1 00:00:00,033 --> 00:00:02,870 >> Announcer: FROM HOLLYWOOD IT'S "JIMMY KIMMEL LIVE." 2 00:00:02,870 --> 00:00:04,037 TONIGHT. MAYA RUDOLPH, MALCOLM GLADWELL 3 00:00:04,037 --> 00:00:08,842 AND MUSIC FROM KINGS OF LEON. AND NOW, JIMMY KIMMEL! 4 00:00:08,842 --> 00:00:11,578 [ CHEERS AND APPLAUSE ] 5 00:00:11,578 --> 00:00:15,449 >> Jimmy: WELL, THANK YOU. HI, I'M JIMMY, 6 00:00:15,449 --> 00:00:17,484 I'M THE HOST OF THE SHOW. THANK YOU FOR WATCHING. 7 00:00:17,484 --> 00:00:23,690 THANK YOU FOR JOINING ME FOR ‐‐ THANK YOU ‐‐ 8 00:00:23,690 --> 00:00:26,059 HOUR 4 OF OUR LIVE COVERAGE OF THE NFL DRAFT. 9 00:00:26,059 --> 00:00:29,162 AND WITH THE 238th PICK, THE CINCINNATI BENGALS SELECT ‐‐ 10 00:00:29,162 --> 00:00:36,703 GUILLERMO RODRIGUEZ. THEY HAD THE NFL DRAFT TONIGHT 11 00:00:36,703 --> 00:00:38,305 IN CLEVELAND AND I DON'T WANT TO SOUND UNGRATEFUL BUT I THOUGHT 12 00:00:38,305 --> 00:00:42,309 I'D BE PICKED MUCH HIGHER THAN I WAS. 13 00:00:42,309 --> 00:00:44,545 IT'S WEIRD THAT ABC HAS THE NFL DRAFT BUT NO NFL. 14 00:00:44,545 --> 00:00:48,448 WE'RE LIKE A RESTAURANT THAT HAS A MENU BUT NO FOOD. 15 00:00:48,448 --> 00:00:50,284 [ LAUGHTER ] 16 00:00:50,284 --> 00:00:53,687 QUARTERBACK TREVOR LAWRENCE FROM CLEMSON WAS EXPECTED TO BE 17 00:00:53,687 --> 00:00:57,891 PICKED FIRST BY EITHER JACKSONVILLE OR VIDAL SASSOON. 18 00:00:57,891 --> 00:01:01,395 WOW! WHAT A BEAUTIFUL MAN, LOOK AT THAT HAIR! 19 00:01:01,395 --> 00:01:03,163 HE'S LIKE A YOUNG GISELLE BUNDCHEN. 20 00:01:03,163 --> 00:01:03,864 [ LAUGHTER ] 21 00:01:03,864 --> 00:01:06,366 LOOK OUT, TOM BRADY. SOMEONE'S COMIN' FOR THAT 22 00:01:06,366 --> 00:01:09,369 HANDSOME THRONE. YOU KNOW, TODAY IF YOU HAVEN'T BEEN 23 00:01:09,369 --> 00:01:13,574 COUNTING‐ IS PRESIDENT BIDEN'S 100th DAY IN OFFICE. 24 00:01:13,574 --> 00:01:15,208 AND EVEN HIS OPPONENTS, IF THEY'RE HONEST, HAVE TO ADMIT, 25 00:01:15,208 --> 00:01:19,479 HE HAS ACCOMPLISHED A LOT. IN THOSE 100 DAYS, 26 00:01:19,479 --> 00:01:25,586 43% OF THE POPULATION IS AT LEAST PARTIALLY VACCINATED, THE 27 00:01:25,586 --> 00:01:27,454 ECONOMY IS UP 6%, AND OUR NATIONAL LEVEL OF MALARKEY HAS 28 00:01:27,454 --> 00:01:30,324 DROPPED TO NEAR‐HISTORIC LOWS. IN TRUMP'S FIRST 100 DAYS, HE 29 00:01:30,324 --> 00:01:35,028 ACCOMPLISHED A LOT TOO. HE TWEETED THAT SNOOP DOG'S 30 00:01:35,028 --> 00:01:37,864 CAREER WAS FAILING, NORDSTROM'S WAS MEAN TO IVANKA, AND HE WAS A 31 00:01:37,864 --> 00:01:41,768 BETTER HOST OF "THE APPRENTICE" THAN ARNOLD SCHWARZENEGGER. 32 00:01:41,768 --> 00:01:49,476 BUT IT'S HARD TO COMPARE THESE TWO. 33 00:01:49,476 --> 00:01:51,144 IT'S LIKE APPLES AND AN ORANGE. 34 00:01:51,144 --> 00:01:52,613 [ LAUGHTER ] 35 00:01:52,613 --> 00:01:53,847 THANK YOU. JOE BIDEN TODAY TOOK A LITTLE 36 00:01:53,847 --> 00:01:57,017 STROLL WITH THE FIRST LADY ON THE WAY TO MARINE ONE. 37 00:01:57,017 --> 00:02:00,087 THE HELICOPTER, AND HE STOPS AND PICKS A FLOWER FOR 38 00:02:00,087 --> 00:02:03,857 HER. BOY, THIS GUY DOESN'T MISS A BEAT, DOES HE? 39 00:02:03,857 --> 00:02:06,360 [ CHEERS AND APPLAUSE ] 40 00:02:06,360 --> 00:02:08,228 THAT WAS LIKE STRAIGHT OUT OF A CIALIS COMMERCIAL. 41 00:02:08,228 --> 00:02:08,695 [ LAUGHTER ] 42 00:02:08,695 --> 00:02:14,334 A DANDELION. YOU KNOW, DURING THE DEPRESSION, 43 00:02:14,334 --> 00:02:20,841 JOE USED TO USE DANDELIONS TO MAKE SOUP. 44 00:02:20,841 --> 00:02:22,442 THE ONLY THING TRUMP PICKED UP AND GAVE MELANIA REQUIRED A SHOT 45 00:02:22,442 --> 00:02:24,511 OF PENICILLIN. 46 00:02:24,511 --> 00:02:24,811 [ LAUGHTER ] 47 00:02:24,811 --> 00:02:29,216 BIDEN LAST NIGHT GAVE HIS FIRST ADDRESS BEFORE A JOINT SESSION 48 00:02:29,216 --> 00:02:30,684 OF CONGRESS. IT WAS A HOPEFUL SPEECH. 49 00:02:30,684 --> 00:02:32,753 HE SPOKE ABOUT TURNING PERIL INTO PROSPERITY. 50 00:02:32,753 --> 00:02:34,888 HE SAID "LIFE CAN KNOCK US DOWN. BUT IN AMERICA, WE NEVER STAY 51 00:02:34,888 --> 00:02:38,925 DOWN. IN AMERICA, WE ALWAYS GET UP." 52 00:02:38,925 --> 00:02:43,697 EXCEPT FOR TED CRUZ WHO WAS SOUND ASLEEP. 53 00:02:43,697 --> 00:02:46,333 DURING A LOT OF THIS, LOOK AT HIM, 54 00:02:46,333 --> 00:02:46,967 DREAMING OF CANCUN, NO DOUBT. 55 00:02:46,967 --> 00:02:47,834 [ LAUGHTER ] 56 00:02:47,834 --> 00:02:50,537 LYIN' TED JUST TURNED INTO SNOOZIN' CRUZ. 57 00:02:50,537 --> 00:02:52,506 BUT YOU KNOW WHO WASN'T SLEEPING LAST NIGHT? 58 00:02:52,506 --> 00:02:54,541 THE SECOND GENTLEMAN, DOUG EMHOFF. 59 00:02:54,541 --> 00:02:58,045 HE WAS WIDE AWAKE AND VERY ALONE. 60 00:02:58,045 --> 00:02:58,345 [ LAUGHTER ] 61 00:02:58,345 --> 00:03:04,618 NO DANDELIONS FOR DOUG. WELL, I THINK, WATCH THIS, 62 00:03:04,618 --> 00:03:06,920 BECAUSE I THINK HE JUST SIGNALLED FOR 63 00:03:06,920 --> 00:03:10,590 KAMALA TO STEAL SECOND BASE. AFTER THE SPEECH AN AMAZING 64 00:03:10,590 --> 00:03:13,560 THING HAPPENED, EVERY BLACK REPUBLICAN SENATOR GOT TOGETHER 65 00:03:13,560 --> 00:03:16,163 TO LET THE AMERICAN PEOPLE KNOW THE REPUBLICAN PARTY ISN'T 66 00:03:16,163 --> 00:03:18,632 RACIST. 67 00:03:18,632 --> 00:03:22,903 >> BY DOUBLING DOWN ON THE DIVISIONS WE'VE WORKED SO HARD 68 00:03:22,903 --> 00:03:26,339 TO HEAL. YOU KNOW THIS STUFF IS WRONG. 69 00:03:26,339 --> 00:03:30,844 HEAR ME CLEARLY, AMERICA IS NOT A RACIST COUNTRY. 70 00:03:30,844 --> 00:03:33,146 >> Jimmy: AND THEN TIM PROMPTLY RETURNED TO THE SENSORY 71 00:03:33,146 --> 00:03:35,082 DEPRIVATION EGG HE CALLS HOME. 72 00:03:35,082 --> 00:03:35,982 [ LAUGHTER ] 73 00:03:35,982 --> 00:03:40,654 SENATOR SCOTT ACCUSED DEMOCRATS IN HIS REBUTTAL 74 00:03:40,654 --> 00:03:42,823 OF USING RACE AS A WEAPON. WHEN THE TRUTH IS WE'RE MORE 75 00:03:42,823 --> 00:03:44,758 CONCERNED ABOUT PEOPLE USING WEAPONS AS A WEAPON. 76 00:03:44,758 --> 00:03:46,927 RACE WOULD BE A TERRIBLE WEAPON. WHAT WOULD YOU DO, MELANIN A 77 00:03:46,927 --> 00:03:50,330 PERSON TO DEATH? 78 00:03:50,330 --> 00:03:50,630 [ LAUGHTER ] 79 00:03:50,630 --> 00:03:54,167 HAVE YOU BEEN FOLLOWING THE FEUD BETWEEN KANYE AND WALMART? 80 00:03:54,167 --> 00:04:00,140 WALMART HAS FILED WHAT'S KNOWN AS A "NOTICE OF OPPOSITION" TO A 81 00:04:00,140 --> 00:04:02,776 LOGO KANYE IS TRYING TO TRADEMARK. 82 00:04:02,776 --> 00:04:04,711 WALMART CLAIMS KANYE'S LOGO IS "CONFUSINGLY SIMILAR" TO THEIR 83 00:04:04,711 --> 00:04:07,180 OWN DESIGN. THESE ARE THE LOGOS IN QUESTION. 84 00:04:07,180 --> 00:04:13,253 KANYE'S IS ON THE LEFT, WALMART'S IS ON THE RIGHT. 85 00:04:13,253 --> 00:04:14,621 BASICALLY, KANYE AND WALMART ARE FIGHTING OVER WHO GETS TO USE A 86 00:04:14,621 --> 00:04:19,960 DOODLE OF A BUTTHOLE. RIGHT? 87 00:04:19,960 --> 00:04:20,794 [ LAUGHTER ] 88 00:04:20,794 --> 00:04:23,997 CAN YOU COPYRIGHT THAT? AND WOULD IT REALLY BE SO BAD 89 00:04:23,997 --> 00:04:26,566 FOR WALMART TO GET THEIR STUFF CONFUSED WITH KANYE'S? 90 00:04:26,566 --> 00:04:31,538 A PAIR OF SNEAKERS HE OWNED JUST SOLD FOR TWO MILLION DOLLARS. 91 00:04:31,538 --> 00:04:34,941 IF I WAS KANYE, I WOULD GO FURTHER. 92 00:04:34,941 --> 00:04:36,176 I WOULD START WEARING A BLUE VEST AND HANDING OUT "WELCOME" 93 00:04:36,176 --> 00:04:37,444 STICKERS TOO. 94 00:04:37,444 --> 00:04:38,111 [ LAUGHTER ] 95 00:04:38,111 --> 00:04:40,046 YOU KNOW, EVER SINCE I WAS KID THERE'S BEEN SOMETHING THAT I 96 00:04:40,046 --> 00:04:43,784 ALWAYS WANTED TO DO, AND THAT IS A CARTWHEEL. 97 00:04:43,784 --> 00:04:49,890 MY LITTLE SISTER COULD DO IT WITH EASE AND IT DROVE ME CRAZY. 98 00:04:49,890 --> 00:04:53,160 THAT I COULDN'T DO IT BECAUSE IT SEEMS LIKE AN EASY THING 99 00:04:53,160 --> 00:04:55,195 EVERYONE SHOULD BE ABLE TO DO. SO, NOW THAT I'M IN MY FIFTIES, 100 00:04:55,195 --> 00:05:00,967 IT SEEMED LIKE THE RIGHT TIME TO RIGHT THIS WRONG. 101 00:05:00,967 --> 00:05:07,007 SO WE GOT IN TOUCH WITH OLYMPIC GOLD MEDALIST GABBY DOUGLAS AND 102 00:05:07,007 --> 00:05:10,544 ASKED HER IF SHE'D BE SO KIND TO TEACH ME AND 103 00:05:10,544 --> 00:05:11,745 GUILLERMO HOW TO DO A CARTWHEEL. 104 00:05:11,745 --> 00:05:13,313 [ CHEERS AND APPLAUSE ] 105 00:05:13,313 --> 00:05:17,083 >> THIS IS WHERE IT HAPPENS. THIS IS WHERE MY CART WHEELING 106 00:05:17,083 --> 00:05:22,088 CAREER BEGINS, YOURS TOO GUILLERMO, WE COULDN'T POSSIBLY 107 00:05:22,088 --> 00:05:27,694 HAVE A BETTER COACH, GABBY DOUGLAS, HOW MANY GOLDS DO YOU 108 00:05:27,694 --> 00:05:28,628 HAVE? 109 00:05:28,628 --> 00:05:31,031 >> I HAVE THREE GOLD MEDALS. 110 00:05:31,031 --> 00:05:36,870 >> Jimmy: SO YOU'VE DONE CART WHEELS THEN, DID YOU START WHEN 111 00:05:36,870 --> 00:05:37,571 YOU WERE BORN. 112 00:05:37,571 --> 00:05:39,873 >> I STARTED AT THREE YEARS OLD. 113 00:05:39,873 --> 00:05:46,246 >> Jimmy: HAS ANYONE EVER DIED DOING A CART WHEEL? 114 00:05:46,246 --> 00:05:46,646 >> NO. 115 00:05:46,646 --> 00:05:48,348 >> WE CAN GET HURT RIGHT? 116 00:05:48,348 --> 00:05:50,550 >> I DON'T THINK SO, NO. 117 00:05:50,550 --> 00:05:53,186 >> Jimmy: IF ANYONE CAN GET HURT IT'S US. 118 00:05:53,186 --> 00:05:55,522 >> DO YOU GUYS WANT THE TO STRETCH. 119 00:05:55,522 --> 00:05:57,824 >> LET ME GET READY. 120 00:05:57,824 --> 00:06:01,494 >> Jimmy: DON'T TELL ME YOU'RE WEARING A COOL OUTFIT OR ELSE I 121 00:06:01,494 --> 00:06:02,696 WOULD HAVE TOO. 122 00:06:02,696 --> 00:06:03,196 [ CHEERS AND APPLAUSE ] 123 00:06:03,196 --> 00:06:05,365 YOU GOT SOMETHING IN THERE? 124 00:06:05,365 --> 00:06:06,333 >> WHAT DO YOU MEAN? 125 00:06:06,333 --> 00:06:09,502 >> Jimmy: I MEAN IS THERE SOME KIND OF A SOCK IN THERE? 126 00:06:09,502 --> 00:06:11,404 WHAT'S GOING ON? 127 00:06:11,404 --> 00:06:12,372 >> NO ‐‐ 128 00:06:12,372 --> 00:06:13,173 >> Jimmy: CAN I TOUCH IT? 129 00:06:13,173 --> 00:06:15,876 >> YEAH, YOU CAN TOUCH IT. 130 00:06:15,876 --> 00:06:19,346 >> Jimmy: YEAH THERE'S SOME PADDING OR SOMETHING LIKE THAT. 131 00:06:19,346 --> 00:06:21,047 HIS VERSION OF A PADDED BRA. 132 00:06:21,047 --> 00:06:25,318 >> CAN WE DO SOME BUTTERFLIES. MAYBE STRAIGHT IN AND PULL. 133 00:06:25,318 --> 00:06:31,124 >> LET ME ‐‐ 134 00:06:31,124 --> 00:06:35,795 >> Jimmy: I'VE NEVER SEEN THE BOTTOM OF YOUR FEET BEFORE. 135 00:06:35,795 --> 00:06:37,097 >> ME TOO. 136 00:06:37,097 --> 00:06:41,368 >> LET'S GO THROUGH THE DETAILS OF A CART WHEEL, THE 137 00:06:41,368 --> 00:06:45,238 FRONT LEG IS REALLY THE FOUNDATION AND THIS LEG WILL 138 00:06:45,238 --> 00:06:45,805 JUST FOLLOW. 139 00:06:45,805 --> 00:06:46,339 >> Jimmy: UH‐HUH. 140 00:06:46,339 --> 00:06:51,778 >> SO IT WILL BE, ONE, TWO, THREE, FOUR. LIKE, THAT ACTION. 141 00:06:51,778 --> 00:06:54,314 IF THAT MAKES SENSE. 142 00:06:54,314 --> 00:06:54,614 [ LAUGHTER ] 143 00:06:54,614 --> 00:06:57,784 >> SHOULD I GO LOSE SOME WEIGHT AND COME BACK. 144 00:06:57,784 --> 00:07:01,554 >> NO I THINK ALL PEOPLE CAN DO A CART WHEEL. 145 00:07:01,554 --> 00:07:05,425 >> Jimmy: ALL RIGHT, GIVE IT 110%. 146 00:07:05,425 --> 00:07:05,926 >> READY. 147 00:07:05,926 --> 00:07:07,227 >> 110. 148 00:07:07,227 --> 00:07:10,430 >> Jimmy: UH‐HUH. OKAY. SO LET'S EVALUATE THAT. 149 00:07:10,430 --> 00:07:15,802 LET'S LOOK AT THAT AGAIN IN SLOW MOTION, IF WE CAN, THAT WASN'T 150 00:07:15,802 --> 00:07:18,371 SLOW MOTION. 151 00:07:18,371 --> 00:07:20,340 [ LAUGHTER ] 152 00:07:24,311 --> 00:07:26,413 >> DON'T WANT TO GO DOWN LIKE THAT. 153 00:07:26,413 --> 00:07:29,649 >> Jimmy: THAT'S EXACTLY HOW I'M GONNA DO IT. EXACTLY. 154 00:07:29,649 --> 00:07:31,051 LET ME GIVE IT A TRY. 155 00:07:31,051 --> 00:07:33,386 >> ALL RIGHT, JIMMY, GO JIMMY. 156 00:07:33,386 --> 00:07:37,958 >> Jimmy: GO JIMMY. 157 00:07:37,958 --> 00:07:43,763 >> THAT WAS ACTUALLY WORSE THAN GUILLERMOS. 158 00:07:43,763 --> 00:07:47,968 >> GABBY, IF YOU HAVE PLANS FOR TODAY, CANCEL THEM BECAUSE WE'RE 159 00:07:47,968 --> 00:07:49,903 GOING TO BE HERE ALL DAY. 160 00:07:49,903 --> 00:07:52,806 >> WHAT JIMMY DID WAS START LIKE THIS. 161 00:07:52,806 --> 00:07:53,139 >> Jimmy: OH. 162 00:07:53,139 --> 00:07:56,576 >> AND HIS ENERGY IS ALREADY GOING TO GO THIS WAY OR DOWN. 163 00:07:56,576 --> 00:07:59,579 >> Jimmy: I THINK WE HAVE TO CONCENTRATE ON THE ARTISTRY. 164 00:07:59,579 --> 00:08:02,716 >> IT IS ALL ABOUT ARTISTRY AS WELL. 165 00:08:02,716 --> 00:08:06,453 >> Jimmy: OKAY, SO. 166 00:08:06,453 --> 00:08:12,325 >> THAT, OKAY ‐‐ THAT ‐‐ OKAY, YOU WENT LIKE THIS BUT THEN YOU 167 00:08:12,325 --> 00:08:14,594 GO DOWN HERE AND THAT ARM'S LIKE. 168 00:08:14,594 --> 00:08:15,028 >> Jimmy: OH. 169 00:08:15,028 --> 00:08:19,265 >> LEFT OUT OF THE LOOP. UNLESS YOU WANT TO GO ONE ARM? 170 00:08:19,265 --> 00:08:23,370 >> NO, I'M GONNA BREAK MY ARM. 171 00:08:23,370 --> 00:08:26,539 >> Jimmy: SHE PUTS HER HAND DOWN AND THEN THE LEG. 172 00:08:26,539 --> 00:08:30,276 THAT'S WHERE WE FAIL. I THINK WE'RE REALLY GOOD FOR 173 00:08:30,276 --> 00:08:34,247 THE FIRST THREE PERCENT OF THE CART WHEEL IT'S THE NEXT 97 174 00:08:34,247 --> 00:08:35,081 WE'RE HAVING TROUBLE WITH. 175 00:08:35,081 --> 00:08:36,883 >> COME ON JIMMY, YOU CAN DO IT. 176 00:08:36,883 --> 00:08:37,450 >> YES. 177 00:08:37,450 --> 00:08:38,385 >> Jimmy: OKAY. 178 00:08:38,385 --> 00:08:40,954 >> OKAY ‐‐ 179 00:08:40,954 --> 00:08:42,322 >> Jimmy: THAT SHOULD BE OVER. 180 00:08:42,322 --> 00:08:42,722 >> YEAH. 181 00:08:42,722 --> 00:08:45,692 >> Jimmy: YEAH. I'LL TELL YOU RIGHT NOW, THERE'S 182 00:08:45,692 --> 00:08:49,929 NO CHANCE I'LL BE ABLE TO DO THIS. 183 00:08:49,929 --> 00:08:51,131 >> NO YOU CAN. 184 00:08:51,131 --> 00:08:52,132 >> GIVE IT A SHOT. 185 00:08:52,132 --> 00:08:54,401 >> I'LL GIVE IT A SHOT. 186 00:08:54,401 --> 00:08:54,868 >> Jimmy: YEAH. 187 00:08:54,868 --> 00:09:00,240 >> WHOA. OKAY. YEAH. THERE. THE BACK LEG NEEDS TO JUST 188 00:09:00,240 --> 00:09:01,341 FORWARD THROUGH. 189 00:09:01,341 --> 00:09:04,377 >> JEEZ. 190 00:09:04,377 --> 00:09:06,413 >> IT'S JUST THAT. 191 00:09:06,413 --> 00:09:08,515 >> YEAH. 192 00:09:08,515 --> 00:09:12,886 >> THINK ABOUT NOT REACHING FOR THE GROUND, IF THAT MAKES SENSE. 193 00:09:12,886 --> 00:09:14,521 BECAUSE YOU'RE LIKE, SO ‐‐ 194 00:09:14,521 --> 00:09:17,757 >> Jimmy: YEAH, SHOULD WE REACH FOR THE STARS? 195 00:09:17,757 --> 00:09:20,827 >> REACH FOR THE AIR. 196 00:09:20,827 --> 00:09:22,829 >> Jimmy: GUILLERMO, LET'S DO IT TOGETHER. 197 00:09:22,829 --> 00:09:25,565 >> READY, 1, 2, 3, LET'S GO. 198 00:09:25,565 --> 00:09:27,033 [ LAUGHTER ] 199 00:09:27,033 --> 00:09:30,804 AD, 1, 2, 3, LET'S GO. 200 00:09:30,804 --> 00:09:31,104 [ LAUGHTER ] 201 00:09:31,104 --> 00:09:31,638 Y, 1, 2, 3, LET'S GO. 202 00:09:31,638 --> 00:09:31,905 [ LAUGHTER ] 203 00:09:31,905 --> 00:09:32,605 . 204 00:09:32,605 --> 00:09:36,709 >> YOU KNOW WHAT'S FUNNY, THAT WAS SO IN 205 00:09:36,709 --> 00:09:38,311 SYNC. YOU GUYED ROLLED TOGETHER. 206 00:09:38,311 --> 00:09:41,648 >> Jimmy: WELL WE HAVE CHEMISTRY, WE WORK TOGETHER A 207 00:09:41,648 --> 00:09:41,848 LOT. 208 00:09:41,848 --> 00:09:44,818 >> THAT WAS, LIKE, AMAZING ACTUALLY. 209 00:09:44,818 --> 00:09:51,191 >> Jimmy: YOU'RE SAYING IF THERE WAS A INCH SYNCHRONIZED ‐‐ 210 00:09:51,191 --> 00:09:55,261 >> YOU WOULD HAVE WON GOLD JUST THERE. 211 00:09:55,261 --> 00:09:56,763 >> SO CAN WE STOP NOW? 212 00:09:56,763 --> 00:09:58,898 >> Jimmy: NO. ARTISTRY. 213 00:09:58,898 --> 00:10:02,335 >> MAYBE SWING THE LEG OVER. 214 00:10:02,335 --> 00:10:08,975 >> OKAY. I DID IT RIGHT? HA HA. 215 00:10:08,975 --> 00:10:18,351 >> Jimmy: YEAH, YOU DID IT. 216 00:10:18,351 --> 00:10:25,725 ARTISTRY AND CART WHEEL. I THOUGHT OF SOMETHING. 217 00:10:25,725 --> 00:10:28,862 ARTISTRY IS WHAT WE'LL CALL IT FROM NOW ON. 218 00:10:28,862 --> 00:10:30,997 >> JIMMY, YOU ALMOST GOT IT. 219 00:10:30,997 --> 00:10:31,664 >> Jimmy: REALLY? 220 00:10:31,664 --> 00:10:35,568 >> YEAH, YOU ALMOST GOT IT. IT LOOKED GOOD, RIGHT. 221 00:10:35,568 --> 00:10:36,503 >> Jimmy: HE JUST WANTS TO GO 222 00:10:36,503 --> 00:10:43,743 HOME. 223 00:10:43,743 --> 00:10:46,412 >> ALMOST. ALMOST. 224 00:10:46,412 --> 00:10:50,316 >> Jimmy: I LIKE THE 225 00:10:50,316 --> 00:11:02,529 PRESENTATION. 226 00:11:02,529 --> 00:11:17,143 >> OH, MY GOODNESS. 227 00:11:17,143 --> 00:11:21,948 NO IT'S ‐‐ NO ‐‐ IT'S ALMOST ‐‐ 228 00:11:21,948 --> 00:11:22,615 >> YEAH! 229 00:11:22,615 --> 00:11:24,851 >> IT'S ALMOST. 230 00:11:24,851 --> 00:11:27,020 >> WAIT. 231 00:11:27,020 --> 00:11:31,024 >> Jimmy: LET'S BOW TO EACH OTHER LIKE IT'S KARATE. 232 00:11:31,024 --> 00:11:32,559 AND NOW ARTISTRY. 233 00:11:32,559 --> 00:11:39,532 AND NOW ARTISTRY. 234 00:11:39,532 --> 00:11:41,501 >> YOU DID IT JIMMY. 235 00:11:41,501 --> 00:11:42,769 >> Jimmy: WE DID IT GUILLERMO. 236 00:11:42,769 --> 00:11:44,170 >> GOOD JOB, YEAH. 237 00:11:44,170 --> 00:11:48,341 >> Jimmy: THAT WAS MY BEST ONE. OH, THANKS, GUYS. 238 00:11:48,341 --> 00:11:51,177 >> THAT'S THE BEST ONE YOU DID JIMMY. 239 00:11:51,177 --> 00:11:52,912 AND I DON'T THINK IT'S GONNA HAPPEN AGAIN. 240 00:11:52,912 --> 00:11:56,583 SO I THINK WE ARE DONE. THANK YOU, GABBY. 241 00:11:56,583 --> 00:11:59,252 >> Jimmy: OH, ARE YOU ENDING THIS NOW? 242 00:11:59,252 --> 00:12:03,089 >> THANK YOU, JIMMY. THERE YOU HAVE IT, EVERYBODY. 243 00:12:03,089 --> 00:12:07,193 YOU CAN DO CART WHEEL. DOESN'T MATTER IF YOU'RE A KID, 244 00:12:07,193 --> 00:12:12,298 OLDER, YOU CAN DO CART WHEEL AT ANY AGE. THANK YOU VERY MUCH. 245 00:12:12,298 --> 00:12:14,968 >> Jimmy: GABBY DOUGLAS, THANK YOU. 246 00:12:14,968 --> 00:12:18,004 >> YOU GUYS DID SO AMAZING. 247 00:12:18,004 --> 00:12:18,338 [ LAUGHTER ] 248 00:12:18,338 --> 00:12:19,939 >> Jimmy: OH, THANK YOU, THANK YOU GABBY. 249 00:12:19,939 --> 00:12:22,342 >> SUCH A GOOD JOB. 250 00:12:22,342 --> 00:12:23,376 >> Jimmy: I APPRECIATE IT. 251 00:12:23,376 --> 00:12:25,278 >> SUCH A GOOD JOB. SO NICE. 252 00:12:25,278 --> 00:12:32,752 SO NICE. BYE, GUYS. 253 00:12:32,752 --> 00:12:36,289 SMIERK ‐‐ MAKE SURE YOU ICE THAT. 254 00:12:36,289 --> 00:12:38,658 [ CHEERS AND APPLAUSE ] 255 00:12:38,658 --> 00:12:42,662 >> Jimmy: YOU SEE IT'S A GREAT LESSON, WHEN YOU SET YOUR MIND 256 00:12:42,662 --> 00:12:45,331 TO SOMETHING, WELL, NOTHING HAPPENS. 257 00:12:45,331 --> 00:12:50,703 ANYWAY, WE HAVE A GREAT SHOW FOR YOU TONIGHT. 258 00:12:50,703 --> 00:12:52,238 MALCOLM GLADWELL IS WITH US. WE HAVE MUSIC FROM KINGS OF LEON. 259 00:12:52,238 --> 00:12:55,508 AND WE'LL BE RIGHT BACK WITH MAYA RUDOLPH. 260 00:12:55,508 --> 00:12:56,009 [ CHEERS AND APPLAUSE ] 261 00:12:56,009 --> 00:12:57,844 ♪ 262 00:12:59,479 --> 00:13:02,382 ♪ 263 00:13:02,382 --> 00:13:02,949 [ CHEERS AND APPLAUSE ] 264 00:13:02,949 --> 00:13:05,385 >> Jimmy: HELLO THERE, WELCOME BACK. 265 00:13:05,385 --> 00:13:08,988 TONIGHT, HIS NEW BOOK, AN AUDIO BOOK 266 00:13:08,988 --> 00:13:13,526 IS CALLED "THE BOMBER MAFIA," THE ALWAYS ILLUMINATING 267 00:13:13,526 --> 00:13:15,395 MALCOLM GLADWELL IS WITH US. 268 00:13:15,395 --> 00:13:16,863 [ CHEERS AND APPLAUSE ] 269 00:13:16,863 --> 00:13:18,131 THEN LATER, FROM THE NFL DRAFT IN CLEVELAND, OHIO, THEIR ALBUM 270 00:13:18,131 --> 00:13:19,399 IS CALLED "WHEN YOU SEE YOURSELF" MUSIC FROM 271 00:13:19,399 --> 00:13:19,732 KINGS OF LEON. 272 00:13:19,732 --> 00:13:20,767 [ CHEERS AND APPLAUSE ] 273 00:13:20,767 --> 00:13:26,439 NEXT WEEK, WE'VE GOT NEW SHOWS WITH SEAN HAYES, ROSARIO DAWSON, 274 00:13:26,439 --> 00:13:31,177 JULIANNA MARGULIES, ROB McELHENNEY, DANIEL DAY KIM, 275 00:13:31,177 --> 00:13:36,015 AND DR. ANTHONY FAUCI, WITH MUSIC FROM JASON ALDEAN, ANITTA, 276 00:13:36,015 --> 00:13:38,484 AMETHYST KIAH AND MIDDLE KIDS. AND TOMORROW NIGHT, JOIN ME AND 277 00:13:38,484 --> 00:13:41,387 MY PAL, MARK ROBER, FOR A SPECIAL LIVE EVENT CALLED "COLOR 278 00:13:41,387 --> 00:13:45,058 THE SPECTRUM: A LIVESTREAM TO SUPPORT THE 279 00:13:45,058 --> 00:13:48,294 AUTISM COMMUNITY" WHICH IS RAISING MONEY FOR NEXT FOR 280 00:13:48,294 --> 00:13:49,662 AUTISM. HERE'S THE LIST OF LUMINARIES 281 00:13:49,662 --> 00:13:54,133 WHO WILL JOIN US. GUILLERMO, YOU WILL BE THERE. 282 00:13:54,133 --> 00:13:54,467 >> YES, SIR. 283 00:13:54,467 --> 00:13:55,401 >> Jimmy: AND THAT'S IT. 284 00:13:55,401 --> 00:13:56,736 [ LAUGHTER ] 285 00:13:56,736 --> 00:13:58,338 NO, IT'S GUILLERMO, ADAM SANDLER, CHRIS ROCK, JON 286 00:13:58,338 --> 00:14:01,541 STEWART, CONAN O'BRIEN, STEPHEN COLBERT, CHARLIZE THERON, KENAN 287 00:14:01,541 --> 00:14:03,276 THOMPSON, JACK BLACK, ANDY 288 00:14:03,276 --> 00:14:11,084 SAMBERG, PAUL RUDD, CHARLIZE JASON MOMOA, SARAH SILVERMAN, 289 00:14:11,084 --> 00:14:12,318 ZACH GALIFIANAKIS‐ AS WELL AS SOME OF THE MOST POPULAR STARS 290 00:14:12,318 --> 00:14:13,653 OF YOUTUBE ALL IN ONE SHOW. THAT'S STREAMING LIVE TOMORROW 291 00:14:13,653 --> 00:14:17,023 NIGHT STARTING AT 8:00 EASTERN, 5:00 PACIFIC ON MARK ROBER'S 292 00:14:17,023 --> 00:14:19,459 YOUTUBE CHANNEL. 293 00:14:19,459 --> 00:14:20,293 [ CHEERS AND APPLAUSE ] 294 00:14:20,293 --> 00:14:21,594 SO PLEASE JOIN US. OUR FIRST GUEST TONIGHT WILL BE 295 00:14:21,594 --> 00:14:25,031 THERE TOO. SHE IS ONE OF THE FUNNIEST HUMAN 296 00:14:25,031 --> 00:14:27,200 BEINGS OF ALL ON SATURDAYS. SHE SERVES AS OCCASIONAL VICE 297 00:14:27,200 --> 00:14:30,536 PRESIDENT OF THE UNITED STATES. NEXT SHE GOES HEAD‐TO‐HEAD WITH 298 00:14:30,536 --> 00:14:33,906 A ROBOT APOCALYPSE AND SOCIAL MEDIA IN THE NEW ANIMATED MOVIE 299 00:14:33,906 --> 00:14:37,377 "THE MITCHELLS VS. THE MACHINES." IT'S ON NETFLIX NOW, SAY HELLO 300 00:14:37,377 --> 00:14:41,047 TO MAYA RUDOLPH. 301 00:14:41,047 --> 00:14:41,781 [ CHEERS AND APPLAUSE ] 302 00:14:41,781 --> 00:14:44,350 HI MAYA, HOW ARE YOU? 303 00:14:44,350 --> 00:14:45,485 >> I'M GOOD. 304 00:14:45,485 --> 00:14:47,186 >> Jimmy: IT'S VERY GOOD TO SEE YOU. 305 00:14:47,186 --> 00:14:51,157 >> IT'S NICE TO SEE YOU, IT'S NICE TO BE IN YOUR STUDIO, 306 00:14:51,157 --> 00:14:53,059 YOU'VE REALLY DONE A GREAT JOB. 307 00:14:53,059 --> 00:14:55,995 >> Jimmy: WAIT, YOU'RE NOT IN OUR ‐‐ 308 00:14:55,995 --> 00:14:56,896 >> WHAT? 309 00:14:56,896 --> 00:15:00,066 >> Jimmy: OUR STUDIO DOES LOOK NICER AND I LIKE THAT DRESS 310 00:15:00,066 --> 00:15:04,837 YOU'RE WEARING, WOULD THAT PREVENT YOU FROM DOING A CART 311 00:15:04,837 --> 00:15:06,873 WHEEL? ARE YOU ABLE TO DO A CART WHEEL. 312 00:15:06,873 --> 00:15:09,809 >> LET ME TRY RIGHT NOW. YEP. I DID IT. 313 00:15:09,809 --> 00:15:11,611 >> Jimmy: IT WAS REALLY GOOD. 314 00:15:11,611 --> 00:15:13,446 >> THANK YOU. YOURS WAS BEAUTIFUL. 315 00:15:13,446 --> 00:15:19,452 >> Jimmy: THE LAST TIME YOU WERE ON THE SHOW I WAS NOT HERE. 316 00:15:19,452 --> 00:15:22,155 WILL AROWAS THE HOST. 317 00:15:22,155 --> 00:15:23,856 >> I REMEMBER YOU WERE NOT THERE. 318 00:15:23,856 --> 00:15:26,993 LAST TIME IT WAS WEIRD BECAUSE I ACTUALLY GOT A BEE STING THAT 319 00:15:26,993 --> 00:15:30,763 DAY AND I THOUGHT, YEAH, I'M FINE, I'LL GO TO WORK AND I GOT 320 00:15:30,763 --> 00:15:33,533 THERE AND WILL AND EVERYONE'S LIKE YOU SHOULD GET THAT CHECKED 321 00:15:33,533 --> 00:15:37,737 OUT. IT WAS LIKE A HUGE, RED SWOLLEN 322 00:15:37,737 --> 00:15:44,944 ARM, WHICH I DID AND I GOT ANTIBIOTICS, APPARENTLY I AM 323 00:15:44,944 --> 00:15:46,212 ALLERGIC TO BEES. 324 00:15:46,212 --> 00:15:50,416 >> Jimmy: YOU DIDN'T KNOW. YOU NEVER BEEN STUNG BY A KID. 325 00:15:50,416 --> 00:15:54,554 >> WHEN YOU'RE A KID IT'S LIKE I THINK I'M ALLERGIC TO BEES BUT I 326 00:15:54,554 --> 00:15:57,723 WAS TRYING TO BE TOUGH GUY, LIKE, I GOT A SHOW TO DO, IT WAS 327 00:15:57,723 --> 00:16:01,060 REALLY IMPORTANT, I HAD TO RACE OFF AND DO YOUR SHOW. 328 00:16:01,060 --> 00:16:02,361 >> Jimmy: THE SHOW MUST GO ON. 329 00:16:02,361 --> 00:16:05,164 >> THAT'S RIGHT. 330 00:16:05,164 --> 00:16:10,503 >> Jimmy: HAVE YOU BEEN BITTEN BY AN INSECT BEFORE, I KNOW YOU 331 00:16:10,503 --> 00:16:14,040 SAID IT WAS YOUR FIRST BEE STING. 332 00:16:14,040 --> 00:16:16,542 >> THAT WAS REALLY IT, I NEVER HAD A REACTION BEFORE. 333 00:16:16,542 --> 00:16:21,614 I ENDED UP GOING ON A GIRL'S TRIP THE NEXT DAY FOR MY BUDDY'S 334 00:16:21,614 --> 00:16:29,522 50TH, ME AND ALL MY "SNL" LAUDERDALYS WENT 335 00:16:29,522 --> 00:16:34,327 ‐‐ LADIES WENT TO PALM SPRINGS AND GOT 336 00:16:34,327 --> 00:16:38,898 MASSAGES AND THEY TOOK ME TO A GLASS HOUSE A LITTLE TOO FAR 337 00:16:38,898 --> 00:16:43,436 DOWN THE ROAD, I GOT A MASSAG AND I'M LIKE WOW MY LEG'S 338 00:16:43,436 --> 00:16:47,440 KILLING ME. I'M LIKE WHAT IS THAT BLACK 339 00:16:47,440 --> 00:16:51,344 SPIDER, OH, IT'S A BLACK WIDOW SO THE NEXT DAY I GOT BIT BY A 340 00:16:51,344 --> 00:16:51,944 BLACK WIDOW. 341 00:16:51,944 --> 00:16:54,013 >> Jimmy: DO YOU HAVE POWERS OR ANYTHING? 342 00:16:54,013 --> 00:16:58,384 >> YEAH, I HAVE POWERS. I DON'T KNOW WHAT HAPPENED OR 343 00:16:58,384 --> 00:17:02,688 WHY, BUT APPARENTLY NO ONE HAD USED THE ROOM IN LIKE 100 ROOMS, 344 00:17:02,688 --> 00:17:06,826 THAT'S WHERE THEY TOOK ME FOR THE MASSAGE. 345 00:17:06,826 --> 00:17:10,129 >> Jimmy: YOUR COLLAR ACTUALLY LOOKS LIKE THE MARKINGS ON A 346 00:17:10,129 --> 00:17:15,334 BLACK WIDOW, THAT'S WHY I THOUGHT MAYBEA TANED SOME POWER. 347 00:17:15,334 --> 00:17:18,971 >> ARE YOU SAYING I HAVE SOME SORT OF WITCHERY? 348 00:17:18,971 --> 00:17:22,642 >> Jimmy: SO WE ALWAYS HEAR ABOUT BLACK WIDOWS WHAT DO YOU 349 00:17:22,642 --> 00:17:24,944 DO WHEN YOU ARE BIT BY A BLACK WIDOWS. 350 00:17:24,944 --> 00:17:28,347 >> APPARENTLY, CALL THE PARAMEDICS, WHICH WAS NEWS TO 351 00:17:28,347 --> 00:17:34,620 ME, SO THAT HELPED ME RELAX COMPLETELY. GREAT, I'M GONNA DAY. 352 00:17:34,620 --> 00:17:38,057 GOOD NEWS WAS I WAS WITH THE FUNNIEST WOMEN ON THE PLANET. 353 00:17:38,057 --> 00:17:40,993 >> Jimmy: WHO WERE YOU WITH? 354 00:17:40,993 --> 00:17:44,363 >> I WAS WITH AMY POEHLER, WAS SAYING TO MY FRIEND, THE MINUTE 355 00:17:44,363 --> 00:17:47,867 SOMETHING LIKE THAT HAPPENS, EVERYONE GOES INTO PANIC MODE 356 00:17:47,867 --> 00:17:49,769 AND REALLY REFLECTS THEIR PERSONALITY. 357 00:17:49,769 --> 00:17:52,738 SO AMY WENT INTO LIKE, THE PARAMEDIC WAS SAYING YOU'RE 358 00:17:52,738 --> 00:17:55,508 GOING TO NEED DO GOOD TO THE EMERGENCY ROOM SHE'S LIKE, YOU 359 00:17:55,508 --> 00:17:58,744 DON'T NEED TO GO TO THE EMERGENCY ROOM. 360 00:17:58,744 --> 00:18:06,452 AND TEEN YE‐‐ TINA FEY WAS THER AND WAS LIKE I'M GOING TO CALL 361 00:18:06,452 --> 00:18:12,558 MY HUSBAND AND GENTLY PANICKED IN THE OTHER ROOM. 362 00:18:12,558 --> 00:18:16,796 RACHEL JUST GOT IN THE SHOWER. 363 00:18:16,796 --> 00:18:17,096 [ LAUGHTER ] 364 00:18:17,096 --> 00:18:21,167 AND PAULA PELL WAS STROKING ME 365 00:18:21,167 --> 00:18:28,174 AND GENTLY CRADLING ME AND ANNA GASPAR WAS LIKE YOU'RE GONNA BE 366 00:18:28,174 --> 00:18:33,479 FINE AND MY BUDDY EMILY AND I JUST STARTED DRINKING CHAMPAGNE. 367 00:18:33,479 --> 00:18:36,782 >> Jimmy: OKAY. SO WAS AMY THE BEST, BECAUSE IT 368 00:18:36,782 --> 00:18:38,618 SEEMED LIKE NO ONE REALLY HELPED. 369 00:18:38,618 --> 00:18:40,519 >> SHE DID HELP. SHE DID HELP. 370 00:18:40,519 --> 00:18:43,022 WE DID NOT GO TO THE EMERGENCY ROOM. 371 00:18:43,022 --> 00:18:45,491 SHE'S LIKE, YOU DON'T NEED TO GO TO THE EMERGENCY ROOM. 372 00:18:45,491 --> 00:18:49,895 IT WAS A LOT OF LIKE, THESE AREN'T THE DRUGS YOU'RE LOOKING 373 00:18:49,895 --> 00:18:52,732 FOR. IT WAS HELPFUL BECAUSE YOU NEED 374 00:18:52,732 --> 00:18:55,001 THAT PERSON IN CRISIS WHO'S GONNA HAVE YOUR BACK. 375 00:18:55,001 --> 00:18:57,803 >> Jimmy: COULD YOU IMAGINE IF YOU GUYS ALL WENT INTO THE 376 00:18:57,803 --> 00:19:01,374 EMERGENCY ROOM, THE LOOKS ON THEIR FACES AT THE HOSPITAL, IT 377 00:19:01,374 --> 00:19:04,944 WOULD HAVE SEEMED LIKE YOU WERE SHOOTING A MOVIE OR SOMETHING. 378 00:19:04,944 --> 00:19:06,145 >> YEAH, PRETTY MUCH. 379 00:19:06,145 --> 00:19:08,514 >> Jimmy: I'LL TELL YOU ANOTHER THING ABOUT THAT WHOLE EMERGENCY 380 00:19:08,514 --> 00:19:13,419 ROOM THING, I THINK AT LEAST HALF OF THAT IS WHETHER THE 381 00:19:13,419 --> 00:19:16,622 GROUP WANTS TO GO TO THE EMERGENCY ROOM OR NOT. 382 00:19:16,622 --> 00:19:19,558 BECAUSE SOMEONE'S GOING TO HAVE TO GO WITH YOU IF YOU GO, RIGHT. 383 00:19:19,558 --> 00:19:22,595 >> YEAH, AMY DIDN'T WANT TO GO TO THE EMERGENCY ROOM. 384 00:19:22,595 --> 00:19:24,964 >> Jimmy: RIGHT RIGHT. 385 00:19:24,964 --> 00:19:25,264 [ LAUGHTER ] 386 00:19:25,264 --> 00:19:31,170 >> WE HAD A ‐‐ A RESERVATION AT A RESTAURANT, SO WE DECIDED TO 387 00:19:31,170 --> 00:19:31,604 DO THAT. 388 00:19:31,604 --> 00:19:32,605 [ LAUGHTER ] 389 00:19:32,605 --> 00:19:36,776 I THINK THE BEE STING KIND OF SAVED MY LIFE. SO, I DON'T KNOW. 390 00:19:36,776 --> 00:19:41,580 I THINK BECAUSE I HAD THE BEE STING THE DAY BEFORE I HAD THE 391 00:19:41,580 --> 00:19:44,617 ANTIBIOTICS, SAVED MY LIFE, SO I JUST DID A LOT OF DRINKING THAT 392 00:19:44,617 --> 00:19:46,152 WEEKEND AND I WAS FINE. 393 00:19:46,152 --> 00:19:46,952 [ LAUGHTER ] 394 00:19:46,952 --> 00:19:50,990 >> Jimmy: YEAH. AND WHAT DO YOU GUYS DO, BESIDES 395 00:19:50,990 --> 00:19:54,760 GETTING THE USUAL MASSAGES AND EATING AND DRINKING DO YOU HAVE 396 00:19:54,760 --> 00:19:55,161 ACTIVITIES? 397 00:19:55,161 --> 00:19:56,996 >> THERE WERE PLANNED ACTIVITIES. 398 00:19:56,996 --> 00:20:02,535 WE DID ONE IN WINE COUNTRY WHICH WE ENDED UP MAKING THE BASIS FOR 399 00:20:02,535 --> 00:20:05,938 A MOVIE WE ALL DID TOGETHER AND IT WAS BASED ON THAT TRIP THAT I 400 00:20:05,938 --> 00:20:10,042 GOT BITTEN BY A SNAKE IN THAT VERSION OF IT. 401 00:20:10,042 --> 00:20:11,410 >> Jimmy: OH. 402 00:20:11,410 --> 00:20:11,744 [ LAUGHTER ] 403 00:20:11,744 --> 00:20:16,515 >> AND WE ‐‐ OH, WE ACTUALLY HAD 404 00:20:16,515 --> 00:20:22,054 A TAROT CARD READER WHO WAS CRANKY AND MEAN AND HATED US BY 405 00:20:22,054 --> 00:20:26,358 THE NAME OF GRANNY RAINBOW. SHE WAS A REAL DELIGHT. 406 00:20:26,358 --> 00:20:28,494 >> Jimmy: GRANNY RAINBOW. 407 00:20:28,494 --> 00:20:31,997 >> GRANNY RAINBOW DID NOT CARE FOR US. SHE WAS NOT THE WARMEST. 408 00:20:31,997 --> 00:20:36,902 YOU WOULD HAVE THOUGHT FROM THE YELP AND HER NAME, THE REVIEW 409 00:20:36,902 --> 00:20:38,104 WAS PROBABLY 35 YEARS OLD. 410 00:20:38,104 --> 00:20:40,039 >> DID YOU FIND HER ON YELP? 411 00:20:40,039 --> 00:20:43,409 >> I THINK SOMEONE DID. GRANNY RAINBOW THIS WILL BE A 412 00:20:43,409 --> 00:20:47,880 REAL KICK. WE GOT THERE, SHE WAS JUDGMENTAL 413 00:20:47,880 --> 00:20:51,550 ANDIRITABLE AND DIDN'T LIKE IT WHEN WE SORT OF DIDN'T TAKE THE 414 00:20:51,550 --> 00:20:55,554 WHOLE THING SERIOUSLY. WAS A REAL HOOT. 415 00:20:55,554 --> 00:21:00,593 >> Jimmy: YOU WOULD THINK WHEN YOU'RE NAME'S GRANNY RAINBOW 416 00:21:00,593 --> 00:21:03,529 MAYBE THINGS WOULDN'T BE TAKEN SO SERIOUSLY WHEN YOU SHOW UP. 417 00:21:03,529 --> 00:21:06,098 >> YOU WOULD THINK. MAYBE THAT'S THE CATCH. 418 00:21:06,098 --> 00:21:10,936 SHE'S LIKE I KNOW HOW TO PISS PEOPLE OFF I WILL CALL MYSELF 419 00:21:10,936 --> 00:21:13,806 GRANNY RAINBOW AND THEN BE A COMPLETE [ BLEEP ]. 420 00:21:13,806 --> 00:21:21,580 >> Jimmy: YOU HAVE TWO OF THE MOST HAPPIEST PLEASANT WORDS IN 421 00:21:21,580 --> 00:21:25,417 THE ENGLISH LANGUAGE ONE WOULD BE GRANNY, AND ONE WOULD BE 422 00:21:25,417 --> 00:21:25,684 RAINBOW. 423 00:21:25,684 --> 00:21:30,356 >> YEAH IT'S NOT LIKE SHE WAS LIKE OLD DUMP TRUCK GUYS. 424 00:21:30,356 --> 00:21:30,656 [ LAUGHTER ] 425 00:21:30,656 --> 00:21:35,261 >> Jimmy: GUILLERMO, GRAB THE PHONE SEE IF YOU CAN FINE OLD 426 00:21:35,261 --> 00:21:40,232 DUMP TRUCK EYES. MAYA RUDOLPH IS WITH US, HER 427 00:21:40,232 --> 00:21:43,936 MOVIE THE MITCHELL VERSUS THE MACHINE, WE'LL BE RIGHT BACK. 428 00:21:56,982 --> 00:21:59,652 >> WHAT ARE THEY FEEDING THEM OTHER DOGS? 429 00:21:59,652 --> 00:22:04,824 >> THEY'RE JEALOUS OF US RIGHT, WHAT IF YOUR COLLEGE COULD BE 430 00:22:04,824 --> 00:22:05,558 BETTER THAN THIS. 431 00:22:05,558 --> 00:22:06,258 >> THIS IS AMAZING. 432 00:22:06,258 --> 00:22:10,729 >> THIS IS THE BEST DAY OF MY LIFE. I'M MAKING LIFELONG BONDS. 433 00:22:10,729 --> 00:22:13,165 >> WE'RE ALL MISSING EVERYTHING. 434 00:22:13,165 --> 00:22:14,600 [ CHEERS AND APPLAUSE ] 435 00:22:14,600 --> 00:22:22,575 >> Jimmy: THOSE WERE THE VOICES OF DENNY McBRIDE AND JACOBSON 436 00:22:22,575 --> 00:22:24,410 AND MAYA RUDOLPH WHO WITH US IN 437 00:22:24,410 --> 00:22:35,788 THE NEW MOVIE "THE MITCHELLS VS. 438 00:22:35,788 --> 00:22:38,257 THE MACHINES" YOU HAVE 100% TOP CRITICS. 439 00:22:38,257 --> 00:22:39,491 [ CHEERS AND APPLAUSE ] 440 00:22:39,491 --> 00:22:43,329 >> THAT'S AMAZING. I USUALLY READ THE ROTTEN 441 00:22:43,329 --> 00:22:46,565 TOMATOES REVIEWS TO THE CHILDREN AT NIGHT. WOW. NO JOKE. 442 00:22:46,565 --> 00:22:49,235 THAT'S AMAZING. IT'S A GREAT MOVIE. 443 00:22:49,235 --> 00:22:51,737 IT DESERVES THAT. THAT'S GOOD, RIGHT. 444 00:22:51,737 --> 00:22:56,742 WHEN YOU GET 100 ROTTEN TOMATOES, IS THAT A GOOD THING. 445 00:22:56,742 --> 00:23:02,381 >> Jimmy: YOU WANT TO GET 100%, BUT 100% FRESH, IF YOU GET 100% 446 00:23:02,381 --> 00:23:04,083 TOMATOES THAT'S A BAD THING. 447 00:23:04,083 --> 00:23:07,286 >> YOU DON'T WANT TOMATOES THROWN AT YOU, GOT IT. 448 00:23:07,286 --> 00:23:09,822 >> Jimmy: NEVER ESPECIALLY IF THEY'RE ROTTEN. 449 00:23:09,822 --> 00:23:13,659 THIS MOVIE IS ABOUT ROBOTS TAKING OVER THE EARTH, WHICH I 450 00:23:13,659 --> 00:23:14,894 WELCOME BY THE WAY. 451 00:23:14,894 --> 00:23:15,194 [ LAUGHTER ] 452 00:23:15,194 --> 00:23:18,564 I FEEL LIKE, GIVE THEM A CHANCE TO DO IT BECAUSE WE'RE NOT DOING 453 00:23:18,564 --> 00:23:20,032 SUCH A GREAT JOB OF IT. 454 00:23:20,032 --> 00:23:22,167 >> YOU HAVE A POINT, YEAH. 455 00:23:22,167 --> 00:23:25,137 >> Jimmy: THE ILL‐EFFECTS OF SOCIAL MEDIA, IS THAT CORRECT? 456 00:23:25,137 --> 00:23:28,207 >> THAT'S CORRECT. AND IT'S NICE, YOU KNOW, WHEN WE 457 00:23:28,207 --> 00:23:32,411 FIRST STARTED MAKING THE MOVIE THE WORD APOCALYPSE WAS NOT A 458 00:23:32,411 --> 00:23:36,081 WORD I LIKED TO CAN USE IN FRONT OF MY CHILDRN BUT WHEN I 459 00:23:36,081 --> 00:23:40,886 EXPLAINED TO THEM IT WAS A MOVIE ABOUT A FAMILY ON A ROAD TRIP 460 00:23:40,886 --> 00:23:46,258 THAT ENDS IN A ROBOT APOCALYPSE THEY'RE LIKE, GREAT, WE DEAD. 461 00:23:46,258 --> 00:23:46,558 [ LAUGHTER ] 462 00:23:46,558 --> 00:23:49,361 PRETTY MUCH SIMILAR TO THE VIBE WE'RE EXPERIENCING. 463 00:23:49,361 --> 00:23:49,762 >> Jimmy: YEAH. 464 00:23:49,762 --> 00:23:54,700 >> BUT IT'S ACTUALLY A REALLY LOVELY MOVIE BECAUSE IT'S A 465 00:23:54,700 --> 00:23:59,471 REALLY LOVING FAMILY, A GREAT, WEIRD FAMILY WITH A LOT OF 466 00:23:59,471 --> 00:24:01,173 IMPERFECTIONS. AND YEAH, SOCIAL MEDIA HAS BEEN 467 00:24:01,173 --> 00:24:04,009 SUCH AN AMAZING PART OF ALL OF OUR LIVES, YOU KNOW. 468 00:24:04,009 --> 00:24:08,580 >> IT'S FUNNY, I THINK WE ALL KNOW IT'S BAD FOR US AND WE JUST 469 00:24:08,580 --> 00:24:11,750 KEEP ON CONSUMING IT. DOESN'T MATTER HOW MUCH WE KNOW. 470 00:24:11,750 --> 00:24:14,086 >> YEAH. ESPECIALLY AS A PARENT. 471 00:24:14,086 --> 00:24:18,857 WE HAVE TO USE OUR PHONES, FOR EXAMPLE, TO, YOU KNOW, KEEP UP 472 00:24:18,857 --> 00:24:22,361 WITH THINGS, CHECK OUR E‐MAILS AT THE SAME TIME WE'RE TELLING 473 00:24:22,361 --> 00:24:27,933 OUR CHILDREN TO GET OFF THEIR DEVICES AND WE'RE ON OURS AND WE 474 00:24:27,933 --> 00:24:30,302 LOOK LIKE COMPLETE HYPOCRITES. 475 00:24:30,302 --> 00:24:30,669 >> Jimmy: YEAH. 476 00:24:30,669 --> 00:24:34,306 >> AND I AGREE WITH YOU, I THINK THE ROBOTS MIGHT HAVE SOMETHING 477 00:24:34,306 --> 00:24:37,242 ON US. I THINK QUESTION MIGHT NEED SOME 478 00:24:37,242 --> 00:24:37,977 HELP. 479 00:24:37,977 --> 00:24:44,183 >> Jimmy: YEAH MY ROBO IS PLOTTING AGAINST ME. 480 00:24:44,183 --> 00:24:46,652 I NOTICE SOMETHING'S UP IN THE MIDDLE OF THE NIGHT. 481 00:24:46,652 --> 00:24:49,121 SPEAK OF MOVIES THAT MAYBE ARE 482 00:24:49,121 --> 00:24:54,693 HARBINGERS OF THE FUTURE, THE 483 00:24:54,693 --> 00:25:00,099 MOVIE "IDIOT RACI" IS A MOVIE YOU'RE IN. 484 00:25:00,099 --> 00:25:04,770 A MOVIE THAT MIKE JUDGE WROTE AND DIRECTED. 485 00:25:04,770 --> 00:25:09,842 IT WAS DONE ON OBVIOUSLY A SHOESTRING BUDGET BUT NOW YOU 486 00:25:09,842 --> 00:25:13,979 LOOK AT THAT MOVIE, I REMEMBER ENJOYING IT WHEN IT CAME OUT, 487 00:25:13,979 --> 00:25:16,749 HOW LONG AGO DID THAT MOVIE COME OUT. 488 00:25:16,749 --> 00:25:18,684 >> SOMEONE SAID 15 YEARS AGO. 489 00:25:18,684 --> 00:25:19,351 >> Jimmy: IT'S CRAZY. 490 00:25:19,351 --> 00:25:20,953 >> RIGHT. 491 00:25:20,953 --> 00:25:29,395 >> TERRY CREWS WAS PRESIDENT 492 00:25:29,395 --> 00:25:32,865 CAMACHO. WE JUST HAD A PRESIDENT WHO WAS 493 00:25:32,865 --> 00:25:33,665 IN THE WWE HALL OF FAME. 494 00:25:33,665 --> 00:25:36,969 >> THAT'S THE THING, I SHOWED THE MOVIE TO MY KIDS. 495 00:25:36,969 --> 00:25:37,536 >> Jimmy: YOU DID? 496 00:25:37,536 --> 00:25:44,877 >> WHEN THE MOVIE WAS COMING OUT, I'M SORRY, DURING THIS PAST 497 00:25:44,877 --> 00:25:50,315 ELECTION WHEN YOU KNOW WHO WAS ELECTED WE WERE SHOWING THE 498 00:25:50,315 --> 00:25:54,119 MOVIE LAUGHING THINKING IT WAS FUNNY AND THEN IT JUST WASN'T 499 00:25:54,119 --> 00:25:54,686 FUNNY. 500 00:25:54,686 --> 00:25:55,954 [ LAUGHTER ] 501 00:25:55,954 --> 00:25:59,858 IT WAS A LITTLE TOO REAL. AND YEAH, I SHOWED IT TO MY 502 00:25:59,858 --> 00:26:04,563 KIDS, THEY WERE KIND OF LIKE OKAY THAT'S A NICE DOCUMENTARY. 503 00:26:04,563 --> 00:26:10,736 >> Jimmy: ONE OF THE THINGS IN THE MOVIE WAS CROCS WHICH WERE A 504 00:26:10,736 --> 00:26:11,870 BRAND NEW THING BACK THEN. 505 00:26:11,870 --> 00:26:14,473 >> THAT'S FUNNY BECAUSE WHEN WE WERE MAKING THE MOVIE THE 506 00:26:14,473 --> 00:26:19,178 COSTUME DESIGNER WAS SAYING, OH, I HAD TO GET THIS NEW SHOE, IT'S 507 00:26:19,178 --> 00:26:22,915 LIKE THIS PLASTIC SHOE AND EVERYBODY ‐‐ BECAUSE THE MOVIE 508 00:26:22,915 --> 00:26:25,818 IS ABOUT DUMB DUMBS IN THE FUTURE. 509 00:26:25,818 --> 00:26:26,318 >> Jimmy: YEAH. 510 00:26:26,318 --> 00:26:29,088 >> AND HOW DUMB EVERYBODY'S GETTING, SO ALL THESE DUMMIES IN 511 00:26:29,088 --> 00:26:34,726 THE FUTURE ARE JUST WEARING THIS SHOE THAT MAKES YOUR FOOT LOOK 512 00:26:34,726 --> 00:26:37,696 LIKE BARNEY RUBBLE. I'M LIKE THIS SAY WEIRD, DUMB 513 00:26:37,696 --> 00:26:40,232 SHOE. THIS IS SO DUMB. NOW I HAVE MANY PAIRS. 514 00:26:40,232 --> 00:26:41,834 [ LAUGHTER ] 515 00:26:41,834 --> 00:26:43,936 I THINK THEY'RE ALREADY BACK. 516 00:26:43,936 --> 00:26:51,243 I HAVE STRAWBERRY CROCS 517 00:26:51,243 --> 00:26:57,616 I DRESS THE CHILDREN IN CROCS THE DOGS ARE IN CROCS. 518 00:26:57,616 --> 00:26:59,685 CROCS ARE TAKING OVER THE WORLD. 519 00:26:59,685 --> 00:27:04,089 >> Jimmy: MAYA, THANK YOU FOR BEING WITH US, YOU'LL BE WITH US 520 00:27:04,089 --> 00:27:11,196 ON MARK ROBBER'S YOUTUBE CHANNEL SO I WILL SEE YOU THEN, 521 00:27:11,196 --> 00:27:17,504 >> Jimmy: "THE MITCHELLS VS. THE MACHINES" IS ON NETFLIX NOW. 522 00:27:17,504 --> 00:27:20,346 WE'LL BE BACK WITH MALCOLM GLADWELL. 523 00:27:20,346 --> 00:27:22,457 [ CHEERS AND APPLAUSE ] 524 00:27:22,457 --> 00:27:23,134 ♪ 525 00:27:27,079 --> 00:27:28,213 [ CHEERS AND APPLAUSE ] 526 00:27:28,213 --> 00:27:31,717 ♪ 527 00:27:31,717 --> 00:27:34,887 >> Jimmy: WELCOME BACK, MUSIC FROM KINGS OF LEON IS ON THE WAY. 528 00:27:34,887 --> 00:27:36,088 OUR NEXT GUEST IS A HUGELY SUCCESSFUL AUTHOR AND PODCASTER 529 00:27:36,088 --> 00:27:39,358 WITH SIX NEW YORK TIMES BESTSELLERS. 530 00:27:39,358 --> 00:27:44,263 HIS LATEST IS BOTH AN IMMERSIVE AUDIOBOOK AND A HARDCOVER 531 00:27:44,263 --> 00:27:46,999 REGULAR BOOK "THE BOMBER MAFIA" IS AVAILABLE NOW. 532 00:27:46,999 --> 00:27:50,202 PLEASE SAY HELLO TO MALCOLM GLADWELL. 533 00:27:50,202 --> 00:27:50,702 [ CHEERS AND APPLAUSE ] 534 00:27:50,702 --> 00:27:53,672 . HEY, MALCOLM. 535 00:27:53,672 --> 00:27:54,640 >> HEY, JIMMY. 536 00:27:54,640 --> 00:27:56,308 >> Jimmy: HOW YOU DOING? 537 00:27:56,308 --> 00:27:58,877 >> VERY WELL, HOW ABOUT YOU? 538 00:27:58,877 --> 00:28:02,014 >> Jimmy: I'M DOING WELL, I FEEL WEIRD HOLDING UP THE BOOK 539 00:28:02,014 --> 00:28:05,050 BECAUSE THE BOOK IS A BOOK BUT THE EXPERIENCE OF LISTENING TO 540 00:28:05,050 --> 00:28:09,021 THIS, I DON'T THINK CALLING IT AN AUDIO BOOK REALLY EVEN 541 00:28:09,021 --> 00:28:13,458 EXPLAINS WHAT IT IS. BECAUSE IT IS THIS COMBINATION 542 00:28:13,458 --> 00:28:20,499 OF RADIO DRAMA, NARRATED BOOK ALSO WITH REAL FIRST‐PERSON 543 00:28:20,499 --> 00:28:24,503 INTERVIEWS MIXED IN AND SOUND EFFECTS AND MUSIC AND EVERYTHING. 544 00:28:24,503 --> 00:28:25,671 IT'S VERY INTERESTING. 545 00:28:25,671 --> 00:28:29,975 >> OH, IT'S, YEAH, THIS IS ‐‐ WE'RE REALLY EXCITED ABOUT THIS. 546 00:28:29,975 --> 00:28:35,948 WE'VE BEEN DOING PROJECTS LIKE THIS WITH THIS AUDIO COMPANY, 547 00:28:35,948 --> 00:28:40,018 BUSHKIN INDUSTRIES, THIS IS THE FIRST FULLY IMMERSIVE ONE WE'VE 548 00:28:40,018 --> 00:28:42,554 DONE. I DISCOVERED THERE'S ALL THIS 549 00:28:42,554 --> 00:28:45,324 INCREDIBLE TAPE OF THESE GENERALS FROM THE SECOND WORLD 550 00:28:45,324 --> 00:28:49,161 WAR AT MAXWELL AIR FORCE BASE AND THERE'S A TREASURE TROVE SO 551 00:28:49,161 --> 00:28:52,698 I REALIZED I COULD TELL THIS WEIRD STORY ABOUT THESE GUYS IN 552 00:28:52,698 --> 00:28:58,737 THE AIR FORCE BACK IN THE 1930'S AND C 553 00:28:58,737 --> 00:29:04,910 YOU COULD HEAR ALL THEIR VOICES, I WASN'T DESCRIBING LIKE AN 554 00:29:04,910 --> 00:29:07,346 ABSTRACT THING, IT'S LIKE THEY'RE SITTING WITH YOU, 555 00:29:07,346 --> 00:29:11,450 EXPLAINING THEIR IDEAS, DREAMS AND HOPES. 556 00:29:11,450 --> 00:29:14,987 >> Jimmy: WOW. EXPLAIN WHAT THE BOMBER MAFIA 557 00:29:14,987 --> 00:29:15,187 WAS. 558 00:29:15,187 --> 00:29:21,493 >> IT WAS A GROUP OF INCREDIBLY IDEALISTIC YOUNG PILOTS IN 559 00:29:21,493 --> 00:29:24,329 MONTGOMERY, ALABAMA, WHO FELL IN LOVE WITH BOMBING AND THOUGHT 560 00:29:24,329 --> 00:29:28,700 THEY COULD REINVENT WAR, THOUGHT THEY COULD FIGHT A WAR WITHOUT 561 00:29:28,700 --> 00:29:31,036 KILLING HUNDREDS OF THOUSANDS OF PEOPLE. 562 00:29:31,036 --> 00:29:34,740 THAT YOU COULD MAKE EVERY OTHER PART OF THE MILITARY OBSOLETE 563 00:29:34,740 --> 00:29:38,210 AND JUST USE BOMBERS AND DROP THEM WITH SUCH PRECISION THAT 564 00:29:38,210 --> 00:29:42,147 YOU WOULDN'T HAVE TO HAVE IT BATTLES ON BATTLE FIELDS AND YOU 565 00:29:42,147 --> 00:29:45,917 WOULDN'T HAVE TO KILL A LOT OF CIVILIANS. 566 00:29:45,917 --> 00:29:50,322 THEY DID A EXERCISE THAT THEY IMAGINED COULD YOU TAKE OUT NEW 567 00:29:50,322 --> 00:29:56,261 YORK CITY WITH 14 BOMBS, AND THEY SAID THEY COULD IF YOU DO 568 00:29:56,261 --> 00:29:59,498 THE AQUEDUCTS AND POWER GRIDS AND BRIDGES. 569 00:29:59,498 --> 00:30:01,833 >> Jimmy: DON'T SAY IT ALLOW. 570 00:30:01,833 --> 00:30:02,067 >> YES. 571 00:30:02,067 --> 00:30:04,703 >> Jimmy: THAT WAS QUITE SOME TIME AGO. 572 00:30:04,703 --> 00:30:09,241 IT'S REALLY AMAZING TO FIND A STORY LIKE THIS FROM WORLD WAR 573 00:30:09,241 --> 00:30:13,478 II WHICH THERE'S BEEN A WHOLE HISTORY CHANNEL AND ALL THESE 574 00:30:13,478 --> 00:30:18,283 BOOKS AND STUFF AND SOMEHOW YOU FIND THIS STORY THAT IS AN 575 00:30:18,283 --> 00:30:21,386 AMAZING STORY AND REALLY UPSETTING WHEN YOU REALLY LISTEN 576 00:30:21,386 --> 00:30:25,023 TO THE DETAILS AND YOU HEAR THESE PEOPLE WHO WERE ‐‐ WELL, 577 00:30:25,023 --> 00:30:30,996 TALK ABOUT JAPAN AND THAT, THE MISSION, AND WHY IT WAS SO 578 00:30:30,996 --> 00:30:32,631 UNUSUAL AND DEVASTATING FINANCIAL 579 00:30:32,631 --> 00:30:35,767 >> WELL, ‐‐ 580 00:30:35,767 --> 00:30:40,005 >> WELL, THE BOOK IS LEADING UP TO WHAT I CALL THE LONGEST NIGHT 581 00:30:40,005 --> 00:30:45,744 OF THE WAR WHICH IS WHEN THE U.S. AIR FORCE ATTACKED TOKYO 582 00:30:45,744 --> 00:30:51,216 WITH B‐29 BOMBERS FILLED WITH NAPALM AND BURNED 16 SQUARE 583 00:30:51,216 --> 00:30:56,955 MILES OF TOKYO TO THE GROUND IN ONE NIGHT, INCINERATING 40 TO 584 00:30:56,955 --> 00:30:59,424 50,000 PEOPLE. IT'S ONE OF THE DEADLIEST NIGHT 585 00:30:59,424 --> 00:31:01,526 IN HUMAN HISTORY. I WANTED TO UNDERSTAND. 586 00:31:01,526 --> 00:31:06,598 I WENT TO TOKYO. I WENT TO THIS TINY MUSEUM ON A 587 00:31:06,598 --> 00:31:09,201 SIDE STREET THAT WAS COMMEMORATED TO THAT NIGHT. 588 00:31:09,201 --> 00:31:13,739 I WENT THERE ALMOST RANDOMLY AND REALIZED I WANTED TO UNDERSTAND 589 00:31:13,739 --> 00:31:18,043 HOW DID WE GET TO THE POINT WHERE AMERICAN BOMBERS DROPPED 590 00:31:18,043 --> 00:31:22,981 NAPALM ON TOKYO AND INCINERATED 50,000 PEOPLE IN ONE NIGHT, 591 00:31:22,981 --> 00:31:28,754 THAT'S WHERE THE GENESIS OF THIS 592 00:31:28,754 --> 00:31:34,793 STORY WAS IT'S THE STRANGEST, WEIRDEST, AND FASCINATING 593 00:31:34,793 --> 00:31:39,431 CHARACTERS, JUST EXTRAORDINARY PEOPLE, A DUTCH GENIUS WHO 594 00:31:39,431 --> 00:31:41,233 INVENTED THE AN A LOG COMPUTER. 595 00:31:41,233 --> 00:31:44,603 >> Jimmy: THE CHARACTERS IN THE BOOK ARE CERTAINLY AMERICAN 596 00:31:44,603 --> 00:31:48,306 HEROES ARE ALSO NUTTY, A LITTLE BIT, RIGHT. . 597 00:31:48,306 --> 00:31:53,311 >> OH, MY FAVORITES, ONE OF THE GUYS, HAYWOOD HANSON ONE OF THE 598 00:31:53,311 --> 00:31:57,716 HEROES OF THE BOOK IS SO OBS OBSESSED WITH BOMBING, HE'S 599 00:31:57,716 --> 00:32:01,153 NEVER HOME, HE GOES HOME TO HAVE DINNER WITH HIS WIFE FOR THE 600 00:32:01,153 --> 00:32:07,793 FIRST TIME IN MONTHS AND IN THE MIDDLE OF DINNER HE HEARS A 601 00:32:07,793 --> 00:32:11,830 SOUND, SAYS WHAT'S THAT NOISE, THE WIFE SAYS THAT'S YOUR SON, 602 00:32:11,830 --> 00:32:17,369 HE'S CRYING. IF YOU FEEL GUILTY ABOUT NOT BEING HOME ENOUGH LOOK 603 00:32:17,369 --> 00:32:19,771 AT HIM HE'LL MAKE YOU FEEL BETTER. 604 00:32:19,771 --> 00:32:22,374 >> Jimmy: WHAT'S THAT NOISE, THAT'S SOMETHING. 605 00:32:22,374 --> 00:32:25,510 I THINK PEOPLE SHOULD LISTEN TO THE AUDIO BOOK. 606 00:32:25,510 --> 00:32:28,180 MY INCLINATION IS USUALLY TO GRAB THE HARD COVER BUT I THINK 607 00:32:28,180 --> 00:32:30,182 THE WAY TO GO IS THE AUDIO BOOK. 608 00:32:30,182 --> 00:32:34,553 >> GO TO BOMBERMAFIA.COM. IT'S WAITED TO BE DOWNLOADED. 609 00:32:34,553 --> 00:32:38,323 >> Jimmy: ARE YOU WORKING ON YOUR NEW SEASON OF PODCAST RIGHT 610 00:32:38,323 --> 00:32:38,490 NOW? 611 00:32:38,490 --> 00:32:42,794 >> OH, YES, I AM. YOU KNOW WHAT I'M DOING. 612 00:32:42,794 --> 00:32:43,862 >> Jimmy: WHAT ARE YOU DOING. 613 00:32:43,862 --> 00:32:48,800 >> THE SIGNATURE OF THIS SEASON IS THREE EPISODES, THREE, JIMMY, 614 00:32:48,800 --> 00:32:54,773 ON THE LITTLE MERMAID, ON THE CINEMATIC DUMPSTER FIRE THAT IS 615 00:32:54,773 --> 00:32:59,878 THE LITTLE MERMAID IN WHICH I TEAR THAT MOVIE TO SHREDS AND 616 00:32:59,878 --> 00:33:01,913 SHOW THE WORLD HOW TO MAKE IT BETTER. 617 00:33:01,913 --> 00:33:05,417 >> THREE EPISODES ABOUT THE LITTLE MERMAID! 618 00:33:05,417 --> 00:33:09,488 >> I HAVE MORE TIME ON THE LITTLE MERMAID THAN THE LITTLE 619 00:33:09,488 --> 00:33:12,891 MERMAID, THE LITTLE MERMAID IS 80 MINUTES I DO AN HOUR AND 620 00:33:12,891 --> 00:33:14,926 HALF, TWO HOURS ON LITTLE MERMAID. 621 00:33:14,926 --> 00:33:18,230 I TOTALLY LOSE MY MIND, TOTALLY LOSE MY MIND. 622 00:33:18,230 --> 00:33:21,132 >> Jimmy: WHEN DID YOU FASHION THIS GRUDGE AGAINST THE LITTLE 623 00:33:21,132 --> 00:33:22,200 MERMAID? 624 00:33:22,200 --> 00:33:28,306 >> I NEVER WATCHED IT AS A KID. I DIDN'T WATCH ANY DISNEY MOVIE, 625 00:33:28,306 --> 00:33:30,842 I'M ALSO OLD, IT CAME OUT WHEN I 626 00:33:30,842 --> 00:33:38,416 WAS LIKE A GROWN MAN, I MET THIS SOCIOLOGYISTS WHO IS HILARIOUS, 627 00:33:38,416 --> 00:33:43,822 SHE WROTE AN ARTICLE ON WHAT WAS WRONG, SHE'S LIKE I'M GOING TO 628 00:33:43,822 --> 00:33:48,260 GIVE A LITTLE VERSION OF WHAT GOES WRONG WITH THE MOVIE. 629 00:33:48,260 --> 00:33:52,464 SHE'S ALSO A LAWYER. SO I CALL HER UP. 630 00:33:52,464 --> 00:33:58,303 I WATCH THE MOVIE MYSELF I'M LINING OH, MY GOD THIS MOVIE IS 631 00:33:58,303 --> 00:34:02,407 TERRIBLE, THE WHOLE LAST THIRD OF IT IS A COMPLETE OUTRAGE, IT 632 00:34:02,407 --> 00:34:05,577 VIOLATES SO MANY MORAL PRINCIPLES. 633 00:34:05,577 --> 00:34:05,877 [ LAUGHTER ] 634 00:34:05,877 --> 00:34:10,715 SO I GO TO THE POINT WHERE, DO YOU KNOW WHO BRIT MARLEY THE 635 00:34:10,715 --> 00:34:12,284 BRILLIANT SCREEN WRITER IS. 636 00:34:12,284 --> 00:34:14,920 >> Jimmy: NO BUT I'M GOING TO PRETEND I DO. 637 00:34:14,920 --> 00:34:18,023 >> SHE REWROTE THE ENDING OF THAT MOVIE. 638 00:34:18,023 --> 00:34:22,627 WE PERFORMED IT IN EPISODE THREE AND WHEN YOU HEAR HER VERSION OF 639 00:34:22,627 --> 00:34:27,699 HOW IT OUGHT TO END, YOU WILL NEVER WATCH THAT MOVIE THE SAME 640 00:34:27,699 --> 00:34:29,267 WAY AGAIN. 641 00:34:29,267 --> 00:34:31,670 >> Jimmy: OH, WOW. 642 00:34:31,670 --> 00:34:31,970 [ APPLAUSE ] 643 00:34:31,970 --> 00:34:36,107 >> YOU ARE PART OF THE DISNEY EMPIRE JIMMY. 644 00:34:36,107 --> 00:34:37,075 >> Jimmy: I AM. 645 00:34:37,075 --> 00:34:40,312 >> THEY'RE UPSTAIRS WATCHING THIS RIGHT NOW, THOSE GUYS, 646 00:34:40,312 --> 00:34:42,948 THEY'RE SAYING, THEY'RE PROBABLY TRYING TO CUT ME OFF. 647 00:34:42,948 --> 00:34:45,016 [ LAUGHTER ] 648 00:34:45,016 --> 00:34:49,087 >> Jimmy: YOU'LL BE LUCKY TO BE ALIVE BY MORNING, THAT'S FOR 649 00:34:49,087 --> 00:34:49,387 SURE. 650 00:34:49,387 --> 00:34:56,061 >> I'M DISSING THE IP OF THE DISNEY COMPANY ON A DISNEY SHOW. 651 00:34:56,061 --> 00:34:59,798 >> Jimmy: YEAH. WOW, I NOW HAVE TO WATCH THAT 652 00:34:59,798 --> 00:35:03,668 AGAIN, BECAUSE YOU KNOW WITH MY KIDS I LOOK IN ON IT AND SAY 653 00:35:03,668 --> 00:35:06,237 WHATEVER IS GOING ON IN THERE BUT YOU'RE SAYING THIS IS THE 654 00:35:06,237 --> 00:35:09,507 MOVIE THAT UPSETS YOU MORE THAN ANYTHING ELSE. 655 00:35:09,507 --> 00:35:13,378 >> NOTHING, NOTHING HAS MADE ME SO ANGRY AS WHEN I WATCHED THAT 656 00:35:13,378 --> 00:35:15,046 MOVIE. I WAS LIKE, IT GETS TO THE END, 657 00:35:15,046 --> 00:35:21,653 JUST TO GIVE YOU A FLAVOR OF THIS, WHAT DOES ‐‐ IT TURNS INTO 658 00:35:21,653 --> 00:35:27,258 A VIGIL ANTE MOVIE LIKE A CLINT EASTWOOD MOVIE FROM THE 70'S. 659 00:35:27,258 --> 00:35:31,296 PRINCE WHAT DOES HE DO TO THE 660 00:35:31,296 --> 00:35:38,870 SEA WITCH HE MURDERS HER IN THE END, TAKES THE LAW INTO HIS OWN 661 00:35:38,870 --> 00:35:42,641 HANDS, THAT'S A LESSON TO TELL YOUR SIX‐YEAR‐OLD DAUGHTER, 662 00:35:42,641 --> 00:35:47,579 SOLVE A CONFLICT, MURDER THE HANDSOME PRINCE IF YOU DON'T 663 00:35:47,579 --> 00:35:50,849 LIKE HIM. I HAVEN'T SCRATCHED THE SURFACE. 664 00:35:50,849 --> 00:35:51,883 I GO ON FOR HOURS. 665 00:35:51,883 --> 00:35:54,219 >> I'M GOING TO LISTEN TO ALL OF THE HOURS. 666 00:35:54,219 --> 00:35:59,524 I LOOK FORWARD TO THAT. MALCOLM GLADWELL, HIS BOOK," THE 667 00:35:59,524 --> 00:36:03,695 BOMBER MAFIA" IS AVAILABLE ON AUDIO AND HARDCOVER NOW. 668 00:36:03,695 --> 00:36:05,071 HE WILL NOT BE GOING TO DISNEYLAND. 669 00:36:05,071 --> 00:36:06,969 THANKS FOR JOINING US, MALCOLM, GOOD TO SEE YOU. 670 00:36:06,969 --> 00:36:08,749 WE'LL BE RIGHT BACK WITH MUSIC FROM KINGS OF LEON. 671 00:36:08,749 --> 00:36:09,942 [ CHEERS AND APPLAUSE ] 672 00:36:14,880 --> 00:36:15,850 ♪ 673 00:36:15,850 --> 00:36:17,565 THE JIMMY KIMMEL LIVE CONCERT SERIES IS PRESENTED BY 674 00:36:17,565 --> 00:36:20,949 MERCEDES‐BENZ. THE BEST OR NOTHING. 675 00:36:20,949 --> 00:36:24,119 >> Jimmy: ALL RIGHT. IT'S TIME FOR MUSIC, THEIR 676 00:36:24,119 --> 00:36:26,388 LATEST ALBUM IS CALLED "WHEN YOU SEE YOURSELF." 677 00:36:26,388 --> 00:36:30,292 PLAYING THE SONG "ECHOING" FROM THE NFL DRAFT IN 678 00:36:30,292 --> 00:36:30,926 CLEVELAND, OHIO, KINGS OF LEON! 679 00:36:30,926 --> 00:36:33,228 [ CHEERS AND APPLAUSE ] 680 00:36:35,697 --> 00:36:38,200 ♪ 681 00:36:38,200 --> 00:36:38,567 ♪ WAKING EARLY 682 00:36:38,567 --> 00:36:43,705 IN THE MORNING WAITING ON THE LIGHT OF DAY 683 00:36:43,705 --> 00:36:44,239 WHOLE NEW KIND OF FEELING ♪ 684 00:36:44,239 --> 00:36:48,410 ♪ IS ON THE WAY 685 00:36:48,410 --> 00:36:52,748 I'M NOT SCARED OF KNOWING IF WE'RE EVER GETTING OUT 686 00:36:52,748 --> 00:36:56,918 WE COULD BE HERE FOREVER ♪ 687 00:36:56,918 --> 00:37:09,698 ♪ WITHOUT A DOUBT 688 00:37:09,698 --> 00:37:12,834 ♪ 689 00:37:12,834 --> 00:37:17,606 ♪ 690 00:37:17,606 --> 00:37:22,878 TIME IS OFTEN HIGHER LEARNING I'M STILL BARELY MAKING GRADES ♪ 691 00:37:22,878 --> 00:37:23,211 ♪ JUST ABOUT 692 00:37:23,211 --> 00:37:31,086 IMAGINATION ANYWAY WE ARE CIRCLING THE WAGONS 693 00:37:31,086 --> 00:37:35,690 LINING UP IN SINGLE FILE ♪ 694 00:37:35,690 --> 00:37:38,226 ♪ MEMBERS OF THE JURY 695 00:37:38,226 --> 00:37:40,262 ARE STANDING TRIAL 696 00:37:40,262 --> 00:37:47,002 I'M WAITING ON A MEMORY 697 00:37:47,002 --> 00:37:50,172 WAITING ON A MEMORY OH ♪ 698 00:37:50,172 --> 00:37:51,706 ♪ SAID IF YOU LOVE ME AND 699 00:37:51,706 --> 00:37:52,774 YOU'RE WILLING TO DANCE 700 00:37:52,774 --> 00:38:06,021 WE COULD TAKE IT 701 00:38:06,021 --> 00:38:07,722 TO THE HIGH SEAS ♪ 702 00:38:07,722 --> 00:38:11,726 ♪ ECHOING ECHOING 703 00:38:11,726 --> 00:38:24,773 WHERE DO WE STAND 704 00:38:24,773 --> 00:38:27,375 MY HEART'S HARD OF HEARING ♪ 705 00:38:27,375 --> 00:38:30,879 ♪ MY HEAD'S FULL OF SAND 706 00:38:30,879 --> 00:38:38,186 FEET POINT BOTH DIRECTIONS IF YOU NEED A HAND 707 00:38:38,186 --> 00:38:43,692 BLACK WATER REFLECTION ♪ 708 00:38:43,692 --> 00:38:44,159 ♪ LOST IN A CITY PARK 709 00:38:44,159 --> 00:38:50,232 I CAN'T FIND MY WAY 710 00:38:50,232 --> 00:38:56,705 THROUGH THE DARK WAITING ON A MEMORY 711 00:38:56,705 --> 00:39:02,143 WAITING ON A MEMORY OH ♪ 712 00:39:02,143 --> 00:39:04,546 ♪ SAID IF YOU LOVE ME 713 00:39:04,546 --> 00:39:08,149 AND YOU'RE WILLING TO DANCE WE COULD TAKE IT 714 00:39:08,149 --> 00:39:11,553 TO THE HIGH SEAS ♪ 715 00:39:11,553 --> 00:39:14,189 ♪ ECHOING ECHOING 716 00:39:14,189 --> 00:39:19,694 WERE DO WE STAND 717 00:39:19,694 --> 00:39:25,533 WE'LL BE SAILING ON A WILD BREEZE ♪ 718 00:39:25,533 --> 00:39:27,002 ♪ IF YOU LOVE ME AND 719 00:39:27,002 --> 00:39:33,074 YOU'RE WILLING TO DANCE WE COULD TAKE IT 720 00:39:33,074 --> 00:39:36,044 TO THE HIGH SEAS ♪ 721 00:39:36,044 --> 00:39:37,612 ♪ ECHOING 722 00:39:37,612 --> 00:39:43,218 ECHOING ECHOING ♪ YEAH ♪ 723 00:39:43,218 --> 00:39:46,321 ♪ 724 00:39:46,321 --> 00:39:46,521 ♪ 725 00:39:46,521 --> 00:39:55,997 ♪ 726 00:39:55,997 --> 00:40:02,203 ♪ 727 00:40:02,203 --> 00:40:03,705 [ CHEERS AND APPLAUSE ] 728 00:40:06,308 --> 00:40:08,209 >> Announcer: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 729 00:40:08,209 --> 00:40:12,404 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 730 00:40:15,083 --> 00:40:17,085 >> Jimmy: THANKS TO MAYA RUDOLPH, MALCOLM GLADWELL, GABBY 731 00:40:17,085 --> 00:40:19,955 DOUGLAS, AND KINGS OF LEON‐ APOLOGIES TO MATT DAMON. 732 00:40:19,955 --> 00:40:22,057 AND THE LITTLE MERMAID, "NIGHTLINE" IS NEXT. 733 00:40:22,057 --> 00:40:23,858 JOIN ME WITH MARK ROBER FOR THREE HOURS TOMORROW NIGHT ON 734 00:40:23,858 --> 00:40:27,128 HIS YOUTUBE CHANNEL FOR "COLOR THE SPECTRUM"‐ AN ALL‐STAR 735 00:40:27,128 --> 00:40:28,630 LIVESTREAM EVENT TO BENEFIT NEXT FOR AUTISM. 736 00:40:28,630 --> 00:40:31,366 I HOPE YOU WILL JOIN US THERE. THANKS FOR WATCHING HERE‐ AND 737 00:40:31,366 --> 00:40:32,067 GOODNIGHT. 738 00:40:32,067 --> 00:40:40,709 [ CHEERS AND APPLAUSE ] 739 00:40:40,709 --> 00:40:42,010 ♪