1 00:00:00,818 --> 00:00:01,922 >> Dicky: FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE!" TONIGHT ‐‐ 2 00:00:01,922 --> 00:00:06,293 LENA WAITHE, KELVIN HARRISON JR., AND MUSIC FROM ALLISON RUSSELL 3 00:00:06,293 --> 00:00:07,662 FEATURING BRITTNEY SPENCER & BRANDI CARLILE, 4 00:00:07,662 --> 00:00:10,164 AND NOW, JIMMY KIMMEL! 5 00:00:10,164 --> 00:00:13,567 >> Jimmy: WELL, HI THERE. I'M JIMMY, I'M THE HOST OF THE 6 00:00:13,567 --> 00:00:20,041 SHOW. WELCOME. THANKS FOR WATCHING. 7 00:00:20,041 --> 00:00:24,378 THANK YOU FOR JOINING US AT OUR HEADQUARTERS IN HOLLYWOOD, WHERE 8 00:00:24,378 --> 00:00:28,683 WE WERE ATTACKED LAST NIGHT BY ANOTHER DEVASTATING TED CRUZ 9 00:00:28,683 --> 00:00:31,889 TWITTER STRIKE. 10 00:00:31,889 --> 00:00:32,456 [ LAUGHTER ] 11 00:00:32,456 --> 00:00:35,287 ONCE AGAIN, I HAVE FOUND MYSELF IN A SQUABBLE WITH THE SENATE'S 12 00:00:35,287 --> 00:00:37,323 LEAST‐FAVORITE SENATOR, TED CRUZ. AND ONCE AGAIN, GUESS WHO 13 00:00:37,323 --> 00:00:40,893 STARTED IT? ME. I GUESS I STARTED IT. 14 00:00:40,893 --> 00:00:45,164 [ CHEERS AND APPLAUSE ] 15 00:00:45,164 --> 00:00:47,433 LAST NIGHT ON THE SHOW, I MENTIONED THE FACT TED CRUZ GOT 16 00:00:47,433 --> 00:00:52,438 SOME FLACK FOR BEING STUPID. HE MOCKED AN AD FOR THE ARMY, 17 00:00:52,438 --> 00:00:54,407 THAT FEATURED A FEMALE SOLDIER WHO WAS RAISED BY TWO MOMS. 18 00:00:54,407 --> 00:00:57,243 HE CALLED OUR MILITARY "WOKE AND EMASCULATED." 19 00:00:57,243 --> 00:01:00,746 WHICH I POINTED OUT FAIRLY, I THOUGHT, IS FUNNY COMING FROM A 20 00:01:00,746 --> 00:01:03,683 GUY WHO LET DONALD TRUMP USE HIS TESTICLES ON THE DRIVING RANGE. 21 00:01:03,683 --> 00:01:05,685 [ LAUGHTER ] 22 00:01:05,685 --> 00:01:08,454 I MEAN, LOOK. HE WAS TRUMP'S THEON GREYJOY. 23 00:01:08,454 --> 00:01:11,157 OKAY? 24 00:01:11,157 --> 00:01:12,324 [ LAUGHTER AND APPLAUSE ] 25 00:01:12,324 --> 00:01:17,530 AND I GUESS THAT STRUCK A NERVE BECAUSE, I'M AT HOME LAST NIGHT, 26 00:01:17,530 --> 00:01:21,467 WATCHING OUR GUEST, LENA WAITHE'S, SHOW. 27 00:01:21,467 --> 00:01:23,402 I GET A TEXT SAYING CANCUN TEDDY JUST TWEETED ABOUT YOU. 28 00:01:23,402 --> 00:01:24,336 [ LAUGHTER ] 29 00:01:24,336 --> 00:01:25,604 HE WROTE: "@JIMMYKIMMELLIVE KEEPS TALKING CRAP. 30 00:01:25,604 --> 00:01:27,573 REALLY TOUGH GUY. HERE'S A REMINDER, WHEN WE 31 00:01:27,573 --> 00:01:31,877 PLAYED ONE‐ON‐ONE, I KICKED HIS ASS. HE HAS TO LIVE WITH THAT 32 00:01:31,877 --> 00:01:35,347 FOREVER. REMATCH, PUNK?" HE'S RIGHT. 33 00:01:35,347 --> 00:01:39,185 IT'S TRUE. I DO HAVE TO LIVE WITH THAT FOREVER. 34 00:01:39,185 --> 00:01:40,486 YOU HAVE TO LIVE WITH BEING TED CRUZ FOREVER. 35 00:01:40,486 --> 00:01:41,954 [ LAUGHTER ] 36 00:01:41,954 --> 00:01:42,421 WHICH IS SO MUCH WORSE. 37 00:01:42,421 --> 00:01:45,191 [ APPLAUSE ] 38 00:01:45,191 --> 00:01:49,929 BUT I ALSO HAVE TO LIVE WITH THAT. SO I PAUSED THE SHOW, AND 39 00:01:49,929 --> 00:01:52,932 I WAS LIKE, ALL RIGHT, WHAT AM I GOING TO WRITE BACK? 40 00:01:52,932 --> 00:01:58,270 IT'S LATE, BY THE WAY, HE SHOULD BE IN BED BY NOW. 41 00:01:58,270 --> 00:01:59,405 THIS IS WHAT HE'S UP DOING, WATCHING ME AND GETTING MAD 42 00:01:59,405 --> 00:02:00,973 ABOUT IT. SO I WROTE BACK. "OH TED, YOU GET SO SAD AFTER 43 00:02:00,973 --> 00:02:03,809 YOU MASTURBATE." 44 00:02:03,809 --> 00:02:05,077 [ LAUGHTER AND APPLAUSE ] 45 00:02:05,077 --> 00:02:07,246 WHICH IS UNDOUBTEDLY WHAT HE WAS DOING, UNDOUBTEDLY. 46 00:02:07,246 --> 00:02:10,483 REMEMBER THAT TIME HE ACCIDENTALLY LIKED A STEPMOM 47 00:02:10,483 --> 00:02:12,518 PORNO TWEET ON 9/11? OF ALL DAYS. 48 00:02:12,518 --> 00:02:15,855 [ LAUGHTER ] 49 00:02:15,855 --> 00:02:19,525 THEN HE BLAMED IT ON SOMEBODY ON HIS STAFF. THAT WAS A TOUGH ONE. 50 00:02:19,525 --> 00:02:20,593 [ LAUGHTER ] 51 00:02:20,593 --> 00:02:24,430 9‐11, BY THE WAY, WAS THE SCORE OF OUR GAME. 52 00:02:24,430 --> 00:02:25,197 HE HAD 11 POINTS, I HAD 9 POINTS. 53 00:02:25,197 --> 00:02:28,834 IT'S FUNNY, HE POSTED A VIDEO OF ONLY THE SHOTS HE MADE. 54 00:02:28,834 --> 00:02:30,202 AND HE'S SO PROUD OF HIMSELF. MEANWHILE, NEITHER ONE OF US HAS 55 00:02:30,202 --> 00:02:31,470 NYTHING TO BE PROUD OF AS FAR AS THAT GAME WAS CONCERNED. 56 00:02:31,470 --> 00:02:33,305 [ LAUGHTER ] 57 00:02:33,305 --> 00:02:34,573 THIS IS TRUE. BETWEEN US, WE MADE 20 SHOTS. 58 00:02:34,573 --> 00:02:37,510 YOU KNOW HOW MANY SHOTS WE MISSED? 59 00:02:37,510 --> 00:02:38,077 DO YOU REMEMBER, GUILLERMO? 60 00:02:38,077 --> 00:02:42,181 >> Guillermo: LIKE 25? MORE? I DON'T REMEMBER. 61 00:02:42,181 --> 00:02:42,782 >> Jimmy: YEAH, MORE THAN 25. 62 00:02:42,782 --> 00:02:44,650 [ LAUGHTER ] 63 00:02:44,650 --> 00:02:47,686 >> Guillermo: I DON'T REMEMBER, I'M JUST TRYING TO BE NICE. 64 00:02:47,686 --> 00:02:48,254 >> Jimmy: 200 IS THE NUMBER. 65 00:02:48,254 --> 00:02:52,258 [ LAUGHTER AND APPLAUSE ] 66 00:02:52,258 --> 00:02:52,892 200, WE SHOT 10% FROM THE FIELD. 67 00:02:52,892 --> 00:02:55,628 [ LAUGHTER ] 68 00:02:55,628 --> 00:02:58,164 THAT GAME WAS UGLIER THAN HIM. OKAY? 69 00:02:58,164 --> 00:02:58,697 [ LAUGHTER AND APPLAUSE ] 70 00:02:58,697 --> 00:03:02,568 THE CHARITIES WE WERE PLAYING FOR ALMOST REFUSED TO ACCEPT THE 71 00:03:02,568 --> 00:03:06,906 MONEY, LIKE, "YOU LOSERS NEED THIS MORE THAN WE DO." 72 00:03:06,906 --> 00:03:08,240 [ LAUGHTER ] 73 00:03:08,240 --> 00:03:09,441 WE WERE SUPPOSED TO PLAY TO 21, AND AT A CERTAIN POINT, IT 74 00:03:09,441 --> 00:03:13,379 SEEMED VERY CLEAR WE WOULD NEVER GET THERE. 75 00:03:13,379 --> 00:03:19,451 SO I PULLED HIM ASIDE, "DO YOU WANT TO GO TO 11?" 76 00:03:19,451 --> 00:03:21,987 LIKE SPINAL TAP, IT WENT TO 11. SO THERE IS NOTHING THERE TO 77 00:03:21,987 --> 00:03:23,222 BOAST ABOUT. AND SECONDLY, AND THIS IS THE 78 00:03:23,222 --> 00:03:28,227 MOST IMPORTANT POINT BESIDES, YOU'RE A U. S. SENATOR AND A VERY 79 00:03:28,227 --> 00:03:31,397 CONVINCING GRANDPA MUENSTER IMPERSONATOR WHO WE WOULD THINK 80 00:03:31,397 --> 00:03:32,865 HAS OTHER THINGS TO DO. 81 00:03:32,865 --> 00:03:33,198 [ LAUGHTER ] 82 00:03:33,198 --> 00:03:35,835 THIS IS THE MOST IMPORTANT PART. AFTER YOU WON'T GAME, DO YOU 83 00:03:35,835 --> 00:03:38,470 REMEMBER WHAT I DID? "GOOD GAME, THANKS." 84 00:03:38,470 --> 00:03:42,141 I SHOOK YOUR DISGUSTING HAND. I COULDN'T COMPLAIN IT WAS 85 00:03:42,141 --> 00:03:43,175 RIGGED. I DIDN'T ASK FOR A RECOUNT ON 86 00:03:43,175 --> 00:03:45,878 THE REFEREE. I DIDN'T START A CONSPIRACY 87 00:03:45,878 --> 00:03:47,813 THEORY ABOUT THE BASKETBALL HAVING A MICROCHIP IN IT. 88 00:03:47,813 --> 00:03:51,217 I ACCEPTED IT. I BROUGHT SHAME ON MY FAMILY AND 89 00:03:51,217 --> 00:03:52,251 I EMBRACED IT. LIKE I ALWAYS DO. 90 00:03:52,251 --> 00:03:54,386 [ CHEERS AND APPLAUSE ] 91 00:03:54,386 --> 00:03:56,622 I MEAN, LISTEN. IT WAS A TERRIBLE DAY. 92 00:03:56,622 --> 00:03:58,858 I LOST A BASKETBALL GAME TO A MAN WHO ATE ONE OF HIS OWN 93 00:03:58,858 --> 00:04:00,659 BOOGERS DURING A PRESIDENTIAL DEBATE. 94 00:04:00,659 --> 00:04:05,097 [ LAUGHTER ] 95 00:04:05,097 --> 00:04:08,367 ANYWAY, APPARENTLY I WAS MEAN TO TED AND HE'S VERY UPSET. 96 00:04:08,367 --> 00:04:12,738 IF HISTORY IS ANY INDICATION, HE'S SO UPSET, THAT MEANS HE'LL 97 00:04:12,738 --> 00:04:13,372 BE WASHING MY CAR THIS WEEKEND. 98 00:04:13,372 --> 00:04:14,740 [ LAUGHTER ] 99 00:04:14,740 --> 00:04:15,241 I LOOK FORWARD TO THAT. 100 00:04:15,241 --> 00:04:16,508 [ APPLAUSE ] 101 00:04:16,508 --> 00:04:20,479 IN OTHER GOVERNMENT WEASEL NEWS, GOVERNOR RON DeSANTIS OF FLORIDA 102 00:04:20,479 --> 00:04:26,352 SIGNED A NEW LAW THAT WOULD FINE SOCIAL MEDIA COMPANIES FOR 103 00:04:26,352 --> 00:04:27,887 REMOVING ANYONE WHO'S RUNNING FOR OFFICE IN HIS STATE. 104 00:04:27,887 --> 00:04:30,089 ACCORDING TO THIS LAW, WHICH THEY KNOW WON'T HOLD UP, BANNING 105 00:04:30,089 --> 00:04:33,325 A CANDIDATE FROM YOUR PLATFORM WOULD RESULT IN FINES OF UP TO 106 00:04:33,325 --> 00:04:36,829 $250,000 A DAY. GEE, I WONDER WHO LIVES IN 107 00:04:36,829 --> 00:04:38,330 FLORIDA AND WAS BANNED FROM TWITTER WHO MAY HAVE HAD A TINY 108 00:04:38,330 --> 00:04:41,300 HAND IN THIS? 109 00:04:41,300 --> 00:04:41,633 [ LAUGHTER ] 110 00:04:41,633 --> 00:04:43,569 CAN YOU THINK OF ANYONE? WRECK‐IT RON WAS VERY PROUD OF 111 00:04:43,569 --> 00:04:47,106 HIS TOOTHLESS NEW LEGISLATION, AND MADE A PASSIONATE CASE FOR 112 00:04:47,106 --> 00:04:51,944 WHY IT KIND OF HAD ALMOST NOTHING TO DO WITH DONALD TRUMP. 113 00:04:51,944 --> 00:04:55,814 >> THE BILL IS FOR EVERYDAY FLORIDIANS. THIS IS WHAT WE SAID. 114 00:04:55,814 --> 00:05:01,787 AND IT WOULD ALLOW ANY FLORIDIAN TO BE ABLE TO, UM, TO PROVIDE 115 00:05:01,787 --> 00:05:04,556 WHAT ‐‐ WHAT THEY'RE DOING. SO, UM ‐‐ BUT I THINK ‐‐ I DO 116 00:05:04,556 --> 00:05:07,359 THINK THAT'S ANOTHER ISSUE THAT ‐‐ THAT HAS BEEN BROUGHT TO 117 00:05:07,359 --> 00:05:10,496 BEAR. WHEN YOU DEPLATFORM THE PRESIDENT OF THE UNITED STATES 118 00:05:10,496 --> 00:05:14,667 BUT YOU LET AYATOLLAH CO‐MKHOME TALK ABOUT KILLING JEWS, THAT IS 119 00:05:14,667 --> 00:05:15,032 WRONG. 120 00:05:15,032 --> 00:05:16,869 [ CHEERS AND APPLAUSE ] 121 00:05:16,869 --> 00:05:24,443 >> Jimmy: YEAH. THE AYATOLLAH DIED IN 1989, BY 122 00:05:24,443 --> 00:05:25,077 THE WAY. 123 00:05:25,077 --> 00:05:25,477 [ LAUGHTER ] 124 00:05:25,477 --> 00:05:29,248 17 YEARS BEFORE TWITTER. BUT HE CORRECTED THAT ON TWITTER. 125 00:05:29,248 --> 00:05:30,883 BUT WE GET IT, RON. YOU KNOW HOW WHEN YOU GO ON A 126 00:05:30,883 --> 00:05:32,618 ROAD TRIP, AND YOU HAVE TO STOP TO PEE AT SOME SKETCHY GAS 127 00:05:32,618 --> 00:05:35,087 STATION IN THE MIDDLE OF NOWHERE, AND THE TOILET SEAT HAS 128 00:05:35,087 --> 00:05:37,089 A SWASTIKA CARVED INTO IT FOR SOME REASON? 129 00:05:37,089 --> 00:05:44,430 AND YOU THINK, "WHY WOULD ANYONE TO EVEN TOUCH, TO CARVE ANYTHING 130 00:05:44,430 --> 00:05:46,498 INTO A TOILET SEAT? LET ALONE SOMETHING HORRIBLE 131 00:05:46,498 --> 00:05:48,968 LIKE A SWASTIKA?" ANYWAY, FLORIDA IS THAT TOILET 132 00:05:48,968 --> 00:05:49,635 SEAT. 133 00:05:49,635 --> 00:05:51,737 [ LAUGHTER ] 134 00:05:51,737 --> 00:05:53,005 [ APPLAUSE ] 135 00:05:53,005 --> 00:05:57,276 THERE IS A LOT OF NONSENSE GOING ON. AND MUCH OF IT CAN BE TRACED 136 00:05:57,276 --> 00:05:59,044 BACK TO MAR‐A‐LARDO. 137 00:05:59,044 --> 00:06:00,012 [ LAUGHTER ] 138 00:06:00,012 --> 00:06:03,048 THIS IS AN AD THAT HAS BEEN RUNNING ON NEWSMAX, AND IT'S 139 00:06:03,048 --> 00:06:07,353 JUST BRAZEN, ONE COULD ALMOST CALL IT "MAGNIFICENT." 140 00:06:07,353 --> 00:06:11,590 >> BIDEN IS FALLING DOWN ON THE JOB. BADLY. 141 00:06:11,590 --> 00:06:14,426 >> WE CANNOT ALLOW OUR COUNTRY TO BE DESTROYED, AND THAT'S 142 00:06:14,426 --> 00:06:15,728 WHAT'S HAPPENING. 143 00:06:15,728 --> 00:06:19,131 >> PRESIDENT TRUMP IS FIGHTING TO ELECT AMERICA FIRST 144 00:06:19,131 --> 00:06:22,701 REPUBLICANS TO STOP BIDEN'S DISASTROUS POLICIES AND HE NEEDS 145 00:06:22,701 --> 00:06:23,268 YOUR HELP. 146 00:06:23,268 --> 00:06:27,439 >> SEND YOUR MONEY TO DONALDJTRUMP.COM. 147 00:06:27,439 --> 00:06:27,773 [ LAUGHTER ] 148 00:06:27,773 --> 00:06:31,543 >> Jimmy: THAT'S RIGHT, SEND THE BILLIONAIRE YOUR MONEY, DUMMIES, 149 00:06:31,543 --> 00:06:35,814 HE WANTED IT. HE'S NOT EVEN BOTHERING TO SEND 150 00:06:35,814 --> 00:06:38,617 A WORTHLESS COMMEMORATIVE WINDOW ANYMORE, JUST SEND YOUR MONEY. 151 00:06:38,617 --> 00:06:39,985 LAST WEEK ON HIS WEBSITE, HE BRAGGED ABOUT HOW HIS JET WAS 152 00:06:39,985 --> 00:06:41,353 BEING OVERHAULED AND REPAINTED AND HOW EVERYONE WILL GET TO SEE 153 00:06:41,353 --> 00:06:43,088 IT AT HIS RALLIES THAT ARE COMING UP. 154 00:06:43,088 --> 00:06:45,391 GEE, I WONDER WHO'S PAYING FOR THAT? 155 00:06:45,391 --> 00:06:46,825 [ LAUGHTER ] 156 00:06:46,825 --> 00:06:49,094 DONALD TRUMP IS THE PERSONAL INJURY ATTORNEY OF FORMER 157 00:06:49,094 --> 00:06:51,030 PRESIDENTS. 158 00:06:51,030 --> 00:06:51,363 [ LAUGHTER ] 159 00:06:51,363 --> 00:06:56,368 AND HE'S MULTIPLYING. HE'S GOT MINI‐TRUMPS ALL OVER 160 00:06:56,368 --> 00:06:58,270 THE PLACE NOW. MARJORIE TAYLOR GREENE, LAST 161 00:06:58,270 --> 00:06:59,805 WEEK, SHE WAS COMPLAINING ABOUT BEING REQUIRED TO WEAR A MASK ON 162 00:06:59,805 --> 00:07:03,542 THE FLOOR OF THE HOUSE, AND IN AN INTERVIEW, COMPARED IT TO THE 163 00:07:03,542 --> 00:07:05,544 VICTIMS OF NAZI GERMANY, HAVING TO WEAR YELLOW STARS DURING THE 164 00:07:05,544 --> 00:07:09,281 HOLOCAUST. AND OF COURSE, MOST OF HER 165 00:07:09,281 --> 00:07:12,017 FELLOW REPUBLICANS IN CONGRESS SAID NOTHING ABOUT IT UNTIL, I 166 00:07:12,017 --> 00:07:16,155 GUESS THEY GOT SOME PRESSURE FROM THE JEWISH COMMUNITY THAT 167 00:07:16,155 --> 00:07:18,123 THEY COULDN'T IGNORE ANYMORE. AND TODAY, FIVE DAYS LATER, 168 00:07:18,123 --> 00:07:20,459 SENATE MINORITY LEADER MITCH McCONNELL SAID HER 169 00:07:20,459 --> 00:07:24,396 COMMENTS WERE "REPREHENSIBLE." AND HOUSE MINORITY LEADER 170 00:07:24,396 --> 00:07:27,066 KEVIN McCARTHY PUT OUT A STATEMENT. 171 00:07:27,066 --> 00:07:29,668 HE WROTE, "MARIJUANALY IS WRONG AND HER INTENTIONAL DECISION TO 172 00:07:29,668 --> 00:07:31,703 COMPARE THE HORRORS OF THE HOLOCAUST WITH WEARING MASKS IS 173 00:07:31,703 --> 00:07:34,039 APPALLING. THE HOLOCAUST IS THE GREATEST 174 00:07:34,039 --> 00:07:35,741 ATROCITY COMMITTED IN HISTORY. THE FACT THAT THIS NEEDS TO BE 175 00:07:35,741 --> 00:07:38,977 STATED TODAY IS DEEPLY TROUBLING." OKAY, GOOD START. 176 00:07:38,977 --> 00:07:42,981 "AT A TIME WHEN THE JEWISH PEOPLE FACE INCREASED VIOLENCE 177 00:07:42,981 --> 00:07:47,252 AND THREATS, ANTI‐SEMITISM IS ON THE RISE IN THE DEMOCRAT PARTY 178 00:07:47,252 --> 00:07:50,823 AND IS COMPLETELY IGNORED BY SPEAKER NANCY PELOSI"? 179 00:07:50,823 --> 00:07:51,290 OH, YOU WERE SO CLOSE. 180 00:07:51,290 --> 00:07:52,091 [ LAUGHTER ] 181 00:07:52,091 --> 00:07:54,326 YOU COULDN'T HELP YOURSELF, COULD YOU? 182 00:07:54,326 --> 00:07:56,862 YOU HAD TO G. O. P. IN THE POOL. BRING IT BACK TO NANCY PELOSI. 183 00:07:56,862 --> 00:08:00,532 [ LAUGHTER ] 184 00:08:00,532 --> 00:08:01,667 THIS MARJORIE TAYLOR GREENE SEEMS TO BE VERY FOCUSED ON 185 00:08:01,667 --> 00:08:05,637 NAZIS. SOMEONE JUST DUG THIS UP. THIS IS JUNE OF LAST YEAR. 186 00:08:05,637 --> 00:08:08,807 SHE WAS SPEAKING AT A CITY COUNCIL MEETING AND MADE A 187 00:08:08,807 --> 00:08:13,879 STRONG DEFENSE OF STATUES HONORING BOTH HITLER AND SATAN. 188 00:08:13,879 --> 00:08:17,683 >> WE'RE SEEING SITUATIONS WHERE CHRISTOPHER COLUMBUS, GEORGE 189 00:08:17,683 --> 00:08:20,953 WASHINGTON, ABRAHAM LINCOLN, ALL KINDS OF STATUES ARE BEING 190 00:08:20,953 --> 00:08:24,456 ATTACKED. AND IT SEEMS TO BE JUST A ‐‐ AN 191 00:08:24,456 --> 00:08:30,162 EFFORT TO TAKE DOWN HISTORY. AND WHETHER I SEE A STATUE THAT 192 00:08:30,162 --> 00:08:33,699 MAY BE SOMETHING THAT I WOULD FULLY DISAGREE WITH, LIKE ADOLF 193 00:08:33,699 --> 00:08:38,770 HITLER, MAYBE A STATUE OF SATAN HIMSELF, I WOULD NOT WANT TO 194 00:08:38,770 --> 00:08:41,306 SAY, TAKE IT DOWN. BUT AGAIN, IT'S SO THAT I CAN 195 00:08:41,306 --> 00:08:44,676 TELL MY CHILDREN AND TEACH OTHERS ABOUT WHO THESE PEOPLE 196 00:08:44,676 --> 00:08:48,514 ARE, WHAT THEY DID, AND WHAT THEY MAY BE ABOUT. 197 00:08:48,514 --> 00:08:50,449 >> Jimmy: RIGHT. THAT'S THE WAY TO LEARN ABOUT 198 00:08:50,449 --> 00:08:52,751 HISTORY, BUILD A STATUE AND TAKE YOUR CHILDREN TO IT. 199 00:08:52,751 --> 00:08:53,952 THAT'S HOW I LEARNED ABOUT ROCKY BALBOA. 200 00:08:53,952 --> 00:08:56,088 [ LAUGHTER ] 201 00:08:56,088 --> 00:08:58,290 IT'S A TEACHING MOMENT. SOMEONE SHOULD BUILD A STATUE OF 202 00:08:58,290 --> 00:09:01,527 SATAN RIGHT OUTSIDE HER HOUSE. 203 00:09:01,527 --> 00:09:02,027 [ CHEERS AND APPLAUSE ] 204 00:09:02,027 --> 00:09:08,033 THAT WAY, SHE CAN EXPLAIN TO HER KIDS WHO MOMMY IS. 205 00:09:08,033 --> 00:09:09,301 SHE'S ONE OF THE FEW PEOPLE THAT MAKE YOU THINK TWICE ABOUT THE 206 00:09:09,301 --> 00:09:09,968 FIRST AMENDMENT. 207 00:09:09,968 --> 00:09:14,640 [ LAUGHTER ] 208 00:09:14,640 --> 00:09:17,342 IN HAPPIER NEWS, I WANT TO CONGRATULATE THE TEAM AT FOX 4 209 00:09:17,342 --> 00:09:19,511 NEWS IN DALLAS. THEY ARE WINNERS OF OUR 210 00:09:19,511 --> 00:09:26,552 OCCASIONAL AWARD FOR "EXCELLENCE IN REPORTING." 211 00:09:26,552 --> 00:09:29,021 >> THE VAX AND SCRATCH PROGRAM ALSO STARTS TODAY. 212 00:09:29,021 --> 00:09:32,024 ANYONE WHO GETS VACCINATED AT A STATE‐RUN SITE IN NEW YORK THIS 213 00:09:32,024 --> 00:09:36,995 WEEK WILL GET A FREE SCRATCH‐OFF. THE JACK‐OFF ‐‐ JACKPOT ‐‐ 214 00:09:36,995 --> 00:09:39,031 [ LAUGHTER ] 215 00:09:39,031 --> 00:09:40,966 FOR THE MEDICAL GA MULTI‐PLAYER LOTTERY IS $5 MILLION. 216 00:09:40,966 --> 00:09:41,299 [ APPLAUSE ] 217 00:09:41,299 --> 00:09:45,771 >> Jimmy: YEAH. THAT'S ‐‐ DUMB. ALL RIGHT. 218 00:09:45,771 --> 00:09:48,974 A LOT OF STATES ARE OFFERING PRIZES IF YOU GET VACCINATED, 219 00:09:48,974 --> 00:09:52,110 YOU GET A PRIZE OR A HAMBURGER OR BEER OR SOMETHING. 220 00:09:52,110 --> 00:09:53,612 HERE IN CALIFORNIA, ONE UNEXPECTED SIDE EFFECT OF THE 221 00:09:53,612 --> 00:09:56,114 PANDEMIC, IS THAT PEOPLE HAVE STOPPED HAVING KIDS. 222 00:09:56,114 --> 00:09:58,850 WE ARE CURRENTLY EXPERIENCING WHAT THEY CALL "A BABY BUST." 223 00:09:58,850 --> 00:10:02,321 CALIFORNIA WILL HAVE 50,000 LESS BIRTHS THIS YEAR THAN LAST. 224 00:10:02,321 --> 00:10:05,824 EXPERTS BELIEVE IT MAY HAVE SOMETHING TO DO WITH US BEING 225 00:10:05,824 --> 00:10:06,725 FAT DISGUSTING SLOBS ALL YEAR. 226 00:10:06,725 --> 00:10:08,460 [ LAUGHTER ] 227 00:10:08,460 --> 00:10:13,632 AND IT'S A PROBLEM. IF WE DON'T HAVE BABIES, YOU 228 00:10:13,632 --> 00:10:17,569 KNOW, IT'S NOT GOING TO IMPACT US NOW, BUT IF 20 YEARS WHO'S 229 00:10:17,569 --> 00:10:23,475 GOING TO CLOG THE 405 BETWEEN 5:00 A. M. AND 2:00 P. M., THEN 230 00:10:23,475 --> 00:10:24,042 AGAIN FROM 2:08 TO MIDNIGHT? 231 00:10:24,042 --> 00:10:25,344 [ LAUGHTER ] 232 00:10:25,344 --> 00:10:26,445 SOMETHING HAS TO BE DONE. FIRST OF ALL, USC NEEDS TO 233 00:10:26,445 --> 00:10:28,413 CHANGE THEIR MASCOT. THEY CAN'T BE "THE TROJANS" 234 00:10:28,413 --> 00:10:29,815 ANYMORE. 235 00:10:29,815 --> 00:10:30,148 [ LAUGHTER ] 236 00:10:30,148 --> 00:10:32,818 IT'S NOT THE RIGHT MESSAGE. PART OF THE ISSUE IS THAT PEOPLE 237 00:10:32,818 --> 00:10:36,054 HAVEN'T BEEN OUT MINGLING. BUT IT'S STARTING TO HAPPEN. 238 00:10:36,054 --> 00:10:40,559 HALF THE RESIDENTS HERE IN L. A. COUNTY ARE VACCINATED FULLY. 239 00:10:40,559 --> 00:10:42,060 HALF OF ALL STATES IN THE U. S. HAVE NOW VACCINATED HALF THEIR 240 00:10:42,060 --> 00:10:45,797 RESIDENTS. IF YOU WANT TO KNOW WHICH ONES 241 00:10:45,797 --> 00:10:49,268 HAVE NOT, CHECK TED NUGENT'S TOUR SCHEDULE. 242 00:10:49,268 --> 00:10:49,601 [ LAUGHTER ] 243 00:10:49,601 --> 00:10:53,338 THEY'RE ALL ON THERE. AS WE BEGIN TO EMERGE FROM OUR 244 00:10:53,338 --> 00:10:57,743 COVID COCOONS, SALES OF GROOMING PRODUCTS HAVE GONE UP. 245 00:10:57,743 --> 00:11:00,012 DEODORANT, CONDOMS, AND TEETH WHITENER ARE IN HIGH DEMAND. 246 00:11:00,012 --> 00:11:03,215 DID PEOPLE NOT KNOW WE COULD STILL SEE THEIR TEETH ON ZOOM 247 00:11:03,215 --> 00:11:03,580 CALLS? 248 00:11:03,580 --> 00:11:04,950 [ LAUGHTER ] 249 00:11:04,950 --> 00:11:06,618 I DON'T KNOW. ALARM CLOCK SALES DOUBLED IN 250 00:11:06,618 --> 00:11:07,986 APRIL. LAST YEAR, WE DIDN'T NEED ALARM 251 00:11:07,986 --> 00:11:10,822 CLOCKS. LAST YEAR OUR ALARM CLOCKS WERE 252 00:11:10,822 --> 00:11:14,726 WAKING UP TO A MESSAGE FROM NETFLIX MAKING SURE WE'RE STILL 253 00:11:14,726 --> 00:11:16,228 ALIVE. 254 00:11:16,228 --> 00:11:16,962 [ LAUGHTER AND APPLAUSE ] 255 00:11:16,962 --> 00:11:20,699 ALL IN ALL, THINGS ARE LOOKING UP. 256 00:11:20,699 --> 00:11:23,769 AND EVERY WEEK, WE LIKE TO LOOK BACK TO THE WAY THINGS WERE 257 00:11:23,769 --> 00:11:25,671 EXACTLY A YEAR AGO. IT'S THAT MAGICAL TIME ONCE 258 00:11:25,671 --> 00:11:26,972 AGAIN, AS WE TURN BACK THE CLOCK TO ONE YEAR AGO THIS WEEK, IN A 259 00:11:26,972 --> 00:11:30,309 NEW EDITION OF "THIS WEEK IN COVID HISTORY." 260 00:11:30,309 --> 00:11:34,846 >> THIS WEEK IN COVID HISTORY, AS WE CLOSE MAY 2020, THE 261 00:11:34,846 --> 00:11:42,421 PRESIDENT CONTINUES TO LEAD THE WAY. THE FAIRWAY. 262 00:11:42,421 --> 00:11:48,026 WHO WHOOPSIE! SORRY, VP. 263 00:11:48,026 --> 00:11:51,096 >> HOW DARE HE PLAY GOLF WHEN SO MANY PEOPLE HAVE THIS VIRUS, AND 264 00:11:51,096 --> 00:11:54,166 THE PRESIDENT SAID, I'M TRYING TO DO A MESSAGE WE CAN DO THIS 265 00:11:54,166 --> 00:11:54,531 SAFELY. 266 00:11:54,531 --> 00:11:57,369 >> LEADING THE WAY IS IMPORTANT, THE PRESIDENT TRYING TO DO THAT, 267 00:11:57,369 --> 00:11:59,137 SOMETIMES ON THE GOLF COURSE. 268 00:11:59,137 --> 00:12:00,972 >> MOST TIMES IT'S ON THE GOLF COURSE. WHAT'S THIS? 269 00:12:00,972 --> 00:12:03,308 BREAKING NEWS. 270 00:12:03,308 --> 00:12:06,712 >> JOE BIDEN MAKES HIS FIRST PUBLIC APPEARANCE WEARING A MASK. 271 00:12:06,712 --> 00:12:09,581 >> VICE PRESIDENT BIDEN WEARING A MASK ‐‐ 272 00:12:09,581 --> 00:12:10,849 >> AS WE MENTIONED, HE'S WEARING A MASK ‐‐ 273 00:12:10,849 --> 00:12:14,119 >> HE WAS WEARING A FACE MASK. 274 00:12:14,119 --> 00:12:15,420 >> IT'S MASK HYSTERIA. 275 00:12:15,420 --> 00:12:16,755 >> HE DIDN'T NEED TO WEAR IT. 276 00:12:16,755 --> 00:12:20,525 >> BIDEN, LIKE ANYBODY ELSE WEARING A MASK, LOOKED 277 00:12:20,525 --> 00:12:20,859 RIDICULOUS. 278 00:12:20,859 --> 00:12:23,462 >> IT'S PECULIAR, IN THE BASEMENT NEXT TO HIS WIFE, HE'S 279 00:12:23,462 --> 00:12:23,929 WEARING A MASK. 280 00:12:23,929 --> 00:12:25,697 >> I THOUGHT IT WAS UNUSUAL HE HAD ONE ON. 281 00:12:25,697 --> 00:12:29,434 >> WHAT DOES THE MASKED BANDIT HAVE TO SAY FOR HIMSELF? 282 00:12:29,434 --> 00:12:33,572 >> PRESIDENT TRUMP RETWEETED A PHOTO OF YOU WEARING IT, TRYING 283 00:12:33,572 --> 00:12:35,507 TO BELITTLE YOU FOR WEARING A MASK. 284 00:12:35,507 --> 00:12:37,542 >> HE'S A FOOL. ABSOLUTE FOOL. 285 00:12:37,542 --> 00:12:40,712 >> WE KNOW THAT THE MASKS AREN'T DOING ANY GOOD. 286 00:12:40,712 --> 00:12:43,548 I'M A SHEEP, I'LL DO WHATEVER THE GOVERNENT TELLS ME TO DO. 287 00:12:43,548 --> 00:12:47,152 >> THAT'S A MAN WE CAN TRUST, ONE WHO SURELY WON'T BE FORCED 288 00:12:47,152 --> 00:12:49,755 TO STEP DOWN FROM HIS JOB IN DISGRACE. 289 00:12:49,755 --> 00:12:50,088 [ LAUGHTER ] 290 00:12:50,088 --> 00:12:54,760 AS WE CLOSE THE WEEK, A NEW MOVEMENT TAKES TO THE STREETS. 291 00:12:54,760 --> 00:12:55,727 >> BLACK LIVES MATTER! BLACK LIVES MATTER! 292 00:12:55,727 --> 00:12:58,630 >> AND PRESIDENT TRUMP SAYS, COUNT ME IN. 293 00:12:58,630 --> 00:13:03,535 >> MAGA LOVES THE BLACK PEOPLE. THING.ALWAYS SAYS THE "WHITE" ‐ 294 00:13:03,535 --> 00:13:04,970 THIS HAS BEEN "THIS WEEK IN COVID HISTORY." 295 00:13:04,970 --> 00:13:07,839 [ CHEERS AND APPLAUSE ] 296 00:13:08,673 --> 00:13:12,778 >> Jimmy: LOOKED REAL. WE HAVE A GOOD SHOW TONIGHT. 297 00:13:12,778 --> 00:13:13,812 KELVIN HARRISON JR. IS HERE. WE'VE GOT MUSIC FROM 298 00:13:13,812 --> 00:13:17,749 ALLISON RUSSELL, BRITTNEY SPENCER, AND 299 00:13:17,749 --> 00:13:19,317 BRANDI CARLILE, AND BE RIGHT BACK WITH LENA WAITHE SO STICK 300 00:13:19,317 --> 00:13:20,919 AROUND! 301 00:13:27,485 --> 00:13:28,019 [ CHEERS AND APPLAUSE ] 302 00:13:28,019 --> 00:13:31,171 ♪ 303 00:13:31,171 --> 00:13:35,242 >> Jimmy: HELLO AND WELCOME BACK TO THE SHOW. 304 00:13:35,242 --> 00:13:36,276 TONIGHT, FROM THE NEW MOVIE "MONSTER" ON NETFLIX, 305 00:13:36,276 --> 00:13:39,479 KELVIN HARRISON JR. IS HERE. THEN LATER, A TALENTED CANADIAN 306 00:13:39,479 --> 00:13:42,216 SINGER‐SONGWRITER. HER NEW ALBUM IS CALLED "OUTSIDE 307 00:13:42,216 --> 00:13:43,851 CHILD," MUSIC FROM ALLISON RUSSELL WITH 308 00:13:43,851 --> 00:13:45,252 BRITTNEY SPENCER AND BRANDI CARLILE. 309 00:13:45,252 --> 00:13:49,223 [ CHEERS AND APPLAUSE ] 310 00:13:49,223 --> 00:13:51,725 THAT IS QUITE A GROUP. TOMORROW NIGHT, EMILY BLUNT AND 311 00:13:51,725 --> 00:13:55,963 DIEGO BONETA WILL JOIN US. WE'LL HAVE MUSIC FROM THE NEW 312 00:13:55,963 --> 00:13:57,698 "AMERICAN IDOL" CHASE BECKHAM. AND THURSDAY, EMMA STONE, 313 00:13:57,698 --> 00:14:02,202 RORY SCOVEL AND MUSIC FROM CHLOE MORIONDO. 314 00:14:02,202 --> 00:14:05,539 SO PLEASE JOIN US FOR EVERY BIT THAT HAVE. 315 00:14:05,539 --> 00:14:06,039 [ CHEERS AND APPLAUSE ] 316 00:14:06,039 --> 00:14:07,207 OUR FIRST GUEST TONIGHT IS A VERY BUSY WRITER, PRODUCER, 317 00:14:07,207 --> 00:14:11,042 RECORD LABEL OWNER, AND SNEAKER‐LOVER WHO DOES SOME 318 00:14:11,042 --> 00:14:11,809 ACTING IN HER SPARE TIME. 319 00:14:11,809 --> 00:14:20,218 SHE IS CO‐WRITER AND STAR OF 320 00:14:20,218 --> 00:14:23,187 "MASTER OF NONE," SEASON 3, "MOMENTS IN LOVE" AVAILABLE ON 321 00:14:23,187 --> 00:14:28,293 NETFLIX NOW. PLEASE SAY HELLO TO LENA WAITHE. 322 00:14:28,293 --> 00:14:28,793 [ CHEERS AND APPLAUSE ] 323 00:14:28,793 --> 00:14:34,499 ♪ 324 00:14:34,499 --> 00:14:35,433 >> Jimmy: WELCOME. IT'S VERY GOOD TO SEE YOU. 325 00:14:35,433 --> 00:14:37,135 [ CHEERS AND APPLAUSE ] 326 00:14:37,135 --> 00:14:37,869 HOW ARE YOU DOING? 327 00:14:37,869 --> 00:14:40,171 >> GOOD TO SEE YOU. I'M GOOD. 328 00:14:40,171 --> 00:14:41,839 >> Jimmy: YOU KNOW WHAT I WAS THINKING ABOUT YOU LAST NIGHT AS 329 00:14:41,839 --> 00:14:44,976 I WAS WATCHING THE SHOW, AND I WAS WONDERING, IS IT A LOT OF 330 00:14:44,976 --> 00:14:47,512 WORK TO BE THIS STYLISH? 331 00:14:47,512 --> 00:14:47,879 [ LAUGHTER ] 332 00:14:47,879 --> 00:14:50,848 YOU COME OUT WITH STUFF, YOU PUT IT TOGETHER, AND IT LOOKS COOL. 333 00:14:50,848 --> 00:14:51,582 >> OH MY GOSH. 334 00:14:51,582 --> 00:14:54,085 >> Jimmy: I WONDER IF IT TAKES A LOT OF ENERGY. 335 00:14:54,085 --> 00:14:54,886 >> NO, NOT MUCH. 336 00:14:54,886 --> 00:14:55,720 >> Jimmy: REALLY? 337 00:14:55,720 --> 00:14:59,123 >> I JUST, LIKE YOU KNOW WHAT, THIS IS ‐‐ YOU KNOW WHAT IT IS, 338 00:14:59,123 --> 00:15:02,160 I TRY TO BE VERY INTENTIONAL. THIS IS A BLACK QUEER DESIGNER, 339 00:15:02,160 --> 00:15:04,696 THIS IS A BLACK WOMAN OUT OF LONDON, THIS IS A COOL BRAND 340 00:15:04,696 --> 00:15:06,664 CALLED SAVANT. THESE ARE FEAR OF GOD. 341 00:15:06,664 --> 00:15:07,765 I TRY TO WEAR BLACK AND BROWN DESIGNERS. 342 00:15:07,765 --> 00:15:10,468 [ CHEERS AND APPLAUSE ] 343 00:15:10,468 --> 00:15:14,005 >> Jimmy: AND THEY REACH OUT TO YOU? OR DO YOU SEARCH FOR THEM? 344 00:15:14,005 --> 00:15:18,443 >> YOU KNOW, IT'S A MIX OF BOTH. I LIKE WHAT I LIKE. 345 00:15:18,443 --> 00:15:21,679 SOMETIMES I BEFRIEND THE DESIGNER AND THAT'S COOL BECAUSE 346 00:15:21,679 --> 00:15:22,146 THEY SEND YOU STUFF. 347 00:15:22,146 --> 00:15:22,480 [ LAUGHTER ] 348 00:15:22,480 --> 00:15:25,350 I DRESS FOR COMFORT FIRST, INTENTIONALITY SECOND, YEAH. 349 00:15:25,350 --> 00:15:28,152 >> Jimmy: ONE OF THE THINGS THAT MY WIFE AND I WERE ENJOYING 350 00:15:28,152 --> 00:15:29,587 WATCHING THE SHOW LAST NIGHT ‐‐ 351 00:15:29,587 --> 00:15:32,090 >> THANK YOU FOR WATCHING IT, I WAS GOING TO GIVE YOU A HARD 352 00:15:32,090 --> 00:15:34,892 TIME IF YOU DIDN'T. 353 00:15:34,892 --> 00:15:35,226 [ LAUGHTER ] 354 00:15:35,226 --> 00:15:36,227 I WAS LIKE, TELL HIM TO WATCH IT, MAN. 355 00:15:36,227 --> 00:15:37,895 >> Jimmy: IN THE SHOW YOU'RE NOT YOU. 356 00:15:37,895 --> 00:15:38,229 >> NO. 357 00:15:38,229 --> 00:15:43,234 >> Jimmy: YOU'RE PLAYING A CHARACTER, OBVIOUSLY. 358 00:15:43,234 --> 00:15:45,136 BUT YOU WORE THE SAME CLOTHES FOR QUITE SOME TIME. 359 00:15:45,136 --> 00:15:46,604 >> YES. THAT WAS HARD. I WAS LIKE, DID SHE SWITCH IT UP? 360 00:15:46,604 --> 00:15:48,373 THEY'RE LIKE, NO, THIS IS THE SAME DAY. 361 00:15:48,373 --> 00:15:50,341 I'M LIKE, I UNDERSTAND, BUT I SWITCH OUTFITS, THOUGH. 362 00:15:50,341 --> 00:15:52,510 [ LAUGHTER ] 363 00:15:52,510 --> 00:15:55,813 YOU KNOW? I DO THAT. THEY WERE LIKE, NO, MAN, 364 00:15:55,813 --> 00:15:57,548 CONTINUITY. OKAY, OKAY, OKAY. 365 00:15:57,548 --> 00:16:01,753 >> Jimmy: LAST TIME I SAW YOU I THINK WAS WHEN YOU WERE A 366 00:16:01,753 --> 00:16:04,055 CONTESTANT ON "WHO WANTS TO BE A MILLIONAIRE." 367 00:16:04,055 --> 00:16:04,455 >> YES. 368 00:16:04,455 --> 00:16:06,657 >> Jimmy: THAT WAS AN INTERESTING END, BASS YOU PLAYED 369 00:16:06,657 --> 00:16:09,460 IT SAFE AND STOPPED AT ‐‐ HOW MUCH MONEY? 370 00:16:09,460 --> 00:16:10,828 >> WAS IT $125,000? 371 00:16:10,828 --> 00:16:13,731 >> Jimmy: I THINK YOU WERE AT THE $125,000, BUT YOU STOPPED 372 00:16:13,731 --> 00:16:17,535 AND COLLECTED THE $64,000, RIGHT? YEAH, BECAUSE I WAS AFRAID OF 373 00:16:17,535 --> 00:16:18,436 GETTING THE QUESTION WRONG. 374 00:16:18,436 --> 00:16:18,836 >> Jimmy: YEAH. 375 00:16:18,836 --> 00:16:22,740 >> AND THEN MY PHONE A FRIEND GAVE ME THE RIGHT ANSWER, AND I 376 00:16:22,740 --> 00:16:26,077 DIDN'T CHOOSE TO BELIEVE HER. AND SO THEREFORE, WHEN YOU TOLD 377 00:16:26,077 --> 00:16:29,347 ME WHAT THE ANSWER WAS, I'M GOING TO ‐‐ I'M STILL TICKED 378 00:16:29,347 --> 00:16:30,014 ABOUT IT. 379 00:16:30,014 --> 00:16:30,347 [ LAUGHTER ] 380 00:16:30,347 --> 00:16:34,318 >> Jimmy: YOUR PHONE A FRIEND TOLD YOU, YOUR FRIEND WHO WAS 381 00:16:34,318 --> 00:16:37,522 THERE WITH YOU ‐‐ THEY WERE IN AGREEMENT BUT YOU DIDN'T WANT TO 382 00:16:37,522 --> 00:16:37,989 RISK IT. 383 00:16:37,989 --> 00:16:38,322 >> NO. 384 00:16:38,322 --> 00:16:42,760 >> Jimmy: CYNTHIA ERIVO WAS YOUR PHONE A FRIEND, ACTRESS. 385 00:16:42,760 --> 00:16:43,094 >> YEAH. 386 00:16:43,094 --> 00:16:44,395 >> Jimmy: WAS SHE ANNOYED WITH YOU? 387 00:16:44,395 --> 00:16:45,096 >> ABSOLUTELY. 388 00:16:45,096 --> 00:16:46,297 >> Jimmy: SHE WAS, YEAH. 389 00:16:46,297 --> 00:16:46,630 [ LAUGHTER ] 390 00:16:46,630 --> 00:16:49,434 >> LIVID. I WAS LIKE, YOU DIDN'T SOUND 391 00:16:49,434 --> 00:16:52,336 CONFIDENT, YOU KNOW. BUT I'M HAPPY WE TOOK SOME MONEY 392 00:16:52,336 --> 00:16:55,473 AWAY. MY PLAN IS TO COME BACK AND REDEEM MYSELF. 393 00:16:55,473 --> 00:16:56,974 >> Jimmy: $64,000 IS PRETTY GOOD. 394 00:16:56,974 --> 00:16:57,475 [ CHEERS AND APPLAUSE ] 395 00:16:57,475 --> 00:16:59,043 >> PRETTY GOOD. I CAN DO BETTER NEXT TIME. 396 00:16:59,043 --> 00:17:00,078 >> Jimmy: DO YOU HAVE A STRENGTH NOW? 397 00:17:00,078 --> 00:17:02,780 I FELT LIKE MAYBE YOU WENT TO THE LIFELINES TOO QUICKLY. 398 00:17:02,780 --> 00:17:05,883 >> I KNOW. BUT LOOK, I HAD TO GET YOU FOR 399 00:17:05,883 --> 00:17:06,384 THE TIME FILL. 400 00:17:06,384 --> 00:17:07,652 >> Jimmy: OH, YEAH, RIGHT. 401 00:17:07,652 --> 00:17:09,153 >> IT WAS LIKE TOO WHITE A SHOW FOR ME. 402 00:17:09,153 --> 00:17:09,487 [ LAUGHTER ] 403 00:17:09,487 --> 00:17:11,289 >> Jimmy: IS THAT RIGHT? 404 00:17:11,289 --> 00:17:15,460 >> AND I WAS JUST LIKE ‐‐ GOSH, I'M NOT, YOU KNOW ‐‐ IF IT WAS A 405 00:17:15,460 --> 00:17:17,728 FRIEND'S QUESTION I WOULD HAVE GONE IN THERE, BUT YEAH. 406 00:17:17,728 --> 00:17:20,231 >> Jimmy: WAIT A MINUTE, "SEINFELD" WAS TOO WHITE FOR 407 00:17:20,231 --> 00:17:23,534 YOU, "FRIENDS" ISN'T? 408 00:17:23,534 --> 00:17:26,471 >> MAYBE A CLOSE SECOND, YOU'RE RIGHT, YOU'RE RIGHT. 409 00:17:26,471 --> 00:17:26,804 [ LAUGHTER ] 410 00:17:26,804 --> 00:17:29,841 PRETTY WHITE. BUT HOLD ON, THEY HAD AYESHA ON 411 00:17:29,841 --> 00:17:30,206 THERE. 412 00:17:30,206 --> 00:17:31,943 >> Jimmy: UH‐HUH? 413 00:17:31,943 --> 00:17:35,113 >> THEY HAD GABRIELLE UNION IN THERE. "SEINFELD," I DON'T KNOW. 414 00:17:35,113 --> 00:17:37,782 [ LAUGHTER ] 415 00:17:37,782 --> 00:17:44,088 >> Jimmy: YEAH, RIGHT. WHAT ARE YOUR FAVORITE SITCOMS 416 00:17:44,088 --> 00:17:44,421 OF ALL TIME? 417 00:17:44,421 --> 00:17:45,423 >> OF ALL TIME? "A DIFFERENT WORLD" OBVIOUSLY IS 418 00:17:45,423 --> 00:17:46,324 UP THERE FOR ME. 419 00:17:46,324 --> 00:17:46,824 [ CHEERS AND APPLAUSE ] 420 00:17:46,824 --> 00:17:49,794 >> Jimmy: THAT'S SO FUNNY, BECAUSE ‐‐ YOU NAMED YOUR 421 00:17:49,794 --> 00:17:52,763 PRODUCTION COMPANY HELMUND, RIGHT? 422 00:17:52,763 --> 00:18:02,773 >> YEAH, HILLMAN, A FICTITIOUS 423 00:18:02,773 --> 00:18:06,110 HBCU. THE OLD‐TIME STUFF. I LOVE "FRIENDS" DEFINITELY. 424 00:18:06,110 --> 00:18:09,280 >> Jimmy: YOU LOVE JENNIFER ANISTON. 425 00:18:09,280 --> 00:18:09,847 >> JENNIFER IS THE HOMIE. 426 00:18:09,847 --> 00:18:10,448 >> Jimmy: YOU MET JENNIFER? 427 00:18:10,448 --> 00:18:12,650 >> AT THE "MORNING SHOW" PREMIERE. 428 00:18:12,650 --> 00:18:15,286 YOU KNOW HOW YOU SEE A PRESIDENT WHO'S A FORMER PRESIDENT BUT YOU 429 00:18:15,286 --> 00:18:17,955 STILL HAVE TO CALL THEM MR. PRESIDENT? 430 00:18:17,955 --> 00:18:18,289 [ LAUGHTER ] 431 00:18:18,289 --> 00:18:18,756 >> Jimmy: YEAH? 432 00:18:18,756 --> 00:18:20,525 >> THAT'S WHAT IT'S LIKE WHEN SHE'S IN THE WORLD. 433 00:18:20,525 --> 00:18:23,961 THERE'S AN ASSEMBLY LINE OF PEOPLE WAITING TO BRING THEIR 434 00:18:23,961 --> 00:18:26,030 RESPECTS, BRINGING OILS AND SAGE AND ALL KINDS. 435 00:18:26,030 --> 00:18:26,363 [ LAUGHTER ] 436 00:18:26,363 --> 00:18:30,468 I WAS LIKE, THIS IS AMAZING. LIKE, WHAT? WHAT IS HAPPENING? 437 00:18:30,468 --> 00:18:33,337 >> Jimmy: YES. PEOPLE WILL ACTUALLY LIKE FALL 438 00:18:33,337 --> 00:18:34,438 UNCONSCIOUS WHEN THEY SEE HER. 439 00:18:34,438 --> 00:18:35,873 >> YEAH >> Jimmy: THEY GO ABSOLUTELY CRAZY. 440 00:18:35,873 --> 00:18:39,443 >> YEAH, YEAH. "THE MORNING SHOW" PREMIERE WAS 441 00:18:39,443 --> 00:18:42,847 NUTTY, LIKE MAN. I GOT TO TALK TO HER AFTER SHE'S 442 00:18:42,847 --> 00:18:45,183 SUPER CHILL, LAID BACK. SUCH A LOVELY HUMAN. 443 00:18:45,183 --> 00:18:48,052 >> Jimmy: DID YOU BRING UP" FRIENDS"? 444 00:18:48,052 --> 00:18:49,887 >> I DID NOT. 445 00:18:49,887 --> 00:18:52,723 >> Jimmy: THE "FRIENDS" REUNION IS COMING. 446 00:18:52,723 --> 00:18:54,258 >> IT IS. I'M GOING TO WATCH THIS. 447 00:18:54,258 --> 00:18:58,462 I TELL THE "FRIENDS" CAST THIS. THEY'VE GOT TO BRING THE HEAT. 448 00:18:58,462 --> 00:19:01,299 "FRESH PRINCE OF BEL AIR" REUNION SET THE BAR PRETTY HIGH. 449 00:19:01,299 --> 00:19:03,000 >> Jimmy: OH, RIGHT, YEAH. 450 00:19:03,000 --> 00:19:06,404 >> THEY BROUGHT THE THUNDER, IT WAS LIKE A THERAPEUTIC SESSION, 451 00:19:06,404 --> 00:19:11,075 CHILDHOOD MEMORIES, LIKE I JUST HOPE SOMEBODY FROM THE "FRIENDS" 452 00:19:11,075 --> 00:19:13,344 CAST GOT SOMETHING THEY WANT TO GET OFF THEY CHEST. 453 00:19:13,344 --> 00:19:15,446 [ LAUGHTER AND APPLAUSE ] 454 00:19:15,446 --> 00:19:17,882 IF NOT, I DON'T KNOW WHAT WE DOING HERE. 455 00:19:17,882 --> 00:19:21,986 BECAUSE WILL WAS LIKE, LOOK, I GOT THINGS TO STRAIGHTEN OUT, 456 00:19:21,986 --> 00:19:22,887 OKAY? YOU'RE GOING TO WATCH ME DO IT. 457 00:19:22,887 --> 00:19:25,990 I WAS LIKE, WELL, HERE WE ARE, LET'S GO. 458 00:19:25,990 --> 00:19:27,959 "FRIENDS" GOT TO COME WITH SOMETHING, WE'LL SEE. 459 00:19:27,959 --> 00:19:32,697 >> Jimmy: WHO KNEW THERE WAS SO MUCH TUMULT ON THE SET OF "FRESH 460 00:19:32,697 --> 00:19:33,698 PRINCE" AT THAT TIME. 461 00:19:33,698 --> 00:19:35,566 >> IT WAS A LOT GOING ON. I DIDN'T KNOW. 462 00:19:35,566 --> 00:19:36,701 >> Jimmy: I DIDN'T KNOW EITHER. 463 00:19:36,701 --> 00:19:40,438 >> THEY SWITCHED THE MOMS, THAT WAS COOL BACK THEN. NOW? 464 00:19:40,438 --> 00:19:42,106 BLACK CHILDREN GOING TO HAVE SOMETHING TO SAY TO YOU, THEY'RE 465 00:19:42,106 --> 00:19:44,508 GOING TO SAY, WAIT, WHAT? WHAT'S GOING ON? 466 00:19:44,508 --> 00:19:46,244 >> Jimmy: YOU CAN'T SWITCH THE MOMS. 467 00:19:46,244 --> 00:19:47,111 >> YOU CAN'T SWITCH THE MOMS. 468 00:19:47,111 --> 00:19:51,882 >> Jimmy: THEY SWITCHED THE DADS ON OTHER SHOWS, LIKE 469 00:19:51,882 --> 00:19:52,216 "BEWITCHED." 470 00:19:52,216 --> 00:19:53,184 >> OH, THEY DID. 471 00:19:53,184 --> 00:19:56,087 >> Jimmy: SUDDENLY THERE WAS ANOTHER DARREN, ANOTHER GUY 472 00:19:56,087 --> 00:19:59,023 NAMED DICK. TWO GUYS NAMED DICK PLAYED TWO 473 00:19:59,023 --> 00:20:00,758 GUYS NAMED DARREN. 474 00:20:00,758 --> 00:20:02,727 >> THAT'S HOW IT WAS LACK IN THE DAY. 475 00:20:02,727 --> 00:20:05,630 THEY DID NOT CARE ABOUT YOUR LIVELIHOOD, LIKE LOOK, WE CAN 476 00:20:05,630 --> 00:20:07,298 CAST SOMEBODY ELSE AND NOBODY WILL CARE. 477 00:20:07,298 --> 00:20:07,631 [ LAUGHTER ] 478 00:20:07,631 --> 00:20:11,335 >> Jimmy: THAT HAPPENED ON "THE HOGAN FAMILY" ALSO I THINK. 479 00:20:11,335 --> 00:20:13,337 >> NOW YOU CAN'T GET AWAY WITH THAT. 480 00:20:13,337 --> 00:20:15,139 >> Jimmy: YOU CAN'T. 481 00:20:15,139 --> 00:20:16,641 >> PEOPLE GOING TO HAVE CONVERSATIONS. 482 00:20:16,641 --> 00:20:19,277 >> Jimmy: NOW THEY'LL GO IN, THEY'LL GRAPHICALLY EDIT YOU OUT 483 00:20:19,277 --> 00:20:20,678 OF A SHOW. 484 00:20:20,678 --> 00:20:21,545 >> OH MY GOD. 485 00:20:21,545 --> 00:20:24,649 >> Jimmy: SO YOU NEVER WERE IN THE SHOW IN THE FIRST PLACE. 486 00:20:24,649 --> 00:20:24,982 [ LAUGHTER ] 487 00:20:24,982 --> 00:20:25,916 >> I'D RATHER BE RECAST. 488 00:20:25,916 --> 00:20:26,817 >> Jimmy: I THINK SO TOO. 489 00:20:26,817 --> 00:20:29,754 >> LIKE, KEEP ME IN THE RERUNS AT LEAST. 490 00:20:29,754 --> 00:20:33,791 YOU KNOW HOW IT'S WEIRD, SOME SEASONS OF A SHOW, LIKE OH, THIS 491 00:20:33,791 --> 00:20:38,663 IS THE BOMB. ANOTHER SEASON, DIFFERENT ACTOR 492 00:20:38,663 --> 00:20:39,630 PLAYING THE SAME CHARACTER. 493 00:20:39,630 --> 00:20:42,433 >> Jimmy: I WAS WATCHING ONE OF THOSE OLD TV CHANNELS. 494 00:20:42,433 --> 00:20:45,970 DID YOU KNOW THEY WENT BACK THROUGH ALL THE OLD EPISODES AND 495 00:20:45,970 --> 00:20:47,071 REPLACED BILL COSBY WITH LAVAR BURTON? 496 00:20:47,071 --> 00:20:50,374 [ LAUGHTER ] 497 00:20:50,374 --> 00:20:52,443 I WAS TOTALLY SHOCKED. I COULDN'T BELIEVE IT. 498 00:20:52,443 --> 00:20:53,778 >> I DIDN'T KNOW THAT. 499 00:20:53,778 --> 00:20:54,779 >> Jimmy: YEAH, THEY DID. 500 00:20:54,779 --> 00:20:57,848 >> YOU KNOW WHAT, AT LEAST I CAN WATCH IT AGAIN NOW. 501 00:20:57,848 --> 00:20:58,182 [ LAUGHTER ] 502 00:20:58,182 --> 00:21:01,719 >> Jimmy: LENA WAITHE IS HERE. HER SHOW IS "MASTER OF NONE, 503 00:21:01,719 --> 00:21:02,222 MOMENTS IN LOVE." BE RIGHT BACK. 504 00:21:07,364 --> 00:21:10,304 >>> OH‐OH, WHAT'S UP? CHAKA, DON'T BE MAD, CHAKA. 505 00:21:10,304 --> 00:21:14,642 YOU STILL MAD AT PATTY? UH‐HUH. I DON'T KNOW WHEN THAT FEUD 506 00:21:14,642 --> 00:21:16,677 GONNA DIE. THERE YOU GO, UH‐HUH, UH‐HUH. 507 00:21:16,677 --> 00:21:19,880 I SEE YOU, OKAY. 508 00:21:19,880 --> 00:21:26,387 ♪ I'M EVERY CHICKEN 509 00:21:26,387 --> 00:21:27,254 GET IN! 510 00:21:27,254 --> 00:21:27,755 [ CHEERS AND APPLAUSE ] 511 00:21:27,755 --> 00:21:30,758 >> Jimmy: THAT IS LENA WAITHE WITH THE CHICKENS, SEASON 3 OF 512 00:21:30,758 --> 00:21:32,459 "MASTER OF NONE, MOMENTS IN LOVE." 513 00:21:32,459 --> 00:21:35,963 IT IS CURRENTLY ON NETFLIX. WAS THAT YOUR FIRST TIME WORKING 514 00:21:35,963 --> 00:21:37,231 WITH FARM ANIMALS? 515 00:21:37,231 --> 00:21:38,632 >> IT WAS, YEAH. 516 00:21:38,632 --> 00:21:39,600 [ LAUGHTER ] 517 00:21:39,600 --> 00:21:42,903 I WAS LIKE SURPRISINGLY COMFORTABLE. 518 00:21:42,903 --> 00:21:47,208 I THINK AZIZ WAS SURPRISED TOO, HE'S LIKE, "YOU'RE SO AT HOME IN 519 00:21:47,208 --> 00:21:49,777 THIS FARM." I'M LIKE, YEAH, I DON'T KNOW, MY 520 00:21:49,777 --> 00:21:53,013 ROOTS. I LOVE THAT IT'S JUST NATURAL. 521 00:21:53,013 --> 00:21:54,515 LIKE THAT'S ALL. IT'S DEFINITELY ME AD LIBBING 522 00:21:54,515 --> 00:21:55,115 AND GOOFING AROUND. 523 00:21:55,115 --> 00:21:56,717 >> Jimmy: DID YOU NAME THOSE CHICKENS? 524 00:21:56,717 --> 00:21:57,585 >> I DID, I DID. 525 00:21:57,585 --> 00:21:57,918 [ LAUGHTER ] 526 00:21:57,918 --> 00:22:03,224 THEY SEEMED TO BE LIKE WANTING EACH OTHER TO GET OUT OF THEIR 527 00:22:03,224 --> 00:22:05,159 SPACE, WANTING TO OPEN THE SPOT THEY WERE ON. 528 00:22:05,159 --> 00:22:06,894 OH, THESE ARE THE DIVAS. 529 00:22:06,894 --> 00:22:07,227 [ LAUGHTER ] 530 00:22:07,227 --> 00:22:13,234 THESE ARE DIVA CHICKENS. AND SO I WAS JUST LIKE, WHAT'S 531 00:22:13,234 --> 00:22:16,904 UP, CHAKA? CHAKA, PATTY, GLADYS, DEFINITELY 532 00:22:16,904 --> 00:22:18,472 A TINA IN THERE. 533 00:22:18,472 --> 00:22:18,805 [ LAUGHTER ] 534 00:22:18,805 --> 00:22:20,007 >> Jimmy: A TINA, YEAH. 535 00:22:20,007 --> 00:22:20,608 >> FOR SURE. 536 00:22:20,608 --> 00:22:22,643 >> Jimmy: AND THE WHITNEY SONG AT THE END. 537 00:22:22,643 --> 00:22:23,077 >> OF COURSE. 538 00:22:23,077 --> 00:22:26,513 >> Jimmy: YOU MENTIONED AZIZ. BECAUSE I WATCHED YOU GUYS ON 539 00:22:26,513 --> 00:22:28,816 THE FIRST TWO SEASONS OF "MASTER OF NONE." 540 00:22:28,816 --> 00:22:31,385 IT MIGHT AS WELL BE A DIFFERENT SHOW, OTHER THAN AZIZ BEING IN 541 00:22:31,385 --> 00:22:35,055 IT A LITTLE BIT, IT'S LIKE ‐‐ IT'S REALLY A TOTALLY DIFFERENT 542 00:22:35,055 --> 00:22:35,388 FEEL. 543 00:22:35,388 --> 00:22:37,358 >> YEAH. IT'S DEFINITELY A DEPARTURE. 544 00:22:37,358 --> 00:22:40,427 I THINK ‐‐ HOW I THINK OF US AS THE SHOW, WE'RE KIND OF LIKE A 545 00:22:40,427 --> 00:22:44,598 BAND, YOU KNOW WHAT I'M SAYING? WE CAME TOGETHER FOR TWO ALBUMS 546 00:22:44,598 --> 00:22:48,202 THEN WENT TO SOLO PROJECTS, THEN CAME BACK TOGETHER AGAIN. 547 00:22:48,202 --> 00:22:50,237 I THINK WHAT HAPPENED WAS MYSELF, AZIZ, WE GREW UP A 548 00:22:50,237 --> 00:22:53,007 LITTLE BIT, WE HAD A LITTLE BIT MORE LIFE EXPERIENCE. 549 00:22:53,007 --> 00:22:54,875 I THINK THAT'S WHAT THE SHOW REPRESENTS. 550 00:22:54,875 --> 00:22:57,678 IT'S ABOUT WHO YOU ARE IN YOUR 20s AS FRIENDS IS VERY DIFFERENT 551 00:22:57,678 --> 00:23:01,749 THAN WHO YOU ARE IN YOUR 30s, YOU'RE MARRIED, YOU MOVE TO 552 00:23:01,749 --> 00:23:04,151 UPSTATE NEW YORK, YOU'RE TRYING TO BUILD A FAMILY. 553 00:23:04,151 --> 00:23:06,720 YOU DON'T HAVE AS MUCH TIME TO HANG OUT AND SPEND TIME WITH 554 00:23:06,720 --> 00:23:10,658 YOUR FRIENDS OR FIGURE OUT HOW TO BALANCE WORK AND LOVE. 555 00:23:10,658 --> 00:23:13,394 SO THAT'S WHAT WE WANTED TO GET INTO, BECAUSE WE WANTED THE SHOW 556 00:23:13,394 --> 00:23:16,330 TO KIND OF GROW UP WITH US. I THINK WE DID JUST THAT. 557 00:23:16,330 --> 00:23:19,366 >> Jimmy: YOU GUYS SAT DOWN AND YOU WROTE THE SHOW, WHEN YOU 558 00:23:19,366 --> 00:23:23,103 WROTE IT DID YOU SAY, WE'RE GOING TO MAKE THIS PRIMARILY 559 00:23:23,103 --> 00:23:24,738 DRAMATIC? THIS WILL BE A LOVE STORY, A 560 00:23:24,738 --> 00:23:27,474 STORY ABOUT A COUPLE ‐‐ I DON'T WANT TO GIVE TOO MANY DETAILS 561 00:23:27,474 --> 00:23:27,807 AWAY. 562 00:23:27,807 --> 00:23:30,477 >> WE DIDN'T GO INTO IT THINKING WE WOULD MAKE IT DRAMATIC. 563 00:23:30,477 --> 00:23:33,080 I THINK WE WANTED IT TO BE HONEST, I THINK WE WANTED IT TO 564 00:23:33,080 --> 00:23:36,650 BE A REFLEX OF THE CONVERSATIONS AZIZ AND I WERE HAVING AS 565 00:23:36,650 --> 00:23:38,786 FRIENDS. HE WAS IN LONDON DOING WHAT AZIZ 566 00:23:38,786 --> 00:23:42,489 DOES, WALKING AROUND IN A TAILORED PANT ‐‐ 567 00:23:42,489 --> 00:23:42,823 [ LAUGHTER ] 568 00:23:42,823 --> 00:23:44,191 WATCHING FRENCH MOVIES. YOU KNOW. 569 00:23:44,191 --> 00:23:45,492 >> Jimmy: EATING THINGS. 570 00:23:45,492 --> 00:23:47,294 >> I WAS LIKE, YOU KNOW. 571 00:23:47,294 --> 00:23:47,861 [ LAUGHTER ] 572 00:23:47,861 --> 00:23:50,564 SURE, HE'S VERY ‐‐ YOU KNOW, HE'S STYLISH AND CHILL. 573 00:23:50,564 --> 00:23:55,769 HE'S THINKING ABOUT THINGS. YOU KNOW, AND SO HE SENT ME 574 00:23:55,769 --> 00:23:58,072 STUFF HE WAS WATCHING, LIKE THESE FRENCH MOVIES THAT REQUIRE 575 00:23:58,072 --> 00:24:00,374 A LOT OF PATIENCE TO SIT AND GET THROUGH. 576 00:24:00,374 --> 00:24:03,143 HE WAS LIKE, I THINK WE SHOULD TRY TO DO WHAT THEY'RE DOING, 577 00:24:03,143 --> 00:24:07,581 KEEP THE CAMERA STILL, TELL A COMPLICATED STORY, LEAVE WITH 578 00:24:07,581 --> 00:24:10,517 MORE QUESTIONS THAN ANSWERS. AND I SAID, OKAY, COOL. 579 00:24:10,517 --> 00:24:10,851 [ LAUGHTER ] 580 00:24:10,851 --> 00:24:14,288 YOU KNOW, SO HE'S SENT ME ‐‐ HE SENT ME SCRIPTS AND THAT'S THE 581 00:24:14,288 --> 00:24:18,993 QUICKEST WAY TO GET ME GOING. I STARTED DOING MY PAST. 582 00:24:18,993 --> 00:24:21,562 WE LITERALLY WROTE FIVE EPISODES AND "MOMENTS IN LOVE." 583 00:24:21,562 --> 00:24:24,465 >> Jimmy: YOU DID A GREAT JOB, IT REALLY IS JUST LIKE A 584 00:24:24,465 --> 00:24:26,734 PLEASURE TO WATCH. IT'S BEAUTIFULLY DIRECTED AS 585 00:24:26,734 --> 00:24:27,067 WELL. 586 00:24:27,067 --> 00:24:31,171 >> HE RELEASED ‐‐ AZIZ DIRECTS ALL THE FIVE EPISODES. 587 00:24:31,171 --> 00:24:33,340 AND I DEFINITELY THINK HE WAS NERVOUS, BECAUSE HE WAS STEPPING 588 00:24:33,340 --> 00:24:35,576 INTO A SPACE THAT HE HADN'T STEPPED INTO BEFORE. 589 00:24:35,576 --> 00:24:38,712 I TOLD HIM TO TRUST HIMSELF, AND I THINK HE REALLY DID THAT. 590 00:24:38,712 --> 00:24:41,348 HE TOOK A BUNCH OF RISKS AND TOOK A BUNCH OF SWINGS. 591 00:24:41,348 --> 00:24:44,685 AND I WAS RIGHT THERE WITH HIM. WE JUST GOT REALLY VULNERABLE 592 00:24:44,685 --> 00:24:47,821 AND WEREN'T AFRAID TO LEAVE IT ALL ON THE CELLULOID. 593 00:24:47,821 --> 00:24:51,725 BECAUSE WE SHOT ON FILM. WE SHOT, YOU KNOW IN LONDON, BUT 594 00:24:51,725 --> 00:24:54,228 WE'RE CHEATIG IT FOR UPSTATE NEW YORK. 595 00:24:54,228 --> 00:24:56,630 >> Jimmy: THAT HOUSE THAT YOU WERE IN IS FANTASTIC. 596 00:24:56,630 --> 00:24:57,531 >> THE HOUSE IS A COMPLETE BUILD. 597 00:24:57,531 --> 00:24:57,998 >> Jimmy: REALLY? 598 00:24:57,998 --> 00:25:01,402 >> EVERYTHING YOU SEE IS BUILT BY AMY WILLIAMS, OUR AMAZING 599 00:25:01,402 --> 00:25:03,837 PRODUCTION DESIGNER. WE CONVERTED A MALL INTO A STAGE 600 00:25:03,837 --> 00:25:06,940 INTO A SET. AND WHEN YOU SEE ‐‐ YOU SEE US 601 00:25:06,940 --> 00:25:08,475 OUTSIDE, WE WENT TO A LOCATION TO SHOOT. 602 00:25:08,475 --> 00:25:10,477 EVERYTHING YOU SEE IS ME ‐‐ 603 00:25:10,477 --> 00:25:11,111 >> Jimmy: THAT WAS A MALL? 604 00:25:11,111 --> 00:25:12,012 >> IT WAS A MALL. 605 00:25:12,012 --> 00:25:12,813 >> Jimmy: OH, WOW. 606 00:25:12,813 --> 00:25:14,615 >> IT WAS SUPPOSED TO BE A MALL. 607 00:25:14,615 --> 00:25:17,384 >> Jimmy: THERE'S A HOT DOG ON A STICK, AN ORANGE JULIUS WHERE 608 00:25:17,384 --> 00:25:18,318 THAT BEAUTIFUL HOUSE IS? 609 00:25:18,318 --> 00:25:18,652 [ LAUGHTER ] 610 00:25:18,652 --> 00:25:23,023 >> EVERY DAY I CAME TO WORK, AM I IN HIGH SCHOOL? 611 00:25:23,023 --> 00:25:26,026 WHAT'S HAPPENING? AFTER SCHOOL? NO, WE'D GO TO WORK IN THIS BIG 612 00:25:26,026 --> 00:25:28,062 SET, WE MADE IT FEEL REALLY INTIMATE. 613 00:25:28,062 --> 00:25:30,330 IT WAS A PHENOMENAL WORK EXPERIENCE, IT WAS GREAT. 614 00:25:30,330 --> 00:25:35,469 >> Jimmy: YOUR OTHER SHOW "THE CHI" IS ON SHOWTIME RIGHT NOW. 615 00:25:35,469 --> 00:25:35,969 [ CHEERS AND APPLAUSE ] 616 00:25:35,969 --> 00:25:38,238 >> YES, SEASON 4. WE'RE STILL HERE. 617 00:25:38,238 --> 00:25:39,540 THEY CAN'T GET US. 618 00:25:39,540 --> 00:25:42,509 >> Jimmy: DO PEOPLE IN CHICAGO LOVE HAVING THAT SHOW? 619 00:25:42,509 --> 00:25:44,645 CHICAGO HAS A LOT OF SHOWS. 620 00:25:44,645 --> 00:25:47,848 >> TRUE. I THINK CHICAGOANS ARE EMBRACING 621 00:25:47,848 --> 00:25:49,817 US MORE. WHENEVER YOU DO A SHOW ABOUT A 622 00:25:49,817 --> 00:25:54,188 CITY, SOMEBODY IN THAT CITY GONNA SAY, UH‐UH, NAH, NOT 623 00:25:54,188 --> 00:25:55,622 CORRECT. YOU KNOW, AND WE GOT A LOT OF 624 00:25:55,622 --> 00:25:56,590 THAT IN THE BEGINNING. 625 00:25:56,590 --> 00:25:58,525 >> Jimmy: I DO THAT WITH LAS VEGAS ALL THE TIME. 626 00:25:58,525 --> 00:25:59,626 LIKE, NO, NOT. 627 00:25:59,626 --> 00:26:00,627 >> NO, SADDER. 628 00:26:00,627 --> 00:26:05,799 [ LAUGHTER ] 629 00:26:05,799 --> 00:26:11,705 BUT I THINK, YOU KNOW, FOR ‐‐ I THINK FOR CHICAGOANS, YOU KNOW, 630 00:26:11,705 --> 00:26:13,707 WE'RE VERY PROTECTIVE, VERY PARTICULAR. 631 00:26:13,707 --> 00:26:16,276 I THINK WE FINALLY GOT TO A PLACE WITH THEM WHERE THEY'RE 632 00:26:16,276 --> 00:26:19,947 LIKE, OKAY, OKAY, OKAY, COOL. IT'S LIKE, I'LL TAKE GLIT THIS 633 00:26:19,947 --> 00:26:22,282 IS HOMEGROWN, WE WILL ACCEPT IT AS OURS. 634 00:26:22,282 --> 00:26:23,817 >> YES, YES, YES, NICE. 635 00:26:23,817 --> 00:26:25,819 >> Jimmy: YOU HAD A BIRTHDAY LAST WEEK? 636 00:26:25,819 --> 00:26:26,353 >> MAY 17th, I TURNED 37. 637 00:26:26,353 --> 00:26:28,322 [ CHEERS AND APPLAUSE ] 638 00:26:28,322 --> 00:26:32,659 >> Jimmy: 37, THAT'S NOT A BIG BIRTHDAY. DID YOU HAVE A THING? 639 00:26:32,659 --> 00:26:35,129 >> WELL, HERE'S THE THING. I'VE BEEN WANTING TO GO TO THE 640 00:26:35,129 --> 00:26:37,898 MOVIES FOR SO LONG BECAUSE I CAN'T DO THAT ANYMORE. 641 00:26:37,898 --> 00:26:43,704 SO LUCKILY, MY CREW AND A VERY SPECIAL PERSON IN MY LIFE RENTED 642 00:26:43,704 --> 00:26:46,773 A THEATER AND WE SAW "BAD BOYS," A CLASSIC AMERICAN FILM. 643 00:26:46,773 --> 00:26:47,274 [ CHEERS AND APPLAUSE ] 644 00:26:47,274 --> 00:26:48,008 >> Jimmy: REALLY IN THE THEATER? 645 00:26:48,008 --> 00:26:49,009 >> YEAH, MAN. 646 00:26:49,009 --> 00:26:51,245 >> Jimmy: THAT IS YOUR FAVORITE MOVIE? 647 00:26:51,245 --> 00:26:54,248 >> "BAD BOYS," THE FIRST ONE, TO ME IS PRETTY PERFECT. 648 00:26:54,248 --> 00:27:00,187 IT'S JUST LIKE ‐‐ BECAUSE I THINK I WANTED TO BE MIKE LOWERY 649 00:27:00,187 --> 00:27:03,457 BUT WAS ALWAYS MARCUS. 650 00:27:03,457 --> 00:27:03,790 [ LAUGHTER ] 651 00:27:03,790 --> 00:27:06,393 IT'S LITERALLY WHERE I GET MY PERSONALITY, BETWEEN TRYING TO 652 00:27:06,393 --> 00:27:08,061 BE COOL BUT REALLY JUST THE PERSON THAT'S AFRAID OF THEIR 653 00:27:08,061 --> 00:27:08,394 BODIES. 654 00:27:08,394 --> 00:27:11,131 [ LAUGHTER ] 655 00:27:11,131 --> 00:27:12,633 BUT TRYING TO BE A COP. 656 00:27:12,633 --> 00:27:14,301 >> Jimmy: I'D LIKE TO SEE THE REUNION. 657 00:27:14,301 --> 00:27:17,971 THAT WOULD BE A GOOD REUNION SPECIAL, WILL APOLOGIZING TO 658 00:27:17,971 --> 00:27:21,041 WHOEVER HE WAS IN "BAD BOYS" WITH? 659 00:27:21,041 --> 00:27:23,310 >> I KNOW, THOSE TWO REUNITE EVERY FEW YEARS. 660 00:27:23,310 --> 00:27:23,810 >> Jimmy: THAT'S DO. 661 00:27:23,810 --> 00:27:28,549 >> SO RELIVE THOSE ICONIC CHARACTERS AND I'M GRATEFUL, I 662 00:27:28,549 --> 00:27:30,817 HOPE THEY KEEP DOING IT UNTIL THEY'RE IN A RETIREMENT HOME. 663 00:27:30,817 --> 00:27:32,853 >> Jimmy: GREAT TO SEE YOU. CONGRATULATIONS ON EVERYTHING 664 00:27:32,853 --> 00:27:37,691 YOU'VE GOT GOING ON. LENA WAITHE. SEASON 3 OF "MASTER OF NONE, 665 00:27:37,691 --> 00:27:41,962 MOMENTS IN LOVE" ON NETFLIX NOW, AND SEASON 4 OF "THE CHI" SUNDAY 666 00:27:41,962 --> 00:27:43,330 NIGHTS ON SHOWTIME. BE RIGHT BACK WITH KELVIN 667 00:27:43,330 --> 00:27:45,199 HARRISON JR. 668 00:27:55,442 --> 00:27:55,976 [ CHEERS AND APPLAUSE ] 669 00:27:55,976 --> 00:27:56,341 ♪ 670 00:27:56,341 --> 00:27:58,779 >> Jimmy: HI, WELCOME BACK. MUSIC FROM ALLISON RUSSELL IS ON 671 00:27:58,779 --> 00:28:05,786 THE WAY. OUR NEXT GUEST IS A S.A.G. AWARD WINNING YOUNG ACTOR 672 00:28:05,786 --> 00:28:07,754 YOU KNOW FROM "THE TRIAL OF THE CHICAGO 7." 673 00:28:07,754 --> 00:28:11,925 NOW HI STANDS BEFORE JUDGE AND JURY AGAIN IN THE COURTROOM 674 00:28:11,925 --> 00:28:14,294 DRAMA "MONSTER." IT'S ON NETFLIX NOW. 675 00:28:14,294 --> 00:28:18,265 SAY HELLO TO KELVIN HARRISON JR. 676 00:28:18,265 --> 00:28:18,765 [ CHEERS AND APPLAUSE ] 677 00:28:18,765 --> 00:28:23,637 ♪ 678 00:28:23,637 --> 00:28:24,471 >> Jimmy: WELCOME. 679 00:28:24,471 --> 00:28:25,038 >> THANKS. 680 00:28:25,038 --> 00:28:27,341 >> Jimmy: YOU'RE VERY TALENTED, I'M SURE YOU KNOW THIS. 681 00:28:27,341 --> 00:28:29,309 YOU THINK F YOURSELF AS VERY TALENTED? 682 00:28:29,309 --> 00:28:30,811 >> I DON'T THINK ABOUT IT TOO MUCH. 683 00:28:30,811 --> 00:28:33,146 I GOT MY DADDY TO TELL ME THAT ONE. 684 00:28:33,146 --> 00:28:34,581 >> Jimmy: I SAID THIS WAS A NEW MOVIE. 685 00:28:34,581 --> 00:28:38,318 I FOUND OUT THAT IT'S NEW TO NETFLIX, BUT IT'S ‐‐ WHAT YEAR 686 00:28:38,318 --> 00:28:39,720 DID YOU SHOOT THIS MOVIE? 687 00:28:39,720 --> 00:28:40,053 >> 2016. 688 00:28:40,053 --> 00:28:44,858 >> Jimmy: 2016. THIS IS LIKE ‐‐ I MEAN, PART OF 689 00:28:44,858 --> 00:28:46,660 IT MUST HAVE BEEN COVID DELAY, RIGHT? 690 00:28:46,660 --> 00:28:49,096 >> OH, NO. I THINK IT WAS ‐‐ WE WENT TO 691 00:28:49,096 --> 00:28:50,964 SUNDANCE. T SUNDANCE, WE WERE LOOKING FOR 692 00:28:50,964 --> 00:28:52,466 A BUYER. THE WHOLE THING HAPPENED. 693 00:28:52,466 --> 00:28:54,868 NOW WE FINALLY GOT THE MOVIE ON NETFLIX. 694 00:28:54,868 --> 00:28:55,902 >> Jimmy: I SEE, A SALES THING. 695 00:28:55,902 --> 00:28:56,937 >> YEAH, YEAH, YEAH. 696 00:28:56,937 --> 00:28:58,639 >> Jimmy: HOW OLD WERE YOU WHEN YOU MADE THE MOVIE? 697 00:28:58,639 --> 00:28:59,840 >> I WAS 21. 698 00:28:59,840 --> 00:29:00,974 >> Jimmy: 26 NOW? 699 00:29:00,974 --> 00:29:02,175 >> I'LL BE 27. 700 00:29:02,175 --> 00:29:05,946 >> Jimmy: 27 NOW. BETWEEN ‐‐ YOU'VE HAD LIKE A 701 00:29:05,946 --> 00:29:09,182 DOZEN MOVIES COME OUT SINCE YOU MADE THIS ONE, RIGHT? 702 00:29:09,182 --> 00:29:10,484 >> TRYING TO KEEP IT GOING. 703 00:29:10,484 --> 00:29:14,087 >> Jimmy: YOU WON THE S. A. G. AWARD FOR "THE TRIAL OF THE 704 00:29:14,087 --> 00:29:15,122 CHICAGO 7." 705 00:29:15,122 --> 00:29:15,622 [ CHEERS AND APPLAUSE ] 706 00:29:15,622 --> 00:29:18,859 WHICH WAS REALLY FANTASTIC. YOU'RE FROM NEW ORLEANS? 707 00:29:18,859 --> 00:29:19,393 >> YES. 708 00:29:19,393 --> 00:29:23,397 >> Jimmy: YEAH. AND THIS IS ‐‐ I THOUGHT THIS 709 00:29:23,397 --> 00:29:25,966 WAS KIND OF INTERESTING, YOUR DAD WAS NOT ONLY A MUSICIAN, 710 00:29:25,966 --> 00:29:33,774 BOTH YOUR PARENTS, MOM A SEERIN, YOUR DAD WAS A BAND TEACHER IN 711 00:29:33,774 --> 00:29:34,139 SCHOOL. 712 00:29:34,139 --> 00:29:35,008 >> YES, THAT WAS INTERESTING. 713 00:29:35,008 --> 00:29:35,676 >> Jimmy: GOOD OR BAD? 714 00:29:35,676 --> 00:29:38,111 >> IF YOU WERE GETTING IN TROUBLE IN CLASS, THE TEACHER 715 00:29:38,111 --> 00:29:41,982 WOULD TRY TO PULL YOU ACROSS THE HALL, LET ME TALK TO YOUR DADDY. 716 00:29:41,982 --> 00:29:42,616 >> Jimmy: REALLY? 717 00:29:42,616 --> 00:29:45,986 >> DAD WOULD COME OUT AND YOU GIVE HIM THE LOOK, WHERE DOES 718 00:29:45,986 --> 00:29:48,588 YOUR LOYALTY LIE? I'VE GOT TO GO HOME WITH YOU, 719 00:29:48,588 --> 00:29:49,890 WHAT YOU GOING TO DO? 720 00:29:49,890 --> 00:29:52,292 >> Jimmy: USUALLY THE DAD WOULD GIVE THE KID THAT LOOK. 721 00:29:52,292 --> 00:29:53,493 YOU WERE GIVING DAD THAT LOOK? 722 00:29:53,493 --> 00:29:54,728 >> I RUN THAT HOUSE. 723 00:29:54,728 --> 00:29:55,061 [ LAUGHTER ] 724 00:29:55,061 --> 00:29:56,496 >> Jimmy: YOU WERE RUNNING THE HOUSE, YES. 725 00:29:56,496 --> 00:29:58,031 >> SORRY, MAMA. 726 00:29:58,031 --> 00:30:00,267 >> Jimmy: IT DOES SOUND LIKE YOU RAN THE HOUSE. 727 00:30:00,267 --> 00:30:01,368 WE HAVE A PHOTOGRAPH HERE. 728 00:30:01,368 --> 00:30:03,704 >> OH MY GOD! 729 00:30:03,704 --> 00:30:05,706 >> Jimmy: THIS IS YOUR ‐‐ YOU AND YOUR DAD. 730 00:30:05,706 --> 00:30:06,173 >> YES. 731 00:30:06,173 --> 00:30:10,243 >> Jimmy: YOUR DAD'S PLAYING SAX, YOU'RE PLAYING THE TRUMPET. 732 00:30:10,243 --> 00:30:10,577 [ APPLAUSE ] 733 00:30:10,577 --> 00:30:13,013 >> YEAH. 734 00:30:13,013 --> 00:30:14,114 >> Jimmy: YOUR SISTERS HERE? 735 00:30:14,114 --> 00:30:14,648 >> YEAH. 736 00:30:14,648 --> 00:30:15,649 >> Jimmy: THEY'RE TWINS, RIGHT? 737 00:30:15,649 --> 00:30:16,717 >> YEAH, THEY'RE BAD. 738 00:30:16,717 --> 00:30:17,117 [ LAUGHTER ] 739 00:30:17,117 --> 00:30:18,352 >> Jimmy: ARE THEY MUSICIANS NOW? 740 00:30:18,352 --> 00:30:19,820 >> NOT ANYMORE, NO. 741 00:30:19,820 --> 00:30:22,122 >> Jimmy: THEY'RE NOT A LOT OF FLUTING THAT GOES ON. 742 00:30:22,122 --> 00:30:26,960 THERE'S VERY LIMITED, AS FAR AS PLAYING THE FLUTE GOES. 743 00:30:26,960 --> 00:30:29,329 WHAT DO THEY DO YOUR SISTERS? 744 00:30:29,329 --> 00:30:32,899 >> MY SISTER'S IN THE AIR FORCE, MOVED TO ENGLAND, THE OTHERSY IS 745 00:30:32,899 --> 00:30:33,367 A NURSE. 746 00:30:33,367 --> 00:30:33,867 [ CHEERS AND APPLAUSE ] 747 00:30:33,867 --> 00:30:36,803 >> Jimmy: WOW, THAT'S GREAT. HOW ABOUT THAT. 748 00:30:36,803 --> 00:30:38,872 THEY'RE DOING SOMETHING IMPORTANT WITH YOUR LIVES, 749 00:30:38,872 --> 00:30:41,174 YOU'RE WEARING MAKEUP AND DRESSING UP IN COSTUMES. 750 00:30:41,174 --> 00:30:42,809 >> YOU KNOW HOW IT IS, MAN. 751 00:30:42,809 --> 00:30:43,143 [ LAUGHTER ] 752 00:30:43,143 --> 00:30:45,145 >> Jimmy: ARE YOU ENJOYING YOURSELF, HAVING FUN? 753 00:30:45,145 --> 00:30:47,681 >> I'M HAVING A GOOD TIME. 754 00:30:47,681 --> 00:30:49,483 >> Jimmy: ARE YOU? YOU DON'T SEEM THAT CONVINCING. 755 00:30:49,483 --> 00:30:49,816 [ LAUGHTER ] 756 00:30:49,816 --> 00:30:52,119 ARE YOU REALLY HAVING A GOOD TIME? 757 00:30:52,119 --> 00:30:55,989 YOUR MOM AND DAD IN THE MOVIE ARE PLAYED BY JENNIFER HUDSON 758 00:30:55,989 --> 00:31:00,427 AND JEFFREY WRIGHT, WHO ARE ‐‐ OBVIOUSLY JENNIFER HUDSON WON AN 759 00:31:00,427 --> 00:31:03,029 OSCAR, JEFFREY WRIGHT IS A FANTASTIC ACTOR. 760 00:31:03,029 --> 00:31:09,669 IS THAT INTIMIDATING TO YOU, OR ARE YOU THAT CONFIDENT THAT IT 761 00:31:09,669 --> 00:31:10,904 DOESN'T F DOESN'T FAIRS YOU? 762 00:31:10,904 --> 00:31:14,241 >> I WAS SCARED ABOUT MEETING JENNIFER. 763 00:31:14,241 --> 00:31:18,378 OUR FAMILY IS MUSICIANS, WE WATCHED "AMERICAN IDOL," VOTED 764 00:31:18,378 --> 00:31:22,883 EVERY NIGHT FOR JENNIFER. I MEET HER, OH MY GOD, IT'S 765 00:31:22,883 --> 00:31:26,119 EFFIE FROM "DREAMGIRLS." 766 00:31:26,119 --> 00:31:26,453 [ LAUGHTER ] 767 00:31:26,453 --> 00:31:30,323 I DON'T WANT TO MESS THIS UP, WHY IS THIS KID RUNNING THIS IS? 768 00:31:30,323 --> 00:31:31,992 >> Jimmy: YOUR FAMILY GOT TO MEET HER? 769 00:31:31,992 --> 00:31:32,392 >> YES. 770 00:31:32,392 --> 00:31:35,228 >> Jimmy: DID THEY TELL HER THEY VOTED FOR HER? 771 00:31:35,228 --> 00:31:41,034 >> MY MOM DEFINITELY PROBABLY TOLD HER. 772 00:31:41,034 --> 00:31:41,367 [ LAUGHTER ] 773 00:31:41,367 --> 00:31:41,835 COULDN'T HELP HERSELF. 774 00:31:41,835 --> 00:31:43,036 >> Jimmy: WERE YOU NERVOUSLY LISTENING IN WHILE YOUR PARENTS 775 00:31:43,036 --> 00:31:43,737 TALKED TO HER, OR LIKE WHATEVER? 776 00:31:43,737 --> 00:31:46,173 >> I WAS IN THE CORNER LIKE, WHAT YOU DOING? WHAT YOU DOING? 777 00:31:46,173 --> 00:31:51,378 >> Jimmy: HAVING MUSICIAN PARENTS IN NEW ORLEANS, I WOULD 778 00:31:51,378 --> 00:31:54,714 ASSUME MEANS THAT YOU KNOW MUSICIANS OR FAMOUS PEOPLE WHO 779 00:31:54,714 --> 00:31:57,150 COME IN AND OUT OF THERE. IS THAT THE CASE FOR YOU? 780 00:31:57,150 --> 00:32:02,022 >> YES, SO MY DAD, TROMBONE SHORTY USED TO COME THROUGH THE 781 00:32:02,022 --> 00:32:02,387 HOUSE. 782 00:32:02,387 --> 00:32:02,722 >> Jimmy: REALLY? 783 00:32:02,722 --> 00:32:08,995 >> HARRY CONNICK JR. WAS IN MY DAD'S BAND, MY DAD'S MUSIC 784 00:32:08,995 --> 00:32:11,598 TEACHER WAS MARSALIS. ALL AROUND THE HOUSE. 785 00:32:11,598 --> 00:32:13,266 >> Jimmy: THEY'D HANG AROUND YOUR HOUSE? 786 00:32:13,266 --> 00:32:17,270 >> THEY CALL ‐‐ BLANCHARD, ALL THOSE GUYS, I DIDN'T KNOW WHO 787 00:32:17,270 --> 00:32:18,071 THEY WERE. 788 00:32:18,071 --> 00:32:18,404 [ LAUGHTER ] 789 00:32:18,404 --> 00:32:19,739 >> Jimmy: DID THE INSTRUMENTS COME OUT? 790 00:32:19,739 --> 00:32:20,740 DID PEOPLE START PLAYING? 791 00:32:20,740 --> 00:32:23,577 >> OH, YEAH, FOR SURE, ALWAYS PLAYING. 792 00:32:23,577 --> 00:32:24,711 >> Jimmy: REALLY? AT YOUR HOUSE? 793 00:32:24,711 --> 00:32:25,412 >> AT MY HOUSE. 794 00:32:25,412 --> 00:32:29,282 >> Jimmy: AND YOU HAD ‐‐ I MEAN, THIS IS LIKE WHAT WE IMAGINE 795 00:32:29,282 --> 00:32:32,385 THAT HAPPENS. BUT THEN, YOU KNOW, A LOT OF 796 00:32:32,385 --> 00:32:34,754 TIMES, LIKE I'LL TELL YOU SOMETHING, CLETO WITH THE 797 00:32:34,754 --> 00:32:37,090 SAXOPHONE, HE'S A GREAT SAXOPHONE PLAYER, NEVER WANTS TO 798 00:32:37,090 --> 00:32:38,859 PLAY AT A PARTY OR ANYTHING. 799 00:32:38,859 --> 00:32:39,192 [ LAUGHTER ] 800 00:32:39,192 --> 00:32:41,995 I'M LIKE, HEY, CLETO, WHY DON'T YOU GET THE STUFF OUT? 801 00:32:41,995 --> 00:32:46,333 YEAH, YEAH, RIGHT, I'M GOOD, I'M ALL RIGHT. 802 00:32:46,333 --> 00:32:46,800 [ LAUGHTER ] 803 00:32:46,800 --> 00:32:48,602 CLETO, WHAT HE'S SAYING IS THE REALLY FAMOUS GUYS WILL DO THAT. 804 00:32:48,602 --> 00:32:51,972 [ LAUGHTER ] 805 00:32:51,972 --> 00:32:53,573 >> Cleto: RIGHT, I'LL WORK ON THAT. 806 00:32:53,573 --> 00:32:54,174 >> Jimmy: I'D APPRECIATE THAT. 807 00:32:54,174 --> 00:32:56,977 [ LAUGHTER ] 808 00:32:56,977 --> 00:32:59,513 SO THEN YOU GOT INTO ‐‐ DID YOU GET IN THE THEATER PROGRAM AT 809 00:32:59,513 --> 00:32:59,878 SCHOOL? 810 00:32:59,878 --> 00:33:03,083 >> I STARTED IN HIGH SCHOOL. I DID LIKE "HAIRSPRAY." 811 00:33:03,083 --> 00:33:06,119 TAT WAS IT. I DID A SHAKESPEARE PLAY 812 00:33:06,119 --> 00:33:08,421 FRESHMAN YEAR. I WAS BAD, THOUGH. 813 00:33:08,421 --> 00:33:09,923 >> Jimmy: REALLY? WORSE THAN THE OTHER KIDS? 814 00:33:09,923 --> 00:33:10,557 >> OH, YEAH. 815 00:33:10,557 --> 00:33:10,991 >> Jimmy: REALLY? 816 00:33:10,991 --> 00:33:12,192 >> BECAUSE I DIDN'T GET THE PART. 817 00:33:12,192 --> 00:33:16,029 SO MY BEST FRIEND GOT THE PART. AND I SAY, HEY, MAN, I'LL DO A 818 00:33:16,029 --> 00:33:19,499 DEAL WITH YOU, IF YOU DROP OUT, TO LET ME IN. HE WAS LIKE, FINE. 819 00:33:19,499 --> 00:33:24,571 I FORGOT WHAT THE DEAL WAS, I GUESS I GAVE HIM MY HOMEWORK, 820 00:33:24,571 --> 00:33:27,040 BUT HE WAS SMARTING THAN ME, I DON'T KNOW WHY I DID THAT. 821 00:33:27,040 --> 00:33:29,709 >> Jimmy: YOU BOUGHT THE ROLE FROM HIM? 822 00:33:29,709 --> 00:33:30,110 >> WELL, YOU KNOW. 823 00:33:30,110 --> 00:33:30,443 [ LAUGHTER ] 824 00:33:30,443 --> 00:33:31,244 THEN I TANKED. 825 00:33:31,244 --> 00:33:32,178 >> Jimmy: REALLY? HOW ABOUT THAT. 826 00:33:32,178 --> 00:33:34,881 DID YOU DO IT RIGHT BEFORE? DID YOU NOT HAVE A CHANCE TO 827 00:33:34,881 --> 00:33:35,482 REHEARSE OR WHAT? 828 00:33:35,482 --> 00:33:39,886 >> OH, I JUST ‐‐ I JUST DIDN'T UNDERSTAND SHAKESPEARE. 829 00:33:39,886 --> 00:33:43,156 "A MIDSUMMER NIGHT'S DREAM." I DIDN'T KNOW. 830 00:33:43,156 --> 00:33:46,226 >> Jimmy: YOU HEARD SHAKESPEARE AND THOUGHT, I BETTER GOT IN ON 831 00:33:46,226 --> 00:33:46,591 THIS? 832 00:33:46,591 --> 00:33:49,162 >> I WAS LIKE, THIS IS HOT, THIS IS HIGHBROW. 833 00:33:49,162 --> 00:33:50,430 >> Jimmy: EVER HEAR FROM THAT FRIEND? 834 00:33:50,430 --> 00:33:51,464 >> NO ACTUALLY. 835 00:33:51,464 --> 00:33:57,470 >> Jimmy: I WONDER IF HE WAS LIKE, I COULD HAVE BEEN IN "THE 836 00:33:57,470 --> 00:33:59,773 TRIAL OF THE CHICAGO 7," I WOULD HAVE A S. A. G. AWARD RIGHT NOW, 837 00:33:59,773 --> 00:34:01,708 EVERYTHING WOULD BE GOING GREAT FOR ME. 838 00:34:01,708 --> 00:34:03,610 AND HERE I AM PARKING CARS IN FRONT OF A HILTON. 839 00:34:03,610 --> 00:34:05,779 >> OH, NO, I HOPE THAT'S NOT WHAT'S GOING ON. 840 00:34:05,779 --> 00:34:08,214 >> Jimmy: IT MIGHT BE. YEAH. 841 00:34:08,214 --> 00:34:11,484 SOUNDS LIKE YOU HAD A LITTLE EXPERIENCE AS AN AGENT BEFORE 842 00:34:11,484 --> 00:34:12,118 YOU BECAME AN ACTOR. 843 00:34:12,118 --> 00:34:13,753 >> I PROBABLY SHOULD HAVE BEEN. 844 00:34:13,753 --> 00:34:15,755 >> Jimmy: YEAH. WHAT ARE YOU WORKING ON NOW? 845 00:34:15,755 --> 00:34:22,929 >> WORKING ON THIS MOVIE CALLED "THE CHIARELLI" IN GEORGIA, 846 00:34:22,929 --> 00:34:24,331 PRACTICING VIOLIN. 847 00:34:24,331 --> 00:34:25,665 >> Jimmy: THAT'S NOT SOMETHING YOU PLAYED GROWING UP? 848 00:34:25,665 --> 00:34:26,700 >> NO, NO. 849 00:34:26,700 --> 00:34:29,402 >> Jimmy: AREN'T YOU DOING A MOVIE ‐‐ SHOT THE MOVIE ABOUT 850 00:34:29,402 --> 00:34:30,270 B.B. KING? 851 00:34:30,270 --> 00:34:32,772 >> YES, THE ELVIS MOVIE, YEAH. 852 00:34:32,772 --> 00:34:37,277 >> Jimmy: WITH TOM HANKS, YEAH, OH, AND BAZ LETTERMAN AND ALL 853 00:34:37,277 --> 00:34:37,642 THAT. 854 00:34:37,642 --> 00:34:38,979 >> YEAH, YEAH, IT'S FUN. 855 00:34:38,979 --> 00:34:40,580 >> Jimmy: DO YOU PLAY THE GUITAR? 856 00:34:40,580 --> 00:34:40,913 >> NO. 857 00:34:40,913 --> 00:34:43,216 >> Jimmy: ALL THESE INSTRUMENTS IN YOUR FAMILY AND NONE OF THEM 858 00:34:43,216 --> 00:34:43,984 HAVE COME IN HANDY AT ALL FOR YOU. 859 00:34:43,984 --> 00:34:47,187 [ LAUGHTER ] 860 00:34:47,187 --> 00:34:50,890 >> OH, DANG. I PLAYED PIANO AND TRUMPET, GREW 861 00:34:50,890 --> 00:34:54,160 UP PLAYING, THEN I QUIT BECAUSE MY DADDY, HE WAS INTENSE. 862 00:34:54,160 --> 00:34:54,494 [ LAUGHTER ] 863 00:34:54,494 --> 00:34:56,563 >> Jimmy: OKAY, ALL RIGHT. I KNOW HOW THAT GOES, YEAH. 864 00:34:56,563 --> 00:34:58,398 IT'S GREAT TO HAVE YOU HERE. 865 00:34:58,398 --> 00:34:58,765 >> THANK YOU. 866 00:34:58,765 --> 00:35:00,800 >> Jimmy: KELVIN HARRISON JR., EVERYBODY. 867 00:35:00,800 --> 00:35:03,570 HIS MOVIE IS CALLED "MONITOR," IT'S ON NETFLIX NOW. 868 00:35:03,570 --> 00:35:06,806 WE'LL BE RIGHT BACK WITH ALLISON RUSSELL! 869 00:35:06,806 --> 00:35:07,307 [ CHEERS AND APPLAUSE ] 870 00:35:07,307 --> 00:35:10,510 ♪ 871 00:35:16,850 --> 00:35:18,852 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 872 00:35:18,852 --> 00:35:23,657 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 873 00:35:23,657 --> 00:35:25,725 >> Jimmy: IT'S TIME NOW FOR MUSIC. 874 00:35:25,725 --> 00:35:29,629 I THINK YOU WILL ENJOY HER ALBUM CALLED "OUTSIDE CHILD." 875 00:35:29,629 --> 00:35:33,600 WITH THE SONG "NIGHTFLYER" AND ALL‐STAR ASSISTANCE FROM 876 00:35:33,600 --> 00:35:38,805 BRITTNEY SPENCER AND BRANDI CARLILE, ALLISON RUSSELL! 877 00:35:38,805 --> 00:35:39,806 ♪ YEAH I'M A 878 00:35:39,806 --> 00:35:43,309 MIDNIGHT RIDER STONE BONAFIDE NIGHT FLYER ♪ 879 00:35:43,309 --> 00:35:47,013 ♪ I'M AN ANGEL OF 880 00:35:47,013 --> 00:35:48,281 THE MORNING TOO THE PROMISE THAT THE 881 00:35:48,281 --> 00:35:52,252 DAWN WILL BRING YOU ♪ 882 00:35:52,252 --> 00:35:56,289 ♪ 883 00:35:56,289 --> 00:35:58,291 ♪ I'M THE MELODY AND 884 00:35:58,291 --> 00:36:03,296 THE SPACE BETWEEN EVERY NOTE THE 885 00:36:03,296 --> 00:36:06,299 SWALLOW SINGS ♪ 886 00:36:06,299 --> 00:36:09,002 ♪ I'M 14 VULTURES CIRCLING 887 00:36:09,002 --> 00:36:13,506 I'M THAT CRAWLING DYING THING I'M THE SMOKE UP ♪ 888 00:36:13,506 --> 00:36:14,507 ♪ ABOVE THE TREES 889 00:36:14,507 --> 00:36:21,481 GOOD LORD THE FIRE AND THE BRANCH THAT'S BURNING ♪ 890 00:36:21,481 --> 00:36:22,248 ♪ LORD 891 00:36:22,248 --> 00:36:24,217 MAYBE YOU WERE SLEEPING, LORD BUT MARY SHE'S NOT 892 00:36:24,217 --> 00:36:32,759 WEEPING NO MORE, NO ♪ 893 00:36:32,759 --> 00:36:36,262 ♪ YEAH I'M A MIDNIGHT RIDER 894 00:36:36,262 --> 00:36:37,831 STONE BONAFIDE NIGHT FLYER 895 00:36:37,831 --> 00:36:45,305 I'M AN ANGEL OF 896 00:36:45,305 --> 00:36:49,042 THE MORNING TOO ♪ 897 00:36:49,042 --> 00:36:50,310 ♪ THE PROMISE THAT THE 898 00:36:50,310 --> 00:36:52,779 DAWN WILL BRING YOU I'M THE SICK LIGHT OF 899 00:36:52,779 --> 00:36:55,715 A HURRICANE'S EYE ♪ 900 00:36:55,715 --> 00:36:56,750 ♪ I'M A VIOLENT LULLABY 901 00:36:56,750 --> 00:37:03,289 I'M SIX FIREFLIES ONE STREETLIGHT I'M A SUFFOCATING ♪ 902 00:37:03,289 --> 00:37:07,060 ♪ SUMMER NIGHT HMM MMM 903 00:37:07,060 --> 00:37:12,298 I'M EACH OF HIS STEPS ON THE STAIRWAY 904 00:37:12,298 --> 00:37:15,802 I'M HIS SHADOW IN ♪ 905 00:37:15,802 --> 00:37:16,770 ♪ THE DOOR FRAME 906 00:37:16,770 --> 00:37:23,977 I'M THE TAP TAP OF A LUNAR MOTH I'M THE STALE BEER ON ♪ 907 00:37:23,977 --> 00:37:28,248 ♪ HIS BREATH HMM MMM 908 00:37:28,248 --> 00:37:35,255 HIS SOUL IS TRAPPED IN THAT ROOM BUT I CRAWLED BACK ♪ 909 00:37:35,255 --> 00:37:38,324 ♪ IN MY MOTHER'S WOMB 910 00:37:38,324 --> 00:37:43,329 CAME BACK OUT WITH MY GOLD AND MY GREENS 911 00:37:43,329 --> 00:37:44,330 NOW I SEE EVERYTHING ♪ 912 00:37:44,330 --> 00:37:45,331 ♪ NOW I FEEL EVERYTHING 913 00:37:45,331 --> 00:37:48,334 GOOD LORD WHAT THE HELL COULD THEY 914 00:37:48,334 --> 00:37:50,036 BRING TO STOP ME LORD ♪ 915 00:37:50,036 --> 00:37:52,038 ♪ NOTHING FROM THE EARTH 916 00:37:52,038 --> 00:37:55,308 NOTHING FROM THE SEA NOT A GOD ALMIGHTY THING ♪ 917 00:37:55,308 --> 00:38:00,513 ♪ YEAH I'M A MIDNIGHT RIDER 918 00:38:00,513 --> 00:38:05,518 STONE BONAFIDE NIGHT FLYER I'M AN ANGEL OF THE MORNING TOO ♪ 919 00:38:05,518 --> 00:38:06,786 ♪ THE PROMISE THAT THE 920 00:38:06,786 --> 00:38:18,531 DAWN WILL BRING YOU 921 00:38:18,531 --> 00:38:21,835 I'M THE WOUNDED BIRD I'M THE SCREAMING HAWK ♪ 922 00:38:21,835 --> 00:38:22,199 ♪ 923 00:38:22,199 --> 00:38:23,803 ♪ 924 00:38:23,803 --> 00:38:40,186 ♪ 925 00:38:40,186 --> 00:38:44,324 ♪ I'M THE WOUNDED BIRD 926 00:38:44,324 --> 00:38:45,325 I'M THE SCREAMING HAWK ♪ 927 00:38:45,325 --> 00:38:46,326 ♪ I'M THE ONE WHO 928 00:38:46,326 --> 00:38:47,827 CAN'T BE COUNTED OUT I'M THE DOVE THROWN 929 00:38:47,827 --> 00:38:53,066 ♪ I CAN ROLL AND SHAKE 930 00:38:53,066 --> 00:38:56,536 AND RATTLE HMMM MMM I'M THE MOON'S DARK SIDE 931 00:38:56,536 --> 00:39:02,308 I'M THE SOLAR FLARE ♪ 932 00:39:02,308 --> 00:39:04,043 ♪ THE CHILD OF THE EARTH 933 00:39:04,043 --> 00:39:06,379 THE CHILD OF THE AIR I AM THE MOTHER OF 934 00:39:06,379 --> 00:39:06,813 THE EVENING STAR ♪ 935 00:39:06,813 --> 00:39:07,513 ♪ I AM THE LOVE THAT 936 00:39:07,513 --> 00:39:11,751 CONQUERS ALL YEAH I'M A MIDNIGHT RIDER 937 00:39:11,751 --> 00:39:15,054 STONE BONAFIDE NIGHT FLYER ♪ 938 00:39:15,054 --> 00:39:16,055 ♪ I'M AN ANGEL OF 939 00:39:16,055 --> 00:39:19,559 THE MORNING TOO THE PROMISE THAT THE 940 00:39:19,559 --> 00:39:24,530 DAWN WILL BRING YOU ♪ 941 00:39:24,530 --> 00:39:28,234 ♪ YEAH I'M A MIDNIGHT RIDER 942 00:39:28,234 --> 00:39:31,938 ♪ STONE BONA FIDE NIGHTFLYER 943 00:39:31,938 --> 00:39:34,407 ♪ I'M AN ANGEL OF THE MORNING 944 00:39:34,407 --> 00:39:41,581 TOO PROMISE THAT THE DAWN WILL BRING YOU ♪ 945 00:39:41,581 --> 00:39:44,751 ♪ YOU YOU 946 00:39:44,751 --> 00:39:47,220 [ CHEERS AND APPLAUSE ] 947 00:39:47,220 --> 00:39:48,288 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 948 00:39:48,288 --> 00:39:51,991 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 949 00:39:57,096 --> 00:39:59,365 >> Jimmy: SEE WHAT HAPPENS, CLETO, LET ME GO THROUGH THIS 950 00:39:59,365 --> 00:40:00,466 AGAIN. SOMETIMES WHAT THEY'LL DO IS 951 00:40:00,466 --> 00:40:02,168 THEY CALL IT JAMMING. 952 00:40:02,168 --> 00:40:02,602 >> Cleto: RIGHT. 953 00:40:02,602 --> 00:40:03,937 >> Jimmy: THEY'LL GET TOGETHER AND THEY'LL JAM. 954 00:40:03,937 --> 00:40:05,104 >> Cleto: I HAVE HEARD OF THAT. 955 00:40:05,104 --> 00:40:05,438 [ LAUGHTER ] 956 00:40:05,438 --> 00:40:09,242 >> Jimmy: I WANT TO THANK LENA WAITHE, I WANT TO THANK KELVIN 957 00:40:09,242 --> 00:40:11,177 HARRISON JR. THANKS TO ALLISON RUSSELL, 958 00:40:11,177 --> 00:40:13,579 BRITTNEY SPENCER, BRANDI CARLILE. APOLOGIES TO MATT DAMON. 959 00:40:13,579 --> 00:40:15,214 TOMORROW NIGHT, EMILY BLUNT AND DIEGO BONETA, WITH MUSIC FROM 960 00:40:15,214 --> 00:40:17,750 CHAYCE BECKHAM. "NIGHTLINE" IS NEXT. 961 00:40:17,750 --> 00:40:26,793 THANKS FOR WATCHING, GOOD NIGHT.