1 00:00:00,632 --> 00:00:01,493 ♪ BA‐DA‐BA 2 00:00:01,493 --> 00:00:04,067 ♪ BA‐DA‐BA 3 00:00:04,067 --> 00:00:08,128 ♪ JIMMY KIMMEL LIVE 4 00:00:08,128 --> 00:00:10,629 BACK AT HOME! 5 00:00:10,629 --> 00:00:14,258 >> Jimmy: HI, I'M JIMMY, I'M THE HOST OF THE SHOW. 6 00:00:14,258 --> 00:00:18,595 COMING TO YOU FROM MY HOUSE, AGAIN. 7 00:00:18,595 --> 00:00:19,696 WE WILL BE HERE FOR AT LEAST THE NEXT COUPLE OF WEEKS. 8 00:00:19,696 --> 00:00:20,831 WHICH IS NOT GREAT, BUT NOT TERRIBLE EITHER. 9 00:00:20,831 --> 00:00:21,698 AT LEAST I'M CLOSE TO THE REFRIGERATOR. 10 00:00:21,698 --> 00:00:26,937 AND HERE, NOBODY STEALS MY LUNCH. WE HAD A BIG ELECTION TODAY IN 11 00:00:26,937 --> 00:00:28,038 GEORGIA, WE HAVE A POSSIBLE SHOWDOWN BREWING BETWEEN 12 00:00:28,038 --> 00:00:32,042 DONALD TRUMP AND VICE POODLE MIKE PENCE. 13 00:00:32,042 --> 00:00:33,544 AND WE WILL GET TO ALL OF THAT, BUT FIRST I'LL TELL YOU WHAT THE 14 00:00:33,544 --> 00:00:41,279 BIG STORY IS IN MY HOUSE. TOYS. WE HAVE A LOT OF TOYS. 15 00:00:41,279 --> 00:00:46,050 AND SOME OF THEM I'VE GROWN TO HATE. 16 00:00:46,050 --> 00:00:48,720 TWO IN PARTICULAR WERE GIFT FOR OUR KIDS FROM MY VERY 17 00:00:48,720 --> 00:00:51,789 WELL‐MEANING COUSIN, MICKI, WHO SEEMS TO BE DOING HER GIFT 18 00:00:51,789 --> 00:00:54,258 SHOPPING IN HELL. I'LL START WITH THIS ITEM, WHICH 19 00:00:54,258 --> 00:00:55,927 COMBINES TWO OF MY SON'S FAVORITE THINGS. 20 00:00:55,927 --> 00:00:59,364 CARS AND DINOSAURS. WHICH SOUNDS GOOD. 21 00:00:59,364 --> 00:01:01,332 BUT LET ME JUST TURN THIS ON HERE. 22 00:01:01,332 --> 00:01:04,102 [ ROARING ] 23 00:01:04,102 --> 00:01:07,972 >> Jimmy: YOU HEAR THAT NOISE, THAT DINOSAUR NOISE? 24 00:01:07,972 --> 00:01:08,573 IT DOES THE NOISE THREE TIMES. 25 00:01:08,573 --> 00:01:10,475 ♪ 26 00:01:10,475 --> 00:01:15,279 THEN IT GOES INTO THIS LITTLE SONG THAT I NOW HEAR IN MY 27 00:01:15,279 --> 00:01:17,782 DREAMS. AND I ASSUME SOMEONE SAT DOWN AT 28 00:01:17,782 --> 00:01:20,284 A KEYBOARD AND WROTE IT. 29 00:01:20,284 --> 00:01:23,287 ♪ DA DA DA 30 00:01:23,287 --> 00:01:25,957 USUALLY ‐‐ IT'S NOT MOVING. OH, YEAH. 31 00:01:25,957 --> 00:01:28,960 IT HAS A HUMAN CENTIPEDE‐TYPE ACTION WHERE THE LITTLE 32 00:01:28,960 --> 00:01:33,231 DINOSAURS GO UP THE BIG DINOSAUR'S BUTT THEN COME OUT 33 00:01:33,231 --> 00:01:36,801 HIS MOUTH. AND IT JUST KEEPS GOING. 34 00:01:36,801 --> 00:01:43,574 ♪ DA DA DA 35 00:01:43,574 --> 00:01:46,511 RAWR! RAWR! OVER AND OVER AGAIN ON A 36 00:01:46,511 --> 00:01:49,914 20‐SECOND LOOP UNTIL YOU GO INSANE. 37 00:01:49,914 --> 00:01:52,216 AND I ACTUALLY PUT SOME TAPE OVER IT. 38 00:01:52,216 --> 00:01:59,490 HOW DO I TURN THIS THING OFF? TURN THIS ‐‐ THERE'S NO VOLUME 39 00:01:59,490 --> 00:02:03,161 BUTTON TO LOWER IT. I HAD TO ‐‐ ALL RIGHT, THANK YOU. 40 00:02:03,161 --> 00:02:06,164 I DON'T KNOW WHAT KILLED THE ORIGINAL DINOSAURS BUT I DO KNOW 41 00:02:06,164 --> 00:02:11,335 THAT ONE IS DEAD. MICKI ALSO GIVE US SOME FESTIVE 42 00:02:11,335 --> 00:02:14,305 HOLIDAY PHONE, THIS SANTA HOTLINE. 43 00:02:14,305 --> 00:02:17,508 YOU KNOW HOW KIDS LOVELAND LINE PHONES. 44 00:02:17,508 --> 00:02:20,978 NOW THIS PHONE YOU DON'T TURN ON. IF YOU TURN THE PHONE ON, THAT 45 00:02:20,978 --> 00:02:23,414 WOULD MEAN YOU CAN TURN IT OFF, WHICH YOU CANNOT. 46 00:02:23,414 --> 00:02:28,119 THE ONLY WAY TO TURN THIS PHONE OFF IS BY GETTING A PHILLIPS 47 00:02:28,119 --> 00:02:30,721 HEAD SCREW DRIVER AND TAKING THE BATTERIES OUT OF THE BOTTOM, AND 48 00:02:30,721 --> 00:02:32,190 THAT'S FUN TOO. WAIT A MINUTE, THERE IS AN 49 00:02:32,190 --> 00:02:36,327 ON/OFF THING ON THIS. OH, ALL RIGHT. 50 00:02:36,327 --> 00:02:39,363 OH, THE ON/OFF SWITCH DOESN'T WORK, OKAY. 51 00:02:39,363 --> 00:02:44,702 THAT'S EVEN MORE DIABOLICAL. ANYWAY. IF YOU PICK THIS UP ‐‐ 52 00:02:44,702 --> 00:02:47,939 >> SORRY I CAN'T ANSWER THE PHONE RIGHT NOW. 53 00:02:47,939 --> 00:02:51,342 AS YOU CAN PROBABLY GUESS, I'VE GOT A LOT OF COOKING TO DO. 54 00:02:51,342 --> 00:02:56,681 >> Jimmy: YES. 55 00:02:56,681 --> 00:02:57,381 ♪ 56 00:02:57,381 --> 00:03:01,419 >> YOU'VE REACHED THE NORTH POLE REINDEER STABLES. 57 00:03:01,419 --> 00:03:06,057 >> HIYA, YOU'VE REACHED THE HEAD ELF AT SANTA'S WORKSHOP. 58 00:03:06,057 --> 00:03:08,559 >> Jimmy: THE THING IS, THIS WON'T GO OFF. 59 00:03:08,559 --> 00:03:11,028 IT KEEPS GOING AND GOING AND GOING, THERE'S NOTHING YOU CAN 60 00:03:11,028 --> 00:03:13,364 DO ABOUT IT. ALTHOUGH NOW THAT I SEE THIS, 61 00:03:13,364 --> 00:03:17,835 MAYBE I WAS ‐‐ ANYWAY, MY KIDS LOVE THESE LITTLE PLASTIC 62 00:03:17,835 --> 00:03:21,372 NIGHTMARES. SEE, IT WON'T GO OFF. I'M HANGING IT UP, AND IT WON'T 63 00:03:21,372 --> 00:03:24,242 GO OFF. THANK YOU, COUSIN MICKI, IS WHAT 64 00:03:24,242 --> 00:03:27,845 I WANTED TO SAY. I KNOW YOU DIDN'T MEAN IT TO BE 65 00:03:27,845 --> 00:03:32,350 A PRANK, BUT IT WAS A VERY GOOD PRANK. WHOEVER CAME UP WITH THESE 66 00:03:32,350 --> 00:03:35,520 MIND‐RAVAGING SOUNDS, MY WISH FOR YOU IS THAT THESE NOISES 67 00:03:35,520 --> 00:03:39,257 YOU'RE HEARING RIGHT NOW FILL YOUR HEAD FROM NOW TO ETERNITY. 68 00:03:39,257 --> 00:03:42,126 ANYWAY, IF ANYONE WOULD LIKE TO OWN ONE OF THESE FABULOUS ITEMS, 69 00:03:42,126 --> 00:03:46,631 THEY'LL BE IN THE RECYCLING BIN OUTSIDE MY HOUSE. 70 00:03:46,631 --> 00:03:51,869 ALL RIGHT. LET'S PLEASE GET RID OF THIS 71 00:03:51,869 --> 00:03:53,237 THING, ALL RIGHT? LET'S CHECK IN WITH GUILLERMO, 72 00:03:53,237 --> 00:03:57,175 SEE HOW HE'S DOING. 73 00:03:57,175 --> 00:03:59,110 >> Guillermo: DOING GREAT, JIMMY! 74 00:03:59,110 --> 00:04:00,578 >> Jimmy: NOW WHAT IS YOUR NEW YEAR'S RESOLUTION? 75 00:04:00,578 --> 00:04:02,947 DO YOU HAVE ONE? 76 00:04:02,947 --> 00:04:07,251 >> Guillermo: HA HA HA! EVERY YEAR I HAVE THREE, JIMMY. 77 00:04:07,251 --> 00:04:09,854 >> Jimmy: GUILLERMO, TILT OVER TO THE SIDE JUST A LITTLE BIT. 78 00:04:09,854 --> 00:04:12,757 I'M THINKING MAYBE YOUR NEW YEAR'S RESOLUTION, ONE OF THE 79 00:04:12,757 --> 00:04:15,626 THREE, SHOULD BE TO TAKE YOUR TREE DOWN SOMETIME. 80 00:04:15,626 --> 00:04:19,430 >> Guillermo: OH. MAYBE I WILL DO IT IN THE 81 00:04:19,430 --> 00:04:22,567 WEEKEND. WANT TO HEAR MY THREE RESOLUTIONS? 82 00:04:22,567 --> 00:04:23,334 >> Jimmy: YES, I DO. 83 00:04:23,334 --> 00:04:26,003 >> Guillermo: OKAY. EVERY YEAR IT'S THE SAME THING. 84 00:04:26,003 --> 00:04:29,507 THE FIRST ONE IS TO LOSE WEIGHT. 85 00:04:29,507 --> 00:04:29,907 >> Jimmy: RIGHT. 86 00:04:29,907 --> 00:04:31,275 >> Guillermo: THAT NEVER HAPPENS. 87 00:04:31,275 --> 00:04:34,111 THE SECOND ONE IS THE MOST IMPORTANT. TO HAVE MORE SEX. 88 00:04:34,111 --> 00:04:40,017 THAT NEVER HAPPENS EITHER. SO THE THIRD ONE IS TO BE A 89 00:04:40,017 --> 00:04:41,819 BETTER PERSON. 90 00:04:41,819 --> 00:04:44,422 >> Jimmy: TO BE A BETTER PERSON? AND DO YOU FEEL LIKE YOU'RE A 91 00:04:44,422 --> 00:04:48,926 BETTER PERSON THIS YEAR THAN YOU WERE LAST YEAR? 92 00:04:48,926 --> 00:04:50,628 >> Guillermo: YEAH, I'M TRYING, YES. 93 00:04:50,628 --> 00:04:51,862 >> Jimmy: YOU'RE TRYING, ALL RIGHT. 94 00:04:51,862 --> 00:04:55,533 THAT'S THE MOST IMPORTANT ONE, I THINK. SEX IS NUMBER TWO. 95 00:04:55,533 --> 00:04:59,237 THEN FORGET ABOUT LOSING WEIGHT. I LIKE YOU FAT, OKAY? 96 00:04:59,237 --> 00:05:01,105 >> Guillermo: ALL RIGHT, JIMMY, WHATEVER YOU SAY. 97 00:05:01,105 --> 00:05:03,841 >> Jimmy: OKAY, ALL RIGHT. SO WE'LL CHECK IN WITH YOU 98 00:05:03,841 --> 00:05:06,177 TOMORROW. THE MAIN EVENT TODAY WAS THE 99 00:05:06,177 --> 00:05:10,481 RUNOFF ELECTION IN GEORGIA. EVERYONE KNOWS THERE'S A LOT AT 100 00:05:10,481 --> 00:05:12,483 STAKE. IF THE DEMOCRATS WIN BOTH SEATS, 101 00:05:12,483 --> 00:05:14,318 THEY'LL GET CONTROL OF THE SENATE. 102 00:05:14,318 --> 00:05:17,755 IF THEY DON'T, WE'VE GOT AT LEAST TWO MORE YEARS OF THIS 103 00:05:17,755 --> 00:05:20,825 LUMPY‐FACED SON OF A MITCH. BECAUSE THE VOTE IS EXPECTED TO 104 00:05:20,825 --> 00:05:24,028 BE CLOSE, IT'S UNLIKELY WE'RE GOING TO HAVE FINAL RESULTS 105 00:05:24,028 --> 00:05:25,563 TONIGHT, WHICH MEANS THE REPUBLICANS WILL HAVE TO WAIT 106 00:05:25,563 --> 00:05:27,665 UNTIL TOMORROW TO DECIDE WHETHER OR NOT THIS ELECTION THEY WERE 107 00:05:27,665 --> 00:05:31,602 IN CHARGE OF WAS RIGGED TOO. WHATEVER HAPPENS, I DO WANT TO 108 00:05:31,602 --> 00:05:34,138 SAY THIS. NO POLITICIAN, MAYBE NO HUMAN 109 00:05:34,138 --> 00:05:40,378 BEING EVER, HAS EMAILED ME MORE TIMES AND WITH MORE URGENCY THAN 110 00:05:40,378 --> 00:05:42,546 JON OSSOFF. THESE ARE REAL EMAILS I GOT FROM 111 00:05:42,546 --> 00:05:44,715 THE OSSOFF CAMPAIGN. A FRACTION OF THEM. 112 00:05:44,715 --> 00:05:48,185 I MUST HAVE GOT TEN A DAY. WE'RE CHOKING BACK TEARS, KIMMEL. 113 00:05:48,185 --> 00:05:53,457 WE'RE RUNNING OUT OF MONEY. KIMMEL, WE'RE ON OUR HANDS AND 114 00:05:53,457 --> 00:05:56,093 KNOWS. KIMMEL, EVERYTHING IS FALLING 115 00:05:56,093 --> 00:05:57,628 APART. IF HE DOESN'T WIN, SOMEBODY 116 00:05:57,628 --> 00:06:00,364 NEEDS TO KEEP AN EYE ON HIM, BECAUSE I'M WORRIED. 117 00:06:00,364 --> 00:06:03,734 OSSOFF WAS UP AGAINST THE INCUMBENT REPUBLICAN SENATOR 118 00:06:03,734 --> 00:06:07,338 DAVID PERDUE. THE OTHER RACE WAS BETWEEN 119 00:06:07,338 --> 00:06:10,074 RAPHAEL WARNOCK AND SENATOR KELLY LOEFFLER. 120 00:06:10,074 --> 00:06:13,377 THIS IS KELLY LOEFFLER. HER HUSBAND OWNS THE NEW YORK 121 00:06:13,377 --> 00:06:15,880 STOCK EXCHANGE. HER NET WORTH IS AROUND $1 122 00:06:15,880 --> 00:06:19,083 BILLION, WHICH MAKES HER THE WEALTHIEST MEMBER OF CONGRESS. 123 00:06:19,083 --> 00:06:22,887 FOR SOME REASON, WHEN SHE'S CAMPAIGNING, SHE DRESSES LIKE 124 00:06:22,887 --> 00:06:27,325 THERE WAS A ST. PATRICK'S DAY SALE AT LINENS AND THINGS. 125 00:06:27,325 --> 00:06:30,394 KELLY LOEFFLER ALSO OWNS ATLANTA'S WNBA TEAM. 126 00:06:30,394 --> 00:06:37,234 AND THIS IS A PICTURE THAT THE PLAYERS ON THE TEAM POSED WEAR 127 00:06:37,234 --> 00:06:39,370 "VOTE WARNOCK" SHIRTS, HER OPPONENT. 128 00:06:39,370 --> 00:06:43,140 NOTHING PERSONAL, BOSS, WE JUST DON'T LIKE YOU. 129 00:06:43,140 --> 00:06:46,243 LAST NIGHT THE DEVVIL CAME DOWN TO GEORGIA, HE WAS LOOKING FOR A 130 00:06:46,243 --> 00:06:48,546 VOTE TO STEAL. DONALD TRUMP WAS IN TOWN 131 00:06:48,546 --> 00:06:50,314 SUPPOSEDLY TO SUPPORT THE REPUBLICAN CANDIDATES. 132 00:06:50,314 --> 00:06:54,819 BUT REALLY, HE WAS JUST THERE TO BE TRUTHLESS TO THE TIDLESS. 133 00:06:54,819 --> 00:06:57,488 CAN YOU GUESS HOW LONG IT TOOK HIM TO MENTION THE ELECTION WAS 134 00:06:57,488 --> 00:07:00,191 RIGGED AGAINST HIM? LET'S COUNT THE SECONDS TOGETHER. 135 00:07:00,191 --> 00:07:03,728 >> I WANT TO THANK YOU VERY MUCH. HELLO, GEORGIA. 136 00:07:03,728 --> 00:07:07,198 BY THE WAY, THERE'S NO WAY WE LOST GEORGIA. 137 00:07:07,198 --> 00:07:09,934 >> Jimmy: DING DING DING, A NEW RECORD, 7 SECONDS. 138 00:07:09,934 --> 00:07:15,406 4 SECONDS LONGER THAN HE LASTED WITH STORMY DANIELS, SO THAT'S 139 00:07:15,406 --> 00:07:17,942 SOMETHING. YELTON JOHN PLAYED ALL THE HITS 140 00:07:17,942 --> 00:07:21,445 INCLUDING THIS SMASH HIT SINGLE FROM BACK IN 2016. 141 00:07:21,445 --> 00:07:26,517 >> THE MOST UNHAPPY PERSON RIGHT NOW ANYWHERE IN THE UNITED 142 00:07:26,517 --> 00:07:31,856 STATES IS HILLARY CLINTON. BECAUSE SHE'S ASKING THE 143 00:07:31,856 --> 00:07:37,161 DEMOCRAT PARTY, WHY THE HELL DIDN'T YOU DO THIS FOR ME? 144 00:07:37,161 --> 00:07:39,764 >> LOCK HER UP, LOCK HER UP! 145 00:07:39,764 --> 00:07:44,668 >> TRUE. WHY DIDN'T YOU DO IT FOR ME? 146 00:07:44,668 --> 00:07:46,670 >> LOCK HER UP, LOCK HER UP! 147 00:07:46,670 --> 00:07:49,073 >> Jimmy: STILL WITH THE LOCK HER ‐‐ I HOPE THAT WHEN HE 148 00:07:49,073 --> 00:07:53,544 FINALLY GOES TO PRISON, HILLARY HAS A RALLY OUTSIDE IT. 149 00:07:53,544 --> 00:07:57,148 LOCK I UP? SEE YOU IN EIGHT TO 11 YEARS, 150 00:07:57,148 --> 00:08:01,519 PAL. I HOPE YOUR CELLMATE ISN'T A CHUBBY CHASER. 151 00:08:01,519 --> 00:08:04,321 TRUMP WENT THROUGH ALL THE CONSPIRACY THEORIES, DUG BACK UP 152 00:08:04,321 --> 00:08:07,425 THE WIDELY DEBUNKED CLAIM THAT HIS BALLOTS WERE THROWN IN THE 153 00:08:07,425 --> 00:08:07,790 RIVER. 154 00:08:07,790 --> 00:08:11,695 >> I HATED IT, KELLY, WHEN WE GOT BALLOTS IN FROM THE MILITARY 155 00:08:11,695 --> 00:08:14,999 WITH TRUMP ALL OVER IT AND THEY GOT THROWN INTO A RIVER. 156 00:08:14,999 --> 00:08:17,468 YOU SAW THAT. THEY THREW BALLOTS INTO A RIVER 157 00:08:17,468 --> 00:08:20,037 FROM THE MILITARY WITH MY NAME ALL OVER. 158 00:08:20,037 --> 00:08:23,474 WE WANT TRUMP, BOOM, GOES INTO THE RIVER. 159 00:08:23,474 --> 00:08:26,410 THAT WAS JUST ONE OF MANY INSTANCES OF PROBLEM. 160 00:08:26,410 --> 00:08:30,247 >> Jimmy: THAT WAS JUST ONE OF MANY INSTANCES OF PROBLEM. 161 00:08:30,247 --> 00:08:32,183 BIG PROBLEM. PROBLEM BAD MANY TIMES. 162 00:08:32,183 --> 00:08:35,119 THIS IS A BIG ONE FOR TRUMP. HE BROUGHT THE WHOLE DUMB FAMILY 163 00:08:35,119 --> 00:08:38,823 WITH HIM. BEFORE DADDY DONALD TOOK THE 164 00:08:38,823 --> 00:08:42,193 STAGE, THE FRAUDIGAL SON GOT TO WORK. 165 00:08:42,193 --> 00:08:46,764 >> YOU SAW LAST WEEK HE COULDN'T GET OSSOFF'S NAME RIGHT, HE SAID 166 00:08:46,764 --> 00:08:48,399 SOMETHING TOTALLY DIFFERENT BECAUSE HE DOESN'T EVEN KNOW 167 00:08:48,399 --> 00:08:51,969 WHERE HE IS. BUT HE DEFINITELY GOT A LOT MORE 168 00:08:51,969 --> 00:08:53,904 VOTES THAN BARACK OBAMA DID IN '08, RIGHT? 169 00:08:53,904 --> 00:08:54,472 WE ALL BELIEVE THAT, RIGHT? 170 00:08:54,472 --> 00:08:57,174 [ BOOING ] 171 00:08:57,174 --> 00:09:03,481 NO ONE'S THAT STUPID. NO ONE'S THAT STUPID, FOLKS. 172 00:09:03,481 --> 00:09:05,783 >> Jimmy: WELL. I COULD THINK OF ONE PERSON WHO 173 00:09:05,783 --> 00:09:06,116 IS. 174 00:09:06,116 --> 00:09:11,121 >> I SEE SOME OF THESE SUPPOSED REPUBLICANS OUT THERE SAYING, 175 00:09:11,121 --> 00:09:14,358 OH, YOU KNOW, I DON'T LIKE THE WAY THE GAME IS PLAYED. 176 00:09:14,358 --> 00:09:18,229 I'M GOING TO TAKE MY BALL AND GO HOME. AND WE SHOULDN'T GO VOTE. 177 00:09:18,229 --> 00:09:21,098 I GO, WHAT? 178 00:09:21,098 --> 00:09:28,205 IT IS THE DUMBEST STATEMENT MADE IN THE HISTORY OF POLITICS WHEN 179 00:09:28,205 --> 00:09:31,275 YOU'RE AT A DISADVANTAGE. YOU DON'T TAKE YOUR BALL AND GO 180 00:09:31,275 --> 00:09:35,846 HOME, YOU GET OUT THERE AND YOU FIGHT HARDER! 181 00:09:35,846 --> 00:09:38,482 >> Jimmy: SPOKEN LIKE A BOY WHOSE DAD NEVER PLAYED CATCH 182 00:09:38,482 --> 00:09:41,051 WITH HIM EVER. IT WAS QUITE A NIGHT. 183 00:09:41,051 --> 00:09:44,121 WE MIGHT NOT SEE TOO MANY OF THESE IN THE FUTURE. 184 00:09:44,121 --> 00:09:46,257 BUT IF WE KEEP OUR FINGERS CROSSED. 185 00:09:46,257 --> 00:09:48,259 IT'S IMPORTANT TO REMEMBER, CAMPAIGNS AREN'T ABOUT WINNING 186 00:09:48,259 --> 00:09:51,762 OR LOSING, THEY'RE ABOUT THE INCOHERENT RALLIES YOU HAVE 187 00:09:51,762 --> 00:09:56,834 ALONG THE WAY AND THE MEMORIES THAT LIVE ON IN YOUR 188 00:09:56,834 --> 00:09:58,102 ENTERTAINMENT HUTCH FOREVER. 189 00:09:58,102 --> 00:10:00,771 >> THE MAGA TRAIN MAY HAVE DERAILED. 190 00:10:00,771 --> 00:10:04,475 BUT YOU CAN RELIVE THE GREAT AGAIN. 191 00:10:04,475 --> 00:10:08,946 WITH PRESIDENT DONALD J. TRUMP'S OFFICIAL "MAGA RALLY" DVD BOX 192 00:10:08,946 --> 00:10:13,918 SET. FOUR YEARS OF SPEECHES IN ONE 193 00:10:13,918 --> 00:10:14,451 MAGA‐NIFICENT COLLECTION. 194 00:10:14,451 --> 00:10:17,721 >> IS THERE ANY PLACE MORE FUN THAN A TRUMP RALLY, RIGHT? 195 00:10:17,721 --> 00:10:19,924 >> NO! WHETHER YOU'RE POOLEY EDUCATED ‐‐ 196 00:10:19,924 --> 00:10:23,360 >> I LOVE THE POORLY EDUCATED. 197 00:10:23,360 --> 00:10:24,428 >> OR AFRICAN‐AMERICAN ‐‐ 198 00:10:24,428 --> 00:10:26,330 >> LOOK AT MY AFRICAN‐AMERICAN OVER HERE. 199 00:10:26,330 --> 00:10:29,099 >> OR JUST PLAIN FAT ‐‐ 200 00:10:29,099 --> 00:10:32,202 >> THAT GUY'S GOT A SERIOUS WEIGHT PROBLEM. 201 00:10:32,202 --> 00:10:35,172 >> RELIVE THE DANCING, THE DISSING ‐‐ 202 00:10:35,172 --> 00:10:35,839 >> LINDSEY GRAHAM ‐‐ 203 00:10:35,839 --> 00:10:37,174 >> THE MOCKING. 204 00:10:37,174 --> 00:10:37,808 >> I DON'T REMEMBER! 205 00:10:37,808 --> 00:10:42,146 >> MORE THAN 10,000 HOURS OF THICK‐HEADED PATRIOTISM. 206 00:10:42,146 --> 00:10:44,381 SO MANY DVDs, YOU CAN BUILD YOUR OWN WALL. 207 00:10:44,381 --> 00:10:47,284 >> WHO'S GOING TO PAY FOR IT? 208 00:10:47,284 --> 00:10:48,686 >> MEXICO! 209 00:10:48,686 --> 00:10:50,721 >> WATCH HIM MAKE AMERICA GREAT AGAIN. 210 00:10:50,721 --> 00:10:52,356 >> LIKE TO PUNCH HIM IN THE FACE, I'LL TELL YOU. 211 00:10:52,356 --> 00:10:53,057 >> AND AGAIN. 212 00:10:53,057 --> 00:10:54,124 >> GET THOSE LIGHTS OFF! 213 00:10:54,124 --> 00:10:54,858 >> AND AGAIN. 214 00:10:54,858 --> 00:10:57,695 >> I'LL KISS THE GUYS AND THE BEAUTIFUL WOMEN. 215 00:10:57,695 --> 00:10:58,295 >> AND AGAIN. 216 00:10:58,295 --> 00:11:01,498 >> PEOPLE HAVE TO FLUSH THEIR TOILET 15 TIMES. 217 00:11:01,498 --> 00:11:06,537 >> BING BING BONG BONG BING BING B BING. 218 00:11:06,537 --> 00:11:10,574 >> BOOM, DONALD TRUMP'S "MAGA RALLY" BOX SET FOR ONE EASY 219 00:11:10,574 --> 00:11:12,476 PAYMENT OF $130,000. 220 00:11:12,476 --> 00:11:18,382 >> COMES OUT TOMORROW, GO BUY IT. 221 00:11:18,382 --> 00:11:20,584 >> Jimmy: I'LL PURCHASE THAT. PROTESTS IN WASHINGTON, D. C. 222 00:11:20,584 --> 00:11:23,921 TODAY AHEAD OF TOMORROW'S VOTE CERTIFICATION IN CONGRESS. 223 00:11:23,921 --> 00:11:27,324 THE GLOVES WERE OFF AND SO WERE THE MASKS AT THIS RALLY. 224 00:11:27,324 --> 00:11:33,464 A REAL DIPWIT NAMED CLAY CLARK TOOK THE STAGE TO CONVINCE THE 225 00:11:33,464 --> 00:11:35,733 HARD‐CORE MEMBERS OF TRUMP'S CULT TO KILL THEMSELVES ONCE AND 226 00:11:35,733 --> 00:11:36,233 FOR ALL. 227 00:11:36,233 --> 00:11:39,970 >> WHO HERE IS UP TO THE TASK OF NOT WEARING A MASK? 228 00:11:39,970 --> 00:11:43,974 COVID IS NOT DEADLY. THE PCR TESTS WERE FAKE. 229 00:11:43,974 --> 00:11:48,245 AND THE TREATMENTS THAT ACTUALLY WORK ARE BEING KEPT FROM YOU FOR 230 00:11:48,245 --> 00:11:50,147 FAKE REASONS. TURN TO THE PERSON NEXT TO YOU, 231 00:11:50,147 --> 00:11:53,283 GIVE THEM A HUG. SOMEONE YOU DON'T KNOW. 232 00:11:53,283 --> 00:11:55,586 GO HUG SOMEBODY. SPREAD IT OUT, MASS SPREADER. 233 00:11:55,586 --> 00:11:58,989 IT'S A MASS SPREADER EVENT. IT'S A MASS SPREADER EVENT. 234 00:11:58,989 --> 00:12:02,092 IT'S A MASS SPREADER EVENT! 235 00:12:02,092 --> 00:12:04,461 >> Jimmy: GREAT. IT'S A MASS SPREADER EVENT. 236 00:12:04,461 --> 00:12:08,699 NOW EVERYBODY COME UP AND GRAB A TIDE POD, LET'S EAT! 237 00:12:08,699 --> 00:12:11,201 THE STUPIDITY IS BREATHTAKING. LITERALLY. 238 00:12:11,201 --> 00:12:14,038 MANY OF THOSE PEOPLE WILL BE ON A VENTILATOR SOON. 239 00:12:14,038 --> 00:12:18,042 AND TOMORROW'S THE BIG ONE. THE MILLION MORON MARCH IS 240 00:12:18,042 --> 00:12:19,410 TOMORROW. PRESIDENT TRUMP SAYS HE'LL BE 241 00:12:19,410 --> 00:12:22,312 THERE. OF COURSE HE WILL. TRUMP STILL HAS A LOT OF 242 00:12:22,312 --> 00:12:25,149 SUPPORTERS. HE STILL HAS PLENTY OF TALKING 243 00:12:25,149 --> 00:12:29,386 HEADS WHO EAGERLY PEDDLE THESE COCKAMAMIE CLAIMS THAT THE 244 00:12:29,386 --> 00:12:33,090 ELECTION WAS STOLEN. BUT NONE ARE MORE BLINDLY LOYAL 245 00:12:33,090 --> 00:12:37,761 TO THIS CAUSE THAN A CRAZY OLD WOMAN NAMED LOU DOBBS. 246 00:12:37,761 --> 00:12:41,265 >> WE'RE EIGHT WEEKS FROM THE ELECTION, AND WE STILL DON'T 247 00:12:41,265 --> 00:12:45,836 HAVE VERIFIABLE, TANGIBLE 248 00:12:45,836 --> 00:12:51,942 SUPPORT FOR THE CRIMES THAT EVERYONE KNOWS WERE COMMITTED. 249 00:12:51,942 --> 00:12:57,848 THAT IS, DEFRAUDING OTHER CITIZENS WHO VOTED WITH 250 00:12:57,848 --> 00:13:00,584 FRAUDULENT VOTES. WE KNOW THAT'S THE CASE IN 251 00:13:00,584 --> 00:13:03,454 NEVADA, WE KNOW IT'S THE CASE IN PENNSYLVANIA AND A NUMBER OF 252 00:13:03,454 --> 00:13:07,858 OTHER STATES. BUT WE HAVE HAD A DEVIL OF A 253 00:13:07,858 --> 00:13:11,795 TIME FINDING ACTUAL PROOF. 254 00:13:11,795 --> 00:13:14,398 >> Jimmy: YEAH. RIGHT. EVERYBODY KNOWS CRIMES WERE 255 00:13:14,398 --> 00:13:16,433 COMMITTED, WE JUST CAN'T FIND ACTUAL PROOF. 256 00:13:16,433 --> 00:13:20,003 BUT THAT'S NOT GOING TO STOP US FROM TEARING THIS COUNTRY APART. 257 00:13:20,003 --> 00:13:23,574 AT LEAST A DOZEN REPUBLICAN SENATORS AND ABOUT 140 258 00:13:23,574 --> 00:13:26,343 REPUBLICANS IN THE HOUSE ARE PLANNING TO OBJECT TO CERTIFYING 259 00:13:26,343 --> 00:13:28,645 THE RESULTS OF THE ELECTION TOMORROW. 260 00:13:28,645 --> 00:13:30,647 IT'S A MOVE THAT WILL CERTAINLY FAIL. 261 00:13:30,647 --> 00:13:34,284 THE ONLY QUESTION NOW IS, WHAT IS MIKE PENCE GOING TO DO ABOUT 262 00:13:34,284 --> 00:13:36,720 IT? PENCE IS IN A PICKLE BECAUSE THE 263 00:13:36,720 --> 00:13:40,023 VICE PRESIDENT IS THE ONE WHO OFFICIALLY DECLARES THE WINNER. 264 00:13:40,023 --> 00:13:44,027 AND BOSS BABY IS PRESSURING PENCE TO SAY HE'S THE WINNER. 265 00:13:44,027 --> 00:13:46,830 WHICH MAKES NO SENSE. BY THAT LOGIC, AL GORE COULD 266 00:13:46,830 --> 00:13:49,566 HAVE DECLARED HIMSELF TO BE PRESIDENT. 267 00:13:49,566 --> 00:13:52,202 BUT THAT DIDN'T STOP TRUMP FROM TWEETING "THE VICE PRESIDENT HAS 268 00:13:52,202 --> 00:13:56,106 THE POWER TO REJECT FRAUDULENTLY CHOSEN ELECTORS." 269 00:13:56,106 --> 00:13:59,810 WHICH IS, AGAIN, NOT TRUE. THE VICE PRESIDENT'S ROLE IS 270 00:13:59,810 --> 00:14:02,613 CEREMONIAL. IT'S LIKE THE OSCARS. HE BASICALLY OPENS THE ENVELOPE 271 00:14:02,613 --> 00:14:07,251 AND ANNOUNCES THE NAME. BUT TRUMP WANTS THEM TO PULL A 272 00:14:07,251 --> 00:14:09,586 "LA LA LAND." AND MIKE PENCE IS NOW IN A TIGHT 273 00:14:09,586 --> 00:14:11,221 SPOT. THEY HAD LUNCH TODAY, TRUMP AND 274 00:14:11,221 --> 00:14:15,292 PENCE, WHICH MUST HAVE BEEN FUN. SOMETHING TELLS ME TOMORROW 275 00:14:15,292 --> 00:14:17,394 MORNING, SOME VERY IMPORTANT SPACE FORCE BUSINESS IS GOING TO 276 00:14:17,394 --> 00:14:19,763 COME UP THAT MIKE PENCE HAS TO DEAL WITH PERSONALLY. 277 00:14:19,763 --> 00:14:23,000 WHAT, THERE'S TROUBLE ON MARS? I'M SORRY, MR. PRESIDENT, I 278 00:14:23,000 --> 00:14:26,503 CAN'T GO TO THE CERTIFICATION. COULD YOU IMAGINE HOW SWEET IT'S 279 00:14:26,503 --> 00:14:30,641 GOING TO BE WHEN AFTER YEARS OF MIKE PENCE KISSING THE 280 00:14:30,641 --> 00:14:35,045 PRESIDENT'S KENTUCKY FRIED ASS LIKE A ROTTWEILER LICKS A ROAST 281 00:14:35,045 --> 00:14:37,648 BEEF, TRUMP TURNS ON HIM AT THE LAST MINUTE? 282 00:14:37,648 --> 00:14:40,217 POOR MIKE PENCE, HE HASN'T BEEN THIS STRESSED OUT SINCE THE TIME 283 00:14:40,217 --> 00:14:43,187 HE SAW A WOMAN IN SHORT SLEEVES. THIS WAS ANOTHER GOOD ONE FROM 284 00:14:43,187 --> 00:14:46,657 THE FAMILY TRUMP. YESTERDAY, IVANKA POSTED A 285 00:14:46,657 --> 00:14:51,728 SELFIE ON HER WAY TO GEORGIA WITH PRESI‐DADDY ON AIR FORCE 286 00:14:51,728 --> 00:14:54,131 ONE. HE'S TWEETING. IT'S A WEIRD PHOTO BUT THE 287 00:14:54,131 --> 00:14:58,802 WEIRDEST THING IS WHO SHE TAGGED. SHE TAGGED KELLY LEVELLY, DAVID 288 00:14:58,802 --> 00:15:03,040 PERDUE, DAN CO VINO, THE GOP, AND MEATLOAF, THE SINGER. 289 00:15:03,040 --> 00:15:05,642 NO REASON THAT ANYONE EXPLAINED. I DON'T KNOW, MAYBE IT WAS A 290 00:15:05,642 --> 00:15:08,478 SUBTLE WAY OF TELLING HER FATHER SHE'LL DO ANYTHING FOR LOVE BUT 291 00:15:08,478 --> 00:15:11,915 SHE WON'T DO THAT. BUT WE HAVE A LOT TO LOOK 292 00:15:11,915 --> 00:15:14,985 FORWARD TO TOMORROW. IN THE MEANTIME, I'M AT HOME 293 00:15:14,985 --> 00:15:17,254 HUNKERED DOWN. HOPEFULLY YOU ARE TOO. 294 00:15:17,254 --> 00:15:20,724 AND WE'VE LEARNED A LOT DURING THIS PANDEMIC. 295 00:15:20,724 --> 00:15:23,794 ONE OF THE THINGS THAT I'VE LEARNED FROM INTERVIEWING PEOPLE 296 00:15:23,794 --> 00:15:27,764 WHO ARE WEARING MASKS IS THAT WE ARE ENTIRELY IN CONTROL OF WHAT 297 00:15:27,764 --> 00:15:30,267 THEY SAY. WE REALIZE THAT WHEN URYOUR 298 00:15:30,267 --> 00:15:33,303 MOUTH IS COVERED, IT'S VERY EASY TO SWAP PEOPLE'S VOICES. 299 00:15:33,303 --> 00:15:35,105 AND THAT GAVE BIRTH TO A NEW FEATURE WE CALL "MASKING 300 00:15:35,105 --> 00:15:43,180 QUESTIONS." 301 00:15:43,180 --> 00:15:44,781 >> WHAT DO YOU LIKE TO DO FOR FUN? 302 00:15:44,781 --> 00:15:48,652 >> WORK. TAKE PHOTOS. 303 00:15:48,652 --> 00:15:50,787 >> BEN WHAT DO YOU LIKE TO DO FOR FUN? 304 00:15:50,787 --> 00:15:54,358 >> PLAY IN MY BACKYARD, PLAY WITH MY DOGS A LOT. 305 00:15:54,358 --> 00:15:56,493 >> IF YOU WERE PRESIDENT, WHAT'S THE FIRST THING YOU WOULD DO? 306 00:15:56,493 --> 00:16:01,064 >> CHILDREN'S RIGHTS. 307 00:16:01,064 --> 00:16:03,834 >> DANIELA, IF YOU WERE PRESIDENT, WHAT'S THE FIRST 308 00:16:03,834 --> 00:16:05,535 THING YOU WOULD DO? 309 00:16:05,535 --> 00:16:07,938 >> BUY ME A LAMBORGHINI. 310 00:16:07,938 --> 00:16:09,740 >> WHAT ARE YOUR FAVORITE SNACKS? 311 00:16:09,740 --> 00:16:12,943 >> CHIPS. COOKIES. 312 00:16:12,943 --> 00:16:16,647 >> WHAT ARE YOUR FAVORITE SNACKS? 313 00:16:16,647 --> 00:16:21,752 >> I LIKE CHEESECAKE. I LIKE CHEESECAKE OVERALL, MY 314 00:16:21,752 --> 00:16:22,085 FAVORITE. 315 00:16:22,085 --> 00:16:22,619 >> WHAT'S YOUR FAVORITE DRINK? 316 00:16:22,619 --> 00:16:25,322 >> ORANGE JUICE. 317 00:16:25,322 --> 00:16:26,456 >> WHAT'S YOUR FAVORITE DRINK? 318 00:16:26,456 --> 00:16:29,660 >> I LIKE TEQUILA ON THE ROCKS. 319 00:16:29,660 --> 00:16:31,461 >> WHAT'S THE LAST BOOK YOU READ? 320 00:16:31,461 --> 00:16:33,797 >> "DIARY OF A WIMPY KID." 321 00:16:33,797 --> 00:16:36,133 >> WHAT'S THE LAST BOOK YOU READ? 322 00:16:36,133 --> 00:16:37,901 >> "FIFTY SHADES OF GRAY." 323 00:16:37,901 --> 00:16:40,971 >> WHAT DO YOU DO WHEN YOU'RE FEELING STRESSED OUT? 324 00:16:40,971 --> 00:16:42,072 HOW DO YOU RELAX? 325 00:16:42,072 --> 00:16:44,975 >> I PROBABLY JUST GO IN MY ROOM. 326 00:16:44,975 --> 00:16:47,911 I JUST SIT THERE, PLAY WITH MY iPAD. 327 00:16:47,911 --> 00:16:52,683 >> WHAT DO YOU DO TO RELAX WHEN YOU'RE FEELING STRESSED OUT? 328 00:16:52,683 --> 00:16:56,219 >> HONESTLY? SMOKE WEED. 329 00:16:56,219 --> 00:17:01,591 >> WHAT DO YOU LIKE TO DO FOR FUN? 330 00:17:01,591 --> 00:17:03,593 >> I LIKE TO DO PICTURE VIDEOS. 331 00:17:03,593 --> 00:17:08,699 >> WHAT DO YOU LIKE TO DO FOR FUN? 332 00:17:08,699 --> 00:17:10,767 >> I PRETEND TO BE A DINOSAUR. 333 00:17:10,767 --> 00:17:14,004 >> ASHLEY, HOW'S YOUR LOVE LIFE? 334 00:17:14,004 --> 00:17:14,871 >> I DON'T HAVE ONE. 335 00:17:14,871 --> 00:17:17,240 >> DALTON, HOW'S YOUR LOVE LIFE? 336 00:17:17,240 --> 00:17:17,574 >> IT'S GOOD. 337 00:17:17,574 --> 00:17:20,043 >> WHAT DO YOU MEAN? 338 00:17:20,043 --> 00:17:21,178 >> I HAVE A BOYFRIEND. 339 00:17:21,178 --> 00:17:21,712 >> WHAT'S HIS DEAL? 340 00:17:21,712 --> 00:17:27,184 >> HE'S AN ELECTRICIAN. 341 00:17:27,184 --> 00:17:28,685 >> Jimmy: ALL RIGHT. THANKS, FOLKS. 342 00:17:28,685 --> 00:17:32,689 WE HAVE A GOOD SHOW TONIGHT. ELIZABETH OLSEN IS WITH US. 343 00:17:32,689 --> 00:17:34,858 MUSIC FROM YUNGBLUD. WE'LL BE RIGHT BACK WITH JIM 344 00:17:34,858 --> 00:17:38,428 PARSONS, SO STAY WITH US, WILL YOU? 345 00:17:51,603 --> 00:17:52,344 ♪ 346 00:17:52,344 --> 00:17:55,047 >> Jimmy: HI, WELCOME BACK. TONIGHT FROM THE NEW MARVEL 347 00:17:55,047 --> 00:17:57,950 SERIES FROM DISNEY PLUS, ELIZABETH OLSEN IS WITH US. 348 00:17:57,950 --> 00:18:03,823 WE HAVE AN EXCLUSIVE NEVER BEFORE SEEN CLIP OF WANDAVISION 349 00:18:03,823 --> 00:18:07,093 TO SHARE WITH YOU, SO ALERT THE NERDS. 350 00:18:07,093 --> 00:18:14,033 LATER, HIS NEW ALBUM IS TITLED "WEIRD! ." MUSIC FROM YUNGBLUD. 351 00:18:14,033 --> 00:18:21,807 TOMORROW NIGHT, REGINA KING AND JAKE TAPPER OF CNN WILL JOIN 352 00:18:21,807 --> 00:18:23,409 US WITH MUSIC FROM BEST COAST. AND THURSDAY, TESSA THOMPSON, 353 00:18:23,409 --> 00:18:24,310 PAUL BETTANY, AND MUSIC FROM STEVE EARLE. 354 00:18:24,310 --> 00:18:25,978 LONG BEFORE A DOCTOR NAMED FAUCI, OUR FIRST GUEST WAS 355 00:18:25,978 --> 00:18:27,012 AMERICA'S MOST BELOVED SCIENTIST, AS SHELDON ON 356 00:18:27,012 --> 00:18:28,013 "THE BIG BANG THEORY." HIS LATEST PROJECT IS THE 357 00:18:28,013 --> 00:18:32,289 NETFLIX ADAPTATION OF "THE BOYS IN THE BAND." 358 00:18:32,289 --> 00:18:34,958 SAY HELLO TO JIM PARSONS. HI, JIM. 359 00:18:34,958 --> 00:18:37,093 >> HI, JIMMY, IT'S GOOD TO SEE YOU AGAIN. 360 00:18:37,093 --> 00:18:38,361 >> Jimmy: IT'S GOOD TO SEE YOU TOO. 361 00:18:38,361 --> 00:18:41,364 I SAW YOU AT THE BEGINNING OF THIS LOCKDOWN. 362 00:18:41,364 --> 00:18:41,932 >> I KNOW. 363 00:18:41,932 --> 00:18:44,901 >> Jimmy: QUARANTINE, WHATEVER. AND NOW HERE WE ARE, BOTH BACK 364 00:18:44,901 --> 00:18:45,235 IN OUR HOMES. 365 00:18:45,235 --> 00:18:52,776 >> YEAH. I CAN'T DECIDE IF ‐‐ I CAN'T 366 00:18:52,776 --> 00:18:56,246 DECIDE IF IT'S STRANGER OR MORE NORMALIZED. 367 00:18:56,246 --> 00:18:58,281 THE NORMALITY IS WHAT FEELS STRANGE TO ME. 368 00:18:58,281 --> 00:19:03,320 LIKE, THIS IS NOT A BIG DEAL, I DO INTERVIEWS FROM MY HOME NOW. 369 00:19:03,320 --> 00:19:05,855 >> Jimmy: A LOT OF IT IS EASIER, THEN IT'S ALSO ‐‐ I FEEL LIKE 370 00:19:05,855 --> 00:19:09,292 WE'RE MISSING SOMETHING. I DON'T KNOW. 371 00:19:09,292 --> 00:19:11,528 THERE'S SOMETHING ABOUT BEING IN PERSON. 372 00:19:11,528 --> 00:19:14,831 MY NEW YEAR'S RESOLUTION IS TO SHAKE HANDS WITH A HUMAN BEING. 373 00:19:14,831 --> 00:19:19,002 THAT'S WHAT I WOULD LIKE TO DO THIS YEAR. 374 00:19:19,002 --> 00:19:25,675 >> I KEEP HAVING DREAMS ABOUT PEOPLE HUGGING ME, AND I'M STILL 375 00:19:25,675 --> 00:19:28,345 HAVING THEM, HUGGING OR TOUCHING, AND [ BLEEP ], WE 376 00:19:28,345 --> 00:19:30,513 SHOULD HAVE A MASK ON. I CAN'T BELIEVE HOW THIS HAS 377 00:19:30,513 --> 00:19:32,649 HUNG WITH ME, IT PERMEATES EVERYTHING. 378 00:19:32,649 --> 00:19:36,519 >> Jimmy: DO YOU FIND THAT WHEN YOU SEE PICTURES OF PEOPLE 379 00:19:36,519 --> 00:19:39,289 HUGGING OR EVEN LIKE WHEN YOU'RE WATCHING SOMETHING ON TV, YOU 380 00:19:39,289 --> 00:19:43,927 SEE PEOPLE KISSING, THAT IT SEEMS ODD? YES, STRANGE, RIGHT? 381 00:19:43,927 --> 00:19:49,366 >> IF I READ ABOUT IT IN A BOOK, IT FREAKS ME OUT. 382 00:19:49,366 --> 00:19:53,636 LIKE, AI, DON'T TOUCH THEM! OH, GOD, THEY KISSED! YOU KNOW. 383 00:19:53,636 --> 00:19:55,305 >> Jimmy: DO WHAT YOU DO FOR NEW YEAR'S EVE? 384 00:19:55,305 --> 00:19:56,539 HAVE A PARTY OR ANYTHING LIKE THAT? 385 00:19:56,539 --> 00:19:59,209 >> I HAD A ‐‐ WELL, IT WAS A PARTY OF THREE. 386 00:19:59,209 --> 00:20:00,243 >> Jimmy: OH, OKAY. 387 00:20:00,243 --> 00:20:03,046 >> WE HAVE A NEIGHBOR DOWNSTAIRS, KATHLEEN, WHO LIVES 388 00:20:03,046 --> 00:20:07,183 ON THE FOURTH FLOOR. AND SHE'S KIND OF IN OUR POD. 389 00:20:07,183 --> 00:20:11,121 AND SO ME AND MY HUSBAND AND HER HUNG OUT TOGETHER AND PLAYED 390 00:20:11,121 --> 00:20:14,958 SCRABBLE AND HAD DINNER. AND IT WAS REALLY NICE. 391 00:20:14,958 --> 00:20:19,629 IT WAS NICE TO RING IN THE NEW YEAR WITH SOMEBODY OUTSIDE OF MY 392 00:20:19,629 --> 00:20:22,032 NUCLEAR FAMILY, WHICH IS ME, TODD, AND THE TWO DOGS. 393 00:20:22,032 --> 00:20:24,234 >> Jimmy: THAT'S WHAT I DID ON NEW YEAR'S, I PLAYED SCRABBLE 394 00:20:24,234 --> 00:20:25,568 WITH MY SON AND MY BROTHER‐IN‐LAW. 395 00:20:25,568 --> 00:20:27,704 WE SAT THERE AND PLAYED SCRABBLE AND IT WAS FUN. 396 00:20:27,704 --> 00:20:29,939 >> DID YOU WIN? 397 00:20:29,939 --> 00:20:32,709 >> Jimmy: I DESTROYED. I DIDN'T JUST WIN. 398 00:20:32,709 --> 00:20:36,746 IT WAS ALMOST SAD. HOW ABOUT YOU? DID YOU WIN? 399 00:20:36,746 --> 00:20:39,949 >> I ‐‐ OF COURSE I DID. BUT I DIDN'T DESTROY. 400 00:20:39,949 --> 00:20:42,886 YOU KNOW, KATHLEEN PUT UP A GOOD FIGHT. 401 00:20:42,886 --> 00:20:46,222 SWEET TODD DID NOT DO AS WELL. I HAD A NEW APPROACH THAT I'D 402 00:20:46,222 --> 00:20:48,458 NEVER HAD. I HADN'T PLAYED IN A LONG TIME. 403 00:20:48,458 --> 00:20:51,027 I GOT VERY POINT ORIENTED. I SAID, I DON'T CARE WHAT WORD 404 00:20:51,027 --> 00:20:55,465 IT IS OR WHAT IT SAYS ABOUT ME THAT I'M USING IT, I JUST WANT 405 00:20:55,465 --> 00:20:58,635 THE TRIPLE WORD. AND IT REALLY WORKED IN MY FAVOR. 406 00:20:58,635 --> 00:21:01,337 >> Jimmy: DO YOU FIND YOURSELF PLAYING DEFENSE? 407 00:21:01,337 --> 00:21:03,940 HAVE YOU KIND OF HIT THAT LEVEL WHERE YOU'RE NOT LEAVING THINGS 408 00:21:03,940 --> 00:21:08,311 FOR OTHERS? 409 00:21:08,311 --> 00:21:12,115 >> YES. I DEFINITELY USE SOME TRIPLE 410 00:21:12,115 --> 00:21:15,251 LETTER SCORES ON ONE‐POINT TILES JUST BECAUSE I DIDN'T WANT ‐‐ I 411 00:21:15,251 --> 00:21:18,788 KNEW THEY WERE GOING TO TAKE IT. ESPECIALLY KATHLEEN. 412 00:21:18,788 --> 00:21:19,856 SHE SEEMED WILY. 413 00:21:19,856 --> 00:21:22,592 >> Jimmy: YEAH. YOU KNOW, THERE ARE A LOT OF 414 00:21:22,592 --> 00:21:25,495 KATHLEENS ARE WILY, IT'S A VERY COMMON THING WITH CAN LIENS. 415 00:21:25,495 --> 00:21:27,497 >> IT IS, YOU KNOW, YEAH. 416 00:21:27,497 --> 00:21:31,067 >> Jimmy: WILY, LET'S SEE HOW MANY POINTS WOULD WILY BE? 417 00:21:31,067 --> 00:21:33,736 THAT WOULD BE 10 POINTS, WILY, UNLESS YOU ‐‐ 418 00:21:33,736 --> 00:21:34,671 >> IS THAT TRUE? 419 00:21:34,671 --> 00:21:39,175 >> Jimmy: WELL, YEAH, "W" IS 4, "Y" IS 4. 420 00:21:39,175 --> 00:21:43,313 >> YOU KNOW SO MUCH MORE THAN I DO. THAT'S VERY IMPRESSIVE. 421 00:21:43,313 --> 00:21:46,382 >> Jimmy: HOPEFULLY I HAVE IT RIGHT OR ELSE IT WILL BE 422 00:21:46,382 --> 00:21:48,017 EMBARRASSING. I THINK SO, AS I RECALL. 423 00:21:48,017 --> 00:21:51,254 SO WHEN I SPOKE TO YOU BACK IN APRIL, YOU'D STARTED PAINTING. 424 00:21:51,254 --> 00:21:51,587 >> YEAH. 425 00:21:51,587 --> 00:21:55,892 >> Jimmy: YOU WERE DOING OIL PAINTINGS OR ACRYLICS OR 426 00:21:55,892 --> 00:21:56,960 WATERCOLORS? WHAT WAS IT YOU WERE DOING? 427 00:21:56,960 --> 00:21:57,827 I FORGET. 428 00:21:57,827 --> 00:22:01,164 >> I WAS DOING ACRYLICS. I REALLY THREW THAT HOBBY OUT 429 00:22:01,164 --> 00:22:01,798 THE WINDOW FOR NOW. 430 00:22:01,798 --> 00:22:03,700 >> Jimmy: OH, YOU DID? IT'S GONE ALREADY? 431 00:22:03,700 --> 00:22:08,438 >> YEAH, YEAH. JIMMY, I HAVE TO TELL YOU. 432 00:22:08,438 --> 00:22:14,177 IT WAS MAKING ME SO TENSE. THE GOOD THING ABOUT THE 433 00:22:14,177 --> 00:22:17,480 EXPERIENCE WAS THAT I REALIZED AS A CREATIVE PERSON, I'M A VERY 434 00:22:17,480 --> 00:22:19,949 PHYSICAL PERSON. EVEN THOUGH I WASN'T ATHLETIC 435 00:22:19,949 --> 00:22:24,287 GROWING UP, I NEED TO ‐‐ I THINK IT'S THE ANXIETY IN ME. 436 00:22:24,287 --> 00:22:29,192 AND I FELT LIKE I WAS PLAYING OPERATION, OR DOING BRAIN 437 00:22:29,192 --> 00:22:31,027 SURGERY, JUST TO GET THE SHADING RIGHT. 438 00:22:31,027 --> 00:22:33,429 AND I THOUGHT, I CAN'T DO THIS ANYMORE. 439 00:22:33,429 --> 00:22:35,331 SO I'VE GONE BACK TO THE PIANO. 440 00:22:35,331 --> 00:22:40,837 >> Jimmy: WELL, I GUESS ‐‐ OKAY, ALL RIGHT. 441 00:22:40,837 --> 00:22:43,973 AND THE PIANO, IS THAT PHYSICAL FOR YOU? STOMPING ON THE PANELS? 442 00:22:43,973 --> 00:22:47,410 >> NO, IT'S REALLY NOT. HOWEVER, YOU DO USE ‐‐ YOU USE 443 00:22:47,410 --> 00:22:50,380 THE FEET, YOU USE THE HANDS, AND THERE IS SOMETHING ‐‐ IT IS AN 444 00:22:50,380 --> 00:22:53,383 INSTRUMENT THAT TAKES YOUR FORCE WELL. 445 00:22:53,383 --> 00:22:56,686 WHEREAS A PAINTING ‐‐ THE ONLY THING I THOUGHT WAS, MAYBE I 446 00:22:56,686 --> 00:22:58,421 SHOULD TRY LIKE A JACKSON POLLOCK TYPE THING. 447 00:22:58,421 --> 00:23:01,457 >> Jimmy: YEAH. 448 00:23:01,457 --> 00:23:02,492 >> THAT COULD WORK. 449 00:23:02,492 --> 00:23:04,527 >> Jimmy: THROW SOME PAINT, YEAH. 450 00:23:04,527 --> 00:23:08,131 >> SOMETHING TO FREE ME OF THIS, YOU KNOW, SHADING, OH MY GOD. 451 00:23:08,131 --> 00:23:12,502 >> Jimmy: WHAT KIND OF MUSIC ARE YOU PLAYING ON THE PIANO? 452 00:23:12,502 --> 00:23:16,139 >> I DO A LOT OF CLASSICAL. I TOOK, WHEN I WAS A CHILD, I 453 00:23:16,139 --> 00:23:19,576 WAS ALWAYS DRAWN TO CLASSICAL. AND I WAS THINKING ABOUT IT. 454 00:23:19,576 --> 00:23:25,715 I THINK THE REASON IS BECAUSE CLASSICAL SONGS FOR THE PIANO 455 00:23:25,715 --> 00:23:31,254 CAN BE SO LARGE AND A FULL STORY JUST FOR THAT ONE INSTRUMENT. 456 00:23:31,254 --> 00:23:34,958 THERE'S SO MANY OTHER SONGS THAT ALWAYS WANT FOR A SINGER OR A 457 00:23:34,958 --> 00:23:37,493 SAXOPHONE OR SOMETHING ELSE INVOLVED. 458 00:23:37,493 --> 00:23:44,300 THERE'S A LOT OF CLASSICAL MUSIC 459 00:23:44,300 --> 00:23:47,003 THAT IT'S ALL ENCOMPASSED IN THAT ONE INSTRUMENT AND IT FEELS 460 00:23:47,003 --> 00:23:47,503 BIG TO ME. 461 00:23:47,503 --> 00:23:49,472 >> Jimmy: THAT'S HOW I FEEL ABOUT MY TRIANGLE, YOU KNOW? 462 00:23:49,472 --> 00:23:54,010 >> WOW. YOU KNOW WHAT? THAT WOULD TAKE A LOT OF TALENT 463 00:23:54,010 --> 00:23:57,480 AND NUANCE TO GET THAT MUCH STORY OUT OF A TRIANGLE. 464 00:23:57,480 --> 00:23:58,815 SO PROPS TO YOU. 465 00:23:58,815 --> 00:23:59,983 >> Jimmy: THANK YOU VERY MUCH, JIM. 466 00:23:59,983 --> 00:24:04,754 WHEN WE COME BACK, JIM PARSONS, HE'S GOT A PLAY THAT HAS BEEN 467 00:24:04,754 --> 00:24:05,922 ADAPTED FOR NETFLIX. WE'LL TALK ABOUT THAT WHEN WE 468 00:24:05,922 --> 00:24:09,058 COME BACK. 469 00:24:17,033 --> 00:24:19,747 >>> IF THERE'S ONE THING I AM NOT READY FOR, IT'S FIVE 470 00:24:19,747 --> 00:24:21,782 SCREAMING QUEENS SINGING HAPPY BIRTHDAY. 471 00:24:21,782 --> 00:24:22,750 >> WHO'S COMING? 472 00:24:22,750 --> 00:24:25,019 >> I THINK YOU KNOW EVERYBODY ANYWAY. 473 00:24:25,019 --> 00:24:29,056 SAME OLD TIRED FAIRIES YOU'VE SEEN AROUND SINCE DAY ONE. 474 00:24:29,056 --> 00:24:31,092 ACTUALLY, YOU KNOW WHAT? THERE WILL BE SEVEN COUNTING 475 00:24:31,092 --> 00:24:32,493 HAROLD AND YOU AND ME. 476 00:24:32,493 --> 00:24:35,796 >> ARE YOU CALLING ME A SCREAMING QUEEN OR A TIRED FAIRY? 477 00:24:35,796 --> 00:24:38,532 >> OH, I BEG YOUR PARDON, THERE WILL BE SIX TIRED SCREAMING 478 00:24:38,532 --> 00:24:42,603 FAIRY QUEENS AND ONE ANXIOUS QUEER. 479 00:24:42,603 --> 00:24:47,875 >> Jimmy: THAT IS MATT BOMER AND JIM PARSONS IN "THE BOYS IN THE 480 00:24:47,875 --> 00:24:48,709 BAND." HOW MANY TIMES DID MATT HAVE TO 481 00:24:48,709 --> 00:24:51,712 BRUSH HIS TEETH THAT DAY? 482 00:24:51,712 --> 00:24:54,382 >> I'VE NEVER THOUGHT ‐‐ EVERYONE ELSE ASKED HOW MUCH HE 483 00:24:54,382 --> 00:24:56,884 WAS NAKED IN THE SHOWER IN THE OTHER SCENE. 484 00:24:56,884 --> 00:25:00,721 NOBODY'S EVER ASKED ABOUT BRUSHING HIS TEETH. 485 00:25:00,721 --> 00:25:03,124 YOU'RE RIGHT, HE COULD HAVE SCRUBBED THE ENAMEL OFF, 486 00:25:03,124 --> 00:25:04,592 PROBABLY VERY SENSITIVE NOW. 487 00:25:04,592 --> 00:25:08,763 >> Jimmy: FOR THOSE WHO DON'T KNOW, THIS PLAY IS FROM WHAT 488 00:25:08,763 --> 00:25:09,297 YEAR? 489 00:25:09,297 --> 00:25:09,797 >> 1968. 490 00:25:09,797 --> 00:25:14,001 >> Jimmy: 1968. AND IT'S GROUND‐BREAKING, REALLY. 491 00:25:14,001 --> 00:25:14,335 >> YEAH. 492 00:25:14,335 --> 00:25:18,139 >> Jimmy: I REMEMBER THERE BEING A MOVIE ADAPTATION OF THIS FILM. 493 00:25:18,139 --> 00:25:18,472 >> YEAH. 494 00:25:18,472 --> 00:25:22,343 >> Jimmy: IN THE '70s, I THINK. 495 00:25:22,343 --> 00:25:25,146 >> YEAH. 496 00:25:25,146 --> 00:25:30,618 >> Jimmy: AND THIS IS A PLAY THAT YOU DID WITH THIS SAME CAST. 497 00:25:30,618 --> 00:25:30,985 >> YEAH. 498 00:25:30,985 --> 00:25:34,221 >> Jimmy: FOR HOW LONG DID YOU DO THIS ON BROADWAY? 499 00:25:34,221 --> 00:25:37,425 >> IT WAS A SUMMER THING. A LOT OF US HAD OTHER JOBS TO 500 00:25:37,425 --> 00:25:42,363 DO, SO WE DID IT FOR THE SUMMER IN 2019, I CAN'T REMEMBER NOW, 501 00:25:42,363 --> 00:25:44,999 BUT I THINK THAT'S RIGHT. YEAH. ABOUT THREE MONTHS. 502 00:25:44,999 --> 00:25:48,302 >> Jimmy: AND THEN HOW MUCH TIME WAS THERE BETWEEN DOING THE PLAY 503 00:25:48,302 --> 00:25:51,605 TOGETHER AND THEN MAKING IT INTO A MOVIE? 504 00:25:51,605 --> 00:25:56,344 >> IT WAS JUST UNDER A YEAR. AND THE PLAY HAD BEEN SUCH A 505 00:25:56,344 --> 00:25:59,413 POSITIVE EXPERIENCE FOR ME THAT I GOT ‐‐ I WAS NERVOUS ABOUT 506 00:25:59,413 --> 00:26:03,918 GOING BACK INTO IT. I WAS LIKE, OI, DO I WANT TO 507 00:26:03,918 --> 00:26:06,053 REVISIT THIS? WHAT IF IT PALES IN COMPARISON 508 00:26:06,053 --> 00:26:09,557 TO THE ‐‐ BUT I THINK LARGELY, WHAT YOU POINTED OUT, THE FACT 509 00:26:09,557 --> 00:26:13,327 THAT IT WAS ALL THE SAME PEOPLE. THE PROCESS JUST KEPT 510 00:26:13,327 --> 00:26:16,097 INTENSIFYING. AND IT ENDED UP BEING KIND OF A 511 00:26:16,097 --> 00:26:18,432 MAJOR HIGHLIGHT FOR ME AS SOMETHING TO DO. 512 00:26:18,432 --> 00:26:21,969 I WAS REALLY GRATEFUL THAT IT CAME ABOUT LIKE THIS. 513 00:26:21,969 --> 00:26:24,772 >> Jimmy: WHEN YOU'RE ‐‐ THIS IS A QUESTION I'VE ASKED A FEW 514 00:26:24,772 --> 00:26:27,475 PEOPLE, AND I'M INTERESTED IN IT. SO YOUR HUSBAND, TODD, YOU'RE 515 00:26:27,475 --> 00:26:31,612 DOING THIS PLAY ON BROADWAY. HOW MANY TIMES IS HE EXPECTED TO 516 00:26:31,612 --> 00:26:36,217 ATTEND THE PLAY? 517 00:26:36,217 --> 00:26:41,222 >> TODD I WOULD EXPECT TO SEE ONCE. I MEAN ‐‐ 518 00:26:41,222 --> 00:26:42,323 >> Jimmy: ONCE? 519 00:26:42,323 --> 00:26:45,092 >> HE CAN'T LIVE WITH ME THROUGH THIS WHOLE PROCESS ‐‐ HE DOESN'T 520 00:26:45,092 --> 00:26:47,094 JUST SEE THEM ONCE, HE COMES WITH OTHER PEOPLE. 521 00:26:47,094 --> 00:26:48,996 SO HE LIKES TO SEE THE PROGRESS ‐‐ LOOK, HERE'S THE 522 00:26:48,996 --> 00:26:51,298 DEAL. 523 00:26:51,298 --> 00:26:58,739 I AM NOT ‐‐ I ‐‐ THIS IS SO HARD TO SAY, POLITIC. 524 00:26:58,739 --> 00:27:04,412 I WANT TO NOT BE YELLED AT BY OTHER PEOPLE WHEN I MISS SHOWS, 525 00:27:04,412 --> 00:27:10,017 AND I MISS A LOT. SO I HAVE A REAL EASY TIME WITH 526 00:27:10,017 --> 00:27:12,820 PEOPLE ABOUT COMING TO SEE MY STUFF. YOU DIDN'T MAKE IT? 527 00:27:12,820 --> 00:27:15,856 THAT'S FINE! MAYBE THEY'LL DO A MOVIE OF IT 528 00:27:15,856 --> 00:27:18,292 SOMEDAY. OR, DON'T WORRY ABOUT IT, IT 529 00:27:18,292 --> 00:27:20,861 DOESN'T MATTER. THAT'S KIND OF MY ATTITUDE. 530 00:27:20,861 --> 00:27:22,830 TODD'S A LITTLE DIFFERENT. AND OBVIOUSLY IT'S VERY 531 00:27:22,830 --> 00:27:26,267 IMPORTANT TO ME, AND IT MAKES ME FEEL GOOD WHEN PEOPLE I KNOW AND 532 00:27:26,267 --> 00:27:28,536 LOVE COME TO SEE THINGS. BUT SWEAR TO GOD, OTHER THAN 533 00:27:28,536 --> 00:27:32,306 TODD COMING A COUPLE OF TIMES, NO ONE HAS ANY REQUISITES WITH 534 00:27:32,306 --> 00:27:34,341 ME. YOU MISSED IT, YOU MISSED IT. 535 00:27:34,341 --> 00:27:37,344 >> Jimmy: MOST PEOPLE SAY THREE. THREE IS THE COMMON ANSWER. 536 00:27:37,344 --> 00:27:39,413 YOU HAVE TO COME TO THE FIRST ONE, OPENING NIGHT. 537 00:27:39,413 --> 00:27:42,650 YOU HAVE TO COME TO CLOSING NIGHT FOR SURE. 538 00:27:42,650 --> 00:27:45,886 AND THEN ONE SOMEWHERE IN THE MIDDLE WITH LIKE THE AUNTS AND 539 00:27:45,886 --> 00:27:46,687 UNCLES COMING TO TOWN. 540 00:27:46,687 --> 00:27:48,889 >> HERE'S MY DEAL. MAYBE YOU'LL UNDERSTAND THIS. 541 00:27:48,889 --> 00:27:51,725 WHY WOULD YOU PUT THAT PRESSURE ON YOURSELF? 542 00:27:51,725 --> 00:27:54,228 THESE ARE SPECIAL MOMENTS WHILE YOU'RE PERFORMING. 543 00:27:54,228 --> 00:27:55,763 YOU BETTER DO IT WELL BECAUSE YOU'VE GOT YOUR WHOLE FAMILY 544 00:27:55,763 --> 00:27:58,999 HERE! I DON'T NEED THAT KIND OF PRESSURE. 545 00:27:58,999 --> 00:28:02,269 THIS IS HARD ENOUGH AS IT IS. WELL, IT'S NOT THAT HARD, BUT 546 00:28:02,269 --> 00:28:02,870 IT'S PRESSURE. 547 00:28:02,870 --> 00:28:05,106 >> Jimmy: RIGHT. PRESSURE'S PRESSURE, THAT'S ALL 548 00:28:05,106 --> 00:28:07,875 THERE IS TO IT. WELL, IT'S VERY GOOD TO SEE YOU. 549 00:28:07,875 --> 00:28:11,145 I HOPE THAT THE NEXT TIME I SEE YOU WILL BE IN HUMAN ‐‐ IN 550 00:28:11,145 --> 00:28:12,513 PERSON RATHER THAN THROUGH A VIDEO SCREEN. 551 00:28:12,513 --> 00:28:15,382 >> JIMMY, JIMMY. I ASSUME WE'LL MAKE IT OUT OF 552 00:28:15,382 --> 00:28:19,053 THIS ALIVE, AND IF SO, YES, IN PERSON IS THE WAY TO DO THIS. 553 00:28:19,053 --> 00:28:22,223 >> Jimmy: "THE BOYS IN THE BAND" IS ON NETFLIX NOW. 554 00:28:22,223 --> 00:28:25,593 JIM PARSONS, THANKS JIM, GOOD TO SEE YOU. 555 00:28:25,593 --> 00:28:26,694 WE'LL BE BACK WITH ELIZABETH OLSEN! 556 00:28:38,216 --> 00:28:40,329 >>> HI, I'M WILL. I HAD BIG PLANS THIS QUARANTINE 557 00:28:40,329 --> 00:28:43,666 TO LEARN ITALIAN. RIGHT BEFORE THE PANDEMIC HIT, I 558 00:28:43,666 --> 00:28:46,903 GOT MARRIED. A WONDERFUL WOMAN FROM MILAN, 559 00:28:46,903 --> 00:28:48,771 ITALY. I WANTED TO LEARN HER NATIVE 560 00:28:48,771 --> 00:28:51,307 TONGUE SO I COULD COMMUNICATE BETTER WITH HER AND HER FAMILY 561 00:28:51,307 --> 00:28:54,644 BACK IN ITALY. I GOT A BOOK, I ENROLLED IN 562 00:28:54,644 --> 00:28:57,313 ONLINE CLASSES. THEY SENT ME WORKSHEETS. 563 00:28:57,313 --> 00:28:59,148 EVERY WEDNESDAY NIGHT I WOULD LOGON AND ‐‐ 564 00:28:59,148 --> 00:29:04,420 [ SPEAKING ITALIAN ] 565 00:29:04,420 --> 00:29:10,493 >> I DON'T KNOW WHAT SHE'S SAYING. I THINK I HAVE TO GO. 566 00:29:22,946 --> 00:29:25,249 >> Jimmy: WELCOME BACK. WE HAVE MUSIC FROM YUNGBLUD ON 567 00:29:25,249 --> 00:29:29,153 THE WAY. OUR NEXT GUEST WAS SNAPPED TO 568 00:29:29,153 --> 00:29:33,924 DUST BY THANOS, BROUGHT BACK TO LIFE BY TIME TRAVEL, NOW STUFFED 569 00:29:33,924 --> 00:29:38,795 INSIDE OUR TV SETS ALONGSIDE PAUL BETTANY IN THE HIGHLY 570 00:29:38,795 --> 00:29:42,699 ANTICIPATED MARVEL SHOW "WANDAVISION" PREMIERING A WEEK 571 00:29:42,699 --> 00:29:46,937 FROM FRIDAY ON DISNEY PLUS. PLEASE WELCOME BACK ELIZABETH 572 00:29:46,937 --> 00:29:47,270 OLSEN. 573 00:29:47,270 --> 00:29:47,635 >> HI. 574 00:29:47,635 --> 00:29:48,772 >> Jimmy: YOU'RE IN LONDON, HUH? 575 00:29:48,772 --> 00:29:53,243 >> I AM. I'M IN LONDON. AND IT'S ‐‐ IT'S PRETTY LATE 576 00:29:53,243 --> 00:29:54,057 HERE. 577 00:29:54,057 --> 00:29:56,326 >> Jimmy: OH, IT IS, RIGHT. SORRY ABOUT THAT. 578 00:29:56,326 --> 00:29:59,429 >> YEAH. I HOPE I'M PROPERLY CAFFEINATED 579 00:29:59,429 --> 00:30:00,030 TO DO THIS. 580 00:30:00,030 --> 00:30:02,265 >> Jimmy: SO THEY JUST ‐‐ LAST NIGHT DIDN'T THEY CLOSE 581 00:30:02,265 --> 00:30:06,469 EVERYTHING DOWN IN LONDON? VERY RESTRICTIVE LOCKDOWN? 582 00:30:06,469 --> 00:30:08,705 >> YES. THE SECOND LOCKDOWN I'VE 583 00:30:08,705 --> 00:30:11,041 EXPERIENCED IN THREE MONTHS IN LONDON. 584 00:30:11,041 --> 00:30:13,877 >> Jimmy: WHAT DOES IT MEAN OVER THERE? 585 00:30:13,877 --> 00:30:14,744 DOES IT MEAN YOU CAN'T LEAVE THE HOUSE? 586 00:30:14,744 --> 00:30:18,081 OR IS IT JUST A MATTER OF NOT BEING ABLE TO GO TO WORK? 587 00:30:18,081 --> 00:30:19,316 WHAT ARE THE RULES? 588 00:30:19,316 --> 00:30:22,185 >> I THINK WHAT IT REAL MEANS IS THAT PEOPLE CAN'T BUY ALCOHOL 589 00:30:22,185 --> 00:30:26,456 FROM PUBS AND WALK AROUND AND SOCIALIZE. 590 00:30:26,456 --> 00:30:30,260 BECAUSE, LIKE, NO ONE'S REALLY LISTENING TO ANYTHING ANYWAY 591 00:30:30,260 --> 00:30:30,625 HERE. 592 00:30:30,625 --> 00:30:30,961 >> Jimmy: IS THAT RIGHT? 593 00:30:30,961 --> 00:30:35,398 >> TRULY, PEOPLE JUST LIKE DON'T WEAR MASKS OUTSIDE. 594 00:30:35,398 --> 00:30:39,736 AND ANYWHERE THAT PEOPLE CAN GATHER WITH LIKE A TAKEAWAY 595 00:30:39,736 --> 00:30:42,172 PINT, THEY DO. AND SO I THINK THEY'RE JUST 596 00:30:42,172 --> 00:30:46,876 TAKING AWAY THE LIQUOR. AND EVERYTHING ELSE IS MORE OR 597 00:30:46,876 --> 00:30:51,081 LESS THE SAME, OF NOT BEING ABLE TO MIX WITH OTHER HOUSEHOLDS. 598 00:30:51,081 --> 00:30:54,184 >> Jimmy: IT'S FUNNY THAT THAT HAPPENS LIKE FOUR, FIVE DAYS 599 00:30:54,184 --> 00:30:57,087 AFTER NEW YEAR'S EVE. IT SEEMS LIKE MAYBE A WEEK 600 00:30:57,087 --> 00:31:00,090 EARLIER WOULD HAVE MADE MORE SENSE. WERE PEOPLE GATHERING AND 601 00:31:00,090 --> 00:31:00,523 CELEBRATING THERE? 602 00:31:00,523 --> 00:31:03,760 >> YEAH, I MEAN, THE PARKS IN THE MORNING WHEN YOU GO ON A 603 00:31:03,760 --> 00:31:06,129 WALK, ALL THE TRASH BINS ARE OVERFLOWING WITH POPPERS AND 604 00:31:06,129 --> 00:31:08,231 ALCOHOL. 605 00:31:08,231 --> 00:31:12,035 >> Jimmy: DID YOU GO TO A PARTY? OR DID YOU PLAY IT SAFE? 606 00:31:12,035 --> 00:31:12,602 >> NO. 607 00:31:12,602 --> 00:31:15,472 >> Jimmy: NOW DID NOT, NO. 608 00:31:15,472 --> 00:31:20,944 >> A VERY SAFE PLAYER OF ALL GAMES. I FOLLOW ALL THE RULES. 609 00:31:20,944 --> 00:31:27,017 I WAS HOME WITH MY MAN, ROBBY, AND WE SET AN ALARM TO MAKE SURE 610 00:31:27,017 --> 00:31:32,389 WE DIDN'T MISS MIDNIGHT. AND ACTUALLY, I PUT ON A DRESS. 611 00:31:32,389 --> 00:31:34,124 IT WAS REALLY EXCITING. 612 00:31:34,124 --> 00:31:37,360 >> Jimmy: SO THE ALARM, THE IDEA WAS IF YOU FELL ASLEEP, YOU'D 613 00:31:37,360 --> 00:31:40,463 WAKE BACK UP AND TOAST AT MIDNIGHT? 614 00:31:40,463 --> 00:31:42,399 >> I DON'T EVEN KNOW WHAT THE POINT WAS. 615 00:31:42,399 --> 00:31:44,734 I THINK JUST TO MAKE IT TO MIDNIGHT. 616 00:31:44,734 --> 00:31:48,004 THERE HAVE BEEN FIREWORKS GOING OFF SINCE BONFIRE NIGHT, WHICH 617 00:31:48,004 --> 00:31:51,307 IS A HOLIDAY HERE IN NOVEMBER. 618 00:31:51,307 --> 00:31:51,675 >> Jimmy: OH. 619 00:31:51,675 --> 00:31:53,677 >> SO THERE ARE JUST ALWAYS FIREWORKS. 620 00:31:53,677 --> 00:31:56,279 SO THERE ARE A LOT OF FIREWORKS AT MIDNIGHT. 621 00:31:56,279 --> 00:31:59,549 >> Jimmy: DO THEY HAVE LIKE A BRITISH RYAN SEACREST OVER THERE 622 00:31:59,549 --> 00:32:02,852 WITH A BALL COMING DOWN? OR IS THAT JUST A THING WE DO? 623 00:32:02,852 --> 00:32:08,058 >> THEY MIGHT. I DON'T HAVE CABLE. 624 00:32:08,058 --> 00:32:08,625 >> Jimmy: YOU KNOW ‐‐ 625 00:32:08,625 --> 00:32:09,225 >> I DON'T KNOW. 626 00:32:09,225 --> 00:32:12,495 >> Jimmy: I THINK YOU KNOW THAT ‐‐ WELL, I'M A COMIC BOOK 627 00:32:12,495 --> 00:32:16,633 NERD, SO I'M ONE OF THE MANY WHO ARE VERY EXCITED ABOUT THE SHOW 628 00:32:16,633 --> 00:32:20,837 "WANDAVISION." YOU KNOW, WE WORK FOR DISNEY. 629 00:32:20,837 --> 00:32:24,941 ABC IS PART OF DISNEY. MARVEL IS PART OF DISNEY. 630 00:32:24,941 --> 00:32:28,645 THEY WERE KIND ENOUGH TO NOT GIVE ME AN ADVANCE SCREENING OF 631 00:32:28,645 --> 00:32:29,112 THE SHOW. 632 00:32:29,112 --> 00:32:29,579 >> YEAH. 633 00:32:29,579 --> 00:32:32,916 >> Jimmy: I REALLY DON'T KNOW ANYTHING MORE THAN ANYBODY ELSE 634 00:32:32,916 --> 00:32:35,051 DOES. CAN YOU SAY ANYTHING, CAN YOU 635 00:32:35,051 --> 00:32:38,922 TELL US ANYTHING THAT HASN'T ALREADY BEEN REVEALED? 636 00:32:38,922 --> 00:32:39,287 >> NO. 637 00:32:39,287 --> 00:32:40,223 >> Jimmy: NO, OKAY. 638 00:32:40,223 --> 00:32:44,994 >> YOU KNOW THAT. BUT I THINK I CAN SAY IT'S WANDA 639 00:32:44,994 --> 00:32:52,001 AND VISION LIVING THEIR SUPER SITCOM DREAM. 640 00:32:52,001 --> 00:32:55,271 >> YES. SOME OF THEM ARE SET IN THE '50s 641 00:32:55,271 --> 00:32:58,742 AND THEY PROGRESS ALONG DECADE TO DECADE, IS THAT CORRECT? 642 00:32:58,742 --> 00:33:01,678 >> YES. WE COVER ALL OF AMERICAN SITCOMS 643 00:33:01,678 --> 00:33:09,486 STARTING WITH THE '50s ALA DICK VAN DYKE, AND WE PROGRESS TO THE 644 00:33:09,486 --> 00:33:11,521 OUGHTS, AND THERE'S A REASON FOR IT. 645 00:33:11,521 --> 00:33:16,226 IT'S NOT JUST A FUN TRICK WE DO. WE TRY TO FILM EACH EPISODE KIND 646 00:33:16,226 --> 00:33:19,496 OF AS AUTHENTICALLY AS WE COULD DO EACH DECADE. 647 00:33:19,496 --> 00:33:23,299 THEN THE '50s WE FILMED IN FRONT OF A LIVE STUDIO AUDIENCE. 648 00:33:23,299 --> 00:33:28,104 AND FILLED WITH SO MANY NDAs. AND IT WAS REALLY STRANGE AND 649 00:33:28,104 --> 00:33:32,709 FUN AND HAD PRACTICAL SPECIAL EFFECTS ON STRINGS AND THE WHOLE 650 00:33:32,709 --> 00:33:35,311 THING WAS JUST ‐‐ IT WAS SO SILLY AND SO MUCH FUN. 651 00:33:35,311 --> 00:33:38,181 >> Jimmy: IT SEEMS LIKE FUN. WE HAVE A CLIP THAT HAS NOT BEEN 652 00:33:38,181 --> 00:33:39,015 SEEN. SO I DON'T KNOW, HAVE YOU SEEN 653 00:33:39,015 --> 00:33:41,017 THIS CLIP? 654 00:33:41,017 --> 00:33:42,452 >> I'VE SEEN A LOT OF THE SHOW. 655 00:33:42,452 --> 00:33:45,355 >> Jimmy: OKAY, ALL RIGHT. LET'S TAKE A LOOK. 656 00:33:45,355 --> 00:33:46,589 >> BECAUSE I AM SPECIAL. 657 00:33:46,589 --> 00:33:50,360 >> Jimmy: WE'RE GOING TO BE SURPRISED, HERE WE GO, 658 00:33:50,360 --> 00:33:52,629 "WANDAVISION." 659 00:33:52,629 --> 00:33:57,400 >> WHAT WAS THAT? 660 00:33:57,400 --> 00:34:05,208 [ LAUGHTER ] 661 00:34:05,208 --> 00:34:05,809 >> WANDA? 662 00:34:05,809 --> 00:34:06,609 >> YES, DEAR? 663 00:34:06,609 --> 00:34:09,479 >> ARE YOU USING YOUR POWERS TO TURN ON THE LIGHT? 664 00:34:09,479 --> 00:34:11,181 >> YES, DEAR. 665 00:34:11,181 --> 00:34:14,217 [ LAUGHTER ] 666 00:34:14,217 --> 00:34:18,555 >> ALLOW ME, SWEETHEART. 667 00:34:18,555 --> 00:34:21,224 >> WHAT DO YOU SEE? 668 00:34:21,224 --> 00:34:23,493 >> ONLY YOUR LOVELY ROSE BUSHES. 669 00:34:23,493 --> 00:34:26,396 >> THAT'S ALL? ARE YOU USING YOUR NIGHT VISION, 670 00:34:26,396 --> 00:34:26,996 VISION? 671 00:34:26,996 --> 00:34:27,330 [ LAUGHTER ] 672 00:34:27,330 --> 00:34:30,033 >> I ASSURE YOU, MY LOVE, I SEE NOTHING LESS. 673 00:34:30,033 --> 00:34:35,772 YOU HAVE ABSOLUTELY NO REASON ‐‐ OH! 674 00:34:35,772 --> 00:34:38,208 >> YOU WERE SAYING? 675 00:34:38,208 --> 00:34:40,376 >> Jimmy: I LIKE THAT, THAT'S FUN. 676 00:34:40,376 --> 00:34:43,880 >> YEAH, THAT IS. THAT IS OUR '60s "BEWITCHED" 677 00:34:43,880 --> 00:34:44,213 EPISODE. 678 00:34:44,213 --> 00:34:48,084 >> Jimmy: OH, OKAY, ALL RIGHT. THE BEDS LOOK VERY "DICK VAN 679 00:34:48,084 --> 00:34:50,520 DYKE SHOW." AND A HINT OF "BEWITCHED" IN 680 00:34:50,520 --> 00:34:53,590 THERE AS WELL. I LIKE THAT. THERE ARE A LOT OF THEORIES 681 00:34:53,590 --> 00:34:56,059 FLOATING AROUND ONLINE AS TO WHAT THE SHOW IS. 682 00:34:56,059 --> 00:35:01,598 I WANT TO RUN A COUPLE BY YOU. I KNOW YOU CAN'T CONFIRM OR DENY. 683 00:35:01,598 --> 00:35:04,701 BUT I THOUGHT MAYBE WE COULD GET A READ FROM YOU. HERE'S ONE. 684 00:35:04,701 --> 00:35:08,671 VISION'S TIE IS A CLUE. LET'S ZOOM IN ON VISION'S TIE. 685 00:35:08,671 --> 00:35:12,308 THERE ARE TWO DOTS INSIDE THE RECTANGLE ON HIS TIE. 686 00:35:12,308 --> 00:35:16,279 THEN TWO DOTS ON THE OUTSIDE. AND I GUESS THE IDEA IS THAT 687 00:35:16,279 --> 00:35:22,819 YOUR CHARACTERS ARE TRAPPED INSIDE SOMETHING, AND ALSO ON 688 00:35:22,819 --> 00:35:25,421 THE OUTSIDE, WHERE YOU EITHER CAN'T GET IN OR CAN'T GET OUT? 689 00:35:25,421 --> 00:35:28,358 ANY OF THAT RING A BELL? 690 00:35:28,358 --> 00:35:33,863 >> THE THING IS, ALL OF THESE EASTER EGGS, EVEN IF THEY WERE 691 00:35:33,863 --> 00:35:35,732 REAL, THEY WOULD GO WAY ABOVE MY HEAD. 692 00:35:35,732 --> 00:35:42,972 >> Jimmy: OKAY. WHAT ABOUT THE IDEA THAT THIS 693 00:35:42,972 --> 00:35:49,679 WINE BOTTLE, MAISON DE PRIS, I DON'T KNOW HOW TO SPEAK FRENCH, 694 00:35:49,679 --> 00:35:53,383 BUT IT TRANSLATES TO "HOUSE OF MISERY," WHICH COULD BE SAYING 695 00:35:53,383 --> 00:35:57,453 THE SERIES IS BASED ON "HOUSE OF M" IN WHICH WANDA HAS A 696 00:35:57,453 --> 00:36:00,323 BREAKDOWN AND THERE'S WEIRDNESS GOING ON? 697 00:36:00,323 --> 00:36:04,827 >> OUR PROP GUY, RUSSELL, WOULD BE A VERY, VERY CLEVER MAN IF HE 698 00:36:04,827 --> 00:36:05,428 PUT THAT IN. 699 00:36:05,428 --> 00:36:07,463 >> Jimmy: SO NO, THEN, INTERESTING. ALL RIGHT. 700 00:36:07,463 --> 00:36:10,934 WHAT ABOUT THIS ONE? WANDA BEARS A STRIKING 701 00:36:10,934 --> 00:36:14,570 RESEMBLANCE TO THESE ACTORS WHO PLAYED THE ROLE OF MICHELLE 702 00:36:14,570 --> 00:36:20,510 TANNER ON A SITCOM FROM THE '90s CALLED "FULL HOUSE" WHICH WOULD 703 00:36:20,510 --> 00:36:24,647 MEAN UNCLE JOEY IS ABOUT TO JOIN THE MCU? YES OR NO? 704 00:36:24,647 --> 00:36:30,920 >> THAT WOULD BE INCREDIBLE. IT IS VERY META, THE WHOLE THING. 705 00:36:30,920 --> 00:36:34,791 >> Jimmy: IT IS VERY META, YEAH. IT'S LIKE YOU GOT SWALLOWED BY A 706 00:36:34,791 --> 00:36:38,661 TIVO OR SOMETHING. I CAN'T WAIT TO SEE IT. 707 00:36:38,661 --> 00:36:42,432 YOU'RE OVER THERE SHOOTING THE NEW "DOCTOR STRANGE" MOVIE, OR 708 00:36:42,432 --> 00:36:43,833 NOT SHOOTING IT RIGHT NOW? 709 00:36:43,833 --> 00:36:44,734 >> YES, YEAH, YEAH. 710 00:36:44,734 --> 00:36:46,936 >> Jimmy: YOU CAN'T SAY ANYTHING ABOUT THAT EITHER. WOW. 711 00:36:46,936 --> 00:36:48,738 WHAT A THING. WHAT A LITTLE PRISON. 712 00:36:48,738 --> 00:36:52,108 >> I KNOW. IT'S REALLY STRANGE. 713 00:36:52,108 --> 00:36:55,912 I'M IN THIS FACILITY, A WHITE WALL BEHIND ME, THIS WHOLE THING 714 00:36:55,912 --> 00:37:00,717 IS SO ODD. YES. WE WERE ‐‐ SINCE OUR HOSPITALS 715 00:37:00,717 --> 00:37:04,387 ARE OVERWHELMED HERE, WE CAN'T GO BACK TO WORK UNTIL THAT CALMS 716 00:37:04,387 --> 00:37:04,752 DOWN. 717 00:37:04,752 --> 00:37:06,255 >> Jimmy: THAT'S OUR DEAL HERE TOO, YEAH. 718 00:37:06,255 --> 00:37:10,226 >> YEAH. SO JUST ‐‐ SAFELY HANGING OUT 719 00:37:10,226 --> 00:37:13,396 HERE. REALLY GRATEFUL I GET TO BE WORKING. 720 00:37:13,396 --> 00:37:14,697 DISNEY HAS KEPT ME BUSY DURING QUARANTINE. 721 00:37:14,697 --> 00:37:20,003 >> Jimmy: THAT'S RIGHT. WELL, STAY SAFE. 722 00:37:20,003 --> 00:37:22,939 "WANDAVISION" PREMIERES A WEEK FROM FRIDAY ON DISNEY PLUS. 723 00:37:22,939 --> 00:37:25,475 ELIZABETH OLSEN, EVERYBODY. THANKS, ELIZABETH. 724 00:37:25,475 --> 00:37:26,009 BE RIGHT BACK WITH YUNGBLUD! 725 00:37:26,009 --> 00:37:28,845 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 726 00:37:28,845 --> 00:37:30,179 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 727 00:37:37,269 --> 00:37:38,630 >> Dicky: THE "JIMMY KIMMEL LIVE" CONCERT SERIES IS 728 00:37:38,630 --> 00:37:42,668 PRESENTED BY MERCEDES‐BENZ. THE BEST OR NOTHING. 729 00:37:42,668 --> 00:37:43,802 >> Jimmy: I WANT TO THANK JIM PARSONS AND ELIZABETH OLSEN, 730 00:37:43,802 --> 00:37:47,739 APOLOGIES TO MATT DAMON. "NIGHTLINE" IS NEXT, BUT FIRST, 731 00:37:47,739 --> 00:37:49,842 HIS ALBUM IS CALLED, "WEIRD!" FROM LONDON WITH THE SONG, 732 00:37:49,842 --> 00:37:53,545 "MARS," YOUNGBLOOD! 733 00:37:53,545 --> 00:37:54,813 ♪ SHE WAS ONLY 17 734 00:37:54,813 --> 00:37:58,550 HAD THE SADDEST PAIR OF EYES THAT YOU'VE EVER SEEN 735 00:37:58,550 --> 00:37:59,751 WORE THEM LIPS IN THE COLD ♪ 736 00:37:59,751 --> 00:38:00,586 ♪ IT WAS MATCHING GREEN 737 00:38:00,586 --> 00:38:02,354 BUT SHE CAN'T BE HERSELF WHEN SHE'S SOMEBODY ELSE 738 00:38:02,354 --> 00:38:05,324 IN THE MORNING ♪ 739 00:38:05,324 --> 00:38:06,625 ♪ SHE WOULD TAKE HER 740 00:38:06,625 --> 00:38:08,760 MOTHER'S WEDDING RING BUT SCHOOL GOT PRETTY TOUGH 741 00:38:08,760 --> 00:38:09,595 WHEN THEY SEE IT GLEAM ♪ 742 00:38:09,595 --> 00:38:11,797 ♪ SO SHE HID HERSELF 743 00:38:11,797 --> 00:38:14,066 UNDER THE MEZZANINE REENACTING SCENES YEAH ♪ 744 00:38:14,066 --> 00:38:18,070 ♪ SHE DREAMS 745 00:38:18,070 --> 00:38:20,539 SHE'D GO CALIFORNIA AND EVERYONE WOULD ADORE HER ♪ 746 00:38:20,539 --> 00:38:22,808 ♪ AND ALL HER MATES 747 00:38:22,808 --> 00:38:25,577 WOULD CALL HER TIL 4 IN THE MORNING 748 00:38:25,577 --> 00:38:27,813 IS THERE ANY LIFE ON MARS ♪ 749 00:38:27,813 --> 00:38:31,316 ♪ IS THERE ANY LIFE ON MARS 750 00:38:31,316 --> 00:38:38,090 IS THERE ANY LIFE ON MARS YEAH YEAH 751 00:38:38,090 --> 00:38:39,758 EVERY MORNING SHE WOULD ♪ 752 00:38:39,758 --> 00:38:40,325 ♪ WAKE UP WITH ANOTHER PLAN 753 00:38:40,325 --> 00:38:42,861 YEAH HER MUM AND DAD THEY COULDN'T UNDERSTAND ♪ 754 00:38:42,861 --> 00:38:43,595 ♪ WHY SHE COULDN'T 755 00:38:43,595 --> 00:38:47,833 TURN IT OFF BECOME A BETTER MAN ALL THIS THERAPY ♪ 756 00:38:47,833 --> 00:38:49,902 ♪ IT THE SIGHT OF HER MIND 757 00:38:49,902 --> 00:38:54,006 THAT SHE NEVER HAD YEAH THE STORY TOLD TOO MANY TIMES ♪ 758 00:38:54,006 --> 00:38:55,307 ♪ IT MAKES ME SAD 759 00:38:55,307 --> 00:38:56,808 BETTER OFF MADE A FORTUNE OUT HER AUTOGRAPH ♪ 760 00:38:56,808 --> 00:38:59,077 ♪ GIVE HER MONEY BACK 761 00:38:59,077 --> 00:39:02,814 BECAUSE SHE DREAMS SHE GO CALIFORNIA ♪ 762 00:39:02,814 --> 00:39:03,549 ♪ AND EVERYONE 763 00:39:03,549 --> 00:39:11,089 WOULD ADORE HER AND ALL HER MATES WOULD CALL HER ♪ 764 00:39:11,089 --> 00:39:11,590 ♪ TIL 4 IN THE MORNING 765 00:39:11,590 --> 00:39:17,095 IS THERE ANY LIFE ON MARS IS THERE ANY LIFE ON MARS 766 00:39:17,095 --> 00:39:20,832 IS THERE ANY LIFE ON MARS ♪ 767 00:39:20,832 --> 00:39:23,769 ♪ YEAH YEAH 768 00:39:23,769 --> 00:39:27,806 IS THERE ANY LIFE ON MARS IS THERE ANY LIFE ON MARS 769 00:39:27,806 --> 00:39:31,743 IS THERE ANY LIFE ON MARS ♪ 770 00:39:31,743 --> 00:39:33,579 ♪ YEAH YEAH 771 00:39:33,579 --> 00:39:36,048 DO YOU FEEL LIKE YOU'RE IRRELEVANT 772 00:39:36,048 --> 00:39:37,316 DO YOU FEEL ♪ 773 00:39:37,316 --> 00:39:38,550 ♪ LIKE YOU'RE IRRELEVANT 774 00:39:38,550 --> 00:39:46,091 DO YOU FEEL LIKE YOUR JUST SCARED AS 775 00:39:46,091 --> 00:39:47,759 DO YOU FEEL ♪ 776 00:39:47,759 --> 00:39:48,327 ♪ LIKE YOU'RE IRRELEVANT 777 00:39:48,327 --> 00:39:50,095 DO YOU FEEL LIKE YOU'RE IRRELEVANT 778 00:39:50,095 --> 00:39:51,129 DO YOU FEEL ♪ 779 00:39:51,129 --> 00:39:58,136 ♪ LIKE YOUR JUST SCARED AS 780 00:39:58,136 --> 00:40:01,540 IS THERE ANY LIFE ON MARS IS THERE ANY LIFE ON MARS 781 00:40:01,540 --> 00:40:06,245 IS THERE ANY LIFE ON MARS ♪ 782 00:40:06,245 --> 00:40:10,015 ♪ YEAH YEAH 783 00:40:10,015 --> 00:40:11,850 ♪ IS THERE ANY LIFE ON MARS IS 784 00:40:11,850 --> 00:40:18,357 THERE ANY LIFE ON MARS IS THERE ANY LIFE ON MARS ♪ 785 00:40:18,357 --> 00:40:21,193 ♪ YEAH YEAH 786 00:40:21,193 --> 00:40:23,328 ♪ IS THERE ANY LIFE ON MARS IS 787 00:40:23,328 --> 00:40:31,270 THERE ANY LIFE ON MARS IS THERE ANY LIFE ON MARS ♪ 788 00:40:31,270 --> 00:40:32,537 ♪ WHOA WHOA 789 00:40:32,537 --> 00:40:34,873 ♪ IS THERE ANY LIFE ON MARS IS 790 00:40:34,873 --> 00:40:37,376 THERE ANY LIFE ON MARS IS THERE 791 00:40:37,376 --> 00:40:43,749 ANY LIFE ON MARS ♪ 792 00:40:43,749 --> 00:40:51,790 ♪ YEAH YEAH ♪