1 00:00:00,133 --> 00:00:02,169 >> Dicky: FROM HOLLYWOOD, IT'S "JIMMY KIMMEL LIVE"! 2 00:00:02,169 --> 00:00:06,440 TONIGHT, JULIANNA MARGULIES. DANIEL DAY KIM. 3 00:00:06,440 --> 00:00:12,980 AND MUSIC FROM AMETHYST KIAH. 4 00:00:12,980 --> 00:00:15,249 AND NOW, JIMMY KIMMEL! 5 00:00:15,249 --> 00:00:15,749 [ CHEERS AND APPLAUSE ] 6 00:00:15,749 --> 00:00:17,155 >> Jimmy: HI, THERE. I'M JIMMY, I'M THE HOST OF THE 7 00:00:17,155 --> 00:00:21,661 SHOW. THANK YOU FOR WATCHING. THANK YOU FOR JOINING US IN 8 00:00:21,661 --> 00:00:23,429 SUNNY LOS ANGELES, CALIFORNIA WHERE THINGS ARE LOOKING JUST A 9 00:00:23,429 --> 00:00:25,398 LITTLE BIT BRIGHTER EVERY DAY. THINGS ARE GETTING BACK TO 10 00:00:25,398 --> 00:00:28,634 ABNORMAL. 11 00:00:28,634 --> 00:00:31,570 [ LAUGHTER ] 12 00:00:31,570 --> 00:00:34,206 WE'RE FINALLY BACK TO ADMINISTERING MORE SHOTS OF 13 00:00:34,206 --> 00:00:34,774 BOTOX THAN THE VACCINE. 14 00:00:34,774 --> 00:00:35,107 [ LAUGHTER ] 15 00:00:35,107 --> 00:00:39,512 WHICH IS GREAT. WE HAVE OFFICIALLY ENTERED WHAT 16 00:00:39,512 --> 00:00:41,747 THE STATE CALLS THE YELLOW TIER. UNFORTUNATELY, ANYONE WHO HAS 17 00:00:41,747 --> 00:00:43,282 EVER DRIVEN IN L. A. KNOWS NOBODY SLOWS DOWN FOR YELLOW. 18 00:00:43,282 --> 00:00:45,251 [ LAUGHTER ] 19 00:00:45,251 --> 00:00:51,190 SAUNAS AND STEAM ROOMS ARE ALLOWED TO RE‐OPEN. AS OF TODAY. 20 00:00:51,190 --> 00:00:55,094 THREE MONTHS AGO, WE WERE DOUBLE‐GLOVING IT AT THE ATM, 21 00:00:55,094 --> 00:00:57,697 WHO THE HELL IS GETTING A BOX OF STEAM WITH STRANGERS RIGHT NOW? 22 00:00:57,697 --> 00:00:58,931 [ LAUGHTER ] 23 00:00:58,931 --> 00:01:02,201 BARS CAN NOW SERVE DRINKS WITHOUT HAVING TO SERVE FOOD. 24 00:01:02,201 --> 00:01:06,806 WHICH IS GREAT NEWS FOR ALCOHOLICS WHO WERE GETTING VERY 25 00:01:06,806 --> 00:01:08,432 FAT. 26 00:01:08,432 --> 00:01:09,636 [ LAUGHTER ] 27 00:01:09,636 --> 00:01:13,006 BY THE WAY, AFTER ALL THE TALK OF HOW UNNECESSARY THE SHUTDOWNS 28 00:01:13,006 --> 00:01:14,975 WERE, STATE OF CALIFORNIA HAS THE LOWEST POSITIVITY RATE IN 29 00:01:14,975 --> 00:01:15,408 THE COUNTRY BY FAR. 30 00:01:15,408 --> 00:01:20,046 [ CHEERS AND APPLAUSE ] 31 00:01:20,046 --> 00:01:23,083 FLORIDA, WELL, THEY DIDN'T CLOSE DOWN, FLORIDA RANKS 44th. 32 00:01:23,083 --> 00:01:27,053 THE AVERAGE TEST POSITIVITY RATE HERE IN L. A. IS 0.7%. 33 00:01:27,053 --> 00:01:28,822 THE WAY THINGS ARE GOING, IF COVID WANTS TO STAY IN 34 00:01:28,822 --> 00:01:30,957 HOLLYWOOD, IT'S GOING TO HAVE TO START DOING IMPROV. 35 00:01:30,957 --> 00:01:32,926 [ LAUGHTER ] 36 00:01:32,926 --> 00:01:39,032 YOU KNOW, THIS IS INTERESTING. YOU KNOW WHAT'S BEEN ‐‐ HAS BEEN 37 00:01:39,032 --> 00:01:42,168 IN DECLINE IN A BIG WAY DURING THE PANDEMIC? SHOWERS. 38 00:01:42,168 --> 00:01:45,171 PEOPLE HAVE BEEN BATHING LESS DURING LOCKDOWN. 39 00:01:45,171 --> 00:01:50,777 IN FACT, THE NEW YORK TIMES HAD A STORY ABOUT THIS AND INCLUDED 40 00:01:50,777 --> 00:01:53,146 ONE OF THE ODDEST CAPTIONS I'VE SEEN PRINTED IN A NEWSPAPER. 41 00:01:53,146 --> 00:01:54,414 "ROBIN HARPER OUTSIDE HER HOME ON MARTHA'S VINEYARD. 42 00:01:54,414 --> 00:01:55,715 SHE SAID SHE BEGAN TAKING SHOWERS ONCE A WEEK DURING THE 43 00:01:55,715 --> 00:02:00,320 PANDEMIC." HEY, MOM, I'M IN THE "NEW YORK 44 00:02:00,320 --> 00:02:02,889 TIMES"! OH, WOW, FOR WHAT? NOT WASHING MY ASS! 45 00:02:02,889 --> 00:02:04,858 [ LAUGHTER ] 46 00:02:04,858 --> 00:02:07,327 SOME DOCTORS SAY DAILY SHOWERS ARE UNNECESSARY AND ACTUALLY 47 00:02:07,327 --> 00:02:11,331 COUNTERPRODUCTIVE WHEN IT COMES TO OVERALL HEALTH. 48 00:02:11,331 --> 00:02:13,233 THESE ARE THE DOCTORS WHO DON'T GET INVITED TO THE OFFICE 49 00:02:13,233 --> 00:02:13,600 CHRISTMAS PARTY. 50 00:02:13,600 --> 00:02:17,437 [ LAUGHTER ] 51 00:02:17,437 --> 00:02:20,373 OH, I THINK I'M DEVELOPING THE COVID RIGHT NOW. 52 00:02:20,373 --> 00:02:21,741 NO, I'M OKAY, ALL RIGHT. 53 00:02:21,741 --> 00:02:22,409 [ LAUGHTER ] 54 00:02:22,409 --> 00:02:24,944 ANOTHER PANDEMIC BODY TREND IS A PUZZLER. 55 00:02:24,944 --> 00:02:27,180 AMERICANS ARE GETTING MORE BUTT IMPLANTS THAN EVER BEFORE. 56 00:02:27,180 --> 00:02:33,920 BUTT IMPLANTS WERE UP 22% LAST YEAR. 57 00:02:33,920 --> 00:02:38,925 PEOPLE WHO WEREN'T GOING TO THE DOCTOR TO GET ANYTHING DONE, 58 00:02:38,925 --> 00:02:40,026 THEY'RE GETTING BIG PADS IMPLANTED INTO THEIR BUTTS. 59 00:02:40,026 --> 00:02:41,261 AND THEY'RE ALSO SELLING A LOT OF THESE BUTT‐LIFT LEGGINGS. 60 00:02:41,261 --> 00:02:42,695 I GUESS THEY'VE BEEN ALL OVER TIKTOK OR MAYBE THAT'S JUST MY 61 00:02:42,695 --> 00:02:45,899 ALGORITHM. I DON'T KNOW. 62 00:02:45,899 --> 00:02:46,232 [ LAUGHTER ] 63 00:02:46,232 --> 00:02:47,934 THEY SELL THEM ON AMAZON. GUILLERMO, I HEARD A STORY ABOUT 64 00:02:47,934 --> 00:02:55,842 YOU. IS IT TRUE? YOU PLAY THE LOTTERY EVERY WEEK? 65 00:02:55,842 --> 00:02:56,709 >> Guillermo: EVERY WEEK. 66 00:02:56,709 --> 00:02:59,145 >> Jimmy: YOU SAID IF YOU WON, WHAT WOULD YOU DO? 67 00:02:59,145 --> 00:03:02,916 >> Guillermo: IF I WIN THE POWERBALL, TWO THINGS I WOULD DO. 68 00:03:02,916 --> 00:03:03,716 >> Jimmy: GO AHEAD. 69 00:03:03,716 --> 00:03:08,221 >> Guillermo: MY WIFE MAKE FUN BECAUSE I HAVE A FLAT BUTT, I 70 00:03:08,221 --> 00:03:11,558 HAVE NO ASS. I WOULD PUT A NEW BUTT. 71 00:03:11,558 --> 00:03:13,126 AND A TUMMY TUCK. 72 00:03:13,126 --> 00:03:15,328 >> Jimmy: OKAY, MAYBE JUST HAVE YOUR STOMACH PUT AROUND YOUR 73 00:03:15,328 --> 00:03:17,397 BEHIND. YOU KNOW? 74 00:03:17,397 --> 00:03:18,298 >> Guillermo: WELL, THAT'S A GOOD IDEA. 75 00:03:18,298 --> 00:03:21,067 >> Jimmy: THANK YOU. 76 00:03:21,067 --> 00:03:21,400 [ LAUGHTER ] 77 00:03:21,400 --> 00:03:23,670 I DON'T LIKE THE SOUND OF THAT. SO WE GOT GUILLERMO SOME OF 78 00:03:23,670 --> 00:03:27,107 THOSE AMAZON BUTT LIFT LEGGINGS GO AHEAD SHOW THEM OFF. 79 00:03:27,107 --> 00:03:30,276 SHOW US WHAT YOU HAVE NOW. THIS IS THE REAL PRODUCT. 80 00:03:30,276 --> 00:03:30,777 [ CHEERS AND APPLAUSE ] 81 00:03:30,777 --> 00:03:35,014 WE ORDERED IT. LOOK AT THAT. WOW. YOUR WIFE'S GOING TO GO CRAZY 82 00:03:35,014 --> 00:03:36,116 WHEN SHE GETS ‐‐ 83 00:03:36,116 --> 00:03:39,252 [ CHEERS AND APPLAUSE ] 84 00:03:39,252 --> 00:03:44,124 THAT'S REALLY GREAT. HOW DO YOU SAY "JUNK IN THE 85 00:03:44,124 --> 00:03:47,727 TRUNK" IN ESPAÑOL? 86 00:03:47,727 --> 00:03:50,130 [ SPEAKING SPANISH ] 87 00:03:50,130 --> 00:03:50,630 >> Jimmy: OH, ALL RIGHT. 88 00:03:50,630 --> 00:03:52,699 [ LAUGHTER ] 89 00:03:52,699 --> 00:03:55,802 I'M GONNA START CALLING YOU "G‐LO." 90 00:03:55,802 --> 00:03:56,135 [ LAUGHTER ] 91 00:03:56,135 --> 00:03:58,805 BE CAREFUL ON THAT STOOL. WEAR THOSE HOME, OKAY? 92 00:03:58,805 --> 00:03:59,973 >> Guillermo: I WILL, I PROMISE. 93 00:03:59,973 --> 00:04:00,573 >> Jimmy: OH, I BET YOU WILL. 94 00:04:00,573 --> 00:04:04,711 [ LAUGHTER ] 95 00:04:04,711 --> 00:04:07,380 CAITLYN JENNER TWO WEEKS AGO, YOU KNOW WHO THIS IS? 96 00:04:07,380 --> 00:04:09,582 >> Guillermo: YEAH, I KNOW, YEAH. 97 00:04:09,582 --> 00:04:11,184 >> Jimmy: SHE HAS LAUNCHED HER CAMPAIGN TO BE NEXT GOVERNOR OF 98 00:04:11,184 --> 00:04:15,355 CALIFORNIA. AND LAST NIGHT SHE SAT DOWN FOR 99 00:04:15,355 --> 00:04:16,723 WHAT THEY CALLED A "TOWN HALL" WIT SEAN HANNITY. 100 00:04:16,723 --> 00:04:22,162 THERE WAS NO TOWN AND NO HALL, BUT THERE WAS SEAN HANNITY 101 00:04:22,162 --> 00:04:25,064 PRETENDING TO BE INTERESTED IN CAITLYN'S TAKE ON A VARIETY OF 102 00:04:25,064 --> 00:04:29,269 SUBJECTS, INCLUDING DONALD TRUMP. BLE AFFECTION FOR 103 00:04:29,269 --> 00:04:32,605 >> I THINK HE DID SOME THINGS I AGREE WITH, SOME THINGS I DIDN'T 104 00:04:32,605 --> 00:04:33,973 AGREE WITH. WHAT I LIKED ABOUT DONALD TRUMP 105 00:04:33,973 --> 00:04:38,378 IS HE WAS A DISRUPTER. YOU KNOW? HE CAME IN AND SHOOK THE SYSTEM 106 00:04:38,378 --> 00:04:42,315 UP. OKAY? 107 00:04:42,315 --> 00:04:42,815 >> Jimmy: UH‐HUH, OKAY? 108 00:04:42,815 --> 00:04:45,985 [ LAUGHTER ] 109 00:04:45,985 --> 00:04:47,720 HE SHOOK THE SYSTEM SO HARD, HE LOST CUSTODY OF IT. 110 00:04:47,720 --> 00:04:49,055 [ LAUGHTER ] 111 00:04:49,055 --> 00:04:53,026 CHILD PROTECTIVE SERVICES HAD TO COME IN, STOPPING HIM FROM 112 00:04:53,026 --> 00:04:55,195 SHAKING THE SYSTEM. AND THEN THIS IS HOW WELL 113 00:04:55,195 --> 00:05:01,701 CAITLYN JENNER UNDERSTANDS THE PLIGHT OF EVERYDAY CALIFORNIANS. 114 00:05:01,701 --> 00:05:03,536 FIRST OF ALL, SHE MENTIONS THIS AIRPLANE SHE FLIES MULTIPLE 115 00:05:03,536 --> 00:05:06,606 TIMES. THEY HAD THE "TOWN HALL" IN HER 116 00:05:06,606 --> 00:05:09,108 OWN AIRPLANE HANGAR. AND THIS APPARENTLY IS WHERE SHE 117 00:05:09,108 --> 00:05:15,415 HAS BEEN LISTENING TO HER FUTURE CONSTITUENTS. 118 00:05:15,415 --> 00:05:18,985 >> THE GUY ACROSS WAS PACKING UP HIS HANGAR, I SAID, WHERE YOU 119 00:05:18,985 --> 00:05:22,021 GOING? HE SAYS, I'M MOVING TO SEDONA, 120 00:05:22,021 --> 00:05:24,424 ARIZONA, I CAN'T TAKE IT ANYMORE, I CAN'T WALK DOWN THE 121 00:05:24,424 --> 00:05:25,291 STREETS AND SEE THE HOMELESS. 122 00:05:25,291 --> 00:05:28,795 >> Jimmy: OH, HOMELESS PEOPLE, CAN'T WALK AROUND 'EM, CAN'T FLY 123 00:05:28,795 --> 00:05:30,496 OVER 'EM, YOU KNOW? 124 00:05:30,496 --> 00:05:30,863 [ LAUGHTER ] 125 00:05:30,863 --> 00:05:35,768 SINCE TRANS PHOBIC TO CALL A TRANS PERSON AN IGNORANT A‐HOLE? 126 00:05:35,768 --> 00:05:39,906 OR DOES CALLING THAT TRANS PERSON AN IGNORANT A‐HOLE, EVEN 127 00:05:39,906 --> 00:05:43,643 THOUGH SHE HAPPENS TO BE A TRANS PERSON, SHOW WE DON'T 128 00:05:43,643 --> 00:05:46,446 DISCRIMINATE AGAINST IGNORANT A‐HOLES NO MATTER THEIR GENDER 129 00:05:46,446 --> 00:05:48,414 ORIENTATION? IT'S A TOUGH ONE, I DON'T KNOW, 130 00:05:48,414 --> 00:05:50,984 I GUESS WE'LL LET THE INTERNET DECIDE TOMORROW. 131 00:05:50,984 --> 00:05:56,389 [ LAUGHTER AND APPLAUSE ] 132 00:05:56,389 --> 00:05:57,857 TODAY, BY THE WAY IS NATIONAL NURSES DAY. 133 00:05:57,857 --> 00:06:02,195 THE DAY ON WHICH WE SAY THANK TO ALL THE NURSES IN THE 134 00:06:02,195 --> 00:06:02,662 COUNTRY, IN OUR LIVES. 135 00:06:02,662 --> 00:06:03,396 [ CHEERS AND APPLAUSE ] 136 00:06:03,396 --> 00:06:05,298 AND ALSO SORRY THAT WE STOPPED BANGING POTS FOR YOU EVERY NIGHT. 137 00:06:05,298 --> 00:06:06,499 [ LAUGHTER ] 138 00:06:06,499 --> 00:06:08,868 AND SUNDAY IS THE DAY WE HONOR THE WOMEN WHO LITERALLY NURSED 139 00:06:08,868 --> 00:06:15,241 US. MOTHER'S DAY IS SUNDAY. WILL YOU BE SEEING YOUR 140 00:06:15,241 --> 00:06:16,042 MOTHER‐IN‐LAW ON SUNDAY? 141 00:06:16,042 --> 00:06:17,243 >> Guillermo: YES, JIMMY. 142 00:06:17,243 --> 00:06:18,177 >> Jimmy: YOU WILL? 143 00:06:18,177 --> 00:06:19,646 >> Guillermo: YEAH, I HAVE NO CHOICE. 144 00:06:19,646 --> 00:06:20,813 >> Jimmy: WILL YOU WEAR THE PANTS? 145 00:06:20,813 --> 00:06:23,383 >> Guillermo: OH, YEAH, YEAH. TWO TEQUILA SHOTS, YES, OF 146 00:06:23,383 --> 00:06:23,748 COURSE. 147 00:06:23,748 --> 00:06:26,486 [ LAUGHTER ] 148 00:06:26,486 --> 00:06:26,853 ♪ 149 00:06:26,853 --> 00:06:30,290 >> Jimmy: THIS WILL TURN THE THINGS AROUND BETWEEN THE TWO OF 150 00:06:30,290 --> 00:06:30,655 YOU. 151 00:06:30,655 --> 00:06:32,458 >> Guillermo: OH, MY GOD! 152 00:06:32,458 --> 00:06:35,194 >> Jimmy: MOTHER'S DAY GOES BACK WELL OVER 100 YEARS. 153 00:06:35,194 --> 00:06:39,198 IN 1908, A WOMAN NAMED ANNA JARVIS FROM GRAFTON, WEST 154 00:06:39,198 --> 00:06:40,466 VIRGINIA, DECLARED THE FIRST MOTHER'S DAY IN THE UNITED 155 00:06:40,466 --> 00:06:41,968 STATES. IT CAUGHT ON TO THE POINT WHERE 156 00:06:41,968 --> 00:06:44,170 SHE EVENTUALLY BECAME DISGUSTED WITH THE COMMERCIALIZATION OF 157 00:06:44,170 --> 00:06:48,308 MOTHER'S DAY AND URGED PEOPLE TO STOP BUYING FLOWERS, CARDS AND 158 00:06:48,308 --> 00:06:51,511 CANDIES. AND LIKE A BUNCH OF UNRULY KIDS, 159 00:06:51,511 --> 00:06:54,180 WE DIDN'T LISTEN TO HER AT ALL, WE KEEP BUYING CANDIES. 160 00:06:54,180 --> 00:06:57,583 YOU KNOW, THERE'S A LIMITED SUPPLY OF FLOWERS THIS YEAR 161 00:06:57,583 --> 00:07:00,153 BECAUSE OF COVID. HERE IN CALIFORNIA, A LOT OF 162 00:07:00,153 --> 00:07:01,154 GROWERS SWITCHED TO GROWING POT. NOT A JOKE. 163 00:07:01,154 --> 00:07:03,923 [ LAUGHTER ] 164 00:07:03,923 --> 00:07:06,159 WE DON'T HAVE ANY FLOWERS. THE GOOD NEWS IS MOM IS REALLY 165 00:07:06,159 --> 00:07:08,294 GOING TO ENJOY BRUNCH THIS YEAR. 166 00:07:08,294 --> 00:07:12,732 [ LAUGHTER AND APPLAUSE ] 167 00:07:12,732 --> 00:07:16,769 YOU KNOW, A LOT OF MEN, WHETHER THEY BE HUSBANDS, SONS, ET 168 00:07:16,769 --> 00:07:19,138 CETERA, DON'T KNOW WHAT TO DO FOR THEIR WIVES AND/OR MOTHERS 169 00:07:19,138 --> 00:07:20,973 FOR MOTHER'S DAY. SO TO HELP WITH THAT MY WIFE HAS 170 00:07:20,973 --> 00:07:23,209 VOLUNTEERED TO LET YOU KNOW WHAT SHE RECOMMENDS. 171 00:07:23,209 --> 00:07:27,246 AND HERE NOW WITH SOME SAGE MOTHER'S DAY ADVICE, PLEASE 172 00:07:27,246 --> 00:07:29,649 WELCOME MY WIFE AND MOTHER TO SOME OF MY CHILDREN, MOLLY. 173 00:07:29,649 --> 00:07:30,014 MOLLY? 174 00:07:30,014 --> 00:07:31,684 [ CHEERS AND APPLAUSE ] 175 00:07:31,684 --> 00:07:35,588 GO AHEAD. 176 00:07:35,588 --> 00:07:37,557 >> HI. HI, IF YOU'RE WONDERING WHAT TO 177 00:07:37,557 --> 00:07:41,127 DO FOR MOTHER'S DAY, THE ANSWER IS, GO AWAY. 178 00:07:41,127 --> 00:07:41,460 [ LAUGHTER ] 179 00:07:41,460 --> 00:07:44,230 WHAT MOST MOMS WANT ON MOTHER'S DAY, FOR ONE DAY, IS TO NOT BE A 180 00:07:44,230 --> 00:07:50,470 MOTHER. LET ME PUT IT TO YOU LIKE THIS. 181 00:07:50,470 --> 00:07:52,705 IF IT WERE COAL MINER APPRECIATION DAY, YOU WOULDN'T 182 00:07:52,705 --> 00:07:55,842 CLIMB DOWN INTO A MINE, HAND YOUR FAVORITE COAL MINE AREA 183 00:07:55,842 --> 00:07:58,511 MIMOSA AND A FRAME MADE OF NOODLES AND SAY, THANKS FOR 184 00:07:58,511 --> 00:08:02,081 EVERYTHING YOU DO, NOW GET BACK TO DOING IT. 185 00:08:02,081 --> 00:08:02,415 [ LAUGHTER ] 186 00:08:02,415 --> 00:08:06,886 IF YOU WANT TO SHOW APPRECIATION, FOR ALL OUR 187 00:08:06,886 --> 00:08:09,856 TIRELESS, THANKLESS, RELENTLESS WORK IN A JOB WE CAN NEVER QUIT 188 00:08:09,856 --> 00:08:14,627 THAT PAYS ZERO DOLLARS, NOT ONLY STRETCHED OUR STOMACHS LIKE 189 00:08:14,627 --> 00:08:17,630 WATER BALLOONS AND MADE THE INSIDES OF OUR CARS AS STICKY AS 190 00:08:17,630 --> 00:08:20,933 THE LITTLE HANDS THAT ARE ALWAYS PULLING ON OUR PANTS, HAND THAT 191 00:08:20,933 --> 00:08:25,171 WOMAN THAT MIMOSA. GET HER A MASSAGE AND SAY, I SEE 192 00:08:25,171 --> 00:08:29,175 THAT YOU NEVER LEAVE THE HOUSE WITHOUT A PURSE FULL OF PIRATES 193 00:08:29,175 --> 00:08:29,542 BOOTY. 194 00:08:29,542 --> 00:08:29,875 [ LAUGHTER ] 195 00:08:29,875 --> 00:08:32,412 YOU KNOW EVERY TEACHER, EVERY CLASSMATE, EVERY CLASSMATE'S 196 00:08:32,412 --> 00:08:35,214 PARENT. YOU KNOW SHOE SIZES AND THE 197 00:08:35,214 --> 00:08:37,984 FLAVOR TOOTHPASTE THEY LIKE AND THE SHIRT THAT HAS THE ITCHY TAG 198 00:08:37,984 --> 00:08:41,220 THAT THEY DON'T LIKE. YOU KNOW WHICH WORKSHEETS NEED 199 00:08:41,220 --> 00:08:43,723 TO BE PRINTED FOR ZOOM SCHOOL AND HOW TO GET GOGURT OUT OF 200 00:08:43,723 --> 00:08:45,725 HUMAN HAIR. TWICE. 201 00:08:45,725 --> 00:08:46,959 [ LAUGHTER ] 202 00:08:46,959 --> 00:08:53,800 I KNOW YOU ARE TIRED AND HAVEN'T HAD A GOOD NIGHT'S SLEEP OR 203 00:08:53,800 --> 00:08:57,470 FINISHED A MEAL OR A BOOK IN SEVEN YEARS. OR SAT ON A TOILET 204 00:08:57,470 --> 00:08:57,804 UNINTERRUPTED. 205 00:08:57,804 --> 00:08:59,505 [ LAUGHTER ] 206 00:08:59,505 --> 00:09:03,709 BUT I ALSO KNOW THAT YOU LOVE THIS JOB, AND YOU DO IT 207 00:09:03,709 --> 00:09:04,644 INCREDIBLY WELL, IF I DO SAY SO MYSELF. 208 00:09:04,644 --> 00:09:06,012 [ LAUGHTER ] 209 00:09:06,012 --> 00:09:11,117 AND EVEN THOUGH WE NEVER SAY IT, WE APPRECIATE YOU. I SEE YOU. 210 00:09:11,117 --> 00:09:16,155 I'LL SEE YOU AFTER I PUT THE KIDS TO BED. EAT A GUMMY. 211 00:09:16,155 --> 00:09:19,826 WATCH A RYAN GOSLING MOVIE. GOOD‐BYE. 212 00:09:19,826 --> 00:09:26,766 [ CHEERS AND APPLAUSE ] 213 00:09:26,766 --> 00:09:34,507 >> Jimmy: THANKS, MOLLY. I'LL SEE YOU A MONDAY, I GUESS. 214 00:09:34,507 --> 00:09:36,209 >> SEE YOU. 215 00:09:36,209 --> 00:09:36,709 [ CHEERS AND APPLAUSE ] 216 00:09:36,709 --> 00:09:43,616 >> Jimmy: YOU DROPPED YOUR ‐‐ ALL RIGHT. 217 00:09:43,616 --> 00:09:48,521 WE SENT A CAMERA, A MOTHER'S DAY CAMERA ‐‐ VERY SPECIAL CAMERAS. 218 00:09:48,521 --> 00:09:48,854 [ LAUGHTER ] 219 00:09:48,854 --> 00:09:51,290 WE USE THEM ONCE A YEAR. WE GOT THIS CAMERA. 220 00:09:51,290 --> 00:09:55,695 IT WAS EXPENSIVE, BY THE WAY. WE SENT IT TO THE FARMERS' 221 00:09:55,695 --> 00:09:57,964 MARKET TO CHAT WITH MOMS AND THEIR KIDS. 222 00:09:57,964 --> 00:10:02,568 AND BECAUSE EVERYONE IS WEARING MASKS WE WERE ABLE TO SWAP THEIR 223 00:10:02,568 --> 00:10:04,704 INVOICES SO THAT THE QUESTIONS THAT ARE ANSWERED AREN'T 224 00:10:04,704 --> 00:10:08,307 NECESSARILY FROM THE PERSON WHO ANSWERED THE QUESTION IN WHAT 225 00:10:08,307 --> 00:10:13,546 MAY BE ONE OF OUR LAST‐EVER EDITIONS OF "MASKING QUESTIONS." 226 00:10:13,546 --> 00:10:17,717 >> MOTHER'S DAY IS COMING UP. LET ME ASK YOU, NATHAN, WHAT 227 00:10:17,717 --> 00:10:18,918 WOULD BE YOUR PERFECT DAY? 228 00:10:18,918 --> 00:10:22,221 >> A DAY OFF OF WORK. VERY GOOD BRUNCH. 229 00:10:22,221 --> 00:10:26,626 BECAUSE BRUNCH IS MY FAVORITE MEAL. WITH THE NICE MIMOSA. 230 00:10:26,626 --> 00:10:29,795 >> DESCRIBE YOUR PERFECT DAY, WHITNEY. 231 00:10:29,795 --> 00:10:37,036 >> WAKING UP, PROBABLY GOING UPSTAIRS, WATCH GARFIELD FOR 232 00:10:37,036 --> 00:10:38,304 SEVEN HOURS, GO TO THE TRAMPOLINE PARK. 233 00:10:38,304 --> 00:10:41,107 >> WHAT ARE THINGS YOU LOVE ABOUT MOTHER'S DAY? 234 00:10:41,107 --> 00:10:43,409 >> I GET TO GIVE MY MOM STUFF. 235 00:10:43,409 --> 00:10:46,112 >> CHANCE, WHAT ARE SOME OF YOUR FAVORITE THINGS ABOUT MOTHER 236 00:10:46,112 --> 00:10:46,477 DAZE? 237 00:10:46,477 --> 00:10:49,215 >> HONESTLY, THAT THEY APPRECIATE WHAT I DO. 238 00:10:49,215 --> 00:10:50,449 AND THE GLASS OF CHAMPAGNE. 239 00:10:50,449 --> 00:10:53,920 >> AVA, WHAT ARE YOUR BIG PLANS FOR MOTHER'S DAY? 240 00:10:53,920 --> 00:11:00,526 >> A RELAXING DAY WITH SOME TAKEOUT. 241 00:11:00,526 --> 00:11:03,629 >> SALLY, WHAT ARE YOU LOOKING FORWARD TO ON MOTHER'S DAY? 242 00:11:03,629 --> 00:11:07,567 >> MAYBE GET A PRESENT. LIKE A CANDLE OR SOMETHING. 243 00:11:07,567 --> 00:11:11,437 >> CHANCE, WHAT ARE SOME OF THE TOUGHEST PARTS ABOUT BEING A KID? 244 00:11:11,437 --> 00:11:15,908 >> IT'S LIKE NONSTOP. THERE ISN'T, YOU KNOW, AN 8 TO 245 00:11:15,908 --> 00:11:19,946 5, THEN YOU LEAVE WORK AND COME BACK THE NEXT DAY. 246 00:11:19,946 --> 00:11:23,516 >> VINIA, WHAT'S THE HARDEST PART ABOUT BEING A MOTHER? 247 00:11:23,516 --> 00:11:24,951 >> I DON'T GET CANDY EVERY DAY. 248 00:11:24,951 --> 00:11:28,588 >> WHAT ABUT YOU, BRIANA? WHAT WOULD BE YOUR DREAM 249 00:11:28,588 --> 00:11:28,921 MOTHER'S DAY? 250 00:11:28,921 --> 00:11:30,423 >> TO GO TO DISNEY WORLD. 251 00:11:30,423 --> 00:11:33,559 >> WHO WOULD YOU LIKE TO MEET AT DISNEY WORLD? 252 00:11:33,559 --> 00:11:34,860 >> MINNIE MOUSE. 253 00:11:34,860 --> 00:11:36,996 >> LILY, WHAT WOULD BE YOUR DREAM MOTHER'S DAY? 254 00:11:36,996 --> 00:11:38,130 >> EUROPE WITHOUT KIDS. 255 00:11:38,130 --> 00:11:39,465 >> ENOUGH SAID. 256 00:11:39,465 --> 00:11:42,668 [ CHEERS AND APPLAUSE ] 257 00:11:42,668 --> 00:11:45,137 >> Jimmy: AND ONE MORE THING BEFORE WE FORGE AHEAD, IT'S 258 00:11:45,137 --> 00:11:47,273 THURSDAY NIGHT WHICH MEANS IT'S TIME TO BLEEP AND BLUR THE BIG 259 00:11:47,273 --> 00:11:48,407 TV MOMENTS OF THE WEEK WHETHER THEY NEED IT OR NOT. 260 00:11:48,407 --> 00:11:49,141 IT'S "THIS WEEK IN UNNECESSARY 261 00:11:49,141 --> 00:12:00,052 CENSORSHIP." 262 00:12:00,052 --> 00:12:03,889 >> THANKS FOR HAVING ME. I'M DOWN HERE SUCKING SMALL 263 00:12:03,889 --> 00:12:05,958 [ BLEEP ], I SUCKED MY FIRST 264 00:12:05,958 --> 00:12:06,525 [ BLEEP ] WHEN I WAS 20. 265 00:12:06,525 --> 00:12:09,362 >> I CAME ON YOUR [ BLEEP ], I TALKED ABOUT IT. 266 00:12:09,362 --> 00:12:12,431 >> I'M A [ BLEEP ], ALWAYS HAVE BEEN. 267 00:12:12,431 --> 00:12:15,701 >> REGROUPED RIGHT OUTSIDE THE FENCE, [ BLEEP ] EACH OTHER, PUT 268 00:12:15,701 --> 00:12:17,436 THEIR [ BLEEP ] IN EACH OTHER'S MOUSE. 269 00:12:17,436 --> 00:12:20,373 >> THE PRINCE GETTING ROYAL BACKLASH FOR [ BLEEP ]ING SNOW 270 00:12:20,373 --> 00:12:22,608 WHITE WHILE SHE'S ASLEEP. 271 00:12:22,608 --> 00:12:26,512 >> I TOLD THE AUDIENCE THAT YOU WERE [ BLEEP ]ED UP, AND YOU ARE. 272 00:12:26,512 --> 00:12:29,615 >> IT'S WONDERFUL TO SEE PEOPLE'S [ BLEEP ], [ BLEEP ]. 273 00:12:29,615 --> 00:12:36,122 WE LOVE THAT HERE AT "HOUSTON LIVE." 274 00:12:36,122 --> 00:12:39,725 >> [ BLEEP ], ALWAYS A PLEASURE TO HAVE THE DOOR BURST OPEN AND 275 00:12:39,725 --> 00:12:40,693 TO SEE YOUR [ BLEEP ] FACE. 276 00:12:40,693 --> 00:12:43,496 [ CHEERS AND APPLAUSE ] 277 00:12:43,496 --> 00:12:46,165 >> Jimmy: WE'VE GOT A GOOD SHOW FOR YOU TONIGHT. 278 00:12:46,165 --> 00:12:47,933 DANIEL DAY KIM IS WITH US. WE HAVE MUSIC FROM AMETHYST KIAH. 279 00:12:47,933 --> 00:12:51,704 AND WE'LL BE RIGHT BACK WITH JULIANNA MARGULIES. 280 00:12:56,209 --> 00:12:57,048 [ CHEERS AND APPLAUSE ] 281 00:12:57,048 --> 00:12:58,901 ♪ 282 00:12:58,901 --> 00:13:02,338 >> Jimmy: HI, THERE. WELCOME BACK. 283 00:13:02,338 --> 00:13:04,348 TONIGHT, FROM THE NEW MOVIE "STOWAWAY," DANIEL DAY KIM IS 284 00:13:04,348 --> 00:13:04,949 WITH US. 285 00:13:04,949 --> 00:13:07,551 [ CHEERS AND APPLAUSE ] 286 00:13:07,551 --> 00:13:08,161 THEN LATER, YOU'RE GOING TO LIKE THIS A LOT. 287 00:13:08,161 --> 00:13:09,396 HER ALBUM IS CALLED "WARY AND STRANGE." 288 00:13:09,396 --> 00:13:10,964 IT COMES OUT JUNE 18th, MUSIC FROM AMETHYST KIAH. 289 00:13:10,964 --> 00:13:16,069 [ CHEERS AND APPLAUSE ] 290 00:13:16,069 --> 00:13:20,373 NEXT WEEK, WE'VE GOT QUITE A LINEUP OF GUESTS NEXT WEEK 291 00:13:20,373 --> 00:13:21,574 WITH CHRIS ROCK, EWAN MCGREGOR, HEIDI KLUM, MIKE EPPS, WANDA 292 00:13:21,574 --> 00:13:23,943 SYKES. MUSIC FROM MADNESS, MORRAY, 293 00:13:23,943 --> 00:13:28,014 LUCKY DAY FEATURING YEBBA, AND MOD SUN WITH AVRIL LAVIGNE. 294 00:13:28,014 --> 00:13:29,449 SO PLEASE JOIN US FOR ALL THAT FUN. 295 00:13:29,449 --> 00:13:35,188 [ CHEERS AND APPLAUSE ] 296 00:13:35,188 --> 00:13:36,489 ON THIS NATIONAL NURSES DAY, OUR FIRST GUEST HAS A LOT OF 297 00:13:36,489 --> 00:13:41,227 EXPERIENCE PLAYING ONE ON "E. R." YOU KNOW HER FROM "THE GOOD 298 00:13:41,227 --> 00:13:43,797 WIFE," AND NOW HER NEW MEMOIR, "SUNSHINE GIRL: AN UNEXPECTED 299 00:13:43,797 --> 00:13:47,467 LIFE" SAY HELLO TO JULIANNA MARGULIES. 300 00:13:47,467 --> 00:13:47,967 [ CHEERS AND APPLAUSE ] 301 00:13:47,967 --> 00:13:50,870 HI, JULIANNA, HOW ARE YOU? 302 00:13:50,870 --> 00:13:52,539 >> HI, I'M GOOD, HOW ARE YOU? 303 00:13:52,539 --> 00:13:55,442 >> Jimmy: GOOD TO SEE YOU, HOW'S IT GOING? 304 00:13:55,442 --> 00:13:58,445 >> IT'S GOING WELL ON THIS NATIONAL NURSES DAY. 305 00:13:58,445 --> 00:14:01,081 >> Jimmy: IS IT APPROPRIATE FOR ME TO WISH YOU A HAPPY NATIONAL 306 00:14:01,081 --> 00:14:01,848 NURSES DAY? 307 00:14:01,848 --> 00:14:05,251 >> SO HERE'S THE BEAUTY OF LIVING IN NEW YORK CITY. 308 00:14:05,251 --> 00:14:10,590 AND IT IS APPROPRIATE. SORT OF. BECAUSE I DID REPRESENT NURSES, 309 00:14:10,590 --> 00:14:11,191 RIGHT? 310 00:14:11,191 --> 00:14:14,060 >> Jimmy: TRUE, TRUE. 311 00:14:14,060 --> 00:14:17,731 >> AND I WAS PROUD TO DO THAT. I WAS WALKING HOME TODAY, AND I 312 00:14:17,731 --> 00:14:21,701 SAW MAYBE 30 NURSES DANCING IN 313 00:14:21,701 --> 00:14:27,974 THE SQUARE RIGHT AT GREENWICH 314 00:14:27,974 --> 00:14:32,312 STREET AND SEVENTH AVENUE, MUSING BLARING, FILMING THIS 315 00:14:32,312 --> 00:14:34,347 GREAT DANCE I GUESS FOR SOME NBC SHOW. 316 00:14:34,347 --> 00:14:35,048 >> Jimmy: UH‐HUH. 317 00:14:35,048 --> 00:14:36,816 >> THEY ENDED, EVERYBODY CLAPPED. 318 00:14:36,816 --> 00:14:41,187 AND I THOUGHT, IT'S NATIONAL NURSES DAY, I PLAYED NURSE 319 00:14:41,187 --> 00:14:45,058 HATHAWAY, AND I DID SOMETHING I'VE NEVER, EVER IN A MILLION 320 00:14:45,058 --> 00:14:47,694 YEARS DREAMED I'D EVER DO. I WALKED RIGHT INTO THE MIDDLE 321 00:14:47,694 --> 00:14:52,732 OF ALL OF THEM AND SAID, "I'M NURSE HATHAWAY!" 322 00:14:52,732 --> 00:14:53,099 [ LAUGHTER ] 323 00:14:53,099 --> 00:14:57,537 "I WAS ON E. R., I REPRESENTED YOU PEOPLE!" 324 00:14:57,537 --> 00:15:01,074 OF COURSE I DIDN'T REALIZE ‐‐ I HAD MY MASK ON, A STRAW HAT, IT 325 00:15:01,074 --> 00:15:05,078 WAS SUNNY. "OH, WAIT, I'M VACCINATED, I'VE 326 00:15:05,078 --> 00:15:08,114 BEEN DOUBLE VAXED, I'M VACCINATED." 327 00:15:08,114 --> 00:15:12,352 I TOOK MY MASK OFF AND THEY FREAKED OUT AND WE STARTED 328 00:15:12,352 --> 00:15:14,087 DANCING AND TAKING PICTURES AND THEY FILMED IT. 329 00:15:14,087 --> 00:15:15,722 I THOUGHT, ONLY IN NEW YORK. 330 00:15:15,722 --> 00:15:16,222 [ CHEERS AND APPLAUSE ] 331 00:15:16,222 --> 00:15:17,190 >> Jimmy: THAT'S PRETTY GREAT, YEAH. 332 00:15:17,190 --> 00:15:19,893 >> IT WAS A GREAT MOMENT, I HAVE TO SAY. 333 00:15:19,893 --> 00:15:22,395 >> Jimmy: THAT'S LIKE ‐‐ YOU REMEMBER GEORGE REEVES WHO 334 00:15:22,395 --> 00:15:25,632 PLAYED SUPERMAN, IN HIS OLD AGE, WOULD DRESS UP AS SUPERMAN AND 335 00:15:25,632 --> 00:15:26,433 WALK AROUND? 336 00:15:26,433 --> 00:15:26,800 [ LAUGHTER ] 337 00:15:26,800 --> 00:15:29,803 I THINK HE JUMPED OUT THE WINDOW OR SOMETHING LIKE THAT? 338 00:15:29,803 --> 00:15:30,537 >> DID HE REALLY? 339 00:15:30,537 --> 00:15:34,340 >> Jimmy: YEAH, I THINK SO. GUILLERMO, WILL YOU DO A FACT 340 00:15:34,340 --> 00:15:35,308 CHECK ON THAT FOR ME? 341 00:15:35,308 --> 00:15:36,409 >> Guillermo: YEAH, I WILL. 342 00:15:36,409 --> 00:15:37,877 >> Jimmy: OKAY, GREAT, ALL RIGHT. 343 00:15:37,877 --> 00:15:41,848 I JUST WANTED TO SEE YOUR BUTT AGAIN, IF YOU WOULD SCAMPER 344 00:15:41,848 --> 00:15:44,350 OFF ‐‐ OKAY THERE YOU GO. FIRST OF ALL, CONGRATULATIONS ON 345 00:15:44,350 --> 00:15:46,920 YOUR BOOK. I KNOW THIS SORT OF THING IS A 346 00:15:46,920 --> 00:15:49,789 LOT OF WORK AND PROBABLY EMOTIONALLY DRAINING. 347 00:15:49,789 --> 00:15:54,027 IT'S CALLED "SUNSHINE GIRL," WHICH WAS GOING TO BE THE TITLE 348 00:15:54,027 --> 00:15:55,662 OF MY AUTOBIOGRAPHY. 349 00:15:55,662 --> 00:15:55,995 [ LAUGHTER ] 350 00:15:55,995 --> 00:15:59,666 I'M A LITTLE BIT ‐‐ WHY IS IT CALLED "SUNSHINE GIRL"? 351 00:15:59,666 --> 00:16:02,101 DO YOU REMEMBER WHAT YOU WERE LOOKING AT IN THIS PHOTOGRAPH? 352 00:16:02,101 --> 00:16:04,471 >> YES, I CAN ANSWER BOTH THOSE QUESTIONS, JIMMY. 353 00:16:04,471 --> 00:16:09,242 IT'S CALLED "SUNSHINE GIRL" BECAUSE THAT WAS THE NICK NAME 354 00:16:09,242 --> 00:16:12,479 MY MOTHER GAVE ME WHEN I WAS BORN AND STUCK WITH ME 355 00:16:12,479 --> 00:16:16,583 THROUGHOUT MY CHILDHOOD. AND IT'S BOTH A BLESSING AND A 356 00:16:16,583 --> 00:16:20,620 CURSE, BEING A SUNSHINE GIRL. BECAUSE YOU GROW UP THINKING YOU 357 00:16:20,620 --> 00:16:24,791 CAN ONLY BRING SUNSHINE INTO A ROOM, THEN YOU DON'T KNOW YOUR 358 00:16:24,791 --> 00:16:28,161 BOUNDARIES OR YOU DON'T KNOW HOW TO SAY NO. 359 00:16:28,161 --> 00:16:30,196 SO IT WAS BOTH A BLESSING AND A CURSE. 360 00:16:30,196 --> 00:16:36,870 AND I TALK A LOT ABOUT THAT. THE PICTURE, AS A MATTER OF 361 00:16:36,870 --> 00:16:40,373 FACT ‐‐ THAT WAS AWHILE AGO. ON A PHOTO SHOOT I DID WITH A 362 00:16:40,373 --> 00:16:44,511 PHOTOGRAPHER NAMED ROBERT TRACKTONBERG. 363 00:16:44,511 --> 00:16:49,549 IT WAS A WEEKEND SOMEWHERE IN SAN FRANCISCO, SOME SPA. 364 00:16:49,549 --> 00:16:51,618 THEY HAD DONE PICTURES WITH HAIR, MAKEUP, WHATEVER. 365 00:16:51,618 --> 00:16:55,355 AT THE END OF THE SHOOT I WENT UPSTAIRS, TOOK A SHOWER, WASHED 366 00:16:55,355 --> 00:17:00,393 THE MAKEUP OFF, AND CAME DOWNSTAIRS IN MY OWN BIG, BAGGY 367 00:17:00,393 --> 00:17:04,430 TURTLENECK AND MY HAIR SLICKED BACK WITH NO MAKEUP ON AND HE 368 00:17:04,430 --> 00:17:07,500 SAID, "THAT'S WHAT I WANTED." HE AND I, WITHOUT ANYONE 369 00:17:07,500 --> 00:17:12,372 KNOWING, WENT OUT BACK AND WE TOOK PICTURES OF ME WITH NO 370 00:17:12,372 --> 00:17:15,808 MAKEUP AND NO HAIR DONE. AND THAT WAS ONE OF THE PICTURES 371 00:17:15,808 --> 00:17:19,846 THAT CAME OUT. AND I THINK IT'S ME SAYING, 372 00:17:19,846 --> 00:17:21,147 THANK GOD. 373 00:17:21,147 --> 00:17:21,480 [ LAUGHTER ] 374 00:17:21,480 --> 00:17:25,518 >> Jimmy: YEAH THAT'S A GREAT SHOT, THAT'S A GREAT STORY TOO. 375 00:17:25,518 --> 00:17:25,851 [ APPLAUSE ] 376 00:17:25,851 --> 00:17:29,989 THIS IS ALSO ‐‐ THIS IS REALLY CRAZY, SPEAKING OF FAMOUS 377 00:17:29,989 --> 00:17:34,794 PHOTOGRAPHERS. ONE OF THE MOST FAMOUS, HELMUD 378 00:17:34,794 --> 00:17:37,964 NEWTON, TOOK THIS PICTURE OF YOU, THIS IS BEFORE YOU WERE 379 00:17:37,964 --> 00:17:39,465 FAMOUS. YOU WERE ‐‐ REALLY, THIS IS NOT 380 00:17:39,465 --> 00:17:43,770 A SETUP SHOT, YOU WERE REALLY WORKING AS A WAITRESS. 381 00:17:43,770 --> 00:17:45,638 WHERE WERE YOU A WAITER IN THIS SHOT? 382 00:17:45,638 --> 00:17:49,409 >> I WAS A WAITRESS, AND THERE'S A WHOLE CHAPTER IN THE BOOK 383 00:17:49,409 --> 00:17:53,212 ABOUT IT, AT A REALLY "IN" RESTAURANT, A HOT SPOT CALLED 384 00:17:53,212 --> 00:17:58,918 150 WORCESTER. HELMUD NEWTON WAS SITTING AT A 385 00:17:58,918 --> 00:18:00,787 TABLE. HE WASN'T AT MY TABLE, ACTUALLY. 386 00:18:00,787 --> 00:18:03,556 HE WAS SITTING AT A TABLE, AND I HAD TO WALK PAST HIM. 387 00:18:03,556 --> 00:18:08,461 AND THOSE ARE GRAPEFRUIT MOUSSAS 388 00:18:08,461 --> 00:18:13,700 WITH CHERRIES ON TOP. I HAD TO HOLD THEM WITH MY THUMB 389 00:18:13,700 --> 00:18:16,869 SO THEY WOULDN'T FALL. HE SAID, STOP, STOP! 390 00:18:16,869 --> 00:18:21,874 AND I STOPPED. HE GOES, HIGHER! AND I PUT THE MARTINI GLASSES 391 00:18:21,874 --> 00:18:26,379 HIGHER. HE GOES, GREAT, HOLD ON. CLICK, CLICK. I KEPT WALKING. 392 00:18:26,379 --> 00:18:36,255 A MONTH LATER, IT WAS IN 393 00:18:36,255 --> 00:18:39,859 "CONDNAST" TRAVELER AND YOU CAN SEE WHAT HE WAS DOING, NOW. 394 00:18:39,859 --> 00:18:40,192 [ APPLAUSE ] 395 00:18:40,192 --> 00:18:42,595 >> Jimmy: YEAH. DO YOU HAVE AN ORIGINAL PRINT OF 396 00:18:42,595 --> 00:18:43,196 THIS PHOTOGRAPH? 397 00:18:43,196 --> 00:18:48,101 >> I HAVE THE ORIGINAL MAGAZINE IT CAME IN. 398 00:18:48,101 --> 00:18:53,640 WHEN I ACTUALLY ‐‐ WHEN HE PASSED AWAY AND I WAS ON "E. R." 399 00:18:53,640 --> 00:18:57,744 AT THE TIME I THOUGHT, I SHOULD GET A PRINT OF THAT PHOTOGRAPH, 400 00:18:57,744 --> 00:19:01,080 THAT'S HELMUD NEWTON AND IT'S ME. I CALLED THE ESTATE AND HIS 401 00:19:01,080 --> 00:19:05,018 WIFE, I GUESS, WHO IS ‐‐ OWNS THE ESTATE, SHE SAID, YOU CAN 402 00:19:05,018 --> 00:19:05,451 HAVE IT FOR $80,000. 403 00:19:05,451 --> 00:19:08,554 [ LAUGHTER ] 404 00:19:08,554 --> 00:19:10,890 SO I SAID, THAT'S OKAY, I HAVE THE MAGAZINE. 405 00:19:10,890 --> 00:19:14,060 >> Jimmy: HOW GENEROUS. 406 00:19:14,060 --> 00:19:16,162 >> YEAH. SO I NEVER BOUGHT IT. 407 00:19:16,162 --> 00:19:18,431 BUT, YOU KNOW, YOU HAVE IT THERE, IT'S BIG ENOUGH. 408 00:19:18,431 --> 00:19:21,501 >> Jimmy: WHEN YOU'RE WORKING AS A WAITRESS, DID YOU HAVE, 409 00:19:21,501 --> 00:19:26,739 BESIDES HELMUD NEWTON, FAMOUS PEOPLE COME IN? 410 00:19:26,739 --> 00:19:29,375 >> EVERY NIGHT. WHERE I WAS WORKING, FOR SIX 411 00:19:29,375 --> 00:19:31,144 MONTHS IT WAS THE PLACE EVERYONE WENT. 412 00:19:31,144 --> 00:19:35,581 ON ANY GIVEN NIGHT, PRINCE, 413 00:19:35,581 --> 00:19:41,954 ELIZABETH TAYLOR CAME IN, PRINCESS FERGIE WAS THERE. 414 00:19:41,954 --> 00:19:45,591 ONE NIGHT I HAD A FULL TABLE, JULIA ROBERTS, KIEFER SUTHERLAND 415 00:19:45,591 --> 00:19:48,728 JUST FINISHED DOING "FLATLINERS." 416 00:19:48,728 --> 00:19:52,231 JOEL SCHUMACHER, WHO JUST PASSED AWAY I THINK A YEAR AGO, WAS THE 417 00:19:52,231 --> 00:19:53,866 DIRECTOR. THEY CAME IN, THERE WAS 20 OF 418 00:19:53,866 --> 00:19:56,369 THEM. I WAS ALWAYS IN THE VIP SECTION 419 00:19:56,369 --> 00:19:59,972 BECAUSE I'M 18 ALRE10TIVE AND THEY KNEW I WOULD TAKE CARE OF 420 00:19:59,972 --> 00:20:03,810 TABLES WELL. AND IT WAS A TOUGH TABLE. 421 00:20:03,810 --> 00:20:04,377 >> Jimmy: OH. 422 00:20:04,377 --> 00:20:07,413 >> THEY KEPT GETTIN UP AND MOVING THEIR SEATS, THERE WAS A 423 00:20:07,413 --> 00:20:11,951 LOT OF BOOZE AT THE TABLE, EVERY TIME THE FOOD RUNNER WOULD COME 424 00:20:11,951 --> 00:20:16,289 OUT WITH MY NUMBER, WHO GETS THE STEAK, WHO GETS THE FISH, 425 00:20:16,289 --> 00:20:17,123 EVERYONE ‐‐ IT WAS THE WRONG PLATES. 426 00:20:17,123 --> 00:20:21,627 IT HAD BEEN A ROUGH NIGHT. AND THERE WERE A LOT OF DEMANDS. 427 00:20:21,627 --> 00:20:24,964 AND THEN I CAME OUT WITH ALL THE DESSERTS. 428 00:20:24,964 --> 00:20:30,403 I HAD FIVE IN EACH ARM, AND HUI, MY FOOD RUNNER, HAD THE OTHER 429 00:20:30,403 --> 00:20:32,505 TEN BEHIND ME. THEY ALL AT THAT MOMENT GOT AND 430 00:20:32,505 --> 00:20:35,608 UP LEFT THE RESTAURANT. AND I JUST REMEMBER STANDING 431 00:20:35,608 --> 00:20:40,313 THERE WITH ALL THESE DESSERTS THINKING, THIS CAN'T BE MY LIFE. 432 00:20:40,313 --> 00:20:41,047 [ LAUGHTER ] 433 00:20:41,047 --> 00:20:45,585 JOEL SCHUMACHER PAID THE BILL. AND WE POOLED OUR TIPS. 434 00:20:45,585 --> 00:20:48,888 THE WHOLE RESTAURANT, ALL THE WAITERS WOULD POOL THEIR TIPS AT 435 00:20:48,888 --> 00:20:49,989 THE END OF THE NIGHT. 436 00:20:49,989 --> 00:20:50,790 >> Jimmy: RIGHT. 437 00:20:50,790 --> 00:20:54,827 >> AND THEY ‐‐ EVERYBODY LEFT, AND TEN MINUTES LATER AS I'M 438 00:20:54,827 --> 00:20:59,866 CLEANING OFF THE TABLE, JOEL SCHUMACHER WALKED BACK IN AND 439 00:20:59,866 --> 00:21:03,402 HANDED ME A 100‐DOLLAR BILL. HE HAD ALREADY TIPPED VERY WELL. 440 00:21:03,402 --> 00:21:06,739 AND HE SAID, I KNOW YOU POOL YOUR TIPS, THAT TABLE WAS REALLY 441 00:21:06,739 --> 00:21:09,041 DIFFICULT, AND I'M SORRY, AND THIS IS FOR YOU. 442 00:21:09,041 --> 00:21:09,442 >> Jimmy: WOW. 443 00:21:09,442 --> 00:21:12,912 >> AND HE GAVE ME 100 BUCKS. AND THAT MEANT ‐‐ I MEAN ‐‐ 444 00:21:12,912 --> 00:21:17,116 YEARS LATER, WHEN HE WAS DIRECTING "BATMAN" THAT GEORGE 445 00:21:17,116 --> 00:21:21,187 WAS ON, HE WOULD COME TO THE "E.R." SET TO TALK TO GEORGE 446 00:21:21,187 --> 00:21:23,589 ABOUT BATMAN AND HIS GORGEOUS OUTFIT. 447 00:21:23,589 --> 00:21:23,923 [ LAUGHTER ] 448 00:21:23,923 --> 00:21:27,059 AND HE AND I WOULD KIBITZ THE WHOLE TIME. 449 00:21:27,059 --> 00:21:29,929 I WAS LIKE JOEL, YOU WERE THE ONE PERSON WHO CAME IN AND 450 00:21:29,929 --> 00:21:33,466 ACTUALLY REALLY CARED ABOUT US WAITRESSES, AND I REALLY 451 00:21:33,466 --> 00:21:33,833 APPRECIATED IT. 452 00:21:33,833 --> 00:21:34,433 >> Jimmy: WOW, HOW ABOUT THAT. 453 00:21:34,433 --> 00:21:36,836 [ CHEERS AND APPLAUSE ] 454 00:21:36,836 --> 00:21:39,705 JULIANNA, I DO WANT TO ASK YOU ABOUT GEORGE CLOONEY, IT'S HIS 455 00:21:39,705 --> 00:21:41,174 BIRTHDAY TODAY. MANY OTHER THINGS. 456 00:21:41,174 --> 00:21:43,843 THE BOOK IS CALLED "SUNSHINE GIRL." 457 00:21:43,843 --> 00:21:50,483 JULIANNA MARGULIES IS WITH US. WE'LL BE RIGHT BACK. 458 00:21:50,483 --> 00:21:53,019 >> Dicky: PORTIONS OF "JIMMY KIMMEL LIVE" ARE BROUGHT TO YOU 459 00:21:53,019 --> 00:21:56,088 BY CHARMIN'S BRB, WHEN YOU NEED TO ENJOY THE GO BUT DON'T WANT 460 00:21:56,088 --> 00:21:57,518 ANYONE TO KNOW. 461 00:21:59,338 --> 00:21:59,872 [ CHEERS AND APPLAUSE ] 462 00:21:59,872 --> 00:22:00,237 ♪ 463 00:22:00,237 --> 00:22:02,608 >> Jimmy: OH, HOW, HOW ABOUT THAT. WE'RE BACK WITH JULIANNA 464 00:22:02,608 --> 00:22:04,477 MARGULIES. THIS IS HER BOOK," SUNSHINE 465 00:22:04,477 --> 00:22:08,150 GIRL." YOU KNOW WHAT I'M WONDERING? 466 00:22:08,150 --> 00:22:10,619 I THINK ABOUT THIS. I REMEMBER THINGS IN A CERTAIN 467 00:22:10,619 --> 00:22:12,287 WAY. THEN I WILL TALK TO OTHER PEOPLE 468 00:22:12,287 --> 00:22:15,891 IN MY FAMILY OR WHATEVER, AND THEY DON'T REMEMBER THINGS IN 469 00:22:15,891 --> 00:22:18,527 THAT SAME WAY. DO YOU HAVE A GREAT MEMORY? 470 00:22:18,527 --> 00:22:21,630 DID YOU CHECK WITH PEOPLE? WERE THERE ANY DISCREPANCIES AS 471 00:22:21,630 --> 00:22:25,867 FAR AS SOME OF THESE CHILDHOOD STORIES GO? 472 00:22:25,867 --> 00:22:29,938 >> A LOT OF ALL OF THAT. SO ONE IS, WHEN YOU HAVE A LOT 473 00:22:29,938 --> 00:22:34,075 OF DRAMA IN YOUR LIFE, YOU REMEMBER THOSE THINGS. YOU KNOW? 474 00:22:34,075 --> 00:22:38,814 THINGS STAY WITH YOU WHEN IT'S TRAUMATIC. 475 00:22:38,814 --> 00:22:42,384 BUT ALSO, I ALSO KEPT JOURNALS SINCE I WAS 9 YEARS OLD. 476 00:22:42,384 --> 00:22:43,785 SO I ‐‐ AND I HAVE THEM ALL. 477 00:22:43,785 --> 00:22:44,753 >> Jimmy: OH, WOW. 478 00:22:44,753 --> 00:22:49,024 >> BECAUSE I WAS AWAY FROM MY FATHER FOR SO MUCH OF MY YEAR, 479 00:22:49,024 --> 00:22:52,093 DURING THE YEAR, I ONLY SAW HIM TWICE A YEAR, I WROTE HIM 480 00:22:52,093 --> 00:22:53,829 LETTERS. AND HE HAD EVERY SINGLE ONE OF 481 00:22:53,829 --> 00:22:55,497 THOSE LETTERS, AND HE HAD GIVEN THEM TO ME. 482 00:22:55,497 --> 00:22:59,634 SO I HAD A LOT TO GO ON ANYWAY, ASIDE FROM MEMORY. 483 00:22:59,634 --> 00:23:05,507 THERE WAS ONE MEMORY THAT, YOU KNOW ‐‐ I REMEMBER THINGS REALLY 484 00:23:05,507 --> 00:23:08,109 VIVIDLY FROM 5, 6. BUT 3 IS A LITTLE BLURRY. 485 00:23:08,109 --> 00:23:13,615 AND WE LIVED IN PARIS WHEN I WAS 3. AND MY MOTHER WAS QUITE 486 00:23:13,615 --> 00:23:16,184 ECCENTRIC AND QUITE STUNNING AND SHE HAD A LOT OF BOYFRIENDS. 487 00:23:16,184 --> 00:23:19,154 ME AND MY SISTERS LIVED WITH HER ON THE LEFT BANK. 488 00:23:19,154 --> 00:23:24,492 AND MY FATHER LIVED ON THE RIGHT BANK AT THE TIME. 489 00:23:24,492 --> 00:23:29,231 AND I REMEMBERED A STORY, I WASN'T QUITE SURE IF IT WAS 490 00:23:29,231 --> 00:23:31,199 SOMETHING THAT WAS REAL OR HAD I DREAMT IT. 491 00:23:31,199 --> 00:23:36,204 SO I DID CHECK IN WITH BOTH MY OLDER SISTERS TO SAY, HEY, GUYS, 492 00:23:36,204 --> 00:23:39,441 I REMEMBER IN PARIS WHEN WE ALL SHARED A ROOM TOGETHER THAT MOM 493 00:23:39,441 --> 00:23:45,280 CAME HOME WITH A BOYFRIEND, AND SHE ‐‐ THE BOYFRIEND HAD A 494 00:23:45,280 --> 00:23:47,816 MONKEY? AND SHE OPENED THE DOOR AND PUT 495 00:23:47,816 --> 00:23:51,887 THE MONKEY IN OUR ROOM, SHUT THE DOOR, THEN WENT TO HER ROOM WITH 496 00:23:51,887 --> 00:23:54,189 THE BOYFRIEND? AND I REMEMBER WAKING UP WITH 497 00:23:54,189 --> 00:23:57,592 THE MONKEY ON MY FACE. HE WAS HOLDING MY FACE IN HIS 498 00:23:57,592 --> 00:24:01,696 HANDS AND I STARTED TO SCREAM. AND THEN HE JUMPED ONTO RACHEL'S 499 00:24:01,696 --> 00:24:04,366 BED, AND YOU STARTED SCREAMING. I WAS LIKE, THAT IS ‐‐ IS THAT 500 00:24:04,366 --> 00:24:07,903 TRUE? 501 00:24:07,903 --> 00:24:08,236 [ LAUGHTER ] 502 00:24:08,236 --> 00:24:14,910 BOTH MY SISTERS ‐‐ I WAS IN TORONTO SHOOTING "THE HOT ZONE." 503 00:24:14,910 --> 00:24:17,279 BOTH OF THEM EMAILED ME BACK WITH DIFFERENT VERSIONS OF THE 504 00:24:17,279 --> 00:24:17,679 EXACT SAME STORY. 505 00:24:17,679 --> 00:24:20,782 [ LAUGHTER ] 506 00:24:20,782 --> 00:24:24,352 AT WHICH POINT I WENT, I'M WRITING MY VERSION. 507 00:24:24,352 --> 00:24:25,287 IT OBVIOUSLY HAPPENED. 508 00:24:25,287 --> 00:24:25,754 >> Jimmy: YEAH. 509 00:24:25,754 --> 00:24:28,590 >> I CAN ONLY TELL IT FROM MY PERSPECTIVE. 510 00:24:28,590 --> 00:24:32,327 BUT I'M GOING TO WRITE THAT DOWN. 511 00:24:32,327 --> 00:24:40,035 AND SO MY MOTHER, TO THIS DAY, SAYS THAT, "GIRLS, THAT NEVER 512 00:24:40,035 --> 00:24:42,470 HAPPENED, I NEVER WOULD HAVE DONE THAT." 513 00:24:42,470 --> 00:24:42,804 [ LAUGHTER ] 514 00:24:42,804 --> 00:24:46,741 BUT HOW CAN THREE DAUGHTERS ALL COMPLETELY ‐‐ SO I'M 3, MY 515 00:24:46,741 --> 00:24:49,010 MIDDLE SISTER IS 6, MY OLDER SISTER IS 9. 516 00:24:49,010 --> 00:24:53,381 HOW CAN WE ALL REMEMBER THE SAME STORY, AND IT NOT BE TRUE? 517 00:24:53,381 --> 00:24:56,651 SO YES, THERE WAS A MONKEY IN OUR ROOM. 518 00:24:56,651 --> 00:24:59,821 MAYBE MY MOTHER'S BOYFRIEND WAS AN ORGAN GRINDER? 519 00:24:59,821 --> 00:25:00,154 [ LAUGHTER ] 520 00:25:00,154 --> 00:25:01,790 I DON'T KNOW WHY HE HAD A MONKEY. 521 00:25:01,790 --> 00:25:08,563 >> Jimmy: IT SOUNDS LIKE MAYBE HE WAS, YEAH. WOW. THAT IS CRAZY. 522 00:25:08,563 --> 00:25:12,901 EVEN JUST THE IDEA THAT YOUR MOM WOULD GO HOME WITH A GUY WHO WHO 523 00:25:12,901 --> 00:25:14,402 HAD A MONKEY IS UNBELIEVABLE. 524 00:25:14,402 --> 00:25:14,736 [ LAUGHTER ] 525 00:25:14,736 --> 00:25:18,406 >> YEAH, THERE'S A COUPLE OF STORIES LIKE THAT, JIMMY. 526 00:25:18,406 --> 00:25:18,740 [ LAUGHTER ] 527 00:25:18,740 --> 00:25:19,174 >> Jimmy: ALL RIGHT. 528 00:25:19,174 --> 00:25:21,743 >> BY THE WAY, I JUST HAVE TO SAY THIS. 529 00:25:21,743 --> 00:25:26,381 I HAVE HAD MY MOTHER'S COMPLETE BLESSING TO WRITE THIS BOOK. 530 00:25:26,381 --> 00:25:29,918 >> Jimmy: YEAH. AND THE MONKEY STORY I GUESS, 531 00:25:29,918 --> 00:25:30,283 HUH? 532 00:25:30,283 --> 00:25:33,355 >> WE'RE GOOD. YEAH. SHE ACTUALLY ‐‐ SHE'S READ IT, 533 00:25:33,355 --> 00:25:37,993 SHE GAVE ME HER BLESSING, AND AFTER SHE READ IT SHE SAID, "I 534 00:25:37,993 --> 00:25:40,428 LOVE YOU AND I'M SO SORRY." 535 00:25:40,428 --> 00:25:40,762 [ LAUGHTER ] 536 00:25:40,762 --> 00:25:43,798 >> Jimmy: GEORGE CLOONEY, YOUR OLD PAL, TURNED 60 YEARS OLD 537 00:25:43,798 --> 00:25:46,001 TODAY. DID YOU CONTACT HIM DID YOU SEND 538 00:25:46,001 --> 00:25:46,568 HIM ANYTHING? 539 00:25:46,568 --> 00:25:48,737 >> I DID. WELL, I WANTED TO WRITE ‐‐ I 540 00:25:48,737 --> 00:25:53,074 WROTE TO HIM YESTERDAY. BECAUSE I WANTED TO WRITE TO HIM 541 00:25:53,074 --> 00:25:55,110 ON THE LAST DAY OF HIS 50s. 542 00:25:55,110 --> 00:25:56,011 >> Jimmy: AH. 543 00:25:56,011 --> 00:26:01,182 >> I THOUGHT IT WOULD BE FUN TO SAY, DEAR ‐‐ WELL, I CALL HIM 544 00:26:01,182 --> 00:26:03,184 DOUG, HE CALLS ME CAROL, IT'S SOMETHING WE'VE ALWAYS DONE. 545 00:26:03,184 --> 00:26:05,587 [ LAUGHTER ] 546 00:26:05,587 --> 00:26:09,691 AND I SAID ON THIS, YOUR LAST DAY OF BEING 50, I JUST WANT YOU 547 00:26:09,691 --> 00:26:15,964 TO KNOW THAT WHEN YOU'RE 90 AND YOU LOOK BACK AND SEE HOW YOUNG 548 00:26:15,964 --> 00:26:20,235 60 WAS, YOU WILL CURSE THE DAY YOU WASTED TIME THINKING YOU'RE 549 00:26:20,235 --> 00:26:23,505 GETTING OLDER, OR THAT YOU'RE TOO OLD. 550 00:26:23,505 --> 00:26:25,840 SO ALSO, WHAT'S YOUR ADDRESS, I WANT TO SEND YOU MY BOOK. 551 00:26:25,840 --> 00:26:28,009 [ LAUGHTER ] 552 00:26:28,009 --> 00:26:32,914 SO YES, TODAY I SENT HIM THE BOOK. 553 00:26:32,914 --> 00:26:36,718 BECAUSE ‐‐ I HAVE TO GIVE CREDIT WHERE CREDIT IS DUE. 554 00:26:36,718 --> 00:26:40,021 AND GEORGE ‐‐ I GIVE HIM TREMENDOUS CREDIT FOR HELPING 555 00:26:40,021 --> 00:26:43,024 LAUNCH MY CAREER. BECAUSE HE HAPPENED TO MAKE A 556 00:26:43,024 --> 00:26:46,127 PHONE CALL AND WENT OUT OF HIS WAY TO TELL ME NOT TO TAKE 557 00:26:46,127 --> 00:26:49,330 ANOTHER JOB, BECAUSE HE THOUGHT THEY MIGHT KEEP ME AS A SERIES 558 00:26:49,330 --> 00:26:51,299 REGULAR. AND BECAUSE OF THAT PHONE CALL, 559 00:26:51,299 --> 00:26:54,302 I ENDED UP ON "E. R." 560 00:26:54,302 --> 00:26:55,503 >> Jimmy: WOW. 561 00:26:55,503 --> 00:26:56,004 [ CHEERS AND APPLAUSE ] 562 00:26:56,004 --> 00:26:58,406 HAPPY BIRTHDAY, GEORGE CLOONEY. THANKS FOR BEING WITH US, 563 00:26:58,406 --> 00:27:00,875 JULIANNA. THIS IS THE BOOK, JULIANNA 564 00:27:00,875 --> 00:27:04,779 MARGULIES, "SUNSHINE GIRL: AN UNEXPECTED LIFE." IT IS OUT NOW. 565 00:27:04,779 --> 00:27:06,781 THANK YOU VERY MUCH FOR BEING WITH US. 566 00:27:06,781 --> 00:27:08,483 [ CHEERS AND APPLAUSE ] 567 00:27:08,483 --> 00:27:09,766 WE'LL BE BACK WITH DANIEL DAY KIM! 568 00:27:15,757 --> 00:27:16,403 [ CHEERS AND APPLAUSE ] 569 00:27:16,403 --> 00:27:18,477 >> Jimmy: WELCOME BACK. DANIEL DAY KIM AND AMETHYST KIAH 570 00:27:18,477 --> 00:27:19,612 ARE ON THE WAY. BUT FIRST, THIS YEAR WE'VE ALL 571 00:27:19,612 --> 00:27:20,980 STRUGGLED THROUGH VIRTUAL MEETINGS WE WISH WE COULD SNEAK 572 00:27:20,980 --> 00:27:22,481 AWAY FROM. AND FOR ANYONE WHO NEEDS A 573 00:27:22,481 --> 00:27:27,019 BREAK, OUR FRIENDS AT CHARMIN CAME UP WITH THE PERFECT 574 00:27:27,019 --> 00:27:30,589 SOLUTION. 575 00:27:30,589 --> 00:27:34,126 >> Guillermo: YEAH! OH, NO, A VIDEO CALL WITH MY 576 00:27:34,126 --> 00:27:36,696 MOTHER‐IN‐LAW? WAIT, I JUST REMEMBERED THE 577 00:27:36,696 --> 00:27:39,832 CHARMIN BRB BOT! I PREORDER MYSELF. 578 00:27:39,832 --> 00:27:44,737 THAT'S AMAZING. HIT ACTIVATE. AND SAY, BE RIGHT BACK, BYE‐BYE! 579 00:27:44,737 --> 00:27:48,040 >> HAPPY BIRTHDAY! 580 00:27:48,040 --> 00:27:49,842 >> DON'T BE SO HAPPY ABOUT IT. 581 00:27:49,842 --> 00:27:51,210 >> Guillermo: OH, PEACE AND QUIET. 582 00:27:51,210 --> 00:27:53,446 >> YOU SHOULD COME OVER AND RUB MY FEET, BECAUSE THAT BUNION 583 00:27:53,446 --> 00:27:55,214 IS ‐‐ 584 00:27:55,214 --> 00:28:02,321 >> Guillermo: GAME TIME! GOAL! 585 00:28:02,321 --> 00:28:05,124 >> MY SCIATICA IS KILLING ME. 586 00:28:05,124 --> 00:28:06,058 >> Guillermo: YES! 587 00:28:06,058 --> 00:28:09,295 >> THIS TOENAIL IS INGROWN, THEY'RE GOING TO HAVE TO CUT IT 588 00:28:09,295 --> 00:28:09,660 OUT. 589 00:28:09,660 --> 00:28:10,162 >> Guillermo: YES, OKAY, GOOD. 590 00:28:10,162 --> 00:28:11,998 >> YOU THINK IT'S GOOD? 591 00:28:11,998 --> 00:28:17,970 >> JUST HANG ON, MOM. I'M JUST WALKING IN THE DOOR. 592 00:28:17,970 --> 00:28:19,872 >> Guillermo: SHH! 593 00:28:19,872 --> 00:28:23,542 >> DON'T SHH ME, I CAN SEE YOU, GUILLERMO. 594 00:28:23,542 --> 00:28:26,545 >> Guillermo: GOOD POINT. THAT'S VERY INTERESTING. 595 00:28:26,545 --> 00:28:27,046 WHAT HE SAID. 596 00:28:27,046 --> 00:28:28,818 >> Dicky: ENJOY THE GO WITH THE CHARMIN BRB BOT. 597 00:28:31,159 --> 00:28:32,356 [ CHEERS AND APPLAUSE ] 598 00:28:32,356 --> 00:28:35,292 >> Jimm: WELCOME BACK TO THE SHOW. 599 00:28:35,292 --> 00:28:36,793 MUSIC FROM AMETHYST KIAH IS ON THE WAY. 600 00:28:36,793 --> 00:28:38,028 YOU KNOW OUR NEXT GUEST, OF COURSE,FROM "LOST" AND "HAWAII 601 00:28:38,028 --> 00:28:39,563 FIVE‐0," BUT NOW HE MOVES FROM THE ALOHA STATE TO OUTER SPACE 602 00:28:39,563 --> 00:28:40,831 IN "STOWAWAY," IT'S ON NETFLIX NOW. 603 00:28:40,831 --> 00:28:45,135 PLEASE WELCOME DANIEL DAY KIM. 604 00:28:45,135 --> 00:28:45,635 [ CHEERS AND APPLAUSE ] 605 00:28:45,635 --> 00:28:47,337 HEY, DANIEL. HOW ARE YOU? 606 00:28:47,337 --> 00:28:51,007 >> JIMMY, JIMMY, SO GOOD TO SEE YOU, IT'S BEEN A LONG TIME. 607 00:28:51,007 --> 00:28:54,611 >> Jimmy: IT HAS BEEN A LONG TIME. CAN I TELL YOU SOMETHING? 608 00:28:54,611 --> 00:28:57,114 I KNOW THIS IS WEIRD. BUT I THINK OF YOU AS AN OLD 609 00:28:57,114 --> 00:28:58,548 FRIEND, EVEN THOUGH WE REALLY DON'T KNOW EACH OTHER. 610 00:28:58,548 --> 00:29:01,785 [ LAUGHTER ] 611 00:29:01,785 --> 00:29:04,955 I REALLY DO, BECAUSE OF "LOST." 612 00:29:04,955 --> 00:29:05,455 [ CHEERS AND APPLAUSE ] 613 00:29:05,455 --> 00:29:07,624 DO YOU STILL HEAR ABOUT THAT ALL THE TIME? 614 00:29:07,624 --> 00:29:11,762 >> I DO, I DO. AND BY THE WAY, I THINK OF YOU 615 00:29:11,762 --> 00:29:13,697 AS AN OLD FRIEND BECAUSE YOU ARE LITERALLY IN MY HOUSE EVERY 616 00:29:13,697 --> 00:29:14,062 NIGHT. 617 00:29:14,062 --> 00:29:16,199 >> Jimmy: OH, THANK YOU VERY MUCH. WHERE ARE YOU RIGHT NOW? 618 00:29:16,199 --> 00:29:19,302 >> I'M IN TORONTO. I'M SHOOTING, ACTUALLY, THE 619 00:29:19,302 --> 00:29:23,740 SECOND SEASON OF "THE HOT ZONE." JULIANNA, YOUR PREVIOUS GUEST, 620 00:29:23,740 --> 00:29:24,641 SHOT THE FIRST SEASON. 621 00:29:24,641 --> 00:29:25,208 >> Jimmy: HOW ABOUT THAT. 622 00:29:25,208 --> 00:29:26,810 >> FOLLOWING IN HER FOOTSTEPS. 623 00:29:26,810 --> 00:29:30,313 >> Jimmy: WHY IS THERE A PIECE OF DRYWALL BEHIND YOU, RANDOMLY 624 00:29:30,313 --> 00:29:31,014 PLACED? 625 00:29:31,014 --> 00:29:31,347 [ LAUGHTER ] 626 00:29:31,347 --> 00:29:33,450 >> I THOUGHT THIS WOULD BE SUPER ARTISTIC. 627 00:29:33,450 --> 00:29:33,817 [ LAUGHTER ] 628 00:29:33,817 --> 00:29:35,218 >> Jimmy: IT IS, KIND OF. 629 00:29:35,218 --> 00:29:38,054 >> I'M STAYING IN AN APARTMENT, I'M ON LOCATION, IT'S NOT MY 630 00:29:38,054 --> 00:29:39,823 HOUSE. I LITERALLY SPENT FIVE MINUTES 631 00:29:39,823 --> 00:29:43,360 WITH YOUR TECH FOLKS TRYING TO FIGURE OUT WHERE I SHOULD MOVE 632 00:29:43,360 --> 00:29:44,761 MY ZOOM CAMERA. 633 00:29:44,761 --> 00:29:45,094 [ LAUGHTER ] 634 00:29:45,094 --> 00:29:48,932 WE CAME UP WITH THIS. I DON'T KNOW. NOW I FEEL BAD. 635 00:29:48,932 --> 00:29:50,567 >> Jimmy: NO, DON'T FEEL BAD AT ALL. 636 00:29:50,567 --> 00:29:53,837 I WAS JUST CONFUSED BECAUSE IT LOOKED LIKE YOU WERE AGAINST A 637 00:29:53,837 --> 00:29:57,140 WALL, SUDDENLY YOU'VE GOT A PANORAMA BEHIND YOU. 638 00:29:57,140 --> 00:29:59,576 >> IT FEELS LIKE IT IN TORONTO, I'VE GOT TO SAY. 639 00:29:59,576 --> 00:30:01,945 IT'S A BEAUTIFUL CITY BUT I WOULD NEVER KNOW BECAUSE IT'S 640 00:30:01,945 --> 00:30:05,081 BEEN SO COLD HERE. AND WE'VE BEEN IN LOCKDOWN FOR 641 00:30:05,081 --> 00:30:06,550 LIKE THREE MONTHS. 642 00:30:06,550 --> 00:30:06,917 >> Jimmy: OH. 643 00:30:06,917 --> 00:30:10,120 >> SO, YOU KNOW, WE'VE BEEN SHOOTING IN THOSE KIND OF 644 00:30:10,120 --> 00:30:12,055 CIRCUMSTANCES. BUT I'M TOLD IT'S A FANTASTIC 645 00:30:12,055 --> 00:30:12,420 CITY. 646 00:30:12,420 --> 00:30:16,293 >> Jimmy: IT AS FANTASTIC CITY. MAYBE IF IT WARMS UP AND THEY 647 00:30:16,293 --> 00:30:18,462 LET YOU OUT OF YOUR ROOM. YOU'RE SHOOTING RIGHT NOW? 648 00:30:18,462 --> 00:30:22,466 ALL RIGHT, YOU'RE WORKING ON THAT. YOU LIVE VERY FAR AWAY FROM 649 00:30:22,466 --> 00:30:24,434 TORONTO, YOU'RE STILL IN HAWAII, RIGHT? 650 00:30:24,434 --> 00:30:32,175 >> YEAH, REALLY COULDN'T BE FURTHER, AND I'M HOMESICK. 651 00:30:32,175 --> 00:30:34,444 HAWAII IS LIKE 80 DEGREES. IT'S NOT SO MUCH THAT HERE. 652 00:30:34,444 --> 00:30:39,583 >> Jimmy: LET'S TALK ABOUT "STOWAWAY" IF WE COULD, SET ON A 653 00:30:39,583 --> 00:30:43,253 SPACESHIP. A DRAMA, VERY TENSE, ABOUT A 654 00:30:43,253 --> 00:30:47,657 STOWAWAY, I CAN SAY THAT THAT'S THE TITLE OF THE FILM. 655 00:30:47,657 --> 00:30:50,460 BUT THIS IS SOMETHING THAT OBVIOUSLY IS VERY DIFFERENT THAN 656 00:30:50,460 --> 00:30:51,561 THESE OTHER PROJECTS THAT YOU'VE DONE. 657 00:30:51,561 --> 00:30:55,465 BUT YOU POSTED SOMETHING THAT I WANTED TO ASK YOU ABOUT. 658 00:30:55,465 --> 00:30:59,536 BECAUSE IT WOULD SEEM THAT SPACE IS SOMETHING YOU'VE ALWAYS BEEN 659 00:30:59,536 --> 00:31:02,639 INTERESTED IN. BASED ON THE FACT THAT THAT'S 660 00:31:02,639 --> 00:31:05,208 YOU. WHERE ARE YOU GUYS, ON THE MOON? 661 00:31:05,208 --> 00:31:05,542 [ LAUGHTER ] 662 00:31:05,542 --> 00:31:07,811 >> YEAH, YOU KNOW, IT WAS A SHORT TRIP TO THE MOON. 663 00:31:07,811 --> 00:31:11,181 BUT IT MIGHT AS WELL HAVE BEEN. WE WERE ACTUALLY ‐‐ IT WAS A 664 00:31:11,181 --> 00:31:14,117 FAMILY TRIP TO THE AIR AND SPACE MUSEUM IN WASHINGTON, D. C. 665 00:31:14,117 --> 00:31:14,951 >> Jimmy: AH. 666 00:31:14,951 --> 00:31:19,189 >> WE WERE SO HAPPY TO BE THERE. WHEN WE FIRST GOT TO AMERICA, MY 667 00:31:19,189 --> 00:31:21,525 PARENTS WERE SO HAPPY AND PROUD TO BE LIVING IN AMERICA THAT 668 00:31:21,525 --> 00:31:24,961 THEY WOULD TAKE US TO ALL THE BIG CITIES, LIKE NEW YORK, 669 00:31:24,961 --> 00:31:27,831 WASHINGTON, D. C., PHILADELPHIA, TO SEE THE LIBERTY BELL, JUST 670 00:31:27,831 --> 00:31:30,500 BECAUSE THEY WERE SO PROUD TO BE HERE. AND SO ‐‐ 671 00:31:30,500 --> 00:31:30,934 >> Jimmy: WOW. 672 00:31:30,934 --> 00:31:34,371 >> AIR AND SPACE MUSEUM ‐‐ YEAH, WE WERE PROUD IMMIGRANTS. 673 00:31:34,371 --> 00:31:37,140 AND THE AIR AND SPACE MUSEUM WAS PART OF THAT. 674 00:31:37,140 --> 00:31:41,778 MY MOM LITERALLY JUST SENT ME THAT PHOTO, COINCIDENTALLY, THE 675 00:31:41,778 --> 00:31:44,881 OTHER DAY. IT BROUGHT BACK A LOT OF 676 00:31:44,881 --> 00:31:46,182 MEMORIES. TUBE SOCKS. 677 00:31:46,182 --> 00:31:48,885 >> Jimmy: DID YOU AND YOUR BROTHER ALWAYS DRESS THE SAME, 678 00:31:48,885 --> 00:31:50,220 WAS THAT A THING THAT YOU DID? 679 00:31:50,220 --> 00:31:55,492 >> I HAVEN'T SHOWN YOU THE VELVET SUITS THAT MY MOM SEWED 680 00:31:55,492 --> 00:31:55,857 FOR US. 681 00:31:55,857 --> 00:31:56,191 [ LAUGHTER ] 682 00:31:56,191 --> 00:31:56,526 >> Jimmy: REALLY? 683 00:31:56,526 --> 00:32:00,664 >> IT GOT WORSE, TUBE SOCKS AND BOWL HAIRCUTS, IT WAS THE THING. 684 00:32:00,664 --> 00:32:02,866 >> Jimmy: DID YOUR PARENTS LIKE THE IDEA THAT THEIR SON WANTED 685 00:32:02,866 --> 00:32:04,000 TO BECOME AN ACTOR? 686 00:32:04,000 --> 00:32:07,137 >> YOU KNOW, THEY ACTUALLY WANTED ME TO BE A DOCTOR OR A 687 00:32:07,137 --> 00:32:09,839 LAWYER. AND SO, YOU KNOW. I PLAYED BOTH NOW ON TV. 688 00:32:09,839 --> 00:32:10,273 SO THAT'S SOMETHING. 689 00:32:10,273 --> 00:32:13,176 [ LAUGHTER ] 690 00:32:13,176 --> 00:32:18,248 YOU KNOW. MY DAD DIDN'T WANT ME TO BE AN 691 00:32:18,248 --> 00:32:20,850 ACTOR, BUT NOW, YOU KNOW, HE'S COME COMPLETELY AROUND. 692 00:32:20,850 --> 00:32:23,486 NOW HE LIKES TO GIVE ME CAREER ADVICE. 693 00:32:23,486 --> 00:32:23,820 [ LAUGHTER ] 694 00:32:23,820 --> 00:32:24,287 >> Jimmy: IS THAT RIGHT? 695 00:32:24,287 --> 00:32:30,126 >> NO, IT'S GOOD. I GET OFFERS SOMETIME ‐‐ INSTEAD 696 00:32:30,126 --> 00:32:32,629 OF BEING, I'M SO HAPPY FOR YOU. HE'LL BE LIKE, HOW MUCH DO THEY 697 00:32:32,629 --> 00:32:32,994 PAY? 698 00:32:32,994 --> 00:32:37,300 [ LAUGHTER ] 699 00:32:37,300 --> 00:32:40,170 WHERE DOES IT SHOOT? YOU KNOW, JUST KIND OF ALL THIS 700 00:32:40,170 --> 00:32:41,204 INSIDER INFORMATION. 701 00:32:41,204 --> 00:32:43,807 >> Jimmy: DO THEY WATCH EVERYTHING YOU'RE IN? 702 00:32:43,807 --> 00:32:46,776 >> THEY DO. EVEN THOUGH, LIKE SOME OF THE 703 00:32:46,776 --> 00:32:48,345 STUFF THEY DON'T UNDERSTAND VERY WELL. 704 00:32:48,345 --> 00:32:52,849 BECAUSE SOMETIMES I'M SPEAKING REALLY FAST AMERICAN, ENGLISH 705 00:32:52,849 --> 00:32:55,885 DIALOGUE. SO THEY REALLY LIKED IT ON 706 00:32:55,885 --> 00:32:58,221 "LOST" BECAUSE I WAS SPEAKING THEIR FIRST LANGUAGE. 707 00:32:58,221 --> 00:32:59,055 >> Jimmy: RIGHT. 708 00:32:59,055 --> 00:33:00,156 >> THAT WAS REALLY CONVENIENT. 709 00:33:00,156 --> 00:33:03,259 >> Jimmy: YEAH. BOY, YEAH. DID YOU GET PEOPLE WITH ‐‐ AS 710 00:33:03,259 --> 00:33:05,228 FAR AS "LOST," WHEN YOU'RE ON THE PLANE, THEY'RE LIKE ‐‐ UH ‐‐ 711 00:33:05,228 --> 00:33:07,597 [ LAUGHTER ] 712 00:33:07,597 --> 00:33:10,233 > YOU KNOW, YES, YES. THERE WERE A COUPLE OF TIMES, I 713 00:33:10,233 --> 00:33:14,571 REMEMBER WHEN WE WERE GOING BACK FROM, YOU KNOW, HAWAII TO L. A. 714 00:33:14,571 --> 00:33:17,941 FOR A PRESS EVENT, ALL OF US WERE HEADING ONTO THE PLANE. 715 00:33:17,941 --> 00:33:20,543 WE WERE ‐‐ WE DIDN'T EVEN THINK ABOUT HOW SUCCESSFUL THE SHOW 716 00:33:20,543 --> 00:33:22,812 HAD BEEN. WE WERE ALL FILING ONTO THE 717 00:33:22,812 --> 00:33:27,217 PLANE. THE ENTIRE CAST. PEOPLE STARTED LOOKING AT US. 718 00:33:27,217 --> 00:33:27,851 STARTED LOOKING DOWN NERVOUSLY. 719 00:33:27,851 --> 00:33:30,086 [ LAUGHTER ] 720 00:33:30,086 --> 00:33:32,122 YOU KNOW, IF WE WERE ALL ON THE PLANE, THEY WERE IN TROUBLE. 721 00:33:32,122 --> 00:33:32,956 [ LAUGHTER ] 722 00:33:32,956 --> 00:33:37,093 BECAUSE WE SURVIVED. 723 00:33:37,093 --> 00:33:39,062 >> Jimmy: I'D BE MORE WORRIED ABOUT GET ON A SUBMARINE WITH 724 00:33:39,062 --> 00:33:40,530 YOU, TO BE HONEST, I THINK. 725 00:33:40,530 --> 00:33:42,966 >> THAT'S TRUE. DID YOU KNOW, ACTUALLY, JIMMY, 726 00:33:42,966 --> 00:33:46,269 THAT THE ANNIVERSARY OF THE EPISODE WHERE MY CHARACTER DIED 727 00:33:46,269 --> 00:33:48,772 WAS LITERALLY TWO DAYS AGO. BECAUSE TWITTER TOLD ME. 728 00:33:48,772 --> 00:33:49,105 [ LAUGHTER ] 729 00:33:49,105 --> 00:33:53,743 >> Jimmy: IS THAT RIGHT? WOW. HOW MANY YEARS WAS IT, THE 730 00:33:53,743 --> 00:33:57,414 ANNIVERSARY OF THAT, 11? 731 00:33:57,414 --> 00:34:01,451 >> 11 YEARS, IT WAS 11 YEARS. I LITERALLY GOT A BUNCH OF 732 00:34:01,451 --> 00:34:07,257 TWEETS SAYING, 80 REMEMBER THIS SCENE." "HAPPY ANNIVERSARY." 733 00:34:07,257 --> 00:34:09,426 >> Jimmy: I'LL NEVER FORGET. I HOPE YOU REMEMBER IT, I DO. 734 00:34:09,426 --> 00:34:11,928 YOU LOOKING THROUGH THAT ‐‐ OH, YEAH. 735 00:34:11,928 --> 00:34:14,164 THAT WAS CLASSIC TELEVISION. WE JUST DIDN'T REALIZE IT. 736 00:34:14,164 --> 00:34:16,866 BECAUSE WE WERE IN THE MIDDLE OF IT BACK THEN. 737 00:34:16,866 --> 00:34:21,204 AND NOW, JUST ON A TOTALLY DIFFERENT TOPIC, YOU'VE STARTED 738 00:34:21,204 --> 00:34:24,941 A CHARITABLE FOUNDATION THAT IS OFF TO AN INCREDIBLE START, 739 00:34:24,941 --> 00:34:26,810 REALLY. TELL US ABOUT WHAT YOU'RE DOING 740 00:34:26,810 --> 00:34:29,446 AND WHAT YOU'VE DONE SO FAR. 741 00:34:29,446 --> 00:34:34,017 >> TO BE CLEAR, I'M ONE OF THE COCHAIRS OF THE ADVISORY COUNCIL. 742 00:34:34,017 --> 00:34:36,319 THERE ARE PLENTY OF PEOPLE WHO ARE DOING MUCH MORE IMPORTANT 743 00:34:36,319 --> 00:34:40,290 THINGS IN THIS ORGANIZATION THAN I AM. 744 00:34:40,290 --> 00:34:43,693 BUT WE ‐‐ I'WE'VE STARTED AN ORGANIZATION CALLED THE 745 00:34:43,693 --> 00:34:46,863 ASIAN‐AMERICAN FOUNDATION. IT IS THE FIRST ORGANIZATION OF 746 00:34:46,863 --> 00:34:51,000 ITS KIND THAT IS SET OUT TO EDUCATE AND BRING OTHER 747 00:34:51,000 --> 00:34:55,939 COMMUNITY ORGANIZATIONS TOGETHER, AND ALSO MAKE A 748 00:34:55,939 --> 00:35:00,310 CONCERTED EFFORT TO STOP THE VIOLENCE AND HATE AGAINST 749 00:35:00,310 --> 00:35:01,478 ASIAN‐AME ASIAN‐AMERICANS. 750 00:35:01,478 --> 00:35:03,947 [ APPLAUSE ] 751 00:35:03,947 --> 00:35:07,083 IT'S AN ORGANIZATION THAT'S BEEN FUNDED WITH $250 MILLION. 752 00:35:07,083 --> 00:35:09,819 AND WE JUST LAUNCHED A COUPLE OF DAYS AGO. 753 00:35:09,819 --> 00:35:12,889 >> Jimmy: UNBELIEVABLE. THAT IS TRULY UNBELIEVABLE. 754 00:35:12,889 --> 00:35:16,726 I ALSO WANTED TO MENTION A FRIEND ‐‐ I ASSUME HE'S A FRIEND 755 00:35:16,726 --> 00:35:21,698 OF YOURS, BECAUSE THIS IS SOMEBODY WHO YOU ADMIRE AND WHO 756 00:35:21,698 --> 00:35:24,334 I KNOW YOU KNOW. THIS IS SOMEBODY WHO WE ALL 757 00:35:24,334 --> 00:35:27,036 KNOW, WHETHER WE REALIZE WE KNOW HIM OR NOT. 758 00:35:27,036 --> 00:35:30,540 PUT THE PHOTOGRAPH UP THERE FOR A SECOND IF WE COULD. 759 00:35:30,540 --> 00:35:33,009 THAT'S JAMES HONG. WE'VE SEEN HIM IN A MILLION 760 00:35:33,009 --> 00:35:35,945 DIFFERENT THINGS. AND HOW DO YOU KNOW JAMES? 761 00:35:35,945 --> 00:35:40,617 >> YOU KNOW, I FIRST MET JAMES ON THE SET OF "CHARMED." 762 00:35:40,617 --> 00:35:43,720 AND ACTUALLY, IT'S IRONIC. I'M SHOOTING A SHOW RIGHT NOW 763 00:35:43,720 --> 00:35:48,291 THAT DEALS WITH 9/11. I WAS SHOOTING THIS SHOW WITH 764 00:35:48,291 --> 00:35:52,695 JAMES DURING 9/11. AND SO ALL I HAVE ‐‐ I'LL ALWAYS 765 00:35:52,695 --> 00:35:55,198 HAVE THOSE MEMORIES OF US TOGETHER. 766 00:35:55,198 --> 00:35:58,968 BUT I'D REALIZED THAT HE HAD 767 00:35:58,968 --> 00:36:06,709 BEEN IN A GAJILLION THINGS BEFORE THAT, HE WAS A GUY THAT 768 00:36:06,709 --> 00:36:09,546 HAD ALWAYS JUST KIND OF FLOWN UNDER THE RADAR. 769 00:36:09,546 --> 00:36:11,748 HE'S DONE OVER 700 TV AND FILM PROJECTS. 770 00:36:11,748 --> 00:36:15,018 IF YOU TALK TO HIM, IT'S ACTUALLY MORE THAN THAT, BECAUSE 771 00:36:15,018 --> 00:36:17,020 IMDB DOESN'T TRACK SOME OF THE OTHER THINGS HE DID. 772 00:36:17,020 --> 00:36:21,891 SO HE'S BEEN AROUND FOR 70 YEARS. HE'S NEVER REALLY BEEN 773 00:36:21,891 --> 00:36:24,093 CELEBRATED. SO I GOT IT IN MY HEAD THAT I 774 00:36:24,093 --> 00:36:26,696 THOUGHT HE DESERVED A STAR ON THE HOLLYWOOD WALK OF FAME. 775 00:36:26,696 --> 00:36:27,063 >> Jimmy: YEAH. 776 00:36:27,063 --> 00:36:28,932 >> SO ‐‐ 777 00:36:28,932 --> 00:36:32,335 >> Jimmy: LET'S GET HIM A STAR ON THE HOLLYWOOD WALK OF FAME, 778 00:36:32,335 --> 00:36:32,700 RIGHT? 779 00:36:32,700 --> 00:36:33,036 [ CHEERS AND APPLAUSE ] 780 00:36:33,036 --> 00:36:34,204 >> YES, JIMMY KIMMEL, YES! 781 00:36:34,204 --> 00:36:36,739 >> Jimmy: IT'S RIGHT OUT HERE. BY THE WAY, WE COULD GIVE HIM 782 00:36:36,739 --> 00:36:37,173 DONALD TRUMP'S STAR. 783 00:36:37,173 --> 00:36:38,575 [ CHEERS AND APPLAUSE ] 784 00:36:38,575 --> 00:36:42,712 PLUCK THAT RIGHT OUT OF THERE. 785 00:36:42,712 --> 00:36:45,281 >> WELL, YOU KNOW, I THINK HE MIGHT HAVE APPEARED IN A FEW 786 00:36:45,281 --> 00:36:46,382 MORE THINGS THAN DONALD TRUMP, I'M NOT SURE. 787 00:36:46,382 --> 00:36:48,084 [ LAUGHTER ] 788 00:36:48,084 --> 00:36:51,454 >> Jimmy: IT'S GREAT TO SEE YOU. THANKS FOR BEING WITH US. 789 00:36:51,454 --> 00:36:56,693 DANIEL DAY KIM, EVERYBODY. "STOWAWAY" ON NETFLIX NOW. 790 00:36:56,693 --> 00:37:01,234 GOOD TO SEE YOU. BE RIGHT BACK WITH AMETHYST KIAH! 791 00:37:08,138 --> 00:37:09,790 >> Jimmy: THANKS TO JULIANNA MARGULIES AND DANIEL 792 00:37:09,790 --> 00:37:13,327 DAY KIM. APOLOGIES TO MATT DAMON. "NIGHTLINE" IS NEXT BUT FIRST I 793 00:37:13,327 --> 00:37:18,866 BELIEVE YOU WILL LIKE THIS. THIS IS HER ALBUM "WARY AND 794 00:37:18,866 --> 00:37:22,336 STRANGE." IT COMES OUT JUNE 18th. WITH THE SONG "BLACK MYSELF," 795 00:37:22,336 --> 00:37:26,006 AMETHYST KIAH! 796 00:37:26,006 --> 00:37:28,242 ♪ 797 00:37:28,242 --> 00:37:37,050 ♪ 798 00:37:37,050 --> 00:37:38,051 ♪ I WANNA JUMP THE FENCE 799 00:37:38,051 --> 00:37:42,523 AND WASH MY FACE IN THE CREEK BUT I'M BLACK MYSELF ♪ 800 00:37:42,523 --> 00:37:44,525 ♪ I WANNA SWEEP THAT GAL 801 00:37:44,525 --> 00:37:50,230 RIGHT OFF HER FEET BUT I'M BLACK MYSELF 802 00:37:50,230 --> 00:37:53,300 I'M TIRED OF WALKIN' ♪ 803 00:37:53,300 --> 00:37:53,967 ♪ 'ROUND WITH NO SHOES ON 804 00:37:53,967 --> 00:37:58,038 BUT I'M BLACK MYSELF AND YOUR PRECIOUS GOD 805 00:37:58,038 --> 00:38:01,041 AIN'T GONNA BLESS ME ♪ 806 00:38:01,041 --> 00:38:05,078 ♪ 'CAUSE I'M BLACK MYSELF 807 00:38:05,078 --> 00:38:07,347 IF YOU WASHED IN THE BLOOD OF YOUR CHATTEL 808 00:38:07,347 --> 00:38:09,316 'CAUSE THE LAMB'S ♪ 809 00:38:09,316 --> 00:38:09,650 ♪ ROTTED AWAY 810 00:38:09,650 --> 00:38:11,819 WHEN THEY STOPPED SHIPPING WORK HORSES 811 00:38:11,819 --> 00:38:17,157 THEY BRED THEIR OWN ANYWAY ♪ 812 00:38:17,157 --> 00:38:17,522 ♪ 813 00:38:17,522 --> 00:38:30,003 ♪ 814 00:38:30,003 --> 00:38:32,005 ♪ I DON'T PASS THE TEST 815 00:38:32,005 --> 00:38:35,275 OF THE PAPER BAG 'CAUSE I'M BLACK MYSELF ♪ 816 00:38:35,275 --> 00:38:37,277 ♪ I PICK THE BANJO UP 817 00:38:37,277 --> 00:38:41,048 AND THEY SNEER AT ME 'CAUSE I'M BLACK MYSELF 818 00:38:41,048 --> 00:38:43,050 YOU BETTER LOCK YOUR ♪ 819 00:38:43,050 --> 00:38:45,285 ♪ DOORS WHEN I WALK BY 820 00:38:45,285 --> 00:38:49,523 'CAUSE I'M BLACK MYSELF YOU LOOK ME IN MY EYES 821 00:38:49,523 --> 00:38:53,760 BUT YOU DON'T SEE ME ♪ 822 00:38:53,760 --> 00:38:54,995 ♪ 'CAUSE I'M BLACK MYSELF 823 00:38:54,995 --> 00:38:57,731 IS YOU WASHED IN THE BLOOD OF YOUR CHATTEL 824 00:38:57,731 --> 00:38:59,499 'CAUSE THE LAMB'S ♪ 825 00:38:59,499 --> 00:39:00,968 ♪ ROTTED AWAY 826 00:39:00,968 --> 00:39:03,737 WHEN THEY STOPPED SHIPPING WORK HORSES 827 00:39:03,737 --> 00:39:09,576 THEY BRED THEIR OWN ANYWAY ♪ 828 00:39:09,576 --> 00:39:09,941 ♪ 829 00:39:09,941 --> 00:39:27,995 ♪ 830 00:39:27,995 --> 00:39:28,359 ♪ 831 00:39:28,359 --> 00:39:36,570 ♪ 832 00:39:36,570 --> 00:39:38,305 ♪ I DON'T CREEP AROUND 833 00:39:38,305 --> 00:39:39,306 I STAND PROUD AND FREE ♪ 834 00:39:39,306 --> 00:39:40,073 ♪ 'CAUSE I'M BLACK MYSELF 835 00:39:40,073 --> 00:39:45,846 I GO ANYWHERE THAT I WANNA GO 'CAUSE I'M BLACK MYSELF ♪ 836 00:39:45,846 --> 00:39:48,348 ♪ I'M SURROUNDED 837 00:39:48,348 --> 00:39:52,119 MANY LOVIN' ARMS 'CAUSE I'M BLACK MYSELF 838 00:39:52,119 --> 00:39:54,321 AND I'LL STAND MY GROUND ♪ 839 00:39:54,321 --> 00:39:55,555 ♪ AND SMILE IN YOUR FACE 840 00:39:55,555 --> 00:40:02,596 'CAUSE I'M BLACK MYSELF 841 00:40:02,596 --> 00:40:04,865 I WASHED AWAY THE BLOOD AND TEARS ♪ 842 00:40:04,865 --> 00:40:07,100 ♪ I'VE BEEN BORN BRAND NEW 843 00:40:07,100 --> 00:40:14,274 THERE'S NO MORE WORK HORSES 844 00:40:14,274 --> 00:40:17,844 BIT STILL SOME WORK TO DO YEAH ♪ 845 00:40:17,844 --> 00:40:22,716 ♪ CAUSE I'M BLACK MYSELF OH 846 00:40:22,716 --> 00:40:28,855 CAUSE I'M BLACK MYSELF ♪ 847 00:40:28,855 --> 00:40:29,222 ♪ BLACK MYSELF 848 00:40:29,222 --> 00:40:37,064 BLACK MYSELF BLACK MYSELF BLACK MYSELF ♪ 849 00:40:37,064 --> 00:40:38,832 ♪ BLACK MYSELF 850 00:40:38,832 --> 00:40:42,836 'CAUSE I'M BLACK MY ♪ 851 00:40:42,836 --> 00:40:43,303 ♪ BLACK MY 852 00:40:43,303 --> 00:40:52,713 BLACK MYSELF ♪