1 00:00:04,671 --> 00:00:07,841 >> Ryan: TONIGHT, TWO WORLDS 2 00:00:07,841 --> 00:00:08,074 COLLIDE. 3 00:00:08,074 --> 00:00:08,976 "AMERIC 4 00:00:08,976 --> 00:00:09,676 "AMERICAN IDOL" COLLABS WITH 5 00:00:09,676 --> 00:00:10,210 "DANCING WITH THE STARS." 6 00:00:10,210 --> 00:00:11,411 OUR TOP FIVE HIT THE BALLROOM 7 00:00:11,411 --> 00:00:14,915 AND LEGENDS FROM OUR SHOW'S 2006 8 00:00:14,915 --> 00:00:17,851 CLASS RETURN LIVE. 9 00:00:17,851 --> 00:00:20,754 THIS IS THE MOMENT, AND THIS IS 10 00:00:20,754 --> 00:00:21,655 "AMERICAN IDOL." 11 00:00:21,655 --> 00:00:23,156 ♪ 12 00:00:23,156 --> 00:00:29,363 [ CHEERS AND APPLAUSE ] 13 00:00:31,164 --> 00:00:31,331 ♪ 14 00:00:31,331 --> 00:00:39,139 [ CHEERS AND APPLAUSE ] 15 00:00:39,139 --> 00:00:39,640 >> Ryan: WELCOME TO THE 16 00:00:39,640 --> 00:00:40,073 SEMIFINALS. 17 00:00:40,073 --> 00:00:41,742 ONE OF THE MOST MASSIVE NIGHTS 18 00:00:41,742 --> 00:00:42,376 OF THE SEASON. 19 00:00:42,376 --> 00:00:45,879 VOTING IS NOW OPEN FOR ALL YOUR 20 00:00:45,879 --> 00:00:46,280 FAVORITES. 21 00:00:46,280 --> 00:00:50,083 LAST WEEK WAS THE HIGHEST VOTE 22 00:00:50,083 --> 00:00:50,617 SO FAR. 23 00:00:50,617 --> 00:00:51,151 LET'S BEAT THAT TONIGHT. 24 00:00:51,151 --> 00:00:53,587 ARE YOU READY FOR THE JUDGES? 25 00:00:53,587 --> 00:00:54,187 [ CHEERS AND APPLAUSE ] 26 00:00:54,187 --> 00:00:55,155 HERE THEY COME. 27 00:00:55,155 --> 00:00:55,322 ♪ 28 00:00:55,322 --> 00:01:04,263 [ CHEERS AND APPLAUSE ] 29 00:01:07,134 --> 00:01:07,301 ♪ 30 00:01:07,301 --> 00:01:16,109 [ CHEERS AND APPLAUSE ] 31 00:01:16,109 --> 00:01:19,146 >> Ryan: LUKE BRYAN, LIONEL 32 00:01:19,146 --> 00:01:26,386 RICHIE, CARRIE UNDERWOOD, AND 33 00:01:26,386 --> 00:01:28,455 SHE'S FOREVER OUR GIRL, THE ONE 34 00:01:28,455 --> 00:01:31,158 AND ONLY, THE ORIGINAL PAULA 35 00:01:31,158 --> 00:01:31,358 ABDUL. 36 00:01:31,358 --> 00:01:31,525 ♪ 37 00:01:31,525 --> 00:01:35,562 [ CHEERS AND APPLAUSE ] 38 00:01:35,562 --> 00:01:36,363 I'M HAPPY TO SEE YOU. 39 00:01:36,363 --> 00:01:38,231 >> I'M SO HAPPY TO SEE YOU. 40 00:01:38,231 --> 00:01:39,466 >> Ryan: LET'S HAVE SOME FUN. 41 00:01:39,466 --> 00:01:43,270 YOUR JUDGES. 42 00:01:43,270 --> 00:01:43,437 ♪ 43 00:01:43,437 --> 00:01:51,545 [ CHEERS AND APPLAUSE ] 44 00:01:55,148 --> 00:01:55,315 ♪ 45 00:01:55,315 --> 00:02:16,103 [ CHEERS AND APPLAUSE ] 46 00:02:16,103 --> 00:02:17,270 >> Ryan: SHE'S GOT TO GET TO 47 00:02:17,270 --> 00:02:19,139 WORK, Y'ALL. 48 00:02:19,139 --> 00:02:19,673 SHE'S GOT TO GET TO WORK. 49 00:02:19,673 --> 00:02:25,278 LET HER SIT. 50 00:02:25,278 --> 00:02:26,647 IT'S LIKE IT WAS YESTERDAY, YOU 51 00:02:26,647 --> 00:02:26,847 KNOW? 52 00:02:26,847 --> 00:02:29,282 WE JUST DID THIS NOT THAT LONG 53 00:02:29,282 --> 00:02:30,083 AGO. 54 00:02:30,083 --> 00:02:31,151 >> Lionel: JUST DID IT. 55 00:02:31,151 --> 00:02:34,388 >> Paula: CRAZY. 56 00:02:34,388 --> 00:02:35,322 >> Ryan: ALL FROM THE BEGINNING. 57 00:02:35,322 --> 00:02:35,956 PAULA WAS HERE FROM DAY ONE ON 58 00:02:35,956 --> 00:02:36,490 "AMERICAN IDOL" BREAKING 59 00:02:36,490 --> 00:02:36,723 RECORDS. 60 00:02:36,723 --> 00:02:38,392 [ CHEERS AND APPLAUSE ] 61 00:02:38,392 --> 00:02:40,060 WE HAD SUCH A GREAT TIME 62 00:02:40,060 --> 00:02:40,327 TOGETHER. 63 00:02:40,327 --> 00:02:41,995 I ADORE YOU. 64 00:02:41,995 --> 00:02:43,196 >> Paula: I ADORE YOU TOO. 65 00:02:43,196 --> 00:02:45,532 >> Ryan: I'M SO HAPPY TO SEE 66 00:02:45,532 --> 00:02:45,699 YOU. 67 00:02:45,699 --> 00:02:47,134 SO WHAT I GOT TO DO TONIGHT FOR 68 00:02:47,134 --> 00:02:48,402 YOU? 69 00:02:48,402 --> 00:02:48,935 WHAT ARE YOU LOOKING FOR? 70 00:02:48,935 --> 00:02:49,603 >> Paula: I'M JUST SO HAPPY TO 71 00:02:49,603 --> 00:02:50,003 BE AT MY OLD HOME. 72 00:02:50,003 --> 00:02:52,839 [ CHEERS AND APPLAUSE ] 73 00:02:52,839 --> 00:02:56,443 AND TO SEE -- SEE SOME OF MY 74 00:02:56,443 --> 00:02:58,612 CHILDREN THAT ARE NOW GROWN AND 75 00:02:58,612 --> 00:02:59,513 HAVE KIDS. 76 00:02:59,513 --> 00:03:01,314 I FEEL LIKE -- AND MEETING THE 77 00:03:01,314 --> 00:03:04,951 NEW HOPEFULS, JUST WANTING TO 78 00:03:04,951 --> 00:03:06,153 HAVE -- FOR ALL OF YOU TO HAVE 79 00:03:06,153 --> 00:03:06,987 THE BEST TIME EVER AND LEAVE 80 00:03:06,987 --> 00:03:13,293 YOUR HEART OUT THERE, AND -- AND 81 00:03:13,293 --> 00:03:14,227 CARRIE. 82 00:03:14,227 --> 00:03:15,095 >> Ryan: OH. 83 00:03:15,095 --> 00:03:18,031 IT'S GOING TO BE A GREAT SHOW 84 00:03:18,031 --> 00:03:18,265 TONIGHT. 85 00:03:18,265 --> 00:03:19,633 JAMAL ROBERTS IS IN THE HOUSE 86 00:03:19,633 --> 00:03:20,467 WITH A PERFORMANCE. 87 00:03:20,467 --> 00:03:21,768 PLUS, WE'RE GOING TO PARTY LIKE 88 00:03:21,768 --> 00:03:24,638 IT'S 2006 WITH THE STARS OF THAT 89 00:03:24,638 --> 00:03:25,005 HISTORIC SEASON. 90 00:03:25,005 --> 00:03:30,410 BUCKY COVINGTON OVER THERE. 91 00:03:30,410 --> 00:03:31,211 ELLIOTT YAMIN, PARIS BENNETT, 92 00:03:31,211 --> 00:03:33,113 AND THE WINNER, TAYLOR HICKS, 93 00:03:33,113 --> 00:03:35,482 BUT FIRST, THE MIRROR BALL 94 00:03:35,482 --> 00:03:36,349 STILETTOS HAVE BEEN HUNG BY THE 95 00:03:36,349 --> 00:03:36,883 CEILING WITH CARE. 96 00:03:36,883 --> 00:03:39,119 IT'S OUR "DANCING WITH THE 97 00:03:39,119 --> 00:03:41,722 STARS" COLAB FEATURING SOME OF 98 00:03:41,722 --> 00:03:42,622 OUR GREATEST DANCERS FROM THE 99 00:03:42,622 --> 00:03:42,856 SHOW. 100 00:03:42,856 --> 00:03:44,725 HERE'S THE ALL-IMPORTANT VOTING 101 00:03:44,725 --> 00:03:45,759 INFORMATION FOR YOUR TOP FIVE. 102 00:03:45,759 --> 00:03:46,526 TAKE A LOOK. 103 00:03:46,526 --> 00:03:48,495 GET STARTED IF YOU HAVEN'T 104 00:03:48,495 --> 00:03:48,729 ALREADY. 105 00:03:48,729 --> 00:03:50,063 TONIGHT YOU'RE VOTING FOR WHO 106 00:03:50,063 --> 00:03:51,431 YOU WANT TO SEE COMPETE IN OUR 107 00:03:51,431 --> 00:03:53,600 STAR-STUDDED FINALE NEXT WEEK. 108 00:03:53,600 --> 00:03:54,901 IT'S TEN VOTES PER FINALIST PER 109 00:03:54,901 --> 00:03:55,769 VOTING PLATFORM. 110 00:03:55,769 --> 00:03:58,138 MAKE SURE YOU MAX THEM OUT WITH 111 00:03:58,138 --> 00:03:58,572 ALL YOUR FAVORITES. 112 00:03:58,572 --> 00:03:59,973 WE'VE GOT THE "DANCING WITH THE 113 00:03:59,973 --> 00:04:06,446 STARS" PROS HERE. 114 00:04:06,446 --> 00:04:09,750 GLEB SAVCHENKO, AND WITNEY 115 00:04:09,750 --> 00:04:09,983 CARSON. 116 00:04:09,983 --> 00:04:11,718 THEY'RE TAKING THE STAGE IN JUST 117 00:04:11,718 --> 00:04:14,087 A SECOND WITH KEYLA RICHARDSON, 118 00:04:14,087 --> 00:04:16,189 BUT FIRST HERE'S OUR TIME WITH 119 00:04:16,189 --> 00:04:18,492 GRAMMY-WINNING PRODUCER AND 120 00:04:18,492 --> 00:04:22,095 "IDOL" LEGEND, RANDY JACKSON. 121 00:04:22,095 --> 00:04:23,897 LET'S GO! 122 00:04:23,897 --> 00:04:25,298 [ CHEERS AND APPLAUSE ] 123 00:04:25,298 --> 00:04:25,899 >> YOU KNOW, IT'S GOING DOWN. 124 00:04:25,899 --> 00:04:28,635 >> WHAT'S GOING ON DOWN? 125 00:04:28,635 --> 00:04:31,138 RANDY DISCOVERED RA LOT OF 126 00:04:31,138 --> 00:04:32,672 ARTISTS, YOU KNOW, FANTASIA, 127 00:04:32,672 --> 00:04:33,173 CARRIE. 128 00:04:33,173 --> 00:04:34,474 ANY ADVICE HE GIVES, I'M GOING 129 00:04:34,474 --> 00:04:36,443 TO TAKE IT BECAUSE HE KNOWS A 130 00:04:36,443 --> 00:04:37,477 STAR WHEN HE SEES ONE. 131 00:04:37,477 --> 00:04:39,546 >> WHAT SONG ARE YOU SINGING? 132 00:04:39,546 --> 00:04:42,649 >> "RIVER DEEP, MOUNTAIN HIGH." 133 00:04:42,649 --> 00:04:43,150 >> A STAR. 134 00:04:43,150 --> 00:04:44,818 YOU DANCE? 135 00:04:44,818 --> 00:04:45,385 >> I CAN'T DANCE, BUT I'LL 136 00:04:45,385 --> 00:04:45,719 FIGURE IT OUT. 137 00:04:45,719 --> 00:04:47,521 BUST SOME MOVES. 138 00:04:47,521 --> 00:04:48,488 I THINK IT'S GOING TO BRING A 139 00:04:48,488 --> 00:04:49,322 DIFFERENT ENERGY. 140 00:04:49,322 --> 00:04:50,190 I THINK IT WILL BRING A 141 00:04:50,190 --> 00:04:50,857 DIFFERENT CONFIDENCE KNOWING 142 00:04:50,857 --> 00:04:52,192 IT'S JUST NOT YOU ON THE STAGE. 143 00:04:52,192 --> 00:04:53,093 IT'S, LIKE, WE'RE GIVING THEM A 144 00:04:53,093 --> 00:04:53,593 SHOW NOW. 145 00:04:53,593 --> 00:04:54,561 I'M JUST GOING TO TRY TO GET 146 00:04:54,561 --> 00:04:55,061 INTO IT. 147 00:04:55,061 --> 00:04:56,163 YOU KNOW WHAT I MEAN? 148 00:04:56,163 --> 00:04:57,430 I'M TRYING TO MOVE WITH THEM. 149 00:04:57,430 --> 00:05:00,901 ♪ AND IT GETS DEEPER 150 00:05:00,901 --> 00:05:03,637 >> YOU KNOW WHAT I LOVED ABOUT 151 00:05:03,637 --> 00:05:03,837 THIS? 152 00:05:03,837 --> 00:05:04,971 YOU STAYED ON THE MELODY, BUT 153 00:05:04,971 --> 00:05:07,140 YOU CAN'T GIVE IT ALL TONE ALL 154 00:05:07,140 --> 00:05:07,374 AT ONCE. 155 00:05:07,374 --> 00:05:11,144 YOU GOT TO LET IT MARINATE, THEN 156 00:05:11,144 --> 00:05:12,913 GIVE THE RUNS THEY WANT. 157 00:05:12,913 --> 00:05:14,381 YOU GOT IT, MAN. 158 00:05:14,381 --> 00:05:15,282 COME ON NOW. 159 00:05:15,282 --> 00:05:17,918 ARE YOU IN IT TO WIN IT, KEYLA? 160 00:05:17,918 --> 00:05:19,786 >> I'M IN IT TO WIN IT. 161 00:05:19,786 --> 00:05:20,153 >> OH. 162 00:05:20,153 --> 00:05:20,520 QUICK RESPONSE. 163 00:05:20,520 --> 00:05:22,155 >> WHEN I WALKED IN FOR THE 164 00:05:22,155 --> 00:05:22,823 AUDITION, I WAS QUESTIONING, YOU 165 00:05:22,823 --> 00:05:24,658 KNOW, IF I DID BELONG HERE. 166 00:05:24,658 --> 00:05:25,325 >> HEY, GUYS. 167 00:05:25,325 --> 00:05:27,060 >> I DIDN'T HAVE THAT 168 00:05:27,060 --> 00:05:27,994 CONFIDENCE, BUT "AMERICAN IDOL," 169 00:05:27,994 --> 00:05:29,930 THIS HAS CHANGED MY BELIEF A LOT 170 00:05:29,930 --> 00:05:31,097 ABOUT WHAT'S POSSIBLE BECAUSE 171 00:05:31,097 --> 00:05:32,566 FROM HERE, I DO FEEL LIKE I CAN 172 00:05:32,566 --> 00:05:33,500 REACH THE GOAL, YOU KNOW, THE 173 00:05:33,500 --> 00:05:34,401 GOAL IS TO WIN. 174 00:05:34,401 --> 00:05:40,974 >> THIS GIRL'S READY, Y'ALL. 175 00:05:40,974 --> 00:05:42,375 >> IF HER VERSION OF "RIVER 176 00:05:42,375 --> 00:05:44,744 DEEP, MOUNTAIN HIGH" BY IKE AND 177 00:05:44,744 --> 00:05:46,413 TINA TURNER, IT'S KEYLA 178 00:05:46,413 --> 00:05:46,713 RICHARDSON. 179 00:05:46,713 --> 00:05:47,214 [ CHEERS AND APPLAUSE ] 180 00:05:47,214 --> 00:05:53,653 ♪ 181 00:05:53,653 --> 00:05:55,155 ♪ WHEN I WAS A LITTLE GIRL 182 00:05:55,155 --> 00:05:57,924 I HAD A RAG DOLL ♪ 183 00:05:57,924 --> 00:05:58,425 ♪ THE ONLY DOLL 184 00:05:58,425 --> 00:06:05,298 I'VE EVER OWNED ♪ 185 00:06:05,298 --> 00:06:06,399 ♪ NOW I LOVE YOU 186 00:06:06,399 --> 00:06:07,133 JUST THE WAY I LOVED 187 00:06:07,133 --> 00:06:09,502 THAT RAG DOLL ♪ 188 00:06:09,502 --> 00:06:10,070 ♪ BUT ONLY NOW 189 00:06:10,070 --> 00:06:13,707 MY LOVE HAS GROWN ♪ 190 00:06:13,707 --> 00:06:18,979 ♪ AND IT GETS STRONGER 191 00:06:18,979 --> 00:06:19,346 IN EVERY WAY ♪ 192 00:06:19,346 --> 00:06:21,114 ♪ AND IT GETS HIGHER 193 00:06:21,114 --> 00:06:26,920 DAY BY DAY ♪ 194 00:06:26,920 --> 00:06:27,287 ♪ DO I LOVE YOU 195 00:06:27,287 --> 00:06:32,192 MY OH MY ♪ 196 00:06:32,192 --> 00:06:35,128 ♪ RIVER DEEP 197 00:06:35,128 --> 00:06:37,497 MOUNTAIN HIGH ♪ 198 00:06:37,497 --> 00:06:39,132 ♪ IF I LOST YOU 199 00:06:39,132 --> 00:06:42,769 WOULD I CRY ♪ 200 00:06:42,769 --> 00:06:45,438 ♪ OH, HOW I LOVE YOU, BABY 201 00:06:45,438 --> 00:06:55,148 BABY BABY BABY ♪ 202 00:06:55,148 --> 00:06:55,649 ♪ AND IT GETS STRONGER 203 00:06:55,649 --> 00:07:01,221 IN EVERY WAY ♪ 204 00:07:01,221 --> 00:07:01,688 ♪ AND IT GETS DEEPER 205 00:07:01,688 --> 00:07:04,991 LET ME SAY ♪ 206 00:07:04,991 --> 00:07:07,160 ♪ AND IT GETS HIGHER 207 00:07:07,160 --> 00:07:11,298 DAY BY DAY ♪ 208 00:07:11,298 --> 00:07:12,365 ♪ DO I LOVE YOU 209 00:07:12,365 --> 00:07:20,307 MY OH MY ♪ 210 00:07:20,307 --> 00:07:22,909 ♪ RIVER DEEP 211 00:07:22,909 --> 00:07:23,276 MOUNTAIN HIGH ♪ 212 00:07:23,276 --> 00:07:25,312 ♪ IF I LOST YOU 213 00:07:25,312 --> 00:07:28,715 WOULD I CRY ♪ 214 00:07:28,715 --> 00:07:29,783 ♪ OH, HOW I LOVE YOU, BABY 215 00:07:29,783 --> 00:07:38,091 BABY BABY BABY ♪ 216 00:07:38,091 --> 00:07:39,159 >> NOW SOMEBODY MAKE SOME NOISE. 217 00:07:39,159 --> 00:07:39,726 ♪ 218 00:07:39,726 --> 00:07:52,439 [ CHEERS AND APPLAUSE ] 219 00:07:52,439 --> 00:07:54,975 >> Ryan: GOOD TO HAVE YOU. 220 00:07:54,975 --> 00:07:55,442 IT'S NICE TO HAVE YOU. 221 00:07:55,442 --> 00:07:56,376 WELCOME TO "IDOL." 222 00:07:56,376 --> 00:07:58,578 >> GOOD TO SEE YOU. 223 00:07:58,578 --> 00:08:04,017 >> Ryan: LOOKING GOOD. 224 00:08:04,017 --> 00:08:05,018 GIVE IT UP FOR "DANCING WITH THE 225 00:08:05,018 --> 00:08:05,585 STARS" PROS, EVERYONE, AND 226 00:08:05,585 --> 00:08:08,888 KEYLA. 227 00:08:08,888 --> 00:08:11,224 I THINK THEY LIKE YOU. 228 00:08:11,224 --> 00:08:12,726 LIONEL, START US OFF. 229 00:08:12,726 --> 00:08:13,526 >> Lionel: THAT'S THE WAY. 230 00:08:13,526 --> 00:08:14,928 THAT'S THE WAY YOU START A SHOW 231 00:08:14,928 --> 00:08:15,161 OFF. 232 00:08:15,161 --> 00:08:15,762 >> Ryan: RIGHT? 233 00:08:15,762 --> 00:08:17,364 >> Lionel: NOW WHAT I LOVED THE 234 00:08:17,364 --> 00:08:18,431 MOST IS YOUR ATTITUDE. 235 00:08:18,431 --> 00:08:21,167 NO MATTER WHAT THEY'RE DOING, 236 00:08:21,167 --> 00:08:24,037 THAT'S YOUR DANCE. 237 00:08:24,037 --> 00:08:24,237 YEAH. 238 00:08:24,237 --> 00:08:26,940 ALWAYS REMEMBER, DON'T WORK TOO 239 00:08:26,940 --> 00:08:27,140 HARD. 240 00:08:27,140 --> 00:08:27,707 >> YES. 241 00:08:27,707 --> 00:08:29,843 >> Lionel: BUT WHAT YOU WERE 242 00:08:29,843 --> 00:08:30,443 SOUNDING LIKE WAS EVERYTHING. 243 00:08:30,443 --> 00:08:31,144 I LOVE THE WAY YOU DO YOUR 244 00:08:31,144 --> 00:08:31,745 THING. 245 00:08:31,745 --> 00:08:32,312 VOTE, EVERYBODY. 246 00:08:32,312 --> 00:08:32,812 VOTE, VOTE, VOTE. 247 00:08:32,812 --> 00:08:35,148 >> THANK YOU, THANK YOU, THANK 248 00:08:35,148 --> 00:08:36,783 YOU. 249 00:08:36,783 --> 00:08:37,150 >> Ryan: PAULA? 250 00:08:37,150 --> 00:08:39,052 >> Paula: KEYLA, IT'S SUCH AN 251 00:08:39,052 --> 00:08:40,020 HONOR AND PLEASURE TO MEET YOU 252 00:08:40,020 --> 00:08:41,688 AND YOU DON'T HAVE TO DO 253 00:08:41,688 --> 00:08:43,155 ANYTHING OTHER THAN LIONEL STEP 254 00:08:43,155 --> 00:08:44,057 IN THAT DRESS. 255 00:08:44,057 --> 00:08:45,425 IT'S BEAUTIFUL. 256 00:08:45,425 --> 00:08:45,892 I HAVE TO TELL YOU -- 257 00:08:45,892 --> 00:08:46,526 >> THANK YOU. 258 00:08:46,526 --> 00:08:47,594 >> Paula: YOUR VOCAL RANGE IS 259 00:08:47,594 --> 00:08:48,228 LIKE A WEAPON. 260 00:08:48,228 --> 00:08:50,730 YOU CAN GO FROM A WHISPER TO A 261 00:08:50,730 --> 00:08:51,998 THUNDERSTORM, AND IT FEELS LIKE 262 00:08:51,998 --> 00:08:53,166 EVERY MOMENT IS INEVITABLE, AND 263 00:08:53,166 --> 00:08:55,301 THAT'S THE MARK OF A TRUE 264 00:08:55,301 --> 00:08:57,404 PERFORMER, AND YOU'RE -- AND 265 00:08:57,404 --> 00:08:59,139 YOUR CONFIDENCE IS BLOOMING SO 266 00:08:59,139 --> 00:08:59,572 BEAUTIFULLY. 267 00:08:59,572 --> 00:09:02,409 I ONLY HAVE ONE LITTLE BIT OF 268 00:09:02,409 --> 00:09:03,043 CRIT 269 00:09:03,043 --> 00:09:03,610 CRITICISM, AND IT'S 270 00:09:03,610 --> 00:09:07,080 CONSTRUCTIVE, AND IT'S THIS -- 271 00:09:07,080 --> 00:09:09,449 REMEMBER THAT YOUR WHISPER HAS 272 00:09:09,449 --> 00:09:11,951 TO BE EQUALLY AS DANGEROUS AS 273 00:09:11,951 --> 00:09:12,519 YOUR TOP NOTE. 274 00:09:12,519 --> 00:09:13,019 >> YES, MA'AM. 275 00:09:13,019 --> 00:09:13,586 >> Paula: THAT'S IT. 276 00:09:13,586 --> 00:09:14,254 YOU'RE BEAUTIFUL. 277 00:09:14,254 --> 00:09:15,655 >> THANK YOU SO MUCH. 278 00:09:15,655 --> 00:09:17,824 THANK YOU. 279 00:09:17,824 --> 00:09:18,591 >> Paula: YOU'RE WELCOME. 280 00:09:18,591 --> 00:09:19,759 >> Carrie: KEYLA, YOU ARE 281 00:09:19,759 --> 00:09:21,861 KICKING US OFF ON A HIGH NOTE. 282 00:09:21,861 --> 00:09:23,763 YOUR INTERACTIONS WITH THE 283 00:09:23,763 --> 00:09:24,664 DANCERS WERE PERFECT. 284 00:09:24,664 --> 00:09:25,331 I FEEL LIKE THIS IS -- TONIGHT 285 00:09:25,331 --> 00:09:27,233 IS SUCH A GREAT TRAINING GROUND 286 00:09:27,233 --> 00:09:28,568 FOR THINGS THAT YOU GUYS ARE 287 00:09:28,568 --> 00:09:29,436 GOING TO BE DOING FOR THE REST 288 00:09:29,436 --> 00:09:30,670 OF YOUR CAREERS. 289 00:09:30,670 --> 00:09:32,272 YOU'RE GOING TO HAVE, LIKE -- 290 00:09:32,272 --> 00:09:33,239 LIKE, PEOPLE DOING STUFF BEHIND 291 00:09:33,239 --> 00:09:36,042 YOU ON STAGE AND HAVING THEM NOT 292 00:09:36,042 --> 00:09:38,144 FEEL LIKE THERE'S YOU AND THEN 293 00:09:38,144 --> 00:09:39,079 THERE'S THEM THAT'S SEPARATE, 294 00:09:39,079 --> 00:09:40,246 LIKE, YOU GUYS ARE HAVING FUN 295 00:09:40,246 --> 00:09:41,915 TOGETHER, AND IT MADE THE 296 00:09:41,915 --> 00:09:43,416 AUDIENCE HAVE FUN, AND YOU SOUND 297 00:09:43,416 --> 00:09:43,716 GREAT. 298 00:09:43,716 --> 00:09:44,551 YOU LOOK GORGEOUS. 299 00:09:44,551 --> 00:09:45,552 ALL GOOD THINGS. 300 00:09:45,552 --> 00:09:47,487 >> THANK YOU, CARRIE. 301 00:09:47,487 --> 00:09:50,123 [ APPLAUSE ] 302 00:09:50,123 --> 00:09:51,124 >> Luke: YEAH. 303 00:09:51,124 --> 00:09:53,827 ALL OF THAT WAS A LOT FOR ME TO 304 00:09:53,827 --> 00:09:54,661 TAKE IN. 305 00:09:54,661 --> 00:09:55,995 I WAS, LIKE, I WAS JUST, LIKE, 306 00:09:55,995 --> 00:09:56,763 OH WOW. 307 00:09:56,763 --> 00:09:58,465 I DIDN'T REALIZE THE ENERGY. 308 00:09:58,465 --> 00:09:59,499 >> Ryan: WHAT WERE YOU STARING 309 00:09:59,499 --> 00:10:00,533 AT, LUKE? 310 00:10:00,533 --> 00:10:01,468 >> Luke: JUST THE DANCING AND 311 00:10:01,468 --> 00:10:05,505 THE ENERGY, AND I WAS REALIZING 312 00:10:05,505 --> 00:10:06,139 THAT I CAN'T DANCE AND ALL THAT. 313 00:10:06,139 --> 00:10:06,773 >> Ryan: IT TOOK TONIGHT'S 314 00:10:06,773 --> 00:10:07,841 EPISODE TO MAKE YOU REALIZE 315 00:10:07,841 --> 00:10:08,041 THAT? 316 00:10:08,041 --> 00:10:09,976 >> Luke: YEAH, BUT THE MAIN 317 00:10:09,976 --> 00:10:12,178 THING IS YOU WERE THE -- YOU 318 00:10:12,178 --> 00:10:14,547 WERE THE ANCHOR OF, LIKE, JUST A 319 00:10:14,547 --> 00:10:17,183 CRAZY ENTERTAINING MOMENT. 320 00:10:17,183 --> 00:10:18,118 IT WAS, LIKE, YOU'RE SINGING. 321 00:10:18,118 --> 00:10:19,185 I WAS JUST IN THE WHOLE MOMENT. 322 00:10:19,185 --> 00:10:22,021 I THOUGHT IT WAS JUST A GREAT 323 00:10:22,021 --> 00:10:23,022 MOMENT OF ENTERTAINMENT. 324 00:10:23,022 --> 00:10:23,656 SO GREAT JOB. 325 00:10:23,656 --> 00:10:25,325 >> THANK YOU, LUKE. 326 00:10:25,325 --> 00:10:27,927 >> Ryan: YOU ARE A STAR. 327 00:10:27,927 --> 00:10:31,231 WHAT DID THE DANCERS BRING TO 328 00:10:31,231 --> 00:10:32,165 YOU TO YOUR PERFORMANCE? 329 00:10:32,165 --> 00:10:33,099 HOW DID THEY HELP? 330 00:10:33,099 --> 00:10:34,134 >> IT BROUGHT ME A LOT OF ENERGY 331 00:10:34,134 --> 00:10:34,634 AND CONFIDENCE. 332 00:10:34,634 --> 00:10:37,270 I ENJOYED MYSELF, YOU KNOW, 333 00:10:37,270 --> 00:10:37,904 WORKING THE STAGE, YOU KNOW, I'M 334 00:10:37,904 --> 00:10:39,105 NOT MUCH OF A DANCER, BUT, YOU 335 00:10:39,105 --> 00:10:40,707 KNOW, I HAD TO DO IT BECAUSE I 336 00:10:40,707 --> 00:10:41,307 HAD THE DANCERS BEHIND ME. 337 00:10:41,307 --> 00:10:42,609 >> Ryan: AND YOU DID DO IT. 338 00:10:42,609 --> 00:10:43,376 BE VERY CAREFUL THOUGH. 339 00:10:43,376 --> 00:10:46,913 IT'S SLIPPERY WITH THIS CONFETTI 340 00:10:46,913 --> 00:10:47,547 THAT'S ON THE FLOOR NOW WHEN YOU 341 00:10:47,547 --> 00:10:47,747 MOVE. 342 00:10:47,747 --> 00:10:48,281 >> I GOT YOU. 343 00:10:48,281 --> 00:10:49,315 >> Ryan: KEYLA WANTS TO BE IN 344 00:10:49,315 --> 00:10:52,152 THAT GRAND FINALE NEXT WEEK. 345 00:10:52,152 --> 00:10:54,754 MAKE THAT HAPPEN BY VOTING 346 00:10:54,754 --> 00:10:54,988 ONLINE. 347 00:10:54,988 --> 00:10:56,322 TEXT VOTING IS AVAILABLE TO 348 00:10:56,322 --> 00:10:58,057 SUBSCRIBERS OF ALL WIRELESS 349 00:10:58,057 --> 00:10:58,324 CARRIERS. 350 00:10:58,324 --> 00:10:58,892 KEYLA, EVERYONE. 351 00:10:58,892 --> 00:10:59,526 >> THANK YOU, RYAN. 352 00:10:59,526 --> 00:11:01,294 >> Ryan: YOU'RE WELCOME. 353 00:11:01,294 --> 00:11:01,461 ♪ 354 00:11:01,461 --> 00:11:07,834 [ CHEERS AND APPLAUSE ] 355 00:11:07,834 --> 00:11:08,168 ALL RIGHT. 356 00:11:08,168 --> 00:11:09,035 ON THE OTHER SIDE, GOT A 357 00:11:09,035 --> 00:11:11,137 DOUBLE-HEADER IN THE FORM OF 358 00:11:11,137 --> 00:11:13,206 CHRIS TUNGSETH AND BRAYDEN 359 00:11:13,206 --> 00:11:14,407 RUM 360 00:11:14,407 --> 00:11:14,641 RUMFELT. 361 00:11:14,641 --> 00:11:16,409 "IDOL" IS LIVE RIGHT AFTER THIS. 362 00:11:16,409 --> 00:11:17,477 DON'T MOVE. 363 00:11:17,477 --> 00:11:18,178 ♪ 364 00:11:18,178 --> 00:11:18,645 [ CHEERS AND APPLAUSE ] 365 00:11:25,084 --> 00:11:25,251 ♪ 366 00:11:25,251 --> 00:11:30,089 [ CHEERS AND APPLAUSE ] 367 00:11:30,089 --> 00:11:32,258 >> Ryan: WELCOME BACK TO LIVE 368 00:11:32,258 --> 00:11:32,926 "AMERICAN IDOL." 369 00:11:32,926 --> 00:11:34,661 STILL A TON OF STANDOUT 370 00:11:34,661 --> 00:11:35,728 PERFORMANCES AHEAD. 371 00:11:35,728 --> 00:11:37,463 THANKS TO OUR SPONSOR 7BREW FOR 372 00:11:37,463 --> 00:11:42,235 KEEPING US ENERGIZED ALL SEASON 373 00:11:42,235 --> 00:11:43,303 LONG. 374 00:11:43,303 --> 00:11:43,603 L 375 00:11:43,603 --> 00:11:47,774 GLEB AND RYLEE ARE ABOUT TO 376 00:11:47,774 --> 00:11:48,675 PERFORM WITH CHRIS. 377 00:11:48,675 --> 00:11:49,776 HERE'S HIS REACTION TO MEETING 378 00:11:49,776 --> 00:11:51,578 THE DOG, RANDY JACKSON. 379 00:11:51,578 --> 00:11:52,145 >> WHAT'S HAPPENING, BABY. 380 00:11:52,145 --> 00:11:52,979 >> >> HOW ARE YOU? 381 00:11:52,979 --> 00:11:53,713 GOOD TO SEE YOU? 382 00:11:53,713 --> 00:11:54,781 >> CHRIS IS IN THE HOUSE. 383 00:11:54,781 --> 00:11:55,215 >> YES, SIR. 384 00:11:55,215 --> 00:11:56,149 GOOD TO SEE YOU. 385 00:11:56,149 --> 00:11:57,317 I GREW UP WATCHING "AMERICAN 386 00:11:57,317 --> 00:11:59,085 IDOL" SO I WAS A LITTLE 387 00:11:59,085 --> 00:11:59,385 STARSTRUCK. 388 00:11:59,385 --> 00:11:59,953 >> I LOVE YOU. 389 00:11:59,953 --> 00:12:01,020 I LOVE YOU A LOT. 390 00:12:01,020 --> 00:12:02,322 >> YOU'RE A SMART MAN. 391 00:12:02,322 --> 00:12:03,556 I LOVE YOU, BRO. 392 00:12:03,556 --> 00:12:04,390 BUT LISTEN. 393 00:12:04,390 --> 00:12:05,758 THIS IS A GUY THAT WAS A JUDGE 394 00:12:05,758 --> 00:12:07,260 ON THIS PROGRAM A LONG TIME AGO. 395 00:12:07,260 --> 00:12:10,797 I WAS ASKED THE QUESTION, ARE 396 00:12:10,797 --> 00:12:11,698 YOU CHRIS, IN IT TO WIN IT? 397 00:12:11,698 --> 00:12:12,532 ARE YOU? 398 00:12:12,532 --> 00:12:15,268 >> JAMES IS IN IT TO WIN IT, 399 00:12:15,268 --> 00:12:15,668 AMERICA. 400 00:12:15,668 --> 00:12:16,903 HALEY'S IN IT TO WIN IT. 401 00:12:16,903 --> 00:12:18,504 THIS GUY'S IN IT TO WIN IT TOO. 402 00:12:18,504 --> 00:12:19,739 >> SOMEONE PINCH ME. 403 00:12:19,739 --> 00:12:20,673 IS THIS MY LIFE? 404 00:12:20,673 --> 00:12:21,441 IS THIS REAL LIFE? 405 00:12:21,441 --> 00:12:23,009 >> ARE YOU IN IT TO WIN IT? 406 00:12:23,009 --> 00:12:23,476 >> I DON'T THINK SO. 407 00:12:23,476 --> 00:12:23,743 >> NO. 408 00:12:23,743 --> 00:12:26,145 YOU GOT TO SAY, I'M SURE, YES. 409 00:12:26,145 --> 00:12:26,512 >> I'M SURE. 410 00:12:26,512 --> 00:12:26,980 >> YES. 411 00:12:26,980 --> 00:12:29,282 >> FOR "DANCING WITH THE STARS," 412 00:12:29,282 --> 00:12:31,117 I'M SINGING A SONG WITH 413 00:12:31,117 --> 00:12:31,384 ATTITUDE. 414 00:12:31,384 --> 00:12:33,987 IT'S GOING TO BE A LOT OF FUN, 415 00:12:33,987 --> 00:12:35,521 ADDING A NEW ELEMENT AND STAGING 416 00:12:35,521 --> 00:12:36,522 ADDING IT TO LIFE. 417 00:12:36,522 --> 00:12:37,490 I WANT THEM TO FEEL LIKE THEY'RE 418 00:12:37,490 --> 00:12:39,058 AT A CONCERT, YOU KNOW? 419 00:12:39,058 --> 00:12:40,593 >> WHAT DOES THIS SONG MEAN TO 420 00:12:40,593 --> 00:12:40,860 YOU? 421 00:12:40,860 --> 00:12:46,032 >> THIS SONG'S ABOUT BROKEN AND 422 00:12:46,032 --> 00:12:46,899 ABILITY LOST. 423 00:12:46,899 --> 00:12:47,634 IN WAYS, I'VE FELT CLOSED OFF, 424 00:12:47,634 --> 00:12:50,670 NOT READY TO BE VULNERABLE WITH 425 00:12:50,670 --> 00:12:51,304 PEOPLE, AND THIS SHOW'S REALLY 426 00:12:51,304 --> 00:12:51,671 OPENED ME UP. 427 00:12:51,671 --> 00:12:52,705 >> THAT'S WHAT YOU SHOULD SHOW, 428 00:12:52,705 --> 00:12:53,139 THAT VULNERABILITY. 429 00:12:53,139 --> 00:12:56,576 SO WHEN YOU'RE OUT THERE LOOKING 430 00:12:56,576 --> 00:12:58,544 INTO THE AUDIENCE, SAY THAT TO 431 00:12:58,544 --> 00:12:58,845 THEM. 432 00:12:58,845 --> 00:12:59,879 SO WHAT YOU'RE GOING TO DO NOW 433 00:12:59,879 --> 00:13:00,346 THAT WE'RE HERE -- 434 00:13:00,346 --> 00:13:01,981 >> I WANT TO WIN THIS THING. 435 00:13:01,981 --> 00:13:02,148 ♪ 436 00:13:02,148 --> 00:13:07,287 >> THAT'S MY BOY RIGHT THERE. 437 00:13:07,287 --> 00:13:10,056 >> SINGING "NORTHERN ATTITUDE" 438 00:13:10,056 --> 00:13:13,092 BY NOAH KAHAN, THIS IS CHRIS 439 00:13:13,092 --> 00:13:13,359 TUNGSETH. 440 00:13:13,359 --> 00:13:14,427 ♪ 441 00:13:14,427 --> 00:13:17,130 ♪ IF I GET TOO CLOSE 442 00:13:17,130 --> 00:13:23,436 AND I'M NOT HOW YOU HOPED ♪ 443 00:13:23,436 --> 00:13:25,038 ♪ FORGIVE MY 444 00:13:25,038 --> 00:13:25,471 NORTHERN ATTITUDE ♪ 445 00:13:25,471 --> 00:13:25,872 ♪ OH I WAS RAISED 446 00:13:25,872 --> 00:13:30,376 OUT IN THE COLD ♪ 447 00:13:30,376 --> 00:13:30,877 ♪ OH OH 448 00:13:30,877 --> 00:13:37,083 OH OH ♪ 449 00:13:37,083 --> 00:13:40,453 ♪ YEAH 450 00:13:40,453 --> 00:13:41,087 ♪ BREATHIN' IN 451 00:13:41,087 --> 00:13:44,157 BREATHIN' OUT ♪ 452 00:13:44,157 --> 00:13:45,091 ♪ HOW YOU BEEN 453 00:13:45,091 --> 00:13:49,462 YOU SETTLED DOWN ♪ 454 00:13:49,462 --> 00:13:49,996 ♪ YOU FEELIN' RIGHT 455 00:13:49,996 --> 00:13:52,598 YOU FEELIN' PROUD ♪ 456 00:13:52,598 --> 00:13:53,032 ♪ HOW ARE YOUR KIDS 457 00:13:53,032 --> 00:13:58,471 WHERE ARE THEY NOW ♪ 458 00:13:58,471 --> 00:13:58,971 ♪ YOU SETTLED IN 459 00:13:58,971 --> 00:13:59,339 TO A ROUTINE ♪ 460 00:13:59,339 --> 00:14:01,074 ♪ WHERE ARE YOU 461 00:14:01,074 --> 00:14:06,412 WHAT DOES IT MEAN ♪ 462 00:14:06,412 --> 00:14:13,086 ♪ ONE, TWO, THREE HEY 463 00:14:13,086 --> 00:14:21,094 ♪ YEAH 464 00:14:21,094 --> 00:14:24,030 ♪ YEAH 465 00:14:24,030 --> 00:14:25,098 >> COME ON. 466 00:14:25,098 --> 00:14:26,199 ♪ 467 00:14:26,199 --> 00:14:27,266 ♪ IF I GET TOO CLOSE 468 00:14:27,266 --> 00:14:32,038 AND I'M NOT HOW YOU HOPED ♪ 469 00:14:32,038 --> 00:14:32,538 ♪ FORGIVE MY 470 00:14:32,538 --> 00:14:36,275 NORTHERN ATTITUDE ♪ 471 00:14:36,275 --> 00:14:37,076 ♪ OH I WAS RAISED 472 00:14:37,076 --> 00:14:40,480 OUT IN THE COLD ♪ 473 00:14:40,480 --> 00:14:43,082 ♪ IF THE SUN DON'T RISE 474 00:14:43,082 --> 00:14:48,388 'TIL THE SUMMERTIME ♪ 475 00:14:48,388 --> 00:14:48,921 ♪ FORGIVE MY 476 00:14:48,921 --> 00:14:53,092 NORTHERN ATTITUDE ♪ 477 00:14:53,092 --> 00:14:56,462 ♪ OH I WAS RAISED 478 00:14:56,462 --> 00:14:57,063 OUT IN THE COLD ♪ 479 00:14:57,063 --> 00:15:07,640 [ CHEERS AND APPLAUSE ] 480 00:15:09,075 --> 00:15:12,245 [ CHEERS AND APPLAUSE ] 481 00:15:12,245 --> 00:15:13,646 >> Ryan: RYLEE AND GLEB WITH 482 00:15:13,646 --> 00:15:15,047 THEIR FOXTROT. 483 00:15:15,047 --> 00:15:16,816 CHRIS TUNGSETH, EVERYBODY. 484 00:15:16,816 --> 00:15:17,283 >> HOW ARE YOU, RYAN? 485 00:15:17,283 --> 00:15:19,051 [ CHEERS AND APPLAUSE ] 486 00:15:19,051 --> 00:15:20,653 >> Ryan: GOT TO GET YOU DANCING. 487 00:15:20,653 --> 00:15:21,888 GOT TO GET YOU MOVING. 488 00:15:21,888 --> 00:15:23,122 >> YEAH. 489 00:15:23,122 --> 00:15:23,322 YEAH. 490 00:15:23,322 --> 00:15:24,757 I SHOULD TRY THAT SOMETIME. 491 00:15:24,757 --> 00:15:26,559 >> Ryan: PAULA, WHAT DID YOU 492 00:15:26,559 --> 00:15:26,826 THINK? 493 00:15:26,826 --> 00:15:27,960 >> Paula: AH, CHRIS. 494 00:15:27,960 --> 00:15:29,028 YOU HAVE THIS BEAUTIFUL, TENDER 495 00:15:29,028 --> 00:15:31,030 ACHE IN YOUR VOICE. 496 00:15:31,030 --> 00:15:33,032 IT'S ALMOST LIKE -- LIKE YOU'RE 497 00:15:33,032 --> 00:15:34,233 LETTING US IN ON A SECRET THAT 498 00:15:34,233 --> 00:15:35,635 YOU'VE FINALLY TRUSTED US WITH 499 00:15:35,635 --> 00:15:36,936 AND WE'RE HERE TO PROTECT IT 500 00:15:36,936 --> 00:15:38,004 BECAUSE IT'S BEAUTIFUL. 501 00:15:38,004 --> 00:15:38,337 >> THANK YOU. 502 00:15:38,337 --> 00:15:40,139 >> Paula: I JUST DIDN'T WANT YOU 503 00:15:40,139 --> 00:15:41,741 TO SMILE SO FAST IN THE SONG 504 00:15:41,741 --> 00:15:45,077 BECAUSE -- BECAUSE IT'S NICE TO 505 00:15:45,077 --> 00:15:48,881 SOMETIMES LET US SOAK AND 506 00:15:48,881 --> 00:15:51,217 MARINATE IN THE ACHINESS IN THE 507 00:15:51,217 --> 00:15:53,219 LYRICS OF THE SONG, BUT YOU JUST 508 00:15:53,219 --> 00:15:55,455 HAVE THAT GORGEOUSNESS TO YOUR 509 00:15:55,455 --> 00:15:55,655 VOICE. 510 00:15:55,655 --> 00:15:57,089 >> THANK YOU SO MUCH. 511 00:15:57,089 --> 00:15:58,758 >> Lionel: YES. 512 00:15:58,758 --> 00:15:59,058 [ APPLAUSE ] 513 00:15:59,058 --> 00:16:01,093 >> Ryan: IF YOU'RE LOOKING AT 514 00:16:01,093 --> 00:16:01,694 THE TWO OF US, I AM HERE TO 515 00:16:01,694 --> 00:16:02,228 PROTECT YOU. 516 00:16:02,228 --> 00:16:02,795 >> I BELIEVE THAT. 517 00:16:02,795 --> 00:16:03,429 >> Ryan: I'M GOING TO PROTECT 518 00:16:03,429 --> 00:16:04,697 YOU AND THAT SONG. 519 00:16:04,697 --> 00:16:05,665 >> Paula: WE BELIEVE YOU. 520 00:16:05,665 --> 00:16:06,332 >> Ryan: YES. 521 00:16:06,332 --> 00:16:08,067 THANK YOU. 522 00:16:08,067 --> 00:16:09,101 CARRIE? 523 00:16:09,101 --> 00:16:09,735 >> L 524 00:16:09,735 --> 00:16:09,869 . 525 00:16:09,869 --> 00:16:11,204 >> Carrie: I THINK THAT WAS A 526 00:16:11,204 --> 00:16:13,072 REALLY GOOD VOCAL CHOICE FOR 527 00:16:13,072 --> 00:16:13,372 YOU, CHRIS. 528 00:16:13,372 --> 00:16:16,476 YOU'RE -- YOU HAVE A SNEAKY 529 00:16:16,476 --> 00:16:17,376 SOARINGNESS TO YOUR VOICE, AND 530 00:16:17,376 --> 00:16:19,512 WHEN YOU FIND THE RIGHT SONGS 531 00:16:19,512 --> 00:16:21,514 AND THE RIGHT NOTES AND, LIKE, 532 00:16:21,514 --> 00:16:22,982 VOWEL SOUNDS THAT YOU CAN REALLY 533 00:16:22,982 --> 00:16:25,084 BELT, IT JUST -- IT JUST SOUNDS 534 00:16:25,084 --> 00:16:25,284 NICE. 535 00:16:25,284 --> 00:16:26,519 IT FILLS THE ROOM AND KIND OF 536 00:16:26,519 --> 00:16:29,288 JUST -- IT HITS US IN ALL THE 537 00:16:29,288 --> 00:16:30,089 RIGHT PLACES. 538 00:16:30,089 --> 00:16:32,024 >> THANK YOU, CARRIE. 539 00:16:32,024 --> 00:16:33,893 >> Ryan: LUKE BRYAN. 540 00:16:33,893 --> 00:16:35,394 >> Luke: YEAH. 541 00:16:35,394 --> 00:16:37,096 EVEN -- EVEN, LIKE, SOARINGNESS 542 00:16:37,096 --> 00:16:39,198 IS A GREAT ANALOGY THAT CARRIE 543 00:16:39,198 --> 00:16:40,900 BROUGHT UP WITH, AND EVEN WHEN 544 00:16:40,900 --> 00:16:43,469 YOU WERE IN THE ROOM WITH RANDY, 545 00:16:43,469 --> 00:16:44,971 WE WERE WATCHING THAT PIECE. 546 00:16:44,971 --> 00:16:46,072 YOU WERE HITTING REALLY -- 547 00:16:46,072 --> 00:16:48,541 REALLY BIG NOTES THAT WE'VE SEEN 548 00:16:48,541 --> 00:16:53,346 YOU GET COMFORTABLE WITH IN THIS 549 00:16:53,346 --> 00:16:53,646 COMPETITION. 550 00:16:53,646 --> 00:16:54,747 SO, LIKE, RYAN, LET'S DON'T GET 551 00:16:54,747 --> 00:16:54,981 DANCING. 552 00:16:54,981 --> 00:16:56,682 LET'S DON'T GET AHEAD OF 553 00:16:56,682 --> 00:16:56,916 DANCING. 554 00:16:56,916 --> 00:16:59,218 LET'S LET HIM KEEP HITTING THESE 555 00:16:59,218 --> 00:17:00,419 BIG, BIG NOTES. 556 00:17:00,419 --> 00:17:03,556 CHRIS, YOU CAN THROW SOME MOVES 557 00:17:03,556 --> 00:17:04,156 IN THERE ONE OF THESE DAYS. 558 00:17:04,156 --> 00:17:05,558 >> I'LL GIVE IT A SHOT. 559 00:17:05,558 --> 00:17:07,193 >> Ryan: HE'S PRETTY SMOOTH. 560 00:17:07,193 --> 00:17:08,627 HE'S A SMOOTH GUY. 561 00:17:08,627 --> 00:17:11,130 HE'S PLAYED MIDDLE LINEBACKER. 562 00:17:11,130 --> 00:17:11,763 HE'S GOT MOVES. 563 00:17:11,763 --> 00:17:12,198 >> Lionel: SEE. 564 00:17:12,198 --> 00:17:14,333 I NEVER THOUGHT I WOULD HEAR THE 565 00:17:14,333 --> 00:17:15,101 SUBLIMINAL PAULA COME OUT. 566 00:17:15,101 --> 00:17:16,636 SHE SAID, JUST DON'T GIVE UP THE 567 00:17:16,636 --> 00:17:18,237 SMILE, BUT WHAT PAULA WAS SAYING 568 00:17:18,237 --> 00:17:22,141 WAS HOLD ONTO YOUR UGLY FACE AS 569 00:17:22,141 --> 00:17:23,142 LONG AS YOU CAN. 570 00:17:23,142 --> 00:17:23,675 >> Paula: THAT'S RIGHT. 571 00:17:23,675 --> 00:17:25,678 >> Lionel: AND THEN LET IT GO. 572 00:17:25,678 --> 00:17:26,212 YOU FOLLOWING ME. 573 00:17:26,212 --> 00:17:27,546 BUT OTHER THAN THAT, YOU WERE ON 574 00:17:27,546 --> 00:17:27,747 POINT. 575 00:17:27,747 --> 00:17:30,483 THE FACT IS WHEN YOU CAME OUT, 576 00:17:30,483 --> 00:17:31,417 THE DANCERS DISTRACTED YOU A 577 00:17:31,417 --> 00:17:32,151 LITTLE BIT BECAUSE YOU WERE, 578 00:17:32,151 --> 00:17:33,953 LIKE, WHAT THE HECK IS GOING ON? 579 00:17:33,953 --> 00:17:34,487 BUT IT WAS GREAT. 580 00:17:34,487 --> 00:17:35,621 I ENJOYED IT. 581 00:17:35,621 --> 00:17:39,825 >> THANK YOU SO MUCH, LIONEL. 582 00:17:39,825 --> 00:17:43,362 >> Ryan: THAT UGLY FACE. 583 00:17:43,362 --> 00:17:43,729 A SQUINT, RIGHT? 584 00:17:43,729 --> 00:17:44,363 VOTE FOR CHRIS IF YOU WANT TO 585 00:17:44,363 --> 00:17:48,401 SEE HIM IN YOUR TOP THREE. 586 00:17:48,401 --> 00:17:52,038 GO VOTE NOW ON FACEBOOK, 587 00:17:52,038 --> 00:17:54,073 INSTAGRAM, AND TIKTOK AND 588 00:17:54,073 --> 00:17:55,474 AMERICANIDOL.COM IS THE PLACE 589 00:17:55,474 --> 00:17:56,709 FOR ALL THE VOTING INFO. 590 00:17:56,709 --> 00:17:57,543 CHRIS, AMERICA. 591 00:17:57,543 --> 00:17:58,210 >> THANK YOU, RYAN. 592 00:17:58,210 --> 00:18:01,080 >> Ryan: GOOD LUCK, BUDDY. 593 00:18:01,080 --> 00:18:01,247 ♪ 594 00:18:01,247 --> 00:18:03,649 [ CHEERS AND APPLAUSE ] 595 00:18:03,649 --> 00:18:06,419 NEXT DANCING CONTEMPORARY, IT'S 596 00:18:06,419 --> 00:18:08,421 JAN AND WITNEY, BUT FIRST, LET'S 597 00:18:08,421 --> 00:18:10,189 SEE HOW HE AND RANDY WORKED 598 00:18:10,189 --> 00:18:10,456 TOGETHER. 599 00:18:10,456 --> 00:18:10,890 IT'S BRADEN RUMFELT. 600 00:18:10,890 --> 00:18:13,726 WATCH. 601 00:18:13,726 --> 00:18:15,695 >> LET ME ASK YOU SOMETHING, 602 00:18:15,695 --> 00:18:15,928 BRADEN. 603 00:18:15,928 --> 00:18:17,263 ARE YOU IN IT TO WIN IT, BRO? 604 00:18:17,263 --> 00:18:18,998 >> I'M IN IT -- I WOULDN'T SAY 605 00:18:18,998 --> 00:18:19,231 THAT. 606 00:18:19,231 --> 00:18:21,267 I WOULDN'T SAY I'M IN IT TO WIN 607 00:18:21,267 --> 00:18:21,434 IT. 608 00:18:21,434 --> 00:18:22,468 >> YOU'RE NOT IN IT TO WIN IT? 609 00:18:22,468 --> 00:18:23,469 >> I'M GOOD WITH THAT. 610 00:18:23,469 --> 00:18:24,537 >> YOU'RE NOT TRYING TO WIN IT? 611 00:18:24,537 --> 00:18:26,005 >> I'M TRYING TO WIN IT, YES, 612 00:18:26,005 --> 00:18:28,207 BUT I JUST WANT TO GIVE 613 00:18:28,207 --> 00:18:28,608 EVERYTHING I CAN. 614 00:18:28,608 --> 00:18:30,176 >> YOU ARE IN IT TO WIN IT. 615 00:18:30,176 --> 00:18:31,877 >> WE'LL RESTART THAT. 616 00:18:31,877 --> 00:18:32,745 I'M IN IT TO WIN IT. 617 00:18:32,745 --> 00:18:33,179 >> YES. 618 00:18:33,179 --> 00:18:34,046 THAT'S THE ANSWER I WANT TO 619 00:18:34,046 --> 00:18:34,313 HEAR. 620 00:18:34,313 --> 00:18:35,114 >> THE "DANCING WITH THE STARS" 621 00:18:35,114 --> 00:18:36,082 SONG I'M GOING TO BE SINGING 622 00:18:36,082 --> 00:18:40,219 IS "LOSE CONTROL" BY TEDDY 623 00:18:40,219 --> 00:18:40,620 SWIMS. 624 00:18:40,620 --> 00:18:42,088 >> TEDDY'S A BAD BOY. 625 00:18:42,088 --> 00:18:43,389 >> WHEN I FIRST HEARD WE WERE 626 00:18:43,389 --> 00:18:44,991 GOING TO BE PERFORMING WITH 627 00:18:44,991 --> 00:18:46,659 PROS, I ASSUMED I WAS GOING TO 628 00:18:46,659 --> 00:18:48,661 HAVE TO BE DANCING AND SINGING 629 00:18:48,661 --> 00:18:48,928 WITH THEM. 630 00:18:48,928 --> 00:18:49,462 I WAS DISTRAUGHT. 631 00:18:49,462 --> 00:18:51,831 I WAS, LIKE, THIS IS GOING TO BE 632 00:18:51,831 --> 00:18:52,632 THE WORST THING AND THANK GOD 633 00:18:52,632 --> 00:18:53,199 THAT'S NOT THE CASE. 634 00:18:53,199 --> 00:18:56,636 I'M EXCITED TO SEE HOW IT TURNS 635 00:18:56,636 --> 00:18:57,269 OUT. 636 00:18:57,269 --> 00:18:58,704 ♪ I LOSE CONTROL 637 00:18:58,704 --> 00:19:00,439 >> WHEN BRADEN CAME IN, I WAS 638 00:19:00,439 --> 00:19:02,908 SHOCKED HE WAS DOING "LOSE 639 00:19:02,908 --> 00:19:03,175 CONTROL." 640 00:19:03,175 --> 00:19:06,278 THAT SONG MAY BE A LITTLE TOO 641 00:19:06,278 --> 00:19:07,513 BIG FOR IHIM. 642 00:19:07,513 --> 00:19:08,514 SEE HOW YOU'RE STANDING WITH 643 00:19:08,514 --> 00:19:09,615 YOUR HANDS IN YOUR POCKETS? 644 00:19:09,615 --> 00:19:13,886 NO, NO, NO. 645 00:19:13,886 --> 00:19:14,387 SHAKE IT ALL OUT, BABY. 646 00:19:14,387 --> 00:19:14,787 SHAKE IT ALL OUT. 647 00:19:14,787 --> 00:19:16,322 BRADEN'S GOT THE GET OUT OF HIS 648 00:19:16,322 --> 00:19:16,956 LED AND FIND REAL CONNECTION 649 00:19:16,956 --> 00:19:17,823 WITH THESE LYRICS. 650 00:19:17,823 --> 00:19:19,225 YOU THINK A LOT, RIGHT? 651 00:19:19,225 --> 00:19:20,326 >> I'M A THINKER. 652 00:19:20,326 --> 00:19:20,860 >> STOP THINKING. 653 00:19:20,860 --> 00:19:21,060 FEEL. 654 00:19:21,060 --> 00:19:21,761 >> YOU'RE RIGHT. 655 00:19:21,761 --> 00:19:23,262 >> WE CAN SELL IT TO THE PUBLIC. 656 00:19:23,262 --> 00:19:24,497 MAYBE IT WILL BE A GOOD THING 657 00:19:24,497 --> 00:19:27,299 FOR HIM TO LOSE CONTROL AND GET 658 00:19:27,299 --> 00:19:32,138 INTO HIS SOUL, BROTHER. 659 00:19:32,138 --> 00:19:34,840 >> PERFORMING "LOSE CONTROL" BY 660 00:19:34,840 --> 00:19:37,510 TEDDY SWIMS, PLEASE WELCOME 661 00:19:37,510 --> 00:19:39,412 BRADEN RUMFELT. 662 00:19:39,412 --> 00:19:41,080 ♪ 663 00:19:41,080 --> 00:19:41,614 ♪ SOMETHING'S GOT A HOLD 664 00:19:41,614 --> 00:19:47,586 OF ME LATELY ♪ 665 00:19:47,586 --> 00:19:48,120 ♪ NO I DON'T KNOW 666 00:19:48,120 --> 00:19:48,621 MYSELF ANYMORE ♪ 667 00:19:48,621 --> 00:19:51,290 ♪ FEELS LIKE THE WALLS 668 00:19:51,290 --> 00:19:59,231 ARE ALL CLOSIN' IN ♪ 669 00:19:59,231 --> 00:20:00,232 ♪ AND THE DEVIL'S KNOCKIN' 670 00:20:00,232 --> 00:20:00,499 AT MY DOOR 671 00:20:00,499 --> 00:20:00,800 OH OH OH ♪ 672 00:20:00,800 --> 00:20:01,300 ♪ OUT OF MY MIND 673 00:20:01,300 --> 00:20:02,368 HOW MANY TIMES ♪ 674 00:20:02,368 --> 00:20:02,768 ♪ DID I TELL YOU 675 00:20:02,768 --> 00:20:03,369 I'M NO GOOD AT BEING ALONE ♪ 676 00:20:03,369 --> 00:20:03,769 ♪ AND IT'S TAKEN 677 00:20:03,769 --> 00:20:04,470 A TOLL ON ME ♪ 678 00:20:04,470 --> 00:20:05,071 ♪ TRYIN' MY BEST TO KEEP 679 00:20:05,071 --> 00:20:14,547 FROM TEARIN' THE 680 00:20:14,547 --> 00:20:15,281 SKIN OFF MY BONES ♪ 681 00:20:15,281 --> 00:20:15,681 ♪ DON'T YOU KNOW 682 00:20:15,681 --> 00:20:20,886 I LOSE CONTROL ♪ 683 00:20:20,886 --> 00:20:24,557 ♪ WHEN YOU'RE NOT NEXT TO ME 684 00:20:24,557 --> 00:20:28,828 UH-UH ♪ 685 00:20:28,828 --> 00:20:29,328 ♪ I'M FALLIN' APART 686 00:20:29,328 --> 00:20:31,430 RIGHT IN FRONT OF YOU 687 00:20:31,430 --> 00:20:37,103 CAN'T YOU SEE ♪ 688 00:20:37,103 --> 00:20:40,473 ♪ I LOSE CONTROL 689 00:20:40,473 --> 00:20:41,507 WHEN YOU'RE NOT NEXT TO ME 690 00:20:41,507 --> 00:20:47,346 UH-UH ♪ 691 00:20:47,346 --> 00:20:47,847 ♪ YEAH YOU'RE BREAKIN' 692 00:20:47,847 --> 00:20:48,380 MY HEART BABY 693 00:20:48,380 --> 00:20:52,084 YOU MAKE A MESS OF ME ♪ 694 00:20:52,084 --> 00:20:54,720 ♪ PROBLEMATIC 695 00:20:54,720 --> 00:20:56,322 PROBLEM IS WHEN 696 00:20:56,322 --> 00:21:00,459 I'M WITH YOU I'M AN ADDICT ♪ 697 00:21:00,459 --> 00:21:03,095 ♪ OH, AND I NEED SOME RELIEF 698 00:21:03,095 --> 00:21:05,097 ♪ MY SKIN IN YOUR TEETH 699 00:21:05,097 --> 00:21:05,598 ♪ CAN'T SEE THE FOREST 700 00:21:05,598 --> 00:21:06,031 THROUGH THE TREES ♪ 701 00:21:06,031 --> 00:21:06,565 ♪ GOT ME DOWN ON MY KNEES 702 00:21:06,565 --> 00:21:06,999 DARLIN' PLEASE OH ♪ 703 00:21:06,999 --> 00:21:15,274 ♪ I LOSE CONTROL 704 00:21:15,274 --> 00:21:15,841 WHEN YOU'RE NOT 705 00:21:15,841 --> 00:21:23,716 HERE WITH ME UH-UH ♪ 706 00:21:23,716 --> 00:21:24,216 ♪ YEAH YOU'RE BREAKIN' 707 00:21:24,216 --> 00:21:24,817 MY HEART BABY 708 00:21:24,817 --> 00:21:31,457 YOU MAKE A MESS OF ME ♪ 709 00:21:31,457 --> 00:21:45,604 [ CHEERS AND APPLAUSE ] 710 00:21:50,075 --> 00:21:53,612 >> Ryan: JAN AND WITNEY. 711 00:21:53,612 --> 00:21:55,714 YOU GUYS WERE GREAT. 712 00:21:55,714 --> 00:21:57,082 BRADEN, EVERYONE. 713 00:21:57,082 --> 00:21:58,851 [ CHEERS AND APPLAUSE ] 714 00:21:58,851 --> 00:22:02,388 I LIKE THEIR WARDROBE. 715 00:22:02,388 --> 00:22:03,989 >> YOU KNOW, WHEN I FIRST 716 00:22:03,989 --> 00:22:06,358 STARTED THIS SITUATION OUT, I -- 717 00:22:06,358 --> 00:22:07,827 I KIND OF TOLD THEM -- I WAS, 718 00:22:07,827 --> 00:22:08,494 LIKE,, YOU KNOW, I KIND OF WANT 719 00:22:08,494 --> 00:22:10,029 TO DRESS A LITTLE BIT LIKE RYAN 720 00:22:10,029 --> 00:22:12,631 SEACREST DOES. 721 00:22:12,631 --> 00:22:13,432 >> Ryan: NOT ANYMORE. 722 00:22:13,432 --> 00:22:15,267 >> WELL, THEY TOOK THAT IN -- 723 00:22:15,267 --> 00:22:16,335 THEY TOOK YOUR STYLE AND THEN 724 00:22:16,335 --> 00:22:18,304 PUT A BUNCH OF BIG COLORS ONTO 725 00:22:18,304 --> 00:22:18,771 IT. 726 00:22:18,771 --> 00:22:19,672 SO THAT'S HOW WE'RE DOING IT. 727 00:22:19,672 --> 00:22:20,873 >> Ryan: IT LOOKS GREAT. 728 00:22:20,873 --> 00:22:23,075 YOU LOOK THE PART. 729 00:22:23,075 --> 00:22:23,475 ALL RIGHT, CARRIE. 730 00:22:23,475 --> 00:22:24,910 YOU KICK IT OFF THIS TIME. 731 00:22:24,910 --> 00:22:25,878 >> Carrie: I'M SORRY. 732 00:22:25,878 --> 00:22:29,648 I'M JUST A LITTLE DISTRACTED 733 00:22:29,648 --> 00:22:30,583 RIGHT NOW. 734 00:22:30,583 --> 00:22:35,921 I'M GOING TO LOOK THIS WAY. 735 00:22:35,921 --> 00:22:37,389 >> Luke: COVER YOURSELF UP. 736 00:22:37,389 --> 00:22:38,324 >> Ryan: SORRY, LUKE. 737 00:22:38,324 --> 00:22:39,091 >> Carrie: I THINK RANDY GAVE 738 00:22:39,091 --> 00:22:40,459 YOU SOME REALLY, REALLY GOOD 739 00:22:40,459 --> 00:22:40,726 ADVICE. 740 00:22:40,726 --> 00:22:42,428 IT'S NOT ABOUT, LIKE, DANCING, 741 00:22:42,428 --> 00:22:43,596 BUT IT IS ABOUT KIND OF SINGING 742 00:22:43,596 --> 00:22:45,731 WITH YOUR WHOLE BODY, AND I FEEL 743 00:22:45,731 --> 00:22:46,498 LIKE YOU WERE ON YOUR WAY. 744 00:22:46,498 --> 00:22:48,200 I FEEL LIKE WE SEE LITTLE -- 745 00:22:48,200 --> 00:22:50,202 MORE AND MORE GLIMPSES OF THAT 746 00:22:50,202 --> 00:22:51,437 FROM YOU EVERY SINGLE WEEK, BUT 747 00:22:51,437 --> 00:22:52,438 YOU DON'T HAVE TO, LIKE, EVEN 748 00:22:52,438 --> 00:22:54,707 JUST A LITTLE -- LITTLE 749 00:22:54,707 --> 00:22:55,374 SHOULDERS, YOU KNOW,, LIKE, LEAN 750 00:22:55,374 --> 00:22:57,109 A LITTLE BIT. 751 00:22:57,109 --> 00:22:57,476 >> RIGHT, RIGHT. 752 00:22:57,476 --> 00:22:58,577 >> Carrie: YOU GOT SOME SEXY 753 00:22:58,577 --> 00:22:59,311 BRADEN IN THERE. 754 00:22:59,311 --> 00:23:00,379 LIKE, LET IT OUT. 755 00:23:00,379 --> 00:23:01,413 >> Ryan: LET'S SEE THE 756 00:23:01,413 --> 00:23:02,648 SHOULDERS, COME ON. 757 00:23:02,648 --> 00:23:03,549 >> I CAN'T DO THE SHOULDERS. 758 00:23:03,549 --> 00:23:06,051 >> Carrie: SEE WHAT HAPPENS. 759 00:23:06,051 --> 00:23:06,518 >> Luke: YEAH. 760 00:23:06,518 --> 00:23:07,152 SWAG IT UP. 761 00:23:07,152 --> 00:23:09,555 GET SOME -- JUST GET SOME, LIKE, 762 00:23:09,555 --> 00:23:12,458 LIONEL SAYS, STANK FACE. 763 00:23:12,458 --> 00:23:14,193 PUT SOME STANK ON IT. 764 00:23:14,193 --> 00:23:14,660 >> Lionel: UGLY FACE. 765 00:23:14,660 --> 00:23:15,427 >> Luke: UGLY FACE. 766 00:23:15,427 --> 00:23:15,828 I DON'T KNOW. 767 00:23:15,828 --> 00:23:17,463 BETWEEN THE -- WHAT DID YOU SAY? 768 00:23:17,463 --> 00:23:19,331 >> Lionel: YOU CAN'T SAY STANK 769 00:23:19,331 --> 00:23:21,100 FACE. 770 00:23:21,100 --> 00:23:22,234 IT'S UGLY FACE. 771 00:23:22,234 --> 00:23:23,235 >> Luke: WELL, I THINK -- I'M 772 00:23:23,235 --> 00:23:24,303 JUST LISTENING TO YOU SING. 773 00:23:24,303 --> 00:23:24,937 THERE'S DANCERS. 774 00:23:24,937 --> 00:23:27,573 I MEAN, RYAN'S BEEN BACKSTAGE 775 00:23:27,573 --> 00:23:30,142 OBVIOUSLY DOING A LOT OF 776 00:23:30,142 --> 00:23:31,710 PUSH-UPS, AND THINGS ARE -- IT'S 777 00:23:31,710 --> 00:23:33,545 JUST TOO MUCH FOR ME, BUT I'M 778 00:23:33,545 --> 00:23:34,280 LOVING THIS PERFORMANCE. 779 00:23:34,280 --> 00:23:36,015 I'M LOVING THIS NIGHT. 780 00:23:36,015 --> 00:23:36,315 THIS IS FUN. 781 00:23:36,315 --> 00:23:36,949 THIS IS, LIKE, SENSORY OVERLOAD. 782 00:23:36,949 --> 00:23:40,019 [ CHEERS AND APPLAUSE ] 783 00:23:40,019 --> 00:23:42,655 >> Ryan: LIONEL? 784 00:23:42,655 --> 00:23:44,156 >> Lionel: THIS -- THIS IS -- 785 00:23:44,156 --> 00:23:46,025 THIS NIGHT OBVIOUSLY, HAS 786 00:23:46,025 --> 00:23:47,693 AFFECTED YOU, RYAN, IN A LOT OF 787 00:23:47,693 --> 00:23:49,762 WAYS WE DIDN'T KNOW THAT WAS 788 00:23:49,762 --> 00:23:50,129 GOING TO COME. 789 00:23:50,129 --> 00:23:51,530 >> Paula: IT IS TRUE. 790 00:23:51,530 --> 00:23:52,031 >> Ryan: YOU'RE WELCOME. 791 00:23:52,031 --> 00:23:53,365 >> Lionel: YOU UNDERSTAND. 792 00:23:53,365 --> 00:23:54,066 >> Ryan: YOU'RE WELCOME. 793 00:23:54,066 --> 00:23:54,733 >> Lionel: LET ME GIVE THE 794 00:23:54,733 --> 00:23:55,968 ADVICE I ALWAYS LIKE TO GIVE 795 00:23:55,968 --> 00:23:57,069 BECAUSE YOU'RE THINKING TOO 796 00:23:57,069 --> 00:23:57,269 MUCH. 797 00:23:57,269 --> 00:23:57,970 WHEN YOU THINK TOO MUCH, HERE'S 798 00:23:57,970 --> 00:23:59,972 THE THING YOU ALWAYS REMEMBER. 799 00:23:59,972 --> 00:24:01,073 YOU CAN'T MESS UP. 800 00:24:01,073 --> 00:24:03,842 THE CROWD DID NOT COME TO 801 00:24:03,842 --> 00:24:04,810 REHEARSAL. 802 00:24:04,810 --> 00:24:05,711 SO WHATEVER YOU DO, THEY'RE 803 00:24:05,711 --> 00:24:07,846 LOOKING FOR THAT. 804 00:24:07,846 --> 00:24:08,647 SO JUST RELAX. 805 00:24:08,647 --> 00:24:11,383 ENJOY IT. 806 00:24:11,383 --> 00:24:11,784 BE IN THE MOMENT. 807 00:24:11,784 --> 00:24:12,418 LET IT GO BECAUSE YOU GOT THE 808 00:24:12,418 --> 00:24:13,052 VOICE TO DO IT. 809 00:24:13,052 --> 00:24:16,855 [ CHEERS AND APPLAUSE ] 810 00:24:16,855 --> 00:24:17,990 >> Ryan: PAULA. 811 00:24:17,990 --> 00:24:18,624 >> Paula: I HAVE TO TELL YOU 812 00:24:18,624 --> 00:24:21,427 THAT I ABSOLUTELY LOVE YOUR 813 00:24:21,427 --> 00:24:23,762 VOICE, ESPECIALLY WITH THAT 814 00:24:23,762 --> 00:24:24,630 MID-WARM RANGE OF YOUR VOICE. 815 00:24:24,630 --> 00:24:29,168 IT MAKES ME FEEL LIKE I'M 816 00:24:29,168 --> 00:24:29,802 WRAPPED IN THE COZIEST BLANKET, 817 00:24:29,802 --> 00:24:30,336 AND I LOVE IT. 818 00:24:30,336 --> 00:24:33,072 I DO BRING -- YOU JUST -- YOU'RE 819 00:24:33,072 --> 00:24:33,572 SO TALENTED. 820 00:24:33,572 --> 00:24:36,742 I JUST WANT TO GIVE YOU THAT 821 00:24:36,742 --> 00:24:37,009 SENSE. 822 00:24:37,009 --> 00:24:39,278 OWN THE STAGE. 823 00:24:39,278 --> 00:24:40,713 LIKE, YOUR VOICE CAN FILL 824 00:24:40,713 --> 00:24:42,014 ARENAS, BUT I FEEL LIKE YOU ARE 825 00:24:42,014 --> 00:24:43,015 OUT THERE STANDING IN THE WINGS, 826 00:24:43,015 --> 00:24:44,750 AND I NEED YOU TO BELIEVE IN 827 00:24:44,750 --> 00:24:46,785 YOURSELF, AND I NEED YOU TO 828 00:24:46,785 --> 00:24:49,254 STUDY THE CAMERA. 829 00:24:49,254 --> 00:24:50,823 STARE DOWN THE BARREL OF THE 830 00:24:50,823 --> 00:24:51,056 CAMERA. 831 00:24:51,056 --> 00:24:53,092 WE DON'T WANT TO LOSE YOU, 832 00:24:53,092 --> 00:24:55,227 ESPECIALLY WHEN YOUR EYES 833 00:24:55,227 --> 00:24:55,928 WANDER. 834 00:24:55,928 --> 00:24:59,665 IT'S, LIKE -- LIKE, WHERE'S OUR 835 00:24:59,665 --> 00:24:59,898 BRADEN? 836 00:24:59,898 --> 00:25:01,734 SO I'M IN LOVE WITH YOU AND YOUR 837 00:25:01,734 --> 00:25:02,801 VOICE. 838 00:25:02,801 --> 00:25:03,869 JUST BELIEVE IN YOURSELF LIKE A 839 00:25:03,869 --> 00:25:08,640 CHILD BELIEVES IN SANTA CLAUS. 840 00:25:08,640 --> 00:25:09,274 >> Ryan: VOTE FOR BRADEN RIGHT 841 00:25:09,274 --> 00:25:10,209 NOW IF YOU WANT HIM IN THE 842 00:25:10,209 --> 00:25:12,578 FINALE NEXT WEEK. 843 00:25:12,578 --> 00:25:13,178 ONLINE, VIA TEXT, OR YOU CAN 844 00:25:13,178 --> 00:25:16,715 COMMENT USING HIS NAME ON OUR 845 00:25:16,715 --> 00:25:18,050 VOTING POST THAT'S ON FACEBOOK, 846 00:25:18,050 --> 00:25:18,884 INSTAGRAM, AND TIKTOK. 847 00:25:18,884 --> 00:25:21,086 ONE MORE TIME FOR BRADEN, 848 00:25:21,086 --> 00:25:21,353 EVERYONE. 849 00:25:21,353 --> 00:25:21,787 THANK YOU, BROTHER. 850 00:25:21,787 --> 00:25:29,194 [ CHEERS AND APPLAUSE ] 851 00:25:29,194 --> 00:25:30,596 >> Paula: I KNOW WHAT YOU'RE 852 00:25:30,596 --> 00:25:30,829 DOING. 853 00:25:30,829 --> 00:25:32,798 >> Ryan: MY MOM IS WATCHING. 854 00:25:32,798 --> 00:25:32,998 SORRY. 855 00:25:32,998 --> 00:25:35,034 IF YOU'RE LOVING THE TOP FIVE 856 00:25:35,034 --> 00:25:36,001 PERFORMANCES, YOU CAN RELIVE 857 00:25:36,001 --> 00:25:37,836 THESE "DANCING WITH THE STARS" 858 00:25:37,836 --> 00:25:40,305 SONGS TOMORROW WHEN THEY DROP ON 859 00:25:40,305 --> 00:25:41,073 STREAMING SERVICES EVERYWHERE. 860 00:25:41,073 --> 00:25:41,940 CHECK THEM OUT. 861 00:25:41,940 --> 00:25:43,642 AFTER THIS, HANNAH HARPER 862 00:25:43,642 --> 00:25:48,847 SWITCHES IT UP WITH A PEGGY LEE 863 00:25:48,847 --> 00:25:49,081 COVER. 864 00:25:49,081 --> 00:25:50,015 "AMERICAN IDOL" ROLLS ON LIVE. 865 00:25:50,015 --> 00:25:51,650 WE'LL BE RIGHT BACK. 866 00:25:51,650 --> 00:25:51,817 ♪ 867 00:25:51,817 --> 00:25:52,284 [ CHEERS AND APPLAUSE ] 868 00:25:57,156 --> 00:25:59,658 ♪ 869 00:25:59,658 --> 00:26:01,727 [ CHEERS AND APPLAUSE ] 870 00:26:01,727 --> 00:26:03,729 >> Ryan: WELCOME BACK TO "IDOL." 871 00:26:03,729 --> 00:26:04,096 WE ARE LIVE. 872 00:26:04,096 --> 00:26:05,964 KEEP SENDING IN ALL THOSE VOTES 873 00:26:05,964 --> 00:26:07,699 FOR YOUR FAVORITES IF YOU WANT 874 00:26:07,699 --> 00:26:10,335 TO KEEP THEM IN THE FINALE NEXT 875 00:26:10,335 --> 00:26:11,036 WEEK. 876 00:26:11,036 --> 00:26:15,607 TONIGHT WE'VE GOT "GREY'S 877 00:26:15,607 --> 00:26:19,244 ANATOMY STARS" ALEXIS FLOYD AND 878 00:26:19,244 --> 00:26:22,281 HARRY SHUM JR. WITH US. 879 00:26:22,281 --> 00:26:23,649 THAT'S ON ABC, AND NEXT DAY ON 880 00:26:23,649 --> 00:26:24,416 HULU. 881 00:26:24,416 --> 00:26:26,852 IT'S A GOOD THING YOU GUYS ARE 882 00:26:26,852 --> 00:26:27,519 HERE. 883 00:26:27,519 --> 00:26:28,153 HANNAH HARPER HAS BEEN DEALING 884 00:26:28,153 --> 00:26:29,121 WITH A LITTLE FEVER. 885 00:26:29,121 --> 00:26:29,288 YES. 886 00:26:29,288 --> 00:26:30,289 TAKE A LOOK. 887 00:26:30,289 --> 00:26:30,622 ♪ 888 00:26:30,622 --> 00:26:32,324 >> HANNAH, ARE YOU IN IT TO WIN 889 00:26:32,324 --> 00:26:32,591 IT? 890 00:26:32,591 --> 00:26:35,494 >> I'M IN IT TO WIN IT, MAN. 891 00:26:35,494 --> 00:26:35,961 >> WHOO! 892 00:26:35,961 --> 00:26:36,962 THAT'S THE STRAIGHTEST ANSWER I 893 00:26:36,962 --> 00:26:38,030 HAVE HAD ALL DAY FROM THESE 894 00:26:38,030 --> 00:26:38,230 KIDS. 895 00:26:38,230 --> 00:26:39,231 WHAT'S GOING ON? 896 00:26:39,231 --> 00:26:39,998 >> WELL, GOOD. 897 00:26:39,998 --> 00:26:41,300 I'M HONORED TO MEET YOU. 898 00:26:41,300 --> 00:26:41,667 YOU'RE AWESOME. 899 00:26:41,667 --> 00:26:43,535 I DIDN'T HAVE LIVE TV, BUT WE 900 00:26:43,535 --> 00:26:44,536 WOULD LOOK AT "AMERICAN IDOL" 901 00:26:44,536 --> 00:26:46,638 FAIL AUDITIONS, AND SO WHEN THEY 902 00:26:46,638 --> 00:26:47,506 WERE, LIKE, RANDY JACKSON'S 903 00:26:47,506 --> 00:26:49,108 GOING TO BE A MENTOR, I WAS, 904 00:26:49,108 --> 00:26:50,509 LIKE, "I'M GOING TO GET RIPPED 905 00:26:50,509 --> 00:26:51,376 TO SHREDS." 906 00:26:51,376 --> 00:26:52,611 >> YOU CAN'T SING AT ALL. 907 00:26:52,611 --> 00:26:54,012 >> I WAS TERRIFIED. 908 00:26:54,012 --> 00:26:54,613 >> NO. 909 00:26:54,613 --> 00:26:55,414 I'M A MUSIC MAN. 910 00:26:55,414 --> 00:26:55,848 IT'S JUST ME. 911 00:26:55,848 --> 00:26:57,449 I LOVE SINGERS. 912 00:26:57,449 --> 00:26:58,183 I LOVE THIS. 913 00:26:58,183 --> 00:27:00,853 >> SO "DANCING WITH THE STARS" 914 00:27:00,853 --> 00:27:01,053 ROUND. 915 00:27:01,053 --> 00:27:03,455 RYLEE AND JAN ARE MY DANCERS. 916 00:27:03,455 --> 00:27:06,592 I'M EXCITED TO GET TO WATCH 917 00:27:06,592 --> 00:27:07,092 THEM. 918 00:27:07,092 --> 00:27:07,793 I'M AFRAID I'M GOING TO FORGET 919 00:27:07,793 --> 00:27:09,161 THE WORDS AND JUST WATCH THEM. 920 00:27:09,161 --> 00:27:11,263 >> WHAT ARE YOU SINGING? 921 00:27:11,263 --> 00:27:13,932 >> I'M SINGING "FEVER" BY PEGGY 922 00:27:13,932 --> 00:27:14,133 LEE. 923 00:27:14,133 --> 00:27:14,933 >> SHE TOLD ME SHE WAS 924 00:27:14,933 --> 00:27:15,934 SINGING "FEVER." 925 00:27:15,934 --> 00:27:17,870 I DIDN'T LIKE THAT IDEA AT ALL. 926 00:27:17,870 --> 00:27:18,871 >> I THINK RANDY WAS SHOCKED. 927 00:27:18,871 --> 00:27:19,805 SHE WAS, LIKE, WHAT IN THE 928 00:27:19,805 --> 00:27:20,005 WORLD? 929 00:27:20,005 --> 00:27:21,840 ARE YOU SURE YOU WANT TO DO THIS 930 00:27:21,840 --> 00:27:22,074 SONG? 931 00:27:22,074 --> 00:27:26,211 ♪ YOU GIVE ME FEVER 932 00:27:26,211 --> 00:27:27,446 >> WHAT ARE YOUR OTHER SONG 933 00:27:27,446 --> 00:27:27,880 CHOICES? 934 00:27:27,880 --> 00:27:29,014 >> SO BASICALLY YOU'RE TELLING 935 00:27:29,014 --> 00:27:30,249 ME THAT YOU HATE "FEVER." 936 00:27:30,249 --> 00:27:32,151 >> NO, NO. 937 00:27:32,151 --> 00:27:32,384 LISTEN. 938 00:27:32,384 --> 00:27:33,252 YOU SOUND GREAT ON IT. 939 00:27:33,252 --> 00:27:33,652 >> THANK YOU. 940 00:27:33,652 --> 00:27:36,488 >> IT SHOWS A DIFFERENT SIDE OF 941 00:27:36,488 --> 00:27:37,589 YOUR VOICE I DON'T THINK PEOPLE 942 00:27:37,589 --> 00:27:39,491 KNOW IS THERE. 943 00:27:39,491 --> 00:27:40,893 I THINK THAT LYRIC IS WHAT SHE 944 00:27:40,893 --> 00:27:41,727 WOULDN'T NORMALLY DO. 945 00:27:41,727 --> 00:27:42,961 I SAID, SING THIS TO YOUR 946 00:27:42,961 --> 00:27:43,228 HUSBAND. 947 00:27:43,228 --> 00:27:46,165 >> I'VE GOT TO SING IT ABOUT 948 00:27:46,165 --> 00:27:47,833 HIM. 949 00:27:47,833 --> 00:27:48,534 HE'D BE MAD IF I SUNG IT ABOUT 950 00:27:48,534 --> 00:27:48,967 SOMEBODY ELSE. 951 00:27:48,967 --> 00:27:50,068 >> I LIKE YOU. 952 00:27:50,068 --> 00:27:50,602 I LIKE THAT. 953 00:27:50,602 --> 00:27:51,603 THAT'S FUNNY. 954 00:27:51,603 --> 00:27:56,575 SHE JUST HAS TO GIVE INTO IT. 955 00:27:56,575 --> 00:28:03,682 >> WITH THE PEGGY LEE CLA 956 00:28:03,682 --> 00:28:04,583 CLACLA 957 00:28:04,583 --> 00:28:05,584 CLASSIC "FEVER," HERE'S HANNAH 958 00:28:05,584 --> 00:28:05,817 HARPER. 959 00:28:05,817 --> 00:28:07,519 ♪ 960 00:28:07,519 --> 00:28:08,187 ♪ NEVER KNOW HOW MUCH 961 00:28:08,187 --> 00:28:08,687 I LOVE YOU ♪ 962 00:28:08,687 --> 00:28:09,154 ♪ NEVER KNOW HOW MUCH 963 00:28:09,154 --> 00:28:11,323 I CARE ♪ 964 00:28:11,323 --> 00:28:13,425 ♪ WHEN YOU PUT YOUR 965 00:28:13,425 --> 00:28:13,825 ARMS AROUND ME ♪ 966 00:28:13,825 --> 00:28:15,494 ♪ I GET A FEVER THAT'S 967 00:28:15,494 --> 00:28:17,963 SO HARD TO BEAR ♪ 968 00:28:17,963 --> 00:28:20,832 ♪ YOU GIVE ME FEVER 969 00:28:20,832 --> 00:28:22,401 WHEN YOU KISS ME ♪ 970 00:28:22,401 --> 00:28:25,604 ♪ FEVER WHEN YOU 971 00:28:25,604 --> 00:28:27,506 HOLD ME TIGHT ♪ 972 00:28:27,506 --> 00:28:34,146 ♪ FEVER 973 00:28:34,146 --> 00:28:35,847 IN THE MORNING, FEVER ALL 974 00:28:35,847 --> 00:28:37,349 THROUGH THE NIGHT ♪ 975 00:28:39,518 --> 00:28:40,285 ♪ 976 00:28:40,285 --> 00:28:40,819 ♪ CAPTAIN SMITH AND 977 00:28:40,819 --> 00:28:46,625 POCAHONTAS 978 00:28:46,625 --> 00:28:47,492 HAD A VERY MAD AFFAIR ♪ 979 00:28:47,492 --> 00:28:48,260 ♪ WHEN HER DADDY 980 00:28:48,260 --> 00:28:51,396 TRIED TO KILL HIM ♪ 981 00:28:51,396 --> 00:28:51,897 ♪ SHE SAID DADDY 982 00:28:51,897 --> 00:28:54,833 OH DON'T YOU DARE ♪ 983 00:28:54,833 --> 00:28:58,537 ♪ HE GIVES ME FEVER, FEVER 984 00:28:58,537 --> 00:28:58,937 ♪ I'M HIS MISSUS 985 00:28:58,937 --> 00:28:59,504 DADDY WON'T YOU 986 00:28:59,504 --> 00:29:01,206 TREAT HIM RIGHT ♪ 987 00:29:01,206 --> 00:29:09,848 ♪ 988 00:29:11,516 --> 00:29:17,322 ♪ 989 00:29:17,322 --> 00:29:17,856 ♪ NOW YOU'VE LISTENED 990 00:29:17,856 --> 00:29:21,560 TO MY STORY ♪ 991 00:29:21,560 --> 00:29:22,060 ♪ HERE'S THE POINT 992 00:29:22,060 --> 00:29:27,499 THAT I HAVE MADE ♪ 993 00:29:27,499 --> 00:29:27,966 ♪ CHICKS WERE BORN TO 994 00:29:27,966 --> 00:29:29,968 GIVE YOU FEVER ♪ 995 00:29:29,968 --> 00:29:31,503 ♪ BE IT FAHRENHEIT 996 00:29:31,503 --> 00:29:34,206 OR CENTIGRADE ♪ 997 00:29:34,206 --> 00:29:35,507 ♪ THEY GIVE YOU FEVER 998 00:29:35,507 --> 00:29:37,376 WHEN YOU KISS THEM ♪ 999 00:29:37,376 --> 00:29:39,511 ♪ FEVER IF YOU LIVE 1000 00:29:39,511 --> 00:29:40,045 YOU LEARN ♪ 1001 00:29:40,045 --> 00:29:42,748 ♪ FEVER 1002 00:29:42,748 --> 00:29:44,283 TILL YOU SIZZLE 1003 00:29:44,283 --> 00:29:51,490 WHAT A LOVELY WAY TO BURN ♪ 1004 00:29:51,490 --> 00:29:53,959 ♪ OH, WHAT A LOVELY WAY TO BURN 1005 00:29:53,959 --> 00:29:55,494 WHAT A LOVELY WAY TO BURN ♪ 1006 00:29:55,494 --> 00:30:08,707 [ CHEERS AND APPLAUSE ] 1007 00:30:08,707 --> 00:30:11,510 >> Ryan: GIVE IT UP FOR JAN AND 1008 00:30:11,510 --> 00:30:12,511 RYLEE. 1009 00:30:12,511 --> 00:30:17,349 HANNAH HARPER, EVERYONE AS WELL. 1010 00:30:17,349 --> 00:30:17,516 HEY. 1011 00:30:17,516 --> 00:30:18,183 >> HEY. 1012 00:30:18,183 --> 00:30:19,518 >> Ryan: ALL RIGHT, LUKE. 1013 00:30:19,518 --> 00:30:20,519 YOUR THOUGHTS? 1014 00:30:20,519 --> 00:30:23,088 >> Luke: I THOUGHT -- I THOUGHT 1015 00:30:23,088 --> 00:30:23,488 IT WAS IN -- 1016 00:30:23,488 --> 00:30:25,657 >> Ryan: HERE THEY GO. 1017 00:30:25,657 --> 00:30:27,959 [ CHANTING "HANNAH" ] 1018 00:30:27,959 --> 00:30:29,027 >> Luke: I THOUGHT IT WAS 1019 00:30:29,027 --> 00:30:29,428 INCREDIBLE. 1020 00:30:29,428 --> 00:30:31,930 I THOUGHT IT WAS SO UNIQUELY 1021 00:30:31,930 --> 00:30:33,832 DIFFERENT FOR YOU. 1022 00:30:33,832 --> 00:30:35,600 IT WAS SEXY. 1023 00:30:35,600 --> 00:30:35,967 IT WAS SULTRY. 1024 00:30:35,967 --> 00:30:39,071 I NEEDED A MARTINI WHILE I WAS 1025 00:30:39,071 --> 00:30:40,439 WATCHING, AND -- BUT I LOVED IT. 1026 00:30:40,439 --> 00:30:41,540 IT WAS NOT WHAT WE EXPECTED FROM 1027 00:30:41,540 --> 00:30:41,707 YOU. 1028 00:30:41,707 --> 00:30:42,574 WHAT A SURPRISE. 1029 00:30:42,574 --> 00:30:45,410 GREAT JOB. 1030 00:30:45,410 --> 00:30:46,111 >> THANK YOU. 1031 00:30:46,111 --> 00:30:46,411 [ APPLAUSE ] 1032 00:30:46,411 --> 00:30:48,313 >> Ryan: LIONEL? 1033 00:30:48,313 --> 00:30:49,414 >> Lionel: A LITTLE -- A LITTLE 1034 00:30:49,414 --> 00:30:52,217 JAZZ, A LITTLE COUNTRY, SHAKE IT 1035 00:30:52,217 --> 00:30:52,651 AND STIR. 1036 00:30:52,651 --> 00:30:55,420 YOU KNOW WHAT I'M SAYING? 1037 00:30:55,420 --> 00:30:56,621 >> BARBECUE SAUCE. 1038 00:30:56,621 --> 00:30:58,290 >> Lionel: THAT IS EXACTLY WHAT 1039 00:30:58,290 --> 00:30:59,891 WAS NEEDED. 1040 00:30:59,891 --> 00:31:00,525 TAKE US OUT OF THAT MODE THAT WE 1041 00:31:00,525 --> 00:31:01,960 KNOW YOU FOR AND SURPRISE US. 1042 00:31:01,960 --> 00:31:03,362 YOU DID JUST THAT. 1043 00:31:03,362 --> 00:31:05,831 >> THANK YOU. 1044 00:31:05,831 --> 00:31:06,598 >> Ryan: PAULA ABDUL? 1045 00:31:06,598 --> 00:31:08,033 >> Paula: SO LOVELY TO MEET YOU. 1046 00:31:08,033 --> 00:31:09,067 >> YOU TOO. 1047 00:31:09,067 --> 00:31:10,435 >> Paula: YOU NEED TO KNOW THIS. 1048 00:31:10,435 --> 00:31:11,103 THERE IS NOBODY, NOT ANYBODY 1049 00:31:11,103 --> 00:31:12,003 THAT SOUNDS LIKE YOU IN THIS 1050 00:31:12,003 --> 00:31:12,304 COMPETITION. 1051 00:31:12,304 --> 00:31:15,640 [ CHEERS AND APPLAUSE ] 1052 00:31:15,640 --> 00:31:18,443 AND IT'S BEAUTIFUL TO SEE HOW 1053 00:31:18,443 --> 00:31:20,379 AMERICA HAS BECOME SO INVESTED 1054 00:31:20,379 --> 00:31:21,079 IN YOU. 1055 00:31:21,079 --> 00:31:22,214 YOU ARE LOVELY TO LOOK AT. 1056 00:31:22,214 --> 00:31:24,916 YOU ARE LOVELY TO LISTEN TO. 1057 00:31:24,916 --> 00:31:26,418 HAVE, LIKE, I WAS SO EXCITED 1058 00:31:26,418 --> 00:31:28,420 THAT YOU DID PICK "FEVER", YOU 1059 00:31:28,420 --> 00:31:30,489 KNOW, WHEN YOU HAVE A MIC -- A 1060 00:31:30,489 --> 00:31:31,423 MICROPHONE IN A STAND, YOU HAVE 1061 00:31:31,423 --> 00:31:32,090 THE FREEDOM. 1062 00:31:32,090 --> 00:31:33,625 YOU DON'T HAVE TO TOUCH THE 1063 00:31:33,625 --> 00:31:34,926 STAND, AND I AM NOT A BIG 1064 00:31:34,926 --> 00:31:36,461 BELIEVER OF WOMEN HAVING -- 1065 00:31:36,461 --> 00:31:38,830 BEING OVERLY SEXUAL. 1066 00:31:38,830 --> 00:31:41,032 I THINK IT'S GROSS, BUT THE 1067 00:31:41,032 --> 00:31:42,601 SIMPLICITY OF JUST LOOKING AND 1068 00:31:42,601 --> 00:31:45,303 THE SEXINESS AND THE WINK OF 1069 00:31:45,303 --> 00:31:46,071 KNOWING THAT OR A LITTLE 1070 00:31:46,071 --> 00:31:47,406 SHOULDER SELLS IT, AND YOU DID 1071 00:31:47,406 --> 00:31:47,706 THAT. 1072 00:31:47,706 --> 00:31:48,640 I WAS REALLY PROUD OF YOU. 1073 00:31:48,640 --> 00:31:51,276 >> THANK YOU. 1074 00:31:51,276 --> 00:31:51,843 APPRECIATE THAT. 1075 00:31:51,843 --> 00:31:53,979 >> Carrie: HANNAH, I'M SO PROUD 1076 00:31:53,979 --> 00:31:54,780 OF YOU. 1077 00:31:54,780 --> 00:31:55,714 THAT'S ALL I GOT TO SAY. 1078 00:31:55,714 --> 00:31:56,648 I FEEL LIKE YOU'RE GROWING MORE 1079 00:31:56,648 --> 00:31:58,917 AND MORE IN THIS COMPETITION 1080 00:31:58,917 --> 00:32:01,153 EVERY SINGLINGE WEEK AND WE JUS 1081 00:32:01,153 --> 00:32:01,720 NEED MORE. 1082 00:32:01,720 --> 00:32:03,054 NOW'S THE TIME TO PULL OUT ALL 1083 00:32:03,054 --> 00:32:03,355 THE STOPS. 1084 00:32:03,355 --> 00:32:04,122 KEEP BRINGING IT. 1085 00:32:04,122 --> 00:32:04,823 THAT WAS SO AWESOME. 1086 00:32:04,823 --> 00:32:05,791 I'M SO PROUD OF YOU. 1087 00:32:05,791 --> 00:32:06,558 >> THANK YOU SO MUCH. 1088 00:32:06,558 --> 00:32:08,860 >> Ryan: WHAT ARE SOME OF THE 1089 00:32:08,860 --> 00:32:10,862 WORDS TO DESCRIBE WHAT IT FEELS 1090 00:32:10,862 --> 00:32:12,497 LIKE TO ACCOMPLISH WHAT YOU'RE 1091 00:32:12,497 --> 00:32:14,099 ACCOMPLISHING EACH WEEK ON THIS 1092 00:32:14,099 --> 00:32:14,866 SHOW LIVE IN FRONT OF MILLIONS? 1093 00:32:14,866 --> 00:32:17,669 >> IT'S OVERWHELMING. 1094 00:32:17,669 --> 00:32:18,136 >> Ryan: OVERWHELMING? 1095 00:32:18,136 --> 00:32:18,804 >> I'M STILL SHAKING. 1096 00:32:18,804 --> 00:32:20,539 >> Ryan: YOU'RE DOING A GREAT 1097 00:32:20,539 --> 00:32:20,705 JOB. 1098 00:32:20,705 --> 00:32:22,340 HANNAH NEEDS YOUR VOTES TO 1099 00:32:22,340 --> 00:32:26,011 BECOME YOUR NEXT AMERICAN IDOL. 1100 00:32:26,011 --> 00:32:28,180 FIVE WAYS TO VOTE SO MAKE YOU 1101 00:32:28,180 --> 00:32:30,315 ARE YOU USE ALL OF THEM SO 1102 00:32:30,315 --> 00:32:31,516 HANNAH IS ON THE STAGE NEXT 1103 00:32:31,516 --> 00:32:34,986 WEEK. 1104 00:32:34,986 --> 00:32:35,387 HANNAH, EVERYONE. 1105 00:32:35,387 --> 00:32:35,654 THANK YOU. 1106 00:32:35,654 --> 00:32:35,821 ♪ 1107 00:32:35,821 --> 00:32:36,321 [ CHEERS AND APPLAUSE ] 1108 00:32:36,321 --> 00:32:36,988 >> Ryan: WE'RE TAKING A MOMENT 1109 00:32:36,988 --> 00:32:37,622 NOW TO RECOGNIZE SOME VERY 1110 00:32:37,622 --> 00:32:39,157 SPECIAL GUESTS HERE IN THE 1111 00:32:39,157 --> 00:32:39,424 AUDIENCE. 1112 00:32:39,424 --> 00:32:41,626 SAY HELLO TO SOME FOLKS WITH 1113 00:32:41,626 --> 00:32:44,129 BLUE STAR FAMILIES, AN 1114 00:32:44,129 --> 00:32:46,364 INCREDIBLE ORGANIZATION THAT 1115 00:32:46,364 --> 00:32:47,732 EMPOWERS MILITARY MEMBERS AND 1116 00:32:47,732 --> 00:32:50,335 THEIR FAMILIES TO THRIVE BY 1117 00:32:50,335 --> 00:32:51,169 CREATING VIBRANT COMMUNITIES OF 1118 00:32:51,169 --> 00:32:53,972 MUTUAL SUPPORT, AND THIS YEAR 1119 00:32:53,972 --> 00:32:55,440 DISNEY EXPANDED ITS LONGSTANDING 1120 00:32:55,440 --> 00:32:56,908 RELATIONSHIP WITH BLUE STAR 1121 00:32:56,908 --> 00:33:00,612 FAMILIES THROUGH A $2.5 MILLION 1122 00:33:00,612 --> 00:33:02,714 COMMITMENT TO HELP FOSTER 1123 00:33:02,714 --> 00:33:04,649 MEANINGFUL EXPERIENCES THAT 1124 00:33:04,649 --> 00:33:05,383 BRING PEOPLE TOGETHER THROUGH 1125 00:33:05,383 --> 00:33:08,119 THE JOY OF READING AND PLAY. 1126 00:33:08,119 --> 00:33:10,055 IT IS AN HONOR TO HAVE ALL OF 1127 00:33:10,055 --> 00:33:10,655 YOU WITH US TONIGHT. 1128 00:33:10,655 --> 00:33:16,328 THANK YOU FOR BEING HERE. 1129 00:33:16,328 --> 00:33:17,996 [ APPLAUSE ] 1130 00:33:17,996 --> 00:33:19,831 TAKE A LOOK AT WHAT THEY DO. 1131 00:33:19,831 --> 00:33:21,066 >> I MAY NOT WEAR THE UNIFORM, 1132 00:33:21,066 --> 00:33:22,667 BUT I SERVE EVERY DAY. 1133 00:33:22,667 --> 00:33:23,368 MY HUSBAND COULD BE GONE FOR 1134 00:33:23,368 --> 00:33:25,170 MONTHS AT A MOMENT'S NOTICE. 1135 00:33:25,170 --> 00:33:26,438 BLUE STAR FAMILIES WAS MY 1136 00:33:26,438 --> 00:33:27,239 LIFELINE, CONNECTING ME WITH 1137 00:33:27,239 --> 00:33:27,772 COMMUNITIES THAT CARE SO MY 1138 00:33:27,772 --> 00:33:28,907 FAMILY CAN THRIVE WHILE HE 1139 00:33:28,907 --> 00:33:29,407 SERVES. 1140 00:33:32,577 --> 00:33:34,646 ♪ 1141 00:33:34,646 --> 00:33:39,384 [ CHEERS AND APPLAUSE ] 1142 00:33:39,384 --> 00:33:40,819 >> Ryan: BACK WITH YOU LIVE ON 1143 00:33:40,819 --> 00:33:41,186 "AMERICAN IDOL." 1144 00:33:41,186 --> 00:33:42,721 HOPE YOU'RE LOVING TONIGHT'S 1145 00:33:42,721 --> 00:33:45,590 SPECIAL ROUND OF "IDOL" WITH A 1146 00:33:45,590 --> 00:33:45,924 DASH OF DANCE. 1147 00:33:45,924 --> 00:33:46,758 SOME BIG NEWS. 1148 00:33:46,758 --> 00:33:48,059 FOR THE FIRST TIME IN "DANCING 1149 00:33:48,059 --> 00:33:48,894 WITH THE STARS" HISTORY, 12 OF 1150 00:33:48,894 --> 00:33:51,563 THE WORLD'S GREATEST UP AND 1151 00:33:51,563 --> 00:33:53,164 COMING DANCERS WILL MOVE INTO 1152 00:33:53,164 --> 00:33:54,666 ONE HOUSE AND BATTLE FOR THE 1153 00:33:54,666 --> 00:33:59,571 ULTIMATE SPOT AS THE NEXT PRO. 1154 00:33:59,571 --> 00:34:00,171 "DANCING WITH THE STARS: THE 1155 00:34:00,171 --> 00:34:02,507 NEXT PRO" HOSTED BY ROBERT IRWIN 1156 00:34:02,507 --> 00:34:03,275 PREMIERES JULY 13th RIGHT HERE 1157 00:34:03,275 --> 00:34:05,610 ON ABC. 1158 00:34:05,610 --> 00:34:08,780 NOW TAKING THE STAGE WITH A 1159 00:34:08,780 --> 00:34:10,215 RUMBA, IT'S WITNEY AND GLEB TO 1160 00:34:10,215 --> 00:34:11,917 THE SOUND TRACK OF JORDAN 1161 00:34:11,917 --> 00:34:15,152 McCULLOUGH. 1162 00:34:15,152 --> 00:34:15,420 LET'S GO. 1163 00:34:15,420 --> 00:34:16,021 >> "DANCING WITH THE STARS," 1164 00:34:16,021 --> 00:34:16,554 "AMERICAN IDOL" MASH-UP. 1165 00:34:16,554 --> 00:34:17,989 THIS IS EVERYTHING I NEEDED IT 1166 00:34:17,989 --> 00:34:18,489 TO BE. 1167 00:34:18,489 --> 00:34:19,524 IT'S GOING TO TAKE EVERYTHING IN 1168 00:34:19,524 --> 00:34:20,859 ME NOT TO GET UP THERE AND TRY 1169 00:34:20,859 --> 00:34:22,561 TO DANCE AND TWIRL WITH THEM 1170 00:34:22,561 --> 00:34:22,893 TOO. 1171 00:34:22,893 --> 00:34:23,562 >> WHAT ARE YOU SINGING? 1172 00:34:23,562 --> 00:34:27,098 >> THIS WEEK I'M GOING TO BE 1173 00:34:27,098 --> 00:34:29,000 SINGING "FOOTPRINTS IN THE 1174 00:34:29,000 --> 00:34:29,668 SAND." 1175 00:34:29,668 --> 00:34:29,833 ♪ 1176 00:34:29,833 --> 00:34:31,202 THIS SONGS I'M DEDICATING IT TO 1177 00:34:31,202 --> 00:34:31,570 MY BROTHERS. 1178 00:34:31,570 --> 00:34:32,536 I'M THE OLDEST OF SEVEN. 1179 00:34:32,536 --> 00:34:33,871 THEY HAVE LOOKED UP TO ME AS THE 1180 00:34:33,871 --> 00:34:36,373 OLDEST BROTHER TO GO FIRST, BUT 1181 00:34:36,373 --> 00:34:38,443 LITTLE DO THEY KNOW I'VE LEARNED 1182 00:34:38,443 --> 00:34:40,011 SO MUCH ABOUT MYSELF BEING 1183 00:34:40,011 --> 00:34:40,745 SURROUNDED BY THEM. 1184 00:34:40,745 --> 00:34:41,212 >> TRUE COMPASSION. 1185 00:34:41,212 --> 00:34:41,579 >> THANK YOU. 1186 00:34:41,579 --> 00:34:42,112 >> I LOVE THAT. 1187 00:34:42,112 --> 00:34:43,248 THAT'S GREAT. 1188 00:34:43,248 --> 00:34:44,815 >> THEY SEE ME TRY AND TRY TO GO 1189 00:34:44,815 --> 00:34:46,418 FOR THE THINGS THAT I LOVE 1190 00:34:46,418 --> 00:34:50,822 DOING, AND NOW HEARING THE 1191 00:34:50,822 --> 00:34:51,322 STO 1192 00:34:51,322 --> 00:34:53,425 STORIES SO PROUD TO TELL HIS 1193 00:34:53,425 --> 00:34:54,059 FRIENDS, DAD, MY BROTHER IS ON 1194 00:34:54,059 --> 00:34:59,998 "AMERICAN IDOL." 1195 00:34:59,998 --> 00:35:05,437 ♪ I PROMISE YOU, I'LL ALWAYS 1196 00:35:05,437 --> 00:35:05,837 SAY ♪ 1197 00:35:05,837 --> 00:35:09,341 >> IS THIS A GREAT KEY FOR YOU? 1198 00:35:09,341 --> 00:35:09,975 >> IT'S A LITTLE CHALLENGING IN 1199 00:35:09,975 --> 00:35:10,542 THE KEY CHANGE. 1200 00:35:10,542 --> 00:35:11,676 >> WALK IT UP FOR ME. 1201 00:35:11,676 --> 00:35:12,611 SEE IF THAT HELPS. 1202 00:35:12,611 --> 00:35:13,945 >> OKAY. 1203 00:35:13,945 --> 00:35:19,851 ♪ I PROMISE YOU, I'LL ALWAYS 1204 00:35:19,851 --> 00:35:20,185 STAND ♪ 1205 00:35:20,185 --> 00:35:21,019 >> PRACTICE AND I THINK IT WILL 1206 00:35:21,019 --> 00:35:22,354 HELP YOU GET THERE EASIER. 1207 00:35:22,354 --> 00:35:22,687 >> OKAY. 1208 00:35:22,687 --> 00:35:23,622 >> YOU'VE GOT TO SING WITH 1209 00:35:23,622 --> 00:35:24,422 CONFIDENCE IN THAT SECTION. 1210 00:35:24,422 --> 00:35:24,689 >> YEAH. 1211 00:35:24,689 --> 00:35:26,858 >> EVEN IF YOU MAKE A MISTAKE, 1212 00:35:26,858 --> 00:35:28,393 MAKE A BIG, LOUD ONE, BECAUSE 1213 00:35:28,393 --> 00:35:29,361 THAT CHANGES EVERYTHING. 1214 00:35:29,361 --> 00:35:33,465 ♪ I'LL CARRY YOU 1215 00:35:33,465 --> 00:35:34,699 >> I LOVE MY BROTHERS SO MUCH. 1216 00:35:34,699 --> 00:35:36,267 I HOPE THEY KNOW I WILL ALWAYS 1217 00:35:36,267 --> 00:35:38,303 BE THERE TO CARRY THEM. 1218 00:35:38,303 --> 00:35:39,604 I JUST WANT TO MAKE THEM REALLY, 1219 00:35:39,604 --> 00:35:43,308 REALLY PROUD. 1220 00:35:43,308 --> 00:35:46,044 >> SINGING "FOOTPRINTS IN THE 1221 00:35:46,044 --> 00:35:49,414 SAND" BY LEONA LEWIS, IT'S 1222 00:35:49,414 --> 00:35:49,814 JORDAN McCULLOUGH. 1223 00:35:49,814 --> 00:35:55,286 ♪ 1224 00:35:55,286 --> 00:36:03,995 ♪ YOU WALKED WITH ME 1225 00:36:03,995 --> 00:36:04,529 FOOTPRINTS IN THE SAND ♪ 1226 00:36:04,529 --> 00:36:05,096 ♪ AND HELPED ME UNDERSTAND 1227 00:36:05,096 --> 00:36:07,999 WHERE I'M GOING ♪ 1228 00:36:07,999 --> 00:36:10,502 ♪ AND JUST WHEN I 1229 00:36:10,502 --> 00:36:18,009 I THOUGHT I LOST MY WAY ♪ 1230 00:36:18,009 --> 00:36:18,510 ♪ YOU GAVE ME STRENGTH 1231 00:36:18,510 --> 00:36:22,781 TO CARRY ON ♪ 1232 00:36:22,781 --> 00:36:22,881 OE 1233 00:36:28,486 --> 00:36:28,853 ♪ THAT'S WHEN I 1234 00:36:28,853 --> 00:36:29,220 HEARD YOU SAY ♪ 1235 00:36:29,220 --> 00:36:31,256 ♪ I PROMISE YOU 1236 00:36:31,256 --> 00:36:33,825 I'M ALWAYS THERE ♪ 1237 00:36:33,825 --> 00:36:39,297 ♪ WHEN YOUR HEART IS FILLED 1238 00:36:39,297 --> 00:36:41,099 WITH SADNESS AND DESPAIR ♪ 1239 00:36:41,099 --> 00:36:46,504 ♪ I'LL CARRY YOU 1240 00:36:46,504 --> 00:36:57,816 WHEN YOU NEED A FRIEND ♪ 1241 00:36:57,816 --> 00:36:58,349 ♪ YOU'LL FIND MY 1242 00:36:58,349 --> 00:36:58,883 FOOTPRINTS IN THE SAND ♪ 1243 00:36:58,883 --> 00:36:59,250 ♪ I PROMISE YOU 1244 00:36:59,250 --> 00:37:11,029 WELL I'M ALWAYS THERE ♪ 1245 00:37:11,029 --> 00:37:11,596 ♪ WHEN YOUR HEART IS FILLED 1246 00:37:11,596 --> 00:37:12,130 WITH SORROW AND DESPAIR ♪ 1247 00:37:12,130 --> 00:37:15,800 ♪ I'LL CARRY YOU 1248 00:37:15,800 --> 00:37:21,606 WHEN YOU NEED A FRIEND ♪ 1249 00:37:21,606 --> 00:37:22,140 ♪ YOU'LL FIND MY 1250 00:37:22,140 --> 00:37:26,911 FOOTPRINTS IN THE SAND ♪ 1251 00:37:26,911 --> 00:37:27,412 ♪ YOU'LL FIND MY 1252 00:37:27,412 --> 00:37:39,991 FOOTPRINTS IN THE SAND ♪ 1253 00:37:39,991 --> 00:37:40,825 ♪ YOU'LL FIND MY FOOTPRINTS IN 1254 00:37:40,825 --> 00:37:46,831 THE SAND ♪ 1255 00:37:52,003 --> 00:37:56,241 [ CHEERS AND APPLAUSE ] 1256 00:37:59,344 --> 00:38:00,912 >> Ryan: A BIG HAND FOR WITNEY 1257 00:38:00,912 --> 00:38:03,581 AND GLEB, AND JORDAN. 1258 00:38:03,581 --> 00:38:05,817 MAGICAL. 1259 00:38:05,817 --> 00:38:06,985 YOU LOOK GREAT, BUDDY. 1260 00:38:06,985 --> 00:38:07,652 >> THANK YOU SO MUCH. 1261 00:38:07,652 --> 00:38:09,354 >> Ryan: YOU'RE ENJOYING THIS? 1262 00:38:09,354 --> 00:38:10,755 >> I REALLY AM, YEAH. 1263 00:38:10,755 --> 00:38:11,589 >> Ryan: YOU'RE HAVING A GOOD 1264 00:38:11,589 --> 00:38:11,790 TIME. 1265 00:38:11,790 --> 00:38:12,957 I CAN TELL. 1266 00:38:12,957 --> 00:38:13,358 LIONEL. 1267 00:38:13,358 --> 00:38:14,192 >> Lionel: WELL, YOU KNOW, IT'S 1268 00:38:14,192 --> 00:38:15,493 ALWAYS WONDERFUL, BUT I HAVE A 1269 00:38:15,493 --> 00:38:15,960 NEW PHRASE NOW. 1270 00:38:15,960 --> 00:38:19,831 YOU DO WHAT WE CALL SPINAL CHORD 1271 00:38:19,831 --> 00:38:20,064 SINGING. 1272 00:38:20,064 --> 00:38:22,500 IN OTHER WORDS, IT JUST GOES 1273 00:38:22,500 --> 00:38:24,402 RIGHT TO YOUR SPINAL CORD. 1274 00:38:24,402 --> 00:38:24,803 >> OKAY. 1275 00:38:24,803 --> 00:38:26,237 >> Lionel: THEN YOUR BODY JUST 1276 00:38:26,237 --> 00:38:26,771 BREAKS DOWN. 1277 00:38:26,771 --> 00:38:28,006 LET THE CONGREGATION SAY AMEN. 1278 00:38:28,006 --> 00:38:33,344 AMEN. 1279 00:38:33,344 --> 00:38:34,946 >> Paula: JORDAN, JORDAN, I LOVE 1280 00:38:34,946 --> 00:38:35,180 YOU. 1281 00:38:35,180 --> 00:38:36,114 I SPEAK TOO MUCH AND I HAVE TO 1282 00:38:36,114 --> 00:38:37,582 KEEP THIS QUICK, BUT THERE'S SO 1283 00:38:37,582 --> 00:38:38,950 MUCH I WANT TO SAY AND I'LL TELL 1284 00:38:38,950 --> 00:38:40,285 YOU BACKSTAGE, BUT I GOT TO TELL 1285 00:38:40,285 --> 00:38:41,786 YOU THAT YOUR GIFT, WHAT YOU 1286 00:38:41,786 --> 00:38:42,387 HAVE, I DON'T KNOW WHERE IT 1287 00:38:42,387 --> 00:38:43,788 COMES FROM, BUT IT'S NOT FROM 1288 00:38:43,788 --> 00:38:43,988 HERE. 1289 00:38:43,988 --> 00:38:45,190 IT'S NOT FROM A PLACE THAT I'M 1290 00:38:45,190 --> 00:38:46,758 EVEN AWARE OF. 1291 00:38:46,758 --> 00:38:48,026 IT'S OTHERWORLDLY. 1292 00:38:48,026 --> 00:38:48,693 >> Lionel: IT IS. 1293 00:38:48,693 --> 00:38:49,093 RIGHT THERE. 1294 00:38:49,093 --> 00:38:49,928 IT IS. 1295 00:38:49,928 --> 00:38:51,296 RIGHT THERE. 1296 00:38:51,296 --> 00:38:51,863 >> Paula: YOU HAVE THIS. 1297 00:38:51,863 --> 00:38:54,065 IT'S NOT NORMAL. 1298 00:38:54,065 --> 00:38:56,100 I DON'T KNOW -- IT'S GOT ITS OWN 1299 00:38:56,100 --> 00:38:58,503 PASSPORT AND CLEARANCE, AND YOU 1300 00:38:58,503 --> 00:38:59,003 MAKE ME QUESTION MY OWN 1301 00:38:59,003 --> 00:39:02,974 EXISTENCE. 1302 00:39:02,974 --> 00:39:03,675 I LOVE YOU. 1303 00:39:03,675 --> 00:39:07,712 >> THANK YOU SO MUCH. 1304 00:39:07,712 --> 00:39:07,979 THANK YOU. 1305 00:39:07,979 --> 00:39:08,513 >> Carrie: YOU ARE SUCH A 1306 00:39:08,513 --> 00:39:09,480 PERFECT EXAMPLE OF, LIKE, NOT 1307 00:39:09,480 --> 00:39:09,814 OVERDOING IT. 1308 00:39:09,814 --> 00:39:12,383 YOU JUST HAVE THIS NATURAL STAGE 1309 00:39:12,383 --> 00:39:12,984 PRESENCE WHERE YOU SING WITH 1310 00:39:12,984 --> 00:39:14,385 YOUR WHOLE BODY, AND WE FEEL 1311 00:39:14,385 --> 00:39:15,820 THAT, AND IT WAS ONLY ENHANCED 1312 00:39:15,820 --> 00:39:18,857 BY THE INCREDIBLE DANCERS ON 1313 00:39:18,857 --> 00:39:20,325 STAGE. 1314 00:39:20,325 --> 00:39:21,893 IT WAS PERFECT, AND IN THE WORDS 1315 00:39:21,893 --> 00:39:23,228 OF RANDY JACKSON, I THINK WE 1316 00:39:23,228 --> 00:39:25,363 NEED TO BRING THE DOG POUND BACK 1317 00:39:25,363 --> 00:39:28,299 BECAUSE YOU'RE IN THE DOG POUND, 1318 00:39:28,299 --> 00:39:29,801 BABY. 1319 00:39:29,801 --> 00:39:32,103 >> Luke: JORDAN, YOUR PATH, I 1320 00:39:32,103 --> 00:39:36,007 DON'T KNOW IF I'VE EVER SEEN 1321 00:39:36,007 --> 00:39:38,209 FROM THE AUDITION TO PRESENT 1322 00:39:38,209 --> 00:39:41,479 RIGHT NOW, NO ONE HAS MADE ME 1323 00:39:41,479 --> 00:39:42,580 THIS BIG A BELIEVER THAN YOU. 1324 00:39:42,580 --> 00:39:44,582 I REMEMBER WHERE I WAS WITH YOUR 1325 00:39:44,582 --> 00:39:47,852 AUDITION, AND NOW, AND IT'S 1326 00:39:47,852 --> 00:39:48,887 JUST, LIKE -- I SEE SUCH A 1327 00:39:48,887 --> 00:39:51,990 BRIGHT FUTURE, AND YOU'RE ONE OF 1328 00:39:51,990 --> 00:39:53,925 THE BEST SINGERS WE'VE EVER HAD. 1329 00:39:53,925 --> 00:39:55,994 >> THANK YOU. 1330 00:39:55,994 --> 00:39:56,694 THANK YOU. 1331 00:39:56,694 --> 00:40:08,940 [ CHEERS AND APPLAUSE ] 1332 00:40:08,940 --> 00:40:10,275 >> Ryan: YOU MAKE ALL OF THIS 1333 00:40:10,275 --> 00:40:12,110 FEEL SO GOOD. 1334 00:40:12,110 --> 00:40:13,544 >> THANK YOU SO MUCH. 1335 00:40:13,544 --> 00:40:14,345 >> Ryan: AND IF YOU WANT HIM IN 1336 00:40:14,345 --> 00:40:16,481 YOUR FINALE, VOTE FOR HIM AT 1337 00:40:16,481 --> 00:40:17,682 AMERICANIDOL.COM OR VIA SOCIAL 1338 00:40:17,682 --> 00:40:20,885 MEDIA OR TEXT YOUR VOTES. 1339 00:40:20,885 --> 00:40:21,552 STANDARD RATES MAY APPLY. 1340 00:40:21,552 --> 00:40:22,654 JORDAN, EVERYONE. 1341 00:40:22,654 --> 00:40:22,820 ♪ 1342 00:40:22,820 --> 00:40:26,724 [ CHEERS AND APPLAUSE ] 1343 00:40:26,724 --> 00:40:30,128 AND THAT WRAPS UP OUR "DANCING 1344 00:40:30,128 --> 00:40:30,762 WITH THE STARS" ROUND TONIGHT. 1345 00:40:30,762 --> 00:40:33,464 A BIG THANK YOU TO JAN, RILEY, 1346 00:40:33,464 --> 00:40:36,000 GLEB, AND WITNEY FOR THE 1347 00:40:36,000 --> 00:40:37,402 OUTSTANDING PERFORMANCES FROM 1348 00:40:37,402 --> 00:40:39,404 THE TOP FIVE ON OUR STAGE, 1349 00:40:39,404 --> 00:40:40,505 SINGING ALONG TO THEIR DANCES. 1350 00:40:40,505 --> 00:40:43,374 I LOVED IT. 1351 00:40:43,374 --> 00:40:45,343 NEXT, YOU'RE REIGNING "AMERICAN 1352 00:40:45,343 --> 00:40:47,645 IDOL," JAMAL ROBERTS DEBUTS HIS 1353 00:40:47,645 --> 00:40:48,513 NEWEST SINGLE LIVE RIGHT AFTER 1354 00:40:48,513 --> 00:40:48,713 THIS. 1355 00:40:48,713 --> 00:40:49,814 HANG TIGHT. 1356 00:40:49,814 --> 00:40:49,981 ♪ 1357 00:40:49,981 --> 00:40:50,448 [ CHEERS AND APPLAUSE ] 1358 00:40:56,521 --> 00:40:58,723 ♪ 1359 00:40:58,723 --> 00:41:00,024 [ CHEERS AND APPLAUSE ] 1360 00:41:00,024 --> 00:41:01,759 >> Ryan: YOU'RE LOCKED LIVE ON 1361 00:41:01,759 --> 00:41:01,993 "IDOL." 1362 00:41:01,993 --> 00:41:03,795 I LOVE HAVING YOU BACK. 1363 00:41:03,795 --> 00:41:04,796 ARE YOU HAVING A GOOD TIME? 1364 00:41:04,796 --> 00:41:05,797 >> Paula: I'M HAVING THE BEST 1365 00:41:05,797 --> 00:41:06,064 TIME. 1366 00:41:06,064 --> 00:41:08,333 >> Ryan: ONE YEAR AGO, THIS 1367 00:41:08,333 --> 00:41:10,034 TEACHER FROM MERIDIAN, 1368 00:41:10,034 --> 00:41:12,070 MISSISSIPPI WAS CHOSEN BY YOU AS 1369 00:41:12,070 --> 00:41:12,837 THE NEXT AMERICAN IDOL. 1370 00:41:12,837 --> 00:41:14,305 A FEW MONTHS LATER, HE WAS 1371 00:41:14,305 --> 00:41:17,075 NOMINATED FOR HIS VERY FIRST 1372 00:41:17,075 --> 00:41:19,043 GRAMMY AWARD, AND THAT STORY HAS 1373 00:41:19,043 --> 00:41:19,711 ONLY BEGUN. 1374 00:41:19,711 --> 00:41:20,878 TAKING THE STAGE NOW WITH HIS 1375 00:41:20,878 --> 00:41:22,380 NEW SINGLE "PERFECT FOR ME," 1376 00:41:22,380 --> 00:41:26,551 GIVE IT UP FOR JAMAL ROBERTS. 1377 00:41:26,551 --> 00:41:27,118 [ CHEERS AND APPLAUSE ] 1378 00:41:27,118 --> 00:41:29,220 ♪ PERFECT FOR ME 1379 00:41:29,220 --> 00:41:35,560 PERFECT FOR ME ♪ 1380 00:41:35,560 --> 00:41:36,060 ♪ THE WAY YOU HOLD ME 1381 00:41:36,060 --> 00:41:36,661 THE WAY YOU LOOK AT ME ♪ 1382 00:41:36,661 --> 00:41:42,567 ♪ THAT'S ALL THAT'S INSIDE 1383 00:41:42,567 --> 00:41:43,034 OF MY MEMORY IS YOU ♪ 1384 00:41:43,034 --> 00:41:46,637 ♪ YOU COMPLETE ME BABY 1385 00:41:46,637 --> 00:41:53,511 YOU'RE UNDEFEATED 1386 00:41:53,511 --> 00:41:54,045 RIGHT NOW ♪ 1387 00:41:54,045 --> 00:41:56,714 ♪ OH YOUR LIPS, YOUR EYES 1388 00:41:56,714 --> 00:41:57,315 YOUR LEGS, YOUR THIGHS, OH ♪ 1389 00:41:57,315 --> 00:42:02,553 ♪ OH, MAY NOT BE 1390 00:42:02,553 --> 00:42:06,190 PERFECT BABY ♪ 1391 00:42:06,190 --> 00:42:10,561 ♪ BUT YOU'RE JUST 1392 00:42:10,561 --> 00:42:12,030 PERFECT FOR ME 1393 00:42:12,030 --> 00:42:20,471 AH YOU'RE PERFECT FOR ME ♪ 1394 00:42:20,471 --> 00:42:22,573 ♪ YOU'RE THE ONLY ONE 1395 00:42:22,573 --> 00:42:23,107 CAN MAKE MY HEART SKIP 1396 00:42:23,107 --> 00:42:25,777 BEEP BEEP BEEP BEEP ♪ 1397 00:42:25,777 --> 00:42:26,310 ♪ YOU'RE THE ONLY ONE 1398 00:42:26,310 --> 00:42:26,711 THAT MAKES MY MIND 1399 00:42:26,711 --> 00:42:27,178 WONDER WHERE YOU AT ♪ 1400 00:42:27,178 --> 00:42:32,083 ♪ FEELS LIKE THE WEIGHT 1401 00:42:32,083 --> 00:42:32,383 OF THE WORLD 1402 00:42:32,383 --> 00:42:37,422 IS ON MY SHOULDERS ♪ 1403 00:42:37,422 --> 00:42:38,423 ♪ EVERY TIME THAT 1404 00:42:38,423 --> 00:42:38,856 I'M AWAY FROM YOU ♪ 1405 00:42:38,856 --> 00:42:41,092 ♪ YOUR LIPS, YOUR EYES 1406 00:42:41,092 --> 00:42:41,626 YOUR LEGS, YOUR THIGHS ♪ 1407 00:42:41,626 --> 00:42:42,560 ♪ MAY NOT BE PERFECT, BABY 1408 00:42:42,560 --> 00:42:53,071 OH, BUT YOU'RE JUST ♪ 1409 00:42:53,071 --> 00:42:54,572 ♪ PERFECT FOR ME, OH 1410 00:42:54,572 --> 00:42:57,508 PERFECT FOR ME ♪ 1411 00:42:57,508 --> 00:43:03,915 ♪ PERFECT 1412 00:43:03,915 --> 00:43:07,018 CAN I TELL YOU BABY ♪ 1413 00:43:07,018 --> 00:43:12,824 ♪ PERFECT FOR 1414 00:43:12,824 --> 00:43:13,157 PERFECT FOR ME 1415 00:43:13,157 --> 00:43:15,993 YOU'RE PERFECT FOR ME ♪ 1416 00:43:15,993 --> 00:43:16,394 ♪ PERFECT FOR ME 1417 00:43:16,394 --> 00:43:17,562 YOU'RE PERFECT FOR ME ♪ 1418 00:43:17,562 --> 00:43:18,629 ♪ PERFECT 1419 00:43:18,629 --> 00:43:22,366 CAN I TELL YOU BABY ♪ 1420 00:43:22,366 --> 00:43:22,900 ♪ PERFECT FOR 1421 00:43:22,900 --> 00:43:27,672 JUST HOW YOU MAKE ME FEEL ♪ 1422 00:43:27,672 --> 00:43:28,706 ♪ PERFECT FOR ME 1423 00:43:28,706 --> 00:43:29,273 CAN I JUST TRY SOMETHING ♪ 1424 00:43:29,273 --> 00:43:35,046 ♪ PERFECT FOR ME 1425 00:43:35,046 --> 00:43:37,682 THAT I LOVE ABOUT YOU ♪ 1426 00:43:37,682 --> 00:43:39,283 ♪ PERFECT 1427 00:43:39,283 --> 00:43:41,385 PERFECT ♪ 1428 00:43:41,385 --> 00:43:42,987 ♪ PERFECT FOR 1429 00:43:42,987 --> 00:43:48,826 PERFECT FOR ♪ 1430 00:43:48,826 --> 00:43:50,428 ♪ PERFECT FOR ME 1431 00:43:50,428 --> 00:43:58,569 PERFECT FOR ME, OH ♪ 1432 00:43:58,569 --> 00:43:59,070 ♪ PERFECT FOR ME 1433 00:43:59,070 --> 00:43:59,337 OH ♪ 1434 00:43:59,337 --> 00:44:02,006 ♪ PERFECT 1435 00:44:02,006 --> 00:44:02,540 OOOH ♪ 1436 00:44:02,540 --> 00:44:03,040 ♪ PERFECT FOR 1437 00:44:03,040 --> 00:44:04,642 BABY YOU'RE JUST 1438 00:44:04,642 --> 00:44:05,109 PERFECT FOR ME, OH ♪ 1439 00:44:05,109 --> 00:44:05,676 ♪ PERFECT FOR ME 1440 00:44:05,676 --> 00:44:05,810 OH 1441 00:44:05,810 --> 00:44:07,411 PERFECT FOR ME ♪ 1442 00:44:07,411 --> 00:44:09,213 >> Ryan: JAMAL ROBERTS. 1443 00:44:09,213 --> 00:44:14,051 [ CHEERS AND APPLAUSE ] 1444 00:44:14,051 --> 00:44:14,485 I HAVE THIS FOR YOU. 1445 00:44:14,485 --> 00:44:15,019 MAYBE IT'S ANOTHER ABC 1446 00:44:15,019 --> 00:44:17,088 COLLABORATION IN THE WORKS. 1447 00:44:17,088 --> 00:44:17,989 I DON'T KNOW. 1448 00:44:17,989 --> 00:44:19,891 GREAT TO SEE YOU. 1449 00:44:19,891 --> 00:44:22,560 CONGRATULATIONS. 1450 00:44:22,560 --> 00:44:23,294 >> THANK YOU. 1451 00:44:23,294 --> 00:44:24,662 >> Ryan: WHEN YOU FOUND OUT YOU 1452 00:44:24,662 --> 00:44:27,398 WERE NOMINATED FOR A GRAMMY, MY 1453 00:44:27,398 --> 00:44:29,300 FRIEND, WHAT GOES THROUGH YOUR 1454 00:44:29,300 --> 00:44:29,534 SYSTEM? 1455 00:44:29,534 --> 00:44:30,868 >> IT WAS THAT SAME BLANK MOMENT 1456 00:44:30,868 --> 00:44:32,036 WHEN I WON "IDOL." 1457 00:44:32,036 --> 00:44:33,237 IT WAS JUST A NON-FEELING. 1458 00:44:33,237 --> 00:44:34,472 I DIDN'T BELIEVE IT, BUT I'M 1459 00:44:34,472 --> 00:44:36,107 GRATEFUL AND I'M THANKFUL. 1460 00:44:36,107 --> 00:44:39,210 IT'S JUST BEEN A FULL-CIRCLE 1461 00:44:39,210 --> 00:44:39,510 MOMENT. 1462 00:44:39,510 --> 00:44:40,678 >> Ryan: AND PAULA, YOU WEREN'T 1463 00:44:40,678 --> 00:44:41,579 HERE OBVIOUSLY LAST SEASON. 1464 00:44:41,579 --> 00:44:43,014 WHAT DID YOU THINK? 1465 00:44:43,014 --> 00:44:44,849 >> Paula: SO SEASONED, SO SEXY. 1466 00:44:44,849 --> 00:44:46,317 I ALREADY KNOW THE LYRICS TO THE 1467 00:44:46,317 --> 00:44:46,517 SONG. 1468 00:44:46,517 --> 00:44:48,085 I LOVE IT. 1469 00:44:48,085 --> 00:44:50,655 >> SHE ALREADY KNOWS THE LYRICS. 1470 00:44:50,655 --> 00:44:51,556 >> Paula: YOUR LEGS, YOUR 1471 00:44:51,556 --> 00:44:55,459 THIGHS. 1472 00:44:55,459 --> 00:44:55,993 >> Carrie: WHOO! 1473 00:44:55,993 --> 00:44:56,994 >> Ryan: AND WITH THAT, WHEN WE 1474 00:44:56,994 --> 00:44:59,997 COME BACK, ROUND TWO KICKS OFF. 1475 00:44:59,997 --> 00:45:01,432 GET READY TO PARTY LIKE IT'S 1476 00:45:01,432 --> 00:45:02,633 2006 WHEN KEYLA RICHARDSON AND 1477 00:45:02,633 --> 00:45:04,068 TAYLOR HICKS JOIN FORCES RIGHT 1478 00:45:04,068 --> 00:45:05,870 HERE ON "AMERICAN IDOL." 1479 00:45:05,870 --> 00:45:07,071 WE'LL BE RIGHT BACK. 1480 00:45:07,071 --> 00:45:07,838 >> THANK YOU. 1481 00:45:07,838 --> 00:45:08,005 ♪ 1482 00:45:08,005 --> 00:45:08,673 [ CHEERS AND APPLAUSE ] 1483 00:45:13,377 --> 00:45:13,544 ♪ 1484 00:45:13,544 --> 00:45:18,716 [ CHEERS AND APPLAUSE ] 1485 00:45:18,716 --> 00:45:19,717 >> Ryan: YES. 1486 00:45:19,717 --> 00:45:20,685 WELCOME BACK TO "AMERICAN IDOL." 1487 00:45:20,685 --> 00:45:23,120 WE'RE CELEBRATING OUR CLASS OF 1488 00:45:23,120 --> 00:45:24,121 2006 WITH A SPECIAL ROUND OF 1489 00:45:24,121 --> 00:45:26,324 DUETS INSPIRED BY ICONIC 1490 00:45:26,324 --> 00:45:27,825 PERFORMANCES FROM THAT HISTORIC 1491 00:45:27,825 --> 00:45:28,059 SEASON. 1492 00:45:28,059 --> 00:45:32,463 NOW IF YOU'RE A MEMBER OF THE 1493 00:45:32,463 --> 00:45:33,998 SOUL PATROL, A NUMBER OF THOSE 1494 00:45:33,998 --> 00:45:34,365 GUYS. 1495 00:45:34,365 --> 00:45:34,832 THE SOUL PATROL. 1496 00:45:34,832 --> 00:45:37,134 YOU LOOK EXACTLY THE SAME. 1497 00:45:37,134 --> 00:45:38,135 >> I HAVE BEEN GRAY SINCE I WAS 1498 00:45:38,135 --> 00:45:39,370 22. 1499 00:45:39,370 --> 00:45:39,770 COME ON. 1500 00:45:39,770 --> 00:45:41,539 >> Ryan: TONIGHT, TAYLOR HICKS 1501 00:45:41,539 --> 00:45:43,541 IS LINEN FOR THE CITY WITH 1502 00:45:43,541 --> 00:45:43,975 KEYLA. 1503 00:45:43,975 --> 00:45:47,245 HERE WE GO. 1504 00:45:47,245 --> 00:45:48,546 >> WHO ARE YOU DOING THE DUET 1505 00:45:48,546 --> 00:45:48,879 WITH? 1506 00:45:48,879 --> 00:45:50,348 >> I'M DOING A DUET WITH TAYLOR 1507 00:45:50,348 --> 00:45:50,581 HICKS. 1508 00:45:50,581 --> 00:45:50,948 >> WHAT SONG? 1509 00:45:50,948 --> 00:45:54,352 >> I'M DOING "LIVIN' FOR THE 1510 00:45:54,352 --> 00:45:56,554 CITY" BY STEVIE WONDER. 1511 00:45:56,554 --> 00:45:56,787 >> WHOO! 1512 00:45:56,787 --> 00:46:01,459 >> I DID NOT KNOW THE SONG AND I 1513 00:46:01,459 --> 00:46:01,859 JUST LEARNED IT. 1514 00:46:01,859 --> 00:46:02,260 >> WAIT A MINUTE. 1515 00:46:02,260 --> 00:46:04,629 YOU DON'T KNOW STEVIE 1516 00:46:04,629 --> 00:46:05,396 WOWON 1517 00:46:05,396 --> 00:46:07,965 WONDER "LIVIN'IN THE CITY"? 1518 00:46:07,965 --> 00:46:08,199 WHAT? 1519 00:46:08,199 --> 00:46:10,334 WE NEED "IDOL" MUSIC EDUCATION 1520 00:46:10,334 --> 00:46:10,768 CLASSES. 1521 00:46:10,768 --> 00:46:11,002 >> HI. 1522 00:46:11,002 --> 00:46:11,535 HOW ARE YOU? 1523 00:46:11,535 --> 00:46:13,604 >> ONE OF MY FAVORITE SINGERS ON 1524 00:46:13,604 --> 00:46:16,774 THE SHOW AND I GET TO SING WITH 1525 00:46:16,774 --> 00:46:16,974 HER. 1526 00:46:16,974 --> 00:46:18,009 >> TO DO IT WITH THE WINNER OF 1527 00:46:18,009 --> 00:46:19,210 SEASON FIVE MAKES ME FEEL GOOD. 1528 00:46:19,210 --> 00:46:20,778 HE'S THE WINNER SO HE DID 1529 00:46:20,778 --> 00:46:21,512 SOMETHING RIGHT SO I'M JUST 1530 00:46:21,512 --> 00:46:22,179 GOING TO LEARN FROM HIM. 1531 00:46:22,179 --> 00:46:23,881 >> I'M EXCITED TO SING WITH YOU 1532 00:46:23,881 --> 00:46:28,819 AND I'M ALSO EXCITED TO GIVE 1533 00:46:28,819 --> 00:46:30,821 DREW THIS SIGNED HARMONICA. 1534 00:46:30,821 --> 00:46:32,123 >> THE HARMONICA, TAYLOR GIFTED 1535 00:46:32,123 --> 00:46:32,623 MY SON. 1536 00:46:32,623 --> 00:46:33,157 I LOVE IT. 1537 00:46:33,157 --> 00:46:34,525 I WANT TO LEARN IT MYSELF. 1538 00:46:34,525 --> 00:46:38,329 >> WE'RE GOING TO LEAVE THE 1539 00:46:38,329 --> 00:46:39,864 HARMONICA PLAY IN A MINUTE. 1540 00:46:39,864 --> 00:46:41,299 >> THE ENERGY'S THERE. 1541 00:46:41,299 --> 00:46:45,903 I'M NOT BY MYSELF. 1542 00:46:45,903 --> 00:46:46,437 IT'S A DIFFERENT KIND OF 1543 00:46:46,437 --> 00:46:46,737 CONFIDENCE. 1544 00:46:46,737 --> 00:46:47,338 WE'RE FEEDING OFF EACH OTHER. 1545 00:46:47,338 --> 00:46:47,805 I LOVE DOING A DUET. 1546 00:46:47,805 --> 00:46:49,006 >> SHE AND I, WE JIVE. 1547 00:46:49,006 --> 00:46:50,274 SHE HAS SOME IDEAS ABOUT WHERE 1548 00:46:50,274 --> 00:46:51,175 SHE WANTS TO TRAVEL TO. 1549 00:46:51,175 --> 00:46:52,510 >> WE CAN VIBE IT OUT BECAUSE 1550 00:46:52,510 --> 00:46:53,177 YOU'RE GOING TO START AND I'M 1551 00:46:53,177 --> 00:46:53,611 GOING TO WALK. 1552 00:46:53,611 --> 00:46:54,679 >> WE CAN USE THE STAGE AND MAKE 1553 00:46:54,679 --> 00:46:56,881 THE MOST OUT OF YOUR 1554 00:46:56,881 --> 00:46:57,181 PERFORMANCE. 1555 00:46:57,181 --> 00:46:59,583 SHE'S GOT ALL THE TOOLS. 1556 00:46:59,583 --> 00:47:00,217 JUST NEEDS TO PULL THEM OUT OF 1557 00:47:00,217 --> 00:47:00,818 THE TOOLBOX AND LET IT FLY. 1558 00:47:00,818 --> 00:47:03,120 ♪ YEAH 1559 00:47:03,120 --> 00:47:04,855 [ CHEERS AND APPLAUSE ] 1560 00:47:04,855 --> 00:47:07,391 ♪ 1561 00:47:07,391 --> 00:47:08,459 ♪ 1562 00:47:08,459 --> 00:47:09,493 ♪ A BOY IS BORN IN 1563 00:47:09,493 --> 00:47:16,934 HARD TIME MISSISSIPPI ♪ 1564 00:47:16,934 --> 00:47:19,570 ♪ SURROUNDED BY FOUR WALLS 1565 00:47:19,570 --> 00:47:20,171 THAT AIN'T TOO PRETTY ♪ 1566 00:47:20,171 --> 00:47:20,671 ♪ HIS PARENTS GIVE HIM 1567 00:47:20,671 --> 00:47:25,743 LOVE AND AFFECTION 1568 00:47:25,743 --> 00:47:26,277 TO KEEP HIM STRONG ♪ 1569 00:47:26,277 --> 00:47:26,644 ♪ MOVING IN THE 1570 00:47:26,644 --> 00:47:28,846 RIGHT DIRECTION ♪ 1571 00:47:28,846 --> 00:47:29,313 ♪ LIVING JUST ENOUGH 1572 00:47:29,313 --> 00:47:38,356 JUST ENOUGH FOR THE CITY ♪ 1573 00:47:38,356 --> 00:47:40,858 ♪ HIS FATHER WORKS SOME DAYS 1574 00:47:40,858 --> 00:47:42,360 FOR FOURTEEN HOURS ♪ 1575 00:47:42,360 --> 00:47:43,728 ♪ AND YOU CAN BET 1576 00:47:43,728 --> 00:47:49,033 HE BARELY MAKES A DOLLAR ♪ 1577 00:47:49,033 --> 00:47:50,334 ♪ HIS MOTHER GOES TO 1578 00:47:50,334 --> 00:47:52,169 SCRUB THE FLOORS FOR MANY ♪ 1579 00:47:52,169 --> 00:47:52,603 ♪ AND YOU'D BELIEVE 1580 00:47:52,603 --> 00:47:55,373 SHE HARDLY GETS A PENNY ♪ 1581 00:47:55,373 --> 00:47:59,076 ♪ LIVING JUST ENOUGH 1582 00:47:59,076 --> 00:47:59,577 JUST ENOUGH FOR THE CITY 1583 00:47:59,577 --> 00:48:06,350 YEAH ♪ 1584 00:48:06,350 --> 00:48:12,790 ♪ DA DA DA DA DA DA 1585 00:48:12,790 --> 00:48:28,873 DA DA DA DA DA DA DA DA ♪ 1586 00:48:28,873 --> 00:48:29,340 ♪ HIS SISTER'S BLACK 1587 00:48:29,340 --> 00:48:29,940 BUT SHE IS SHO'NUFF PRETTY ♪ 1588 00:48:29,940 --> 00:48:31,342 ♪ 1 HER SKIRT IS SHORT 1589 00:48:31,342 --> 00:48:31,876 BUT LORD HER LEGS 1590 00:48:31,876 --> 00:48:44,588 ARE STURDY ♪ 1591 00:48:44,588 --> 00:48:45,055 ♪ TO WALK TO SCHOOL 1592 00:48:45,055 --> 00:48:45,623 SHE'S GOT TO GET UP EARLY ♪ 1593 00:48:45,623 --> 00:48:46,123 ♪ HER CLOTHES ARE OLD 1594 00:48:46,123 --> 00:48:48,759 BUT NEVER ARE THEY DIRTY ♪ 1595 00:48:48,759 --> 00:48:50,361 ♪ LIVING JUST ENOUGH 1596 00:48:50,361 --> 00:49:00,905 JUST ENOUGH FOR THE CITY ♪ 1597 00:49:00,905 --> 00:49:01,372 ♪ LIVING JUST ENOUGH 1598 00:49:01,372 --> 00:49:02,339 JUST ENOUGH FOR THE CITY 1599 00:49:02,339 --> 00:49:05,676 YEAH ♪ 1600 00:49:05,676 --> 00:49:10,981 ♪ LIVING JUST ENOUGH 1601 00:49:10,981 --> 00:49:16,854 FOR THE CITY ♪ 1602 00:49:16,854 --> 00:49:17,321 ♪ LIVING JUST ENOUGH 1603 00:49:17,321 --> 00:49:26,330 FOR THE CITY ♪ 1604 00:49:26,330 --> 00:49:26,897 ♪ LIVING JUST ENOUGH 1605 00:49:26,897 --> 00:49:33,471 FOR THE CITY ♪ 1606 00:49:33,471 --> 00:49:33,971 ♪ WHOO 1607 00:49:33,971 --> 00:49:34,438 ♪ LIVING JUST ENOUGH 1608 00:49:34,438 --> 00:49:40,044 FOR THE CITY ♪ 1609 00:49:40,044 --> 00:49:47,985 ♪ 1610 00:49:47,985 --> 00:49:50,554 ♪ LIVIN' ENOUGH FOR THE CITY, 1611 00:49:50,554 --> 00:49:52,957 YEAH WHOO, YEAH ♪ 1612 00:49:52,957 --> 00:50:00,931 [ CHEERS AND APPLAUSE ] 1613 00:50:00,931 --> 00:50:02,967 >> Carrie: WOW. 1614 00:50:02,967 --> 00:50:05,302 >> Luke: WOW. 1615 00:50:05,302 --> 00:50:11,542 >> Carrie: WHOO! 1616 00:50:11,542 --> 00:50:14,512 [ CHANTING KEYLA ] 1617 00:50:14,512 --> 00:50:14,678 ". 1618 00:50:14,678 --> 00:50:15,579 >> Paula: OH MY GOODNESS. 1619 00:50:15,579 --> 00:50:16,747 CAN I START? 1620 00:50:16,747 --> 00:50:17,348 >> Ryan: YEAH. 1621 00:50:17,348 --> 00:50:19,383 >> Lionel: YOU GOT IT. 1622 00:50:19,383 --> 00:50:20,684 >> Paula: KEYLA, I'VE NEVER SEEN 1623 00:50:20,684 --> 00:50:21,952 YOU HAVE SO MUCH FUN, AND THAT'S 1624 00:50:21,952 --> 00:50:24,154 BECAUSE THE MAGIC BETWEEN YOU 1625 00:50:24,154 --> 00:50:28,392 AND TAYLOR WHO BY THE WAY, 1626 00:50:28,392 --> 00:50:32,630 TAYLOR, YOU ARE MR. SHOWMAN TO 1627 00:50:32,630 --> 00:50:33,664 THE Nth DEGREE. 1628 00:50:33,664 --> 00:50:34,598 YOU ARE SO MUCH FUN, AND I 1629 00:50:34,598 --> 00:50:37,535 WOULD -- YOU DESERVE A LIFETIME 1630 00:50:37,535 --> 00:50:37,935 RESIDENCY. 1631 00:50:37,935 --> 00:50:40,871 I COME TO YOU EVERY OTHER 1632 00:50:40,871 --> 00:50:42,072 SATURDAY -- YEAH. 1633 00:50:42,072 --> 00:50:43,841 THE TWO OF YOU BROUGHT THE HOUSE 1634 00:50:43,841 --> 00:50:44,041 DOWN. 1635 00:50:44,041 --> 00:50:47,011 WHAT A GREAT WAY TO START THE 1636 00:50:47,011 --> 00:50:48,112 DUETS. 1637 00:50:48,112 --> 00:50:48,879 BRILLIANT! 1638 00:50:48,879 --> 00:50:49,280 >> THANK YOU. 1639 00:50:49,280 --> 00:50:50,180 >> Carrie: IT WAS SO MUCH FUN. 1640 00:50:50,180 --> 00:50:51,348 YOU GUYS, LIKE, I WOULDN'T HAVE 1641 00:50:51,348 --> 00:50:54,184 PUT YOU GUYS TOGETHER, YOU KNOW, 1642 00:50:54,184 --> 00:50:55,252 IF I HAD ANYBODY JUST TO -- I 1643 00:50:55,252 --> 00:50:56,654 WOULDN'T HAVE DONE THAT, BUT IT 1644 00:50:56,654 --> 00:50:57,821 WORKED, AND IT WORKED BECAUSE 1645 00:50:57,821 --> 00:51:00,124 YOU GUYS BOTH ARE PROFESSIONALS. 1646 00:51:00,124 --> 00:51:00,958 YOU SOUND INCREDIBLE. 1647 00:51:00,958 --> 00:51:02,293 YOU GUYS WERE BOTH JUST HAVING A 1648 00:51:02,293 --> 00:51:03,327 GOOD TIME. 1649 00:51:03,327 --> 00:51:04,762 I VOTE FOR TAYLOR ON THE NEXT 1650 00:51:04,762 --> 00:51:05,329 SEASON OF "DANCING WITH THE 1651 00:51:05,329 --> 00:51:07,765 STARS." 1652 00:51:07,765 --> 00:51:09,466 >> Lionel: THERE YOU GO. 1653 00:51:09,466 --> 00:51:10,434 >> Carrie: I THINK THAT WOULD BE 1654 00:51:10,434 --> 00:51:10,768 SO MUCH FUN. 1655 00:51:10,768 --> 00:51:13,270 THIS IS THE FUNNEST NIGHT. 1656 00:51:13,270 --> 00:51:13,704 >> Luke: YEAH. 1657 00:51:13,704 --> 00:51:15,506 THE ENERGY OF THAT WAS JUST 1658 00:51:15,506 --> 00:51:17,675 REALLY HOW YOU GUYS KIND OF 1659 00:51:17,675 --> 00:51:19,376 MARRIED THAT ENERGY AND TAYLOR, 1660 00:51:19,376 --> 00:51:21,178 MAN, I'M COMING -- I'M LOOKING 1661 00:51:21,178 --> 00:51:22,446 UP YOUR SHOW SCHEDULE BECAUSE 1662 00:51:22,446 --> 00:51:23,480 I'M GOING TO COME SEE ONE. 1663 00:51:23,480 --> 00:51:24,114 I MEAN -- 1664 00:51:24,114 --> 00:51:25,482 >> WE'LL GO TOGETHER. 1665 00:51:25,482 --> 00:51:26,383 >> Luke: YOUR ENERGY, AND THEN 1666 00:51:26,383 --> 00:51:29,186 IT ELEVATED KEYLA'S GAME, AND 1667 00:51:29,186 --> 00:51:30,988 THAT'S WHAT THIS NIGHT IS ABOUT. 1668 00:51:30,988 --> 00:51:33,857 LOVED EVERY SECOND OF IT. 1669 00:51:33,857 --> 00:51:34,191 GREAT ENERGY. 1670 00:51:34,191 --> 00:51:36,594 >> Lionel: SO, SO -- NOW 1671 00:51:36,594 --> 00:51:38,262 TAYLOR -- TAYLOR, YOU BROUGHT -- 1672 00:51:38,262 --> 00:51:40,864 YOU BROUGHT THE TRUE UGLY FACE. 1673 00:51:40,864 --> 00:51:41,398 THE UGLY FACE. 1674 00:51:41,398 --> 00:51:42,266 IT WAS THERE, BUT NO. 1675 00:51:42,266 --> 00:51:45,502 I'M GOING TO BRING A NEW WORD TO 1676 00:51:45,502 --> 00:51:46,203 "AMERICAN IDOL." 1677 00:51:46,203 --> 00:51:46,604 THAT WAS STUPID. 1678 00:51:46,604 --> 00:51:50,774 STUPID! 1679 00:51:50,774 --> 00:51:52,876 STUPID. 1680 00:51:52,876 --> 00:51:53,110 STUPID. 1681 00:51:53,110 --> 00:51:54,011 [ CHEERS AND APPLAUSE ] 1682 00:51:54,011 --> 00:51:56,380 >> Ryan: TAYLOR AND KEYLA. 1683 00:51:56,380 --> 00:51:57,648 YOU ARE HAVING A GOOD TIME, 1684 00:51:57,648 --> 00:51:57,948 WEREN'T YOU? 1685 00:51:57,948 --> 00:51:58,782 >> IT WAS A GOOD TIME. 1686 00:51:58,782 --> 00:51:59,550 >> Ryan: IT'S CONTAGIOUS, 1687 00:51:59,550 --> 00:51:59,984 EVERYTHING HE DOES. 1688 00:51:59,984 --> 00:52:01,518 >> IT IS. 1689 00:52:01,518 --> 00:52:02,286 >> Ryan: OKAY. 1690 00:52:02,286 --> 00:52:04,321 WE DID SEE THE MOVES. 1691 00:52:04,321 --> 00:52:07,257 YOU SHOULD BE ON "DANCING WITH 1692 00:52:07,257 --> 00:52:07,558 THE STARS." 1693 00:52:07,558 --> 00:52:09,460 THE BOSS OF "DANCING WITH THE 1694 00:52:09,460 --> 00:52:11,428 STARS," ROB MILLS, IS HERE RIGHT 1695 00:52:11,428 --> 00:52:11,629 NOW. 1696 00:52:11,629 --> 00:52:13,130 >> I NEED TO GO TALK TO HIM. 1697 00:52:13,130 --> 00:52:14,031 >> Ryan: SO ROB, YOU HAVE A 1698 00:52:14,031 --> 00:52:14,765 MEETING WITH THIS GUY AFTER THE 1699 00:52:14,765 --> 00:52:16,166 SHOW. 1700 00:52:16,166 --> 00:52:16,667 GREAT TO SEE YOU, BUDDY. 1701 00:52:16,667 --> 00:52:21,772 A LOT OF FUN. 1702 00:52:21,772 --> 00:52:23,440 KEYLA NEEDS YOUR VOTES TO BE IN 1703 00:52:23,440 --> 00:52:25,109 THAT FINALE NEXT WEEK. 1704 00:52:25,109 --> 00:52:26,844 GET THEM IN FOR HER NOW ONLINE, 1705 00:52:26,844 --> 00:52:29,279 VIA TEXT, OR ON SOCIAL MEDIA. 1706 00:52:29,279 --> 00:52:32,616 FACEBOOK, INSTAGRAM, AND TIKTOK. 1707 00:52:32,616 --> 00:52:33,817 VOTING CLOSES IN THE FINAL 1708 00:52:33,817 --> 00:52:34,718 COMMERCIAL BREAK. 1709 00:52:34,718 --> 00:52:35,586 TAYLOR HICKS AND KEYLA. 1710 00:52:35,586 --> 00:52:35,853 THANK YOU. 1711 00:52:35,853 --> 00:52:36,186 >> THANK YOU. 1712 00:52:36,186 --> 00:52:38,355 ♪ 1713 00:52:38,355 --> 00:52:40,157 [ CHEERS AND APPLAUSE ] 1714 00:52:40,157 --> 00:52:42,026 >> Ryan: THE FACIAL EXPRESSIONS 1715 00:52:42,026 --> 00:52:45,295 OF TAYLOR HICKS WHILE HE 1716 00:52:45,295 --> 00:52:45,963 PERFORMS, PRICELESS. 1717 00:52:45,963 --> 00:52:49,233 NEXT IT'S A GARTH BROOKS CLASSIC 1718 00:52:49,233 --> 00:52:50,034 COMING FROM FORMER TOP EIGHT 1719 00:52:50,034 --> 00:52:52,870 FINALIST BUCKY COVINGTON AND 1720 00:52:52,870 --> 00:52:53,904 CHRIS TUNGSETH. 1721 00:52:53,904 --> 00:52:56,573 >> MY DUET PARTNER IS BUCKY 1722 00:52:56,573 --> 00:52:57,508 COVINGTON. 1723 00:52:57,508 --> 00:52:58,976 BUCKY COVINGTON HAS GORGEOUS 1724 00:52:58,976 --> 00:52:59,176 HAIR. 1725 00:52:59,176 --> 00:53:00,644 >> WHAT'S UP, BROTHER? 1726 00:53:00,644 --> 00:53:02,346 >> A STRONG BEARD. 1727 00:53:02,346 --> 00:53:03,047 LOOKING AT A PICTURE OF HIM AND 1728 00:53:03,047 --> 00:53:04,848 I WAS, LIKE, HE LOOKS FAMILIAR. 1729 00:53:04,848 --> 00:53:06,684 I WAS, LIKE -- THAT'S A HANDSOME 1730 00:53:06,684 --> 00:53:07,184 DEVIL THOUGH. 1731 00:53:07,184 --> 00:53:09,420 I'M EXCITED TO MEET HIM AND HIS 1732 00:53:09,420 --> 00:53:10,354 VOICE SIN CREDIBLE. 1733 00:53:10,354 --> 00:53:11,722 >> -- IS INCREDIBLE. 1734 00:53:11,722 --> 00:53:13,424 >> I HAVE BEEN ENJOYING WATCHING 1735 00:53:13,424 --> 00:53:14,625 YOU, AND I WAS EXCITED WHEN THEY 1736 00:53:14,625 --> 00:53:15,726 SAID WE'RE DOING A DUET. 1737 00:53:15,726 --> 00:53:16,493 YOU HAPPY ABOUT THE SONG? 1738 00:53:16,493 --> 00:53:17,695 >> YEAH, I AM. 1739 00:53:17,695 --> 00:53:19,730 I'LL BE SINGING "THE THUNDER 1740 00:53:19,730 --> 00:53:20,731 ROLLS" BY GARTH BROOKS AND IT'S 1741 00:53:20,731 --> 00:53:21,331 GOING TO BE A LOT OF FUN. 1742 00:53:21,331 --> 00:53:22,366 >> THAT WAS MY FAVORITE SONG I 1743 00:53:22,366 --> 00:53:23,734 DID WHEN I WAS ON "IDOL." 1744 00:53:23,734 --> 00:53:25,069 >> I WANT TO SING MORE COUNTRY 1745 00:53:25,069 --> 00:53:27,871 SONGS, BUT I HAVEN'T YET SO IT'S 1746 00:53:27,871 --> 00:53:29,973 KIND OF FUN TO COME AND SHOW ME 1747 00:53:29,973 --> 00:53:32,309 THE ROPES, AND WHAT YOU DID, AND 1748 00:53:32,309 --> 00:53:32,943 YOUR LINE. 1749 00:53:32,943 --> 00:53:34,178 >> MY GOAL HERE IS TO MAKE SURE 1750 00:53:34,178 --> 00:53:35,345 TO GET YOU IN THE TOP THREE AND 1751 00:53:35,345 --> 00:53:38,348 I WANT TO MAKE SURE I COME BACK 1752 00:53:38,348 --> 00:53:38,649 AS A JUDGE. 1753 00:53:38,649 --> 00:53:40,918 >> YEAH ZWLCHLT -- YEAH GLCHLT 1754 00:53:40,918 --> 00:53:41,552 THAT'S GOOD. 1755 00:53:41,552 --> 00:53:42,486 WE'RE GOING TO HAVE SO MUCH FUN. 1756 00:53:42,486 --> 00:53:43,353 >> LET'S GO HAVE FUN. 1757 00:53:43,353 --> 00:53:45,489 >> LET'S DO IT, BABY. 1758 00:53:45,489 --> 00:53:46,824 APPRECIATE YOU. 1759 00:53:46,824 --> 00:53:49,093 >> BUCKY'S THE PERFECT PERSON 1760 00:53:49,093 --> 00:53:51,595 FOR ME TO SING WITH BECAUSE HE'S 1761 00:53:51,595 --> 00:53:53,230 JUST GOT SUCH A SWEET ROCK VIBE. 1762 00:53:53,230 --> 00:53:54,298 I WANT TO LEAN INTO THAT THIS 1763 00:53:54,298 --> 00:53:54,565 WEEK. 1764 00:53:54,565 --> 00:53:55,632 I WANT THIS TO BE BIG, AND HE 1765 00:53:55,632 --> 00:53:56,967 KNOWS HOW TO MAKE IT BIG. 1766 00:53:56,967 --> 00:53:58,335 >> I THINK CHRIS CAN MAKE IT IN 1767 00:53:58,335 --> 00:54:00,237 THE TOP THREE WITHOUT ME HERE, 1768 00:54:00,237 --> 00:54:02,439 BUT I HOPE I DON'T HURT. 1769 00:54:02,439 --> 00:54:05,809 [ CHEERS AND APPLAUSE ] 1770 00:54:05,809 --> 00:54:13,717 ♪ 1771 00:54:13,717 --> 00:54:14,351 ♪ 3:30 IN THE MORNIN' 1772 00:54:14,351 --> 00:54:17,321 NOT A SOUL IN SIGHT ♪ 1773 00:54:17,321 --> 00:54:17,788 ♪ THE CITY'S LOOKIN' 1774 00:54:17,788 --> 00:54:22,359 LIKE A GHOST TOWN 1775 00:54:22,359 --> 00:54:25,863 ON A MOONLESS SUMMER NIGHT ♪ 1776 00:54:25,863 --> 00:54:26,363 ♪ RAINDROPS ON 1777 00:54:26,363 --> 00:54:26,930 THE WINDSHIELD 1778 00:54:26,930 --> 00:54:29,032 THERE'S A STORM MOVIN' IN ♪ 1779 00:54:29,032 --> 00:54:29,566 ♪ HE'S HEADIN' BACK FROM 1780 00:54:29,566 --> 00:54:30,100 SOMEWHERE THAT HE NEVER 1781 00:54:30,100 --> 00:54:38,342 SHOULD HAVE BEEN ♪ 1782 00:54:38,342 --> 00:54:39,543 ♪ AND THE THUNDER ROLLS 1783 00:54:39,543 --> 00:54:45,482 MMH AND THE THUNDER ROLLS ♪ 1784 00:54:46,350 --> 00:54:50,320 ♪ 1785 00:54:50,320 --> 00:54:53,524 ♪ EVERY LIGHT IS BURNIN' 1786 00:54:53,524 --> 00:54:54,057 IN A HOUSE ACROSS TOWN ♪ 1787 00:54:54,057 --> 00:54:58,328 ♪ SHE'S PACIN' BY 1788 00:54:58,328 --> 00:55:02,366 THE TELEPHONE 1789 00:55:02,366 --> 00:55:03,000 IN HER FADED FLANNEL GOWN ♪ 1790 00:55:03,000 --> 00:55:03,534 ♪ ASKIN' FOR A MIRACLE 1791 00:55:03,534 --> 00:55:05,135 HOPIN' SHE'S NOT RIGHT ♪ 1792 00:55:05,135 --> 00:55:05,836 ♪ PRAYIN' IT'S THE WEATHER 1793 00:55:05,836 --> 00:55:13,076 THAT'S KEPT HIM 1794 00:55:13,076 --> 00:55:13,610 OUT ALL NIGHT ♪ 1795 00:55:13,610 --> 00:55:15,179 ♪ AND THE THUNDER ROLLS 1796 00:55:15,179 --> 00:55:19,917 AND THE THUNDER ROLLS ♪ 1797 00:55:19,917 --> 00:55:22,052 ♪ THE THUNDER ROLLS 1798 00:55:22,052 --> 00:55:26,256 AND THE LIGHTNIN' STRIKES ♪ 1799 00:55:26,256 --> 00:55:28,358 ♪ ANOTHER LOVE GROWS COLD 1800 00:55:28,358 --> 00:55:32,596 ON A SLEEPLESS NIGHT ♪ 1801 00:55:32,596 --> 00:55:34,331 ♪ AS THE STORM BLOWS ON 1802 00:55:34,331 --> 00:55:36,867 OUT OF CONTROL ♪ 1803 00:55:36,867 --> 00:55:37,401 ♪ DEEP IN HER HEART 1804 00:55:37,401 --> 00:55:43,173 THE THUNDER ROLLS ♪ 1805 00:55:43,173 --> 00:55:46,343 ♪ DEEP IN HER HEART 1806 00:55:46,343 --> 00:55:47,811 THE THUNDER ROLLS ♪ 1807 00:55:47,811 --> 00:55:48,478 ♪ AND THE LIGHTNIN' STRIKES 1808 00:55:48,478 --> 00:55:51,081 ANOTHER LOVE GROWS COLD ♪ 1809 00:55:51,081 --> 00:55:52,149 ♪ ON A SLEEPLESS NIGHT 1810 00:55:52,149 --> 00:55:53,750 AS THE STORM BLOWS ON 1811 00:55:53,750 --> 00:55:55,819 OUT OF CONTROL ♪ 1812 00:55:55,819 --> 00:56:02,226 ♪ DEEP IN HER HEART 1813 00:56:02,226 --> 00:56:05,929 DEEP IN HER HEART 1814 00:56:05,929 --> 00:56:09,633 DEEP IN HER HEART ♪ 1815 00:56:09,633 --> 00:56:10,334 ♪ THE THUNDER ROLLS 1816 00:56:10,334 --> 00:56:10,734 THE THUNDER ROLLS 1817 00:56:10,734 --> 00:56:14,338 THE THUNDER ROLLS ♪ 1818 00:56:14,338 --> 00:56:17,541 ♪ THE THUNDER ROLLS 1819 00:56:17,541 --> 00:56:18,041 [ CHEERS AND APPLAUSE ] 1820 00:56:18,041 --> 00:56:20,210 >> THE THUNDER HAS ROLLED, BABY. 1821 00:56:20,210 --> 00:56:24,681 ♪ 1822 00:56:24,681 --> 00:56:26,550 >> THAT'S YOU. 1823 00:56:26,550 --> 00:56:26,850 THAT'S YOU. 1824 00:56:26,850 --> 00:56:32,256 THAT'S YOU. 1825 00:56:32,256 --> 00:56:32,789 >> Carrie: CHRIS! 1826 00:56:32,789 --> 00:56:35,225 THAT'S WHAT WE HAVE BEEN TALKING 1827 00:56:35,225 --> 00:56:35,559 ABOUT. 1828 00:56:35,559 --> 00:56:36,960 YOU -- YOU LOOKED MORE 1829 00:56:36,960 --> 00:56:38,962 COMFORTABLE THAN I HAVE SEEN YOU 1830 00:56:38,962 --> 00:56:39,696 LOOK ALL SEASON. 1831 00:56:39,696 --> 00:56:40,197 THAT WAS AWESOME. 1832 00:56:40,197 --> 00:56:41,832 THE HAIR WAS FLYING. 1833 00:56:41,832 --> 00:56:44,134 THE VOCALS WERE JUST ALL OVER 1834 00:56:44,134 --> 00:56:46,236 THE -- JUST YES! 1835 00:56:46,236 --> 00:56:46,703 >> THANK YOU, CARRIE. 1836 00:56:46,703 --> 00:56:51,708 >> Carrie: MORE, MORE, MORE! 1837 00:56:51,708 --> 00:56:53,343 >> Luke: CARRIE GOES, "BATTLE OF 1838 00:56:53,343 --> 00:56:53,810 THE HAIR. 1839 00:56:53,810 --> 00:56:54,478 BATTLE OF THE HAIR." 1840 00:56:54,478 --> 00:56:55,979 >> HE WINS. 1841 00:56:55,979 --> 00:56:57,381 >> Luke: BUCKY, GREAT TO SEE 1842 00:56:57,381 --> 00:56:57,547 YOU. 1843 00:56:57,547 --> 00:56:58,548 BUCKY AND I GOT TO TOUR TOGETHER 1844 00:56:58,548 --> 00:56:58,849 ONE YEAR. 1845 00:56:58,849 --> 00:56:59,816 IT WAS AMAZING. 1846 00:56:59,816 --> 00:57:00,817 >> WE DID. 1847 00:57:00,817 --> 00:57:02,619 ODDLY ENOUGH, LUKE IS A HUGE 1848 00:57:02,619 --> 00:57:03,720 COUNTRY MUSIC SINGER TODAY. 1849 00:57:03,720 --> 00:57:06,924 WE ALL KNOW THAT. 1850 00:57:06,924 --> 00:57:11,828 BUT IN THE BEGINNING, I DIDN'T. 1851 00:57:11,828 --> 00:57:13,096 ME AND LUKE WERE ON THE DIERKS 1852 00:57:13,096 --> 00:57:13,664 BENTLEY TOUR, AND LUKE WAS 1853 00:57:13,664 --> 00:57:15,499 ACTUALLY OPENING UP FOR ME. 1854 00:57:15,499 --> 00:57:16,133 AND I THINK IT'S TIME FOR YOU TO 1855 00:57:16,133 --> 00:57:19,836 RETURN THE FAVOR. 1856 00:57:19,836 --> 00:57:20,304 >> Luke: HEY. 1857 00:57:20,304 --> 00:57:20,938 I LOVE IT. 1858 00:57:20,938 --> 00:57:21,405 I LOVE IT. 1859 00:57:21,405 --> 00:57:23,173 I LOVE IT. 1860 00:57:23,173 --> 00:57:24,274 NO, IT'S -- GREAT. 1861 00:57:24,274 --> 00:57:26,009 GREAT TO SEE YOU, AND WAY TO 1862 00:57:26,009 --> 00:57:26,610 BRING THAT OUT OF HIM. 1863 00:57:26,610 --> 00:57:29,146 I MEAN, I DIDN'T -- DID YOU GROW 1864 00:57:29,146 --> 00:57:33,216 UP LISTENING TO "THUNDER ROLLS"? 1865 00:57:33,216 --> 00:57:34,718 >> NO, I DIDN'T. 1866 00:57:34,718 --> 00:57:35,285 >> Luke: THAT WAS GREAT. 1867 00:57:35,285 --> 00:57:36,687 IT WAS ONE OF THE BEST VOCALS 1868 00:57:36,687 --> 00:57:37,187 I'VE HEARD YOU DELIVER. 1869 00:57:37,187 --> 00:57:38,522 IT WAS PERFECT. 1870 00:57:38,522 --> 00:57:39,189 [ CHEERS AND APPLAUSE ] 1871 00:57:39,189 --> 00:57:42,259 >> Lionel: ALL I'M GOING TO SAY 1872 00:57:42,259 --> 00:57:44,361 WAS YOUR ATTITUDE WAS ON POINT. 1873 00:57:44,361 --> 00:57:44,962 YOUR ATTITUDE WAS KILLING IT. 1874 00:57:44,962 --> 00:57:47,698 >> THANK YOU. 1875 00:57:47,698 --> 00:57:49,933 >> Paula: ANOTHER PAIRING THAT 1876 00:57:49,933 --> 00:57:51,368 WAS PERFECTION. 1877 00:57:51,368 --> 00:57:53,603 GREAT JOB, CHRIS, AND BUCKY, I 1878 00:57:53,603 --> 00:57:55,372 MISS YOU LIKE MY SON. 1879 00:57:55,372 --> 00:57:57,975 >> OH MY GOSH. 1880 00:57:57,975 --> 00:57:58,342 PAULA. 1881 00:57:58,342 --> 00:58:02,346 >> Paula: AND I DIDN'T KNOW -- 1882 00:58:02,346 --> 00:58:03,380 THE FREAKIEST THING IS I DIDN'T 1883 00:58:03,380 --> 00:58:04,614 KNOW YOU HAD A TWIN BROTHER. 1884 00:58:04,614 --> 00:58:05,282 >> YES. 1885 00:58:05,282 --> 00:58:07,317 HE'S A VERY GOOD-LOOKING 1886 00:58:07,317 --> 00:58:07,584 GENTLEMAN. 1887 00:58:07,584 --> 00:58:09,820 >> Paula: I JUMPED ON HIM AND I 1888 00:58:09,820 --> 00:58:10,253 THOUGHT IT WAS YOU. 1889 00:58:10,253 --> 00:58:11,221 >> YES. 1890 00:58:11,221 --> 00:58:12,856 HE'S -- ACTUALLY, THE MAKEUP 1891 00:58:12,856 --> 00:58:15,325 LADY PUT MAKEUP ON HIM BEFORE 1892 00:58:15,325 --> 00:58:15,592 THE SHOW. 1893 00:58:15,592 --> 00:58:16,460 I DON'T HAVE ANY. 1894 00:58:16,460 --> 00:58:19,296 >> Paula: I GET IT. 1895 00:58:19,296 --> 00:58:20,330 >> Ryan: YOU BOTH HAVE HAIR 1896 00:58:20,330 --> 00:58:21,298 DRYERS, RIGHT? 1897 00:58:21,298 --> 00:58:22,032 HAIR DRYERS, YOU GOT. 1898 00:58:22,032 --> 00:58:24,101 GREAT TO SEE YOU, BUCKY. 1899 00:58:24,101 --> 00:58:27,938 >> TSAME TO YOU. 1900 00:58:27,938 --> 00:58:29,706 >> Ryan: IT'S LIKE LOOKING IN A 1901 00:58:29,706 --> 00:58:30,841 MIRROR, ISN'T IT? 1902 00:58:30,841 --> 00:58:31,908 >> ACTUALLY, WE'RE TRIPLETS. 1903 00:58:31,908 --> 00:58:35,345 MY MOM'S GOING TO BE VERY 1904 00:58:35,345 --> 00:58:35,612 SURPRISED. 1905 00:58:35,612 --> 00:58:41,018 >> Ryan: BEFORE WE MOVE ON, 1906 00:58:41,018 --> 00:58:41,918 TAYLOR, MEET ROD MB MILLS. 1907 00:58:41,918 --> 00:58:45,155 HE'S IN CHARGE WITH "DANCING 1908 00:58:45,155 --> 00:58:45,522 WITH THE STARS." 1909 00:58:45,522 --> 00:58:47,791 ROB, ARE YOU THERE? 1910 00:58:47,791 --> 00:58:49,326 TAYLOR, YOUR MEETING IS NOW. 1911 00:58:49,326 --> 00:58:51,228 GO MEET ROB AND GET ON THAT 1912 00:58:51,228 --> 00:58:51,428 SHOW. 1913 00:58:51,428 --> 00:58:54,231 >> LET'S GO! 1914 00:58:54,231 --> 00:58:54,698 LET'S GO! 1915 00:58:54,698 --> 00:58:55,565 >> Ryan: THAT GUY RIGHT THERE. 1916 00:58:55,565 --> 00:58:57,367 >> COME ON. 1917 00:58:57,367 --> 00:58:57,968 LET'S GO! 1918 00:58:57,968 --> 00:58:59,236 COME ON, YOU ALL. 1919 00:58:59,236 --> 00:59:01,905 DO IT FOR ME, BABY. 1920 00:59:01,905 --> 00:59:02,439 >> Ryan: THAT'S IT. 1921 00:59:02,439 --> 00:59:04,975 DREAMS COME TRUE ON "AMERICAN 1922 00:59:04,975 --> 00:59:05,809 IDOL." 1923 00:59:05,809 --> 00:59:09,379 VOTE NOW FOR CHRIS UP HERE. 1924 00:59:09,379 --> 00:59:10,814 WE HAVE OUR VOTING POSTS ON 1925 00:59:10,814 --> 00:59:11,915 FACEBOOK, INSTAGRAM, AND TIKTOK, 1926 00:59:11,915 --> 00:59:13,183 AND COMMENT WITH HIS NAME. 1927 00:59:13,183 --> 00:59:14,618 IT'S ONE NAME PER COMMENT PER 1928 00:59:14,618 --> 00:59:14,818 VOTE. 1929 00:59:14,818 --> 00:59:18,155 YOU CAN VOTE UP TO TEN TIMES PER 1930 00:59:18,155 --> 00:59:18,688 PLATFORM AND METHOD. 1931 00:59:18,688 --> 00:59:21,758 BUCKY COVINGTON, AND CHRIS 1932 00:59:21,758 --> 00:59:22,359 TUNGSETH, AMERICA. 1933 00:59:22,359 --> 00:59:23,827 >> APPRECIATE YOU, BROTHER. 1934 00:59:23,827 --> 00:59:24,394 >> Ryan: GOOD JOB. 1935 00:59:24,394 --> 00:59:26,363 ♪ 1936 00:59:26,363 --> 00:59:28,832 [ CHEERS AND APPLAUSE ] 1937 00:59:28,832 --> 00:59:31,668 AFTER THIS, IT'S A HUGE MOMENT 1938 00:59:31,668 --> 00:59:35,238 COMING FROM PARIS BENNETT AND 1939 00:59:35,238 --> 00:59:35,839 BRADEN RUMFELT. 1940 00:59:35,839 --> 00:59:38,341 THIS IS "AMERICAN IDOL." 1941 00:59:38,341 --> 00:59:38,775 WE'LL BE RIGHT BACK. 1942 00:59:38,775 --> 00:59:38,942 ♪ 1943 00:59:38,942 --> 00:59:39,409 [ CHEERS AND APPLAUSE ] 1944 00:59:49,419 --> 00:59:49,553 . 1945 00:59:49,553 --> 00:59:50,687 >> Ryan: BACK WITH SOME "IDOL" 1946 00:59:50,687 --> 00:59:52,556 OGs AND FUTURE "DANCING WITH THE 1947 00:59:52,556 --> 00:59:55,158 STARS" DANCERS. 1948 00:59:55,158 --> 00:59:57,094 THEY ALL TOOK A SHOT WAY BACK 1949 00:59:57,094 --> 00:59:57,461 WHEN. 1950 00:59:57,461 --> 00:59:58,328 NOW IT'S YOUR TURN. 1951 00:59:58,328 --> 00:59:59,830 GO TO AMERICANIDOL.COM TO SIGN 1952 00:59:59,830 --> 01:00:01,898 UP FOR ALERTS AND SUBMIT YOUR 1953 01:00:01,898 --> 01:00:02,833 ONLINE AUDITION. 1954 01:00:02,833 --> 01:00:04,334 WE'VE GOT BIG NEWS COMING UP 1955 01:00:04,334 --> 01:00:06,136 ABOUT HOW YOU CAN AUDITION 1956 01:00:06,136 --> 01:00:06,603 IN-PERSON. 1957 01:00:06,603 --> 01:00:08,405 MAKE SURE YOU WATCH THE FINALE 1958 01:00:08,405 --> 01:00:10,040 NEXT WEEK TO FIND OUT MORE. 1959 01:00:10,040 --> 01:00:11,842 YOU NEVER KNOW. 1960 01:00:11,842 --> 01:00:14,411 THE NEXT "AMERICAN IDOL" COULD 1961 01:00:14,411 --> 01:00:14,644 BE YOU. 1962 01:00:14,644 --> 01:00:18,081 PARIS BENNETT'S FIRST AUDITION 1963 01:00:18,081 --> 01:00:20,884 IN GREENSBOROUGH, NORTH 1964 01:00:20,884 --> 01:00:22,185 CAROLINA, AND SHE'S TAKING THE 1965 01:00:22,185 --> 01:00:23,587 STAGE WITH MURPHY, NORTH 1966 01:00:23,587 --> 01:00:24,654 CAROLINA'S OWN BRADEN RUMFELT. 1967 01:00:24,654 --> 01:00:26,223 TAKE A LOOK. 1968 01:00:26,223 --> 01:00:28,492 >> FOR THIS ROUND, I GET TO DUET 1969 01:00:28,492 --> 01:00:31,128 WITH "IDOL" ALUM PARIS BENNETT. 1970 01:00:31,128 --> 01:00:31,995 >> YOU'RE 17? 1971 01:00:31,995 --> 01:00:32,896 >> YES, MA'AM. 1972 01:00:32,896 --> 01:00:33,396 >> PHENOMENAL. 1973 01:00:33,396 --> 01:00:38,835 >> THANK YOU. 1974 01:00:38,835 --> 01:00:39,402 >> HI. 1975 01:00:39,402 --> 01:00:40,036 >> HI, BRADEN. 1976 01:00:40,036 --> 01:00:40,637 >> HOW ARE YOU? 1977 01:00:40,637 --> 01:00:41,204 >> GOOD. 1978 01:00:41,204 --> 01:00:42,072 WE GIVE HUGS HERE. 1979 01:00:42,072 --> 01:00:44,007 >> OKAY. 1980 01:00:44,007 --> 01:00:44,741 >> THE SONG PARIS AND I ARE 1981 01:00:44,741 --> 01:00:47,043 DUETTING IS "THE SHOW MUST GO 1982 01:00:47,043 --> 01:00:47,511 ON" BY QUEEN. 1983 01:00:47,511 --> 01:00:48,178 I HAVE BEEN WATCHING A LOT OF 1984 01:00:48,178 --> 01:00:48,478 YOUR STUFF. 1985 01:00:48,478 --> 01:00:49,746 >> I WAS WATCHING YOU TOO. 1986 01:00:49,746 --> 01:00:50,480 >> SO IT'S PRETTY COOL. 1987 01:00:50,480 --> 01:00:51,515 WE FOLLOWED EACH OTHER ON 1988 01:00:51,515 --> 01:00:51,781 INSTAGRAM. 1989 01:00:51,781 --> 01:00:54,017 I GOT YOU. 1990 01:00:54,017 --> 01:00:55,318 >> YOU WAS A LITTLE LATE THOUGH, 1991 01:00:55,318 --> 01:00:55,552 BRADEN. 1992 01:00:55,552 --> 01:00:56,286 >> SORRY. 1993 01:00:56,286 --> 01:00:57,087 I WAS BUSY LAST NIGHT. 1994 01:00:57,087 --> 01:01:01,224 >> WHEN I WATCHED PARIS BENNETT 1995 01:01:01,224 --> 01:01:03,927 SING THIS SONG IN HER SEASON, IT 1996 01:01:03,927 --> 01:01:04,794 WAS LIKE WHOA. 1997 01:01:04,794 --> 01:01:06,229 >> Paula: THE WHOLE COUNTRY IS 1998 01:01:06,229 --> 01:01:07,497 FINDING OUT THAT YOU ARE THE 1999 01:01:07,497 --> 01:01:08,498 POWERHOUSE THAT YOU ARE. 2000 01:01:08,498 --> 01:01:10,934 >> I GOT A LOT OF WORK TO DO. 2001 01:01:10,934 --> 01:01:14,504 >> I MEAN, THE STAGE IS OURS. 2002 01:01:14,504 --> 01:01:16,006 IF WE FEEL LIKE -- 2003 01:01:16,006 --> 01:01:17,207 ♪ THE SHOW MUST GO 2004 01:01:17,207 --> 01:01:18,441 >> I FEEL LIKE PARIS KNOWS 2005 01:01:18,441 --> 01:01:19,509 EXACTLY WHAT SHE'S DOING WHICH 2006 01:01:19,509 --> 01:01:21,378 MAKES ME FEEL BETTER BECAUSE 2007 01:01:21,378 --> 01:01:22,012 THIS PERFORMANCE COULD GET ME TO 2008 01:01:22,012 --> 01:01:22,812 THE FINALE. 2009 01:01:22,812 --> 01:01:24,614 >> ALL BRADEN'S GOT TO DO IS 2010 01:01:24,614 --> 01:01:25,882 PULL OUT ALL THE TRICKS AND 2011 01:01:25,882 --> 01:01:27,050 TRADES AND DO THEM NOW. 2012 01:01:27,050 --> 01:01:28,985 GIVE IT EVERYTHING YOU GOT. 2013 01:01:28,985 --> 01:01:30,287 GO BIG OR GO HOME. 2014 01:01:30,287 --> 01:01:31,488 [ CHEERS AND APPLAUSE ] 2015 01:01:31,488 --> 01:01:36,026 ♪ 2016 01:01:36,026 --> 01:01:38,628 ♪ EMPTY SPACES 2017 01:01:38,628 --> 01:01:39,162 WHAT ARE WE LIVING FOR ♪ 2018 01:01:39,162 --> 01:01:40,230 ♪ ABANDONED PLACES 2019 01:01:40,230 --> 01:01:48,171 I GUESS WE KNOW THE SCORE ♪ 2020 01:01:48,171 --> 01:01:48,705 ♪ ON AND ON 2021 01:01:48,705 --> 01:01:49,206 DOES ANYBODY KNOW 2022 01:01:49,206 --> 01:01:52,375 WHAT WE ARE LOOKING FOR ♪ 2023 01:01:52,375 --> 01:01:54,511 ♪ ANOTHER HERO 2024 01:01:54,511 --> 01:02:00,016 ANOTHER MINDLESS CRIME ♪ 2025 01:02:00,016 --> 01:02:01,484 ♪ BEHIND THE CURTAIN 2026 01:02:01,484 --> 01:02:04,020 IN THE PANTOMIME ♪ 2027 01:02:04,020 --> 01:02:07,123 ♪ HOLD THE LINE 2028 01:02:07,123 --> 01:02:07,557 DOES ANYBODY WANT TO 2029 01:02:07,557 --> 01:02:14,598 TAKE IT ANYMORE ♪ 2030 01:02:14,598 --> 01:02:17,234 ♪ THE SHOW MUST GO ON 2031 01:02:17,234 --> 01:02:19,502 THE SHOW MUST GO ON 2032 01:02:19,502 --> 01:02:25,141 YEAH ♪ 2033 01:02:25,141 --> 01:02:27,777 ♪ INSIDE MY HEART 2034 01:02:27,777 --> 01:02:28,111 IS BREAKING ♪ 2035 01:02:28,111 --> 01:02:29,412 ♪ MY MAKE-UP MAY BE FLAKING 2036 01:02:29,412 --> 01:02:31,481 BUT MY SMILE 2037 01:02:31,481 --> 01:02:38,355 STILL STAYS ON ♪ 2038 01:02:38,355 --> 01:02:38,855 ♪ I GUESS I'M LEARNING 2039 01:02:38,855 --> 01:02:42,592 I MUST BE WARMER NOW ♪ 2040 01:02:42,592 --> 01:02:43,093 ♪ I'LL SOON BE TURNING 2041 01:02:43,093 --> 01:02:47,831 'ROUND THE CORNER NOW ♪ 2042 01:02:47,831 --> 01:02:48,265 ♪ OUTSIDE THE DAWN 2043 01:02:48,265 --> 01:02:49,499 IS BREAKING ♪ 2044 01:02:49,499 --> 01:02:53,136 ♪ BUT INSIDE IN THE DARK 2045 01:02:53,136 --> 01:02:57,407 I'M ACHING TO BE FREE ♪ 2046 01:02:57,407 --> 01:02:59,476 ♪ THE SHOW MUST GO ON 2047 01:02:59,476 --> 01:03:01,111 THE SHOW MUST GO ON 2048 01:03:01,111 --> 01:03:07,984 YEAH ♪ 2049 01:03:07,984 --> 01:03:11,621 ♪ OOH INSIDE MY HEART 2050 01:03:11,621 --> 01:03:11,955 IS BREAKING ♪ 2051 01:03:11,955 --> 01:03:15,859 ♪ MY MAKE-UP MAY BE FLAKING 2052 01:03:15,859 --> 01:03:16,926 BUT MY SMILE 2053 01:03:16,926 --> 01:03:20,664 STILL STAYS ON ♪ 2054 01:03:20,664 --> 01:03:22,232 ♪ MY SOUL IS PAINTED LIKE 2055 01:03:22,232 --> 01:03:25,368 THE WINGS OF BUTTERFLIES ♪ 2056 01:03:25,368 --> 01:03:27,504 ♪ FAIRY TALES OF YESTERDAY 2057 01:03:27,504 --> 01:03:36,012 WILL GROW BUT NEVER DIE ♪ 2058 01:03:36,012 --> 01:03:36,513 ♪ I CAN FLY MY FRIENDS 2059 01:03:36,513 --> 01:03:36,980 THE SHOW MUST GO ON 2060 01:03:36,980 --> 01:03:43,887 YEAH YEAH ♪ 2061 01:03:43,887 --> 01:03:46,056 ♪ THE SHOW MUST GO ON 2062 01:03:46,056 --> 01:03:51,828 OOH OOH ♪ 2063 01:03:51,828 --> 01:03:58,201 ♪ ON WITH THE SHOW 2064 01:03:58,201 --> 01:03:59,269 ON WITH THE SHOW ♪ 2065 01:03:59,269 --> 01:03:59,769 ♪ ON WITH THE SHOW 2066 01:03:59,769 --> 01:04:04,007 SHOW MUST GO ON ♪ 2067 01:04:04,007 --> 01:04:05,709 ♪ 2068 01:04:05,709 --> 01:04:18,655 [ CHEERS AND APPLAUSE ] 2069 01:04:18,655 --> 01:04:22,692 >> Luke: WOW. 2070 01:04:23,593 --> 01:04:28,031 [ CHEERS AND APPLAUSE ] 2071 01:04:28,031 --> 01:04:29,966 >> Luke: I LOVE OUR -- OUR 2072 01:04:29,966 --> 01:04:32,202 "IDOL" ALUM IS BRINGING IT. 2073 01:04:32,202 --> 01:04:34,304 OUR "IDOL" ALUM IS BRINGING IT 2074 01:04:34,304 --> 01:04:36,206 OUT OF OUR NEW HOPEFULS AND 2075 01:04:36,206 --> 01:04:37,540 BRADEN, WAY TO SHOW UP AND STAND 2076 01:04:37,540 --> 01:04:40,009 TOE TO TOE WITH HER, AND I'VE 2077 01:04:40,009 --> 01:04:42,846 GOT A NEW PHRASE. 2078 01:04:42,846 --> 01:04:45,315 THAT HAD SOME STANK FACE ON IT. 2079 01:04:45,315 --> 01:04:47,617 >> Lionel: STANK FACE. 2080 01:04:47,617 --> 01:04:48,118 >> Carrie: STANK FACE. 2081 01:04:48,118 --> 01:04:48,585 >> Luke: STANK FACE. 2082 01:04:48,585 --> 01:04:50,787 >> Lionel: I KNOW WHERE LUKE IS 2083 01:04:50,787 --> 01:04:50,987 GOING. 2084 01:04:50,987 --> 01:04:53,189 THAT UGLY FACE, WE HAVE DRIFTED 2085 01:04:53,189 --> 01:04:55,258 IT TO STANK FACE. 2086 01:04:55,258 --> 01:04:57,794 THAT IS JUST COUNTRY AS I CAN -- 2087 01:04:57,794 --> 01:05:00,697 ALL I CAN SAY IS, MAN, WHATEVER 2088 01:05:00,697 --> 01:05:01,364 POSSESSED YOU AT THAT MOMENT, 2089 01:05:01,364 --> 01:05:01,698 YOU KILLED IT. 2090 01:05:01,698 --> 01:05:02,532 BOTH OF YOU TOGETHER. 2091 01:05:02,532 --> 01:05:03,500 >> THANK YOU. 2092 01:05:03,500 --> 01:05:03,800 THANK YOU. 2093 01:05:03,800 --> 01:05:06,736 >> Lionel: BOTH OF YOU TOGETHER, 2094 01:05:06,736 --> 01:05:07,070 UNBELIEVABLE. 2095 01:05:07,070 --> 01:05:09,406 >> Paula: I JUST SAW A DIFFERENT 2096 01:05:09,406 --> 01:05:10,306 BRADEN THAN I'VE SEEN. 2097 01:05:10,306 --> 01:05:12,041 I'M SO PROUD OF YOU, AND THANK 2098 01:05:12,041 --> 01:05:13,510 YOU, PARIS, FOR BRINGING THIS 2099 01:05:13,510 --> 01:05:14,711 OUT OF HIM. 2100 01:05:14,711 --> 01:05:15,912 IT WAS ANOTHER -- I MEAN, YOU 2101 01:05:15,912 --> 01:05:18,248 GUYS ARE DRIVING ON DUETS. 2102 01:05:18,248 --> 01:05:19,482 IT'S, LIKE, YOU DIDN'T JUST SING 2103 01:05:19,482 --> 01:05:19,916 THE SONG. 2104 01:05:19,916 --> 01:05:21,751 YOU FLIPPED IT AND REBUILT IT 2105 01:05:21,751 --> 01:05:23,253 LIKE AN IKEA PROJECT, AND THERE 2106 01:05:23,253 --> 01:05:25,488 ARE NO SCREWS LEFT. 2107 01:05:25,488 --> 01:05:27,223 AND I LOVE IT. 2108 01:05:27,223 --> 01:05:28,992 WAY TO GO. 2109 01:05:28,992 --> 01:05:29,292 [ APPLAUSE ] 2110 01:05:29,292 --> 01:05:30,927 >> Carrie: I MEAN, I WISH THAT 2111 01:05:30,927 --> 01:05:33,062 WE HAD HAD THIS NIGHT, LIKE, 2112 01:05:33,062 --> 01:05:34,364 EARLIER IN THE COMPETITION 2113 01:05:34,364 --> 01:05:35,465 BECAUSE I FEEL LIKE IT WOULD 2114 01:05:35,465 --> 01:05:37,500 HAVE JUST CATAPULTED ALL OF YOU 2115 01:05:37,500 --> 01:05:38,735 JUST EVEN FURTHER. 2116 01:05:38,735 --> 01:05:39,436 THAT WAS AMAZING. 2117 01:05:39,436 --> 01:05:41,304 BOTH OF YOU JUST -- THE ENERGY 2118 01:05:41,304 --> 01:05:44,040 FEEDING OFF OF EACH OTHER, 2119 01:05:44,040 --> 01:05:44,274 AMAZING. 2120 01:05:44,274 --> 01:05:44,607 >> THANK YOU. 2121 01:05:44,607 --> 01:05:44,874 THANK YOU. 2122 01:05:44,874 --> 01:05:47,210 [ CHEERS AND APPLAUSE ] 2123 01:05:47,210 --> 01:05:49,012 >> Ryan: GREAT TO SEE YOU AGAIN. 2124 01:05:49,012 --> 01:05:50,280 >> GOOD TO SEE YOU TOO, RYAN. 2125 01:05:50,280 --> 01:05:52,081 >> Ryan: WHEN YOU AUDITIONED, 2126 01:05:52,081 --> 01:05:53,917 YOU WERE IN HIGH SCHOOL, RIGHT? 2127 01:05:53,917 --> 01:05:55,385 >> JUST TURNING 16. 2128 01:05:55,385 --> 01:05:57,420 >> Ryan: JUST TURNING 16 YEARS 2129 01:05:57,420 --> 01:05:59,456 OLD WHEN SHE AUDITIONED FOR 2130 01:05:59,456 --> 01:05:59,989 "AMERICAN IDOL." 2131 01:05:59,989 --> 01:06:00,723 LOOK AT YOU HERE. 2132 01:06:00,723 --> 01:06:02,325 HOW DID IT FEEL TO DUET TONIGHT? 2133 01:06:02,325 --> 01:06:04,394 >> OH, MAN. 2134 01:06:04,394 --> 01:06:05,061 SHE IS -- SHE KNOWS EXACTLY WHAT 2135 01:06:05,061 --> 01:06:06,629 SHE'S DOING ON THE STAGE, AND 2136 01:06:06,629 --> 01:06:07,697 IT'S EASY -- IT'S EASY WORKING 2137 01:06:07,697 --> 01:06:08,765 WITH SOMEBODY WHO KNOWS WHAT 2138 01:06:08,765 --> 01:06:09,799 THEY'RE DOING BECAUSE YOU CAN 2139 01:06:09,799 --> 01:06:12,035 LOOK LIKE YOU KNOW WHAT YOU'RE 2140 01:06:12,035 --> 01:06:13,870 DOING. 2141 01:06:13,870 --> 01:06:14,737 >> Ryan: IF YOU WANT BRADEN IN 2142 01:06:14,737 --> 01:06:18,641 THE FINALE, VOTE NOW. 2143 01:06:18,641 --> 01:06:20,043 VOTE FOR BRADEN ON FACEBOOK, 2144 01:06:20,043 --> 01:06:23,279 INSTAGRAM, AND TIKTOK. 2145 01:06:23,279 --> 01:06:24,481 COMMENT WITH HIS FIRST NAME. 2146 01:06:24,481 --> 01:06:26,616 YOUR LIVE RESULTS WHERE TWO 2147 01:06:26,616 --> 01:06:28,051 PEOPLE WILL BE ELIMINATED ARE 2148 01:06:28,051 --> 01:06:29,319 COMING AT THE END OF THE NIGHT. 2149 01:06:29,319 --> 01:06:32,722 PARIS BENNETT AND BRADEN, 2150 01:06:32,722 --> 01:06:32,989 EVERYONE. 2151 01:06:32,989 --> 01:06:35,692 THANK YOU, BUDDY. 2152 01:06:35,692 --> 01:06:36,025 ♪ 2153 01:06:36,025 --> 01:06:40,763 [ CHEERS AND APPLAUSE ] 2154 01:06:40,763 --> 01:06:41,865 >> Ryan: ALL RIGHT. 2155 01:06:41,865 --> 01:06:46,002 COMING UP, FROM SALMAN TO STRING 2156 01:06:46,002 --> 01:06:49,339 CHEESE, TWO UNDENIABLE COUNTRY 2157 01:06:49,339 --> 01:06:50,573 STARS, KELLIE PICKLER AND HANNAH 2158 01:06:50,573 --> 01:06:54,177 HARPER, THEY TAKE THE STAGE 2159 01:06:54,177 --> 01:06:55,178 TOGETHER. 2160 01:06:55,178 --> 01:06:55,745 THE 2006 "IDOL" CELEBRATION 2161 01:06:55,745 --> 01:06:57,313 CONTINUES LIVE RIGHT AFTER THIS. 2162 01:06:57,313 --> 01:06:57,547 ♪ 2163 01:06:57,547 --> 01:06:58,014 [ CHEERS AND APPLAUSE ] 2164 01:07:04,554 --> 01:07:04,721 ♪ 2165 01:07:04,721 --> 01:07:08,992 [ CHEERS AND APPLAUSE ] 2166 01:07:08,992 --> 01:07:10,260 >> Ryan: YOU ARE LOCKED IN. 2167 01:07:10,260 --> 01:07:10,660 WE ARE LIVE. 2168 01:07:10,660 --> 01:07:12,829 KEEP VOTING FOR ALL YOUR 2169 01:07:12,829 --> 01:07:13,096 FAVORITES. 2170 01:07:13,096 --> 01:07:14,531 IF YOU WANT TO SEE THEM COMPETE 2171 01:07:14,531 --> 01:07:17,467 IN OUR THREE-HOUR 2172 01:07:17,467 --> 01:07:18,268 NOT-TO-BE-MISSED FINALE EVENT 2173 01:07:18,268 --> 01:07:23,406 NEXT WEEK, AND LISTEN TO THIS 2174 01:07:23,406 --> 01:07:24,340 LINEUP. 2175 01:07:24,340 --> 01:07:28,111 BRAD PAISLEY, CLAY AIKEN, EN 2176 01:07:28,111 --> 01:07:31,414 VOGUE, GIN BLOSSOMS, JASON MRAZ, 2177 01:07:31,414 --> 01:07:34,017 LEE ANN WOMACK, NELLY, 2178 01:07:34,017 --> 01:07:36,686 SHINEDOWN, TORI KELLY, AND 2179 01:07:36,686 --> 01:07:38,888 MOTLEY CRUE, PLUS CARRIE, LUKE, 2180 01:07:38,888 --> 01:07:40,623 AND LIONEL ALL TAKING THE STAGE. 2181 01:07:40,623 --> 01:07:41,357 >> Lionel: OH MY GOD. 2182 01:07:41,357 --> 01:07:46,496 >> Ryan: AND TO TOP IT OFF, YOUR 2183 01:07:46,496 --> 01:07:47,564 TOP THREE WILL BE MENTORED BY 2184 01:07:47,564 --> 01:07:48,531 THE ONE AND ONLY ALICIA KEYS. 2185 01:07:48,531 --> 01:07:50,500 SHE WILL ALSO BE PERFORMING. 2186 01:07:50,500 --> 01:07:52,235 SO BE HERE NEXT MONDAY NIGHT 2187 01:07:52,235 --> 01:07:56,005 STARTING AT 8:00/7:00 CENTRAL. 2188 01:07:56,005 --> 01:07:56,639 HERE'S HANNAH HARPER PREPPING 2189 01:07:56,639 --> 01:07:57,173 FOR HER DUET WITH KELLIE 2190 01:07:57,173 --> 01:08:01,210 PICKLER. 2191 01:08:01,210 --> 01:08:04,047 >> HEY! 2192 01:08:04,047 --> 01:08:04,347 HOW ARE YOU? 2193 01:08:04,347 --> 01:08:05,949 >> KELLIE PICKLER'S INCREDIBLE. 2194 01:08:05,949 --> 01:08:07,617 I THINK THAT SHE IS AN ANGEL 2195 01:08:07,617 --> 01:08:07,817 BABY. 2196 01:08:07,817 --> 01:08:09,619 >> AND YOU JUST HAD RANDY AS A 2197 01:08:09,619 --> 01:08:10,086 MENTOR, RIGHT? 2198 01:08:10,086 --> 01:08:10,787 >> I DID. 2199 01:08:10,787 --> 01:08:11,554 >> ISN'T HE WONDERFUL? 2200 01:08:11,554 --> 01:08:13,189 >> SHE WAS AMAZING. 2201 01:08:13,189 --> 01:08:13,590 HE WAS SO EXCITED. 2202 01:08:13,590 --> 01:08:15,291 HE WAS, LIKE, WHO'S YOUR DUET 2203 01:08:15,291 --> 01:08:15,525 PARTNER? 2204 01:08:15,525 --> 01:08:17,327 I SAID, KELLIE PICKLER. 2205 01:08:17,327 --> 01:08:18,294 >> PICKLES, OH. 2206 01:08:18,294 --> 01:08:19,028 WE LOVE HER. 2207 01:08:19,028 --> 01:08:21,331 WE LOVE PICKLES, MAN. 2208 01:08:21,331 --> 01:08:23,499 >> PICKLES! 2209 01:08:23,499 --> 01:08:24,634 YES. 2210 01:08:24,634 --> 01:08:29,005 HE NICKNAMED ME PICKLES. 2211 01:08:29,005 --> 01:08:29,973 >> I'M DOING "A BROKEN WING" BY 2212 01:08:29,973 --> 01:08:30,540 MARTINA McBRIDE. 2213 01:08:30,540 --> 01:08:32,575 >> THIS WAS MY AUDITION SONG. 2214 01:08:32,575 --> 01:08:34,143 >> IT'S A VERY CHALLENGING SONG. 2215 01:08:34,143 --> 01:08:36,613 IT STARTS AT A LOW REGISTER AND 2216 01:08:36,613 --> 01:08:37,080 JUMPS ALL THE WAY UP. 2217 01:08:37,080 --> 01:08:37,412 I'M SCARED. 2218 01:08:37,412 --> 01:08:38,982 >> NO. 2219 01:08:38,982 --> 01:08:39,515 >> I'M DEFINITELY SCARED. 2220 01:08:39,515 --> 01:08:40,649 IT GETS HIGH AND YOU KNOW IT 2221 01:08:40,649 --> 01:08:41,017 GETS HIGH. 2222 01:08:41,017 --> 01:08:43,486 >> WELL, IT'S MARTINA. 2223 01:08:43,486 --> 01:08:44,153 >> IT'S MARTINA, AND SHE CUTS IT 2224 01:08:44,153 --> 01:08:46,255 AND ACTS LIKE IT'S NOTHING. 2225 01:08:46,255 --> 01:08:46,823 IT'S SOMETHING. 2226 01:08:46,823 --> 01:08:50,225 I'VE NOT EXPLORED MUCH OF MY 2227 01:08:50,225 --> 01:08:52,694 RANGE SINCE I'VE BEEN ON THE 2228 01:08:52,694 --> 01:08:53,363 COMPETITION SO THIS IS GOING TO 2229 01:08:53,363 --> 01:08:53,863 STRETCH ME, BIG TIME. 2230 01:08:53,863 --> 01:08:55,365 I'M TAKING ALL THE RISKS THIS 2231 01:08:55,365 --> 01:08:57,133 WEEK, AND I'M GIVING IT ALL I 2232 01:08:57,133 --> 01:08:57,500 GOT. 2233 01:08:57,500 --> 01:08:58,734 >> YOU'RE HERE BECAUSE YOU'RE 2234 01:08:58,734 --> 01:09:00,169 SUPPOSED TO BE HERE, AND YOU 2235 01:09:00,169 --> 01:09:01,304 WORK HARD AND YOU SOUND AMAZING. 2236 01:09:01,304 --> 01:09:01,837 >> THANK YOU. 2237 01:09:01,837 --> 01:09:02,404 >> AND THIS IS YOUR MOMENT. 2238 01:09:02,404 --> 01:09:04,674 SO OWN IT. 2239 01:09:04,674 --> 01:09:06,242 [ CHEERS AND APPLAUSE ] 2240 01:09:06,242 --> 01:09:14,216 ♪ 2241 01:09:14,216 --> 01:09:14,783 ♪ SHE LOVED HIM LIKE HE WAS 2242 01:09:14,783 --> 01:09:20,523 THE LAST MAN ON EARTH ♪ 2243 01:09:20,523 --> 01:09:21,057 ♪ GAVE HIM EVERYTHING 2244 01:09:21,057 --> 01:09:26,863 SHE EVER HAD ♪ 2245 01:09:26,863 --> 01:09:29,499 ♪ HE'D BREAK HER SPIRIT DOWN 2246 01:09:29,499 --> 01:09:35,872 THEN COME LOVING UP ON HER ♪ 2247 01:09:35,872 --> 01:09:36,372 ♪ GIVE A LITTLE 2248 01:09:36,372 --> 01:09:42,211 THEN TAKE IT BACK ♪ 2249 01:09:42,211 --> 01:09:45,381 ♪ SHE'D TELL HIM 2250 01:09:45,381 --> 01:09:50,118 'BOUT HER DREAMS ♪ 2251 01:09:50,118 --> 01:09:50,687 ♪ HE'D JUST SHOOT 'EM DOWN 2252 01:09:50,687 --> 01:09:52,154 LORD HE LOVED TO 2253 01:09:52,154 --> 01:10:00,163 MAKE HER CRY ♪ 2254 01:10:00,163 --> 01:10:00,763 ♪ YOU'RE CRAZY FOR BELIEVING 2255 01:10:00,763 --> 01:10:03,299 YOU'LL EVER LEAVE 2256 01:10:03,299 --> 01:10:03,633 THE GROUND ♪ 2257 01:10:03,633 --> 01:10:04,100 ♪ HE SAID ONLY ANGELS 2258 01:10:04,100 --> 01:10:11,841 KNOW HOW TO FLY ♪ 2259 01:10:11,841 --> 01:10:13,409 ♪ AND WITH A BROKEN WING 2260 01:10:13,409 --> 01:10:18,214 SHE STILL SINGS ♪ 2261 01:10:18,214 --> 01:10:18,681 ♪ SHE KEEPS AN EYE 2262 01:10:18,681 --> 01:10:27,190 ON THE SKY ♪ 2263 01:10:27,190 --> 01:10:27,690 ♪ WITH A BROKEN WING 2264 01:10:27,690 --> 01:10:32,662 SHE CARRIES HER DREAMS 2265 01:10:32,662 --> 01:10:40,169 MAN YOU OUGHTA SEE HER FLY ♪ 2266 01:10:40,169 --> 01:10:41,938 ♪ AND WITH A BROKEN WING 2267 01:10:41,938 --> 01:10:46,676 SHE STILL SINGS ♪ 2268 01:10:46,676 --> 01:10:48,678 ♪ SHE KEEPS AN EYE 2269 01:10:48,678 --> 01:10:54,083 ON THE SKY ♪ 2270 01:10:54,083 --> 01:10:58,287 ♪ WITH A BROKEN WING 2271 01:10:58,287 --> 01:11:01,491 SHE CARRIES HER DREAMS 2272 01:11:01,491 --> 01:11:12,034 MAN YOU OUGHTA SEE HER FLY ♪ 2273 01:11:12,034 --> 01:11:12,502 ♪ WITH A BROKEN WING 2274 01:11:12,502 --> 01:11:17,340 SHE CARRIES HER DREAMS 2275 01:11:17,340 --> 01:11:22,078 MAN YOU OUGHTA SEE HER FLY ♪ 2276 01:11:22,078 --> 01:11:32,688 ♪ 2277 01:11:32,688 --> 01:11:35,391 ♪ WITH A BROKEN WING 2278 01:11:35,391 --> 01:11:40,163 ♪ OH, YEAH ♪ 2279 01:11:40,163 --> 01:11:46,602 [ CHEERS AND APPLAUSE ] 2280 01:11:51,340 --> 01:11:55,978 >> Lionel: OH, SO NOW, ALL I CAN 2281 01:11:55,978 --> 01:11:59,115 SAY -- ALL I CAN SAY IS THE 2282 01:11:59,115 --> 01:12:00,683 PERFECT VOICE BLEND AND 2283 01:12:00,683 --> 01:12:00,983 COMPLEMENT. 2284 01:12:00,983 --> 01:12:03,886 THE TWO OF YOU TOGETHER MAKE ONE 2285 01:12:03,886 --> 01:12:06,956 DYNAMIC PERFORMANCE. 2286 01:12:06,956 --> 01:12:07,256 INCREDIBLE. 2287 01:12:07,256 --> 01:12:07,723 INCREDIBLE. 2288 01:12:07,723 --> 01:12:09,759 >> Paula: THE MELODY CHOICES YOU 2289 01:12:09,759 --> 01:12:12,161 MADE WERE BEAUTIFUL, LIKE, 2290 01:12:12,161 --> 01:12:12,628 EXQUISITE. 2291 01:12:12,628 --> 01:12:15,832 AGAIN, ANOTHER PERFECT PAIRING. 2292 01:12:15,832 --> 01:12:18,000 KELLIE, IT'S AS IF IT WAS 2293 01:12:18,000 --> 01:12:19,035 YESTERDAY THAT I REMEMBER YOU 2294 01:12:19,035 --> 01:12:19,936 SINGING THIS SONG. 2295 01:12:19,936 --> 01:12:21,170 WHAT A BEAUTIFUL JOB, HANNAH. 2296 01:12:21,170 --> 01:12:23,005 >> THANK YOU SO MUCH. 2297 01:12:23,005 --> 01:12:24,173 >> Paula: THANK YOU SO MUCH. 2298 01:12:24,173 --> 01:12:24,574 THANK YOU. 2299 01:12:24,574 --> 01:12:25,474 >> Carrie: I HAVE BEEN TRYING -- 2300 01:12:25,474 --> 01:12:26,542 I HAVE BEEN SITTING HERE AND 2301 01:12:26,542 --> 01:12:28,144 TRYING TO FIGURE OUT, LIKE, WHAT 2302 01:12:28,144 --> 01:12:30,880 IS MAKING TONIGHT SO SPECIAL, 2303 01:12:30,880 --> 01:12:32,281 AND I THINK IT'S BECAUSE WE ARE 2304 01:12:32,281 --> 01:12:34,450 ALL PART OF, LIKE, THIS SPECIAL 2305 01:12:34,450 --> 01:12:36,619 CLUB THAT NOBODY ELSE ON THIS 2306 01:12:36,619 --> 01:12:37,286 PLANET WILL UNDERSTAND EXCEPT 2307 01:12:37,286 --> 01:12:38,721 FOR US WHO HAVE BEEN ON THAT 2308 01:12:38,721 --> 01:12:38,955 STAGE. 2309 01:12:38,955 --> 01:12:39,889 >> Lionel: VERY TRUE. 2310 01:12:39,889 --> 01:12:40,523 VERY TRUE. 2311 01:12:40,523 --> 01:12:41,357 >> Carrie: AND IT'S MAGICAL. 2312 01:12:41,357 --> 01:12:42,358 THAT WAS MAGICAL. 2313 01:12:42,358 --> 01:12:44,894 >> Lionel: VERY TRUE. 2314 01:12:44,894 --> 01:12:46,796 VERY TRUE. 2315 01:12:46,796 --> 01:12:46,929 . 2316 01:12:46,929 --> 01:12:47,296 >> Luke: YEAH. 2317 01:12:47,296 --> 01:12:48,531 I MEAN, WATCHING YOU GUYS WORK 2318 01:12:48,531 --> 01:12:50,333 TOGETHER, FEED OFF ONE ANOTHER. 2319 01:12:50,333 --> 01:12:50,566 PICKLER. 2320 01:12:50,566 --> 01:12:51,834 LOOK AT PICKLER UP THERE DOING 2321 01:12:51,834 --> 01:12:53,336 IT. 2322 01:12:53,336 --> 01:12:55,271 >> I'M AN ANTIQUE IDOL. 2323 01:12:55,271 --> 01:12:56,339 THAT'S ENOUGH. 2324 01:12:56,339 --> 01:12:58,174 I MEAN -- 2325 01:12:58,174 --> 01:12:59,342 >> Luke: GO AHEAD. 2326 01:12:59,342 --> 01:12:59,775 GO AHEAD. 2327 01:12:59,775 --> 01:13:01,244 >> BEING ABLE TO SHARE THE STAGE 2328 01:13:01,244 --> 01:13:02,278 WITH YOU HAS BEEN SUCH A 2329 01:13:02,278 --> 01:13:02,812 BLESSING. 2330 01:13:02,812 --> 01:13:03,479 YOU'RE GOING TO BE GREAT. 2331 01:13:03,479 --> 01:13:04,780 THE TALENT IS UNBELIEVABLE. 2332 01:13:04,780 --> 01:13:05,815 >> Luke: IT WAS GREAT, GIRLS. 2333 01:13:05,815 --> 01:13:07,583 IT WAS AWESOME. 2334 01:13:07,583 --> 01:13:10,353 >> IT'S GOOD TO BE HOME. 2335 01:13:10,353 --> 01:13:12,388 >> Ryan: HANNAH AND KELLIE, NICE 2336 01:13:12,388 --> 01:13:13,656 TO SEE YOU BACK ON THIS STAGE. 2337 01:13:13,656 --> 01:13:14,357 >> YES. 2338 01:13:14,357 --> 01:13:15,024 >> Ryan: WHAT DOES IT MEAN FOR 2339 01:13:15,024 --> 01:13:16,559 YOU TO BE BACK HERE ON THE 2340 01:13:16,559 --> 01:13:17,026 "AMERICAN IDOL" STAGE? 2341 01:13:17,026 --> 01:13:18,961 >> OH MY GOSH. 2342 01:13:18,961 --> 01:13:20,696 I -- I JUST FEEL SO INCREDIBLY 2343 01:13:20,696 --> 01:13:22,932 BLESSED TO BE ABLE TO SHARE THE 2344 01:13:22,932 --> 01:13:24,066 STAGE WITH TALENT. 2345 01:13:24,066 --> 01:13:26,569 I MEAN, JUST BE IN GOOD COMPANY 2346 01:13:26,569 --> 01:13:28,671 AND HAVE OUR "IDOL" FAMILY BACK 2347 01:13:28,671 --> 01:13:30,339 TOGETHER, AND LIKE YOU SAID, 2348 01:13:30,339 --> 01:13:30,573 CARRIE. 2349 01:13:30,573 --> 01:13:33,442 IT'S LIKE THIS "IDOL" FAMILY 2350 01:13:33,442 --> 01:13:34,143 CLUB, AND I'M BLESSED TO BE A 2351 01:13:34,143 --> 01:13:35,077 PART OF IT. 2352 01:13:35,077 --> 01:13:36,612 >> Ryan: AND THERE WAS A LITTLE 2353 01:13:36,612 --> 01:13:37,713 RISK IN THAT AS YOU 2354 01:13:37,713 --> 01:13:38,047 ACKNOWLEDGED. 2355 01:13:38,047 --> 01:13:43,819 YOU TOOK THE RISK AND IT PAID 2356 01:13:43,819 --> 01:13:43,986 OFF. 2357 01:13:43,986 --> 01:13:44,587 IT FEELS ACCOMPLISHED, RIGHT? 2358 01:13:44,587 --> 01:13:44,987 >> IT FEELS GOOD. 2359 01:13:44,987 --> 01:13:45,621 >> Ryan: I CAN'T BELIEVE WE'VE 2360 01:13:45,621 --> 01:13:46,689 GOT TO LOSE TWO LATER. 2361 01:13:46,689 --> 01:13:46,989 ARE YOU -- 2362 01:13:46,989 --> 01:13:47,990 >> Lionel: NO. 2363 01:13:47,990 --> 01:13:48,157 NO. 2364 01:13:48,157 --> 01:13:49,325 >> Ryan: WHO IS IT GOING TO BE? 2365 01:13:49,325 --> 01:13:50,960 HANNAH NEEDS YOUR VOTES TO 2366 01:13:50,960 --> 01:13:54,063 COMPETE IN THAT FINALE. 2367 01:13:54,063 --> 01:13:55,531 SHOW HER LOVE ONLINE, VIA TEXT, 2368 01:13:55,531 --> 01:13:58,000 OR ON SOCIAL MEDIA. 2369 01:13:58,000 --> 01:14:00,503 LET YOUR VOICE BE HEARD. 2370 01:14:00,503 --> 01:14:03,005 KELLIE PICKLER AND HANNAH, 2371 01:14:03,005 --> 01:14:03,506 AMERICA. 2372 01:14:03,506 --> 01:14:03,773 THANK YOU. 2373 01:14:03,773 --> 01:14:04,140 GOOD TO SEE YOU. 2374 01:14:04,140 --> 01:14:04,307 ♪ 2375 01:14:04,307 --> 01:14:07,476 [ CHEERS AND APPLAUSE ] 2376 01:14:07,476 --> 01:14:09,445 >> Ryan: WE HAVE GOT ONE MORE 2377 01:14:09,445 --> 01:14:11,380 THROWBACK ON THE WAY WITH A SONG 2378 01:14:11,380 --> 01:14:16,152 FOR YOU BY ELLIOTT YAMIN AND 2379 01:14:16,152 --> 01:14:16,385 JORDAN. 2380 01:14:16,385 --> 01:14:16,786 THAT'S LIVE NEXT. 2381 01:14:16,786 --> 01:14:16,953 ♪ 2382 01:14:16,953 --> 01:14:18,454 [ CHEERS AND APPLAUSE ] 2383 01:14:23,993 --> 01:14:24,160 ♪ 2384 01:14:24,160 --> 01:14:27,830 [ CHEERS AND APPLAUSE ] 2385 01:14:27,830 --> 01:14:29,832 >> Ryan: BACK WITH YOU LIVE. 2386 01:14:29,832 --> 01:14:31,367 WE HAVE LOVED HAVING PAULA ABDUL 2387 01:14:31,367 --> 01:14:32,768 ON THE PANEL TONIGHT. 2388 01:14:32,768 --> 01:14:34,503 [ CHEERS AND APPLAUSE ] 2389 01:14:34,503 --> 01:14:37,873 >> Paula: THANK YOU. 2390 01:14:37,873 --> 01:14:38,774 >> Ryan: GREAT TO SEE YOU, AND 2391 01:14:38,774 --> 01:14:40,209 THIS WEEK SHE'LL BE STOPPING BY 2392 01:14:40,209 --> 01:14:41,644 THE "AMERICAN IDOL" OFFICIAL 2393 01:14:41,644 --> 01:14:42,144 PODCAST. 2394 01:14:42,144 --> 01:14:43,379 BE SURE TO TUNE IN THIS 2395 01:14:43,379 --> 01:14:45,314 WEDNESDAY ON HULU AND DISNEY+ OR 2396 01:14:45,314 --> 01:14:48,351 WHEREVER YOU GET YOUR PODCASTS. 2397 01:14:48,351 --> 01:14:50,686 NOW WHEN ELLIOTT SANG THIS SONG 2398 01:14:50,686 --> 01:14:52,355 ON LOVE SONGS NIGHT, REMEMBER? 2399 01:14:52,355 --> 01:14:55,124 BACK IN 2006. 2400 01:14:55,124 --> 01:14:55,725 >> Paula: HOW COULD I FORGET? 2401 01:14:55,725 --> 01:14:58,461 >> Ryan: IT BROUGHT YOU TO 2402 01:14:58,461 --> 01:14:58,694 TEARS. 2403 01:14:58,694 --> 01:14:59,061 >> Paula: YES. 2404 01:14:59,061 --> 01:15:00,629 >> Ryan: WILL LIGHTNING STRIKE 2405 01:15:00,629 --> 01:15:00,830 TWICE? 2406 01:15:00,830 --> 01:15:04,233 IT'S A SONG FOR YOU FROM ELLIOTT 2407 01:15:04,233 --> 01:15:05,034 YAMIN AND JORDAN McCULLOUGH. 2408 01:15:05,034 --> 01:15:05,835 >> WHEN THEY TOLD US THAT THERE 2409 01:15:05,835 --> 01:15:08,237 WERE GOING TO BE IDOLS COMING 2410 01:15:08,237 --> 01:15:08,871 BACK FROM SEASON FIVE, I SAID, 2411 01:15:08,871 --> 01:15:11,140 SEASON FIVE AS IN ELLIOTT YAMIN 2412 01:15:11,140 --> 01:15:11,774 SEASON FIVE? 2413 01:15:11,774 --> 01:15:14,777 ♪ I HAVE BEEN SO MANY PLACES 2414 01:15:14,777 --> 01:15:22,084 ♪ IN MY LIFE IN TIME 2415 01:15:22,084 --> 01:15:23,953 ♪ I SUNG A LOT OF SONGS 2416 01:15:23,953 --> 01:15:25,654 >> THIS WEEK I'LL BE SINGING "A 2417 01:15:25,654 --> 01:15:29,658 SONG FOR YOU" BY DONNIE 2418 01:15:29,658 --> 01:15:29,925 HATHAWAY. 2419 01:15:29,925 --> 01:15:31,460 >> OH MY GOSH. 2420 01:15:31,460 --> 01:15:31,827 THERE'S NO WAY. 2421 01:15:31,827 --> 01:15:33,396 >> I TURN AROUND, AND IT'S 2422 01:15:33,396 --> 01:15:35,264 ELLIOTT. 2423 01:15:35,264 --> 01:15:37,967 >> I'M A FAN. 2424 01:15:37,967 --> 01:15:38,768 >> TWO NEW FANS. 2425 01:15:38,768 --> 01:15:39,468 >> OH MY WORD. 2426 01:15:39,468 --> 01:15:41,404 >> WHEN HE DID THAT, YOU OPENED 2427 01:15:41,404 --> 01:15:41,971 UP MY FRIEND. 2428 01:15:41,971 --> 01:15:42,438 >> WOW. 2429 01:15:42,438 --> 01:15:45,307 >> SO YOU WANT TO BE AT THIS 2430 01:15:45,307 --> 01:15:45,641 NOTCH ALWAYS. 2431 01:15:45,641 --> 01:15:46,208 >> YOU READY FOR THIS? 2432 01:15:46,208 --> 01:15:47,209 >> OH, YEAH. 2433 01:15:47,209 --> 01:15:48,010 I'M READY. 2434 01:15:48,010 --> 01:15:49,745 >> JORDAN IS ABLE TO DO IT SO 2435 01:15:49,745 --> 01:15:51,814 SEAMLESSLY AND EFFORTLESSLY. 2436 01:15:51,814 --> 01:15:53,582 HERE I AM 20 YEARS LATER. 2437 01:15:53,582 --> 01:15:57,420 THERE'S SO MANY PARALLELS, YOU 2438 01:15:57,420 --> 01:15:57,620 KNOW? 2439 01:15:57,620 --> 01:15:59,422 GET ME A LITTLE EMOTIONAL IN THE 2440 01:15:59,422 --> 01:15:59,688 BEST WAY. 2441 01:15:59,688 --> 01:16:01,090 I'M FOLLOWING YOU, MAN. 2442 01:16:01,090 --> 01:16:01,791 I'M FOLLOWING YOU. 2443 01:16:01,791 --> 01:16:02,958 THIS IS YOUR WORLD AND I'M HAPPY 2444 01:16:02,958 --> 01:16:03,392 TO BE IN IT. 2445 01:16:03,392 --> 01:16:04,760 >> I'M SO HONORED. 2446 01:16:04,760 --> 01:16:05,428 THIS IS THE PERFORMANCE THAT 2447 01:16:05,428 --> 01:16:07,029 COULD GET ME INTO THE TOP THREE. 2448 01:16:07,029 --> 01:16:07,496 THANKS TO ELLIOTT. 2449 01:16:07,496 --> 01:16:12,368 I MEAN, HE WAS IN THE TOP THREE. 2450 01:16:12,368 --> 01:16:19,241 ♪ 2451 01:16:19,241 --> 01:16:19,809 ♪ I'VE BEEN SO MANY PLACES 2452 01:16:19,809 --> 01:16:25,915 IN MY LIFE AND TIME ♪ 2453 01:16:25,915 --> 01:16:28,784 ♪ I'VE SUNG A LOT OF SONGS 2454 01:16:28,784 --> 01:16:36,692 I'VE MADE SOME BAD RHYMES ♪ 2455 01:16:36,692 --> 01:16:37,927 ♪ I'VE ACTED OUT 2456 01:16:37,927 --> 01:16:38,327 MY LIFE ON STAGES 2457 01:16:38,327 --> 01:16:39,361 ♪ WITH TEN THOUSAND 2458 01:16:39,361 --> 01:16:44,066 PEOPLE WATCHING ♪ 2459 01:16:44,066 --> 01:16:44,533 ♪ BUT WE'RE ALONE NOW 2460 01:16:44,533 --> 01:16:50,973 AND I'M SINGING 2461 01:16:50,973 --> 01:16:53,309 THIS SONG TO YOU ♪ 2462 01:16:53,309 --> 01:16:54,910 >> LADIES AND GENTLEMEN, ELLIOTT 2463 01:16:54,910 --> 01:16:55,111 YAMIN. 2464 01:16:55,111 --> 01:16:55,478 ♪ YOU TAUGHT ME 2465 01:16:55,478 --> 01:16:57,413 PRECIOUS SECRETS 2466 01:16:57,413 --> 01:17:00,583 OF A TRUE LOVE ♪ 2467 01:17:00,583 --> 01:17:01,050 ♪ WITHHOLDING NOTHING 2468 01:17:01,050 --> 01:17:01,517 YOU CAME OUT IN FRONT 2469 01:17:01,517 --> 01:17:07,990 WHEN I WAS HIDING ♪ 2470 01:17:07,990 --> 01:17:08,524 ♪ BUT NOW I'M 2471 01:17:08,524 --> 01:17:15,931 SO MUCH BETTER ♪ 2472 01:17:15,931 --> 01:17:16,465 ♪ AND IF MY WORDS 2473 01:17:16,465 --> 01:17:17,533 DON'T COME TOGETHER 2474 01:17:17,533 --> 01:17:20,736 LISTEN TO THE MELODY ♪ 2475 01:17:20,736 --> 01:17:22,805 ♪ ‘CAUSE MY LOVE 2476 01:17:22,805 --> 01:17:26,509 MY LOVE, MY LOVE, MY LOVE 2477 01:17:26,509 --> 01:17:34,483 IS IN THERE HIDING, OOH ♪ 2478 01:17:34,483 --> 01:17:36,018 ♪ I LOVE YOU IN A PLACE 2479 01:17:36,018 --> 01:17:36,585 WHERE THERE'S NO 2480 01:17:36,585 --> 01:17:44,994 SPACE OR TIME ♪ 2481 01:17:44,994 --> 01:17:48,697 ♪ I LOVE YOU FOR MY LIFE 2482 01:17:48,697 --> 01:17:49,231 YOU'RE A 2483 01:17:49,231 --> 01:17:50,866 FRIEND OF MINE ♪ 2484 01:17:50,866 --> 01:17:52,935 ♪ AND WHEN MY LIFE IS OVER 2485 01:17:52,935 --> 01:17:53,469 REMEMBER WHEN WE 2486 01:17:53,469 --> 01:18:01,911 WERE TOGETHER ♪ 2487 01:18:01,911 --> 01:18:02,444 ♪ WE WERE ALONE 2488 01:18:02,444 --> 01:18:05,915 AND I WAS SINGING THIS SONG 2489 01:18:05,915 --> 01:18:06,448 I WAS SINGING THIS SONG ♪ 2490 01:18:06,448 --> 01:18:07,716 ♪ I WAS SINGING THIS SONG 2491 01:18:07,716 --> 01:18:13,022 I WAS SINGING THIS SONG ♪ 2492 01:18:13,022 --> 01:18:13,923 ♪ I WAS SINGING THIS SONG 2493 01:18:13,923 --> 01:18:17,226 OOH 2494 01:18:17,226 --> 01:18:22,331 TO YOU ♪ 2495 01:18:22,331 --> 01:18:29,238 ♪ 2496 01:18:29,238 --> 01:18:30,039 ♪ OH, WHOA ♪ 2497 01:18:30,039 --> 01:18:37,112 [ CHEERS AND APPLAUSE ] 2498 01:18:37,780 --> 01:18:56,265 [ CHEERS AND APPLAUSE ] 2499 01:18:56,265 --> 01:18:57,266 >> Lionel: YOU WANT TO GO FIRST? 2500 01:18:57,266 --> 01:18:59,768 YOU GOT TO BREAK IN THAT. 2501 01:18:59,768 --> 01:19:00,803 BRING IT IN THERE. 2502 01:19:00,803 --> 01:19:05,140 >> Paula: JORDAN AND ELLIOTT. 2503 01:19:05,140 --> 01:19:06,342 THERE IS SOMETHING THAT I ALWAYS 2504 01:19:06,342 --> 01:19:09,878 TOLD ELLIOTT THAT HE GOT INTO MY 2505 01:19:09,878 --> 01:19:10,079 HEART. 2506 01:19:10,079 --> 01:19:13,215 SO DEEPLY, BUT YOU HAVE THAT 2507 01:19:13,215 --> 01:19:13,816 SAME GIFT, JORDAN. 2508 01:19:13,816 --> 01:19:15,484 THE TWO OF YOU TOGETHER, THIS 2509 01:19:15,484 --> 01:19:17,253 WAS A MASTER CLASS. 2510 01:19:17,253 --> 01:19:18,387 THIS WAS A GRAMMYS DUET 2511 01:19:18,387 --> 01:19:20,756 PERFORMANCE. 2512 01:19:20,756 --> 01:19:21,257 [ CHEERS AND APPLAUSE ] 2513 01:19:21,257 --> 01:19:21,657 >> GOD BLESS YOU. 2514 01:19:21,657 --> 01:19:21,924 THANK YOU. 2515 01:19:21,924 --> 01:19:24,226 >> Paula: THANK YOU. 2516 01:19:24,226 --> 01:19:24,526 THANK YOU. 2517 01:19:24,526 --> 01:19:25,427 I LOVE YOU BOTH. 2518 01:19:25,427 --> 01:19:27,263 ELLIOTT, I LOVE YOU. 2519 01:19:27,263 --> 01:19:27,830 >> LOVE YOU MORE. 2520 01:19:27,830 --> 01:19:29,665 LOVE YOU MORE, PAULA. 2521 01:19:29,665 --> 01:19:30,466 >> Paula: I LOVE YOU. 2522 01:19:30,466 --> 01:19:31,533 >> Carrie: I DO NOT HAVE ENOUGH 2523 01:19:31,533 --> 01:19:34,236 WORDS IN MY VOCABULARY TO GIVE 2524 01:19:34,236 --> 01:19:36,605 YOU THE PRAISE THAT YOU BOTH 2525 01:19:36,605 --> 01:19:39,441 DESERVE RIGHT NOW. 2526 01:19:39,441 --> 01:19:41,910 AMERICA, Y'ALL BETTER BE VOTING. 2527 01:19:41,910 --> 01:19:42,278 YOU BETTER. 2528 01:19:42,278 --> 01:19:43,912 YOU BETTER VOTE. 2529 01:19:43,912 --> 01:19:46,215 >> THANK YOU. 2530 01:19:46,215 --> 01:19:49,551 [ APPLAUSE ] 2531 01:19:49,551 --> 01:19:53,322 >> Luke: I MEAN, THAT WAS, LIKE, 2532 01:19:53,322 --> 01:19:55,724 A LAMBORGHINI AND A FERRARI, AND 2533 01:19:55,724 --> 01:19:57,126 I DON'T KNOW WHO'S THE 2534 01:19:57,126 --> 01:19:58,160 LAMBORGHINI AND WHO'S THE 2535 01:19:58,160 --> 01:19:59,662 FERRARI, BUT IT DIDN'T MATTER. 2536 01:19:59,662 --> 01:20:00,863 THERE -- IT WAS JUST AMAZING TO 2537 01:20:00,863 --> 01:20:02,264 WATCH AND WITNESS, AND YOU GUYS 2538 01:20:02,264 --> 01:20:06,969 WERE JUST IN A -- IN A VERY 2539 01:20:06,969 --> 01:20:07,636 COMPLEMENTARY PERFORMANCE WHERE 2540 01:20:07,636 --> 01:20:09,905 YOU BLENDED IT TOGETHER, AND 2541 01:20:09,905 --> 01:20:10,773 ELLIOTT, IT WAS JUST GREAT TO 2542 01:20:10,773 --> 01:20:13,409 WATCH YOU DO THAT, AND JORDAN -- 2543 01:20:13,409 --> 01:20:13,942 >> Lionel: UNBELIEVABLE. 2544 01:20:13,942 --> 01:20:14,276 >> Luke: MAN. 2545 01:20:14,276 --> 01:20:14,743 >> THANK YOU SO MUCH. 2546 01:20:14,743 --> 01:20:17,980 THANK YOU. 2547 01:20:17,980 --> 01:20:19,214 >> Lionel: I -- I NEVER THOUGHT 2548 01:20:19,214 --> 01:20:21,617 I WOULD FIND THE TIME OF MY 2549 01:20:21,617 --> 01:20:24,987 JUDGING WHEN I HAVE TO CALL FOR 2550 01:20:24,987 --> 01:20:26,355 A ROOT CHECK. 2551 01:20:26,355 --> 01:20:26,955 OBVIOUSLY, WHAT IS HAPPENING 2552 01:20:26,955 --> 01:20:29,124 HERE IS YOU TWO COMPLEMENT EACH 2553 01:20:29,124 --> 01:20:32,661 OTHER SO WELL THAT YOU TURN 2554 01:20:32,661 --> 01:20:33,562 "AMERICAN IDOL" INTO THE CHURCH 2555 01:20:33,562 --> 01:20:38,200 OF "AMERICAN IDOL." 2556 01:20:38,200 --> 01:20:38,834 [ CHEERS AND APPLAUSE ] 2557 01:20:38,834 --> 01:20:39,268 >> THANK YOU. 2558 01:20:39,268 --> 01:20:42,338 >> Ryan: JORDAN, ELLIOTT. 2559 01:20:42,338 --> 01:20:44,540 GOOD TO SEE YOU, BUDDY. 2560 01:20:44,540 --> 01:20:45,607 >> GREAT TO SEE YOU AGAIN. 2561 01:20:45,607 --> 01:20:47,409 >> Ryan: YOU KNOW, THE ONLY BAD 2562 01:20:47,409 --> 01:20:48,610 THING ABOUT THAT PERFORMANCE WAS 2563 01:20:48,610 --> 01:20:51,313 THAT IT HAD TO END. 2564 01:20:51,313 --> 01:20:53,382 IT WANTED TO KEEP ONGOING. 2565 01:20:53,382 --> 01:20:54,383 >> Lionel: CORRECT. 2566 01:20:54,383 --> 01:20:55,417 >> Ryan: AND GOING AND GOING, 2567 01:20:55,417 --> 01:20:57,419 AND THE TWO OF YOU JUST MET TWO 2568 01:20:57,419 --> 01:20:57,720 DAYS AGO. 2569 01:20:57,720 --> 01:21:01,590 >> I HAVE BEEN KNOWING HIM FOR A 2570 01:21:01,590 --> 01:21:01,924 LONG TIME. 2571 01:21:01,924 --> 01:21:02,558 >> Ryan: I KNOW YOU HAVE BEEN A 2572 01:21:02,558 --> 01:21:03,192 FAN, BUT TO DO IT LIKE THAT AND 2573 01:21:03,192 --> 01:21:04,560 SEE THAT CHEMISTRY AND THAT 2574 01:21:04,560 --> 01:21:04,760 MAGIC. 2575 01:21:04,760 --> 01:21:06,362 IF YOU WANT JORDAN IN THE FINALE 2576 01:21:06,362 --> 01:21:09,431 NEXT WEEK, YOU GOT TO VOTE. 2577 01:21:09,431 --> 01:21:11,333 >> VOTE FOR JORDAN, Y'ALL. 2578 01:21:11,333 --> 01:21:12,201 >> Ryan: VOTE ON FACEBOOK, 2579 01:21:12,201 --> 01:21:13,435 INSTAGRAM, AND TIKTOK. 2580 01:21:13,435 --> 01:21:15,104 IF YOU'VE NEVER VOTED BEFORE AND 2581 01:21:15,104 --> 01:21:18,374 YOU WANT JORDAN THERE, GET TO 2582 01:21:18,374 --> 01:21:19,174 IT. 2583 01:21:19,174 --> 01:21:19,975 VOTE NOW. 2584 01:21:19,975 --> 01:21:22,077 ELLIOTT YAMIN AND JORDAN 2585 01:21:22,077 --> 01:21:24,947 McCULLOUGH. 2586 01:21:24,947 --> 01:21:25,114 ♪ 2587 01:21:25,114 --> 01:21:25,914 [ CHEERS AND APPLAUSE ] 2588 01:21:25,914 --> 01:21:27,149 >> Ryan: THANKS, ELLIOTT. 2589 01:21:27,149 --> 01:21:31,754 GOOD TO SEE YOU, PAL. 2590 01:21:31,754 --> 01:21:32,855 WELL, WHAT IS GOING TO HAPPEN? 2591 01:21:32,855 --> 01:21:35,858 LET'S HEAR IT FOR KRIS POOLEY 2592 01:21:35,858 --> 01:21:36,425 AND THE BAND. 2593 01:21:36,425 --> 01:21:37,793 EPIC NIGHT OF MUSIC, THANK YOU. 2594 01:21:37,793 --> 01:21:39,928 [ CHEERS AND APPLAUSE ] 2595 01:21:39,928 --> 01:21:42,331 A BIG THANKS TO OUR 2006 "IDOL" 2596 01:21:42,331 --> 01:21:46,568 ALUM FOR BEING WITH US TONIGHT. 2597 01:21:46,568 --> 01:21:49,438 AMERICA, THE VOTE WILL CLOSE IN 2598 01:21:49,438 --> 01:21:50,406 THIS NEXT COMMERCIAL BREAK. 2599 01:21:50,406 --> 01:21:52,474 MAKE SURE YOU LOCK THEM IN. 2600 01:21:52,474 --> 01:21:57,479 YOUR FINALE TRIO WILL BE NAMED 2601 01:21:57,479 --> 01:21:59,481 LIVE RIGHT AFTER THIS. 2602 01:21:59,481 --> 01:21:59,648 ♪ 2603 01:21:59,648 --> 01:22:00,883 [ CHEERS AND APPLAUSE ] 2604 01:22:05,988 --> 01:22:08,023 ♪ 2605 01:22:08,023 --> 01:22:12,060 [ CHEERS AND APPLAUSE ] 2606 01:22:12,060 --> 01:22:13,028 >> Ryan: WELCOME BACK. 2607 01:22:13,028 --> 01:22:14,663 OVER THE BREAK, THE VOTE WAS 2608 01:22:14,663 --> 01:22:16,031 CLOSED AND YOUR RESULTS JUST 2609 01:22:16,031 --> 01:22:17,466 HANDED OVER TO ME. 2610 01:22:17,466 --> 01:22:20,569 I'M ABOUT TO REVEAL YOUR THREE 2611 01:22:20,569 --> 01:22:23,005 FINALE COMPETITORS AS CHOSEN BY 2612 01:22:23,005 --> 01:22:23,705 YOU LIVE. 2613 01:22:23,705 --> 01:22:25,908 FIRST, A MASSIVE AND SINCERE 2614 01:22:25,908 --> 01:22:28,310 THANK YOU GOES TO OUR FRIENDS, 2615 01:22:28,310 --> 01:22:31,980 RANDY JACKSON FOR HIS MENTORSHIP 2616 01:22:31,980 --> 01:22:33,348 THIS WEEK, AND OF COURSE, TO 2617 01:22:33,348 --> 01:22:34,450 PAULA ABDUL FOR SITTING ON THE 2618 01:22:34,450 --> 01:22:34,783 PANEL TONIGHT. 2619 01:22:34,783 --> 01:22:38,320 [ CHEERS AND APPLAUSE ] 2620 01:22:38,320 --> 01:22:39,488 PAULA, WHAT DIFFERENT EMOTIONS 2621 01:22:39,488 --> 01:22:41,557 DID YOU FEEL TONIGHT WATCHING 2622 01:22:41,557 --> 01:22:42,891 THESE PERFORMANCES? 2623 01:22:42,891 --> 01:22:44,059 >> Paula: I FELT LIKE I WAS AT 2624 01:22:44,059 --> 01:22:45,294 DISNEYLAND FOR THE PAST TWO 2625 01:22:45,294 --> 01:22:45,494 HOURS. 2626 01:22:45,494 --> 01:22:47,496 THERE WERE, LIKE, SCARY RIDES 2627 01:22:47,496 --> 01:22:48,597 AND FAST RIDES AND SNACKS THAT 2628 01:22:48,597 --> 01:22:51,266 WERE SO YUMMY, AND I JUST -- I 2629 01:22:51,266 --> 01:22:53,001 AM SO PROUD OF EACH AND EVERY 2630 01:22:53,001 --> 01:22:57,339 ONE OF YOU. 2631 01:22:57,339 --> 01:22:57,973 YOU ARE ALL DESERVING OF GREAT 2632 01:22:57,973 --> 01:22:59,374 CAREER SUCCESS, AND I FEEL SO 2633 01:22:59,374 --> 01:22:59,741 HONORED. 2634 01:22:59,741 --> 01:23:00,442 THANK YOU ALL FOR HAVING ME AND 2635 01:23:00,442 --> 01:23:03,312 WELCOMING ME. 2636 01:23:03,312 --> 01:23:03,812 [ CHEERS AND APPLAUSE ] 2637 01:23:03,812 --> 01:23:05,347 >> Ryan: LET'S GET TO YOUR 2638 01:23:05,347 --> 01:23:05,848 RESULTS. 2639 01:23:05,848 --> 01:23:06,548 >> Paula: THE BAND TOO. 2640 01:23:06,548 --> 01:23:09,585 >> Ryan: TOM, DIM THE LIGHTS AND 2641 01:23:09,585 --> 01:23:10,686 HERE WE GO. 2642 01:23:10,686 --> 01:23:14,256 GOOD LUCK TO ALL OF YOU. 2643 01:23:14,256 --> 01:23:17,493 IN NO PARTICULAR ORDER, AFTER 2644 01:23:17,493 --> 01:23:18,861 THE NATIONWIDE VOTE, THE FIRST 2645 01:23:18,861 --> 01:23:20,829 PERSON IN YOUR TOP THREE AND 2646 01:23:20,829 --> 01:23:23,932 COMPETING LIVE NEXT WEEK IN THE 2647 01:23:23,932 --> 01:23:27,569 SEASON FINALE IS -- HANNAH! 2648 01:23:27,569 --> 01:23:38,780 [ CHEERS AND APPLAUSE ] 2649 01:23:38,780 --> 01:23:41,517 >> Ryan: RETURNING HOME FOR A 2650 01:23:41,517 --> 01:23:43,452 ONCE-IN-A-LIFETIME HOMETOWN HERO 2651 01:23:43,452 --> 01:23:52,394 CELEBRATION IS -- MS. 2652 01:23:52,394 --> 01:23:53,095 PENSA 2653 01:23:53,095 --> 01:23:56,231 PENSA-KEYLA, PENSACOLA. 2654 01:23:56,231 --> 01:24:00,235 [ CHEERS AND APPLAUSE ] 2655 01:24:02,938 --> 01:24:05,307 >> Ryan: SO WE'RE DOWN TO CHRIS, 2656 01:24:05,307 --> 01:24:07,910 BRADEN, AND JORDAN. 2657 01:24:07,910 --> 01:24:11,013 ONE SPOT REMAINS FOR THE FINALE. 2658 01:24:11,013 --> 01:24:13,982 TWO PEOPLE, UNFORTUNATELY, HAVE 2659 01:24:13,982 --> 01:24:15,584 TO GO HOME ALL BASED ON YOUR 2660 01:24:15,584 --> 01:24:18,186 LIVE VOTE TONIGHT. 2661 01:24:18,186 --> 01:24:19,521 GENTLEMEN, GOOD LUCK. 2662 01:24:19,521 --> 01:24:20,322 THANK YOU FOR EVERYTHING, AND 2663 01:24:20,322 --> 01:24:25,761 HERE WE GO. 2664 01:24:25,761 --> 01:24:28,330 THE PERSON YOU HAVE VOTED INTO 2665 01:24:28,330 --> 01:24:28,964 YOUR TOP THREE AFTER THAT VOTE 2666 01:24:28,964 --> 01:24:32,434 IS -- JORDAN! 2667 01:24:32,434 --> 01:24:37,239 [ CHEERS AND APPLAUSE ] 2668 01:24:37,239 --> 01:24:38,240 WHICH MEANS WE SAY GOOD-BYE TO 2669 01:24:38,240 --> 01:24:39,107 CHRIS AND BRADEN, AND TO YOU, 2670 01:24:39,107 --> 01:24:39,341 AMERICA. 2671 01:24:39,341 --> 01:24:40,275 GOOD NIGHT, EVERYONE. 2672 01:24:40,275 --> 01:24:40,876 SEE YOU NEXT WEEK. 2673 01:24:40,876 --> 01:24:41,043 ♪ 2674 01:24:41,043 --> 01:24:41,843 [ CHEERS AND APPLAUSE ]