1 00:00:00,868 --> 00:00:04,072 [On The Road Again intro] 2 00:00:04,105 --> 00:00:07,241 * ON THE ROAD AGAIN 3 00:00:07,275 --> 00:00:11,145 * I JUST CAN'T WAIT TO GET ON THE ROAD AGAIN * 4 00:00:11,179 --> 00:00:12,346 * THE LIFE I LOVE 5 00:00:12,380 --> 00:00:16,117 * IS MAKING MUSIC WITH MY FRIENDS * 6 00:00:16,150 --> 00:00:17,085 UH, HOLD IT A MINUTE. 7 00:00:17,118 --> 00:00:20,188 UH, A LITTLE LESS HARMONICA IN THE MONITORS 8 00:00:20,221 --> 00:00:22,356 AND A LITTLE MORE BASS, PLEASE. 9 00:00:22,390 --> 00:00:23,424 (man) SURE THING, WILLIE. 10 00:00:23,457 --> 00:00:24,425 AND A LITTLE LESS LIGHT 11 00:00:24,458 --> 00:00:26,560 ON THE HARMONICA PLAYER, PLEASE. 12 00:00:26,594 --> 00:00:28,796 THANK YOU. [laughter] 13 00:00:28,829 --> 00:00:30,664 * 14 00:00:30,698 --> 00:00:32,800 * ON THE ROAD AGAIN 15 00:00:32,833 --> 00:00:36,470 * I JUST CAN'T WAIT TO GET ON THE ROAD AGAIN * 16 00:00:36,504 --> 00:00:37,505 * 17 00:00:37,538 --> 00:00:38,639 * THE LIFE I LOVE 18 00:00:38,672 --> 00:00:40,574 * IS MAKING MUSIC WITH MY FRIENDS * 19 00:00:40,608 --> 00:00:43,677 * AND I CAN'T WAIT TO GET ON THE ROAD AGAIN * 20 00:00:43,711 --> 00:00:44,778 * 21 00:00:44,812 --> 00:00:47,515 * ON THE ROAD AGAIN 22 00:00:47,548 --> 00:00:50,418 * GOING PLACES THAT I'VE NEVER BEEN * 23 00:00:50,451 --> 00:00:51,752 * 24 00:00:51,785 --> 00:00:55,156 * SEEIN' THINGS THAT I MAY NEVER SEE AGAIN * 25 00:00:55,189 --> 00:01:00,094 * AND I CAN'T WAIT TO GET ON THE ROAD AGAIN * 26 00:01:00,128 --> 00:01:01,229 IS THAT ENOUGH OF IT? 27 00:01:01,262 --> 00:01:04,398 (man) SOUNDS GREAT. 100%. 28 00:01:05,366 --> 00:01:06,634 MR. NELSON. HELLO. 29 00:01:06,667 --> 00:01:07,635 WILLIE. 30 00:01:07,668 --> 00:01:08,636 [chuckles] HEY. 31 00:01:08,669 --> 00:01:09,837 I JUST SPOKE TO THE FRONT OFFICE. 32 00:01:09,870 --> 00:01:11,239 BOTH SHOWS ARE SOLD OUT. 33 00:01:11,272 --> 00:01:12,573 CAN'T BEAT THAT, HUH? 34 00:01:12,606 --> 00:01:13,674 NO, SIR. 35 00:01:13,707 --> 00:01:14,775 AND I GAVE YOUR DRIVER DIRECTIONS 36 00:01:14,808 --> 00:01:15,876 TO THE RADIO STATION. 37 00:01:15,909 --> 00:01:17,311 (Willie) WHAT RADIO STATION? 38 00:01:17,345 --> 00:01:18,579 FOR THAT INTERVIEW YOU HAVE IN THE MORNING. 39 00:01:18,612 --> 00:01:19,580 YOU REMEMBER. ALL RIGHT. 40 00:01:19,613 --> 00:01:20,581 CAN YOU EXCUSE ME A MINUTE? 41 00:01:20,614 --> 00:01:22,216 NOT A PROBLEM. 42 00:01:22,250 --> 00:01:23,851 WILL YOU, UH, LET GO OF MY HAND? 43 00:01:23,884 --> 00:01:25,686 I AM SO SORRY. 44 00:01:27,855 --> 00:01:30,891 (Sonny) PUT THE WOMEN'S BATHROOM SIGNS OVER THE EXITS. 45 00:01:30,924 --> 00:01:32,893 WE CAN GET MORE PEOPLE IN THAT WAY. 46 00:01:32,926 --> 00:01:34,495 I-I GOTTA GO. 47 00:01:34,528 --> 00:01:35,563 HEY, WILL. SORRY I'M LATE. 48 00:01:35,596 --> 00:01:36,564 HOW'D THE REHEARSAL GO? 49 00:01:36,597 --> 00:01:38,699 WELL, WE MANAGED TO GET BY WITHOUT YOU AGAIN. 50 00:01:38,732 --> 00:01:40,168 SOMETHING WRONG? 51 00:01:40,201 --> 00:01:41,702 YEAH, SOMETHING'S WRONG. 52 00:01:41,735 --> 00:01:42,836 IF IT'S ABOUT THE $400 FROM LAST NIGHT'S POKER GAME-- 53 00:01:42,870 --> 00:01:45,473 NO, IT'S THE $400,000. 54 00:01:45,506 --> 00:01:46,707 THE BOOKS DIDN'T ADD UP. 55 00:01:46,740 --> 00:01:49,310 CAN WE GO, UH, TALK ABOUT THIS ON THE BUS? 56 00:01:49,343 --> 00:01:51,579 WE'LL TALK ABOUT IT NOW. ARE YOU RIPPIN' ME OFF? 57 00:01:51,612 --> 00:01:53,214 (Sonny) NO! IS THIS A JOKE? 58 00:01:53,247 --> 00:01:54,748 (Willie) NO JOKE. 59 00:01:54,782 --> 00:01:56,817 YOU KNOW I NEVER DO THE BOOKS TILL WE GET BACK TO AUSTIN. 60 00:01:56,850 --> 00:01:57,651 WELL, IF THE BOOKS DON'T ADD UP TODAY, 61 00:01:57,685 --> 00:01:59,720 YOU WON'T BE GOIN' BACK TO AUSTIN. 62 00:02:16,204 --> 00:02:18,339 NOW JUST SHUT UP AND LISTEN. 63 00:02:18,372 --> 00:02:20,474 GET ALL THE RECEIPTS YOU CAN TOGETHER. 64 00:02:20,508 --> 00:02:22,643 I'LL MAKE UP THE RES-- AH, JEEZ. 65 00:02:22,676 --> 00:02:23,944 OH, PLEASE, CALM DOWN. 66 00:02:23,977 --> 00:02:26,247 I GOTTA GO. 67 00:02:30,818 --> 00:02:32,186 [gunshot] 68 00:02:33,521 --> 00:02:34,755 [gunshot] 69 00:02:38,292 --> 00:02:39,860 (woman) HELP! COME QUICK! 70 00:02:39,893 --> 00:02:41,662 HELP! 71 00:02:41,695 --> 00:02:43,831 HELP! HELP! 72 00:02:43,864 --> 00:02:45,966 HELP, SOMEBODY! 73 00:02:45,999 --> 00:02:46,667 SOMEBODY HELP! 74 00:02:46,700 --> 00:02:48,769 I'M IN THE ALLEY! COME QUICK! 75 00:02:48,802 --> 00:02:50,238 OH, GOD! 76 00:02:50,271 --> 00:02:51,272 CALL 911! 77 00:02:51,305 --> 00:02:52,906 WHAT'S GOIN' ON? 78 00:02:52,940 --> 00:02:53,941 SONNY'S BEEN SHOT. 79 00:02:53,974 --> 00:02:55,276 (woman) SOMEBODY COME QUICK! 80 00:02:55,309 --> 00:02:56,277 OH, GOD! 81 00:02:56,310 --> 00:02:58,412 WHAT DID YOU DO? 82 00:02:58,446 --> 00:03:01,915 [woman wailing] 83 00:03:01,949 --> 00:03:04,918 [upbeat acoustic music] 84 00:03:04,952 --> 00:03:12,960 * 85 00:03:52,433 --> 00:03:56,437 (Disher) NO PRESS. NOBODY GETS WIND OF THIS, OKAY? 86 00:03:56,470 --> 00:03:57,438 THANKS. 87 00:03:57,471 --> 00:03:59,707 JUST BAG IT UNTIL YOU GET TO THE LAB, OKAY? 88 00:03:59,740 --> 00:04:00,774 OKAY. WHO IS IT? 89 00:04:00,808 --> 00:04:01,775 BLOCK OFF THAT SIDE OVER THERE. 90 00:04:01,809 --> 00:04:04,545 (Sharona) I TOLD YOU MY HOURS WERE CRAZY. 91 00:04:04,578 --> 00:04:05,746 UH-HUH. 92 00:04:05,779 --> 00:04:06,580 YOU KNOW WHAT? 93 00:04:06,614 --> 00:04:08,782 I-I-I JUST GOT TO THE CRIME SCENE. 94 00:04:08,816 --> 00:04:10,784 I'LL--I'LL CALL YOU LATER, OKAY? 95 00:04:10,818 --> 00:04:12,420 HOW--HOW LATE ARE YOU GONNA BE UP? 96 00:04:12,453 --> 00:04:13,421 [chuckles] 97 00:04:13,454 --> 00:04:14,622 ALL RIGHT. OKAY. 98 00:04:14,655 --> 00:04:15,956 ALL RIGHT, BYE. WHO WAS THAT? 99 00:04:15,989 --> 00:04:16,957 NONE OF YOUR BUSINESS. 100 00:04:16,990 --> 00:04:17,958 WELL, CAN I TAKE A WILD GUESS? 101 00:04:17,991 --> 00:04:19,059 YOU NEVER TAKE WILD GUESSES. 102 00:04:19,092 --> 00:04:20,961 WAS IT THE GUY YOU MET LAST WEEK AT THE PARTY--JUSTIN? 103 00:04:20,994 --> 00:04:21,962 MAYBE. 104 00:04:21,995 --> 00:04:23,063 WHEN DO I GET TO MEET HIM? 105 00:04:23,096 --> 00:04:25,533 NEVER, 'CAUSE YOU RUIN EVERYTHING. 106 00:04:25,566 --> 00:04:27,034 I'M PROTECTING YOU. 107 00:04:27,067 --> 00:04:28,035 [sighs] 108 00:04:28,068 --> 00:04:29,670 ADRIAN, YOU'RE NOT MY MOTHER. 109 00:04:29,703 --> 00:04:30,904 LOOK, I CHECKED HIM OUT ON THE INTERNET. 110 00:04:30,938 --> 00:04:32,706 HE'S AN ARCHITECT WHO'S WON AWARDS. 111 00:04:32,740 --> 00:04:33,907 HE'S THE REAL DEAL. 112 00:04:33,941 --> 00:04:36,043 SO LET ME MEET HIM. 113 00:04:36,076 --> 00:04:37,778 WE'LL INVITE YOU TO OUR TENTH ANNIVERSARY, OKAY? 114 00:04:37,811 --> 00:04:38,946 NOW, WILL YOU PAY ATTENTION? 115 00:04:38,979 --> 00:04:40,781 THERE'S A DEAD GUY OVER HERE. 116 00:04:40,814 --> 00:04:42,616 UM, CAN WE CUT THE WITNESS LOOSE? 117 00:04:42,650 --> 00:04:43,884 YES. NO, NO. WAIT, WAIT. 118 00:04:43,917 --> 00:04:46,920 UH, NO. UH, NO, NO. 119 00:04:46,954 --> 00:04:48,021 WE BETTER NOT. 120 00:04:48,055 --> 00:04:48,922 SIR, THE BUILDING NEXT DOOR HAS A SECURITY CAMERA. 121 00:04:48,956 --> 00:04:49,757 MAYBE WE COULD HAVE A LOOK AT THE TAPE. 122 00:04:49,790 --> 00:04:52,560 YES, GOOD IDEA. TALK TO THE OWNER. 123 00:04:52,593 --> 00:04:54,828 WOULDN'T WE NEED A COURT ORDER FOR THAT? 124 00:04:54,862 --> 00:04:57,431 RIGHT. I'LL TAKE CARE OF THAT LATER. 125 00:04:57,465 --> 00:04:58,699 MONK. 126 00:04:58,732 --> 00:04:59,733 WHERE'S THE CAPTAIN? 127 00:04:59,767 --> 00:05:00,868 HE'S GETTING AN X-RAY. 128 00:05:00,901 --> 00:05:01,869 HE WAS IN AN ACCIDENT. 129 00:05:01,902 --> 00:05:02,903 IS HE OKAY? 130 00:05:02,936 --> 00:05:04,538 HE FELL OFF HIS MOTORCYCLE. THAT'S ALL I KNOW. 131 00:05:04,572 --> 00:05:06,474 UNTIL HE GETS BACK, I'M IN CHARGE. 132 00:05:06,507 --> 00:05:07,508 OH, MY GOD. 133 00:05:07,541 --> 00:05:09,076 I'M SO GLAD YOU'RE HERE. 134 00:05:09,109 --> 00:05:11,345 MONK, LISTEN. THIS IS BIG. 135 00:05:11,379 --> 00:05:13,447 IN FACT, THIS COULD BE THE BIG ONE. 136 00:05:13,481 --> 00:05:15,583 WE HAVE A SUSPECT INSIDE. 137 00:05:15,616 --> 00:05:16,817 IT'S WILLIE NELSON. 138 00:05:16,850 --> 00:05:18,552 THE RED-HEADED STRANGER? 139 00:05:18,586 --> 00:05:20,854 THE PRESS HASN'T GOT WIND OF IT YET, SO JUST-- 140 00:05:20,888 --> 00:05:23,891 CAN I--CAN I-- CAN I TALK TO HIM? 141 00:05:23,924 --> 00:05:24,925 YOU LIKE WILLIE NELSON? 142 00:05:24,958 --> 00:05:25,926 ARE YOU SURPRISED? 143 00:05:25,959 --> 00:05:26,960 WELL, YEAH. 144 00:05:26,994 --> 00:05:28,396 IT'S JUST SO-- SO NORMAL. 145 00:05:28,429 --> 00:05:29,463 WILLIE'S INSIDE, 146 00:05:29,497 --> 00:05:30,764 AND HE'S NOT TALKING TO ANYONE 147 00:05:30,798 --> 00:05:33,100 UNTIL HIS LAWYERS GET HERE. 148 00:05:33,133 --> 00:05:34,835 IF YOU WANT, YOU CAN MEET HIS ROAD MANAGER. 149 00:05:34,868 --> 00:05:37,838 SAY HELLO TO SONNY CROSS. 150 00:05:37,871 --> 00:05:39,907 HEY, WE FOUND THIS ON THE FRONT DOOR, 151 00:05:39,940 --> 00:05:41,675 TO LURE HIM INTO THE ALLEY. 152 00:05:41,709 --> 00:05:43,477 WHAT DOES THE "J" STAND FOR? 153 00:05:43,511 --> 00:05:45,713 HIS LEGAL NAME WAS JASON CROSS. 154 00:05:45,746 --> 00:05:47,014 LOOK AT THIS. 155 00:05:47,047 --> 00:05:48,582 SHOT ONE THROUGH THE COLLARBONE, 156 00:05:48,616 --> 00:05:49,950 SHOT TWO STRAIGHT IN THE BACK 157 00:05:49,983 --> 00:05:52,019 WHILE HE WAS RUNNING AWAY. 158 00:05:52,052 --> 00:05:52,986 WE HAVE A WITNESS, MONK, 159 00:05:53,020 --> 00:05:56,123 WHO HEARD WILLIE NELSON AND CROSS ARGUING 160 00:05:56,156 --> 00:05:57,725 JUST BEFORE THE SHOTS WERE FIRED. 161 00:05:57,758 --> 00:05:58,726 WE FOUND THE GUN 162 00:05:58,759 --> 00:06:00,828 OVER THERE BEHIND THE DUMPSTER. 163 00:06:00,861 --> 00:06:03,897 IT'S A WEBLEY, A MARK 1 .38-CALIBER. 164 00:06:03,931 --> 00:06:04,898 NO PRINTS. 165 00:06:04,932 --> 00:06:05,999 AN OLD WEBLEY? 166 00:06:06,033 --> 00:06:07,635 YEAH, SO WE CAN RULE OUT A MUGGING. 167 00:06:13,907 --> 00:06:15,008 WHAT'S HE DOING? 168 00:06:15,042 --> 00:06:17,945 WHAT ARE YOU DOING? 169 00:06:17,978 --> 00:06:20,648 THE BULLET HOLE IN THE JACKET LINES UP WITH THE ENTRY WOUND. 170 00:06:20,681 --> 00:06:21,449 SO? 171 00:06:21,482 --> 00:06:23,817 WELL, YOU SAID THEY WERE ARGUING, 172 00:06:23,851 --> 00:06:25,619 BUT IF HE WAS ANIMATED, 173 00:06:25,653 --> 00:06:27,655 IF HIS HANDS WERE UP OR HE WAS GESTURING, 174 00:06:27,688 --> 00:06:30,791 THEN THE HOLES WOULDN'T MATCH UP. 175 00:06:30,824 --> 00:06:35,496 NO, THIS MAN HAD HIS HANDS DOWN AT HIS SIDES. 176 00:06:35,529 --> 00:06:37,598 AND HE--HE WASN'T FRIGHTENED EITHER. 177 00:06:37,631 --> 00:06:41,101 HE--YOU SAY THERE WAS AN EYEWITNESS? 178 00:06:41,134 --> 00:06:43,871 WELL, NOT EXACTLY AN EYEWITNESS. 179 00:06:43,904 --> 00:06:45,873 HER NAME'S WENDY MASS. 180 00:06:45,906 --> 00:06:48,942 SHE'S BEEN BLIND SINCE SHE WAS 16. 181 00:06:48,976 --> 00:06:50,544 SHE LIVES IN ONE OF THOSE ASSISTED LIVING PLACES 182 00:06:50,578 --> 00:06:51,745 UP ON MOUNTAIN VIEW. 183 00:06:51,779 --> 00:06:52,913 OH, MY GOD. I KNOW HER. 184 00:06:52,946 --> 00:06:54,882 I'VE SEEN HER IN THE PARK. 185 00:06:57,150 --> 00:06:59,853 THAT'S YOUR WITNESS? 186 00:06:59,887 --> 00:07:02,623 SHE SAID SHE HEARD THE WHOLE THING. 187 00:07:02,656 --> 00:07:04,825 LIEUTENANT, FROM HERE, IT LOOKS LIKE YOUR HANDS ARE EMPTY. 188 00:07:04,858 --> 00:07:06,026 EXCUSE ME? 189 00:07:06,059 --> 00:07:08,829 YOU'RE NOT HOLDING A WARRANT, ARE YOU? 190 00:07:08,862 --> 00:07:09,863 NO, I'M NOT. 191 00:07:09,897 --> 00:07:11,699 THEN WE'RE FINISHED HERE. 192 00:07:11,732 --> 00:07:12,933 (Disher) I-I JUST WANNA MAKE SURE THAT WE HAVE ALL THE DETAILS. 193 00:07:12,966 --> 00:07:13,901 WHAT MORE DO YOU WANT? 194 00:07:13,934 --> 00:07:16,136 OUR CLIENT HAS GIVEN YOU HIS STATEMENT 195 00:07:16,169 --> 00:07:17,237 THREE TIMES ALREADY. 196 00:07:17,270 --> 00:07:18,472 (Willie) IT'S OKAY, JOSH. 197 00:07:18,506 --> 00:07:19,673 I'M AS ANXIOUS 198 00:07:19,707 --> 00:07:21,074 TO GET THIS THING CLEARED UP AS YOU ARE. 199 00:07:21,108 --> 00:07:22,743 (Disher) THANK YOU. 200 00:07:22,776 --> 00:07:23,811 NOW, MR. NELSON, YOU ADMIT 201 00:07:23,844 --> 00:07:25,913 THAT YOU AND MR. CROSS WERE ARGUING YESTERDAY? 202 00:07:25,946 --> 00:07:27,481 WE ARGUE ALL THE TIME. 203 00:07:27,515 --> 00:07:28,482 ABOUT WHAT? 204 00:07:28,516 --> 00:07:29,850 ONLY TWO THINGS TO ARGUE ABOUT, 205 00:07:29,883 --> 00:07:30,851 AND MONEY IS ONE OF 'EM. 206 00:07:30,884 --> 00:07:33,687 AND YOU WERE COMING HERE TO DO A RADIO INTERVIEW? 207 00:07:33,721 --> 00:07:35,088 (lawyer) WE'VE ALREADY BEEN OVER THIS. 208 00:07:35,122 --> 00:07:36,657 IT'S OKAY. HE'S JUST DOIN' HIS JOB. 209 00:07:36,690 --> 00:07:37,625 LOOK, LIEUTENANT, 210 00:07:37,658 --> 00:07:38,992 I GOT OUT OF THE CAR, I HEARD SOME SHOTS, 211 00:07:39,026 --> 00:07:40,894 I WENT AROUND THE CORNER INTO THE ALLEY. 212 00:07:40,928 --> 00:07:41,995 SONNY WAS LAYIN' DEAD. 213 00:07:42,029 --> 00:07:42,796 I COULDN'T BELIEVE IT. 214 00:07:42,830 --> 00:07:44,532 WAS THERE ANYBODY ELSE IN THE ALLEY? 215 00:07:44,565 --> 00:07:47,267 THERE WAS THIS LADY WITH A CANE. 216 00:07:47,300 --> 00:07:48,969 UH, SHE COULD'VE BEEN BLIND. 217 00:07:49,002 --> 00:07:50,904 SHE WAS SCREAMIN' AT THE TOP OF HER VOICE. 218 00:07:50,938 --> 00:07:53,106 SHE HAD A GREAT SET OF LUNGS, I KNOW THAT. 219 00:07:53,140 --> 00:07:55,909 THANK YOU VERY MUCH. THAT'S ALL I NEED FOR NOW. 220 00:07:55,943 --> 00:07:56,910 [clears throat] 221 00:07:56,944 --> 00:07:58,145 EXCUSE ME. 222 00:07:58,178 --> 00:08:00,180 MR. WILLIE-- WILSON--NELSON. 223 00:08:00,213 --> 00:08:02,015 I JUST HAVE, UH, ONE QUESTION. 224 00:08:02,049 --> 00:08:03,016 WHO THE HELL ARE YOU? 225 00:08:03,050 --> 00:08:04,918 I'M ADRIAN MONK. 226 00:08:04,952 --> 00:08:05,919 (lawyer) AND WHAT DEPARTMENT ARE YOU WITH? 227 00:08:05,953 --> 00:08:07,220 MR. MONK ISN'T ON THE FORCE. 228 00:08:07,254 --> 00:08:10,223 HE'S HERE AS A CONSULTANT AT MY REQUEST. 229 00:08:10,257 --> 00:08:13,561 FIRST OF ALL, I JUST WANNA SAY 230 00:08:13,594 --> 00:08:15,896 I'M--I'M YOUR SECOND BIGGEST FAN. 231 00:08:15,929 --> 00:08:16,930 WELL, WHO'S THE FIRST? 232 00:08:16,964 --> 00:08:18,899 UH, THAT-- THAT'D BE MY WIFE. 233 00:08:18,932 --> 00:08:21,935 I LOST HER ABOUT FIVE YEARS AGO. 234 00:08:21,969 --> 00:08:23,937 I'M SORRY TO HEAR THAT, MR. MONK. 235 00:08:23,971 --> 00:08:25,038 WELL, I JUST WANTED TO TELL YOU 236 00:08:25,072 --> 00:08:28,108 HOW MUCH YOUR MUSIC HAS MEANT 237 00:08:28,141 --> 00:08:29,777 TO ME AND TO MY WIFE. 238 00:08:29,810 --> 00:08:30,778 (Sharona) ADRIAN, 239 00:08:30,811 --> 00:08:31,912 THIS ISN'T A FAN CLUB. 240 00:08:31,945 --> 00:08:33,013 JUST ASK YOUR QUESTION. 241 00:08:33,046 --> 00:08:34,014 RIGHT. COME ON. 242 00:08:34,047 --> 00:08:36,183 HOW LONG DID YOU KNOW JASON? 243 00:08:36,216 --> 00:08:38,686 WHO THE HELL'S JASON? 244 00:08:38,719 --> 00:08:39,953 UH, I'M SORRY. 245 00:08:39,987 --> 00:08:40,954 I MEAN SONNY. 246 00:08:40,988 --> 00:08:41,922 OH, I'D FORGOT HIS REAL NAME. 247 00:08:41,955 --> 00:08:45,258 ABOUT 18 1/2 YEARS, ON AND OFF, MOSTLY OFF. 248 00:08:45,292 --> 00:08:46,694 (lawyer) ALL RIGHT. 249 00:08:46,727 --> 00:08:47,695 ENOUGH IS ENOUGH. 250 00:08:47,728 --> 00:08:49,162 COME ON, WILLIE. 251 00:08:49,196 --> 00:08:50,197 YOU KNOW WHERE TO REACH US. 252 00:08:50,230 --> 00:08:51,632 YES, I DO. 253 00:08:51,665 --> 00:08:54,034 RANDY, YOU GOT A SECOND? 254 00:08:54,067 --> 00:08:55,068 WHAT? 255 00:08:55,102 --> 00:08:56,937 LOOK. LOOK AGAIN. 256 00:08:56,970 --> 00:08:59,907 "J" CROSS. 257 00:08:59,940 --> 00:09:03,977 WHOEVER WROTE THIS KNEW SONNY BY HIS LEGAL NAME, 258 00:09:04,011 --> 00:09:05,245 NOT HIS-- NOT HIS NICKNAME. 259 00:09:05,278 --> 00:09:07,247 SO? 260 00:09:07,280 --> 00:09:10,050 I DON'T THINK WILLIE DID IT. 261 00:09:10,083 --> 00:09:11,952 MONK, HE WAS SHOT TWICE-- 262 00:09:11,985 --> 00:09:13,687 ONCE IN THE BACK, 20 FEET AWAY. 263 00:09:13,721 --> 00:09:14,688 IT WASN'T THE BLIND LADY. 264 00:09:14,722 --> 00:09:15,689 THEN THERE MUST'VE BEEN 265 00:09:15,723 --> 00:09:17,725 SOMEBODY ELSE IN THAT ALLEY. 266 00:09:20,360 --> 00:09:21,328 (Disher) NOW, MRS. MASS, 267 00:09:21,361 --> 00:09:23,130 YOU SAID YOU WERE TAKING THE BUS. 268 00:09:23,163 --> 00:09:24,364 THAT'S RIGHT. 269 00:09:24,397 --> 00:09:27,601 I WAS VISITING A FRIEND, AND I MISSED MY STOP. 270 00:09:27,635 --> 00:09:30,103 I NEVER LIKE TO ADMIT IT, BUT IT HAPPENS. 271 00:09:30,137 --> 00:09:33,974 SO I GOT OFF, AND I STARTED TO WALK. 272 00:09:34,007 --> 00:09:35,342 THEN I TURNED DOWN THAT ALLEY, 273 00:09:35,375 --> 00:09:37,277 THINKING THAT I COULD CUT THROUGH TO 4TH AVENUE, 274 00:09:37,310 --> 00:09:39,012 BUT IT WAS BLOCKED OFF. 275 00:09:39,046 --> 00:09:40,714 WELL, THE ALLEY WAS A DEAD-- (Sharona) OH, YEAH. 276 00:09:40,748 --> 00:09:41,982 THERE WAS CONSTRUCTION. UH-HUH. 277 00:09:42,015 --> 00:09:43,250 IT'S A DEAD-END. 278 00:09:43,283 --> 00:09:45,318 (Wendy) DEAD END. EXACTLY. 279 00:09:45,352 --> 00:09:46,687 SO I STARTED TO TURN AROUND, 280 00:09:46,720 --> 00:09:47,788 AND THEN I HEARD 281 00:09:47,821 --> 00:09:48,856 THESE TWO MEN ARGUING. 282 00:09:48,889 --> 00:09:50,257 UH, ABOUT WHAT? 283 00:09:50,290 --> 00:09:51,258 I-I COULDN'T TELL, 284 00:09:51,291 --> 00:09:55,062 BUT THEY WERE VERY ANGRY. 285 00:09:55,095 --> 00:09:56,764 AND THEN I HEARD THESE TWO SHOTS-- 286 00:09:56,797 --> 00:09:57,831 BANG, BANG. 287 00:09:57,865 --> 00:09:59,332 [pencil sharpener whirs] 288 00:09:59,366 --> 00:10:03,136 WELL, MY HEART WAS POUNDING AND I COULDN'T MOVE. 289 00:10:03,170 --> 00:10:04,805 THEN THIS ONE MAN CAME UP TO ME, 290 00:10:04,838 --> 00:10:09,409 AND HE SAID, "TELL ANYBODY ABOUT THIS AND I'LL KILL YOU." 291 00:10:09,442 --> 00:10:11,011 [pencil sharpener whirs] 292 00:10:13,446 --> 00:10:14,882 (Sharona) ADRIAN. 293 00:10:14,915 --> 00:10:16,950 HOW'S IT GOING? 294 00:10:16,984 --> 00:10:18,986 (Disher) MISS MASS, 295 00:10:19,019 --> 00:10:20,153 THIS IS CAPTAIN STOTTLEMEYER. 296 00:10:20,187 --> 00:10:22,022 MRS. MASS, HOW DO YOU DO? 297 00:10:22,055 --> 00:10:23,023 (Disher) HE'LL BE IN CHARGE OF THE CASE 298 00:10:23,056 --> 00:10:24,925 FROM HERE ON IN, THANK GOD. 299 00:10:24,958 --> 00:10:26,026 GOOD JOB, LIEUTENANT. 300 00:10:26,059 --> 00:10:27,394 OH, THANK YOU, SIR. 301 00:10:27,427 --> 00:10:28,796 YOU'RE WELCOME. SHARONA. 302 00:10:28,829 --> 00:10:30,130 HEY, HEY. ARE YOU OKAY? 303 00:10:30,163 --> 00:10:31,231 YEAH, I'M FINE. 304 00:10:31,264 --> 00:10:33,166 OH, HIS ARM'S IN A SLING. 305 00:10:33,200 --> 00:10:34,434 OH, SORRY. 306 00:10:34,467 --> 00:10:35,836 (Sharona) WHAT HAPPENED? 307 00:10:35,869 --> 00:10:37,437 IT'S NOTHING. I FELL OFF MY MOTORCYCLE. 308 00:10:37,470 --> 00:10:39,973 I WAS ON THE DIRT TRAILS NORTH OF HIGHWAY 18. 309 00:10:40,007 --> 00:10:41,942 SLIPPED ON A BUNCH OF WET LEAVES. 310 00:10:41,975 --> 00:10:43,143 IT COULD'VE BEEN A LOT WORSE. 311 00:10:43,176 --> 00:10:44,678 YOU'RE A VERY LUCKY MAN, SIR. 312 00:10:44,712 --> 00:10:46,947 YEAH, WELL, I DON'T FEEL LIKE A LUCKY MAN. 313 00:10:46,980 --> 00:10:48,248 IT'S A FEEDING FRENZY OUT THERE. 314 00:10:48,281 --> 00:10:49,249 WE'VE GOTTA BE VERY CAREFUL 315 00:10:49,282 --> 00:10:50,317 HOW WE HANDLE THIS ONE. 316 00:10:50,350 --> 00:10:51,418 (Disher) YES, SIR. 317 00:10:51,451 --> 00:10:53,053 ARE YOU OKAY? SO WHAT'S THE PLAN? 318 00:10:53,086 --> 00:10:54,755 WELL, YOU KNOW HOW THEY HANDLED THE O.J. CASE 319 00:10:54,788 --> 00:10:56,056 DOWN IN LOS ANGELES? 320 00:10:56,089 --> 00:10:58,759 WE DO THE OPPOSITE. 321 00:10:58,792 --> 00:10:59,993 WHERE ARE WE? 322 00:11:00,027 --> 00:11:02,029 UH, SAME AS I TOLD YOU ON THE PHONE, SIR. 323 00:11:02,062 --> 00:11:04,264 MRS. MASS IS REASONABLY SURE 324 00:11:04,297 --> 00:11:06,366 THAT SHE CAN RECOGNIZE THE ASSAILANT'S VOICE. 325 00:11:06,399 --> 00:11:09,036 REASONABLY SURE? 326 00:11:09,069 --> 00:11:10,904 (Stottlemeyer) EXCUSE ME, MRS. MASS? 327 00:11:10,938 --> 00:11:12,272 DO YOU LISTEN TO COUNTRY AND WESTERN MUSIC? 328 00:11:12,305 --> 00:11:13,907 NO, I LIKE CLASSICAL. 329 00:11:13,941 --> 00:11:14,908 (Stottlemeyer) OKAY, GOOD. 330 00:11:14,942 --> 00:11:16,710 BRING HIM IN. 331 00:11:17,978 --> 00:11:18,946 CAPTAIN, 332 00:11:18,979 --> 00:11:22,215 UH, I WOULDN'T TELL THAT STORY 333 00:11:22,249 --> 00:11:25,052 ABOUT YOUR ACCIDENT TO TOO MANY PEOPLE. 334 00:11:25,085 --> 00:11:25,853 WHY NOT? 335 00:11:25,886 --> 00:11:28,288 WELL, THE HILLS NORTH OF HIGHWAY 18 336 00:11:28,321 --> 00:11:29,923 HAVE BEEN CLOSED FOR TWO WEEKS. 337 00:11:29,957 --> 00:11:32,125 BRUSH FIRES. 338 00:11:32,159 --> 00:11:34,762 REALLY? 339 00:11:34,795 --> 00:11:37,064 WHAT REALLY HAPPENED? 340 00:11:37,097 --> 00:11:38,832 I WAS CLEANING MY GUTTERS AND I SLIPPED, 341 00:11:38,866 --> 00:11:39,833 FELL OFF THE LADDER. 342 00:11:39,867 --> 00:11:41,334 OUCH. 343 00:11:41,368 --> 00:11:42,903 (Disher) WE'RE READY, SIR. 344 00:11:48,876 --> 00:11:50,944 NOW, MRS. MASS, 345 00:11:50,978 --> 00:11:53,914 I WANT YOU TO TAKE YOUR TIME, 346 00:11:53,947 --> 00:11:56,516 AND I WANT YOU TO LISTEN VERY CAREFULLY, OKAY? 347 00:11:56,549 --> 00:11:57,517 ALL RIGHT. ARE YOU ALL RIGHT? 348 00:11:57,550 --> 00:12:00,187 (Wendy) YES. GOOD. 349 00:12:00,220 --> 00:12:02,489 ALL RIGHT, NUMBER ONE, PLEASE. 350 00:12:08,395 --> 00:12:10,898 TELL ANYBODY ABOUT THIS, AND I'LL KILL YOU. 351 00:12:11,999 --> 00:12:14,067 NO, NO. 352 00:12:14,101 --> 00:12:15,803 NUMBER TWO. 353 00:12:18,939 --> 00:12:21,041 TELL ANYBODY ABOUT THIS, AND I'LL KILL YOU. 354 00:12:21,074 --> 00:12:23,110 NO. 355 00:12:24,177 --> 00:12:25,145 AND NUMBER THREE. 356 00:12:25,178 --> 00:12:27,047 READ THE LINE, PLEASE. 357 00:12:29,883 --> 00:12:32,019 TELL ANYBODY ABOUT THIS, AND I'LL KILL YOU. 358 00:12:32,052 --> 00:12:33,987 THAT'S HIM. THAT--THAT'S THE VOICE. 359 00:12:34,021 --> 00:12:35,122 THAT'S HIM. 360 00:12:35,155 --> 00:12:36,289 (Stottlemeyer) NOW, YOU'RE SURE? 361 00:12:36,323 --> 00:12:37,290 (Wendy) THAT'S HIM. 362 00:12:37,324 --> 00:12:38,859 I KNOW THAT'S HIM. 363 00:12:40,093 --> 00:12:42,162 [sighs] 364 00:12:47,300 --> 00:12:49,069 THIS INVESTIGATION IS OPEN AND ONGOING. 365 00:12:49,102 --> 00:12:50,437 WE HAVE AT LEAST ONE WITNESS, 366 00:12:50,470 --> 00:12:51,972 AND THERE IS SOME PHYSICAL EVIDENCE, 367 00:12:52,005 --> 00:12:54,007 WHICH IS BEING ANALYZED AS WE SPEAK. 368 00:12:54,041 --> 00:12:55,876 CAPTAIN, IS WILLIE NELSON A SUSPECT? 369 00:12:55,909 --> 00:12:57,811 WE HAVEN'T RULED OUT ANYBODY AS OF YET. 370 00:12:57,845 --> 00:12:58,611 THAT'S ALL I CAN SAY. 371 00:12:58,645 --> 00:13:00,580 HAS MR. NELSON MADE A STATEMENT? 372 00:13:00,613 --> 00:13:03,383 MR. NELSON HAS BEEN VERY COOPERATIVE. 373 00:13:03,416 --> 00:13:05,986 HE'S AGREED TO STAY IN TOWN AND REMAIN AVAILABLE TO US 374 00:13:06,019 --> 00:13:06,854 AT OUR DISCRETION. 375 00:13:06,887 --> 00:13:09,056 NOW, I-I WANNA STRESS THIS AGAIN. 376 00:13:09,089 --> 00:13:12,425 WE HAVE NOT ACCUSED OR CHARGED ANYONE OF THIS CRIME. 377 00:13:12,459 --> 00:13:14,361 (streaker) WHOO-HOO! 378 00:13:14,394 --> 00:13:18,065 [laughter and applause] 379 00:13:18,098 --> 00:13:18,932 WHOO! 380 00:13:18,966 --> 00:13:20,968 WHAT THE HELL WAS THAT? 381 00:13:21,001 --> 00:13:22,936 THAT WAS A STREAKER, SIR. 382 00:13:22,970 --> 00:13:25,906 WHAT IS THIS, 1974? 383 00:13:27,908 --> 00:13:30,243 OH, YEAH! 384 00:13:30,277 --> 00:13:31,912 [chuckles] 385 00:13:31,945 --> 00:13:33,513 WELL, IF THERE ARE NO FURTHER QUESTIONS... 386 00:13:33,546 --> 00:13:36,049 [chatter] 387 00:13:36,083 --> 00:13:37,317 WE'LL BE GOING. 388 00:13:37,350 --> 00:13:39,019 THANK YOU. 389 00:13:39,052 --> 00:13:40,988 OKAY, WAIT, WAIT, WAIT, WAIT. 390 00:13:41,021 --> 00:13:41,922 JUSTIN, HOLD ON. HOLD ON. 391 00:13:41,955 --> 00:13:42,923 ONE SEC. 392 00:13:42,956 --> 00:13:43,924 [panting] 393 00:13:43,957 --> 00:13:44,791 ADRIAN. 394 00:13:44,824 --> 00:13:46,894 ADRIAN, YOU'RE GONNA HAVE A HEART ATTACK. 395 00:13:46,927 --> 00:13:50,263 I CAN'T BELIEVE HE CALLED ME. 396 00:13:50,297 --> 00:13:53,033 WILLIE NELSON CALLED ME. 397 00:13:53,066 --> 00:13:55,903 OKAY, WILL YOU JUST RELAX? 398 00:13:55,936 --> 00:13:58,105 HE'S JUST--ADRIAN, HE'S JUST A REGULAR GUY 399 00:13:58,138 --> 00:13:59,039 WHO HAPPENS TO SING AND PLAY GUITAR. 400 00:13:59,072 --> 00:14:01,641 NO! HE'S NOT! 401 00:14:01,674 --> 00:14:03,977 YOU TAKE THAT BACK! 402 00:14:04,011 --> 00:14:05,278 OKAY. OKAY, HERE HE IS. 403 00:14:05,312 --> 00:14:06,613 HERE--HERE HE COMES. 404 00:14:06,646 --> 00:14:08,081 OKAY, JUST ACT NATURAL. 405 00:14:08,115 --> 00:14:09,516 OKAY. JUSTIN, JUST HOLD ON. JUST BE COOL. 406 00:14:09,549 --> 00:14:11,518 BE COOL. JUST HOLD ON. 407 00:14:11,551 --> 00:14:13,520 HOLD ON. IT MIGHT BE HIM. 408 00:14:20,393 --> 00:14:22,095 FALSE ALARM. 409 00:14:22,129 --> 00:14:23,230 OH, GOD. 410 00:14:23,263 --> 00:14:25,065 I WISH-- I WISH YOU WERE HERE. 411 00:14:25,098 --> 00:14:26,099 MY BOSS IS TRYIN' TO ACT COOL, 412 00:14:26,133 --> 00:14:28,001 AND HE IS TOTALLY HYPERVENTILATING RIGHT NOW. 413 00:14:28,035 --> 00:14:29,269 OKAY, ALL RIGHT, NOW HE'S GONNA BLOCK THE STREET. 414 00:14:29,302 --> 00:14:30,470 ALL RIGHT, JUSTIN-- WE'RE GONNA MISS HIM NOW. 415 00:14:30,503 --> 00:14:33,006 OKAY, JUST LET ME--LET ME-- LET ME CALL YOU BACK LATER. 416 00:14:33,040 --> 00:14:34,007 EXCUSE ME. 417 00:14:34,041 --> 00:14:34,908 [knocks] 418 00:14:34,942 --> 00:14:36,143 THIS IS NOT A BUS STOP! ADRIAN, PLEASE! 419 00:14:36,176 --> 00:14:37,244 PLEASE! 420 00:14:37,277 --> 00:14:38,478 I'M WAITING FOR WILLIE! 421 00:14:38,511 --> 00:14:39,479 (Sharona) HE'S NOT BLOCKING THE ROAD. 422 00:14:39,512 --> 00:14:41,081 HELLO, MR. MONK. 423 00:14:41,114 --> 00:14:43,183 SORRY WE'RE LATE. COME ON IN. 424 00:14:43,216 --> 00:14:44,985 ALL RIGHT. 425 00:14:51,491 --> 00:14:53,126 (Willie) THANKS FOR COMING. 426 00:14:53,160 --> 00:14:55,095 MY LAWYER TELLS ME 427 00:14:55,128 --> 00:14:56,930 THAT YOU'RE ABOUT THE ONLY FRIEND I GOT LEFT IN TOWN. 428 00:14:56,964 --> 00:14:59,099 DO YOU SMELL THAT? 429 00:14:59,132 --> 00:15:02,135 UH, NO, I DON'T, AND YOU DON'T EITHER. 430 00:15:02,169 --> 00:15:03,670 (Monk) I DON'T EITHER. 431 00:15:03,703 --> 00:15:06,339 [both chuckle] 432 00:15:06,373 --> 00:15:08,041 YEAH, THIS IS A LITTLE PIECE OF TEXAS ON WHEELS. 433 00:15:08,075 --> 00:15:11,044 I LOVE IT. IT'S THE BOMB. 434 00:15:11,078 --> 00:15:12,512 "IT'S THE BOMB"? 435 00:15:12,545 --> 00:15:16,449 BOMB IS GOOD. IT'S GOOD. 436 00:15:16,483 --> 00:15:19,019 WILLIE, UH, IF YOU WOULDN'T MIND. 437 00:15:20,620 --> 00:15:22,189 WHERE IN THE WORLD DID YOU GET THAT? 438 00:15:22,222 --> 00:15:24,024 I HAVEN'T SEEN THAT ONE IN A LONG TIME. 439 00:15:24,057 --> 00:15:25,392 AH, I HAVE 'EM ALL. 440 00:15:25,425 --> 00:15:26,626 AND IF YOU COULD JUST-- 441 00:15:26,659 --> 00:15:27,961 IF YOU COULD MAKE IT OUT TO TRUDY. 442 00:15:27,995 --> 00:15:28,962 SURE. 443 00:15:28,996 --> 00:15:30,030 SHE WORSHIPPED YOU. 444 00:15:30,063 --> 00:15:33,066 ON OUR FIRST DATE, WE WENT TO SEE ONE OF YOUR SHOWS. 445 00:15:33,100 --> 00:15:34,968 IT WAS THE SHORELINE AMPHITHEATER. 446 00:15:35,002 --> 00:15:36,069 YEAH, I REMEMBER Y'ALL. 447 00:15:36,103 --> 00:15:37,070 YOU WERE SITTIN' ON THIS BLUE BLANKET. 448 00:15:37,104 --> 00:15:38,205 REALLY? 449 00:15:38,238 --> 00:15:39,239 NO, I'M JUST KIDDIN'. 450 00:15:39,272 --> 00:15:41,541 [both laugh] 451 00:15:41,574 --> 00:15:43,410 OH, HE'S JOKIN'. WILLIE'S JOKIN'. 452 00:15:43,443 --> 00:15:44,744 HEY, THE BUS IS MOVING NOW. 453 00:15:44,777 --> 00:15:46,679 MM-HMM. IT'S GONNA DO THAT. SIT DOWN. 454 00:15:49,382 --> 00:15:51,251 THERE YOU GO. 455 00:15:51,284 --> 00:15:52,552 THANK YOU. 456 00:15:52,585 --> 00:15:55,588 [laughter and chatter] 457 00:16:03,196 --> 00:16:07,400 ONE MORE CARD, DOWN AND DIRTY. 458 00:16:07,434 --> 00:16:09,436 [humming] 459 00:16:12,105 --> 00:16:13,606 SO IT'S UP TO ME? 460 00:16:13,640 --> 00:16:16,309 $3.00. 461 00:16:16,343 --> 00:16:17,710 WELL, I THINK YOU'RE TRYIN' TO BUY IT. 462 00:16:17,744 --> 00:16:19,079 I DON'T BELIEVE YOU GOT THAT DEUCE. 463 00:16:19,112 --> 00:16:20,780 HE'S NOT BLUFFING. 464 00:16:20,813 --> 00:16:23,016 WHAT? 465 00:16:23,050 --> 00:16:24,417 IT'S OKAY. IT'S A FRIENDLY GAME. 466 00:16:24,451 --> 00:16:26,319 HE'S NOT BLUFFING. HE'S GOT THE DEUCE. 467 00:16:28,121 --> 00:16:29,489 FOLD. 468 00:16:29,522 --> 00:16:32,325 I FOLD. WHAT DO YOU GOT? 469 00:16:32,359 --> 00:16:35,128 NOW, WHAT DO YOU WANT FOR THAT? 470 00:16:35,162 --> 00:16:35,828 HOW'D YOU KNOW THAT? 471 00:16:35,862 --> 00:16:37,397 WHEN YOU LOOKED AT YOUR CARD, 472 00:16:37,430 --> 00:16:39,699 YOU STARTED TO HUM THAT SONG DEUCE'S WILD 473 00:16:39,732 --> 00:16:40,700 FROM THE YESTERDAY'S WINE ALBUM. 474 00:16:40,733 --> 00:16:41,701 YOU PLAYED STAND-UP BASS 475 00:16:41,734 --> 00:16:42,702 ON THAT CUT. 476 00:16:42,735 --> 00:16:43,570 DID YOU PLAY ON THAT? 477 00:16:43,603 --> 00:16:45,172 OH, YEAH, HE SAT IN FOR THREE SONGS 478 00:16:45,205 --> 00:16:46,273 ON THAT ALBUM. 479 00:16:46,306 --> 00:16:47,140 I BELIEVE THAT WAS THE FIRST TIME 480 00:16:47,174 --> 00:16:49,276 YOU USED A STAND-UP BASS IN THE STUDIO. 481 00:16:49,309 --> 00:16:51,378 YOU KNOW MORE ABOUT ME THAN I DO. 482 00:16:51,411 --> 00:16:52,345 [laughs] 483 00:16:52,379 --> 00:16:54,147 HE KNOWS MORE ABOUT EVERYBODY THAN THEY DO. 484 00:16:54,181 --> 00:16:56,449 WELL, WHY DO THEY THINK I SHOT SONNY? 485 00:16:56,483 --> 00:17:01,154 UM, WELL, YOU GOTTA ADMIT, IT LOOKS PRETTY BAD. 486 00:17:01,188 --> 00:17:03,823 THE BLIND LADY SAID THAT SHE HEARD EVERYTHING. 487 00:17:03,856 --> 00:17:05,825 THE BLIND LADY IS LYIN'. 488 00:17:05,858 --> 00:17:06,759 WHY WOULD SHE LIE? 489 00:17:06,793 --> 00:17:08,361 I DON'T KNOW. 490 00:17:08,395 --> 00:17:10,130 I DO A LOT OF THINGS, BUT I WOULDN'T HURT ANYBODY. 491 00:17:10,163 --> 00:17:11,564 YOU KNOW, I MIGHT WRITE A BAD SONG ABOUT 'EM 492 00:17:11,598 --> 00:17:15,202 OR SOMETHING, AND AS FAR AS SONNY WAS CONCERNED, 493 00:17:15,235 --> 00:17:16,503 MAYBE I SHOULD'VE FIRED HIM A LONG TIME AGO, 494 00:17:16,536 --> 00:17:18,338 BUT THERE'S A BUNCH MORE I COULD'VE FIRED TOO. 495 00:17:18,371 --> 00:17:22,075 IS--IS THAT A ROSEWOOD? 496 00:17:22,875 --> 00:17:24,444 YEAH. YOU PLAY? 497 00:17:24,477 --> 00:17:25,778 AH, A LITTLE. 498 00:17:25,812 --> 00:17:27,214 OH, HE'S JUST BEING MODEST. 499 00:17:27,247 --> 00:17:28,648 NO, HE'S VERY GOOD. 500 00:17:28,681 --> 00:17:31,118 I'VE NEVER--NEVER PLAYED A ROSEWOOD CLARINET. 501 00:17:31,151 --> 00:17:32,819 THAT'S--THAT IS A BEAUTIFUL THING. 502 00:17:32,852 --> 00:17:35,054 WELL, COME OVER AND KICK THE TIRES. 503 00:17:37,890 --> 00:17:41,128 UM, UM, WILLIE? YEAH. 504 00:17:41,161 --> 00:17:43,296 UM, ADRIAN CAN'T PLAY SOMEBODY ELSE'S INSTRUMENT. 505 00:17:43,330 --> 00:17:47,734 HE, UH, HAS A LITTLE PROBLEM WITH GERMS. 506 00:17:47,767 --> 00:17:48,835 I GOT A BRAND-NEW MOUTHPIECE RIGHT THERE, 507 00:17:48,868 --> 00:17:51,171 UNTOUCHED BY HUMAN LIPS. 508 00:18:05,852 --> 00:18:07,887 [playing smoothly] 509 00:18:07,920 --> 00:18:16,163 * 510 00:18:16,196 --> 00:18:17,597 VERY NICE. 511 00:18:17,630 --> 00:18:18,831 YOU THINK SO? 512 00:18:18,865 --> 00:18:20,800 DO YOU KNOW GEORGIA ON MY MIND? 513 00:18:20,833 --> 00:18:21,801 OH. SURE. 514 00:18:21,834 --> 00:18:24,304 TOMORROW NIGHT, WE'RE DOING THIS RADIO CONCERT. 515 00:18:24,337 --> 00:18:26,273 MY AGENT THOUGHT IT MIGHT BE A GOOD IDEA 516 00:18:26,306 --> 00:18:27,674 FOR PUBLICITY OR WHATEVER. 517 00:18:27,707 --> 00:18:29,709 UH, WE'RE GONNA DO GEORGIA ON MY MIND. 518 00:18:29,742 --> 00:18:30,543 WOULD YOU LIKE TO COME OVER AND PLAY? 519 00:18:30,577 --> 00:18:33,246 YOU--YOU MEAN PLAY WITH THE BAND? 520 00:18:33,280 --> 00:18:34,247 YEAH. 521 00:18:34,281 --> 00:18:35,648 YOU THINK ABOUT IT. 522 00:18:35,682 --> 00:18:36,449 NO, NO, I'D BETTER NOT. 523 00:18:36,483 --> 00:18:37,784 IF I THINK ABOUT IT, I MIGHT SAY NO. 524 00:18:37,817 --> 00:18:39,152 [Sharona laughs] 525 00:18:39,186 --> 00:18:42,155 [playing Georgia On My Mind] 526 00:18:42,189 --> 00:18:50,129 * 527 00:18:50,930 --> 00:18:52,832 HONEY, DO YOUR HOMEWORK. 528 00:18:52,865 --> 00:18:54,467 I CAN'T CONCENTRATE. 529 00:18:54,501 --> 00:18:56,736 I KNOW, BUT HE HAS TO PRACTICE. 530 00:18:56,769 --> 00:18:58,338 HE'S GONNA BE ON THE RADIO WITH WILLIE NELSON. 531 00:18:58,371 --> 00:18:59,472 WHO'S WILLIE NELSON? 532 00:18:59,506 --> 00:19:00,740 HE'S A COUNTRY SINGER. 533 00:19:00,773 --> 00:19:02,442 HAS HE EVER BEEN ON MTV? 534 00:19:02,475 --> 00:19:03,643 NO, BUT HE'S BEEN ON THE NEWS. 535 00:19:03,676 --> 00:19:04,677 WHAT FOR? 536 00:19:04,711 --> 00:19:05,878 WELL, ACCORDING TO THE IRS, 537 00:19:05,912 --> 00:19:07,480 WHEN HE WAS A LITTLE BOY, 538 00:19:07,514 --> 00:19:08,815 HE DIDN'T DO HIS MATH HOMEWORK. 539 00:19:08,848 --> 00:19:09,949 OH, I THINK I GOT IT. 540 00:19:09,982 --> 00:19:11,784 LISTEN TO THIS. 541 00:19:11,818 --> 00:19:14,387 [playing song] ADRIAN, WILL YOU GIVE IT A BREAK? 542 00:19:14,421 --> 00:19:15,955 BENJY COULD PLAY THE SONG BY NOW. 543 00:19:15,988 --> 00:19:17,757 COME ON. 544 00:19:17,790 --> 00:19:19,492 [Monk continues playing] 545 00:19:19,526 --> 00:19:21,461 DID YOU REALLY MEET A BLIND LADY? 546 00:19:21,494 --> 00:19:22,562 YEAH. 547 00:19:22,595 --> 00:19:23,730 DOES SHE HAVE A DOG? 548 00:19:23,763 --> 00:19:25,698 NO, SHE HAD A CANE. 549 00:19:25,732 --> 00:19:28,368 HEY, MAYBE I CAN INTERVIEW HER FOR THAT REPORT I HAVE TO DO 550 00:19:28,401 --> 00:19:29,702 ON PEOPLE WITH DISABILITIES. 551 00:19:29,736 --> 00:19:32,572 WAIT, I THOUGHT YOU WERE GONNA WRITE ABOUT-- 552 00:19:32,605 --> 00:19:33,873 IT ONLY HAS TO BE TWO PAGES. 553 00:19:33,906 --> 00:19:35,342 MR. MONK IS A WHOLE BOOK. 554 00:19:35,375 --> 00:19:37,377 YOU KNOW WHAT? I'LL ASK HER. 555 00:19:37,410 --> 00:19:39,246 [phone ringing] 556 00:19:40,613 --> 00:19:41,948 [rings] 557 00:19:41,981 --> 00:19:42,982 WILL YOU STOP IT? 558 00:19:43,015 --> 00:19:43,983 STOP! 559 00:19:44,016 --> 00:19:45,652 [rings] 560 00:19:45,685 --> 00:19:46,653 ADRIAN! 561 00:19:46,686 --> 00:19:47,654 [phone beeps] 562 00:19:47,687 --> 00:19:51,224 HELLO? 563 00:19:51,258 --> 00:19:53,460 [plays single note] UH, ADRIAN! 564 00:19:53,493 --> 00:19:54,961 YES, YES, YES, UM, RIGHT. 565 00:19:54,994 --> 00:19:55,962 WE'LL BE THERE RIGHT AWAY. 566 00:19:55,995 --> 00:19:58,465 [continues playing] 567 00:19:58,498 --> 00:19:59,966 ADRIAN, ADRIAN! 568 00:19:59,999 --> 00:20:00,967 THAT WAS STOTTLEMEYER. 569 00:20:01,000 --> 00:20:01,968 HE WANTS TO SEE US RIGHT AWAY. 570 00:20:02,001 --> 00:20:02,969 SHOULD I BRING MY CLARINET? 571 00:20:03,002 --> 00:20:04,237 I COULD PRACTICE IN THE CAR. 572 00:20:05,738 --> 00:20:09,376 I'LL JUST LEAVE IT RIGHT HERE. 573 00:20:12,879 --> 00:20:14,747 CLOSE THE DOOR. 574 00:20:14,781 --> 00:20:17,817 WHAT YOU ARE ABOUT TO SEE CANNOT LEAVE THIS ROOM. 575 00:20:17,850 --> 00:20:19,686 THE TABLOIDS WOULD PAY 576 00:20:19,719 --> 00:20:20,920 $1 MILLION FOR THIS VIDEOTAPE. 577 00:20:20,953 --> 00:20:25,825 IT'S FROM THE SURVEILLANCE CAMERA NEAR THE CRIME SCENE. 578 00:20:25,858 --> 00:20:28,795 THE ALLEY'S A DEAD END. THIS IS THE ONLY WAY IN. 579 00:20:28,828 --> 00:20:30,797 AND THE SIDE DOOR TO THE RADIO STATION 580 00:20:30,830 --> 00:20:32,465 WAS WIRED TO AN ALARM, 581 00:20:32,499 --> 00:20:33,533 SO WE KNOW IT WASN'T OPENED. 582 00:20:33,566 --> 00:20:34,901 BOTTOM LINE, 583 00:20:34,934 --> 00:20:37,670 WE CAN TELL FOR SURE WHO WAS OR WAS NOT THERE. 584 00:20:39,939 --> 00:20:41,240 WHAT THE HELL ARE YOU DOING? 585 00:20:43,476 --> 00:20:45,345 OH, UH, HE'S PRACTICING. 586 00:20:45,378 --> 00:20:46,813 REALLY? 587 00:20:46,846 --> 00:20:48,881 WILLIE NELSON INVITED HIM TO SIT IN WITH HIS BAND. 588 00:20:48,915 --> 00:20:49,949 (Stottlemeyer) WELL, HE MAY BE LIVE 589 00:20:49,982 --> 00:20:51,451 FROM FOLSOM PRISON. 590 00:20:51,484 --> 00:20:52,785 CHECK THIS OUT. 591 00:20:52,819 --> 00:20:53,853 GO AHEAD. 592 00:20:53,886 --> 00:20:56,889 YEAH, THERE GOES MRS. MASS. 593 00:20:56,923 --> 00:20:58,691 TAP, TAP, TAP. SHE GOES INTO THE ALLEY. 594 00:20:58,725 --> 00:21:01,461 FAST-FORWARD. 595 00:21:03,830 --> 00:21:07,834 AND THERE GOES THE SOON-TO-BE-LATE SONNY CROSS. 596 00:21:07,867 --> 00:21:09,802 AND THERE GOES WILLIE NELSON. 597 00:21:09,836 --> 00:21:11,604 NOBODY ELSE GOES IN OR OUT. 598 00:21:11,638 --> 00:21:13,306 PRETTY MUCH A SLAM DUNK. 599 00:21:13,340 --> 00:21:14,541 ARE YOU GONNA ARREST HIM? 600 00:21:14,574 --> 00:21:15,742 (Stottlemeyer) THE D.A. IS READY TO MOVE. 601 00:21:15,775 --> 00:21:17,944 I'M WAITING FOR SOME TESTS FROM THE LAB. 602 00:21:17,977 --> 00:21:20,313 MAYBE TOMORROW. 603 00:21:20,347 --> 00:21:21,748 CALL YOUR MOM. TELL HER TO SET THE VCR. 604 00:21:21,781 --> 00:21:22,715 WE'RE GONNA BE ON THE 6:00 NEWS. 605 00:21:22,749 --> 00:21:26,619 CAPTAIN, WHAT ABOUT THE NOTE ON THE DOOR? 606 00:21:26,653 --> 00:21:28,888 MY VIDEOTAPE TRUMPS YOUR NOTE. ASK ANY LAWYER. 607 00:21:28,921 --> 00:21:30,590 I DON'T KNOW. 608 00:21:30,623 --> 00:21:31,991 MONK, LOOK. 609 00:21:32,024 --> 00:21:35,662 MY HEROES HAVE ALWAYS BEEN COWBOYS TOO. 610 00:21:35,695 --> 00:21:37,997 IT'S EITHER "A," THE BLIND WOMAN 611 00:21:38,030 --> 00:21:38,998 WHO HAS ZERO MOTIVE, 612 00:21:39,031 --> 00:21:41,968 OR IT'S "B," YOUR BUDDY, THE RED-HEADED STRANGER. 613 00:21:42,001 --> 00:21:44,070 WHO HAD MOTIVE, MEANS, AND OPPORTUNITY, 614 00:21:44,103 --> 00:21:46,439 AND WAS THE IDENTIFIED BY THE ONLY WITNESS AT THE SCENE. 615 00:21:46,473 --> 00:21:48,007 (Stottlemeyer) "A" OR "B," MONK? 616 00:21:48,040 --> 00:21:49,409 I THINK IT'S "C." 617 00:21:49,442 --> 00:21:50,943 "C"? WHAT THE HELL IS "C"? 618 00:21:50,977 --> 00:21:52,879 I DON'T KNOW YET. 619 00:22:01,020 --> 00:22:03,856 SO HE JUST WANTS TO ASK YOU A COUPLE OF QUESTIONS. 620 00:22:03,890 --> 00:22:06,393 I DON'T MIND. I LOVE CHILDREN. 621 00:22:06,426 --> 00:22:09,762 430, 431, 431 CEREAL BOXES. 622 00:22:09,796 --> 00:22:11,964 THAT'S A PRIME NUMBER. 623 00:22:11,998 --> 00:22:14,667 (Sharona) NOW, IS THERE ANYTHING ELSE YOU NEED? 624 00:22:14,701 --> 00:22:15,735 LET'S SEE. MUSHROOM SOUP. 625 00:22:15,768 --> 00:22:17,837 IT'S IN THE NEXT AISLE. 626 00:22:17,870 --> 00:22:18,838 UH, UH, 627 00:22:18,871 --> 00:22:20,072 MRS. MASS, 628 00:22:20,106 --> 00:22:23,109 I HAVE A FEW QUESTIONS. 629 00:22:23,142 --> 00:22:26,045 HOW DID YOU KNOW THE ALLEY WAS THERE? 630 00:22:26,078 --> 00:22:27,880 WELL, I HAVE A LOT OF FRIENDS IN THAT NEIGHBORHOOD. 631 00:22:27,914 --> 00:22:30,016 I'VE LIVED IN SAN FRANCISCO FOR 17 YEARS. 632 00:22:30,049 --> 00:22:32,552 THE SOUP SHOULD BE RIGHT UP HERE. 633 00:22:32,585 --> 00:22:33,853 (Sharona) OH, I GOT IT. 634 00:22:33,886 --> 00:22:35,988 THANK YOU. 635 00:22:36,022 --> 00:22:38,090 I PEEL BACK THE CORNER. 636 00:22:38,124 --> 00:22:41,994 THAT WAY I CAN TELL WHICH CAN IS WHICH WHEN I GET HOME. 637 00:22:42,028 --> 00:22:44,497 I GOT A HUNDRED LITTLE TRICKS. 638 00:22:44,531 --> 00:22:46,098 LET'S SEE. OH, SOME JUICE. 639 00:22:46,132 --> 00:22:48,568 EXCUSE ME. 640 00:22:48,601 --> 00:22:51,871 SHOULD BE--YEAH. 641 00:22:51,904 --> 00:22:53,039 IS THIS APPLE? 642 00:22:53,072 --> 00:22:54,741 YEP. OKAY. 643 00:22:54,774 --> 00:22:55,942 THEN WE'RE DONE. MRS. MASS. 644 00:22:55,975 --> 00:22:59,712 ARE YOU CERTAIN THAT THERE WAS NO ONE ELSE IN THE ALLEY? 645 00:22:59,746 --> 00:23:03,450 MAYBE SOMEONE HIDING BEHIND THE DUMPSTER? 646 00:23:03,483 --> 00:23:05,017 WELL, I DIDN'T HEAR ANYBODY, 647 00:23:05,051 --> 00:23:06,553 AND I DIDN'T SENSE ANYBODY, 648 00:23:06,586 --> 00:23:09,055 AND I'M NOT EASY TO FOOL. 649 00:23:09,088 --> 00:23:11,458 MR. MONK, I'M SORRY ABOUT WILLIE NELSON. 650 00:23:11,491 --> 00:23:13,793 I'M SURE HE'S A VERY TALENTED SINGER. 651 00:23:13,826 --> 00:23:16,062 BUT I WAS THERE. HE DID IT. 652 00:23:16,095 --> 00:23:17,864 HEY THERE, MRS. MASS. 653 00:23:17,897 --> 00:23:18,898 HELLO, JANICE. 654 00:23:18,931 --> 00:23:21,868 WELL, AS YOU CAN SEE, I DIDN'T NEED YOU THIS TIME. 655 00:23:21,901 --> 00:23:23,536 UH, THIS IS MR. MONK 656 00:23:23,570 --> 00:23:25,972 AND--AND HIS FRIEND SHARONA FLEMING. 657 00:23:26,005 --> 00:23:28,007 HEY, HOW ARE YOU? HI, HOW ARE YOU? 658 00:23:28,040 --> 00:23:29,876 OKAY. THAT COMES TO $25.88. 659 00:23:29,909 --> 00:23:34,814 HERE'S A 20, AND THERE'S A 10. 660 00:23:34,847 --> 00:23:37,083 I'M TELLING YOU, SHE'S AN AMAZING WOMAN. 661 00:23:37,116 --> 00:23:38,918 AND I'M NOT JUST SAYING THAT 'CAUSE SHE DIDN'T SUE US. 662 00:23:38,951 --> 00:23:40,887 DIDN'T SUE YOU? 663 00:23:40,920 --> 00:23:42,989 WELL, I HAD A LITTLE ACCIDENT 664 00:23:43,022 --> 00:23:44,924 IN THE PRODUCE SECTION LAST YEAR. 665 00:23:44,957 --> 00:23:46,959 I SLIPPED IN A PUDDLE OF WATER. 666 00:23:46,993 --> 00:23:47,860 A LITTLE ACCIDENT? 667 00:23:47,894 --> 00:23:49,896 SHE HAD A CONCUSSION. 668 00:23:49,929 --> 00:23:51,197 WE HAD TO CALL THE AMBULANCE AND EVERYTHING. 669 00:23:51,230 --> 00:23:53,766 IT WAS JUST A LITTLE BUMP. I WAS FINE. 670 00:23:53,800 --> 00:23:55,201 (man on P.A.) GROCERY CLERK TO AISLE FOUR, PLEASE. 671 00:23:55,234 --> 00:23:57,870 WHAT'S ALL THIS? 672 00:23:57,904 --> 00:23:59,972 IT'S FOR SATURDAY NIGHT. 673 00:24:00,006 --> 00:24:01,941 I'M COOKING DINNER FOR JUSTIN. 674 00:24:01,974 --> 00:24:03,810 MAYBE I SHOULD DROP BY. 675 00:24:03,843 --> 00:24:06,145 ADRIAN, I LOVE MY JOB, 676 00:24:06,178 --> 00:24:08,615 BUT IF I HAVE TO GET A RESTRAINING ORDER, I WILL. 677 00:24:09,816 --> 00:24:11,851 OKAY? 678 00:24:18,525 --> 00:24:20,159 WHERE DID YOU GET THAT? 679 00:24:20,192 --> 00:24:22,829 I BORROWED IT FROM BENJY. OKAY. 680 00:24:22,862 --> 00:24:24,196 THIS IS WHERE IT HAPPENED. 681 00:24:24,230 --> 00:24:25,965 SO, I'M THE KILLER. 682 00:24:25,998 --> 00:24:28,100 YOU'RE SONNY CROSS. 683 00:24:28,134 --> 00:24:30,670 OKAY, I'M HIDING. 684 00:24:30,703 --> 00:24:32,539 THERE IS SO MUCH GARBAGE BACK HERE. 685 00:24:32,572 --> 00:24:33,606 OH, PLEASE. 686 00:24:33,640 --> 00:24:35,742 OKAY, HERE I AM, I'M HIDING. 687 00:24:35,775 --> 00:24:37,644 YOU WALK UP THE ALLEY. 688 00:24:37,677 --> 00:24:38,845 I JUMP OUT. 689 00:24:38,878 --> 00:24:40,780 I STEP UP TO YOU AND BANG! 690 00:24:40,813 --> 00:24:42,014 OW! 691 00:24:42,048 --> 00:24:43,650 WHY AM I ALWAYS THE VICTIM? 692 00:24:43,683 --> 00:24:45,017 BECAUSE THE VICTIM USUALLY ENDS UP 693 00:24:45,051 --> 00:24:46,786 ON THE GROUND, IN--IN THE DIRT, 694 00:24:46,819 --> 00:24:49,556 AND I'M--I'M ME. 695 00:24:49,589 --> 00:24:51,691 OKAY, SO NOW YOU'VE BEEN SHOT, 696 00:24:51,724 --> 00:24:53,292 SO NOW YOU RUN AWAY. 697 00:24:53,325 --> 00:24:54,293 WITH PLEASURE. 698 00:24:54,326 --> 00:24:56,529 [pumping] 699 00:24:56,563 --> 00:24:59,966 AND HERE COMES THE SECOND SHOT. 700 00:24:59,999 --> 00:25:01,734 OW! 701 00:25:01,768 --> 00:25:04,070 YOU KNOW-- GIVE ME THAT GUN. 702 00:25:04,103 --> 00:25:05,271 [sighs] 703 00:25:05,304 --> 00:25:06,806 THIS IS RIDICULOUS. 704 00:25:06,839 --> 00:25:09,676 OKAY, THE FIRST SHOT WAS POINT BLANK. 705 00:25:09,709 --> 00:25:14,080 EVEN THE BLIND WOMAN COULD'VE DONE THAT ONE. 706 00:25:14,113 --> 00:25:16,649 BUT THE SECOND SHOT. 707 00:25:16,683 --> 00:25:20,086 THE SECOND SHOT, 708 00:25:20,119 --> 00:25:22,288 20 FEET AWAY, 709 00:25:22,321 --> 00:25:25,858 A MOVING TARGET-- 710 00:25:25,892 --> 00:25:29,796 IMPOSSIBLE. 711 00:25:29,829 --> 00:25:31,163 SO IT HAD TO BE WILLIE NELSON. 712 00:25:31,197 --> 00:25:34,033 I DON'T THINK SO. 713 00:25:34,066 --> 00:25:36,869 THEN WHAT DO YOU THINK? 714 00:25:36,903 --> 00:25:40,172 I THINK WE NEED TO LEARN MORE ABOUT SONNY CROSS. 715 00:25:40,206 --> 00:25:41,941 $65? 716 00:25:41,974 --> 00:25:44,310 GOLD MINE HAS IT FOR 40 IN BETTER CONDITION. 717 00:25:44,343 --> 00:25:45,878 THEN GO BUY IT FROM GOLD MINE. 718 00:25:45,912 --> 00:25:48,815 GO ON, GO. LEAVE. 719 00:25:48,848 --> 00:25:49,982 WHY ARE YOU STILL IN MY STORE? 720 00:25:50,016 --> 00:25:52,051 LOOK AT ALL THESE PLASTIC BAGS. 721 00:25:52,084 --> 00:25:53,052 [laughs] 722 00:25:53,085 --> 00:25:54,353 YOU MUST BE IN HEAVEN. 723 00:25:54,386 --> 00:25:56,055 I NEVER HEARD OF THESE BANDS. 724 00:25:56,088 --> 00:25:57,857 YOU NEVER HEARD OF THE RAMONES? 725 00:25:57,890 --> 00:26:00,226 OH, YEAH. THE RAMONES. YEAH, THEY ARE GREAT. 726 00:26:00,259 --> 00:26:01,093 I LOVE THAT SONG THEY DO 727 00:26:01,127 --> 00:26:03,129 ABOUT LOVING THAT WOMAN ALL NIGHT LONG. 728 00:26:03,162 --> 00:26:04,997 SHUT UP. 729 00:26:05,031 --> 00:26:06,899 LOOK, IF YOU MUST MANHANDLE, 730 00:26:06,933 --> 00:26:08,668 AT LEAST PUT THINGS BACK WHERE THEY CAME FROM. 731 00:26:08,701 --> 00:26:10,069 I THINK I DID. NO. 732 00:26:10,102 --> 00:26:11,170 YOU PUT THINGS BACK ALPHABETICALLY, 733 00:26:11,203 --> 00:26:13,973 BUT THERE HAPPENS TO BE A CHRONOLOGICAL SUB-ORDER. 734 00:26:14,006 --> 00:26:15,241 NOW I HAVE TO REDO THE WHOLE SECTION. 735 00:26:15,274 --> 00:26:16,242 THANK YOU VERY LITTLE. 736 00:26:16,275 --> 00:26:17,910 [sighs] 737 00:26:17,944 --> 00:26:20,246 SO YOU WANNA KNOW ABOUT SONNY CROSS, HMM? 738 00:26:20,279 --> 00:26:22,649 WELL, HE MANAGED THESE GUYS FOR A WHILE, 739 00:26:22,682 --> 00:26:23,650 BACK IN '87, TILL THEY FIRED HIM. 740 00:26:23,683 --> 00:26:24,851 WHY? 741 00:26:24,884 --> 00:26:28,020 SAME REASON THESE GUYS FIRED HIM IN '82. 742 00:26:28,054 --> 00:26:30,623 HE WAS HUMPING THE LEAD SINGER'S WIFE. 743 00:26:30,657 --> 00:26:31,824 THAT CAT HAD NINE LIVES. 744 00:26:31,858 --> 00:26:32,925 OH, HE, UH, 745 00:26:32,959 --> 00:26:33,926 HE MANAGED THESE GUYS FOR A WHILE 746 00:26:33,960 --> 00:26:34,927 AS WELL. 747 00:26:34,961 --> 00:26:35,995 THEY FIRED HIM? 748 00:26:36,028 --> 00:26:37,129 DIDN'T HAVE A CHOICE. 749 00:26:37,163 --> 00:26:38,164 HARD TO HANDLE THEM 750 00:26:38,197 --> 00:26:39,699 FROM THE FLORIDA STATE PENITENTIARY. 751 00:26:39,732 --> 00:26:42,368 DID, UH, TWO YEARS, I THINK, DRINKING AND DRIVING. 752 00:26:42,401 --> 00:26:44,671 APPARENTLY, HE KILLED A GUY. 753 00:26:44,704 --> 00:26:46,973 AND NOW HE'S BEEN IMMORTALIZED 754 00:26:47,006 --> 00:26:48,975 AS THE MAN WILLIE NELSON SHOT. 755 00:26:49,008 --> 00:26:50,943 HMM. 756 00:26:50,977 --> 00:26:53,012 YOU MISSED ONE. I DIDN'T. 757 00:26:53,045 --> 00:26:55,848 OH, YOU'RE RIGHT. 758 00:26:55,882 --> 00:26:57,183 ARE YOU TWO RELATED? 759 00:26:57,216 --> 00:26:59,618 [in unison] WHY WOULD YOU SAY THAT? 760 00:27:06,458 --> 00:27:08,895 SIR, ARE YOU READY FOR THIS? 761 00:27:08,928 --> 00:27:11,263 WHAT IS THIS, A GAME SHOW? 762 00:27:11,297 --> 00:27:14,066 CAN'T YOU JUST WALK IN HERE AND SAY WHAT YOU HAVE TO SAY? 763 00:27:14,100 --> 00:27:16,368 THE DROPLETS ON WILLIE NELSON'S JACKET-- 764 00:27:16,402 --> 00:27:18,170 HUMAN BLOOD FROM THE VICTIM. 765 00:27:20,306 --> 00:27:22,775 WELL, HE SAID THAT HE LEANED OVER THE BODY. 766 00:27:22,809 --> 00:27:24,210 MAYBE HE GOT THE BLOOD ON HIM THEN. 767 00:27:24,243 --> 00:27:26,378 THE LAB IS 40% SURE 768 00:27:26,412 --> 00:27:29,048 THEY'RE SPLATTER MARKS FROM THE ACTUAL SHOOTING. 769 00:27:29,081 --> 00:27:30,082 40%? 770 00:27:30,116 --> 00:27:32,084 WHAT DO YOU THINK? 771 00:27:32,118 --> 00:27:34,687 WELL, I THINK IT'S NOT EXACTLY THROUGH THE HOOP, IS IT? 772 00:27:34,721 --> 00:27:37,790 OKAY, THE BLOOD IS 40%. 773 00:27:37,824 --> 00:27:38,791 VIDEOTAPE? 774 00:27:38,825 --> 00:27:41,060 48%. 775 00:27:41,093 --> 00:27:42,094 VOICE I.D.? 776 00:27:42,128 --> 00:27:43,830 15%. 777 00:27:43,863 --> 00:27:44,964 MOTIVE? 778 00:27:44,997 --> 00:27:46,699 20. WELL, THAT'S, LIKE, 123%. 779 00:27:46,733 --> 00:27:49,001 I MEAN, PLUS MEANS AND OPPORTUNITY. 780 00:27:49,035 --> 00:27:51,270 [sighs] 781 00:27:51,303 --> 00:27:52,271 ALL RIGHT, 782 00:27:52,304 --> 00:27:54,106 BRING HIM IN. 783 00:27:58,978 --> 00:28:00,747 I HAVE TO BE CRAZY. 784 00:28:00,780 --> 00:28:05,117 BE PLUMB OUT OF MY MIND TO ARREST WILLIE NELSON. 785 00:28:05,151 --> 00:28:07,386 (Kenny) WE'RE BACK. I'M LITTLE KENNY FREEDMAN. 786 00:28:07,419 --> 00:28:10,389 YOU'RE LISTENING TO THREE CHORD MONTE ON KNGY. 787 00:28:10,422 --> 00:28:13,459 WE ARE VERY EXCITED TO HAVE LIVE IN OUR STUDIO 788 00:28:13,492 --> 00:28:15,795 THE LEGENDARY WILLIE NELSON. 789 00:28:15,828 --> 00:28:16,595 I KNOW YOU'VE BEEN READING 790 00:28:16,628 --> 00:28:17,764 A LOT ABOUT WILLIE IN THE PAPERS. 791 00:28:17,797 --> 00:28:20,032 EVERYBODY SEEMS TO HAVE AN OPINION ON "THE INCIDENT." 792 00:28:20,066 --> 00:28:22,334 BUT TONIGHT, WE'RE GONNA FORGET ABOUT ALL THAT 793 00:28:22,368 --> 00:28:23,970 AND ENJOY THE MUSIC. 794 00:28:24,003 --> 00:28:26,072 WILLIE, WOULD YOU LIKE TO INTRODUCE THE BAND? 795 00:28:26,105 --> 00:28:27,874 YEAH, THANK YOU VERY MUCH. 796 00:28:27,907 --> 00:28:30,509 FIRST OF ALL, ON THE BASS HERE FROM HELOTES, TEXAS, 797 00:28:30,542 --> 00:28:31,978 MR. BEE SPEARS. 798 00:28:32,011 --> 00:28:34,046 THIS IS YOUR MICROPHONE. 799 00:28:34,080 --> 00:28:35,147 JUST DON'T GET TOO CLOSE. 800 00:28:35,181 --> 00:28:36,315 HERE, I'LL SHOW YOU. 801 00:28:36,348 --> 00:28:37,917 (Willie) JODY PAYNE FROM ALABAMA, 802 00:28:37,950 --> 00:28:40,953 AND OUR SPECIAL GUEST IS ADRIAN MONK, 803 00:28:40,987 --> 00:28:43,489 PLAYING THE CLARINET AND SITTIN' IN WITH US 804 00:28:43,522 --> 00:28:45,892 ON A RAY CHARLES STANDARD 805 00:28:45,925 --> 00:28:48,995 THAT WE LOVE TO DO CALLED GEORGIA ON MY MIND. 806 00:28:49,028 --> 00:28:54,333 [Willie playing song intro] 807 00:28:54,366 --> 00:28:56,903 * GEORGIA 808 00:28:56,936 --> 00:28:58,370 * GEORGIA EXCUSE ME. 809 00:28:58,404 --> 00:28:59,471 WE HAVE TO STOP. 810 00:28:59,505 --> 00:29:01,173 WE CAN'T STOP. WE'RE LIVE. 811 00:29:01,207 --> 00:29:02,875 NO, MY FRIEND CAN'T PLAY NOW. 812 00:29:02,909 --> 00:29:05,044 THAT GUY JUST PUT HIS LIPS ON HIS CLARINET. 813 00:29:05,077 --> 00:29:07,947 * 814 00:29:07,980 --> 00:29:09,949 * JUST AN OLD SWEET SONG 815 00:29:09,982 --> 00:29:12,384 * KEEPS GEORGIA 816 00:29:12,418 --> 00:29:14,921 * ON MY MIND 817 00:29:14,954 --> 00:29:16,422 [mouthing words] 818 00:29:21,427 --> 00:29:23,429 * GEORGIA 819 00:29:23,462 --> 00:29:27,466 * GEORGIA 820 00:29:27,499 --> 00:29:30,236 * A SONG OF YOU 821 00:29:30,269 --> 00:29:32,304 * 822 00:29:32,338 --> 00:29:34,573 * COMES AS SWEET AND CLEAR 823 00:29:34,606 --> 00:29:37,944 * 824 00:29:37,977 --> 00:29:41,113 * AS MOONLIGHT THROUGH THE PINES * 825 00:29:41,147 --> 00:29:42,581 * 826 00:29:42,614 --> 00:29:43,582 ALL RIGHT, ADRIAN. 827 00:29:43,615 --> 00:29:51,824 * 828 00:29:56,028 --> 00:29:58,097 PLAY IT, ADRIAN. 829 00:29:58,130 --> 00:30:00,967 * 830 00:30:01,000 --> 00:30:08,975 [whistling the tune] 831 00:30:09,008 --> 00:30:11,944 * 832 00:30:11,978 --> 00:30:17,083 * GEORGIA, GEORGIA 833 00:30:17,116 --> 00:30:19,418 * NO PEACE I FIND 834 00:30:19,451 --> 00:30:23,622 * 835 00:30:23,655 --> 00:30:26,025 * JUST AN OLD SWEET SONG 836 00:30:26,058 --> 00:30:29,261 * KEEPS GEORGIA 837 00:30:29,295 --> 00:30:31,964 * ON MY MIND 838 00:30:31,998 --> 00:30:36,102 * 839 00:30:36,135 --> 00:30:40,606 * AND JUST AN OLD SWEET SONG * 840 00:30:40,639 --> 00:30:43,910 * KEEPS GEORGIA ON MY MIND * 841 00:30:43,943 --> 00:30:47,013 * 842 00:30:47,046 --> 00:30:48,647 * ON MY MIND 843 00:30:48,680 --> 00:30:52,919 * 844 00:30:52,952 --> 00:30:55,154 * ON MY MIND 845 00:30:55,187 --> 00:31:01,327 * 846 00:31:01,360 --> 00:31:04,931 * ON MY MIND * 847 00:31:04,964 --> 00:31:12,004 * 848 00:31:12,038 --> 00:31:13,339 NICE SOLO. 849 00:31:13,372 --> 00:31:15,241 SOME MIGHTY GOOD WHISTLIN' THERE. 850 00:31:15,274 --> 00:31:16,242 WELL, DID YOU HAVE FUN? 851 00:31:16,275 --> 00:31:17,977 IT WAS GREAT. 852 00:31:18,010 --> 00:31:19,178 IF THERE'S ANYTHING I CAN DO FOR YOU GUYS. 853 00:31:19,211 --> 00:31:20,179 ANYTHING. 854 00:31:20,212 --> 00:31:22,048 YOU USED TO BE A COP, RIGHT? 855 00:31:22,081 --> 00:31:22,881 WELL, YEAH. 856 00:31:22,915 --> 00:31:25,017 GET US A KEY TO THE EVIDENCE ROOM. 857 00:31:25,051 --> 00:31:26,018 (Monk) YEAH. 858 00:31:26,052 --> 00:31:27,086 [laughter] 859 00:31:27,119 --> 00:31:28,087 WILLIE NELSON? 860 00:31:28,120 --> 00:31:29,989 I'M WILLIE NELSON. 861 00:31:30,022 --> 00:31:30,990 I'M WILLIE NELSON. 862 00:31:31,023 --> 00:31:32,024 I'M WILLIE NELSON. 863 00:31:33,625 --> 00:31:36,162 I DON'T THINK THEY'RE GOIN' FOR IT, BOYS. 864 00:31:37,696 --> 00:31:39,031 MR. NELSON, 865 00:31:39,065 --> 00:31:40,666 WE HAVE A WARRANT FOR YOUR ARREST 866 00:31:40,699 --> 00:31:42,601 FOR THE PREMEDITATED MURDER OF JASON " SONNY" CROSS. 867 00:31:42,634 --> 00:31:43,602 CAPTAIN, THIS IS A MISTAKE. 868 00:31:43,635 --> 00:31:45,237 HE IS NOT THE GUY. 869 00:31:45,271 --> 00:31:47,106 WELL, YOU CAN'T BE OBJECTIVE. 870 00:31:47,139 --> 00:31:48,340 YOU'RE A MEMBER OF THE DAMN BAND. 871 00:31:48,374 --> 00:31:51,010 (Willie) MR. MONK. 872 00:31:51,043 --> 00:31:53,345 THIS WAY, MR. NELSON. LET'S GO. 873 00:31:59,218 --> 00:32:00,719 (Jeff) AS YOU KNOW, WILLIE HUGH NELSON 874 00:32:00,752 --> 00:32:04,056 WAS ARRESTED AT 10:15 LAST NIGHT. 875 00:32:04,090 --> 00:32:05,191 HE WILL BE INDICTED 876 00:32:05,224 --> 00:32:07,659 IN JUDGE HACKMAN'S COURTROOM TOMORROW. 877 00:32:07,693 --> 00:32:10,096 CAPTAIN STOTTLEMEYER WAS THE ARRESTING OFFICER 878 00:32:10,129 --> 00:32:11,998 AND WILL BE HAPPY TO ANSWER ANY OF YOUR QUESTIONS. 879 00:32:12,031 --> 00:32:12,999 CAPTAIN. 880 00:32:13,032 --> 00:32:14,600 THANK YOU, JEFF. 881 00:32:14,633 --> 00:32:16,202 FIRST OF ALL, I WOULD LIKE TO THANK 882 00:32:16,235 --> 00:32:17,503 THE MEMBERS OF MY DEPARTMENT 883 00:32:17,536 --> 00:32:19,205 WHO HAVE BEEN INVESTIGATING THIS CASE. 884 00:32:19,238 --> 00:32:21,107 THEY'VE DONE AN OUTSTANDING JOB. 885 00:32:21,140 --> 00:32:24,410 CAPTAIN, HOW STRONG IS YOUR CASE AGAINST WILLIE NELSON? 886 00:32:24,443 --> 00:32:26,345 WE WOULD NOT HAVE AUTHORIZED THIS ARREST 887 00:32:26,378 --> 00:32:27,479 UNLESS WE WERE CERTAIN 888 00:32:27,513 --> 00:32:30,516 THAT WE HAVE ALL THE FACTS FOR THE DISTRICT ATTORNEY 889 00:32:30,549 --> 00:32:33,185 TO SUCCESSFULLY PROSECUTE THIS CASE. 890 00:32:33,219 --> 00:32:34,987 OH, GET A SHOT OF THAT. 891 00:32:35,021 --> 00:32:36,022 (streaker) HEY, HI! 892 00:32:36,055 --> 00:32:38,090 [chatter] 893 00:32:39,125 --> 00:32:40,993 FOR THE LOVE OF-- I WANT HIM. 894 00:32:41,027 --> 00:32:42,661 GO, GO! GET HIM! 895 00:32:42,694 --> 00:32:45,497 [chatter] 896 00:32:45,531 --> 00:32:48,334 [chuckles] 897 00:32:48,367 --> 00:32:50,702 SAN FRANCISCO. YOU GOTTA LOVE IT. 898 00:32:54,806 --> 00:32:56,608 (streaker) COME ON, GIRLS. 899 00:32:59,078 --> 00:33:00,579 WE'RE ON FOOT, HEADING SOUTH TOWARDS PROSPECT. 900 00:33:00,612 --> 00:33:02,314 (female dispatcher) IS THERE A DESCRIPTION? 901 00:33:02,348 --> 00:33:03,782 HE'S WEARING GRAY SNEAKERS. 902 00:33:03,815 --> 00:33:05,017 (female dispatcher) IS THERE ANYTHING ELSE? 903 00:33:05,051 --> 00:33:06,385 HE'S NOT JEWISH! 904 00:33:06,418 --> 00:33:08,720 COME ON! 905 00:33:08,754 --> 00:33:10,589 [chuckles] 906 00:33:13,125 --> 00:33:14,093 EXCUSE ME. 907 00:33:17,063 --> 00:33:18,030 OH, YEAH. 908 00:33:18,064 --> 00:33:19,098 [laughs] 909 00:33:19,131 --> 00:33:20,566 GOOD BOYS. 910 00:33:20,599 --> 00:33:23,102 [siren in distance] 911 00:33:23,135 --> 00:33:25,771 (Disher) ALL RIGHT, HOLD IT RIGHT THERE! STOP! 912 00:33:25,804 --> 00:33:27,506 STAY WHERE YOU ARE. 913 00:33:27,539 --> 00:33:30,109 ALL RIGHT, WE GOT HIM. 914 00:33:32,478 --> 00:33:33,679 [exhales] 915 00:33:33,712 --> 00:33:36,115 STREAKER IN CUSTODY. 916 00:33:38,750 --> 00:33:40,319 (Wendy) I'VE NEVER BEEN INTERVIEWED BEFORE. 917 00:33:40,352 --> 00:33:42,088 I FEEL LIKE A CELEBRITY. 918 00:33:42,121 --> 00:33:43,689 [loudly] ARE YOU READY?! 919 00:33:43,722 --> 00:33:46,558 I AM CLICKING ON THE TAPE RECORDER! 920 00:33:46,592 --> 00:33:48,394 BENJY, YOU DON'T HAVE TO SHOUT. MY HEARING'S FINE. 921 00:33:48,427 --> 00:33:50,396 SORRY. 922 00:33:50,429 --> 00:33:51,663 HAVE YOU ALWAYS BEEN BLIND? 923 00:33:51,697 --> 00:33:56,102 WELL, I COULD SEE UNTIL I WAS 16 YEARS OLD. 924 00:33:56,135 --> 00:33:57,103 I WAS IN A CAR ACCIDENT. 925 00:33:57,136 --> 00:34:00,139 I HAVE A QUESTION. 926 00:34:00,172 --> 00:34:02,674 MRS. MASS, THE MURDER WEAPON 927 00:34:02,708 --> 00:34:04,543 WAS FOUND BEHIND YOU, NEAR THE DUMPSTER. 928 00:34:04,576 --> 00:34:06,812 DO YOU HAVE ANY IDEA HOW IT GOT THERE? 929 00:34:06,845 --> 00:34:10,749 NO, I DON'T REMEMBER MUCH. I WAS SCARED TO DEATH. 930 00:34:10,782 --> 00:34:12,184 (Sharona) ADRIAN, 931 00:34:12,218 --> 00:34:14,153 THIS IS BENJY'S INTERVIEW. 932 00:34:14,186 --> 00:34:15,487 THEN WHAT AM I DOING HERE? 933 00:34:15,521 --> 00:34:17,656 I DON'T KNOW. I NEVER KNOW. 934 00:34:17,689 --> 00:34:20,492 (Benjy) HOW DO YOU KNOW WHAT TO WEAR EVERY DAY? 935 00:34:20,526 --> 00:34:22,094 WHAT A GOOD QUESTION. 936 00:34:22,128 --> 00:34:24,863 I ADD SPECIAL BUTTONS TO MY CLOTHES 937 00:34:24,896 --> 00:34:25,864 SO I CAN TELL 'EM APART. 938 00:34:25,897 --> 00:34:27,233 LIKE THIS JACKET, 939 00:34:27,266 --> 00:34:29,435 I KNOW THAT IT'S BLUE 940 00:34:29,468 --> 00:34:32,104 BECAUSE THE BOTTOM BUTTON IS SQUARE, SEE? 941 00:34:32,138 --> 00:34:33,105 (Benjy) OH, COOL. 942 00:34:33,139 --> 00:34:34,106 (Wendy) UH-HUH. 943 00:34:34,140 --> 00:34:35,141 DID YOU PARENTS TEACH YOU THAT? 944 00:34:35,174 --> 00:34:37,476 NO, MY PARENTS WERE KILLED 945 00:34:37,509 --> 00:34:39,145 IN THE SAME CAR ACCIDENT THAT BLINDED ME. 946 00:34:39,178 --> 00:34:42,648 I LOST EVERYTHING IN ONE HORRIBLE MOMENT. 947 00:34:42,681 --> 00:34:45,884 MY SIGHT, MY FAMILY-- 948 00:34:45,917 --> 00:34:46,818 UM, SORRY, DEAR. 949 00:34:46,852 --> 00:34:48,420 WHAT'S NEXT? 950 00:34:48,454 --> 00:34:49,421 (Benjy) UH, 951 00:34:49,455 --> 00:34:52,124 WHY DO YOU KEEP PICTURES 952 00:34:52,158 --> 00:34:52,991 ON YOUR WALLS? 953 00:34:53,024 --> 00:34:54,826 OH, THEY'RE FOR VISITORS LIKE YOU. 954 00:34:54,860 --> 00:34:56,762 (Monk) YOU LIVED IN FLORIDA? 955 00:34:56,795 --> 00:35:00,899 YES, I GREW UP IN TAMPA. 956 00:35:00,932 --> 00:35:03,235 (Benjy) WHAT DOES IT FEEL LIKE TO BE BLIND? 957 00:35:03,269 --> 00:35:09,675 WELL, AT FIRST, I WAS ALWAYS SCARED. 958 00:35:09,708 --> 00:35:11,810 THEN WHEN I TURNED 20, 959 00:35:11,843 --> 00:35:14,380 I DECIDED THAT I WASN'T GONNA BE SCARED NO MORE. 960 00:35:14,413 --> 00:35:16,382 I ACCEPTED IT. 961 00:35:16,415 --> 00:35:19,751 NOW I FEEL I CAN DO ANYTHING I WANT. 962 00:35:19,785 --> 00:35:23,222 WELL, I THINK WE'VE TAKEN UP ENOUGH OF YOUR TIME, MRS. MASS. 963 00:35:23,255 --> 00:35:26,492 THANK YOU SO MUCH. 964 00:35:26,525 --> 00:35:28,227 THANK YOU, MISS MASS. 965 00:35:28,260 --> 00:35:29,495 THANK YOU, BENJY. 966 00:35:29,528 --> 00:35:30,829 GOOD LUCK ON YOUR REPORT. 967 00:35:30,862 --> 00:35:31,830 OKAY, THANKS. 968 00:35:31,863 --> 00:35:33,432 SHARONA. OH, THANK YOU. 969 00:35:33,465 --> 00:35:34,733 THANK YOU SO MUCH. 970 00:35:34,766 --> 00:35:35,901 MR. MONK. 971 00:35:35,934 --> 00:35:37,903 YES, THANK YOU. THANK YOU VERY MUCH. 972 00:35:37,936 --> 00:35:41,139 [mouthing words] 973 00:35:42,574 --> 00:35:44,410 THANK-- THANK YOU VERY MUCH. 974 00:35:44,443 --> 00:35:45,711 ALL RIGHT. 975 00:35:45,744 --> 00:35:46,745 THANK YOU. 976 00:35:46,778 --> 00:35:48,380 ALL RIGHT. 977 00:35:48,414 --> 00:35:49,715 GOOD DAY. 978 00:35:56,555 --> 00:35:58,724 [sighs] 979 00:36:00,859 --> 00:36:02,394 UM, JUSTIN? 980 00:36:02,428 --> 00:36:03,929 HI. IT'S ME, SHARONA. 981 00:36:03,962 --> 00:36:05,897 JUST GIVE ME A CALL WHENEVER YOU CAN. 982 00:36:05,931 --> 00:36:07,733 OKAY, BYE. 983 00:36:08,900 --> 00:36:09,868 BENJY. 984 00:36:09,901 --> 00:36:12,838 BENJY I NEED YOUR NOTEBOOK AND YOUR KNAPSACK. 985 00:36:12,871 --> 00:36:14,506 OKAY. 986 00:36:20,346 --> 00:36:22,714 HELLO. 987 00:36:22,748 --> 00:36:26,818 I-I JUST WANNA SAY THANK YOU FOR THE GREAT JOB YOU'RE DOING. 988 00:36:33,659 --> 00:36:34,726 WHAT ARE YOU DOING? 989 00:36:34,760 --> 00:36:36,428 WE JUST SOLVED THE CASE. 990 00:36:36,462 --> 00:36:38,297 I NEED A WIPE. 991 00:36:42,368 --> 00:36:45,504 [door buzzes, opens] 992 00:36:45,537 --> 00:36:47,839 LADY GODIVA, IT'S YOUR LUCKY DAY. 993 00:36:47,873 --> 00:36:49,908 SOMEBODY MADE YOUR BAIL. 994 00:36:52,278 --> 00:36:53,479 (prisoner) LUCKY. 995 00:37:02,388 --> 00:37:03,722 (Stottlemeyer) WHAT'S SHE DOING HERE? 996 00:37:03,755 --> 00:37:06,925 I-I ASKED HER TO MEET ME. 997 00:37:06,958 --> 00:37:10,462 WELL, DO YOU MIND TELLING ME WHY? 998 00:37:10,496 --> 00:37:12,998 YOU'LL SEE. JUST WAIT. 999 00:37:19,838 --> 00:37:21,373 (Stottlemeyer) SON OF A BITCH. HE'S BACK. 1000 00:37:21,407 --> 00:37:22,974 LIEUTENANT, CALL THE 23RD. 1001 00:37:23,008 --> 00:37:24,710 GET A BLACK AND WHITE DOWN HERE ASAP. 1002 00:37:24,743 --> 00:37:25,977 CAPTAIN, NO, NO, NOT SO FAST. 1003 00:37:26,011 --> 00:37:28,046 WHAT ARE YOU TALKING ABOUT? 1004 00:37:28,079 --> 00:37:29,881 I BAILED HIM OUT LAST NIGHT, AND I HIRED HIM. 1005 00:37:29,915 --> 00:37:32,418 YOU HIRED THE STREAKER? TO DO WHAT? 1006 00:37:43,629 --> 00:37:44,863 SON OF A BITCH. 1007 00:37:44,896 --> 00:37:47,599 [chuckles] 1008 00:37:47,633 --> 00:37:49,301 SHE CAN SEE. 1009 00:37:49,335 --> 00:37:50,569 SHE CAN SEE? 1010 00:37:50,602 --> 00:37:51,870 SHE CAN SEE. 1011 00:37:51,903 --> 00:37:54,573 SON OF A BITCH. 1012 00:37:54,606 --> 00:37:56,908 SH--SHARONA! 1013 00:37:56,942 --> 00:37:58,510 [gasps] 1014 00:37:58,544 --> 00:37:59,978 JUSTIN? 1015 00:38:00,011 --> 00:38:01,313 WHAT ARE YOU DOING HERE? 1016 00:38:01,347 --> 00:38:03,815 FRIEND OF YOURS? 1017 00:38:03,849 --> 00:38:07,419 WE'RE STILL ON FOR SATURDAY, RIGHT? 1018 00:38:13,024 --> 00:38:13,759 (Stottlemeyer) OKAY, MRS. MASS, 1019 00:38:13,792 --> 00:38:16,094 WHEN DID YOU GET YOUR VISION BACK? 1020 00:38:16,127 --> 00:38:17,763 A YEAR AGO. 1021 00:38:17,796 --> 00:38:20,732 IT WAS YOUR ACCIDENT AT THE SUPERMARKET. 1022 00:38:20,766 --> 00:38:24,736 WHEN I WOKE UP, I HAD REGAINED SIGHT IN MY LEFT EYE. 1023 00:38:24,770 --> 00:38:26,104 THAT'S HOW IT HAPPENS SOMETIMES, 1024 00:38:26,137 --> 00:38:28,740 AFTER A BLOW TO THE HEAD. 1025 00:38:28,774 --> 00:38:29,875 IT WAS A MIRACLE. 1026 00:38:29,908 --> 00:38:32,077 BUT YOU DIDN'T TELL ANYBODY. 1027 00:38:32,110 --> 00:38:34,012 NO. NO, YOU KEPT IT A SECRET. 1028 00:38:34,045 --> 00:38:36,815 IF PEOPLE BELIEVED YOU WERE BLIND, 1029 00:38:36,848 --> 00:38:38,450 YOU COULD KILL SONNY CROSS 1030 00:38:38,484 --> 00:38:40,118 AND NOBODY WOULD EVER SUSPECT YOU. 1031 00:38:40,151 --> 00:38:41,520 (Stottlemeyer) WHY WOULD YOU 1032 00:38:41,553 --> 00:38:42,721 WANT TO KILL SONNY CROSS? 1033 00:38:42,754 --> 00:38:43,722 (Monk) REVENGE. 1034 00:38:43,755 --> 00:38:46,725 HE WAS DRIVING THE CAR THAT KILLED YOUR PARENTS 1035 00:38:46,758 --> 00:38:48,394 AND LEFT YOU BLIND IN TAMPA 1036 00:38:48,427 --> 00:38:49,995 36 YEARS AGO. 1037 00:38:50,028 --> 00:38:52,398 YOU KNEW HE TOURED A LOT. 1038 00:38:52,431 --> 00:38:53,932 YOU WAITED FOR HIM TO COME THROUGH SAN FRANCISCO, 1039 00:38:53,965 --> 00:38:55,701 AND EVENTUALLY HE DID. 1040 00:38:55,734 --> 00:38:56,968 THEY ANNOUNCED ON THE RADIO 1041 00:38:57,002 --> 00:38:59,004 THAT WILLIE NELSON AND HIS TOUR MANAGER 1042 00:38:59,037 --> 00:39:00,739 WOULD BE STOPPING BY THE STATION. 1043 00:39:00,772 --> 00:39:03,742 SO YOU GOT THERE EARLY AND PUT A NOTE ON THE DOOR. 1044 00:39:03,775 --> 00:39:06,512 THEN YOU WAITED. 1045 00:39:06,545 --> 00:39:08,380 BEFORE YOU KILLED HIM, DID YOU TELL HIM WHO YOU WERE? 1046 00:39:08,414 --> 00:39:09,581 (Wendy) YES. 1047 00:39:09,615 --> 00:39:11,917 YOU KILLED MY PARENTS. THIS ONE IS FOR THEM. 1048 00:39:11,950 --> 00:39:12,918 [gunshot] 1049 00:39:12,951 --> 00:39:13,985 [groans] 1050 00:39:14,019 --> 00:39:15,020 (Monk) AND YOU MADE SURE 1051 00:39:15,053 --> 00:39:16,722 THAT THE SECOND SHOT 1052 00:39:16,755 --> 00:39:18,824 WAS FROM 20 FEET AWAY. 1053 00:39:18,857 --> 00:39:20,826 A CRIME NO BLIND WOMAN COULD HAVE COMMITTED, 1054 00:39:20,859 --> 00:39:22,861 BUT THEN WILLIE NELSON SHOWED UP IN THAT ALLEY. 1055 00:39:22,894 --> 00:39:23,795 YOU DIDN'T COUNT ON THAT. 1056 00:39:23,829 --> 00:39:25,897 YOU COULDN'T JUST LEAVE THE SCENE SO... 1057 00:39:25,931 --> 00:39:27,065 (Wendy) HELP! HELP! 1058 00:39:27,098 --> 00:39:29,034 HELP, SOMEBODY! 1059 00:39:29,067 --> 00:39:30,869 YOU HAD TO PRETEND TO BE A WITNESS. 1060 00:39:30,902 --> 00:39:32,538 (Wendy) JASON CROSS 1061 00:39:32,571 --> 00:39:37,409 SERVED A YEAR AND A HALF. 1062 00:39:37,443 --> 00:39:40,011 VEHICULAR MANSLAUGHTER? 1063 00:39:40,045 --> 00:39:41,980 THAT WASN'T JUSTICE. 1064 00:39:42,013 --> 00:39:45,717 WHAT I DID LAST WEEK, THAT WAS JUSTICE. 1065 00:39:52,658 --> 00:39:53,859 HOW DID YOU KNOW? 1066 00:39:53,892 --> 00:39:56,562 I KNEW THAT CROSS HAD BEEN ARRESTED IN TAMPA. 1067 00:39:56,595 --> 00:39:58,964 WHEN YOU MENTIONED THAT YOU'D GROWN UP THERE, 1068 00:39:58,997 --> 00:40:00,866 IT SEEMED LIKE A REMARKABLE COINCIDENCE, 1069 00:40:00,899 --> 00:40:03,902 BUT I DIDN'T PUT IT TOGETHER UNTIL I REMEMBERED 1070 00:40:03,935 --> 00:40:06,938 SOMETHING YOU HAD DONE LAST WEEK 1071 00:40:06,972 --> 00:40:08,039 WHEN YOU MET CAPTAIN STOTTLEMEYER. 1072 00:40:08,073 --> 00:40:09,875 ME? 1073 00:40:09,908 --> 00:40:11,910 WHEN YOU CAME IN WITH YOUR RIGHT ARM IN A SLING, 1074 00:40:11,943 --> 00:40:13,645 EVERYONE IN THE ROOM 1075 00:40:13,679 --> 00:40:16,482 NATURALLY EXTENDED THEIR LEFT HAND TO SHAKE, 1076 00:40:16,515 --> 00:40:18,116 INCLUDING MRS. MASS. 1077 00:40:18,149 --> 00:40:21,219 THIS WAS BEFORE ANYONE MENTIONED YOU HAD HURT YOUR ARM. 1078 00:40:21,252 --> 00:40:23,755 SO HOW COULD SHE HAVE KNOWN 1079 00:40:23,789 --> 00:40:25,924 THAT YOU OFFERED YOUR LEFT HAND? 1080 00:40:27,826 --> 00:40:29,628 [Wendy chuckles] 1081 00:40:32,063 --> 00:40:33,131 THANK YOU, MR. MONK. 1082 00:40:33,164 --> 00:40:35,000 YOU'RE THANKING HIM? 1083 00:40:35,033 --> 00:40:36,768 I AM SO RELIEVED. 1084 00:40:36,802 --> 00:40:38,537 IT WAS TEARING ME UP INSIDE 1085 00:40:38,570 --> 00:40:40,872 THAT THAT POOR MAN WAS TAKING ALL THE BLAME. 1086 00:40:40,906 --> 00:40:42,541 YOU'RE GONNA HAVE TO GO TO PRISON. 1087 00:40:42,574 --> 00:40:44,476 I UNDERSTAND. 1088 00:40:44,510 --> 00:40:45,844 MAYBE I CAN TALK TO THE D.A. 1089 00:40:45,877 --> 00:40:48,647 ABOUT EXTENUATING CIRCUMSTANCES. 1090 00:40:48,680 --> 00:40:50,716 THERE'S ONLY ONE THING THAT I WANT. 1091 00:40:50,749 --> 00:40:52,050 WHAT'S THAT? 1092 00:40:54,653 --> 00:40:56,788 A WINDOW. 1093 00:41:00,992 --> 00:41:03,094 * 1094 00:41:03,128 --> 00:41:06,865 * IN THE TWILIGHT GLOW I SEE HER * 1095 00:41:06,898 --> 00:41:12,538 * 1096 00:41:12,571 --> 00:41:15,807 * BLUE EYES CRYIN' IN THE RAIN * 1097 00:41:15,841 --> 00:41:19,945 * 1098 00:41:19,978 --> 00:41:24,015 * AND WHEN WE KISSED GOOD-BYE AND PARTED * 1099 00:41:24,049 --> 00:41:28,820 * 1100 00:41:28,854 --> 00:41:33,258 * I KNEW WE'D NEVER MEET AGAIN * 1101 00:41:33,291 --> 00:41:36,828 * 1102 00:41:36,862 --> 00:41:38,096 [joining song] 1103 00:41:38,129 --> 00:41:40,265 * LOVE IS LIKE A DYING EMBER * 1104 00:41:40,298 --> 00:41:46,838 * 1105 00:41:46,872 --> 00:41:49,975 * AND ONLY MEMORIES REMAIN 1106 00:41:50,008 --> 00:41:54,780 * 1107 00:41:54,813 --> 00:41:58,617 * THROUGH THE AGES, I'LL REMEMBER * 1108 00:41:58,650 --> 00:42:03,989 * 1109 00:42:04,022 --> 00:42:08,093 * BLUE EYES CRYIN' IN THE RAIN * 1110 00:42:08,126 --> 00:42:16,134 * 1111 00:42:24,876 --> 00:42:27,312 * SOMEDAY WE'LL MEET 1112 00:42:27,345 --> 00:42:31,316 * 1113 00:42:31,349 --> 00:42:36,722 * WE'LL STROLL HAND-IN-HAND AGAIN * 1114 00:42:36,755 --> 00:42:39,925 * 1115 00:42:39,958 --> 00:42:43,862 * IN A LAND THAT KNOWS NO PARTING * 1116 00:42:43,895 --> 00:42:46,598 * 1117 00:42:46,632 --> 00:42:53,104 * BLUE EYES CRYIN' IN THE RAIN * 1118 00:42:53,138 --> 00:42:58,276 * 1119 00:43:00,311 --> 00:43:03,314 Captioning by CaptionMax www.captionmax.com