1
00:00:01,035 --> 00:00:03,171
[children playing]

2
00:00:03,204 --> 00:00:05,706
[people laughing, shouting]

3
00:00:16,850 --> 00:00:20,421
(Monk)
THINK I'LL GO BACK
TO THE ROOM.

4
00:00:20,454 --> 00:00:23,257
YEAH, YOU DON'T
WANNA BURN.

5
00:00:23,291 --> 00:00:25,659
YOU'VE BEEN OUT HERE
FOR WHAT, TEN MINUTES?

6
00:00:25,693 --> 00:00:27,495
WHAT HAPPENED TO
THE BATHING SUIT I BOUGHT YOU?

7
00:00:27,528 --> 00:00:29,630
I'M WEARING IT.
UNDERNEATH.

8
00:00:29,663 --> 00:00:31,165
YOU'RE NOT GONNA EVEN TRY?

9
00:00:31,199 --> 00:00:32,300
I AM WHAT I AM.

10
00:00:32,333 --> 00:00:33,801
WELL, YOU DO
WHAT YOU WANT.

11
00:00:33,834 --> 00:00:36,237
THIS IS MY FIRST VACATION
IN THREE YEARS,

12
00:00:36,270 --> 00:00:38,106
AND I'M GONNA MAKE
EVERY MINUTE COUNT.

13
00:00:38,139 --> 00:00:39,807
I TRIED DOING THAT ONCE.

14
00:00:39,840 --> 00:00:42,276
MAKING EVERY MINUTE COUNT.

15
00:00:42,310 --> 00:00:43,744
GAVE ME A HEADACHE.

16
00:00:43,777 --> 00:00:45,279
WHAT DOESN'T?

17
00:00:45,313 --> 00:00:46,847
HEY, MOM,

18
00:00:46,880 --> 00:00:48,616
YOU OWE ME
AN ICE CREAM SUNDAE.

19
00:00:48,649 --> 00:00:50,684
OH.
WE HAD A BET.

20
00:00:50,718 --> 00:00:52,686
MOM SAID YOU WOULDN'T
COME OUTSIDE EVEN ONCE.

21
00:00:52,720 --> 00:00:55,489
HA HO, YE OF LITTLE FAITH.

22
00:00:55,523 --> 00:00:56,824
(man)
YEAH!

23
00:01:00,128 --> 00:01:02,163
HEY, MOM,
CAN I GO JET-SKIING?

24
00:01:02,196 --> 00:01:03,264
NO, IT'S TOO SCARY.

25
00:01:03,297 --> 00:01:05,633
NO, IT'S NOT.
ALL THE OTHER KIDS--

26
00:01:05,666 --> 00:01:07,835
NOT FOR YOU,
FOR MR. MONK.

27
00:01:07,868 --> 00:01:09,837
THERE'S NOTHING
TO DO.

28
00:01:09,870 --> 00:01:11,639
HERE. HERE.

29
00:01:11,672 --> 00:01:14,308
TAKE A QUARTER.
LOOK IN THE TELESCOPE.

30
00:01:14,342 --> 00:01:16,177
THE TELESCOPE?

31
00:01:16,210 --> 00:01:17,645
BIG WHOOP.

32
00:01:19,880 --> 00:01:22,716
DO YOU HAVE ANY LOTION ON?

33
00:01:22,750 --> 00:01:23,851
COME HERE.

34
00:01:32,493 --> 00:01:35,563
HEY, LOOK,
I CAN SEE OUR ROOM!

35
00:01:36,864 --> 00:01:38,599
AND, UH,
THERE'S MR. MONK'S ROOM.

36
00:01:38,632 --> 00:01:40,868
WHICH ONE?

37
00:01:40,901 --> 00:01:42,270
FIRST ONE, THE ONE
HE COULDN'T STAY IN

38
00:01:42,303 --> 00:01:43,637
BECAUSE IT SMELLED FUNNY.

39
00:01:54,715 --> 00:01:56,684
[gasps]
MOM?

40
00:01:56,717 --> 00:01:58,186
WHAT?

41
00:01:59,620 --> 00:02:02,723
BENJY, WHAT'S WRONG?

42
00:02:02,756 --> 00:02:04,458
WHAT'S WRONG?

43
00:02:05,926 --> 00:02:09,763
[light music]

44
00:02:09,797 --> 00:02:17,871
*

45
00:02:57,945 --> 00:02:59,980
[excited chatter]

46
00:03:00,013 --> 00:03:02,816
(man)
I HAVE A FLIGHT TO CATCH.
DO YOU KNOW WHAT TIME IT IS?

47
00:03:02,850 --> 00:03:04,985
MOM, SHE WAS STABBED.
I REALLY THINK SHE'S DEAD.

48
00:03:05,018 --> 00:03:05,786
I KNOW, I KNOW.

49
00:03:05,819 --> 00:03:07,488
I AM SO SORRY
YOU HAD TO SEE THAT,

50
00:03:07,521 --> 00:03:08,722
BUT IT'S GONNA BE OKAY.

51
00:03:08,756 --> 00:03:09,823
MR. MONK IS GONNA
CHECK IT OUT

52
00:03:09,857 --> 00:03:11,792
WITH THE SECURITY PEOPLE,
LOOK.

53
00:03:11,825 --> 00:03:13,827
MS. BRONWYN, THIS IS NOT
A PENITENTIARY.

54
00:03:13,861 --> 00:03:15,829
YOU HAVE TO LET THESE
PEOPLE COME AND GO.

55
00:03:15,863 --> 00:03:17,331
I'M GONNA LET 'EM GO, TONY,

56
00:03:17,365 --> 00:03:19,433
SOON AS WE CHECK OUT
ROOM 401.

57
00:03:19,467 --> 00:03:20,801
YOU KNOW WHO'S IN
ROOM 401.

58
00:03:20,834 --> 00:03:22,736
JOHN FENIMORE,

59
00:03:22,770 --> 00:03:24,838
THE C.O.O. OF THE THIRD
LARGEST BROKERAGE HOUSE

60
00:03:24,872 --> 00:03:25,906
ON THE WEST COAST.

61
00:03:25,939 --> 00:03:28,576
HE BRINGS HIS STAFF HERE
EVERY YEAR FOR A CONFERENCE.

62
00:03:28,609 --> 00:03:30,544
HOW DO WE KNOW THE BOY
DIDN'T JUST MAKE IT UP?

63
00:03:30,578 --> 00:03:31,845
NO, NO.
HE'S A GOOD BOY.

64
00:03:31,879 --> 00:03:33,414
HE DOESN'T LIE.

65
00:03:33,447 --> 00:03:34,748
ALL CHILDREN LIE.

66
00:03:34,782 --> 00:03:36,417
NOT HIM.
NOT TO ME.

67
00:03:36,450 --> 00:03:37,585
WELL, OF COURSE
YOU WOULD SAY THAT.

68
00:03:37,618 --> 00:03:38,519
YOU'RE HIS FATHER.

69
00:03:38,552 --> 00:03:40,754
I'M NOT HIS FATHER.
HIS MOTHER WORKS FOR ME.

70
00:03:40,788 --> 00:03:43,357
TONY LANDIS,
THIS IS ADRIAN MONK,

71
00:03:43,391 --> 00:03:45,859
ADRIAN IS A FORMER
HOMICIDE DETECTIVE.

72
00:03:45,893 --> 00:03:47,628
I JUST TALKED TO HIS
CAPTAIN IN FRISCO.

73
00:03:47,661 --> 00:03:48,629
HE SAYS WE'RE LUCKY
TO HAVE HIM.

74
00:03:48,662 --> 00:03:53,367
MISS BRONWYN, THESE
PEOPLE ARE ON VACATION.

75
00:03:53,401 --> 00:03:54,968
OKAY, TONY, TELL YOU WHAT.

76
00:03:55,002 --> 00:03:56,870
WHY DON'T YOU
LET 'EM OUT,

77
00:03:56,904 --> 00:03:59,273
AND THEN YOU CAN TELL
THE VICTIM'S FAMILY

78
00:03:59,307 --> 00:04:02,042
AND THE POLICE
WHY YOU LET THE MURDERER GO.

79
00:04:02,075 --> 00:04:03,877
FINE.

80
00:04:03,911 --> 00:04:05,045
CHECK IT OUT.

81
00:04:05,078 --> 00:04:09,450
AS DISCREETLY AND QUICKLY
AND DISCREETLY AS POSSIBLE.

82
00:04:09,483 --> 00:04:12,252
YOU--YOU SAID
DISCREETLY TWICE.

83
00:04:13,654 --> 00:04:15,356
EXACTLY.

84
00:04:15,389 --> 00:04:17,024
IN FACT,
I'LL SAY IT AGAIN.

85
00:04:17,057 --> 00:04:18,592
DISCREETLY.

86
00:04:18,626 --> 00:04:21,429
[vacuum running]

87
00:04:23,931 --> 00:04:25,766
(Bronwyn)
MITZI.

88
00:04:25,799 --> 00:04:26,900
MITZI!

89
00:04:26,934 --> 00:04:28,436
MITZI.
[turns off vacuum]

90
00:04:28,469 --> 00:04:30,404
MUY IMPORTANTE.

91
00:04:30,438 --> 00:04:33,441
DID ANYONE COME OUT
OF ROOM 401?

92
00:04:33,474 --> 00:04:34,808
NO, MA'AM.

93
00:04:34,842 --> 00:04:36,644
OKAY. GO IN THERE.

94
00:04:36,677 --> 00:04:39,713
CLOSE THE DOOR,
AND BE VERY QUIET.

95
00:04:46,019 --> 00:04:47,888
MR. FENIMORE, COULD YOU
OPEN THE DOOR PLEASE?

96
00:04:47,921 --> 00:04:49,857
HOTEL SECURITY.

97
00:05:01,101 --> 00:05:02,670
WHAT?

98
00:05:09,843 --> 00:05:11,512
YOU WANT ME
TO GO IN BACKWARDS?

99
00:05:11,545 --> 00:05:12,846
NO, NO, NO.

100
00:05:12,880 --> 00:05:15,048
ON THREE, I GO IN HIGH.

101
00:05:15,082 --> 00:05:16,817
YOU FOLLOW ME.

102
00:05:16,850 --> 00:05:18,018
STAY LOW.

103
00:05:18,051 --> 00:05:20,020
OKAY.
OKAY.

104
00:05:20,053 --> 00:05:21,855
DO I HAVE SOMETHING
ON MY NOSE?

105
00:05:21,889 --> 00:05:23,524
OH, NO.

106
00:05:23,557 --> 00:05:25,359
THAT'S JUST
FROM THE STING.

107
00:05:25,393 --> 00:05:26,527
WHAT STING?

108
00:05:26,560 --> 00:05:28,529
NO, THE MOVIE THE STING.

109
00:05:28,562 --> 00:05:29,663
THEY WERE ALWAYS DOING THIS.

110
00:05:29,697 --> 00:05:30,731
WHAT DOES IT MEAN?

111
00:05:30,764 --> 00:05:32,766
[whispering]
I DON'T KNOW.

112
00:05:32,800 --> 00:05:35,569
OKAY, ONE, TWO, THREE...

113
00:05:36,837 --> 00:05:37,838
HOTEL SECURITY!

114
00:05:37,871 --> 00:05:39,807
IS ANYBODY HERE?

115
00:05:39,840 --> 00:05:41,642
WHAT DO YOU THINK?

116
00:05:43,043 --> 00:05:44,845
THIS HAS GOTTA BE
THE WRONG ROOM.

117
00:05:44,878 --> 00:05:46,714
BENJY POINTED IT OUT.

118
00:05:46,747 --> 00:05:48,916
HE SAID FOURTH FLOOR,

119
00:05:48,949 --> 00:05:50,951
LAST ROOM ON THE RIGHT.

120
00:05:50,984 --> 00:05:52,420
WELL, DO YOU
SEE ANYTHING?

121
00:05:52,453 --> 00:05:53,621
LOOKS PRETTY CLEAN.

122
00:05:53,654 --> 00:05:55,989
NO. NOTHING.
NOT A THING.

123
00:05:56,023 --> 00:05:59,627
TELL ME ABOUT BENJY.

124
00:05:59,660 --> 00:06:00,928
HE'S A GOOD KID.

125
00:06:00,961 --> 00:06:03,931
HE'S...HE WANTS TO BE
A WRITER.

126
00:06:03,964 --> 00:06:08,702
HE DRAWS COMIC BOOKS.

127
00:06:08,736 --> 00:06:13,441
HE SAID IT--
IT HAPPENED RIGHT HERE.

128
00:06:13,474 --> 00:06:15,042
SAID SHE PULLED
THE CURTAIN DOWN.

129
00:06:15,075 --> 00:06:16,910
MR. MONK,
ALL DUE RESPECT,

130
00:06:16,944 --> 00:06:18,612
I'VE SEEN CRIME
SCENES.

131
00:06:18,646 --> 00:06:20,047
THIS AIN'T ONE.

132
00:06:21,081 --> 00:06:23,083
WHAT THE HELL?

133
00:06:23,116 --> 00:06:24,652
UH, MR. FENIMORE,
HOW YOU DOING?

134
00:06:24,685 --> 00:06:26,687
I'M RITA BRONWYN,
HOTEL SECURITY.

135
00:06:26,720 --> 00:06:28,656
THIS IS ADRIAN MONK.
HE'S ASSISTING ME.

136
00:06:28,689 --> 00:06:30,791
ASSISTING YOU WITH WHAT?

137
00:06:30,824 --> 00:06:32,826
THERE'S BEEN A REPORT
OF AN INCIDENT IN THIS ROOM.

138
00:06:32,860 --> 00:06:33,927
WHAT SORT OF
INCIDENT?

139
00:06:33,961 --> 00:06:34,762
A FIGHT.

140
00:06:34,795 --> 00:06:37,898
HERE?
NO. SOMEONE MADE A MISTAKE.

141
00:06:37,931 --> 00:06:39,500
WHEN DID YOU LEAVE
THIS ROOM, SIR?

142
00:06:39,533 --> 00:06:40,801
ABOUT AN HOUR AGO.

143
00:06:40,834 --> 00:06:41,902
AND WHERE DID YOU GO?

144
00:06:41,935 --> 00:06:44,605
DOWN BY THE LAKE.
I FED SOME DUCKS.

145
00:06:44,638 --> 00:06:46,607
WITH YOUR WIFE.
NO, I WAS ALONE.

146
00:06:46,640 --> 00:06:47,908
WHERE IS YOUR WIFE
AT THE PRESENT MOMENT?

147
00:06:47,941 --> 00:06:49,843
SHE DROVE INTO TOWN
TO DO SOME SHOPPING.

148
00:06:49,877 --> 00:06:51,512
WHEN DID THIS INCIDENT
SUPPOSEDLY OCCUR?

149
00:06:51,545 --> 00:06:52,780
ABOUT 15 MINUTES
AGO.

150
00:06:52,813 --> 00:06:54,448
WELL, THEN, IT COULDN'T
HAVE BEEN IRENE.

151
00:06:54,482 --> 00:06:55,916
SHE CALLED ME ON MY CELL
JUST NOW.

152
00:06:55,949 --> 00:06:57,818
YOU AND YOUR WIFE

153
00:06:57,851 --> 00:06:59,753
ARE HAVING PROBLEMS,
SIR?

154
00:06:59,787 --> 00:07:01,722
WHY WOULD YOU SAY THAT?

155
00:07:01,755 --> 00:07:03,691
YOU'RE NOT SLEEPING
IN THE SAME ROOM.

156
00:07:03,724 --> 00:07:05,125
THERE'S A TRAVEL ALARM
ON THE END TABLE

157
00:07:05,158 --> 00:07:06,994
AND SOME SLIPPERS
UNDER THE COUCH.

158
00:07:08,662 --> 00:07:09,930
YOU'RE A VERY
CLEVER MAN.

159
00:07:09,963 --> 00:07:11,832
YES, WE HAD AN ARGUMENT.

160
00:07:11,865 --> 00:07:13,133
WE MADE UP THIS MORNING.

161
00:07:13,166 --> 00:07:16,504
TWICE...IF YOU UNDERSTAND
WHAT I MEAN.

162
00:07:16,537 --> 00:07:17,905
YEAH.
[clears throat]

163
00:07:17,938 --> 00:07:18,872
MR. FENIMORE,

164
00:07:18,906 --> 00:07:21,041
CAN YOU HAVE YOUR WIFE
CALL THE FRONT DESK

165
00:07:21,074 --> 00:07:22,976
AS SOON AS SHE GETS IN?
IF YOU INSIST.

166
00:07:23,010 --> 00:07:26,780
OH, SIR, DO YOU HAPPEN
TO HAVE A PICTURE OF YOUR WIFE?

167
00:07:26,814 --> 00:07:28,782
YEAH. SURE.

168
00:07:32,019 --> 00:07:34,688
WELL? IS THIS
THE WOMAN YOU SAW?

169
00:07:34,722 --> 00:07:35,956
(Benjy)
OH, I DON'T KNOW.

170
00:07:35,989 --> 00:07:37,991
MAYBE.

171
00:07:38,025 --> 00:07:39,560
SORRY.

172
00:07:39,593 --> 00:07:41,094
BENJY, WAIT HERE
FOR ONE SEC, OKAY?

173
00:07:41,128 --> 00:07:42,830
OKAY.

174
00:07:45,633 --> 00:07:47,000
WHAT DID YOU FIND?

175
00:07:47,034 --> 00:07:48,502
ZILCH. IT WAS THE CLEANEST
ROOM I'VE EVER SEEN.

176
00:07:48,536 --> 00:07:49,637
REALLY?

177
00:07:49,670 --> 00:07:50,938
I'D STAY THERE.

178
00:07:50,971 --> 00:07:52,706
WOW.

179
00:07:52,740 --> 00:07:54,141
ADRIAN, I HATE
TO SAY THIS.

180
00:07:54,174 --> 00:07:55,208
WHAT?

181
00:07:55,242 --> 00:07:57,110
MAYBE HE DID MAKE IT UP.

182
00:07:57,144 --> 00:07:59,279
WHY WOULD HE DO THAT?
TO IMPRESS YOU.

183
00:07:59,312 --> 00:08:00,881
MAYBE HE'S TRYING
TO GET YOUR ATTENTION.

184
00:08:00,914 --> 00:08:03,050
YOU'RE TALKING
ABOUT ME, AREN'T YOU?

185
00:08:03,083 --> 00:08:04,217
I SAW WHAT I SAW.

186
00:08:04,251 --> 00:08:06,987
HE SAW WHAT HE SAW.

187
00:08:07,020 --> 00:08:09,657
OKAY. YOU TWO HAVE FUN
PLAYING COPS AND ROBBERS.

188
00:08:09,690 --> 00:08:11,158
I'M STILL ON VACATION,

189
00:08:11,191 --> 00:08:12,993
AND I'M GONNA PLAY TENNIS
WITH SOMEBODY.

190
00:08:13,026 --> 00:08:14,094
YOU MADE A FRIEND.

191
00:08:14,127 --> 00:08:16,897
YEAH. YOU SHOULD
TRY IT SOMETIME.

192
00:08:18,265 --> 00:08:20,267
AND THERE HE IS.

193
00:08:20,300 --> 00:08:21,869
HEY!

194
00:08:21,902 --> 00:08:24,071
HEY. JUST ABOUT
TO CALL YOUR ROOM.

195
00:08:24,104 --> 00:08:25,873
* MY SHARONA

196
00:08:25,906 --> 00:08:27,741
BET YOU GET THAT
A LOT.

197
00:08:27,775 --> 00:08:30,110
UH, NO, NO, NO.
THAT WAS THE FIRST TIME.

198
00:08:30,143 --> 00:08:31,645
UH...

199
00:08:31,679 --> 00:08:33,146
THIS IS MY BOSS,
ADRIAN MONK

200
00:08:33,180 --> 00:08:34,982
AND MY SON BENJY.

201
00:08:35,015 --> 00:08:37,050
HEY, HOW YOU DOING, GUYS?
SO...

202
00:08:37,084 --> 00:08:39,286
WHAT DO YOU THINK?

203
00:08:39,319 --> 00:08:40,220
YOU LOOK GREAT.

204
00:08:40,253 --> 00:08:42,122
I WON'T BE ABLE TO KEEP
MY EYE ON THE BALL.

205
00:08:42,155 --> 00:08:43,223
EXACTLY MY PLAN.

206
00:08:43,256 --> 00:08:45,593
I'LL TAKE THEM.

207
00:08:45,626 --> 00:08:47,895
OKAY. I'LL SEE YOU TWO
LATER.

208
00:08:47,928 --> 00:08:50,998
AND DON'T LET HIM GET
INTO ANY TROUBLE.

209
00:08:51,031 --> 00:08:52,299
I WON'T.

210
00:08:52,332 --> 00:08:54,101
I WAS TALKIN' TO BENJY.

211
00:09:04,011 --> 00:09:07,648
OH! GOOD SHOT.

212
00:09:07,681 --> 00:09:09,282
(Benjy)
MOM COULDA GOT THAT SHOT.

213
00:09:09,316 --> 00:09:11,318
DO YOU THINK
SHE'S LETTING HIM WIN?

214
00:09:11,351 --> 00:09:13,086
I WOULDN'T BE
SURPRISED.

215
00:09:13,120 --> 00:09:15,288
YOU KNOW,
WHY DO GIRLS DO THAT?

216
00:09:15,322 --> 00:09:18,058
SOMEDAY
YOU'LL UNDERSTAND.

217
00:09:18,091 --> 00:09:21,061
WHEN YOU DO, CALL ME
AND EXPLAIN IT TO ME.

218
00:09:21,094 --> 00:09:24,965
NOW, I WANT YOU TO TELL ME
AGAIN EXACTLY WHAT YOU SAW.

219
00:09:24,998 --> 00:09:26,233
OKAY.

220
00:09:26,266 --> 00:09:28,101
[coin drops]

221
00:09:29,837 --> 00:09:31,071
DO YOU SEE
ANYTHING?

222
00:09:31,104 --> 00:09:33,273
NO.

223
00:09:33,306 --> 00:09:36,276
LOOKS AS CLEAN
FROM THE OUTSIDE AS INSIDE.

224
00:09:45,085 --> 00:09:47,788
MR. FENIMORE.
HE'S TALKING TO A WOMAN.

225
00:09:47,821 --> 00:09:49,022
I CAN'T SEE HER FACE.

226
00:09:49,056 --> 00:09:51,892
BUT IT'S DEFINITELY
NOT HIS WIFE.

227
00:09:51,925 --> 00:09:54,895
BENJY, CAN YOU READ LIPS?

228
00:09:54,928 --> 00:09:56,664
I'M IN SIXTH GRADE.

229
00:09:56,697 --> 00:09:59,032
I CAN BARELY READ WORDS.

230
00:10:03,103 --> 00:10:04,371
(Disher)
YEAH, YOU STILL THERE?

231
00:10:04,404 --> 00:10:05,639
YES, I'M HERE.

232
00:10:05,673 --> 00:10:07,040
FENIMORE.
JOHN P.

233
00:10:07,074 --> 00:10:08,709
WELL, HE'S A BIG FISH.

234
00:10:08,742 --> 00:10:10,978
CHIEF OPERATING OFFICER
FOR MARIN BAY INVESTMENTS.

235
00:10:11,011 --> 00:10:12,980
MAKES A LOTTA MONEY
FOR A LOTTA PEOPLE, MONK.

236
00:10:13,013 --> 00:10:14,848
OH, HERE'S A RED FLAG.

237
00:10:14,882 --> 00:10:17,017
HE WAS INDICTED
THREE YEARS AGO.

238
00:10:17,050 --> 00:10:18,318
DOMESTIC THING.

239
00:10:18,351 --> 00:10:20,153
FIGHT WITH HIS WIFE
GOT OUTTA HAND.

240
00:10:20,187 --> 00:10:23,090
SHE DROPPED THE CHARGES
THE NEXT DAY.

241
00:10:23,123 --> 00:10:25,092
IS THAT IT?
YEP, THAT'S IT.

242
00:10:25,125 --> 00:10:28,696
SO, UH, WOULD YOU LIKE
TO TELL ME WHAT'S GOING ON?

243
00:10:28,729 --> 00:10:31,799
I THINK THIS TIME
HE MIGHT HAVE KILLED HIS WIFE.

244
00:10:31,832 --> 00:10:34,301
WHERE ARE YOU STAYING, MONK,
THE BATES MOTEL?

245
00:10:34,334 --> 00:10:35,936
NO, BUT...I HAVE A FEELING

246
00:10:35,969 --> 00:10:38,338
THIS PLACE IS RUN
BY THE SAME COMPANY.

247
00:10:38,371 --> 00:10:40,307
SHE CAN'T JUST QUIT.

248
00:10:40,340 --> 00:10:42,676
HER BOYFRIEND CALLED
FROM BUENOS AIRES.

249
00:10:42,710 --> 00:10:45,078
WE HAVE THE LABOR DAY
WEEKEND AROUND THE CORNER

250
00:10:45,112 --> 00:10:46,814
AND WE'RE AT FULL
CAPACITY.

251
00:10:46,847 --> 00:10:48,115
SHE CAN'T QUIT NOW.

252
00:10:48,148 --> 00:10:51,785
[overlapping in Spanish]

253
00:10:51,819 --> 00:10:52,886
IS THERE A PROBLEM?

254
00:10:52,920 --> 00:10:54,988
LUPE OLIVENCIA
JUST QUIT.

255
00:10:55,022 --> 00:10:56,189
OH.

256
00:10:56,223 --> 00:10:58,258
WE OUGHT TO START
GIVING THEM GOLD WATCHES

257
00:10:58,291 --> 00:10:59,893
AFTER THREE WEEKS.

258
00:10:59,927 --> 00:11:01,228
[overlapping in Spanish]

259
00:11:01,261 --> 00:11:04,331
BASTA.
TU CALMASTE, ALL RIGHT?

260
00:11:04,364 --> 00:11:07,400
MRS. GARCIA,
EVERYBODY DOES DOUBLE SHIFTS,

261
00:11:07,434 --> 00:11:09,436
AND I'LL PAY
THE OVERTIME.

262
00:11:09,469 --> 00:11:11,071
TONY, I WANTED
TO ASK YOU SOMETHING.

263
00:11:11,104 --> 00:11:12,372
WHAT'S GOING ON?

264
00:11:12,405 --> 00:11:14,174
OH, NOTHING.
DOORS ARE OPEN.

265
00:11:14,207 --> 00:11:15,909
PEOPLE CAN COME AND GO
AS THEY PLEASE.

266
00:11:15,943 --> 00:11:17,811
WELL, HOW MAGNANIMOUS
OF YOU.

267
00:11:17,845 --> 00:11:19,412
BUT WE STILL HAVE TO SEARCH
THE BAGS.

268
00:11:19,446 --> 00:11:20,914
WHY?

269
00:11:20,948 --> 00:11:22,449
HE'S GOING TO TRY
TO DISPOSE OF THE BODY.

270
00:11:22,482 --> 00:11:23,450
WHAT BODY?

271
00:11:23,483 --> 00:11:24,952
MRS. FENIMORE.

272
00:11:24,985 --> 00:11:26,920
AND YOUR THEORY
IS BASED ON WHAT?

273
00:11:26,954 --> 00:11:28,789
BENJY WITNESSED
A MURDER.

274
00:11:28,822 --> 00:11:31,258
AND I SAW MR. FENIMORE
FLIRTING WITH ANOTHER WOMAN.

275
00:11:31,291 --> 00:11:33,894
[laughs]
MOST LIKELY HIS ASSISTANT.

276
00:11:33,927 --> 00:11:36,163
HER NAME IS NICOLE YOUNG.

277
00:11:36,196 --> 00:11:40,067
SHE COMES WITH MR. FENIMORE
AND HIS STAFF HERE EVERY YEAR.

278
00:11:40,100 --> 00:11:43,070
LOOK, THE POINT IS,
MRS. FENIMORE IS M.I.A.

279
00:11:43,103 --> 00:11:46,073
TONY, REMEMBER LAST CHRISTMAS
THAT JEWELRY WAS STOLEN,

280
00:11:46,106 --> 00:11:47,440
YOU DIDN'T LISTEN TO ME?

281
00:11:47,474 --> 00:11:50,277
I BELIEVE YOU WERE
REPRIMANDED FOR THAT.

282
00:11:50,310 --> 00:11:51,478
FINE.

283
00:11:51,511 --> 00:11:54,181
RIGHT. YOU HAVE
ONE HOUR.

284
00:11:54,214 --> 00:11:55,883
[cell phone rings]

285
00:11:55,916 --> 00:11:57,184
AFTER THAT,
THE SIEGE IS OVER,

286
00:11:57,217 --> 00:11:58,886
AND WE'RE BACK
TO NORMAL.

287
00:11:58,919 --> 00:12:00,988
OR WHAT PASSES
FOR NORMAL AROUND HERE.

288
00:12:01,021 --> 00:12:02,222
ARE YOU HAPPY NOW?

289
00:12:02,255 --> 00:12:04,391
I'M NEVER HAPPY.

290
00:12:04,424 --> 00:12:07,427
LISTEN, I MIGHT HAVE TO STAY
AN EXTRA DAY OR TWO

291
00:12:07,460 --> 00:12:09,029
UNTIL WE GET THIS
SORTED OUT.

292
00:12:09,062 --> 00:12:11,765
OH, IMPOSSIBLE.
QUITE OUT OF THE QUESTION.

293
00:12:11,799 --> 00:12:13,400
WE'RE OVERBOOKED
AS IT IS.

294
00:12:13,433 --> 00:12:15,068
COPY THAT.
WE'RE ON OUR WAY.

295
00:12:15,102 --> 00:12:16,904
MONK.
THEY'RE HEADING FOR HER ROOM.

296
00:12:16,937 --> 00:12:18,138
WE ONLY HAVE ONE HOUR.

297
00:12:20,107 --> 00:12:21,408
MR. FENIMORE, SIR.

298
00:12:22,542 --> 00:12:24,311
(Bronwyn)
HI. REMEMBER US?

299
00:12:24,344 --> 00:12:26,980
YES. UNFORTUNATELY.

300
00:12:27,014 --> 00:12:28,849
WE GOT A COUPLE
QUESTIONS TO ASK YOU.

301
00:12:28,882 --> 00:12:30,918
CAN IT WAIT? THE HONG KONG
MARKET'S ABOUT TO OPEN.

302
00:12:30,951 --> 00:12:33,086
OH. IS THAT WHAT
THEY'RE CALLING IT NOW?

303
00:12:33,120 --> 00:12:36,189
ACTUALLY, MA'AM, THE HONG KONG
MARKET'S CLOSED TODAY.

304
00:12:36,223 --> 00:12:38,058
IT'S A NATIONAL HOLIDAY,

305
00:12:38,091 --> 00:12:39,893
WHAT THEY CALL
LIBERATION DAY.

306
00:12:39,927 --> 00:12:41,161
(Bronwyn)
OPEN THE DOOR,
WOULD YOU, MA'AM?

307
00:12:41,194 --> 00:12:42,395
WE CAN TALK INSIDE.

308
00:12:46,233 --> 00:12:48,535
WOULD YOU MIND TELLING ME
WHAT THE HELL THIS IS ALL ABOUT?

309
00:12:48,568 --> 00:12:52,072
MR. FENIMORE,
I AM 65 TO 70% SURE

310
00:12:52,105 --> 00:12:54,341
THAT YOU MURDERED
YOUR WIFE.

311
00:12:54,374 --> 00:12:56,143
[door opens]

312
00:12:59,880 --> 00:13:01,448
SURPRISE!

313
00:13:02,983 --> 00:13:04,551
HA HA!
I FORGOT ALL ABOUT IT!

314
00:13:04,584 --> 00:13:05,953
OH, MY GOODNESS!

315
00:13:05,986 --> 00:13:07,955
(woman)
HAPPY BIRTHDAY, DARLING.

316
00:13:07,988 --> 00:13:09,056
OH, THANK YOU,
SWEETIE.

317
00:13:09,089 --> 00:13:11,124
AH. MR. MONK.

318
00:13:11,158 --> 00:13:13,526
I'D LIKE YOU
TO MEET IRENE,

319
00:13:13,560 --> 00:13:15,395
MY WIFE.

320
00:13:15,428 --> 00:13:18,198
DARLING MR. MONK
IS A DETECTIVE,

321
00:13:18,231 --> 00:13:21,835
AND HE THINKS I KILLED YOU
IN OUR SUITE THIS MORNING.

322
00:13:21,869 --> 00:13:23,436
I THINK I'D REMEMBER.

323
00:13:23,470 --> 00:13:27,040
[laughter]

324
00:13:27,074 --> 00:13:28,441
ANYTHING ELSE?

325
00:13:30,643 --> 00:13:32,079
HAPPY BIRTHDAY.

326
00:13:36,149 --> 00:13:37,117
(Benjy)
MISS BRONWYN

327
00:13:37,150 --> 00:13:38,852
WAS A DETECTIVE TOO,

328
00:13:38,886 --> 00:13:40,287
JUST LIKE MR. MONK.

329
00:13:40,320 --> 00:13:43,056
AND YOU KNOW WHAT SHE HAS?
SHE HAS A SHOULDER HOLSTER.

330
00:13:43,090 --> 00:13:44,057
REALLY?

331
00:13:44,091 --> 00:13:46,559
I--OOH!

332
00:13:46,593 --> 00:13:48,028
THAT'S GOOD.
IS THAT A NEW ONE?

333
00:13:48,061 --> 00:13:50,363
YEAH, IT'S, UM,
IT'S CALLED CAPTAIN INVISIBLE.

334
00:13:50,397 --> 00:13:51,932
I LIKE IT.

335
00:13:51,965 --> 00:13:53,066
OKAY, HONEY.

336
00:13:53,100 --> 00:13:54,501
I'LL BE BACK AROUND 10:00.

337
00:13:54,534 --> 00:13:57,004
YOU'RE GONNA STAY
WITH MR. MONK TONIGHT, RIGHT?

338
00:13:57,037 --> 00:13:58,571
YEAH, WE'RE JUST GONNA
GO TO THE ARCADE.

339
00:13:58,605 --> 00:13:59,873
THAT SHOULD BE FUN.

340
00:13:59,907 --> 00:14:00,874
MM-HMM.

341
00:14:00,908 --> 00:14:02,442
BENJY,
HOW DO I LOOK?

342
00:14:02,475 --> 00:14:04,244
DIFFERENT.

343
00:14:04,277 --> 00:14:07,547
GOOD. THAT'S WHAT
I WAS GOING FOR.

344
00:14:07,580 --> 00:14:09,316
MOM?
WHAT?

345
00:14:09,349 --> 00:14:11,051
YOU BELIEVE ME, DON'T YOU,

346
00:14:11,084 --> 00:14:13,486
ABOUT THE LADY
GETTING KILLED?

347
00:14:13,520 --> 00:14:16,957
YOU KNOW, I, UH, I'VE BEEN
THINKING A LOT ABOUT THAT,

348
00:14:16,990 --> 00:14:21,128
AND...MAYBE YOU WERE
JUST USING YOUR IMAGINATION

349
00:14:21,161 --> 00:14:23,196
LIKE YOU DO WHEN YOU'RE
DRAWING YOUR COMIC BOOKS.

350
00:14:23,230 --> 00:14:25,665
I WASN'T!
WHY WON'T YOU BELIEVE ME?

351
00:14:25,698 --> 00:14:27,134
HEY, LOOK, BENJY,

352
00:14:27,167 --> 00:14:29,569
THERE'S NO BODY.

353
00:14:29,602 --> 00:14:31,004
IT WAS A MISTAKE,

354
00:14:31,038 --> 00:14:32,172
AND THAT'S A GOOD THING

355
00:14:32,205 --> 00:14:34,041
BECAUSE IT MEANS
NOBODY WAS REALLY HURT.

356
00:14:34,074 --> 00:14:35,375
MR. MONK BELIEVES ME.

357
00:14:38,979 --> 00:14:40,647
SO, WHAT, YOU'RE GIVING
UP NOW OR WHAT?

358
00:14:40,680 --> 00:14:42,149
NOBODY'S GIVING UP,
MS. BRONWYN.

359
00:14:42,182 --> 00:14:43,951
OH, YOU CAN CALL ME
BRONWYN.

360
00:14:43,984 --> 00:14:46,653
I JUST--I JUST NEED
TO LOOK AFTER THE BOY

361
00:14:46,686 --> 00:14:48,155
FOR AN HOUR OR TWO.

362
00:14:48,188 --> 00:14:49,656
OH, I CAN SEE IT NOW.

363
00:14:49,689 --> 00:14:51,925
I'M GONNA BE ALL ALONE
DOING THIS.

364
00:14:51,959 --> 00:14:54,327
MR. MONK, WOULD YOU
LIKE A TOOTHPICK?

365
00:14:54,361 --> 00:14:56,329
I LIKE 'EM MINTY.
YOU CARE FOR ONE?

366
00:14:56,363 --> 00:14:58,498
NO, THANKS.
YOU SURE?

367
00:14:58,531 --> 00:15:00,500
THEY'RE INDIVIDUALLY WRAPPED.
OKAY.

368
00:15:21,454 --> 00:15:23,523
DID YOU CHECK OUT
FENIMORE'S ROOM AGAIN?

369
00:15:23,556 --> 00:15:25,058
FROM TOP TO BOTTOM.

370
00:15:25,092 --> 00:15:26,593
DID YOU FIND
ANYTHING?

371
00:15:26,626 --> 00:15:28,061
ZIP. IT'S CLEAN.

372
00:15:28,095 --> 00:15:29,696
IT'S LIKE AN OPERATING
ROOM UP THERE.

373
00:15:29,729 --> 00:15:31,198
I EVEN RENTED
ONE OF THESE THINGS.

374
00:15:31,231 --> 00:15:34,034
SPECTRALITE.
INFRARED.

375
00:15:34,067 --> 00:15:36,336
YEAH, I-I'VE HEARD
OF THESE.

376
00:15:36,369 --> 00:15:38,571
YEAH? YOU SEEN
THE NEW MODEL?

377
00:15:38,605 --> 00:15:40,740
IT'S AWESOME.

378
00:15:40,773 --> 00:15:43,610
CHECKS 14 DIFFERENT
BODILY FLUIDS.

379
00:15:43,643 --> 00:15:45,045
14?

380
00:15:45,078 --> 00:15:47,680
YEAH. BLOOD, SALIVA,
SEMEN--

381
00:15:47,714 --> 00:15:49,349
OKAY, THAT--THAT--
THAT'S OKAY.

382
00:15:49,382 --> 00:15:52,119
THANK YOU.
HOW DOES IT WORK?

383
00:15:52,152 --> 00:15:54,021
I'LL SHOW YA.
HERE, WAIT.

384
00:15:54,054 --> 00:15:56,023
GOTTA TURN
THESE LIGHTS OFF.

385
00:15:59,159 --> 00:16:00,593
(Monk)
OH...
OOH.

386
00:16:00,627 --> 00:16:02,129
HO OH...

387
00:16:03,463 --> 00:16:04,697
WHOA!

388
00:16:04,731 --> 00:16:06,466
OH, MY GOD!

389
00:16:06,499 --> 00:16:09,202
OH! UHH!
WHOA!

390
00:16:09,236 --> 00:16:10,337
WHOA...

391
00:16:10,370 --> 00:16:12,472
[groaning]
AH! OH!

392
00:16:12,505 --> 00:16:14,107
GAH--WHOA, WHOA, WHOA--

393
00:16:14,141 --> 00:16:15,742
OOH!
AH!

394
00:16:15,775 --> 00:16:17,744
OH, COME ON!

395
00:16:17,777 --> 00:16:20,480
TURN IT OFF, PLEASE.
GOD, PLEASE.

396
00:16:20,513 --> 00:16:22,249
UGH...

397
00:16:22,282 --> 00:16:23,450
[gags]

398
00:16:27,620 --> 00:16:31,458
I...THINK I'D LIKE
TO SWITCH ROOMS.

399
00:16:31,491 --> 00:16:33,293
WE'RE ALL BOOKED UP.

400
00:16:45,272 --> 00:16:46,773
(woman)
FRONT DESK.

401
00:16:46,806 --> 00:16:48,808
HOUSEKEEPING?

402
00:16:48,841 --> 00:16:51,311
YOU SEE THEM? FLUIDS.

403
00:16:51,344 --> 00:16:52,712
FLUIDS?

404
00:16:52,745 --> 00:16:54,147
BODILY FLUIDS.

405
00:16:54,181 --> 00:16:56,183
I'M GONNA NEED
EVERYTHING SCRUBBED.

406
00:16:56,216 --> 00:16:59,086
S-SCRUBBED.
HOW DO YOU SAY SCRUBBED?

407
00:16:59,119 --> 00:17:00,253
SCRUBBED.
SCRUBBED.

408
00:17:00,287 --> 00:17:02,089
THE CURTAINS,
THE CARPETING.

409
00:17:02,122 --> 00:17:04,424
DID YOU BRING BLEACH?
BLEACH?

410
00:17:04,457 --> 00:17:07,427
BLEACH, THE WHITE GOD.
DIOS BLANCO.

411
00:17:07,460 --> 00:17:09,129
GOOD. THAT'S GOOD.

412
00:17:09,162 --> 00:17:10,597
OKAY, TAKE YOUR TIME.

413
00:17:10,630 --> 00:17:12,132
DON'T WORRY.
I'LL PAY EXTRA.

414
00:17:12,165 --> 00:17:13,366
WHATEVER IT TAKES.

415
00:17:13,400 --> 00:17:15,202
DON'T YOU WORRY, PARTNER.

416
00:17:15,235 --> 00:17:16,703
THEY'RE A TEAM OF EXPERTS.

417
00:17:16,736 --> 00:17:18,838
I'M GOING DOWNSTAIRS
TO LOOK FOR THE STIFF.

418
00:17:18,871 --> 00:17:21,308
GOOD LUCK, LADIES.

419
00:17:21,341 --> 00:17:22,709
GOOD LUCK, LADIES.

420
00:17:24,244 --> 00:17:26,213
AND GOD BE WITH YOU.

421
00:17:29,582 --> 00:17:31,151
(Sharona's date)
HE'S YOUR BOSS, RIGHT?

422
00:17:31,184 --> 00:17:32,018
(Sharona)
MM-HMM.

423
00:17:32,051 --> 00:17:33,686
SO WHY DO YOU TWO
VACATION TOGETHER?

424
00:17:33,720 --> 00:17:34,787
I DON'T HAVE A CHOICE.

425
00:17:34,821 --> 00:17:36,689
THE LAST TIME
I TRIED TO GO WITHOUT HIM,

426
00:17:36,723 --> 00:17:38,125
I HAD TO COME HOME
AFTER TWO DAYS.

427
00:17:38,158 --> 00:17:38,858
WAS HE ILL?

428
00:17:38,891 --> 00:17:40,293
OH, NO, NO, NO, NO.

429
00:17:40,327 --> 00:17:41,428
IT WAS JUST
A GARBAGE STRIKE.

430
00:17:41,461 --> 00:17:43,696
THE BAGS WERE PILING UP
ON THE STREET.

431
00:17:43,730 --> 00:17:46,199
HE WAS ALMOST CATATONIC.
YOU KNOW.

432
00:17:46,233 --> 00:17:47,700
THAT'S LIKE A MARRIAGE.

433
00:17:47,734 --> 00:17:49,836
MORE LIKE
A BAD MARRIAGE.

434
00:17:49,869 --> 00:17:51,571
MMM.

435
00:17:51,604 --> 00:17:53,873
SO, UM...

436
00:17:53,906 --> 00:17:55,875
HAVE YOU EVER BEEN
MARRIED, OR--

437
00:17:55,908 --> 00:17:56,809
ME? OH, NO.

438
00:17:56,843 --> 00:17:58,578
I MEAN, I'M ALLERGIC
TO RICE.

439
00:17:58,611 --> 00:17:59,846
OH...

440
00:17:59,879 --> 00:18:01,681
[chuckling]

441
00:18:16,896 --> 00:18:19,132
THAT'S BLOOD.

442
00:18:34,647 --> 00:18:36,749
[weapons firing]

443
00:18:40,887 --> 00:18:42,622
COME ON. TCH!

444
00:18:42,655 --> 00:18:44,224
IT'S TOO WRINKLED.

445
00:18:44,257 --> 00:18:45,358
OKAY, HERE.

446
00:18:45,392 --> 00:18:47,294
TRY ONE OF MINE.

447
00:18:49,829 --> 00:18:52,332
WHOA. HOW DO YOU KEEP IT
LOOKING LIKE NEW?

448
00:18:52,365 --> 00:18:53,633
HAND WASH, NO BLEACH.

449
00:18:53,666 --> 00:18:56,669
TUMBLE DRY, MEDIUM HEAT.
COOL IRON.

450
00:18:56,703 --> 00:18:57,904
OKAY.

451
00:18:58,938 --> 00:19:00,607
[coins jingle]

452
00:19:00,640 --> 00:19:02,875
WHOA, WHOA.

453
00:19:02,909 --> 00:19:04,344
OH...

454
00:19:04,377 --> 00:19:05,412
YOU GOT IT?

455
00:19:05,445 --> 00:19:06,613
UH...

456
00:19:10,317 --> 00:19:12,419
SOMEONE'S GLASSES.

457
00:19:12,452 --> 00:19:13,720
PRESCRIPTION.

458
00:19:13,753 --> 00:19:15,955
YOU'D THINK SOMEBODY'D
COME LOOKING FOR THEM.

459
00:19:15,988 --> 00:19:17,224
WHAT?

460
00:19:17,257 --> 00:19:18,858
SHE WAS WEARING
GLASSES!

461
00:19:18,891 --> 00:19:20,393
WHO? THE WOMAN YOU SAW?
THE VICTIM?

462
00:19:20,427 --> 00:19:21,961
YEAH.
LIKE THESE?

463
00:19:21,994 --> 00:19:22,829
I THINK SO.

464
00:19:22,862 --> 00:19:24,864
OKAY, LOOK. I'M GONNA
GO FIND BRONWYNN.

465
00:19:24,897 --> 00:19:26,833
PUT 'EM RIGHT HERE.
OKAY.

466
00:19:26,866 --> 00:19:28,901
CAN I LEAVE YOU HERE
FOR A COUPLE OF MINUTES?

467
00:19:28,935 --> 00:19:30,237
OKAY.
YOU'LL STAY RIGHT HERE?

468
00:19:30,270 --> 00:19:31,704
YEAH. OKAY.

469
00:19:31,738 --> 00:19:34,974
(announcer)
LADIES AND GENTLEMEN,
PLEASE HELP ME WELCOME BACK

470
00:19:35,007 --> 00:19:36,943
TO COMEDY NIGHT
HERE AT HANOVER LAKE RESORT,

471
00:19:36,976 --> 00:19:39,679
THE MAN ON THE TOP OF
THE CIA'S MOST UNWANTED LIST,

472
00:19:39,712 --> 00:19:42,715
CHUCK BYRN!

473
00:19:45,918 --> 00:19:46,886
THANKS VERY MUCH, FOLKS.

474
00:19:46,919 --> 00:19:49,556
HAVE YOU SEEN
RITA BRONWYN?

475
00:19:49,589 --> 00:19:50,723
MM. NO.

476
00:19:50,757 --> 00:19:52,825
COULD YOU PAGE HER
FOR ME, PLEASE?

477
00:19:52,859 --> 00:19:54,894
(Chuck)
IT WAS VERY HOT.
UNBELIEVABLY HOT.

478
00:19:54,927 --> 00:19:56,529
IT DIDN'T SAY IN THE BROCHURE

479
00:19:56,563 --> 00:19:58,731
THIS PLACE WAS LOCATED FIVE
BLOCKS FROM THE SUN, DID IT?

480
00:19:58,765 --> 00:20:00,800
[laughter]
I WENT DOWN--

481
00:20:00,833 --> 00:20:02,635
I SAW THE STRANGEST THING
ON THE BEACH TODAY.

482
00:20:02,669 --> 00:20:04,904
I WAS DOWN THERE WALKING
AROUND ON THE BEACH, AND--

483
00:20:04,937 --> 00:20:06,873
OH, MY GOD!
THAT'S THE GUY!

484
00:20:06,906 --> 00:20:08,975
I SAW THAT GUY
ON THE BEACH TODAY,

485
00:20:09,008 --> 00:20:10,009
AND YOU KNOW WHAT
HE WAS WEARING?

486
00:20:10,042 --> 00:20:13,646
THE EXACT SAME THING
HE'S WEARING RIGHT NOW!

487
00:20:13,680 --> 00:20:15,782
I COULDN'T BELIEVE IT.
HOW ARE YA?

488
00:20:15,815 --> 00:20:17,250
WHAT'S YOUR NAME, SIR?

489
00:20:17,284 --> 00:20:19,252
ADRIAN!
DON'T TELL HIM.

490
00:20:19,286 --> 00:20:21,020
(Chuck)
ADRIAN? THAT'S HIS NAME?

491
00:20:21,053 --> 00:20:23,022
THAT'S A NICE WHISPER.
I DIDN'T PICK UP ON IT AT ALL.

492
00:20:23,055 --> 00:20:24,924
[laughter]
VERY QUIET.
VERY EFFECTIVE.

493
00:20:24,957 --> 00:20:26,893
ADRIAN'S YOUR NAME.
GOOD TO SEE YOU, ADRIAN.

494
00:20:26,926 --> 00:20:27,994
THANKS FOR COMING DOWN
TO THE SHOW.

495
00:20:28,027 --> 00:20:30,797
LET'S GIVE ADRIAN A BIG HAND
FOR COMIN' DOWN HERE, HUH?

496
00:20:30,830 --> 00:20:31,831
IT'S GOOD TO SEE YOU.

497
00:20:31,864 --> 00:20:33,933
YOU KINDA LOOKED LIKE
A LITTLE BIT LIKE A VAMPIRE

498
00:20:33,966 --> 00:20:35,602
OUT THERE
ON THE BEACH TODAY.

499
00:20:35,635 --> 00:20:37,870
[scattered titters]

500
00:20:37,904 --> 00:20:39,639
UM...I'M NOT A VAMPIRE.

501
00:20:39,672 --> 00:20:41,308
GOOD THING.

502
00:20:41,341 --> 00:20:43,610
WE'RE ALL GONNA SLEEP BETTER
TONIGHT KNOWING THAT.

503
00:20:43,643 --> 00:20:46,913
WHAT ARE YOU DOING HERE
WITH THE PEANUTS HERE, ADRIAN?

504
00:20:46,946 --> 00:20:48,815
THIS BOWL HAD MORE,

505
00:20:48,848 --> 00:20:50,783
SO I WAS HELPING
TO EVEN THEM OUT.

506
00:20:50,817 --> 00:20:52,519
EVENING OUT THE PEANUTS.
IT'S AN IMPORTANT JOB.

507
00:20:52,552 --> 00:20:54,654
THINK I MIGHT HAVE HIT
THE JACKPOT HERE, FOLKS.

508
00:20:54,687 --> 00:20:55,988
GET COMFY, ADRIAN.

509
00:20:56,022 --> 00:20:59,392
WE'RE GONNA BE TALKING TO YOU
FOR A LITTLE WHILE.

510
00:20:59,426 --> 00:21:02,929
[weapons firing]

511
00:21:05,932 --> 00:21:08,768
HEY, BETCHA
IT'S NOT REALLY BROKEN.

512
00:21:08,801 --> 00:21:09,969
THEY JUST WANNA MAKE YOU
THINK THAT

513
00:21:10,002 --> 00:21:11,838
TO PLAY THE 50 CENT GAMES.

514
00:21:11,871 --> 00:21:13,706
I'VE GOTTA GO.

515
00:21:27,119 --> 00:21:28,821
NOW, THIS IS FASCINATING.

516
00:21:28,855 --> 00:21:30,857
YOU KEEP YOUR SOCKS
IN BAGGIES.

517
00:21:30,890 --> 00:21:33,860
I REALLY DON'T THINK
IT'S THAT UNUSUAL.

518
00:21:33,893 --> 00:21:35,562
YOU DON'T THINK
IT'S THAT UNUSUAL?

519
00:21:35,595 --> 00:21:36,963
REALLY?
MAYBE WE COULD ASK AROUND.

520
00:21:36,996 --> 00:21:38,898
DOES ANYONE ELSE HERE
KEEP THEIR SOCKS IN BAGGIES?

521
00:21:38,931 --> 00:21:40,867
[laughter]
NO!

522
00:21:40,900 --> 00:21:41,968
SORRY, ADRIAN.

523
00:21:42,001 --> 00:21:44,904
I THINK
YOU'RE A FREAK.
[laughter]

524
00:21:44,937 --> 00:21:47,874
WHOA! NOT SO FAST, ADRIAN.
NOT SO FAST.

525
00:21:47,907 --> 00:21:50,843
YOU DON'T LEAVE A SLOT MACHINE
WHEN IT'S PAYING OFF, MY FRIEND.

526
00:21:50,877 --> 00:21:52,979
ALL RIGHT? SO YOU BROUGHT
YOUR OWN SOAP TO THE HOTEL.

527
00:21:53,012 --> 00:21:53,980
I'M SORRY.

528
00:21:54,013 --> 00:21:55,415
THAT'S RIGHT.

529
00:21:55,448 --> 00:21:56,883
I GUESS BECAUSE
THE HOTEL SOAP,

530
00:21:56,916 --> 00:21:58,451
THAT JUST WOULDN'T
BE CLEAN.

531
00:21:58,485 --> 00:22:00,720
TOWELS? DID YOU BRING
YOUR OWN TOWELS?

532
00:22:00,753 --> 00:22:01,988
YES.

533
00:22:02,021 --> 00:22:03,956
SHEETS?
PILLOW CASES?

534
00:22:03,990 --> 00:22:04,957
OF COURSE.

535
00:22:04,991 --> 00:22:06,659
OF COURSE. YEAH.

536
00:22:06,693 --> 00:22:09,028
YOU REALIZE MOST PEOPLE
WHO SHOW UP AT HOTELS,

537
00:22:09,061 --> 00:22:10,930
THEY SHOW UP SO THEY CAN
STEAL THAT CRAP?

538
00:22:10,963 --> 00:22:12,064
WHAT ARE YOU DOING?

539
00:22:12,098 --> 00:22:13,833
WHAT ARE YOU DOING?

540
00:22:13,866 --> 00:22:15,802
JUST A LITTLE FUZZ,
A LITTLE LINT ON IT.

541
00:22:15,835 --> 00:22:17,970
YEAH, BUT THAT'S MY LINT.
YOU CAN'T TAKE MY LINT.

542
00:22:18,004 --> 00:22:20,407
THAT'S MY LINT.
THAT'S MY AREA.

543
00:22:20,440 --> 00:22:22,108
THAT'S WHERE
I KEEP MY LINT.

544
00:22:22,141 --> 00:22:25,578
IT'S MY SAFE LINT
SPOT.

545
00:22:25,612 --> 00:22:27,580
YOU REALLY WANNA PULL IT
OFF OF THERE, DON'T YA?

546
00:22:27,614 --> 00:22:29,949
IT'S BREAKING YOU UP
INSIDE, ISN'T IT?

547
00:22:29,982 --> 00:22:31,918
[laughter]

548
00:22:31,951 --> 00:22:33,753
AH!

549
00:22:33,786 --> 00:22:35,922
[whispering]
ADRIAN, FORGET THE FUZZ.
FORGET IT.

550
00:22:35,955 --> 00:22:37,990
OH! OH!

551
00:22:38,024 --> 00:22:39,592
[sighs]

552
00:22:39,626 --> 00:22:42,662
THERE YOU GO, FOLKS.
HE'S GOT HIS LINT, HUH?

553
00:22:42,695 --> 00:22:44,063
HOW 'BOUT A BIG HAND
FOR HIM?

554
00:22:44,096 --> 00:22:45,665
HOW PROUD YOU MUST BE.
YOU GOT LINT!

555
00:22:45,698 --> 00:22:48,000
[laughter, applause]

556
00:22:48,034 --> 00:22:48,968
MOM?

557
00:22:50,470 --> 00:22:51,571
BENJY.
BENJY, WHAT'S WRONG?

558
00:22:51,604 --> 00:22:53,473
WHAT IS IT?

559
00:22:53,506 --> 00:22:55,875
(Monk)
YOU'RE SURE YOU'RE OKAY?
YOU COULD HAVE BEEN KILLED.

560
00:22:55,908 --> 00:22:57,410
I THINK THAT WAS
THE IDEA.

561
00:22:57,444 --> 00:22:59,011
AND YOU DIDN'T GET
A GOOD LOOK AT THEM.

562
00:22:59,045 --> 00:23:00,413
NO, I'M SORRY.

563
00:23:00,447 --> 00:23:02,515
AND WHEN I WENT BACK,
THE BLOOD WAS GONE.

564
00:23:02,549 --> 00:23:03,650
SOMEONE
HAD CLEANED IT UP.

565
00:23:03,683 --> 00:23:04,984
OKAY, IT'S RIGHT
OVER HERE.

566
00:23:05,017 --> 00:23:06,486
NINJA FURY IV
WAS OUT OF ORDER,

567
00:23:06,519 --> 00:23:07,954
BUT THIS KID SAID
IT REALLY WASN'T.

568
00:23:07,987 --> 00:23:09,889
SO WHEN I WENT BACK
TO PLUG IT IN,

569
00:23:09,922 --> 00:23:13,125
THE BACK FELL OFF,
AND THERE SHE WAS.

570
00:23:17,797 --> 00:23:20,166
SHE WAS RIGHT THERE, MOM.
I SAW HER.

571
00:23:20,199 --> 00:23:22,401
THEY WOULD HAVE HAD TIME
TO MOVE THE BODY.

572
00:23:28,475 --> 00:23:30,610
(Benjy)
IT WAS IN THERE.
SHE WAS LIKE ALL WRAPPED UP.

573
00:23:30,643 --> 00:23:32,545
IT WAS THE SAME WOMAN
YOU SAW IN THE WINDOW.

574
00:23:32,579 --> 00:23:33,813
I THINK SO.
OF COURSE IT WAS.

575
00:23:33,846 --> 00:23:35,114
WHY GO TO THE TROUBLE
OF INVENTING

576
00:23:35,147 --> 00:23:36,916
AN ENTIRELY
DIFFERENT VICTIM?

577
00:23:36,949 --> 00:23:37,884
TONY...
I BELIEVE HIM.

578
00:23:37,917 --> 00:23:39,085
AND IT ISN'T JUST BENJY.

579
00:23:39,118 --> 00:23:40,953
SOMEBODY TRIED
TO KILL MISS BRONWYN.

580
00:23:40,987 --> 00:23:42,555
REALLY?

581
00:23:42,589 --> 00:23:43,923
BUT WHOEVER IT WAS
WOULDN'T HAVE RISKED

582
00:23:43,956 --> 00:23:46,926
CARRYING IT DOWN THE HALLWAY.

583
00:23:50,730 --> 00:23:51,998
WHO HAS THE KEY
TO THIS DOOR?

584
00:23:52,031 --> 00:23:53,165
THE ENTIRE STAFF.

585
00:23:53,199 --> 00:23:55,034
ABOUT 180 PEOPLE.

586
00:23:55,067 --> 00:23:56,936
ARE YOU THINKING
INSIDE JOB?

587
00:23:56,969 --> 00:23:58,571
MAYBE IT'S THAT
COMEDIAN.

588
00:23:58,605 --> 00:24:00,573
WOULDN'T THAT BE GREAT?

589
00:24:03,242 --> 00:24:04,977
DO YOU HAVE
A PIECE OF PAPER?
NO.

590
00:24:05,011 --> 00:24:06,178
ISN'T THAT A NOTE PAD
IN YOUR POCKET?

591
00:24:08,014 --> 00:24:11,017
[sighs]

592
00:24:18,024 --> 00:24:19,191
IT'S LIME?

593
00:24:19,225 --> 00:24:20,760
IT'S CALCIUM OXIDE.

594
00:24:20,793 --> 00:24:21,794
QUICKLIME.

595
00:24:21,828 --> 00:24:22,962
WHAT'S THAT SUPPOSED
TO MEAN?

596
00:24:22,995 --> 00:24:25,565
IT'S USED TO
COVER UP SMELLS.

597
00:24:25,598 --> 00:24:27,934
SMUGGLERS USE IT TO FOOL
DRUG-SNIFFING DOGS.

598
00:24:27,967 --> 00:24:31,538
OH, I'VE SEEN THE MOB USE IT
WHEN THEY TRY TO HIDE A BODY.

599
00:24:31,571 --> 00:24:32,905
YOU'VE SEEN THE MOB USE IT?

600
00:24:32,939 --> 00:24:35,742
I MEAN, IN THAT MOVIE
GOODFELLAS I SAW IT.

601
00:24:35,775 --> 00:24:38,578
ACTUALLY,
THIS IS GOOD NEWS.

602
00:24:38,611 --> 00:24:39,612
HOW SO?

603
00:24:39,646 --> 00:24:40,747
BECAUSE IT MEANS
THE BODY'S

604
00:24:40,780 --> 00:24:42,014
STILL IN THE HOTEL,
RIGHT?

605
00:24:42,048 --> 00:24:43,883
SO THAT MEANS WE HAVE
TO KEEP CHECKING

606
00:24:43,916 --> 00:24:44,984
EVERY BAG GOING OUT.

607
00:24:45,017 --> 00:24:46,853
OH, NO, NO, NO, NO, NO.

608
00:24:46,886 --> 00:24:48,888
YOUR TIME IS UP.
WE HAD A DEAL.

609
00:24:48,921 --> 00:24:50,156
OH, COME ON,
THE DEAL IS OFF, TONY!

610
00:24:50,189 --> 00:24:51,157
WORK WITH US HERE.

611
00:24:51,190 --> 00:24:53,025
IF THEY GET RID
OF THE BODY,

612
00:24:53,059 --> 00:24:53,993
WE HAVE NO CASE.

613
00:24:56,295 --> 00:24:59,165
I'LL GIVE YOU
UNTIL NOON TOMORROW.

614
00:24:59,198 --> 00:25:01,167
YOU'LL BE CHECKING OUT THEN
ANYWAY.

615
00:25:01,200 --> 00:25:05,572
TICK, TICK, TICK.

616
00:25:05,605 --> 00:25:09,709
GOD, I HATE IT WHEN PEOPLE GO
"TICK, TICK, TICK."

617
00:25:14,180 --> 00:25:19,919
THE BODY IS STILL HERE
IN THE HOTEL.

618
00:25:19,952 --> 00:25:25,858
I KNOW IT IS SOMEWHERE
INSIDE THIS HOTEL.

619
00:25:25,892 --> 00:25:26,926
BUT WHERE?

620
00:25:26,959 --> 00:25:28,928
[sighs]
ADRIAN, YOU'RE RUINING
THE LAST HOURS

621
00:25:28,961 --> 00:25:30,229
OF MY VACATION.

622
00:25:32,064 --> 00:25:34,300
HELLO?
I'M SOLVING A MURDER.

623
00:25:34,333 --> 00:25:36,035
WELL, DO IT THREE FEET
TO THE LEFT.

624
00:25:36,068 --> 00:25:39,038
WELL, WELL.
HERE YOU ARE.

625
00:25:39,071 --> 00:25:42,008
HERE I AM.

626
00:25:42,041 --> 00:25:43,042
SO HOW 'BOUT A REMATCH?

627
00:25:43,075 --> 00:25:44,677
ARE YOU A GLUTTON
FOR PUNISHMENT?

628
00:25:44,711 --> 00:25:46,879
OH, I'M A GLUTTON
FOR A LOT OF THINGS.

629
00:25:46,913 --> 00:25:48,715
[chuckles]
I BET YOU ARE.

630
00:25:48,748 --> 00:25:50,016
OKAY, I'LL BOOK THE COURT.

631
00:25:50,049 --> 00:25:52,018
AND THEN I'M GONNA
BEAT THE PANTS OFF OF YOU.

632
00:25:52,051 --> 00:25:54,220
YOU WISH.

633
00:25:54,253 --> 00:25:57,023
I'LL SEE YOU LATER.

634
00:25:57,056 --> 00:25:59,091
SEE YA.

635
00:26:00,960 --> 00:26:02,061
YOU LIKE HIM?

636
00:26:02,094 --> 00:26:03,763
UH-HUH.

637
00:26:06,966 --> 00:26:08,100
WHY, IS THERE A REASON
WHY I SHOULDN'T?

638
00:26:10,837 --> 00:26:12,304
ADRIAN, IF YOU KNOW SOMETHING
ABOUT HIM,

639
00:26:12,338 --> 00:26:14,306
YOU HAVE TO TELL ME--
THAT'S THE RULE.

640
00:26:14,340 --> 00:26:16,709
I THOUGHT THE RULE WAS
I SHOULD KEEP IT TO MYSELF.

641
00:26:16,743 --> 00:26:19,345
WELL, IT'S A NEW RULE.

642
00:26:19,378 --> 00:26:23,816
WELL, HE, UH--
HE MIGHT BE MARRIED.

643
00:26:23,850 --> 00:26:25,051
MIGHT BE OR IS?

644
00:26:25,084 --> 00:26:26,018
HIS WIFE'S NAME IS JULIE,

645
00:26:26,052 --> 00:26:27,954
OR JULIA--
IT WAS HARD TO READ

646
00:26:27,987 --> 00:26:29,121
BECAUSE THE CHECK
WAS UPSIDE DOWN.

647
00:26:29,155 --> 00:26:30,156
WHAT CHECK?

648
00:26:30,189 --> 00:26:31,223
WHEN HE WAS BUYING
HIS SUNGLASSES,

649
00:26:31,257 --> 00:26:32,224
THERE WERE TWO NAMES
ON THE CHECK.

650
00:26:32,258 --> 00:26:33,292
IT'S A JOINT ACCOUNT.

651
00:26:34,994 --> 00:26:37,664
YOU KNOW, YOU COULD BE WRONG.
YOU'RE NOT PERFECT.

652
00:26:37,697 --> 00:26:39,265
THAT'S TRUE.

653
00:26:39,298 --> 00:26:41,901
YOU WERE WRONG ABOUT
MR. FENIMORE KILLING HIS WIFE.

654
00:26:41,934 --> 00:26:43,703
MAYBE YOU'RE LOSING
YOUR SUPERPOWERS, HMM?

655
00:26:43,736 --> 00:26:46,172
MAYBE I AM.

656
00:26:46,205 --> 00:26:48,708
WHAT?

657
00:26:48,741 --> 00:26:49,976
THE GROUNDSKEEPER,

658
00:26:50,009 --> 00:26:51,844
HE'S USING THE LIME.

659
00:26:53,813 --> 00:26:55,114
WELL, I THINK YOU SHOULD
TAKE EIGHT OR NINE HOURS

660
00:26:55,147 --> 00:26:56,148
AND CHECK IT OUT.

661
00:27:07,760 --> 00:27:10,129
[door rattles]

662
00:28:08,154 --> 00:28:09,221
DAH!

663
00:28:09,255 --> 00:28:11,991
[spitting]

664
00:28:15,061 --> 00:28:16,262
[Monk spitting]

665
00:28:16,295 --> 00:28:17,997
DON'T EVEN THINK ABOUT MOVING.

666
00:28:20,900 --> 00:28:23,035
WHO YOU CALLING?

667
00:28:23,069 --> 00:28:25,337
WHO DO YOU THINK?
SECURITY.

668
00:28:25,371 --> 00:28:27,039
SECURITY EXTENSION, 404.

669
00:28:27,073 --> 00:28:29,041
GIVE MY REGARDS TO BRONWYN.

670
00:28:29,075 --> 00:28:30,977
HOW DO YOU KNOW BRONWYN?

671
00:28:31,010 --> 00:28:32,945
I'M WORKING WITH HER
ON A CASE.

672
00:28:32,979 --> 00:28:35,782
OH, YEAH, I--
I'VE SEEN YOU WITH HER.

673
00:28:35,815 --> 00:28:37,850
I'M RAWLEY.

674
00:28:40,452 --> 00:28:42,521
YOU WANT TO TELL ME
WHAT'S GOING ON?

675
00:28:42,554 --> 00:28:44,256
ONE SECOND.

676
00:28:48,828 --> 00:28:49,862
PBBBT!

677
00:28:51,898 --> 00:28:53,132
PFFFT!

678
00:29:00,039 --> 00:29:01,841
[spits]

679
00:29:03,142 --> 00:29:04,844
WHY DIDN'T YOU
REPORT IT, RAWLEY?

680
00:29:04,877 --> 00:29:05,912
REPORT WHAT?

681
00:29:05,945 --> 00:29:08,047
THE MISSING BAGS
OF LIME.

682
00:29:08,080 --> 00:29:09,748
HOW'D YOU KNOW ABOUT THAT?

683
00:29:12,118 --> 00:29:13,986
I THOUGHT I COULD
HANDLE 'EM MYSELF.

684
00:29:14,020 --> 00:29:15,087
HOW MANY DID THEY TAKE?

685
00:29:15,121 --> 00:29:17,389
THREE.

686
00:29:17,423 --> 00:29:18,791
WHEN DID THIS HAPPEN?

687
00:29:18,825 --> 00:29:20,893
SOMETIME LAST NIGHT.
THAT'S ALL I KNOW.

688
00:29:22,428 --> 00:29:23,930
(Monk)
WAS THAT DOOR LOCKED?

689
00:29:23,963 --> 00:29:26,198
ALL THE TIME.
DEAD BOLT.

690
00:29:26,232 --> 00:29:28,034
I'M THE ONLY ONE
WITH A KEY.

691
00:29:30,870 --> 00:29:33,039
WHAT DO THEY WEIGH,
ABOUT 40 POUNDS EACH?

692
00:29:33,072 --> 00:29:35,074
50.
HEAVY BAGS.

693
00:29:35,107 --> 00:29:37,209
LOCKED DOOR.

694
00:29:37,243 --> 00:29:39,111
THEY PROBABLY USED
THE WINDOW.

695
00:29:39,145 --> 00:29:41,047
THERE HAD TO BE--

696
00:29:41,080 --> 00:29:43,149
THERE HAD TO BE MORE
THAN ONE PERSON.

697
00:29:46,986 --> 00:29:50,890
I THINK WE'RE LOOKING
FOR A GANG.

698
00:29:50,923 --> 00:29:52,925
DID THEY MOVE
THOSE PALLET BOARDS?

699
00:29:52,959 --> 00:29:54,360
THEY DON'T BELONG THERE.

700
00:30:00,266 --> 00:30:01,934
THEY WERE SHORT.

701
00:30:01,968 --> 00:30:04,236
A SHORT GANG
OF LIME THIEVES?

702
00:30:04,270 --> 00:30:07,073
IT'S A NUTTY WORLD.

703
00:30:12,211 --> 00:30:13,412
WHOA, SWEETHEART,

704
00:30:13,445 --> 00:30:15,114
WHERE'S YOU LEARN THAT ONE?

705
00:30:15,147 --> 00:30:16,382
UNH!

706
00:30:16,415 --> 00:30:18,250
UNH! UNH!

707
00:30:18,284 --> 00:30:20,419
UNH! UNH!

708
00:30:20,452 --> 00:30:21,921
WHOA!

709
00:30:21,954 --> 00:30:24,090
UNH!
OH--

710
00:30:26,525 --> 00:30:27,894
SWEETHEART,
TAKE IT EASY, WILL YOU?

711
00:30:27,927 --> 00:30:30,062
OH, I'M SORRY.
DID THAT HURT?

712
00:30:30,096 --> 00:30:33,199
WHY DON'T YOU HAVE JULIE
PUT SOME ICE ON IT?

713
00:30:33,232 --> 00:30:35,902
OR IS IT JULIA?

714
00:30:37,303 --> 00:30:38,938
IT STINKS IN HERE.

715
00:30:38,971 --> 00:30:42,041
OH, THAT'S THE DISINFECTANT.

716
00:30:42,074 --> 00:30:44,276
THEY CLEANED
THE WHOLE ROOM.

717
00:30:44,310 --> 00:30:46,212
OH.

718
00:30:46,245 --> 00:30:48,414
THAT'S NOT THE LAUNDRY.
THAT'S THE GARBAGE.

719
00:30:48,447 --> 00:30:49,949
I KNOW.

720
00:30:49,982 --> 00:30:52,118
OKAY, SO WHY ARE YOU
THROWING IT AWAY?

721
00:30:52,151 --> 00:30:54,220
THEY WERE IRREDEEMABLE.

722
00:30:54,253 --> 00:30:55,554
DO YOU KNOW
WHAT THAT MEANS?

723
00:30:55,587 --> 00:30:56,989
UH, YEAH.
THEY GOT DIRTY.

724
00:30:57,023 --> 00:30:58,390
EXACTLY.

725
00:30:58,424 --> 00:31:00,259
LISTEN, I WANTED
TO SAY THANKS.

726
00:31:00,292 --> 00:31:01,127
FOR WHAT?

727
00:31:01,160 --> 00:31:04,130
FOR BELIEVING ME
WHEN NOBODY ELSE DID.

728
00:31:04,163 --> 00:31:05,364
THOUGH YOU PROBABLY JUST
FELT SORRY FOR ME

729
00:31:05,397 --> 00:31:07,133
BECAUSE MY DAD'S
NOT AROUND.

730
00:31:07,166 --> 00:31:11,070
HEY, I DON'T HAVE TO BE
YOUR FATHER TO BELIEVE YOU.

731
00:31:11,103 --> 00:31:12,972
OR TO BE PROUD OF YOU.

732
00:31:13,005 --> 00:31:14,506
IF YOU SAY
YOU SAW A BODY,

733
00:31:14,540 --> 00:31:16,909
THEN SOMETHING HAPPENED HERE...

734
00:31:16,943 --> 00:31:18,244
AND I'M GONNA FIND OUT
WHAT IT IS.

735
00:31:20,512 --> 00:31:23,049
I'VE NEVER SEEN A ROOM
THIS CLEAN.

736
00:31:23,082 --> 00:31:24,683
SHE MUST'VE WORKED
ALL NIGHT.

737
00:31:24,716 --> 00:31:26,418
WELL, IT WASN'T
JUST ONE.

738
00:31:26,452 --> 00:31:29,021
IT WAS A WHOLE GROUP OF THEM.

739
00:31:29,055 --> 00:31:30,889
FOUR MAIDS.

740
00:31:39,065 --> 00:31:42,268
A SHORT GANG.

741
00:31:42,301 --> 00:31:46,172
MAIDS.

742
00:31:51,978 --> 00:31:56,282
OKAY, JUST FOR THE RECORD,
WHAT WE JUST DID--

743
00:31:56,315 --> 00:31:58,150
BREAKING AND ENTERING.

744
00:31:58,184 --> 00:32:00,019
IT'S WRONG, OKAY?

745
00:32:00,052 --> 00:32:01,353
DON'T--DON'T DO IT.

746
00:32:01,387 --> 00:32:04,190
OKAY.

747
00:32:04,223 --> 00:32:05,958
WHERE ARE WE?

748
00:32:05,992 --> 00:32:08,094
MAIDS' LOCKER ROOM.

749
00:32:08,127 --> 00:32:10,096
YOU THINK THERE ARE
DEAD BODIES IN HERE?

750
00:32:10,129 --> 00:32:12,231
MAYBE. IT'S BEEN
EVERYWHERE ELSE.

751
00:32:17,669 --> 00:32:19,105
LOOK AT THIS.

752
00:32:19,138 --> 00:32:21,640
"OLIVENCIA."
THEY WERE TALKING ABOUT HER.

753
00:32:21,673 --> 00:32:24,076
SHE QUIT YESTERDAY.

754
00:32:29,181 --> 00:32:30,482
(Monk)
OH--

755
00:32:30,516 --> 00:32:31,583
WHAT'S WRONG?

756
00:32:31,617 --> 00:32:33,052
SHE NEVER
CHANGED BACK INTO

757
00:32:33,085 --> 00:32:35,087
HER STREET CLOTHES.

758
00:32:35,121 --> 00:32:36,655
BENJY,

759
00:32:36,688 --> 00:32:39,058
THE WOMAN YOU SAW--
THE WOMAN WHO WAS ATTACKED--

760
00:32:39,091 --> 00:32:40,592
COULD SHE HAVE BEEN
A CHAMBER MAID?

761
00:32:40,626 --> 00:32:42,161
MAYBE.

762
00:32:42,194 --> 00:32:45,297
WELL, WAS SHE WEARING A DRESS
SOMETHING LIKE THIS?

763
00:32:45,331 --> 00:32:47,033
I THINK SO.

764
00:32:47,066 --> 00:32:49,035
GOOD.

765
00:32:49,068 --> 00:32:53,005
AT LEAST WE KNOW
WHO WE'RE LOOKING FOR.

766
00:33:04,116 --> 00:33:06,085
WHAT?

767
00:33:06,118 --> 00:33:08,054
THAT ONE TILE...

768
00:33:08,087 --> 00:33:10,589
MMM, IT'S UPSIDE DOWN.

769
00:33:25,204 --> 00:33:27,506
[blows]

770
00:33:39,251 --> 00:33:41,053
OH, COOL.

771
00:33:43,455 --> 00:33:47,059
WHAT ARE THEY?

772
00:33:47,093 --> 00:33:49,128
THEY'RE DIGITAL CAMERAS.

773
00:33:49,161 --> 00:33:50,362
I'VE NEVER SEEN THEM
THIS SMALL.

774
00:33:50,396 --> 00:33:52,764
WHAT'S THAT, A SCREEN?

775
00:33:52,798 --> 00:33:54,400
YEAH.

776
00:33:54,433 --> 00:33:57,136
SEE, YOU CAN SEE
THE PICTURES THEY TOOK.

777
00:33:57,169 --> 00:33:58,370
[electronic blips]

778
00:33:58,404 --> 00:34:01,107
(Benjy)
WHAT IS IT?

779
00:34:01,140 --> 00:34:04,476
FINANCIAL DOCUMENTS.

780
00:34:04,510 --> 00:34:05,777
OKAY, THAT'S BORING.

781
00:34:05,811 --> 00:34:08,380
NO, NO.
NOT TO SOME PEOPLE.

782
00:34:08,414 --> 00:34:09,615
[voices approaching]

783
00:34:09,648 --> 00:34:10,749
[electronic blips]

784
00:34:18,290 --> 00:34:19,791
MR. MONK.

785
00:34:21,593 --> 00:34:23,162
WHAT ARE YOU DOING HERE?

786
00:34:23,195 --> 00:34:25,231
UH, WE'RE LOST.

787
00:34:25,264 --> 00:34:29,101
WE WERE LOOKING
FOR THE PING-PONG TABLE--

788
00:34:29,135 --> 00:34:32,304
AND FOR THE PING-PONG ROOM.

789
00:34:32,338 --> 00:34:33,872
IT'S FUNNY,
I'VE BEEN HERE A WEEK

790
00:34:33,905 --> 00:34:36,842
AND I STILL CAN'T
FIND MY WAY AROUND.

791
00:34:36,875 --> 00:34:39,845
BUT WE'RE GONNA FIND IT.
IT'S PROBABLY DOWNST--

792
00:34:39,878 --> 00:34:40,812
I TOLD YOU DOWNSTAIRS.

793
00:34:40,846 --> 00:34:42,281
YOU GOTTA ARGUE ABOUT
EVERY LITTLE THING.

794
00:34:42,314 --> 00:34:43,882
WE'RE GONNA FIND IT.
IT'S GONNA BE--

795
00:34:43,915 --> 00:34:45,517
YEAH.
WE GOT IT.

796
00:34:45,551 --> 00:34:47,853
HASTA LUEGO.

797
00:34:55,161 --> 00:34:56,795
(Monk)
THE MAIDS' LOCKER ROOM
RIGHT DOWN HERE.

798
00:34:56,828 --> 00:34:58,130
GOD, YOU'RE GOOD.

799
00:34:58,164 --> 00:35:00,166
TOOK ME SIX MONTHS
TO FIND THIS PLACE.

800
00:35:00,199 --> 00:35:03,169
HEY, LANDIS SAYS YOU'VE GOTTA
CHECK OUT BY 4:00 P.M.

801
00:35:03,202 --> 00:35:04,069
NO EXTENSION.

802
00:35:04,102 --> 00:35:06,172
4:00 P.M., THAT ONLY
GIVES ME THREE HOURS.

803
00:35:06,205 --> 00:35:07,873
THAT'S ALL CLINT HAD
IN DIRTY HARRY.

804
00:35:07,906 --> 00:35:08,940
YEAH, RITA,

805
00:35:08,974 --> 00:35:12,911
YOU HAVE HAD NONFICTIONAL
POLICE EXPERIENCES, RIGHT?

806
00:35:12,944 --> 00:35:15,181
YEAH, SURE.

807
00:35:17,649 --> 00:35:18,850
HELLO, LADIES.

808
00:35:18,884 --> 00:35:22,354
THERE'S THE LOCKER.

809
00:35:24,856 --> 00:35:26,625
WHAT'D YOU DO
WITH HER CLOTHES?

810
00:35:28,527 --> 00:35:29,895
[speaking Spanish]

811
00:35:29,928 --> 00:35:30,896
OH.

812
00:35:30,929 --> 00:35:32,598
IT WAS HERE.

813
00:35:32,631 --> 00:35:35,167
THEY MUST HAVE
GLUED THE TILE BACK ON.

814
00:35:35,201 --> 00:35:38,404
[speaking Spanish]

815
00:35:38,437 --> 00:35:40,306
(Rita)
WHAT, NOW SUDDENLY
YOU DON'T SPEAK ENGLISH?

816
00:35:40,339 --> 00:35:42,874
WELL, MAYBE
YOU UNDERSTAND THIS.

817
00:35:42,908 --> 00:35:45,377
THE PARTY'S OVER.

818
00:35:45,411 --> 00:35:48,747
LA FIESTA ESTA...
OVER.

819
00:35:48,780 --> 00:35:49,881
(Rita)
WE'RE ONTO YOU.

820
00:35:49,915 --> 00:35:51,717
WE KNOW YOU KILLED
LUPE OLIVENCIA.

821
00:35:54,853 --> 00:35:58,490
YOU THINK BECAUSE
YOU'RE RICH AND WHITE--

822
00:35:58,524 --> 00:36:01,960
YOU THINK YOU CAN
ACCUSE ANYBODY OF ANYTHING?

823
00:36:01,993 --> 00:36:05,397
MRS. GARCIA, I'M NOT ACCUSING
ANYBODY OF ANYTHING.

824
00:36:05,431 --> 00:36:07,833
I'M ACCUSING YOU OF MURDER.

825
00:36:10,536 --> 00:36:13,305
[kids chattering]

826
00:36:16,908 --> 00:36:17,643
I SHOULD'VE KNOWN.

827
00:36:17,676 --> 00:36:19,945
FENIMORE'S ROOM WAS
TOO CLEAN.

828
00:36:19,978 --> 00:36:21,347
WHO ELSE COULD HAVE
PULLED THAT OFF

829
00:36:21,380 --> 00:36:22,548
IN JUST 15 MINUTES?

830
00:36:22,581 --> 00:36:24,316
THEY'RE THE HOUSEKEEPERS
FROM HELL.

831
00:36:24,350 --> 00:36:26,718
WAIT, WAIT, WAIT.
THEY'RE STEALING CAMERAS?

832
00:36:26,752 --> 00:36:28,354
NO, THEY'RE STEALING
INFORMATION.

833
00:36:28,387 --> 00:36:29,888
CONFIDENTIAL FINANCIAL
INFORMATION.

834
00:36:29,921 --> 00:36:31,390
WHO'S MERGING
WITH WHOM,

835
00:36:31,423 --> 00:36:32,791
WHO'S ABOUT TO GO UNDER.

836
00:36:32,824 --> 00:36:33,859
IT'S THE PERFECT SETUP.

837
00:36:33,892 --> 00:36:35,494
WE HAVE CONFERENCES HERE
ALL THE TIME.

838
00:36:35,527 --> 00:36:38,230
BROKERAGE FIRMS,
INVESTMENT COMPANIES.

839
00:36:38,264 --> 00:36:40,866
WHO'S IN A BETTER POSITION
TO STEAL INFORMATION?

840
00:36:40,899 --> 00:36:42,434
NOBODY GIVES THE HOUSEKEEPING
STAFF A SECOND THOUGHT.

841
00:36:42,468 --> 00:36:43,435
(Rita)
THEY'RE INVISIBLE.

842
00:36:43,469 --> 00:36:45,537
SO PEOPLE HIDE THEIR WALLETS,

843
00:36:45,571 --> 00:36:46,572
THEY HIDE THEIR JEWELRY.

844
00:36:46,605 --> 00:36:47,739
NO ONE THINKS TO HIDE

845
00:36:47,773 --> 00:36:49,007
THEIR BRIEFCASES
OR THEIR LAPTOPS.

846
00:36:49,040 --> 00:36:50,509
(Monk)
THE MAIDS WERE CLEANING UP.

847
00:36:50,542 --> 00:36:51,877
(Rita)
LITERALLY.

848
00:36:51,910 --> 00:36:54,613
HEY, MAYBE WE CAN GET
THE IRS TO NAIL 'EM

849
00:36:54,646 --> 00:36:55,914
FOR INSIDER TRADING.

850
00:36:55,947 --> 00:36:57,816
NO, I'M GUESSING THEY WERE
TOO SMART FOR THAT.

851
00:36:57,849 --> 00:36:59,818
PROBABLY GOT THEIR FRIENDS
AND THEIR FAMILY MEMBERS

852
00:36:59,851 --> 00:37:01,420
TO BUY THE STOCKS
FOR THEM.

853
00:37:01,453 --> 00:37:03,389
I DON'T GET IT.
WHO DID THEY KILL?

854
00:37:03,422 --> 00:37:05,924
THE MISSING MAID.
MAID NUMBER FIVE.

855
00:37:05,957 --> 00:37:06,992
LUPE OLIVENCIA.

856
00:37:07,025 --> 00:37:09,961
(Rita)
SHE PROBABLY GOT GREEDY.

857
00:37:09,995 --> 00:37:13,399
(Monk)
OR MORE LIKELY
SHE GREW A CONSCIENCE

858
00:37:13,432 --> 00:37:14,966
AND THEN WANTED OUT.

859
00:37:15,000 --> 00:37:16,335
WHATEVER THE REASON,
THEY HAD TO GET RID OF HER.

860
00:37:20,939 --> 00:37:23,909
(Rita)
SO THEN THEY WENT TO WORK.

861
00:37:23,942 --> 00:37:27,313
(Monk)
IT WAS THE CLEANEST CRIME SCENE
IN THE HISTORY OF CRIME.

862
00:37:29,748 --> 00:37:32,451
AND WE CAN'T PROVE
A THING!

863
00:37:32,484 --> 00:37:33,452
NOT WITHOUT A BODY.

864
00:37:33,485 --> 00:37:34,920
(Monk)
NO BODY, NO CASE.

865
00:37:34,953 --> 00:37:37,756
BUT IT JUST HAS
TO BE HERE SOMEWHERE.

866
00:37:38,790 --> 00:37:41,627
BENJY, WHAT IS IT?
I FOUND HER AGAIN.

867
00:37:42,994 --> 00:37:45,964
[dramatic music]

868
00:37:45,997 --> 00:37:48,867
*

869
00:37:48,900 --> 00:37:52,371
OKAY, EVERYBODY, CLEAR AWAY.
DON'T TOUCH A THING.

870
00:37:52,404 --> 00:37:54,072
OKAY PARTNER,
WE GOT 'EM.

871
00:37:54,105 --> 00:37:56,908
I'M GONNA CALL HOMICIDE AND
THE DISTRICT ATTORNEY'S OFFICE.

872
00:37:56,942 --> 00:37:58,510
AND THE CORONER'S OFFICE.

873
00:37:58,544 --> 00:38:00,679
WE'RE GONNA NEED
A FULL FORENSICS TEAM.

874
00:38:00,712 --> 00:38:02,881
[laughter]
HOW LONG WAS THAT?

875
00:38:02,914 --> 00:38:04,049
WAS THAT THE RECORD?

876
00:38:05,751 --> 00:38:07,553
ALL RIGHT.

877
00:38:07,586 --> 00:38:10,989
(Monk)
SO IT'S GOTTA BE
IN THE HOTEL.

878
00:38:11,022 --> 00:38:13,859
[sighs]

879
00:38:13,892 --> 00:38:15,994
BRONWYN, IF WE DON'T
FIND THE CORPSE

880
00:38:16,027 --> 00:38:19,598
IN THE NEXT 20 MINUTES,
THEY GET AWAY WITH MURDER.

881
00:38:26,605 --> 00:38:31,377
[speaking Spanish]

882
00:38:38,884 --> 00:38:41,052
(Rita)
WAIT!

883
00:39:14,185 --> 00:39:16,988
THERE'S NOTHING I CAN
DO ABOUT IT, MR. MONK.

884
00:39:17,022 --> 00:39:18,990
WE'RE COMPLETELY BOOKED.
I AM SO SORRY.

885
00:39:19,024 --> 00:39:19,958
NO, YOU'RE NOT.

886
00:39:19,991 --> 00:39:22,961
TONY, THEY ARE STEALING
INSIDER INFORMATION

887
00:39:22,994 --> 00:39:25,697
RIGHT FROM UNDER OUR NOSES.

888
00:39:25,731 --> 00:39:27,633
WE ARE CONVINCED THAT
THEY MURDERED LUPE OLIVENCIA.

889
00:39:27,666 --> 00:39:29,835
WHERE'S YOUR PROOF?
WHERE'S THE BODY?

890
00:39:29,868 --> 00:39:31,603
OKAY, WE CAN'T FIND
THE BODY--

891
00:39:31,637 --> 00:39:33,138
BECAUSE
IT DOESN'T EXIST.

892
00:39:33,171 --> 00:39:35,874
NOW, IT'S CHECKOUT TIME,
MR. MONK.

893
00:39:35,907 --> 00:39:38,610
YOU ARE NOW OFFICIALLY
TRESPASSING IN MY HOTEL.

894
00:39:38,644 --> 00:39:39,911
THE CASE--

895
00:39:39,945 --> 00:39:40,812
WHY DON'T YOU JUST
GO HOME

896
00:39:40,846 --> 00:39:43,715
AND TELL YOUR THERAPIST
ALL ABOUT IT?

897
00:39:43,749 --> 00:39:46,618
TONY, LISTEN,
I HAVE TO TALK TO YOU...

898
00:39:51,890 --> 00:39:53,058
WHERE'S YOUR MOM?

899
00:39:53,091 --> 00:39:55,527
SHE'S JUST PICKING UP
SOME PICTURES.

900
00:39:55,561 --> 00:39:57,629
THIS PLACE IS THE PITS.

901
00:39:57,663 --> 00:39:59,431
MISSING BODIES,
MARRIED MEN.

902
00:39:59,465 --> 00:40:00,932
AND HALF OF THESE
DIDN'T EVEN COME OUT.

903
00:40:00,966 --> 00:40:02,701
OOH, I LIKE THIS ONE.

904
00:40:02,734 --> 00:40:05,203
YOU COULD TELL IT WAS
THE FIRST DAY--WE WERE SMILING.

905
00:40:05,236 --> 00:40:07,773
[sighs]
LET'S GO.

906
00:40:07,806 --> 00:40:08,807
LET'S GET OUT OF HERE.

907
00:40:10,942 --> 00:40:13,211
DRIVE CAREFULLY,
MR. MONK.

908
00:40:13,244 --> 00:40:14,913
THIS ISN'T OVER.

909
00:40:18,917 --> 00:40:20,151
I'M GONNA MAIL THIS IN.

910
00:40:20,185 --> 00:40:21,887
I HAVE A COUPLE
OF COMMENTS.

911
00:40:25,924 --> 00:40:27,092
I GUESS YOU'RE
ON YOUR OWN.

912
00:40:27,125 --> 00:40:28,627
I'M GONNA GET 'EM.

913
00:40:28,660 --> 00:40:30,195
I'LL BET YOU WILL.

914
00:40:30,228 --> 00:40:32,931
HAVE ONE FOR THE ROAD.

915
00:40:41,973 --> 00:40:43,208
BENJY, BUCKLE UP.

916
00:40:43,241 --> 00:40:45,477
OKAY.

917
00:40:47,846 --> 00:40:50,549
ADRIAN,
JUST LET IT GO.

918
00:40:50,582 --> 00:40:53,084
YOU CAN'T WIN 'EM ALL.
COME ON.

919
00:40:53,118 --> 00:40:55,220
COME ON.

920
00:41:05,697 --> 00:41:08,066
[tires screech]

921
00:41:37,028 --> 00:41:47,072
HOW CAN YOU SAY
WHEN YOU--

922
00:41:47,072 --> 00:41:57,082
HOW CAN YOU SAY
WHEN YOU--

923
00:42:40,291 --> 00:42:42,060
(Monk)
I DON'T THINK I CAN WAIT
A WHOLE YEAR.

924
00:42:42,093 --> 00:42:44,896
FOR WHAT?
OUR NEXT VACATION.

925
00:42:44,930 --> 00:42:46,598
YOU ENJOYED THAT?

926
00:42:46,632 --> 00:42:49,701
OH, I HAD A GREAT TIME.

927
00:42:49,735 --> 00:42:50,902
OKAY, FOR YOUR
INFORMATION,

928
00:42:50,936 --> 00:42:52,638
THAT WAS NOT
A VACATION, ADRIAN.

929
00:42:52,671 --> 00:42:54,940
A VACATION'S SUPPOSED
TO BE FUN AND RELAXING.

930
00:42:54,973 --> 00:42:56,374
THAT WAS MURDER CAMP.

931
00:42:56,407 --> 00:42:59,711
I WAS THINKING
THE FIRST WEEK IN NOVEMBER,

932
00:42:59,745 --> 00:43:01,246
THERE'S THIS PLACE
IN MONTEREY.

933
00:43:01,279 --> 00:43:02,981
NO, NO, FORGET IT.

934
00:43:03,014 --> 00:43:04,349
NO MORE VACATIONS.

935
00:43:04,382 --> 00:43:06,051
THE NEXT TIME YOU TRY
TO MAKE ME TAKE A VACATION,

936
00:43:06,084 --> 00:43:07,686
I SWEAR I'M QUITTING.

937
00:43:10,656 --> 00:43:11,923
I CAN'T BELIEVE
I JUST SAID THAT.

938
00:43:11,957 --> 00:43:13,992
YOU SEEM UPSET.

939
00:43:14,025 --> 00:43:15,260
I AM UPSET!

940
00:43:15,293 --> 00:43:16,261
YOU KNOW WHAT
YOU NEED?

941
00:43:16,294 --> 00:43:17,763
SHUT UP.
VACATION!

942
00:43:17,796 --> 00:43:19,798
SHUT UP!

943
00:43:21,099 --> 00:43:24,102
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