1 00:00:00,021 --> 00:00:02,257 >> Dicky: FROM HOLLYWOOD IT'S "JIMMY KIMMEL LIVE." 2 00:00:02,257 --> 00:00:08,296 WITH GUEST HOST ‐‐ ARSENIO HALL! TONIGHT ‐‐ MEGAN FOX. 3 00:00:08,296 --> 00:00:10,999 JAY PHAROAH. AND MUSIC FROM AMORPHOUS 4 00:00:10,999 --> 00:00:17,338 FEATURING KELLY ROWLAND. AND NOW ‐‐ ARSENIO HALL! 5 00:00:17,338 --> 00:00:21,075 [ CHEERS AND APPLAUSE ] 6 00:00:21,075 --> 00:00:31,386 ♪ 7 00:00:31,386 --> 00:00:38,126 >> Arsenio: YEAH! THANK YOU! YEAH! 8 00:00:38,126 --> 00:00:45,400 THAT'S BEAUTIFUL MUSIC TO MY EARS. HAVE A SEAT. 9 00:00:45,400 --> 00:00:47,268 THANK YOU. YOU'RE TOO YOUNG TO KNOW 10 00:00:47,268 --> 00:00:51,506 ANYTHING ABOUT WHOO, WHOO, WHOO. > Guillermo: YEAH, TOO YOUNG. 11 00:00:51,506 --> 00:00:51,839 [ LAUGHTER ] 12 00:00:51,839 --> 00:00:53,474 >> Arsenio: GOOD TO SEE MY OLD BUDDY. 13 00:00:53,474 --> 00:00:59,347 I'VE KNOWN THIS GUY FOR A LONG TIME. I MET YOU WHEN WE WERE BOTH 14 00:00:59,347 --> 00:01:04,619 BROKE. YEAH. AND NOW HE'S A RICH FAMOUS 15 00:01:04,619 --> 00:01:07,322 MUSICIAN ON TELEVISION. 16 00:01:07,322 --> 00:01:07,822 [ CHEERS AND APPLAUSE ] 17 00:01:07,822 --> 00:01:14,395 YES. CLETO. CLETONES. AND I'M BROKE. 18 00:01:14,395 --> 00:01:15,597 [ LAUGHTER ] 19 00:01:15,597 --> 00:01:20,935 HELLO TO YOU ALL. THANKS FOR BEING HERE. 20 00:01:20,935 --> 00:01:24,672 [ CHEERS AND APPLAUSE ] 21 00:01:24,672 --> 00:01:26,908 YES! WELCOME TO "JIMMY KIMMEL LIVE." 22 00:01:26,908 --> 00:01:30,211 I AM JIMMY. 23 00:01:30,211 --> 00:01:31,412 [ LAUGHTER ] 24 00:01:31,412 --> 00:01:35,216 YES. THIS IS FUN. THIS IS NOT ONLY FUN TO DO BUT 25 00:01:35,216 --> 00:01:40,088 THIS IS FUN ‐‐ I'M WEARING PANTS. WITH A ZIPPER. 26 00:01:40,088 --> 00:01:46,094 PANTS WITH A ZIPPER. THIS IS ONE OF MY FIRST TIMES 27 00:01:46,094 --> 00:01:50,465 OUT OF THE HOUSE. I TAKE COVID VERY SERIOUSLY. 28 00:01:50,465 --> 00:01:54,369 I THINK THE MOST DANGEROUS PLACE I WENT TO THIS YEAR WAS THE 29 00:01:54,369 --> 00:01:54,802 IN‐N‐OUT DRIVE‐THRU. 30 00:01:54,802 --> 00:01:57,805 [ LAUGHTER ] 31 00:01:57,805 --> 00:01:59,574 AND I DIDN'T EVEN ORDER NOTHING. I JUST DROVE THROUGH. 32 00:01:59,574 --> 00:02:08,149 [ LAUGHTER ] 33 00:02:08,149 --> 00:02:09,784 BY THE WAY, I'M LOOKING AT MYSELF. 34 00:02:09,784 --> 00:02:15,390 THE SHAVEN HEAD IS ALL NEW. EVENTUALLY YOU DON'T CHOOSE YOUR 35 00:02:15,390 --> 00:02:19,794 HAIRCUT. YOUR HAIRCUT CHOOSE YOU. 36 00:02:19,794 --> 00:02:21,195 [ LAUGHTER ] 37 00:02:21,195 --> 00:02:25,266 YOU KNOW? FOR THOSE OF YOU ‐‐ YOU ALL LOOK 38 00:02:25,266 --> 00:02:27,068 A LITTLE YOUNG. FOR THOSE OF YOU WHO ARE FANS ‐‐ 39 00:02:27,068 --> 00:02:28,870 I THINK IT'S JUST ME AND YOU, BRO. 40 00:02:28,870 --> 00:02:29,203 [ LAUGHTER ] 41 00:02:29,203 --> 00:02:32,340 FOR THOSE OF YOU WHO ARE FANS OF MY OLD SHOW, I BROUGHT SOMETHING 42 00:02:32,340 --> 00:02:37,078 THAT YOU'LL REMEMBER. CHECK THIS OUT. 43 00:02:37,078 --> 00:02:42,483 ♪ 44 00:02:42,483 --> 00:02:45,053 [ CHEERS AND APPLAUSE ] 45 00:02:45,053 --> 00:02:51,793 YES. IT'S MY OLD FLAT TOP, BABY! 46 00:02:51,793 --> 00:02:55,930 IT'S BACK! IF I CAN JUST STAND LIKE THIS 47 00:02:55,930 --> 00:02:56,998 FOR AN HOUR. 48 00:02:56,998 --> 00:03:00,068 [ LAUGHTER ] 49 00:03:00,068 --> 00:03:04,138 OKAY, ENOUGH OF THAT. GET OUT OF HERE. 50 00:03:04,138 --> 00:03:06,307 YOU ALL HAVE A GOOD WEEKEND? 51 00:03:06,307 --> 00:03:08,876 [ CHEERS AND APPLAUSE ] 52 00:03:08,876 --> 00:03:13,147 ANYONE FLY INTO SPACE? YOU KNOW WHERE I'M GOING. 53 00:03:13,147 --> 00:03:20,488 RICHARD BRANSON DID. THE FOUNDER OF VIRGIN GALACTIC 54 00:03:20,488 --> 00:03:23,024 FLEW INTO SPACE AND BACK YESTERDAY. 55 00:03:23,024 --> 00:03:25,660 THE VIRGIN FLIGHT TOOK ABOUT AN HOUR, WHICH IS THE FIRST TIME 56 00:03:25,660 --> 00:03:33,000 ANY VIRGIN HAS EVER DONE ANYTHING IN AN HOUR. 57 00:03:33,000 --> 00:03:33,334 [ APPLAUSE ] 58 00:03:33,334 --> 00:03:36,170 DON'T LAUGH. WHEN I WAS A VIRGIN ‐‐ OKAY, I 59 00:03:36,170 --> 00:03:41,142 DON'T KNOW IF I CAN TELL THIS STORY. BUT WHEN I WAS A VIRGIN, I 60 00:03:41,142 --> 00:03:47,381 ACTUALLY ‐‐ I SHOULD SAY CLIMAX. I ACTUALLY REACHED CLIMAX REALLY 61 00:03:47,381 --> 00:03:51,119 EARLY. AND I WAS HOLDING A CONDOM TRYING TO TEAR IT OPEN LIKE 62 00:03:51,119 --> 00:03:57,992 THIS. I LITERALLY ‐‐ LIKE THIS. 63 00:03:57,992 --> 00:04:00,695 [ LAUGHTER ] 64 00:04:00,695 --> 00:04:07,034 I SWEAR. SPEAKING OF WHICH, HI, ROBIN. 65 00:04:07,034 --> 00:04:10,938 [ LAUGHTER ] 66 00:04:10,938 --> 00:04:14,041 OH, GOSH. BACK ON MY OLD SHOW ‐‐ I HATE TO 67 00:04:14,041 --> 00:04:17,178 KEEP REFERRING TO MY OLD SHOW. THESE YOUNG PEOPLE LOOKING AT 68 00:04:17,178 --> 00:04:24,118 ME, WHAT? WHO ARE YOU? HONEY, I THINK THAT'S THE OWNER 69 00:04:24,118 --> 00:04:24,752 OF THE WEATHER CHANNEL. 70 00:04:24,752 --> 00:04:32,627 [ LAUGHTER ] 71 00:04:32,627 --> 00:04:38,099 HI, BYRON. BACK ON MY OLD SHOW I USED TO DO 72 00:04:38,099 --> 00:04:40,601 A THING CALLED "THINGS THAT MAKE YOU GO HMM." 73 00:04:40,601 --> 00:04:42,703 OH, SOME OF YOU ARE OVER 40. YES. YES. 74 00:04:42,703 --> 00:04:45,373 [ CHEERS AND APPLAUSE ] 75 00:04:45,373 --> 00:04:50,278 THAT USED TO BE A BIT I WOULD DO. AND IT TURNED INTO A SONG. 76 00:04:50,278 --> 00:04:54,816 BUT TIMES HAVE CHANGED. AND THINGS THAT MAKE YOU GO HMM 77 00:04:54,816 --> 00:04:57,318 WERE THOUGHTS LIKE STAND‐UP THOUGHTS WHERE I WOULD SAY LIKE 78 00:04:57,318 --> 00:05:02,123 WHEN I WAS LITTLE I USED TO ASK MY MOM, MOM, HOW COME BLACK 79 00:05:02,123 --> 00:05:05,726 WOMEN WHEN THEY BREAST‐FEED YOU DON'T GET CHOCOLATE MILK? 80 00:05:05,726 --> 00:05:06,060 [ LAUGHTER ] 81 00:05:06,060 --> 00:05:11,465 AND THE AUDIENCE WOULD SAY, HMM. SO TIMES ARE CRAZIER NOW AND 82 00:05:11,465 --> 00:05:15,069 I'VE GOT TO STEP IT UP. SO I WANT TO INTRODUCE A NEW 83 00:05:15,069 --> 00:05:17,038 VERSION. AND WE'RE GOING TO CALL THIS 84 00:05:17,038 --> 00:05:20,842 INSTEAD OF "THINGS THAT MAKE YOU GO HMM." 85 00:05:20,842 --> 00:05:27,014 "THINGS THAT MAKE YOU GO WHAT THE [ BLEEP ]!" 86 00:05:27,014 --> 00:05:29,183 [ CHEERS AND APPLAUSE ] 87 00:05:29,183 --> 00:05:33,955 I HOPE JIMMY'S NOT WATCHING. LET'S PRACTICE. 88 00:05:33,955 --> 00:05:37,758 THESE ARE THINGS THAT MAKE YOU GO WHAT THE [ BLEEP ]? YES. 89 00:05:37,758 --> 00:05:40,995 I'M GETTING READY TO LOSE ANOTHER JOB. 90 00:05:40,995 --> 00:05:41,328 [ LAUGHTER ] 91 00:05:41,328 --> 00:05:44,465 YEAH. Y'ALL ARE GOING TO TUNE IN WEDNESDAY IT'S GOING TO BE OH, 92 00:05:44,465 --> 00:05:49,170 THEY FIRED THAT BROTHER. 93 00:05:49,170 --> 00:05:49,570 [ LAUGHTER ] 94 00:05:49,570 --> 00:05:52,440 SO I'M LOOKING AT THE PAPER THIS MORNING, WHICH MEANS THE WRITERS 95 00:05:52,440 --> 00:05:57,545 WOKE UP EARLY TO GET ME PREPARED. 96 00:05:57,545 --> 00:05:59,413 THERE'S A COMPANY THAT'S SELLING SOMETHING CALLED WET PANTS 97 00:05:59,413 --> 00:06:05,620 DENIM. IT'S A REAL THING. IT'S JEANS THAT MAKE YOU LOOK 98 00:06:05,620 --> 00:06:11,158 LIKE YOU PEED ON YOURSELF. I DON'T KNOW WHAT THAT'S ABOUT. 99 00:06:11,158 --> 00:06:13,027 SAVES US A LOT OF TIME AND URINE, THOUGH. 100 00:06:13,027 --> 00:06:15,096 [ LAUGHTER ] 101 00:06:15,096 --> 00:06:18,633 I GUESS. THEY COST $75. BUT YOU KNOW YOU COULD PEE ON 102 00:06:18,633 --> 00:06:23,704 YOUR PANTS FOR FREE, RIGHT? 103 00:06:23,704 --> 00:06:27,909 [ APPLAUSE ] 104 00:06:27,909 --> 00:06:33,214 I MEAN, I KNOW I'M NOT BUYING THEM. I'M LIKE 65 YEARS OLD. 105 00:06:33,214 --> 00:06:35,283 OKAY? AND REAL SOON I'M GOING TO HAVE 106 00:06:35,283 --> 00:06:35,883 THOSE PANTS ON ALL THE TIME. 107 00:06:35,883 --> 00:06:44,558 [ LAUGHTER ] 108 00:06:44,558 --> 00:06:44,892 [ APPLAUSE ] 109 00:06:44,892 --> 00:06:48,496 THAT'S ONE OF THOSE THINGS THAT 110 00:06:48,496 --> 00:06:54,235 MAKE YOU SAY ‐‐ WHAT THE 111 00:06:54,235 --> 00:06:55,703 [ BLEEP ]? 112 00:06:55,703 --> 00:06:58,105 THOSE PANTS. JIMMY DRIVING HERE AS WE SPEAK. 113 00:06:58,105 --> 00:06:58,606 [ LAUGHTER ] 114 00:06:58,606 --> 00:07:02,076 SHOULD WE DO ANOTHER ONE? 115 00:07:02,076 --> 00:07:02,443 [ CHEERS ] 116 00:07:02,443 --> 00:07:04,679 OKAY. THIS MIGHT BE ONE OF THE WEIRDEST HEADLINES I'VE EVER 117 00:07:04,679 --> 00:07:11,852 SEEN. "METH POLLUTION IN WATERWAYS 118 00:07:11,852 --> 00:07:15,289 TURNS TROUT INTO JUNKIES." THAT'S RIGHT. 119 00:07:15,289 --> 00:07:21,762 APPARENTLY IN AREAS WHERE PEOPLE SMOKE METH, IT'S GETTING INTO 120 00:07:21,762 --> 00:07:24,999 THE WATER AND THE FISH START TO BEHAVE LIKE METH HEADS. YES. 121 00:07:24,999 --> 00:07:28,602 THEY LOSE THEIR TEETH, THEY MOVE TO RIVERSIDE. 122 00:07:28,602 --> 00:07:40,982 [ LAUGHTER ] 123 00:07:40,982 --> 00:07:47,855 I GUESS THEY GET THEIR STUFF FROM WALTER WHITEFISH. 124 00:07:47,855 --> 00:07:48,188 [ LAUGHTER ] 125 00:07:48,188 --> 00:07:51,425 THAT'S ONE OF THOSE PICTURES THAT MAKE YOU SAY ‐‐ 126 00:07:51,425 --> 00:07:54,562 >> WHAT THE [ BLEEP ]? 127 00:07:54,562 --> 00:07:56,263 >> Arsenio: YEAH. UP NEXT, THIS IS A RIDICULOUS 128 00:07:56,263 --> 00:08:01,102 ONE. IT'S A NEW TREND ON TIKTOK. AND PEOPLE SHOVE GARLIC UP THEIR 129 00:08:01,102 --> 00:08:05,573 NOSE TO CLEAR THEIR SCIENCES. CHECK THIS OUT. 130 00:08:05,573 --> 00:08:09,243 >> SO MY NOSE IS KIND OF STUFFY, SO I'M GOING TO TRY THE GARLIC 131 00:08:09,243 --> 00:08:10,611 TRICK. AND NOW WE WAIT. 132 00:08:10,611 --> 00:08:13,214 >> NOT SURE HOW LONG YOU'RE SUPPOSED TO WAIT. 133 00:08:13,214 --> 00:08:14,815 >> I'M PRETTY SURE WE'RE SUPPOSED TO DO THIS FOR 15 134 00:08:14,815 --> 00:08:15,349 MINUTES. 135 00:08:15,349 --> 00:08:20,821 ♪ 136 00:08:20,821 --> 00:08:21,989 >> IT HURTS. 137 00:08:21,989 --> 00:08:26,994 >> ALSO IT MAKES YOU SALIVATE A LOT. 138 00:08:26,994 --> 00:08:29,063 >> Arsenio: OOH. AND THAT WAS THE CLEANEST CLIP 139 00:08:29,063 --> 00:08:33,501 WE COULD FIND OF THIS SYNDROME. WHY CAN'T THESE KIDS JUST SNORT 140 00:08:33,501 --> 00:08:35,870 ADDERALL LIKE NORMAL PEOPLE? 141 00:08:35,870 --> 00:08:37,171 [ APPLAUSE ] 142 00:08:37,171 --> 00:08:43,411 COME ON. REGARDLESS. IT'S ONE OF THOSE THINGS THAT 143 00:08:43,411 --> 00:08:50,451 MAKE YOU SAY ‐‐ [ AUDIENCE SAYS "WHAT THE [ BLEEP ]" ] YEAH. 144 00:08:50,451 --> 00:08:53,921 I SAVED THE DUMBEST ONE FOR LAST. THIS IS A NEW TREND. 145 00:08:53,921 --> 00:08:59,427 IT'S A FACIAL FASHION THING CALLED THE DOUBLE MUSTACHE. 146 00:08:59,427 --> 00:09:03,631 GUYS ARE GOING AROUND WEARING TWO MUSTACHES, ONE IN THE NORMAL 147 00:09:03,631 --> 00:09:08,269 MUSTACHE SPOT AND THEN ONE ABOVE OR BELOW IT. 148 00:09:08,269 --> 00:09:12,840 I'M THINKING TWO MUSTACHES, ZERO GIRLFRIENDS. 149 00:09:12,840 --> 00:09:13,173 [ LAUGHTER ] 150 00:09:13,173 --> 00:09:16,043 THAT'S CRAZY‐LOOKING. GUILLERMO, WOULD YOU ROCK THE 151 00:09:16,043 --> 00:09:16,477 DOUBLE MUSTACHE? 152 00:09:16,477 --> 00:09:22,249 >> Guillermo: NO WAY, JOSE. 153 00:09:22,249 --> 00:09:24,819 >> Arsenio: HEY, BY THE WAY, A FRIEND OF MINE, ANTHONY 154 00:09:24,819 --> 00:09:29,623 ANDERSON, TEXTED ME. AND I'M GOING TO LET YOU TELL ME 155 00:09:29,623 --> 00:09:31,425 THE REST. DID YOU SEE ANTHONY TODAY? 156 00:09:31,425 --> 00:09:33,027 >> Guillermo: I SAW HIM THIS MORNING, YEAH. 157 00:09:33,027 --> 00:09:34,829 WE WERE PLAYING GOLF THIS MORNING. 158 00:09:34,829 --> 00:09:37,932 WELL, HE WAS PLAYING GOLF. I WAS GETTING DRUNK. 159 00:09:37,932 --> 00:09:38,265 [ LAUGHTER ] 160 00:09:38,265 --> 00:09:39,834 >> Arsenio: OKAY. I WAS GOING TO SAY HE TOLD ME 161 00:09:39,834 --> 00:09:42,736 THE TRUTH OF WHAT HAPPENED SO YOU BETTER NOT LIE. 162 00:09:42,736 --> 00:09:46,774 HE SAID YOU WERE PRETTY S‐FACED. 163 00:09:46,774 --> 00:09:48,943 >> Guillermo: I WAS. 164 00:09:48,943 --> 00:09:52,546 >> Arsenio: ON A SCALE FROM 1 TO 10 HOW DRUNK WERE YOU, 165 00:09:52,546 --> 00:09:52,879 GUILLERMO? 166 00:09:52,879 --> 00:09:55,316 >> Guillermo: 10, 11. VERY DRUNK. YEAH. 167 00:09:55,316 --> 00:10:01,122 [ LAUGHTER ] 168 00:10:01,122 --> 00:10:05,726 >> Arsenio: GETTING HAMMERED ON A WORKDAY IS SOMETHING THAT 169 00:10:05,726 --> 00:10:07,461 MAKES YOU GO ‐‐ 170 00:10:07,461 --> 00:10:10,564 [ AUDIENCE SAYS "WHAT THE 171 00:10:10,564 --> 00:10:11,432 [ BLEEP ]" ] 172 00:10:11,432 --> 00:10:14,768 AS YOU CAN SEE MY YEAR IS OFF TO A GREAT START. 173 00:10:14,768 --> 00:10:17,371 I'M DOING THIS WHILE JIMMY'S ON VACATION. 174 00:10:17,371 --> 00:10:21,175 I HOPE SOME OF YOU SAW "COMING TO AMERICA" ON AMAZON. 175 00:10:21,175 --> 00:10:23,444 [ CHEERS AND APPLAUSE ] 176 00:10:23,444 --> 00:10:27,815 YES. NOW, AS YOU KNOW, THOSE OF YOU 177 00:10:27,815 --> 00:10:30,484 WHO ARE CLAPPING ‐‐ SOME OF YOU ARE LOOKING AT ME LIKE SO THIS 178 00:10:30,484 --> 00:10:36,757 AIN'T THE GUY WHO OWN THE WEATHER CHANNEL? 179 00:10:36,757 --> 00:10:40,961 AS YOU KNOW, THE FILM IS ABOUT A ROYAL FAMILY, A FICTIONAL 180 00:10:40,961 --> 00:10:44,265 AFRICAN NATION CALLED ZAMUNDA. SO I THOUGHT IT WOULD BE FUN TO 181 00:10:44,265 --> 00:10:52,139 GO OUT HERE IN THESE STREETS, TALK A CAMERA CREW ON HOLLYWOOD 182 00:10:52,139 --> 00:10:54,074 BOULEVARD, SO WE WENT OUT THIS AFTERNOON AND WE ASKED PEOPLE 183 00:10:54,074 --> 00:10:55,910 ABOUT THEIR THOUGHTS ON THE 184 00:10:55,910 --> 00:11:03,017 CRISIS IN ZAMUNDA. 185 00:11:03,017 --> 00:11:10,457 HERE'S TONIGHT'S EDITION OF "LIE WITNESS NEWS." 186 00:11:10,457 --> 00:11:10,791 [ APPLAUSE ] 187 00:11:10,791 --> 00:11:14,295 >> THE HEADLINES RIGHT NOW, THE SITUATION IN ZAMUNDA. 188 00:11:14,295 --> 00:11:16,297 DO YOU THINK THE U. S. SHOULD INTERVENE IN ZAMUNDA? 189 00:11:16,297 --> 00:11:19,366 >> YES. I FEEL LIKE SINCE THE U. S. IS 190 00:11:19,366 --> 00:11:21,769 THIS BIG DEAL AND THIS GREAT COUNTRY I FEEL LIKE IT'S OUR 191 00:11:21,769 --> 00:11:25,439 DUTY TO REALLY STEP IN THERE AND BECOME A RESOURCE AND HELP THEM 192 00:11:25,439 --> 00:11:28,209 OUT AS BEST AS WE CAN. 193 00:11:28,209 --> 00:11:30,878 >> HAVE YOU BEEN SEEING THE SOCIAL MEDIA POSTS ABOUT KIND OF 194 00:11:30,878 --> 00:11:33,681 HOW BAD THINGS ARE IN ZAMUNDA? 195 00:11:33,681 --> 00:11:35,316 >> I HAVE. I HAVE SEEN SOME OF THAT. 196 00:11:35,316 --> 00:11:37,818 IT'S BEEN REAL ROUGH OVER THERE AND TOUGH FOR THOSE PEOPLE. 197 00:11:37,818 --> 00:11:39,053 SO YES, I'VE SEEN THAT. 198 00:11:39,053 --> 00:11:40,721 >> WHERE HAVE YOU SEEN THOSE POSTS? 199 00:11:40,721 --> 00:11:44,124 >> TWITTER AND INSTAGRAM A LOT. THEY'VE BEEN BLOWING UP MY FEEDS. 200 00:11:44,124 --> 00:11:47,361 I GOT A COUPLE FRIENDS ACTUALLY THAT HAD FAMILY IN THE AREA. 201 00:11:47,361 --> 00:11:50,464 SO HE WAS DEFINITELY KEEPING ME INFORMED, MAKING SURE I WAS NOT 202 00:11:50,464 --> 00:11:51,565 ONE OF THE ILL‐INFORMED. 203 00:11:51,565 --> 00:11:56,470 >> SO YOU HAVE FRIENDS WHO ARE ZAMUNDAN? 204 00:11:56,470 --> 00:11:56,803 >> YEAH. 205 00:11:56,803 --> 00:11:59,073 >> WHERE HAVE YOU SEEN IT ON SOCIAL MEDIA? 206 00:11:59,073 --> 00:12:02,209 >> INSTAGRAM. THAT'S LIKE ALL I'M SEEING ON 207 00:12:02,209 --> 00:12:02,542 INSTAGRAM. 208 00:12:02,542 --> 00:12:05,045 >> IS THERE A CHANCE YOU COULD PULL OUT YOUR PHONE AND SHOW US 209 00:12:05,045 --> 00:12:06,013 ANY OF THE POSTS YOU HAVE? 210 00:12:06,013 --> 00:12:08,882 >> MY PHONE'S IN MY CAR. I DON'T HAVE POCKETS ON ME, I'M 211 00:12:08,882 --> 00:12:09,215 SORRY. 212 00:12:09,215 --> 00:12:13,821 >> HOW DO YOU FEEL ABOUT THE REPORTS THAT SOME ZAMUNDANS ARE 213 00:12:13,821 --> 00:12:17,224 FORCED TO WORK IN THE ROYAL PALACE AND THEIR ONLY JOB IS TO 214 00:12:17,224 --> 00:12:18,959 CLEAN THE PRINCE'S GENITALIA? 215 00:12:18,959 --> 00:12:21,262 >> THAT PART IS PRETTY DISTURBING. 216 00:12:21,262 --> 00:12:24,064 >> YOU WHO THINK HAS DONE A BETTER JOB HANDLING ZAMUNDA, 217 00:12:24,064 --> 00:12:25,032 TRUMP OR BIDEN? 218 00:12:25,032 --> 00:12:25,866 >> DONALD TRUMP. DONALD TRUMP. 219 00:12:25,866 --> 00:12:30,504 >> ONE OF TRUMP'S APPOINTEES THE U.S. AMBASSADOR TO ZAMUNDA, 220 00:12:30,504 --> 00:12:33,173 EDWARD MURPHY, DO YOU THINK HE DID A GOOD JOB? 221 00:12:33,173 --> 00:12:35,309 >> I THINK TO THIS POINT HE'S DONE A GOOD JOB. 222 00:12:35,309 --> 00:12:39,446 WE NEED TO LET THAT PLAY OUT LONGER TO SEE BEFORE HE'S TRULY 223 00:12:39,446 --> 00:12:39,779 JUDGED. 224 00:12:39,779 --> 00:12:41,949 >> WHAT ARE YOUR THOUGHTS ON THIS CRITICISM? 225 00:12:41,949 --> 00:12:44,051 PRINCE HAKIM JUST WANTS TO PARTY ALL THE TIME. 226 00:12:44,051 --> 00:12:46,587 PARTY ALL THE TIME. HE LIKES TO PARTY ALL THE TIME. 227 00:12:46,587 --> 00:12:49,290 >> WE ALL LIKE TO PARTY. WE ALL LIKE TO HAVE DRINKS, YOU 228 00:12:49,290 --> 00:12:52,059 KNOW. BUT I FEEL LIKE IT'S A BALANCE 229 00:12:52,059 --> 00:12:56,497 THAT YOU'VE GOT TO HAVE BETWEEN BUSINESS AND, YOU KNOW, PARTYING. 230 00:12:56,497 --> 00:12:57,197 WORK, THINGS LIKE THIS. 231 00:12:57,197 --> 00:13:00,401 >> DO YOU THINK THIS SITUATION IN ZAMUNDA IS UNIQUE OR JUST A 232 00:13:00,401 --> 00:13:01,769 SEQUEL TO WHAT WENT ON DECADES AGO? 233 00:13:01,769 --> 00:13:04,972 >> OH, I THINK IT'S PROBABLY A SEQUEL TO WHAT WENT ON DECADES 234 00:13:04,972 --> 00:13:05,337 AGO. 235 00:13:05,337 --> 00:13:08,342 >> WHO DO YOU THINK IS TO BLAME FOR THE TURMOIL IN ZAMUNDA RIGHT 236 00:13:08,342 --> 00:13:11,845 NOW? THE ZAMUNDANS OR THE WAKANDANS? 237 00:13:11,845 --> 00:13:18,352 >> FROM EVERYTHING I'VE SEEN IT'S THE WAKANDANS. 238 00:13:18,352 --> 00:13:20,888 [ CHEERS AND APPLAUSE ] 239 00:13:20,888 --> 00:13:25,693 >> Arsenio: YES. HMM. DURING THAT PIECE I WAS LAUGHING 240 00:13:25,693 --> 00:13:32,066 AND I WENT AND FIST‐BUMPED GUILLERMO AND HE MISSED. 241 00:13:32,066 --> 00:13:33,200 [ LAUGHTER ] 242 00:13:33,200 --> 00:13:40,207 WE HAVE A GREAT SHOW TODAY! I'M DRUNK AS YOU. 243 00:13:40,207 --> 00:13:40,540 [ LAUGHTER ] 244 00:13:40,540 --> 00:13:46,747 WE HAVE A GREAT SHOW FOR YOU TONIGHT. JAY PHAROAH IS HERE. 245 00:13:46,747 --> 00:13:52,386 [ CHEERS AND APPLAUSE ] 246 00:13:52,386 --> 00:13:54,688 YES. A SPECIAL MUSICAL NUMBER FROM 247 00:13:54,688 --> 00:13:55,456 AMORPHOUS WITH KELLY ROWLAND. 248 00:13:55,456 --> 00:14:02,229 [ CHEERS AND APPLAUSE ] 249 00:14:02,229 --> 00:14:04,531 AND OH, GOD, I'M SO HONORED TO DO THIS INTERVIEW. 250 00:14:04,531 --> 00:14:05,466 WE'LL BE RIGHT BACK WITH MEGAN FOX. 251 00:14:05,466 --> 00:14:10,604 [ CHEERS AND APPLAUSE ] 252 00:14:10,771 --> 00:14:13,474 ♪ 253 00:14:19,480 --> 00:14:20,614 ♪ 254 00:14:20,614 --> 00:14:27,121 [ CHEERS AND APPLAUSE ] 255 00:14:27,121 --> 00:14:28,522 >> Arsenio: WELCOME BACK TO "JIMMY KIMMEL LIVE." 256 00:14:28,522 --> 00:14:31,825 I'M ARSENIO HALL. I NEVER HAD A DESK BEFORE. 257 00:14:31,825 --> 00:14:37,998 SO I'M REAL EXCITED. YES, I WAS ON A BUDGET WHEN I 258 00:14:37,998 --> 00:14:40,334 WAS DOING THIS. IT FEELS LIKE I'M A TEACHER, 259 00:14:40,334 --> 00:14:42,703 THOUGH. IT DOESN'T FEEL LIKE MY LATE‐NIGHT SHOW. 260 00:14:42,703 --> 00:14:45,806 BECAUSE IT'S NOT. BUT I FEEL LIKE I'M A TEACHER AT 261 00:14:45,806 --> 00:14:50,711 AN INTEGRATED SCHOOL. YOU KIDS. 262 00:14:50,711 --> 00:14:51,578 [ LAUGHTER ] 263 00:14:51,578 --> 00:14:56,450 YES. TONIGHT ON THE SHOW YOU KNOW HIM 264 00:14:56,450 --> 00:14:58,685 FROM "SNL." HE'S ONE OF THE FUNNIEST MEN ON 265 00:14:58,685 --> 00:15:04,858 THE PLANET. JAY PHAROAH IS HERE. AND THEN, HE'S APPLE MUSIC'S UP 266 00:15:04,858 --> 00:15:08,362 NEXT ARTIST. HIS EP IS CALLED "THINGS TAKE 267 00:15:08,362 --> 00:15:15,903 SHAPE." MUSIC FROM AMORPHOUS AND 268 00:15:15,903 --> 00:15:19,606 KELLY ROWLAND TONIGHT. YES. AND I'LL BE BACK ONE MORE NIGHT. 269 00:15:19,606 --> 00:15:22,976 I'LL BE BACK TOMORROW BECAUSE I DON'T WANT YOU ALL TO SAY ON 270 00:15:22,976 --> 00:15:23,911 WEDNESDAY THEY FIRED THAT BROTHER. 271 00:15:23,911 --> 00:15:25,546 I DON'T WANT Y'ALL SAYING THAT AND SPREADING THAT. 272 00:15:25,546 --> 00:15:29,049 I'LL BE BACK ONE MORE NIGHT. AND THE GUEST ON THE SHOW 273 00:15:29,049 --> 00:15:31,785 TOMORROW WILL BE RICHARD E. GRANT. 274 00:15:31,785 --> 00:15:35,889 THE MUSIC OF TAINY AND YANDEL. YES. 275 00:15:35,889 --> 00:15:37,591 AND SOMETHING SPECIAL FOR A GUY FROM CLEVELAND. 276 00:15:37,591 --> 00:15:45,265 THE KING, LeBRON JAMES IS IN THE HOUSE. YES. SO JOIN ME FOR THAT. 277 00:15:45,265 --> 00:15:50,003 OUR FIRST GUEST IS A TALENTED ACTRESS WHO HAS WORKED ALONGSIDE 278 00:15:50,003 --> 00:15:54,775 SHAPE‐SHIFTING TRANSFORMERS, AND MARTIAL ARTS‐LOVING TURTLES. 279 00:15:54,775 --> 00:15:58,779 NOW SHE'S SHARING THE SCREEN WITH A HALF‐NAKED CORPSE IN THE 280 00:15:58,779 --> 00:16:02,249 NEW THRILLER, "TILL DEATH." IN THE THEATERS AND ON DEMAND 281 00:16:02,249 --> 00:16:06,920 RIGHT NOW. PLEASE WELCOME THE LOVELY MEGAN 282 00:16:06,920 --> 00:16:07,285 FOX. 283 00:16:07,285 --> 00:16:14,061 [CHEERS AND APPLAUSE ] 284 00:16:15,929 --> 00:16:26,240 ♪ 285 00:16:26,240 --> 00:16:29,376 I DON'T KNOW WHAT TO DO ANYMORE. I DON'T KNOW WHETHER TO SHAKE 286 00:16:29,376 --> 00:16:31,144 YOUR HAND. 287 00:16:31,144 --> 00:16:31,678 >> WE DID WHATEVER WE DID. 288 00:16:31,678 --> 00:16:33,947 >> Arsenio: OR ELBOW. I'VE BEEN VACCINATED BUT IT'S 289 00:16:33,947 --> 00:16:36,817 JOHNSON & JOHNSON, SO THAT AIN'T 290 00:16:36,817 --> 00:16:37,384 [ BLEEP ]. 291 00:16:37,384 --> 00:16:37,717 [LAUGHTER ] 292 00:16:37,717 --> 00:16:41,989 I DID IT WITH MAGIC JOHNSON AND HE WOULDN'T DO JOHNSON & 293 00:16:41,989 --> 00:16:42,523 JOHNSON. 294 00:16:42,523 --> 00:16:42,956 [ LAUGHTER ] 295 00:16:42,956 --> 00:16:45,459 THAT'S A TRUE STORY. I LOVE THE MOVIE. 296 00:16:45,459 --> 00:16:46,026 >> THANK YOU. 297 00:16:46,026 --> 00:16:47,494 >> Arsenio: AND WE'LL GET TO THAT. 298 00:16:47,494 --> 00:16:50,397 BUT FIRST OF ALL, I JUST HAVE TO SAY I'VE NEVER MET YOU BEFORE 299 00:16:50,397 --> 00:16:56,236 BUT I FEEL LIKE I HAVE BECAUSE ANYTIME I GO OUT I SEEM TO SEE 300 00:16:56,236 --> 00:16:59,439 YOU OR YOUR MAN. YOU LIKE HEALTHY JUICES. 301 00:16:59,439 --> 00:17:02,442 >> I DO. YEAH. 302 00:17:02,442 --> 00:17:07,848 >> Arsenio: I SAW YOU RECENTLY. DO YOU ALL COORDINATE YOUR 303 00:17:07,848 --> 00:17:08,815 OUTFITS WHEN YOU GO OUT? 304 00:17:08,815 --> 00:17:11,251 >> WE DO. IT IS SOMETHING I STARTED WITH 305 00:17:11,251 --> 00:17:13,954 HIM BECAUSE HE'S SUCH A FLAMBOYANT DRESSER THAT I CAN'T 306 00:17:13,954 --> 00:17:16,356 PULL OFF JUST LIKE THE SWEATPANTS AND THE YOGA GEAR 307 00:17:16,356 --> 00:17:19,092 ANYMORE. I HAVE TO ELEVATE MYSELF TO HIS 308 00:17:19,092 --> 00:17:21,094 LEVEL. SO WHATEVER HE ‐‐ BECAUSE HE'S 309 00:17:21,094 --> 00:17:24,131 ALWAYS COVERED IN LIKE GROMMETS, ZIPPERS, SEQUINS. 310 00:17:24,131 --> 00:17:25,933 EVERYTHING'S PINK, EVERYTHING'S GLOWING. 311 00:17:25,933 --> 00:17:28,735 HE'S LIKE ALWAYS COMING OFF OF A STAGE SHOW, SO I HAVE TO KIND OF 312 00:17:28,735 --> 00:17:32,039 MATCH HIS ‐‐ WHAT HE'S DOING. SO WE DO COORDINATE OFTEN. 313 00:17:32,039 --> 00:17:33,574 >> Arsenio: YOU ALL LOOKED INCREDIBLE. 314 00:17:33,574 --> 00:17:36,543 AND I TOLD MY GIRL, I SAID I'VE GOT TO ‐‐ BECAUSE YOU KNOW, IN 315 00:17:36,543 --> 00:17:38,679 MY HOMETOWN OF CLEVELAND YOUR MAN'S A HERO. 316 00:17:38,679 --> 00:17:39,780 >> I KNOW. 317 00:17:39,780 --> 00:17:43,250 >> Arsenio: HE'S THAT DUDE. AND I'M WATCHING, I'M SAYING 318 00:17:43,250 --> 00:17:47,120 BABY, LOOK. HE HAD BOUGHT TWO PAIRS OF THE 319 00:17:47,120 --> 00:17:49,189 SAME KIND OF SHOE IN DIFFERENT COLORS AND HE MIXED THE TWO 320 00:17:49,189 --> 00:17:49,554 SHOES. 321 00:17:49,554 --> 00:17:52,526 >> YEAH. IT'S DOC MARTENS. HE WEARS LIKE A BLACK ONE AND A 322 00:17:52,526 --> 00:17:53,260 WHITE ONE. 323 00:17:53,260 --> 00:17:56,396 >> Arsenio: THAT'S THE DAY. YES. NOW YOU KNOW I'M NOT LYING. 324 00:17:56,396 --> 00:18:00,400 I'M TELLING YOU EVERYTHING Y'ALL HAD ON. BUT IT LOOKED REAL COOL. 325 00:18:00,400 --> 00:18:01,234 >> THANK YOU. 326 00:18:01,234 --> 00:18:05,138 >> Arsenio: I WANT TO ASK YOU ABOUT VEGAS BECAUSE I'VE BEEN IN 327 00:18:05,138 --> 00:18:07,007 YOUR BUSINESS. I KNOW WHERE YOU WENT THIS 328 00:18:07,007 --> 00:18:07,741 WEEKEND. 329 00:18:07,741 --> 00:18:12,512 >> EVERYBODY KNOWS. YEAH, EVERY FAMOUS PERSON ‐‐ 330 00:18:12,512 --> 00:18:13,347 WERE YOU IN VEGAS? 331 00:18:13,347 --> 00:18:17,150 >> Arsenio: NO, I DIDN'T GO. I'M NOT THAT FAMOUS. 332 00:18:17,150 --> 00:18:17,484 [ LAUGHTER ] 333 00:18:17,484 --> 00:18:20,787 >> WE WERE THERE FOR THE FIGHT. AND THEY OPENED A RESTAURANT 334 00:18:20,787 --> 00:18:23,090 THERE AND IT WAS HECTIC. IT WAS WILD. 335 00:18:23,090 --> 00:18:27,227 BECAUSE ALSO I THINK IT'S ONE ‐‐ LIKE THEIR BIGGEST WEEKEND BACK 336 00:18:27,227 --> 00:18:29,796 SINCE EVERYTHING HAPPENED. SO EVERYBODY WAS JUST THERE AND 337 00:18:29,796 --> 00:18:32,833 READY TO BE CHAOTIC. IT WAS A LOT. 338 00:18:32,833 --> 00:18:36,937 >> Arsenio: NOW, I LOOK AT YOU AND YOU DON'T LOOK LIKE THE 339 00:18:36,937 --> 00:18:38,839 PERSON THAT WOULD LIKE THAT VIOLENCE. 340 00:18:38,839 --> 00:18:41,775 THAT WAS A HORRIFIC ENDING TO THE McGREGOR FIGHT. 341 00:18:41,775 --> 00:18:42,976 DOES HE MAKE YOU GO? 342 00:18:42,976 --> 00:18:46,013 >> NO, NO, NO. I'M ACTUALLY A HUGE UFC FAN. 343 00:18:46,013 --> 00:18:49,650 I KNOW ‐‐ I HAVE UFC FIGHT PASS AND I KNOW ALL THE FIGHTERS AND 344 00:18:49,650 --> 00:18:52,219 THEIR BACK STORIES AND I'VE BEEN INTO IT FOR A FEW YEARS. 345 00:18:52,219 --> 00:18:54,688 HE LIKES IT. BUT I'M DEFINITELY THE ONE 346 00:18:54,688 --> 00:18:59,326 THAT'S MORE OBSESSED WITH IT. I WAS ACTUALLY AT THE 347 00:18:59,326 --> 00:19:01,795 CONNOR‐KHABIB FIGHT A COUPLE YEARS AGO WHEN ALL OF THAT CHAOS 348 00:19:01,795 --> 00:19:05,832 HAPPENED AND EVERYONE HAD TO RUN. WE HAD TO LIKE ESCAPE WHEN THEY 349 00:19:05,832 --> 00:19:09,670 STARTED JUMPING THE RING. I DON'T KNOW IF YOU GUYS 350 00:19:09,670 --> 00:19:11,772 REMEMBER THAT. I SAW A RING GIRL START RUNNING 351 00:19:11,772 --> 00:19:13,006 LIKE IN THEIR ROBES THEY'RE RUNNING. 352 00:19:13,006 --> 00:19:15,742 AND I'M LIKE I'D BETTER RUN TOO IF THE RING GIRLS ARE RUNNING. 353 00:19:15,742 --> 00:19:17,911 I STARTED RUNNING AND IT'S LIKE MADNESS. 354 00:19:17,911 --> 00:19:20,514 MY AGENTS ARE WITH ME AND I LOOK BACK AND MY AGENT CAROL IS BEING 355 00:19:20,514 --> 00:19:22,516 KNOCKED TO THE GROUND. HER BLOND HAIR IS LIKE FLYING 356 00:19:22,516 --> 00:19:24,117 EVERYWHERE. AND I'M LIKE WHO JUST KNOCKED 357 00:19:24,117 --> 00:19:28,055 CAROL OVER? IT WAS CHRIS PRATT. 358 00:19:28,055 --> 00:19:28,388 [ LAUGHTER ] 359 00:19:28,388 --> 00:19:31,658 HE WAS ALSO ESCAPING FOR HIS LIFE, AND WE WERE ALL RUNNING 360 00:19:31,658 --> 00:19:35,362 AND WE RAN BACKSTAGE TOGETHER AND WERE SEQUESTERED IN ONE OF 361 00:19:35,362 --> 00:19:38,699 THE FIGHTERS' DRESSING ROOMS FOR LIKE AN HOUR BEFORE THEY LET US 362 00:19:38,699 --> 00:19:41,501 OUT OF THE ARENA. THAT WAS MY LAST MAJOR UFC 363 00:19:41,501 --> 00:19:43,904 EXPERIENCE BEFORE I CAME BACK FOR THIS FIGHT. 364 00:19:43,904 --> 00:19:46,807 WHENEVER IT'S CONOR IT'S ALSO R ALWAYS INTERESTING. 365 00:19:46,807 --> 00:19:50,077 >> Arsenio: AND YOU WERE IN THAT SECTION WITH ALL THE SPECIAL 366 00:19:50,077 --> 00:19:50,442 PEOPLE. 367 00:19:50,442 --> 00:19:53,947 >> I WAS IN A ROW WITH BIEBER AND TRUMP WAS ALSO IN MY ROW. 368 00:19:53,947 --> 00:19:55,015 >> Arsenio: OH! 369 00:19:55,015 --> 00:19:57,584 >> YEAH. AND I'VE NEVER SEEN SECRET 370 00:19:57,584 --> 00:19:59,920 SERVICE IN PERSON BEFORE. SO WE HAD LIKE 30 SECRET SERVICE 371 00:19:59,920 --> 00:20:04,357 WITH HIM. HE WAS A LEGEND. THAT ARENA LIKE WAS VERY 372 00:20:04,357 --> 00:20:07,794 SUPPORTIVE OF TRUMP WHEN HE CAME IN. IT WAS JUST ‐‐ I WAS LIKE, I 373 00:20:07,794 --> 00:20:11,064 DON'T KNOW HOW I FEEL ABOUT IT BECAUSE IF SOMEONE IS A TARGET 374 00:20:11,064 --> 00:20:15,268 THEN I'M LIKE I COULD BE HARMED BECAUSE I'M ADJACENT TO WHERE HE 375 00:20:15,268 --> 00:20:19,139 IS. SO I WAS WORRIED ABOUT MY OWN SAFETY. 376 00:20:19,139 --> 00:20:21,308 THAT'S ALL I WAS CARING ABOUT. BUT YEAH, I'VE NEVER SEEN 377 00:20:21,308 --> 00:20:23,210 ANYTHING LIKE THAT BEFORE. BUT IT WAS CRAZY. 378 00:20:23,210 --> 00:20:26,079 >> Arsenio: YEAH. AND YOU HAD JUST COME BACK FROM 379 00:20:26,079 --> 00:20:26,446 COSTA RICA? 380 00:20:26,446 --> 00:20:33,120 >> YEAH. NOT LONG AGO. WE WENT TO ‐‐ DO YOU GUYS KNOW 381 00:20:33,120 --> 00:20:36,423 WHAT HAYASCUA IS? 382 00:20:36,423 --> 00:20:38,925 >> Arsenio: YES. COME ON, THIS IS JIMMY KIMMEL'S 383 00:20:38,925 --> 00:20:42,796 AUDIENCE. YOU ALL KNOW HAYAWASCUA. 384 00:20:42,796 --> 00:20:46,700 >> COLSON AND I WENT TO COSTA RICA TO DO ‐‐ 385 00:20:46,700 --> 00:20:49,903 >> I DON'T MEAN TO INTERRUPT YOU YOU BUT COLSON IS MACHINE GUN 386 00:20:49,903 --> 00:20:51,505 KELLY. Y'ALL CALL HIM MACHINE GUN KELLY. 387 00:20:51,505 --> 00:20:55,642 BUT AT THE CRIB SHE'S NOT LIKE "YOU WANT A BOTTLE OF WATER, 388 00:20:55,642 --> 00:20:57,878 MACHINE GUN?" COLSON. 389 00:20:57,878 --> 00:20:58,211 [ LAUGHTER ] 390 00:20:58,211 --> 00:21:04,785 >> SO WE WENT TO COSTA RICA TO 391 00:21:04,785 --> 00:21:08,655 DO AHAYUASCA IN AN NOT DIJ NOUS SETTING. 392 00:21:08,655 --> 00:21:10,090 WE WERE IN THE MIDDLE OF THE JUNGLE. 393 00:21:10,090 --> 00:21:12,826 BECAUSE OF THE PLACE WE WENT THERE'S A LOT OF PEOPLE ‐‐ I 394 00:21:12,826 --> 00:21:15,629 DON'T FLOW IF LeBRON JAMES HAS EVER GONE. 395 00:21:15,629 --> 00:21:18,698 BUT I WAS THINKING IT WAS LIKE GLAM PING OR SOMETHING LIKE 396 00:21:18,698 --> 00:21:20,967 THAT, STILL GOING TO BE SOME KIND OF FIVE‐STAR EXPERIENCE AND 397 00:21:20,967 --> 00:21:24,638 YOU GET THERE AND YOU REALLY ARE IN THE MIDDLE OF THE JUNGLE AND 398 00:21:24,638 --> 00:21:30,377 YOU DON'T GET TO EAT AFTER. LIKE 1:00 P. M. 399 00:21:30,377 --> 00:21:32,813 YOU HAVE TO WALK A LONG DISTANCE. 400 00:21:32,813 --> 00:21:34,247 YOU CAN'T SHOWER BECAUSE THEY'RE IN A DROUGHT. 401 00:21:34,247 --> 00:21:35,849 YOU HAVE TO RESPECT THE RAINFOREST. 402 00:21:35,849 --> 00:21:43,523 NOTHING GLAMOROUS ABOUT IT. IT'S ALL A PART OF SO YOU 403 00:21:43,523 --> 00:21:47,194 SURRENDER TO THE P EXPERIENCE. AND THE ENTIRE THING STARTS WITH 404 00:21:47,194 --> 00:21:50,363 SOMETHING CALLED VOMITIVO. I HOPE I'M ALLOWED TO SHARE HAD 405 00:21:50,363 --> 00:21:53,233 THIS. I ENCOURAGE IT. YOU GO AND YOU'RE WITH 20 OTHER 406 00:21:53,233 --> 00:21:55,902 STRANGERS AND YOU ALL LINE UP AT THE EDGE OF THE RAINFOREST OVER 407 00:21:55,902 --> 00:21:59,639 THIS P WEIRD FENCE AND YOU GO THREE BY THREE AND YOU DRINK 408 00:21:59,639 --> 00:22:06,079 LEMON GRASS TEA UNTIL YOU LIKE NOT OF YOUR OWN VOLITION JUST 409 00:22:06,079 --> 00:22:06,880 VOMIT EVERYTHING OUT OF YOUR BODY. 410 00:22:06,880 --> 00:22:07,714 >> Arsenio: SO YOU HAVE TO VOMIT? 411 00:22:07,714 --> 00:22:08,548 THERE'S NO WAY OUT OF THAT? 412 00:22:08,548 --> 00:22:11,117 >> YOU CAN'T GET OUT OF IT. AND YOU HAVE TO VOMIT A CERTAIN 413 00:22:11,117 --> 00:22:13,420 AMOUNT BEFORE THEY LET YOU GET BACK WITH EVERYONE. 414 00:22:13,420 --> 00:22:15,822 SO YOU'RE LIKE CHEERING ON EVERYONE AS THEY THROW UP. 415 00:22:15,822 --> 00:22:20,060 AND AS WHAT WE DO, OBVIOUSLY, WE WERE LIKE I DON'T FLOW ‐‐ I'M ‐‐ 416 00:22:20,060 --> 00:22:23,530 AM I READY TO JUST THROW UP IN FRONT OF ALL THESE PEOPLE? 417 00:22:23,530 --> 00:22:26,933 BUT IT'S SUCH A GOOD BONDING EXPERIENCE. 418 00:22:26,933 --> 00:22:27,267 [ LAUGHTER ] 419 00:22:27,267 --> 00:22:29,803 IT SOUNDS CRAZY. BUT THAT GETS YOU READY TO THEN 420 00:22:29,803 --> 00:22:32,906 GO INTO THE CEREMONY THAT NIGHT BECAUSE YOU'RE LIKE MY VANITY IS 421 00:22:32,906 --> 00:22:35,175 GONE, I'VE JUST DONE THIS IN FRONT OF ALL OF THESE STRANGERS 422 00:22:35,175 --> 00:22:37,577 AND YOU'RE LIKE NOW I'M READY TO REALLY OPEN UP. 423 00:22:37,577 --> 00:22:42,549 SO WE DID IT FOR THREE FLIGHTS. IT WAS INCREDIBLY INTENSE. 424 00:22:42,549 --> 00:22:44,985 I WENT TO ‐‐ EVERYBODY'S JOURNEY IS DIFFERENT. 425 00:22:44,985 --> 00:22:49,589 FOR ETERNITY.GHT I WENT TO HELL‐ YEAH. 426 00:22:49,589 --> 00:22:53,493 AND JUST KNOWING ETERNITY IS LIKE TORTURE IN ITSELF BECAUSE 427 00:22:53,493 --> 00:22:57,497 THERE'S NO BEGINNING, MIDDLE OR END. SO YOU HAVE LIKE A REAL EGO 428 00:22:57,497 --> 00:22:57,862 DEATH. 429 00:22:57,862 --> 00:22:59,432 >> Arsenio: HOW DO YOU ARRIVE AND UNDERSTAND THAT THAT'S WHAT 430 00:22:59,432 --> 00:23:04,404 THE MOMENT ‐‐ IS THERE A SIGN, NEXT EXIT HELL? 431 00:23:04,404 --> 00:23:04,737 [ LAUGHTER ] 432 00:23:04,737 --> 00:23:08,174 >> I MEAN, IT'S ‐‐ IT'S YOUR OWN PSYCHOLOGICAL HELL BASICALLY, IS 433 00:23:08,174 --> 00:23:11,745 THE POINT OF THE MEDICINE. RIGHT? THIS IS A MEDICINE THAT GOES ‐‐ 434 00:23:11,745 --> 00:23:15,115 IT SURPASSES ANYTHING YOU COULD DO WITH TALK THERAPY OR HIP NO 435 00:23:15,115 --> 00:23:18,518 THERAPY ANY OF THOSE THINGS. IT JUST GOES STRAIGHT INTO YOUR 436 00:23:18,518 --> 00:23:20,587 SOUL AND TAKES YOU INTO YOUR PSYCHOLOGICAL PRISON YOU HOLD 437 00:23:20,587 --> 00:23:22,188 YOURSELF IN. IT'S YOUR OWN VERSION OF HELL. 438 00:23:22,188 --> 00:23:23,456 AND I WAS DEFINITELY THERE. 439 00:23:23,456 --> 00:23:25,358 >> Arsenio: WOW. IT'S CRAZY TO HAVE THAT 440 00:23:25,358 --> 00:23:27,827 EXPERIENCE AND GO TO HELL AND THEN YOU GO TO VEGAS AND SIT 441 00:23:27,827 --> 00:23:32,732 NEXT TO TRUMP. 442 00:23:32,732 --> 00:23:33,934 [ LAUGHTER ] 443 00:23:33,934 --> 00:23:34,267 [ APPLAUSE ] 444 00:23:34,267 --> 00:23:36,636 WE'LL BE RIGHT BACK WITH MORE MEGAN FOX! 445 00:23:36,636 --> 00:23:38,371 [ CHEERS AND APPLAUSE ] 446 00:23:59,759 --> 00:24:02,429 [ FOOTSTEPS ] 447 00:24:18,411 --> 00:24:23,850 [ CHEERS AND APPLAUSE ] 448 00:24:23,850 --> 00:24:25,485 >> Arsenio: Y'ALL DON'T EVEN KNOW. 449 00:24:25,485 --> 00:24:28,388 YOU THINK "WEEKEND AT BERNIE'S WAS CRAZY." 450 00:24:28,388 --> 00:24:31,725 WAIT TILL YOU SEE THIS. TELL US WHAT WE SHOULD KNOW 451 00:24:31,725 --> 00:24:33,626 ABOUT THIS SO I DON'T END UP BEING A SPOILER. 452 00:24:33,626 --> 00:24:36,863 >> I DON'T WANT TO SPOIL EITHER. IT STARTS ‐‐ YOU KIND OF DON'T 453 00:24:36,863 --> 00:24:38,999 REALLY KNOW WHAT YOU'RE WATCHING BECAUSE YOU KNOW YOU BOUGHT A 454 00:24:38,999 --> 00:24:41,301 THRILLER BUT THE WAY IT STARTS YOU'RE LIKE WHERE IS THIS GOING 455 00:24:41,301 --> 00:24:43,837 AND WHAT'S GOING TO HAPPEN? YOU SEE THAT THERE'S THIS 456 00:24:43,837 --> 00:24:45,739 RELATIONSHIP GOING ON BETWEEN MYSELF AND MY HUSBAND IN THE 457 00:24:45,739 --> 00:24:48,742 MOVIE AND IT'S CLEARLY TOXIC AND NOT HEALTHY AND SOMETHING IS OFF 458 00:24:48,742 --> 00:24:53,079 BUT YOU DON'T KNOW EXACTLY WHAT. MY CHARACTER HAS BEEN IN THIS 459 00:24:53,079 --> 00:24:55,415 MARRIAGE, IT'S BEEN DEAD FOR A LONG TIME AND SHE'S BEEN HAVING 460 00:24:55,415 --> 00:24:59,652 AN AFFAIR AND DECIDES THAT SHE CAN'T HAVE THE AFFAIR ANYMORE. 461 00:24:59,652 --> 00:25:05,025 YOU FIND OUT THAT HER HUSBAND, WHO IS PROBABLY A SOCIOPATH, 462 00:25:05,025 --> 00:25:09,295 REALIZES THAT SHE'S HAVING AN AFFAIR. AND WHAT CAN I SAY? 463 00:25:09,295 --> 00:25:09,629 I CAN'T ‐‐ 464 00:25:09,629 --> 00:25:11,664 >> Arsenio: HE'S A SOCIOPATH, AND SHE HAS AN AFFAIR WITH A 465 00:25:11,664 --> 00:25:15,001 BROTHER, SO YOU KNOW HE GO NUTS. HE GOES NUTS. 466 00:25:15,001 --> 00:25:18,171 NOW, WHERE DID YOU SHOOT THAT? WAS THAT A CITY IN ‐‐ 467 00:25:18,171 --> 00:25:21,641 >> WE SHOT THE WHOLE MOVIE IN BULGARIA, BUT THEY BUILT 468 00:25:21,641 --> 00:25:22,809 EVERYTHING ON STAGES. 469 00:25:22,809 --> 00:25:25,578 >> Arsenio: SO THAT WASN'T A REAL FISHING CRIB? 470 00:25:25,578 --> 00:25:28,415 >> NO, THEY BUILT A FROZEN LAKE, THEY BUILT A CABIN. 471 00:25:28,415 --> 00:25:31,317 ALL THAT ACREAGE THAT WAS COVERED IN SNOW WAS ALL FAKE. 472 00:25:31,317 --> 00:25:33,253 THE SNOW WAS MADE OUT OF PAPER. 473 00:25:33,253 --> 00:25:35,755 >> Arsenio: REALLY? I'M SITTING THERE THINKING OH, I 474 00:25:35,755 --> 00:25:37,123 BET HER FEET WERE COLD. 475 00:25:37,123 --> 00:25:40,060 >> THAT'S WHY WE DIDN'T DO IT. THEY WANTED TO DO IT IN RUSSIA 476 00:25:40,060 --> 00:25:44,164 IN THE WINTER AND I WAS LIKE, NAH. NOT GOING TO HAPPEN. 477 00:25:44,164 --> 00:25:44,497 [ LAUGHTER ] 478 00:25:44,497 --> 00:25:46,032 >> Arsenio: DID COLSON COME VISIT YOU? 479 00:25:46,032 --> 00:25:49,069 >> YEAH. SO HE ‐‐ THIS IS IN THE 480 00:25:49,069 --> 00:25:51,371 BEGINNING OF OUR RELATIONSHIP, VERY, VERY EARLY ON. 481 00:25:51,371 --> 00:25:54,074 AND HE'S NEVER BEEN ‐‐ HE'S GOING TO LOVE HOW MUCH I'M 482 00:25:54,074 --> 00:25:56,476 DIVULGING ALL OF HIS SECRETS. BUT HE'S NEVER BEEN IN A 483 00:25:56,476 --> 00:25:59,112 RELATIONSHIP BEFORE. SO HE WAS REALLY FEARFUL OF LIKE 484 00:25:59,112 --> 00:26:01,614 IF I GO AWAY FOR SIX WEEKS AM I STILL GOING TO COME BACK AND 485 00:26:01,614 --> 00:26:04,717 WE'RE GOING TO BE OKAY. HE HAD LOST HIS PASSPORT RIDING 486 00:26:04,717 --> 00:26:07,287 A MOTORCYCLE ON THE FREEWAY BECAUSE HE WEARS THESE INSANE 487 00:26:07,287 --> 00:26:09,622 PANTS AND HE JUST PUTS THEM IN ‐‐ HE'LL PUT HIS PASSPORT 488 00:26:09,622 --> 00:26:11,758 LIKE IN HIS SOCK, AND SO IT WILL FALL OUT OBVIOUSLY. 489 00:26:11,758 --> 00:26:14,227 THAT'S A STUPID THING. DON'T EVER DO THAT. 490 00:26:14,227 --> 00:26:16,329 AND HE LOST THE PASSPORT AND THIS WAS DURING COVID. 491 00:26:16,329 --> 00:26:18,198 SO HE COULDN'T JUST GET A NEW PASSPORT. 492 00:26:18,198 --> 00:26:21,734 SO HE HAD TO GO THROUGH ALL OF THESE HOOPS. 493 00:26:21,734 --> 00:26:24,204 HE WENT THROUGH BERNIE SANDERS FINALLY TO GET A PASSPORT AND HE 494 00:26:24,204 --> 00:26:26,806 CAME TO SEE ME. BUT IT WAS A LOT OF DRAMA. 495 00:26:26,806 --> 00:26:30,210 IT TOOK ALL THIS TIME, HE GOT THERE FOR THREE DAYS, I WRAPPED 496 00:26:30,210 --> 00:26:33,079 AND THEN WE WENT BACK. 497 00:26:33,079 --> 00:26:35,148 >> Arsenio: WOULD YOU ALL THANK MY LOVELY GUEST AND MAKE SURE 498 00:26:35,148 --> 00:26:40,420 YOU SEE "TILL DEATH." IT'S IN THEATERS AND IT'S ON 499 00:26:40,420 --> 00:26:43,189 DEMAND RIGHT NOW. AND I'LL BE BACK WITH JAY 500 00:26:43,189 --> 00:26:45,291 PHAROAH. GIVE IT UP FOR MEGAN FOX. 501 00:26:45,291 --> 00:26:47,427 [ CHEERS AND APPLAUSE ] 502 00:26:54,267 --> 00:26:56,603 ♪ 503 00:26:56,603 --> 00:26:59,672 >> Arsenio: YES. HELLO AGAIN. 504 00:26:59,672 --> 00:27:02,976 OUR NEXT GUEST IS A FUNNY GUY. A "SATURDAY NIGHT LIVE" ALUM, 505 00:27:02,976 --> 00:27:06,045 CELEBRITY IMPRESSIONIST, AND AN ALL‐AROUND WONDERFUL GUY. 506 00:27:06,045 --> 00:27:10,216 BY THE WAY, FOR A SMALL FEE HE'LL LEAVE YOU A VOICEMAIL FOR 507 00:27:10,216 --> 00:27:15,321 YOUR HOME MACHINE OR PHONE IN BARACK OBAMA'S VOICE AFTER THE 508 00:27:15,321 --> 00:27:21,194 SHOW. COME ON BACK. HIS NEW MOVIE IS CALLED "RESORT 509 00:27:21,194 --> 00:27:26,099 TO LOVE." IT PREMIERES SOON ON NETFLIX. 510 00:27:26,099 --> 00:27:33,907 PLEASE WELCOME JAY PHAROAH! 511 00:27:33,907 --> 00:27:40,280 [ CHEERS AND APPLAUSE ] 512 00:27:40,280 --> 00:27:44,984 ♪ 513 00:27:44,984 --> 00:27:45,885 YES, SIR! 514 00:27:45,885 --> 00:27:46,920 >> HEY HEY. 515 00:27:46,920 --> 00:27:50,490 >> Arsenio: THE MOST IMPORTANT ELEMENT OF BEING A GOOD TALK 516 00:27:50,490 --> 00:27:56,496 SHOW GUEST IS THAT ENTRANCE. THE BOY KNOW HOW TO ENTER, DON'T 517 00:27:56,496 --> 00:27:56,863 HE? 518 00:27:56,863 --> 00:27:57,697 [ CHEERS AND APPLAUSE ] 519 00:27:57,697 --> 00:28:00,333 >> HEY. YOU KNOW, I WAS WATCHING. 520 00:28:00,333 --> 00:28:03,503 I WAS WATCHING "THE JOKER." AND I SAW HIM PRACTICING THAT 521 00:28:03,503 --> 00:28:06,406 ENTRANCE SO MANY TIMES. I SAID YO, IF I'M ON HERE WITH 522 00:28:06,406 --> 00:28:09,242 ARSENIO I'VE GOT TO NAIL IT. BECAUSE I'VE NEVER ‐‐ I PUT ON 523 00:28:09,242 --> 00:28:14,547 FOR YOU, DOG. I WOULDN'T HAVE DONE THIS FOR 524 00:28:14,547 --> 00:28:19,152 KIMMEL. 525 00:28:19,152 --> 00:28:19,886 [ APP 526 00:28:19,886 --> 00:28:20,253 [ APPLAUSE ] 527 00:28:20,253 --> 00:28:22,989 >> Arsenio: YOU KNOW, I REQUESTED YOU TO BE HERE BECAUSE 528 00:28:22,989 --> 00:28:26,192 THE THING ABOUT JAY IS WHEN YOU'RE ONLY DOING TWO NIGHTS IF 529 00:28:26,192 --> 00:28:31,264 YOU CAN GET JAY PHAROAH YOU'VE GOT 40, 50 GUESTS. 530 00:28:31,264 --> 00:28:31,597 [ LAUGHTER ] 531 00:28:31,597 --> 00:28:32,799 >> FOR SURE. FOR SURE. 532 00:28:32,799 --> 00:28:35,835 >> Arsenio: IT'S KIND OF COOL. WE'VE NEVER WORKED 533 00:28:35,835 --> 00:28:38,104 PROFESSIONALLY TOGETHER. WE MEET IN CLUBS AND TALK. 534 00:28:38,104 --> 00:28:40,907 >> ALL THE TIME, MAN. AND I'VE BEEN WATCHING YOU SINCE 535 00:28:40,907 --> 00:28:42,342 I WAS A KID. 536 00:28:42,342 --> 00:28:42,942 >> Arsenio: OOH. 537 00:28:42,942 --> 00:28:46,813 >> WOOF, WOOF, WOOF. YOU KNOW WHAT I'M SAYING? 538 00:28:46,813 --> 00:28:51,384 EVEN THE WHITE PEOPLE KNOW IT. I LOVE IT. 539 00:28:51,384 --> 00:28:51,717 [ LAUGHTER ] 540 00:28:51,717 --> 00:28:54,187 >> Arsenio: OH, MAN. SO WHERE DO WE START? 541 00:28:54,187 --> 00:28:56,389 FIRST OF ALL, WE DON'T HAVE A RELEASE DATE FOR THE MOVIE YET. 542 00:28:56,389 --> 00:29:00,660 >> NO, WE DO. IT'S COMING OUT JULY 29th ON 543 00:29:00,660 --> 00:29:01,494 NETFLIX. 544 00:29:01,494 --> 00:29:03,396 >> Arsenio: OKAY. 545 00:29:03,396 --> 00:29:03,729 [ APPLAUSE ] 546 00:29:03,729 --> 00:29:05,365 I'VE ALREADY SEEN IT. 547 00:29:05,365 --> 00:29:05,965 >> OKAY. 548 00:29:05,965 --> 00:29:07,300 >> Arsenio: BROTHER, YOU DO WORK. 549 00:29:07,300 --> 00:29:07,934 >> THANK YOU. 550 00:29:07,934 --> 00:29:10,970 >> Arsenio: YOU DO WORK. THERE'S AN EMOTIONAL SCENE. 551 00:29:10,970 --> 00:29:13,973 IT AIN'T NO DRY CRY. I SEE YOUR EYES WELL UP AND I 552 00:29:13,973 --> 00:29:18,811 SEE THE PROCESS GOING ON AND THEN NOT LIKE DENZEL, NOT ONE 553 00:29:18,811 --> 00:29:22,815 TEAR, BOTH TEARS, BROTHER. 554 00:29:22,815 --> 00:29:23,182 [ APPLAUSE ] 555 00:29:23,182 --> 00:29:28,688 >> HEY, LOOK, YOUR BOY DOES GET THE WATERWORKS ON IN THIS MOVIE. 556 00:29:28,688 --> 00:29:30,823 YOU KNOW, AND I'VE GOT TO SAY THIS, MAN. 557 00:29:30,823 --> 00:29:34,227 IT WAS ALL BASED OFF OF ‐‐ IT WAS ALL BASED OFF OF REAL 558 00:29:34,227 --> 00:29:36,996 SITUATIONS BECAUSE I REMEMBER HAVING THOSE CONVERSATIONS WITH 559 00:29:36,996 --> 00:29:40,633 LADIES. YOU KNOW, I KIND OF ‐‐ MY PROCESS IS TO PUT THE PERSON 560 00:29:40,633 --> 00:29:43,436 THAT I REMEMBER HAVING THAT CONVERSATION WITH, THEIR HEAD ON 561 00:29:43,436 --> 00:29:46,372 THE ACTOR'S BODY AND IT'S KIND OF A CHEAT CODE. 562 00:29:46,372 --> 00:29:49,909 BUT YOU KNOW, I DO THAT AND THEN IT JUST SETS ME IN ‐‐ IT SETS ME 563 00:29:49,909 --> 00:29:52,779 IN THE SPACE AND I'M JUST LIKE RIGHT THERE WITH THEM. YEAH. 564 00:29:52,779 --> 00:29:55,014 SO I WAS CRYING. 565 00:29:55,014 --> 00:29:57,216 >> Arsenio: Y'ALL CAN DO THAT, TOO. 566 00:29:57,216 --> 00:30:02,021 >> YOU'VE GOT TO UP IT. YOU'VE SEEN VIOLA DAVIS WHEN SHE 567 00:30:02,021 --> 00:30:06,059 WAS IN THERE WITH DENZEL. SHE SNOTTED. 568 00:30:06,059 --> 00:30:08,594 IT WAS BUBBLES AND EVERYTHING. I SAID I CAN'T JUST HIT THE 569 00:30:08,594 --> 00:30:15,034 DENZEL, ALL RIGHT, OKAY. I CAN'T DO THAT. I'VE GOT TO ‐‐ 570 00:30:15,034 --> 00:30:15,368 [ APPLAUSE ] 571 00:30:15,368 --> 00:30:17,236 I'VE GOT TO DO BOTH. 572 00:30:17,236 --> 00:30:17,837 >> Arsenio: YEAH. 573 00:30:17,837 --> 00:30:20,406 >> SO YEAH, MAN. 574 00:30:20,406 --> 00:30:22,642 >> Arsenio: YOU ARE AMAZING AT WHAT YOU DO. 575 00:30:22,642 --> 00:30:23,643 >> THANK YOU. 576 00:30:23,643 --> 00:30:26,312 >> Arsenio: YOU'VE SEEP BLACK PEOPLE WHEN DAVID BLAINE DO A 577 00:30:26,312 --> 00:30:30,450 TRICK. LIKE OH! OH! 578 00:30:30,450 --> 00:30:30,783 [ LAUGHTER ] 579 00:30:30,783 --> 00:30:34,487 >> I CAN'T BELIEVE THIS. OH, MY GOODNESS. OH, MY GOD. 580 00:30:34,487 --> 00:30:35,588 REALLY? THIS IS HAPPENING? 581 00:30:35,588 --> 00:30:38,791 >> Arsenio: BUT WHEN YOU DO AN IMPRESSION, ACTUALLY WHEN I TRY 582 00:30:38,791 --> 00:30:44,897 TO DO AN IMPRESSION P I DON'T DO ‐‐ LIKE I DON'T DO KATT 583 00:30:44,897 --> 00:30:47,834 WILLIAMS. I DO YOU DOING KATT WILLIAMS. 584 00:30:47,834 --> 00:30:52,071 >> YEARS AGO YOU TWEETED YO, I HEARD KATT WILLIAMS I THOUGHT HE 585 00:30:52,071 --> 00:30:54,741 WAS ON THE SHOW AND IT WAS REALLY JAY PHAROAH. 586 00:30:54,741 --> 00:30:58,211 IT'S REAL TALK. KATT WILLIAS I USED TO DO THIS 587 00:30:58,211 --> 00:31:03,583 THING ON TINY CHAT ON TWITTER WHERE I WOULD GO INTO THE CHAT 588 00:31:03,583 --> 00:31:05,485 ROOM AND NOT HAVE A PICTURE AND JUST BE DIFFERENT CELEBRITIES. 589 00:31:05,485 --> 00:31:08,054 AND PEOPLE'S FAVORITE ONE WAS KATT WILLIAMS. 590 00:31:08,054 --> 00:31:10,556 AND ONE DAY KATT WILLIAMS ACTUALLY CAME INTO THE ROOM. 591 00:31:10,556 --> 00:31:14,160 AND I KNEW IT WAS HIM BECAUSE HE HAD PICTURES OF HIS BABIES THAT 592 00:31:14,160 --> 00:31:16,129 WERE NOT ONLINE. I KNEW IT WAS HIM. 593 00:31:16,129 --> 00:31:20,466 AND HE GOT MAD AT ME TOO. HE WAS LIKE, "DO YOU KNOW MY 594 00:31:20,466 --> 00:31:24,036 BABIES, YOU IGNORANT SON OF A BITCH, YOU? 595 00:31:24,036 --> 00:31:28,608 DO YOU KNOW MY BABIES?" 596 00:31:28,608 --> 00:31:28,941 [ APPLAUSE ] 597 00:31:28,941 --> 00:31:30,009 SIR. HEE'S THE THING, SIR, FIRST YOU 598 00:31:30,009 --> 00:31:33,613 NEED TO DO IS GET SOMEBODY YOU ACTUALLY SOUND LIKE BECAUSE YOU 599 00:31:33,613 --> 00:31:37,049 DON'T SOUND NOTHING LIKE ME, BOOBOO. THAT'S WHAT HE SAID. 600 00:31:37,049 --> 00:31:39,986 AND THE PEOPLE IN THE ROOM ‐‐ I HAD FRIENDS AND ‐‐ THEY WAS LIKE 601 00:31:39,986 --> 00:31:42,955 NO, THAT AIN'T KATT WILLIAMS, JAY SOUND MORE LIKE KATT 602 00:31:42,955 --> 00:31:45,324 WILLIAMS THAN YOU DO. AND I WAS LIKE YO, BRO, THAT'S 603 00:31:45,324 --> 00:31:46,726 THE ACTUAL DUDE BECAUSE I CAN HEAR IT. 604 00:31:46,726 --> 00:31:50,029 BUT THEY WERE LIKE NO, WE GOT YOUR BACK, JAY, GET THAT FAKE 605 00:31:50,029 --> 00:31:53,733 CAT OUT OF HERE. I WAS LIKE Y'ALL JUST DISSED THE 606 00:31:53,733 --> 00:31:56,736 REAL KATT WILLIAMS. AND IT'S HILARIOUS NOW BECAUSE 607 00:31:56,736 --> 00:31:59,572 THERE'S IN DUDE ON XBOX AND HE IMPERSONATES ME. 608 00:31:59,572 --> 00:32:03,509 AND IF YOU KNOW JAY PHAROAH, I DON'T HAVE AN XBOX, BABY. 609 00:32:03,509 --> 00:32:10,082 I GOT A PS4, OKAY? AND A PS4. MY PS5 IS ON BACK ORDER, IT 610 00:32:10,082 --> 00:32:11,884 HASN'T GOT HERE YET. YOU KNOW WHAT I MEAN. 611 00:32:11,884 --> 00:32:15,521 BUT SO CRAZY TO MY. IT'S SERENDIPITOUS. 612 00:32:15,521 --> 00:32:18,791 IT'S LIKE THIS MAN NOW IS IMPERSONATING AN IMPERSONATOR. 613 00:32:18,791 --> 00:32:21,627 IT'S LIKE IMPERSONATING INCEPTION. HOW DOES HE DO THAT? 614 00:32:21,627 --> 00:32:26,999 YOU CAN'T IMPERSONATE ME. I'M ME. MAYBE ADDRESS HIM. 615 00:32:26,999 --> 00:32:31,170 THAT'S RIGHT. HEY. I'M ME. I KNOW I'M ME BECAUSE I WOKE UP 616 00:32:31,170 --> 00:32:35,007 THIS MORNING AND I LOOKED IN THE MIRROR. I SAID IS IT YOU? 617 00:32:35,007 --> 00:32:38,311 AND MYSELF SAID YES. SO I KNOW, I KNOW IT'S ME. 618 00:32:38,311 --> 00:32:42,448 STOP TRYING TO IMPERSONATE ME. BUT HONESTLY, I'M FLATTERED. 619 00:32:42,448 --> 00:32:49,956 DO WHAT YOU WANT. DO WHAT YOU WANT. 620 00:32:49,956 --> 00:32:51,858 >> Arsenio: NO IMPRESSIONS IN THIS MOVIE. 621 00:32:51,858 --> 00:32:53,059 >> NO. 622 00:32:53,059 --> 00:32:56,362 >> Arsenio: BUT PURE JAY IS UNBELIEVABLE. YOU DO A GREAT JOB. 623 00:32:56,362 --> 00:32:59,599 YOU WANT TO TELL THEM A LITTLE BIT ABOUT THE MOVIE? p>> YES, YE. 624 00:32:59,599 --> 00:33:02,568 CHRISTINA MILIAN, THE LOVELY CHRISTINA MILIAN. 625 00:33:02,568 --> 00:33:05,771 I GOT TO SHOOT THIS MOVIE IN MAURITIUS WITH HER DURING THE 626 00:33:05,771 --> 00:33:09,342 PANDEMIC. AND SHE'S ‐‐ YOU KNOW, SHE'S A 627 00:33:09,342 --> 00:33:12,645 SINGER WHO WAS ON THECOME UP AND I WAS ENGAGED TO HER. 628 00:33:12,645 --> 00:33:15,014 I ENDED UP BREAKING THE ENGAGEMENT LIKE A MONTH BEFORE 629 00:33:15,014 --> 00:33:17,483 THE WEDDING. AND SOMEHOW WE END UP ON THIS 630 00:33:17,483 --> 00:33:20,920 ISLAND TOGETHER BECAUSE OF COOKIES AND TRAVEL ADS AND 631 00:33:20,920 --> 00:33:26,492 THINGS AND SHE'S SUPPOSED TO SING AT MY WEDDING. 632 00:33:26,492 --> 00:33:29,729 AND, AND SHE LIKES MY BROTHER. AND MY BROTHER'S ‐‐ I'M NOT 633 00:33:29,729 --> 00:33:33,533 GOING TO GIVE THAT PART AWAY. BUT SHE LIKES MY BROTHER AND NOW 634 00:33:33,533 --> 00:33:36,569 IT'S LIKE THIS, IS SHE GOING TO GO FOR HIM, IS SHE GOING TO COME 635 00:33:36,569 --> 00:33:38,304 BACK TO ME? AM I GOING TO GO FOR HER? 636 00:33:38,304 --> 00:33:41,407 AM I GOING TO BREAK UP THE WEDDING ON THE ISLAND? 637 00:33:41,407 --> 00:33:46,345 YOU'VE GOT TO TUNE IN ON THE 29th TO SEE. IT'S PRETTY DOPE. 638 00:33:46,345 --> 00:33:48,080 >> Arsenio: IT'S MESSY. 639 00:33:48,080 --> 00:33:50,283 >> YEAH. 640 00:33:50,283 --> 00:33:53,119 >> Arsenio: IF YOU LIKE HOUSEWIVES TYPE SHOWS THAT ARE 641 00:33:53,119 --> 00:33:55,988 MESSY, THIS RELATIONSHIP IS THE MESSIEST RELATIONSHIP AND THE 642 00:33:55,988 --> 00:34:00,159 MOST ENTERTAINING SITUATION. WITH A MOVIE LIKE THIS HOW DO 643 00:34:00,159 --> 00:34:03,129 YOU GET IT? HOW DO THEY COME TO JAY PHAROAH 644 00:34:03,129 --> 00:34:05,064 FOR THIS AND THEY DON'T WANT NO IMPRESSIONS? 645 00:34:05,064 --> 00:34:09,468 >> WELL, IT WAS ‐‐ YOU KNOW, THERE WAS THE QUESTION OF ALL 646 00:34:09,468 --> 00:34:14,440 RIGHT, WE THINK JAY HAS THESE CHOPS BUT WE HAVE TO SEE IT. 647 00:34:14,440 --> 00:34:17,543 SO I DID A DIRECTOR'S SESSION. AND AFTER THAT ENDED UP NAILING 648 00:34:17,543 --> 00:34:19,278 IT. YOU KNOW, NOW YOU'VE GOT TO DO 649 00:34:19,278 --> 00:34:23,182 ZOOM OR ‐‐ YOU'VE GOT TO DO ZOOM AUDITIONS DURING COVID. 650 00:34:23,182 --> 00:34:25,885 YOU CONCEPT GO INTO THE THING. SO IF YOU NAILED IT AND YOU WERE 651 00:34:25,885 --> 00:34:28,988 AT HOME YOU NAILED IT. YOU KNOW WHAT I MEAN? 652 00:34:28,988 --> 00:34:30,723 SO THAT'S HOW THEY GOT ME FOR THAT. 653 00:34:30,723 --> 00:34:34,994 >> Arsenio: I THINK LAST TIME I SAW YOU ON THIS SHOW YOU WERE ON 654 00:34:34,994 --> 00:34:35,359 ZOOM. 655 00:34:35,359 --> 00:34:36,228 >> IN MAURITIUS. 656 00:34:36,228 --> 00:34:37,763 >> Arsenio: OH, SO THAT'S WHERE YOU WERE? 657 00:34:37,763 --> 00:34:41,467 >> I WAS IN MAURITIUS. LET ME TELL YOU THE PEOPLE ARE 658 00:34:41,467 --> 00:34:45,538 SO NICE, ARSENIO. BUT THE ANIMALS, THEY DIFFERENT. 659 00:34:45,538 --> 00:34:47,206 THEY ARE DIFFERENT. PEOPLE, THIS IS WHAT HAPPENED. 660 00:34:47,206 --> 00:34:50,676 I GOT [ BLEEP ] ON BY A FRUIT BAT. OKAY? 661 00:34:50,676 --> 00:34:51,010 [ LAUGHTER ] 662 00:34:51,010 --> 00:34:53,012 I JUST GOT ‐‐ IT'S NOT LUCK. THIS ITCHES. 663 00:34:53,012 --> 00:34:56,616 I DON'T KNOW WHAT'S HAPPENING. HE [ BLEEP ] ON ME. 664 00:34:56,616 --> 00:34:58,985 YOU KNOW WHAT I MEAN? AND I UNDERSTAND HE EATS FRUIT 665 00:34:58,985 --> 00:35:01,721 SO HE'S GOT A LOOSE STOOL, BUT COME ON, SON. 666 00:35:01,721 --> 00:35:04,557 YOU AIN'T GOT TO HIT ME AND MY WHITE SHIRT. 667 00:35:04,557 --> 00:35:07,660 IT WAS MY WHITE SHIRT. AND I'M MILES AWAY FROM MY HOUSE. 668 00:35:07,660 --> 00:35:12,565 I CAN'T GET IT CLEAN AND WASH. I ONLY HAD ONE SHIRT AND HE 669 00:35:12,565 --> 00:35:13,199 [ BLEEP ] ON IT. 670 00:35:13,199 --> 00:35:16,636 HE [ BLEEP ] ON IT. HE MUST HAVE THOUGHT I WAS JIM 671 00:35:16,636 --> 00:35:18,504 CARREY IN "ACE VENTURA" OR SOMETHING. 672 00:35:18,504 --> 00:35:20,940 I DON'T KNOW WHAT'S WRONG WITH HIM. BUT YEAH, MAN, THAT'S COOL. 673 00:35:20,940 --> 00:35:24,710 AND I'M GOING TO TELL YOU, THE MOSQUITOS ARE VICIOUS. 674 00:35:24,710 --> 00:35:28,347 YOU KNOW I LEARNED THIS DURING THE PANDEMIC. 675 00:35:28,347 --> 00:35:29,649 YOU KNOW WHEN MOSQUITOS BITE YOU BECAUSE THEY'RE PREGNANT. 676 00:35:29,649 --> 00:35:32,251 IT'S NOT THE DUDES THAT BITE YOU. IT'S THE WOMEN MOSQUITO THAT 677 00:35:32,251 --> 00:35:35,454 BITE YOU BECAUSE THEY'RE PREGNANT AND YOU KNOW, THEY LIKE 678 00:35:35,454 --> 00:35:39,825 TAKING STUFF FROM YOU. RIGHT? SO THESE ‐‐ BECAUSE THEY'RE GOLD 679 00:35:39,825 --> 00:35:42,662 DIGGERS. I'M SORRY. THEY ARE GOLD DIGGERS. 680 00:35:42,662 --> 00:35:46,132 THEY BITE YOU BECAUSE THEY NEED NUTRIENTS FOR THE PREGNANCY. 681 00:35:46,132 --> 00:35:50,970 BUT I'D LIKE TO SAY IN FRONT OF AMERICA RIGHT NOW, F THEM KIDS. 682 00:35:50,970 --> 00:35:57,376 I HOPE YOU LOSE THEM. I'M SO SERIOUS. F THEM KIDS. 683 00:35:57,376 --> 00:35:59,078 LOSE THEM. 684 00:35:59,078 --> 00:35:59,411 [ APPLAUSE ] 685 00:35:59,411 --> 00:36:03,349 >> Arsenio: CHECK OUT HIS MOVIE ON NETFLIX JULY 29th. 686 00:36:03,349 --> 00:36:05,084 IT'S CALLED "RESORT TO LOVE." 687 00:36:05,084 --> 00:36:06,519 >> YES, YES, YES. 688 00:36:06,519 --> 00:36:10,756 >> Arsenio: WHEN WE COME BACK, I'LL HAVE AMORPHOUS AND KELLY 689 00:36:10,756 --> 00:36:12,591 ROWLAND. THANK YOU, SIR, FOR MAKING MY 690 00:36:12,591 --> 00:36:15,528 JOB SO EASY TONIGHT. 691 00:36:15,528 --> 00:36:16,262 >> THANK YOU. 692 00:36:16,262 --> 00:36:19,832 >> Arsenio: JAY PHAROAH! THE JAY PHAROAH! 693 00:36:19,832 --> 00:36:20,599 [ CHEERS AND APPLAUSE ] 694 00:36:26,872 --> 00:36:29,308 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 695 00:36:29,308 --> 00:36:34,213 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 696 00:36:34,213 --> 00:36:36,382 [ CHEERS AND APPLAUSE ] 697 00:36:36,382 --> 00:36:40,286 >> Arsenio: AND NOW, THE E. P. IS CALLED "THINGS TAKE SHAPE." 698 00:36:40,286 --> 00:36:44,090 FROM THE SUNSET AT THE EDITION HOTEL PERFORMING "FINALLY," WITH 699 00:36:44,090 --> 00:36:48,160 SOME HELP FROM KELLY ROWLAND ‐‐ THIS IS AMORPHOUS! 700 00:36:48,160 --> 00:36:52,131 [ CHEERS AND APPLAUSE ] 701 00:36:52,131 --> 00:36:54,834 >> HOW ARE Y'ALL FEELING TONIGHT? Y'ALL LOOK SO GOOD, SO 702 00:36:54,834 --> 00:36:57,737 BEAUTIFUL. I'M AMORPHOUS. SO HAPPY TO BE HERE. 703 00:36:57,737 --> 00:37:00,506 I HAVE SOMEONE VERY, VERY SPECIAL TO INTRODUCE YOU TO, THE 704 00:37:00,506 --> 00:37:06,512 BEAUTIFUL AND AMAZING KELLY ROWLAND. 705 00:37:06,512 --> 00:37:08,180 ♪ WAITED FOR THIS MOMENT 706 00:37:08,180 --> 00:37:09,181 ♪ SO GOLDEN 707 00:37:09,181 --> 00:37:11,016 ♪ YOU CAN SEE IT IN THE WAY WE 708 00:37:11,016 --> 00:37:11,784 SHINE ♪ 709 00:37:11,784 --> 00:37:14,153 ♪ OH YES I DO BELIEVE WE'RE 710 00:37:14,153 --> 00:37:17,223 CHOSEN ♪ 711 00:37:17,223 --> 00:37:17,590 ♪ SO KNOW IT 712 00:37:17,590 --> 00:37:18,524 ♪ SO I AIN'T GONNA LET YOU 713 00:37:18,524 --> 00:37:24,797 CHANGE MY MIND ♪ 714 00:37:24,797 --> 00:37:25,631 ♪ OH NO 715 00:37:25,631 --> 00:37:26,966 FINALLY THE WORDS YOU USED ♪ 716 00:37:26,966 --> 00:37:27,433 ♪ TO TRY TO HURT ME 717 00:37:27,433 --> 00:37:29,201 DON'T MEAN A THING ANYMORE FINALLY ♪ 718 00:37:29,201 --> 00:37:30,302 ♪ THERE AIN'T NO STRESSING 719 00:37:30,302 --> 00:37:34,006 AIN'T NOT WORRIES IT'S ME I'M LIVING FOR ♪ 720 00:37:34,006 --> 00:37:35,174 ♪ FINALLY IT HAS 721 00:37:35,174 --> 00:37:38,511 HAPPENED TO ME RIGHT IN FRONT OF MY FACE 722 00:37:38,511 --> 00:37:39,779 MY FEELINGS CAN'T ♪ 723 00:37:39,779 --> 00:37:44,216 ♪ DESCRIBE IT 724 00:37:44,216 --> 00:37:47,386 FINALLY IT HAS HAPPENED TO ME RIGHT IN FRONT OF MY FACE 725 00:37:47,386 --> 00:37:55,528 AND I JUST CANNOT HIDE IT ♪ 726 00:37:55,528 --> 00:37:59,932 ♪ FINALLY 727 00:37:59,932 --> 00:38:04,670 FINALLY IT HAS HAPPENED TO ME RIGHT IN FRONT OF MY FACE ♪ 728 00:38:04,670 --> 00:38:05,304 ♪ MY FEELINGS CAN'T DESCRIBE IT 729 00:38:05,304 --> 00:38:06,372 FINALLY, IT HAS HAPPENED TO ME ♪ 730 00:38:06,372 --> 00:38:06,939 ♪ RIGHT IN FRONT OF MY FACE 731 00:38:06,939 --> 00:38:09,275 AND I JUST CANNOT HIDE IT NOT GONNA LET Y'ALL BOTHER ME 732 00:38:09,275 --> 00:38:10,609 ‐‐ I BEEN POPPIN ♪ 733 00:38:10,609 --> 00:38:11,343 ♪ ‐‐ FROM DAY 734 00:38:11,343 --> 00:38:13,579 ‐‐ I BEEN HAD THE DRIP LIKE WAVES ♪ 735 00:38:13,579 --> 00:38:14,113 ♪ ‐‐ I DONE BEEN 736 00:38:14,113 --> 00:38:16,515 THE ‐‐ OK NOT GONNA LET Y'ALL BOTHER ME ♪ 737 00:38:16,515 --> 00:38:17,149 ♪ ‐‐ I BEEN POPPIN 738 00:38:17,149 --> 00:38:18,484 ‐‐ FROM DAY ‐‐ I BEEN HAD THE ♪ 739 00:38:18,484 --> 00:38:19,318 ♪ DRIP LIKE WAVES 740 00:38:19,318 --> 00:38:21,754 ‐‐ I DONE BEEN THE BITCH OK FINALLY ♪ 741 00:38:21,754 --> 00:38:23,589 ♪ THE WORDS YOU USED 742 00:38:23,589 --> 00:38:27,593 TO TRY TO HURT ME DON'T MEAN A THING ANYMORE ♪ 743 00:38:27,593 --> 00:38:29,328 ♪ FINALLY 744 00:38:29,328 --> 00:38:33,499 THERE AIN'T NO STRESSING AIN'T NO WORRIES 745 00:38:33,499 --> 00:38:35,568 IT'S ME I'M LIVING FOR ♪ 746 00:38:35,568 --> 00:38:37,570 ♪ FINALLY IT HAS 747 00:38:37,570 --> 00:38:41,106 HAPPENED TO ME RIGHT IN FRONT OF MY FACE 748 00:38:41,106 --> 00:38:41,540 MY FEELINGS CAN'T ♪ 749 00:38:41,540 --> 00:38:42,608 ♪ DESCRIBE IT 750 00:38:42,608 --> 00:38:46,745 FINALLY FINALLY IT HAS HAPPENED TO ME ♪ 751 00:38:46,745 --> 00:38:48,981 ♪ RIGHT IN FRONT OF MY FACE 752 00:38:48,981 --> 00:38:50,883 AND I JUST CANNOT HIDE IT FINALLY ♪ 753 00:38:50,883 --> 00:38:51,517 ♪ FINALLY IT'S 754 00:38:51,517 --> 00:38:56,188 HAPPENED TO ME IT'S HAPPENED TO ME BABE 755 00:38:56,188 --> 00:38:58,524 IT'S HAPPENED TO ME ♪ 756 00:38:58,524 --> 00:39:01,126 ♪ OH TO ME CANNOT HIDE IT 757 00:39:01,126 --> 00:39:03,829 FINALLY IT'S HAPPENED TO ME IT'S HAPPENED TO ME BABE ♪ 758 00:39:03,829 --> 00:39:06,732 ♪ IT'S HAPPENED TO ME 759 00:39:06,732 --> 00:39:11,203 OH TO ME FINALLY CANNOT HIDE IT ♪ 760 00:39:11,203 --> 00:39:13,906 ♪ FINALLY 761 00:39:13,906 --> 00:39:16,375 OWW ‐‐ FINALLY YEAH ‐‐ YEAH ♪ 762 00:39:16,375 --> 00:39:17,076 ♪ OH, OH, OH, 763 00:39:17,076 --> 00:39:19,044 AYE YEAH‐EEH AYE YEAH‐EEH ♪ 764 00:39:19,044 --> 00:39:19,979 ♪ AYE YEAH‐EEH 765 00:39:19,979 --> 00:39:24,917 OW 766 00:39:24,917 --> 00:39:32,157 FINALLY ♪ 767 00:39:32,157 --> 00:39:33,459 ♪ AYE YEAH‐EEH 768 00:39:33,459 --> 00:39:38,664 AYE YEAH‐EEH AYE YEAH‐EEH ♪ 769 00:39:38,664 --> 00:39:39,031 ♪ AYE YEAH‐EEH 770 00:39:39,031 --> 00:39:41,200 OW FINALLY IT'S HAPPENED TO ME ♪ 771 00:39:41,200 --> 00:39:42,001 ♪ IT'S HAPPENED TO ME BABE 772 00:39:42,001 --> 00:39:44,403 IT'S HAPPENED TO ME OH TO ME ♪ 773 00:39:44,403 --> 00:39:45,404 ♪ FINALLY IT'S 774 00:39:45,404 --> 00:39:48,841 HAPPENED TO ME IT'S HAPPENED TO ME BABE 775 00:39:48,841 --> 00:39:49,708 IT'S HAPPENED TO ME ♪ 776 00:39:49,708 --> 00:39:51,143 ♪ OH TO ME 777 00:39:51,143 --> 00:39:54,914 FINALLY NOT GONNA LET Y'ALL BOTHER ME ♪ 778 00:39:54,914 --> 00:39:59,952 ♪ ‐‐ I BEEN POPPIN 779 00:39:59,952 --> 00:40:01,353 ‐‐ I BEEN HAD THE DRIP LIKE WAVES ♪ 780 00:40:01,353 --> 00:40:01,954 ♪ ‐‐ I DONE BEEN THE ‐‐ OK 781 00:40:01,954 --> 00:40:03,856 NOT GONNA LET Y'ALL BOTHER ME ‐‐ I BEEN POPPIN 782 00:40:03,856 --> 00:40:05,024 ♪ ‐‐ I BEEN HAD THE 783 00:40:05,024 --> 00:40:07,760 DRIP LIKE WAVES 784 00:40:07,760 --> 00:40:12,064 ♪ 785 00:40:12,064 --> 00:40:12,564 [ CHEERS AND APPLAUSE ] 786 00:40:12,564 --> 00:40:14,133 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 787 00:40:14,133 --> 00:40:17,790 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 788 00:40:20,059 --> 00:40:20,795 [ CHEERS AND APPLAUSE ] 789 00:40:20,795 --> 00:40:24,181 >> Arsenio: THAT'S ALL THE TIME WE HAVE. 790 00:40:24,181 --> 00:40:27,918 I'D LIKE TO THANK MEGAN FOX, JAY PHAROAH, AMORPHOUS WITH KELLY 791 00:40:27,918 --> 00:40:30,387 ROWLAND, AND I'LL BE BACK TOMORROW NIGHT WITH LeBRON 792 00:40:30,387 --> 00:40:36,127 JAMES, RICHARD E. GRANT AND THE MUSIC OF TAINY AND YANDEL. 793 00:40:36,127 --> 00:40:38,429 "NIGHTLINE" IS NEXT. AND I HAVEN'T SAID THIS FOR A 794 00:40:38,429 --> 00:40:41,365 LONG TIME. SO LET ME PUT EVERYTHING INTO IT. 795 00:40:41,365 --> 00:40:41,899 I'LL SEE YOU IN 23 HOURS. 796 00:40:41,899 --> 00:40:42,733 [ CHEERS AND APPLAUSE ]