1
00:00:02,936 --> 00:00:05,538
[ DOOR OPENS, CLOSES ]

2
00:00:14,247 --> 00:00:16,617
[ RATTLING ]

3
00:00:24,824 --> 00:00:26,426
[ GRUNTS ]

4
00:00:30,797 --> 00:00:31,798
I'M IN.

5
00:00:44,578 --> 00:00:48,415
[ HIGH-PITCHED TONE ]

6
00:01:18,512 --> 00:01:20,548
HEY. THERE'S A CAB
WAITING OUTSIDE.

7
00:01:20,581 --> 00:01:22,515
SHE WOULDN'T LET ME
DRIVE HER TO THE AIRPORT.

8
00:01:22,549 --> 00:01:24,718
IS EVERYTHING OKAY?

9
00:01:24,751 --> 00:01:26,486
THE LISBON POLICE CALLED.

10
00:01:26,519 --> 00:01:27,787
IT'S SAFE FOR SOPHIA TO GO HOME.

11
00:01:27,820 --> 00:01:30,390
OH, THAT'S GREAT.
I'M SO GLAD YOU CAME.

12
00:01:30,424 --> 00:01:32,159
THANK YOU.

13
00:01:35,528 --> 00:01:38,299
LOOK AT THE TWO OF YOU.

14
00:01:38,331 --> 00:01:43,304
SUCH BEAUTIFUL AND SMART WOMEN.

15
00:01:43,337 --> 00:01:48,341
BEFORE I MAKE A
FOOL OF MYSELF...

16
00:01:48,376 --> 00:01:49,877
PROMISE YOU'LL COME BACK.

17
00:01:49,909 --> 00:01:54,781
NADIA, FOR YOU, ANYTHING.

18
00:02:11,498 --> 00:02:14,701
OH, HEY. VAUGHN,
COULD YOU SIGN THIS?

19
00:02:14,735 --> 00:02:16,175
IT'S FOR WEISS. HIS
GRANDFATHER DIED.

20
00:02:16,204 --> 00:02:18,205
YEAH. ACTUALLY, CAN
I DO IT IN A LITTLE BIT?

21
00:02:18,239 --> 00:02:20,207
I NEED TO ASK JACK
SOMETHING FIRST.

22
00:02:20,240 --> 00:02:22,742
OH, SURE. NO PROBLEM.

23
00:02:22,776 --> 00:02:23,743
WHERE YOU GOING?

24
00:02:23,776 --> 00:02:24,888
WELL, I THOUGHT I'D GO WITH YOU

25
00:02:24,912 --> 00:02:26,823
TO GET MR. BRISTOW TO SIGN
THIS WHILE WE'RE IN THERE.

26
00:02:26,847 --> 00:02:28,457
YOU KNOW WHAT? ACTUALLY
I NEED TO SEE HIM ALONE.

27
00:02:28,481 --> 00:02:30,350
IT'S KIND OF PERSONAL.

28
00:02:30,384 --> 00:02:32,686
OH. UH, SINCE WHEN CAN
YOU TELL MR. BRISTOW

29
00:02:32,719 --> 00:02:34,421
SOMETHING YOU CAN'T TELL ME?

30
00:02:34,454 --> 00:02:35,956
THIS IS SOMETHING
I NEED TO ASK JACK.

31
00:02:35,989 --> 00:02:37,700
IF YOU WERE SYDNEY'S FATHER, I
COULD ASK YOU, BUT YOU'RE NOT.

32
00:02:37,724 --> 00:02:39,692
NO, I'M NOT.

33
00:02:39,727 --> 00:02:42,496
I STILL DON'T UNDERSTAND WHAT ME

34
00:02:42,530 --> 00:02:44,897
NOT BEING SYDNEY'S
FATHER HAS TO DO WITH YOU...

35
00:02:46,466 --> 00:02:47,968
UNDERSTAND NOW?

36
00:02:48,001 --> 00:02:49,402
OH, MY GOD.

37
00:02:49,437 --> 00:02:51,405
HEY, MAN, CONGRATULATIONS.
THAT'S FANTASTIC.

38
00:02:51,438 --> 00:02:53,406
THANKS. I'M SURE MR. BRISTOW'S
GONNA BE THRILLED.

39
00:02:53,441 --> 00:02:55,408
REALLY?

40
00:02:55,442 --> 00:02:58,312
I'M JUST HOPING HE DOESN'T
SHOOT ME ON THE SPOT.

41
00:03:09,289 --> 00:03:13,360
AS IF WEAPON-GRADE
ANTHRAX GROWS ON TREES.

42
00:03:13,394 --> 00:03:16,264
WHAT IS IT? OH, IF THIS
IS A BAD TIME, I CAN...

43
00:03:16,296 --> 00:03:18,632
NO, PLEASE. AFTER DEALING
WITH THAT CHECHNYAN LUNATIC

44
00:03:18,665 --> 00:03:20,234
FOR THE PAST COUPLE OF HOURS,

45
00:03:20,268 --> 00:03:22,969
WHATEVER BUSINESS YOU
HAVE WILL BE A WELCOME RELIEF.

46
00:03:23,002 --> 00:03:24,837
[ CHUCKLES ]

47
00:03:28,741 --> 00:03:33,413
WELL, WE'VE, UM...

48
00:03:33,447 --> 00:03:35,415
I KNOW YOU'RE A MAN WHO...

49
00:03:35,449 --> 00:03:37,251
I KNOW YOU'RE A MAN
WHO RESPECTS TRADITION.

50
00:03:37,284 --> 00:03:39,019
AS DO I. AND...

51
00:03:39,051 --> 00:03:41,354
PLEASE GET TO THE
POINT, AGENT VAUGHN.

52
00:03:41,389 --> 00:03:43,623
I'M GONNA ASK
SYDNEY TO MARRY ME,

53
00:03:43,656 --> 00:03:45,893
AND I'D LIKE YOUR BLESSING.

54
00:03:48,695 --> 00:03:50,730
PERHAPS YOU BELIEVE
MY RECENT ILLNESS

55
00:03:50,764 --> 00:03:53,667
RENDERED ME LESS
COHERENT THAN BEFORE,

56
00:03:53,700 --> 00:03:56,304
OR THAT MY COGNITIVE
FACULTIES HAVE BEEN

57
00:03:56,336 --> 00:03:59,307
SOMEHOW DULLED OR DIMINISHED.

58
00:03:59,340 --> 00:04:03,377
ALLOW ME TO CLARIFY THE
FACTS FOR YOU, AGENT VAUGHN.

59
00:04:03,411 --> 00:04:05,846
WHILE I'VE COME TO BELIEVE
YOU'RE NOT AS USELESS

60
00:04:05,878 --> 00:04:07,414
AS I FIRST IMAGINED,

61
00:04:07,448 --> 00:04:10,850
I STILL DON'T FEEL YOU HAVE...

62
00:04:10,884 --> 00:04:14,921
[ ALARM BLARING ]

63
00:04:17,891 --> 00:04:19,302
EVERYONE PLEASE
REMAIN WHERE YOU ARE.

64
00:04:19,326 --> 00:04:20,927
THIS IS A WARRANTED SEARCH.

65
00:04:22,930 --> 00:04:24,697
MAY I SEE THAT?

66
00:04:24,731 --> 00:04:26,699
WE'VE BEEN AUTHORIZED
TO CONFISCATE

67
00:04:26,733 --> 00:04:28,302
ALL RELEVANT MATERIALS.

68
00:04:28,336 --> 00:04:29,970
IT'S BEEN SIGNED
BY DIRECTOR CHASE.

69
00:04:30,002 --> 00:04:32,072
[ KNOCK ON DOOR ]

70
00:04:32,105 --> 00:04:33,841
WHERE'S YOUR SISTER?

71
00:04:33,874 --> 00:04:35,408
WHAT?

72
00:04:35,442 --> 00:04:38,379
I EXPECT YOUR FULL COOPERATION.

73
00:04:38,411 --> 00:04:40,713
IF NADIA'S IN SOME
KIND OF TROUBLE...

74
00:04:40,747 --> 00:04:42,750
WHERE IS SHE?

75
00:04:44,718 --> 00:04:46,720
IN THE SHOWER.

76
00:04:48,021 --> 00:04:49,956
[ WATER RUNNING ]

77
00:04:57,831 --> 00:05:00,668
STAND DOWN, AGENT SANTOS.

78
00:05:04,704 --> 00:05:06,374
WHAT'S THIS ABOUT?

79
00:05:06,406 --> 00:05:08,040
MEN ARE DEAD, THINGS ARE GONE,

80
00:05:08,074 --> 00:05:10,610
AND YOU'VE GOT SOME
EXPLAINING TO DO.

81
00:05:32,800 --> 00:05:34,000
IS THIS YOURS?

82
00:05:34,033 --> 00:05:35,968
YES.

83
00:05:37,637 --> 00:05:40,973
DOES ANYONE ELSE USE
IT OR HAVE ACCESS TO IT?

84
00:05:41,007 --> 00:05:42,610
NO. NOT EVEN SYDNEY?

85
00:05:42,643 --> 00:05:45,012
I SAID NO. SYDNEY
HAS HER OWN LAPTOP.

86
00:05:45,045 --> 00:05:47,747
SHE ALSO HAS...
AN ASSAULT RIFLE,

87
00:05:47,781 --> 00:05:50,117
A 12-GAUGE SHOTGUN,
FOUR HANDGUNS,

88
00:05:50,149 --> 00:05:53,120
TWO TAZERS, AND A...

89
00:05:53,153 --> 00:05:54,922
SECRET DRAWER OF KNIVES.

90
00:05:54,954 --> 00:05:56,856
LET'S START WITH THE KNIVES.

91
00:05:56,889 --> 00:05:58,658
LET'S START WITH YOU
NOT WASTING MY TIME.

92
00:05:58,692 --> 00:06:00,160
DIRECTOR CHASE
SAYS MEN ARE DEAD.

93
00:06:00,192 --> 00:06:03,863
WHAT MEN? WHAT DOES
SHE THINK NADIA DID?

94
00:06:03,896 --> 00:06:06,733
WE KNOW YOU OVERRODE THE
DSR SECURITY SYSTEM TONIGHT.

95
00:06:06,766 --> 00:06:07,668
WHAT?

96
00:06:07,701 --> 00:06:09,077
ALARMS ON AN ACCESS
DOOR WERE DEACTIVATED.

97
00:06:09,101 --> 00:06:12,605
WE TRACED THE OVERRIDE
COMMAND TO YOUR LAPTOP.

98
00:06:12,639 --> 00:06:15,007
AND YOU JUST TOLD ME THAT
YOU'RE THE ONLY ONE WHO USES IT.

99
00:06:15,041 --> 00:06:17,577
YES, BUT I DIDN'T DO IT.

100
00:06:17,610 --> 00:06:19,947
WE ALSO HAVE EVIDENCE
THAT TONIGHT'S INCIDENT

101
00:06:19,980 --> 00:06:22,983
ISN'T THE ONLY ONE THAT LEADS
BACK TO YOU AND THIS LAPTOP.

102
00:06:23,016 --> 00:06:24,817
[ SCANNER BEEPING ]

103
00:06:24,851 --> 00:06:26,853
[ RAPID BEEPING ]

104
00:06:32,992 --> 00:06:35,862
[ WHISPERS ]

105
00:06:38,966 --> 00:06:40,701
Jack: WE HAVE CLEARANCE.

106
00:06:45,004 --> 00:06:46,774
Sydney: A MICRO TRANSMITTER?

107
00:06:46,807 --> 00:06:48,040
Chase: IN THE MEDALLION.

108
00:06:48,074 --> 00:06:50,577
WHEN DID SHE GIVE YOU THIS?

109
00:06:50,610 --> 00:06:52,980
A FEW WEEKS AGO.

110
00:06:53,012 --> 00:06:54,981
WHY WOULD SOPHIA DO
SOMETHING LIKE THAT?

111
00:06:55,014 --> 00:06:56,649
IT WOULD HELP EXPLAIN

112
00:06:56,683 --> 00:06:58,519
WHY SEVERAL MISSIONS
WERE COMPROMISED.

113
00:06:58,552 --> 00:07:00,588
I PERSONALLY
INVESTIGATED SOPHIA VARGAS

114
00:07:00,620 --> 00:07:03,591
WHEN SHE FIRST ARRIVED.
PRINTS, BACKGROUND...

115
00:07:03,624 --> 00:07:05,925
EVERYTHING CAME BACK CLEAN.

116
00:07:05,959 --> 00:07:08,661
WELL, SOMEBODY TAPPED
INTO AGENT SANTOS' LAPTOP.

117
00:07:08,696 --> 00:07:10,663
AND BECAUSE OF IT,
FIVE AGENTS ARE DEAD

118
00:07:10,697 --> 00:07:12,733
AND SEVERAL RAMBALDI
ARTIFACTS ARE GONE.

119
00:07:12,766 --> 00:07:14,601
I DON'T BELIEVE IT. I WON'T.

120
00:07:14,634 --> 00:07:15,735
WHY WOULD SHE DO THIS?

121
00:07:15,769 --> 00:07:17,737
I THINK OUR CLUE LIES
IN WHAT WAS STOLEN.

122
00:07:17,771 --> 00:07:19,872
YOU'RE REACHING
FOR STRAWS, JACK.

123
00:07:19,906 --> 00:07:21,608
AM I?

124
00:07:21,641 --> 00:07:23,543
WHO ELSE WOULD BE
CAPABLE OF PULLING THIS OFF?

125
00:07:23,576 --> 00:07:24,877
WHAT ARE YOU TALKING ABOUT?

126
00:07:26,814 --> 00:07:28,981
ELENA.

127
00:07:30,584 --> 00:07:31,860
YOU THINK SOPHIA
VARGAS IS CONNECTED

128
00:07:31,884 --> 00:07:33,586
TO ELENA DEREVKO?

129
00:07:33,620 --> 00:07:37,124
NO. I THINK SOPHIA
VARGAS IS ELENA DEREVKO.

130
00:07:37,156 --> 00:07:40,560
ARVIN AND I HAVE BEEN
SEARCHING FOR HER FOR MONTHS.

131
00:07:40,593 --> 00:07:41,829
I BELIEVE SHE FOUND US FIRST.

132
00:07:41,862 --> 00:07:43,831
HAS BEEN USING US TO
ACHIEVE HER OWN END.

133
00:07:43,863 --> 00:07:45,832
YOU MEAN THE JOURNAL
OF VAUGHN'S FATHER,

134
00:07:45,865 --> 00:07:48,836
SLOANE CLONE...
McCULLOUGH, EVERYTHING.

135
00:07:48,869 --> 00:07:50,870
IT'S BEEN ELENA ALL ALONG.

136
00:07:50,903 --> 00:07:52,505
OH, MY GOD.

137
00:07:52,540 --> 00:07:56,108
YOU'RE SAYING IT'S ALL A LIE?

138
00:07:56,143 --> 00:07:58,846
THAT SHE SPENT ALL
THESE YEARS, ALL THIS TIME,

139
00:07:58,879 --> 00:08:00,980
SO SHE COULD STEAL
SOME RAMBALDI ARTIFACTS?

140
00:08:01,014 --> 00:08:02,815
SHE IS A DEREVKO.

141
00:08:02,850 --> 00:08:06,819
HER SISTERS POSSESSED THAT
SAME SINGLE-MINDED PURPOSE.

142
00:08:06,853 --> 00:08:08,721
IF JACK IS RIGHT,

143
00:08:08,755 --> 00:08:10,990
IF ELENA HAS GATHERED
RAMBALDI ARTIFACTS,

144
00:08:11,024 --> 00:08:12,925
HER FINAL STEP WOULD
BE TO ASSEMBLE THEM.

145
00:08:12,959 --> 00:08:16,062
WE CAN'T LET THAT HAPPEN.

146
00:08:59,005 --> 00:09:00,082
SHE NEVER MADE
IT TO THE AIRPORT.

147
00:09:00,106 --> 00:09:02,610
THE CAB DROPPED HER OFF A
FEW BLOCKS FROM OUR HOUSE.

148
00:09:02,643 --> 00:09:04,977
HAVE MARSHALL CHECK
TRAFFIC CAMS IN THE AREA.

149
00:09:05,011 --> 00:09:06,113
I ALREADY DID.

150
00:09:06,145 --> 00:09:09,249
I'VE ALSO NOTIFIED THE FAA
TO CHECK FLIGHT MANIFESTS,

151
00:09:09,282 --> 00:09:10,984
AND I UPDATED TRAIN
AND BUS STATIONS

152
00:09:11,018 --> 00:09:12,119
WITH HER CURRENT I.D.

153
00:09:12,152 --> 00:09:15,221
GOOD. WE WILL FIND HER.

154
00:09:15,254 --> 00:09:19,158
I BROUGHT HER INTO MY
HOUSE. THIS IS MY FAULT.

155
00:09:19,192 --> 00:09:22,796
NO, NADIA. IT'S MINE.

156
00:09:22,830 --> 00:09:24,965
IT WAS MY OBSESSION
WITH RAMBALDI

157
00:09:24,998 --> 00:09:26,332
THAT PULLED YOU INTO THIS.

158
00:09:26,365 --> 00:09:28,235
IT'S MY MESS.

159
00:09:28,268 --> 00:09:30,269
IT'S MY RESPONSIBILITY
TO CLEAN IT UP.

160
00:09:30,302 --> 00:09:32,806
I CAN ONLY IMAGINE HOW
HARD THIS MUST BE FOR YOU...

161
00:09:32,840 --> 00:09:34,106
THE BETRAYAL.

162
00:09:34,140 --> 00:09:36,043
I'M JUST GLAD WE FOUND HER.

163
00:09:36,076 --> 00:09:38,010
THAT I KNOW THE TRUTH.

164
00:09:38,044 --> 00:09:41,048
YEAH.

165
00:09:41,081 --> 00:09:43,182
SO, IF ELENA HAS ALL
THE RAMBALDI PIECES,

166
00:09:43,216 --> 00:09:45,152
THERE IS ONLY ONE
PLACE SHE CAN GO.

167
00:09:45,184 --> 00:09:46,953
TO SEE LAZLO DRAKE.

168
00:09:46,986 --> 00:09:47,955
YES.

169
00:09:47,988 --> 00:09:49,255
I'M ON IT.

170
00:09:49,288 --> 00:09:51,792
NADIA?

171
00:09:51,825 --> 00:09:53,393
WE'LL FIND HER.

172
00:09:53,426 --> 00:09:55,128
I PROMISE YOU.

173
00:09:57,096 --> 00:09:59,032
I WILL END THIS.

174
00:10:07,073 --> 00:10:08,775
Nadia: I DON'T UNDERSTAND.

175
00:10:08,808 --> 00:10:10,285
WHY ARE WE IN CHINA
WHEN I ALREADY TOLD YOU

176
00:10:10,309 --> 00:10:13,013
RAMBALDI'S SPHERE OF
LIFE IS BURIED IN SIENA?

177
00:10:13,046 --> 00:10:18,184
BECAUSE I NEED ANSWERS
TO A FEW FINAL QUESTIONS.

178
00:10:18,217 --> 00:10:20,921
LAZLO DRAKE IS THE
ONLY MAN IN THE WORLD

179
00:10:20,953 --> 00:10:23,123
WHO CAN PROVIDE THAT.

180
00:10:23,155 --> 00:10:25,826
[ HORN HONKS ]

181
00:10:29,062 --> 00:10:31,163
Sloane: BEFORE HE
WENT INTO HIDING,

182
00:10:31,197 --> 00:10:33,165
DRAKE WAS A PROFESSOR
OF EUROPEAN HISTORY.

183
00:10:33,200 --> 00:10:35,034
HE BUILT HIS REPUTATION

184
00:10:35,067 --> 00:10:38,138
ON THE SINGLE MOST IMPORTANT
DISCOVERY OF HIS LIFE...

185
00:10:38,171 --> 00:10:39,840
A MANUSCRIPT.

186
00:10:39,873 --> 00:10:42,142
IN EFFECT A TEMPLATE DESCRIBING

187
00:10:42,174 --> 00:10:44,110
HOW RAMBALDI'S CREATIONS
WERE TO BE ASSEMBLED

188
00:10:44,144 --> 00:10:47,914
IN ORDER TO BRING
FORTH HIS FINAL PROPHECY.

189
00:10:51,084 --> 00:10:52,985
JUST KNOW THAT WE'RE
GOING TO MAKE THE WORLD

190
00:10:53,019 --> 00:10:56,355
A BETTER PLACE, AND
WE NEED DRAKE TO DO IT.

191
00:10:58,991 --> 00:11:00,360
PROFESSOR DRAKE, MY NAME IS...

192
00:11:00,393 --> 00:11:02,830
ARVIN SLOANE. YES.

193
00:11:02,863 --> 00:11:03,897
YOU KNOW WHO I AM?

194
00:11:03,931 --> 00:11:06,833
HOW COULD I POSSIBLY NOT
KNOW OF YOU, MR. SLOANE?

195
00:11:06,866 --> 00:11:10,971
YOUR APPETITE FOR ALL THINGS
RAMBALDI IS ALMOST LEGENDARY.

196
00:11:11,004 --> 00:11:13,340
THIS IS MY DAUGHTER NADIA.

197
00:11:15,875 --> 00:11:18,211
MY GOD.

198
00:11:18,245 --> 00:11:20,047
I AM HONORED TO MEET YOU.

199
00:11:20,080 --> 00:11:22,716
THANKS.

200
00:11:22,750 --> 00:11:25,085
LOVELY.

201
00:11:25,118 --> 00:11:26,119
PLEASE.

202
00:11:35,928 --> 00:11:38,731
YOU HAVE NO IDEA WHAT IT IS LIKE

203
00:11:38,765 --> 00:11:39,899
TO BE IN YOUR PRESENCE.

204
00:11:39,932 --> 00:11:42,903
IT IS LIKE MEETING
THE VIRGIN MARY.

205
00:11:42,936 --> 00:11:44,804
WHAT DO YOU MEAN?

206
00:11:44,837 --> 00:11:46,038
DRAKE, YOU KNOW WHY WE'RE HERE.

207
00:11:46,072 --> 00:11:48,808
YOU HAVE COLLECTED
THE SPHERE OF LIFE.

208
00:11:48,841 --> 00:11:50,911
NO, NOT YET, BUT
WE KNOW WHERE IT IS.

209
00:11:50,943 --> 00:11:53,780
IF IT IS NOT IN YOUR POSSESSION,

210
00:11:53,813 --> 00:11:55,315
WE HAVE NOTHING TO DISCUSS.

211
00:11:55,347 --> 00:11:57,017
YOU HAVE THE ONLY
KNOWN TRANSLATION

212
00:11:57,049 --> 00:11:58,885
OF RAMBALDI'S VADEMECUM...

213
00:11:58,918 --> 00:12:00,163
INSTRUCTIONS FOR HOW
THE PIECES FIT TOGETHER.

214
00:12:00,187 --> 00:12:01,855
I NEED TO KNOW.

215
00:12:01,889 --> 00:12:04,291
THAT IS INFORMATION I WILL SHARE

216
00:12:04,323 --> 00:12:06,293
WITH WHOMEVER
HAS ALL THE ARTIFACTS

217
00:12:06,326 --> 00:12:07,995
IN HIS POSSESSION.

218
00:12:08,028 --> 00:12:10,197
YOUR VISIT IS
PREMATURE, MR. SLOANE.

219
00:12:10,230 --> 00:12:11,899
I SUGGEST YOU COME BACK

220
00:12:11,932 --> 00:12:13,275
WHEN YOU HAVE
RETRIEVED ALL THE ITEMS,

221
00:12:13,299 --> 00:12:16,269
INCLUDING THE SPHERE.

222
00:12:16,302 --> 00:12:19,072
YOU WILL COME
BACK, TOO, WON'T YOU?

223
00:12:19,105 --> 00:12:22,042
I WOULD LIKE THAT.

224
00:12:22,075 --> 00:12:24,277
NADIA, I WONDER IF
YOU WOULD LET ME

225
00:12:24,311 --> 00:12:27,147
SPEAK TO THE PROFESSOR ALONE.

226
00:12:28,347 --> 00:12:31,551
I NEVER THOUGHT I WOULD
SEE, LET ALONE TOUCH

227
00:12:31,583 --> 00:12:36,556
WITH MY OWN HANDS,
A LIVING EMBODIMENT.

228
00:12:36,588 --> 00:12:39,025
MY DAUGHTER IS NOT AN ARTIFACT.

229
00:12:39,058 --> 00:12:41,161
SO PROTECTIVE OF HER?

230
00:12:41,193 --> 00:12:42,962
SHE IS MY DAUGHTER.

231
00:12:42,995 --> 00:12:46,232
YOU BROUGHT HER ON THIS
JOURNEY FOR ONE REASON...

232
00:12:46,265 --> 00:12:50,302
ONLY SHE CAN RETRIEVE
THE SPHERE OF LIFE.

233
00:12:50,336 --> 00:12:54,540
ONLY SHE KNOWS
ITS SECRET LOCATION.

234
00:12:54,573 --> 00:12:57,210
YOU KNOW THAT.

235
00:13:00,847 --> 00:13:04,116
I DIDN'T COME THIS FAR TO QUIT.

236
00:13:04,150 --> 00:13:08,520
[ TRACKING DEVICE BEEPING ]

237
00:13:10,222 --> 00:13:11,591
THIS IS IT.

238
00:13:11,624 --> 00:13:14,193
[ BEEP ]

239
00:13:34,313 --> 00:13:37,149
RAMBALDI WROTE THAT
A MAN WOULD COME

240
00:13:37,183 --> 00:13:40,253
AND DISCOVER THE TRUE
MEANING OF HIS WORK,

241
00:13:40,287 --> 00:13:43,956
AND IN DOING SO WOULD
CHANGE THE WORLD.

242
00:13:43,990 --> 00:13:45,993
I ALWAYS WANTED TO BE THAT MAN.

243
00:14:09,048 --> 00:14:12,152
[ FLAMES HISSING ]

244
00:14:15,554 --> 00:14:18,892
IT'S MADE OF GLASS.

245
00:14:30,037 --> 00:14:31,604
THINK OF IT.

246
00:14:31,638 --> 00:14:36,408
YOU AND I ARE THE FIRST
ONES TO SET FOOT IN HERE

247
00:14:36,442 --> 00:14:38,477
IN ALMOST 500 YEARS.

248
00:14:38,510 --> 00:14:40,947
DO YOU HAVE ANY IDEA
HOW MANY LESSER PEOPLE

249
00:14:40,980 --> 00:14:45,217
HAVE DREAMED OF THIS MOMENT?

250
00:14:45,251 --> 00:14:48,187
AND ONLY YOU CAN COMPLETE THIS.

251
00:14:48,221 --> 00:14:49,889
WHAT?

252
00:14:51,124 --> 00:14:53,961
NADIA, THIS IS THE
PART OF THE JOURNEY

253
00:14:53,994 --> 00:14:55,628
THAT I CAN'T TAKE.

254
00:14:57,529 --> 00:15:00,600
YOU HAVE TO BRING THE BOX.

255
00:15:00,633 --> 00:15:02,701
I DON'T UNDERSTAND.

256
00:15:02,735 --> 00:15:05,572
RAMBALDI HAD A
ROLE FOR YOU TO PLAY.

257
00:15:05,605 --> 00:15:09,576
I NEED YOU TO DO THIS, NADIA.

258
00:15:09,609 --> 00:15:13,913
I NEED YOU TO BRING
ME THAT SPHERE.

259
00:15:19,485 --> 00:15:25,125
NADIA... WE CAN
CHANGE THE WORLD.

260
00:15:25,158 --> 00:15:27,559
GO.

261
00:15:31,999 --> 00:15:33,133
GO.

262
00:15:33,165 --> 00:15:37,470
[ GLASS CREAKING ]

263
00:15:44,076 --> 00:15:47,679
HAVE FAITH, SWEETHEART.

264
00:15:47,713 --> 00:15:49,415
[ GLASS CREAKING ]

265
00:15:58,390 --> 00:15:59,426
YES.

266
00:15:59,459 --> 00:16:03,996
[ AIR RELEASES ]

267
00:16:04,030 --> 00:16:08,400
NOW, NADIA, BRING THE BOX TO ME.

268
00:16:23,115 --> 00:16:25,384
YOU LIED.

269
00:16:25,418 --> 00:16:28,154
IT WAS NOT ABOUT PEACE.

270
00:16:28,187 --> 00:16:32,091
NADIA, I AM YOUR FATHER.

271
00:16:32,125 --> 00:16:33,701
YOU WILL GO BACK THERE
AND BRING ME THE BOX.

272
00:16:33,725 --> 00:16:35,162
[ GLASS CREAKING ]

273
00:16:35,195 --> 00:16:37,330
YOU GET BACK THERE.
I WANT THAT BOX.

274
00:16:37,364 --> 00:16:39,466
YOU THINK YOU CAN
CONTROL THIS POWER,

275
00:16:39,499 --> 00:16:41,433
BUT IT'S POISONING
YOU. DON'T YOU SEE IT?

276
00:16:41,467 --> 00:16:45,138
YOU DON'T HAVE
TO DO THIS. PLEASE.

277
00:16:45,172 --> 00:16:47,673
LET'S JUST WALK AWAY,
YOU AND I, TOGETHER.

278
00:16:49,408 --> 00:16:52,745
COWARD!

279
00:16:52,778 --> 00:16:54,581
PLEASE, LET'S JUST GO.

280
00:16:54,614 --> 00:16:57,584
I DON'T NEED YOU.

281
00:16:57,616 --> 00:17:04,624
[ GLASS CREAKING ]

282
00:17:11,864 --> 00:17:15,567
HE CHOSE ME.

283
00:17:15,602 --> 00:17:19,471
[ AIR HISSES ]

284
00:17:22,842 --> 00:17:24,844
SEE?

285
00:17:24,876 --> 00:17:30,682
[ CRACKING ]

286
00:17:50,903 --> 00:17:55,407
[ GROANING ]

287
00:18:10,356 --> 00:18:12,325
YOU'RE STILL HERE.

288
00:18:12,358 --> 00:18:13,625
TRY NOT TO TALK.

289
00:18:13,660 --> 00:18:15,595
YOU'VE LOST A LOT OF BLOOD.

290
00:18:15,627 --> 00:18:20,833
I DIDN'T THINK THAT YOU
WOULD BE HERE AFTER I...

291
00:18:20,866 --> 00:18:22,868
YOU'RE MY FATHER.

292
00:18:22,902 --> 00:18:25,305
I'M GOING TO GET
YOU OUT OF HERE.

293
00:18:29,375 --> 00:18:30,742
THANK YOU.

294
00:18:30,777 --> 00:18:32,744
THAT SHARD OF
GLASS IN YOUR CHEST...

295
00:18:32,778 --> 00:18:34,846
WHEN I MOVE YOU,
IT MIGHT KILL YOU.

296
00:18:34,881 --> 00:18:36,449
I NEED TO PULL IT OUT.

297
00:18:36,482 --> 00:18:38,384
OKAY.

298
00:18:46,858 --> 00:18:52,365
AAH!

299
00:19:02,842 --> 00:19:04,876
Chase: WHO'S LAZLO DRAKE?

300
00:19:04,911 --> 00:19:06,613
HE IS THE SELF-APPOINTED
GATEKEEPER

301
00:19:06,645 --> 00:19:07,880
TO RAMBALDI'S ENDGAME.

302
00:19:07,913 --> 00:19:10,782
FOR ELENA TO COMPLETE HER
PLAN, SHE WILL HAVE TO CONTACT HIM.

303
00:19:10,817 --> 00:19:13,553
HE HAS WHAT AMOUNTS TO
THE INSTRUCTION BOOKLET.

304
00:19:13,586 --> 00:19:15,688
I'M SORRY, MAYBE IT'S ONLY
ME, BUT WHAT DO YOU MEAN

305
00:19:15,721 --> 00:19:17,289
WHEN YOU SAY
"RAMBALDI'S ENDGAME"?

306
00:19:17,324 --> 00:19:19,558
I MEAN, WHAT IS IT? IS IT
A SCENARIO, A WEAPON?

307
00:19:19,592 --> 00:19:21,861
IN ELENA'S HANDS, MOST
LIKELY AN APOCALYPSE.

308
00:19:21,894 --> 00:19:24,330
WHICH IS WHY WE NEED
TO GET TO LAZLO DRAKE

309
00:19:24,364 --> 00:19:26,499
BEFORE SHE DOES.

310
00:19:26,532 --> 00:19:28,268
DRAKE'S COMPLETELY OFF THE GRID.

311
00:19:28,300 --> 00:19:29,769
THE MANUSCRIPT HAS
MADE HIM A TARGET.

312
00:19:29,801 --> 00:19:31,671
HE NEVER STAYS IN
ONE PLACE TOO LONG.

313
00:19:31,703 --> 00:19:33,705
WE SAW HIM IN CHINA.
HE COULD BE ANYWHERE.

314
00:19:33,740 --> 00:19:36,276
IF DRAKE'S GONE UNDERGROUND,
HE NEEDS A SOURCE OF INCOME.

315
00:19:36,308 --> 00:19:38,810
THAT'S THE PATH
I'VE BEEN PURSUING.

316
00:19:38,845 --> 00:19:41,681
GREYSON WELLS,
BILLIONAIRE FINANCIER.

317
00:19:41,713 --> 00:19:43,549
ORGANIZED CRIME,
MONEY LAUNDERING.

318
00:19:43,583 --> 00:19:44,793
CIA'S BEEN WATCHING
HIM FOR YEARS.

319
00:19:44,817 --> 00:19:46,653
HE'S ALSO THE MAN WHO FINANCED

320
00:19:46,685 --> 00:19:48,755
MOST OF DRAKE'S EARLY
RESEARCH INTO RAMBALDI.

321
00:19:48,788 --> 00:19:49,588
IF THEY'RE IN COMMUNICATION,

322
00:19:49,622 --> 00:19:51,258
HE MIGHT KNOW
WHERE TO FIND DRAKE.

323
00:19:51,290 --> 00:19:52,625
AGREED. COORDINATE WITH OPS.

324
00:19:52,659 --> 00:19:53,768
DRAFT UP A PLAN
TO APPROACH WELLS.

325
00:19:53,792 --> 00:19:56,462
I'll START PREPARATIONS TO
TALK TO LAZLO DRAKE MYSELF.

326
00:19:56,496 --> 00:19:58,265
AS SOON AS WE HAVE HIS LOCATION.

327
00:19:58,298 --> 00:20:00,633
I BELIEVE YOU'RE FORBIDDEN
FROM PARTICIPATING

328
00:20:00,666 --> 00:20:03,736
IN CASES INVOLVING THIS
PARTICULAR SUBJECT MATTER.

329
00:20:03,769 --> 00:20:05,771
AGENT DIXON HAS A POINT.

330
00:20:05,805 --> 00:20:07,406
YES, I'M AWARE OF THE AGREEMENT.

331
00:20:07,440 --> 00:20:08,680
BUT I HAVE A HISTORY WITH DRAKE.

332
00:20:08,708 --> 00:20:10,277
SO DOES NADIA.

333
00:20:10,309 --> 00:20:11,754
I'M SURE NADIA WOULD
AGREE THAT HER PRESENCE

334
00:20:11,778 --> 00:20:13,480
WOULD ONLY COMPLICATE MATTERS.

335
00:20:13,512 --> 00:20:15,315
HE'S RIGHT.

336
00:20:15,347 --> 00:20:17,784
DRAKE WILL TALK TO ME. IF
WE APPROACH THIS TACTICALLY,

337
00:20:17,817 --> 00:20:19,751
HIS SECURITY FORCE WILL RESPOND.

338
00:20:19,786 --> 00:20:21,520
WE CANNOT LET THIS
TURN INTO A FIREFIGHT.

339
00:20:21,554 --> 00:20:23,756
OUR TIMETABLE IS TOO CRITICAL.

340
00:20:25,791 --> 00:20:27,359
PROCEED AS INSTRUCTED.

341
00:20:27,394 --> 00:20:29,761
ONCE YOU HAVE A
LOCATION ON DRAKE,

342
00:20:29,796 --> 00:20:31,763
YOU'LL RELAY IT TO
DIRECTOR SLOANE.

343
00:20:31,798 --> 00:20:34,534
THAT'S IT, PEOPLE. BE SAFE.

344
00:20:47,480 --> 00:20:49,316
♪ SHE LOOKS GOOD,
SWISS CHEESE... ♪

345
00:20:49,348 --> 00:20:50,717
BONJOUR.

346
00:20:50,750 --> 00:20:53,685
[ SPEAKING FRENCH ]

347
00:20:53,720 --> 00:20:56,556
DON'T TOUCH THE FUR.

348
00:20:56,588 --> 00:20:59,791
ALL RIGHT, YOU
MAY TOUCH THE FUR.

349
00:20:59,826 --> 00:21:01,560
ONCE.

350
00:21:01,594 --> 00:21:02,828
MERCI.

351
00:21:05,832 --> 00:21:10,803
♪ SHE LOOKS GOOD ♪
THE GIRL'S ATTRACTIVE

352
00:21:18,444 --> 00:21:22,749
♪ HA HA HA HA, HA HA HA HA ♪

353
00:21:22,781 --> 00:21:25,384
PLEASE LET ME KNOW
IF THERE IS ANYTHING

354
00:21:25,417 --> 00:21:29,556
IN PARTICULAR THAT
YOU WOULD LIKE TO SEE.

355
00:21:29,588 --> 00:21:31,657
AHH. VERY GOOD.

356
00:21:31,691 --> 00:21:34,760
PLATINUM LIANA.

357
00:21:34,794 --> 00:21:39,465
FULLY PAIRED WITH THE
FLAWLESS BRILLIANCE.

358
00:21:39,499 --> 00:21:41,500
CAN BE WORN AS EITHER A BRACELET

359
00:21:41,534 --> 00:21:42,734
OR AN ANKLET.

360
00:21:42,769 --> 00:21:44,570
PUT.

361
00:21:51,611 --> 00:21:53,546
HMM.

362
00:21:53,579 --> 00:21:57,750
WHAT DO YOU THINK,
ANKLE OR WRIST?

363
00:21:57,784 --> 00:21:59,586
WELL, TO BE HONEST, I'VE
ALWAYS FOUND ANKLETS

364
00:21:59,618 --> 00:22:01,421
TO BE A BIT VULGAR,

365
00:22:01,453 --> 00:22:05,592
THOUGH ADMITTEDLY YOU ARE
MAKING ME RETHINK MY POSITION.

366
00:22:05,625 --> 00:22:07,727
I THINK I'D HAVE TO
SEE IT ON YOUR WRIST

367
00:22:07,759 --> 00:22:09,662
BEFORE I GAVE AN
INFORMED OPINION.

368
00:22:11,163 --> 00:22:12,699
DO.

369
00:22:31,983 --> 00:22:33,420
SOMETHING WRONG?

370
00:22:35,454 --> 00:22:38,057
IT APPEARS WE HAVE
A MUTUAL INTEREST.

371
00:22:40,092 --> 00:22:42,461
SO IT SEEMS.

372
00:22:51,570 --> 00:22:53,673
HMM.

373
00:22:53,705 --> 00:22:57,410
BETTER AS A BRACELET.

374
00:22:57,443 --> 00:23:00,413
WILL YOU ALLOW ME
TO BUY IT FOR YOU?

375
00:23:00,446 --> 00:23:02,515
YOU TRYING TO IMPRESS ME?

376
00:23:02,548 --> 00:23:05,451
WELL, THAT DEPENDS.
IS IT WORKING?

377
00:23:06,553 --> 00:23:10,457
SWEETHEART, IT'S NOT YOUR
MONEY I'M INTERESTED IN.

378
00:23:13,460 --> 00:23:15,494
I'M GOING WITH YOU TO SEE DRAKE.

379
00:23:15,528 --> 00:23:16,729
THIS IS NOT YOUR CALL, SYDNEY.

380
00:23:16,762 --> 00:23:18,907
IT IS NOW. I HAVE HIS LOCATION.
I'll GO ALONE IF I HAVE TO.

381
00:23:18,931 --> 00:23:21,032
WELL, HE'S NOT
GONNA TALK TO YOU.

382
00:23:21,067 --> 00:23:23,536
THEN I SUGGEST
YOU GET ON A PLANE.

383
00:23:23,569 --> 00:23:24,912
SOLANA AIRFIELD
OUTSIDE MEXICO CITY,

384
00:23:24,936 --> 00:23:26,482
0800 HOURS. I'll BE
THERE WHEN YOU LAND,

385
00:23:26,506 --> 00:23:29,509
AND WE'LL GO SEE DRAKE TOGETHER.

386
00:23:29,541 --> 00:23:31,443
[ MUFFLED GRUNTING ]

387
00:23:34,646 --> 00:23:36,182
THANK YOU.

388
00:23:56,102 --> 00:23:59,005
WELL, ALL THE PARTS
ARE PRETTY GENERIC.

389
00:23:59,038 --> 00:24:00,707
I MEAN, IT'D BE REALLY DIFFICULT

390
00:24:00,740 --> 00:24:02,474
TO TRACK WHERE IT CAME FROM.

391
00:24:02,509 --> 00:24:03,710
SORRY.

392
00:24:03,742 --> 00:24:05,243
IT'S ALL RIGHT.

393
00:24:05,277 --> 00:24:07,513
I JUST FEEL STUPID
I TRUSTED HER.

394
00:24:07,547 --> 00:24:11,983
HEY, I DON'T BLAME YOU. I
MEAN, SHE WAS LIKE FAMILY.

395
00:24:12,018 --> 00:24:13,986
YOU KNOW, BUT DON'T
PUT THIS ON YOURSELF.

396
00:24:14,019 --> 00:24:16,221
I MEAN, HELL, I TRUSTED
SLOANE FOR SIX YEARS

397
00:24:16,255 --> 00:24:18,257
BEFORE I FOUND OUT HE WAS EVIL.

398
00:24:18,289 --> 00:24:24,963
YOU KNOW... NOT
THAT HE'S EVIL, PER SE...

399
00:24:24,997 --> 00:24:28,535
WE HAVE A LONG HISTORY TOGETHER.

400
00:24:28,567 --> 00:24:33,972
LOOK, WE'RE GONNA FIND THIS
SOPHIA/ELENA WOMAN PERSON.

401
00:24:34,006 --> 00:24:35,575
YOUR DAD'S TOTALLY ON IT.

402
00:24:38,877 --> 00:24:42,582
[ PLANE ENGINE WHIRRING ]

403
00:24:53,092 --> 00:24:55,060
THIS IS A RECKLESS
COURSE OF ACTION.

404
00:24:55,094 --> 00:24:56,261
TRY CALCULATED.

405
00:24:56,295 --> 00:24:58,305
I'M NOT LETTING YOU MEET WITH
A MAN WHO'S GONNA TELL YOU

406
00:24:58,329 --> 00:24:59,908
HOW TO PUT THE RAMBALDI
CONTRAPTION TOGETHER.

407
00:24:59,932 --> 00:25:01,643
THAT'S RIDICULOUS. I
HAD EVERYTHING I NEEDED

408
00:25:01,667 --> 00:25:03,670
LAST YEAR, AND I GAVE IT
UP. YOU KNOW THAT, SYDNEY.

409
00:25:03,702 --> 00:25:05,070
YOU DIDN'T HAVE EVERYTHING.

410
00:25:05,104 --> 00:25:07,173
YOU'RE PUTTING YOURSELF
IN DANGER BY COMING WITH ME.

411
00:25:07,205 --> 00:25:09,174
I KNOW WHAT I'M DOING.
I JUST HOPE YOU DO,

412
00:25:09,208 --> 00:25:11,042
BECAUSE I SWEAR
IF THIS IS ABOUT YOU

413
00:25:11,076 --> 00:25:12,644
AND YOUR TWISTED BELIEFS...

414
00:25:12,679 --> 00:25:14,547
DO YOU HAVE ANY IDEA
WHAT NADIA'S BEEN THROUGH?

415
00:25:14,580 --> 00:25:16,147
BETRAYED BY THE
WOMAN WHO RAISED HER.

416
00:25:16,182 --> 00:25:18,260
I WOULD NEVER DO ANYTHING
TO PUT HER IN ANY MORE PAIN.

417
00:25:18,284 --> 00:25:19,852
I'M HERE FOR ONE REASON ALONE...

418
00:25:19,885 --> 00:25:22,588
TO PUT AN END TO THIS
NIGHTMARE ONCE AND FOR ALL.

419
00:25:22,622 --> 00:25:25,257
I WISH I COULD BELIEVE YOU.

420
00:25:43,142 --> 00:25:45,211
LOOKS COZY.

421
00:25:55,221 --> 00:25:57,624
ELENA GOT HERE BEFORE US.

422
00:26:06,932 --> 00:26:08,200
IT'S DRAKE.

423
00:26:08,233 --> 00:26:10,001
HE'S DEAD, ISN'T HE?

424
00:26:11,369 --> 00:26:13,372
IF I DIDN'T HAVE TO
RENDEZVOUS WITH YOU,

425
00:26:13,404 --> 00:26:15,074
I WOULD HAVE BEEN
HERE HOURS AGO.

426
00:26:15,106 --> 00:26:16,342
IF IT WEREN'T FOR YOU,

427
00:26:16,375 --> 00:26:18,243
WE WOULDN'T HAVE
TO BE HERE AT ALL.

428
00:26:31,356 --> 00:26:33,125
WHAT ARE YOU DOING?

429
00:27:12,298 --> 00:27:14,133
SEE IF YOU CAN REWIND THE FEED.

430
00:27:16,035 --> 00:27:19,005
HERE, LET'S START OVER AGAIN

431
00:27:19,038 --> 00:27:20,772
AT THE BEGINNING.

432
00:27:20,807 --> 00:27:22,273
Drake: I HAVE TO ADMIT,

433
00:27:22,307 --> 00:27:24,911
I DID NOT THINK IT WOULD BE YOU.

434
00:27:24,943 --> 00:27:28,748
YOU THOUGHT ARVIN SLOANE
WOULD HAVE ALL THE ARTIFACTS.

435
00:27:28,780 --> 00:27:31,116
HE NEARLY COMPLETED
THE WORK ONCE BEFORE.

436
00:27:31,150 --> 00:27:32,250
AND FAILED.

437
00:27:32,284 --> 00:27:34,220
HE THREW IT AWAY.

438
00:27:34,252 --> 00:27:36,855
AND FOR WHAT?

439
00:27:36,888 --> 00:27:38,057
THE GIRL.

440
00:27:39,224 --> 00:27:42,193
DO YOU HAVE A SECURE FACILITY
TO ASSEMBLE EVERYTHING?

441
00:27:42,228 --> 00:27:46,932
I DO. A FACTORY OUTSIDE OF...

442
00:27:48,901 --> 00:27:53,005
I'M SORRY, SYDNEY. I'M SO SORRY.

443
00:28:10,890 --> 00:28:13,759
[ CELL PHONE RINGS ]

444
00:28:13,792 --> 00:28:15,060
YES?

445
00:28:15,094 --> 00:28:17,462
SLOANE TRANQUED ME. THAT
BASTARD KNOCKED ME OUT

446
00:28:17,496 --> 00:28:19,932
BEFORE I COULD GET ELENA'S
LOCATION. ARE YOU ALL RIGHT?

447
00:28:19,965 --> 00:28:21,867
I SAW THIS COMING,
AND HE STILL BEAT ME.

448
00:28:21,901 --> 00:28:23,869
SYDNEY, ARE YOU
SURE YOU'RE OKAY?

449
00:28:23,903 --> 00:28:24,804
DAD, I'M OKAY.

450
00:28:24,836 --> 00:28:28,039
I'll NOTIFY DIRECTOR
CHASE. WE'LL FIND HIM.

451
00:28:28,074 --> 00:28:29,842
AGENT DIXON.

452
00:28:29,875 --> 00:28:35,047
WHY DIDN'T YOU STOP SLOANE
WHEN YOU HAD THE CHANCE?

453
00:28:35,080 --> 00:28:37,016
I UNDERSTAND YOUR REACTION.

454
00:28:37,048 --> 00:28:38,984
YOU JUST OPENED THE
DOOR TO TEMPTATION

455
00:28:39,018 --> 00:28:40,886
AND LET SLOANE WALK THROUGH IT?

456
00:28:40,920 --> 00:28:43,021
END OF DISCUSSION.

457
00:28:45,223 --> 00:28:51,063
HEY... THIS MAN'S TAKEN LIVES.

458
00:28:51,096 --> 00:28:55,801
I DID WHAT I THOUGHT WAS BEST.

459
00:28:58,805 --> 00:29:01,807
I KNOW.

460
00:29:01,840 --> 00:29:08,847
IN SPITE OF ALL THIS,
IT'S GOOD TO SEE YOU.

461
00:29:11,083 --> 00:29:12,218
YEAH.

462
00:29:21,527 --> 00:29:23,863
WEEKENDS AREN'T ENOUGH.

463
00:29:23,895 --> 00:29:26,097
TELL ME ABOUT IT.

464
00:29:30,068 --> 00:29:31,436
[ LINE RINGS ]

465
00:29:31,470 --> 00:29:32,570
YES?

466
00:29:32,604 --> 00:29:34,440
I HAD AN IDEA, BUT
YOU'RE GONNA HATE IT.

467
00:29:34,472 --> 00:29:35,984
YOU WANT ME TO TALK
TO YOUR AUNT KATYA.

468
00:29:36,008 --> 00:29:37,509
HOW DID YOU KNOW THAT?

469
00:29:37,542 --> 00:29:38,982
FIRST YOU SAID I
WOULD HATE THE IDEA,

470
00:29:39,010 --> 00:29:40,578
AND YOU'RE CORRECT.

471
00:29:40,612 --> 00:29:42,157
SECOND, I ARRIVED AT THE
SAME CONCLUSION MYSELF.

472
00:29:42,181 --> 00:29:43,849
WE'RE AT A COMPLETE
IMPASSE HERE.

473
00:29:43,883 --> 00:29:46,551
TIME IS RUNNING OUT, AND SHE'S
THE ONLY DEREVKO WE HAVE.

474
00:29:46,585 --> 00:29:48,487
CALL YOUR AFTERWARDS.

475
00:29:48,519 --> 00:29:50,823
[ KEYS RATTLE ]

476
00:29:53,592 --> 00:29:55,862
LOCK THE DOOR BEHIND ME.

477
00:29:55,894 --> 00:29:59,999
IS THAT LOOK ON YOUR FACE
SUPPOSED TO BE INTIMIDATING?

478
00:30:00,031 --> 00:30:01,933
YOU FORGET, JACK...

479
00:30:01,968 --> 00:30:03,836
I'VE SEEN YOUR TENDER SIDE.

480
00:30:03,869 --> 00:30:05,546
I NEED EVERYTHING YOU KNOW
ABOUT ELENA'S OPERATIONS...

481
00:30:05,570 --> 00:30:06,939
RIGHT NOW.

482
00:30:06,972 --> 00:30:10,009
WHAT MAKES YOU
THINK I KNOW ANYTHING?

483
00:30:10,041 --> 00:30:12,077
CALL IT AN INSTINCT.

484
00:30:12,111 --> 00:30:14,980
DO YOU INTEND TO TORTURE ME?

485
00:30:15,013 --> 00:30:16,515
IF I HAVE TO.

486
00:30:16,548 --> 00:30:21,487
WHILE I KNOW THAT WOULD
BE ENJOYABLE FOR BOTH OF US,

487
00:30:21,519 --> 00:30:23,388
I SHOULD WARN YOU,

488
00:30:23,422 --> 00:30:25,624
I HAVE QUITE A BIT OF STAMINA.

489
00:30:25,656 --> 00:30:27,960
BUT YOU ALREADY
KNOW THAT ABOUT ME.

490
00:30:27,993 --> 00:30:29,627
WHAT DO YOU WANT, KATYA?

491
00:30:29,661 --> 00:30:32,431
FULL PARDON. IMMEDIATE RELEASE.

492
00:30:32,463 --> 00:30:34,901
I DON'T HAVE THAT
AUTHORITY. YOU'LL FIND A WAY.

493
00:30:36,567 --> 00:30:38,369
IF THE INFORMATION YOU PROVIDE

494
00:30:38,403 --> 00:30:39,637
LEADS US TO ELENA,

495
00:30:39,671 --> 00:30:41,606
I WILL DO EVERYTHING IN MY POWER

496
00:30:41,640 --> 00:30:44,375
TO PROCURE YOUR
FREEDOM. YOU HAVE MY WORD.

497
00:30:44,410 --> 00:30:46,377
IF YOU'RE HERE,

498
00:30:46,412 --> 00:30:48,614
MY SISTER MUST BE
PURSUING AGGRESSIVE ACTION.

499
00:30:48,646 --> 00:30:50,449
WHAT HAS SHE DONE?

500
00:30:50,481 --> 00:30:51,616
SHE BROKE INTO THE DSR,

501
00:30:51,650 --> 00:30:52,960
STOLE A CACHE OF
RAMBALDI ARTIFACTS.

502
00:30:52,984 --> 00:30:54,452
SHE HAS BEEN ACQUIRING ARTIFACTS

503
00:30:54,486 --> 00:30:56,587
FOR SEVERAL YEARS
NOW THROUGH HER FRONT.

504
00:30:56,622 --> 00:30:58,057
HER FRONT?

505
00:30:58,089 --> 00:30:59,991
DON'T LOOK SO SURPRISED.

506
00:31:00,026 --> 00:31:03,194
IT HAS BEEN HAPPENING
RIGHT BEFORE YOUR EYES.

507
00:31:03,229 --> 00:31:04,596
THE COVENANT.

508
00:31:04,630 --> 00:31:07,465
SEE? I KNEW YOU
COULD DO IT, HANDSOME.

509
00:31:07,499 --> 00:31:09,468
ELENA RAN THE COVENANT?
THAT'S IMPOSSIBLE.

510
00:31:09,500 --> 00:31:11,502
WE DISMANTLED ITS OPERATIONS.

511
00:31:11,537 --> 00:31:13,439
NO, THAT'S WHAT SHE
WANTED YOU TO BELIEVE.

512
00:31:13,471 --> 00:31:15,574
YOU TOOK DOWN A STRAW MAN.

513
00:31:15,606 --> 00:31:17,476
ELENA'S AGENDA'S
ALWAYS BEEN THE SAME.

514
00:31:17,509 --> 00:31:18,911
IT'S ALWAYS BEEN RAMBALDI.

515
00:31:18,944 --> 00:31:20,179
HOW DO WE STOP HER?

516
00:31:20,211 --> 00:31:22,448
YOU ARE ASKING THE WRONG SISTER.

517
00:31:22,480 --> 00:31:25,451
IRINA SPENT THE LAST
FEW YEARS OF HER LIFE

518
00:31:25,483 --> 00:31:27,086
TRACKING ELENA.

519
00:31:27,118 --> 00:31:29,421
SHE WAS DETERMINED
TO STOP OUR SISTER

520
00:31:29,454 --> 00:31:31,156
FROM ENACTING HER ENDGAME.

521
00:31:31,190 --> 00:31:34,926
AND SHE WOULD HAVE
DONE IT, TOO, BUT...

522
00:31:34,961 --> 00:31:38,998
YOU HAD TO GO AND PUT
A BULLET IN HER HEAD.

523
00:31:39,030 --> 00:31:41,432
I WAS SET UP.

524
00:31:41,467 --> 00:31:43,134
ELENA PUT A HIT OUT ON SYDNEY,

525
00:31:43,169 --> 00:31:45,104
FRAMED IRINA FOR IT.

526
00:31:45,136 --> 00:31:46,538
OH, I SEE.

527
00:31:46,572 --> 00:31:50,541
SO YOU EXECUTED MY SISTER
ON A MISUNDERSTANDING.

528
00:31:50,576 --> 00:31:52,644
OH, THEN ALL IS FORGIVEN.

529
00:31:52,677 --> 00:31:54,980
DON'T STAND THERE
PRETENDING YOU'RE A PATSY.

530
00:31:55,013 --> 00:31:56,382
YOU'RE TOO GOOD AT WHAT YOU DO.

531
00:31:56,414 --> 00:31:58,416
IF YOU PULLED THE TRIGGER,

532
00:31:58,450 --> 00:32:01,519
PART OF YOU WANTED
TO BE MANIPULATED.

533
00:32:01,553 --> 00:32:04,455
I CAN HELP YOU FIND ELENA,

534
00:32:04,490 --> 00:32:06,992
BUT UNFORTUNATELY

535
00:32:07,026 --> 00:32:09,394
I CANNOT TELL YOU
HOW TO STOP HER.

536
00:32:09,428 --> 00:32:13,464
THANKS TO YOU, THAT
HOPE DIED WITH IRINA.

537
00:32:19,671 --> 00:32:22,374
SYDNEY, LISTEN CAREFULLY.
ELENA DEREVKO IS IN PRAGUE.

538
00:32:22,407 --> 00:32:25,344
HER BASE OF OPERATIONS
IS A DECOMMISSIONED

539
00:32:25,376 --> 00:32:27,054
CHEMICAL FACILITY SOUTH
OF THE INDUSTRIAL ZONE.

540
00:32:27,078 --> 00:32:29,548
AND KATYA KNEW THAT? SHE
JUST GAVE YOU THAT LOCATION?

541
00:32:29,580 --> 00:32:31,383
NO, KATYA NEVER
JUST GIVES ANYTHING.

542
00:32:31,416 --> 00:32:33,085
BUT SHE TIED ELENA
TO THE COVENANT,

543
00:32:33,118 --> 00:32:34,486
KNEW SHE WORKED OUT OF EUROPE.

544
00:32:34,519 --> 00:32:36,355
MARSHALL AND VAUGHN
WERE ABLE TO PINPOINT

545
00:32:36,387 --> 00:32:39,357
HER EXACT LOCATION BASED
ON DECLASSIFIED KGB FILES

546
00:32:39,391 --> 00:32:40,601
AND SOME THERMAL
SATELLITE IMAGING.

547
00:32:40,625 --> 00:32:42,461
AND YOU THINK WE CAN TRUST HER?

548
00:32:42,493 --> 00:32:43,729
SHE'S A DEREVKO.

549
00:32:43,761 --> 00:32:46,065
I NEED YOU TO GET ON A
PLANE AND RENDEZVOUS

550
00:32:46,097 --> 00:32:48,366
WITH DIXON AND NADIA
AT RUZYNE AIRPORT.

551
00:32:48,400 --> 00:32:50,368
THE CARGO TERMINAL.
THEY HAVE YOUR OPS PLAN.

552
00:32:50,402 --> 00:32:52,137
I'M ON MY WAY.

553
00:32:58,109 --> 00:33:00,546
[ KNOCK ON DOOR ]

554
00:33:06,352 --> 00:33:07,618
[ SPEAKS RUSSIAN ]

555
00:33:19,431 --> 00:33:21,567
MY MEN THINK YOU'RE
HERE TO KILL ME.

556
00:33:21,599 --> 00:33:23,602
YOU SHOULD HIRE SMARTER MEN.

557
00:33:27,306 --> 00:33:33,112
YOU WALK IN, UNARMED,
AND SURRENDER YOURSELF.

558
00:33:33,144 --> 00:33:37,083
YOU'RE NOT THE MOST
CONVINCING OF ASSASSINS,

559
00:33:37,115 --> 00:33:39,684
SO LET ME GUESS.

560
00:33:39,718 --> 00:33:42,387
YOU'RE HERE TO OFFER ME A DEAL.

561
00:33:42,421 --> 00:33:44,289
I KNOW WHAT YOU'RE TRYING TO DO.

562
00:33:44,323 --> 00:33:45,523
I CAN HELP.

563
00:33:46,825 --> 00:33:48,594
THANK GOD.

564
00:33:48,626 --> 00:33:51,497
YOU'RE WISE ENOUGH
TO SEE MY VALUE.

565
00:33:51,529 --> 00:33:53,098
THERE'S NO ONE ON THIS EARTH

566
00:33:53,132 --> 00:33:55,634
WHO KNOWS MORE
ABOUT MILO RAMBALDI.

567
00:33:55,666 --> 00:33:57,769
I'D HEARD YOU REFORMED.

568
00:33:57,802 --> 00:34:01,406
I SUPPOSE I'VE BEEN BORN AGAIN.

569
00:34:15,286 --> 00:34:17,088
PERIMETER SECURITY
HAS BEEN DISABLED.

570
00:34:17,123 --> 00:34:19,291
PHOENIX AND TEAM
ARE ON THE MOVE.

571
00:34:19,324 --> 00:34:21,436
COPY, PHOENIX. DIRECTOR CHASE
HAS AUTHORIZED SHOOT TO KILL.

572
00:34:21,460 --> 00:34:22,561
COPY THAT.

573
00:34:22,594 --> 00:34:24,862
OKAY, NOW, WE HAVE THE
FACILITY ON THERMAL SATELLITE.

574
00:34:24,896 --> 00:34:27,266
LOOKS LIKE THERE ARE
ABOUT 40 PEOPLE INSIDE.

575
00:34:27,298 --> 00:34:29,335
THE BLUEPRINTS WE
ACQUIRED WERE ACCURATE.

576
00:34:29,367 --> 00:34:31,503
THERE ARE THREE
MAIN AREAS TO SECURE.

577
00:34:31,536 --> 00:34:32,503
UNDERSTOOD.

578
00:34:32,538 --> 00:34:33,739
SYDNEY, BE CAREFUL.

579
00:34:33,771 --> 00:34:35,106
COPY. LET'S MOVE.

580
00:34:52,623 --> 00:34:56,461
[ MEN SPEAKING RUSSIAN ]

581
00:35:26,824 --> 00:35:28,726
[ DOOR OPENS ]

582
00:35:32,431 --> 00:35:35,201
Man: THE PRISONER, RIGHT?

583
00:35:35,233 --> 00:35:36,467
COME ON.

584
00:35:37,802 --> 00:35:40,371
YES, OF COURSE. I'M
BRINGING HER DOWN.

585
00:35:45,777 --> 00:35:48,213
[ SPEAKS RUSSIAN ]

586
00:35:48,246 --> 00:35:49,748
TRANSFERRING PRISONER.

587
00:35:49,780 --> 00:35:52,784
[ ENGINE STARTS ]

588
00:36:03,762 --> 00:36:05,630
[ DOOR CLOSES ]

589
00:36:05,664 --> 00:36:06,764
[ GUNS COCK ]

590
00:36:06,797 --> 00:36:08,800
I WAS AS SURPRISED AS YOU ARE.

591
00:36:08,833 --> 00:36:10,402
DROP YOUR WEAPON.

592
00:36:10,436 --> 00:36:12,438
NO, MARCUS, DROP YOURS.

593
00:36:12,471 --> 00:36:15,407
I SAID DROP YOUR WEAPON, SLOANE!

594
00:36:15,440 --> 00:36:18,344
I GOT 'EM. PINPOINTING
A LOCATION.

595
00:36:25,784 --> 00:36:28,286
THEY'RE AT THE LOADING DOCK.
EAST SIDE OF THE BUILDING.

596
00:36:29,387 --> 00:36:30,722
PUT YOUR WEAPON ON THE GROUND.

597
00:36:30,755 --> 00:36:33,425
I WARNED SYDNEY. I WARNED
ALL OF YOU NOT TO DO THIS.

598
00:36:33,458 --> 00:36:34,559
I MEAN IT.

599
00:36:34,592 --> 00:36:37,295
PLEASE, MARCUS,
IT'S TOO BIG NOW.

600
00:36:37,329 --> 00:36:40,197
YOU CAN'T STOP THIS. ONLY I CAN.

601
00:36:47,739 --> 00:36:49,307
[ NADIA GRUNTS ]

602
00:36:49,340 --> 00:36:52,610
[ THUD, MAN GROANS ]

603
00:36:52,643 --> 00:36:54,012
YOU'LL HAVE TO TRUST ME.

604
00:36:54,045 --> 00:36:55,713
TRUST YOU?

605
00:36:55,746 --> 00:36:57,682
GET OUT OF HERE NOW.

606
00:36:57,715 --> 00:37:00,619
[ TWO GUNSHOTS ]

607
00:37:00,652 --> 00:37:02,820
[ GUN DROPS ]

608
00:37:04,755 --> 00:37:07,626
[ STATIC ] OUTRIGGER, REPORT.

609
00:37:07,659 --> 00:37:10,728
OUTRIGGER, REPORT!

610
00:37:10,762 --> 00:37:14,266
[ STATIC ]

611
00:37:21,440 --> 00:37:23,675
TIME TO LEAVE.

612
00:37:44,396 --> 00:37:45,597
DIXON!

613
00:37:47,065 --> 00:37:48,634
EVERGREEN TO BASE.

614
00:37:48,666 --> 00:37:50,536
WE NEED AN EMERGENCY
MEDICAL EXTRACTION.

615
00:37:50,568 --> 00:37:53,405
WE HAVE A MAN DOWN.
REPEAT, WE HAVE A MAN DOWN.

616
00:37:53,438 --> 00:37:55,706
DIXON.

617
00:38:02,713 --> 00:38:04,483
Woman over PA: O.R.
SUPERVISING NURSE,

618
00:38:04,516 --> 00:38:06,617
PLEASE DIAL 6624.

619
00:38:06,652 --> 00:38:10,621
O.R. SUPERVISING
NURSE, DIAL 6624.

620
00:38:27,005 --> 00:38:30,342
IF ANYTHING
CHANGES, YOU CALL ME.

621
00:38:34,579 --> 00:38:38,115
DID YOU HAVE ANY IDEA
SHE AND DIXON... NO.

622
00:38:38,148 --> 00:38:40,518
BUT THEN I TEND TO MISS
THOSE KINDS OF DETAILS.

623
00:38:40,552 --> 00:38:42,954
WHAT ARE YOU TALKING ABOUT?
YOU'RE THE MASTER OF DETAILS.

624
00:38:42,987 --> 00:38:45,090
REALLY?

625
00:38:45,123 --> 00:38:47,525
I'VE GONE OVER THE DETAILS
A THOUSAND TIMES IN MY MIND.

626
00:38:47,559 --> 00:38:50,528
EACH ONE ADDED UP TO
THE SAME CONCLUSION...

627
00:38:50,561 --> 00:38:53,664
THAT YOUR LIFE WAS IN DANGER

628
00:38:53,699 --> 00:38:56,534
AND YOUR MOTHER
WAS THE LETHAL THREAT.

629
00:38:56,568 --> 00:38:59,137
DAD, WE'VE GONE OVER
THIS. YOU DON'T NEED...

630
00:38:59,170 --> 00:39:01,507
I'VE LIVED MY LIFE TRUSTING
IN THE VERACITY OF DETAILS,

631
00:39:01,539 --> 00:39:03,641
AND IN DOING SO I LOST
SIGHT OF THE ONE THING

632
00:39:03,675 --> 00:39:05,543
I KNOW TO BE TRUE.

633
00:39:05,577 --> 00:39:09,581
YOUR MOTHER WOULD
NEVER HURT YOU.

634
00:39:09,614 --> 00:39:11,550
SHE WAS READY TO
SHUT ELENA DOWN,

635
00:39:11,583 --> 00:39:13,619
AND I KILLED HER.

636
00:39:13,652 --> 00:39:15,653
SHE WAS OUR ONLY HOPE.

637
00:39:15,686 --> 00:39:17,623
THAT'S NOT TRUE.

638
00:39:17,655 --> 00:39:19,891
WE CAN STOP THEM.

639
00:39:19,925 --> 00:39:22,494
I KNOW IT.

640
00:39:22,527 --> 00:39:24,663
YOU AND I MAY DISAGREE
ON A LOT OF THINGS,

641
00:39:24,695 --> 00:39:27,498
BUT I NEVER QUESTION
YOUR MOTIVES.

642
00:39:27,532 --> 00:39:29,568
YOU ALWAYS HAVE MY
BEST INTERESTS AT HEART.

643
00:39:29,601 --> 00:39:30,635
I KNOW THAT.

644
00:39:35,507 --> 00:39:37,409
HOW'S NADIA FEELING?

645
00:39:42,481 --> 00:39:46,552
I DON'T THINK SHE'S FEELING
MUCH OF ANYTHING RIGHT NOW.

646
00:39:50,521 --> 00:39:54,192
HOW COULD YOU LET
SYDNEY AND NADIA FOLLOW?

647
00:39:54,224 --> 00:39:57,161
EVERYTHING IS
PROCEEDING AS PLANNED.

648
00:39:57,195 --> 00:39:59,465
YOU TALK THE TALK,

649
00:39:59,498 --> 00:40:02,000
BUT I'M STILL NOT CONVINCED

650
00:40:02,032 --> 00:40:04,902
YOU'VE RETURNED TO THE FOLD.

651
00:40:04,936 --> 00:40:07,438
WE'LL SEE IF YOU
HAVE WHAT IT TAKES

652
00:40:07,472 --> 00:40:09,907
TO FINISH THE JOURNEY.

653
00:40:16,181 --> 00:40:17,449
[ SIGHS ]

654
00:40:20,485 --> 00:40:21,853
HOW'S DIXON?

655
00:40:21,887 --> 00:40:24,456
THE SAME. SYDNEY AND
NADIA ARE THERE NOW.

656
00:40:26,257 --> 00:40:28,126
YOU ASKED ME A QUESTION EARLIER

657
00:40:28,159 --> 00:40:30,596
THAT I DIDN'T GET A CHANCE
TO ANSWER PROPERLY.

658
00:40:30,628 --> 00:40:33,097
I'D SAY THE ANSWER
WAS LOUD AND CLEAR.

659
00:40:33,130 --> 00:40:36,166
WE'RE MORE ALIKE THAN I
CARE TO ADMIT, AGENT VAUGHN.

660
00:40:36,201 --> 00:40:38,168
AND I REALIZE NOW THAT
IN DISAPPROVING OF YOU

661
00:40:38,202 --> 00:40:40,237
I WAS ONLY HATING
MY OWN LIMITATIONS.

662
00:40:40,271 --> 00:40:46,478
I WASN'T ASKING MYSELF WHAT
WOULD BE BEST FOR SYDNEY.

663
00:40:46,512 --> 00:40:48,480
IF YOU HONESTLY BELIEVE

664
00:40:48,514 --> 00:40:50,215
THAT YOU CAN MAKE
MY DAUGHTER HAPPY,

665
00:40:50,248 --> 00:40:52,150
THEN BY ALL MEANS

666
00:40:52,182 --> 00:40:55,521
YOU HAVE MY
BLESSING TO MARRY HER.

667
00:41:00,157 --> 00:41:01,893
OKAY.

668
00:41:10,201 --> 00:41:13,639
YOU ALWAYS KNEW MY
FATHER WOULD DO THIS.

669
00:41:13,672 --> 00:41:16,273
I HOPED HE WOULDN'T.

670
00:41:16,306 --> 00:41:20,110
DESPITE EVERYTHING,
I REALLY BELIEVED

671
00:41:20,144 --> 00:41:23,114
THAT HE CHOSE ME.

672
00:41:23,148 --> 00:41:25,884
YOU MUST THINK
I'M PRETTY FOOLISH.

673
00:41:25,916 --> 00:41:27,251
OF COURSE NOT.

674
00:41:27,284 --> 00:41:30,255
HE'S YOUR FATHER.

675
00:41:30,288 --> 00:41:32,791
Woman: AGENT
BRISTOW, AGENT SANTOS,

676
00:41:32,824 --> 00:41:34,659
HE'S ASKING FOR YOU.

677
00:41:45,603 --> 00:41:47,172
DIXON?

678
00:41:47,204 --> 00:41:50,208
WE HAVE BEEN SO
WORRIED ABOUT YOU.

679
00:41:50,240 --> 00:41:58,240
BEFORE I SAW SLOANE...
I SAW A PRISONER...

680
00:42:00,251 --> 00:42:02,186
SHACKLED.

681
00:42:05,356 --> 00:42:08,226
SYD...

682
00:42:11,096 --> 00:42:13,530
IT'S YOUR MOTHER.

683
00:42:16,001 --> 00:42:18,003
SHE'S ALIVE.