1 00:00:00,033 --> 00:00:01,768 >> Dicky: FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE"! 2 00:00:01,768 --> 00:00:04,271 TONIGHT, EMILY BLUNT, DIEGO BONETA, 3 00:00:04,271 --> 00:00:10,911 AND MUSIC FROM AMERICAN IDOL WINNER CHAYCE BECKHAM. 4 00:00:10,911 --> 00:00:14,948 AND NOW, JIMMY KIMMEL! 5 00:00:14,948 --> 00:00:15,449 [ CHEERS AND APPLAUSE ] 6 00:00:15,449 --> 00:00:16,483 >> Jimmy: HERE I AM. HI, I'M JIMMY, I'M THE HOST. 7 00:00:16,483 --> 00:00:18,018 THANKS FOR WATCHING. A SPECIAL WELCOME TO THE NIGHT 8 00:00:18,018 --> 00:00:21,421 OWLS. SOME OF WHOM, AND I WISH I HAD 9 00:00:21,421 --> 00:00:26,326 GIVEN YOU A HEADS‐UP ABOUT THIS LAST NIGHT, BUT LAST NIGHT 10 00:00:26,326 --> 00:00:28,462 STARTING AROUND 2:00 A. M. HERE IN L. A., SOMETHING MAGIC 11 00:00:28,462 --> 00:00:30,197 HAPPENED IN THE SKY. WE HAD A SUPER MOON AND A BLOOD 12 00:00:30,197 --> 00:00:32,766 MOON. WHICH TEAMED UP TO FORM A "SUPER 13 00:00:32,766 --> 00:00:34,635 FLOWER BLOOD MOON." THE FLOWER PART MEANS YOU WERE 14 00:00:34,635 --> 00:00:35,302 HIGH WHEN YOU SAW IT. 15 00:00:35,302 --> 00:00:37,738 [ LAUGHTER ] 16 00:00:37,738 --> 00:00:39,740 A "SUPER FLOWER BLOOD MOON" HAPPENS WHEN THERE'S A SUPERMOON 17 00:00:39,740 --> 00:00:42,676 AND A LUNAR ECLIPSE AT THE SAME TIME. 18 00:00:42,676 --> 00:00:44,978 THIS IS WHAT IT LOOKED LIKE OVER AUSTRALIA. 19 00:00:44,978 --> 00:00:46,480 THIS IS THE KIND OF THING WE USED TO BE INTERESTED IN BEFORE 20 00:00:46,480 --> 00:00:47,948 WE HAD INSTAGRAM. 21 00:00:47,948 --> 00:00:50,918 [ LAUGHTER ] 22 00:00:50,918 --> 00:00:53,620 IT WAS VISIBLE HERE. UNFORTUNATELY, I HAD ALREADY 23 00:00:53,620 --> 00:00:55,188 MADE PLANS TO STARE AT A DIFFERENT PART OF THE SKY AT 24 00:00:55,188 --> 00:00:58,258 THAT TIME. DID YOU SEE IT, GUILLERMO? 25 00:00:58,258 --> 00:01:00,160 >> Guillermo: NO, I DIDN'T NOT SEE IT. 26 00:01:00,160 --> 00:01:01,428 >> Jimmy: YOU DIDN'T SEE IT? 27 00:01:01,428 --> 00:01:01,895 >> Guillermo: NO. 28 00:01:01,895 --> 00:01:05,901 >> Jimmy: AM I NUTS OR DID WE NOT HAVE SUPERMOONS WHEN WE WERE 29 00:01:05,901 --> 00:01:06,266 KIDS? 30 00:01:06,266 --> 00:01:06,867 >> Guillermo: NO, WE DIDN'T. 31 00:01:06,867 --> 00:01:09,169 >> Jimmy: RIGHT. WE HAD MOON PIES. NO SUPER MAPS. 32 00:01:09,169 --> 00:01:09,536 [ LAUGHTER ] 33 00:01:09,536 --> 00:01:10,671 IT SEEMS LIKE WE HAVE A ONCE‐IN‐A‐LIFETIME ASTRONOMICAL 34 00:01:10,671 --> 00:01:11,371 EVENT EVERY SIX WEEKS NOW. 35 00:01:11,371 --> 00:01:12,139 [ LAUGHTER ] 36 00:01:12,139 --> 00:01:15,776 SPEAKING OF ONCE‐IN‐A‐LIFETIME EVENTS, THE WALLS ARE CLOSING IN 37 00:01:15,776 --> 00:01:19,246 ON DONALD JESSICA TRUMP. 38 00:01:19,246 --> 00:01:19,746 [ CHEERS AND APPLAUSE ] 39 00:01:19,746 --> 00:01:21,515 LAST WEEK WE LEARNED, OFFICIALLY, THAT THE TRUMP 40 00:01:21,515 --> 00:01:23,283 ORGANIZATION WAS UNDER CRIMINAL INVESTIGATION IN NEW YORK. 41 00:01:23,283 --> 00:01:25,519 AND NOW WE KNOW THAT THE MANHATTAN DISTRICT ATTORNEY HAS 42 00:01:25,519 --> 00:01:29,523 CONVENED A GRAND JURY TO DECIDE WHETHER OR NOT TO INDICT TRUMP. 43 00:01:29,523 --> 00:01:31,758 WHICH, CAN YOU IMAGINE DONALD TRUMP ON TRIAL? 44 00:01:31,758 --> 00:01:36,863 PUTTING THAT LITTLE ORANGE HAND ON A BIBLE, SUDDENLY THE BIBLE 45 00:01:36,863 --> 00:01:38,132 BURSTS INTO FLAMES. 46 00:01:38,132 --> 00:01:38,465 [ LAUGHTER ] 47 00:01:38,465 --> 00:01:40,267 HE ESCAPES IN THE CHAOS LIKE A BATMAN VILLAIN. 48 00:01:40,267 --> 00:01:41,868 [ LAUGHTER ] 49 00:01:41,868 --> 00:01:46,506 THE GRAND JURY HAS ALREADY BEEN SELECTED, THEY WILL MEET THREE 50 00:01:46,506 --> 00:01:48,108 DAYS A WEEK FOR A MINIMUM OF SIX MONTHS. AND THEN WHO KNOWS? 51 00:01:48,108 --> 00:01:49,710 MAYBE IT WILL HAPPEN. MAYBE HE'LL GO TO PRISON. 52 00:01:49,710 --> 00:01:53,480 [ CHEERS AND APPLAUSE ] 53 00:01:53,480 --> 00:01:56,450 I DON'T KNOW HOW I WOULD PROCESS THAT. ALTHOUGH I HAVE TO SAY, 54 00:01:56,450 --> 00:01:57,918 IT WOULDN'T REALLY BE THAT MUCH OF A CHANGE FROM THE LIFE HE'S 55 00:01:57,918 --> 00:02:01,388 LIVING NOW. HE'S TRAPPED IN THAT MAR‐A‐LAGO 56 00:02:01,388 --> 00:02:02,823 EATING CRAPPY FOOD, MAKING SMALL TALK. 57 00:02:02,823 --> 00:02:04,057 THE ONLY DIFFERENCE IS, IN JAIL HE'LL PLAY LESS GOLF AND HAVE 58 00:02:04,057 --> 00:02:07,027 MORE SEX. 59 00:02:07,027 --> 00:02:07,361 [ LAUGHTER ] 60 00:02:07,361 --> 00:02:13,000 OTHERWISE IT'S REALLY THE SAME. AND DOING INTERVIEWS WITH MARIA 61 00:02:13,000 --> 00:02:16,604 BARTIROMO FROM BEHIND A GLASS PARTITION. 62 00:02:16,604 --> 00:02:16,937 [ LAUGHTER ] 63 00:02:16,937 --> 00:02:18,405 SINCE HE GOT KICKED OFF SOCIAL MEDIA, PEOPLE ARE TALKING A LOT 64 00:02:18,405 --> 00:02:21,642 LESS ABOUT TRUMP ONLINE. INTERNET CHATTER ABOUT THE 65 00:02:21,642 --> 00:02:26,913 FORMER PRESIDENT HAS REACHED A FIVE‐YEAR LOW. 66 00:02:26,913 --> 00:02:29,883 LAST WEEK HIS WEBSITE, WHERE HE RELEASES ALL HIS STATEMENTS, HAD 67 00:02:29,883 --> 00:02:32,419 FEWER VISITORS THAN PETFINDER.COM AND THE RECIPE 68 00:02:32,419 --> 00:02:33,220 WEBSITE DELISH. 69 00:02:33,220 --> 00:02:36,390 [ LAUGHTER ] 70 00:02:36,390 --> 00:02:38,458 HE'S LIKE THE INSTA‐POT OF PRESIDENTS. 71 00:02:38,458 --> 00:02:40,327 [ LAUGHTER ] 72 00:02:40,327 --> 00:02:43,830 HE STILL HAS SOME DIE‐HARDS, BUT MOST PEOPLE PUT HIM IN THE BACK 73 00:02:43,830 --> 00:02:46,433 OF THE PANTRY AND MOVED ON WITH THEIR LIVES. 74 00:02:46,433 --> 00:02:47,501 [ LAUGHTER ] 75 00:02:47,501 --> 00:02:49,736 TEAM TRUMP IS FEELING THE HEAT AND HAVE RESORTED TO DESPERATE 76 00:02:49,736 --> 00:02:53,006 MEASURES TO BOOST THEIR PROFILE. A JOURNALIST NAMED 77 00:02:53,006 --> 00:02:56,576 KURT EICHENWALD POSTED A TEXT HE GOT FROM THE TRUMP CAMPAIGN. 78 00:02:56,576 --> 00:02:59,813 "THIS IS RIDICULOUS, KURT. WILL YOU JOIN TRUMP'S NEW SITE? 79 00:02:59,813 --> 00:03:02,683 WE'VE TEXTED YOU 13X. FAIL TO RESPOND = TRUMP KNOWS 80 00:03:02,683 --> 00:03:09,156 YOU'VE ABANDONED HIM." HE KNOWS YOU'VE ABANDONED HIM, 81 00:03:09,156 --> 00:03:12,526 HE SEES YOU WHEN YOU'RE SLEEPING, HE KNOWS WHEN YOU'RE 82 00:03:12,526 --> 00:03:17,030 ABANDONING HIM AFTER 13 TEXT MESSAGES! 83 00:03:17,030 --> 00:03:18,298 A BUNCH OF PEOPLE ARE GETTING SIMILAR MESSAGES. 84 00:03:18,298 --> 00:03:20,067 "THIS IS RIDICULOUS, BEVERLY. WILL YOU JOIN TRUMP'S NEW SITE? 85 00:03:20,067 --> 00:03:26,773 WE'VE TEXTED YOU 13X. FAIL TO RESPOND = TRUMP KNOWS 86 00:03:26,773 --> 00:03:31,211 YOU'VE ABANDONED HIM." A WOMAN NAMED BARBARA, 20 DAYS 87 00:03:31,211 --> 00:03:35,348 IN A ROW THEY'VE CONTACTED THIS WOMAN, "FAIL TO RESPOND WITHIN 88 00:03:35,348 --> 00:03:39,352 ONE HOUR AND TRUMP WILL ASSUME YOU'VE SIDED WITH THE DEMES." 89 00:03:39,352 --> 00:03:40,120 EVEN HIS ROBOTEXTS ARE INSECURE. 90 00:03:40,120 --> 00:03:41,888 [ LAUGHTER ] 91 00:03:41,888 --> 00:03:46,326 MEANWHILE, WHILE DONALD IS SLIPPING OFF THE RADAR MELANIA 92 00:03:46,326 --> 00:03:47,527 HAS COMPLETELY DISAPPEARED OFF THE FATE OF THE EARTH. 93 00:03:47,527 --> 00:03:48,762 I'M ALMOST AT THE POINT WHERE I WONDER WHETHER SHE EVER EVEN 94 00:03:48,762 --> 00:03:49,329 EXISTED IN THE FIRST PLACE? 95 00:03:49,329 --> 00:03:51,031 [ LAUGHTER ] 96 00:03:51,031 --> 00:03:54,968 MAYBE SHE WAS A SERIES OF EXTRAS FROM SLOVENIAN CENTRAL CASTING. 97 00:03:54,968 --> 00:03:56,303 [ LAUGHTER ] 98 00:03:56,303 --> 00:04:02,542 DONALD IS KEEPING HIMSELF BUSY AND RELEVANT WITH APPEARANCE 99 00:04:02,542 --> 00:04:06,012 OSLO‐RENT CABLE NEWS CHANNELS LIKE NEWSMAX. 100 00:04:06,012 --> 00:04:09,583 HE DID AN INTERVIEW WITH NEWSMAX LAST NIGHT WHERE HE HAD A LOT TO 101 00:04:09,583 --> 00:04:11,151 SAY ABOUT A CERTAIN SUBJECT. 102 00:04:11,151 --> 00:04:16,423 >> YOU GO TO PALM SPRINGS, TAKE A LOOK AT THOSE WIND FARMS, THEY 103 00:04:16,423 --> 00:04:18,759 LOOK LIKE JUNKYARDS. WINDM WINDMILLS, YOU LOOK AT SOME OF 104 00:04:18,759 --> 00:04:21,461 THESE BEAUTIFUL FARMS, WIND MILES, AFTER TEN YEARS THEY HAVE 105 00:04:21,461 --> 00:04:26,600 TO BE REPLACED. WHEN THEY MAKE THESE WIND MILES, 106 00:04:26,600 --> 00:04:29,669 WHICH ARE ALL MADE IN CHINA, THEY RUST AND ROT. 107 00:04:29,669 --> 00:04:32,005 THEY HAVE WINDMILLS ALL OVER THE PLACE. 108 00:04:32,005 --> 00:04:36,409 THEY'RE PUTTING WIND MILLS ALL OVER THE ENVIRONMENT. 109 00:04:36,409 --> 00:04:41,115 THEY RUIN THE ENVIRONMENT, THEY KILL THE BIRDS I'M NOT A FAN. 110 00:04:41,115 --> 00:04:41,448 [ APPLAUSE ] 111 00:04:41,448 --> 00:04:45,318 >> Jimmy: THAT'S WHY HE'S NOT A FAN. 112 00:04:45,318 --> 00:04:52,492 TRY GORILLA GLUE. DONALD QUIJOTE WORRIED 113 00:04:52,492 --> 00:04:57,564 ABOUT WINDMILLS. EVER SINCE PENTAGON AND MILITARY 114 00:04:57,564 --> 00:04:59,633 OFFICIALS WENT PUBLIC WITH THEIR THOUGHTS ON UFOs OR UAPs 115 00:04:59,633 --> 00:05:01,067 AS THEY NOW CALL THEM. EVER SINCE THAT BIG "60 MINUTES" 116 00:05:01,067 --> 00:05:02,569 SEGMENT A WEEK OR TWO BACK MANY PEOPLE INCLUDING MEMBERS OF 117 00:05:02,569 --> 00:05:04,070 CONGRESS HAVE BEEN TAKING THIS ISSUE SERIOUSLY MORE SO THAN 118 00:05:04,070 --> 00:05:06,473 EVER BEFORE. BUT THE QANON CROWD OF ALL 119 00:05:06,473 --> 00:05:09,442 PEOPLE IS NOT BUYING IT. THE QANUTS HAVE A THEORY WHICH 120 00:05:09,442 --> 00:05:14,748 IS THAT ALL THIS TALK OF UFOs IS A DEEP STATE CONSPIRACY TO 121 00:05:14,748 --> 00:05:20,287 DISTRACT US FROM VOTER FRAUD AND THE TRUTH ABOUT THE "SCAMDEMIC." 122 00:05:20,287 --> 00:05:20,620 [ LAUGHTER ] 123 00:05:20,620 --> 00:05:23,056 TOO CRAZY TO BELIEVE IN UFOs IS A NEW LEVEL OF CRAZY, BY THE WAY. 124 00:05:23,056 --> 00:05:24,057 [ LAUGHTER ] 125 00:05:24,057 --> 00:05:26,993 AND THEY'RE NOT JUST SKEPTICAL, THAT'S THE THING, THEY'RE 126 00:05:26,993 --> 00:05:28,795 CONVINCED. THEY ARE ABSOLUTELY SURE THAT 127 00:05:28,795 --> 00:05:33,700 THIS IS A DISTRACTION. WHICH I'M NOT EVEN SURE THAT 128 00:05:33,700 --> 00:05:36,570 JEFF GOLDBLUM IS A REAL PERSON, AND HE LIVES ON MY BLOCK, OKAY? 129 00:05:36,570 --> 00:05:37,270 [ LAUGHTER ] 130 00:05:37,270 --> 00:05:40,173 THAT'S HOW YOU KNOW SOMEONE IS IRRATIONAL. 131 00:05:40,173 --> 00:05:44,477 RATIONAL PEOPLE HEDGE A LITTLE. THEY'RE NOT COMPLETELY ‐‐ THEY 132 00:05:44,477 --> 00:05:46,813 SAY THINGS LIKE, "IT'S POSSIBLE, WE DON'T HAVE ALL THE 133 00:05:46,813 --> 00:05:49,416 INFORMATION YET, BUT HERE'S WHAT I THINK." 134 00:05:49,416 --> 00:05:50,717 THEY DON'T SAY, "I'M 100% CONFIDENT OPRAH IS A WITCH. 135 00:05:50,717 --> 00:05:53,821 IT'S THE ONLY WAY HER POWERS CAN BE EXPLAINED!" 136 00:05:53,821 --> 00:05:54,154 [ LAUGHTER ] 137 00:05:54,154 --> 00:05:56,089 THEY DON'T DO THAT. ALL THESE CONSPIRACIES ABOUT 138 00:05:56,089 --> 00:06:02,329 VACCINES, ELECTION FRAUD, CLIMATE DENIAL, GOVERNMENT 139 00:06:02,329 --> 00:06:05,498 PEDOPHILE RINGS ‐‐ THE REASON PEOPLE BELIEVE THEM IS BECAUSE 140 00:06:05,498 --> 00:06:07,534 REALITY IS BORING. IT'S MORE INTERESTING TO BE PART 141 00:06:07,534 --> 00:06:12,305 OF A GROUP THAT CRACKS A BIG CONSPIRACY LIKE THIS. 142 00:06:12,305 --> 00:06:17,811 YOU HAVE A COMMUNITY, A SENSE OF PURPOSE, AN ENEMY TO RALLY 143 00:06:17,811 --> 00:06:20,413 AGAINST, IT'S LITERALLY A NO‐BRAINER, PEOPLE ‐‐ 144 00:06:20,413 --> 00:06:21,782 >> WAIT, LET ME SPEAK! 145 00:06:21,782 --> 00:06:22,115 [ LAUGHTER ] 146 00:06:22,115 --> 00:06:23,250 I HAVE SOMETHING TO SAY! 147 00:06:23,250 --> 00:06:27,721 >> Jimmy: WELL ‐‐ OKAY. WE'RE KIND OF ‐‐ ARE YOU ‐‐ ARE 148 00:06:27,721 --> 00:06:28,321 YOU ‐‐ 149 00:06:28,321 --> 00:06:29,522 >> KEN. KEN. 150 00:06:29,522 --> 00:06:31,691 >> Jimmy: I WAS GOING TO SAY, BIGFOOT. 151 00:06:31,691 --> 00:06:34,862 >> WELL, I AM A BIGFOOT, BUT MY NAME IS KEN. 152 00:06:34,862 --> 00:06:35,195 [ LAUGHTER ] 153 00:06:35,195 --> 00:06:37,998 >> Jimmy: OKAY. HI, KEN. NICE TO MEET YOU. 154 00:06:37,998 --> 00:06:40,066 I'M KIND OF IN THE MIDDLE OF THE MONOLOGUE ‐‐ 155 00:06:40,066 --> 00:06:40,800 >> LET ME SPEAK! 156 00:06:40,800 --> 00:06:43,503 >> Jimmy: OKAY! ALL RIGHT! 157 00:06:43,503 --> 00:06:43,837 >> THANK YOU. 158 00:06:43,837 --> 00:06:44,504 >> Jimmy: ALL RIGHT. 159 00:06:44,504 --> 00:06:47,540 ♪ 160 00:06:47,540 --> 00:06:50,777 >> HI QANON, IT'S ME. KEN. "BIGFOOT." 161 00:06:50,777 --> 00:06:55,582 WHATEVER, THEY'RE NOT THAT BIG. 162 00:06:55,582 --> 00:06:56,516 [ LAUGHTER ] 163 00:06:56,516 --> 00:06:58,718 FOR MANY YEARS, YOU PEOPLE HAVE BEEN SEARCHING FOR ME, AND 164 00:06:58,718 --> 00:07:02,722 I FELT LIKE IT WAS FINALLY TIME TO REVEAL MYSELF BECAUSE, 165 00:07:02,722 --> 00:07:04,224 WELL, HONESTLY? I MISS YOU. 166 00:07:04,224 --> 00:07:06,459 [ LAUGHTER ] 167 00:07:06,459 --> 00:07:09,462 REMEMBER WHEN YOU USED TO STAY UP ALL NIGHT BURNING THE 168 00:07:09,462 --> 00:07:10,897 MIDNIGHT METH, SCOURING LOGGING MAPS TRYING TO FIND ME? 169 00:07:10,897 --> 00:07:14,634 [ LAUGHTER ] 170 00:07:14,634 --> 00:07:15,802 OR LISTENING TO HOMEMADE SCANNERS, DESPERATELY HOPING TO 171 00:07:15,802 --> 00:07:18,805 PICK UP SIGNS OF UNEXPLAINED LIFE? BIGFOOT, SASQUATCH? 172 00:07:18,805 --> 00:07:26,279 UFO? CHUPACABRAS? 173 00:07:26,279 --> 00:07:27,681 [ LAUGHTER ] 174 00:07:27,681 --> 00:07:29,683 ANYWAY, REMEMBER HOW YOU USED TO GO AROUND TELLING PEOPLE YOU HAD 175 00:07:29,683 --> 00:07:31,217 YOUR BUTTS PROBED BY ALIENS? AS IF THAT WAS SOMETHING TO BE 176 00:07:31,217 --> 00:07:33,687 PROUD OF? 177 00:07:33,687 --> 00:07:35,188 [ LAUGHTER ] 178 00:07:35,188 --> 00:07:37,691 WELL, NOW WE HAVE CREDIBLE 179 00:07:37,691 --> 00:07:44,431 EVIDENCE OF UNEXPLAINED OBJECTS 180 00:07:44,431 --> 00:07:47,200 FLYING AROUND THE SKY. AND SUDDENLY YOU'RE NOT 181 00:07:47,200 --> 00:07:47,634 INTERESTED ANYMORE? 182 00:07:47,634 --> 00:07:48,034 [ LAUGHTER ] 183 00:07:48,034 --> 00:07:49,769 WHAT HAPPENED TO YOU? WHAT HAPPENED TO US? 184 00:07:49,769 --> 00:07:50,537 [ LAUGHTER ] 185 00:07:50,537 --> 00:07:55,041 WHERE ARE MY CRAZY PEOPLE AT? YOU USED TO BELIEVE EVERYTHING 186 00:07:55,041 --> 00:08:00,080 YOU OVERHEARD AT A FIREWORKS STAND. NOW YOU'RE ABOUT PFIZER? 187 00:08:00,080 --> 00:08:01,982 THE SAME PEOPLE WHO MAKE YOUR BONER PILLS? 188 00:08:01,982 --> 00:08:03,216 [ LAUGHTER ] 189 00:08:03,216 --> 00:08:06,453 YOU THINK THEY'RE TRACKING YOU? SO WHAT IF THEY ARE TRACKING YOU? 190 00:08:06,453 --> 00:08:09,723 WELCOME TO MY [ BLEEP ] WORLD! 191 00:08:09,723 --> 00:08:12,459 [ LAUGHTER AND APPLAUSE ] 192 00:08:12,459 --> 00:08:14,794 >> Jimmy: ALL RIGHT, WELL. THANK YOU. THANK YOU, KEN. 193 00:08:14,794 --> 00:08:17,931 I KNOW WE ALL APPRECIATE IT ‐‐ 194 00:08:17,931 --> 00:08:18,565 >> LOOK! 195 00:08:18,565 --> 00:08:19,399 >> Jimmy: OKAY, ALL RIGHT, ALL RIGHT. 196 00:08:19,399 --> 00:08:20,900 [ LAUGHTER ] 197 00:08:20,900 --> 00:08:22,402 >> I'M NOT TRYING TO SAY THAT I SHOULD BE THE CENTER OF YOUR 198 00:08:22,402 --> 00:08:27,173 WORLD. I JUST ‐‐ WELL ‐‐ I'M JUST A HIDEOUS, 11 FOOT TALL 199 00:08:27,173 --> 00:08:29,776 FOREST MONSTER WITH POOP CAKED IN HIS FUR. 200 00:08:29,776 --> 00:08:31,544 [ LAUGHTER ] 201 00:08:31,544 --> 00:08:34,948 STANDING IN FRONT OF A GROUP OF RADICALIZED WEIRDOS, ASKING YOU 202 00:08:34,948 --> 00:08:37,484 TO STALK ME. 203 00:08:37,484 --> 00:08:40,754 [ LAUGHTER ] 204 00:08:40,754 --> 00:08:44,424 >> Jimmy: ALL RIGHT, WELL, THAT WAS WEIRDLY TOUCHING. THANK YOU. 205 00:08:44,424 --> 00:08:45,959 >> THANK YOU. THANK YOU FOR YOUR TIME. 206 00:08:45,959 --> 00:08:47,961 >> Jimmy: MY PLEASURE, MY PLEASURE. 207 00:08:47,961 --> 00:08:48,461 [ CHEERS AND APPLAUSE ] 208 00:08:48,461 --> 00:08:49,562 >> I'LL KILL YOU IN THE WOODS! 209 00:08:49,562 --> 00:08:51,965 >> Jimmy: OH, OKAY. ALL RIGHT. 210 00:08:51,965 --> 00:08:55,769 [ CHEERS AND APPLAUSE ] 211 00:08:55,769 --> 00:08:58,138 >> Jimmy: KEN? IT'S THAT WAY. KEN? 212 00:08:58,138 --> 00:09:03,109 YEAH, RIGHT BACK THROUGH THERE. THANK YOU. THAT WAS KEN. 213 00:09:03,109 --> 00:09:05,645 GUILLERMO, A BIGFOOT BURSTS IN, YOU DO NOTHING? 214 00:09:05,645 --> 00:09:09,315 YOU JUST SIT THERE? 215 00:09:09,315 --> 00:09:14,254 >> Guillermo: HE WAS [ BLEEP ]. 216 00:09:14,254 --> 00:09:14,587 >> Jimmy: OH. 217 00:09:14,587 --> 00:09:18,324 [ LAUGHTER AND APPLAUSE ] 218 00:09:18,324 --> 00:09:21,964 >> Jimmy: WOW, YOU'RE A REAL ACE VENTURA PET DETECTIVE, AREN'T 219 00:09:21,964 --> 00:09:22,328 YOU? 220 00:09:22,328 --> 00:09:24,197 [ LAUGHTER ] 221 00:09:24,197 --> 00:09:26,332 MY GOD. YOU'RE HAMMERED, AREN'T YOU, 222 00:09:26,332 --> 00:09:27,434 RIGHT NOW? 223 00:09:27,434 --> 00:09:28,001 >> Guillermo: NO. 224 00:09:28,001 --> 00:09:29,102 >> Jimmy: ARE YOU VERY DRUNK RIGHT NOW? 225 00:09:29,102 --> 00:09:32,205 >> Guillermo: NO, ONLY HAD ONE. 226 00:09:32,205 --> 00:09:32,539 [ LAUGHTER ] 227 00:09:32,539 --> 00:09:37,544 >> Jimmy: A LITTLE, ALL RIGHT. EMILY BLUNT IS HERE TONIGHT. 228 00:09:37,544 --> 00:09:43,149 PROVIDED KEN DOESN'T GET HER. 229 00:09:43,149 --> 00:09:43,650 [ CHEERS AND APPLAUSE ] 230 00:09:43,650 --> 00:09:48,221 DIEGO BENETO IS HERE TOO. 231 00:09:48,221 --> 00:09:53,893 EMILY IS PART OF "A QUIET PLACE PART II," THE VERY LONG‐AWAITED 232 00:09:53,893 --> 00:09:55,695 SEQUEL TO "A QUIET PLACE." THE SEQUEL WAS SUPPOSED TO COME 233 00:09:55,695 --> 00:09:57,564 OUT LAST YEAR BUT THEY HIT THE PAUSE BUTTON BECAUSE OF THE 234 00:09:57,564 --> 00:09:58,465 PANDEMIC. WHICH MEANT WE HAD TO SHELVE OUR 235 00:09:58,465 --> 00:09:59,632 REVIEW OF THE FILM BY OUR IN‐HOUSE MOVIE CRITIC, YEHYA WHO 236 00:09:59,632 --> 00:10:00,800 MOVED TO EGYPT BUT NOT BEFORE WE GOT HIS THOUGHTS. 237 00:10:00,800 --> 00:10:02,268 HERE IS YEHYA THE LOUDEST OF THEM ALL TALKING ABOUT "A QUIET 238 00:10:02,268 --> 00:10:05,605 PLACE PART II." 239 00:10:05,605 --> 00:10:06,106 [ CHEERS AND APPLAUSE ] 240 00:10:06,106 --> 00:10:08,608 ♪ 241 00:10:08,608 --> 00:10:12,412 >> HI, IT'S ME, YEHYA. I TALK ABOUT THE NEW MOVIE. 242 00:10:12,412 --> 00:10:18,218 THE NEW MOVIE BEHIND ME IS CALLED "QUIET PLEASE." 243 00:10:18,218 --> 00:10:19,519 >> SHH! 244 00:10:19,519 --> 00:10:23,590 >> AND THAT PART II, LIKE EVERYBODY NIECE QUIET PLEASE. 245 00:10:23,590 --> 00:10:28,895 YOU HAVE ANIMAL, LIKE DINOSAUR, LIKE EVERYBODY HANG IN THE CAR, 246 00:10:28,895 --> 00:10:33,166 OH, BOOM, IT'S IN THE CAR, DONE. THE LEGEND, THE MOVIE. 247 00:10:33,166 --> 00:10:40,340 AND THEN MELISSA BLUNT. SHE'S ALSO IN THE MOVIE, THE 248 00:10:40,340 --> 00:10:43,510 PEOPLE DIE AND COME ALIVE, DIE AND COME ALIVE, SHE'S IN THE 249 00:10:43,510 --> 00:10:47,380 MOVIE, SHE TAKE CARE ABOUT THE KIDS, IT'S CALLED "MARY POPPINS." 250 00:10:47,380 --> 00:10:51,551 YOU KNOW POPPINS, LIKE A GREEK NAME. THERE'S A DIRECTOR FOR THAT 251 00:10:51,551 --> 00:10:55,255 MOVIE, HER HUSBAND. HIS NAME? WHAT HIS NAME? 252 00:10:55,255 --> 00:10:55,588 [ LAUGHTER ] 253 00:10:55,588 --> 00:10:59,759 HIS NAME ‐‐ CHRIS? 254 00:10:59,759 --> 00:11:01,394 [ BUZZER ] 255 00:11:01,394 --> 00:11:03,696 HIS HUSBAND NAME JEFF? 256 00:11:03,696 --> 00:11:04,831 [ BUZZER ] 257 00:11:04,831 --> 00:11:06,900 >> DENNIS, MICHAEL, MARK, STEVE? 258 00:11:06,900 --> 00:11:11,271 [ BUZZER ] 259 00:11:11,271 --> 00:11:14,841 TOMMY? BRAD? HER HUSBAND IS NAMED JOHN KA 260 00:11:14,841 --> 00:11:16,943 SUES ROW. 261 00:11:16,943 --> 00:11:19,979 [ BUZZER ] 262 00:11:19,979 --> 00:11:22,649 >> A BIG SHOW ON AMAZON, IT'S CALLED "JACK BLACK." 263 00:11:22,649 --> 00:11:26,619 IT'S GOOD MOVIE, IT'S SCARY MOVIE, MAYBE MAKE YOU [ BLEEP ] 264 00:11:26,619 --> 00:11:28,354 YOUR PANTS. I'LL SEE YOU NEXT TIME? 265 00:11:28,354 --> 00:11:31,524 MAYBE NOT. WHO CARE? 266 00:11:31,524 --> 00:11:34,827 [ LAUGHTER ] 267 00:11:34,827 --> 00:11:35,328 [ CHEERS AND APPLAUSE ] 268 00:11:35,328 --> 00:11:37,063 >> Jimmy: THANK YOU, YEHYA. WE'VE GOT A GOOD SHOW FOR YOU 269 00:11:37,063 --> 00:11:39,399 TONIGHT. DIEGO BONETTA IS HERE. WE HAVE MUSIC FROM THE NEW 270 00:11:39,399 --> 00:11:40,600 "AMERICAN IDOL" CHASE BECKHAM. AND WE'LL BE RIGHT BACK WITH 271 00:11:40,600 --> 00:11:45,772 EMILY BLUNT. SO ‐‐ OH MY GOODNESS. 272 00:11:45,772 --> 00:11:48,541 STICK AROUND, WE'LL BE RIGHT BACK. 273 00:12:02,855 --> 00:12:07,126 >>> TONIGHT, FROM "LUIS MIGUEL: THE SERIES" ON NETFLIX, DIEGO 274 00:12:07,126 --> 00:12:09,729 BONETA IS HERE. THEN LATER ON SUNDAY HE WAS 275 00:12:09,729 --> 00:12:11,231 CROWNED THE NEW "AMERICAN IDOL" TONIGHT, HE IS HERE TO SING HIS 276 00:12:11,231 --> 00:12:12,966 SONG CALLED "TWENTY‐THREE" MUSIC FROM CHASE BECKHAM. 277 00:12:12,966 --> 00:12:13,733 [ CHEERS AND APPLAUSE ] 278 00:12:13,733 --> 00:12:15,201 TOMORROW NIGHT, EMMA STONE AND RORY SCOVEL WILL JOIN US WITH 279 00:12:15,201 --> 00:12:17,203 MUSIC FROM CHLOE MORIONDO. ONE YEAR AND TWO MONTHS AGO, OUR 280 00:12:17,203 --> 00:12:19,939 FIRST GUEST STOPPED BY TO PROMOTE HER TERRIFIC NEW MOVIE 281 00:12:19,939 --> 00:12:21,441 WRITTEN AND DIRECTED BY HER HUSBAND JOHN AND IT WAS SO MUCH 282 00:12:21,441 --> 00:12:25,211 FUN WE DECIDED TO DO IT ALL OVER AGAIN. 283 00:12:25,211 --> 00:12:27,714 "A QIET PLACE PART II" OPENS IN THEATERS FOR REAL THIS TIME ON 284 00:12:27,714 --> 00:12:32,852 FRIDAY. PLEASE WELCOME EMILY BLUNT. 285 00:12:32,852 --> 00:12:33,353 [ CHEERS AND APPLAUSE ] 286 00:12:33,353 --> 00:12:41,294 ♪ 287 00:12:41,294 --> 00:12:44,063 >> Jimmy: HOW ARE YOU? 288 00:12:44,063 --> 00:12:45,198 >> HOW ARE YOU? 289 00:12:45,198 --> 00:12:47,066 >> Jimmy: I'M VERY GOOD. IT'S VERY GOOD TO SEE YOU. 290 00:12:47,066 --> 00:12:48,201 I HAVEN'T SEEN YOU ‐‐ 291 00:12:48,201 --> 00:12:50,303 >> HELLO. 292 00:12:50,303 --> 00:12:51,104 >> Jimmy: ‐‐ IN A VERY LONG TIME. 293 00:12:51,104 --> 00:12:55,041 >> YOU KNOW, I REMEMBER, LAST TIME I WAS HERE, IT WAS RIGHT 294 00:12:55,041 --> 00:13:01,314 BEFORE THE WORLD SHUT DOWN. I HUGGED YOU AND I REMEMBER YOU 295 00:13:01,314 --> 00:13:03,349 SAYING IN MY EAR, SHOULD WE BE DOING THIS? 296 00:13:03,349 --> 00:13:04,450 AND I WENT, I DON'T KNOW. 297 00:13:04,450 --> 00:13:08,321 >> Jimmy: I THINK YOU AND MY WIFE MOLLY WENT TO DINNER 298 00:13:08,321 --> 00:13:11,524 AFTERWARDS AND MOLLY TALKS ABOUT THAT, MARCH 10th, 2020. 299 00:13:11,524 --> 00:13:12,859 I THINK YOU WERE TALKING ABOUT THE SCHOOLS IN BROOKLYN WERE 300 00:13:12,859 --> 00:13:14,827 GOING TO SHUT DOWN. 301 00:13:14,827 --> 00:13:17,730 >> I'M LIKE, SURELY THEY WON'T SHUT THE SCHOOLS DOWN. 302 00:13:17,730 --> 00:13:20,166 I WAS COMPLETELY CONVINCED IT WAS GOING TO BLOW OVER. 303 00:13:20,166 --> 00:13:23,503 >> Jimmy: SHE CAME HOME, YEAH, EMILY SAID THEY WERE GOING TO 304 00:13:23,503 --> 00:13:26,506 SHUT THE SCHOOLS IN BROOKLYN ‐‐ I WAS LIKE, BOY, WHEN I LIVED IN 305 00:13:26,506 --> 00:13:28,775 BROOKLYN, THEY WOULDN'T HAVE SHUT THE SCHOOLS DOWN. 306 00:13:28,775 --> 00:13:29,175 [ LAUGHTER ] 307 00:13:29,175 --> 00:13:32,245 >> THEY WOULD HAVE TOUGHED IT OUT. 308 00:13:32,245 --> 00:13:33,546 >> Jimmy: WE COULD HAVE TOUGHED IT THROUGH, FOR LUNCH WE WOULD 309 00:13:33,546 --> 00:13:36,282 HAVE HAD AN APPLE WITH A RAZOR BLADE IN IT, YEAH. 310 00:13:36,282 --> 00:13:36,616 [ LAUGHTER ] 311 00:13:36,616 --> 00:13:39,152 >> IT WAS SO SURREAL. AND I'VE BEEN PROMOTING THIS 312 00:13:39,152 --> 00:13:40,120 FILM FOR A YEAR. 313 00:13:40,120 --> 00:13:40,453 [ LAUGHTER ] 314 00:13:40,453 --> 00:13:41,521 >> Jimmy: FOR A YEAR. 315 00:13:41,521 --> 00:13:43,089 >> IT'S WORTH IT, GUYS, ALL RIGHT? 316 00:13:43,089 --> 00:13:44,557 >> Jimmy: AND THAT WAS ANOTHER THING. 317 00:13:44,557 --> 00:13:47,327 AND I WANT TO TALK ABOUT THE MOVIE AND WHATEVER. 318 00:13:47,327 --> 00:13:50,863 BUT WE WERE AT ‐‐ JUST AT THE POINT, THE MOVIE WAS ABOUT TO 319 00:13:50,863 --> 00:13:51,431 COME OUT. 320 00:13:51,431 --> 00:13:53,333 >> YEAH. 321 00:13:53,333 --> 00:13:54,901 >> Jimmy: AND THE MOVIE ‐‐ BY THE WAY, I FEEL KIND OF HAPPY 322 00:13:54,901 --> 00:13:57,537 ABOUT THIS, IN A WAY. I'M LIKE THE ORIGINAL PERSON IN 323 00:13:57,537 --> 00:13:58,905 AMERICA WHO'S SEEN THIS MOVIE. 324 00:13:58,905 --> 00:13:59,238 [ LAUGHTER ] 325 00:13:59,238 --> 00:14:02,575 >> YOU'RE NOT QUITE, BUT THERE WAS A ‐‐ DO YOU KNOW THERE WAS A 326 00:14:02,575 --> 00:14:02,909 PREMIERE? 327 00:14:02,909 --> 00:14:04,477 >> Jimmy: YES, THERE WAS A PREMIERE. 328 00:14:04,477 --> 00:14:07,146 >> THERE WAS A PREMIERE. 329 00:14:07,146 --> 00:14:10,083 >> Jimmy: I'LL HAVE ALL THOSE PEOPLE DESTROYED. 330 00:14:10,083 --> 00:14:10,416 [ LAUGHTER ] 331 00:14:10,416 --> 00:14:13,586 >> YOU'RE LIKE GENGHIS KHAN, KILLING OFF ANYONE WHO KNOWS 332 00:14:13,586 --> 00:14:13,986 ABOUT IT. 333 00:14:13,986 --> 00:14:16,423 >> Jimmy: THAT'S WHAT PEOPLE HAVE ALWAYS SAID ABOUT ME. 334 00:14:16,423 --> 00:14:16,756 [ LAUGHTER ] 335 00:14:16,756 --> 00:14:18,825 >> YOU ARE, THAT WORLD DOMINATION THING ABOUT YOU. 336 00:14:18,825 --> 00:14:23,062 >> Jimmy: IT IS A GREAT MOVIE. AND I LOVED THE FIRST "QUIET 337 00:14:23,062 --> 00:14:27,400 PLACE." AND I DARE SAY THAT IT IS BETTER 338 00:14:27,400 --> 00:14:28,000 THAN THE FIRST. 339 00:14:28,000 --> 00:14:30,169 >> I LOVE YOU BECAUSE I THINK IT'S BETTER THAN THE FIRST. 340 00:14:30,169 --> 00:14:30,837 >> Jimmy: WHICH IS WEIRD. 341 00:14:30,837 --> 00:14:31,504 >> YEAH. 342 00:14:31,504 --> 00:14:34,541 >> Jimmy: BECAUSE THE WHOLE CONCEPT WAS INTRODUCED TO US AT 343 00:14:34,541 --> 00:14:34,874 THAT POINT. 344 00:14:34,874 --> 00:14:37,777 >> YEAH, YEAH. IT IS REALLY ‐‐ I AM SO EXCITED, 345 00:14:37,777 --> 00:14:40,279 YOU KNOW, THAT PEOPLE ARE GOING TO GET TO SEE IT FINALLY, 346 00:14:40,279 --> 00:14:43,249 BECAUSE IT HAS BEEN THIS REALLY STRANGE THING THAT YOU KNOW YOU 347 00:14:43,249 --> 00:14:45,618 HAVE SOMETHING INCREDIBLE, AND YOU KNOW THAT EXPRESSION WHEN 348 00:14:45,618 --> 00:14:48,521 PEOPLE SAY, "OH, I CAN'T WAIT FOR YOU TO SEE IT." 349 00:14:48,521 --> 00:14:50,189 WELL, I HAD TO WAIT. 350 00:14:50,189 --> 00:14:50,523 [ LAUGHTER ] 351 00:14:50,523 --> 00:14:52,992 WE ACTUALLY DID HAVE TO WAIT. WAITING LIKE THIS. 352 00:14:52,992 --> 00:14:55,328 >> Jimmy: I REMEMBER TAKING PICTURES OF THE BILLBOARDS AND 353 00:14:55,328 --> 00:14:58,931 SENDING THEM TO YOU GUYS. LIKE HEY, I WONDER, WHEN DO YOU 354 00:14:58,931 --> 00:15:00,032 THINK IT'S ACTUALLY GOING TO COME OUT? 355 00:15:00,032 --> 00:15:02,835 >> I KNOW, I KNOW. AT LEAST NOW IT IS GOING TO HAVE 356 00:15:02,835 --> 00:15:05,806 ITS LIFE, AND IT IS SOMETHING THAT NEEDS TO BE SEEN IN THE 357 00:15:05,806 --> 00:15:06,139 THEATER. 358 00:15:06,139 --> 00:15:06,606 >> Jimmy: FOR SURE. 359 00:15:06,606 --> 00:15:09,609 >> IT'S SUCH A THEATRICAL EVENT. IT NEEDS THAT. 360 00:15:09,609 --> 00:15:14,447 >> Jimmy: MOST MOVIES I WOULD ARGUE, YOU DON'T REALLY HAVE TO. 361 00:15:14,447 --> 00:15:17,316 YOU CAN GET 95% OF IT IF YOU HAVE A NICE TV. 362 00:15:17,316 --> 00:15:18,518 >> A LOT OF PEOPLE DO. 363 00:15:18,518 --> 00:15:22,121 >> Jimmy: BUT THIS MOVIE, ESPECIALLY A MOVIE THAT'S SCARY. 364 00:15:22,121 --> 00:15:22,455 >> YEAH. 365 00:15:22,455 --> 00:15:25,258 >> Jimmy: A SCARY MOVIE AND A FUNNY MOVIE. 366 00:15:25,258 --> 00:15:25,691 >> YEAH. 367 00:15:25,691 --> 00:15:28,394 >> Jimmy: I THINK YOU REALLY WANT TO SEE IN THE THEATER. 368 00:15:28,394 --> 00:15:29,629 >> YOU DO, YOU DO. 369 00:15:29,629 --> 00:15:31,798 >> Jimmy: PEOPLE WILL SOON GET TO SEE IT IN THE THEATER. 370 00:15:31,798 --> 00:15:32,598 >> I'M VERY EXCITED. 371 00:15:32,598 --> 00:15:33,232 [ CHEERS AND APPLAUSE ] 372 00:15:33,232 --> 00:15:35,902 >> Jimmy: WHAT DID YOU MISS THE MOST DURING THIS TIME OF 373 00:15:35,902 --> 00:15:36,536 SOLITARY CONFINEMENT? 374 00:15:36,536 --> 00:15:39,138 >> I MEAN, I FEEL LIKE I MISSED TRAVELING. 375 00:15:39,138 --> 00:15:40,673 WE'VE HAD SOME GOOD TRIPS TOGETHER. 376 00:15:40,673 --> 00:15:41,073 >> Jimmy: YEAH. 377 00:15:41,073 --> 00:15:43,509 >> I MISS THAT. ALLURE OF TRAVEL, I MISS THAT. 378 00:15:43,509 --> 00:15:44,844 I MISS A GOOD PARTY. 379 00:15:44,844 --> 00:15:46,612 >> Jimmy: CINNABON, OH, TO BE IN A CINNABON AGAIN. 380 00:15:46,612 --> 00:15:49,282 [ LAUGHTER ] 381 00:15:49,282 --> 00:15:50,583 AND A GOOD PARTY, YEAH, YEAH. 382 00:15:50,583 --> 00:15:51,751 >> AND A GOOD PARTY. 383 00:15:51,751 --> 00:15:54,487 >> Jimmy: WHAT ABOUT THE KIDS? DID THEY HAVE ‐‐ 384 00:15:54,487 --> 00:15:55,955 >> THE WORST BIRTHDAY PARTIES EVER. 385 00:15:55,955 --> 00:15:57,723 >> Jimmy: YEAH, RIGHT, IT'S TRUE. 386 00:15:57,723 --> 00:16:01,761 >> DO YOU KNOW THE LAST PARTY WE WENT TO WAS HAZEL'S BIRTHDAY 387 00:16:01,761 --> 00:16:06,566 PARTY, SHE WAS TURNING 7, WE HAD IT AT A ROCK CLIMBING GYM, WHICH 388 00:16:06,566 --> 00:16:08,634 IS SORT OF A CESSPOOL OF DISEASE. 389 00:16:08,634 --> 00:16:09,035 [ LAUGHTER ] 390 00:16:09,035 --> 00:16:15,107 IT WAS RIGHT IN FEBRUARY, LIKE YOU WALK IN, IT SMELLS LIKE N. 391 00:16:15,107 --> 00:16:15,442 CROTCH. 392 00:16:15,442 --> 00:16:15,775 [ LAUGHTER ] 393 00:16:15,775 --> 00:16:19,479 THE MOMENT YOU WALK IN, RRRGH! 394 00:16:19,479 --> 00:16:22,849 >> Jimmy: EVEN AT CHUCK E. CHEESE, THERE'S BAD PIZZA 395 00:16:22,849 --> 00:16:23,483 FLOWING THROUGH. 396 00:16:23,483 --> 00:16:27,320 >> THERE'S SOMETHING, LIKE FEET AND CROTCH. 397 00:16:27,320 --> 00:16:27,887 [ LAUGHTER ] 398 00:16:27,887 --> 00:16:30,122 LIKE, FINE. A HORRIBLE‐SMELLING PLACE. 399 00:16:30,122 --> 00:16:32,725 BUT THE KIDS WERE ABSOLUTELY THRILLED. 400 00:16:32,725 --> 00:16:36,563 I FEEL AT A KID'S BIRTHDAY PARTY YOU SHOULD GIVE THE ADULTS 401 00:16:36,563 --> 00:16:36,896 ALCOHOL. 402 00:16:36,896 --> 00:16:38,097 >> Jimmy: 100%, YES. 403 00:16:38,097 --> 00:16:42,068 >> IT'S A NIGHTMARE, BIRTHDAY PARTIES. 404 00:16:42,068 --> 00:16:42,568 [ CHEERS AND APPLAUSE ] 405 00:16:42,568 --> 00:16:45,104 WE HAD VATS OF ROSE. IT WAS AT WHOLE DIFFERENT WORLD 406 00:16:45,104 --> 00:16:49,008 WHERE THE PARENTS WERE DRINKING OUT OF THE SAME CUPS. 407 00:16:49,008 --> 00:16:52,044 I DON'T KNOW. THAT WAS PROBABLY A SUPERSPREADER. 408 00:16:52,044 --> 00:16:52,378 [ LAUGHTER ] 409 00:16:52,378 --> 00:16:53,746 >> Jimmy: DRUNKEN ROCK CLIMBING ALSO. 410 00:16:53,746 --> 00:16:55,849 YEAH, THAT MIGHT BE WHERE THE VIRUS STARTED. 411 00:16:55,849 --> 00:16:56,182 [ LAUGHTER ] 412 00:16:56,182 --> 00:16:58,284 >> HONESTLY. THEN WHEN I WAS ON YOUR SHOW 413 00:16:58,284 --> 00:17:01,587 LAST TIME, WE DID ‐‐ IT WAS AGAIN, RIGHT BEFORE IT ALL 414 00:17:01,587 --> 00:17:04,357 HAPPENED. WE DID THAT SKIT ON A PLANE. 415 00:17:04,357 --> 00:17:05,791 >> Jimmy: RIGHT, OH, YEAH. 416 00:17:05,791 --> 00:17:10,830 >> "A QUIET PLANE ." 3 PEOPLE PACKED INTO A TIGHT, 417 00:17:10,830 --> 00:17:13,199 FAKE FUSELAGE ON YOUR SET. 418 00:17:13,199 --> 00:17:13,533 [ LAUGHTER ] 419 00:17:13,533 --> 00:17:20,072 AND I ALSO HAD TO VIOLENTLY SHUSH PEOPLE, LIKE A SPRINKLER 420 00:17:20,072 --> 00:17:23,409 SYSTEM OF COVID, THERE WERE BABIES ON IT, IT WAS AWFUL. 421 00:17:23,409 --> 00:17:26,312 >> Jimmy: I THINK WE FOUND THE ORIGIN OF THE UK VARY ADJACENT, 422 00:17:26,312 --> 00:17:27,680 IT'S YOU! 423 00:17:27,680 --> 00:17:28,014 [ LAUGHTER ] 424 00:17:28,014 --> 00:17:28,381 [ APPLAUSE ] 425 00:17:28,381 --> 00:17:29,282 >> I HOPE NOT. 426 00:17:29,282 --> 00:17:34,587 >> Jimmy: WHAT WAS YOUR FAVORITE BIRTHDAY GROWING UP? 427 00:17:34,587 --> 00:17:39,859 >> SO THE ‐‐ I QUITE LIKED ‐‐ I HAD A ROLLERBLADING PARTY THAT 428 00:17:39,859 --> 00:17:43,195 WAS QUITE GOOD. MY DAD FELL OVER, WHICH WAS VERY 429 00:17:43,195 --> 00:17:43,696 ENTERTAINING. 430 00:17:43,696 --> 00:17:44,030 [ LAUGHTER ] 431 00:17:44,030 --> 00:17:46,198 THE ONE I REMEMBER WAS MY 13th BIRTHDAY PARTY. 432 00:17:46,198 --> 00:17:47,900 BECAUSE WE PLAYED SPIN THE BOTTLE. 433 00:17:47,900 --> 00:17:50,770 >> Jimmy: OH, WOW. REALLY? 434 00:17:50,770 --> 00:17:53,606 >> YEAH. I REMEMBER THERE WERE 18 KIDS IN 435 00:17:53,606 --> 00:17:58,110 THE DINING ROOM. AND I PUT UP A SIGN ON THE DOOR 436 00:17:58,110 --> 00:18:00,346 SAYING "DON'T COME IN, MOM!" 437 00:18:00,346 --> 00:18:00,680 [ LAUGHTER ] 438 00:18:00,680 --> 00:18:03,616 AND SHE LISTENED. 439 00:18:03,616 --> 00:18:04,016 >> Jimmy: SHE DID? 440 00:18:04,016 --> 00:18:05,284 >> I CAN'T BELIEVE ‐‐ SHE PROBABLY HAD TOO MANY KIDS, SHE 441 00:18:05,284 --> 00:18:09,956 WAS LIKE, ALL RIGHT, WHATEVER. JUST LET IT GO. NO ONE ENTERED. 442 00:18:09,956 --> 00:18:15,161 WE PLAYED SPIN THE BOTTLE AND IT WAS MY FIRST KISS. 443 00:18:15,161 --> 00:18:16,629 NO, NO, IT WAS A HORROR SHOW. 444 00:18:16,629 --> 00:18:17,129 >> Jimmy: WHAT HAPPENED? 445 00:18:17,129 --> 00:18:21,901 >> HIS NAME WAS ‐‐ IS ‐‐ ASHLEY CLARK. 446 00:18:21,901 --> 00:18:23,169 [ LAUGHTER ] 447 00:18:23,169 --> 00:18:26,238 AND IT WAS THE '90s. MUST HAVE BEEN THE '90s. 448 00:18:26,238 --> 00:18:29,609 MEN HAD THE CURTAINS. URTAINS? 449 00:18:29,609 --> 00:18:31,077 >> Jimmy: WHAT WERE THEY, A HAIRSTYLE? 450 00:18:31,077 --> 00:18:34,614 >> IT WAS A HAIRSTYLE, LIKE PARTED IN THE MIDDLE AND FLOPPY. 451 00:18:34,614 --> 00:18:37,350 HANGING LIKE THAT. IT WAS LIKE ‐‐ IT WAS QUITE AN 452 00:18:37,350 --> 00:18:39,085 ATTRACTIVE THING. IF YOU WERE TALKING ABOUT BOYS 453 00:18:39,085 --> 00:18:40,252 YOU'D BE LIKE, HAVE YOU SEEN HIS CURTAINS? 454 00:18:40,252 --> 00:18:46,459 [ LAUGHTER ] 455 00:18:46,459 --> 00:18:48,628 >> Jimmy: HIS HOME IS SO TASTEFULLY DECORATED. 456 00:18:48,628 --> 00:18:52,398 >> YEAH, YEAH. SO ASHLEY CLARK HAD GREAT 457 00:18:52,398 --> 00:18:54,900 CURTAINS. THEY WERE BLOND, AND HE WAS VERY 458 00:18:54,900 --> 00:18:57,470 TALL, AND THEY HAD SOME ‐‐ 459 00:18:57,470 --> 00:18:59,538 >> Jimmy: IT SOUNDS LIKE A CURTAIN COMPANY, "ASHLEY CLARK." 460 00:18:59,538 --> 00:19:03,542 >> EXACTLY, EXACTLY. SO I SPUN THE BOTTLE. 461 00:19:03,542 --> 00:19:08,648 IT LANDED ON ASHLEY. I THOUGHT, OH MY GOD, THIS IS IT. 462 00:19:08,648 --> 00:19:11,584 NOW, I'D HEARD ABOUT THE CONCEPT OF FRENCH KISSING. 463 00:19:11,584 --> 00:19:15,821 BUT I THOUGHT, WELL, THAT SOUNDS WEIRD. LIKE, WHY WOULD THAT BE 464 00:19:15,821 --> 00:19:18,691 PLEASURABLE OR NICE? AND IT WASN'T. 465 00:19:18,691 --> 00:19:19,025 [ LAUGHTER ] 466 00:19:19,025 --> 00:19:21,293 IT WAS NOT AT ALL. AND IT WAS JUST ‐‐ I WAS JUST 467 00:19:21,293 --> 00:19:24,730 HORRIFIED BY THE WHOLE THING. AND I JUST REMEMBER 468 00:19:24,730 --> 00:19:27,033 SURREPTITIOUSLY WIPING MY MOUTH AFTERWARDS. IT WAS HORRIBLE. 469 00:19:27,033 --> 00:19:28,167 >> Jimmy: ASHLEY SLIPPED YOU THE TONGUE? 470 00:19:28,167 --> 00:19:30,203 >> MASSIVELY. NOT SLIPPED, THAT SOUNDS KIND OF 471 00:19:30,203 --> 00:19:30,536 DELICATE. 472 00:19:30,536 --> 00:19:33,406 [ LAUGHTER ] 473 00:19:33,406 --> 00:19:36,809 IT'S LIKE ‐‐ I'M NOT SAYING ASHLEY WAS ‐‐ POOR ASHLEY. 474 00:19:36,809 --> 00:19:38,210 >> Jimmy: HAVE YOU KEPT IN TOUCH WITH ASHLEY? 475 00:19:38,210 --> 00:19:38,844 >> NO, NO. 476 00:19:38,844 --> 00:19:41,247 >> Jimmy: YEAH. WELL, HE'S GOING TO BE PRETTY 477 00:19:41,247 --> 00:19:42,348 PROUD OF HIMSELF RIGHT NOW. 478 00:19:42,348 --> 00:19:42,682 [ LAUGHTER ] 479 00:19:42,682 --> 00:19:46,052 >> I DON'T KNOW WHAT HE'S UP TO RIGHT NOW. WHAT ISN'T HE UP TO? 480 00:19:46,052 --> 00:19:46,619 YOU KNOW? 481 00:19:46,619 --> 00:19:48,254 >> Jimmy: YEAH. YEAH, IT DOESN'T STOP AT 13. 482 00:19:48,254 --> 00:19:53,292 WHO KNOWS? ALL RIGHT. WE'RE GOING TO TAKE A BREAK. 483 00:19:53,292 --> 00:19:57,329 WHEN WE COME BACK, WE WILL SEE A CLIP. I'VE SEEN THE WHOLE THING. 484 00:19:57,329 --> 00:19:58,831 FOR ME THIS IS NOT AS EXCITING ‐‐ 485 00:19:58,831 --> 00:20:00,666 >> >> YOU'RE BORED, YOU'RE BORED. 486 00:20:00,666 --> 00:20:02,635 >> Jimmy: FOR THE REST OF THE WORLD, THIS IS A BIG DEAL. 487 00:20:02,635 --> 00:20:04,704 EMILY BLUNT," A QUIET PLACE PART II" OPENS FRIDAY. 488 00:20:04,704 --> 00:20:06,939 WE'LL BE RIGHT BACK. 489 00:20:32,198 --> 00:20:37,603 >> RUN! 490 00:20:44,910 --> 00:20:45,411 [ CHEERS AND APPLAUSE ] 491 00:20:45,411 --> 00:20:49,615 >> Jimmy: THAT IS EMILY BLUNT IN "A QUIET PLACE II." 492 00:20:49,615 --> 00:20:53,219 WRITTEN AND DIRECT BY HER HUSBAND, JOHN KRASINSKI. 493 00:20:53,219 --> 00:20:54,954 THOSE KIDS HAVE GOT TO BE IN THEIR 30s NOW, RIGHT? 494 00:20:54,954 --> 00:20:57,656 [ LAUGHTER ] 495 00:20:57,656 --> 00:21:00,860 >> THEY'RE LITERALLY 6 FOOT TALL AT THIS POINT. THEY'RE AGING ME. 496 00:21:00,860 --> 00:21:03,295 I NEED THEM TO STOP GROWING. 497 00:21:03,295 --> 00:21:07,099 >> Jimmy: YOU KNOW, IT'S VERY STRANGE, IS THAT WHEN ‐‐ OF 498 00:21:07,099 --> 00:21:09,535 COURSE, AS WE MENTIONED EARLIER, THE MOVIE WAS ABOUT TO COME OUT. 499 00:21:09,535 --> 00:21:14,039 THEN EVERYTHING SHUT DOWN. YOU GUYS DECIDED, PROBABLY 500 00:21:14,039 --> 00:21:16,609 SHOULDN'T PUT THE MOVIE OUT RIGHT NOW. 501 00:21:16,609 --> 00:21:18,144 THEN THE WORLD TURNED INTO A QUIET PLACE. 502 00:21:18,144 --> 00:21:21,013 >> I KNOW, IT WAS THE BEST MARKETING TOOL EVER. 503 00:21:21,013 --> 00:21:24,316 IT WAS SURREAL. AND LIKE IN THIS FILM, I'M NOT 504 00:21:24,316 --> 00:21:26,318 SPOILING ANYTHING, BECAUSE THE TRAILER KIND OF SAYS IT. 505 00:21:26,318 --> 00:21:30,089 IN THE FIRST MOVIE, THE HOME GETS DECIMATED, DESTROYED, ALL 506 00:21:30,089 --> 00:21:32,424 OF IT. THE FAMILY HAS TO VENTURE OUT. 507 00:21:32,424 --> 00:21:36,095 AND IT'S THIS BIG THEME OF NEEDING YOUR NEIGHBOR TO EXTEND 508 00:21:36,095 --> 00:21:39,131 THEIR HAND TO YOU. YET WE'VE BEEN LIVING IN THIS 509 00:21:39,131 --> 00:21:41,333 WORLD OF NOBODY WANTING TO DO THAT, YOU KNOW. 510 00:21:41,333 --> 00:21:45,070 AND SO IT JUST HAS EVEN MORE PROMINENCE AND RELEVANCE NOW. 511 00:21:45,070 --> 00:21:45,738 >> Jimmy: IT'S STRANGE. 512 00:21:45,738 --> 00:21:47,139 >> IT'S SORT OF SURREAL. 513 00:21:47,139 --> 00:21:49,642 >> Jimmy: PEOPLE DO NEED TO DO THAT, BUT THEN YOU'RE NOT 514 00:21:49,642 --> 00:21:51,677 SUPPOSED TO BE CONTACTING OTHER PEOPLE. 515 00:21:51,677 --> 00:21:52,545 >> YES, YES. 516 00:21:52,545 --> 00:21:55,881 >> Jimmy: SO YOU'VE GOT, YOU KNOW ‐‐ A UNIQUE SITUATION WHERE 517 00:21:55,881 --> 00:21:57,416 EVERYONE SHOULD BE HELPING EACH OTHER OUT. 518 00:21:57,416 --> 00:21:57,817 >> YEAH. 519 00:21:57,817 --> 00:21:59,785 >> Jimmy: AND THEN NO ONE LEAVES THE HOUSE. 520 00:21:59,785 --> 00:22:00,152 >> EXACTLY. 521 00:22:00,152 --> 00:22:01,220 >> Jimmy: IT'S LIKE LIVING IN L.A. ALL THE TIME. 522 00:22:01,220 --> 00:22:04,490 [ LAUGHTER ] 523 00:22:04,490 --> 00:22:06,192 >> NEVER, EVER LEAVE YOUR HOUSE. 524 00:22:06,192 --> 00:22:09,161 >> Jimmy: OKAY, NOW SPEAKING OF LEAVING THE HOUSE, YOU HAVE TWO 525 00:22:09,161 --> 00:22:11,697 YOUNG GIRLS, YOUR DAUGHTERS ARE 7 AND 5? 526 00:22:11,697 --> 00:22:13,299 >> 7 AND ALMOST ‐‐ YES. 527 00:22:13,299 --> 00:22:13,966 >> Jimmy: ALMOST 5. 528 00:22:13,966 --> 00:22:14,533 >> 7 AND 4. 529 00:22:14,533 --> 00:22:16,902 >> Jimmy: I WANT TO TEST HOW MUCH YOU'VE ABSORBED. 530 00:22:16,902 --> 00:22:18,804 >> HOW MUCH TIME I'VE SPENT WITH THEM? 531 00:22:18,804 --> 00:22:20,773 >> Jimmy: NOT JUST HOW MUCH TIME, HOW MUCH YOU'VE BEEN 532 00:22:20,773 --> 00:22:24,109 PAYING ATTENTION TO THEIR STUFF. YOU KNOW WHAT I'M SAYING? 533 00:22:24,109 --> 00:22:25,010 >> YEAH. 534 00:22:25,010 --> 00:22:25,578 >> Jimmy: OKAY. 535 00:22:25,578 --> 00:22:28,480 >> IT'S ALL I'VE BEEN DOING, SO I HOPE I CRUSH THIS. 536 00:22:28,480 --> 00:22:30,683 >> Jimmy: A FUN GAME. YOU'RE GOING TO GET PRIZES IF 537 00:22:30,683 --> 00:22:31,750 YOU ANSWER CORRECTLY. 538 00:22:31,750 --> 00:22:32,084 [ LAUGHTER ] 539 00:22:32,084 --> 00:22:33,686 >> WATCH OUT. LET'S DO IT. 540 00:22:33,686 --> 00:22:36,322 >> Jimmy: IT'S GOING TO BE LIKE YOUR BIRTHDAY PARTY BUT WITHOUT 541 00:22:36,322 --> 00:22:37,924 THE FRENCH KISS, ALL RIGHT? 542 00:22:37,924 --> 00:22:38,257 [ LAUGHTER ] 543 00:22:38,257 --> 00:22:39,358 HERE WE GO, ALL RIGHT. 544 00:22:39,358 --> 00:22:41,293 >> YEAH. 545 00:22:41,293 --> 00:22:46,065 >> Jimmy: NAME TWO OF THESE PIGS. EMILY? 546 00:22:46,065 --> 00:22:47,933 >> EASY. PEPPER AND GEORGE. 547 00:22:47,933 --> 00:22:49,835 >> Jimmy: PEPPER AND GEORGE, CORRECT. 548 00:22:49,835 --> 00:22:50,336 [ CHEERS AND APPLAUSE ] 549 00:22:50,336 --> 00:22:52,905 AND THERE YOU GO. YOU GOT ONE RIGHT. 550 00:22:52,905 --> 00:22:53,539 >> WHAT IS IT? 551 00:22:53,539 --> 00:22:57,509 >> Jimmy: YOU GET A BOTTLE OF WINE. FINISH THESE LYRICS FROM 552 00:22:57,509 --> 00:23:01,780 "FROZEN." "THE SNOW GLOWS WHITE ON THE 553 00:23:01,780 --> 00:23:05,251 MOUNTAIN TONIGHT." 554 00:23:05,251 --> 00:23:10,222 ♪ NA NA NA 555 00:23:10,222 --> 00:23:12,157 OH, FOR GOD'S SAKE. 556 00:23:12,157 --> 00:23:12,892 >> Jimmy: NOT A? 557 00:23:12,892 --> 00:23:14,060 >> NOT A PEEP IN THE CLOUDS? 558 00:23:14,060 --> 00:23:14,393 [ LAUGHTER ] 559 00:23:14,393 --> 00:23:16,996 >> Jimmy: THAT IS INCORRECT. 560 00:23:16,996 --> 00:23:18,264 >> WHAT IS IT, WHAT IS IT? 561 00:23:18,264 --> 00:23:21,066 >> Jimmy: FOR EVERY INCORRECT ANSWER, YOU GET A ‐‐ HERE, YOU 562 00:23:21,066 --> 00:23:22,435 GET SOME BABY CARROTS, ALL RIGHT? 563 00:23:22,435 --> 00:23:22,768 [ LAUGHTER ] 564 00:23:22,768 --> 00:23:24,169 >> WHAT IS THE LYRIC? 565 00:23:24,169 --> 00:23:27,172 >> Jimmy: THE LYRIC IS "THE SNOW GLOWS WHITE ON THE MOUNTAIN 566 00:23:27,172 --> 00:23:29,241 TONIGHT, NOT A FOOTPRINT TO BE SEEN." 567 00:23:29,241 --> 00:23:31,543 >> OH, VIOLET'S GOING TO KILL ME FOR THAT. 568 00:23:31,543 --> 00:23:34,880 >> Jimmy: NEXT LINE, "A KINGDOM OF ISOLATION"? 569 00:23:34,880 --> 00:23:36,782 >> BUT IT LOOKS LIKE I'M THE QUEEN? 570 00:23:36,782 --> 00:23:38,584 >> Jimmy: CLOSE ENOUGH, CONGRATULATIONS, YOU GET ANOTHER 571 00:23:38,584 --> 00:23:38,951 BOTTLE OF WINE! 572 00:23:38,951 --> 00:23:39,787 [ CHEERS AND APPLAUSE ] 573 00:23:39,787 --> 00:23:40,152 >> OKAY. 574 00:23:40,152 --> 00:23:47,826 >> Jimmy: ALL RIGHT. WHAT KIND OF BOTS ARE THESE, 575 00:23:47,826 --> 00:23:48,294 EMILY BLUNT? 576 00:23:48,294 --> 00:23:49,194 >> STORY BOTS! 577 00:23:49,194 --> 00:23:50,029 >> Jimmy: THAT IS CORRECT, STORY BOTS. 578 00:23:50,029 --> 00:23:53,198 [ CHEERS AND APPLAUSE ] 579 00:23:53,198 --> 00:23:58,537 NAME THIS BAD MAYOR FROM "PAW PATROL." 580 00:23:58,537 --> 00:23:59,672 >> MAYOR HUMDINGER. 581 00:23:59,672 --> 00:24:00,205 >> Jimmy: THAT IS CORRECT! 582 00:24:00,205 --> 00:24:02,341 [ CHEERS AND APPLAUSE ] 583 00:24:02,341 --> 00:24:06,111 MAYOR HUMDINGER. WHICH "LITTLE MERMAID" CHARACTER 584 00:24:06,111 --> 00:24:09,882 MAKES AN APPEARANCE IN MOANA? THIS IS A TOUGH ONE. 585 00:24:09,882 --> 00:24:14,086 "LITTLE MERMAID" CHARACTER CROSSES OVER TO MOANA. 586 00:24:14,086 --> 00:24:14,486 >> SEBASTIAN. 587 00:24:14,486 --> 00:24:15,387 >> Jimmy: THAT IS INCORRECT. 588 00:24:15,387 --> 00:24:16,455 >> WHAT? NO, THAT'S NOT TRUE. 589 00:24:16,455 --> 00:24:18,590 >> Jimmy: YOU GET A FRUIT BY THE FOOT. 590 00:24:18,590 --> 00:24:19,224 >> WHO? WHO WAS IT? 591 00:24:19,224 --> 00:24:21,493 >> Jimmy: IT WAS FLOUNDER. 592 00:24:21,493 --> 00:24:22,294 >> OH. 593 00:24:22,294 --> 00:24:23,662 >> Jimmy: YEAH. 594 00:24:23,662 --> 00:24:26,031 >> WHEN? WHEN'S FLOUNDER IN ‐‐ 595 00:24:26,031 --> 00:24:27,700 >> Jimmy: DON'T QUESTION ME, I DIDN'T MAKE IT. 596 00:24:27,700 --> 00:24:28,033 [ LAUGHTER ] 597 00:24:28,033 --> 00:24:29,001 >> ALL RIGHT, ALL RIGHT. 598 00:24:29,001 --> 00:24:32,237 >> Jimmy: WHAT IS THE NAME OF DORA THE EXPLORER'S MONKEY 599 00:24:32,237 --> 00:24:34,673 SIDEKICK? IS THIS A SHOW YOUR GIRLS WATCH? 600 00:24:34,673 --> 00:24:37,209 >> THEY DON'T, SO YOU'VE TOTALLY MESSED ME UP. 601 00:24:37,209 --> 00:24:39,678 >> Jimmy: ALL RIGHT, YOU GET A GO GURT FOR THAT ONE. 602 00:24:39,678 --> 00:24:41,213 >> ALL RIGHT, DONE. 603 00:24:41,213 --> 00:24:43,849 >> Jimmy: ONE MORE QUESTION BEFORE THE SPEED ROUND. 604 00:24:43,849 --> 00:24:50,189 FINISH THE LINE TINKER BET SAID TO PETER, "SECOND STAR TO THE 605 00:24:50,189 --> 00:24:51,390 RIGHT AND"? 606 00:24:51,390 --> 00:24:52,725 >> STRAIGHT ON TILL MORNING. 607 00:24:52,725 --> 00:24:53,225 [ CHEERS AND APPLAUSE ] 608 00:24:53,225 --> 00:24:54,093 >> Jimmy: THAT IS ABSOLUTELY CORRECT. 609 00:24:54,093 --> 00:24:55,995 ALL RIGHT, TIME FOR THE SPEED ROUND. 610 00:24:55,995 --> 00:24:56,362 >> OKAY. 611 00:24:56,362 --> 00:24:59,531 >> Jimmy: DISNEY THEME. NAME THESE DISNEY CHARACTERS. 612 00:24:59,531 --> 00:25:01,934 UP ON THE SCREEN. GO AHEAD, WHO IS THAT? 613 00:25:01,934 --> 00:25:03,669 [ LAUGHTER ] 614 00:25:03,669 --> 00:25:06,672 YOU KNOW THAT ONE? 615 00:25:06,672 --> 00:25:07,406 >> THAT'S SNOW WHITE. 616 00:25:07,406 --> 00:25:09,775 >> Jimmy: SNOW WHITE, CORRECT. NEXT? 617 00:25:09,775 --> 00:25:10,142 >> CINDERELLA. 618 00:25:10,142 --> 00:25:12,544 >> Jimmy: CORRECT, NEXT? 619 00:25:12,544 --> 00:25:14,046 >> MOANA. 620 00:25:14,046 --> 00:25:15,247 >> Jimmy: CORRECT, NEXT. 621 00:25:15,247 --> 00:25:16,849 >> WHAT'S HER NAME. AURORA. 622 00:25:16,849 --> 00:25:17,950 >> Jimmy: AURORA, YES. 623 00:25:17,950 --> 00:25:21,320 >> "SLEEPING BEAUTY." "LITTLE MERMAID." 624 00:25:21,320 --> 00:25:22,187 >> Jimmy: WHAT'S HER NAME? 625 00:25:22,187 --> 00:25:24,423 >> ARIEL. BELLE. 626 00:25:24,423 --> 00:25:24,757 >> Jimmy: YES. 627 00:25:24,757 --> 00:25:25,090 >> JASMINE. 628 00:25:25,090 --> 00:25:27,893 >> Jimmy: YES. 629 00:25:27,893 --> 00:25:29,061 >> POCAHONTAS. 630 00:25:29,061 --> 00:25:29,528 >> Jimmy: CORRECT. 631 00:25:29,528 --> 00:25:30,496 >> MULAN. 632 00:25:30,496 --> 00:25:30,896 >> Jimmy: YES. 633 00:25:30,896 --> 00:25:33,332 >> TEANA. 634 00:25:33,332 --> 00:25:33,799 >> Jimmy: YES. 635 00:25:33,799 --> 00:25:35,501 >> RA PUNZEL. 636 00:25:35,501 --> 00:25:35,968 >> Jimmy: WOW. 637 00:25:35,968 --> 00:25:36,435 >> ANA. 638 00:25:36,435 --> 00:25:36,769 >> Jimmy: YES. 639 00:25:36,769 --> 00:25:37,102 >> ELSA. 640 00:25:37,102 --> 00:25:38,837 >> Jimmy: YES. 641 00:25:38,837 --> 00:25:39,938 >> TINKERBELL. 642 00:25:39,938 --> 00:25:40,973 >> Jimmy: AND? 643 00:25:40,973 --> 00:25:41,607 >> WHOO! 644 00:25:41,607 --> 00:25:42,574 >> Jimmy: WHO'S THAT ONE? 645 00:25:42,574 --> 00:25:45,511 >> THAT'S MARY POPPINS. 646 00:25:45,511 --> 00:25:46,011 [ CHEERS AND APPLAUSE ] 647 00:25:46,011 --> 00:25:50,482 >> Jimmy: THAT IS ABSOLUTELY CORRECT GRAT PLACES, EMILY. 648 00:25:50,482 --> 00:25:51,550 YOU GET ALL THE WINE. 649 00:25:51,550 --> 00:25:52,718 >> YAY! 650 00:25:52,718 --> 00:25:58,290 >> Jimmy: YOU GET ALL THE WINE. OPENS IN THEATERS ON FRIDAY. I"‐ 651 00:25:58,290 --> 00:25:59,058 >> MY PARTY FOR ONE. 652 00:25:59,058 --> 00:26:01,126 >> Jimmy: ENJOY. 653 00:26:01,126 --> 00:26:03,529 >> MY NEXT KIDS' PARTY IS GOING TO BE GREAT. 654 00:26:03,529 --> 00:26:05,531 >> Jimmy: TAKE THIS TO THE ROCK CLIMBING MACE. 655 00:26:05,531 --> 00:26:06,013 WE'LL BE RIGHT BACK. 656 00:26:06,013 --> 00:26:10,088 [ CHEERS AND APPLAUSE ] 657 00:26:14,638 --> 00:26:15,474 ♪ 658 00:26:15,474 --> 00:26:17,243 >> Jimmy: YEAH, YEAH, YEAH. CLETO AND THE CLETONES, 659 00:26:17,243 --> 00:26:17,576 EVERYBODY. 660 00:26:17,576 --> 00:26:19,278 [ CHEERS AND APPLAUSE ] 661 00:26:19,278 --> 00:26:21,313 WELL, WE'VE MOVED ALL OUR FURNITURE AROUND. 662 00:26:21,313 --> 00:26:24,349 EVERY ONCE IN A WHILE I GET THE URGE TO MOVE ALL THE FURNITURE 663 00:26:24,349 --> 00:26:26,218 AROUND AND JUST REDECORATE THE PLACE A LITTLE BIT. 664 00:26:26,218 --> 00:26:27,719 [ CHEERS AND APPLAUSE ] 665 00:26:27,719 --> 00:26:29,288 >> Guillermo: YEAH, THAT'S GOOD. 666 00:26:29,288 --> 00:26:32,891 >> Jimmy: WHAT THE HELL. ALL RIGHT. 667 00:26:32,891 --> 00:26:34,293 MUSIC FROM "AMERICAN IDOL" CHAYCE BECKHAM IS ON THE WAY. 668 00:26:34,293 --> 00:26:35,928 OUR NEXT GUEST IS A VERY TALENTED ACTOR FROM MEXICO WHO 669 00:26:35,928 --> 00:26:38,030 PLAYS A VERY TALENTED SINGER FROM MEXICO. 670 00:26:38,030 --> 00:26:40,165 THE SEASON FINALE OF "LUIS MIGUEL THE SERIES" IS ON NETFLIX 671 00:26:40,165 --> 00:26:46,905 SUNDAY NIGHT. PLEASE SAY HELLO TO DIEGO BONETA. 672 00:26:46,905 --> 00:26:47,406 [ CHEERS AND APPLAUSE ] 673 00:26:47,406 --> 00:27:02,888 ♪ 674 00:27:03,956 --> 00:27:04,456 [ CHEERS AND APPLAUSE ] 675 00:27:04,456 --> 00:27:08,760 ♪ 676 00:27:08,760 --> 00:27:11,363 >> Jimmy: WELL, THANK YOU FOR THIS BEAUTIFUL PRESENTATION. 677 00:27:11,363 --> 00:27:13,599 DO YOU BRING TEQUILA WHEREVER YOU GO? 678 00:27:13,599 --> 00:27:17,136 >> EVERYWHERE I GO, ESPECIALLY IF IT'S THE FIRST TIME I'M ON A 679 00:27:17,136 --> 00:27:17,836 NIGHT SHOW WITH YOU. 680 00:27:17,836 --> 00:27:18,704 >> Jimmy: YEAH, WELL. 681 00:27:18,704 --> 00:27:20,139 >> I THOUGHT IT WAS ‐‐ 682 00:27:20,139 --> 00:27:20,639 [ CHEERS AND APPLAUSE ] 683 00:27:20,639 --> 00:27:23,142 AND I'M SO EXCITED TO BE HERE. REALLY, IT'S SUCH A PLEASURE. 684 00:27:23,142 --> 00:27:24,812 >> Jimmy: ALL OF US HERE AT "NIGHT SHOW" ARE EXCITED TO HAVE 685 00:27:24,812 --> 00:27:25,177 YOU. 686 00:27:25,177 --> 00:27:28,680 [ LAUGHTER ] 687 00:27:28,680 --> 00:27:32,684 I HEARD, TELL ME IF THIS IS TRUE, THAT YOU ARE ‐‐ YOU LOVE 688 00:27:32,684 --> 00:27:33,619 GUILLERMO, IS THAT CORRECT? 689 00:27:33,619 --> 00:27:35,888 >> I AM A HUGE GUILLERMO FAN. 690 00:27:35,888 --> 00:27:38,857 >> Jimmy: GUILLERMO, YOU HEAR THAT? 691 00:27:38,857 --> 00:27:39,358 [ CHEERS AND APPLAUSE ] 692 00:27:39,358 --> 00:27:40,225 >> Guillermo: THANK YOU, THANK YOU. 693 00:27:40,225 --> 00:27:42,895 >> I WAS SO EXCITED TO MEET YOU, BUT I'VE GOT TO SAY, I WAS MORE 694 00:27:42,895 --> 00:27:44,563 EXCITED ‐‐ 695 00:27:44,563 --> 00:27:46,832 >> Jimmy: I DON'T BLAME YOU, I DON'T BLAME YOU. 696 00:27:46,832 --> 00:27:47,166 [ LAUGHTER ] 697 00:27:47,166 --> 00:27:49,701 THIS GOES BACK TO THE RED CARPET OR SOMETHING LIKE THAT? 698 00:27:49,701 --> 00:27:52,471 YOU SPOTTED GUILLERMO, YOU SAW HIM? HOW DID THIS HAPPEN? 699 00:27:52,471 --> 00:27:55,073 >> YEAH, WHEN I FIRST MOVED HERE, A FRIEND OF MINE WAS LIKE, 700 00:27:55,073 --> 00:27:58,777 YOU HAVE TO SEE GUILLERMO. HE'S HILARIOUS. 701 00:27:58,777 --> 00:28:02,781 AND I'D GONE ON YOUTUBE, SEE ALL HIS OSCAR STUFF, ALL THE RED 702 00:28:02,781 --> 00:28:05,884 CARPET STUFF. AND I WAS LIKE, THAT'S MY MAN. 703 00:28:05,884 --> 00:28:06,218 [ APPLAUSE ] 704 00:28:06,218 --> 00:28:10,022 >> Jimmy: SO YOU BROUGHT OUT ‐‐ WELL, TEQUILA SHOTS. GUILLERMO? 705 00:28:10,022 --> 00:28:14,927 WOULD YOU LIKE TO MAKE DIEGO'S DREAM COME TRUE, HAVE A TEQUILA 706 00:28:14,927 --> 00:28:15,260 SHOT WITH HIM? 707 00:28:15,260 --> 00:28:15,761 >> Guillermo: YES, YES. 708 00:28:15,761 --> 00:28:17,596 [ CHEERS AND APPLAUSE ] 709 00:28:17,596 --> 00:28:20,365 >> Jimmy: OKAY. GENTLEMEN? THERE YOU GO. SALUD! 710 00:28:20,365 --> 00:28:21,900 >> SALUD! 711 00:28:21,900 --> 00:28:23,402 >> Jimmy: TO BOTH OF YOU. YES, BEAUTIFUL. 712 00:28:23,402 --> 00:28:27,839 [ CHEERS AND APPLAUSE ] 713 00:28:27,839 --> 00:28:31,310 GUILLERMO, TAKE THIS WITH YOU, SO WE DON'T WIND UP ‐‐ YOU KNOW. 714 00:28:31,310 --> 00:28:35,347 >> Guillermo: OKAY. GRACIAS! 715 00:28:35,347 --> 00:28:37,116 >> Jimmy: HE'S ALREADY SIX SHEETS TO THE WIND. 716 00:28:37,116 --> 00:28:37,449 [ LAUGHTER ] 717 00:28:37,449 --> 00:28:40,319 YOU KNOW, DON'T GO CRAZY ON THAT, GUILLERMO. 718 00:28:40,319 --> 00:28:41,987 >> Guillermo: ALL RIGHT, JUST GOING TO PUT IT AWAY. 719 00:28:41,987 --> 00:28:43,889 >> Jimmy: YOU PUT IT OVER THERE, YEAH. 720 00:28:43,889 --> 00:28:44,256 [ LAUGHTER ] 721 00:28:44,256 --> 00:28:49,027 IT'S GREAT TO HAVE YOU HERE. AS I MENTIONED, YOU PLAY LUIS 722 00:28:49,027 --> 00:28:55,300 MIGUEL, WHO FOR PEOPLE WHO AREN'T FAMILIAR WITH LUIS 723 00:28:55,300 --> 00:28:57,869 MIGUEL, IS IT FAIR TO SAY HE'S THE BIGGEST STAR IN THE HISTORY 724 00:28:57,869 --> 00:28:59,504 OF LATIN MUSIC? 725 00:28:59,504 --> 00:29:00,839 >> I THINK SO, YEAH. 726 00:29:00,839 --> 00:29:01,240 >> Jimmy: YEAH. 727 00:29:01,240 --> 00:29:04,676 >> I MEAN, THE GUY IS KNOWN TO HAVE AN AMAZING VOICE. 728 00:29:04,676 --> 00:29:06,311 >> Jimmy: HE DOES, INCREDIBLE VOICE. 729 00:29:06,311 --> 00:29:09,048 >> EVER, WHICH IS CRAZY, BECAUSE CLETO HERE PLAYED WITH LUIS 730 00:29:09,048 --> 00:29:09,381 MIGUEL. 731 00:29:09,381 --> 00:29:09,881 >> Jimmy: THAT'S RIGHT. 732 00:29:09,881 --> 00:29:12,351 [ CHEERS AND APPLAUSE ] 733 00:29:12,351 --> 00:29:16,455 >> I WAS LITERALLY AT THE RECORDING STUDIO LAST NIGHT WITH 734 00:29:16,455 --> 00:29:16,788 KIKO. 735 00:29:16,788 --> 00:29:19,091 >> Cleto: OH, KIKO. 736 00:29:19,091 --> 00:29:20,826 >> WHO WAS LUIS MIGUEL'S M. D. IN 737 00:29:20,826 --> 00:29:24,529 THE '90S AND PRODUCED HIS MUSIC, WAS ALSO PRODUCING THE 738 00:29:24,529 --> 00:29:30,402 SOUNDTRACK FOR THE SHOW. HE TOLD ME TO SAY HI, CLETO, 739 00:29:30,402 --> 00:29:31,637 CLETO SR., SUCH A CRAZY CONNECTION. 740 00:29:31,637 --> 00:29:33,272 >> Jimmy: YOU KNOW ALL THE GUYS HERE ON THE SHOW. 741 00:29:33,272 --> 00:29:33,605 [ APPLAUSE ] 742 00:29:33,605 --> 00:29:37,209 >> I KNOW ALL THE CAST ON THE SHOW. 743 00:29:37,209 --> 00:29:40,046 I LOVE THAT YOU HAVE A LOT OF MEXICAN GUYS ON THE SHOW, THAT'S 744 00:29:40,046 --> 00:29:40,379 AMAZING. 745 00:29:40,379 --> 00:29:42,614 >> Jimmy: CLETO AND I GREW UP ACROSS THE STREET FROM EACH 746 00:29:42,614 --> 00:29:45,717 OTHER, SO WE JUST REALLY DECIDED TO STAY IN A CLOSE PROXIMITY TO 747 00:29:45,717 --> 00:29:46,051 EACH OTHER. 748 00:29:46,051 --> 00:29:48,954 [ LAUGHTER ] 749 00:29:48,954 --> 00:29:50,489 GUILLERMO WE FOUND IN THE PARKING LOT. 750 00:29:50,489 --> 00:29:50,822 [ LAUGHTER ] 751 00:29:50,822 --> 00:29:52,257 SO IT'S REALLY JUST A NEIGHBORHOOD THING. 752 00:29:52,257 --> 00:29:54,226 >> Guillermo: YEAH, I WAS DRINKING. 753 00:29:54,226 --> 00:29:56,495 >> Jimmy: YOU'RE INHABITING THESE HUGE SHOES, I MEAN, WHEN 754 00:29:56,495 --> 00:29:57,529 IT COMES TO PLAYING THIS GUY. 755 00:29:57,529 --> 00:29:58,330 >> YEAH. 756 00:29:58,330 --> 00:30:00,465 >> Jimmy: AND ALSO, YOU DO YOUR OWN SINGING IN THE SHOW. 757 00:30:00,465 --> 00:30:07,306 WHICH, YOU KNOW ‐‐ TO SING LIKE THIS GUY WHO IS AN INCREDIBLE 758 00:30:07,306 --> 00:30:11,009 SINGER, IT'S A RISKY THING TO DO. AND YOU'VE PULLED IT OFF 759 00:30:11,009 --> 00:30:11,343 BEAUTIFULLY. 760 00:30:11,343 --> 00:30:11,743 >> OH, THANK YOU. 761 00:30:11,743 --> 00:30:13,512 [ CHEERS AND APPLAUSE ] 762 00:30:13,512 --> 00:30:16,982 THANK YOU, THANK YOU SO MUCH. I MEAN ‐‐ IT'S ‐‐ IT'S BEEN A 763 00:30:16,982 --> 00:30:19,084 DREAM COME TRUE, REALLY, DOING THIS. 764 00:30:19,084 --> 00:30:23,021 BECAUSE I GREW UP ‐‐ THE FIRST SHOW I EVER ATTENDED WAS A LUIS 765 00:30:23,021 --> 00:30:23,422 MIGUEL SHOW. 766 00:30:23,422 --> 00:30:23,822 >> Jimmy: CRAZY. 767 00:30:23,822 --> 00:30:27,426 >> WHICH IS CRAZY. AND THEN IT'S THE FIRST SONG I 768 00:30:27,426 --> 00:30:29,995 SANG ON NATIONAL TELEVISION. AND THEN 16 YEARS LATER, HOW 769 00:30:29,995 --> 00:30:34,199 THIS HAPPENED, THEY INVITED ME TO EP THE SHOW WITH THEM, WHICH 770 00:30:34,199 --> 00:30:36,902 WAS AMAZING AS WELL. NOW AFTER TWO SEASONS AND SEEING 771 00:30:36,902 --> 00:30:39,538 WHAT IT'S DONE, IT'S BEEN AMAZING. 772 00:30:39,538 --> 00:30:44,010 LUIS MIGUEL, HE'S LIKE OUR ELVIS PRESLEY MEETS FRANK SIN FOUGHT 773 00:30:44,010 --> 00:30:44,343 TRA. 774 00:30:44,343 --> 00:30:45,143 >> Jimmy: THAT BIG, YEAH. 775 00:30:45,143 --> 00:30:48,681 >> THAT'S KIND OF HOW I'D ‐‐ HE'S BEEN DOING IT OVER 40 776 00:30:48,681 --> 00:30:49,014 DECADES. 777 00:30:49,014 --> 00:30:52,418 >> Jimmy: 40 DECADES, HOLY WOW, HE LOOKS GREAT! 778 00:30:52,418 --> 00:30:52,751 [ LAUGHTER ] 779 00:30:52,751 --> 00:30:53,218 >> 40 YEARS. 780 00:30:53,218 --> 00:30:54,519 >> Jimmy: HE LOOKS INCREDIBLE! 781 00:30:54,519 --> 00:30:55,987 >> YEAH, HE LOOKS GOOD. 782 00:30:55,987 --> 00:30:57,823 >> Jimmy: SINCE THE MAYAN TIMES! 783 00:30:57,823 --> 00:30:59,858 >> SINCE THE MAYAN TIMES, EXACTLY. 784 00:30:59,858 --> 00:31:03,595 >> Jimmy: DID YOU ‐‐ SO BEFORE YOU PLAY HIM, I WOULD IMAGINE 785 00:31:03,595 --> 00:31:05,464 THAT YOU HAVE TO GET HIS BLESSING TO PLAY HIM. 786 00:31:05,464 --> 00:31:06,498 IS THAT TRUE? 787 00:31:06,498 --> 00:31:06,932 >> YEAH. 788 00:31:06,932 --> 00:31:07,566 >> Jimmy: YEAH. 789 00:31:07,566 --> 00:31:09,901 >> WE MET. AND FIRST, YOU KNOW, IT WAS ‐‐ 790 00:31:09,901 --> 00:31:11,636 IT WAS GREAT, BUT IT WAS ‐‐ YEAH, I COULD TELL HE WAS ‐‐ YOU 791 00:31:11,636 --> 00:31:15,507 KNOW. IT ‐‐ IT WAS TOUGH FOR HIM TO 792 00:31:15,507 --> 00:31:18,744 TELL THIS STORY. BECAUSE IT'S A REALLY INTENSE 793 00:31:18,744 --> 00:31:20,379 STORY. AND YOU KNOW, THERE'S A LOT OF 794 00:31:20,379 --> 00:31:25,183 DRAMA IN HIS LIFE. BUT AFTERWARDS, WHEN WE WERE 795 00:31:25,183 --> 00:31:30,021 SHOOTING SEASON 1 IN ACAPULCO, AT THE BABY ELL, ONE OF THE 796 00:31:30,021 --> 00:31:31,957 BIGGEST CLUBS. THAT'S WHERE HE ALWAYS PARTIED. 797 00:31:31,957 --> 00:31:34,493 HE COMES TO SET. HE JUST STARES AT ME. 798 00:31:34,493 --> 00:31:39,965 AND HE JUST GOES ‐‐ "MAN, I'M A GOOD‐LOOKING GUY." 799 00:31:39,965 --> 00:31:44,069 [ LAUGHTER ] 800 00:31:44,069 --> 00:31:47,939 AND I WAS ALL DECKED OUT IN LUIS MIGUEL, YOU KNOW, WITH THE GAP 801 00:31:47,939 --> 00:31:48,306 IN THE TEETH. 802 00:31:48,306 --> 00:31:51,510 >> Jimmy: THE GAP IN THE TEETH. YEAH, HE HAS A GAP IN HIS TEETH. 803 00:31:51,510 --> 00:31:55,213 HE DOESN'T HAVE A GAP IN HIS TEETH ANYMORE, BUT AT A CERTAIN 804 00:31:55,213 --> 00:31:58,083 TIME, YOUNGER, HE HAD THE GAP IN THE TEETH. 805 00:31:58,083 --> 00:32:00,085 YOU DIDN'T HAVE A GAP IN YOUR TEETH, SO HOW DID YOU GET THE 806 00:32:00,085 --> 00:32:02,821 GAP IN YOUR TEETH? 807 00:32:02,821 --> 00:32:06,525 >> I WENT ‐‐ SO WE TRIED A LOT OF DIFFERENT PROSTHETICS. 808 00:32:06,525 --> 00:32:09,094 BUT I LOOKED LIKE AUSTIN POWERS. 809 00:32:09,094 --> 00:32:09,428 [ LAUGHTER ] 810 00:32:09,428 --> 00:32:10,695 >> Jimmy: YEAH, RIGHT. 811 00:32:10,695 --> 00:32:13,465 >> YOU KNOW, IT'S ‐‐ WE NEVER WANTED TO GO OVER THE TOP WITH 812 00:32:13,465 --> 00:32:15,967 THIS. WE WANTED IT TO REALLY FEEL GROUNDED. 813 00:32:15,967 --> 00:32:19,738 SO AFTER A LOT OF DIFFERENT TRIES I JUST WENT TO MY 814 00:32:19,738 --> 00:32:23,775 ORTHODONTIST AND I SAID, LISTEN, ERIKA, I THINK I'M JUST GOING TO 815 00:32:23,775 --> 00:32:27,746 HAVE TO DO THIS, THIS GAP. AND SHE WAS MY ORTHODONTIST 816 00:32:27,746 --> 00:32:29,681 GROWING UP. SHE WAS LIKE, NO, I'M NOT DOING 817 00:32:29,681 --> 00:32:32,717 THAT ON YOU. I'M LIKE, JUST SHAVE IT A BIT, 818 00:32:32,717 --> 00:32:34,386 YOU KNOW, LIKE LET'S MAKE IT WORK. 819 00:32:34,386 --> 00:32:36,688 IF YOU'RE NOT GOING TO DO IT, I'M GOING TO GO WITH SOMEONE 820 00:32:36,688 --> 00:32:37,689 ELSE TO DO IT. 821 00:32:37,689 --> 00:32:41,493 >> Jimmy: NOBODY PROBABLY HAS EVER ASKED AN ORTHODONTIST TO 822 00:32:41,493 --> 00:32:42,294 PUT A GAP IN THEIR TEETH BEFORE. 823 00:32:42,294 --> 00:32:42,627 [ LAUGHTER ] 824 00:32:42,627 --> 00:32:45,163 THIS HAD TO BE A FIRST IN THE HISTORY OF THE WORLD. 825 00:32:45,163 --> 00:32:48,967 >> IT WAS ‐‐ IT WAS WEIRD. BECAUSE IT WAS THE FIRST TIME I 826 00:32:48,967 --> 00:32:51,937 DID A PROJECT WHERE I WOULD GO BACK HOME STILL LOOKING LIKE THE 827 00:32:51,937 --> 00:32:52,637 CHARACTER. 828 00:32:52,637 --> 00:32:54,005 >> Jimmy: YEAH. 829 00:32:54,005 --> 00:32:55,173 >> THAT WAS KIND OF TRIPPY. 830 00:32:55,173 --> 00:32:58,577 >> Jimmy: AND FOR HER IT MUST HAVE BEEN EVEN WEIRDER, LIKE IF 831 00:32:58,577 --> 00:33:00,846 YOU WENT TO THE DOCTOR, I'D LIKE TO HAVE MY APPENDIX PUT IN. 832 00:33:00,846 --> 00:33:04,282 [ LAUGHTER ] 833 00:33:04,282 --> 00:33:06,084 LIKE, I DON'T KNOW IF I'M ALLOWED TO DO THAT, I REALLY 834 00:33:06,084 --> 00:33:09,554 HAVE NO IDEA. BUT THEN YOU DID DO ‐‐ SHE DID 835 00:33:09,554 --> 00:33:13,758 DO IT? SHE AGREED TO DO IT? 836 00:33:13,758 --> 00:33:15,727 >> SHE AGREED TO DO IT AND FIXED IT AFTERWARDS. 837 00:33:15,727 --> 00:33:18,230 >> Jimmy: I WONDER IF SHE CHARGED MORE FOR SPACING IT OUT 838 00:33:18,230 --> 00:33:19,798 THAN SHE WOULD FOR CLOSING IT, DO YOU KNOW? 839 00:33:19,798 --> 00:33:24,202 >> SHE WAS NOT HAPPY ABOUT IT. PRODUCTION HANDLED IT. 840 00:33:24,202 --> 00:33:26,771 BUT SHE WAS ‐‐ SHE WAS NOT THRILLED. 841 00:33:26,771 --> 00:33:27,806 >> Jimmy: THEN YOU HAD IT PUT BACK TOGETHER? 842 00:33:27,806 --> 00:33:28,139 >> YEAH. 843 00:33:28,139 --> 00:33:31,176 >> Jimmy: YEAH, HOW ABOUT THAT, THAT'S INTERESTING. SO ‐‐ BOY. 844 00:33:31,176 --> 00:33:33,912 WOULDN'T IT BE FUNNY IF YOU GET ANOTHER ROLE WHERE YOU HAVE TO 845 00:33:33,912 --> 00:33:34,346 DO IT AGAIN. 846 00:33:34,346 --> 00:33:35,547 >> OH MY GOD. 847 00:33:35,547 --> 00:33:35,947 [ LAUGHTER ] 848 00:33:35,947 --> 00:33:37,349 SHE WOULD KILL ME. 849 00:33:37,349 --> 00:33:38,650 >> Jimmy: A YOUNG DAVID LETTERMAN OR SOMETHING LIKE THAT. 850 00:33:38,650 --> 00:33:41,186 [ LAUGHTER ] 851 00:33:41,186 --> 00:33:44,923 BY THE WAY, I HEARD YOU DO SOME IMPRESSIONS. 852 00:33:44,923 --> 00:33:47,859 I HEARD YOU DO ONE IN PARTICULAR WHICH IS MATTHEW McCONAUGHEY, 853 00:33:47,859 --> 00:33:51,296 WHICH I WOULD LOVE TO HEAR. 854 00:33:51,296 --> 00:33:54,065 >> SO IT'S JUST MY ‐‐ I HAVE ONE PARTY TRICK. AND THIS IS IT. 855 00:33:54,065 --> 00:33:57,202 >> Jimmy: OKAY. 856 00:33:57,202 --> 00:34:00,505 >> SO WE'RE ALL, YOU KNOW, HANGING OUT, DOING THE TEQUILA 857 00:34:00,505 --> 00:34:06,111 TASTING, AS WE DO, RIGHT? GUILLERMO PROBABLY WAS THERE TOO. 858 00:34:06,111 --> 00:34:07,479 >> Jimmy: YEAH. CLUTCHING THAT BOTTLE LIKE A 859 00:34:07,479 --> 00:34:07,846 BABY OVER THERE. 860 00:34:07,846 --> 00:34:08,780 [ LAUGHTER ] 861 00:34:08,780 --> 00:34:15,153 >> WON'T LET IT GO. AND ONE OF MY FRIENDS WHO'S THE 862 00:34:15,153 --> 00:34:18,423 NICEST GUY EVER GETS A CALL, GETS JUST REALLY AGITATED AND 863 00:34:18,423 --> 00:34:20,759 ANGRY. I'M LIKE, DUDE, WHAT'S GOING ON? 864 00:34:20,759 --> 00:34:24,763 HE WAS REALLY EXCITED BECAUSE HE WAS GOING TO GO TO A LAKERS 865 00:34:24,763 --> 00:34:27,766 GAME, COURTSIDE SEATS, FIRST TIME. HIS BOSS CALLS HIM. 866 00:34:27,766 --> 00:34:30,669 I CAN'T SAY NAMES BECAUSE THESE PEOPLE ‐‐ LIKE THEY'RE STILL 867 00:34:30,669 --> 00:34:31,202 WORKING THERE. 868 00:34:31,202 --> 00:34:32,270 >> Jimmy: OKAY. 869 00:34:32,270 --> 00:34:36,241 >> AND HE'S LIKE, I'M SO PISSED OFF, MY BOSS CALLED, I CAN'T GO 870 00:34:36,241 --> 00:34:43,448 ANYMORE BECAUSE HE WANTS TO GO. I'M LIKE, OKAY. 871 00:34:43,448 --> 00:34:44,082 WELL, SOUNDED LIKE A GREAT IDEA. 872 00:34:44,082 --> 00:34:45,884 >> Jimmy: THE BOSS GAVE LAKERS TICKETS THEN RETRACTED THE 873 00:34:45,884 --> 00:34:48,086 LAKERS TICKETS? 874 00:34:48,086 --> 00:34:50,522 >> YES. I'M LIKE, LET'S HAVE MATTHEW 875 00:34:50,522 --> 00:34:53,658 McCONAUGHEY CALL YOUR BOSS AND ASK FOR THE TICKETS BACK. 876 00:34:53,658 --> 00:34:54,092 >> Jimmy: WOW. 877 00:34:54,092 --> 00:34:57,262 >> OF COURSE IT FELT LIKE THE MOST OBVIOUS, LOGICAL, RATIONAL 878 00:34:57,262 --> 00:34:57,729 DECISION TO MAKE. 879 00:34:57,729 --> 00:34:59,831 >> Jimmy: UH‐HUH, YEAH. AND HE WENT ALONG WITH THAT? 880 00:34:59,831 --> 00:35:00,398 >> YEAH. 881 00:35:00,398 --> 00:35:01,099 >> Jimmy: OKAY. 882 00:35:01,099 --> 00:35:07,505 >> SO HE CALLS HIS BOSS. PUTS HIM ON. 883 00:35:07,505 --> 00:35:10,675 AND I GO, "SO HERE'S THE THING, MAN. 884 00:35:10,675 --> 00:35:13,979 TO RECEIVE, YOU HAVE TO GIVE." 885 00:35:13,979 --> 00:35:14,312 [ LAUGHTER ] 886 00:35:14,312 --> 00:35:21,252 "TO GIVE, YOU HAVE TO RECEIVE. SO YOU HAVE TO GIVE MY AMIGO HIS 887 00:35:21,252 --> 00:35:23,622 TICKETS BACK, BABY. ALL RIGHT, ALL RIGHT, ALL RIGHT." 888 00:35:23,622 --> 00:35:25,657 >> Jimmy: EVEN WITH THE ALL RIGHT, ALL RIGHT, ALL RIGHT. 889 00:35:25,657 --> 00:35:27,559 >> HE GOT HIS TICKETS BACK. 890 00:35:27,559 --> 00:35:27,892 [ LAUGHTER ] 891 00:35:27,892 --> 00:35:31,329 I SWEAR TO GOD. THEN THE NEXT MORNING, HE CALLS 892 00:35:31,329 --> 00:35:34,966 ME, PANICKING. HE GOES, DIEGO, MY BOSS JUST 893 00:35:34,966 --> 00:35:37,002 TOLD ME TO SEND ALL THESE SCRIPTS TO MATTHEW McCONAUGHEY! 894 00:35:37,002 --> 00:35:38,703 >> Jimmy: OH, NO. 895 00:35:38,703 --> 00:35:41,339 >> HE THOUGHT I WAS AT DINNER WITH HIM, I'M GOING TO GET FIRED! 896 00:35:41,339 --> 00:35:42,474 >> Jimmy: DID HE GET FIRED? 897 00:35:42,474 --> 00:35:45,811 >> NOW HE'S RUNNING THE STUDIO. 898 00:35:45,811 --> 00:35:46,144 [ LAUGHTER ] 899 00:35:46,144 --> 00:35:48,079 >> Jimmy: OH, HE IS, WELL. THAT'S A WIN FOR HIM AND FOR 900 00:35:48,079 --> 00:35:50,015 MATTHEW McCONAUGHEY. 901 00:35:50,015 --> 00:35:51,149 >> THANK YOU, MATTHEW. 902 00:35:51,149 --> 00:35:55,620 >> Jimmy: CONGRATS ON THE SHOW. IT'S A SUPER‐POPULAR SHOW, "LUIS 903 00:35:55,620 --> 00:36:00,859 MIGUEL THE SERIES," THE SEASON FINALE ON NETFLIX SUNDAY NIGHT. 904 00:36:00,859 --> 00:36:02,861 DIEGO BONETA, EVERYBODY! BE RIGHT BACK WITH CHAYCE 905 00:36:02,861 --> 00:36:10,201 BECKHAM. 906 00:36:10,201 --> 00:36:12,570 >> Dicky: NEXT WEEK ON "JIMMY KIMMEL LIVE" ‐‐ 907 00:36:30,922 --> 00:36:32,023 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 908 00:36:32,023 --> 00:36:37,829 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 909 00:36:37,829 --> 00:36:41,266 >> Jimmy: NOW IT IS TIME FOR MUSIC FROM THE NEWLY MINTED IDOL 910 00:36:41,266 --> 00:36:42,934 OF AMERICA WITH THE SONG "23," CHAYCE BECKHAM! 911 00:36:42,934 --> 00:36:44,502 [ CHEERS AND APPLAUSE ] 912 00:36:47,005 --> 00:36:47,772 ♪ 913 00:36:47,772 --> 00:36:48,773 ♪ SIMPLE AS MY MAMA SAID 914 00:36:48,773 --> 00:36:52,744 WHEN I WAS VERY YOUNG SHE TOLD ME NOT TO WORRY SON ♪ 915 00:36:52,744 --> 00:36:55,013 ♪ ONE DAY YOU'LL BE SOMEONE 916 00:36:55,013 --> 00:37:00,051 BUT HERE I AM AT TWENTY ONE AS LOADED AS A 917 00:37:00,051 --> 00:37:02,287 STAGECOACH SHOTGUN ♪ 918 00:37:02,287 --> 00:37:05,290 ♪ I'M SORRY MAMMA 919 00:37:05,290 --> 00:37:11,529 PLEASE DON'T LOOK AT ME WHEN I GOT TO OKLAHOMA 920 00:37:11,529 --> 00:37:12,530 I WAS SEVENTEEN ♪ 921 00:37:12,530 --> 00:37:13,264 ♪ MY PAPA TAUGHT ME 922 00:37:13,264 --> 00:37:15,767 HOW TO WORK AND LORD HE WAS MEAN WORKIN' ALL DAY ♪ 923 00:37:15,767 --> 00:37:16,735 ♪ IN THAT AUGUST HEAT 924 00:37:16,735 --> 00:37:19,471 AND HE TAUGHT ME HOW TO FISH MY UNCLE TAUGHT ♪ 925 00:37:19,471 --> 00:37:24,242 ♪ ME HOW TO DRINK 926 00:37:24,242 --> 00:37:30,715 WELL I WENT CALIFORNIA AND I HAD ME A BAND 927 00:37:30,715 --> 00:37:31,716 AND WE PLAYED IN ALL ♪ 928 00:37:31,716 --> 00:37:32,484 ♪ THE BARS IN ALL 929 00:37:32,484 --> 00:37:34,519 THE SOUTHERN LANDS WE PLAYED ALL NIGHT 930 00:37:34,519 --> 00:37:38,323 AND WE DRANK FOR FREE ♪ 931 00:37:38,323 --> 00:37:47,665 NOW I'M 23 AND THER? AIN'T 932 00:37:47,665 --> 00:37:51,503 NOBODY WHO CAN DRINK LIKE ME ♪ 933 00:37:51,503 --> 00:37:54,272 ♪ SOON I'LL BE 24 934 00:37:54,272 --> 00:37:57,776 AND TH? LORD KNOWS THAT I CAN'T DRANK NO MORE 935 00:37:57,776 --> 00:37:59,511 I KNOW I SHOULDA ♪ 936 00:37:59,511 --> 00:37:59,911 ♪ TAKEN IT SLOW 937 00:37:59,911 --> 00:38:02,947 IT'S NOT THE WAY THAT MY LIFE GOES NOW I KNOW ♪ 938 00:38:02,947 --> 00:38:06,417 ♪ 939 00:38:06,417 --> 00:38:07,418 ♪ WHEN YOU'RE PASSED 940 00:38:07,418 --> 00:38:09,420 OUT ON THE FLOOR 941 00:38:09,420 --> 00:38:16,427 YOU'RE SOBER BY 24 942 00:38:16,427 --> 00:38:17,662 WELL I HAD A GIRL WHO ♪ 943 00:38:17,662 --> 00:38:18,930 ♪ LOVED ME THE 944 00:38:18,930 --> 00:38:20,632 WHOLE TIME AND I'D DRINK MY WHISKEY 945 00:38:20,632 --> 00:38:21,900 AND SHE'D DRINK WINE ♪ 946 00:38:21,900 --> 00:38:23,101 ♪ BUT SOON MY BOTTLE 947 00:38:23,101 --> 00:38:31,609 WAS TOO MUCH TO COMPANY 948 00:38:31,609 --> 00:38:35,346 YEAH, WE'D SIT ON THE RIVER AND WE'D FISH ALL DAY ♪ 949 00:38:35,346 --> 00:38:36,414 ♪ AND WE'D DRIVE ACROSS 950 00:38:36,414 --> 00:38:38,917 THE COUNTRY LET THE RADIO PLAY SEVEN YEARS ♪ 951 00:38:38,917 --> 00:38:39,951 ♪ I NEVER THOUGHT 952 00:38:39,951 --> 00:38:46,691 SHE'D LEAVE 953 00:38:46,691 --> 00:38:49,460 NOW I'M 23 AND THERE AIN'T NOBODY WHO CAN ♪ 954 00:38:49,460 --> 00:38:53,164 ♪ DRINK LIKE ME 955 00:38:53,164 --> 00:38:59,637 SOON I'LL BE 24 AND THE LORD KNOWS THAT I 956 00:38:59,637 --> 00:39:04,142 CAN'T DRANK NO MORE ♪ 957 00:39:04,142 --> 00:39:05,143 ♪ I KNOW I SHOULDA 958 00:39:05,143 --> 00:39:07,879 TAKEN IT SLOW IT'S NOT THE WAY THAT MY LIFE GOES ♪ 959 00:39:07,879 --> 00:39:13,918 ♪ LORD I KNOW 960 00:39:13,918 --> 00:39:16,154 WHEN YOU'RE PASSED OUT ON THE FLOOR 961 00:39:16,154 --> 00:39:23,428 YOU'RE SOBER BY 24 ♪ 962 00:39:23,428 --> 00:39:26,164 ♪ SIMPLE AS MY MAMA SAID 963 00:39:26,164 --> 00:39:30,335 WHEN I WAS VERY YOUNG SHE TOLD ME NOT 964 00:39:30,335 --> 00:39:37,175 TO WORRY SON ♪ 965 00:39:37,175 --> 00:39:39,277 ♪ ONE DAY YOU'LL 966 00:39:39,277 --> 00:39:44,749 BE SOMEONE ♪ 967 00:39:44,749 --> 00:39:48,853 [ CHEERS AND APPLAUSE ] 968 00:39:52,991 --> 00:39:54,792 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 969 00:39:54,792 --> 00:39:57,525 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 970 00:39:57,525 --> 00:39:59,446 [ CHEERS AND APPLAUSE ] 971 00:40:02,108 --> 00:40:03,268 >> Jimmy: THANKS TO EMILY BLUNT, DIEGO BONETA, AND CHAYCE 972 00:40:03,268 --> 00:40:06,771 BECKHAM. APOLOGIES TO MATT DAMON. TOMORROW NIGHT EMMA STONE AND 973 00:40:06,771 --> 00:40:07,739 RORY SCOVEL, WITH MUSIC FROM CHLOE MORIONDO. 974 00:40:07,739 --> 00:40:10,575 "NIGHTLINE" IS NEXT. THANK YOU FOR WATCHING. 975 00:40:10,575 --> 00:40:14,075 GOOD NIGHT, EVERYBODY.