1
00:00:03,133 --> 00:00:04,711
Michael: SYD, YOU
CAN'T BLAME YOURSELF.

2
00:00:04,735 --> 00:00:06,512
SURE, I CAN.

3
00:00:06,536 --> 00:00:08,354
WELL, DON'T. SHE WAS
PLAYING YOU. MAYBE SHE WAS.

4
00:00:08,378 --> 00:00:10,357
WHAT WERE YOU SUPPOSED
TO DO? I COULD HAVE LISTENED.

5
00:00:10,381 --> 00:00:11,658
SHE OFFERED TO HELP
WILL, AND I JUST SAID NO.

6
00:00:11,682 --> 00:00:13,360
YOU'RE TALKING ABOUT HER

7
00:00:13,384 --> 00:00:15,021
AS THOUGH YOU CAN
TRUST A WORD SHE SAYS.

8
00:00:15,045 --> 00:00:16,163
WHICH WE KNOW WE CAN'T,

9
00:00:16,187 --> 00:00:17,663
SO MAYBE WE COULD
HAVE PLAYED HER.

10
00:00:17,687 --> 00:00:19,226
IF YOU KEEP
SECOND-GUESSING YOURSELF,

11
00:00:19,250 --> 00:00:21,027
YOU'RE GOING TO
DRIVE YOURSELF CRAZY.

12
00:00:21,051 --> 00:00:22,628
I KEEP CHECKING MY VOICEMAIL,
JUST HOPING WILL'S CALLED,

13
00:00:22,652 --> 00:00:25,032
TOLD US WHERE HE IS.

14
00:00:25,056 --> 00:00:26,733
Marshall: SO, CARRIE
AND I WENT OUT.

15
00:00:26,757 --> 00:00:28,504
IT WAS GREAT. WE GOT SUSHI.

16
00:00:28,528 --> 00:00:30,707
AND WHEN WE GOT THERE,
THE GUY BEHIND THE COUNTER...

17
00:00:30,731 --> 00:00:34,341
LIKE, LITTLE SUSHI...
THEY WERE LIKE, "HEY!"

18
00:00:34,365 --> 00:00:36,643
YOU KNOW, WHEN WE GOT
THERE, LIKE THEY KNEW US.

19
00:00:36,667 --> 00:00:38,644
THEY DO THAT AT A
LOT OF SUSHI PLACES.

20
00:00:38,668 --> 00:00:40,186
REALLY? OH.

21
00:00:40,210 --> 00:00:41,588
ANYWAY, IT WAS GREAT.

22
00:00:41,612 --> 00:00:43,149
WE HAD A FANTASTIC MEAL, AND...

23
00:00:43,173 --> 00:00:44,650
SO WHAT'S THE PROBLEM?

24
00:00:44,674 --> 00:00:47,194
WELL, POST-FISH, WHEN I
WENT TO DROP HER OFF,

25
00:00:47,218 --> 00:00:49,695
THIS IS TRADITIONALLY,
CLASSICALLY,

26
00:00:49,719 --> 00:00:52,698
THE TIME WHERE I WOULD...
OR A MAN WOULD... KISS HER,

27
00:00:52,722 --> 00:00:55,432
AND, WELL, I JUST
STARTED SWEATING.

28
00:00:55,456 --> 00:00:58,235
HOW BAD? BAD. WEIRD
BAD. FREAK SHOW BAD.

29
00:00:58,259 --> 00:01:00,107
DID SHE NOTICE? DID SHE NOTICE?

30
00:01:00,131 --> 00:01:01,408
IT WAS LIKE I HAD JUST
GOTTEN OUT OF THE LAP POOL.

31
00:01:01,432 --> 00:01:03,640
OKAY, YOU NEED HELP.
YEAH. WITH THE LADIES.

32
00:01:03,664 --> 00:01:05,512
THE THING IS, IT'S
SORT OF A CATCH-22.

33
00:01:05,536 --> 00:01:07,244
[ BEEP ]

34
00:01:07,268 --> 00:01:08,545
GO AHEAD. KEEP
GOING. I'M LISTENING.

35
00:01:08,569 --> 00:01:11,078
BECAUSE, SEE, TO FEEL
COMFORTABLE AROUND A WOMAN,

36
00:01:11,102 --> 00:01:13,379
YOU HAVE TO HAVE EXPERIENCE.
AND TO HAVE EXPERIENCE,

37
00:01:13,403 --> 00:01:15,482
IT SOUNDS LIKE YOU
HAVE TO NOT BE YOU.

38
00:01:15,506 --> 00:01:17,253
I WAS ALMOST KILLED LAST YEAR,

39
00:01:17,277 --> 00:01:19,426
AND THE DOCTORS ACTUALLY
DIDN'T THINK I WAS GONNA MAKE IT.

40
00:01:19,450 --> 00:01:21,652
AND THE THING THAT I LEARNED
FROM THAT EXPERIENCE...

41
00:01:23,584 --> 00:01:24,584
THANKS.

42
00:01:27,287 --> 00:01:29,335
SYD... EXCUSE ME...
WE'RE RECEIVING INTEL

43
00:01:29,359 --> 00:01:31,337
ON A LOCAL TOP-SECRET
SERVER FROM A SOURCE

44
00:01:31,361 --> 00:01:33,400
OUTSIDE THE BUILDING.
WHO'S SENDING THE SIGNAL?

45
00:01:33,424 --> 00:01:34,741
YOUR MOTHER.

46
00:01:34,765 --> 00:01:36,242
WE JUST GOT AN UPLOAD.

47
00:01:36,266 --> 00:01:37,644
AND I JUST LEFT YOU A MESSAGE.

48
00:01:37,668 --> 00:01:39,105
IT'S THE DNA STRING OF THE
PERSON WHO WAS DOUBLED.

49
00:01:39,129 --> 00:01:40,706
MR. KENDALL, I'M GOING TO
ASK THAT AS SOON AS WILL TIPPIN

50
00:01:40,730 --> 00:01:42,579
IS LOCATED, WE BRING HIM IN
TO COMPARE THIS TO HIS DNA.

51
00:01:42,603 --> 00:01:44,251
WE'RE VERIFYING
THE DATA NOW, SIR,

52
00:01:44,275 --> 00:01:46,283
BUT IT LOOKS
LEGIT... LEGITIMATE.

53
00:01:46,307 --> 00:01:48,478
YEAH, I KNOW WHAT LEGIT MEANS.

54
00:01:49,810 --> 00:01:52,489
Francie: WHAT ELSE DO THEY KNOW?

55
00:01:52,513 --> 00:01:55,115
DID SYDNEY TELL YOU WHAT
THE CIA KNOWS, OR JACK?

56
00:01:56,616 --> 00:01:58,525
I DIDN'T SAY JACK WAS INVOLVED.

57
00:01:58,549 --> 00:02:00,227
OF COURSE YOU DID.

58
00:02:00,251 --> 00:02:02,192
YOU SAID IN THE CAR...
YOU MENTIONED HIS NAME.

59
00:02:05,156 --> 00:02:07,198
GOD, I'M LOSING MY MIND.

60
00:02:09,629 --> 00:02:11,877
THE CIA DOESN'T KNOW ANYTHING.

61
00:02:11,901 --> 00:02:14,134
THAT'S THE PROBLEM.

62
00:02:19,170 --> 00:02:21,687
IT DOESN'T MAKE
ANY SENSE, DOES IT?

63
00:02:21,711 --> 00:02:24,450
THE ENTIRE CIA,

64
00:02:24,474 --> 00:02:27,394
AND THEY HAVE NO
IDEA WHO THE DOUBLE IS.

65
00:02:27,418 --> 00:02:30,326
IT JUST SHOWS YOU
HOW WRONG THEY CAN BE.

66
00:02:30,350 --> 00:02:32,299
AND NOW THEY THINK I'M A KILLER.

67
00:02:32,323 --> 00:02:34,300
WHICH I AM, BY THE WAY.

68
00:02:34,324 --> 00:02:35,801
I'VE KILLED PEOPLE.

69
00:02:35,825 --> 00:02:38,134
PEOPLE WHO WERE
TRYING TO KILL YOU.

70
00:02:38,158 --> 00:02:40,266
SO WHAT? DOES THAT MAKE IT EASY,

71
00:02:40,290 --> 00:02:42,468
OR... OR... FRANCIE, I
ENDED SOMEONE'S LIFE.

72
00:02:42,492 --> 00:02:44,311
TWO PEOPLE'S LIVES.

73
00:02:44,335 --> 00:02:47,143
I'M A KILLER.

74
00:02:47,167 --> 00:02:49,168
I SHOULDN'T BE YELLING THIS.

75
00:03:01,681 --> 00:03:03,584
YOU'RE WARM.

76
00:03:09,860 --> 00:03:11,298
[ DOOR OPENS ]

77
00:03:11,322 --> 00:03:14,640
HOLD IT! HANDS
WHERE I CAN SEE THEM!

78
00:03:14,664 --> 00:03:16,426
YEAH, IT'S HIM. IT'S TIPPIN.

79
00:03:38,218 --> 00:03:40,227
JUST TELL ME. WE RECEIVED
A FILE... A DNA STRING

80
00:03:40,251 --> 00:03:41,768
OF THE PERSON WHO WAS DOUBLED.

81
00:03:41,792 --> 00:03:43,769
AND? YOUR DNA DIDN'T MATCH.

82
00:03:43,793 --> 00:03:45,831
AND THERE WAS NO
PROVACILLIUM IN YOUR BLOOD.

83
00:03:45,855 --> 00:03:47,298
YOU'VE BEEN CLEARED.

84
00:03:49,228 --> 00:03:50,836
THANK GOD FOR YOU.

85
00:03:50,860 --> 00:03:52,832
YOU'RE OKAY.

86
00:03:53,933 --> 00:03:56,483
WHAT ABOUT FRANCIE?

87
00:03:56,507 --> 00:03:58,844
FRANCIE'S BEEN QUESTIONED.
SHE'S AT HOME. SHE'S FINE.

88
00:03:58,868 --> 00:04:00,646
THANK YOU.

89
00:04:00,670 --> 00:04:03,419
OH, WHAT I SAID BEFORE
ABOUT NOT TRUSTING YOU, AND...

90
00:04:03,443 --> 00:04:05,651
WILL, DON'T WORRY ABOUT IT.

91
00:04:05,675 --> 00:04:07,253
I WAS SCARED TO DEATH.

92
00:04:07,277 --> 00:04:08,555
I DIDN'T MEAN ANY
OF THOSE THINGS.

93
00:04:08,579 --> 00:04:09,996
YOU KNOW THAT.

94
00:04:10,020 --> 00:04:11,722
I TRUST YOU MORE
THAN I TRUST ANYONE.

95
00:04:14,754 --> 00:04:16,533
SORRY ABOUT THE CELL.

96
00:04:16,557 --> 00:04:17,903
THEY'RE GOING TO NEED YOU
TO STAY HERE FOR A WHILE.

97
00:04:17,927 --> 00:04:19,435
THEY'VE GOT A LOT OF QUESTIONS.

98
00:04:19,459 --> 00:04:21,268
OKAY.

99
00:04:21,292 --> 00:04:23,639
AND THERE'S A THERAPIST
WHO'S GOING TO WORK WITH YOU

100
00:04:23,663 --> 00:04:25,442
TO TRY TO REVERSE YOUR
MEMORY CONDITIONING.

101
00:04:25,466 --> 00:04:28,444
THAT FILE... THE DNA STRING...

102
00:04:28,468 --> 00:04:30,516
WAS THERE A NAME ATTACHED TO IT?

103
00:04:30,540 --> 00:04:32,619
THERE WAS, BUT WE
DON'T HAVE ANY LEADS YET.

104
00:04:32,643 --> 00:04:33,819
WHAT WAS THE NAME?

105
00:04:33,843 --> 00:04:35,846
A.G. DOREN.

106
00:04:39,449 --> 00:04:41,528
I'M JUST SO RELIEVED FOR HIM.

107
00:04:41,552 --> 00:04:42,829
IT'S LIKE I CAN BREATHE AGAIN.

108
00:04:42,853 --> 00:04:44,290
YOU KNOW WHERE
IT'S FUN TO BREATHE?

109
00:04:44,314 --> 00:04:46,293
SANTA BARBARA. YOU EVER BEEN?

110
00:04:46,317 --> 00:04:48,534
YEAH, I LOVE IT.

111
00:04:48,558 --> 00:04:50,697
THE ZOO... THAT GIRAFFE
WITH THE CROOKED NECK.

112
00:04:50,721 --> 00:04:52,769
NO, I MEAN THE BEACH,
THE BILTMORE, THE FOOD.

113
00:04:52,793 --> 00:04:54,401
LA SUPERICA... YOU
EVER BEEN THERE?

114
00:04:54,425 --> 00:04:55,701
NO.

115
00:04:55,725 --> 00:04:58,345
OKAY, WE'RE GOING THIS WEEKEND.

116
00:04:58,369 --> 00:05:00,307
YEAH, COME ON, AS IF WE CAN GO.

117
00:05:00,331 --> 00:05:02,309
THERE'LL BE SOME
EMERGENCY, SOME...

118
00:05:02,333 --> 00:05:03,410
[ CELLULAR PHONE RINGS ]

119
00:05:03,434 --> 00:05:05,735
SEE?

120
00:05:07,807 --> 00:05:10,916
YOURS.

121
00:05:10,940 --> 00:05:15,290
YEAH? YEAH,
PRACTICE IS OVER. WHY?

122
00:05:15,314 --> 00:05:17,624
NO, THAT WASN'T GOING TO BE ME.

123
00:05:17,648 --> 00:05:19,896
WHAT DO YOU MEAN,
MARKY'S SICK? HOW SICK?

124
00:05:19,920 --> 00:05:22,298
WEISS, COME ON, MAN.

125
00:05:22,322 --> 00:05:23,569
OKAY, OKAY.

126
00:05:23,593 --> 00:05:25,632
OKAY. OK... GOODBYE.

127
00:05:25,656 --> 00:05:27,433
I HAVE TO GO IN.

128
00:05:27,457 --> 00:05:28,774
I'M GONNA STAY AND PRACTICE

129
00:05:28,798 --> 00:05:30,737
SO I CAN KICK
YOUR ASS NEXT TIME.

130
00:05:30,761 --> 00:05:32,077
OH, REALLY? DON'T FORGET
ABOUT SANTA BARBARA.

131
00:05:32,101 --> 00:05:33,903
YEAH, SOMEDAY.

132
00:06:16,646 --> 00:06:20,355
YOU RECEIVED MY INTEL.

133
00:06:20,379 --> 00:06:22,629
YOUR FRIEND WAS CLEARED.

134
00:06:22,653 --> 00:06:25,562
I TOLD YOU I'D WANT A FAVOR.

135
00:06:25,586 --> 00:06:28,865
THIS IS IT.

136
00:06:28,889 --> 00:06:33,870
266 KRONER STRASSE IN ZURICH.

137
00:06:33,894 --> 00:06:35,601
I'VE JUST GIVEN YOU THE ADDRESS

138
00:06:35,625 --> 00:06:37,103
OF SLOANE'S WAREHOUSE

139
00:06:37,127 --> 00:06:41,408
WHERE HE'S HIDING THE
RAMBALDI ARTIFACTS.

140
00:06:41,432 --> 00:06:43,779
THAT'S NOT WHY YOU'RE HERE.

141
00:06:43,803 --> 00:06:45,882
YES.

142
00:06:45,906 --> 00:06:47,983
IT'S THE ONLY REASON.

143
00:06:48,007 --> 00:06:49,685
I KNOW YOU'RE LYING...

144
00:06:49,709 --> 00:06:52,057
OF COURSE YOU ARE...
BUT I DON'T KNOW WHY.

145
00:06:52,081 --> 00:06:54,545
SYDNEY, I'M HERE TO HELP YOU.

146
00:06:59,620 --> 00:07:01,997
STOP BEING AS STUBBORN AS I AM!

147
00:07:02,021 --> 00:07:05,731
I KNEW FROM THE BEGINNING
WHEN I TURNED MYSELF IN

148
00:07:05,755 --> 00:07:07,973
THAT I WOULD BETRAY THE CIA.

149
00:07:07,997 --> 00:07:10,036
BUT NOT YOU.

150
00:07:10,060 --> 00:07:12,177
I HAD TO BE CAREFUL.

151
00:07:12,201 --> 00:07:15,612
I NEEDED YOU TO TRUST ME.

152
00:07:15,636 --> 00:07:18,685
BUT I ALSO COULDN'T
TELL YOU MY PLAN.

153
00:07:18,709 --> 00:07:20,747
SLOANE HAD 23
RAMBALDI ARTIFACTS.

154
00:07:20,771 --> 00:07:22,649
THE CIA HAD 24.

155
00:07:22,673 --> 00:07:24,790
IN ORDER TO ASSEMBLE THE DEVICE,

156
00:07:24,814 --> 00:07:26,952
THEY ALL HAD TO BE
BROUGHT TOGETHER.

157
00:07:26,976 --> 00:07:29,024
THOSE ARE THE PIECES
IN SLOANE'S WAREHOUSE.

158
00:07:29,048 --> 00:07:31,697
YOU STOLE RAMBALDI PIECES
FROM THE U.S. GOVERNMENT?

159
00:07:31,721 --> 00:07:35,932
YES... BY WINNING YOUR TRUST,

160
00:07:35,956 --> 00:07:37,564
THE CIA'S TRUST.

161
00:07:37,588 --> 00:07:39,706
AND THEN, AS PLANNED,

162
00:07:39,730 --> 00:07:42,168
I HAD A PROPOSAL
DELIVERED TO SLOANE...

163
00:07:42,192 --> 00:07:44,170
A PROPOSAL THAT WE WORK TOGETHER

164
00:07:44,194 --> 00:07:46,643
TO TAKE DOWN THE ALLIANCE

165
00:07:46,667 --> 00:07:49,776
AND RAID THE CIA ALL AT ONCE.

166
00:07:49,800 --> 00:07:51,877
I CAME UP WITH A SCENARIO

167
00:07:51,901 --> 00:07:54,620
WHERE THE CIA NEEDED TO
LET ME USE THEIR COMPUTERS.

168
00:07:54,644 --> 00:07:56,552
I USED THE OPPORTUNITY TO LEARN

169
00:07:56,576 --> 00:07:58,954
WHERE THE U.S.
GOVERNMENT KEPT ITS STASH

170
00:07:58,978 --> 00:08:01,988
OF RAMBALDI ARTIFACTS.

171
00:08:02,012 --> 00:08:05,961
THEY WERE BEING HELD AT
A SECRET NSA LAB IN NEVADA.

172
00:08:05,985 --> 00:08:07,663
ONE MONTH LATER,

173
00:08:07,687 --> 00:08:09,536
SLOANE HAD A TEAM RAID THE LAB.

174
00:08:09,560 --> 00:08:11,997
I NEVER HEARD OF AN NSA RAID.

175
00:08:12,021 --> 00:08:13,600
OF COURSE NOT.

176
00:08:13,624 --> 00:08:15,942
WHEN THE TIME
CAME FOR MY ESCAPE,

177
00:08:15,966 --> 00:08:19,175
IT WAS PAINFUL,

178
00:08:19,199 --> 00:08:22,778
BECAUSE MY LOVE FOR
YOU, FOR YOUR FATHER,

179
00:08:22,802 --> 00:08:24,951
WAS NOT A CONTRIVANCE.

180
00:08:24,975 --> 00:08:27,113
SUDDENLY YOU WANT US TO
HAVE SLOANE'S ARTIFACTS?

181
00:08:27,137 --> 00:08:28,615
SYDNEY,

182
00:08:28,639 --> 00:08:31,117
I KNOW OUR RELATIONSHIP
IS COMPLICATED,

183
00:08:31,141 --> 00:08:33,019
BUT I'M YOUR MOTHER.

184
00:08:33,043 --> 00:08:35,490
I HAVE TO BELIEVE THAT
WOULD BE THE CASE

185
00:08:35,514 --> 00:08:37,994
UNDER ANY CIRCUMSTANCE.

186
00:08:38,018 --> 00:08:39,666
GO TO ZURICH.

187
00:08:39,690 --> 00:08:41,126
YOU'RE INSANE!

188
00:08:41,150 --> 00:08:42,828
ONE MORE THING
I'll NEED TO DO...

189
00:08:42,852 --> 00:08:44,254
AND I'M SORRY FOR THIS, TOO.

190
00:08:56,306 --> 00:08:59,716
PROVACILLIUM TO THE RESCUE.

191
00:08:59,740 --> 00:09:02,719
THANKS. THE FEVER'S READING BAD.

192
00:09:02,743 --> 00:09:04,691
SO WHAT ARE WE
DOING WITH TIPPIN?

193
00:09:04,715 --> 00:09:08,254
NOTHING... FOR THE MOMENT.

194
00:09:08,278 --> 00:09:10,226
THEN WHEN AM I
GETTING EXTRACTED?

195
00:09:10,250 --> 00:09:12,558
I DON'T KNOW WHAT NEW EVIDENCE
THE CIA HAS ALL OF A SUDDEN,

196
00:09:12,582 --> 00:09:13,830
BUT IT'S GONNA LEAD TO ME.

197
00:09:13,854 --> 00:09:15,631
NOT NECESSARILY.

198
00:09:15,655 --> 00:09:19,836
IF YOU DISAPPEAR NOW,
YOU'LL BE A SUSPECT FOR SURE.

199
00:09:19,860 --> 00:09:21,991
WHAT IS IT?

200
00:09:31,571 --> 00:09:37,724
ALLISON... WE CAN'T
REVERSE THE PROCESS.

201
00:09:37,748 --> 00:09:40,681
MARKOVIC'S LAB WAS DESTROYED.

202
00:09:44,084 --> 00:09:45,891
BUT WE'RE DOING
EVERYTHING WE CAN

203
00:09:45,915 --> 00:09:48,234
TO RETRIEVE THE LOST
DATA, AND I'M HOPEFUL

204
00:09:48,258 --> 00:09:50,637
THAT WE WILL FIND A WAY
TO REVERSE THE PROCEDURE.

205
00:09:50,661 --> 00:09:52,999
I MAY HAVE TO STAY THIS WAY?

206
00:09:53,023 --> 00:09:55,071
NO. NO, WE'LL GET YOU BACK.

207
00:09:55,095 --> 00:09:57,072
LOOK AT ME.

208
00:09:57,096 --> 00:09:59,168
WE'LL GET YOU BACK.

209
00:10:10,110 --> 00:10:12,913
YOU DON'T FANCY HIM, DO YOU?

210
00:10:14,784 --> 00:10:17,592
TIPPIN?

211
00:10:17,616 --> 00:10:19,048
DON'T BE STUPID.

212
00:10:33,062 --> 00:10:35,140
AND IT DIDN'T OCCUR
TO YOU, MR. BRANDON,

213
00:10:35,164 --> 00:10:36,883
THAT A RAID ON
AN NSA FACILITY...

214
00:10:36,907 --> 00:10:38,214
I'M NOT AT LIBERTY TO
DISCUSS THE DETAILS

215
00:10:38,238 --> 00:10:39,745
OF THE NEVADA RAID.

216
00:10:39,769 --> 00:10:41,016
AND I'M NOT AT LIBERTY

217
00:10:41,040 --> 00:10:42,388
TO RESPECT THE WAY
THAT YOU DO BUSINESS.

218
00:10:42,412 --> 00:10:44,691
HOW MANY RAMBALDI
PIECES WERE STOLEN?

219
00:10:44,715 --> 00:10:46,793
24?

220
00:10:46,817 --> 00:10:48,323
THAT'S WHAT MY MOTHER SAID.

221
00:10:48,347 --> 00:10:50,125
I CAN CONFIRM THAT NUMBER.

222
00:10:50,149 --> 00:10:51,998
AND WE HAVE TO FIND OUT ABOUT
THIS BREACH FROM IRINA DEREVKO?

223
00:10:52,022 --> 00:10:54,129
THE QUESTION IS, WHAT IS
THE PRUDENT NEXT STEP?

224
00:10:54,153 --> 00:10:55,932
Sydney: SHE'S LYING.
SHE HAS TO BE.

225
00:10:55,956 --> 00:10:57,633
IT'S A SETUP.

226
00:10:57,657 --> 00:10:59,304
THEN WHY SHOW UP IN
PERSON? IT'S A BIG RISK.

227
00:10:59,328 --> 00:11:00,966
FROM WHAT I KNOW OF DEREVKO,

228
00:11:00,990 --> 00:11:03,970
SHE'S LOYAL TO ONLY
ONE PERSON... HERSELF.

229
00:11:03,994 --> 00:11:05,410
Sydney: DIXON'S
RIGHT, OBVIOUSLY.

230
00:11:05,434 --> 00:11:08,644
I DON'T KNOW, MAYBE THIS
IS A VALID PLAY FOR SLOANE.

231
00:11:08,668 --> 00:11:09,946
MAYBE, BUT WHY WOULD
SHE NEED US TO PLAY IT?

232
00:11:09,970 --> 00:11:11,778
GUILT.

233
00:11:11,802 --> 00:11:13,980
HER MOTIVES MAY BE INSIDIOUS,
HER METHODS LOATHSOME,

234
00:11:14,004 --> 00:11:15,822
BUT SHE IS NOT UNFEELING.

235
00:11:15,846 --> 00:11:17,322
I SAY WE SEND A TEAM.

236
00:11:17,346 --> 00:11:18,825
PROCEED WITH
CAUTION, BUT PROCEED.

237
00:11:18,849 --> 00:11:20,355
WE'LL PREP TO HAVE
WHATEVER WE FIND

238
00:11:20,379 --> 00:11:22,828
AT THE ZURICH WAREHOUSE
BROUGHT BACK TO THE STATES.

239
00:11:22,852 --> 00:11:24,189
A NEUTRAL LOCATION.

240
00:11:24,213 --> 00:11:26,262
I PROPOSE EVANS
NAVAL BASE IN VENTURA.

241
00:11:26,286 --> 00:11:27,964
I'll CALL MY DIRECTOR.

242
00:11:27,988 --> 00:11:29,335
YEAH, YOU DO THAT.

243
00:11:29,359 --> 00:11:30,666
SLOANE MAY HAVE
MOST OF THE PIECES

244
00:11:30,690 --> 00:11:31,998
TO ASSEMBLE THIS
RAMBALDI DEVICE,

245
00:11:32,022 --> 00:11:33,298
BUT I DON'T THINK
HE HAS THEM ALL.

246
00:11:33,322 --> 00:11:34,870
THE DI REGNO HEART.

247
00:11:34,894 --> 00:11:36,702
IF THE NSA'S STILL GOT IT.

248
00:11:36,726 --> 00:11:39,345
ALL RIGHT, YOU KNOW,
THAT'S ENOUGH OF YOUR CRAP.

249
00:11:39,369 --> 00:11:41,177
JACK, YOU GO ALONG
WITH THE NSA HERE,

250
00:11:41,201 --> 00:11:43,048
TRANSFER THE HEART
TO THE NAVAL BASE,

251
00:11:43,072 --> 00:11:44,711
AND LET MARSHALL KNOW
THAT HE'S GOING TO ZURICH, TOO.

252
00:11:44,735 --> 00:11:47,312
I WANT HIM TO CONFIRM WHAT
WE'VE GOT OR NOT A.S.A.P.

253
00:11:47,336 --> 00:11:51,187
WEISS, I NEED YOU TO TELL
TIPPIN WE'RE DONE WITH HIM.

254
00:11:51,211 --> 00:11:52,989
ESCORT HIM TO THE SAFE HOUSE.

255
00:11:53,013 --> 00:11:54,985
YES, SIR.

256
00:11:56,385 --> 00:11:58,293
MARSHALL, WE'RE
SENDING YOU TO ZURICH.

257
00:11:58,317 --> 00:12:00,226
IT'S A RESEARCH MISSION. UM...

258
00:12:00,250 --> 00:12:01,827
WE BELIEVE WE MAY
HAVE GAINED ACCESS

259
00:12:01,851 --> 00:12:03,269
TO SLOANE'S RAMBALDI ARTIFACTS.

260
00:12:03,293 --> 00:12:04,801
WOW, THAT'S FANTASTIC. I MEAN...

261
00:12:04,825 --> 00:12:06,701
HEY, YOU KNOW WHO
SHOULD REALLY GO WITH US

262
00:12:06,725 --> 00:12:07,903
ON THIS MISSION IS CARRIE...

263
00:12:07,927 --> 00:12:09,806
MISS BOWMAN...

264
00:12:09,830 --> 00:12:12,739
BECAUSE SHE'S NSA, SHE
WORKS UNDER BRANDON,

265
00:12:12,763 --> 00:12:15,181
AND SHE WOULD BE VERY
HELPFUL IN THE FIELD.

266
00:12:15,205 --> 00:12:17,342
IN THE FIELD?

267
00:12:17,366 --> 00:12:18,467
PLEASE?

268
00:12:20,210 --> 00:12:22,187
MISS BOWMAN.

269
00:12:22,211 --> 00:12:23,820
YES, SIR?

270
00:12:23,844 --> 00:12:25,775
YOU'RE GOING TO ZURICH.
PLANE LEAVES IN AN HOUR.

271
00:12:30,350 --> 00:12:33,028
MR. TIPPIN, I'M AGENT WEISS.

272
00:12:33,052 --> 00:12:34,831
WE'RE ALL THROUGH HERE.

273
00:12:34,855 --> 00:12:37,903
I'M SUPPOSED TO TAKE YOU
TO WHERE YOU'LL BE STAYING.

274
00:12:37,927 --> 00:12:39,905
IS THERE A COMPUTER
I CAN USE HERE?

275
00:12:39,929 --> 00:12:41,466
THE NAME ON THIS
DNA FILE... A.G. DOREN...

276
00:12:41,490 --> 00:12:43,168
I KNOW THAT FROM SOMEWHERE.

277
00:12:43,192 --> 00:12:44,470
I JUST WANT TO CHECK IT OUT.

278
00:12:44,494 --> 00:12:46,012
SURE.

279
00:12:46,036 --> 00:12:48,443
THANKS. I'M WILL. UH,
WEISS. ERIC WEISS.

280
00:12:48,467 --> 00:12:49,745
LIKE HOUDINI.

281
00:12:49,769 --> 00:12:51,246
YEAH. YEAH, ACTUALLY.

282
00:12:51,270 --> 00:12:52,748
HE WAS A
GREAT-GREAT-UNCLE OF MINE.

283
00:12:52,772 --> 00:12:54,250
GET OUT OF HERE. REALLY?

284
00:12:54,274 --> 00:12:55,451
YEAH. CAN YOU DO MAGIC TRICKS?

285
00:12:55,475 --> 00:12:58,008
OKAY, CHECK THIS
OUT. OKAY, YOU READY?

286
00:13:00,379 --> 00:13:02,828
A.G. DOREN DOESN'T RING A BELL?

287
00:13:02,852 --> 00:13:04,931
NO, STILL DOESN'T.

288
00:13:04,955 --> 00:13:07,092
HEY, CAN I ACCESS MY FILE HERE?

289
00:13:07,116 --> 00:13:10,135
YEAH. WHAT'S YOUR PASSWORD?

290
00:13:10,159 --> 00:13:11,397
SYDNEY.

291
00:13:11,421 --> 00:13:12,899
OH.

292
00:13:12,923 --> 00:13:14,240
THANKS.

293
00:13:14,264 --> 00:13:15,942
YOU KNOW, THERE WAS A TIME

294
00:13:15,966 --> 00:13:17,874
I WAS ACTUALLY CONSIDERING
BECOMING A MAGICIAN.

295
00:13:17,898 --> 00:13:20,405
THEN I THOUGHT TO MYSELF,
WHAT THE HELL AM I THINKING?

296
00:13:20,429 --> 00:13:22,077
OH, MY GOD.

297
00:13:22,101 --> 00:13:24,149
WHAT?

298
00:13:24,173 --> 00:13:25,451
WHAT IS THAT? WHAT'S THAT LIST?

299
00:13:25,475 --> 00:13:27,082
PROJECT CHRISTMAS.

300
00:13:27,106 --> 00:13:29,485
IT'S A CIA BLACK OPS
PROGRAM FROM THE '70s...

301
00:13:29,509 --> 00:13:32,217
TRAIN KIDS AS SLEEPER AGENTS
TO BE USED AS FUTURE SPIES.

302
00:13:32,241 --> 00:13:33,820
WHAT?

303
00:13:33,844 --> 00:13:37,163
IT'S A SUMMER CAMP.
THERE WERE 20 KIDS.

304
00:13:37,187 --> 00:13:42,022
ALLISON DOREN WAS SUPPOSED
TO HAVE DIED IN A CAR ACCIDENT.

305
00:13:48,357 --> 00:13:52,077
[ LINE RINGS ]

306
00:13:52,101 --> 00:13:53,578
THIS IS KENDALL.

307
00:13:53,602 --> 00:13:55,811
Jack: WE'VE GOT
THE DI REGNO HEART.

308
00:13:55,835 --> 00:13:57,212
WE'RE EN ROUTE
TO THE NAVAL BASE.

309
00:13:57,236 --> 00:13:58,985
E.T.A. THREE HOURS.

310
00:13:59,009 --> 00:14:00,440
ROGER THAT.

311
00:14:32,871 --> 00:14:34,320
[ DRILLING ]

312
00:14:34,344 --> 00:14:37,407
OKAY, WE'RE FREE OF
EXPLOSIVES. YOU CAN MOVE IN.

313
00:14:44,254 --> 00:14:46,361
THESE COULD BE REAL.
LET'S GET MARSHALL IN HERE!

314
00:14:46,385 --> 00:14:48,864
HOW'S IT LOOKING?

315
00:14:48,888 --> 00:14:50,466
I DON'T KNOW, SIR.
IT'S NOT CONSISTENT

316
00:14:50,490 --> 00:14:52,498
WITH ANY OF THE RAMBALDI
ARTIFACTS I'VE SEEN.

317
00:14:52,522 --> 00:14:54,070
I WAS THINKING THE SAME THING.

318
00:14:54,094 --> 00:14:55,301
WELL, THEN WHAT THE HELL IS IT?

319
00:14:55,325 --> 00:14:56,325
SORRY.

320
00:14:59,198 --> 00:15:01,230
LOOKS LIKE A WAFFLE IRON.

321
00:15:07,106 --> 00:15:08,638
[ DRILLING ]

322
00:15:16,216 --> 00:15:18,965
IT'S A SETUP.

323
00:15:18,989 --> 00:15:21,027
THERE'S NOTHING HERE.

324
00:15:21,051 --> 00:15:22,522
GET ME JACK BRISTOW.

325
00:15:37,206 --> 00:15:38,614
AHH!

326
00:15:38,638 --> 00:15:41,471
DROP THE WEAPON OR YOU'RE DEAD!

327
00:15:58,427 --> 00:16:02,668
Kendall: IRINA DEREVKO
HAS STRUCK AGAIN.

328
00:16:02,692 --> 00:16:04,240
BASED ON HER INTEL,

329
00:16:04,264 --> 00:16:06,371
WE SENT IN SOME OF OUR
FINEST TRAINED AGENTS,

330
00:16:06,395 --> 00:16:08,474
WE TOOK CONTROL
OF A STORAGE FACILITY,

331
00:16:08,498 --> 00:16:10,375
AND WITH THE HELP
OF A BOMB SQUAD,

332
00:16:10,399 --> 00:16:13,719
WE ARE NOW CONTROL OF TWO
DOZEN RUSTED KITCHEN APPLIANCES.

333
00:16:13,743 --> 00:16:16,422
SIMULTANEOUSLY, AN ENEMY
TEAM AMBUSHED OUR CARAVAN,

334
00:16:16,446 --> 00:16:18,683
THEY KILLED TWO OF OUR MEN.

335
00:16:18,707 --> 00:16:21,187
AND ALONG WITH
THE DI REGNO HEART,

336
00:16:21,211 --> 00:16:22,727
JACK BRISTOW IS MISSING.

337
00:16:22,751 --> 00:16:24,960
WHAT'S OUR NEXT MOVE?

338
00:16:24,984 --> 00:16:28,594
WE SCOUR EVERY SOURCE OF
INTEL, ANYTHING HALFWAY CONCRETE,

339
00:16:28,618 --> 00:16:30,360
AND WE MOVE ON IT.

340
00:16:48,006 --> 00:16:51,756
Arvin: HE HAD SO MANY
BRILLIANT CREATIONS.

341
00:16:51,780 --> 00:16:54,584
RAMBALDI.

342
00:16:56,245 --> 00:16:59,595
BUT THERE WAS ONE IN
PARTICULAR, A MACHINE.

343
00:16:59,619 --> 00:17:04,030
HE CALLED IT IL
DIRE... THE TELLING.

344
00:17:04,054 --> 00:17:07,273
THE CONSTRUCTION
CONSISTS OF 47 PIECES.

345
00:17:07,297 --> 00:17:09,274
CLASSIC RAMBALDI.

346
00:17:09,298 --> 00:17:13,178
AS YOU KNOW, IT
TOOK ME A LONG TIME...

347
00:17:13,202 --> 00:17:15,610
LONGER THAN I THOUGHT...

348
00:17:15,634 --> 00:17:18,643
BUT I'VE ACQUIRED THEM ALL,

349
00:17:18,667 --> 00:17:20,646
INCLUDING THE DI REGNO HEART,

350
00:17:20,670 --> 00:17:22,787
WITH YOUR HELP.

351
00:17:22,811 --> 00:17:26,722
THEY'RE IN THE NEXT ROOM, JACK.

352
00:17:26,746 --> 00:17:30,156
I HAVE A TEAM ASSEMBLING
IL DIRE RIGHT NOW.

353
00:17:30,180 --> 00:17:32,697
THEY SAY IT SHOULDN'T
BE MORE THAN A DAY.

354
00:17:32,721 --> 00:17:33,752
AND THEN WHAT?

355
00:17:38,528 --> 00:17:42,668
I'VE SEEN THINGS RECENTLY.

356
00:17:42,692 --> 00:17:44,564
I'VE SEEN WHAT'S POSSIBLE.

357
00:17:46,365 --> 00:17:50,044
THERE'S A CHANGE COMING, JACK.

358
00:17:50,068 --> 00:17:53,248
SOMETHING EVEN I
COULDN'T IMAGINE.

359
00:17:53,272 --> 00:17:56,452
I USED TO FEEL SORRY FOR YOU.

360
00:17:56,476 --> 00:17:59,524
COULDN'T YOU SENSE IT?

361
00:17:59,548 --> 00:18:01,486
THAT YOU'D BEEN ABANDONED,

362
00:18:01,510 --> 00:18:05,190
LEFT FOR DEAD, DISGRACED.

363
00:18:05,214 --> 00:18:09,695
I PITIED YOU... THAT
YOU NEEDED RAMBALDI

364
00:18:09,719 --> 00:18:12,838
TO FILL THE VOID IN YOUR LIFE.

365
00:18:12,862 --> 00:18:15,295
IT WAS LIKE A RELIGION FOR YOU.

366
00:18:18,728 --> 00:18:21,306
I DIDN'T EXPECT
YOU TO UNDERSTAND.

367
00:18:21,330 --> 00:18:24,134
THEN WHY KEEP ME ALIVE?

368
00:18:28,106 --> 00:18:30,480
BECAUSE WE'RE FRIENDS, JACK.

369
00:18:32,811 --> 00:18:34,520
[ SPEAKING FRENCH ]

370
00:18:34,544 --> 00:18:37,146
[ SPEAKING GERMAN ]

371
00:18:42,721 --> 00:18:44,370
ANY ANOMALIES?

372
00:18:44,394 --> 00:18:45,870
MNH-MNH.

373
00:18:45,894 --> 00:18:49,235
WERE YOU CLOSED
TO HIM... BRANDON?

374
00:18:49,259 --> 00:18:50,735
I HATED HIM.

375
00:18:50,759 --> 00:18:52,537
WHICH IS WHY I FEEL SO BAD,

376
00:18:52,561 --> 00:18:54,379
IF THAT MAKES ANY SENSE.

377
00:18:54,403 --> 00:18:56,336
I'M SORRY.

378
00:19:00,440 --> 00:19:02,787
YOU'RE SWEET.

379
00:19:02,811 --> 00:19:07,592
I SEE. NO, ACTUALLY
THAT HELPS A LOT.

380
00:19:07,616 --> 00:19:10,726
I'M SO SORRY. I'M SORRY.

381
00:19:10,750 --> 00:19:12,257
WHAT'S UP?

382
00:19:12,281 --> 00:19:14,260
THIS IS A.G. DOREN.

383
00:19:14,284 --> 00:19:16,831
ALLISON DOREN.

384
00:19:16,855 --> 00:19:18,434
I JUST TALKED WITH HER PARENTS,

385
00:19:18,458 --> 00:19:19,905
TOLD THEM I WAS WITH NTSB.

386
00:19:19,929 --> 00:19:21,407
ASKED ABOUT THE ACCIDENT.

387
00:19:21,431 --> 00:19:23,138
AND?

388
00:19:23,162 --> 00:19:24,610
THERE WAS A BUS CRASH,
AND THERE WAS A FIRE,

389
00:19:24,634 --> 00:19:26,272
BUT AT THE TIME, THE
CORONER TOLD THEM

390
00:19:26,296 --> 00:19:28,274
THAT THEIR DAUGHTER'S
BURNS WERE SEVERE.

391
00:19:28,298 --> 00:19:30,245
HMM. SO THEY NEVER
IDENTIFIED THE BODY?

392
00:19:30,269 --> 00:19:32,177
NO.

393
00:19:32,201 --> 00:19:34,419
[ TELEPHONE RINGS ]

394
00:19:34,443 --> 00:19:36,351
HELLO?

395
00:19:36,375 --> 00:19:38,783
I DIDN'T KNOW THAT SLOANE WAS
GOING TO SWITCH THE CRATES.

396
00:19:38,807 --> 00:19:41,286
I PROMISE THAT. WHERE
THE HELL ARE YOU?

397
00:19:41,310 --> 00:19:42,927
HE MUST HAVE KNOWN I WAS
GOING TO DOUBLE-CROSS HIM.

398
00:19:42,951 --> 00:19:44,530
SOMEHOW, HE KNEW.

399
00:19:44,554 --> 00:19:46,532
I AM GOING TO FIND
YOU. I DON'T CARE...

400
00:19:46,556 --> 00:19:48,533
I DON'T KNOW WHERE
SLOANE'S GONE, BUT SARK DOES.

401
00:19:48,557 --> 00:19:49,735
IT DOESN'T HAVE TO BE YOU.

402
00:19:49,759 --> 00:19:51,637
JUST MAKE SURE
SOMEONE FROM THE CIA

403
00:19:51,661 --> 00:19:53,399
GOES TO VEL SMOKANDER.

404
00:19:53,423 --> 00:19:54,770
VEL SMOKANDER.

405
00:19:54,794 --> 00:19:56,472
IT'S A CLUB IN STOCKHOLM.

406
00:19:56,496 --> 00:19:59,205
SARK'S GOING TO BE THERE
AT 10:00 TOMORROW NIGHT.

407
00:19:59,229 --> 00:20:01,877
HOW STUPID ARE YOU TO THINK I
WOULD EVER BELIEVE YOU AGAIN?

408
00:20:01,901 --> 00:20:05,481
ULTIMATELY, YOU WILL
DO WHATEVER YOU WANT.

409
00:20:05,505 --> 00:20:08,738
THAT'S WHAT FREE
WILL'S ALL ABOUT.

410
00:20:17,346 --> 00:20:19,324
I'VE GOT NOTHING.

411
00:20:19,348 --> 00:20:20,589
YOU?

412
00:20:24,993 --> 00:20:26,726
WE'RE GOING TO SWEDEN.

413
00:20:54,384 --> 00:20:57,232
EVERYONE'S BLONDE IN
HERE. I KEEP THINKING I SEE HIM.

414
00:20:57,256 --> 00:20:58,664
SARK'S NOT HERE.

415
00:20:58,688 --> 00:20:59,759
AS EXPECTED.

416
00:21:01,730 --> 00:21:03,261
YOUR DAD'S GOING TO BE OKAY.

417
00:21:06,395 --> 00:21:07,537
I KNOW.

418
00:21:10,839 --> 00:21:13,978
SO, WHEN THIS IS OVER,

419
00:21:14,002 --> 00:21:16,982
HOW DO WE GO ON VACATION?

420
00:21:17,006 --> 00:21:21,786
WELL, I WAS THINKING
ABOUT THIS... YEAH?

421
00:21:21,810 --> 00:21:24,258
AND I WAS THINKING THAT WE
HAVE TO STOP TALKING ABOUT IT

422
00:21:24,282 --> 00:21:25,460
AND JUST BOOK THE
HOTEL, JUST DO IT.

423
00:21:25,484 --> 00:21:27,392
YOU'RE RIGHT.

424
00:21:27,416 --> 00:21:29,294
WE HAVE TO START
THINKING MORE POSITIVELY.

425
00:21:29,318 --> 00:21:30,866
I MEAN, WE'RE GOING
TO SANTA BARBARA.

426
00:21:30,890 --> 00:21:32,266
WE'RE GOING. WE'RE JUST GOING.

427
00:21:32,290 --> 00:21:34,039
THAT'S IT.

428
00:21:34,063 --> 00:21:35,424
THERE HE IS.

429
00:21:42,932 --> 00:21:44,049
I DON'T GET IT.

430
00:21:44,073 --> 00:21:45,551
WHAT?

431
00:21:45,575 --> 00:21:49,538
MY MOTHER. JUST...
NOTHING. LET'S MOVE.

432
00:21:52,711 --> 00:21:53,913
FREEZE! FREEZE!

433
00:21:59,348 --> 00:22:01,025
SEE? WHEN I HAVE A
GUN TRAINED ON YOU,

434
00:22:01,049 --> 00:22:02,568
I DON'T JUST PULL THE TRIGGER.

435
00:22:02,592 --> 00:22:04,053
THANK YOU.

436
00:22:05,694 --> 00:22:06,931
YOU'RE WELCOME.

437
00:22:06,955 --> 00:22:09,804
WHERE THE HELL IS MY FATHER?

438
00:22:09,828 --> 00:22:11,806
NOT A PROBLEM.

439
00:22:11,830 --> 00:22:14,810
MY LOYALTIES ARE FLEXIBLE.

440
00:22:14,834 --> 00:22:18,768
SLOANE AND YOUR
FATHER ARE IN MEXICO CITY.

441
00:22:23,112 --> 00:22:27,846
[ MACHINERY GRINDING ]

442
00:22:34,653 --> 00:22:38,557
[ CLANGING AND RATTLING ]

443
00:23:06,115 --> 00:23:08,734
Sydney: BASE CAMP,
WE'RE AT SUBLEVEL 2.

444
00:23:08,758 --> 00:23:10,666
Kendall: COPY THAT, MOUNTAINEER.

445
00:23:10,690 --> 00:23:12,967
THEY'RE IN THE
BASEMENT. NOW WHAT?

446
00:23:12,991 --> 00:23:15,640
THE ALARM SYSTEM
FOR SLOANE'S FLOOR

447
00:23:15,664 --> 00:23:18,603
IS LOCATED 20 YARDS
DOWN ON THE NORTH WALL.

448
00:23:18,627 --> 00:23:20,745
A GRAY BOX WITH A YELLOW STRIPE.

449
00:23:20,769 --> 00:23:24,810
THE DEACTIVATION
CODE IS 1-1-5-6-6.

450
00:23:24,834 --> 00:23:28,112
IF THIS INTEL TURNS
OUT TO BE WRONG,

451
00:23:28,136 --> 00:23:30,815
I WILL PERSONALLY ESCORT
YOU TO CAMP HARRIS,

452
00:23:30,839 --> 00:23:33,058
AND I WON'T LEAVE UNTIL
YOU'RE DEAD AND BURIED.

453
00:23:33,082 --> 00:23:34,820
THEN I CERTAINLY HOPE

454
00:23:34,844 --> 00:23:36,992
MR. SLOANE HASN'T
CHANGED THE CODE.

455
00:23:37,016 --> 00:23:40,165
MOUNTAINEER, THERE'S
A GRAY CONTROL BOX

456
00:23:40,189 --> 00:23:43,668
WITH A YELLOW STRIPE 20
YARDS DOWN ON THE NORTH WALL.

457
00:23:43,692 --> 00:23:48,633
YOU WILL ENTER 1-1-5-6-6.

458
00:23:48,657 --> 00:23:50,676
Michael: ALPHA TEAM,

459
00:23:50,700 --> 00:23:52,036
WE'VE NEUTRALIZED
THE CENTRAL ALARM.

460
00:23:52,060 --> 00:23:54,903
YOU'RE GO TO ENTER THE BUILDING.

461
00:24:00,670 --> 00:24:02,747
MOVE, MOVE!

462
00:24:02,771 --> 00:24:05,845
JACK, IT'S BEEN ASSEMBLED.

463
00:24:14,182 --> 00:24:17,131
SIR, THERE'S A TACTICAL
TEAM HEADING UP THE STAIRS.

464
00:24:17,155 --> 00:24:19,133
PACK EVERYTHING AND GO.

465
00:24:19,157 --> 00:24:21,035
GO!

466
00:24:21,059 --> 00:24:22,632
WE'LL SEE EACH
OTHER AGAIN, JACK.

467
00:24:32,541 --> 00:24:35,050
JACK!

468
00:24:35,074 --> 00:24:37,783
TELL AGENT BRISTOW
I'VE GOT HER FATHER.

469
00:24:37,807 --> 00:24:40,024
THE EQUIPMENT IS BEING
LOADED IN THE TRUCK?

470
00:24:40,048 --> 00:24:41,851
YES, SIR.

471
00:24:57,896 --> 00:24:58,896
GO!

472
00:25:10,078 --> 00:25:13,257
GO AFTER SLOANE!

473
00:25:13,281 --> 00:25:14,814
YOU GET SLOANE!

474
00:25:25,625 --> 00:25:27,596
FREEZE!

475
00:25:29,157 --> 00:25:32,107
I'VE SHOT YOU BEFORE.
I WILL DO IT AGAIN.

476
00:25:32,131 --> 00:25:34,262
KEEP YOUR HANDS IN THE AIR!

477
00:25:36,234 --> 00:25:37,743
I'M ON THE ROOF!
I'VE GOT DEREVKO!

478
00:25:37,767 --> 00:25:38,867
ROGER THAT.

479
00:25:43,643 --> 00:25:45,173
GET OFF THE LEDGE!

480
00:25:47,817 --> 00:25:49,754
I'll TELL YOU WHAT
YOU NEED TO KNOW.

481
00:25:49,778 --> 00:25:51,927
GET OFF THE LEDGE NOW!

482
00:25:51,951 --> 00:25:53,728
SLOANE BELIEVES HE'S BEEN CHOSEN

483
00:25:53,752 --> 00:25:55,930
TO REALIZE THE WORD OF RAMBALDI.

484
00:25:55,954 --> 00:25:58,203
BUT YOU, TOO, HAVE BEEN CHOSEN.

485
00:25:58,227 --> 00:26:01,235
IF YOU THINK I'M BLUFFING...

486
00:26:01,259 --> 00:26:03,908
IT'S YOU IN THE
PROPHECY, SYDNEY, NOT ME.

487
00:26:03,932 --> 00:26:07,737
ONLY YOU CAN STOP HIM.

488
00:26:09,798 --> 00:26:11,140
GOOD LUCK, SWEETHEART.

489
00:26:12,642 --> 00:26:15,003
GET DOWN NOW.

490
00:26:16,605 --> 00:26:18,607
I LOVE YOU.

491
00:26:32,260 --> 00:26:33,260
SHE JUMPED!

492
00:26:48,907 --> 00:26:51,216
ANY AVAILABLE AGENTS,
GET TO STREET LEVEL NOW!

493
00:26:51,240 --> 00:26:52,682
I'M ON MY WAY.

494
00:26:58,047 --> 00:27:00,825
SHE JUST CLIMBED INTO A FLOOR
IN THE MIDDLE OF THE BUILDING!

495
00:27:00,849 --> 00:27:02,167
WHICH FLOOR?

496
00:27:02,191 --> 00:27:04,870
I HAVE NO IDEA!
18th, MAYBE 19th.

497
00:27:04,894 --> 00:27:06,826
I CAN'T TELL FROM HERE!

498
00:27:13,301 --> 00:27:14,840
SIR, IT'S BEEN ALMOST TWO HOURS.

499
00:27:14,864 --> 00:27:16,341
SHH!

500
00:27:16,365 --> 00:27:18,883
Man: HOME BASE, WE JUST
FOUND AN ELEVATOR SHAFT.

501
00:27:18,907 --> 00:27:20,886
PRIED OPEN ON THE 19th FLOOR.

502
00:27:20,910 --> 00:27:24,389
WE THINK DEREVKO
HAS LEFT THE BUILDING.

503
00:27:24,413 --> 00:27:27,852
UH, SIR, YOU'RE NOT SUPPOSED
TO THROW THESE LIKE THAT.

504
00:27:27,876 --> 00:27:29,719
YOU'LL BREAK THEM.

505
00:27:39,888 --> 00:27:42,961
HEY.

506
00:27:46,695 --> 00:27:48,043
ANY NEWS?

507
00:27:48,067 --> 00:27:49,097
NO.

508
00:27:53,201 --> 00:27:55,673
I'M JUST TRYING TO
FIGURE IT ALL OUT.

509
00:28:03,451 --> 00:28:06,061
YOU'RE THE BEST.

510
00:28:06,085 --> 00:28:07,361
I'M GONNA GET AN ASPIRIN.

511
00:28:07,385 --> 00:28:08,934
OKAY.

512
00:28:08,958 --> 00:28:09,989
I'll BE RIGHT BACK.

513
00:29:04,413 --> 00:29:07,191
Sydney's voice: YOU'VE
REACHED SYDNEY'S CELL PHONE.

514
00:29:07,215 --> 00:29:08,322
LEAVE A MESSAGE AFTER THE BEEP.

515
00:29:08,346 --> 00:29:10,155
SYDNEY, IT'S ME. LISTEN.

516
00:29:10,179 --> 00:29:11,996
THIS IS GOING TO SOUND INSANE,

517
00:29:12,020 --> 00:29:14,999
BUT I JUST FOUND
PROVACILLIUM IN THE BATHROOM,

518
00:29:15,023 --> 00:29:19,333
AND I THINK THAT.
I THINK THAT, UH...

519
00:29:19,357 --> 00:29:21,035
OKAY, JUST THINK ABOUT IT.

520
00:29:21,059 --> 00:29:22,967
I THINK THAT THE
DOUBLE IS FRANC...

521
00:29:22,991 --> 00:29:23,991
[ SQUEAK ]

522
00:29:30,499 --> 00:29:32,171
FRAN?

523
00:29:47,455 --> 00:29:49,858
[ GASPING ]

524
00:30:05,104 --> 00:30:06,836
IT WAS ALWAYS YOU?

525
00:30:10,239 --> 00:30:12,486
ALLISON?

526
00:30:12,510 --> 00:30:15,520
IT SUCKS IT TURNED OUT THIS WAY.

527
00:30:15,544 --> 00:30:18,062
THAT'S IT. GET ON THE GROUND.

528
00:30:18,086 --> 00:30:20,048
GET ON THE GROUND!

529
00:30:22,421 --> 00:30:25,023
[ GRUNTING ]

530
00:30:30,960 --> 00:30:33,408
[ GASPS ]

531
00:30:33,432 --> 00:30:35,865
[ SOBBING ]

532
00:30:37,435 --> 00:30:40,869
[ GASPING ]

533
00:31:03,162 --> 00:31:05,870
SLOANE'S GOT THE DEVICE.

534
00:31:05,894 --> 00:31:08,467
AND MY MOTHER, SHE...

535
00:31:10,598 --> 00:31:12,340
ANOTHER DAY.

536
00:31:21,279 --> 00:31:22,587
SO I DID IT.

537
00:31:22,611 --> 00:31:23,628
DID WHAT?

538
00:31:23,652 --> 00:31:25,330
I BOOKED THE HOTEL.

539
00:31:25,354 --> 00:31:26,591
NO, YOU DIDN'T. YES, I DID.

540
00:31:26,615 --> 00:31:28,162
YOU DID? MM-HMM.

541
00:31:28,186 --> 00:31:29,995
SANTA BARBARA? THREE
NIGHTS, STARTING TONIGHT.

542
00:31:30,019 --> 00:31:31,535
I MEAN, IT WAS PROBABLY
THE GREATEST PHONE CALL

543
00:31:31,559 --> 00:31:33,497
I EVER MADE.

544
00:31:33,521 --> 00:31:35,300
WELL, YOU'RE A
GENIUS. THANK YOU.

545
00:31:35,324 --> 00:31:37,272
SO, AFTER THE DEBRIEF,
I'll COME PICK YOU UP.

546
00:31:37,296 --> 00:31:39,327
OKAY.

547
00:31:52,340 --> 00:31:53,582
HEY.

548
00:31:55,513 --> 00:31:57,062
HEY.

549
00:31:57,086 --> 00:31:59,264
YOU OKAY?

550
00:31:59,288 --> 00:32:00,990
RELATIVELY SPEAKING. YOU?

551
00:32:03,021 --> 00:32:04,953
TIRED.

552
00:32:08,297 --> 00:32:10,128
WHAT'S UP?

553
00:32:12,030 --> 00:32:14,139
I AM SO BURNT.

554
00:32:14,163 --> 00:32:15,433
I UNDERSTAND.

555
00:32:24,573 --> 00:32:26,690
Woman's voice: YOU
HAVE TWO MESSAGES.

556
00:32:26,714 --> 00:32:28,122
WHERE'S WILL?

557
00:32:28,146 --> 00:32:30,155
I DON'T KNOW.

558
00:32:30,179 --> 00:32:32,056
HI, MISS BRISTOW, IT'S MARY BETH
FROM DIRECTOR KENDALL'S OFFICE.

559
00:32:32,080 --> 00:32:33,658
I'VE GOT HIM FOR YOU,
SO GIVE US A CALL. THANKS.

560
00:32:33,682 --> 00:32:35,584
WILL SAID HE HAD
SOMETHING TO DO.

561
00:32:39,087 --> 00:32:41,235
Will's voice: SYDNEY,
IT'S ME. LISTEN.

562
00:32:41,259 --> 00:32:43,068
THIS IS GOING TO SOUND INSANE,

563
00:32:43,092 --> 00:32:46,210
BUT I JUST FOUND
PROVACILLIUM IN THE BATHROOM,

564
00:32:46,234 --> 00:32:50,715
AND I THINK THAT.
I THINK THAT, UH...

565
00:32:50,739 --> 00:32:52,577
OKAY, JUST THINK ABOUT IT.

566
00:32:52,601 --> 00:32:54,718
I THINK THAT THE
DOUBLE IS FRANC...

567
00:32:54,742 --> 00:32:57,246
Woman: END OF MESSAGES.

568
00:33:21,269 --> 00:33:22,570
WANT SOME?

569
00:33:25,773 --> 00:33:27,435
SURE.

570
00:33:38,016 --> 00:33:40,094
I JUST HAVE TO CHANGE
OUT OF THESE CLOTHES.

571
00:33:40,118 --> 00:33:41,220
MM.

572
00:33:55,064 --> 00:33:58,243
I JUST REMEMBERED.

573
00:33:58,267 --> 00:34:01,716
FRANCIE DOESN'T LIKE
COFFEE ICE CREAM.

574
00:34:01,740 --> 00:34:04,272
NO, SHE DOESN'T.

575
00:34:06,144 --> 00:34:07,546
DROP THE GUN.

576
00:34:09,648 --> 00:34:10,648
DROP IT!

577
00:35:40,239 --> 00:35:42,371
AAH!

578
00:35:50,918 --> 00:35:53,181
AAH!

579
00:37:43,391 --> 00:37:44,932
[ CAT MEOWS ]

580
00:38:08,757 --> 00:38:11,489
[ SIREN WAILING
IN THE DISTANCE ]

581
00:38:19,568 --> 00:38:23,378
[ TELEPHONE RINGS ]

582
00:38:23,402 --> 00:38:25,780
[ RING ]

583
00:38:25,804 --> 00:38:27,311
Woman: DISPATCH.

584
00:38:27,335 --> 00:38:30,655
THIS IS OFFICER 2300844,

585
00:38:30,679 --> 00:38:32,356
CALLING FOR CONNECTION.

586
00:38:32,380 --> 00:38:34,789
CONFIRMATION... LOOKING GLASS.

587
00:38:34,813 --> 00:38:37,662
STAND BY.

588
00:38:37,686 --> 00:38:39,494
Kendall: THIS IS KENDALL.

589
00:38:39,518 --> 00:38:41,495
I JUST WOKE UP IN HONG KONG.

590
00:38:41,519 --> 00:38:43,497
I DON'T KNOW HOW
LONG I'VE BEEN HERE

591
00:38:43,521 --> 00:38:45,753
OR HOW I GOT HERE.

592
00:38:47,826 --> 00:38:49,503
HELLO?

593
00:38:49,527 --> 00:38:51,905
GET TO OUR SAFE
HOUSE IN TSIMSHATSUI

594
00:38:51,929 --> 00:38:54,378
AS QUICKLY AS POSSIBLE.

595
00:38:54,402 --> 00:38:56,811
YOU REMEMBER HOW TO GET THERE?

596
00:38:56,835 --> 00:38:58,713
OF COURSE I DO.

597
00:38:58,737 --> 00:39:01,686
I'll MAKE SURE THEY'RE
EXPECTING YOU.

598
00:39:01,710 --> 00:39:03,612
OKAY.

599
00:39:12,880 --> 00:39:16,561
HAVE THEY SAID...
[ CLEARS THROAT ]

600
00:39:16,585 --> 00:39:18,832
HAVE THEY SAID ANYTHING
ABOUT HOW I GOT HERE?

601
00:39:18,856 --> 00:39:20,535
DO YOU KNOW ANY...

602
00:39:20,559 --> 00:39:23,037
THEY'VE ASKED YOU TO
WAIT FOR INFORMATION

603
00:39:23,061 --> 00:39:25,092
UNTIL YOUR CONTACT ARRIVES.

604
00:39:38,876 --> 00:39:40,409
[ DOOR OPENS ]

605
00:39:58,896 --> 00:40:01,405
THEY DOUBLED FRANCIE.

606
00:40:01,429 --> 00:40:02,907
I KNOW.

607
00:40:02,931 --> 00:40:05,910
WHAT HAPPENED TO WILL,
TO FRANCIE? ARE THEY DEAD?

608
00:40:05,934 --> 00:40:07,711
WILL'S OKAY.

609
00:40:07,735 --> 00:40:09,753
WHAT?

610
00:40:09,777 --> 00:40:11,586
HOW?

611
00:40:11,610 --> 00:40:13,010
YOU...

612
00:40:15,083 --> 00:40:16,143
SIT DOWN.

613
00:40:33,461 --> 00:40:35,132
VAUGHN?

614
00:40:40,639 --> 00:40:42,670
WE THOUGHT YOU WERE DEAD.

615
00:40:51,480 --> 00:40:55,629
THEY ASKED ME TO COME BACK TO...

616
00:40:55,653 --> 00:40:56,901
TO EXPLAIN.

617
00:40:56,925 --> 00:41:00,064
COME BACK FROM WHAT?

618
00:41:00,088 --> 00:41:01,829
WHAT ARE YOU TALKING ABOUT?

619
00:41:04,963 --> 00:41:12,070
VAUGHN... WHY ARE
YOU WEARING THAT RING?

620
00:41:14,972 --> 00:41:17,474
SYD...

621
00:41:20,679 --> 00:41:26,755
SINCE THAT NIGHT...
YOU WERE MISSING.

622
00:41:35,724 --> 00:41:38,766
YOU'VE BEEN MISSING
FOR ALMOST TWO YEARS.