1
00:00:06,807 --> 00:00:10,144
[ WOMAN SINGING IN RUSSIAN ]

2
00:00:33,100 --> 00:00:35,835
I'M AN OFFICER.

3
00:00:35,868 --> 00:00:39,307
I SWORE AN OATH NEVER
TO BETRAY A STATE SECRET.

4
00:00:39,340 --> 00:00:41,542
YOU SAID IT WAS IMPORTANT.
HIGHEST NATIONAL SECURITY.

5
00:00:41,575 --> 00:00:43,511
WHAT IS IT?

6
00:00:43,543 --> 00:00:46,414
RUSSIA'S BEEN
DEVELOPING BLACK THORINE.

7
00:00:46,447 --> 00:00:49,216
DEVELOPING? RESEARCHING.

8
00:00:49,250 --> 00:00:51,252
PRODUCING. WE'VE MADE SOME.

9
00:00:51,284 --> 00:00:53,286
WE'VE ONLY BEEN ABLE TO
DISTILL A SMALL AMOUNT...

10
00:00:53,320 --> 00:00:56,423
10 MILLILITERS. ENOUGH
FOR A SINGLE VIAL.

11
00:00:56,457 --> 00:00:58,792
THIS GOVERNMENT
WILL STOP AT NOTHING

12
00:00:58,826 --> 00:01:00,393
TO CONTAIN THIS INFORMATION.

13
00:01:00,427 --> 00:01:02,329
SO WHY TELL ME?

14
00:01:02,362 --> 00:01:05,165
BECAUSE THE VIAL WAS STOLEN.

15
00:01:05,198 --> 00:01:07,734
BY WHOM?

16
00:01:07,768 --> 00:01:13,474
THIS IS THE ROUTING NUMBER
TO MY SUPERIOR'S BANK ACCOUNT.

17
00:01:13,507 --> 00:01:15,808
HE'S RECENTLY COME INTO
A GREAT DEAL OF MONEY.

18
00:01:15,843 --> 00:01:17,277
[ DOOR CLOSES ]

19
00:02:02,790 --> 00:02:03,790
LET'S GO.

20
00:02:17,771 --> 00:02:19,872
SYDNEY.

21
00:02:19,907 --> 00:02:22,443
WE DIDN'T EXPECT
YOU BACK SO SOON.

22
00:02:22,475 --> 00:02:30,475
♪ TOOK ♪ SOME TIME
♪ TO UNDERSTAND

23
00:02:31,352 --> 00:02:34,487
SO, RUSSIA WAS A SUCCESS?

24
00:02:34,521 --> 00:02:35,788
YEAH.

25
00:02:38,292 --> 00:02:41,262
THERE'S A REPORT WAITING
FOR YOU IN THE OFFICE.

26
00:02:43,331 --> 00:02:45,899
SYDNEY, HE JUST DROPPED
BY. I DIDN'T REALIZE...

27
00:02:45,932 --> 00:02:47,435
GET OUT.

28
00:02:49,469 --> 00:02:53,274
VERY WELL.

29
00:02:53,307 --> 00:02:55,776
I'll WALK MYSELF TO THE DOOR.

30
00:02:59,680 --> 00:03:02,282
I'll SEE YOU BOTH TOMORROW.

31
00:03:02,316 --> 00:03:03,484
OKAY.

32
00:03:10,424 --> 00:03:13,394
HE CAME BY. WANTED TO TALK.

33
00:03:13,426 --> 00:03:16,396
HE SAYS HE WANTS A FRESH START,

34
00:03:16,430 --> 00:03:17,897
TO GET TO KNOW ME.

35
00:03:17,931 --> 00:03:19,366
YOU THINK THAT'S ALL HE WANTS?

36
00:03:19,400 --> 00:03:20,901
A LITTLE FATHER-DAUGHTER
BONDING?

37
00:03:20,933 --> 00:03:23,804
I KNOW HOW YOU FEEL ABOUT
HIM... YOU CAN'T POSSIBLY.

38
00:03:23,836 --> 00:03:26,774
I DON'T UNDERSTAND. YOU
WORK WITH HIM AT A.P.O.

39
00:03:26,806 --> 00:03:29,643
I ACCEPTED THE JOB
SO I COULD WATCH HIM.

40
00:03:29,676 --> 00:03:32,680
DON'T DELUDE YOURSELF,
NADIA, INTO THINKING

41
00:03:32,712 --> 00:03:35,014
YOU CAN TRUST THAT MAN. DO THAT,

42
00:03:35,048 --> 00:03:37,251
AND YOU WILL END UP
HATING YOURSELF FOR IT.

43
00:03:37,284 --> 00:03:38,885
HE'S MY FATHER.

44
00:03:38,918 --> 00:03:40,621
IF YOU KNEW WHAT HE'S DONE.

45
00:03:40,653 --> 00:03:41,722
SYDNEY, I KNOW.

46
00:03:41,754 --> 00:03:46,826
I KNOW WHAT HE DID... TO YOU.

47
00:03:46,860 --> 00:03:48,896
WHAT HE TOOK FROM YOU.

48
00:03:48,929 --> 00:03:51,399
YOUR BEST FRIEND.

49
00:03:51,432 --> 00:03:53,766
YOUR FIANCé.

50
00:03:56,903 --> 00:03:59,807
AND KNOWING THAT, YOU
STILL LET HIM INTO MY HOME?

51
00:04:03,043 --> 00:04:05,012
I'M NOT NAIVE, SYDNEY.

52
00:04:05,044 --> 00:04:06,646
I'M NOT DELUDED.

53
00:04:08,716 --> 00:04:13,320
IT'S NOT EASY TO
RECONCILE THE PAST.

54
00:04:13,353 --> 00:04:15,355
I THOUGHT YOU HAD.

55
00:04:19,759 --> 00:04:21,894
Nadia: THE DEVELOPMENT
OF BLACK THORINE...

56
00:04:21,928 --> 00:04:23,997
THAT VIOLATES HOW MANY TREATIES?

57
00:04:24,031 --> 00:04:25,699
TWELVE, TO BE EXACT.

58
00:04:25,733 --> 00:04:27,701
Marshall: WELL,
THERE'S A REASON.

59
00:04:27,735 --> 00:04:29,077
IT'S A MEGA-BREAKTHROUGH
IN EXPLOSIVES.

60
00:04:29,101 --> 00:04:31,071
IT'S ODORLESS, UNDETECTABLE.

61
00:04:31,103 --> 00:04:33,673
I RAN A SIMULATION.

62
00:04:33,706 --> 00:04:35,408
CHECK IT OUT.

63
00:04:36,810 --> 00:04:38,711
[ Whistles ] HUH?

64
00:04:38,745 --> 00:04:40,747
IT LEVELED AN ENTIRE CITY BLOCK.

65
00:04:40,781 --> 00:04:42,783
AND THAT'S JUST A LITTLE
DROP OF BLACK THORINE.

66
00:04:42,816 --> 00:04:45,319
IMAGINE IF YOU HAD
THE WHOLE... VI...

67
00:04:45,353 --> 00:04:48,055
IT'S ACTUALLY A REALLY
DEPRESSING TAKE ON PROGRESS.

68
00:04:48,088 --> 00:04:50,090
ARE WE SURE THERE'S
ONLY ONE VIAL?

69
00:04:50,122 --> 00:04:51,792
THE RUSSIANS ARE STONEWALLING.

70
00:04:51,824 --> 00:04:53,802
THEY REFUSE TO ACKNOWLEDGE
THE EXISTENCE OF A SUBSTANCE,

71
00:04:53,826 --> 00:04:56,363
MUCH LESS ADMIT THAT
THEY'RE DEVELOPING ONE.

72
00:04:56,396 --> 00:04:58,798
BUT MY SOURCES CONFIRM
THAT THEY'RE PANICKING.

73
00:04:58,831 --> 00:05:00,367
YOUR SOURCES?

74
00:05:00,401 --> 00:05:03,336
IF THAT VIAL IS THEIR
ONLY PROTOTYPE,

75
00:05:03,370 --> 00:05:05,805
AS INTEL APPEARS TO
CORROBORATE, ITS THEFT

76
00:05:05,838 --> 00:05:08,875
HAS SET THEIR CLASSIFIED
WEAPONS PROGRAM BACK DECADES.

77
00:05:08,908 --> 00:05:11,345
WOULD YOU MIND TELLING US
WHERE THAT INTEL COMES FROM,

78
00:05:11,379 --> 00:05:14,648
OR ARE WE ALL SUPPOSED
TO RELY ON YOUR SOURCES,

79
00:05:14,682 --> 00:05:16,783
NO QUESTIONS ASKED?

80
00:05:16,817 --> 00:05:18,752
THAT'S A FAIR QUESTION,

81
00:05:18,786 --> 00:05:20,887
BUT ONE I'M NOT
INCLINED TO ANSWER

82
00:05:20,920 --> 00:05:22,656
UNLESS YOU NEED ME TO EXPLAIN

83
00:05:22,689 --> 00:05:24,658
THE ESSENTIAL NATURE
OF CONFIDENTIALITY.

84
00:05:24,692 --> 00:05:26,172
NO, I'M ALL CAUGHT
UP ON THAT, THANKS.

85
00:05:27,795 --> 00:05:30,898
WHAT MATTERS IS THAT
WE RECOVER THE VIAL.

86
00:05:30,930 --> 00:05:33,600
WE WERE ABLE TO TRACE
THE ROUTING NUMBER

87
00:05:33,634 --> 00:05:35,002
THE INFORMANT GAVE VAUGHN.

88
00:05:35,034 --> 00:05:36,870
2 MILLION EUROS WERE DEPOSITED

89
00:05:36,903 --> 00:05:39,906
INTO THE ACCOUNT OF
COLONEL NIKOLAI VOSKOV.

90
00:05:39,939 --> 00:05:43,976
THE MONEY CAME FROM
THIS MAN... BORIS TAMBOR.

91
00:05:44,011 --> 00:05:45,879
THE RUSSIAN OIL MAGNATE?

92
00:05:45,913 --> 00:05:47,615
TAMBOR MIGHT HAVE
MADE HIS MONEY IN OIL,

93
00:05:47,648 --> 00:05:49,759
BUT HE'S SINCE DIVERSIFIED
INTO MINING, MEDIA OUTLETS,

94
00:05:49,783 --> 00:05:51,127
AND HIS LATEST
VENTURE, ARMS DEALING.

95
00:05:51,151 --> 00:05:53,019
SEEMS TAMBOR'S QUITE A PLAYER.

96
00:05:53,052 --> 00:05:55,021
HIGH-END REAL ESTATE
ALL OVER EUROPE.

97
00:05:55,055 --> 00:05:57,024
HE OWNS A FLEET
OF SPORTS CARS...

98
00:05:57,057 --> 00:05:58,826
FERRARIS,
LAMBORGHINIS, BENTLEYS.

99
00:05:58,858 --> 00:06:00,560
THIS GUY'S LIVING MY
JUNIOR HIGH FANTASY.

100
00:06:00,593 --> 00:06:01,862
OR MY CURRENT ONE.

101
00:06:01,894 --> 00:06:03,730
TAMBOR KEEPS HIS
ENTIRE OPERATION MOBILE.

102
00:06:03,764 --> 00:06:05,766
NEVER STAYS IN
ONE PLACE TOO LONG.

103
00:06:05,798 --> 00:06:09,036
RIGHT NOW HE'S BOOKED INTO
THE SAN DEVOTEE IN MONTE CARLO.

104
00:06:09,069 --> 00:06:10,980
HE TAKES A REGULAR SEAT AT
THE HIGH-STAKES POKER TABLE

105
00:06:11,004 --> 00:06:12,839
EVERY NIGHT AT 9:00.

106
00:06:12,872 --> 00:06:14,574
THAT WILL BE YOUR WINDOW.

107
00:06:14,608 --> 00:06:16,709
YOUR MISSION IS TO
GET INTO TAMBOR'S SUITE,

108
00:06:16,744 --> 00:06:18,978
FIND OUT WHERE HE
KEEPS THE BLACK THORINE,

109
00:06:19,012 --> 00:06:20,947
HOW HE PLANS TO MOVE IT.

110
00:06:20,980 --> 00:06:23,115
YOU LEAVE TONIGHT.
WHEELS UP, 2200.

111
00:06:52,045 --> 00:06:54,814
YOU WANT TO TELL ME ABOUT IT?

112
00:06:57,817 --> 00:07:00,653
SLOANE.

113
00:07:00,687 --> 00:07:02,723
HE WAS IN MY HOUSE.

114
00:07:02,755 --> 00:07:05,024
LAST NIGHT. TO VISIT NADIA.

115
00:07:05,057 --> 00:07:09,997
I CAME HOME. HE WAS
SITTING IN MY LIVING ROOM.

116
00:07:10,029 --> 00:07:11,731
OH.

117
00:07:13,666 --> 00:07:15,636
I THOUGHT I COULD DO THIS...

118
00:07:15,668 --> 00:07:19,507
WORK FOR SLOANE
AGAIN, BUT NOW...

119
00:07:19,540 --> 00:07:23,543
I DON'T KNOW, I THINK I MIGHT
HAVE BEEN KIDDING MYSELF.

120
00:07:26,012 --> 00:07:30,117
I DREAM ABOUT DIANE.

121
00:07:30,149 --> 00:07:33,586
WHICH ISN'T UNUSUAL,
I'VE BEEN TOLD,

122
00:07:33,620 --> 00:07:40,593
EXCEPT FOR ME, IT'S
ALMOST EVERY NIGHT.

123
00:07:40,627 --> 00:07:46,500
THESE DREAMS ARE
ALWAYS THE SAME.

124
00:07:46,533 --> 00:07:48,802
AT SOME POINT I GET TO HER,

125
00:07:48,836 --> 00:07:51,572
AND I HOLD HER FACE.

126
00:07:51,605 --> 00:07:54,574
AND I CAN SEE IT IN HER EYES...

127
00:07:54,608 --> 00:07:57,110
THE DISAPPOINTMENT IN ME.

128
00:07:57,144 --> 00:08:02,716
THAT I COULDN'T
PREVENT WHAT HAPPENED.

129
00:08:02,750 --> 00:08:08,822
THEN... SHE TELLS ME
THAT SHE LOVES ME,

130
00:08:08,855 --> 00:08:10,923
THAT SHE LOVES THE KIDS,

131
00:08:10,958 --> 00:08:13,927
AND SHE ASKS ME TO
DO THE RIGHT THING.

132
00:08:13,961 --> 00:08:17,798
SHE DOESN'T ASK ME
TO, SHE TELLS ME TO.

133
00:08:17,831 --> 00:08:25,038
AND THAT'S HOW I MAKE
PEACE WITH SLOANE.

134
00:08:25,072 --> 00:08:28,675
I DON'T PUT THE PAST AWAY
OR COMPARTMENTALIZE IT.

135
00:08:28,709 --> 00:08:32,812
I TRANSMUTE IT.

136
00:08:32,846 --> 00:08:37,650
I MAKE IT THE RIGHT
DECISION TODAY.

137
00:08:38,951 --> 00:08:41,889
I HOPE I'M CAPABLE OF THAT.

138
00:08:41,922 --> 00:08:45,057
I KNOW YOU ARE.

139
00:09:56,129 --> 00:09:58,065
I'M SORRY ABOUT LAST NIGHT.

140
00:09:58,097 --> 00:09:59,932
IT WAS MY FAULT.

141
00:09:59,966 --> 00:10:01,969
MY FATHER'S ONE
OF THE REASONS...

142
00:10:02,001 --> 00:10:04,837
YOU DON'T HAVE
TO EXPLAIN. I GET IT.

143
00:10:06,206 --> 00:10:09,942
WHEN OUR MOTHER
CAME BACK, SHE...

144
00:10:09,976 --> 00:10:11,945
SHE HAD DONE HER
SHARE OF BAD THINGS.

145
00:10:11,979 --> 00:10:14,147
I KNOW.

146
00:10:14,181 --> 00:10:17,918
BUT STILL, I NEEDED TO KNOW HER.

147
00:10:17,951 --> 00:10:19,919
I JUST DID.

148
00:10:19,952 --> 00:10:22,956
THANKS.

149
00:10:25,926 --> 00:10:27,827
NICE SHOT.

150
00:10:49,917 --> 00:10:52,119
♪ IT WAS ALL HIS FAULT

151
00:10:52,152 --> 00:10:54,120
♪ INTRODUCED ME TO KNOW-IT-ALL ♪

152
00:10:54,153 --> 00:10:59,927
♪ AND THE CANNIBAL ♪ OH, WELL

153
00:10:59,960 --> 00:11:03,129
♪ BY THE TIME THEY
STARTED SHOWING UP... ♪

154
00:11:03,163 --> 00:11:05,264
WHAT'S THAT, GRETCHEN?

155
00:11:05,298 --> 00:11:07,868
I DON'T BUY YOU AS A GRETCHEN.

156
00:11:07,900 --> 00:11:09,269
NEIN?

157
00:11:09,302 --> 00:11:11,739
[ SPEAKS GERMAN ]

158
00:11:11,772 --> 00:11:13,440
WHOA. UH, OKAY.

159
00:11:13,472 --> 00:11:14,951
OKAY, GUYS, WE HAVE ONE
HOUR. YOU ALL KNOW THE DRILL.

160
00:11:14,975 --> 00:11:16,943
SURVEILLE THE ROOM, GET IN,

161
00:11:16,976 --> 00:11:18,736
GET OUT WITH THE INTEL
AND THE BLACK THORINE.

162
00:11:28,154 --> 00:11:29,722
[ DRILLING ]

163
00:11:29,756 --> 00:11:31,892
EVERGREEN, MAINTAIN
POSITION. WE'RE ALMOST THERE.

164
00:11:37,096 --> 00:11:39,099
OKAY, I'M IN.

165
00:11:39,131 --> 00:11:40,768
EVERGREEN, YOU'RE CLEAR.

166
00:11:47,506 --> 00:11:50,177
INSERTING CAMERA NOW.

167
00:11:50,210 --> 00:11:52,479
READY FOR SOUND.

168
00:11:52,511 --> 00:11:54,815
PATCHING AUDIO-VISUAL FEEDS NOW.

169
00:11:54,847 --> 00:11:56,015
Marshall: COPY THAT.

170
00:11:57,116 --> 00:12:00,452
OKAY, I'VE GOT A
VISUAL ON TAMBOR.

171
00:12:07,027 --> 00:12:09,962
HOUSEKEEPING.

172
00:12:15,903 --> 00:12:17,203
[ DOOR BEEPS ]

173
00:12:20,572 --> 00:12:22,542
OH, I'M SORRY. I
ORDERED A FRENCH MAID.

174
00:12:22,575 --> 00:12:24,778
HERE YOU GO.

175
00:12:26,513 --> 00:12:27,722
THE LAPTOP IS
OUR FIRST PRIORITY.

176
00:12:27,746 --> 00:12:29,826
AFTER THAT, WE GO FOR THE
PDA. WHAT THE HELL'S GOING ON?

177
00:12:29,850 --> 00:12:31,460
I THOUGHT THIS GUY HITS THE
TABLES EVERY NIGHT BY 9:00.

178
00:12:31,484 --> 00:12:33,552
THAT'S WHAT WE KNOW.
YEAH, WELL, IT'S 9:06.

179
00:12:33,586 --> 00:12:35,788
OH, HERE WE GO.

180
00:12:41,461 --> 00:12:42,796
WHAT'S HE DOING?

181
00:12:45,899 --> 00:12:47,835
[ SOCCER GAME PLAYING ON TV ]

182
00:12:47,868 --> 00:12:49,536
LOOK AT THAT ROOM. THAT'S NICE.

183
00:12:49,568 --> 00:12:52,172
CHECK OUT THOSE DIGS.

184
00:12:57,076 --> 00:12:59,412
MARSHALL, WHAT
SOCCER MATCH IS THAT?

185
00:12:59,446 --> 00:13:02,014
UH, HOLD ON. LET... SORRY,
I'M NOT MUCH OF A SPORTS FAN.

186
00:13:02,048 --> 00:13:04,017
MORE OF A SCRABBLE CLUB TYPE.

187
00:13:04,051 --> 00:13:06,820
BOGGLE TOURNAMENT IF
I'M FEELING DANGEROUS.

188
00:13:06,854 --> 00:13:10,090
GUYS, TAMBOR OWNS THE TEAM.

189
00:13:10,123 --> 00:13:11,457
HE'S KIDDING, RIGHT?

190
00:13:11,490 --> 00:13:12,960
SO HE'S IN FOR THE NIGHT.

191
00:13:12,993 --> 00:13:14,470
HE CHECKS OUT FIRST
THING TOMORROW MORNING.

192
00:13:14,494 --> 00:13:16,428
IF WE DON'T GET
IN THERE TONIGHT,

193
00:13:16,462 --> 00:13:18,743
GET THE DATA OFF THAT COMPUTER,
WE LOSE HIM. WAIT A MINUTE.

194
00:13:20,399 --> 00:13:21,835
I HATE THAT PERFUME.

195
00:13:21,869 --> 00:13:24,136
IT WAS A WEIRD PATCHOULI SMELL.

196
00:13:24,171 --> 00:13:25,572
SEE UNDER THE BED?
THE SLINGBACKS?

197
00:13:25,605 --> 00:13:27,606
CHAMPAGNE BOTTLES
ON THE NIGHTSTAND.

198
00:13:27,639 --> 00:13:29,609
CHECK OUT THE
MAGAZINES. DESIGNER PURSE.

199
00:13:29,642 --> 00:13:32,479
IT'S A SHOT. WHAT'S A SHOT?
WHAT ARE YOU TALKING ABOUT?

200
00:13:32,511 --> 00:13:34,547
I KNOW WHERE TO
GET WHAT WE NEED.

201
00:13:34,581 --> 00:13:36,582
WHERE'S SHE GOING?
YOU MIND FILLING US IN?

202
00:13:36,615 --> 00:13:38,461
TAMBOR'S GOT A GIRLFRIEND.
SHE'S STAYING WITH HIM.

203
00:13:38,485 --> 00:13:40,552
SHE'S OUR WAY IN. WE HAVE
NO INTEL ON THAT WOMAN.

204
00:13:40,586 --> 00:13:42,554
YOU'LL BE GOING
IN BLIND, SYDNEY.

205
00:13:42,588 --> 00:13:44,466
WE KNOW ENOUGH. SHE HAS
GOSSIP RAGS ALL OVER THE ROOM,

206
00:13:44,490 --> 00:13:46,359
WHICH MEANS SHE'S
FINE MAKING A MESS,

207
00:13:46,393 --> 00:13:47,503
SO WE KNOW SHE'S
NOT A ONE-NIGHT STAND.

208
00:13:47,527 --> 00:13:50,529
HER SHOES COST MORE THAN
MOST PEOPLE'S MONTHLY SALARY,

209
00:13:50,562 --> 00:13:52,441
SO SHE EITHER HAS MONEY OF
HER OWN OR ACCESS TO TAMBOR'S.

210
00:13:52,465 --> 00:13:55,869
EITHER WAY, EMPTY CHAMPAGNE
BOTTLES, HER SIDE OF THE BED.

211
00:13:55,903 --> 00:13:57,437
THIS GIRL LIKES TO PARTY.

212
00:13:57,470 --> 00:13:59,414
BUT HER BOYFRIEND WOULD
RATHER STAY IN AND WATCH TV

213
00:13:59,438 --> 00:14:02,408
THEIR LAST NIGHT IN MONACO
THAN HANG OUT WITH HER,

214
00:14:02,442 --> 00:14:04,510
SO SHE'S BORED. MOST
LIKELY PISSED OFF.

215
00:14:04,543 --> 00:14:06,446
HOW DO YOU PROPOSE TO FIND HER?

216
00:14:06,479 --> 00:14:09,515
WELL, SHE LEFT HER
HANDBAG. SHE DIDN'T GO FAR.

217
00:14:09,548 --> 00:14:11,918
IN FACT, I'M GUESSING SHE'S
HITTING THE HOTEL BAR RIGHT NOW.

218
00:14:11,951 --> 00:14:13,428
ALL NADIA AND I NEED
TO DO IS GET TO HER

219
00:14:13,452 --> 00:14:15,422
AND GET HER TO
TAKE US TO THE ROOM.

220
00:14:15,455 --> 00:14:17,024
WHY ARE YOU
SMILING? I DON'T KNOW.

221
00:14:20,360 --> 00:14:22,004
WHERE'D YOU GET THIS
STUFF? I BORROWED THEM.

222
00:14:22,028 --> 00:14:24,130
YOU STOLE IT, DIDN'T YOU?

223
00:14:24,163 --> 00:14:26,466
SHE STOLE THE STUFF.

224
00:14:26,499 --> 00:14:27,676
NADIA, THIS COULD
JEOPARDIZE THE ENTIRE MISSION.

225
00:14:27,700 --> 00:14:29,970
TAMBOR'S SECURITY TEAM SAW YOU.

226
00:14:30,003 --> 00:14:32,038
IF THEY RECOGNIZE
YOU AS THE MAID,

227
00:14:32,072 --> 00:14:34,407
THEY WILL NOT
HESITATE TO TAKE ACTION.

228
00:14:34,441 --> 00:14:37,409
WITH ALL DUE RESPECT, NO ONE
PAYS ATTENTION TO THE HELP.

229
00:14:37,443 --> 00:14:40,413
I PROMISE THEY
WON'T RECOGNIZE ME.

230
00:14:46,452 --> 00:14:51,490
[ ROCK MUSIC PLAYING ]

231
00:14:57,429 --> 00:15:00,366
PATCHOULI.

232
00:15:00,399 --> 00:15:02,501
WAIT A MINUTE. WAIT A MINUTE.

233
00:15:02,534 --> 00:15:04,471
WHAT DO YOU MEAN?

234
00:15:04,504 --> 00:15:09,475
WELL, GUESS WHAT? I'M SICK
OF YOUR PATHETIC EXCUSES.

235
00:15:09,509 --> 00:15:10,909
HE'S NOT COMING.

236
00:15:11,979 --> 00:15:14,547
YOU STILL HAVE HIS
CHARGE CARD, RIGHT?

237
00:15:14,581 --> 00:15:16,649
OH, MY GOD.

238
00:15:16,682 --> 00:15:18,018
Man: MADAME?

239
00:15:18,051 --> 00:15:19,019
TWO.

240
00:15:19,052 --> 00:15:21,421
PLEASE.

241
00:15:23,389 --> 00:15:25,457
MEN SUCK, DON'T THEY?

242
00:15:27,626 --> 00:15:29,629
USUALLY.

243
00:15:34,000 --> 00:15:37,570
[ LAUGHING ]

244
00:15:37,604 --> 00:15:39,605
I SWEAR TO GOD, I AM
SO NOT THAT CLUMSY.

245
00:15:39,639 --> 00:15:41,441
DON'T LISTEN TO HER.

246
00:15:41,474 --> 00:15:42,717
SHE'S INCAPABLE OF
HOLDING HER LIQUOR.

247
00:15:42,741 --> 00:15:45,345
SHUT UP!

248
00:15:45,378 --> 00:15:47,379
NEED I REMIND YOU OF IBIZA?

249
00:15:47,413 --> 00:15:48,691
YOU AND THE DJ
WITH THE HANDCUFFS?

250
00:15:48,715 --> 00:15:52,318
I'M IGNORING YOU NOW. WATCH.

251
00:15:52,351 --> 00:15:54,687
JUST A WARNING. JUST A WARNING.

252
00:15:54,721 --> 00:15:57,323
MY BOYFRIEND?
HE'S KIND OF A JERK.

253
00:15:57,356 --> 00:15:59,993
LIKE MINE IS.

254
00:16:01,094 --> 00:16:04,297
ARE YOU JUST GOING
TO STAND THERE?

255
00:16:04,331 --> 00:16:06,265
I'M SORRY, MISS BRIDGET.

256
00:16:06,298 --> 00:16:08,368
THEY CALL ME MISS BRIDGET.

257
00:16:08,400 --> 00:16:10,336
[ LAUGHS ]

258
00:16:12,072 --> 00:16:13,706
♪ I'M COMIN' HOME

259
00:16:18,345 --> 00:16:21,648
OKAY. THEY'RE DOING
IT. THEY'RE IN THE ROOM.

260
00:16:21,681 --> 00:16:23,292
MR. SLOANE, I KNOW HOW
AGAINST THIS YOU WERE,

261
00:16:23,316 --> 00:16:26,253
BUT IF SYDNEY CHOOSES
TO SAY "I TOLD YOU SO"...

262
00:16:26,286 --> 00:16:27,354
SHE'S NOT OUT YET.

263
00:16:27,386 --> 00:16:29,288
THAT'S TRUE, BUT THEY'RE GOOD.

264
00:16:29,322 --> 00:16:31,357
THEY'RE REALLY GOOD.

265
00:16:41,134 --> 00:16:43,094
I NEED FIVE MINUTES TO
CHANGE, AND WE ARE LEAVING.

266
00:16:44,736 --> 00:16:46,706
MAKE YOURSELVES AT HOME, LADIES.

267
00:16:51,144 --> 00:16:53,279
WHAT'S THE SCORE?

268
00:16:53,312 --> 00:16:56,548
DEVILS 1, LAUTREC 3.

269
00:16:56,582 --> 00:16:58,150
SLOVAK WILL COME BACK.

270
00:16:58,184 --> 00:17:00,586
LAST YEAR, SECOND
HALF AGAINST MADRID,

271
00:17:00,620 --> 00:17:03,623
ROSCOE'S DIVING
HEADER IN EXTRA TIME?

272
00:17:03,655 --> 00:17:06,226
THE BEST GOAL EVER.

273
00:17:06,259 --> 00:17:08,295
BECKNER IS A GREAT MIDFIELDER.

274
00:17:08,327 --> 00:17:10,563
NOT TOO BAD ON THE EYES, EITHER.

275
00:17:10,596 --> 00:17:11,706
FOR WHAT I'M
PAYING HIM, [ Scoffs ]

276
00:17:11,730 --> 00:17:14,233
WHAT DO YOU MEAN?

277
00:17:14,267 --> 00:17:16,269
IT'S MY TEAM.

278
00:17:16,303 --> 00:17:17,604
SHUT UP.

279
00:17:17,636 --> 00:17:18,704
SHUT UP!

280
00:17:18,738 --> 00:17:22,108
YOU OWN THE SLOVAK DEVILS?
FELICIA, DID YOU HEAR THAT?

281
00:17:22,142 --> 00:17:24,176
SHE'S CLONING THE HARD
DRIVE, AND HE'S IN THE ROOM.

282
00:17:24,211 --> 00:17:26,346
HOW THE HELL DOES SHE
KNOW ABOUT THE SLOVAK DEVILS?

283
00:17:26,378 --> 00:17:28,315
WAS THAT IN THE FILE?
MAYBE SHE'S A SOCCER FAN.

284
00:17:28,347 --> 00:17:30,616
OH, GOD, THIS IS THE
GREATEST GIRL EVER.

285
00:17:34,253 --> 00:17:35,622
SHE GOT IT.

286
00:17:35,654 --> 00:17:37,257
I DIDN'T KNOW YOU LIKED SOCCER.

287
00:17:37,289 --> 00:17:39,659
I DO NOW. OH, BY THE
WAY, IT'S CALLED FUTBOL.

288
00:17:39,692 --> 00:17:42,328
I'M SORRY. FUTBOL. FUTBOL.

289
00:17:42,362 --> 00:17:43,762
FUT. RIGHT. RIGHT.

290
00:17:43,796 --> 00:17:45,265
IF I CAN BE HONEST,

291
00:17:45,298 --> 00:17:48,734
THE BACK FOUR ARE
SOLID, NO QUESTION,

292
00:17:48,768 --> 00:17:50,312
BUT WATCHING DEFENSIVE
FOOTIE IS A LITTLE BIT BORING.

293
00:17:50,336 --> 00:17:52,271
NOT TO ME, HUH.

294
00:17:52,305 --> 00:17:54,207
IT'S YOUR MONEY.

295
00:17:54,240 --> 00:17:56,119
DONATA, CAN YOU BELIEVE THAT
HAG IS DATING THE PRINCE OF GREECE?

296
00:17:56,143 --> 00:17:57,743
OH, GOD. DOESN'T
SHE HAVE ANY FRIENDS

297
00:17:57,777 --> 00:18:00,579
WHO CAN TELL HER
SHE LOOKS LIKE TRASH?

298
00:18:00,613 --> 00:18:03,250
DID YOU SEE THAT? SHE JUST
PALMED THE PDA FROM HIS JACKET.

299
00:18:03,282 --> 00:18:05,585
THAT'S MAGIC, MAN. I
SHOWED HER THAT WITH, LIKE,

300
00:18:05,617 --> 00:18:06,861
A BUSINESS CARD.
IT'S LIKE, FAZHAM!

301
00:18:06,885 --> 00:18:08,788
SHE'S AMAZING. I GET IT.

302
00:18:08,820 --> 00:18:09,888
SHE'S INCREDIBLE.

303
00:18:09,922 --> 00:18:12,558
FAZHAM? YEAH, FAZHAM.

304
00:18:12,592 --> 00:18:14,661
NICE. THEY'RE DOING IT.

305
00:18:14,693 --> 00:18:17,497
THEY'RE CLONING
TAMBOR'S PDA. SHE'S GOOD.

306
00:18:17,529 --> 00:18:19,832
OH, MY GOD, THOSE
BOOTS ARE HORRIFIC.

307
00:18:19,865 --> 00:18:21,667
I OWN THOSE, BITCH.

308
00:18:21,701 --> 00:18:23,269
WOULDN'T BE WEIRD
FOR YOU, WOULD IT,

309
00:18:23,303 --> 00:18:25,104
IF WE WERE DATING SISTERS?

310
00:18:30,509 --> 00:18:32,155
RENO'S LOST HIS STEP
SINCE THE KNEE SURGERY.

311
00:18:32,179 --> 00:18:34,646
YOU SHOULD REPLACE HIM.

312
00:18:34,681 --> 00:18:36,648
IDIOT!

313
00:18:36,682 --> 00:18:39,652
GOAL! DA, DA, DA!

314
00:18:39,685 --> 00:18:41,653
NADIA'S STILL GOT
HIS PDA. COME ON.

315
00:18:49,828 --> 00:18:51,931
EXTRAORDINARY.

316
00:18:51,963 --> 00:18:54,634
Sydney: OH, MY GOD.

317
00:18:54,666 --> 00:18:56,903
THAT DRESS IS
MAGNIFICENT. MY PDA.

318
00:18:56,935 --> 00:18:58,505
OH, GOD.

319
00:18:59,306 --> 00:19:01,473
ANTON!

320
00:19:01,508 --> 00:19:03,276
SEARCH THESE TWO.
CHECK THEIR BAGS.

321
00:19:03,309 --> 00:19:04,876
YOU CAN'T BE SERIOUS.

322
00:19:04,911 --> 00:19:07,547
WHERE DID YOU FIND THEM?
MY GOD, THIS IS INSANE.

323
00:19:10,883 --> 00:19:14,487
IS THIS WHAT YOU'RE
FREAKING OUT ABOUT?

324
00:19:18,825 --> 00:19:20,593
YOU BETTER GO NOW.

325
00:19:20,626 --> 00:19:23,195
YEAH, YOU THINK?

326
00:19:23,230 --> 00:19:24,872
YOU WERE RIGHT. YOUR
BOYFRIEND IS A TOTAL DRAG.

327
00:19:24,896 --> 00:19:26,598
COME ON.

328
00:19:37,977 --> 00:19:40,779
YOU WERE GIVEN A DIRECT ORDER,

329
00:19:40,813 --> 00:19:42,781
ONE YOU CHOSE TO DISREGARD.

330
00:19:42,815 --> 00:19:44,851
WE GATHERED THE
NECESSARY INTELLIGENCE.

331
00:19:44,884 --> 00:19:47,253
THAT IS NOT THE POINT, NADIA.

332
00:19:47,287 --> 00:19:49,788
YOU REPORT DIRECTLY TO ME.

333
00:19:49,822 --> 00:19:51,223
I ASSESSED THE RISKS

334
00:19:51,258 --> 00:19:52,991
AND DETERMINED THAT
THEY WERE TOO GREAT,

335
00:19:53,025 --> 00:19:56,563
AND STILL YOU BOTH
CHOSE TO DEFY ORDERS.

336
00:19:56,596 --> 00:19:59,499
WE DID WHAT WE WERE
TASKED TO DO, END OF STORY.

337
00:19:59,531 --> 00:20:02,335
I SHOULD REMIND YOU.

338
00:20:02,368 --> 00:20:04,002
YOU ANSWER TO ME.

339
00:20:04,036 --> 00:20:06,373
YOU'RE RIGHT.

340
00:20:06,405 --> 00:20:08,340
WE DISREGARDED A DIRECT ORDER.

341
00:20:08,375 --> 00:20:10,376
IT WON'T HAPPEN AGAIN.

342
00:20:10,410 --> 00:20:12,744
JUST SO WE DON'T HAVE THESE
MISUNDERSTANDINGS AGAIN,

343
00:20:12,778 --> 00:20:15,914
LET ME BE CLEAR TO BOTH OF YOU.

344
00:20:15,948 --> 00:20:19,486
QUESTIONING MY AUTHORITY,
WHETHER IT'S IN THIS OFFICE

345
00:20:19,519 --> 00:20:24,257
OR IN THE FIELD,
IS UNACCEPTABLE.

346
00:20:24,290 --> 00:20:25,892
UNACCEPTABLE?

347
00:20:25,924 --> 00:20:27,759
COMING FROM YOU,
THAT'S ALMOST FUNNY.

348
00:20:27,794 --> 00:20:30,329
SYDNEY, PLEASE.

349
00:20:30,363 --> 00:20:32,006
DO YOU REALLY WANT TO
ENGAGE IN A CONVERSATION

350
00:20:32,030 --> 00:20:38,337
ABOUT WHAT IS AND
WHAT IS NOT ACCEPTABLE?

351
00:20:38,371 --> 00:20:40,373
EVERY DAY I WORK HERE,

352
00:20:40,406 --> 00:20:42,375
I SEE YOUR FACE IN BRIEFINGS,

353
00:20:42,409 --> 00:20:43,851
I HEAR YOUR VOICE IN
MY EAR DURING MISSIONS,

354
00:20:43,875 --> 00:20:45,444
AND YOU WANT TO
KNOW WHAT IT'S LIKE?

355
00:20:45,478 --> 00:20:47,447
IT MAKES ME SICK TO MY STOMACH.

356
00:20:47,480 --> 00:20:51,317
HAVING TO PRETEND THE
PAST NEVER HAPPENED,

357
00:20:51,351 --> 00:20:54,320
THAT YOU'RE NOT
THE SAME MURDEROUS

358
00:20:54,354 --> 00:20:56,955
CRIMINAL SOCIOPATH YOU
WERE THREE YEARS AGO,

359
00:20:56,989 --> 00:20:59,025
IT MAKES ME WANT TO RETCH.

360
00:20:59,057 --> 00:21:01,961
IF YOU WANT TO
TALK UNACCEPTABLE,

361
00:21:01,993 --> 00:21:04,463
THAT IS UNACCEPTABLE.

362
00:21:06,333 --> 00:21:08,401
I ASSUMED THAT YOU
HAD ACCEPTED THE FACT

363
00:21:08,434 --> 00:21:10,569
THAT I MADE AMENDS FOR MY PAST.

364
00:21:13,339 --> 00:21:16,808
AMENDS?

365
00:21:16,843 --> 00:21:20,380
FRANCIE AND DANNY ARE GONE,

366
00:21:20,413 --> 00:21:22,414
AND YET HERE YOU ARE.

367
00:21:25,017 --> 00:21:27,386
AND EVERYWHERE I LOOK,

368
00:21:27,420 --> 00:21:30,423
I'M REMINDED OF THE
MAN WHO KILLED THEM.

369
00:21:32,424 --> 00:21:33,925
I SEE.

370
00:21:36,528 --> 00:21:38,730
HEY, UH, TAMBOR'S
ENCRYPTION PROGRAM...

371
00:21:38,765 --> 00:21:40,031
I BROKE IT.

372
00:21:40,066 --> 00:21:41,500
IT WAS KIND OF
BRILLIANT ON MY PART,

373
00:21:41,534 --> 00:21:43,078
BUT THEN AGAIN THE
DATA ITSELF WAS CODED,

374
00:21:43,102 --> 00:21:44,979
SO I HAD TO CROSS-REFERENCE
IT... MARSHALL, WHAT IS IT?

375
00:21:45,003 --> 00:21:47,374
WELL, IT LOOKS LIKE THE
SALE OF BLACK THORINE...

376
00:21:47,406 --> 00:21:49,375
IT'S GOING DOWN IN 16 HOURS.

377
00:21:49,409 --> 00:21:50,509
WE'LL BE RIGHT THERE.

378
00:21:50,542 --> 00:21:52,479
OKAY. YOU SHOULD HURRY.

379
00:22:09,461 --> 00:22:10,962
THE SITUATION IS CRITICAL.

380
00:22:10,997 --> 00:22:12,999
TAMBOR IS SELLING
THE BLACK THORINE

381
00:22:13,031 --> 00:22:14,733
ABOARD HIS YACHT, THE ARGENTO.

382
00:22:14,767 --> 00:22:16,110
WE HAVE LESS THAN 16
HOURS TO GET ON THAT BOAT

383
00:22:16,134 --> 00:22:17,769
AND RETRIEVE THE STOLEN VIAL.

384
00:22:17,804 --> 00:22:19,939
ACCORDING TO HARBOR
MASTER RECORDS,

385
00:22:19,971 --> 00:22:21,941
THE ARGENTO IS
SAILING IN THE BLACK SEA

386
00:22:21,973 --> 00:22:23,476
IN PROTECTED WATERS OFF TURKEY,

387
00:22:23,509 --> 00:22:26,077
WHICH MEANS WE HAVE NO
CHOICE BUT TO GO IN STEALTH

388
00:22:26,112 --> 00:22:28,448
WITHOUT THE COVER OF NIGHT.

389
00:22:28,480 --> 00:22:29,848
DO WE KNOW WHO THE BUYER IS?

390
00:22:29,882 --> 00:22:31,083
NO, BUT WE DO HAVE AN IDEA

391
00:22:31,116 --> 00:22:32,951
WHERE THE BLACK
THORINE IS BEING STORED.

392
00:22:32,984 --> 00:22:35,387
HERE, IN A CABIN BELOW DARK.

393
00:22:35,422 --> 00:22:36,255
MARSHALL.

394
00:22:36,288 --> 00:22:39,392
OKAY, HERE IS THE
SCHEMATIC OF THE VAULT

395
00:22:39,425 --> 00:22:40,692
THAT YOU'LL BE DEALING WITH.

396
00:22:40,727 --> 00:22:43,061
IT'S SECURE, BUILT INTO
THE BULKHEAD, OLD SCHOOL.

397
00:22:43,095 --> 00:22:45,397
SO WHOEVER IS GOING IN,

398
00:22:45,432 --> 00:22:53,138
YOU ARE GOING TO NEED... THESE.

399
00:22:53,172 --> 00:22:55,842
UH, YOUR BASIC
SAFECRACKING TOOLS.

400
00:22:55,875 --> 00:22:57,143
SOUNDS SIMPLE.

401
00:22:57,175 --> 00:22:58,744
NOT QUITE.

402
00:22:58,778 --> 00:23:00,846
NOW, I FOUND SOME RECEIPTS
ON TAMBOR'S HARD DRIVE.

403
00:23:00,880 --> 00:23:02,848
TURNS OUT HE
BOUGHT A CONDOR TL-60

404
00:23:02,882 --> 00:23:04,616
FREE-STANDING SAFE LAST MONTH.

405
00:23:04,651 --> 00:23:06,184
I DID SOME MEASUREMENTS,

406
00:23:06,218 --> 00:23:08,162
AND ODDLY ENOUGH, IT FITS
PERFECTLY WITHIN THE VAULT,

407
00:23:08,186 --> 00:23:09,855
SO I THINK IT'S SAFE TO ASSUME

408
00:23:09,888 --> 00:23:12,625
TAMBOR HAS A SAFE WITHIN A SAFE.

409
00:23:12,659 --> 00:23:14,727
HE'S CERTAINLY PARANOID ENOUGH.

410
00:23:14,760 --> 00:23:15,662
HOW DO WE CRACK IT?

411
00:23:15,694 --> 00:23:17,730
THE CONDOR USES A
TIME-SYNCHRONIZED LOCK.

412
00:23:17,763 --> 00:23:19,566
IT RANDOMIZES A COMBINATION
EVERY 60 SECONDS.

413
00:23:19,598 --> 00:23:21,142
NOW, THE COMBINATION
APPEARS ON A KEY CARD

414
00:23:21,166 --> 00:23:23,736
WITH AN LCD SCREEN.

415
00:23:23,769 --> 00:23:26,573
NOW, WE CAN ASSUME THAT
TAMBOR WILL HAVE IT ON HIM,

416
00:23:26,605 --> 00:23:28,674
SO... YOU'RE GONNA NEED THIS.

417
00:23:28,708 --> 00:23:32,111
THIS IS A HANDHELD
WIRELESS MONITOR,

418
00:23:32,144 --> 00:23:34,580
AND THIS RIGHT HERE...

419
00:23:34,614 --> 00:23:38,585
WILL YOU MARRY ME, MR. BRISTOW?

420
00:23:38,617 --> 00:23:41,820
IT'S A WAVE MILLIMETER CAMERA.

421
00:23:41,854 --> 00:23:43,789
IT WILL ALLOW YOU TO
READ THE COMBINATION

422
00:23:43,823 --> 00:23:47,493
THROUGH HIS CLOTHING, ASSUMING
HE'S NOT WEARING A LEAD GIRDLE,

423
00:23:47,527 --> 00:23:49,628
WHICH IS DOUBTFUL. BUT
YOU UNDERSTAND MY POINT.

424
00:23:49,662 --> 00:23:51,096
THERE'S A JET STANDING BY.

425
00:23:51,130 --> 00:23:52,731
THIS IS A HIGH-RISK
MISSION. NO BACKUP.

426
00:23:52,765 --> 00:23:55,602
VAUGHN, DIXON, THIS IS YOUR OP.

427
00:23:55,634 --> 00:23:56,769
I'M SENDING YOU TO THE SHIP.

428
00:23:56,802 --> 00:23:59,739
IF YOU DON'T MIND, I'D LIKE
TO FINISH WHAT I STARTED.

429
00:23:59,771 --> 00:24:01,508
SO WOULD I.

430
00:24:03,576 --> 00:24:04,777
THEY ARE THE TWO BEST DIVERS.

431
00:24:04,810 --> 00:24:06,178
FOR ME TO SEND THEM AFTER

432
00:24:06,211 --> 00:24:07,389
THE WAY THEY BEHAVED
IN MONTE CARLO,

433
00:24:07,413 --> 00:24:09,816
NOT TO MENTION THE WAY
SYDNEY JUST BEHAVED IN MY OFFICE,

434
00:24:09,848 --> 00:24:11,617
WOULD BE TANTAMOUNT
TO REWARDING THEM

435
00:24:11,651 --> 00:24:13,786
FOR INSUBORDINATION.

436
00:24:13,819 --> 00:24:18,691
I THOUGHT I WOULD HAVE
YOUR SUPPORT ON THIS.

437
00:24:18,724 --> 00:24:21,627
ARVIN, THE NUANCE OF
FATHERHOOD MAY ELUDE ME,

438
00:24:21,661 --> 00:24:24,530
BUT THERE'S ONE
THING I AM SURE OF.

439
00:24:24,564 --> 00:24:27,733
YOU ARE NOT GOING TO FORGE
ANY KIND OF BOND WITH NADIA

440
00:24:27,767 --> 00:24:32,238
IF YOU ATTEMPT TO KEEP HER
FROM WORKING WITH HER SISTER.

441
00:24:52,759 --> 00:24:56,095
I TOLD HIM, IF YOU
DON'T WIN US NEXT GAME,

442
00:24:56,127 --> 00:24:58,597
YOU'RE GOING TO SUFFER A
PAINFUL TRAINING INJURY, HUH?

443
00:24:58,631 --> 00:25:01,166
[ LAUGHTER ]

444
00:25:02,634 --> 00:25:06,673
IS THAT WHY YOU
DOUBLED HIS SALARY?

445
00:25:10,175 --> 00:25:11,711
HA.

446
00:25:20,152 --> 00:25:21,688
Sydney: PHOENIX TO
BASE, WE'RE ON DECK.

447
00:25:21,721 --> 00:25:23,655
PROCEED WITH CAUTION.

448
00:25:23,690 --> 00:25:25,257
COPY THAT. WE'RE MOVING IN.

449
00:25:28,294 --> 00:25:30,563
WE'RE GOING BELOW DECK.

450
00:25:30,596 --> 00:25:32,565
WE'LL BE RADIO SILENT
UNTIL WE REACH THE SAFE.

451
00:25:32,598 --> 00:25:34,701
ROGER THAT.

452
00:25:44,175 --> 00:25:45,811
[ BEEP ]

453
00:25:45,845 --> 00:25:48,647
BLACK LABEL. BUT OF COURSE.

454
00:25:54,286 --> 00:25:57,323
EVERYTHING WE...
PHOENIX, WE HAVE A VISUAL.

455
00:25:57,355 --> 00:25:59,325
COPY THAT. SWITCHING
TO MILLIMETER WAVE.

456
00:25:59,357 --> 00:26:01,594
FREEZE IT THERE. SAVE IT.

457
00:26:01,627 --> 00:26:03,796
STAND BY. ENHANCING THE IMAGE.

458
00:26:05,798 --> 00:26:10,336
I ALWAYS BELIEVE IN
PLEASURE BEFORE BUSINESS.

459
00:26:10,368 --> 00:26:13,372
BUT, THAT BEING SAID...

460
00:26:13,404 --> 00:26:15,807
MARSHALL, REWIND THE FEED.

461
00:26:15,842 --> 00:26:18,210
IS THERE A PROBLEM?

462
00:26:18,243 --> 00:26:21,780
PULL UP EVERYTHING
WE HAVE ON LEO ORISSA.

463
00:26:21,814 --> 00:26:26,618
LEO ORISSA... OKAY.

464
00:26:28,855 --> 00:26:34,192
ANTON, GET THE MAN
WHAT HE CAME FOR, HUH?

465
00:26:34,226 --> 00:26:36,796
IF YOU DON'T MIND,
I WOULD LIKE FIRST

466
00:26:36,828 --> 00:26:39,298
FOR MY CHEMIST TO
CONDUCT A LITTLE TEST, UH...

467
00:26:39,330 --> 00:26:41,366
A PRECAUTION.

468
00:26:41,400 --> 00:26:42,701
MM.

469
00:26:42,734 --> 00:26:43,769
[ SAFE BEEPS ]

470
00:26:49,141 --> 00:26:51,309
READY. COPY THAT.

471
00:26:51,343 --> 00:26:54,046
SCANNING TAMBOR FOR
THE LATEST COMBINATION.

472
00:26:54,079 --> 00:26:58,349
CODE IS 4-2-6-8-7.

473
00:27:00,219 --> 00:27:01,353
OH, MY GOD.

474
00:27:01,386 --> 00:27:04,190
WE NEED A BIGGER CASE.

475
00:27:08,227 --> 00:27:11,230
CLOSE IT UP... NOW.

476
00:27:28,213 --> 00:27:30,249
SO, YOU NEVER TOLD ME...

477
00:27:30,281 --> 00:27:33,152
WHAT DO YOU PLAN TO
DO WITH YOUR PURCHASE?

478
00:27:33,184 --> 00:27:35,253
IT IS INTERESTING, ACTUALLY.

479
00:27:37,056 --> 00:27:41,059
WE PLAN ON TAKING CONTROL
OF YOUR ENTIRE OPERATION.

480
00:27:43,796 --> 00:27:47,266
THIS GUY... [
CONTINUES LAUGHING ]

481
00:27:47,298 --> 00:27:48,768
YOU KNOW THIS GUY?

482
00:27:48,800 --> 00:27:50,469
HE'S AN OLD FRIEND.

483
00:27:50,501 --> 00:27:53,204
BAD-ASS FRIEND.

484
00:27:53,239 --> 00:27:57,343
[ LAUGHING CONTINUES ]

485
00:28:50,496 --> 00:28:54,133
YOU DON'T TREAT A
GIRLFRIEND LIKE THAT.

486
00:28:56,067 --> 00:28:58,203
[ GUNSHOT ]

487
00:29:07,946 --> 00:29:09,315
[ STATIC ON RADIO ]

488
00:29:09,347 --> 00:29:13,251
PHOENIX, EVERGREEN, DO YOU COPY?

489
00:29:13,285 --> 00:29:15,453
I REPEAT, DO YOU COPY?

490
00:29:30,201 --> 00:29:32,403
Sydney: PHOENIX TO BASE.

491
00:29:32,438 --> 00:29:34,105
TAMBOR AND HIS MEN ARE DEAD.

492
00:29:34,140 --> 00:29:36,375
AMBUSHED.

493
00:29:36,407 --> 00:29:38,109
BY LEO ORISSA, HEAD OF A RUSSIAN

494
00:29:38,144 --> 00:29:40,145
ORGANIZED CRIME SYNDICATE.

495
00:29:40,179 --> 00:29:42,048
I USED TO WORK WITH HIM

496
00:29:42,080 --> 00:29:45,050
WHEN I WAS HEAD OF SD-6.

497
00:29:45,084 --> 00:29:47,419
HE HAS A LINK ON THE INSIDE.

498
00:29:47,452 --> 00:29:49,421
THE GIRLFRIEND FED HIM
EVERYTHING HE NEEDED.

499
00:29:49,454 --> 00:29:51,123
THEY'RE IN POSSESSION
OF THE VIAL?

500
00:29:51,156 --> 00:29:54,093
A LOT MORE THAN A VIAL.
AT LEAST 10 CANISTERS.

501
00:29:54,125 --> 00:29:56,127
10 MORE... MUST HAVE
REVERSE-ENGINEERED IT.

502
00:29:56,162 --> 00:29:57,339
WHICH MEANS THEY'RE
MANUFACTURING IT.

503
00:29:57,363 --> 00:30:00,098
TAMBOR HAS A LAB SOMEWHERE.
ORISSA MUST KNOW WHERE IT IS.

504
00:30:00,132 --> 00:30:03,335
ORISSA'S ASSOCIATES
ARE MOST LIKELY SECURING

505
00:30:03,368 --> 00:30:05,070
THE BLACK THORINE FOR TRANSPORT.

506
00:30:05,104 --> 00:30:06,905
NADIA, CAN YOU TAKE
THEM OUT ALONE?

507
00:30:06,939 --> 00:30:08,039
I THINK SO.

508
00:30:08,074 --> 00:30:09,875
GIVEN MY HISTORY WITH ORISSA,

509
00:30:09,909 --> 00:30:12,044
I BELIEVE HE'D BE
WILLING TO TALK.

510
00:30:12,077 --> 00:30:13,945
HOW?

511
00:30:13,980 --> 00:30:15,189
SYDNEY, IN ORDER
FOR THIS TO WORK,

512
00:30:15,213 --> 00:30:17,849
YOU'RE GOING TO
HAVE TO LISTEN TO ME.

513
00:30:17,884 --> 00:30:19,986
YOU'RE GOING TO
HAVE TO TRUST ME.

514
00:30:51,650 --> 00:30:54,619
HELLO AGAIN.

515
00:30:56,122 --> 00:30:58,656
MY EMPLOYER WON'T BE HAPPY
IF YOU PULL THAT TRIGGER.

516
00:30:58,690 --> 00:31:00,026
YOUR EMPLOYER?

517
00:31:00,058 --> 00:31:01,593
WHO THE HELL DO YOU WORK FOR?

518
00:31:01,626 --> 00:31:03,628
TELL HIM.

519
00:31:03,662 --> 00:31:07,199
I WORK FOR ARVIN SLOANE.

520
00:31:18,309 --> 00:31:20,679
HE'S DEMANDING 50%?

521
00:31:20,711 --> 00:31:23,481
INCLUDING ALL FUTURE
PROFITS FROM THIS VENTURE.

522
00:31:23,515 --> 00:31:27,486
ARVIN ALWAYS HAD AN
ODD SENSE OF HUMOR.

523
00:31:27,519 --> 00:31:30,455
I CAME UNARMED OUT OF RESPECT

524
00:31:30,489 --> 00:31:33,925
SO THAT WE COULD
TALK LIKE GENTLEMEN.

525
00:31:33,960 --> 00:31:35,560
YOU ARE NOT
SERIOUSLY CONSIDERING

526
00:31:35,594 --> 00:31:36,996
MAKING A DEAL WITH THIS WOMAN.

527
00:31:37,028 --> 00:31:39,597
DO NOT LET HER
DERAIL THIS, SYDNEY.

528
00:31:39,631 --> 00:31:41,467
I'D KEEP MY MOUTH
SHUT IF I WERE YOU.

529
00:31:41,500 --> 00:31:44,170
YOU'RE THE ONE WHO MADE IT EASY.

530
00:31:44,202 --> 00:31:46,238
YOU PRACTICALLY DREW US A MAP.

531
00:31:46,271 --> 00:31:49,540
YOU? YOU LED SLOANE TO ME?

532
00:31:49,575 --> 00:31:52,611
I THOUGHT SHE WAS
JUST SOME KIND OF...

533
00:32:02,753 --> 00:32:04,990
FINE.

534
00:32:05,023 --> 00:32:07,625
I AGREE TO HIS TERMS.

535
00:32:07,659 --> 00:32:08,727
ASK FOR INSURANCE.

536
00:32:08,759 --> 00:32:11,663
MR. SLOANE WILL BE PLEASED.

537
00:32:11,696 --> 00:32:14,200
OF COURSE, HE NEEDS
A SIGN OF GOOD FAITH.

538
00:32:14,232 --> 00:32:16,535
WHAT MORE DOES HE WANT?

539
00:32:16,567 --> 00:32:18,636
THE LOCATION OF THE LAB.

540
00:32:21,707 --> 00:32:23,209
DON'T MOVE.

541
00:32:31,782 --> 00:32:36,555
MENTION MY FRIEND, DR. CHALEB.

542
00:32:36,587 --> 00:32:41,126
WHAT I DID TO HIM
AFTER HE BETRAYED ME.

543
00:32:41,160 --> 00:32:44,462
I ASSUME YOU HAVEN'T
FORGOTTEN DR. CHALEB.

544
00:32:44,496 --> 00:32:47,499
WHAT SLOANE DID TO HIM.

545
00:32:47,532 --> 00:32:51,103
THE SOUND OF HIS OWN
SCREAMING WOKE HIM UP.

546
00:32:51,136 --> 00:32:55,473
HE SAW EVERYTHING
BURNING AROUND HIM,

547
00:32:55,507 --> 00:32:57,409
INCLUDING HIS OWN FLESH.

548
00:32:57,442 --> 00:32:59,711
THE FIRE,

549
00:32:59,744 --> 00:33:03,682
THE SMELL OF HIS OWN
FLESH BURNING, THE SCREAMS.

550
00:33:03,714 --> 00:33:07,653
I IMAGINE HE SPENDS
HIS DAYS, NIGHTS

551
00:33:07,685 --> 00:33:11,490
WISHING THAT I HAD
FINISHED THE JOB.

552
00:33:11,522 --> 00:33:13,791
WISHING THAT HE WERE DEAD.

553
00:33:13,825 --> 00:33:18,797
HIS BODY DOESN'T
WORK, BUT HIS MIND DOES.

554
00:33:18,829 --> 00:33:22,433
HE'S A LIVING CORPSE.

555
00:33:22,468 --> 00:33:26,538
SLOANE DIDN'T SHOW
ENOUGH MERCY TO KILL HIM.

556
00:33:36,147 --> 00:33:40,385
LET ME TELL YOU
SOMETHING I KNOW.

557
00:33:40,419 --> 00:33:42,421
ARVIN SLOANE IS CRUEL.

558
00:33:43,788 --> 00:33:45,423
HE'S INHUMAN.

559
00:33:45,457 --> 00:33:48,059
IF YOU MAKE THIS DIFFICULT,

560
00:33:48,094 --> 00:33:50,061
HE WILL COME AFTER YOU.

561
00:33:50,096 --> 00:33:52,198
AND NOT JUST YOU.

562
00:33:52,230 --> 00:33:56,201
YOUR FRIENDS WILL NOT BE SPARED.

563
00:33:56,234 --> 00:34:00,138
YOUR FAMILY WILL NOT BE SPARED.

564
00:34:01,507 --> 00:34:05,611
IF HE CHOOSES TO LET YOU LIVE,

565
00:34:05,644 --> 00:34:08,614
YOU'LL SPEND EVERY
WAKING MINUTE OF YOUR LIFE

566
00:34:08,646 --> 00:34:11,083
REMINDED OF WHAT
HE'S CAUSED YOU.

567
00:34:12,483 --> 00:34:18,389
WORD TO THE WISE...
GIVE HIM WHAT HE WANTS.

568
00:34:31,737 --> 00:34:35,873
THE LAB... IT'S IN THE UKRAINE.

569
00:34:35,907 --> 00:34:37,842
KHMEL'NITSKY.

570
00:34:37,876 --> 00:34:39,177
YOU SON OF A BITCH!

571
00:35:30,862 --> 00:35:34,432
Sydney: PHOENIX TO BASE.
WE'RE READY FOR PICKUP.

572
00:35:34,465 --> 00:35:36,902
YOU HAVE NO IDEA HOW
GLAD I AM TO HEAR THAT.

573
00:35:36,934 --> 00:35:39,137
I'll CALL THE CHOPPER.

574
00:35:40,405 --> 00:35:41,907
ARVIN.

575
00:35:44,409 --> 00:35:47,313
YOU DID WHAT YOU HAD TO DO.

576
00:35:47,346 --> 00:35:49,715
YES.

577
00:35:49,748 --> 00:35:51,849
ALTHOUGH I IMAGINE
IT'S THE LAST TIME

578
00:35:51,882 --> 00:35:54,820
I'll BE WORKING WITH
YOUR DAUGHTER.

579
00:36:31,989 --> 00:36:33,824
YOU DID A GOOD JOB.

580
00:36:33,858 --> 00:36:36,561
I WAS GONNA SAY THE
SAME THING TO YOU.

581
00:36:38,996 --> 00:36:41,900
I NEVER IMAGINED THIS.

582
00:36:41,932 --> 00:36:43,902
I DIDN'T EVEN KNOW
SPIES WERE REAL

583
00:36:43,934 --> 00:36:46,438
UNTIL I WAS RECRUITED.

584
00:36:46,472 --> 00:36:47,806
FROM SCHOOL?

585
00:36:47,838 --> 00:36:50,007
FROM OUR JUVENILE
DETENTION HOME.

586
00:36:50,041 --> 00:36:54,980
WHEN I WAS YOUNG, I
WAS RECKLESS... ANGRY.

587
00:36:55,012 --> 00:36:58,784
I REMEMBER ONE JUDGE
SAID HE THOUGHT I WAS LOST.

588
00:36:58,817 --> 00:37:01,253
HE WASN'T WRONG.

589
00:37:02,920 --> 00:37:04,989
MY TRAINING AGENT
USED TO TELL ME

590
00:37:05,023 --> 00:37:07,525
I WAS GOOD AT GETTING
IN AND OUT OF SITUATIONS

591
00:37:07,559 --> 00:37:08,994
WITHOUT BEING NOTICED.

592
00:37:09,027 --> 00:37:11,663
NOT TO MENTION I HAD NO ONE...

593
00:37:11,697 --> 00:37:13,965
NO FAMILY, NO TIES.

594
00:37:13,998 --> 00:37:17,702
I COULDN'T BE COMPROMISED,
BECAUSE I WAS ALONE.

595
00:37:21,472 --> 00:37:25,943
I ALWAYS THOUGHT THAT'S
WHAT MADE ME A GOOD SPY.

596
00:37:27,646 --> 00:37:29,981
AND NOW?

597
00:37:30,014 --> 00:37:33,018
I MIGHT HAVE BEEN WRONG.

598
00:37:53,505 --> 00:37:57,708
♪ TAKE YOUR EYES OFF ME

599
00:37:57,742 --> 00:37:59,378
♪ THERE'S NOTHING...

600
00:37:59,411 --> 00:38:00,579
JUST SAY STOP ANYWHERE.

601
00:38:00,612 --> 00:38:01,847
STOP.

602
00:38:01,880 --> 00:38:03,715
OKAY.

603
00:38:03,748 --> 00:38:04,949
IS THAT YOUR CARD?

604
00:38:04,983 --> 00:38:06,818
NO.

605
00:38:06,851 --> 00:38:08,586
THIS WASN'T YOUR CARD?

606
00:38:08,619 --> 00:38:09,820
IT IS NOT.

607
00:38:09,855 --> 00:38:11,422
ARE YOU SURE?

608
00:38:11,456 --> 00:38:12,824
IT'S NOT AT ALL MY CARD.

609
00:38:12,858 --> 00:38:14,893
OKAY, I THINK YOU'RE
LYING, BUT HOLD ON TO THAT.

610
00:38:14,925 --> 00:38:15,927
ARE YOU SURE?

611
00:38:15,960 --> 00:38:17,695
MM-HMM.

612
00:38:17,728 --> 00:38:19,431
WELL, THAT'S NEVER
HAPPENED. I'M SORRY.

613
00:38:19,465 --> 00:38:20,907
HOLD ON ONE SECOND.
WHAT WAS YOUR CARD?

614
00:38:20,931 --> 00:38:22,934
QUEEN OF SPADES.

615
00:38:22,967 --> 00:38:23,969
THE QUEEN OF SPADES?

616
00:38:24,001 --> 00:38:25,836
YOU SAID THAT WASN'T YOUR CARD.

617
00:38:25,871 --> 00:38:27,838
IT IS NOT.

618
00:38:27,873 --> 00:38:29,375
HOW DID YOU DO THAT?

619
00:38:29,407 --> 00:38:30,675
THIS IS INCREDIBLE.

620
00:38:30,708 --> 00:38:32,478
WELL, IT'S NOT INCREDIBLE.
IT'S CHILD'S PLAY.

621
00:38:32,510 --> 00:38:34,346
I'VE GOT A MILLION OF THEM.

622
00:38:34,380 --> 00:38:36,614
YOUR SMILE IS SO UNBELIEVABLE.

623
00:38:38,449 --> 00:38:39,751
WE GOING? UH, YEAH, WE'RE GOING.

624
00:38:39,784 --> 00:38:42,554
WE'RE JUST FLIRTING
HERE IF YOU MIND. SORRY.

625
00:38:42,588 --> 00:38:44,755
♪ TIME OUT ON THE
RUNNING BOARDS ♪

626
00:38:44,789 --> 00:38:46,824
♪ WE'RE RUNNING

627
00:38:46,858 --> 00:38:52,530
♪ THROUGH A WORLD
THAT LOST ITS MEANING ♪

628
00:38:52,563 --> 00:38:54,900
LANGLEY IS PLEASED.

629
00:38:54,932 --> 00:38:58,737
THEY LOCATED THE PRODUCTION
FACILITY FOR BLACK THORINE.

630
00:38:58,769 --> 00:39:01,739
THE RAID WAS SUCCESSFUL.

631
00:39:01,773 --> 00:39:04,376
I'M HAPPY TO HEAR IT.

632
00:39:06,411 --> 00:39:08,547
SO, SYDNEY, I CONTACTED CHASE.

633
00:39:08,579 --> 00:39:10,548
SHE'S EXPECTING A CALL FROM YOU

634
00:39:10,581 --> 00:39:12,684
REGARDING A TRANSFER
FROM THIS UNIT.

635
00:39:12,717 --> 00:39:18,724
GIVEN YOUR SENTIMENTS, I
ASSUME THAT'S WHAT YOU WANT.

636
00:39:18,757 --> 00:39:23,762
I WANT TO MAKE SOMETHING CLEAR.

637
00:39:26,632 --> 00:39:29,134
I WILL NEVER FORGIVE YOU

638
00:39:29,166 --> 00:39:32,704
FOR WHAT YOU'VE DONE TO ME,

639
00:39:32,737 --> 00:39:35,574
TO THE PEOPLE I LOVE.

640
00:39:37,509 --> 00:39:39,478
NO AMOUNT OF TIME OR DISTANCE

641
00:39:39,510 --> 00:39:41,713
WILL EVER CHANGE THAT.

642
00:39:41,746 --> 00:39:43,581
♪ WE'RE RUNNING

643
00:39:43,614 --> 00:39:47,853
♪ THROUGH A WORLD
THAT LOST ITS MEANING ♪

644
00:39:49,855 --> 00:39:51,722
I'll SEE YOU TOMORROW.

645
00:39:51,757 --> 00:39:53,692
♪ TRYING TO FIND A WAY TO LOVE ♪

646
00:39:53,724 --> 00:39:59,697
♪ THIS RUNNING ♪
AIN'T NO KIND OF FREEDOM

647
00:40:01,733 --> 00:40:09,474
♪ FREEDOM ♪ FREEDOM