1 00:00:08,129 --> 00:00:13,468 >> Dicky: FROM HOLLYWOOD, IT'S 2 00:00:13,468 --> 00:00:14,068 "JIMMY KIMMEL LIVE NBA FINALS 3 00:00:14,068 --> 00:00:15,303 GAME NIGHT" WITH GUEST HOST 4 00:00:15,303 --> 00:00:16,538 ANTHONY ANDERSON. 5 00:00:16,538 --> 00:00:17,438 TONIGHT ‐‐ 6 00:00:17,438 --> 00:00:20,675 JOHNNY KNOXVILLE AND MARK CUBAN. 7 00:00:20,675 --> 00:00:24,546 PRESENTED BY NISSAN AND YOUTUBE 8 00:00:24,546 --> 00:00:25,179 TV. 9 00:00:25,179 --> 00:00:30,318 AND NOW, ANTHONY ANDERSON. 10 00:00:30,318 --> 00:00:41,663 ♪ 11 00:00:41,663 --> 00:00:42,897 >> Anthony: YOU KNOW WHO YOU 12 00:00:42,897 --> 00:00:43,064 ARE. 13 00:00:43,064 --> 00:00:44,866 YOU KNOW WHO YOU ARE. 14 00:00:44,866 --> 00:00:54,175 YOU KNOW WHO YOU ARE. 15 00:00:54,175 --> 00:00:54,442 HELLO. 16 00:00:54,442 --> 00:00:55,476 THANK YOU. 17 00:00:55,476 --> 00:00:57,812 HELLO AND WELCOME TO OUR GAME 18 00:00:57,812 --> 00:00:58,713 NIGHT SPECIAL. 19 00:00:58,713 --> 00:01:01,082 I'M YOUR GUEST HOST, ANTHONY 20 00:01:01,082 --> 00:01:01,916 ANDERSON. 21 00:01:01,916 --> 00:01:05,353 MORE APPLAUSE, PLEASE. 22 00:01:05,353 --> 00:01:05,853 [ CHEERS AND APPLAUSE ] 23 00:01:05,853 --> 00:01:07,322 WE ARE COMING TO YOU IN PRIME 24 00:01:07,322 --> 00:01:10,158 TIME FOR GAME THREE OF THE NBA 25 00:01:10,158 --> 00:01:10,858 FINALS BETWEEN THE MILWAUKEE 26 00:01:10,858 --> 00:01:13,895 BUCKS AND THE PHOENIX SUNS. 27 00:01:13,895 --> 00:01:16,464 IT'S GAME THREE, BUT GIANNIS IS 28 00:01:16,464 --> 00:01:18,833 STILL SHOOTING HIS FREE THROWS 29 00:01:18,833 --> 00:01:19,934 FROM GAME TWO. 30 00:01:19,934 --> 00:01:21,436 GIANNIS, OF COURSE, HAS BEEN 31 00:01:21,436 --> 00:01:22,337 PLAYING THROUGH A KNEE INJURY, 32 00:01:22,337 --> 00:01:23,705 AND THE OTHER NIGHT HE HURT HIS 33 00:01:23,705 --> 00:01:27,976 BACK BECAUSE HE HAD TO CARRY HIS 34 00:01:27,976 --> 00:01:32,480 ENTIRE TEAM. 35 00:01:32,480 --> 00:01:33,181 KIND OF ROUGH. 36 00:01:33,181 --> 00:01:35,083 THE SUNS TOOK THE FIRST TWO 37 00:01:35,083 --> 00:01:35,283 GAMES. 38 00:01:35,283 --> 00:01:36,584 I THINK I KNOW WHAT THE PROBLEM 39 00:01:36,584 --> 00:01:38,853 IS FOR THE BUCKS. 40 00:01:38,853 --> 00:01:39,887 IT'S THEIR HEAD COACH. 41 00:01:39,887 --> 00:01:43,057 HE DRESSES LIKE AN ASSISTANT 42 00:01:43,057 --> 00:01:44,692 MANAGER AT REI. 43 00:01:44,692 --> 00:01:47,962 AND THIS DUDE'S PEP TALKS ARE SO 44 00:01:47,962 --> 00:01:49,130 NOT SO PEPPY. 45 00:01:49,130 --> 00:01:52,066 >> PLAY FAST, PLAY RANDOM, PLAY 46 00:01:52,066 --> 00:01:52,333 TOGETHER. 47 00:01:52,333 --> 00:01:55,370 DO IT TOGETHER. 48 00:01:55,370 --> 00:01:59,207 >> PLAY FAST, PLAY RANDOM. 49 00:01:59,207 --> 00:02:00,775 DO IT TOGETHER. 50 00:02:00,775 --> 00:02:02,143 THAT'S ALSO WHAT MY MAMA SAID 51 00:02:02,143 --> 00:02:05,446 WHEN SHE GAVE ME THE SEX TALK. 52 00:02:05,446 --> 00:02:06,481 [ APPLAUSE ] 53 00:02:06,481 --> 00:02:10,184 >> THANK YOU, MAMA. 54 00:02:10,184 --> 00:02:12,353 MY MAN, CHRIS PAUL, HAS BEEN ON 55 00:02:12,353 --> 00:02:13,154 FIRE IN GAME TWO. 56 00:02:13,154 --> 00:02:18,126 GIVE IT UP FOR CP3. 57 00:02:18,126 --> 00:02:19,761 [ CHEERS AND APPLAUSE ] 58 00:02:19,761 --> 00:02:21,829 23 POINTS, 8 ASSISTS, AND SHOT 7 59 00:02:21,829 --> 00:02:24,432 STATE FARM COMMERCIALS. 60 00:02:24,432 --> 00:02:25,767 THERE ARE A LOT OF PEOPLE WHO 61 00:02:25,767 --> 00:02:27,769 HAVE BEEN TALKING ABOUT DEVIN 62 00:02:27,769 --> 00:02:29,337 BOOKER'S LAME‐ASS WATER BOTTLE. 63 00:02:29,337 --> 00:02:30,938 THERE IT IS. 64 00:02:30,938 --> 00:02:31,806 LOOK AT THAT. 65 00:02:31,806 --> 00:02:33,174 HE'S LIKE THAT GUY WHO WRITES 66 00:02:33,174 --> 00:02:35,877 HIS NAME ON HIS LUNCH AT WORK. 67 00:02:35,877 --> 00:02:37,211 DEVIN, DUDE, COME ON, MAN. 68 00:02:37,211 --> 00:02:38,846 YOU MAKE $29 MILLION A YEAR. 69 00:02:38,846 --> 00:02:42,083 GET YOURSELF A HYDROFLASK. 70 00:02:42,083 --> 00:02:43,751 I MAY BE WATCHING THE GAMES A 71 00:02:43,751 --> 00:02:47,055 LITTLE TOO CLOSELY, BUT I THINK 72 00:02:47,055 --> 00:02:47,989 I'M ON TO SOMETHING. 73 00:02:47,989 --> 00:02:50,058 YOU KNOW, HAS ANYONE EVER 74 00:02:50,058 --> 00:02:50,992 NOTICED HOW MUCH NBA 75 00:02:50,992 --> 00:02:53,928 COMMISSIONER ADAM SILVER LOOKS 76 00:02:53,928 --> 00:02:57,832 EXACTLY LIKE THE FOOD CRITIC IN 77 00:02:57,832 --> 00:02:58,166 "RATATOUILLE." 78 00:02:58,166 --> 00:03:00,234 [ APPLAUSE ] 79 00:03:00,234 --> 00:03:01,135 IS IT JUST ME? 80 00:03:01,135 --> 00:03:01,969 IS IT JUST ME? 81 00:03:01,969 --> 00:03:04,439 BY THE WAY, AS THE STAR OF ABC'S 82 00:03:04,439 --> 00:03:05,640 "BLACK‐ISH," I'D LIKE TO TELL 83 00:03:05,640 --> 00:03:07,308 YOU THAT THE PIXAR CLASSIC 84 00:03:07,308 --> 00:03:09,177 "RATATOUILLE" IS CURRENTLY 85 00:03:09,177 --> 00:03:11,012 AVAILABLE TO STREAM ON DISNEY+. 86 00:03:11,012 --> 00:03:14,682 THAT'S A LITTLE SOMETHING WE 87 00:03:14,682 --> 00:03:14,916 CALL 88 00:03:14,916 --> 00:03:21,122 ♪ CORPORATE SYNERGY 89 00:03:21,122 --> 00:03:22,724 WE HAVE A GOOD SHOW FOR YOU 90 00:03:22,724 --> 00:03:22,990 TONIGHT. 91 00:03:22,990 --> 00:03:26,194 THE MVP OF THE ICU, JOHNNY 92 00:03:26,194 --> 00:03:27,628 KNOXVILLE IS HERE. 93 00:03:27,628 --> 00:03:31,432 [ CHEERS AND APPLAUSE ] 94 00:03:31,432 --> 00:03:32,767 GUILLERMO, I HEARD HE DID 95 00:03:32,767 --> 00:03:34,502 SOMETHING TO YOU INVOLVING SOME 96 00:03:34,502 --> 00:03:34,769 SPIDERS. 97 00:03:34,769 --> 00:03:35,169 >> YEAH. 98 00:03:35,169 --> 00:03:36,003 IT WAS TERRIBLE. 99 00:03:36,003 --> 00:03:37,171 THE WORST THING I EVER DONE. 100 00:03:37,171 --> 00:03:39,741 I DON'T WANT TO DO IT AGAIN. 101 00:03:39,741 --> 00:03:40,374 >> ALL RIGHT. 102 00:03:40,374 --> 00:03:42,076 I GUESS I DON'T HAVE TO ASK YOU 103 00:03:42,076 --> 00:03:43,578 HOW THAT WENT, THEN, DO I? 104 00:03:43,578 --> 00:03:44,212 >> NO. 105 00:03:44,212 --> 00:03:44,545 >> ALL RIGHT. 106 00:03:44,545 --> 00:03:47,181 WE'LL SEE THAT IN A FEW MINUTES. 107 00:03:47,181 --> 00:03:48,983 YOU KNOW, MANY PLAYERS OVER THE 108 00:03:48,983 --> 00:03:50,918 YEARS HAVE GOTTEN INVOLVED IN 109 00:03:50,918 --> 00:03:52,386 THE FOOD INDUSTRY. 110 00:03:52,386 --> 00:03:57,125 LeBRON CO‐OWNS A PIZZA CHAIN. 111 00:03:57,125 --> 00:03:58,760 MICHAEL JORDAN HAS A STEAKHOUSE. 112 00:03:58,760 --> 00:04:02,029 AND CHARLES BARKLEY ONCE ATE 30 113 00:04:02,029 --> 00:04:04,432 PLATES OF RIBS AT MICHAEL 114 00:04:04,432 --> 00:04:06,300 JORDAN'S STEAKHOUSE. 115 00:04:06,300 --> 00:04:09,237 AND NOW TACKO FALL IS CASHING IN 116 00:04:09,237 --> 00:04:10,938 ON HIS NAME IN A VERY BIG WAY. 117 00:04:10,938 --> 00:04:12,340 >> THINK YOU'VE GOT AN APPETITE? 118 00:04:12,340 --> 00:04:13,574 PREPARE TO HAVE YOUR HUNGER 119 00:04:13,574 --> 00:04:14,876 SMACKED DOWN BY THE NEWEST NAME 120 00:04:14,876 --> 00:04:16,944 IN FAST FOOD, BOSTON CELTICS 121 00:04:16,944 --> 00:04:19,113 STAR TACKO FALL. 122 00:04:19,113 --> 00:04:23,317 >> I HAVE A SECRET. 123 00:04:23,317 --> 00:04:25,153 I LOVE TO COOK. 124 00:04:25,153 --> 00:04:26,854 >> INTRODUCING TACKO'S TACOS, 125 00:04:26,854 --> 00:04:28,956 WHERE THE ONLY THING BIGGER THAN 126 00:04:28,956 --> 00:04:30,491 TACKO ARE THE TACOS. 127 00:04:30,491 --> 00:04:31,759 >> ORDER UP. 128 00:04:31,759 --> 00:04:34,996 >> OUR MEALS FEED A 7 FOOT NBA 129 00:04:34,996 --> 00:04:36,664 CENTER OR A HUNGRY FAMILY OF 130 00:04:36,664 --> 00:04:36,864 SIX. 131 00:04:36,864 --> 00:04:39,033 >> IT'S LIKE A BABY BLANKET FULL 132 00:04:39,033 --> 00:04:39,600 OF BEEF. 133 00:04:39,600 --> 00:04:43,671 >> TRY THE ORIGINAL TACKO'S TACO 134 00:04:43,671 --> 00:04:45,740 STUFFED BY THE BIG MAN HIMSELF 135 00:04:45,740 --> 00:04:49,777 WITH MEAT, CHEESE, TOMATOES, AND 136 00:04:49,777 --> 00:04:53,581 FOUR FULL HEADS OF LETTUCE. 137 00:04:53,581 --> 00:04:56,317 ALL FOR JUST $87.99. 138 00:04:56,317 --> 00:04:57,785 ARE YOU SOMEHOW STILL HUNGRY? 139 00:04:57,785 --> 00:05:01,022 ALL ORDERS INCLUDE A TACO‐SIZED 140 00:05:01,022 --> 00:05:03,157 22 SHOEBOX FULL OF CHIPS AND A 141 00:05:03,157 --> 00:05:07,361 PAINT BUCKET OF GUAC. 142 00:05:07,361 --> 00:05:08,663 SO FILL YOUR BELLY AND YOUR FLAT 143 00:05:08,663 --> 00:05:13,568 BED AT TACKO'S TACOS. 144 00:05:13,568 --> 00:05:14,402 >> ALWAYS LIFT TACOS WITH YOUR 145 00:05:14,402 --> 00:05:17,138 KNEES, NOT YOUR BACK. 146 00:05:17,138 --> 00:05:17,572 >> ALL RIGHT. 147 00:05:17,572 --> 00:05:19,707 WE NEED TO TAKE A BREATHER. 148 00:05:19,707 --> 00:05:21,676 BUT TONIGHT, MARK CUBAN WILL 149 00:05:21,676 --> 00:05:23,978 BATTLE THE HELL HOOP. 150 00:05:23,978 --> 00:05:24,478 [ CHEERS AND APPLAUSE ] 151 00:05:24,478 --> 00:05:25,146 WE'LL BE RIGHT BACK WITH JOHNNY 152 00:05:25,146 --> 00:05:27,348 KNOXVILLE. 153 00:05:27,348 --> 00:05:32,820 ♪ 154 00:05:32,820 --> 00:05:33,955 >> Announcer: PORTIONS OF "JIMMY 155 00:05:33,955 --> 00:05:34,555 KIMMEL LIVE!" ARE BROUGHT TO YOU 156 00:05:34,555 --> 00:05:36,824 BY NISSAN. 157 00:05:52,206 --> 00:05:54,508 >>> I'M HERE TO INSTALL YOUR 158 00:05:54,508 --> 00:05:54,909 YOUTUBE TV. 159 00:05:54,909 --> 00:05:56,043 >> COME IN. 160 00:05:56,043 --> 00:05:56,544 WHERE'S YOUR EQUIPMENT? 161 00:05:56,544 --> 00:05:57,545 >> I DON'T HAVE ANY. 162 00:05:57,545 --> 00:05:59,580 >> SO HOW DO YOU GET YOUTUBE TV? 163 00:05:59,580 --> 00:06:01,249 >> YOU JUST SIGN UP ON YOUR 164 00:06:01,249 --> 00:06:02,350 PHONE OR LAPTOP. 165 00:06:02,350 --> 00:06:04,185 >> THAT SOUNDS EASY. 166 00:06:04,185 --> 00:06:06,254 NOW I CAN WATCH LIVE TV AND 167 00:06:06,254 --> 00:06:06,988 RECORD MY SHOWS? 168 00:06:06,988 --> 00:06:07,722 >> YES. 169 00:06:07,722 --> 00:06:08,689 >> PLUS GET RECOMMENDATIONS 170 00:06:08,689 --> 00:06:10,391 BASED ON WHAT I LIKE? 171 00:06:10,391 --> 00:06:10,625 >> YES. 172 00:06:10,625 --> 00:06:12,593 >> WHY ARE YOU HERE? 173 00:06:12,593 --> 00:06:13,794 YOU WANT TO WATCH THE NBA FINALS 174 00:06:13,794 --> 00:06:14,629 WITH ME? 175 00:06:14,629 --> 00:06:15,196 >> YES. 176 00:06:15,196 --> 00:06:16,297 >> UPGRADE YOUR VIEWING 177 00:06:16,297 --> 00:06:18,532 EXPERIENCE WITH YOUTUBE TV. 178 00:06:18,532 --> 00:06:20,801 WATCH LIVE TV WITH UNLIMITED 179 00:06:20,801 --> 00:06:21,068 DVR. 180 00:06:21,068 --> 00:06:23,137 NO CABLE BOX REQUIRED. 181 00:06:23,137 --> 00:06:23,437 TRY IT FREE. 182 00:06:23,437 --> 00:06:31,712 [ CHEERS AND APPLAUSE ] 183 00:06:31,712 --> 00:06:37,952 >> Anthony: WELCOME BACK TO 184 00:06:37,952 --> 00:06:38,552 "JIMMY KIMMEL LIVE NBA FINALS 185 00:06:38,552 --> 00:06:38,853 GAME NIGHT." 186 00:06:38,853 --> 00:06:40,955 IN JUDGMENST A BIT, MARK CUBAN 187 00:06:40,955 --> 00:06:43,057 TAKE ON THE INFAMOUS HELL HOOP 188 00:06:43,057 --> 00:06:45,192 TO WIN SOME MONEY FOR CHARITY. 189 00:06:45,192 --> 00:06:45,626 ALL RIGHT? 190 00:06:45,626 --> 00:06:46,127 [ CHEERS AND APPLAUSE ] 191 00:06:46,127 --> 00:06:47,628 >> AND I WILL BE BACK HERE IN 192 00:06:47,628 --> 00:06:48,863 PRIME TIME ON WEDNESDAY WITH 193 00:06:48,863 --> 00:06:51,299 ANOTHER SPECIAL FOR GAME FOUR OF 194 00:06:51,299 --> 00:06:55,569 THE NBA FINALS WITH MY GUEST, 195 00:06:55,569 --> 00:06:58,439 DWAYNE JOHNSON FROM EVERY MOVIE 196 00:06:58,439 --> 00:06:59,607 EVER MADE. 197 00:06:59,607 --> 00:07:03,711 BUT ALSO I WANT TO MAKE SURE YOU 198 00:07:03,711 --> 00:07:04,545 GUYS WATCH "JIMMY KIMMEL LIVE!" 199 00:07:04,545 --> 00:07:05,112 AT ITS REGULAR TIME. 200 00:07:05,112 --> 00:07:10,818 IT WILL BE HOSTED BY NICK KROLL, 201 00:07:10,818 --> 00:07:12,887 PHOEBE ROBINSON AND ARSENIO 202 00:07:12,887 --> 00:07:14,422 HALL, WHO WILL BE VISITED BY THE 203 00:07:14,422 --> 00:07:16,557 GREAT LeBRON JAMES ON TUESDAY. 204 00:07:16,557 --> 00:07:18,359 OUR GUEST TONIGHT IS AN ACTOR, 205 00:07:18,359 --> 00:07:20,061 WRITER, AND PRODUCER WHO VIEWS 206 00:07:20,061 --> 00:07:22,596 THE FINE ART OF MOVIE‐MAKING AS 207 00:07:22,596 --> 00:07:24,398 SOMETHING YOU SURVIVE, LIKE A 208 00:07:24,398 --> 00:07:26,934 BAR FIGHT OR A NUCLEAR WAR. 209 00:07:26,934 --> 00:07:28,469 THE FOURTH AND NEWEST 210 00:07:28,469 --> 00:07:30,338 INSTALLMENT IN THE JACKASS 211 00:07:30,338 --> 00:07:31,472 CINEMATIC UNIVERSE OPENS IN 212 00:07:31,472 --> 00:07:33,207 THEATERS OCTOBER 22nd. 213 00:07:33,207 --> 00:07:35,242 PLEASE WELCOME THE RESILIENT 214 00:07:35,242 --> 00:07:41,215 JOHNNY KNOXVILLE. 215 00:07:41,215 --> 00:07:53,961 [ APPLAUSE ] 216 00:07:53,961 --> 00:07:54,929 >> Anthony: IT'S A PLEASURE TO 217 00:07:54,929 --> 00:07:56,330 FINALLY MEET YOU, JOHNNY. 218 00:07:56,330 --> 00:07:57,698 >> IT'S A PLEASURE TO MEET YOU. 219 00:07:57,698 --> 00:07:59,000 >> WE'VE NEVER MET, AND I FIND 220 00:07:59,000 --> 00:08:00,401 IT CRAZY BECAUSE YOU ARE A WILD 221 00:08:00,401 --> 00:08:01,168 AND CRAZY MAN. 222 00:08:01,168 --> 00:08:02,737 I AM A WILD AND CRAZY MAN. 223 00:08:02,737 --> 00:08:05,239 AND I'M A LITTLE OFFENDED THAT 224 00:08:05,239 --> 00:08:08,843 I'VE NEVER BEEN IN ANY OF YOUR 225 00:08:08,843 --> 00:08:10,811 MOVIES, ANY OF YOUR JACKASS 226 00:08:10,811 --> 00:08:12,713 MOVIES BECAUSE MY MAMA CALLS ME 227 00:08:12,713 --> 00:08:14,248 A JACKASS ALL THE TIME. 228 00:08:14,248 --> 00:08:16,283 HOW DID THAT HAPPEN, JOHNNY, OR 229 00:08:16,283 --> 00:08:17,485 HOW DID THAT NOT HAPPEN? 230 00:08:17,485 --> 00:08:18,686 >> I WISH I WOULD HAVE KNOWN. 231 00:08:18,686 --> 00:08:20,755 I WOULD HAVE LOVED TO HAVE YOU 232 00:08:20,755 --> 00:08:21,722 IN JACKASS 4. 233 00:08:21,722 --> 00:08:23,324 IF THERE'S A JACKASS 5, WE WOULD 234 00:08:23,324 --> 00:08:25,426 LOVE TO HAVE YOU IN IT. 235 00:08:25,426 --> 00:08:27,228 >> FROM WHAT I'VE READ, I THINK 236 00:08:27,228 --> 00:08:27,962 THIS IS YOUR LAST ONE. 237 00:08:27,962 --> 00:08:29,330 >> YOU'VE BEEN TALKING TO MY 238 00:08:29,330 --> 00:08:29,797 NEUROLOGIST? 239 00:08:29,797 --> 00:08:31,198 >> A LITTLE BIT OF EVERYBODY. 240 00:08:31,198 --> 00:08:33,768 NOW, I UNDERSTAND THAT WHEN WE 241 00:08:33,768 --> 00:08:36,737 WROTE YOUR INTRODUCTION FOR OUR 242 00:08:36,737 --> 00:08:39,206 SHOW TONIGHT, YOUR MOVIE DIDN'T 243 00:08:39,206 --> 00:08:39,807 HAVE A TITLE. 244 00:08:39,807 --> 00:08:42,443 >> OH, IT DOES. TITLE NOW?‐ 245 00:08:42,443 --> 00:08:43,544 THANK YOU FOR ASKING, ANTHONY. 246 00:08:43,544 --> 00:08:45,012 >> Anthony: OH, OKAY. 247 00:08:45,012 --> 00:08:45,246 PLEASE. 248 00:08:45,246 --> 00:08:51,886 >> THAT WOULD BE "JACKASS 249 00:08:51,886 --> 00:08:52,453 FOREVER." 250 00:08:52,453 --> 00:08:53,254 [ CHEERS AND APPLAUSE ] 251 00:08:53,254 --> 00:08:55,556 >> Anthony: "JACKASS FOREVER." 252 00:08:55,556 --> 00:08:56,057 >> FOREVER. 253 00:08:56,057 --> 00:08:56,791 >> Anthony: AUDIENCE, DO YOU 254 00:08:56,791 --> 00:08:59,226 APPROVE OF THAT? 255 00:08:59,226 --> 00:09:03,097 [ CHEERS AND APPLAUSE ] 256 00:09:03,097 --> 00:09:04,932 NOW, JOHNNY, I UNDERSTAND YOU'RE 257 00:09:04,932 --> 00:09:06,634 STILL WORKING ON "JACKASS 258 00:09:06,634 --> 00:09:06,901 FOREVER." 259 00:09:06,901 --> 00:09:09,503 THAT COMES OUT IN OCTOBER. 260 00:09:09,503 --> 00:09:09,904 >> OCTOBER 22nd. 261 00:09:09,904 --> 00:09:10,304 >> Anthony: OKAY. 262 00:09:10,304 --> 00:09:11,138 BECAUSE YOU'RE STILL WORKING ON 263 00:09:11,138 --> 00:09:13,407 IT, YOU DON'T HAVE ANY CLIPS FOR 264 00:09:13,407 --> 00:09:14,141 US TO SHOW. 265 00:09:14,141 --> 00:09:17,812 >> WE HAVE SOME PHOTOS. 266 00:09:17,812 --> 00:09:18,412 >> Anthony: YES, I HAVE THEM 267 00:09:18,412 --> 00:09:18,746 RIGHT HERE. 268 00:09:18,746 --> 00:09:19,013 >> YES. 269 00:09:19,013 --> 00:09:19,747 >> Anthony: SO WE HAVE PHOTOS 270 00:09:19,747 --> 00:09:21,015 FOR YOU TO SHOW. 271 00:09:21,015 --> 00:09:22,283 THIS IS HOW THEY USED TO SHOW 272 00:09:22,283 --> 00:09:23,918 FILM CLIPS BACK IN THE DAY, ALL 273 00:09:23,918 --> 00:09:24,151 RIGHT? 274 00:09:24,151 --> 00:09:25,453 THEY WOULD JUST SHOW A PICTURE 275 00:09:25,453 --> 00:09:27,955 AND THE WRITER, DIRECTOR, STAR 276 00:09:27,955 --> 00:09:29,190 WOULD JUST TELL YOU WHAT'S GOING 277 00:09:29,190 --> 00:09:29,790 ON. 278 00:09:29,790 --> 00:09:33,194 SO HERE WE HAVE DAD DARKSHARK 279 00:09:33,194 --> 00:09:35,563 VERSUS A GUY WITH A SPIDER IN A 280 00:09:35,563 --> 00:09:36,330 TUBE BETWEEN THERE. 281 00:09:36,330 --> 00:09:38,799 >> ERIN McGEE HI AND DARK 282 00:09:38,799 --> 00:09:39,266 SHARK ‐‐ 283 00:09:39,266 --> 00:09:40,901 >> Anthony: WHICH ONE IS THE 284 00:09:40,901 --> 00:09:41,402 DARK SHARK? 285 00:09:41,402 --> 00:09:43,104 >> THE GENTLEMAN ON THE RIGHT. 286 00:09:43,104 --> 00:09:43,971 >> Anthony: OKAY. 287 00:09:43,971 --> 00:09:44,405 ALL RIGHT. 288 00:09:44,405 --> 00:09:46,807 >> AND THEY HAVE TO BLOW A 289 00:09:46,807 --> 00:09:49,210 TARANTULA INTO THE OTHER GUY'S 290 00:09:49,210 --> 00:09:50,778 HELMET, AND THE TARANTULA BITES 291 00:09:50,778 --> 00:09:52,580 THE LOSER IN A VERY SENSITIVE 292 00:09:52,580 --> 00:09:52,780 AREA. 293 00:09:52,780 --> 00:09:54,181 SO THEY DON'T WANT TO LOSE. 294 00:09:54,181 --> 00:09:56,250 >> Anthony: OOH. 295 00:09:56,250 --> 00:09:58,686 >> DARK SHARK, HE FEARS NO MAN. 296 00:09:58,686 --> 00:10:00,154 HE HAS BEEN SHOT NINE TIMES. 297 00:10:00,154 --> 00:10:00,888 HE FEARS NO MAN. 298 00:10:00,888 --> 00:10:02,790 BUT IF YOU PUT A SPIDER, A DOG, 299 00:10:02,790 --> 00:10:04,358 A BIRD IN FRONT OF HIM, HE IS 300 00:10:04,358 --> 00:10:05,626 GOING TO LOSE HIS MIND. 301 00:10:05,626 --> 00:10:07,027 >> Anthony: A BIRD? 302 00:10:07,027 --> 00:10:09,196 >> HEIGHTS HE'S TERRIFIED OF. 303 00:10:09,196 --> 00:10:10,931 >> Anthony: WHERE IS DARK SHARK 304 00:10:10,931 --> 00:10:11,132 FROM? 305 00:10:11,132 --> 00:10:12,199 >> HE'S FROM LOS ANGELES. 306 00:10:12,199 --> 00:10:13,734 >> Anthony: HE'S FROM LOS 307 00:10:13,734 --> 00:10:14,001 ANGELES. 308 00:10:14,001 --> 00:10:14,535 >> SOUTH CENTRAL. 309 00:10:14,535 --> 00:10:15,803 >> Anthony: ALL RIGHT. 310 00:10:15,803 --> 00:10:16,804 LET'S SEE HERE. 311 00:10:16,804 --> 00:10:17,371 SECOND PICTURE. 312 00:10:17,371 --> 00:10:19,306 BOOM, WHAT DO WE HAVE HERE? 313 00:10:19,306 --> 00:10:21,876 >> WELL, SCIENTIFICALLY 314 00:10:21,876 --> 00:10:23,511 SPEAKING, THAT'S US TRYING TO 315 00:10:23,511 --> 00:10:28,849 LIGHT A FART UNDERWATER. 316 00:10:28,849 --> 00:10:29,416 >> Anthony: SCIENTIFICALLY 317 00:10:29,416 --> 00:10:29,683 SPEAKING? 318 00:10:29,683 --> 00:10:30,851 SO YOU'RE TRYING TO SET A 319 00:10:30,851 --> 00:10:31,085 RECORD? 320 00:10:31,085 --> 00:10:31,318 >> YES. 321 00:10:31,318 --> 00:10:32,720 THAT'S A NEW CAST MEMBER IN 322 00:10:32,720 --> 00:10:33,687 THERE TRYING TO SET THAT RECORD 323 00:10:33,687 --> 00:10:34,155 FOR US. 324 00:10:34,155 --> 00:10:35,689 I DON'T WANT TO GIVE IT AWAY IF 325 00:10:35,689 --> 00:10:37,291 HE SET THE RECORD OR NOT, BUT I 326 00:10:37,291 --> 00:10:40,628 CAN'T WAIT FOR YOU TO SEE THE 327 00:10:40,628 --> 00:10:41,128 MOVIE. 328 00:10:41,128 --> 00:10:41,695 >> Anthony: ALL RIGHT. 329 00:10:41,695 --> 00:10:43,230 >> WE'VE BEEN TRYING TO DO THAT 330 00:10:43,230 --> 00:10:44,131 FOR 15 YEARS BY THE WAY. 331 00:10:44,131 --> 00:10:46,100 15 YEARS WE'VE BEEN TRYING TO DO 332 00:10:46,100 --> 00:10:46,634 THAT. 333 00:10:46,634 --> 00:10:47,935 >> Anthony: FART UNDERWATER OR 334 00:10:47,935 --> 00:10:49,770 LIGHT A FART UNDERWATER? 335 00:10:49,770 --> 00:10:51,972 >> LIGHT A FART UNDERWATER. 336 00:10:51,972 --> 00:10:52,573 >> Anthony: ALL RIGHT. 337 00:10:52,573 --> 00:10:54,542 IS HE ANY RELATION TO DARK 338 00:10:54,542 --> 00:10:54,742 SHARK? 339 00:10:54,742 --> 00:10:57,344 >> NO, NO. 340 00:10:57,344 --> 00:11:00,915 BUT DARK SHARK'S SON, JASZ PER, S 341 00:11:00,915 --> 00:11:01,949 PART OF THE NEW CREW. 342 00:11:01,949 --> 00:11:02,716 >> Anthony: OKAY. 343 00:11:02,716 --> 00:11:03,817 WHAT IS GOING ON HERE, 344 00:11:03,817 --> 00:11:04,852 MR. KNOXVILLE? 345 00:11:04,852 --> 00:11:06,320 >> WELL, THAT WOULD BE ME. 346 00:11:06,320 --> 00:11:08,455 YOU KNOW THE ANCIENT MYTH OF 347 00:11:08,455 --> 00:11:10,991 ICARUS, THE BOY WHO FLEW TOO 348 00:11:10,991 --> 00:11:12,193 CLOSE TO THE SUN? 349 00:11:12,193 --> 00:11:12,593 >> Anthony: YEAH. 350 00:11:12,593 --> 00:11:15,429 >> WELL, WE REENACTED THAT WITH 351 00:11:15,429 --> 00:11:15,763 A CANNON. 352 00:11:15,763 --> 00:11:16,297 >> Anthony: IS THAT YOU? 353 00:11:16,297 --> 00:11:18,199 >> YEAH, THAT'S ME UP THERE IN 354 00:11:18,199 --> 00:11:20,734 THE AIR, ABOUT FIVE STORIES OFF 355 00:11:20,734 --> 00:11:21,101 THE GROUND. 356 00:11:21,101 --> 00:11:24,205 [ APPLAUSE ] 357 00:11:24,205 --> 00:11:25,940 >> Anthony: CAN YOU TELL US HOW 358 00:11:25,940 --> 00:11:27,508 THIS ENDED, OR WE HAVE TO WATCH 359 00:11:27,508 --> 00:11:28,008 THE FILM? 360 00:11:28,008 --> 00:11:31,111 >> I COULDN'T SIT DOWN FOR TWO 361 00:11:31,111 --> 00:11:31,345 WEEKS. 362 00:11:31,345 --> 00:11:31,845 >> Anthony: REALLY? 363 00:11:31,845 --> 00:11:32,680 >> YES, YES. 364 00:11:32,680 --> 00:11:37,051 MY ARSE ABSORBED ALL THE IMPACT, 365 00:11:37,051 --> 00:11:37,251 YES. 366 00:11:37,251 --> 00:11:38,852 >> Anthony: YOUR ARSE? 367 00:11:38,852 --> 00:11:39,486 ALL RIGHT. 368 00:11:39,486 --> 00:11:39,987 LET'S SEE HERE. 369 00:11:39,987 --> 00:11:41,021 WE HAVE ONE MORE. 370 00:11:41,021 --> 00:11:43,624 PLEASE TELL US WHAT'S GOING ON 371 00:11:43,624 --> 00:11:44,024 WITH THIS BULL. 372 00:11:44,024 --> 00:11:45,593 >> WELL, I HAD ALREADY HEARD 373 00:11:45,593 --> 00:11:47,361 THAT BULLS LOVE MAGIC. 374 00:11:47,361 --> 00:11:49,330 SO I WANTED TO DO A MAGIC TRICK 375 00:11:49,330 --> 00:11:50,798 FOR THE BULL. 376 00:11:50,798 --> 00:11:51,232 >> Anthony: MM‐HMM. 377 00:11:51,232 --> 00:11:52,399 >> IT TURNS OUT THIS BULL 378 00:11:52,399 --> 00:11:54,902 ABSOLUTELY HATED MAGIC. 379 00:11:54,902 --> 00:11:56,337 >> Anthony: WE CAN TELL. 380 00:11:56,337 --> 00:11:57,404 WE CAN TELL. 381 00:11:57,404 --> 00:11:59,607 >> I ‐‐ I SPENT A WEEKEND IN THE 382 00:11:59,607 --> 00:12:00,908 HOSPITAL AFTER THIS WITH A 383 00:12:00,908 --> 00:12:02,876 BROKEN WRIST, BROKEN RIB, AND 384 00:12:02,876 --> 00:12:03,244 CONCUSSION. 385 00:12:03,244 --> 00:12:04,345 BUT THE FOOTAGE TURNED OUT 386 00:12:04,345 --> 00:12:06,380 GREAT, SO IT WAS A WIN/WIN. 387 00:12:06,380 --> 00:12:13,621 [ APPLAUSE ] 388 00:12:13,621 --> 00:12:14,655 >> Anthony: MORE OF JOHNNY 389 00:12:14,655 --> 00:12:17,591 KNOXVILLE WHEN WE COME BACK, 390 00:12:17,591 --> 00:12:18,025 GUYS. 391 00:12:18,025 --> 00:12:19,226 >> Announcer: PORTIONS OF "JIMMY 392 00:12:19,226 --> 00:12:20,494 KIMMEL LIVE!" ARE BROUGHT TO YOU 393 00:12:20,494 --> 00:12:21,395 BY YOUTUBE TV. 394 00:12:21,395 --> 00:12:23,230 WATCH LIVE TV WITH UNLIMITED DVR 395 00:12:23,230 --> 00:12:24,098 AND MORE. 396 00:12:24,098 --> 00:12:24,565 NO CABLE BOX REQUIRED. 397 00:12:24,565 --> 00:12:26,433 TRY IT FREE. 398 00:12:32,973 --> 00:12:37,878 ♪ 399 00:12:37,878 --> 00:12:38,612 [ CHEERS AND APPLAUSE ] 400 00:12:38,612 --> 00:12:39,513 >> Anthony: WELCOME BACK. 401 00:12:39,513 --> 00:12:39,847 WELCOME BACK. 402 00:12:39,847 --> 00:12:41,682 I'M HERE WITH JOHNNY KNOXVILLE. 403 00:12:41,682 --> 00:12:42,716 NOW, BEFORE YOU GET INTO WHAT 404 00:12:42,716 --> 00:12:44,618 YOU WERE GOING TO SAY, DURING 405 00:12:44,618 --> 00:12:46,020 COMMERCIAL BREAK, I ASKED JOHNNY 406 00:12:46,020 --> 00:12:47,621 WHAT WAS THE WORST INJURY HE'S 407 00:12:47,621 --> 00:12:49,023 EVER HAD, AND HE TOLD ME 408 00:12:49,023 --> 00:12:50,090 SOMETHING THAT WAS FASCINATING. 409 00:12:50,090 --> 00:12:51,125 WOULD YOU LIKE TO SHARE THAT 410 00:12:51,125 --> 00:12:51,992 WITH THE AUDIENCE? 411 00:12:51,992 --> 00:12:53,861 >> WELL, YOU MAY KNOW THAT I 412 00:12:53,861 --> 00:12:56,664 BROKE MY JIM DOG ONCE. 413 00:12:56,664 --> 00:12:59,266 >> Anthony: HIS JIM DOG IS HIS 414 00:12:59,266 --> 00:12:59,533 [ BLEEP ]. 415 00:12:59,533 --> 00:13:01,769 HOW DO YOU BREAK A [ BLEEP ], 416 00:13:01,769 --> 00:13:02,002 JOHNNY? 417 00:13:02,002 --> 00:13:06,307 >> I WAS TRYING TO BIKE OFF A 418 00:13:06,307 --> 00:13:08,309 MOTORCYCLE AND I LET GO OFF IT 419 00:13:08,309 --> 00:13:09,109 ON THE RAMP. 420 00:13:09,109 --> 00:13:11,111 I FALL ON MY BACK AND IT TURNS 421 00:13:11,111 --> 00:13:13,347 INTO A MISSILE AND BREAKS ITS 422 00:13:13,347 --> 00:13:15,616 HANDLEBARS OFF IN MY CROTCH. 423 00:13:15,616 --> 00:13:17,985 >> Anthony: HOW DOES ONE RECOVER 424 00:13:17,985 --> 00:13:18,552 FROM A BROKE JOHNNY ROCKET? 425 00:13:18,552 --> 00:13:20,321 >> SURGERY AND VERY SLOWLY. 426 00:13:20,321 --> 00:13:22,289 HAD TO CATHETER FOR 3 1/2 YEARS 427 00:13:22,289 --> 00:13:24,325 AFTER THAT TWICE A DAY. 428 00:13:24,325 --> 00:13:27,294 >> Anthony: SO I TAKE IT YOU ARE 429 00:13:27,294 --> 00:13:27,561 RETIRING? 430 00:13:27,561 --> 00:13:28,162 >> NO. 431 00:13:28,162 --> 00:13:31,999 I HAD TWO KIDS AFTER THAT. 432 00:13:31,999 --> 00:13:35,202 [ LAUGHTER ] 433 00:13:35,202 --> 00:13:37,104 >> Anthony: I MEANT FROM THE 434 00:13:37,104 --> 00:13:37,338 MOVIE. 435 00:13:37,338 --> 00:13:38,472 >> OH, RIGHT. 436 00:13:38,472 --> 00:13:40,708 >> Anthony: FROM BEING A 437 00:13:40,708 --> 00:13:40,974 JACKASS. 438 00:13:40,974 --> 00:13:42,943 >> WELL, WE ARE LOOKING FOR NEW 439 00:13:42,943 --> 00:13:43,177 TALENT. 440 00:13:43,177 --> 00:13:43,577 >> Anthony: OKAY. 441 00:13:43,577 --> 00:13:44,678 WHO WOULD YOU LIKE TO REPLACE 442 00:13:44,678 --> 00:13:44,878 YOU? 443 00:13:44,878 --> 00:13:46,814 >> WE ARE LOOKING FOR FRESH 444 00:13:46,814 --> 00:13:47,147 YOUNG TALENT. 445 00:13:47,147 --> 00:13:48,882 WE ACTUALLY FOUND SOMEONE. 446 00:13:48,882 --> 00:13:49,650 >> Anthony: HAVE WE? 447 00:13:49,650 --> 00:13:50,784 >> YEAH, YEAH. 448 00:13:50,784 --> 00:13:51,685 WE HAVE SOME FOOTAGE. 449 00:13:51,685 --> 00:13:52,086 >> Anthony: OKAY. 450 00:13:52,086 --> 00:13:58,892 LET'S SHOW THE FOOTAGE. 451 00:13:58,892 --> 00:13:59,993 >> GUILLERMO. 452 00:13:59,993 --> 00:14:02,529 >> JOHNNY, HOW ARE YOU? 453 00:14:02,529 --> 00:14:04,698 >> I'M HAPPY TO SEE YOU, BUDDY. 454 00:14:04,698 --> 00:14:06,633 EVERY TIME I THINK OF YOU AS BAD 455 00:14:06,633 --> 00:14:07,468 NEWS BROWN, MAN. 456 00:14:07,468 --> 00:14:09,370 >> COME ON, IT'S ME. 457 00:14:09,370 --> 00:14:10,838 NO, NOTHING'S GOING TO HAPPEN. 458 00:14:10,838 --> 00:14:14,141 WE ARE LOOKING FOR SOME YOUNG 459 00:14:14,141 --> 00:14:14,608 NEW JACKASS TALENT. 460 00:14:14,608 --> 00:14:16,243 >> DO YOU HAVE GOOD HEALTH 461 00:14:16,243 --> 00:14:16,510 INSURANCE? 462 00:14:16,510 --> 00:14:17,845 >> I DO HAVE GOOD HEALTH 463 00:14:17,845 --> 00:14:18,145 INSURANCE. 464 00:14:18,145 --> 00:14:18,712 >> THAT'S GOOD. 465 00:14:18,712 --> 00:14:21,515 WHICH BONES ARE YOU OKAY 466 00:14:21,515 --> 00:14:22,483 BREAKING? 467 00:14:22,483 --> 00:14:22,883 PI 468 00:14:22,883 --> 00:14:23,183 PINKY, TOE? 469 00:14:23,183 --> 00:14:25,085 >> I DON'T WANT TO BREAK MY 470 00:14:25,085 --> 00:14:25,285 PENIS. 471 00:14:25,285 --> 00:14:26,854 I LOVE MY PENIS. 472 00:14:26,854 --> 00:14:28,355 >> YEAH, THAT COULD BE A 473 00:14:28,355 --> 00:14:28,589 PROBLEM. 474 00:14:28,589 --> 00:14:30,224 WHAT WOULD BE THE CRAZIEST THING 475 00:14:30,224 --> 00:14:32,526 YOU'VE EVER DONE? 476 00:14:32,526 --> 00:14:33,227 >> THE CRAZIEST THING I'VE EVER 477 00:14:33,227 --> 00:14:34,795 DONE, BUT IT WAS AN ACCIDENT. 478 00:14:34,795 --> 00:14:35,729 I HOOKED UP WITH THIS GIRL. 479 00:14:35,729 --> 00:14:38,499 SO WE WENT TO HER PLACE, AND SHE 480 00:14:38,499 --> 00:14:39,767 BRING A BIG SNAKE, YOU KNOW, AND 481 00:14:39,767 --> 00:14:41,468 SHE GOES, WE'RE GOING TO HAVE A 482 00:14:41,468 --> 00:14:42,102 LOT OF FUN. 483 00:14:42,102 --> 00:14:47,341 I GO, OH, [ BLEEP ]. 484 00:14:47,341 --> 00:14:48,542 >> ALL RIGHT. 485 00:14:48,542 --> 00:14:50,277 SO NO SNAKES. 486 00:14:50,277 --> 00:14:55,349 HOW ABOUT TEQUILA OR TARANTULA? 487 00:14:55,349 --> 00:14:56,917 >> OH, [ BLEEP ]. 488 00:14:56,917 --> 00:15:00,320 >> IN THESE BOXES, THERE'S THREE 489 00:15:00,320 --> 00:15:01,255 TEQUILAS, AND THEN THE OTHER 490 00:15:01,255 --> 00:15:03,090 BOXES ARE FILLED WITH TARANTULAS 491 00:15:03,090 --> 00:15:05,259 AND THEY'RE KIND OF VENOMOUS. 492 00:15:05,259 --> 00:15:06,894 WHY DON'T WE CALL IN MY FRIEND 493 00:15:06,894 --> 00:15:08,195 CARL, THE SPIDER EXPERT, TO TELL 494 00:15:08,195 --> 00:15:09,630 US WHAT YOU'VE GOT YOURSELF 495 00:15:09,630 --> 00:15:10,097 INTO. 496 00:15:10,097 --> 00:15:14,568 >> WE'VE GOT SOME COSTA RICAN 497 00:15:14,568 --> 00:15:14,868 TARANTULAS. 498 00:15:14,868 --> 00:15:16,370 >> THOSE ARE SOME THICK GLOVES 499 00:15:16,370 --> 00:15:17,104 YOU'RE WEARING. 500 00:15:17,104 --> 00:15:18,839 >> WE ALWAYS WANT TO PLAY IT 501 00:15:18,839 --> 00:15:19,039 SAFE. 502 00:15:19,039 --> 00:15:20,174 >> WHAT HAPPENS IF THEY BITE 503 00:15:20,174 --> 00:15:20,374 NEW. 504 00:15:20,374 --> 00:15:22,876 >> THE BAD PART ARE THE TWO 505 00:15:22,876 --> 00:15:23,777 FANGS THAT ARE THE SIZE OF 506 00:15:23,777 --> 00:15:24,711 NUMBER 2 PENCILS. 507 00:15:24,711 --> 00:15:26,146 IF THEY BITE YOU, THEY KIND OF 508 00:15:26,146 --> 00:15:27,648 JAB YOU AGAIN AND AGAIN AND 509 00:15:27,648 --> 00:15:29,149 AGAIN AND AGAIN AND AGAIN. 510 00:15:29,149 --> 00:15:30,918 >> OH, [ BLEEP ]. 511 00:15:30,918 --> 00:15:31,885 >> AND AGAIN. 512 00:15:31,885 --> 00:15:34,121 >> ARE YOU READY TO START THE 513 00:15:34,121 --> 00:15:34,321 GAME? 514 00:15:34,321 --> 00:15:36,457 >> DO I JUST GO ONCE AND THAT'S 515 00:15:36,457 --> 00:15:36,623 IT? 516 00:15:36,623 --> 00:15:36,990 >> NO. 517 00:15:36,990 --> 00:15:38,926 YOU HAVE TO FIND ALL THREE 518 00:15:38,926 --> 00:15:39,193 TEQUILAS. 519 00:15:39,193 --> 00:15:39,460 >> OKAY. 520 00:15:39,460 --> 00:15:42,763 >> YOU WANT TO BE A JACKASS, 521 00:15:42,763 --> 00:15:42,963 RIGHT? 522 00:15:42,963 --> 00:15:44,164 >> TO BE HONEST, NO. 523 00:15:44,164 --> 00:15:44,765 >> OKAY. 524 00:15:44,765 --> 00:15:46,266 HOW MANY FINGERS AM I HOLDING 525 00:15:46,266 --> 00:15:46,900 UP? 526 00:15:46,900 --> 00:15:47,801 >> ONE. 527 00:15:47,801 --> 00:15:48,302 >> PERFECT. 528 00:15:48,302 --> 00:15:49,636 >> THIS IS THE ONE YOU WANT TO 529 00:15:49,636 --> 00:15:50,103 GO FOR? 530 00:15:50,103 --> 00:15:50,537 >> YEAH. 531 00:15:50,537 --> 00:15:50,804 >> OKAY. 532 00:15:50,804 --> 00:15:58,779 YOU GOT TO REACH TO THE BOTTOM. 533 00:15:58,779 --> 00:16:00,280 >> AY‐AY‐AY. 534 00:16:00,280 --> 00:16:01,014 >> QUIET ON THE SET. 535 00:16:01,014 --> 00:16:03,016 >> IT'S GOT TO GO ALL THE WAY 536 00:16:03,016 --> 00:16:03,183 IN. 537 00:16:03,183 --> 00:16:04,785 FEEL AROUND FOR THE TEQUILA. 538 00:16:04,785 --> 00:16:12,626 IT'S NOT IN THE MIDDLE. 539 00:16:12,626 --> 00:16:13,393 WHAT WAS THAT? 540 00:16:13,393 --> 00:16:14,962 >> I THINK IT WAS A TARANTULA. 541 00:16:14,962 --> 00:16:16,430 >> I THINK THIS ONE HAS TEQUILA 542 00:16:16,430 --> 00:16:17,431 WRITTEN ALL OVER IT. 543 00:16:17,431 --> 00:16:18,232 >> ARE YOU SURE? 544 00:16:18,232 --> 00:16:20,067 >> I DON'T TRUST YOU, JOHNNY. 545 00:16:20,067 --> 00:16:21,301 >> CHECK ALL THE CORNERS. 546 00:16:21,301 --> 00:16:23,203 ARE YOU GETTING THIRSTY? 547 00:16:23,203 --> 00:16:27,107 >> AH! 548 00:16:27,107 --> 00:16:28,542 I THINK YOU'RE ENJOYING THIS 549 00:16:28,542 --> 00:16:28,742 GAME. 550 00:16:28,742 --> 00:16:30,010 >> I THINK EVERYONE IS ENJOYING 551 00:16:30,010 --> 00:16:30,410 THIS GAME. 552 00:16:30,410 --> 00:16:32,946 >> EXCEPT ME. 553 00:16:32,946 --> 00:16:33,814 >> FEEL AROUND. 554 00:16:33,814 --> 00:16:35,415 I WOULDN'T STEER YOU WRONG. 555 00:16:35,415 --> 00:16:35,782 NO. 556 00:16:35,782 --> 00:16:36,416 SORRY, SORRY. 557 00:16:36,416 --> 00:16:37,518 I'M ON YOUR SIDE. 558 00:16:37,518 --> 00:16:40,821 >> I DON'T BELIEVE YOU. 559 00:16:40,821 --> 00:16:42,789 >> YEAH! 560 00:16:42,789 --> 00:16:43,156 IT'S TEQUILA? 561 00:16:43,156 --> 00:16:44,224 >> YOU THINK I'M GOING TO PUT 562 00:16:44,224 --> 00:16:45,259 SOMETHING ELSE IN THERE? 563 00:16:45,259 --> 00:16:47,895 >> KNOWING YOU, YES. 564 00:16:47,895 --> 00:16:50,163 >> GUILLERMO, DO BE CAREFUL 565 00:16:50,163 --> 00:16:52,466 BECAUSE THE VENOM IS PRETTY 566 00:16:52,466 --> 00:16:52,699 WICKED. 567 00:16:52,699 --> 00:16:55,802 >> AY‐AY‐AY. 568 00:16:55,802 --> 00:16:56,069 AY‐AY‐AY. 569 00:16:56,069 --> 00:16:56,770 >> HOW IS THAT? 570 00:16:56,770 --> 00:16:58,171 >> I SEE THAT TEQUILA IN THE 571 00:16:58,171 --> 00:17:00,307 BACK. 572 00:17:00,307 --> 00:17:02,543 >> ARE YOU SURE THAT WASN'T 573 00:17:02,543 --> 00:17:02,776 TEQUILA? 574 00:17:02,776 --> 00:17:04,411 >> AY‐AY‐AY. 575 00:17:04,411 --> 00:17:05,913 >> KEEP LOOKING. 576 00:17:05,913 --> 00:17:08,982 >> IT'S TEQUILA! 577 00:17:08,982 --> 00:17:12,653 WAY TO GO , GUILLERMO. 578 00:17:12,653 --> 00:17:13,887 >> I THOUGHT WE WERE DONE. 579 00:17:13,887 --> 00:17:14,621 >> NO. 580 00:17:14,621 --> 00:17:15,889 THERE'S ONE MORE SHOT OF 581 00:17:15,889 --> 00:17:17,157 TEQUILA. 582 00:17:17,157 --> 00:17:19,526 >> ALL RIGHT. 583 00:17:19,526 --> 00:17:19,726 AH! 584 00:17:19,726 --> 00:17:20,260 >> WHAT WAS THAT? 585 00:17:20,260 --> 00:17:22,763 >> I THINK IT WAS A TARANTULA. 586 00:17:22,763 --> 00:17:25,198 >> I THINK YOU'VE HAD TOO MUCH 587 00:17:25,198 --> 00:17:25,699 TEQUILA. 588 00:17:25,699 --> 00:17:27,601 I'D GIVE IT ONE MORE SHOT FOR A 589 00:17:27,601 --> 00:17:27,801 SHOT. 590 00:17:27,801 --> 00:17:28,068 >> OKAY. 591 00:17:28,068 --> 00:17:30,037 >> OH, BOY! 592 00:17:30,037 --> 00:17:31,805 WE FOUND OUR THIRD. 593 00:17:31,805 --> 00:17:35,375 [ APPLAUSE ] 594 00:17:35,375 --> 00:17:37,110 >> YEAH! 595 00:17:37,110 --> 00:17:41,148 CHEERS, BUDDY. 596 00:17:41,148 --> 00:17:41,782 OUR NEWEST MEMBER OF JACKASS. 597 00:17:41,782 --> 00:17:42,783 >> THANK YOU, JOHNNY. 598 00:17:42,783 --> 00:17:43,417 I DID IT. 599 00:17:43,417 --> 00:17:43,884 >> YES. 600 00:17:43,884 --> 00:17:45,619 >> I ALWAYS THOUGHT YOU WERE BAD 601 00:17:45,619 --> 00:17:46,286 NEWS BUT ‐‐ 602 00:17:46,286 --> 00:17:51,191 >> NO, I'M GOOD NEWS. 603 00:17:51,191 --> 00:17:55,429 WHAT'S THAT ON YOUR SHOULDER? 604 00:17:55,429 --> 00:17:59,099 >> [ BLEEP ] 605 00:17:59,099 --> 00:17:59,666 [ CHEERS AND APPLAUSE ] 606 00:17:59,666 --> 00:18:01,802 >> "JACKASS FOREVER" OPENS IN 607 00:18:01,802 --> 00:18:03,604 THEATERS OCTOBER 22nd. 608 00:18:03,604 --> 00:18:04,771 JOHNNY KNOXVILLE, THANK YOU FOR 609 00:18:04,771 --> 00:18:05,839 BEING WITH US TONIGHT. 610 00:18:05,839 --> 00:18:11,478 WHEN WE COME BACK, MARK CUBAN 611 00:18:11,478 --> 00:18:11,945 BATTLES THE HELL HOOP. 612 00:18:11,945 --> 00:18:14,982 ♪ 613 00:18:14,982 --> 00:18:16,550 >> Announcer: PORTIONS OF "JIMMY 614 00:18:16,550 --> 00:18:18,418 KIMMEL LIVE!" ARE BROUGHT TO YOU 615 00:18:18,418 --> 00:18:18,652 BY NISSAN. 616 00:18:25,792 --> 00:18:28,929 >> Anthony: WELCOME BACK TO 617 00:18:28,929 --> 00:18:29,529 "JIMMY KIMMEL LIVE NBA FINALS 618 00:18:29,529 --> 00:18:29,830 GAME NIGHT." 619 00:18:29,830 --> 00:18:30,397 I'M ANTHONY ANDERSON. 620 00:18:30,397 --> 00:18:32,165 NOW, WE'RE OUTSIDE IN BACK OF 621 00:18:32,165 --> 00:18:34,635 OUR THEATER WITH DALLAS 622 00:18:34,635 --> 00:18:36,470 MAVERICKS OWNER AND SHARK TANK 623 00:18:36,470 --> 00:18:38,739 BARRACUDA MARK CUBAN. 624 00:18:38,739 --> 00:18:40,073 THANKS FOR BEING HERE. 625 00:18:40,073 --> 00:18:41,174 >> THANKS FOR HAVING ME. 626 00:18:41,174 --> 00:18:41,675 >> Anthony: ALL RIGHT. 627 00:18:41,675 --> 00:18:42,909 ARE YOU UP FOR A CHALLENGE? 628 00:18:42,909 --> 00:18:43,410 >> YES, SIR. 629 00:18:43,410 --> 00:18:44,378 >> Anthony: OKAY. 630 00:18:44,378 --> 00:18:46,013 ALL YOU NEED TO DO IS MAKE ONE 631 00:18:46,013 --> 00:18:47,481 SHOT FROM THE TOP OF THE KEY. 632 00:18:47,481 --> 00:18:47,848 >> PERFECT. 633 00:18:47,848 --> 00:18:48,448 >> Anthony: WHICH IS WHERE 634 00:18:48,448 --> 00:18:49,850 YOU'RE STANDING RIGHT NOW. 635 00:18:49,850 --> 00:18:54,054 BUT IF YOU MAKE IT, DICKY, TELL 636 00:18:54,054 --> 00:18:54,554 US WHAT HE WINS. 637 00:18:54,554 --> 00:18:56,056 >> Dicky: IF MARK MAKES THE 638 00:18:56,056 --> 00:18:57,724 SHOT, $25,000 WILL BE DONATED TO 639 00:18:57,724 --> 00:19:00,293 THE CHARITY OF MARK'S CHOICE, 640 00:19:00,293 --> 00:19:02,429 COURTESY OF CHIME, THE EASY AND 641 00:19:02,429 --> 00:19:04,064 FREE DEBIT CARD USED BY MILLIONS 642 00:19:04,064 --> 00:19:05,599 OF AMERICANS. 643 00:19:05,599 --> 00:19:06,733 >> Anthony: OKAY, MARK. 644 00:19:06,733 --> 00:19:08,001 SO WHAT CHARITY HAVE YOU CHOSEN? 645 00:19:08,001 --> 00:19:09,236 >> IT'S CALLS THE FAMILY PLACE. 646 00:19:09,236 --> 00:19:10,704 IT'S FOR VICTIMS OF FAMILY 647 00:19:10,704 --> 00:19:11,304 VIOLENCE IN DALLAS. 648 00:19:11,304 --> 00:19:12,472 >> Anthony: OH, WOW. 649 00:19:12,472 --> 00:19:15,375 A VERY WORTHY CAUSE. 650 00:19:15,375 --> 00:19:17,344 AS THE MAVS' OWNER, DO YOU EVER 651 00:19:17,344 --> 00:19:20,113 GET A CHANCE TO GO DOWN TO 652 00:19:20,113 --> 00:19:22,249 AMERICAN AIRLINES ARENA AND 653 00:19:22,249 --> 00:19:23,250 PRACTICE YOUR FREE THROWS? 654 00:19:23,250 --> 00:19:24,451 >> YEAH, ALL THE TIME. 655 00:19:24,451 --> 00:19:25,419 >> Anthony: REALLY? 656 00:19:25,419 --> 00:19:27,220 >> BEFORE GAMES I LIKE TO GET 657 00:19:27,220 --> 00:19:27,521 OUT THERE. 658 00:19:27,521 --> 00:19:28,522 >> Anthony: SO THIS SHOULD BE 659 00:19:28,522 --> 00:19:29,056 EASY, THEN. 660 00:19:29,056 --> 00:19:30,157 >> I HOPE SO. 661 00:19:30,157 --> 00:19:30,724 >> Anthony: GOOD LUCK. 662 00:19:30,724 --> 00:19:32,693 DID I FORGET TO MENTION THIS IS 663 00:19:32,693 --> 00:19:34,127 NO ORDINARY THREE‐POINT SHOT. 664 00:19:34,127 --> 00:19:35,529 >> OKAY. 665 00:19:35,529 --> 00:19:37,964 >> Anthony: ALL RIGHT? 666 00:19:37,964 --> 00:19:39,700 THIS IS ‐‐ 667 00:19:39,700 --> 00:19:41,568 >> HELL HOOP. 668 00:19:41,568 --> 00:19:42,803 >> Anthony: OKAY, WE HAVE 669 00:19:42,803 --> 00:19:45,739 INTRODUCED FOUR LEVELS OF HELL 670 00:19:45,739 --> 00:19:46,807 DESIGNED TO DISTRACT AND ANNOY 671 00:19:46,807 --> 00:19:46,973 YOU. 672 00:19:46,973 --> 00:19:52,145 THERE IS THE GRIM RIM, WHICH 673 00:19:52,145 --> 00:19:54,147 ROTATES 360 DEGREES. 674 00:19:54,147 --> 00:19:56,483 THEN WE HAVE THE DEATHLY 675 00:19:56,483 --> 00:20:00,120 DEFENDERS, WHO WILL RISE UP TO 676 00:20:00,120 --> 00:20:03,256 REJECT YOU. 677 00:20:03,256 --> 00:20:05,892 >> OH, MY GOODNESS. 678 00:20:05,892 --> 00:20:10,630 >> Anthony: AND THE HORRIFYING 679 00:20:10,630 --> 00:20:15,268 HADES BLASTERS. 680 00:20:15,268 --> 00:20:21,041 AND UNI‐PSYCHO, A PSYCHOTIC 681 00:20:21,041 --> 00:20:21,942 CLOWN ON A UNICYCLE. 682 00:20:21,942 --> 00:20:23,543 YOU HAVE THREE CHANCES TO MAKE 683 00:20:23,543 --> 00:20:24,578 THE SHOT, MARK. 684 00:20:24,578 --> 00:20:26,913 AND HERE TO OFFICIALLY START THE 685 00:20:26,913 --> 00:20:31,685 GAME OFF IS EL DIABLO HIMSELF. 686 00:20:31,685 --> 00:20:32,886 READY, MARK? 687 00:20:32,886 --> 00:20:36,857 >> I'M READY, GUILLERMO. 688 00:20:36,857 --> 00:20:37,724 >> Anthony: ALL RIGHT. 689 00:20:37,724 --> 00:20:38,959 NOT YET, MARK. 690 00:20:38,959 --> 00:20:40,060 NOT YET. 691 00:20:40,060 --> 00:20:42,129 NOW YOU CAN GO! 692 00:20:42,129 --> 00:20:45,799 [ CHEERS AND APPLAUSE ] 693 00:20:45,799 --> 00:20:48,068 >> Anthony: OH, GIVE HIM THE 694 00:20:48,068 --> 00:20:49,569 BALL. 695 00:20:49,569 --> 00:20:52,072 SHOOT, MARK, SHOOT! 696 00:20:52,072 --> 00:20:57,077 SHOOT, MARK, SHOOT! 697 00:20:57,077 --> 00:21:05,719 THE SUN'S GOING DOWN, MARK. 698 00:21:05,719 --> 00:21:06,353 YOU DID IT! 699 00:21:06,353 --> 00:21:07,287 YOU DID IT! 700 00:21:07,287 --> 00:21:07,821 LET'S HAVE A LOOK AT THIS 701 00:21:07,821 --> 00:21:09,356 REPLAY. 702 00:21:09,356 --> 00:21:12,993 ♪ 703 00:21:12,993 --> 00:21:14,961 CONGRATULATIONS, MARK. 704 00:21:14,961 --> 00:21:16,997 THAT'S $25,000 TO THE FAMILY 705 00:21:16,997 --> 00:21:17,297 PLACE. 706 00:21:17,297 --> 00:21:20,000 AND, MARK, YOU ALSO GET A PRIZE 707 00:21:20,000 --> 00:21:20,367 TOO. 708 00:21:20,367 --> 00:21:21,868 THIS CREEPY LITTLE DOLL. 709 00:21:21,868 --> 00:21:22,135 ALL RIGHT. 710 00:21:22,135 --> 00:21:23,804 THAT IS ALL THE TIME WE HAVE. 711 00:21:23,804 --> 00:21:25,872 I'D LIKE TO THANK MARK CUBAN, 712 00:21:25,872 --> 00:21:28,175 JOHNNY KNOXVILLE, AND TACKO 713 00:21:28,175 --> 00:21:28,675 FALL. 714 00:21:28,675 --> 00:21:30,877 AND NOW SETTLE IN FOR GAME THREE 715 00:21:30,877 --> 00:21:33,446 OF THE NBA FINALS. 716 00:21:33,446 --> 00:21:33,747 GOOD NIGHT. 717 00:21:33,747 --> 00:21:40,287 I LOVE YOU, MAMA! 718 00:21:42,088 --> 00:21:55,368 ♪