO DO NOW IS TO DRIBBLE THREE BALLS, WHILE 280 00:18:47,270 --> 00:18:53,242 BALANCING ON A FOAM ROLLER AND SPELLING THE ENGLISH WORD THAT 281 00:18:53,242 --> 00:18:57,446 COMES FROM THE FRENCH. 282 00:18:57,446 --> 00:18:59,982 >> Phoebe: BILL, THAT'S REALLY HARD. 283 00:18:59,982 --> 00:19:04,854 >> IT'S HARD FOR YOU, PHOEBE. IT WON'T BE A PROBLEM. 284 00:19:04,854 --> 00:19:05,988 >> Phoebe: THAT'S FAIR. 285 00:19:05,988 --> 00:19:06,789 >> LET'S HEAR SOME APPLAUSE. 286 00:19:06,789 --> 00:19:19,235 [ CHEERS AND APPLAUSE ] 287 00:19:19,235 --> 00:19:26,108 >> WHAT IS IT? PORTMANTEAU. 288 00:19:26,108 --> 00:19:30,279 >> IT'S A SUITCASE. 289 00:19:30,279 --> 00:19:45,461 >> PORTMANTEAU. 290 00:19:45,461 --> 00:19:45,928 P‐O‐R‐T‐M‐A‐N‐T‐E‐A‐U. 291 00:19:45,928 --> 00:19:46,429 [ CHEERS AND APPLAUSE ] 292 00:19:46,429 --> 00:19:50,866 >> Phoebe: OH, MY GOD. THANK YOU SO MUCH, BILL. 293 00:19:50,866 --> 00:19:56,238 THANK YOU. YOU'RE WELCOME, PHOEBE. 294 00:19:56,238 --> 00:20:02,078 KEEP UP THE GOOD WORK. 295 00:20:02,078 --> 00:20:04,347 >> Phoebe: CONGRATULATIONS. YOU ARE SUCH AN AMAZING SPELLER 296 00:20:04,347 --> 00:20:10,152 AND DRIBBLER. 297 00:20:10,152 --> 00:20:16,125 YOU WILL BE GETTING A FULL SCHOLARSHIP TO SPORTS ACADEMY. 298 00:20:16,125 --> 00:20:20,596 [ CHEERS AND APPLAUSE ] 299 00:20:20,596 --> 00:20:26,068 THE BASKETBALL TRAINING CENTER NEAR AND DEAR TO THE HEARTS OF 300 00:20:26,068 --> 00:20:26,936 KOBE BRYANT & HIS FANS AROUND THE WORLD. 301 00:20:26,936 --> 00:20:28,604 THANK YOU ZAILA, AND THANKS TO BILL MURRAY! WE'LL BE BACK WITH 302 00:20:28,604 --> 00:20:29,305 CHELSEA HANDLER. 303 00:20:29,305 --> 00:20:36,645 [ CHEERS AND APPLAUSE ] 304 00:20:37,413 --> 00:20:42,351 >> Dicky: PORTIONS OF "JIMMY KIMMEL LIVE" ARE BROUGHT 305 00:20:42,351 --> 00:20:44,186 TO YOU BY YOUTUBE TV. WATCH LIVE TV WITH UNLIMITED DVR 306 00:20:44,186 --> 00:20:49,291 AND MORE, NO CABLE BOX REQUIRED. TRY IT FREE. 307 00:20:49,291 --> 00:20:49,714 [ CHEERS AND APPLAUSE ] 308 00:20:56,061 --> 00:21:00,466 >>> OH, MY GOSH. WELCOME BACK. 309 00:21:00,466 --> 00:21:05,604 COMING UP, HIS NEW BOOK IS CALLED "LETTERS TO A YOUNG 310 00:21:05,604 --> 00:21:06,739 ATHLETE." FUTURE NBA HALL OF FAMER 311 00:21:06,739 --> 00:21:07,673 CHRIS BOSH IS HERE. 312 00:21:07,673 --> 00:21:14,847 [ CHEERS AND APPLAUSE ] 313 00:21:14,847 --> 00:21:19,385 AND SPEAKING OF BOOKS, I HAVE A NEW ONE COMING OUT CALLED 314 00:21:19,385 --> 00:21:21,053 "PLEASE DON'T SIT ON MY BED IN YOUR OUTSIDE CLOTHES." 315 00:21:21,053 --> 00:21:28,527 YOU CAN PRE‐ORDER IT NOW. IF YOU CAN ONLY AFFORD ONE BOOK, 316 00:21:28,527 --> 00:21:32,164 BUY MINE. CHRIS IS RICH, OKAY? AND LATER, HIS ALBUM IS CALLED 317 00:21:32,164 --> 00:21:34,433 "A GANGSTA'S PAIN." MUSIC FROM MONEYBAGG YO. 318 00:21:34,433 --> 00:21:39,438 [ CHEERS AND APPLAUSE ] 319 00:21:39,438 --> 00:21:44,210 MAKE SURE TO COME BACK FRIDAY. NICK KROLL WILL BE HOSTING WITH 320 00:21:44,210 --> 00:21:47,646 HIS GUESTS SETH ROGEN, WINSTON DUKE, AND GUCCI MANE. 321 00:21:47,646 --> 00:21:52,251 AND ON SATURDAY IN PRIMETIME, WATCH ANTHONY ANDERSON HOST 322 00:21:52,251 --> 00:21:59,658 "JIMMY KIMMEL LIVE: NBA FINALS GAME NIGHT" WITH HIS GUEST, 323 00:21:59,658 --> 00:22:05,064 CEDRIC THE ENTERTAINER. MY GUEST IS A COMEDIENNE, TALK 324 00:22:05,064 --> 00:22:09,034 SHOW HOST, AND AUTHOR WHO CAN DO IT ALL, OFTEN WITHOUT A SHIRT. 325 00:22:09,034 --> 00:22:14,139 FREE THEM TITTIES. SHE IS CURRENTLY ON THE ROAD FOR 326 00:22:14,139 --> 00:22:20,446 HER "VACCINATED & HORNY" TOUR. TICKETS ARE AVAILABLE NOW. 327 00:22:20,446 --> 00:22:22,381 JOINING US FROM NASHVILLE, WELCOME CHELSEA HANDLER. 328 00:22:22,381 --> 00:22:32,324 [ CHEERS AND APPLAUSE ] 329 00:22:32,324 --> 00:22:33,058 WOW. 330 00:22:33,058 --> 00:22:34,827 >> HI, PHOEBE. 331 00:22:34,827 --> 00:22:37,663 >> Phoebe: HI. IT IS A PLEASURE TO MEET YOU, 332 00:22:37,663 --> 00:22:40,666 EVEN VIA ZOOM. I'M SO EXCITED. YOU'RE IN NASHVILLE. 333 00:22:40,666 --> 00:22:48,574 YOU'RE ABOUT TO GO ON STAGE IN LESS THAN 30 MPTD MINUTES IS WH 334 00:22:48,574 --> 00:22:48,774 HEARD? 335 00:22:48,774 --> 00:22:49,775 >> YEAH. 336 00:22:49,775 --> 00:22:50,509 >> TH 337 00:22:50,509 --> 00:22:52,144 >> Phoebe: THANK YOU FOR MAKING TIME FOR US. 338 00:22:52,144 --> 00:22:56,448 DO YOU GET NERVOUS RIGHT BEFORE YOU GET ON? 339 00:22:56,448 --> 00:22:59,918 >> SOMETIMES I GET NERVOUS. I'M WARMING UP. 340 00:22:59,918 --> 00:23:03,022 A I'M DOING A WEEK OF SHOWS IN NASHVILLE. 341 00:23:03,022 --> 00:23:06,191 I LIKE TO WORK IT OUT AT CLUBS I LIKE IN THIS COUNTRY. 342 00:23:06,191 --> 00:23:11,163 NOT SO MUCH NEFSHGS. MORE SOBER THAN USUAL, BECAUSE 343 00:23:11,163 --> 00:23:15,868 I'M BUILDING THE MATERIAL AND GETTING A WHOLE HOUR AGENT. 344 00:23:15,868 --> 00:23:19,171 I HAVE TO BE SHARP. IT'S NOT LIKE I'M HAVING AN 345 00:23:19,171 --> 00:23:22,141 EDIBLE OR A DRINK, WHICH I USUALLY LIKE TO DO BEFORE I 346 00:23:22,141 --> 00:23:22,608 PERFORM. 347 00:23:22,608 --> 00:23:26,312 >> YOU'RE JUST DRINKING FLAT WATER BEFORE YOU GO ON NOW? 348 00:23:26,312 --> 00:23:28,380 A WHOLE, NEW CHELSEA. 349 00:23:28,380 --> 00:23:32,618 >> I CAN'T HAVE FLAT WATER. IT'S SPARKLING. 350 00:23:32,618 --> 00:23:35,721 >> Phoebe: YOUR TOUR IS CALLED VACCINATED AND HORNY. 351 00:23:35,721 --> 00:23:40,959 THAT SEEMS ON‐BRAND FOR YOU. 352 00:23:40,959 --> 00:23:43,595 >> I THINK IT'S ON‐BRAND FOR THE COUNTRY. 353 00:23:43,595 --> 00:23:46,598 ANYBODY WHO IS SINGLE, IT'S PRETTY FRUSTRATING. 354 00:23:46,598 --> 00:23:54,173 AREN'T THEY? 355 00:23:54,173 --> 00:23:55,741 A LOT OF FRUSTRATION AND PENT‐UP AGGRAVATION GOING AROUND. 356 00:23:55,741 --> 00:23:58,811 THIS IS AN OPPORTUNITY FOR ME TO BRING PEOPLE TOGETHER IN THE 357 00:23:58,811 --> 00:24:04,983 RIGHT WAY. WE CAN ALL LOVE ON EACH OTHER 358 00:24:04,983 --> 00:24:06,785 WITHOUT TOO MANY NEW STDs BEING CREATED. 359 00:24:06,785 --> 00:24:12,458 >> Phoebe: I LOVE THAT. 360 00:24:12,458 --> 00:24:17,930 HOW IS IT GOING BACK INTO STANDUP AFTER COVID? 361 00:24:17,930 --> 00:24:19,398 HOW HAS IT BEEN FOR YOU? 362 00:24:19,398 --> 00:24:24,036 >> WHEN YOU SEE A GROUP OF PEOPLE IN AN AUDIENCE. 363 00:24:24,036 --> 00:24:27,072 THEY HAVE NO FACE MASKS ON, IT FEELS LIKE YOU'RE SEEING 364 00:24:27,072 --> 00:24:31,377 SOMETHING YOU'RE NOT SUPPOSED TO. YOU KNOW? 365 00:24:31,377 --> 00:24:37,149 IT FEELS LIKE YOU GOT A PEEK AND YOU LOOK AWAY. 366 00:24:37,149 --> 00:24:42,988 WE'RE NOT USED TO SEEING IT. LIKE, IS THIS OKAY? 367 00:24:42,988 --> 00:24:45,491 PEOPLE ARE PUMPED UP TO BE OUT. AND I AM, TOO. 368 00:24:45,491 --> 00:24:48,727 I'M PSYCHED TO SELL TICKETS. TO GO AND PERFORM IN FRONT OF 369 00:24:48,727 --> 00:24:51,730 PEOPLE THAT ARE COMING TOGETHER FOR THE FIRST TIME SINCE COVID. 370 00:24:51,730 --> 00:24:58,070 SO MANY PEOPLE. 371 00:24:58,070 --> 00:25:02,441 A LOT OF PEOPLE IN THE SOUTH DIDN'T EXPERIENCE COVID. 372 00:25:02,441 --> 00:25:04,209 THEIR CLUBS ARE VERY FULL. 373 00:25:04,209 --> 00:25:08,280 >> Phoebe: YOU DID A SHOW AT THE MIRAGE IN LAS VEGAS. 374 00:25:08,280 --> 00:25:09,848 I'M GUESSING THEY WERE NOT TOO CONCERNED ABOUT THE PANDEMIC, 375 00:25:09,848 --> 00:25:10,048 RIGHT? 376 00:25:10,048 --> 00:25:19,024 >> NO. 377 00:25:19,024 --> 00:25:25,297 THAT'S WHERE YOU WANT TO GO TO VEGAS. GAME ON. 378 00:25:25,297 --> 00:25:30,602 IT WAS A HOT MESS IN VEGAS. 379 00:25:30,602 --> 00:25:33,972 WE GAMBLED UNTIL 4:30 IN THE MORNING. 380 00:25:33,972 --> 00:25:37,042 THAT'S MY FAVORITE PLACE TO GO IN FOR A GOOD 40 HOURS. 381 00:25:37,042 --> 00:25:42,815 YOU GO RIGHT OUT BEFORE THERE'S A FULL DAY. 382 00:25:42,815 --> 00:25:45,350 >> Phoebe: YOU POSTED ON INSTAGRAM, BEFORE YOU GOT TO 383 00:25:45,350 --> 00:25:53,091 VEGAS AND THE MORNING AFTER YOU GOT TO VEGAS. 384 00:25:53,091 --> 00:25:58,630 NOT TO MAKE THIS A COMPETITION, BUT HERE'S A PICTURE OF ME AT 385 00:25:58,630 --> 00:26:07,105 VEGAS AT A BACHELORETTE PARTY. 386 00:26:07,105 --> 00:26:09,975 >> ARE YOU THE WHITE GUY ON TOP? 387 00:26:09,975 --> 00:26:14,847 >> Phoebe: IT WAS AT A STRIP CLUB. I DON'T KNOW IF YOU SAW HIM 388 00:26:14,847 --> 00:26:16,582 WHILE YOU WERE THERE. HE WAS GREAT. 389 00:26:16,582 --> 00:26:18,217 YOU HAVE TO GET READY FOR YOUR SHOW. 390 00:26:18,217 --> 00:26:25,757 DO YOU HAVE A PRESHOW RITUAL THAT YOU LIKE TO DO NOW? 391 00:26:25,757 --> 00:26:30,863 >> I HAVE A BIT. I TALK A LOT ABOUT TO THE TYPE 392 00:26:30,863 --> 00:26:33,832 OF MEN THAT I'M OPEN TO HAVING SEXUAL PENETRATION WITH NOW. 393 00:26:33,832 --> 00:26:37,202 EVERYTHING WE LEARNED ABOUT WHITE MEN IS ‐‐ GUILLERMO KNOWS. 394 00:26:37,202 --> 00:26:43,442 IT'S SO DISAPPOINTING. MY CHOICES NOW ARE, I HAVE TO GO 395 00:26:43,442 --> 00:26:49,314 TOWARDS, MY BLACK AND LATINO AND ASIAN BROTHERS AND SAY, I'M 396 00:26:49,314 --> 00:26:54,953 HERE. TAKE ME. OR BECOME A MIDDLE‐LIFE LESBIAN. 397 00:26:54,953 --> 00:26:59,725 I'M NOT MANATURALLY GAY. BUT IF MEN KEEP IT UP, I MIGHT 398 00:26:59,725 --> 00:27:03,462 BECOME GAY. I HAVE NO RITUALS YET. 399 00:27:03,462 --> 00:27:06,331 I'M TRYING ‐‐ I TRY TO CALM DOWN MY BREATHING. 400 00:27:06,331 --> 00:27:13,205 WHEN I GET EXCITED, I CAN TALK REALLY, REALLY FAST. 401 00:27:13,205 --> 00:27:17,009 I TRY TO DO DEEP BREATHING EXERCISES SO I DON'T START 402 00:27:17,009 --> 00:27:19,378 SCREAMING AT MEN DURING THE MIDDLE OF MY SHOW. 403 00:27:19,378 --> 00:27:23,382 >> Phoebe: BEFORE YOU GO, I WANT TO ASK YOU ABOUT AN INTERVIEW 404 00:27:23,382 --> 00:27:27,519 YOU DID WITH "INSTYLE." AND I WANT TO READ THE QUOTE 405 00:27:27,519 --> 00:27:32,424 PROPERLY. ONE THING I LEARNED ABOUT DOING 406 00:27:32,424 --> 00:27:36,929 QUAALUDES AT JANE FONDA'S HOUSE, IS DON'T DO QUAALUDES. 407 00:27:36,929 --> 00:27:40,699 I HAVE FOLLOW‐UPS? WERE YOU AND JANE DOING 408 00:27:40,699 --> 00:27:43,769 QUAALUDES? AND WHAT KIND OF PARTY WAS THIS? 409 00:27:43,769 --> 00:27:46,972 >> THIS WAS ‐‐ I DON'T THINK JANE WAS DOING QUAALUDES. 410 00:27:46,972 --> 00:27:48,907 JANE DIDN'T GIVE ME THE QUAALUDES. 411 00:27:48,907 --> 00:27:55,914 SOMEONE ELSE AT THE PARTY GAVE ME TWO QUAAQUAALUDES. 412 00:27:55,914 --> 00:27:59,818 I GAVE IT TO ONE OF MY GIRLFRIENDS WHO SAID, I'M NOT 413 00:27:59,818 --> 00:28:02,521 DOING QUAALUDES. I TOOK BOTH OF THEM. 414 00:28:02,521 --> 00:28:05,924 I WAS A HOT MESS. I WOULDN'T WALK FOR A LONG TIME. 415 00:28:05,924 --> 00:28:10,028 I WANT A JOINT OR A COCKTAIL AND WILL LAUGH MY ASS OFF. 416 00:28:10,028 --> 00:28:13,265 YOU KNOW WHAT I MEAN? 417 00:28:13,265 --> 00:28:15,133 >> Phoebe: I LOVE THAT. I LOVE THAT. 418 00:28:15,133 --> 00:28:17,436 I'M GOING TO TRY TO SQUEEZE IN ONE MORE QUESTION. 419 00:28:17,436 --> 00:28:21,440 IF THAT'S OKAY. WE LOVE TO WRITE. WE LOVE BOOKS. 420 00:28:21,440 --> 00:28:24,276 ON INSTAGRAM, YOU SHOW YOUR APPRECIATION FOR BOOKS, A LITTLE 421 00:28:24,276 --> 00:28:33,919 DIFFERENTLY. 422 00:28:33,919 --> 00:28:38,357 SHOWING OFF THE HOT BOD. TODAY IS NATIONAL NUDE DAY. 423 00:28:38,357 --> 00:28:41,259 YOU DIDN'T KNOW? I THOUGHT IT WAS IN YOUR 424 00:28:41,259 --> 00:28:41,526 CALENDAR. 425 00:28:41,526 --> 00:28:47,432 >> I'M NUDE ALL THE TIME. I DON'T NEED A DAY FOR IT. 426 00:28:47,432 --> 00:28:50,902 PHOEBE, I WANT TO SAY, CONGRATS ON YOUR NEW BOOK. 427 00:28:50,902 --> 00:28:53,805 I CAN'T WAIT TO READ IT. RIGHT ON. 428 00:28:53,805 --> 00:28:57,042 >> Phoebe: THANK YOU SO MUCH. THIS HAS BEEN SO FUN. 429 00:28:57,042 --> 00:29:01,146 TICKETS ARE AVAILABLE FOR THE "VACCINATED & HORNY" TOUR. 430 00:29:01,146 --> 00:29:03,548 THANKS, CHELSEA. WE'LL BE BACK WITH CHRIS BOSH. 431 00:29:03,548 --> 00:29:08,253 [ CHEERS AND APPLAUSE ] 432 00:29:13,861 --> 00:29:15,631 ♪ 433 00:29:15,631 --> 00:29:19,251 >> "JIMMY KIMMEL LIVE" EDU‐TAINMENT FILMS PRESENTS, 434 00:29:19,251 --> 00:29:23,188 "HOW TO UPGRADE YOUR TV EXPERIENCE." 435 00:29:23,188 --> 00:29:25,958 STEP ONE, SIGN UP FOR YOUTUBE TV. 436 00:29:25,958 --> 00:29:26,692 >> Guillermo: DONE. NOW WHAT? 437 00:29:26,692 --> 00:29:27,259 >> THAT'S IT. 438 00:29:27,259 --> 00:29:29,228 >> Guillermo: OH, SO WHAT DO I DO NOW? 439 00:29:29,228 --> 00:29:30,062 >> I DON'T KNOW MAN, IT'S YOUR LIFE! 440 00:29:30,062 --> 00:29:31,764 >> Guillermo: BUT YOU ALWAYS TELL ME WHAT TO DO. 441 00:29:31,764 --> 00:29:34,099 >> FINE, HOW ABOUT YOU WATCH 442 00:29:49,782 --> 00:29:51,517 >> Guillermo: WHY NOT? 443 00:29:51,517 --> 00:29:54,553 >> BECAUSE I HAVE A LIFE. MY OWN INTERESTS. 444 00:29:54,553 --> 00:29:56,855 I WAS IN LOVE ONCE. JEEZ, DO YOU EVEN KNOW MY NAME? 445 00:29:56,855 --> 00:29:57,389 >> Guillermo: IS IT CHRIS? 446 00:29:57,389 --> 00:30:01,360 >> IT IS CHRIS. SORRY I YELLED AT YOU! 447 00:30:01,360 --> 00:30:04,763 >> Guillermo: IT'S OKAY. I APPRECIATE YOU CHRIS. 448 00:30:04,763 --> 00:30:05,697 >> DITTO AMIGO. GIVE ME A HUG! 449 00:30:05,697 --> 00:30:09,935 >> TRANSFORM YOUR TV EXPERIENCE AND WATCH LIVE TV FROM ANYWHERE 450 00:30:09,935 --> 00:30:13,539 IN THE US WITH YOUTUBE TV STREAMING SERVICE. 451 00:30:13,539 --> 00:30:15,674 NO CABLE BOX REQUIRED. TRY IT FREE. 452 00:30:15,674 --> 00:30:16,245 [ CHEERS AND APPLAUSE ] 453 00:30:21,195 --> 00:30:26,065 >>> ALL RIGHT. OUR NEXT GUEST IS A TWO‐TIME NBA 454 00:30:26,065 --> 00:30:29,265 CHAMPION WHO'LL BE INDUCTED LATER THIS YEAR INTO THE 455 00:30:29,265 --> 00:30:32,489 BASKETBALL HALL OF FAME, AND HE'S A WRITER, TOO. 456 00:30:32,489 --> 00:30:33,924 HIS NEW BOOK IS CALLED, "LETTERS TO A YOUNG ATHLETE," BUT YOU CAN 457 00:30:33,924 --> 00:30:35,325 STILL READ IT EVEN IF YOU HATE EXERCISE. 458 00:30:35,325 --> 00:30:37,327 PLEASE WELCOME CHRIS BOSH. 459 00:30:37,327 --> 00:30:49,339 [ CHEERS AND APPLAUSE ] 460 00:30:49,339 --> 00:31:00,593 ♪ 461 00:31:00,593 --> 00:31:05,639 MY BROTHER IS GOING TO BE SO JEALOUS THAT I'M TALKING TO YOU. 462 00:31:05,639 --> 00:31:08,409 THIS IS SO COOL. 463 00:31:08,409 --> 00:31:09,009 >> HAPPY TO BE HERE. 464 00:31:09,009 --> 00:31:11,178 >> Phoebe: CONGRATULATIONS ON YOUR INDUCTION THAT'S COMING UP. 465 00:31:11,178 --> 00:31:16,784 THAT'S AMAZING. OKAY. WHAT WERE YOU DOING AND WHERE 466 00:31:16,784 --> 00:31:18,552 WERE YOU WHEN YOU GOT THE NEWS? 467 00:31:18,552 --> 00:31:22,222 >> EVERYBODY KEEPS ASKING ME THAT QUESTION. 468 00:31:22,222 --> 00:31:24,091 AND I WISH I HAD SOMETHING COOLER. 469 00:31:24,091 --> 00:31:29,663 FOR THE PARENTS OUT THERE, WE KNOW ABOUT VIRTUAL SCHOOL. 470 00:31:29,663 --> 00:31:31,932 I WAS ALL THE WAY IN VIRTUAL SCHOOL. 471 00:31:31,932 --> 00:31:36,036 I'M TELLING MY SON ABOUT AN ASSIGNMENT THAT WE DIDN'T TURN 472 00:31:36,036 --> 00:31:38,806 IN. NOW WE DIDN'T TURN IN AN ASSIGNMENT. 473 00:31:38,806 --> 00:31:41,475 WE WERE TRYING TO FIGURE THAT OUT. 474 00:31:41,475 --> 00:31:45,345 AND I FORGOT I WAS SUPPOSED TO GET THE CALL THAT DAY. 475 00:31:45,345 --> 00:31:48,482 WHEN MY PHONE STARTED RINGING AND I LOOKED DOWN, THE TRAINING 476 00:31:48,482 --> 00:31:50,017 TOOK OVER. JUST BUSTED OUT INTO A SPRINT TO 477 00:31:50,017 --> 00:31:56,924 THE OFFICE. OKAY. YOU ARE A WRITER. 478 00:31:56,924 --> 00:32:00,761 YOU HAVE A PHENOMENAL BOOK. ARE YOU WORKING ON YOUR 479 00:32:00,761 --> 00:32:03,096 INDUCTION SPEECH YET? 480 00:32:03,096 --> 00:32:09,136 >> YEAH. I'M WORKING ON IT. IT'S COMING ALONG. 481 00:32:09,136 --> 00:32:11,638 IT'S A LOT OF PRESSURE. IF IT WERE UP TO ME, I WOULD 482 00:32:11,638 --> 00:32:19,613 STILL BE PLAYING BASKETBALL. TRYING TO WRITE A SPEECH IS A 483 00:32:19,613 --> 00:32:22,616 CHALLENGE. IT'S A GOOD CHALLENGE TO HAVE. 484 00:32:22,616 --> 00:32:25,619 I'M HONORED AND THRILLED TO BE MENTIONED WITH THE GREAT MEN AND 485 00:32:25,619 --> 00:32:28,655 WOMEN, WHO HAVE DONE SO MUCH, NOT ONLY FOR THE GAME OF 486 00:32:28,655 --> 00:32:30,324 BASKETBALL, BUT IN MY OPINION, THE WORLD. 487 00:32:30,324 --> 00:32:33,627 THE GAME IS WORLDWIDE AND THE THINGS THAT PEOPLE DO TO HELP 488 00:32:33,627 --> 00:32:39,466 THEIR COMMUNITIES AND TO REALLY JUST SHOW WHAT A GREAT EXAMPLE 489 00:32:39,466 --> 00:32:45,105 OF A HUMAN BEING SHOULD BE LIKE. I THINK IT'S SECOND TO NONE. 490 00:32:45,105 --> 00:32:48,675 >> Phoebe: THAT'S AMAZING. 491 00:32:48,675 --> 00:32:50,210 [ APPLAUSE ] 492 00:32:50,210 --> 00:32:53,480 I DON'T KNOW IF YOU HEARD. I'M ALSO A WRITER, AS WELL. 493 00:32:53,480 --> 00:32:53,780 >> I HEARD. 494 00:32:53,780 --> 00:32:57,150 >> Phoebe: I CAME UP WITH CLOSING LINES FOR YOUR SPEECH. 495 00:32:57,150 --> 00:32:59,586 IF I CAN THROW THEM OUT AT YOU. 496 00:32:59,586 --> 00:33:00,120 >> OKAY. 497 00:33:00,120 --> 00:33:02,890 >> Phoebe: YOU CAN LET ME KNOW WHAT YOU LIKE. 498 00:33:02,890 --> 00:33:04,157 FIRST UP ‐‐ I LOVE THIS GAME, 499 00:33:04,157 --> 00:33:11,565 ALMOST AS MUCH AS I LOVE BURGER 500 00:33:11,565 --> 00:33:17,704 KING'S NEW CHICKEN SANDWICH. BURGER KING, HAVE IT YOUR WAY. 501 00:33:17,704 --> 00:33:21,375 THAT'S A GOOD INTEGRATION OF PRODUCTS. 502 00:33:21,375 --> 00:33:25,979 >> THAT'S A GOOD ONE. WHAT ELSE YOU GOT? 503 00:33:25,979 --> 00:33:29,683 >> Phoebe: ONE LAST PIECE OF ADVICE, KEEP THE ICY HOT FAR 504 00:33:29,683 --> 00:33:32,185 AWAY FROM YOUR JOCK STRAP. RIGHT? 505 00:33:32,185 --> 00:33:37,791 [ APPLAUSE ] 506 00:33:37,791 --> 00:33:41,862 >> FOR PEOPLE THAT PLAY SPORTS, ESPECIALLY THE MEN, I HOPE THE 507 00:33:41,862 --> 00:33:43,897 WOMEN HAVE NEVER GONE THROUGH SOMETHING. YEAH. 508 00:33:43,897 --> 00:33:51,605 THERE'S BEEN A COUPLE GAMES. LIKE, OH, YEAH. 509 00:33:51,605 --> 00:33:54,341 WE'RE MAIDWAY THROUGH THE FIRST QUARTER AND NO WONDER I'M LOOSE. 510 00:33:54,341 --> 00:34:00,180 FIRED UP. 511 00:34:00,180 --> 00:34:06,553 >> Phoebe: I HAVE ONE LAST ONE. THIS IS MY PERSONAL FAVE. 512 00:34:06,553 --> 00:34:10,557 I OWE MY ENTIRE CAREER TO MY PERSONAL TRAINER AND DEAR 513 00:34:10,557 --> 00:34:11,091 FRIEND, PHOEBE ROBINSON. 514 00:34:11,091 --> 00:34:16,430 [ CHEERS AND APPLAUSE ] 515 00:34:16,430 --> 00:34:21,234 >> THAT LAST ONE IS PRETTY GOOD. WE'LL KEEP BANGING IT OUT AND 516 00:34:21,234 --> 00:34:28,408 JUST ‐‐ JUST KEEP THROWING PAINT ON THE WALL. 517 00:34:28,408 --> 00:34:30,377 >> Phoebe: I'M A HUGE FAN OF YOURS. 518 00:34:30,377 --> 00:34:35,082 WHAT HAS BEEN YOUR WEIRDEST FAN ENCOUNTER? 519 00:34:35,082 --> 00:34:42,456 >> OH, MAN. YOU KNOW. IT'S BEEN A COUPLE. 520 00:34:42,456 --> 00:34:47,027 THE ONLY THING I CAN REALLY THINK OF, IN THE NBA, YOU HAVE 521 00:34:47,027 --> 00:34:51,898 THE STANDS. AND USUALLY, THEY'RE OUTSIDE THE 522 00:34:51,898 --> 00:34:54,801 HOTEL, OUTSIDE THE ARENAS ASKING FOR AUTOGRAPHS. 523 00:34:54,801 --> 00:34:59,406 THERE'S ONE MAN, IN PARTICULAR. I COULDN'T REMEMBER HIS NAME. 524 00:34:59,406 --> 00:35:02,709 HE WAS AN OLDER GUY. HE LOOKED A LITTLE CREEPY. 525 00:35:02,709 --> 00:35:07,848 OLD GUYS WITH HATS. YOU KNOW WHAT I MEAN? 526 00:35:07,848 --> 00:35:12,219 ESPECIALLY WHEN IT'S 22 DEGREES OUTSIDE AND SOMEBODY WANTS YOUR 527 00:35:12,219 --> 00:35:14,955 AUTOGRAPH. IT SOUNDS COOL, BUT WHEN IT 528 00:35:14,955 --> 00:35:21,094 HAPPENS ‐‐ HE'S A NORMAL DUDE. I HOPE HE'S WELL. 529 00:35:21,094 --> 00:35:24,331 I HOPE HE IS WATCHING. GOOD TO SEE YOU, MY GUY. 530 00:35:24,331 --> 00:35:31,138 BUT YOU'RE CREEPY. JUST A LITTLE BIT. 531 00:35:31,138 --> 00:35:34,241 YOU JUST SAW HIM LAST WEEK. WHAT HAPPENED TO THE OTHER THING 532 00:35:34,241 --> 00:35:39,880 THAT I SIGNED? 533 00:35:39,880 --> 00:35:43,917 >> Phoebe: I LIKE A LOT OF DIFFERENT KINDS OF MUSIC. 534 00:35:43,917 --> 00:35:48,588 MY FAVORITE BAND IS U2. I HEARD YOU'RE A BIG BRUCE 535 00:35:48,588 --> 00:35:50,524 SPRINGSTEEN FAN? 536 00:35:50,524 --> 00:35:53,660 >> YEAH. IT WASN'T SUPPOSED TO GET OUT. 537 00:35:53,660 --> 00:35:56,663 >> Phoebe: IS THAT WHAT YOU WERE LISTENING TO, BEFORE YOU WENT ON 538 00:35:56,663 --> 00:35:58,765 THE TOUR? LIKE, "BORN IN THE USA." 539 00:35:58,765 --> 00:36:04,938 >> YEAH. JUST BELIEVING IN MYSELF. 540 00:36:04,938 --> 00:36:05,505 AND I GET THAT SPRINGSTEEN 541 00:36:05,505 --> 00:36:16,083 VOICE. 542 00:36:16,083 --> 00:36:16,650 >> Phoebe: THAT WAS SO GOOD. 543 00:36:16,650 --> 00:36:24,524 SO GOOD. 544 00:36:24,524 --> 00:36:28,395 LET'S TALK ABOUT YOUR BOOK," LETTERS TO A YOUNG ATHLETE." 545 00:36:28,395 --> 00:36:30,263 WHY DID YOU WANT TO WRITE THIS BOOK? 546 00:36:30,263 --> 00:36:37,938 >> I PLAYED SO LONG, THE PROFESSIONAL SIDE OF IT. 547 00:36:37,938 --> 00:36:40,774 MORE OF THAT IS IN THE PRACTICE GYM, WITH YOUR TEAMMATES AND 548 00:36:40,774 --> 00:36:44,177 YOUR FRIENDS. AND SOMETIMES WITH YOUR FAMILY. 549 00:36:44,177 --> 00:36:50,050 I PRETTY MUCH WANTED TO LEAVE AN HOMAGE, A MEMENTO, TO THE GAME 550 00:36:50,050 --> 00:36:53,687 OF BASKETBALL AND TO THE GAME OF LIFE. 551 00:36:53,687 --> 00:36:59,126 I READ SO MANY BOOKS THAT HELPED ME OUT, THAT WEREN'T NECESSARILY 552 00:36:59,126 --> 00:37:05,699 BASKETBALL BOOKS. I LOVE TO READ BEFORE EVERY GAME. 553 00:37:05,699 --> 00:37:09,703 IN IS SOMEBODY I WANTED TO LEAVE, TO HELP SOMEBODY GET 554 00:37:09,703 --> 00:37:11,838 BETTER. IF YOU'RE TRYING TO GET OVER AN 555 00:37:11,838 --> 00:37:17,410 OBSTACLE, I BELIEVE THIS BOOK IS FOR YOU, ONLY BECAUSE I WAS ABLE 556 00:37:17,410 --> 00:37:21,782 TO ACCOMPLISH THINGS I NEVER WOULD HAVE THOUGHT I WOULD HAVE 557 00:37:21,782 --> 00:37:27,220 ACCOMPLISHED. I'M REVERSE ENGINEERING MY 558 00:37:27,220 --> 00:37:28,655 SUCCESS. REALLY RECOUNTING THE STORIES 559 00:37:28,655 --> 00:37:31,224 THAT I FELT HELPED ME. AND THE PEOPLE THAT HELPED ME 560 00:37:31,224 --> 00:37:33,460 GET TO WHERE I NEEDED TO GET TO. 561 00:37:33,460 --> 00:37:33,960 >> Phoebe: I LOVE THAT. 562 00:37:33,960 --> 00:37:42,202 THAT'S AMAZING. 563 00:37:42,202 --> 00:37:47,574 I WILL SAY FOR PAPERBACK, IT 564 00:37:47,574 --> 00:37:50,877 SHOULD BE TEXT FOR YOUNG ATHLETES. 565 00:37:50,877 --> 00:37:51,745 PEOPLE DON'T READ ANYMORE. 566 00:37:51,745 --> 00:37:55,348 >> THAT'S THE BEST PART. WE HAVE AUDIO BOOK. DIGITAL. 567 00:37:55,348 --> 00:38:00,387 WE GOT PHYSICAL. WE GOT IT ALL. PLEASE LISTEN TO IT. 568 00:38:00,387 --> 00:38:03,723 >> Phoebe: THANK YOU, CHRIS. "LETTERS TO A YOUNG ATHLETE" IS 569 00:38:03,723 --> 00:38:05,592 AVAILABLE NOW. WE'LL BE RIGHT BACK WITH 570 00:38:05,592 --> 00:38:06,660 MUSIC FROM MONEYBAGG YO. 571 00:38:06,660 --> 00:38:07,761 [ CHEERS AND APPLAUSE ] 572 00:38:12,132 --> 00:38:16,313 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 573 00:38:16,313 --> 00:38:20,168 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 574 00:38:22,243 --> 00:38:23,696 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 575 00:38:23,696 --> 00:38:25,212 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 576 00:38:27,367 --> 00:38:29,903 >> Phoebe: I WANT TO THANK CHELSEA HANDLER, CHRIS BOSH, 577 00:38:29,903 --> 00:38:36,976 ZAILA AVANT‐GARDE, BILL MURRAY AND JIMMY KIMMEL, TOO. 578 00:38:36,976 --> 00:38:39,312 "NIGHTLINE" IS NEXT. BUT FIRST, "A GANGSTA'S PAIN" IS 579 00:38:39,312 --> 00:38:40,446 HIS ALBUM, WITH THE SONGS "WOCKeSHA" AND "ROOKIE OF THE 580 00:38:40,446 --> 00:38:43,416 YEAR," MONEYBAGG YO. 581 00:38:43,416 --> 00:38:47,420 ♪ 582 00:38:47,420 --> 00:38:51,424 ♪ TURN ME UP, YC 583 00:38:51,424 --> 00:38:54,027 TURN ME UP Y JERSEY, MY CITY ON MY BACK 584 00:38:54,027 --> 00:38:57,497 I GOT 'EM REPPIN' ME ♪ 585 00:38:57,497 --> 00:38:58,998 ♪ HEARD ME 586 00:38:58,998 --> 00:39:00,833 HEARD ME KNOW I PLAY WITH M'S MUST BE STUPID IF ♪ 587 00:39:00,833 --> 00:39:01,234 ♪ SHE CURVE ME 588 00:39:01,234 --> 00:39:03,770 DUMB FITTED HAT AND FORCES STILL BE DRESSIN' ♪ 589 00:39:03,770 --> 00:39:04,804 ♪ LIKE I'M SERVIN' 590 00:39:04,804 --> 00:39:06,572 TRAP ROOKIE OF THE YEAR I GOT THE BALL AND ♪ 591 00:39:06,572 --> 00:39:07,573 ♪ THEY GOT NERVOUS 592 00:39:07,573 --> 00:39:08,841 SPOOKED 'MEMBER HAVIN' MASK ON WAY BEFORE CORONA HIT ♪ 593 00:39:08,841 --> 00:39:09,642 ♪ TOLD 30 NOT TO 594 00:39:09,642 --> 00:39:11,110 CROSS THE PLUG HE WENT BEHIND ME SET THE PICK ♪ 595 00:39:11,110 --> 00:39:11,678 ♪ I PLAY LIKE A BEAST 596 00:39:11,678 --> 00:39:13,579 BUT MY DEMEANOR HUMBLE DON'T MAKE ME TURN UP 597 00:39:13,579 --> 00:39:14,147 GO SO HARD THEY GOT TO ♪ 598 00:39:14,147 --> 00:39:14,948 ♪ RETIRE MY NUMBER 599 00:39:14,948 --> 00:39:18,718 BIG TWELVE UNRANKED UNDERDOG TRAINED TO GO WHEN I BALL ♪ 600 00:39:18,718 --> 00:39:19,252 ♪ LOSSES TURN TO LESSONS 601 00:39:19,252 --> 00:39:21,054 I CAN'T SEE MYSELF FALLIN' OFF NAH ♪ 602 00:39:21,054 --> 00:39:21,821 ♪ AND I'M HAVIN' ACCURACY 603 00:39:21,821 --> 00:39:25,558 I PULL UP AND SHOOT OFF THE RIP OFF THE HIP ♪ 604 00:39:25,558 --> 00:39:26,359 ♪ CHECK THE SCORE 605 00:39:26,359 --> 00:39:27,460 IT'S TWENTY‐ZIP SWOOSH IF YOU AIN'T GOT ♪ 606 00:39:27,460 --> 00:39:27,894 ♪ NO CHECK FOR ME 607 00:39:27,894 --> 00:39:28,928 DON'T CHECK FOR ME RESPECTFULLY NAH ♪ 608 00:39:28,928 --> 00:39:29,495 ♪ I CAN'T LET MY KID DOWN 609 00:39:29,495 --> 00:39:31,264 I'M BUILDIN' UP MY LEGACY YEAH AIN'T COMPETIN' ♪ 610 00:39:31,264 --> 00:39:31,631 ♪ WITH NOBODY 611 00:39:31,631 --> 00:39:32,932 I'M JUST TRYNA BE A BETTER ME ME ♪ 612 00:39:32,932 --> 00:39:33,466 ♪ INTRODUCTION 613 00:39:33,466 --> 00:39:34,901 BOUT TO SHOW YOU SOMETHIN' THAT YOU ♪ 614 00:39:34,901 --> 00:39:35,335 ♪ AIN'T NEVER SEE 615 00:39:35,335 --> 00:39:36,035 GO ♪ 616 00:39:36,035 --> 00:39:36,302 ♪ 617 00:39:36,302 --> 00:39:38,404 ♪ I'M SITTIN' HERE LOOKIN' 618 00:39:38,404 --> 00:39:44,444 AT KEISHA LIKE DO YOU LOVE ME DO YOU LOVE ME NOT ♪ 619 00:39:44,444 --> 00:39:46,145 ♪ DAMN, YOU HIT THE SPOT 620 00:39:46,145 --> 00:39:48,181 TASTE LIKE CANDY CANDY SWEET LIKE FRUIT ♪ 621 00:39:48,181 --> 00:39:48,381 ♪ OOH 622 00:39:48,381 --> 00:39:51,017 WET LIKE WATER CAN I LOVE ON YOU WITHDRAWALS ♪ 623 00:39:51,017 --> 00:39:52,218 ♪ I'M FEELIN' DIFFERENT 624 00:39:52,218 --> 00:39:55,421 EVERY DAY I NEED A DOSE EVERY NOW AND THEN I'M MISSIN' ♪ 625 00:39:55,421 --> 00:39:55,989 ♪ I GOT MY TIMES 626 00:39:55,989 --> 00:39:57,090 WHEN I GO GHOST BUT SHE MIN HMM HMM HMM HMM ♪ 627 00:39:57,090 --> 00:39:57,523 ♪ I'M STAMPIN' HER 628 00:39:57,523 --> 00:39:58,658 PRIORITY STATUS SO THEM OTHER ‐‐‐ MAD AT HER ♪ 629 00:39:58,658 --> 00:39:58,992 ♪ TOO MAD HA 630 00:39:58,992 --> 00:40:00,226 THUMBIN' THROUGH A HUNNID THOU' I SPENT THAT TIMES ♪ 631 00:40:00,226 --> 00:40:00,560 ♪ TWO ON YOU 632 00:40:00,560 --> 00:40:02,495 CAUGHT MYSELF CUTTIN' YOU LOOSE THEN I POP BACK UP ♪ 633 00:40:02,495 --> 00:40:08,901 ♪ LIKE PEEKABOO 634 00:40:08,901 --> 00:40:12,401 HERE I GO, FLYER THAN MOST LOUIS V COAT GAS STATION ♪