1
00:00:01,068 --> 00:00:04,272
(woman) IT LOOKS LIKE
AUSTIN IS GOING WITH...

2
00:00:04,304 --> 00:00:06,107
AN ASTRONAUT.

3
00:00:06,139 --> 00:00:09,176
AND KELLY'S DRAWING
A POLICE OFFICER.

4
00:00:11,811 --> 00:00:15,382
I'M NOT SURE "ELEPHANT"
COUNTS AS A JOB, LAURENCE.

5
00:00:23,291 --> 00:00:25,759
WHAT ABOUT YOU, SYDNEY?

6
00:00:25,792 --> 00:00:28,062
ARE YOU HAVING TROUBLE
GETTING STARTED?

7
00:00:29,797 --> 00:00:33,067
THAT'S OKAY. I CAN HELP YOU.

8
00:00:33,100 --> 00:00:36,436
I WANT YOU TO CLOSE YOUR
EYES AND TELL ME THE VERY FIRST

9
00:00:36,469 --> 00:00:40,240
THING THAT POPS INTO YOUR MIND
WHEN I ASK YOU THIS QUESTION...

10
00:00:40,274 --> 00:00:43,277
WHAT DO YOU WANT TO
BE WHEN YOU GROW UP?

11
00:00:45,112 --> 00:00:48,115
(wind howling, ice creaking)

12
00:00:57,457 --> 00:01:00,493
(ice creaks)

13
00:01:00,527 --> 00:01:01,862
I JUST SPOKE WITH ZURICH.

14
00:01:01,895 --> 00:01:05,233
SLOANE HIT THE TWELVE. THEY'RE
ALL DEAD. HE'S SOLIDIFYING POWER.

15
00:01:05,266 --> 00:01:07,468
I NEED TO CONTACT SYDNEY.
GET MARSHALL AND RACHEL.

16
00:01:07,501 --> 00:01:09,469
WE'LL RENDEZVOUS
AT MIKRO STORAGE.

17
00:01:09,503 --> 00:01:11,272
MARCUS, TRUST NO ONE ELSE.

18
00:01:11,305 --> 00:01:14,375
(men shouting) YOU'LL BE ALL
RIGHT. YOU GOT A MILD CONCUSSION.

19
00:01:14,408 --> 00:01:17,177
RACHEL, WE HAVE TO LEAVE.

20
00:01:17,210 --> 00:01:20,781
RACHEL? WE DON'T HAVE
TIME TO MOURN RIGHT NOW.

21
00:01:20,813 --> 00:01:22,783
(sirens wailing)

22
00:01:22,816 --> 00:01:24,784
(cell phone ringing)

23
00:01:24,817 --> 00:01:26,519
(ring)

24
00:01:26,554 --> 00:01:29,522
(cell phone ringing faintly)

25
00:01:29,557 --> 00:01:32,560
(ice creaking)

26
00:01:36,930 --> 00:01:39,332
(Vaughn) SYD, SYD. SYDNEY.

27
00:01:39,366 --> 00:01:45,438
SYDNEY! SYD!

28
00:01:54,715 --> 00:01:57,484
ONE, TWO... THREE.

29
00:01:57,518 --> 00:01:59,520
COME ON! COME ON!

30
00:02:01,421 --> 00:02:03,490
ONE, TWO, THREE...

31
00:02:07,960 --> 00:02:10,330
(lightning crashing)

32
00:02:10,364 --> 00:02:13,334
(rainfall)

33
00:02:13,366 --> 00:02:16,370
(speaking indistinctly)

34
00:02:20,307 --> 00:02:21,808
EXCUSE ME.

35
00:02:27,448 --> 00:02:32,219
SYDNEY... SOMETHING'S HAPPENED.

36
00:02:36,289 --> 00:02:39,259
YOUR MOTHER WAS IN AN ACCIDENT.

37
00:02:39,293 --> 00:02:42,530
HER CAR SKIDDED
OFF THE ROAD, AND...

38
00:02:45,332 --> 00:02:47,300
SHE'S GONE.

39
00:02:49,002 --> 00:02:54,307
YOUR MOTHER... SH-SHE'S DEAD.

40
00:02:54,341 --> 00:02:57,478
SYDNEY, SWEETHEART,

41
00:02:57,510 --> 00:03:01,882
I NEED YOU TO BE STRONG
RIGHT... RIGHT NOW.

42
00:03:01,914 --> 00:03:05,752
I NEED YOU TO BE STR...
(voice cracks) STRONG.

43
00:03:06,819 --> 00:03:10,358
(coughing)

44
00:03:10,390 --> 00:03:13,394
(gasping)

45
00:03:13,426 --> 00:03:15,396
IT'S OKAY. YOU'RE OKAY.

46
00:03:15,429 --> 00:03:17,798
(coughing and gasping)

47
00:03:17,830 --> 00:03:19,832
YOU'RE OKAY.

48
00:03:19,866 --> 00:03:22,770
EVERYTHING'S GONNA BE OKAY.

49
00:03:22,802 --> 00:03:25,806
(men shouting in Russian)

50
00:03:30,743 --> 00:03:32,945
I SAW THE NEWS REPORTS
ON LOS ANGELES. GOOD WORK.

51
00:03:32,979 --> 00:03:35,716
I'M NOT CERTAIN "GOOD" IS
THE PROPER WORD FOR IT,

52
00:03:35,748 --> 00:03:37,350
BUT THANK YOU.

53
00:03:37,384 --> 00:03:38,819
I'VE DISPATCHED A TEAM

54
00:03:38,852 --> 00:03:40,753
TO THE LOCATION YOU
ACQUIRED AT MT. SUBASIO.

55
00:03:40,788 --> 00:03:44,292
I WANT TO BE AIRBORNE AS SOON AS
THEY FIND SOMETHING. UNDERSTOOD.

56
00:03:44,324 --> 00:03:46,960
WERE YOU ABLE TO MAKE CONTACT
WITH OUR FRIEND IN HONG KONG?

57
00:03:46,993 --> 00:03:49,729
YES. SHE SENDS HER REGARDS.

58
00:03:49,763 --> 00:03:51,699
(beep)

59
00:03:51,731 --> 00:03:53,266
MMM.

60
00:03:58,038 --> 00:04:01,275
SHOULD I TELL HER
WE HAVE A DEAL?

61
00:04:01,308 --> 00:04:03,311
YES.

62
00:04:05,413 --> 00:04:07,381
LET HER KNOW THE
TRANSPORTS WILL LEAVE

63
00:04:07,414 --> 00:04:09,717
JUST AS SOON AS THEY'RE READY.

64
00:04:11,084 --> 00:04:13,853
AM I TO UNDERSTAND THAT WE'RE
STILL GOING THROUGH WITH THIS?

65
00:04:13,887 --> 00:04:16,757
DON'T TELL ME YOU'RE
HAVING SECOND THOUGHTS.

66
00:04:16,790 --> 00:04:18,358
OF COURSE NOT.

67
00:04:18,391 --> 00:04:20,627
IT'S JUST IT'S NOT EVERY DAY

68
00:04:20,661 --> 00:04:22,829
ONE GETS TO BE A PART
OF GLOBAL GENOCIDE.

69
00:04:33,874 --> 00:04:35,274
IF I CAN GET A SIGNAL DOWN HERE,

70
00:04:35,308 --> 00:04:37,387
I MIGHT BE ABLE TO TAP INTO LANGLEY'S
NETWORK. I CAN SPOOF THE ORIGIN.

71
00:04:37,411 --> 00:04:38,622
THEY WON'T BE ABLE
TO TRACE THE HACK.

72
00:04:38,646 --> 00:04:39,723
SLOANE WILL TRY TO SEIZE CONTROL

73
00:04:39,747 --> 00:04:41,814
OF PROPHET FIVE'S OPERATIONS
AS QUICKLY AS POSSIBLE.

74
00:04:41,848 --> 00:04:44,050
WE SHOULD LOOK TO
IDENTIFY ANY UNUSUAL ACTIVITY

75
00:04:44,084 --> 00:04:47,355
IN THEIR HOLDINGS.
(cell phone rings)

76
00:04:47,387 --> 00:04:48,389
Bristow.

77
00:04:48,422 --> 00:04:50,023
IT'S ME. WE'RE IN SIENA.

78
00:04:50,057 --> 00:04:52,425
So Sydney is with you?

79
00:04:52,459 --> 00:04:54,427
Yeah. We're both okay.

80
00:04:54,461 --> 00:04:56,396
THANK GOD.

81
00:04:56,430 --> 00:04:58,598
WE'VE HAD A SITUATION HERE.

82
00:04:58,632 --> 00:05:00,934
HOMEBASE HAS BEEN COMPROMISED.

83
00:05:00,968 --> 00:05:03,603
Tom... didn't make it.

84
00:05:05,538 --> 00:05:07,040
Stay at the safe house.

85
00:05:07,074 --> 00:05:08,975
Once we gather
some more information,

86
00:05:09,009 --> 00:05:10,978
we'll forward it to you there.

87
00:05:11,011 --> 00:05:12,846
GOT IT.

88
00:05:12,879 --> 00:05:14,581
VAUGHN, HOW IS SHE?

89
00:05:17,016 --> 00:05:19,819
SHE TOOK A PRETTY BIG
HIT, BUT SHE'LL BOUNCE BACK.

90
00:05:22,456 --> 00:05:26,526
(cell phones beep)

91
00:06:10,971 --> 00:06:11,971
SYDNEY.

92
00:06:12,004 --> 00:06:13,440
DAD?

93
00:06:13,473 --> 00:06:15,543
YOU DID THIS?

94
00:06:28,021 --> 00:06:30,557
CAN YOU SHOW ME HOW YOU DID IT?

95
00:06:52,779 --> 00:06:54,113
WHAT?

96
00:06:54,146 --> 00:06:57,951
IT'S A TEST CALLED
AN "INDICATOR."

97
00:06:57,985 --> 00:07:00,788
PEOPLE IN MY LINE OF WORK USE IT

98
00:07:00,821 --> 00:07:03,757
TO IDENTIFY PEOPLE WITH
A HIGHLY DEVELOPED SENSE

99
00:07:03,790 --> 00:07:05,725
OF 3-DIMENSIONAL REASONING.

100
00:07:05,759 --> 00:07:08,528
VERY FEW PEOPLE
CAN DO IT. I CAN'T DO IT.

101
00:07:08,562 --> 00:07:09,862
YOU CAN'T?

102
00:07:09,896 --> 00:07:13,432
WHAT IT MEANS, SYDNEY, IS...

103
00:07:15,536 --> 00:07:19,572
YOU ARE A VERY SPECIAL GIRL.

104
00:07:31,718 --> 00:07:34,687
12 HOURS AGO,

105
00:07:34,721 --> 00:07:36,790
TWO INTERCONTINENTAL
CRUISE MISSILES WERE STOLEN

106
00:07:36,824 --> 00:07:38,692
FROM A STORAGE
FACILITY IN MOSCOW.

107
00:07:38,725 --> 00:07:40,728
WE THINK IT'S SLOANE?

108
00:07:40,761 --> 00:07:41,961
WHATEVER HE'S UP TO,

109
00:07:41,995 --> 00:07:44,130
HE SAID IT WAS TOO
LATE TO BE STOPPED.

110
00:07:44,163 --> 00:07:47,100
HE ALSO SAID THAT HE'D
WIPE OUT EVERYONE AT A.P.O.

111
00:07:47,134 --> 00:07:48,701
HE WAS WRONG.

112
00:07:48,735 --> 00:07:50,237
STILL, HOW CAN WE FIND HIM?

113
00:07:50,269 --> 00:07:53,973
IT'S IMPOSSIBLE. WE
DON'T HAVE A SINGLE LEAD.

114
00:07:54,007 --> 00:07:55,942
WE CAN'T TRUST THE C.I.A.

115
00:07:55,975 --> 00:07:57,677
SYDNEY, STOP, ALL RIGHT?

116
00:07:57,711 --> 00:08:00,180
LET'S NOT OVERLOOK THE FACT
THAT YOU BASICALLY DIED TODAY.

117
00:08:00,213 --> 00:08:03,149
YOU AND I HAVE GOTTEN
PRETTY GOOD AT IMPOSSIBLE.

118
00:08:03,182 --> 00:08:05,151
OKAY, I'M GONNA HAVE
TO DEAL WITH THIS WOUND.

119
00:08:05,185 --> 00:08:09,255
I DON'T HAVE ANY
ANESTHETIC. IT'S GONNA HURT.

120
00:08:13,326 --> 00:08:15,528
JUST HOLD STILL.

121
00:08:18,031 --> 00:08:19,966
SORRY.

122
00:08:22,035 --> 00:08:24,838
WHY WOULD SLOANE
STEAL THE MISSILES?

123
00:08:24,872 --> 00:08:26,740
WHAT?

124
00:08:26,774 --> 00:08:28,875
HE JUST WIPED OUT
THE TWELVE, RIGHT?

125
00:08:28,908 --> 00:08:31,812
WHICH MEANS THAT HE
CONTROLS THEIR ASSETS.

126
00:08:31,845 --> 00:08:33,846
HE WOULDN'T STEAL MISSILES.

127
00:08:33,880 --> 00:08:36,716
HE'D JUST BUY THEM
ON THE BLACK MARKET.

128
00:08:36,750 --> 00:08:39,219
I THINK I KNOW HOW TO FIND HIM.

129
00:08:39,251 --> 00:08:42,121
WE START WITH THE MONEY.

130
00:08:46,293 --> 00:08:48,260
IF WE CAN HACK INTO THE SYSTEM,

131
00:08:48,294 --> 00:08:50,831
WE CAN I.D. WHO THE
PAYOFFS WENT TO.

132
00:08:50,864 --> 00:08:52,264
(beeps)

133
00:08:54,835 --> 00:08:56,836
THEN ALL WE NEED
ARE PHONE RECORDS.

134
00:08:58,971 --> 00:09:00,707
IF I'M RIGHT,

135
00:09:00,740 --> 00:09:03,176
THEY'LL LEAD US
RIGHT TO SLOANE...

136
00:09:05,077 --> 00:09:08,749
OR AT LEAST SOMEONE HE'S
BEEN WORKING WITH. (beeping)

137
00:09:18,725 --> 00:09:20,894
(elevator bell dings)

138
00:09:32,773 --> 00:09:36,610
WE KNOW YOU'RE WORKING
WITH ARVIN SLOANE,

139
00:09:36,644 --> 00:09:38,946
AND WE KNOW ABOUT THE
I.C.B.M.s HE'S RECENTLY ACQUIRED.

140
00:09:38,979 --> 00:09:41,114
WHAT WE DON'T KNOW
IS WHERE THEY ARE

141
00:09:41,148 --> 00:09:42,783
OR WHERE THEY'RE HEADED.

142
00:09:42,816 --> 00:09:45,052
NOW I'M WELL AWARE
THAT YOU'RE TOUGH,

143
00:09:45,085 --> 00:09:47,955
THAT YOU'VE BEEN CONDITIONED
TO WITHSTAND TORTURE.

144
00:09:47,988 --> 00:09:51,224
BUT I HAVE SOMETHING
YOU DON'T HAVE.

145
00:09:52,659 --> 00:09:55,629
I HAVE YOUR FORMER BEST FRIEND.

146
00:09:55,663 --> 00:09:58,798
AND I KNOW WHAT
YOU'RE AFRAID OF.

147
00:10:00,701 --> 00:10:03,102
(gasping)

148
00:10:03,135 --> 00:10:06,774
(hissing)

149
00:10:06,807 --> 00:10:09,842
IF I WERE YOU, I WOULD
STAY EXTREMELY STILL.

150
00:10:09,876 --> 00:10:12,412
(whimpers)

151
00:10:12,445 --> 00:10:14,981
SHE HAS NO IDEA WHERE
THOSE MISSILES ARE.

152
00:10:15,014 --> 00:10:16,416
ARE YOU SURE? POSITIVE.

153
00:10:16,448 --> 00:10:18,751
WHAT SHE DOES KNOW...
SLOANE IS PLANNING TO TARGET

154
00:10:18,786 --> 00:10:20,988
TO TARGET TWO CITIES WITH
HIGH CIVILIAN CONCENTRATIONS.

155
00:10:21,020 --> 00:10:22,990
HE'S NOT INTERESTED
IN THE DEVASTATION.

156
00:10:23,023 --> 00:10:25,692
HE PLANS TO PROFIT OFF
THE RECONSTRUCTION.

157
00:10:25,725 --> 00:10:27,202
SLOANE CONTROLS
PROPHET 5's NETWORK...

158
00:10:27,226 --> 00:10:31,097
COMMUNICATIONS, PHARMACEUTICALS,
FINANCE... HE'LL MAKE BILLIONS.

159
00:10:31,130 --> 00:10:33,801
IT GETS WORSE.
SLOANE'S IN MONGOLIA.

160
00:10:44,110 --> 00:10:47,114
(shouting indistinctly)

161
00:10:54,020 --> 00:10:57,024
(speaking Russian)

162
00:11:16,876 --> 00:11:18,888
(Soul Asylum) ♪ CALL YOU UP
IN THE MIDDLE OF THE NIGHT ♪

163
00:11:18,912 --> 00:11:22,448
PUT ON YOUR DANCING SHOES.
WE ARE GOING OUT TONIGHT.

164
00:11:22,481 --> 00:11:24,350
I CAN'T TONIGHT.

165
00:11:24,384 --> 00:11:26,318
"CAN'T" IS NOT AN OPTION.

166
00:11:26,352 --> 00:11:28,755
CHARLIE GOT US PASSES FOR
THAT NEW CLUB IN SILVERLAKE.

167
00:11:28,788 --> 00:11:33,360
OOH, THAT JOB FAIR IS TONIGHT. I
REALLY WANT TO GO. JOB FAIR? WHAT... SYD.

168
00:11:33,393 --> 00:11:35,828
YOU HAVE FOUR YEARS TO FIGURE
OUT WHAT KIND OF JOB YOU WANT.

169
00:11:35,863 --> 00:11:37,831
I JUST HAD A MEETING
WITH MY ADVISOR,

170
00:11:37,865 --> 00:11:41,033
AND SHE YELLED AT ME 'CAUSE I
STILL HAVEN'T PICKED A MAJOR.

171
00:11:41,067 --> 00:11:43,135
EDUCATION. DONE. YOU CAN
BE A TEACHER LIKE YOUR MOM.

172
00:11:43,169 --> 00:11:46,774
I MEAN, YOU ALWAYS TALKED ABOUT HOW
HAPPY SHE WAS. I THOUGHT ABOUT THAT,

173
00:11:46,807 --> 00:11:50,076
BUT I'VE ALWAYS THOUGHT ABOUT TEACHING
AS MY SAFETY NET. TEACHING'S NO SAFETY NET.

174
00:11:50,110 --> 00:11:52,779
YOU KNOW HOW DANGEROUS
IT IS TO BE A TEACHER?

175
00:11:52,812 --> 00:11:54,881
KIDS BRING KNIVES TO
SCHOOL THESE DAYS.

176
00:11:54,914 --> 00:11:56,893
I HATE THE THOUGHT THAT I
COULD MAKE A DECISION NOW

177
00:11:56,917 --> 00:11:58,394
THAT WOULD AFFECT
THE REST OF MY LIFE.

178
00:11:58,418 --> 00:12:00,754
WELL, I SAY GO WITH EDUCATION.

179
00:12:00,788 --> 00:12:04,423
OH, CHARLIE IS BRINGING
A FRIEND TONIGHT...

180
00:12:04,456 --> 00:12:06,759
DANNY SOMETHING.

181
00:12:06,793 --> 00:12:09,729
WE'LL PICK YOU UP AT 8:00.
(laughs) I'll SEE YOU LATER.

182
00:12:12,899 --> 00:12:16,068
SYDNEY BRISTOW?

183
00:12:16,102 --> 00:12:19,105
I WAS HOPING I MIGHT HAVE
A MOMENT OF YOUR TIME.

184
00:12:32,952 --> 00:12:34,520
TELL DIXON WE'LL TOUCH BASE

185
00:12:34,553 --> 00:12:36,523
SOON AS WE CROSS INTO
MONGOLIAN AIRSPACE.

186
00:12:36,556 --> 00:12:38,826
MARSHALL AND I ARE
GONNA HACK INTO THE N.R.O.,

187
00:12:38,859 --> 00:12:41,061
SEE IF WE CAN USE
THEIR OPTICAL SATELLITES

188
00:12:41,094 --> 00:12:42,863
TO LOCATE THE MISSILES.

189
00:12:42,895 --> 00:12:46,332
RACHEL, LISTEN,
PROPHET 5 IS GONE.

190
00:12:46,365 --> 00:12:48,335
YOUR FAMILY IS NO
LONGER IN DANGER.

191
00:12:48,368 --> 00:12:50,971
YOU DON'T HAVE TO
DO THIS ANYMORE.

192
00:12:51,004 --> 00:12:52,905
PEOPLE HAVE GIVEN
THEIR LIVES FOR THIS.

193
00:12:52,940 --> 00:12:55,042
I'M NOT GONNA BAIL ON THEM NOW.

194
00:12:55,075 --> 00:12:56,509
I'M IN THIS UNTIL IT'S OVER.

195
00:12:56,543 --> 00:12:59,078
OF COURSE, IF WE
DON'T FIND SLOANE,

196
00:12:59,111 --> 00:13:01,948
THAT MAY NOT BE
VERY LONG FROM NOW.

197
00:13:01,981 --> 00:13:04,985
(explosion)

198
00:13:11,124 --> 00:13:14,494
(Sark) DID IT HAVE
TO BE SO FILTHY?

199
00:13:14,527 --> 00:13:17,029
I MEAN, REALLY, IF RAMBALDI
CAN PROPHESIZE THE FUTURE,

200
00:13:17,063 --> 00:13:19,966
HE MIGHT HAVE ADVISED
ME NOT TO WEAR $500 SHOES.

201
00:13:33,046 --> 00:13:34,847
STRUCTURAL IMAGING SHOWS

202
00:13:34,881 --> 00:13:37,384
THAT THERE'S A CHAMBER
ABOUT 200 FEET BELOW US.

203
00:13:37,417 --> 00:13:40,287
THAT'S QUITE A CLIMB.

204
00:13:40,320 --> 00:13:41,989
YOU NEEDN'T WORRY.

205
00:13:42,022 --> 00:13:45,024
THE NEXT STEP IS FOR ME ALONE.

206
00:14:55,962 --> 00:14:59,466
AT LAST, AFTER ALMOST 30 YEARS.

207
00:15:01,668 --> 00:15:03,570
IS IT EVERYTHING YOU IMAGINED?

208
00:15:03,602 --> 00:15:06,206
NADIA, I'M SO GLAD YOU'RE HERE.

209
00:15:06,239 --> 00:15:08,441
IF I DIDN'T HAVE SOMEONE
TO SHARE THIS WITH,

210
00:15:08,475 --> 00:15:10,610
I MAY HAVE DOUBTED MY OWN EYES.

211
00:15:10,643 --> 00:15:13,212
YOU'RE TALKING TO
YOUR DEAD DAUGHTER.

212
00:15:13,245 --> 00:15:16,182
THIS IS AN ODD TIME TO
QUESTION YOUR SANITY.

213
00:15:16,216 --> 00:15:17,484
PERHAPS.

214
00:15:21,020 --> 00:15:24,323
(electronic humming)

215
00:15:45,544 --> 00:15:48,347
(gunfire) AAH!

216
00:15:48,380 --> 00:15:49,649
(shouting in Russian)

217
00:15:49,682 --> 00:15:52,652
(gunfire)

218
00:16:00,692 --> 00:16:04,197
(gunfire continues)

219
00:16:16,208 --> 00:16:18,177
SO THAT'S IT?

220
00:16:18,211 --> 00:16:20,746
ALL THIS TIME, THAT'S
WHAT YOU WANTED.

221
00:16:20,779 --> 00:16:22,749
THIS, SWEETHEART...

222
00:16:22,782 --> 00:16:26,653
THIS IS WHAT EVERYBODY
HAS ALWAYS WANTED.

223
00:16:26,686 --> 00:16:29,188
AND I'VE FOUND IT.

224
00:16:29,221 --> 00:16:31,224
(gun clicks)

225
00:16:31,258 --> 00:16:32,692
IT'S OVER, SLOANE.

226
00:16:35,495 --> 00:16:36,995
UHH!

227
00:16:38,331 --> 00:16:40,267
CORRECT ME IF I'M
WRONG, MR. VAUGHN,

228
00:16:40,299 --> 00:16:44,437
BUT AREN'T YOU
SUPPOSED TO BE DEAD?

229
00:16:44,471 --> 00:16:46,505
I SUPPOSE WE'LL
HAVE TO RECTIFY THAT.

230
00:16:52,479 --> 00:16:56,749
WELL, THEN, IT APPEARS
WE HAVE A PREDICAMENT.

231
00:17:00,419 --> 00:17:01,721
DON'T MOVE.

232
00:17:10,329 --> 00:17:12,531
NO! SYDNEY, DON'T.

233
00:17:22,142 --> 00:17:25,211
WHAT IS THIS, SLOANE?
SYDNEY, PLEASE DON'T BE RASH.

234
00:17:25,244 --> 00:17:26,613
GIVE ME ONE REASON

235
00:17:26,645 --> 00:17:28,280
WHY I SHOULDN'T
DESTROY THIS RIGHT NOW.

236
00:17:28,315 --> 00:17:30,717
SUPPOSE I WERE TO GIVE
YOU TWO GOOD REASONS.

237
00:17:41,760 --> 00:17:44,564
(high-pitched whirring)

238
00:17:44,596 --> 00:17:47,500
(speaking Russian)

239
00:17:47,534 --> 00:17:49,469
HANG UP.

240
00:17:49,501 --> 00:17:57,176
(speaks Russian)

241
00:17:57,210 --> 00:17:58,444
RACHEL AND I HACKED INTO

242
00:17:58,478 --> 00:18:01,847
THE N.R.O.'s GLOBAL SURVEILLANCE
SYSTEM TO LOOK FOR THE MISSILES.

243
00:18:01,881 --> 00:18:04,717
WE NOTICED SOME WEIRD
NETWORK ACTIVITY ON THE E.W.S.

244
00:18:04,750 --> 00:18:06,728
SOMEONE'S TRYING TO DISABLE
OUR DEFENSE SATELLITES.

245
00:18:06,752 --> 00:18:08,255
THEY'VE RELEASED A VIRUS.

246
00:18:08,288 --> 00:18:10,257
IT'S EATING THROUGH
OUR ENTIRE GRID.

247
00:18:10,289 --> 00:18:12,259
SLOANE. HE'S GONNA
STRIKE THE U.S.

248
00:18:12,291 --> 00:18:13,259
CAN YOU PURGE THE VIRUS?

249
00:18:13,292 --> 00:18:15,894
NO, NOT FROM HERE. BUT
I DID PINPOINT THE ORIGIN.

250
00:18:15,928 --> 00:18:18,597
SOMEONE UPLOADED
IT FROM HONG KONG.

251
00:18:20,200 --> 00:18:22,568
WHO'S IN HONG KONG?

252
00:18:22,602 --> 00:18:24,304
(breathing heavily)

253
00:18:24,336 --> 00:18:27,339
WHO ARE YOU PROTECTING?

254
00:18:27,374 --> 00:18:29,576
SHOULD I GET THE SNAKE?

255
00:18:29,608 --> 00:18:30,609
DON'T.

256
00:18:35,615 --> 00:18:37,616
SLOANE HAD TO CALL IN A PARTNER.

257
00:18:39,251 --> 00:18:41,354
HE NEEDED SOMETHING
HE DIDN'T HAVE.

258
00:18:41,387 --> 00:18:42,888
WHAT'S THAT?

259
00:18:44,957 --> 00:18:47,693
HAND ME THE SPHERE, SYDNEY.

260
00:18:47,727 --> 00:18:50,363
I'll LET YOU ALL
WALK OUT OF HERE.

261
00:18:50,396 --> 00:18:53,165
I WON'T INSULT YOU
WITH PRETENSE, SYDNEY.

262
00:18:53,200 --> 00:18:56,336
WE KNOW EACH OTHER
TOO WELL FOR THAT.

263
00:18:56,368 --> 00:18:58,904
OH, I KNOW YOU'RE TRYING
TO FIGURE A WAY OUT.

264
00:18:58,938 --> 00:19:00,906
JUST HAND OVER THE SPHERE,

265
00:19:00,940 --> 00:19:04,544
AND I WILL LET YOU
ALL WALK AWAY.

266
00:19:04,576 --> 00:19:06,778
IF I GIVE THIS TO YOU,

267
00:19:06,813 --> 00:19:09,316
WHAT'S TO GUARANTEE YOU
WON'T SHOOT US ANYWAY?

268
00:19:09,348 --> 00:19:11,617
DESPITE WHAT YOU MAY
THINK, I'M NOT HEARTLESS.

269
00:19:11,651 --> 00:19:14,621
COME ON, TAKE MY OFFER.

270
00:19:14,653 --> 00:19:16,788
IT APPEARS THAT VAUGHN IS BACK.

271
00:19:16,823 --> 00:19:19,826
GO, BE A FAMILY.

272
00:19:19,858 --> 00:19:22,261
FRANKLY, I DON'T THINK
YOU HAVE ANY OTHER OPTION.

273
00:19:22,295 --> 00:19:25,664
IF YOU WANT THIS, WE'LL
WALK OUT OF HERE TOGETHER,

274
00:19:25,698 --> 00:19:27,200
AND THEN WE'LL TALK.

275
00:19:27,233 --> 00:19:29,669
WELL, REMEMBER,
SYDNEY, IT'S YOUR CHOICE.

276
00:19:31,703 --> 00:19:32,904
(grunting)

277
00:19:32,939 --> 00:19:37,210
DAD!

278
00:19:54,626 --> 00:19:56,762
(shell casings fall to floor)

279
00:20:04,903 --> 00:20:06,838
HEY, DAD? DAD?

280
00:20:06,873 --> 00:20:09,509
DAD?

281
00:20:09,541 --> 00:20:10,643
THAT'S RIGHT,

282
00:20:10,676 --> 00:20:13,613
THEY'RE HAVING PROBLEMS WITH
THEIR TAIL RUDDER CONTROLS.

283
00:20:13,645 --> 00:20:15,714
YEAH. OKAY, WELL,
I'll GET BACK TO YOU.

284
00:20:15,748 --> 00:20:17,983
HELLO, SYDNEY.

285
00:20:22,321 --> 00:20:24,824
WHAT'S THIS?

286
00:20:24,856 --> 00:20:26,759
OPEN IT.

287
00:20:27,894 --> 00:20:29,862
YOU'VE BEEN PAYING MY TUITION.

288
00:20:29,895 --> 00:20:32,865
I THOUGHT I SHOULD
AT LEAST HELP OUT.

289
00:20:32,898 --> 00:20:34,967
WHAT'D YOU DO, ROB A BANK?

290
00:20:35,000 --> 00:20:37,569
SORT OF. I GOT A JOB AT A BANK.

291
00:20:37,604 --> 00:20:39,838
IT'S JUST PART-TIME...
FOR NOW, AT LEAST.

292
00:20:39,872 --> 00:20:42,674
IT'S, UM, A FRENCH BANK.
IT'S CALLED CREDIT DAUPHINE.

293
00:20:42,709 --> 00:20:46,979
THEY HAVE A VERY
INTERNATIONAL CLIENTELE.

294
00:20:47,012 --> 00:20:48,914
CREDIT DAUPHINE?

295
00:20:48,948 --> 00:20:51,683
YEAH, THEY HAVE 12
BRANCHES AROUND THE WORLD.

296
00:20:51,718 --> 00:20:53,586
YOU'RE ALREADY WORKING THERE?

297
00:20:53,619 --> 00:20:54,820
ABOUT A MONTH.

298
00:20:54,854 --> 00:20:57,824
I WANTED TO MAKE SURE IT WOULD
WORK OUT BEFORE I TOLD YOU.

299
00:20:57,856 --> 00:21:01,059
A MONTH. GOOD. IT'S NOT
TOO LATE TO QUIT. WHAT?

300
00:21:01,093 --> 00:21:03,192
SYDNEY, LISTEN TO
ME... OH, I'M NOT QUITTING

301
00:21:03,204 --> 00:21:04,931
THIS JOB. I LIKE
IT. I'M GOOD AT IT.

302
00:21:04,963 --> 00:21:06,874
I IMAGINE YOU ARE. THAT'S NOT
THE POINT. WHAT IS THE POINT?

303
00:21:06,898 --> 00:21:09,469
SYDNEY... GOD, IF
MOM WERE HERE, SHE...

304
00:21:09,501 --> 00:21:10,903
IFYOUR MOTHER WAS HERE...

305
00:21:13,873 --> 00:21:15,842
IF YOUR MOTHER WAS HERE,

306
00:21:15,875 --> 00:21:18,845
SHE WOULD WANT YOU
TO FOCUS ON SCHOOL,

307
00:21:18,877 --> 00:21:20,946
WHICH IS WHAT
YOU'RE GOING TO DO.

308
00:21:24,983 --> 00:21:27,920
I DIDN'T COME TO
ASK YOUR PERMISSION.

309
00:21:30,021 --> 00:21:33,025
I'VE ALREADY MADE MY DECISION.

310
00:21:33,058 --> 00:21:36,828
THIS IS NOT YOUR
DECISION TO MAKE.

311
00:21:36,863 --> 00:21:38,530
SYDNEY.

312
00:21:38,565 --> 00:21:39,932
SYDNEY, COME BACK...

313
00:21:47,906 --> 00:21:49,741
(wheezing)

314
00:21:49,776 --> 00:21:51,743
RIGHT HERE. IT'S ALL RIGHT.

315
00:21:51,778 --> 00:21:53,746
(Sydney) YOU'RE
OKAY, YOU'RE OKAY.

316
00:21:57,817 --> 00:22:00,051
IT'S OKAY. I'M GONNA
GO CALL FOR HELP, OKAY?

317
00:22:01,820 --> 00:22:04,022
OKAY, JUST BE STILL. LOOK,
YOU'RE GONNA BE OKAY.

318
00:22:05,791 --> 00:22:07,727
WE HAVE A PROBLEM.
JACK'S BEEN SHOT.

319
00:22:07,759 --> 00:22:10,829
HOW BAD? It's critical.
We need air support.

320
00:22:10,863 --> 00:22:12,932
CONTACT SALIM
BEHARI IN ULAANBAATAR.

321
00:22:12,964 --> 00:22:15,535
HAVE HIM SEND A MEDEVAC
UNIT. TELL THEM TO HURRY.

322
00:22:15,567 --> 00:22:17,537
(continues wheezing)

323
00:22:17,569 --> 00:22:19,806
DAD, KEEP TALKING TO ME.

324
00:22:19,838 --> 00:22:23,742
I'M DOING FINE. IT'S JUST...

325
00:22:23,776 --> 00:22:25,044
IT'S JUST A SCRATCH.

326
00:22:25,076 --> 00:22:28,615
I'M JUST GONNA TAKE A LOOK.

327
00:22:32,984 --> 00:22:36,722
YOU'RE GONNA BE OKAY.

328
00:22:36,756 --> 00:22:38,825
CHOPPER'S ON ITS WAY.
SHOULD BE A HALF-HOUR.

329
00:22:38,857 --> 00:22:40,893
DID YOU HEAR THAT? Yeah.

330
00:22:40,926 --> 00:22:42,662
LISTEN, SLOANE'S
DEAD, SARK GOT AWAY.

331
00:22:42,694 --> 00:22:45,632
He's got the artifact. I THINK
WE KNOW WHERE HE'S GOING.

332
00:22:45,664 --> 00:22:46,798
(sniffles)

333
00:22:46,833 --> 00:22:48,968
(gasps) AAH! (whispers)
SORRY, SORRY.

334
00:22:49,000 --> 00:22:51,637
SORRY. (grunting)

335
00:22:51,671 --> 00:22:53,506
MEDEVAC'S ON ITS
WAY. HOW'S HE DOING?

336
00:22:53,539 --> 00:22:55,883
HIS HEART RATE'S UP. I THINK
THE BULLET PENETRATED HIS LUNG.

337
00:22:55,907 --> 00:22:57,876
HE'S NOT GETTING ENOUGH AIR.

338
00:22:57,910 --> 00:23:00,547
SYD, SLOANE HAS A PARTNER.

339
00:23:01,814 --> 00:23:05,451
WE KNOW WHO'S BEHIND THIS.

340
00:23:05,484 --> 00:23:09,455
(Sark) I have the
artifact. I'm on my way.

341
00:23:09,489 --> 00:23:11,523
GOOD.

342
00:23:11,557 --> 00:23:13,559
SEE THAT IT GETS HERE INTACT.

343
00:23:20,767 --> 00:23:22,868
(coughing)

344
00:23:24,537 --> 00:23:26,705
IRINA... HE TRADED
HER THE MISSILES.

345
00:23:26,739 --> 00:23:29,442
MARSHALL MANAGED TO
ACCESS THE LAUNCH PROTOCOL,

346
00:23:29,476 --> 00:23:31,443
BUT HE CAN'T SHUT THEM DOWN.

347
00:23:31,478 --> 00:23:34,513
SHE'S IN HONG KONG, PREPARING
TO STRIKE AS WE SPEAK.

348
00:23:34,547 --> 00:23:35,948
WE HAVE TO STOP HER.

349
00:23:35,981 --> 00:23:38,484
DAD, YOU'RE NOT GOING ANYWHERE.

350
00:23:38,518 --> 00:23:40,752
READY THE TRANSPORT.

351
00:23:40,787 --> 00:23:44,190
LISTEN TO ME. DAD, YOU
HAVE BEEN SHOT IN THE CHEST.

352
00:23:44,222 --> 00:23:46,192
THE MEDICAL TEAM
IS ON THEIR WAY.

353
00:23:46,224 --> 00:23:49,695
YOU... I CAN'T RISK MOVING
YOU. RIGHT? I CAN'T...

354
00:23:49,729 --> 00:23:52,765
VAUGHN, GET THE TRANSPORT READY.

355
00:23:52,798 --> 00:23:56,702
WAIT, VAUGHN...
WAIT, VAUGHN, WAIT!

356
00:23:56,736 --> 00:23:58,170
DAD, WHAT ARE YOU DOING?

357
00:23:58,203 --> 00:24:00,507
SYDNEY... YOU CAN'T GO ANYWHERE.

358
00:24:00,539 --> 00:24:04,544
SYDNEY, YOUR MOTHER'S NOT
THE TYPE TO MAKE EMPTY THREATS.

359
00:24:04,576 --> 00:24:06,813
IF SHE'S ACQUIRED MISSILES,
SHE INTENDS TO USE THEM.

360
00:24:06,846 --> 00:24:09,548
YOU CAN'T EVEN
STAND UP STRAIGHT.

361
00:24:09,582 --> 00:24:11,917
HOW DO YOU EXPECT
TO CONFRONT MOM?

362
00:24:11,951 --> 00:24:14,487
I'M NOT COMING WITH YOU.

363
00:24:14,520 --> 00:24:16,188
(inhales sharply)

364
00:24:16,221 --> 00:24:18,891
SYDNEY, YOU HAVE
TO GO TO HONG KONG.

365
00:24:18,924 --> 00:24:20,727
THERE'S NO OTHER WAY.

366
00:24:23,261 --> 00:24:25,498
(whispering) I AM NOT
LEAVING YOU HERE.

367
00:24:25,531 --> 00:24:28,200
YOU'RE THE ONLY ONE WHO
CAN GET TO IRINA IN TIME.

368
00:24:28,233 --> 00:24:29,801
(breathing heavily)

369
00:24:29,836 --> 00:24:33,539
YOU'RE THE ONLY ONE
WHO CAN BEAT HER.

370
00:24:33,573 --> 00:24:36,174
I CAN'T. YES, YOU CAN.

371
00:24:38,210 --> 00:24:42,714
I-I NEVER WANTED THIS
LIFE FOR YOU, YOU KNOW.

372
00:24:44,215 --> 00:24:48,220
I NEVER WANTED YOU TO BEAR
THIS KIND OF RESPONSIBILITY,

373
00:24:48,253 --> 00:24:50,155
BUT YOU...

374
00:24:50,189 --> 00:24:54,292
YOU WERE A VERY
DIFFICULT LITTLE GIRL.

375
00:24:54,326 --> 00:24:57,195
YOU... YOU WERE FAR TOO DRIVEN,

376
00:24:57,229 --> 00:25:00,666
FAR TOO STRONG TO
LET SOMEONE LIKE ME

377
00:25:00,700 --> 00:25:03,670
STOP YOU FROM
BECOMING WHO YOU ARE.

378
00:25:03,702 --> 00:25:06,673
DAD, THE MEDICAL TEAM IS COMING.

379
00:25:06,705 --> 00:25:08,674
IF YOU'LL JUST SIT TIGHT...

380
00:25:08,708 --> 00:25:09,909
SYDNEY, LISTEN TO ME.

381
00:25:09,942 --> 00:25:15,615
THERE'S NO ONE IN THIS WORLD...

382
00:25:15,647 --> 00:25:18,116
THAT CAN DO THE
THINGS THAT YOU CAN DO.

383
00:25:18,150 --> 00:25:19,919
(car approaches)

384
00:25:19,951 --> 00:25:21,921
I CAN HOLD OUT
UNTIL HELP ARRIVES,

385
00:25:21,953 --> 00:25:25,625
BUT YOU HAVE TO GO. YOU
HAVE TO STOP YOUR MOTHER.

386
00:25:28,294 --> 00:25:31,763
(crying) OKAY, I
DON'T... JUST, UM...

387
00:25:31,798 --> 00:25:34,634
OKAY, GOOD. JUST, UH...

388
00:25:34,666 --> 00:25:36,736
KEEP APPLYING PRESSURE, PLEASE.

389
00:25:36,769 --> 00:25:39,672
YOU... YOU CAN'T AFFORD
TO LOSE MORE BLOOD.

390
00:25:39,705 --> 00:25:41,272
JUST GET MOVING.

391
00:25:44,711 --> 00:25:46,345
I LOVE YOU, DAD.

392
00:25:46,377 --> 00:25:49,682
I LOVE YOU, SYDNEY.

393
00:25:49,715 --> 00:25:52,618
I JUST... I DON'T
WANT TO LEAVE YOU.

394
00:25:52,652 --> 00:25:54,153
GO.

395
00:25:54,185 --> 00:25:55,654
(whispers) OKAY.

396
00:26:10,737 --> 00:26:13,740
(grunting)

397
00:26:31,723 --> 00:26:34,693
(grunting and groaning)

398
00:26:34,727 --> 00:26:35,728
UGH!

399
00:26:57,750 --> 00:27:00,118
DID EVERYTHING GO
ACCORDING TO PLAN?

400
00:27:00,152 --> 00:27:02,188
YOUR DAUGHTER ARRIVED,
MUCKED THINGS UP A BIT.

401
00:27:02,221 --> 00:27:05,892
SLOANE'S DEAD, AND
WE LOST THE TOMB.

402
00:27:05,924 --> 00:27:08,193
BUT THE ARTIFACT'S INTACT.

403
00:27:08,227 --> 00:27:10,797
THERE'S A REASON
MY FEES ARE SO HIGH.

404
00:27:10,829 --> 00:27:12,964
SLOANE'S DEATH DOESN'T
CHANGE OUR AGENDA.

405
00:27:12,999 --> 00:27:16,134
CONTACT CONTROLS. AS SOON
AS THE SATELLITES ARE DOWN,

406
00:27:16,167 --> 00:27:18,069
LAUNCH THE MISSILE STRIKES.

407
00:27:18,104 --> 00:27:21,106
HAVE YOU DECIDED
ON THE FINAL TARGETS?

408
00:27:21,140 --> 00:27:22,808
WASHINGTON AND LONDON.

409
00:27:22,842 --> 00:27:25,076
RIGHT AWAY.

410
00:27:35,086 --> 00:27:38,089
(beeping)

411
00:27:46,198 --> 00:27:47,933
WHAT'S OUR STATUS?

412
00:27:47,967 --> 00:27:49,434
MIL-SAT ONE just hit atmosphere.

413
00:27:49,468 --> 00:27:52,904
The rest of the satellites
are right behind it.

414
00:27:56,008 --> 00:27:58,044
INITIATE THE COUNTDOWN.

415
00:27:59,979 --> 00:28:01,713
(high-pitched beep)

416
00:28:01,748 --> 00:28:03,015
OH, MY GOD.

417
00:28:03,048 --> 00:28:05,116
(alarm buzzing)

418
00:28:05,151 --> 00:28:07,685
THEY'VE STARTED THE LAUNCH.

419
00:28:15,795 --> 00:28:17,496
SO THAT'S IT.

420
00:28:17,528 --> 00:28:19,731
IT'S THE HORIZON, ISN'T IT?

421
00:28:21,467 --> 00:28:24,836
YOU SHOT THE MAN I LOVED.

422
00:28:24,871 --> 00:28:26,238
YOU BETRAYED MY TRUST.

423
00:28:28,440 --> 00:28:32,478
YOU RISKED MY DAUGHTER'S
LIFE, ALL FOR THAT.

424
00:28:32,510 --> 00:28:35,181
I DON'T EXPECT YOU
TO UNDERSTAND.

425
00:28:35,213 --> 00:28:38,517
WE'RE VERY DIFFERENT, SYDNEY.

426
00:28:38,549 --> 00:28:41,953
YOU STILL CLING TO NAIVE IDEALS.

427
00:28:41,988 --> 00:28:43,955
I LEARNED AT A VERY YOUNG AGE,

428
00:28:43,990 --> 00:28:48,426
THE ONLY CURRENCY WORTH
ANYTHING IN THIS WORLD IS POWER.

429
00:28:48,460 --> 00:28:51,163
AND THE HORIZON GIVES YOU THAT?

430
00:28:51,197 --> 00:28:53,965
YOU'VE NEVER SEEN
RAMBALDI FOR WHAT HE IS.

431
00:28:54,000 --> 00:28:59,171
YOU DISMISSED HIS WORK
AS THE LABOR OF A MADMAN.

432
00:28:59,204 --> 00:29:02,909
YOU BLIND YOURSELF
TO HIS TRUE POTENTIAL.

433
00:29:02,942 --> 00:29:06,478
I'VE SPENT A LIFETIME
ACQUIRING POWER.

434
00:29:06,511 --> 00:29:08,013
WITH THIS...

435
00:29:11,116 --> 00:29:13,885
AND I'll NEVER
HAVE TO GIVE IT UP.

436
00:29:19,125 --> 00:29:20,960
RAMBALDI IS LIFE, SYDNEY.

437
00:29:25,030 --> 00:29:27,032
THROUGH HIM, WE
CAN LIVE FOREVER.

438
00:29:39,545 --> 00:29:43,382
I OFFERED YOU AN OUT. I
GAVE YOU YOUR DAUGHTER.

439
00:29:43,414 --> 00:29:46,952
I WAS HOPING YOU'D SETTLE
DOWN, LEAVE ME TO MY AFFAIRS.

440
00:29:46,986 --> 00:29:48,954
YOU DON'T KNOW ME
VERY WELL, DO YOU?

441
00:29:48,988 --> 00:29:52,523
SADLY, I THINK I DO.

442
00:29:52,557 --> 00:29:55,294
AFTER ALL, I'M
STILL YOUR MOTHER.

443
00:29:55,326 --> 00:29:58,964
THAT DOESN'T MEAN
ANYTHING. NOT ANYMORE.

444
00:29:58,998 --> 00:30:03,602
I AM THROUGH BEING
DISAPPOINTED BY YOU.

445
00:30:03,634 --> 00:30:06,838
I HATE THAT IT'S COME TO THIS.

446
00:30:06,873 --> 00:30:09,508
I SUPPOSE IT HAD TO.

447
00:30:09,540 --> 00:30:13,980
I'VE COME TOO FAR TO LET
ANYTHING GET IN MY WAY.

448
00:30:14,012 --> 00:30:18,517
THEN YOU'LL HAVE TO
GO THROUGH ME FIRST.

449
00:30:18,549 --> 00:30:19,951
YOU WANTED TO SEE ME, SIR?

450
00:30:19,986 --> 00:30:21,953
I'VE BEEN REVIEWING
YOUR EVALUATIONS

451
00:30:21,988 --> 00:30:25,391
SINCE YOU ARRIVED AT SD-6.

452
00:30:25,423 --> 00:30:27,526
TO A LETTER, THEY'RE
NOTHING SHORT OF EXEMPLARY.

453
00:30:27,558 --> 00:30:30,261
I'VE UPGRADED YOUR CLEARANCE,

454
00:30:30,296 --> 00:30:33,398
AND I'M CONSIDERING
PROMOTING YOU TO FIELD OFFICER.

455
00:30:33,432 --> 00:30:34,532
REALLY?

456
00:30:34,566 --> 00:30:36,402
NOW, SYDNEY, I WANT TO KNOW

457
00:30:36,434 --> 00:30:39,404
THAT YOU HAVE GIVEN THIS
JOB ITS PROPER CONSIDERATION.

458
00:30:39,438 --> 00:30:41,606
I REALIZE THAT YOU
HAVE A ROMANTIC NOTION

459
00:30:41,640 --> 00:30:43,375
OF THE ESPIONAGE TRADE,

460
00:30:43,409 --> 00:30:47,145
BUT THIS JOB IS MORE THAN JUST
BRUSH PASSES AND DEAD DROPS.

461
00:30:47,179 --> 00:30:50,182
YOU WILL BE FACING LIFE
AND DEATH SITUATIONS

462
00:30:50,215 --> 00:30:51,416
ON A REGULAR BASIS.

463
00:30:51,450 --> 00:30:53,184
DO YOU UNDERSTAND THAT?

464
00:30:53,219 --> 00:30:55,153
YOU WILL BE FORCED
TO MAKE DECISIONS

465
00:30:55,186 --> 00:30:57,388
THAT WILL HAUNT YOU
FOR THE REST OF YOUR LIFE.

466
00:30:57,423 --> 00:30:59,258
THIS JOB REQUIRES SACRIFICE,

467
00:30:59,290 --> 00:31:02,627
AND YOU NEED TO KNOW THAT
YOU ARE ABLE TO LIVE WITH THAT.

468
00:31:02,661 --> 00:31:06,332
I CAN, SIR.

469
00:31:06,365 --> 00:31:09,468
FOR AS LONG AS I CAN REMEMBER,
I HAVE BEEN SEARCHING...

470
00:31:09,500 --> 00:31:12,503
FOR WHAT I'M SUPPOSED TO DO,
FOR WHAT I'M SUPPOSED TO BE.

471
00:31:14,506 --> 00:31:16,307
THIS IS MY PURPOSE.

472
00:31:16,342 --> 00:31:19,377
IT'S IN MY BLOOD.

473
00:31:19,411 --> 00:31:23,182
IT'S WHO I AM.

474
00:31:23,214 --> 00:31:26,551
I HAVE NEVER BEEN SO
SURE OF ANYTHING IN MY LIFE.

475
00:31:28,554 --> 00:31:31,522
(grunting and panting)

476
00:31:33,592 --> 00:31:35,594
UHH!

477
00:31:35,626 --> 00:31:38,564
(choking)

478
00:31:38,596 --> 00:31:42,167
(glass breaks)

479
00:31:42,201 --> 00:31:43,602
(mirror shatters)

480
00:31:46,538 --> 00:31:47,638
AAH!

481
00:31:47,673 --> 00:31:51,643
(both grunting)

482
00:32:19,438 --> 00:32:24,442
OH... WHY ARE YOU
FIGHTING ME ON THIS?

483
00:32:24,476 --> 00:32:27,512
THE DEFENSE SATELLITES
ARE DESTROYED.

484
00:32:33,184 --> 00:32:35,520
THE STARS WILL
FALL FROM THE SKY.

485
00:32:37,489 --> 00:32:40,592
EVEN IF YOU MANAGE TO
BEAT ME ON THIS ROOFTOP,

486
00:32:40,625 --> 00:32:43,394
IT'S STILL TOO LATE
TO STOP THE LAUNCH.

487
00:32:46,198 --> 00:32:48,433
YOU THINK I CAME HERE ALONE?

488
00:32:48,467 --> 00:32:51,336
(computer beeping) Sir,
beginning final preparations.

489
00:32:51,369 --> 00:32:53,538
EXCELLENT. PROCEED
ACCORDING TO...

490
00:32:53,572 --> 00:32:56,474
(electricity whirs off) UHH!

491
00:33:01,579 --> 00:33:05,151
IT APPEARS WE
HAVE A PREDICAMENT.

492
00:33:15,161 --> 00:33:17,462
YOU DID IT.

493
00:33:17,496 --> 00:33:19,397
YOU WERE RIGHT ALL ALONG.

494
00:33:19,431 --> 00:33:21,532
NADIA...

495
00:33:21,567 --> 00:33:24,202
I WILL NEVER FORGET
YOUR SACRIFICE.

496
00:33:24,236 --> 00:33:26,172
I PROMISE.

497
00:33:28,240 --> 00:33:31,109
THE HORIZON IS GONE.

498
00:33:31,143 --> 00:33:34,546
THE MOTHER IS PROBABLY
DIVIDING UP MY SPOILS AS WE SPEAK.

499
00:33:34,579 --> 00:33:36,582
THEN WE SHOULD GET MOVING.

500
00:33:39,384 --> 00:33:42,087
WE DON'T HAVE TO
HURRY ANYMORE, NADIA,

501
00:33:42,121 --> 00:33:44,256
WE HAVE ALL THE
TIME IN THE WORLD.

502
00:33:50,096 --> 00:33:54,299
GIVE ME THE OVERRIDE CODES. I
DON'T HAVE THE CODES, I SWEAR.

503
00:33:54,333 --> 00:33:55,366
AAH!

504
00:33:55,401 --> 00:33:57,836
YOU SHOT ME!

505
00:33:57,868 --> 00:34:00,439
YEAH, AND I'll KEEP SHOOTING
YOU UNTIL YOU EITHER.

506
00:34:00,471 --> 00:34:03,842
GIVE ME THE CODES OR
BLEED TO DEATH. YOUR CHOICE.

507
00:34:03,875 --> 00:34:06,511
YOU KNOW, I DIDN'T
WANT ANY OF THIS.

508
00:34:06,545 --> 00:34:11,182
MASS EXTERMINATION ISN'T
EXACTLY MY PASSION, MICHAEL.

509
00:34:11,217 --> 00:34:13,418
I'M A BUSINESSMAN.

510
00:34:13,452 --> 00:34:16,288
YOU KNOW, I SIMPLY WANTED TO
COME OUT ON THE WINNING END.

511
00:34:17,556 --> 00:34:19,525
I'll GIVE YOU THE CODES,

512
00:34:19,557 --> 00:34:22,293
BUT YOU HAVE TO
LET ME GO AFTER I DO.

513
00:34:22,327 --> 00:34:24,329
CODES FIRST, THEN WE NEGOTIATE.

514
00:34:26,231 --> 00:34:30,168
(Vaughn)
3-9-8-alpha-4-tango-6-4-7.

515
00:34:30,202 --> 00:34:31,436
(alarm beeping)

516
00:34:31,469 --> 00:34:34,306
COME ON. COME ON, COME
ON, COME ON, COME ON!

517
00:34:34,340 --> 00:34:35,273
(beeping continues)

518
00:34:35,306 --> 00:34:36,275
(beeping stops)

519
00:34:36,307 --> 00:34:38,076
LAUNCH ABORTED!

520
00:34:42,614 --> 00:34:44,583
I'M AFRAID I CAN'T ALLOW YOU

521
00:34:44,615 --> 00:34:47,585
TO BE SUCH A COMPLICATION
IN MY LIFE ANY LONGER.

522
00:34:47,619 --> 00:34:50,422
UHH! (Groaning)

523
00:34:50,456 --> 00:34:53,291
FOR WHATEVER IT'S WORTH,

524
00:34:53,324 --> 00:34:55,293
I TRULY DO LOVE YOU.

525
00:34:55,327 --> 00:34:57,163
(grunts)

526
00:35:01,367 --> 00:35:03,268
UGH!

527
00:35:06,472 --> 00:35:08,840
(glass cracking)

528
00:35:11,210 --> 00:35:13,612
I OWE YOU AN APOLOGY, ARVIN.

529
00:35:13,644 --> 00:35:17,215
I NEVER GAVE YOUR
FAITH IN RAMBALDI

530
00:35:17,248 --> 00:35:19,217
THE CREDIT IT DESERVED.

531
00:35:19,251 --> 00:35:22,320
THERE'S NO NEED
TO APOLOGIZE, JACK.

532
00:35:22,353 --> 00:35:26,858
YOU'RE A PRACTICAL MAN. I'D
ALWAYS ADMIRED THAT IN YOU.

533
00:35:26,891 --> 00:35:29,594
JACK, I DIDN'T WANNA SHOOT YOU.

534
00:35:29,628 --> 00:35:31,929
SYDNEY FORCED MY HAND.

535
00:35:31,963 --> 00:35:33,264
YES.

536
00:35:33,298 --> 00:35:37,168
SHE CAN BE VERY...
STUBBORN AT TIMES.

537
00:35:37,202 --> 00:35:38,836
YOU'RE DYING.

538
00:35:38,869 --> 00:35:41,273
I CAN HELP YOU.

539
00:35:41,306 --> 00:35:43,409
I DON'T WANT YOUR HELP, ARVIN.

540
00:35:43,442 --> 00:35:49,447
YOU'VE... CAUSED MY
DAUGHTER SO MUCH PAIN.

541
00:35:49,481 --> 00:35:52,918
I COULD HAVE PREVENTED IT.

542
00:35:52,951 --> 00:35:57,456
I WON'T CONTINUE TO
MAKE THAT MISTAKE.

543
00:35:57,489 --> 00:36:02,793
I THINK YOU'VE OVERESTIMATED
YOUR POSITION, JACK.

544
00:36:02,827 --> 00:36:05,530
YOU CAN'T HURT ME ANYMORE.

545
00:36:05,563 --> 00:36:09,235
TRUE...

546
00:36:09,268 --> 00:36:12,403
BUT I CAN KEEP YOU
DOWN HERE WITH ME.

547
00:36:21,313 --> 00:36:22,514
WHAT ARE YOU DOING?

548
00:36:22,547 --> 00:36:26,318
YOU BEAT DEATH, ARVIN.

549
00:36:26,351 --> 00:36:28,320
BUT YOU COULDN'T BEAT ME.

550
00:36:35,293 --> 00:36:39,398
THE GLASS WON'T HOLD
YOU. YOU NEED TO COME BACK.

551
00:36:41,967 --> 00:36:45,271
(cracking continues)

552
00:36:46,871 --> 00:36:47,972
MOM.

553
00:36:48,005 --> 00:36:51,309
YOU CAN MAKE IT.
GIVE ME YOUR HAND.

554
00:36:53,043 --> 00:36:55,880
(whispering) I'M SORRY, SYDNEY.

555
00:37:00,585 --> 00:37:02,554
MOM, COME BACK!

556
00:37:02,588 --> 00:37:03,954
AAH!

557
00:37:03,989 --> 00:37:04,989
(gasps)

558
00:38:13,824 --> 00:38:16,094
NADIA?

559
00:38:16,126 --> 00:38:17,996
(sighs)

560
00:38:18,028 --> 00:38:20,465
I CAN'T MOVE.

561
00:38:23,101 --> 00:38:25,871
I DON'T THINK THERE'S
ANYTHING I CAN DO.

562
00:38:28,072 --> 00:38:29,507
I CAN'T MOVE.

563
00:38:29,541 --> 00:38:32,043
WELL, AS YOU'VE SAID,

564
00:38:32,077 --> 00:38:34,346
YOU HAVE ALL THE
TIME IN THE WORLD.

565
00:38:35,981 --> 00:38:39,717
UNFORTUNATELY, I THINK
YOU'LL HAVE TO SPEND IT HERE.

566
00:38:42,954 --> 00:38:46,023
WELL, AT LEAST
YOU'RE HERE WITH ME.

567
00:38:46,056 --> 00:38:50,496
NO.

568
00:38:50,528 --> 00:38:53,465
NO, NO! NO!

569
00:38:53,498 --> 00:38:56,034
NO, NADIA, DON'T LEAVE ME HERE.

570
00:38:56,067 --> 00:38:58,003
NO, NADIA! (Panting)

571
00:39:03,842 --> 00:39:05,010
NO!

572
00:39:14,018 --> 00:39:15,454
DADDY!

573
00:39:24,896 --> 00:39:27,097
UNCLE DIXON!

574
00:39:27,132 --> 00:39:28,934
(chuckles)

575
00:39:28,967 --> 00:39:31,101
ISABELLE!

576
00:39:31,135 --> 00:39:34,672
HOW ARE YOU, SWEETIE?

577
00:39:34,706 --> 00:39:37,141
DEPUTY DIRECTOR.

578
00:39:37,175 --> 00:39:41,146
PLEASE, THIS FAR FROM LANGLEY,
YOU CAN JUST CALL ME "SIR."

579
00:39:41,179 --> 00:39:43,782
GOOD TO SEE YOU.

580
00:39:43,815 --> 00:39:45,851
DID YOU HAVE A HARD
TIME FINDING THIS PLACE?

581
00:39:45,884 --> 00:39:46,985
WHAT, ARE YOU KIDDING?

582
00:39:47,018 --> 00:39:49,086
I HAD AN IMPOSSIBLE
TIME FINDING THIS PLACE.

583
00:39:49,119 --> 00:39:52,824
WELL, I GUESS THAT'S
SORT OF THE POINT, RIGHT?

584
00:39:54,826 --> 00:39:55,793
HELLO, STRANGER.

585
00:39:55,827 --> 00:39:57,394
HELLO, SYDNEY.

586
00:39:59,965 --> 00:40:06,871
OH, AND THIS MUST BE... JACK.

587
00:40:06,905 --> 00:40:08,739
HELLO, JACK.

588
00:40:09,875 --> 00:40:12,077
MARSHALL SENDS HIS BEST.
HE WANTED TO TAG ALONG,

589
00:40:12,110 --> 00:40:14,945
BUT CARRIE'S STUCK
AT HOME ON BED REST.

590
00:40:14,980 --> 00:40:17,114
ANOTHER BABY? OH, GOD, I
DON'T KNOW HOW SHE DOES IT.

591
00:40:17,148 --> 00:40:19,918
THIS MAKES FOUR. ALL BOYS.

592
00:40:19,951 --> 00:40:21,686
WELL, COME ON INSIDE.

593
00:40:21,719 --> 00:40:24,155
YOU'LL JUST HAVE
TO PARDON THE MESS.

594
00:40:24,188 --> 00:40:26,157
SPEAKING OF MESS,
DIDN'T SOMEONE PROMISE

595
00:40:26,190 --> 00:40:28,126
TO FINISH UNPACKING
HER TOYS BEFORE DINNER?

596
00:40:28,159 --> 00:40:29,960
GO ON. GO ON, ISABELLE.

597
00:40:29,994 --> 00:40:31,996
(Sydney) CAN I GET YOU
SOMETHING TO DRINK?

598
00:40:36,001 --> 00:40:40,005
WHY DO I GET THE FEELING
THIS ISN'T A PURELY SOCIAL CALL?

599
00:40:43,641 --> 00:40:47,144
TRUTH BE TOLD, I COULD
USE SOME FIELD ASSISTANCE.

600
00:40:47,177 --> 00:40:50,014
A MERC TEAM HIT THE
NATIONAL RESEARCH FACILITY

601
00:40:50,047 --> 00:40:51,782
IN PARIS YESTERDAY.

602
00:40:51,817 --> 00:40:53,985
I NEED SOMEONE TO
INTERCEPT THE SELLER

603
00:40:54,018 --> 00:40:56,655
AND RETRIEVE THE HARD DRIVE.

604
00:40:56,688 --> 00:40:58,724
CAN'T YOU PUT RACHEL ON IT?

605
00:40:58,757 --> 00:41:00,659
SHE'S ON DEEP COVER
ASSIGNMENT IN SANTIAGO.

606
00:41:00,692 --> 00:41:02,827
I CAN'T RISK PULLING HER.

607
00:41:02,860 --> 00:41:05,864
BESIDES, THIS JOB HAS
SENTIMENTAL VALUE.

608
00:41:11,001 --> 00:41:12,704
SARK.

609
00:41:12,737 --> 00:41:17,007
DON'T LOOK AT ME. YOU'RE
THE ONE THAT LET HIM GO.

610
00:41:21,713 --> 00:41:23,949
WE'VE ALREADY PREPARED
THE MISSION SPECS.

611
00:41:23,981 --> 00:41:26,717
LOW-RISK INSERTION,
SIMPLE ALIAS.

612
00:41:26,751 --> 00:41:28,786
WHO KNOWS? IT COULD BE FUN.

613
00:41:28,820 --> 00:41:32,791
THAT'S WHAT YOU SAY EVERY TIME
YOU SHOW UP ON MY DOORSTEP.

614
00:41:32,824 --> 00:41:34,659
AND THE NEXT THING YOU KNOW,

615
00:41:34,693 --> 00:41:36,661
I'M JUMPING OVER
CANALS IN 3-INCH HEELS

616
00:41:36,695 --> 00:41:38,896
WHILE NAPALM EXPLODES AROUND ME.

617
00:41:38,929 --> 00:41:40,898
YES, THAT'S HOW I DEFINE "FUN."

618
00:41:40,931 --> 00:41:42,634
(laughs)

619
00:41:42,668 --> 00:41:44,902
WHY DON'T WE FINISH THIS
CONVERSATION AFTER DINNER?

620
00:41:44,936 --> 00:41:47,873
AND YOU HAVEN'T LIVED UNTIL
YOU'VE SEEN OUR SUNSET.

621
00:41:49,007 --> 00:41:50,675
HEY, ISABELLE?

622
00:41:53,644 --> 00:41:55,880
ISABELLE, COME ON.
WE'RE GOING FOR A WALK.

623
00:42:07,925 --> 00:42:09,894
HEY, WHAT HAVE YOU
BEEN DOING BACK THERE?

624
00:42:09,927 --> 00:42:10,927
NOTHING, MOM.