1 00:00:00,355 --> 00:00:00,989 >> Dicky: FROM HOLLYWOOD, IT'S 2 00:00:00,989 --> 00:00:01,389 "JIMMY KIMMEL LIVE!" 3 00:00:01,389 --> 00:00:04,526 TONIGHT ‐‐ 4 00:00:04,526 --> 00:00:05,293 MICHAEL CHE, CILLIAN MURPHY, AND 5 00:00:05,293 --> 00:00:06,528 MUSIC FROM THE LINDA LINDAS. 6 00:00:06,528 --> 00:00:07,295 AND NOW ‐‐ 7 00:00:07,295 --> 00:00:08,596 JIMMY KIMMEL! 8 00:00:08,596 --> 00:00:12,667 [ CHEERS AND APPLAUSE ] 9 00:00:12,667 --> 00:00:14,068 >> Jimmy: OH, THAT'S ME, HI. 10 00:00:14,068 --> 00:00:16,070 I'M JIMMY, I AM THE HOST. 11 00:00:16,070 --> 00:00:19,274 THANKS FOR WATCHING. 12 00:00:19,274 --> 00:00:21,876 THANKS FOR ‐‐ EITHER YOU'RE 13 00:00:21,876 --> 00:00:22,911 WATCHING US OR YOU'RE AT HOME 14 00:00:22,911 --> 00:00:23,478 JUST SITTING THERE WHILE WE 15 00:00:23,478 --> 00:00:24,312 WORK. 16 00:00:24,312 --> 00:00:24,946 WHAT KIND OF AN ARRANGEMENT IS 17 00:00:24,946 --> 00:00:27,916 THIS? 18 00:00:27,916 --> 00:00:28,783 MEANWHILE, THERE'S SOME WOMAN 19 00:00:28,783 --> 00:00:31,786 NOBODY KNOWS NAMED CANDY IN OUR 20 00:00:31,786 --> 00:00:32,153 AUDIENCE TONIGHT. 21 00:00:32,153 --> 00:00:32,487 [ LAUGHTER ] 22 00:00:32,487 --> 00:00:33,521 [ CHEERS AND APPLAUSE ] 23 00:00:33,521 --> 00:00:34,088 WHAT HAPPENED TO THE SECURITY 24 00:00:34,088 --> 00:00:36,824 MEASURES? 25 00:00:36,824 --> 00:00:38,426 DID YOU CHECK HER OUT, MAKE SURE 26 00:00:38,426 --> 00:00:39,627 SHE WORKS HERE? 27 00:00:39,627 --> 00:00:41,264 >> Guillermo: YEAH, SHE WORKS 28 00:00:41,264 --> 00:00:41,629 HERE. 29 00:00:41,629 --> 00:00:43,831 >> Jimmy: SHE DOES? 30 00:00:43,831 --> 00:00:44,333 >> Guillermo: FIRST DAY TODAY 31 00:00:44,333 --> 00:00:44,666 HERE. 32 00:00:44,666 --> 00:00:46,000 >> Jimmy: WHAT DOES SHE DO HERE? 33 00:00:46,000 --> 00:00:47,335 >> Guillermo: UH ‐‐ I THINK 34 00:00:47,335 --> 00:00:48,503 SHE ‐‐ 35 00:00:48,503 --> 00:00:48,836 [ LAUGHTER ] 36 00:00:48,836 --> 00:00:49,871 >> Guillermo: SHE HELPS THE 37 00:00:49,871 --> 00:00:50,204 PRODUCTION. 38 00:00:50,204 --> 00:00:50,872 >> Jimmy: WELL. 39 00:00:50,872 --> 00:00:51,940 [ LAUGHTER ] 40 00:00:51,940 --> 00:00:53,408 YOU SEE OUR SECURITY IS TOP 41 00:00:53,408 --> 00:00:53,741 NOTCH. 42 00:00:53,741 --> 00:00:54,342 THANKS FOR JOINING US HERE IN 43 00:00:54,342 --> 00:00:56,744 LOS ANGELES. 44 00:00:56,744 --> 00:00:59,147 YOU KNOW, HERE IN L. A., COUNTY 45 00:00:59,147 --> 00:01:00,515 HEALTH OFFICIALS WERE HOPING 46 00:01:00,515 --> 00:01:01,149 WE'D BE CLOSE TO HERD IMMUNITY 47 00:01:01,149 --> 00:01:02,450 BY NOW. 48 00:01:02,450 --> 00:01:03,451 THEY WERE HOPING WE'D GET THERE 49 00:01:03,451 --> 00:01:04,185 BY JULY, NOW THEY'RE SAYING IT 50 00:01:04,185 --> 00:01:04,953 PROBABLY WON'T HAPPEN UNTIL LATE 51 00:01:04,953 --> 00:01:06,454 AUGUST BECAUSE A LOT OF PEOPLE 52 00:01:06,454 --> 00:01:10,158 ARE IN NO RUSH TO GET SHOTS. 53 00:01:10,158 --> 00:01:11,159 INSTEAD OF "VACCINE," MAYBE WE 54 00:01:11,159 --> 00:01:11,893 SHOULD START CALLING IT "ARM 55 00:01:11,893 --> 00:01:12,894 BOTOX." 56 00:01:12,894 --> 00:01:14,662 [ LAUGHTER ] 57 00:01:14,662 --> 00:01:15,897 THAT SHOULD BE THE RULE. 58 00:01:15,897 --> 00:01:17,165 IF YOU DON'T GET THE VACCINE, 59 00:01:17,165 --> 00:01:18,399 YOU AREN'T ALLOWED TO GET 60 00:01:18,399 --> 00:01:20,137 TATTOOED OR YOUR LIPS PLUMPED. 61 00:01:20,137 --> 00:01:20,502 OKAY? 62 00:01:20,502 --> 00:01:20,835 [ LAUGHTER ] 63 00:01:20,835 --> 00:01:21,536 AND THE MOST FRUSTRATING THING 64 00:01:21,536 --> 00:01:22,537 IS THAT A LOT OF THESE 65 00:01:22,537 --> 00:01:26,808 UNVACCINATED PEOPLE AREN'T JUST 66 00:01:26,808 --> 00:01:28,743 AVOIDING THE SHOT, THEY'RE 67 00:01:28,743 --> 00:01:30,211 NOT WEARING MASKS. 68 00:01:30,211 --> 00:01:32,046 THEY'RE LIKE, "PANDEMIC'S OVER!" 69 00:01:32,046 --> 00:01:33,581 NOT FOR YOU, IT ISN'T. 70 00:01:33,581 --> 00:01:34,215 YOU DIDN'T CHIP IN FOR THE GIFT, 71 00:01:34,215 --> 00:01:35,018 YOU DON'T GET TO SIGN THE CARD. 72 00:01:35,018 --> 00:01:35,383 OKAY? 73 00:01:35,383 --> 00:01:37,185 [ CHEERS AND APPLAUSE ] 74 00:01:37,185 --> 00:01:38,186 BUT THINGS ARE SETTLING DOWN. 75 00:01:38,186 --> 00:01:39,454 SLOWLY, WE HAVE BEGUN THE 76 00:01:39,454 --> 00:01:40,688 PROCESS OF RE‐IGNITING OUR 77 00:01:40,688 --> 00:01:42,657 SOCIAL LIVES. 78 00:01:42,657 --> 00:01:43,658 AND THAT ISN'T EASY, BECAUSE 79 00:01:43,658 --> 00:01:46,294 WHERE DO YOU START? 80 00:01:46,294 --> 00:01:46,794 WHO DO YOU START WITH? 81 00:01:46,794 --> 00:01:47,895 WHO DO YOU SEE FIRST? 82 00:01:47,895 --> 00:01:49,397 IT'S TOUGH. 83 00:01:49,397 --> 00:01:53,835 SO WE CAME UP WITH A 84 00:01:53,835 --> 00:01:55,037 COVILLE‐STYLE PRIORITY PLAN TO 85 00:01:55,037 --> 00:01:55,370 HELP. 86 00:01:55,370 --> 00:01:56,437 SO FIRST, AND ALSO LAST, WE HAVE 87 00:01:56,437 --> 00:01:58,072 THE RED TIER. 88 00:01:58,072 --> 00:01:58,673 THESE ARE PEOPLE YOU DID NOT 89 00:01:58,673 --> 00:01:59,307 COMMUNICATE WITH AT ALL DURING 90 00:01:59,307 --> 00:01:59,807 THE PANDEMIC. 91 00:01:59,807 --> 00:02:02,276 THEY NEVER TEXTED TO SAY, "YOU 92 00:02:02,276 --> 00:02:03,578 OKAY?" 93 00:02:03,578 --> 00:02:04,312 OR "SUP?" 94 00:02:04,312 --> 00:02:07,081 THEY DIDN'T DROP OFF A LOAF OF 95 00:02:07,081 --> 00:02:07,649 BREAD. 96 00:02:07,649 --> 00:02:07,982 [ LAUGHTER ] 97 00:02:07,982 --> 00:02:08,583 YOU DIDN'T SPEAK TO THEM EVEN 98 00:02:08,583 --> 00:02:08,950 ONCE. 99 00:02:08,950 --> 00:02:09,550 THESE ARE PEOPLE, NOT ONLY DO 100 00:02:09,550 --> 00:02:10,184 YOU NOT HAVE TO SEE THEM SOON, 101 00:02:10,184 --> 00:02:10,752 YOU NEVER HAVE TO SEE THEM 102 00:02:10,752 --> 00:02:12,654 AGAIN. 103 00:02:12,654 --> 00:02:14,455 [ LAUGHTER ] 104 00:02:14,455 --> 00:02:15,023 NEXT CLOSEST TO THE BOTTOM, 105 00:02:15,023 --> 00:02:16,457 WE HAVE THE PURPLE TIER. 106 00:02:16,457 --> 00:02:16,991 THESE ARE THE FRIENDS AND 107 00:02:16,991 --> 00:02:17,692 RELATIVES WHO WERE TOO IN TOUCH 108 00:02:17,692 --> 00:02:18,960 DURING THE PANDEMIC. 109 00:02:18,960 --> 00:02:20,895 [ LAUGHTER ] 110 00:02:20,895 --> 00:02:22,363 THE ONES WHO FORCED YOU TO DO 111 00:02:22,363 --> 00:02:22,897 ZOOM HAPPY HOURS. 112 00:02:22,897 --> 00:02:23,965 THAT WENT WELL PAST THE FREE 113 00:02:23,965 --> 00:02:26,167 40 MINUTES. 114 00:02:26,167 --> 00:02:26,734 YOU'VE SEEN ENOUGH OF THEM. 115 00:02:26,734 --> 00:02:27,335 THEY'RE NEAR THE BACK OF THE 116 00:02:27,335 --> 00:02:29,170 LINE. 117 00:02:29,170 --> 00:02:32,573 THEN WE HAVE THE ORANGE TIER. 118 00:02:32,573 --> 00:02:34,942 THESE ARE PEOPLE WHO RECORDED A 119 00:02:34,942 --> 00:02:36,377 BIRTHDAY VIDEO MESSAGE FOR YOU, 120 00:02:36,377 --> 00:02:38,046 MAYBE DROVE TO YOUR HOUSE AND 121 00:02:38,046 --> 00:02:39,214 WAVED, MAYBE THEY DROPPED OFF A 122 00:02:39,214 --> 00:02:39,547 PIE. 123 00:02:39,547 --> 00:02:40,815 THEY GET A PRIORITY SLOT. 124 00:02:40,815 --> 00:02:41,149 [ LAUGHTER ] 125 00:02:41,149 --> 00:02:44,218 [ CHEERS AND APPLAUSE ] 126 00:02:44,218 --> 00:02:45,453 FINALLY, THE TOP TIER IS THE 127 00:02:45,453 --> 00:02:46,554 YELLOW TIER. 128 00:02:46,554 --> 00:02:47,455 THIS IS ANYONE WHO OVER THE 129 00:02:47,455 --> 00:02:48,723 COURSE OF THE PANDEMIC USED THE 130 00:02:48,723 --> 00:02:50,425 BATHROOM IN YOUR HOUSE, OKAY? 131 00:02:50,425 --> 00:02:50,758 [ LAUGHTER ] 132 00:02:50,758 --> 00:02:52,062 THAT'S HOW WE'RE GOING TO JUDGE 133 00:02:52,062 --> 00:02:52,427 IT. 134 00:02:52,427 --> 00:02:53,728 IF THEIR PANTS WERE OFF UNDER 135 00:02:53,728 --> 00:02:56,330 YOUR ROOF, NOT ONLY CAN YOU GET 136 00:02:56,330 --> 00:02:57,932 TOGETHER, YOU CAN WRESTLE IF YOU 137 00:02:57,932 --> 00:02:59,434 WANT, YOU CAN REALLY GO CRAZY. 138 00:02:59,434 --> 00:02:59,934 [ CHEERS AND APPLAUSE ] 139 00:02:59,934 --> 00:03:01,803 I HOPE THAT HELPS. 140 00:03:01,803 --> 00:03:02,537 IN NEW YORK, MOST EVERYTHING IS 141 00:03:02,537 --> 00:03:03,104 AS IT WAS, INCLUDING STATE 142 00:03:03,104 --> 00:03:04,572 POLITICS. 143 00:03:04,572 --> 00:03:06,574 EMBATTLED GOVERNOR ANDREW CUOMO 144 00:03:06,574 --> 00:03:08,810 IS HOSTING A LAVISH FUNDRAISER, 145 00:03:08,810 --> 00:03:10,078 PRESUMABLY TO KICK OFF HIS BID 146 00:03:10,078 --> 00:03:10,812 FOR A FOURTH TERM IN OFFICE. 147 00:03:10,812 --> 00:03:14,248 THE DINNER WILL COST 148 00:03:14,248 --> 00:03:15,450 $10,000 A PLATE. 149 00:03:15,450 --> 00:03:17,185 AND FOR AN EXTRA $250, HE'LL 150 00:03:17,185 --> 00:03:17,785 WHISPER SOMETHING IN YOUR EAR 151 00:03:17,785 --> 00:03:18,519 THAT WILL HAUNT YOU FOR DECADES. 152 00:03:18,519 --> 00:03:22,657 [ LAUGHTER ] 153 00:03:22,657 --> 00:03:23,391 THE FUNDRAISER IS BEING HELD IN 154 00:03:23,391 --> 00:03:24,659 AN UNDISCLOSED LOCATION. 155 00:03:24,659 --> 00:03:25,660 WHICH IS EXACTLY WHAT YOU WANT 156 00:03:25,660 --> 00:03:26,894 TO HEAR FROM A GUY FACING 157 00:03:26,894 --> 00:03:27,929 MULTIPLE SEXUAL HARASSMENT 158 00:03:27,929 --> 00:03:30,698 ACCUSATIONS. 159 00:03:30,698 --> 00:03:34,235 THE "NEW YORK TIMES" SPOKE TO 160 00:03:34,235 --> 00:03:35,603 EIGHT PEOPLE OFF THE RECORD WHO 161 00:03:35,603 --> 00:03:37,105 WERE INVITED TO THE FUND‐RAISER. 162 00:03:37,105 --> 00:03:37,705 ONLY TWO SAID THEY PLANNED TO 163 00:03:37,705 --> 00:03:38,072 GO. 164 00:03:38,072 --> 00:03:38,806 IT'S BASICALLY HIS VERSION OF 165 00:03:38,806 --> 00:03:39,774 ONLYFANS. 166 00:03:39,774 --> 00:03:41,075 [ LAUGHTER ] 167 00:03:41,075 --> 00:03:42,577 THIS IS THE INVITATION, AND IF 168 00:03:42,577 --> 00:03:44,078 YOU READ ALL THE WAY TO THE 169 00:03:44,078 --> 00:03:45,313 BOTTOM, YOU'LL SEE, "6‐9 P. M. ‐‐ 170 00:03:45,313 --> 00:03:46,380 LADIES DRINK FREE." 171 00:03:46,380 --> 00:03:47,615 [ LAUGHTER ] 172 00:03:47,615 --> 00:03:49,817 CUOMOJITOS FOR EVERYONE! 173 00:03:49,817 --> 00:03:50,818 MEANWHILE, UP I‐95, IN THE 174 00:03:50,818 --> 00:03:52,053 CONNECTICUT HOUSE OF 175 00:03:52,053 --> 00:03:53,321 REPRESENTATIVES BECAUSE OF 176 00:03:53,321 --> 00:03:54,789 COVID, THE PUBLIC HAS NOT BEEN 177 00:03:54,789 --> 00:03:57,291 ALLOWED TO ATTEND LEGISLATIVE 178 00:03:57,291 --> 00:03:58,526 SESSIONS, AS THEY USUALLY ARE. 179 00:03:58,526 --> 00:03:59,327 AND AS A RESULT, THE LEGISLATORS 180 00:03:59,327 --> 00:04:02,096 HAVE BEEN DRINKING. 181 00:04:02,096 --> 00:04:04,031 ON THE JOB. 182 00:04:04,031 --> 00:04:05,266 REPUBLICANS AND DEMOCRATS HAVE 183 00:04:05,266 --> 00:04:07,301 BEEN DRINKING DURING WORK HOURS. 184 00:04:07,301 --> 00:04:08,035 IN CONNECTICUT. 185 00:04:08,035 --> 00:04:09,303 AND WHILE IT IS NICE TO SEE THEM 186 00:04:09,303 --> 00:04:12,306 FINALLY AGREEING ON SOMETHING, 187 00:04:12,306 --> 00:04:13,074 THE RESULT OF THAT MERRY‐MAKING 188 00:04:13,074 --> 00:04:14,075 IS THIS NOW VIRAL VIDEO OF 189 00:04:14,075 --> 00:04:14,642 REPRESENTATIVE ROBIN COMEY 190 00:04:14,642 --> 00:04:19,714 TRYING TO SAY SOMETHING. 191 00:04:19,714 --> 00:04:23,217 >> A CONSTITUENT OF MINE, UM ‐‐ 192 00:04:23,217 --> 00:04:25,453 I, UH ‐‐ CAME UP TO ME, UH, 193 00:04:25,453 --> 00:04:26,354 AND ‐‐ AND ‐‐ WANTED TO KNOW, 194 00:04:26,354 --> 00:04:34,629 UM ‐‐ WHY SHE WAS, UH ‐‐ UM ‐‐ 195 00:04:34,629 --> 00:04:43,704 ABLE TO, UM ‐‐ UM ‐‐ EXCUSE ME. 196 00:04:43,704 --> 00:04:46,207 UM ‐‐ I HAD TO TELL HER THAT, 197 00:04:46,207 --> 00:04:52,513 UH, THAT SHE WAS, UM ‐‐ UM ‐‐ 198 00:04:52,513 --> 00:04:53,681 [ LAUGHTER ] 199 00:04:53,681 --> 00:04:56,417 >> Jimmy: KEEP UMMING! 200 00:04:56,417 --> 00:04:57,819 YOU'LL GET THERE EVENTUALLY. 201 00:04:57,819 --> 00:04:59,320 >> I WAS WONDERING IF THIS WAS 202 00:04:59,320 --> 00:05:01,489 AN OPPORTUNITY FOR HER TO, UM, 203 00:05:01,489 --> 00:05:16,437 UM ‐‐ UH ‐‐ UM ‐‐ OPPORTUNITY 204 00:05:16,437 --> 00:05:18,739 TO ‐‐ FOR HE TO, UM ‐‐ 205 00:05:18,739 --> 00:05:26,681 [ LAUGHTER ] 206 00:05:26,681 --> 00:05:28,316 UNDERSTAND THAT SHE WAS ABLE TO, 207 00:05:28,316 --> 00:05:32,687 UM ‐‐ 208 00:05:32,687 --> 00:05:33,020 [ LAUGHTER ] 209 00:05:33,020 --> 00:05:35,656 >> Jimmy: OH, SHE WAS SO CLOSE. 210 00:05:35,656 --> 00:05:36,557 IT'S LIKE SHE WAS TRYING TO 211 00:05:36,557 --> 00:05:38,893 ORDER OFF THE WENDY'S DRIVE‐THRU 212 00:05:38,893 --> 00:05:41,963 MENU AT 3:00 A. M. 213 00:05:41,963 --> 00:05:42,296 [ LAUGHTER ] 214 00:05:42,296 --> 00:05:43,097 SHE ISSUED A FORMAL APOLOGY 215 00:05:43,097 --> 00:05:45,266 AFTERWARD. 216 00:05:45,266 --> 00:05:45,900 SHE SAID SEVERAL FACTORS LED TO 217 00:05:45,900 --> 00:05:46,567 HER EPISODE. 218 00:05:46,567 --> 00:05:49,737 INCLUDING ANXIETY, EXHAUSTION, 219 00:05:49,737 --> 00:05:50,605 TOO MUCH WINE AT DINNER, AND 220 00:05:50,605 --> 00:05:51,806 LIVING IN CONNECTICUT ALSO. 221 00:05:51,806 --> 00:05:52,440 AND OF COURSE, EVERYONE SCOURED 222 00:05:52,440 --> 00:05:55,576 HER SOCIAL MEDIA. 223 00:05:55,576 --> 00:05:56,177 TURNS OUT SHE'S GOT QUITE THE 224 00:05:56,177 --> 00:05:56,844 DRUNK HISTORY. 225 00:05:56,844 --> 00:05:57,578 IN APRIL, SHE CELEBRATED 226 00:05:57,578 --> 00:06:01,415 NATIONAL BEER DAY. 227 00:06:01,415 --> 00:06:05,453 GO, GO CAMPANEROS! 228 00:06:05,453 --> 00:06:06,087 AND IN SEPTEMBER SHE TWEETED, "I 229 00:06:06,087 --> 00:06:06,721 DID NOT BUY ENOUGH WINE FOR THIS 230 00:06:06,721 --> 00:06:07,188 NEWS." 231 00:06:07,188 --> 00:06:10,157 WELL, I DON'T KNOW WHAT THE NEWS 232 00:06:10,157 --> 00:06:12,126 WAS, BUT IT SEEMS LIKE YOU DID 233 00:06:12,126 --> 00:06:12,460 BUY ENOUGH WINE. 234 00:06:12,460 --> 00:06:12,793 [ LAUGHTER ] 235 00:06:12,793 --> 00:06:13,361 GUILLERMO, CAN YOU IMAGINE 236 00:06:13,361 --> 00:06:16,264 DRINKING ON THE JOB? 237 00:06:16,264 --> 00:06:16,597 [ LAUGHTER ] 238 00:06:16,597 --> 00:06:17,098 [ CHEERS AND APPLAUSE ] 239 00:06:17,098 --> 00:06:19,500 >> Guillermo: NO, NO, NO WAY! 240 00:06:19,500 --> 00:06:20,902 >> Jimmy: UNTHINKABLE. 241 00:06:20,902 --> 00:06:22,270 IN NORTH KOREA, KIM JONG‐UN HAS 242 00:06:22,270 --> 00:06:24,639 APPOINTED A NUMBER TWO, A NUMBER 243 00:06:24,639 --> 00:06:25,506 TWO TO SERVE AS HIS SECOND IN 244 00:06:25,506 --> 00:06:27,208 COMMAND. 245 00:06:27,208 --> 00:06:27,942 I'M NOT A HISTORIAN, BUT DO 246 00:06:27,942 --> 00:06:28,676 COUNTRIES USUALLY HAVE AN 247 00:06:28,676 --> 00:06:30,878 ASSISTANT DICTATOR? 248 00:06:30,878 --> 00:06:31,245 [ LAUGHTER ] 249 00:06:31,245 --> 00:06:32,213 A LOT OF PEOPLE EXPECTED THAT 250 00:06:32,213 --> 00:06:33,514 HIS SISTER WOULD GET THE JOB. 251 00:06:33,514 --> 00:06:34,215 BUT THAT WAS NOT TO BE. 252 00:06:34,215 --> 00:06:35,016 NORTH KOREAN STATE MEDIA 253 00:06:35,016 --> 00:06:35,683 RELEASED A VIDEO OF THE NEW 254 00:06:35,683 --> 00:06:39,353 NUMBER TWO TODAY. 255 00:06:40,624 --> 00:06:40,988 ♪ 256 00:06:40,988 --> 00:06:47,128 ♪ 257 00:06:47,128 --> 00:06:50,197 >> Jimmy: WOW, WAIT, WAIT A 258 00:06:50,197 --> 00:06:54,302 MINUTE, I KNOW THAT GUY. 259 00:06:54,302 --> 00:06:54,802 [ CHEERS AND APPLAUSE ] 260 00:06:54,802 --> 00:06:55,803 I GUESS HE WAS LOOKING FOR A 261 00:06:55,803 --> 00:06:56,272 HEALTHIER WORK ENVIRONMENT AFTER 262 00:06:56,272 --> 00:06:56,637 TRUMP. 263 00:06:56,637 --> 00:06:57,538 [ LAUGHTER ] 264 00:06:57,538 --> 00:06:59,073 IN AMERICA'S NORTH KOREA, THE 265 00:06:59,073 --> 00:07:01,842 SUNSHINE STATE, FROM TIME TO 266 00:07:01,842 --> 00:07:02,643 TIME, WE ENJOY TAKING A LOOK AT 267 00:07:02,643 --> 00:07:03,444 WHAT'S GOING ON. 268 00:07:03,444 --> 00:07:04,478 AND TONIGHT, WE'RE DOING IT 269 00:07:04,478 --> 00:07:05,079 AGAIN IN A GOVERNOR DESANTIS 270 00:07:05,079 --> 00:07:08,649 EDITION OF "THIS WEEK IN 271 00:07:08,649 --> 00:07:09,283 FLORIDA." 272 00:07:09,283 --> 00:07:10,952 >> I AM PROUD TO BE HERE TODAY 273 00:07:10,952 --> 00:07:14,121 IN THE EVERGLADES AS WE KICK OFF 274 00:07:14,121 --> 00:07:18,392 REGISTRATION FOR THE 2021 PYTHON 275 00:07:18,392 --> 00:07:18,793 CHALLENGE. 276 00:07:18,793 --> 00:07:20,828 PARTICIPANTS WHO REMOVE THE MOST 277 00:07:20,828 --> 00:07:22,129 PYTHONS AND WHO CAPTURE THE 278 00:07:22,129 --> 00:07:22,730 LONGEST PYTHONS WILL RECEIVE 279 00:07:22,730 --> 00:07:24,598 PRIZES. 280 00:07:24,598 --> 00:07:25,733 [ LAUGHTER ] 281 00:07:25,733 --> 00:07:27,168 [ APPLAUSE ] 282 00:07:27,168 --> 00:07:27,902 >> Jimmy: UNFORTUNATELY THE 283 00:07:27,902 --> 00:07:29,670 PRIZES ARE ALL PYTHONS. 284 00:07:29,670 --> 00:07:32,073 IT'S A PYTHON‐A‐THON! 285 00:07:32,073 --> 00:07:32,606 GOING ON THERE IN FLORIDA. 286 00:07:32,606 --> 00:07:35,743 WE HAVE A GOOD SHOW FOR YOU 287 00:07:35,743 --> 00:07:36,310 TONIGHT. 288 00:07:36,310 --> 00:07:37,578 MICHAEL CHE AND CILLIAN MURPHY 289 00:07:37,578 --> 00:07:38,679 ARE WITH US. 290 00:07:38,679 --> 00:07:40,314 [ CHEERS AND APPLAUSE ] 291 00:07:40,314 --> 00:07:40,948 ALSO, I'M EXCITED ABOUT THE BAND 292 00:07:40,948 --> 00:07:41,983 WE HAVE ON THE SHOW TONIGHT. 293 00:07:41,983 --> 00:07:43,951 IT'S A GROUP OF YOUNG GIRLS WHO 294 00:07:43,951 --> 00:07:45,453 CAUGHT THE ATTENTION OF THE 295 00:07:45,453 --> 00:07:46,053 WORLD LAST MONTH WITH A SONG 296 00:07:46,053 --> 00:07:46,687 THEY WROTE AND PERFORMED IN THE 297 00:07:46,687 --> 00:07:48,656 L.A. PUBLIC LIBRARY. 298 00:07:48,656 --> 00:07:49,423 WHICH IS PRETTY PUNK ROCK IN AND 299 00:07:49,423 --> 00:07:50,424 OF ITSELF. 300 00:07:50,424 --> 00:07:51,926 AND THEIR MUSIC IS TOO. 301 00:07:51,926 --> 00:07:53,427 THEY'RE BACKSTAGE WAITING RIGHT 302 00:07:53,427 --> 00:07:56,297 NOW. 303 00:07:56,297 --> 00:07:57,999 I WANT TO SAY HELLO TO THEM. 304 00:07:57,999 --> 00:07:59,500 THIS IS THE LINDA LINDAS. 305 00:07:59,500 --> 00:08:00,668 HI, LINDA LINDAS. 306 00:08:00,668 --> 00:08:01,235 MEELA, LEW‐SIA, ELOISE, AND 307 00:08:01,235 --> 00:08:03,504 BELLA. 308 00:08:03,504 --> 00:08:05,943 I GOT THAT CORRECT, LADIES? 309 00:08:05,943 --> 00:08:06,276 >> YEAH. 310 00:08:06,276 --> 00:08:06,609 >> YEAH. 311 00:08:06,609 --> 00:08:06,974 >> YES. 312 00:08:06,974 --> 00:08:07,675 >> Jimmy: VERY GOOD. 313 00:08:07,675 --> 00:08:08,309 WE HAVE TWO SISTERS, A COUSIN, 314 00:08:08,309 --> 00:08:08,642 AND A FRIEND. 315 00:08:08,642 --> 00:08:10,077 CORRECT? 316 00:08:10,077 --> 00:08:10,578 >> YES. 317 00:08:10,578 --> 00:08:11,212 >> Jimmy: WHY ARE YOU CALLED THE 318 00:08:11,212 --> 00:08:14,281 LINDA LINDAS? 319 00:08:14,281 --> 00:08:17,551 >> THERE'S A JAPANESE INDIE FILM 320 00:08:17,551 --> 00:08:19,653 CALLED "LINDA LINDA LINDA." 321 00:08:19,653 --> 00:08:21,655 IN IT THERE ARE HIGH SCHOOL 322 00:08:21,655 --> 00:08:23,891 GIRLS WHO COVER THE SONG "LINDA 323 00:08:23,891 --> 00:08:25,826 LINDA" BY THE BLUEHEARTS. 324 00:08:25,826 --> 00:08:27,728 WE'RE KIND OF NAMED AFTER BOTH 325 00:08:27,728 --> 00:08:28,162 OF THOSE. 326 00:08:28,162 --> 00:08:30,531 >> HOWEVER, NONE OF US ARE NAMED 327 00:08:30,531 --> 00:08:31,933 LINDA. 328 00:08:31,933 --> 00:08:32,266 [ LAUGHTER ] 329 00:08:32,266 --> 00:08:33,701 >> Jimmy: NONE OF YOU ARE 330 00:08:33,701 --> 00:08:35,737 LINDAS, YOU'RE CALLED THE LINDA 331 00:08:35,737 --> 00:08:36,070 LINDAS. 332 00:08:36,070 --> 00:08:38,472 TELL US THE TITLE OF THE SONG. 333 00:08:38,472 --> 00:08:41,275 >> THE SONGS CALLED "RACIST 334 00:08:41,275 --> 00:08:42,043 SECONDIST BOY." 335 00:08:42,043 --> 00:08:44,045 >> Jimmy: THIS IS ABOUT A BOY 336 00:08:44,045 --> 00:08:44,478 YOU KNOW? 337 00:08:44,478 --> 00:08:47,148 >> THE BACKSTORY IS THAT A 338 00:08:47,148 --> 00:08:48,749 BOYFRIEND AT SCHOOL TOLD ME HIS 339 00:08:48,749 --> 00:08:52,386 DAD TOLD HIM THIS STORY ABOUT 340 00:08:52,386 --> 00:08:54,288 CHINESE PEOPLE, I TOLD HIM I WAS 341 00:08:54,288 --> 00:08:56,057 CHINESE, HE BACKED AWAY FROM ME. 342 00:08:56,057 --> 00:08:58,325 >> THERE'S ALSO SEXISM AROUND 343 00:08:58,325 --> 00:08:59,026 BOYS OUR AGE. 344 00:08:59,026 --> 00:09:00,528 UNFORTUNATELY, A LOT OF PEOPLE, 345 00:09:00,528 --> 00:09:02,296 LIKE EVERY AGE, RIGHT? 346 00:09:02,296 --> 00:09:03,864 SO WE WERE REALLY ANGRY AND WE 347 00:09:03,864 --> 00:09:04,267 DECIDED TO WRITE A SONG ABOUT 348 00:09:04,267 --> 00:09:04,632 IT. 349 00:09:04,632 --> 00:09:06,834 [ CHEERS AND APPLAUSE ] 350 00:09:06,834 --> 00:09:08,502 >> Jimmy: THEN HOW DID YOU FIND 351 00:09:08,502 --> 00:09:09,737 OUT, AFTER YOU WROTE THIS SONG, 352 00:09:09,737 --> 00:09:11,806 SHOT IT, PUT IT ONLINE, HOW DID 353 00:09:11,806 --> 00:09:13,475 YOU FIND OUT IT HAD BECOME VERY 354 00:09:13,475 --> 00:09:13,808 POPULAR? 355 00:09:13,808 --> 00:09:16,410 >> I WAS IN HISTORY CLASS AND MY 356 00:09:16,410 --> 00:09:17,211 PHONE KEPT BUZZING. 357 00:09:17,211 --> 00:09:19,613 MY TEACHER KEPT LOOKING AT ME 358 00:09:19,613 --> 00:09:20,614 LIKE, WHAT ARE YOU DOING? 359 00:09:20,614 --> 00:09:22,116 I OPENED MY INSTAGRAM AND MY 360 00:09:22,116 --> 00:09:23,117 WHOLE FEED IS US. 361 00:09:23,117 --> 00:09:24,185 I WAS LIKE, WHOA. 362 00:09:24,185 --> 00:09:26,487 >> Jimmy: WHAT ABOUT THE RACIST, 363 00:09:26,487 --> 00:09:26,987 SEXIST BOY? 364 00:09:26,987 --> 00:09:28,222 DOES HE KNOW THIS HAPPENED? 365 00:09:28,222 --> 00:09:29,857 >> WE DON'T KNOW. 366 00:09:29,857 --> 00:09:30,991 >> WE DON'T TALK TO HIM. 367 00:09:30,991 --> 00:09:31,425 >> DOESN'T MATTER. 368 00:09:31,425 --> 00:09:31,959 >> DOESN'T REALLY MATTER. 369 00:09:31,959 --> 00:09:35,696 >> Jimmy: ALL RIGHT. 370 00:09:35,696 --> 00:09:37,298 I HOPE HE'S WATCHING TONIGHT, I 371 00:09:37,298 --> 00:09:37,798 REALLY DO. 372 00:09:37,798 --> 00:09:39,600 YOU GUYS GET READY. 373 00:09:39,600 --> 00:09:41,235 DON'T BREAK ANY OF OUR STUFF. 374 00:09:41,235 --> 00:09:43,003 I KNOW YOU'RE A PUNK ROCK BAND. 375 00:09:43,003 --> 00:09:44,638 >> OUR BAD, SORRY. 376 00:09:44,638 --> 00:09:45,606 >> WE'LL TRY OUR BEST. 377 00:09:45,606 --> 00:09:46,240 >> Jimmy: THANK YOU. 378 00:09:46,240 --> 00:09:47,108 THERE YOU GO. 379 00:09:47,108 --> 00:09:48,342 THE LINDA LINDAS ARE WITH US. 380 00:09:48,342 --> 00:09:50,077 [ APPLAUSE ] 381 00:09:50,077 --> 00:09:50,678 WE HAVE A SPECIAL BIRTHDAY TO 382 00:09:50,678 --> 00:09:51,579 CELEBRATE TODAY. 383 00:09:51,579 --> 00:09:55,449 OUR FIRST LADY, DR. JILL BIDEN, 384 00:09:55,449 --> 00:09:56,584 TURNED 70 YEARS OLD TODAY. 385 00:09:56,584 --> 00:09:58,319 SHE IS NOW THE OLDEST SITTING 386 00:09:58,319 --> 00:10:00,221 FIRST LADY IN MODERN UNITED 387 00:10:00,221 --> 00:10:02,022 STATES HISTORY. 388 00:10:02,022 --> 00:10:03,491 ALSO OLDEST STANDING. 389 00:10:03,491 --> 00:10:04,125 [ LAUGHTER ] 390 00:10:04,125 --> 00:10:05,226 REALLY, JUST THE OLDEST. 391 00:10:05,226 --> 00:10:07,294 THE PRESIDENT AND HIS BRIDE 392 00:10:07,294 --> 00:10:08,028 CELEBRATED BY GOING TO THEIR 393 00:10:08,028 --> 00:10:08,796 BEACH HOUSE IN DELAWARE. 394 00:10:08,796 --> 00:10:09,797 WHICH IS THE MOST OLD PERSON 395 00:10:09,797 --> 00:10:10,464 THING JOE COULD THINK OF. 396 00:10:10,464 --> 00:10:13,134 [ LAUGHTER ] 397 00:10:13,134 --> 00:10:16,137 THEY WATCHED THE SUN SET OVER 398 00:10:16,137 --> 00:10:17,972 THE NOVELTY T‐SHIRT SHOPS AND 399 00:10:17,972 --> 00:10:20,475 ADULT VIDEO STORES. 400 00:10:20,475 --> 00:10:20,808 [ LAUGHTER ] 401 00:10:20,808 --> 00:10:22,411 JOE DID GET HER SOME THOUGHTFUL 402 00:10:22,411 --> 00:10:22,776 GIFTS. 403 00:10:22,776 --> 00:10:24,445 HE GOT HER A BIG JAR OF 404 00:10:24,445 --> 00:10:28,716 BUTTERSCOTCH, AND A COUPON FOR 405 00:10:28,716 --> 00:10:29,316 ONE HIGHLY INVASIVE BACK RUB. 406 00:10:29,316 --> 00:10:29,850 [ LAUGHTER ] 407 00:10:29,850 --> 00:10:30,451 OH, I BET JOE IS GONNA PITCH 408 00:10:30,451 --> 00:10:31,886 SOME WOO TONIGHT. 409 00:10:31,886 --> 00:10:34,555 JOE AND JILL MET IN 1975. 410 00:10:34,555 --> 00:10:35,623 SOMEBODY POSTED SOME OF THEIR 411 00:10:35,623 --> 00:10:36,924 OLD PHOTOGRAPHS. 412 00:10:36,924 --> 00:10:37,491 TAKE A LOOK AT THESE. 413 00:10:37,491 --> 00:10:41,762 THEY LOOK LIKE THEY'RE STRAIGHT. 414 00:10:41,762 --> 00:10:43,664 THERE THEY ARE. 415 00:10:43,664 --> 00:10:44,298 ENJOYING FAMILY TIME, JUST LIKE 416 00:10:44,298 --> 00:10:45,199 THE TRUMPS. 417 00:10:45,199 --> 00:10:46,167 VERY SIMILAR. 418 00:10:46,167 --> 00:10:47,902 JILL BIDEN IS OUR FIRST LADY, 419 00:10:47,902 --> 00:10:51,071 AND SHE WAS OUR SECOND LADY FOR 420 00:10:51,071 --> 00:10:51,572 EIGHT YEARS BEFORE THIS. 421 00:10:51,572 --> 00:10:53,874 BUT I WONDER IF PEOPLE ARE 422 00:10:53,874 --> 00:10:54,708 PAYING ANY ATTENTION TO ANYTHING 423 00:10:54,708 --> 00:10:56,744 THAT IS GOING ON AT ALL. 424 00:10:56,744 --> 00:10:59,180 SO IN HONOR OF HER BIRTHDAY, WE 425 00:10:59,180 --> 00:11:00,447 WENT ON THE STREET AND SHOWED 426 00:11:00,447 --> 00:11:01,448 PASSERSBY A PHOTO OF DR. BIDEN 427 00:11:01,448 --> 00:11:03,651 TO FIND OUT IF ANYONE KNOWS WHO 428 00:11:03,651 --> 00:11:08,622 THE FIRST LADY IS. 429 00:11:08,622 --> 00:11:09,025 >> DO YOU KNOW WHO THIS WOMAN 430 00:11:09,025 --> 00:11:09,390 IS? 431 00:11:09,390 --> 00:11:10,191 >> NO IDEA. 432 00:11:10,191 --> 00:11:15,262 >> TAKE A GUESS. 433 00:11:15,262 --> 00:11:15,896 >> CAROL BURNETT? 434 00:11:15,896 --> 00:11:17,932 >> WHO IS THIS PERSON? 435 00:11:17,932 --> 00:11:21,202 >> MARTHA STEWART? 436 00:11:21,202 --> 00:11:22,736 >> IS THAT JANE FONDA? 437 00:11:22,736 --> 00:11:24,605 >> IT'S NOT DOLLY PARTON FOR 438 00:11:24,605 --> 00:11:26,674 SURE, SO I DON'T KNOW. 439 00:11:26,674 --> 00:11:27,441 >> THAT'S TRUE. 440 00:11:27,441 --> 00:11:29,310 >> I WAS THINKING VANNA WHITE, 441 00:11:29,310 --> 00:11:31,512 BUT IT'S NOT VANNA EITHER. 442 00:11:31,512 --> 00:11:32,580 >> BARBRA STREISAND. 443 00:11:32,580 --> 00:11:34,582 >> SHE LOOK LIKE ‐‐ NANCY 444 00:11:34,582 --> 00:11:36,784 PELOSI. 445 00:11:36,784 --> 00:11:39,655 >> SHE KIND OF LOOKS LIKE CAROLE 446 00:11:39,655 --> 00:11:40,020 BASKIN. 447 00:11:40,020 --> 00:11:41,055 >> IF I CAN TAKE ANOTHER 448 00:11:41,055 --> 00:11:45,159 GUESS ‐‐ SHE LOOK LIKE ‐‐ ONE OF 449 00:11:45,159 --> 00:11:47,395 THE ACTRESS ON "DALLAS" OR 450 00:11:47,395 --> 00:11:47,728 SOMETHING. 451 00:11:47,728 --> 00:11:49,263 >> I THINK SHE HAS A COOKING 452 00:11:49,263 --> 00:11:50,631 SHOW WITH LIKE A RAPPER? 453 00:11:50,631 --> 00:11:51,332 IS THAT HER? 454 00:11:51,332 --> 00:11:54,068 >> SHE LOOKS LIKE SOMEBODY IN 455 00:11:54,068 --> 00:11:54,401 GOVERNMENT. 456 00:11:54,401 --> 00:11:56,572 >> DO YOU HAVE GUESSES AS TO 457 00:11:56,572 --> 00:11:56,937 WHO? 458 00:11:56,937 --> 00:11:58,672 >> DONNA FAIRFIELD. 459 00:11:58,672 --> 00:11:59,206 >> WHO DO YOU THINK SHE'S 460 00:11:59,206 --> 00:12:06,046 MARRIED TO? 461 00:12:06,046 --> 00:12:07,615 >> JOHN KERRY WHEN HE WAS ALIVE. 462 00:12:07,615 --> 00:12:07,948 [ LAUGHTER ] 463 00:12:07,948 --> 00:12:09,083 >> OKAY, LET ME SHOW YOU A 464 00:12:09,083 --> 00:12:09,783 PICTURE OF HER AND HER HUSBAND, 465 00:12:09,783 --> 00:12:10,251 MAYBE THAT WILL HELP. 466 00:12:10,251 --> 00:12:13,921 >> OKAY. 467 00:12:13,921 --> 00:12:14,321 HE LOOKS FAMILIAR. 468 00:12:14,321 --> 00:12:15,422 [ LAUGHTER ] 469 00:12:15,422 --> 00:12:21,962 >> DO YOU KNOW WHO THAT IS? 470 00:12:21,962 --> 00:12:23,597 WHAT IF WE SHOW YOU A PICTURE OF 471 00:12:23,597 --> 00:12:24,031 HER AND HER HUSBAND? 472 00:12:24,031 --> 00:12:26,267 MAYBE THAT WILL HELP. 473 00:12:26,267 --> 00:12:29,136 >> IS THAT HILLARY? 474 00:12:29,136 --> 00:12:32,640 >> WHAT JOB DO YOU THINK HE HAS? 475 00:12:32,640 --> 00:12:34,108 >> I WANT TO SAY ‐‐ MAYBE 476 00:12:34,108 --> 00:12:37,645 LIKE ‐‐ SOMETHING HAVING TO DO 477 00:12:37,645 --> 00:12:38,879 WITH THE GOVERNMENT, BUT LIKE 478 00:12:38,879 --> 00:12:39,580 REALLY UP THERE? 479 00:12:39,580 --> 00:12:40,114 >> RIGHT. 480 00:12:40,114 --> 00:12:41,282 >> LIKE HELPING THE GOVERNMENT? 481 00:12:41,282 --> 00:12:42,583 >> HOW FAR UP THERE DO YOU THINK 482 00:12:42,583 --> 00:12:43,217 HE IS? 483 00:12:43,217 --> 00:12:45,052 >> LIKE ‐‐ ALMOST CLOSE TO LIKE 484 00:12:45,052 --> 00:12:46,020 PRESIDENTIAL GOVERNMENT, LIKE IN 485 00:12:46,020 --> 00:12:46,521 THE BUILDING. 486 00:12:46,521 --> 00:12:46,854 >> RIGHT. 487 00:12:46,854 --> 00:12:49,824 >> BUT I HAVE NO IDEA. 488 00:12:49,824 --> 00:12:50,157 [ LAUGHTER ] 489 00:12:50,157 --> 00:12:51,358 >> WHAT DOES SHE LOOK LIKE HER 490 00:12:51,358 --> 00:12:52,629 NAME WOULD BE? 491 00:12:52,629 --> 00:12:52,962 >> LISA? 492 00:12:52,962 --> 00:12:53,327 MARY? 493 00:12:53,327 --> 00:12:54,728 >> NO. 494 00:12:54,728 --> 00:12:56,230 >> KRISTA? 495 00:12:56,230 --> 00:12:59,400 >> CHRISTINE? 496 00:12:59,400 --> 00:13:00,467 >> MAYBE EMILY? 497 00:13:00,467 --> 00:13:02,069 BARBARA? 498 00:13:02,069 --> 00:13:04,605 KATHY? 499 00:13:04,605 --> 00:13:06,173 >> IF I HAD TO GUESS, SHE LOOK 500 00:13:06,173 --> 00:13:09,543 LIKE A GLORIA. 501 00:13:09,543 --> 00:13:09,877 [ LAUGHTER ] 502 00:13:09,877 --> 00:13:12,913 >> HAPPY 70th BIRTHDAY, JANE. 503 00:13:12,913 --> 00:13:15,249 >> HAPPY BIRTHDAY FROM CHICAGO. 504 00:13:15,249 --> 00:13:17,451 >> HAPPY BIRTHDAY, DONNA. 505 00:13:17,451 --> 00:13:18,952 >> HAPPY BIRTHDAY, JENNIFER 506 00:13:18,952 --> 00:13:20,788 BIDEN, WE WISH YOU THE BEST, 507 00:13:20,788 --> 00:13:23,157 THANK YOU. 508 00:13:23,157 --> 00:13:23,490 [ LAUGHTER ] 509 00:13:23,490 --> 00:13:23,991 [ CHEERS AND APPLAUSE ] 510 00:13:23,991 --> 00:13:24,625 >> Jimmy: YOU KNOW, IT'S THE 511 00:13:24,625 --> 00:13:25,125 THOUGHT THAT COUNTS. 512 00:13:25,125 --> 00:13:26,427 ALL RIGHT, WE HAVE A GOOD SHOW. 513 00:13:26,427 --> 00:13:26,960 CILLIAN MURPHY IS WITH US. 514 00:13:26,960 --> 00:13:27,695 WE'VE GOT MUSIC FROM THE LINDA 515 00:13:27,695 --> 00:13:28,162 LINDAS. 516 00:13:28,162 --> 00:13:28,762 AND WE'LL BE RIGHT BACK WITH 517 00:13:28,762 --> 00:13:32,399 MICHAEL CHE. 518 00:13:39,506 --> 00:13:40,007 [ CHEERS AND APPLAUSE ] 519 00:13:40,007 --> 00:13:42,810 ♪ 520 00:13:42,810 --> 00:13:46,313 >> Jimmy: WELCOME BACK. 521 00:13:46,313 --> 00:13:47,081 TONIGHT, FROM THE FILM "A QUIET 522 00:13:47,081 --> 00:13:47,815 PLACE PART II," CILLIAN MURPHY 523 00:13:47,815 --> 00:13:49,049 IS WITH US. 524 00:13:49,049 --> 00:13:49,817 THEN LATER, A GROUP OF YOUNG 525 00:13:49,817 --> 00:13:52,786 GIRLS WHO ARE AS CUTE AS THEY 526 00:13:52,786 --> 00:13:53,821 ARE TALENTED. 527 00:13:53,821 --> 00:13:54,555 TONIGHT, IN PERSON, PUNK ROCK 528 00:13:54,555 --> 00:13:55,791 GROUP, THE LINDA LINDAS WILL BE 529 00:13:55,791 --> 00:13:56,156 WITH US. 530 00:13:56,156 --> 00:13:57,424 [ CHEERS AND APPLAUSE ] 531 00:13:57,424 --> 00:13:58,425 AND WE HAVE A NEW SHOW FOR YOU 532 00:13:58,425 --> 00:14:00,894 TOMORROW WITH DJ KHALED, 533 00:14:00,894 --> 00:14:01,495 FLORENCE PUGH, AND MUSIC FROM 534 00:14:01,495 --> 00:14:04,331 FOUSHEE. 535 00:14:04,331 --> 00:14:04,832 PLEASE JOIN US FOR THAT. 536 00:14:04,832 --> 00:14:07,101 OUR FIRST GUEST HAS SPENT SEVEN 537 00:14:07,101 --> 00:14:08,535 YEARS DOING DESK WORK ON 538 00:14:08,535 --> 00:14:09,303 "SATURDAY NIGHT LIVE." 539 00:14:09,303 --> 00:14:10,037 NOW YOU CAN WATCH HIM ANY DAY OF 540 00:14:10,037 --> 00:14:11,071 THE WEEK. 541 00:14:11,071 --> 00:14:11,839 HIS NEW SKETCH COMEDY SHOW, 542 00:14:11,839 --> 00:14:12,573 "THAT DAMN MICHAEL CHE," IS ON 543 00:14:12,573 --> 00:14:13,574 HBO MAX NOW. 544 00:14:13,574 --> 00:14:18,479 PLEASE WELCOME MICHAEL CHE. 545 00:14:18,479 --> 00:14:18,814 [ CHEERS AND APPLAUSE ] 546 00:14:18,814 --> 00:14:19,179 ♪ 547 00:14:19,179 --> 00:14:20,583 >> Jimmy: HEY, MICHAEL, HOW ARE 548 00:14:20,583 --> 00:14:20,948 YOU? 549 00:14:20,948 --> 00:14:22,783 >> WHAT'S UP, MAN, HOW ARE YOU? 550 00:14:22,783 --> 00:14:24,685 >> Jimmy: I'M DOING WELL. 551 00:14:24,685 --> 00:14:26,019 BOY, YOU KNOW, WE DON'T KNOW 552 00:14:26,019 --> 00:14:26,487 EACH OTHER. 553 00:14:26,487 --> 00:14:28,522 I FEEL LIKE WE SHOULD, BUT WE 554 00:14:28,522 --> 00:14:29,456 DON'T, NOW HERE WE ARE. 555 00:14:29,456 --> 00:14:30,357 >> I KNOW. 556 00:14:30,357 --> 00:14:31,525 THIS IS LIKE THE FIRST TIME I'VE 557 00:14:31,525 --> 00:14:32,426 BEEN ON YOUR SHOW. 558 00:14:32,426 --> 00:14:34,528 I WAS STARTING TO FEEL A LITTLE 559 00:14:34,528 --> 00:14:35,262 PERSONAL ABOUT THAT. 560 00:14:35,262 --> 00:14:35,596 [ LAUGHTER ] 561 00:14:35,596 --> 00:14:36,497 >> Jimmy: WELL, WHERE ARE YOU 562 00:14:36,497 --> 00:14:36,830 RIGHT NOW? 563 00:14:36,830 --> 00:14:38,632 YOU'RE IN OHIO, I HEARD? 564 00:14:38,632 --> 00:14:41,702 >> YEAH, I WENT TO OHIO. 565 00:14:41,702 --> 00:14:43,504 STAYING AT MY FRIEND'S HOUSE, 566 00:14:43,504 --> 00:14:45,472 JUST HANGING OUT, YOU KNOW. 567 00:14:45,472 --> 00:14:48,809 >> Jimmy: OH, WELL LOOK AT THAT. 568 00:14:48,809 --> 00:14:49,143 [ LAUGHTER ] 569 00:14:49,143 --> 00:14:49,576 RECORD ALBUM. 570 00:14:49,576 --> 00:14:51,545 >> OH, THAT OLD THING? 571 00:14:51,545 --> 00:14:53,213 YEAH, I'M ON A PODCAST. 572 00:14:53,213 --> 00:14:53,714 [ CHEERS AND APPLAUSE ] 573 00:14:53,714 --> 00:14:56,483 >> Jimmy: OH, I KNOW THAT GUY. 574 00:14:56,483 --> 00:15:00,521 HEY, DAVE. 575 00:15:00,521 --> 00:15:01,121 SO YOU'RE ‐‐ 576 00:15:01,121 --> 00:15:02,089 >> HELLO, JIMMY KIMMEL. 577 00:15:02,089 --> 00:15:04,258 I DON'T WANT TO TAKE AWAY FROM 578 00:15:04,258 --> 00:15:06,894 MICHAEL'S TIME BUT "THE MIDNIGHT 579 00:15:06,894 --> 00:15:08,862 MIRACLE" IS STREAMING ON 580 00:15:08,862 --> 00:15:12,834 LUMINARY AND APPLE TUESDAY 581 00:15:12,834 --> 00:15:13,167 NIGHTS. 582 00:15:13,167 --> 00:15:13,667 [ CHEERS AND APPLAUSE ] 583 00:15:13,667 --> 00:15:14,968 >> I'M ON THE EPISODE, TOO, 584 00:15:14,968 --> 00:15:16,603 THAT'S ON RIGHT NOW. 585 00:15:16,603 --> 00:15:17,971 >> MICHAEL CHE, WE HAVE MICHAEL 586 00:15:17,971 --> 00:15:18,338 CHE ON THERE. 587 00:15:18,338 --> 00:15:21,241 [ APPLAUSE ] 588 00:15:21,241 --> 00:15:23,879 >> Jimmy: SO YOU'RE AT DAVE'S 589 00:15:23,879 --> 00:15:24,244 HOUSE. 590 00:15:24,244 --> 00:15:24,912 AND I'M WONDERING ABOUT THIS. 591 00:15:24,912 --> 00:15:26,580 BECAUSE DAVE IS ‐‐ REALLY, HE 592 00:15:26,580 --> 00:15:27,781 FIGURED THE WHOLE THING OUT 593 00:15:27,781 --> 00:15:28,515 BEFORE ANYBODY DID. 594 00:15:28,515 --> 00:15:30,083 HE COULDN'T GO ON THE ROAD, SO 595 00:15:30,083 --> 00:15:31,552 HE BROUGHT THE ROAD TO HIM, TO 596 00:15:31,552 --> 00:15:32,419 HIS HOME. 597 00:15:32,419 --> 00:15:34,521 HE BRINGS COMICS TO HIS HOUSE. 598 00:15:34,521 --> 00:15:35,889 YOU GUYS PERFORM ‐‐ 599 00:15:35,889 --> 00:15:36,657 >> YEAH. 600 00:15:36,657 --> 00:15:38,692 >> Jimmy: ‐‐ ON HIS LAND, RIGHT? 601 00:15:38,692 --> 00:15:39,893 ISN'T THAT HOW IT WORKS? 602 00:15:39,893 --> 00:15:40,362 >> WAIT A MINUTE, WAIT A MINUTE, 603 00:15:40,362 --> 00:15:40,727 JIMMY. 604 00:15:40,727 --> 00:15:45,999 [ LAUGHTER ] 605 00:15:45,999 --> 00:15:47,434 PERFORM ON MY LAND? 606 00:15:47,434 --> 00:15:49,903 >> Jimmy: THAT IS NOT CORRECT? 607 00:15:49,903 --> 00:15:50,537 YOU'VE GOT A FACT CHECKER BACK 608 00:15:50,537 --> 00:15:54,174 THERE. 609 00:15:54,174 --> 00:15:57,812 >> YOU'VE GOT TO CALL IT CAMP 610 00:15:57,812 --> 00:15:58,145 DAVID. 611 00:15:58,145 --> 00:16:00,015 >> I LOVE THAT, CALL IT CAMP 612 00:16:00,015 --> 00:16:00,380 DAVID. 613 00:16:00,380 --> 00:16:01,014 >> Jimmy: 100%, THAT'S A GREAT 614 00:16:01,014 --> 00:16:01,348 NAME FOR IT. 615 00:16:01,348 --> 00:16:01,748 >> IT'S PERFECT. 616 00:16:01,748 --> 00:16:02,183 >> Jimmy: IT'S ABSOLUTELY 617 00:16:02,183 --> 00:16:02,516 PERFECT. 618 00:16:02,516 --> 00:16:06,787 [ LAUGHTER ] 619 00:16:06,787 --> 00:16:08,021 >> NOW YOU HAVE TO DO IT. 620 00:16:08,021 --> 00:16:09,289 >> Jimmy: YOU STAY IN DAVE'S 621 00:16:09,289 --> 00:16:10,491 HOUSE ANY KNOW SOME PEOPLE WHO 622 00:16:10,491 --> 00:16:11,993 HAVE BEEN INVOLVED WITH THESE 623 00:16:11,993 --> 00:16:12,326 SHOWS. 624 00:16:12,326 --> 00:16:14,295 SOME PEOPLE STAY IN A HOTEL ‐‐ 625 00:16:14,295 --> 00:16:14,628 >> NO. 626 00:16:14,628 --> 00:16:15,831 >> Jimmy: AND SOME STAY IN THE 627 00:16:15,831 --> 00:16:16,196 HOUSE. 628 00:16:16,196 --> 00:16:18,067 >> YEAH, I STAY IN A LOCAL 629 00:16:18,067 --> 00:16:18,432 HOTEL. 630 00:16:18,432 --> 00:16:18,932 IT'S REALLY NICE. 631 00:16:18,932 --> 00:16:20,934 IT'S LIKE 200 YEARS OLD. 632 00:16:20,934 --> 00:16:21,301 IT'S BEAUTIFUL. 633 00:16:21,301 --> 00:16:24,905 [ LAUGHTER ] 634 00:16:24,905 --> 00:16:29,510 IT LOOKS ‐‐ IT'S THE WHITEST 635 00:16:29,510 --> 00:16:30,010 HOUSE YOU'VE EVER SEEN. 636 00:16:30,010 --> 00:16:32,446 >> Jimmy: HE BRINGS YOU TO OHIO 637 00:16:32,446 --> 00:16:34,481 AND PUTS YOU IN A DIRTY OLD 638 00:16:34,481 --> 00:16:34,815 HOTEL IN TOWN? 639 00:16:34,815 --> 00:16:37,217 >> I THINK IT'S HAUNTED. 640 00:16:37,217 --> 00:16:37,918 IT'S SOMETHING. 641 00:16:37,918 --> 00:16:39,953 IT'S A BEAUTIFUL HOTEL, I DO 642 00:16:39,953 --> 00:16:40,420 LIKE IT. 643 00:16:40,420 --> 00:16:41,989 >> YOU GOT TO SEE THE PLACE, 644 00:16:41,989 --> 00:16:43,290 IT'S LOVELY. 645 00:16:43,290 --> 00:16:45,327 I SAW COLONEL SANDERS' GHOST ONE 646 00:16:45,327 --> 00:16:45,692 NIGHT. 647 00:16:45,692 --> 00:16:48,529 [ LAUGHTER AND APPLAUSE ] 648 00:16:48,529 --> 00:16:53,600 >> IT'S BEAUTIFUL. 649 00:16:53,600 --> 00:16:55,471 >> Jimmy: WHO ELSE IS ON THE 650 00:16:55,471 --> 00:16:55,836 BILL? 651 00:16:55,836 --> 00:16:56,803 ARE YOU DOING THE SHOW TONIGHT? 652 00:16:56,803 --> 00:16:57,204 IS THAT THE PLAN? 653 00:16:57,204 --> 00:16:59,072 >> YEAH. 654 00:16:59,072 --> 00:17:01,343 DO WE ‐‐ CAN WE ANNOUNCE THE 655 00:17:01,343 --> 00:17:01,708 BILL? 656 00:17:01,708 --> 00:17:03,844 >> I KEEP IT UNDER WRAPS, JIMMY. 657 00:17:03,844 --> 00:17:04,244 >> Jimmy: YOU DO? 658 00:17:04,244 --> 00:17:07,014 >> JUST BECAUSE ‐‐ BY THE TIME 659 00:17:07,014 --> 00:17:07,948 THIS AIRS ‐‐ 660 00:17:07,948 --> 00:17:08,682 >> IS THIS LIVE? 661 00:17:08,682 --> 00:17:09,449 >> Jimmy: NO, NO, IT'S NOT LIVE, 662 00:17:09,449 --> 00:17:11,652 NO. 663 00:17:11,652 --> 00:17:12,519 >> OKAY, YEAH. 664 00:17:12,519 --> 00:17:17,491 >> IT'S LIVE. 665 00:17:17,491 --> 00:17:18,358 MY GOD, MAN. 666 00:17:18,358 --> 00:17:19,696 IT'S 11:30, THE NEWS JUST WENT 667 00:17:19,696 --> 00:17:20,060 OFF. 668 00:17:20,060 --> 00:17:20,394 [ LAUGHTER ] 669 00:17:20,394 --> 00:17:22,930 >> Jimmy: THAT'S RIGHT. 670 00:17:22,930 --> 00:17:24,131 >> OF COURSE IT'S LIVE. 671 00:17:24,131 --> 00:17:24,899 >> I'VE NEVER BEEN ON LIVE TV 672 00:17:24,899 --> 00:17:25,232 BEFORE. 673 00:17:25,232 --> 00:17:28,468 [ LAUGHTER ] 674 00:17:28,468 --> 00:17:29,102 >> Jimmy: I THINK YOU'D REALLY 675 00:17:29,102 --> 00:17:31,338 LIKE IT, YEAH. 676 00:17:31,338 --> 00:17:32,873 >> NO, IT'S GREAT. 677 00:17:32,873 --> 00:17:34,074 >> Jimmy: SO YOU GUYS ARE DOING 678 00:17:34,074 --> 00:17:34,942 THE SHOW. 679 00:17:34,942 --> 00:17:35,576 ARE YOU STILL DOING IT OUTSIDE? 680 00:17:35,576 --> 00:17:37,945 IS THAT THE PLAN TONIGHT? 681 00:17:37,945 --> 00:17:39,012 >> YES. 682 00:17:39,012 --> 00:17:39,413 YEAH. 683 00:17:39,413 --> 00:17:41,082 >> WE'RE DOING IT ALL OUTSIDE, 684 00:17:41,082 --> 00:17:41,415 JIMMY. 685 00:17:41,415 --> 00:17:44,418 WE DO IT OW IN THE CORNFIELD, MY 686 00:17:44,418 --> 00:17:46,053 NEIGHBOR'S CORNFIELD, NOT MY 687 00:17:46,053 --> 00:17:47,321 LAND, MY NEIGHBOR'S LAND. 688 00:17:47,321 --> 00:17:47,821 [ CHEERS AND APPLAUSE ] 689 00:17:47,821 --> 00:17:48,322 AND IT'S GREAT. 690 00:17:48,322 --> 00:17:54,361 WE GOT A GREAT LINEUP TONIGHT. 691 00:17:54,361 --> 00:17:54,995 TONY WOODS FROM WASHINGTON, D. C. 692 00:17:54,995 --> 00:17:56,697 WE GOT MICHAEL CHE. 693 00:17:56,697 --> 00:17:58,932 WE GOT DANE COOK. 694 00:17:58,932 --> 00:17:59,433 [ CHEERS AND APPLAUSE ] 695 00:17:59,433 --> 00:18:00,634 WHO I HAVEN'T SEEN IN A MILLION 696 00:18:00,634 --> 00:18:01,401 YEARS. 697 00:18:01,401 --> 00:18:03,570 SHOULD BE A FUN NIGHT. 698 00:18:03,570 --> 00:18:06,540 >> I CAN'T WAIT TO SEE LUNELLE. 699 00:18:06,540 --> 00:18:07,774 >> Jimmy: WHO LIVES IN LAS 700 00:18:07,774 --> 00:18:08,877 VEGAS, WHICH HAPPENS TO BE MY 701 00:18:08,877 --> 00:18:09,242 HOMETOWN. 702 00:18:09,242 --> 00:18:10,477 SHE'S OUT THERE VISITING YOU 703 00:18:10,477 --> 00:18:11,912 GUYS RIGHT NOW. 704 00:18:11,912 --> 00:18:13,580 >> YES, GET ON THE PLANE, SHE'S 705 00:18:13,580 --> 00:18:15,716 GOING TO GO STRAIGHT TO THE 706 00:18:15,716 --> 00:18:16,183 PROJECT ‐‐ THE HOTEL. 707 00:18:16,183 --> 00:18:18,852 [ LAUGHTER ] 708 00:18:18,852 --> 00:18:20,354 >> Jimmy: DAVE, I FEEL LIKE ‐‐ 709 00:18:20,354 --> 00:18:21,321 >> WE CAN'T WAIT. 710 00:18:21,321 --> 00:18:23,624 >> Jimmy: MICHAEL HAS RENAMED 711 00:18:23,624 --> 00:18:25,959 CAMP DAVID AND THE FRIED CHICKEN 712 00:18:25,959 --> 00:18:26,360 HO 713 00:18:26,360 --> 00:18:27,894 HOTEL. 714 00:18:27,894 --> 00:18:29,997 BY THE WAY, I WOULD PAY ANY 715 00:18:29,997 --> 00:18:31,331 AMOUNT TO STAY AT THE FRIED 716 00:18:31,331 --> 00:18:31,898 CHICKEN HOTEL. 717 00:18:31,898 --> 00:18:33,200 THERE'S NO AMOUNT THAT WOULD BE 718 00:18:33,200 --> 00:18:34,334 TOO HIGH FOR ME TO GET A SUITE 719 00:18:34,334 --> 00:18:37,037 AT THE FRIED CHICKEN HOTEL. 720 00:18:37,037 --> 00:18:40,040 >> YOU GOT TO GO, IT'S AMAZING. 721 00:18:40,040 --> 00:18:40,641 YOUR CLOTHES SMELL LIKE FRY, 722 00:18:40,641 --> 00:18:44,378 IT'S GREAT. 723 00:18:44,378 --> 00:18:45,412 >> Jimmy: DO YOU FEEL LIKE 724 00:18:45,412 --> 00:18:46,780 PEOPLE ‐‐ BECAUSE NOW THESE 725 00:18:46,780 --> 00:18:48,448 SHOWS ARE ‐‐ YOU'VE GONE THIS 726 00:18:48,448 --> 00:18:50,384 BEFORE, MICHAEL, YOU'VE BEEN 727 00:18:50,384 --> 00:18:51,218 THERE FOR ONE OF ‐‐ 728 00:18:51,218 --> 00:18:52,386 >> OH, YEAH, OF COURSE. 729 00:18:52,386 --> 00:18:54,221 I WAS ‐‐ I THINK I CAME ‐‐ I 730 00:18:54,221 --> 00:18:55,389 THINK I MIGHT HAVE BEEN ONE OF 731 00:18:55,389 --> 00:18:57,024 THE FIRST KIND OF ‐‐ 732 00:18:57,024 --> 00:18:59,562 >> MICHAEL WAS THE FIRST TO SHOW 733 00:18:59,562 --> 00:18:59,926 UP. 734 00:18:59,926 --> 00:19:01,261 >> I COULDN'T WAIT TO DO IT, IT 735 00:19:01,261 --> 00:19:02,295 WAS AWESOME. 736 00:19:02,295 --> 00:19:04,533 >> HE WAS, JIMMY, HE WAS, FOR 737 00:19:04,533 --> 00:19:04,898 REAL. 738 00:19:04,898 --> 00:19:05,732 >> Jimmy: I BELIEVE IT. 739 00:19:05,732 --> 00:19:06,235 IT'S FUNNY EVERY TIME YOU POP 740 00:19:06,235 --> 00:19:06,600 IN. 741 00:19:06,600 --> 00:19:10,370 [ LAUGHTER ] 742 00:19:10,370 --> 00:19:14,174 [ CHEERS AND APPLAUSE ] 743 00:19:14,174 --> 00:19:16,043 >> BACK THE LIGHT UP A LITTLE 744 00:19:16,043 --> 00:19:16,410 BIT. 745 00:19:16,410 --> 00:19:17,110 THERE YOU GO. 746 00:19:17,110 --> 00:19:18,378 >> Jimmy: YOU GUYS, DO YOU FEEL 747 00:19:18,378 --> 00:19:21,181 LIKE THE PEOPLE IN THE TOWN ARE 748 00:19:21,181 --> 00:19:22,683 STARTING TO GET JADED? 749 00:19:22,683 --> 00:19:24,184 LIKE, WHO'S UP NEXT? 750 00:19:24,184 --> 00:19:26,386 I MEAN, IS IT ‐‐ ARE THEY THE 751 00:19:26,386 --> 00:19:28,789 SAME PEOPLE COMING TO THESE 752 00:19:28,789 --> 00:19:29,856 SHOWS, OR ARE THEY COMING FROM 753 00:19:29,856 --> 00:19:30,624 ALL OVER? 754 00:19:30,624 --> 00:19:31,625 >> IT'S REALLY COOL, BECAUSE 755 00:19:31,625 --> 00:19:32,860 DAVE IS LIKE ‐‐ HE'S THE KING OF 756 00:19:32,860 --> 00:19:33,193 THE TOWN. 757 00:19:33,193 --> 00:19:34,428 >> NO, NO, NO. 758 00:19:34,428 --> 00:19:37,631 LISTEN. 759 00:19:37,631 --> 00:19:39,266 EVERYONE IN TOWN IS ELATED. 760 00:19:39,266 --> 00:19:42,169 I GOT TO TELL YOU. 761 00:19:42,169 --> 00:19:43,937 SOME TO NOMINAL COMEDIANS 762 00:19:43,937 --> 00:19:46,339 BECAUSE I DIDN'T ASK THEM ‐‐ 763 00:19:46,339 --> 00:19:47,340 THEY ARE USED TO ME. 764 00:19:47,340 --> 00:19:48,475 >> THEY'RE SO USED TO HIM. 765 00:19:48,475 --> 00:19:49,843 >> JIMMY, YOU'VE GOT TO COME. 766 00:19:49,843 --> 00:19:50,844 YOU SHOULD COME. 767 00:19:50,844 --> 00:19:51,745 I DON'T KNOW IF YOU CAN HAVE 768 00:19:51,745 --> 00:19:53,280 NIGHTS OFF IN YOUR LINE OF WORK. 769 00:19:53,280 --> 00:19:57,184 >> I SEE DAVE WALK UP BEHIND OLD 770 00:19:57,184 --> 00:19:57,918 WHITE PEOPLE, AND THEY DON'T 771 00:19:57,918 --> 00:19:59,053 EVEN FLINCH AT ALL. 772 00:19:59,053 --> 00:19:59,386 [ LAUGHTER ] 773 00:19:59,386 --> 00:20:04,591 [ APPLAUSE ] 774 00:20:04,591 --> 00:20:06,359 >> HE NEEDS NOTHING FROM US. 775 00:20:06,359 --> 00:20:08,228 NO, IT'S A LOT OF FUN, IT'S DOPE 776 00:20:08,228 --> 00:20:09,529 TOWN, IT'S REALLY COOL. 777 00:20:09,529 --> 00:20:10,097 >> GREAT TIME. 778 00:20:10,097 --> 00:20:11,698 >> Jimmy: IT SEEMS LIKE THE BEST 779 00:20:11,698 --> 00:20:12,399 THING EVER. 780 00:20:12,399 --> 00:20:13,166 YEAH, I SHOULD. 781 00:20:13,166 --> 00:20:14,935 DAVE, YOU HAD LETTERMAN THERE. 782 00:20:14,935 --> 00:20:16,336 YOU GUYS GAVE HIM THE HISTORY OF 783 00:20:16,336 --> 00:20:17,804 THE TOWN AND WHAT'S GOING ON AND 784 00:20:17,804 --> 00:20:19,639 WHAT YOU GUYS ARE UP TO. 785 00:20:19,639 --> 00:20:21,041 YEAH, THAT WAS ‐‐ I KNOW, IT 786 00:20:21,041 --> 00:20:23,043 SEEMS LIKE A LOT OF FUN, IT 787 00:20:23,043 --> 00:20:23,376 REALLY DOES. 788 00:20:23,376 --> 00:20:24,980 I WONDER IF YOU'LL EVER LEAVE 789 00:20:24,980 --> 00:20:25,345 AGAIN. 790 00:20:25,345 --> 00:20:30,052 I MEAN, YOU COULD GO OUT NOW, 791 00:20:30,052 --> 00:20:30,417 RIGHT? 792 00:20:30,417 --> 00:20:30,819 YOU DON'T HAVE TO DO THIS 793 00:20:30,819 --> 00:20:31,184 ANYMORE. 794 00:20:31,184 --> 00:20:33,153 >> WE LOVE NOTHING IT. 795 00:20:33,153 --> 00:20:34,221 IT'S SOMETHING THAT THE WHOLE 796 00:20:34,221 --> 00:20:39,292 COMMUNITY LOOKS FORWARD TO. 797 00:20:39,292 --> 00:20:42,529 MICHAEL'S DESTROYED IT. 798 00:20:42,529 --> 00:20:44,030 JON STEWART CAME THROUGH. 799 00:20:44,030 --> 00:20:45,599 WONDERFUL, WONDERFUL, WONDERFUL 800 00:20:45,599 --> 00:20:46,333 COMMENTARY, SOME OF THE BEST 801 00:20:46,333 --> 00:20:48,935 JOKES I THINK ANYONE ‐‐ AT A 802 00:20:48,935 --> 00:20:50,170 TIME WHEN PEOPLE REALLY NEEDED 803 00:20:50,170 --> 00:20:51,571 TO HEAR THEM AND TIMING IS 804 00:20:51,571 --> 00:20:52,806 EVERYTHING AND IT MEANT A LOT. 805 00:20:52,806 --> 00:20:54,809 >> NO, IT IS REALLY DOPE, 806 00:20:54,809 --> 00:20:55,142 THOUGH. 807 00:20:55,142 --> 00:20:57,244 IT'S A COOL ‐‐ IT'S ALSO LIKE A 808 00:20:57,244 --> 00:20:58,879 PLACE WHERE YOU CAN PERFORM. 809 00:20:58,879 --> 00:21:00,547 THERE'S NOT MANY OF THOSE LEFT. 810 00:21:00,547 --> 00:21:01,748 >> Jimmy: YEAH ‐‐ WELL, YEAH. 811 00:21:01,748 --> 00:21:03,183 >> IT'S A CORNFIELD, JIMMY, I 812 00:21:03,183 --> 00:21:03,817 CAN'T STRESS THIS POINT ENOUGH. 813 00:21:03,817 --> 00:21:07,654 [ LAUGHTER ] 814 00:21:07,654 --> 00:21:07,988 [ APPLAUSE ] 815 00:21:07,988 --> 00:21:09,055 IT'S A CORNFIELD YEAH. 816 00:21:09,055 --> 00:21:10,423 >> I WOULDN'T EAT THE CORN THAT 817 00:21:10,423 --> 00:21:14,161 THROWS THERE, BUT IT AS 818 00:21:14,161 --> 00:21:14,494 CORNFIELD. 819 00:21:14,494 --> 00:21:15,062 >> Jimmy: OH, THERE'S NO CORN IN 820 00:21:15,062 --> 00:21:15,395 THE FIELD? 821 00:21:15,395 --> 00:21:16,831 >> YEAH, IS THERE CORN IN THE 822 00:21:16,831 --> 00:21:17,164 FIELD? 823 00:21:17,164 --> 00:21:18,566 >> NO, THERE'S NO CORN IN THE 824 00:21:18,566 --> 00:21:18,899 FIELD. 825 00:21:18,899 --> 00:21:21,034 THERE'S PEOPLE IN THE FIELD. 826 00:21:21,034 --> 00:21:22,068 THEY DIDN'T PLANT BECAUSE WE'RE 827 00:21:22,068 --> 00:21:23,670 OUT THERE ROCKING. 828 00:21:23,670 --> 00:21:25,772 IT'S ONE OF THESE THINGS ‐‐ IT'S 829 00:21:25,772 --> 00:21:27,607 A CULTURAL PHENOMENON. 830 00:21:27,607 --> 00:21:29,609 LIKE LITERALLY ‐‐ WHEN I SEE YOU 831 00:21:29,609 --> 00:21:32,512 NEXT, PRIVATELY, I'LL TELL YOU. 832 00:21:32,512 --> 00:21:33,380 LITERALLY SOME OF THE BEST 833 00:21:33,380 --> 00:21:35,182 COMEDIANS IN THE WORLD, CAME, 834 00:21:35,182 --> 00:21:37,884 DONATED THEIR TALENT, SAVED THE 835 00:21:37,884 --> 00:21:39,786 ECONOMY FOR THIS SMALL LITTLE 836 00:21:39,786 --> 00:21:40,720 OHIO TOWN. 837 00:21:40,720 --> 00:21:41,855 IT WAS REALLY WONDERFUL. 838 00:21:41,855 --> 00:21:42,923 IT WAS ‐‐ IT WAS SOMETHING THAT 839 00:21:42,923 --> 00:21:44,391 I'M VERY PROUD TO BE A PART OF 840 00:21:44,391 --> 00:21:45,592 AND THAT YOU SHOULD BE VERY 841 00:21:45,592 --> 00:21:46,760 PROUD TO BE A PART OF. 842 00:21:46,760 --> 00:21:48,261 DON'T FORGET, AND I CAN'T STRESS 843 00:21:48,261 --> 00:21:51,398 THIS POINT ENOUGH, "THE MIDNIGHT 844 00:21:51,398 --> 00:21:51,932 MIRACLE" IS STREAMING ON 845 00:21:51,932 --> 00:21:52,365 LUMINARY RIGHT NOW. 846 00:21:52,365 --> 00:21:54,301 [ CHEERS AND APPLAUSE ] 847 00:21:54,301 --> 00:21:54,835 >> Jimmy: ALL RIGHT. 848 00:21:54,835 --> 00:21:57,170 I'M GOING TO TAKE A BREAK. 849 00:21:57,170 --> 00:21:59,306 MICHAEL CHE AND HIS PAL DAVE ARE 850 00:21:59,306 --> 00:22:01,041 WITH US, "THAT DAMN MICHAEL CHE" 851 00:22:01,041 --> 00:22:02,042 ON HBO MAX RIGHT NOW. 852 00:22:02,042 --> 00:22:02,380 BE RIGHT BACK. 853 00:22:07,437 --> 00:22:08,481 >>> HONESTLY, I FELT LIKE 854 00:22:08,481 --> 00:22:09,482 PUNCHING HER RIGHT IN THE TOP OF 855 00:22:09,482 --> 00:22:11,619 HER HEAD, RIGHT IN THE SOFT 856 00:22:11,619 --> 00:22:11,952 SPOT. 857 00:22:11,952 --> 00:22:12,452 >> THAT'S TERRIBLE. 858 00:22:12,452 --> 00:22:14,020 >> I SAID, FELT LIKE. 859 00:22:14,020 --> 00:22:14,387 OKAY? 860 00:22:14,387 --> 00:22:16,890 OBVIOUSLY I WOULDN'T HIT A GIRL. 861 00:22:16,890 --> 00:22:18,725 I DON'T WANT TO GET CANCELED BY 862 00:22:18,725 --> 00:22:20,193 THE LIBERAL MEDIA. 863 00:22:20,193 --> 00:22:22,028 HEY, DO PRIESTS HAVE TO WORRY 864 00:22:22,028 --> 00:22:22,796 ABOUT BEING CANCELED? 865 00:22:22,796 --> 00:22:24,364 >> NO, THEY JUST TRANSFER US TO 866 00:22:24,364 --> 00:22:25,198 ANOTHER PARISH. 867 00:22:25,198 --> 00:22:26,333 >> THAT'S A GOOD ONE. 868 00:22:26,333 --> 00:22:29,302 >> IT WAS RIGHT THERE, I HAD TO. 869 00:22:29,302 --> 00:22:31,273 >> NO, I'M GOING TO TAKE THAT 870 00:22:31,273 --> 00:22:31,638 ONE. 871 00:22:31,638 --> 00:22:32,172 [ CHEERS AND APPLAUSE ] 872 00:22:32,172 --> 00:22:34,407 >> Jimmy: COLIN QUINN AND 873 00:22:34,407 --> 00:22:36,276 MICHAEL CHE AND "THAT DAMN 874 00:22:36,276 --> 00:22:38,044 MICHAEL CHE" ON HBO MAX RIGHT 875 00:22:38,044 --> 00:22:38,378 NOW. 876 00:22:38,378 --> 00:22:40,146 COLIN QUINN IS ONE OFTHE 877 00:22:40,146 --> 00:22:41,748 FUNNIEST GUYS THERE IS, RIGHT? 878 00:22:41,748 --> 00:22:42,249 [ CHEERS AND APPLAUSE ] 879 00:22:42,249 --> 00:22:43,049 >> EASILY, EASILY. 880 00:22:43,049 --> 00:22:44,150 HE'S LIKE THE FIRST PERSON THAT 881 00:22:44,150 --> 00:22:47,220 TOLD ME I SHOULD DO "UPDATE." 882 00:22:47,220 --> 00:22:48,054 IT WAS REALLY SPECIAL TO HAVE 883 00:22:48,054 --> 00:22:48,955 HIM ON THE SHOW. 884 00:22:48,955 --> 00:22:50,523 >> Jimmy: HE'S ANOTHER COLIN WHO 885 00:22:50,523 --> 00:22:52,158 DID "UPDATE." 886 00:22:52,158 --> 00:22:55,195 WHICH "UPDATE" COLIN DO YOU LIKE 887 00:22:55,195 --> 00:22:56,329 BETTER? 888 00:22:56,329 --> 00:22:58,365 >> OH, QUINN BY FAR. 889 00:22:58,365 --> 00:22:58,698 [ LAUGHTER ] 890 00:22:58,698 --> 00:23:00,233 YOU DON'T HAVE TO FINISH THE 891 00:23:00,233 --> 00:23:03,806 QUESTION, OBVIOUSLY. 892 00:23:03,806 --> 00:23:04,170 NO. 893 00:23:04,170 --> 00:23:08,942 PEOPLE ASK ME IF ME AND JOST ARE 894 00:23:08,942 --> 00:23:10,076 FRIENDS IN REAL LIFE, AND IT'S 895 00:23:10,076 --> 00:23:11,711 FUNNY THAT'S EVEN A QUESTION, I 896 00:23:11,711 --> 00:23:13,246 LOVE JOST. 897 00:23:13,246 --> 00:23:14,748 >> Jimmy: YOU HAVE A FUNNY 898 00:23:14,748 --> 00:23:16,583 THING ‐‐ YOU HAD A BIRTHDAY, AND 899 00:23:16,583 --> 00:23:18,218 BEFORE I SHOW THIS, SET THIS UP 900 00:23:18,218 --> 00:23:18,551 A LITTLE BIT. 901 00:23:18,551 --> 00:23:21,087 I THINK IT NEEDS IT. 902 00:23:21,087 --> 00:23:23,657 >> SO WE ALWAYS HAVE, LIKE ‐‐ 903 00:23:23,657 --> 00:23:25,025 OUR BIRTHDAYS ARE VERY CLOSE. 904 00:23:25,025 --> 00:23:26,927 IT'S USUALLY AFTER THE SEASON. 905 00:23:26,927 --> 00:23:27,861 AND WE ALWAYS BUY EACH OTHER 906 00:23:27,861 --> 00:23:29,896 THESE WEIRD GIFTS OR WHATEVER. 907 00:23:29,896 --> 00:23:34,868 LIKE ‐‐ ONE TIME ‐‐ HEY, WE BUY 908 00:23:34,868 --> 00:23:35,769 EACH OTHER WEIRD GIFTS. 909 00:23:35,769 --> 00:23:37,637 THIS TIME I SHOW UP TO MY HOUSE 910 00:23:37,637 --> 00:23:38,838 AND IT'S A DINOSAUR. 911 00:23:38,838 --> 00:23:39,673 A GIANT DINOSAUR STANDING IN MY 912 00:23:39,673 --> 00:23:42,542 BACKYARD. 913 00:23:42,542 --> 00:23:42,943 YEAH, THERE IT IS. 914 00:23:42,943 --> 00:23:45,578 [ LAUGHTER ] 915 00:23:45,578 --> 00:23:48,115 HE BOUGHT ME A FRIGGING 916 00:23:48,115 --> 00:23:48,448 DINOSAUR. 917 00:23:48,448 --> 00:23:50,350 NOW MY NEIGHBORS THINK I'M 918 00:23:50,350 --> 00:23:51,217 EITHER STRANGE OR 11 YEARS OLD. 919 00:23:51,217 --> 00:23:55,121 [ LAUGHTER ] 920 00:23:55,121 --> 00:23:56,423 >> Jimmy: YEAH, RIGHT. 921 00:23:56,423 --> 00:23:58,758 >> I HAVE A WEIRDER GIFT STORY. 922 00:23:58,758 --> 00:24:00,226 >> Jimmy: OH, HEY, DAVE. 923 00:24:00,226 --> 00:24:00,827 [ LAUGHTER ] 924 00:24:00,827 --> 00:24:02,629 >> I HAVE A WEIRDER GIFT STORY. 925 00:24:02,629 --> 00:24:04,064 SO SORRY TO INTERRUPT, BUT IT'S 926 00:24:04,064 --> 00:24:05,031 A GOOD ONE. 927 00:24:05,031 --> 00:24:07,600 YEARS AGO, YEARS AGO WHEN I WAS 928 00:24:07,600 --> 00:24:10,370 DOING "THE CHAPPELLE SHOW," IT 929 00:24:10,370 --> 00:24:12,472 WAS SEAN P. DIDDY COMBS' 930 00:24:12,472 --> 00:24:12,872 BIRTHDAY. 931 00:24:12,872 --> 00:24:15,075 GUESS WHAT I BOUGHT HIM FOR HIS 932 00:24:15,075 --> 00:24:15,408 BIRTHDAY? 933 00:24:15,408 --> 00:24:16,042 WHAT DO YOU GET THE GUY THAT HAS 934 00:24:16,042 --> 00:24:18,211 EVERYTHING? 935 00:24:18,211 --> 00:24:18,611 >> Jimmy: A PONY? 936 00:24:18,611 --> 00:24:23,249 I DON'T KNOW. 937 00:24:23,249 --> 00:24:27,554 >> A SHAUN JOHN SWEAT SUIT. 938 00:24:27,554 --> 00:24:30,590 [ CHEERS AND APPLAUSE ] 939 00:24:30,590 --> 00:24:34,828 A VELOUR SHAUN JOHN SWEAT SUIT. 940 00:24:34,828 --> 00:24:35,161 [ LAUGHTER ] 941 00:24:35,161 --> 00:24:38,498 >> Jimmy: HE WAS PROBABLY JUST 942 00:24:38,498 --> 00:24:40,802 HAPPY YOU PAID RETAIL FOR THAT 943 00:24:40,802 --> 00:24:41,167 THING. 944 00:24:41,167 --> 00:24:42,902 YOU KNOW, MICHAEL, DAVE WAS 945 00:24:42,902 --> 00:24:43,403 PROMOTING HIS PODCAST. 946 00:24:43,403 --> 00:24:48,775 DO YOU HAVE A PODCAST? 947 00:24:48,775 --> 00:24:49,976 >> NO ‐‐ YEAH. 948 00:24:49,976 --> 00:24:51,044 >> Jimmy: YEAH, BECAUSE YOU 949 00:24:51,044 --> 00:24:52,412 TWEETED SOMETHING ABOUT HAVING A 950 00:24:52,412 --> 00:24:53,680 PODCAST, BUT I CAN FIND NO 951 00:24:53,680 --> 00:24:57,250 RECORD OF YOU HAVING A PODCAST. 952 00:24:57,250 --> 00:25:00,153 >> THIS DAY, JIMMY, YOU JUST GOT 953 00:25:00,153 --> 00:25:00,487 TO BELIEVE. 954 00:25:00,487 --> 00:25:01,154 [ LAUGHTER ] 955 00:25:01,154 --> 00:25:02,589 IT'S NUMBER ONE, TOO. 956 00:25:02,589 --> 00:25:03,723 >> Jimmy: IT'S NUMBER ONE. 957 00:25:03,723 --> 00:25:05,191 >> IT'S A BIG DEAL, PEOPLE ARE 958 00:25:05,191 --> 00:25:06,059 LOOKING FOR IT. 959 00:25:06,059 --> 00:25:08,428 LOOK OUT FOR MY PODCAST, MAN. 960 00:25:08,428 --> 00:25:08,828 IT'S A BIG DEAL. 961 00:25:08,828 --> 00:25:10,764 >> Jimmy: CONGRATULATIONS, YEAH. 962 00:25:10,764 --> 00:25:11,698 ON YOUR PODCAST. 963 00:25:11,698 --> 00:25:12,832 IS THAT SOMETHING THAT YOU'RE 964 00:25:12,832 --> 00:25:13,900 INTERESTED IN DOING? 965 00:25:13,900 --> 00:25:15,802 BECAUSE IT DOES SEEM LIKE THAT'S 966 00:25:15,802 --> 00:25:18,071 SOMETHING YOU HAVE TO DO NOW. 967 00:25:18,071 --> 00:25:19,639 >> ALL MY FRIENDS HAVE PODCASTS. 968 00:25:19,639 --> 00:25:20,573 EVERYBODY HAS A PODCAST. 969 00:25:20,573 --> 00:25:21,841 THEY'RE GETTING ALL THIS LOVE 970 00:25:21,841 --> 00:25:22,942 FOR THEIR PODCASTS. 971 00:25:22,942 --> 00:25:24,444 AND I DON'T REALLY WANT TO MAKE 972 00:25:24,444 --> 00:25:25,545 A PODCAST. 973 00:25:25,545 --> 00:25:30,683 SO I'M TRYING TO GET THE PROPS 974 00:25:30,683 --> 00:25:32,252 FOR THE WORK OF DOING A PODCAST. 975 00:25:32,252 --> 00:25:34,955 IF YOU WANT TO LISTEN TO A 976 00:25:34,955 --> 00:25:35,288 PODCAST ‐‐ 977 00:25:35,288 --> 00:25:37,123 >> LISTEN TO "MIDNIGHT MIRACLE" 978 00:25:37,123 --> 00:25:38,458 STREAMING ON LUMINARY RIGHT NOW. 979 00:25:38,458 --> 00:25:42,729 [ LAUGHTER AND APPLAUSE ] 980 00:25:42,729 --> 00:25:44,197 >> Jimmy: BY THE WAY, MICHAEL, 981 00:25:44,197 --> 00:25:47,133 FIRST OF ALL, YOUR SHOW IS VERY 982 00:25:47,133 --> 00:25:50,203 FUNNY, "THAT DAMN MICHAEL CHE." 983 00:25:50,203 --> 00:25:50,703 [ CHEERS AND APPLAUSE ] 984 00:25:50,703 --> 00:25:52,405 IT'S AMAZING YOU ARE AS PROLIFIC 985 00:25:52,405 --> 00:25:54,641 AS YOU ARE. 986 00:25:54,641 --> 00:25:56,609 I WANT TO TELL YOU, I LEARNED 987 00:25:56,609 --> 00:25:57,844 SOMETHING I DIDN'T KNOW, AND I 988 00:25:57,844 --> 00:25:58,745 LOVE LEARNING SOMETHING LIKE 989 00:25:58,745 --> 00:25:59,612 THIS. 990 00:25:59,612 --> 00:26:00,881 BECAUSE IT'S JUST A STRANGE 991 00:26:00,881 --> 00:26:01,214 THING. 992 00:26:01,214 --> 00:26:03,316 TELL ME IF THIS IS TRUE. 993 00:26:03,316 --> 00:26:05,385 IS THAT IN THE BLACK COMMUNITY, 994 00:26:05,385 --> 00:26:06,386 OF WHICH WE ARE ‐‐ 995 00:26:06,386 --> 00:26:08,288 >> OH‐OH. 996 00:26:08,288 --> 00:26:09,189 >> Jimmy: ‐‐ BOTH A PART ‐‐ 997 00:26:09,189 --> 00:26:10,390 >> EASY, JIMMY. 998 00:26:10,390 --> 00:26:10,790 [ LAUGHTER ] 999 00:26:10,790 --> 00:26:12,792 >> Jimmy: THERE'S AN IDEA THAT 1000 00:26:12,792 --> 00:26:15,228 IF YOU BECOME FAMOUS, THAT MEANS 1001 00:26:15,228 --> 00:26:19,199 YOU DID SOMETHING GAY. 1002 00:26:19,199 --> 00:26:19,899 >> WELL, JIMMY, I'D LOVE TO 1003 00:26:19,899 --> 00:26:22,302 ANSWER THAT QUESTION. 1004 00:26:22,302 --> 00:26:23,069 >> DON'T ANSWER IT, MICHAEL! 1005 00:26:23,069 --> 00:26:25,338 [ LAUGHTER ] 1006 00:26:25,338 --> 00:26:30,043 [ APPLAUSE ] 1007 00:26:30,043 --> 00:26:39,752 >> I CAN'T. 1008 00:26:39,752 --> 00:26:40,520 OH MY GOD. 1009 00:26:40,520 --> 00:26:41,988 THE FACT THAT YOU WATCHED MY 1010 00:26:41,988 --> 00:26:43,423 SHOW AND FEEL LIKE YOU LEARNED 1011 00:26:43,423 --> 00:26:44,524 SOMETHING, YOU HAVE NO IDEA HOW 1012 00:26:44,524 --> 00:26:45,992 HAPPY THAT MAKES ME, BECAUSE I'M 1013 00:26:45,992 --> 00:26:47,460 A HUGE FAN OF YOURS AND I LOVE 1014 00:26:47,460 --> 00:26:48,628 THIS SHOW. 1015 00:26:48,628 --> 00:26:49,462 SERIOUSLY, THANK YOU FOR EVEN 1016 00:26:49,462 --> 00:26:50,697 TAKING THE TIME TO WATCH IT. 1017 00:26:50,697 --> 00:26:52,365 >> Jimmy: YOU'RE VERY KIND. 1018 00:26:52,365 --> 00:26:53,800 I APPRECIATE THAT. 1019 00:26:53,800 --> 00:26:55,502 YOU HAVE A LOT OF FUNNY 1020 00:26:55,502 --> 00:26:56,769 APPEARANCES FROM YOUR FELLOW 1021 00:26:56,769 --> 00:26:57,904 "SNL" CASTMATES IN THIS THING. 1022 00:26:57,904 --> 00:26:58,771 >> YEAH, MAN. 1023 00:26:58,771 --> 00:26:59,939 THEY REALLY HELPED. 1024 00:26:59,939 --> 00:27:01,574 >> Jimmy: ALSO, I WANTED TO ASK 1025 00:27:01,574 --> 00:27:03,943 YOU ABOUT A SKETCH IN WHICH ‐‐ 1026 00:27:03,943 --> 00:27:06,246 YOU'RE ON THE SUBWAY. 1027 00:27:06,246 --> 00:27:07,614 THIS GUY STARTS HARASSING YOU 1028 00:27:07,614 --> 00:27:09,349 ABOUT NOT WEARING A MASK ON THE 1029 00:27:09,349 --> 00:27:09,682 SUBWAY. 1030 00:27:09,682 --> 00:27:13,019 AND THEN, WELL ‐‐ 1031 00:27:13,019 --> 00:27:15,021 >> YEAH. 1032 00:27:15,021 --> 00:27:16,656 >> Jimmy: IT WIDENS OUT TO 1033 00:27:16,656 --> 00:27:18,091 REVEAL HE'S COMPLETELY NAKED 1034 00:27:18,091 --> 00:27:18,959 OTHER THAN THE MASK. 1035 00:27:18,959 --> 00:27:19,292 [ LAUGHTER ] 1036 00:27:19,292 --> 00:27:20,560 >> I WISH I COULD TELL YOU 1037 00:27:20,560 --> 00:27:22,262 THAT'S THE FIRST PENIS I'VE SEEN 1038 00:27:22,262 --> 00:27:23,830 ON A TRAIN, JIMMY, BUT I CANNOT, 1039 00:27:23,830 --> 00:27:24,197 AS A NEW YORKER. 1040 00:27:24,197 --> 00:27:26,232 [ LAUGHTER ] 1041 00:27:26,232 --> 00:27:29,836 >> Jimmy: WHEN YOU ARE ‐‐ YOU 1042 00:27:29,836 --> 00:27:31,037 WROTE THAT SKETCH, I ASSUME? 1043 00:27:31,037 --> 00:27:31,604 >> YES, SIR. 1044 00:27:31,604 --> 00:27:33,740 >> Jimmy: WHEN YOU'RE WRITING A 1045 00:27:33,740 --> 00:27:34,641 SKETCH, ARE YOU THINKING ABOUT 1046 00:27:34,641 --> 00:27:35,808 THE REALITY OF IT? 1047 00:27:35,808 --> 00:27:37,443 BECAUSE LIKE ON "SNL," YOU'RE 1048 00:27:37,443 --> 00:27:38,711 DOING "UPDATE." 1049 00:27:38,711 --> 00:27:40,046 YOU'RE NOT USUALLY IN THESE 1050 00:27:40,046 --> 00:27:40,380 SITUATIONS. 1051 00:27:40,380 --> 00:27:42,882 EVEN WHEN YOU ARE THERE, THEY'RE 1052 00:27:42,882 --> 00:27:44,150 MOSTLY LIVE, YOU GET THROUGH 1053 00:27:44,150 --> 00:27:45,018 THEM QUICKLY. 1054 00:27:45,018 --> 00:27:48,021 BUT BEING ON A SUBWAY, WITH A 1055 00:27:48,021 --> 00:27:50,323 NAKED MAN, SEEMS LIKE AN 1056 00:27:50,323 --> 00:27:51,159 EXPERIENCE MOST PEOPLE DON'T 1057 00:27:51,159 --> 00:27:51,524 HAVE. 1058 00:27:51,524 --> 00:27:53,092 >> YEAH, YOU NEVER ‐‐ WHEN 1059 00:27:53,092 --> 00:27:54,427 YOU ‐‐ YOU KNOW HOW IT IS. 1060 00:27:54,427 --> 00:27:56,596 WHEN YOU'RE WRITING A BIT YOU 1061 00:27:56,596 --> 00:27:57,263 ALWAYS JUST THINK OF THE WRITING 1062 00:27:57,263 --> 00:27:58,700 OF THE BIT, YOU THINK OF THE 1063 00:27:58,700 --> 00:27:59,065 JOKES. 1064 00:27:59,065 --> 00:28:00,433 WHEN YOU ACTUALLY HAVE TO SHOOT 1065 00:28:00,433 --> 00:28:01,901 IT, YOU'RE LIKE, I GOT TO LOOK 1066 00:28:01,901 --> 00:28:03,472 AT THIS GUY'S PENIS FOR EIGHT 1067 00:28:03,472 --> 00:28:03,837 HOURS. 1068 00:28:03,837 --> 00:28:04,170 [ LAUGHTER ] 1069 00:28:04,170 --> 00:28:07,207 >> Jimmy: RIGHT. 1070 00:28:07,207 --> 00:28:08,141 >> THIS WOULD HAVE BEEN BETTER 1071 00:28:08,141 --> 00:28:08,641 AS A STORY I TELL. 1072 00:28:08,641 --> 00:28:12,612 [ LAUGHTER ] 1073 00:28:12,612 --> 00:28:14,013 AS OPPOSED TO ACTUAL STANDUP. 1074 00:28:14,013 --> 00:28:14,814 BUT NO. 1075 00:28:14,814 --> 00:28:15,848 >> I CAN'T STRESS ENOUGH. 1076 00:28:15,848 --> 00:28:16,950 EIGHT HOURS IS AN ENORMOUS 1077 00:28:16,950 --> 00:28:17,317 AMOUNT OF TIME. 1078 00:28:17,317 --> 00:28:24,557 [ LAUGHTER ] 1079 00:28:24,557 --> 00:28:25,625 >> Jimmy: WELL, THIS WAS FUN. 1080 00:28:25,625 --> 00:28:27,393 THIS IS THE MOST FUN I'VE HAD 1081 00:28:27,393 --> 00:28:29,929 THIS YEAR SO FAR, IT REALLY WAS. 1082 00:28:29,929 --> 00:28:30,430 [ CHEERS AND APPLAUSE ] 1083 00:28:30,430 --> 00:28:30,797 >> HEY, MAN. 1084 00:28:30,797 --> 00:28:31,631 YOU GOT TO COME. 1085 00:28:31,631 --> 00:28:33,499 YOU GOT DO COME OUT, MAN, 1086 00:28:33,499 --> 00:28:35,768 SERIOUSLY, IT'S A BLAST, MAN. 1087 00:28:35,768 --> 00:28:37,570 WE'VE HAD FUN ALL FRIGGING WEEK. 1088 00:28:37,570 --> 00:28:38,571 >> Jimmy: THERE WOULD BE NOTHING 1089 00:28:38,571 --> 00:28:39,672 MORE FUN FOR ME. 1090 00:28:39,672 --> 00:28:41,341 THANKS TO BOTH OF YOU FOR TAKING 1091 00:28:41,341 --> 00:28:41,941 SOME TIME. 1092 00:28:41,941 --> 00:28:42,976 THANK YOU, DAVE. 1093 00:28:42,976 --> 00:28:43,743 DAVE, DO YOU HAVE ANYTHING YOU'D 1094 00:28:43,743 --> 00:28:44,277 LIKE TO PLUG BEFORE WE GO? 1095 00:28:44,277 --> 00:28:48,881 [ LAUGHTER ] 1096 00:28:48,881 --> 00:28:51,417 >> YOU KNOW WHAT, JIMMY? 1097 00:28:51,417 --> 00:28:52,018 WHEN YOU SAY IT LIKE THAT, NO. 1098 00:28:52,018 --> 00:28:54,420 [ LAUGHTER ] 1099 00:28:54,420 --> 00:28:55,922 HERE'S WHAT I WANT TO PLUG. 1100 00:28:55,922 --> 00:28:56,289 >> Jimmy: OKAY. 1101 00:28:56,289 --> 00:28:58,225 >> I WANT TO INVITE YOU TO COME 1102 00:28:58,225 --> 00:28:58,558 OUT, MAN. 1103 00:28:58,558 --> 00:28:59,025 WE'RE HAVING A BLAST. 1104 00:28:59,025 --> 00:29:01,027 [ CHEERS AND APPLAUSE ] 1105 00:29:01,027 --> 00:29:03,730 GREAT COMEDY IS HAPPENING. 1106 00:29:03,730 --> 00:29:05,164 AND THE ONLY WAY TO SEE THIS IS 1107 00:29:05,164 --> 00:29:06,132 TO BE HERE. 1108 00:29:06,132 --> 00:29:07,435 PLEASE, COME ON OUT AND SEE 1109 00:29:07,435 --> 00:29:07,800 THIS. 1110 00:29:07,800 --> 00:29:08,201 IT'S WONDERFUL. 1111 00:29:08,201 --> 00:29:11,070 >> Jimmy: WELL, LISTEN, I WILL 1112 00:29:11,070 --> 00:29:11,671 TAKE YOU UP ON THAT. 1113 00:29:11,671 --> 00:29:13,640 I WOULD LOVE TO COME. 1114 00:29:13,640 --> 00:29:14,574 DAVE CHAPPELLE, MICHAEL CHE. 1115 00:29:14,574 --> 00:29:16,743 "THAT DAMN MICHAEL CHE" ON HBO 1116 00:29:16,743 --> 00:29:17,977 MAX RIGHT NOW. 1117 00:29:17,977 --> 00:29:18,845 THANKS, FELLOWS. 1118 00:29:18,845 --> 00:29:19,379 BE RIGHT BACK WITH CILLIAN 1119 00:29:19,379 --> 00:29:20,179 MURPHY! 1120 00:29:25,718 --> 00:29:26,152 >> Jimmy: HI, THERE. 1121 00:29:26,152 --> 00:29:28,588 WE ARE BACK. 1122 00:29:28,588 --> 00:29:30,023 MUSIC FROM THE LINDA LINDAS IS 1123 00:29:30,023 --> 00:29:30,356 ON THE WAY. 1124 00:29:30,356 --> 00:29:30,957 YOU KNOW OUR NEXT GUEST FROM 1125 00:29:30,957 --> 00:29:32,258 FIVE SEASONS AS TOMMY SHELBY ON 1126 00:29:32,258 --> 00:29:34,260 "PEAKY BLINDERS," NOW YOU CAN 1127 00:29:34,260 --> 00:29:34,894 SEE HIM WHISPER HIS WAY THROUGH 1128 00:29:34,894 --> 00:29:35,528 THE NUMBER ONE MOVIE IN THE 1129 00:29:35,528 --> 00:29:36,162 COUNTRY ‐‐ "A QUIET PLACE PART 1130 00:29:36,162 --> 00:29:40,099 II." 1131 00:29:40,099 --> 00:29:52,212 >> I CAN'T HELP YOU. 1132 00:29:52,212 --> 00:29:52,545 >> EMMITT. 1133 00:29:52,545 --> 00:30:14,233 EMMITT. 1134 00:30:14,233 --> 00:30:15,501 [ CHEERS AND APPLAUSE ] 1135 00:30:15,501 --> 00:30:16,102 >> Jimmy: "A QUIET PLACE PART 1136 00:30:16,102 --> 00:30:18,871 II" IS IN THEATERS NOW, PLEASE 1137 00:30:18,871 --> 00:30:21,374 WLCOME CILLIAN MURPHY. 1138 00:30:21,374 --> 00:30:22,241 [ CHEERS AND APPLAUSE ] 1139 00:30:22,241 --> 00:30:23,810 HI, CILLIAN, HOW ARE YOU? 1140 00:30:23,810 --> 00:30:25,178 >> JIMMY, HOW'S IT GOING? 1141 00:30:25,178 --> 00:30:26,279 GOOD, HOW ARE YOU? 1142 00:30:26,279 --> 00:30:27,380 >> Jimmy: I'M DOING WELL. 1143 00:30:27,380 --> 00:30:32,752 YOU'VE GOT A TOUGH ACT TO FOLLOW 1144 00:30:32,752 --> 00:30:33,986 TONIGHT, UNLESS DAVE CHAPPELLE 1145 00:30:33,986 --> 00:30:34,754 IS HIDING BEHIND THAT COUCH. 1146 00:30:34,754 --> 00:30:35,088 [ LAUGHTER ] 1147 00:30:35,088 --> 00:30:36,589 >> I KNOW. 1148 00:30:36,589 --> 00:30:36,923 UNFORTUNATELY. 1149 00:30:36,923 --> 00:30:39,459 >> Jimmy: HOW ARE YOU DOING? 1150 00:30:39,459 --> 00:30:41,160 >> I'M OKAY, I'M OKAY. 1151 00:30:41,160 --> 00:30:42,428 >> Jimmy: YOU'RE IN IRELAND, 1152 00:30:42,428 --> 00:30:42,862 RIGHT? 1153 00:30:42,862 --> 00:30:43,496 >> YEAH. 1154 00:30:43,496 --> 00:30:44,130 DUBLIN CITY. 1155 00:30:44,130 --> 00:30:45,298 >> Jimmy: WHAT TIME IS IT THERE 1156 00:30:45,298 --> 00:30:46,265 RIGHT NOW? 1157 00:30:46,265 --> 00:30:49,102 >> IT'S ‐‐ IT'S LIKE 1:00 A. M. 1158 00:30:49,102 --> 00:30:51,504 >> Jimmy: AH, SO ARE THERE 1159 00:30:51,504 --> 00:30:52,505 PEOPLE SLEEPING IN YOUR HOUSE 1160 00:30:52,505 --> 00:30:52,905 RIGHT NOW? 1161 00:30:52,905 --> 00:30:53,806 >> YES. 1162 00:30:53,806 --> 00:30:55,508 BUT I'M IN THE BASEMENT, SO 1163 00:30:55,508 --> 00:30:56,075 THEY'RE UP THERE. 1164 00:30:56,075 --> 00:30:57,044 >> Jimmy: I SEE, ALL RIGHT, VERY 1165 00:30:57,044 --> 00:30:57,377 GOOD. 1166 00:30:57,377 --> 00:30:59,178 BY THE WAY, YOU KNOW, EMILY 1167 00:30:59,178 --> 00:31:00,780 BLUNT WAS HERE LAST WEEK. 1168 00:31:00,780 --> 00:31:02,582 IT'S WEIRD, BECAUSE "A QUITE 1169 00:31:02,582 --> 00:31:05,518 PLACE PART II," YOU HAD THE BIG 1170 00:31:05,518 --> 00:31:06,552 PREMIERE IN NEW YORK LIKE 14 1171 00:31:06,552 --> 00:31:07,787 MONTHS AGO OR SOMETHING. 1172 00:31:07,787 --> 00:31:08,287 >> YEAH. 1173 00:31:08,287 --> 00:31:09,222 >> Jimmy: AND EVERYBODY ‐‐ AND 1174 00:31:09,222 --> 00:31:10,556 IT WAS ‐‐ EVERYBODY LOVED IT. 1175 00:31:10,556 --> 00:31:11,090 AND THEN ‐‐ 1176 00:31:11,090 --> 00:31:11,624 >> YEAH. 1177 00:31:11,624 --> 00:31:13,726 >> Jimmy: THEN YOU JUST HAD 1178 00:31:13,726 --> 00:31:15,361 NOTHING, NO ONE ELSE SAW IT FOR 1179 00:31:15,361 --> 00:31:16,028 A FULL YEAR, MORE THAN A YEAR 1180 00:31:16,028 --> 00:31:18,331 AFTER THAT. 1181 00:31:18,331 --> 00:31:19,031 >> YEAH. 1182 00:31:19,031 --> 00:31:19,932 >> Jimmy: WHICH IS ‐‐ I DON'T 1183 00:31:19,932 --> 00:31:21,300 KNOW, THAT'S PROBABLY NEVER 1184 00:31:21,300 --> 00:31:22,568 HAPPENED, NOTHING LIKE THAT HAS 1185 00:31:22,568 --> 00:31:23,403 EVER HAPPENED BEFORE. 1186 00:31:23,403 --> 00:31:23,970 I MEAN, THAT'S VERY STRANGE. 1187 00:31:23,970 --> 00:31:25,872 >> YEAH. 1188 00:31:25,872 --> 00:31:28,107 >> Jimmy: YOU REMEMBER THAT 1189 00:31:28,107 --> 00:31:28,741 NIGHT AND THE WHOLE ‐‐ AND THE 1190 00:31:28,741 --> 00:31:30,576 DEAL, WHAT WAS GOING ON? 1191 00:31:30,576 --> 00:31:32,111 >> YEAH, WELL, YOU REMEMBER. 1192 00:31:32,111 --> 00:31:33,613 I MEAN, THE WHOLE WORLD WAS IN 1193 00:31:33,613 --> 00:31:35,381 THIS KIND OF STATE OF ANXIETY. 1194 00:31:35,381 --> 00:31:37,417 AND EVERYONE WAS SO SORT OF 1195 00:31:37,417 --> 00:31:39,619 UNSURE OF WHAT WAS HAPPENING. 1196 00:31:39,619 --> 00:31:41,154 AND WE WERE JUST KIND OF GETTING 1197 00:31:41,154 --> 00:31:42,689 ON WITH IT, DOING THE PRESS AND 1198 00:31:42,689 --> 00:31:43,022 EVERYTHING. 1199 00:31:43,022 --> 00:31:45,658 THEN WE WENT, DID THE PREMIERE. 1200 00:31:45,658 --> 00:31:46,159 PEOPLE LOVED THE MOVIE. 1201 00:31:46,159 --> 00:31:47,960 AND THEN ‐‐ 1202 00:31:47,960 --> 00:31:49,228 >> Jimmy: YOU HAD A PARTY AND 1203 00:31:49,228 --> 00:31:51,063 EVERYTHING, RIGHT? pAFTER THE MO? 1204 00:31:51,063 --> 00:31:51,397 >> YEAH. 1205 00:31:51,397 --> 00:31:51,864 >> Jimmy: YEAH. 1206 00:31:51,864 --> 00:31:52,965 >> WE HAD A REALLY TENSE AFTER 1207 00:31:52,965 --> 00:31:55,868 PARTY. 1208 00:31:55,868 --> 00:31:57,303 LIKE, WE ALL LOVED THE MOVIE, IT 1209 00:31:57,303 --> 00:31:59,772 WAS A GREAT RESPONSE, BUT IT 1210 00:31:59,772 --> 00:32:00,973 DIDN'T FEEL LIKE A PARTY 1211 00:32:00,973 --> 00:32:01,507 ATMOSPHERE, NECESSARILY. 1212 00:32:01,507 --> 00:32:02,575 >> Jimmy: NO, NOT AT ALL. 1213 00:32:02,575 --> 00:32:04,410 ARE THE MOVIE THEATERS OPEN IN 1214 00:32:04,410 --> 00:32:04,977 IRELAND NOW? 1215 00:32:04,977 --> 00:32:06,746 OR ARE THEY STILL CLOSED THERE? 1216 00:32:06,746 --> 00:32:08,147 >> NEXT WEEK, I BELIEVE. 1217 00:32:08,147 --> 00:32:09,350 >> Jimmy: OH, NEXT WEEK, VERY 1218 00:32:09,350 --> 00:32:09,715 GOOD. 1219 00:32:09,715 --> 00:32:11,584 ALL RIGHT, SO THE MOVIE ‐‐ I 1220 00:32:11,584 --> 00:32:13,119 ASSUME, BASED ON THAT HAIRCUT, 1221 00:32:13,119 --> 00:32:14,654 EITHER YOU'RE ENGAGED IN A 1222 00:32:14,654 --> 00:32:17,690 LAWSUIT WITH SUPERCUTS OR YOU'RE 1223 00:32:17,690 --> 00:32:20,160 STILL SHOOTING "PEAKY BLINDERS"? 1224 00:32:20,160 --> 00:32:20,493 [ LAUGHTER ] 1225 00:32:20,493 --> 00:32:23,230 >> I FINISHED ON FRIDAY, LAST 1226 00:32:23,230 --> 00:32:23,563 FRIDAY. 1227 00:32:23,563 --> 00:32:26,265 >> Jimmy: AH, YOU DID. 1228 00:32:26,265 --> 00:32:26,899 THAT'S THE LAST SEASON, SEASON 6 1229 00:32:26,899 --> 00:32:27,233 OF THE SHOW? 1230 00:32:27,233 --> 00:32:28,000 >> YEAH, YEAH. 1231 00:32:28,000 --> 00:32:30,369 >> Jimmy: DID YOU TAKE ANYTHING? 1232 00:32:30,369 --> 00:32:32,839 DID YOU SNATCH A MEMENTO, A 1233 00:32:32,839 --> 00:32:33,875 RAZOR BLADE OR ANYTHING FROM THE 1234 00:32:33,875 --> 00:32:34,240 SET? 1235 00:32:34,240 --> 00:32:34,574 [ LAUGHTER ] 1236 00:32:34,574 --> 00:32:37,076 >> YOU KNOW, I CAN'T ‐‐ I DON'T 1237 00:32:37,076 --> 00:32:39,278 REALLY ‐‐ I CAN'T EVER WEAR A 1238 00:32:39,278 --> 00:32:40,847 FLAT CAP WALKING AROUND. 1239 00:32:40,847 --> 00:32:42,782 I DID TAKE ONE OF HIS NICELY 1240 00:32:42,782 --> 00:32:43,816 TAILORED COATS. 1241 00:32:43,816 --> 00:32:45,552 THEY'RE MADE FOR ME, IT WAS VERY 1242 00:32:45,552 --> 00:32:45,885 BEAUTIFUL. 1243 00:32:45,885 --> 00:32:47,854 I TOOK THAT AS A MEMENTO. 1244 00:32:47,854 --> 00:32:48,955 >> Jimmy: I THOUGHT THIS WAS 1245 00:32:48,955 --> 00:32:49,555 INTERESTING, ESPECIALLY AFTER 1246 00:32:49,555 --> 00:32:52,091 DOING ALL OF THESE SEASONS OF 1247 00:32:52,091 --> 00:32:56,028 "PEAKY BLINDERS," THAT YOU'RE ON 1248 00:32:56,028 --> 00:32:58,231 THAT CALM APP, THAT MEDITATION 1249 00:32:58,231 --> 00:32:59,567 APP, YOU READ A STORY ON THAT 1250 00:32:59,567 --> 00:32:59,932 THING. 1251 00:32:59,932 --> 00:33:00,733 >> YEAH, YEAH. 1252 00:33:00,733 --> 00:33:02,669 >> Jimmy: I MEAN, IT'S ACTING, 1253 00:33:02,669 --> 00:33:03,002 READING. 1254 00:33:03,002 --> 00:33:04,136 I GUESS IT'S A SIMILAR THING. 1255 00:33:04,136 --> 00:33:06,405 HOW DO YOU APPROACH MAKING IT 1256 00:33:06,405 --> 00:33:07,039 INTERESTING AND ALSO TRYING TO 1257 00:33:07,039 --> 00:33:09,408 PUT PEOPLE TO SLEEP? 1258 00:33:09,408 --> 00:33:11,644 >> YEAH, IT'S A STRANGE 1259 00:33:11,644 --> 00:33:12,712 DIRECTION TO GET. 1260 00:33:12,712 --> 00:33:16,382 BECAUSE YOU HAVE TO BE, I 1261 00:33:16,382 --> 00:33:24,257 SUPPOSE, KIND OF DULLY SOY 1262 00:33:24,257 --> 00:33:24,590 SOPORIFIC. 1263 00:33:24,590 --> 00:33:25,892 IT'S A DULL STORY ABOUT IRELAND, 1264 00:33:25,892 --> 00:33:27,894 AND I'M A BIG FAN OF SLEEPING. 1265 00:33:27,894 --> 00:33:28,227 [ LAUGHTER ] 1266 00:33:28,227 --> 00:33:29,729 ANYTHING I CAN DO TO PUT OTHER 1267 00:33:29,729 --> 00:33:31,564 PEOPLE TO SLEEP, I'M ALL FOR 1268 00:33:31,564 --> 00:33:31,898 THAT. 1269 00:33:31,898 --> 00:33:33,533 IT'S THE ONLY GIG I HAD DURING 1270 00:33:33,533 --> 00:33:34,800 LOCKDOWN, SO I WAS VERY HAPPY. 1271 00:33:34,800 --> 00:33:35,935 >> Jimmy: IT'S ONE OF THE MOST 1272 00:33:35,935 --> 00:33:37,870 POPULAR AUDIO PIECES ON THE APP, 1273 00:33:37,870 --> 00:33:38,237 I BELIEVE. 1274 00:33:38,237 --> 00:33:40,106 >> WELL, I THINK, YOU KNOW ‐‐ I 1275 00:33:40,106 --> 00:33:41,340 THINK HARRY STYLES IS ON THERE 1276 00:33:41,340 --> 00:33:43,042 AS WELL, I BET HE GETS MORE HITS 1277 00:33:43,042 --> 00:33:43,709 THAN I DO. 1278 00:33:43,709 --> 00:33:44,043 [ LAUGHTER ] 1279 00:33:44,043 --> 00:33:45,278 >> Jimmy: I FEEL LIKE HE'S NOT 1280 00:33:45,278 --> 00:33:46,646 PUTTING AS MANY PEOPLE TO SLEEP, 1281 00:33:46,646 --> 00:33:47,213 YOU KNOW? 1282 00:33:47,213 --> 00:33:48,714 I FEEL LIKE MAYBE PEOPLE ARE 1283 00:33:48,714 --> 00:33:49,949 TUNING IN WITH A DIFFERENT ‐‐ 1284 00:33:49,949 --> 00:33:51,517 FOR A DIFFERENT REASON WITH 1285 00:33:51,517 --> 00:33:51,882 HARRY. 1286 00:33:51,882 --> 00:33:53,986 >> THAT COULD BE TRUE. 1287 00:33:53,986 --> 00:33:55,454 I CAN'T FULFILL THAT, NO. 1288 00:33:55,454 --> 00:33:56,822 >> Jimmy: YOU WERE IN A BAND 1289 00:33:56,822 --> 00:33:57,790 WHEN YOU WERE A KID, RIGHT? 1290 00:33:57,790 --> 00:34:00,826 THAT'S KIND OF HOW YOU ‐‐ YOUR 1291 00:34:00,826 --> 00:34:01,460 FIRST EXPERIENCE IN PERFORMING? 1292 00:34:01,460 --> 00:34:03,529 >> YEAH. 1293 00:34:03,529 --> 00:34:04,363 YEAH, THAT'S REALLY WHAT I 1294 00:34:04,363 --> 00:34:04,764 WANTED TO DO. 1295 00:34:04,764 --> 00:34:09,468 LIKE A LOT OF ACTORS I TALK TO, 1296 00:34:09,468 --> 00:34:09,969 YOU KNOW. 1297 00:34:09,969 --> 00:34:12,939 FAILED OR FRUSTRATED MUSICIANS. 1298 00:34:12,939 --> 00:34:14,240 THAT WAS FOR A LONG TIME, ALL 1299 00:34:14,240 --> 00:34:15,541 THROUGH MY FORMATIVE YEARS, 1300 00:34:15,541 --> 00:34:17,243 EARLY 20s, THAT'S WHAT I WANTED 1301 00:34:17,243 --> 00:34:17,743 TO DO. 1302 00:34:17,743 --> 00:34:18,611 IT DIDN'T WORK OUT. 1303 00:34:18,611 --> 00:34:19,378 >> Jimmy: WOULD YOU CONSIDER 1304 00:34:19,378 --> 00:34:19,979 YOURSELF TO BE FAILED OR 1305 00:34:19,979 --> 00:34:20,312 FRUSTRATED? 1306 00:34:20,312 --> 00:34:22,815 OR BOTH? 1307 00:34:22,815 --> 00:34:25,051 >> I THINK A BIT OF BOTH, 1308 00:34:25,051 --> 00:34:25,384 REALLY. 1309 00:34:25,384 --> 00:34:25,952 >> Jimmy: YEAH. 1310 00:34:25,952 --> 00:34:26,419 >> YEAH. 1311 00:34:26,419 --> 00:34:27,086 >> Jimmy: WHAT WAS THE NAME OF 1312 00:34:27,086 --> 00:34:29,322 THE BAND THAT YOU'RE IN? 1313 00:34:29,322 --> 00:34:30,056 >> OH. 1314 00:34:30,056 --> 00:34:32,058 SO WE WERE HEAVILY INTO FRANK 1315 00:34:32,058 --> 00:34:34,327 ZAPPA WHEN WE WERE ‐‐ STILL AM. 1316 00:34:34,327 --> 00:34:36,262 BUT WE DISCOVERED FRANK ZAPPA AT 1317 00:34:36,262 --> 00:34:38,197 A VERY SORT OF ‐‐ THAT AGE WHERE 1318 00:34:38,197 --> 00:34:40,232 YOU JUST ABSORB THINGS. 1319 00:34:40,232 --> 00:34:42,902 AND HE WAS THE ‐‐ HE BLEW OUR 1320 00:34:42,902 --> 00:34:43,469 MINDS. 1321 00:34:43,469 --> 00:34:46,138 SO WE LOVED HIS ALBUM "HOT RATS" 1322 00:34:46,138 --> 00:34:47,707 THAT HE MADE I THINK IN '69. 1323 00:34:47,707 --> 00:34:49,675 THERE WAS A TUNE ON THAT RECORD 1324 00:34:49,675 --> 00:34:52,378 CALLED "SONS OF MR. GREEN 1325 00:34:52,378 --> 00:34:52,711 JEANS." 1326 00:34:52,711 --> 00:34:53,546 WE NICKED THAT. 1327 00:34:53,546 --> 00:34:56,482 >> Jimmy: I KNOW ON "PEAKY 1328 00:34:56,482 --> 00:34:58,184 BLINDERS," YOU HAVE WELL‐KNOWN, 1329 00:34:58,184 --> 00:34:59,485 GREAT MUSICIANS CONTRIBUTING 1330 00:34:59,485 --> 00:35:00,620 SONGS TO THE SOUND TRANSACTION. 1331 00:35:00,620 --> 00:35:00,985 I THINK ‐‐ 1332 00:35:00,985 --> 00:35:04,023 >> YEAH. 1333 00:35:04,023 --> 00:35:05,524 >> Jimmy: WHO ELSE WAS ON THAT 1334 00:35:05,524 --> 00:35:05,858 SOUNDTRACK? 1335 00:35:05,858 --> 00:35:06,659 >> OH, MAN. 1336 00:35:06,659 --> 00:35:09,228 WE'VE HAD ‐‐ WE'VE BEEN REALLY 1337 00:35:09,228 --> 00:35:09,593 LUCKY. 1338 00:35:09,593 --> 00:35:14,233 NICK CAVE HAS BEEN GENEROUS, 1339 00:35:14,233 --> 00:35:16,068 RADIOHEAD, P. J. HARVEY, TOM 1340 00:35:16,068 --> 00:35:17,136 WAITS, WHITE STRIPES. 1341 00:35:17,136 --> 00:35:18,938 >> Jimmy:ARE YOU INVOLVED IN 1342 00:35:18,938 --> 00:35:20,039 THAT AT ALL, AS FAR AS 1343 00:35:20,039 --> 00:35:20,606 CONTACTING THESE PEOPLE OR 1344 00:35:20,606 --> 00:35:22,608 TALKING TO THEM ABOUT IT? 1345 00:35:22,608 --> 00:35:25,144 >> I DO WHAT I CAN. 1346 00:35:25,144 --> 00:35:26,545 THE TIMES THAT I'VE MET 1347 00:35:26,545 --> 00:35:27,947 MUSICIANS, THEY SEEM TO REALLY 1348 00:35:27,947 --> 00:35:29,382 LIKE THE SHOW. 1349 00:35:29,382 --> 00:35:31,550 MAYBE IT'S BECAUSE OF THE MUSIC. 1350 00:35:31,550 --> 00:35:32,485 OR THE TEAMS. 1351 00:35:32,485 --> 00:35:33,552 I DON'T REALLY KNOW. 1352 00:35:33,552 --> 00:35:35,087 THEY SEEM TO BE INTO IT AND 1353 00:35:35,087 --> 00:35:36,389 THEY'VE BEEN REALLY GENEROUS IN 1354 00:35:36,389 --> 00:35:38,124 GIVING THE MUSIC, LIKE I SAID. 1355 00:35:38,124 --> 00:35:38,591 >> Jimmy: RIGHT. 1356 00:35:38,591 --> 00:35:40,226 I DON'T KNOW THAT THERE'S ANY 1357 00:35:40,226 --> 00:35:42,128 OTHER SHOW THAT HAS A SOUNDTRACK 1358 00:35:42,128 --> 00:35:43,863 THAT IS THAT ‐‐ I MEAN, MAYBE 1359 00:35:43,863 --> 00:35:45,297 SINCE "THE SOPRANOS" OR 1360 00:35:45,297 --> 00:35:45,765 SOMETHING LIKE THAT. 1361 00:35:45,765 --> 00:35:46,265 >> YEAH. 1362 00:35:46,265 --> 00:35:48,567 >> Jimmy: THAT'S THAT HEAVY, YOU 1363 00:35:48,567 --> 00:35:48,900 KNOW. 1364 00:35:48,900 --> 00:35:49,835 >> WE'RE REALLY LUCKY. 1365 00:35:49,835 --> 00:35:52,505 IT ALL STARTED WITH NICK CAVE, 1366 00:35:52,505 --> 00:35:54,473 THAT TUNE," RED RIGHT HAND," SET 1367 00:35:54,473 --> 00:35:54,974 THE TONE. 1368 00:35:54,974 --> 00:35:57,510 >> Jimmy: HE PLANTED THE BAD 1369 00:35:57,510 --> 00:35:58,377 SEEDS. 1370 00:35:58,377 --> 00:36:00,413 AND FROM A SOUNDTRACK GREW. 1371 00:36:00,413 --> 00:36:01,013 >> THERE YOU GO. 1372 00:36:01,013 --> 00:36:02,081 >> Jimmy: I DON'T THINK I CAN 1373 00:36:02,081 --> 00:36:04,183 END IT MORE POETICALLY THAN 1374 00:36:04,183 --> 00:36:04,517 THAT. 1375 00:36:04,517 --> 00:36:04,850 [ LAUGHTER ] 1376 00:36:04,850 --> 00:36:07,053 THE MOVIE IS VERY GOOD AND VERY 1377 00:36:07,053 --> 00:36:07,620 SCARY. 1378 00:36:07,620 --> 00:36:09,655 "A QUIET PLACE PART II" IS THE 1379 00:36:09,655 --> 00:36:09,988 MOVIE. 1380 00:36:09,988 --> 00:36:11,857 IT IS IN THEATERS, MOVIE 1381 00:36:11,857 --> 00:36:13,492 THEATERS, WE CAN GO TO THEM IN 1382 00:36:13,492 --> 00:36:15,061 AMERICA NOW. 1383 00:36:15,061 --> 00:36:15,995 CILLIAN MURPHY, EVERYBODY. 1384 00:36:15,995 --> 00:36:16,495 [ CHEERS AND APPLAUSE ] 1385 00:36:16,495 --> 00:36:17,697 THANK YOU, CILLIAN, APPRECIATE 1386 00:36:17,697 --> 00:36:18,061 IT. 1387 00:36:18,061 --> 00:36:18,564 GET SOME REST. 1388 00:36:18,564 --> 00:36:19,165 WE'LL BE BACK WITH THE LINDA 1389 00:36:19,165 --> 00:36:19,699 LINDAS! 1390 00:36:29,275 --> 00:36:30,509 >> Dicky: THE "JIMMY KIMMEL 1391 00:36:30,509 --> 00:36:31,010 LIVE" CONCERT SERIES IS 1392 00:36:31,010 --> 00:36:31,577 PRESENTED BY MERCEDES‐BENZ. 1393 00:36:31,577 --> 00:36:35,915 THE BEST OR NOTHING. 1394 00:36:35,981 --> 00:36:38,818 >> Jimmy: AND NOW MAKING THEIR 1395 00:36:38,818 --> 00:36:41,053 LATE‐NIGHT TELEVISION DEBUT, 1396 00:36:41,053 --> 00:36:42,555 WITH THE SONGS, "RACIST SEXIST 1397 00:36:42,555 --> 00:36:43,155 BOY" AND "CLAUDIA KISHI" ‐‐ THE 1398 00:36:43,155 --> 00:36:43,956 LINDA LINDAS! 1399 00:36:43,956 --> 00:36:47,359 [ CHEERS AND APPLAUSE ] 1400 00:36:51,330 --> 00:36:51,695 ♪ 1401 00:36:51,695 --> 00:36:57,103 ♪ 1402 00:36:57,103 --> 00:37:01,373 ♪ RACIST, SEXIST BOY 1403 00:37:01,373 --> 00:37:02,374 YOU ARE A RACIST 1404 00:37:02,374 --> 00:37:07,379 SEXIST BOY ♪ 1405 00:37:07,379 --> 00:37:08,848 ♪ AND TO HAVE 1406 00:37:08,848 --> 00:37:15,121 REALLY DANGEROUS TOYS 1407 00:37:15,121 --> 00:37:15,855 FAKE DANCE SHOOT ♪ 1408 00:37:15,855 --> 00:37:16,822 ♪ AND DESTROY 1409 00:37:16,822 --> 00:37:17,590 YOU ARE A RACIST 1410 00:37:17,590 --> 00:37:21,327 SEXIST BOY ♪ 1411 00:37:21,327 --> 00:37:23,329 ♪ YOU SAY MEAN STUFF AND 1412 00:37:23,329 --> 00:37:24,330 YOU CLOSE YOUR MIND TO 1413 00:37:24,330 --> 00:37:25,564 THINGS YOU DON'T LIKE ♪ 1414 00:37:25,564 --> 00:37:27,333 ♪ YOU TURN AWAY FROM 1415 00:37:27,333 --> 00:37:32,338 WHAT YOU DON'T WANNA SEE 1416 00:37:32,338 --> 00:37:35,107 RACIST SEXIST BOY ♪ 1417 00:37:35,107 --> 00:37:36,842 ♪ YOU ARE A RACIST 1418 00:37:36,842 --> 00:37:40,613 SEXIST BOY 1419 00:37:40,613 --> 00:37:41,614 AND YOU HAVE RACIST ♪ 1420 00:37:41,614 --> 00:37:45,618 ♪ SEXIST JOYS 1421 00:37:45,618 --> 00:37:48,120 WE REBUILD WHAT YOU DESTROY 1422 00:37:48,120 --> 00:37:49,155 YOU ARE A RACIST ♪ 1423 00:37:49,155 --> 00:37:55,828 ♪ SEXIST BOY 1424 00:37:55,828 --> 00:37:57,596 YOU SAY MEAN STUFF AND 1425 00:37:57,596 --> 00:37:58,831 YOU CLOSE YOUR MIND TO ♪ 1426 00:37:58,831 --> 00:38:00,099 ♪ THINGS YOU DON'T LIKE 1427 00:38:00,099 --> 00:38:01,567 YOU TURN AWAY FROM 1428 00:38:01,567 --> 00:38:05,337 WHAT YOU DON'T WANNA HEAR 1429 00:38:05,337 --> 00:38:07,606 POSER ♪ 1430 00:38:07,606 --> 00:38:09,875 ♪ RIFFRAFF 1431 00:38:09,875 --> 00:38:11,610 JERKFACE ♪ 1432 00:38:11,610 --> 00:38:21,353 ♪ HATER 1433 00:38:21,353 --> 00:38:23,823 RACIST SEXIST BOY ♪ 1434 00:38:23,823 --> 00:38:24,557 ♪ YOU ARE A RACIST 1435 00:38:24,557 --> 00:38:33,432 SEXIST BOY ♪ 1436 00:38:33,432 --> 00:38:39,738 ♪ 1437 00:38:39,738 --> 00:38:40,072 ♪ OOH OOH OOH 1438 00:38:40,072 --> 00:38:42,474 OOH OOH OOH 1439 00:38:42,474 --> 00:38:45,244 OOH OOH OOH ♪ 1440 00:38:45,244 --> 00:38:48,981 ♪ OOH OOH OOH 1441 00:38:48,981 --> 00:38:50,482 HER STYLE'S FUNKY 1442 00:38:50,482 --> 00:38:51,750 COOL AND FUN ♪ 1443 00:38:51,750 --> 00:38:52,985 ♪ AND TO ME SHE 1444 00:38:52,985 --> 00:38:54,854 IS NUMBER ONE 1445 00:38:54,854 --> 00:38:55,287 SHE'S NOT AFRAID ♪ 1446 00:38:55,287 --> 00:38:55,988 ♪ TO WEAR ALL PINK 1447 00:38:55,988 --> 00:38:57,223 SHE DON'T CARE 1448 00:38:57,223 --> 00:38:57,957 WHAT PEOPLE THINK ♪ 1449 00:38:57,957 --> 00:39:00,693 ♪ I AM CLAUDIA KISHI 1450 00:39:00,693 --> 00:39:03,696 YOU ARE CLAUDIA KISHI 1451 00:39:03,696 --> 00:39:06,999 SHE IS CLAUDIA KISHI ♪ 1452 00:39:06,999 --> 00:39:09,201 ♪ WE ARE CLAUDIA KISHI 1453 00:39:09,201 --> 00:39:11,737 HOLLOWED OUT BOOKS 1454 00:39:11,737 --> 00:39:12,972 TO HIDE HER TREATS ♪ 1455 00:39:12,972 --> 00:39:14,240 ♪ THEY STAY IN TIME 1456 00:39:14,240 --> 00:39:15,474 SHE GOES OFF BEAT ♪ 1457 00:39:15,474 --> 00:39:16,475 ♪ SHE WEARS RED HIGH 1458 00:39:16,475 --> 00:39:17,543 TOPS WITHOUT SOCKS 1459 00:39:17,543 --> 00:39:18,744 HER SENSE OF STYLE ♪ 1460 00:39:18,744 --> 00:39:19,745 ♪ IT REALLY ROCKS 1461 00:39:19,745 --> 00:39:21,747 I AM CLAUDIA KISHI 1462 00:39:21,747 --> 00:39:23,983 YOU ARE CLAUDIA KISHI ♪ 1463 00:39:23,983 --> 00:39:26,552 ♪ SHE IS CLAUDIA KISHI 1464 00:39:26,552 --> 00:39:30,456 WE ARE CLAUDIA KISHI 1465 00:39:30,456 --> 00:39:32,458 JUNK FOOD ART ♪ 1466 00:39:32,458 --> 00:39:33,726 ♪ STYLE AND MYSTERY 1467 00:39:33,726 --> 00:39:35,694 TALKIN' BOUT CLAUDIA KISHI 1468 00:39:35,694 --> 00:39:38,197 JUNK FOOD ART ♪ 1469 00:39:38,197 --> 00:39:39,198 ♪ STYLE AND MYSTERY 1470 00:39:39,198 --> 00:39:41,233 TALKIN' BOUT CLAUDIA KISHI 1471 00:39:41,233 --> 00:39:43,202 JUNK FOOD ART ♪ 1472 00:39:43,202 --> 00:39:43,969 ♪ STYLE AND MYSTERY 1473 00:39:43,969 --> 00:39:45,971 TALKIN' BOUT CLAUDIA KISHI 1474 00:39:45,971 --> 00:39:47,740 JUNK FOOD ART ♪ 1475 00:39:47,740 --> 00:39:48,741 ♪ STYLE AND MYSTERY 1476 00:39:48,741 --> 00:39:49,975 TALKIN' BOUT CLAUDIA KISHI 1477 00:39:49,975 --> 00:39:52,745 I AM CLAUDIA KISHI ♪ 1478 00:39:52,745 --> 00:39:56,248 ♪ YOU ARE CLAUDIA KISHI 1479 00:39:56,248 --> 00:39:58,651 SHE IS CLAUDIA KISHI 1480 00:39:58,651 --> 00:40:01,353 WE ARE CLAUDIA KISHI ♪ 1481 00:40:01,353 --> 00:40:05,724 ♪ OOH OOH OOH 1482 00:40:05,724 --> 00:40:08,027 OOH OOH OOH OOH ♪ 1483 00:40:08,027 --> 00:40:12,698 [ CHEERS AND APPLAUSE ] 1484 00:40:12,698 --> 00:40:13,265 >> Dicky: THE "JIMMY KIMMEL 1485 00:40:13,265 --> 00:40:13,999 LIVE" CONCERT SERIES IS 1486 00:40:13,999 --> 00:40:14,566 PRESENTED BY MERCEDES‐BENZ. 1487 00:40:14,566 --> 00:40:18,437 THE BEST OR NOTHING. 1488 00:40:21,273 --> 00:40:21,774 [ CHEERS AND APPLAUSE ] 1489 00:40:21,774 --> 00:40:22,274 >> Jimmy: THAT WAS FUN. 1490 00:40:22,274 --> 00:40:23,943 I WANT TO THANK MICHAEL CHE, 1491 00:40:24,009 --> 00:40:25,010 DAVID CHAPPELLE, CILLIAN MURPHY, AND THESE 1492 00:40:25,010 --> 00:40:27,413 LADIES, THE LINDA LINDAS. 1493 00:40:27,413 --> 00:40:28,647 THAT WAS VERY WELL DONE. 1494 00:40:28,647 --> 00:40:31,417 ARE YOU IN THE MARKET FOR A 1495 00:40:31,417 --> 00:40:31,784 CLARINET PLAYER? 1496 00:40:31,784 --> 00:40:32,818 I'D LIKE TO JOIN THE BAND. 1497 00:40:32,818 --> 00:40:35,754 APOLOGIES TO MATT DAMON. 1498 00:40:35,754 --> 00:40:36,155 "NIGHTLINE" IS NEXT. 1499 00:40:36,155 --> 00:40:40,793 GOOD NIGHT, EVERYBODY.