1
00:00:02,072 --> 00:00:04,251
Man: CIA PROFILE...
AGENT SYDNEY BRISTOW.

2
00:00:04,275 --> 00:00:06,052
OKAY, I'M IN.

3
00:00:06,076 --> 00:00:08,385
AGENT BRISTOW WORKS UNDERCOVER
WITH HER FATHER JACK BRISTOW,

4
00:00:08,409 --> 00:00:10,257
ALSO A DOUBLE AGENT WITH CIA.

5
00:00:10,281 --> 00:00:11,988
GET DOWN!

6
00:00:12,012 --> 00:00:14,061
I GUESS WE'LL JUST HAVE TO
LEARN TO TRUST EACH OTHER.

7
00:00:14,085 --> 00:00:15,722
BRISTOW'S CIA CONTACT...
MICHAEL VAUGHN.

8
00:00:15,746 --> 00:00:18,395
MY GUARDIAN ANGEL.

9
00:00:18,419 --> 00:00:22,428
HER CURRENT ASSIGNMENT...
TO INFILTRATE AND DESTROY SD-6,

10
00:00:22,452 --> 00:00:25,232
A SECRET ORGANIZATION
DEALING IN ESPIONAGE,

11
00:00:25,256 --> 00:00:28,235
EXTORTION, WEAPONS
SALES, POSING AS THE CIA.

12
00:00:28,259 --> 00:00:30,236
SD-6 HAS MADE OVER $400 MILLION

13
00:00:30,260 --> 00:00:31,678
IN ARMS SALES ALONE.

14
00:00:31,702 --> 00:00:33,479
SD-6 DIRECTOR... ARVIN SLOANE.

15
00:00:33,503 --> 00:00:35,741
THE SANCTITY OF THIS AGENCY
REQUIRES THE SACRIFICE

16
00:00:35,765 --> 00:00:38,115
OF SOME PERSONAL FREEDOMS.

17
00:00:38,139 --> 00:00:39,585
THIS IS NOT ABOUT
CUTTING OFF AN ARM

18
00:00:39,609 --> 00:00:41,118
OF THE MONSTER.

19
00:00:41,142 --> 00:00:42,448
THIS IS ABOUT
KILLING THE MONSTER.

20
00:00:42,472 --> 00:00:45,192
BRISTOW'S MOTHER, FORMERLY
RUSSIAN INTELLIGENCE,

21
00:00:45,216 --> 00:00:47,323
RECENTLY TURNED
HERSELF IN TO THE CIA.

22
00:00:47,347 --> 00:00:50,057
MOM?

23
00:00:50,081 --> 00:00:54,360
INTEL INDICATES SHE MAY STILL BE
AN ENEMY OF THE UNITED STATES.

24
00:00:54,384 --> 00:00:57,533
THE TRUE LOYALTY OF
AGENT BRISTOW'S MOTHER

25
00:00:57,557 --> 00:00:59,536
REMAINS UNKNOWN.

26
00:00:59,560 --> 00:01:02,138
Will: PREVIOUSLY ON "ALIAS"...

27
00:01:02,162 --> 00:01:04,641
I WANT YOUR HELP
TO PERSUADE SYDNEY

28
00:01:04,665 --> 00:01:06,143
NOT TO INTERACT WITH HER MOTHER.

29
00:01:06,167 --> 00:01:07,144
WHY?

30
00:01:07,168 --> 00:01:08,745
BECAUSE IRINA DEREVKO

31
00:01:08,769 --> 00:01:10,576
IS AN OPPORTUNISTIC SOCIOPATH

32
00:01:10,600 --> 00:01:12,619
WHO WILL USE WHATEVER
INROADS SHE CAN MAKE

33
00:01:12,643 --> 00:01:14,551
WITH MY DAUGHTER TO
GET WHAT SHE WANTS.

34
00:01:14,575 --> 00:01:16,283
WELL, I'M SORRY,

35
00:01:16,307 --> 00:01:18,724
BUT I AM NOT IN THE
HABIT OF HELPING A FATHER

36
00:01:18,748 --> 00:01:20,727
MANIPULATE HIS DAUGHTER,

37
00:01:20,751 --> 00:01:23,129
NO MATTER HOW GOOD
HIS INTENTIONS MAY BE.

38
00:01:23,153 --> 00:01:24,730
SARK IS LOOKING FOR A MUSIC BOX

39
00:01:24,754 --> 00:01:26,492
DESIGNED BY RAMBALDI.

40
00:01:26,516 --> 00:01:28,564
THE BOX PLAYS A UNIQUE TUNE.

41
00:01:28,588 --> 00:01:30,567
ENCODED WITHIN THE
TUNE, THERE'S AN EQUATION.

42
00:01:30,591 --> 00:01:31,798
FOR WHAT?

43
00:01:31,822 --> 00:01:33,539
ZERO-POINT ENERGY.

44
00:01:33,563 --> 00:01:36,543
Dixon: WATCH YOUR STEP.

45
00:01:36,567 --> 00:01:38,204
IF YOU FALL THROUGH THE ICE,

46
00:01:38,228 --> 00:01:39,575
IT'LL FREEZE OVER
IN FOUR SECONDS.

47
00:01:39,599 --> 00:01:44,210
[ BEEPING ]

48
00:01:44,234 --> 00:01:46,382
COOPER! READING FOUR!

49
00:01:46,406 --> 00:01:48,878
FOUR TANGO! THEY'RE
HEADING FOR THE ENTRANCE!

50
00:01:51,512 --> 00:01:54,215
NOVAK! THEY'RE UNDER THE ICE!

51
00:01:55,816 --> 00:01:58,424
SYDNEY, DO YOU COPY?

52
00:01:58,448 --> 00:02:00,367
I READ YOU, DIXON. WHAT'S WRONG?

53
00:02:00,391 --> 00:02:02,852
GET OUT OF THERE! SARK'S HERE!

54
00:02:05,325 --> 00:02:07,158
AAH!

55
00:03:18,728 --> 00:03:19,870
[ MACHINE GUN FIRING ]

56
00:03:31,782 --> 00:03:34,621
[ PANTING ]

57
00:03:34,645 --> 00:03:37,216
[ SHIVERING ]

58
00:03:55,436 --> 00:03:56,913
SYDNEY.

59
00:03:56,937 --> 00:03:59,439
[ Shivering ] HI.

60
00:04:05,515 --> 00:04:09,325
THE MUSIC BOX THAT YOU
WERE SENT TO RETRIEVE...

61
00:04:09,349 --> 00:04:10,757
MR. SARK GOT AWAY WITH IT.

62
00:04:10,781 --> 00:04:12,459
YES.

63
00:04:12,483 --> 00:04:15,762
BUT AFTER 500 YEARS
BURIED IN THE SIBERIAN ICE,

64
00:04:15,786 --> 00:04:17,803
THE MUSIC BOX WAS CORRODED.

65
00:04:17,827 --> 00:04:19,860
IT PRACTICALLY FELL
APART IN MY HANDS.

66
00:04:22,492 --> 00:04:23,810
THAT'S ODD.

67
00:04:23,834 --> 00:04:25,612
WHAT'S THAT?

68
00:04:25,636 --> 00:04:27,973
MILO RAMBALDI.

69
00:04:27,997 --> 00:04:31,648
HE'S DONE THIS
BEFORE... MANY TIMES...

70
00:04:31,672 --> 00:04:34,620
HIDING INFORMATION
INSIDE WORKS OF ART.

71
00:04:34,644 --> 00:04:36,483
THE CLOCK, SCULPTURE.

72
00:04:36,507 --> 00:04:38,454
HMM.

73
00:04:38,478 --> 00:04:40,456
THIS TIME, HE CHOSE TO BURY

74
00:04:40,480 --> 00:04:42,788
ONE OF HIS MOST
IMPORTANT INNOVATIONS...

75
00:04:42,812 --> 00:04:45,292
THE FORMULA FOR
ZERO-POINT ENERGY...

76
00:04:45,316 --> 00:04:47,334
INSIDE A MUSIC BOX.

77
00:04:47,358 --> 00:04:48,935
YOU'RE TALKING ABOUT AN INVENTOR

78
00:04:48,959 --> 00:04:51,468
WHO LIVED 500 YEARS AGO.

79
00:04:51,492 --> 00:04:54,800
ANYTHING REGARDING MILO
RAMBALDI SEEMS ODD TO ME.

80
00:04:54,824 --> 00:04:58,305
WELL, WHAT'S UNUSUAL ISN'T
HOW HE HID THE INFORMATION,

81
00:04:58,329 --> 00:05:00,476
SYDNEY, IT'S WHERE.

82
00:05:00,500 --> 00:05:03,350
WHY WOULD MILO RAMBALDI
GO TO THE UNIMAGINABLE LENGTH

83
00:05:03,374 --> 00:05:07,983
OF HAVING CATACOMBS
BUILT IN SIBERIA,

84
00:05:08,007 --> 00:05:11,581
ONLY TO LEAVE HIS MUSIC BOX
EXPOSED TO CORROSIVE ELEMENTS?

85
00:05:14,685 --> 00:05:16,617
[ SPRAYING ]

86
00:05:18,749 --> 00:05:20,891
ANOTHER RAMBALDI MYSTERY.

87
00:05:23,494 --> 00:05:26,072
SO, DO YOU THINK
SLOANE SUSPECTS YOU?

88
00:05:26,096 --> 00:05:27,933
THAT I USED THE INHALER
TO CORRODE THE MUSIC BOX?

89
00:05:27,957 --> 00:05:30,336
NO, I DON'T THINK SO.

90
00:05:30,360 --> 00:05:32,808
SLOANE MADE SURE I
KNEW HOW RELIEVED HE WAS

91
00:05:32,832 --> 00:05:35,512
THAT I MADE IT BACK SAFELY.

92
00:05:35,536 --> 00:05:37,683
I WENT HOME, TOOK A
SHOWER, AND CAME HERE.

93
00:05:37,707 --> 00:05:39,646
GOOD.

94
00:05:39,670 --> 00:05:42,988
BY THE WAY, YOU SHOULD KNOW
SIBERIA WAS A COMPLETE SUCCESS.

95
00:05:43,012 --> 00:05:44,721
WHEN YOU ACTIVATED
THE MUSIC BOX,

96
00:05:44,745 --> 00:05:46,393
WE RECORDED IT.

97
00:05:46,417 --> 00:05:48,093
IT'S AT LANGLEY FOR ANALYSIS.

98
00:05:48,117 --> 00:05:49,956
SO WE GOT THE INTEL
AND SLOANE DIDN'T.

99
00:05:49,980 --> 00:05:52,021
NEITHER DID SARK.

100
00:05:55,526 --> 00:05:56,887
WHAT?

101
00:05:59,659 --> 00:06:01,608
THE INFORMATION
MY MOTHER GAVE US

102
00:06:01,632 --> 00:06:03,610
HELPED US AGAIN, THAT'S ALL.

103
00:06:03,634 --> 00:06:06,072
YOU KNOW, YOU CAN TALK
TO ME ABOUT YOUR MOTHER.

104
00:06:06,096 --> 00:06:08,574
I KNOW THAT DOING THAT IS HARDER
FOR YOU THAN YOU MAKE IT SEEM.

105
00:06:08,598 --> 00:06:09,815
WELL, IT'S MY JOB.

106
00:06:09,839 --> 00:06:10,947
VAUGHN, SHE KILLED YOUR FATHER.

107
00:06:10,971 --> 00:06:12,619
YES, THANK YOU.

108
00:06:12,643 --> 00:06:13,949
YOU DON'T HAVE TO
PRETEND WITH ME.

109
00:06:13,973 --> 00:06:15,351
AND YOU DON'T HAVE TO WITHHOLD.

110
00:06:15,375 --> 00:06:16,723
ALL I'M SAYING IS
THAT IT'S UNFAIR.

111
00:06:16,747 --> 00:06:19,084
WELL, MAYBE SO, BUT I
CERTAINLY DIDN'T JOIN THE CIA

112
00:06:19,108 --> 00:06:20,956
LOOKING FOR FAIRNESS.

113
00:06:20,980 --> 00:06:22,889
AFTER EVERYTHING
SHE'S DONE TO YOU,

114
00:06:22,913 --> 00:06:24,514
ARE THOSE THINGS YOU
COULD EVER FORGIVE?

115
00:06:26,156 --> 00:06:27,994
I DON'T KNOW.

116
00:06:28,018 --> 00:06:30,797
YEAH, WELL, YOUR FATHER
DOESN'T SHARE THAT AMBIGUITY.

117
00:06:30,821 --> 00:06:33,399
HE'S MEETING WITH ASSISTANT
DIRECTOR KENDALL RIGHT NOW,

118
00:06:33,423 --> 00:06:35,383
AND HE IS LOBBYING TO HAVE
YOUR MOTHER TAKEN AWAY.

119
00:06:41,531 --> 00:06:43,879
AS LONG AS SHE'S HELPING
US IN THE WAR AGAINST SD-6

120
00:06:43,903 --> 00:06:45,812
AND THE ALLIANCE, SHE STAYS.

121
00:06:45,836 --> 00:06:47,584
DID YOU EVEN READ MY REPORT?

122
00:06:47,608 --> 00:06:49,154
YES, OF COURSE.

123
00:06:49,178 --> 00:06:50,786
WELL, WHY ARE YOU COMPLETELY
DISREGARDING WHAT I WROTE?

124
00:06:50,810 --> 00:06:52,788
GREAT JOB IN SIBERIA,
AGENT BRISTOW.

125
00:06:52,812 --> 00:06:54,990
THANK YOU. EXCUSE ME.

126
00:06:55,014 --> 00:06:56,992
I AGREED WITH WHAT YOU WROTE,

127
00:06:57,016 --> 00:06:58,995
THAT ON MORE THAN ONE OCCASION,

128
00:06:59,019 --> 00:07:00,997
YOUR MOTHER HAS PROVIDED
CRUCIAL INTELLIGENCE

129
00:07:01,021 --> 00:07:03,500
TO THE CIA TO THE
DETRIMENT OF SD-6.

130
00:07:03,524 --> 00:07:05,672
AND IT WOULD EVEN
APPEAR THAT HER ACTIONS

131
00:07:05,696 --> 00:07:07,103
HAVE KEPT YOU OUT OF HARM'S WAY.

132
00:07:07,127 --> 00:07:08,834
DAD, THAT'S A FACT.

133
00:07:08,858 --> 00:07:10,737
THERE'S ANOTHER FACT.

134
00:07:10,761 --> 00:07:12,838
NOTHING THAT WOMAN SAYS OR DOES

135
00:07:12,862 --> 00:07:15,040
CAN BE TAKEN AT FACE VALUE.

136
00:07:15,064 --> 00:07:18,014
HER MOTIVATIONS
ARE STRICTLY HER OWN.

137
00:07:18,038 --> 00:07:20,185
AND NOW THAT YOUR
DEALINGS WITH YOUR MOTHER

138
00:07:20,209 --> 00:07:23,649
HAVE TAKEN ON AN
EMOTIONAL COMPONENT,

139
00:07:23,673 --> 00:07:24,790
I'M CONCERNED.

140
00:07:24,814 --> 00:07:26,552
WELL, DON'T BE.

141
00:07:26,576 --> 00:07:28,654
I'M MORE PROFESSIONAL THAN THAT.

142
00:07:28,678 --> 00:07:30,627
EVERY ONE OF OUR
DISCUSSIONS HAS BEEN SPECIFIC

143
00:07:30,651 --> 00:07:32,098
AND MISSION-RELATED.

144
00:07:32,122 --> 00:07:34,129
YOU TOLD HER ABOUT
YOUR SCHOOL PLAY.

145
00:07:34,153 --> 00:07:36,533
YOU HEARD ME TELL
HER I WAS A TURKEY?

146
00:07:36,557 --> 00:07:37,957
YES.

147
00:07:40,159 --> 00:07:42,192
YOU WERE WATCHING ME.

148
00:07:44,163 --> 00:07:46,942
DAD, I HAVE ENOUGH SPYING
IN MY LIFE TO WORRY ABOUT IT.

149
00:07:46,966 --> 00:07:48,944
WHAT I'VE BEEN
WATCHING IS YOU MAKING

150
00:07:48,968 --> 00:07:50,917
THE SAME MISTAKES WITH
THAT WOMAN THAT I DID.

151
00:07:50,941 --> 00:07:52,978
SYDNEY, SHE'S SOMEONE
YOU'VE IDEALIZED

152
00:07:53,002 --> 00:07:54,821
FOR ALMOST 20 YEARS.

153
00:07:54,845 --> 00:07:56,182
YOU DIDN'T LEARN ABOUT
HER HISTORY WITH THE KGB

154
00:07:56,206 --> 00:07:58,725
UNTIL RECENTLY. WHAT
DOES THAT MATTER?

155
00:07:58,749 --> 00:08:01,156
THAT YOU'VE WANTED A MOTHER...

156
00:08:01,180 --> 00:08:05,961
YOUR MOTHER... ALL YOUR LIFE,

157
00:08:05,985 --> 00:08:07,934
AND NOW HERE SHE IS.

158
00:08:07,958 --> 00:08:15,502
DAD... YOU DON'T HAVE
TO WORRY ABOUT ME.

159
00:08:15,526 --> 00:08:18,704
I'M NOT THAT NAIVE.

160
00:08:18,728 --> 00:08:21,802
I'M SURE THAT'S SOMETHING
WE BOTH HOPE IS TRUE.

161
00:09:03,212 --> 00:09:05,692
[ KNOCK ON DOOR ]

162
00:09:05,716 --> 00:09:07,222
[ TAPPING KEYS ]

163
00:09:07,246 --> 00:09:08,654
[ DOOR BEEPS, UNLOCKS ]

164
00:09:08,678 --> 00:09:10,927
YOU WANTED TO SEE ME?

165
00:09:10,951 --> 00:09:13,583
YEAH.

166
00:09:14,924 --> 00:09:16,763
SEVERAL NIGHTS AGO,

167
00:09:16,787 --> 00:09:19,064
I RECEIVED A PHONE
CALL AT MY HOME.

168
00:09:19,088 --> 00:09:21,067
THERE WAS NO ONE
AT THE OTHER END,

169
00:09:21,091 --> 00:09:23,909
JUST SOME HIGH-PITCHED STATIC.

170
00:09:23,933 --> 00:09:27,013
BUT SOMETHING ABOUT THE
CALL LEFT ME UNSETTLED.

171
00:09:27,037 --> 00:09:29,875
DID SECURITY
SECTION RUN A TRACE?

172
00:09:29,899 --> 00:09:31,748
YEAH.

173
00:09:31,772 --> 00:09:34,220
THE CALL ORIGINATED
IN SONOMA, CALIFORNIA...

174
00:09:34,244 --> 00:09:37,222
THE BARANCA BED & BREAKFAST INN.

175
00:09:37,246 --> 00:09:39,024
EMILY AND I SPENT
SOME TIME THERE.

176
00:09:39,048 --> 00:09:44,691
IT WAS... IT WAS OUR
FAVORITE GETAWAY.

177
00:09:44,715 --> 00:09:46,856
SIMPLE. IT WAS A WRONG NUMBER.

178
00:09:49,219 --> 00:09:51,737
I'M NOT SO SURE.

179
00:09:51,761 --> 00:09:53,769
I DON'T UNDERSTAND
WHAT YOU'RE SUGGESTING.

180
00:09:53,793 --> 00:09:56,241
I'M SUGGESTING THAT
SOMEONE MAY BE TRYING

181
00:09:56,265 --> 00:09:58,904
TO LEAVE ME UNSETTLED.

182
00:09:58,928 --> 00:10:02,609
I WOULD LIKE YOU TO SEND
SOMEONE TO SONOMA, JACK.

183
00:10:02,633 --> 00:10:04,951
I NEED TO KNOW
WHO MADE THAT CALL.

184
00:10:04,975 --> 00:10:07,913
SURE. I'll GET
SECURITY SECTION...

185
00:10:07,937 --> 00:10:09,885
JACK, I DON'T WANT THIS TO
GET BACK TO THE ALLIANCE.

186
00:10:09,909 --> 00:10:11,987
THEY CAN'T KNOW THAT
I'M TAKING MEASURES.

187
00:10:12,011 --> 00:10:13,720
I UNDERSTAND.

188
00:10:13,744 --> 00:10:15,061
GOOD.

189
00:10:15,085 --> 00:10:16,716
I'll SEND DIXON.

190
00:10:18,719 --> 00:10:21,768
JACK, THERE'S SOMETHING ELSE.

191
00:10:21,792 --> 00:10:25,601
AFTER SARK RECOVERED
RAMBALDI'S MUSIC BOX,

192
00:10:25,625 --> 00:10:27,072
WE TRACKED HIM TO A SAFE HOUSE

193
00:10:27,096 --> 00:10:30,235
IN THE FALKLAND
ISLANDS, SENT IN A TEAM.

194
00:10:30,259 --> 00:10:32,077
AND DID WE RETRIEVE IT?

195
00:10:32,101 --> 00:10:34,941
YES.

196
00:10:34,965 --> 00:10:37,383
IT WAS DESTROYED WITH
AGE, AS SYDNEY SAID.

197
00:10:37,407 --> 00:10:39,785
WORTHLESS.

198
00:10:39,809 --> 00:10:41,370
BUT WE FOUND SOMETHING ELSE.

199
00:10:43,943 --> 00:10:45,250
[ FRANCIE AND SYDNEY GIGGLING ]

200
00:10:45,274 --> 00:10:46,753
HE WAS NOT 80 YEARS OLD.

201
00:10:46,777 --> 00:10:48,094
AT LEAST.

202
00:10:48,118 --> 00:10:49,726
SYD, I'M SERIOUS.

203
00:10:49,750 --> 00:10:51,827
I EXPECT, LIKE, A DELIVERY GUY

204
00:10:51,851 --> 00:10:53,359
TO BE TOTALLY BUFFED OUT.

205
00:10:53,383 --> 00:10:55,101
I MEAN, HE SOUNDED
HOT ON THE PHONE.

206
00:10:55,125 --> 00:10:56,402
WAS HE A CUTE 80?

207
00:10:56,426 --> 00:10:57,833
SHUT UP.

208
00:10:57,857 --> 00:10:59,706
HEY, FRANCIE,

209
00:10:59,730 --> 00:11:01,908
THERE'S A WOMAN ON THE PHONE
FROM THE HEALTH DEPARTMENT.

210
00:11:01,932 --> 00:11:03,133
OOH, I'M GETTING GRADED TODAY.

211
00:11:09,239 --> 00:11:10,746
HOW'S IT GOING?

212
00:11:10,770 --> 00:11:12,842
OKAY.

213
00:11:14,945 --> 00:11:16,706
HOW'S YOUR MOM?

214
00:11:18,778 --> 00:11:23,929
OH... HOW ARE YOU?

215
00:11:23,953 --> 00:11:25,932
WELL, I GOT FOUR WEEKS
LEFT OF COMMUNITY SERVICE,

216
00:11:25,956 --> 00:11:26,956
AND THEN I'M DONE.

217
00:11:28,457 --> 00:11:30,966
HEY, UM, YOU REMEMBER LAST WEEK

218
00:11:30,990 --> 00:11:34,370
WHEN I COOPERATED AND
LET THE CIA HYPNOTIZE ME?

219
00:11:34,394 --> 00:11:35,902
YEAH.

220
00:11:35,926 --> 00:11:37,703
WHAT HAPPENED WITH THAT?

221
00:11:37,727 --> 00:11:39,205
I MEAN, WAS I HELPFUL AT ALL?

222
00:11:39,229 --> 00:11:40,746
AND I'M ONLY ASKING

223
00:11:40,770 --> 00:11:42,248
BECAUSE ABOUT FIVE MINUTES AGO,

224
00:11:42,272 --> 00:11:43,909
I WAS DOING PRETTY
WELL AS A REPORTER,

225
00:11:43,933 --> 00:11:45,410
YOU KNOW, AND NOW I'M JUST...

226
00:11:45,434 --> 00:11:46,913
I'M A DISHWASHER
LIVING IN DENIAL.

227
00:11:46,937 --> 00:11:49,785
THAT'S ALL.

228
00:11:49,809 --> 00:11:52,258
THE INFORMATION YOU
PROVIDED WAS HUGE.

229
00:11:52,282 --> 00:11:55,191
HUGE? REALLY?

230
00:11:55,215 --> 00:11:56,322
BECAUSE OF YOU,

231
00:11:56,346 --> 00:11:58,794
THE CIA SCORED A REAL VICTORY.

232
00:11:58,818 --> 00:12:01,167
I SHOULD HAVE TOLD YOU
THAT BEFORE. I'M SORRY.

233
00:12:01,191 --> 00:12:02,697
NO, NO, NO, DON'T
WORRY ABOUT IT.

234
00:12:02,721 --> 00:12:05,030
OH, THAT'S SO GOOD TO KNOW.

235
00:12:05,054 --> 00:12:08,234
[ PAGER BEEPS ]

236
00:12:08,258 --> 00:12:09,905
GOOD GUYS OR BAD GUYS?

237
00:12:09,929 --> 00:12:13,363
NEITHER. MY FATHER.

238
00:12:17,937 --> 00:12:19,245
Sydney: EVERYTHING OKAY?

239
00:12:19,269 --> 00:12:20,917
I TALKED WITH
SLOANE THIS MORNING.

240
00:12:20,941 --> 00:12:22,418
HE SENT A TEAM AFTER SARK.

241
00:12:22,442 --> 00:12:24,220
HE WANTED TO
RECOVER THE MUSIC BOX.

242
00:12:24,244 --> 00:12:25,490
I TOLD HIM IT WAS RUINED.

243
00:12:25,514 --> 00:12:27,423
YES, BUT HE WANTED IT ANYWAY.

244
00:12:27,447 --> 00:12:30,155
HE TRACKED DOWN SARK TO
A LOCATION IN THE FALKLANDS.

245
00:12:30,179 --> 00:12:34,124
[ MEN SHOUTING ]

246
00:12:36,886 --> 00:12:41,266
SARK FOUGHT BACK. HE GOT AWAY.

247
00:12:41,290 --> 00:12:44,269
THEY DID, HOWEVER, FIND
A MAN AT THAT LOCATION

248
00:12:44,293 --> 00:12:46,773
WHO WAS BEING HELD AND TORTURED.

249
00:12:46,797 --> 00:12:49,115
HIS NAME IS KLAUS RICHTER.

250
00:12:49,139 --> 00:12:52,278
THREE WEEKS AGO,
RICHTER WAS IN BARCELONA.

251
00:12:52,302 --> 00:12:54,519
WHEN I WAS THERE. YES,
ALONG WITH YOUR MOTHER.

252
00:12:54,543 --> 00:12:56,751
THE OPERATIONS MANUAL
OF THE ORGANIZATION

253
00:12:56,775 --> 00:12:58,423
YOUR MOTHER USED
TO RUN... THE BIBLE...

254
00:12:58,447 --> 00:13:00,255
ANYONE WHO GETS THEIR
HANDS ON THAT BOOK

255
00:13:00,279 --> 00:13:02,087
WILL GAIN ACCESS
TO ALL THE CONTACTS,

256
00:13:02,111 --> 00:13:03,860
TECHNOLOGY, AND
WEAPONRY THEY AMASSED

257
00:13:03,884 --> 00:13:05,260
OVER THE LAST 10 YEARS.

258
00:13:05,284 --> 00:13:08,063
SLOANE BELIEVES YOUR MOTHER
GAVE THE MANUAL TO RICHTER,

259
00:13:08,087 --> 00:13:09,796
THAT HE WAS THE
MAN WHO HID THE BOOK.

260
00:13:09,820 --> 00:13:12,268
DO YOU THINK THAT'S
TRUE? I KNOW IT IS.

261
00:13:12,292 --> 00:13:14,769
THEY BROUGHT RICHTER
INTO AN SD-6 HOLDING CELL,

262
00:13:14,793 --> 00:13:17,273
AND I INTERROGATED HIM.

263
00:13:17,297 --> 00:13:19,404
BEFORE BEING BROUGHT INTO SD-6,

264
00:13:19,428 --> 00:13:21,977
RICHTER WAS SCREENED
FOR EVERY TYPE

265
00:13:22,001 --> 00:13:25,410
OF POSSIBLE INFECTION...
EBOLA, HIV, RETROVIRUSES.

266
00:13:25,434 --> 00:13:26,782
THEY DIDN'T FIND A THING,

267
00:13:26,806 --> 00:13:28,484
YET THIS MAN WAS CLEARLY DYING.

268
00:13:28,508 --> 00:13:30,956
MEDTECH BELIEVES HE
MAY HAVE BEEN SUFFERING

269
00:13:30,980 --> 00:13:34,890
FROM AN ALLERGIC REACTION
TO SOMETHING SARK USED ON HIM.

270
00:13:34,914 --> 00:13:36,993
APPARENTLY, THE
FIRST SIGN OF ILLNESS

271
00:13:37,017 --> 00:13:39,164
WAS BLEEDING FROM
THE FINGERNAILS.

272
00:13:39,188 --> 00:13:41,067
SLOANE WANTED ME TO TORTURE HIM,

273
00:13:41,091 --> 00:13:43,168
BUT THAT MAN WAS
TORTURED AS IT WAS,

274
00:13:43,192 --> 00:13:45,195
SO I GAVE HIM MORPHINE.

275
00:13:58,467 --> 00:14:00,947
IRINA DEREVKO GAVE YOU
THE OPERATIONS MANUAL

276
00:14:00,971 --> 00:14:03,048
FOR HER SYNDICATE.

277
00:14:03,072 --> 00:14:06,375
I WOULD LIKE YOU TO TELL
ME WHERE YOU'VE HIDDEN IT.

278
00:14:08,447 --> 00:14:12,528
DEREVKO IS A GREAT WOMAN.

279
00:14:12,552 --> 00:14:14,961
MORPHINE'S NOT BAD, EITHER.

280
00:14:14,985 --> 00:14:17,163
LET ME BE CLEAR.

281
00:14:17,187 --> 00:14:19,404
I'VE ONLY GIVEN YOU
ENOUGH TO LAST FIVE MINUTES.

282
00:14:19,428 --> 00:14:22,268
COOPERATE, AND GET ALL YOU WANT.

283
00:14:22,292 --> 00:14:24,394
RESIST, AND YOU GET NONE.

284
00:14:27,537 --> 00:14:31,201
WHERE DID YOU HIDE THAT MANUAL?

285
00:14:32,972 --> 00:14:36,022
Jack: THE LOCATION WAS
TOO REMOTE TO DESCRIBE.

286
00:14:36,046 --> 00:14:38,024
IT TURNS OUT RICHTER
HAD DESIGNED A MAP

287
00:14:38,048 --> 00:14:40,186
TO LEAD YOUR MOTHER
BACK TO THE BOOK'S LOCATION.

288
00:14:40,210 --> 00:14:42,427
SO WHERE'S THE MAP?

289
00:14:42,451 --> 00:14:44,129
INSIDE A FIRST EDITION
OF "WAR AND PEACE"

290
00:14:44,153 --> 00:14:45,490
LOCATED AT THE
TECHNICAL SERVICES LIBRARY

291
00:14:45,514 --> 00:14:47,493
AT FAPSI HEADQUARTERS IN MOSCOW.

292
00:14:47,517 --> 00:14:49,294
FAPSI HEADQUARTERS.

293
00:14:49,318 --> 00:14:51,437
SLOANE IS PREPARING
TO SEND YOU TO MOSCOW

294
00:14:51,461 --> 00:14:53,538
TO RETRIEVE RICHTER'S MAP.

295
00:14:53,562 --> 00:14:55,370
I'VE HAD THE CIA
FABRICATE A BOGUS MAP.

296
00:14:55,394 --> 00:14:57,243
YOU GO TO MOSCOW,
RETRIEVE THE REAL ONE,

297
00:14:57,267 --> 00:14:58,975
WHICH YOU'LL RETURN TO THE CIA.

298
00:14:58,999 --> 00:15:00,947
YOU'LL GIVE SD-6 THIS
MAP, WHICH WILL LEAD THEM

299
00:15:00,971 --> 00:15:02,408
TO THE MIDDLE OF
THE SUNKEN FOREST.

300
00:15:02,432 --> 00:15:04,910
WHY HAVE YOU
COME TO ME LIKE THIS,

301
00:15:04,934 --> 00:15:07,413
BEFORE MY SD-6
BRIEFING, YOU GIVING ME

302
00:15:07,437 --> 00:15:10,285
THE CIA COUNTERMISSION
INSTEAD OF VAUGHN?

303
00:15:10,309 --> 00:15:11,957
BECAUSE THIS IS THE BEST WAY TO
RESPOND TO YOUR RESPONSIBILITY.

304
00:15:11,981 --> 00:15:13,389
NO, I KNOW WHAT THIS IS.

305
00:15:13,413 --> 00:15:15,390
YOU DON'T WANT ME
TO TAKE THIS TO MOM.

306
00:15:15,414 --> 00:15:16,662
THERE'S NO BENEFIT
IN SEEING HER.

307
00:15:16,686 --> 00:15:18,293
YOU HAVE ALL THE
INFORMATION YOU NEED.

308
00:15:18,317 --> 00:15:20,166
WE DON'T KNOW THAT. SYDNEY,
WE'VE BEEN DOING THIS LONG ENOUGH

309
00:15:20,190 --> 00:15:22,028
TO KNOW THAT OUR SYSTEM WORKS.

310
00:15:22,052 --> 00:15:23,970
OUR SYSTEM WAS STAGNANT
UNTIL MOM TURNED HERSELF IN.

311
00:15:23,994 --> 00:15:25,370
DAD, WE'VE COVERED THIS.

312
00:15:25,394 --> 00:15:27,232
WE'VE BOTH BEEN
BETRAYED BY THIS WOMAN.

313
00:15:27,256 --> 00:15:29,434
THE DIFFERENCE
BETWEEN YOU AND ME

314
00:15:29,458 --> 00:15:31,307
IS THAT I AM WILLING
TO SQUEEZE HER

315
00:15:31,331 --> 00:15:33,479
FOR EVERYTHING SHE'S GOT
TO TAKE DOWN THE ENEMY,

316
00:15:33,503 --> 00:15:35,280
ANYTHING TO GET ME
THE HELL OUT OF THIS LIFE

317
00:15:35,304 --> 00:15:37,143
AS SOON AS POSSIBLE.

318
00:15:37,167 --> 00:15:38,307
ANYTHING!

319
00:15:40,340 --> 00:15:42,518
I'M WILL, AND I'M AN ADDICT.

320
00:15:42,542 --> 00:15:45,291
All: HI, WILL.

321
00:15:45,315 --> 00:15:48,453
I NEVER THOUGHT ABOUT MY
REPUTATION UNTIL I LOST IT.

322
00:15:48,477 --> 00:15:51,397
IT ALL HAPPENED VERY PUBLICLY,

323
00:15:51,421 --> 00:15:53,960
SO PEOPLE ACTUALLY LOOK AT ME...

324
00:15:53,984 --> 00:15:56,201
AT THE MARKET AND STUFF.

325
00:15:56,225 --> 00:16:00,389
"OKAY, THERE'S THE DRUG
ADDICT FROM THE NEWSPAPER."

326
00:16:05,164 --> 00:16:08,114
WELL, ACTUALLY, THERE HAS
BEEN ONE HAPPY BYPRODUCT

327
00:16:08,138 --> 00:16:11,277
FROM ALL THIS.

328
00:16:11,301 --> 00:16:13,318
I HAVE A GOOD FRIEND

329
00:16:13,342 --> 00:16:16,152
WHO, IT TURNS OUT, I, UH...

330
00:16:16,176 --> 00:16:19,284
I DIDN'T KNOW AT ALL BEFORE,

331
00:16:19,308 --> 00:16:21,326
AND NOW SHE AND I CAN TALK

332
00:16:21,350 --> 00:16:23,958
IN A WAY THAT WE
NEVER DID BEFORE.

333
00:16:23,982 --> 00:16:28,163
AND, UH...

334
00:16:28,187 --> 00:16:32,422
AND I-I DON'T THINK I WOULD
TRADE THAT FOR ANYTHING.

335
00:16:43,332 --> 00:16:45,610
THE SAME THING HAPPENED TO ME.

336
00:16:45,634 --> 00:16:47,312
WHAT?

337
00:16:47,336 --> 00:16:50,655
I LEARNED WHO MY
TRUE FRIENDS WERE

338
00:16:50,679 --> 00:16:54,320
WHEN EVERYONE FOUND
OUT ABOUT MY HABIT.

339
00:16:54,344 --> 00:16:56,192
UH, I'M REBECCA MARTINEZ.

340
00:16:56,216 --> 00:16:57,623
HI. I'M WILL TIPPIN.

341
00:16:57,647 --> 00:16:59,764
I KNOW WHO YOU ARE, WILL TIPPIN.

342
00:16:59,788 --> 00:17:01,466
I READ YOUR ARTICLES.

343
00:17:01,490 --> 00:17:03,629
THE REPORTER WITH
THE BIG IMAGINATION

344
00:17:03,653 --> 00:17:06,601
WHO FELL IN LOVE WITH
THE HEROIN CHIC LIFESTYLE.

345
00:17:06,625 --> 00:17:08,504
YEAH, YEAH, THAT'S ME.

346
00:17:08,528 --> 00:17:11,137
MY THEORY?

347
00:17:11,161 --> 00:17:14,080
I DON'T THINK YOU EVER
REALLY WERE A DRUG ADDICT.

348
00:17:14,104 --> 00:17:16,542
WHY WOULD YOU SAY THAT?

349
00:17:16,566 --> 00:17:19,314
WELL, I BELIEVE WHAT YOU
WROTE ABOUT SD-6 WAS TRUE.

350
00:17:19,338 --> 00:17:21,447
I THINK YOU GOT TOO CLOSE

351
00:17:21,471 --> 00:17:23,488
TO SOME KIND OF
SECRET CONSPIRACY

352
00:17:23,512 --> 00:17:25,491
AND THEY HAD TO SHUT YOU DOWN.

353
00:17:25,515 --> 00:17:26,792
THEY PROBABLY CAME AFTER YOU,

354
00:17:26,816 --> 00:17:28,494
TOLD YOU NOT TO TALK.

355
00:17:28,518 --> 00:17:30,295
I MEAN, THEY COULDN'T
KILL YOU, COULD THEY?

356
00:17:30,319 --> 00:17:32,328
NO. THAT WOULD EXPOSE THEM.

357
00:17:32,352 --> 00:17:33,758
SO THEY THREATENED YOU,

358
00:17:33,782 --> 00:17:35,561
AND THEN TO RUIN YOUR
REP, THEY SHOT YOU UP.

359
00:17:35,585 --> 00:17:37,632
NO. UH, NO.

360
00:17:37,656 --> 00:17:39,804
I-I MADE UP ALL THAT
STUFF ABOUT SD-6.

361
00:17:39,828 --> 00:17:43,532
THAT WAS ME... BEING AN IDIOT.

362
00:17:45,795 --> 00:17:47,042
WHAT?

363
00:17:47,066 --> 00:17:48,613
SORRY, I'M...

364
00:17:48,637 --> 00:17:51,147
I'M SORT OF A
CONSPIRACY THEORIST.

365
00:17:51,171 --> 00:17:54,719
I HAVE A WEB PAGE.
Conspiracychick.com.

366
00:17:54,743 --> 00:17:56,782
HERE.

367
00:17:56,806 --> 00:17:59,548
I WANT TO PROVE YOUR
STORY ABOUT SD-6 WAS REAL.

368
00:18:05,355 --> 00:18:06,516
[ PRISON DOORS BUZZ ]

369
00:18:25,674 --> 00:18:29,509
KLAUS RICHTER IS
IN SD-6 CUSTODY.

370
00:18:31,340 --> 00:18:33,488
I'M AWARE THAT YOU
REFUSE TO GIVE THE CIA

371
00:18:33,512 --> 00:18:35,390
DETAILS ABOUT THIS
OPERATIONS MANUAL

372
00:18:35,414 --> 00:18:37,793
YOU HAD RICHTER HIDE AWAY,

373
00:18:37,817 --> 00:18:40,166
AND I UNDERSTAND WHY.

374
00:18:40,190 --> 00:18:43,629
THE KNOWLEDGE
CONTAINED IN THAT MANUAL

375
00:18:43,653 --> 00:18:46,171
IS YOUR ONLY LEVERAGE.

376
00:18:46,195 --> 00:18:49,475
BUT NOW, HAVING
SPOKEN WITH RICHTER,

377
00:18:49,499 --> 00:18:52,507
SD-6 IS AFTER HIM.

378
00:18:52,531 --> 00:18:57,713
RICHTER WAS FOUND IN
THE CUSTODY OF MR. SARK.

379
00:18:57,737 --> 00:19:00,146
WE DON'T KNOW WHAT SARK KNOWS.

380
00:19:00,170 --> 00:19:02,050
HE MIGHT ALREADY HAVE
THE MAP IN HIS POSSESSION.

381
00:19:03,843 --> 00:19:08,393
I'M HERE BECAUSE SD-6 IS
SENDING ME TO MOSCOW.

382
00:19:08,417 --> 00:19:11,226
I'M GOING TO RETRIEVE THE
MAP AT FAPSI HEADQUARTERS.

383
00:19:11,250 --> 00:19:13,458
SO IF YOU WANT TO HELP THE CIA,

384
00:19:13,482 --> 00:19:15,501
AS YOU CLAIM TO,

385
00:19:15,525 --> 00:19:18,204
YOU'LL GIVE US ANY
INFORMATION YOU HAVE

386
00:19:18,228 --> 00:19:20,460
THAT WILL FACILITATE THE
RECOVERY OF RICHTER'S MAP.

387
00:19:25,795 --> 00:19:30,646
WHEN I TURNED
MYSELF OVER TO CIA,

388
00:19:30,670 --> 00:19:34,273
A PAIR OF EARRINGS
WERE TAKEN FROM ME.

389
00:19:37,207 --> 00:19:39,354
THEY HAVE SENTIMENTAL VALUE.

390
00:19:39,378 --> 00:19:40,480
I'D LIKE THEM BACK.

391
00:19:42,682 --> 00:19:44,713
I'll SEE WHAT I CAN DO.

392
00:19:48,357 --> 00:19:50,196
AND IN GOOD FAITH,

393
00:19:50,220 --> 00:19:52,798
TELL ME HOW YOU PLAN ON
BREAKING INTO THE LIBRARY.

394
00:19:52,822 --> 00:19:54,594
Jack: SHE WENT TO
SEE HER MOTHER.

395
00:19:56,496 --> 00:19:59,174
I TRIED... I TRIED TO STOP HER.

396
00:19:59,198 --> 00:20:00,446
I MADE IT CLEAR.

397
00:20:00,470 --> 00:20:02,447
MADE WHAT CLEAR?

398
00:20:02,471 --> 00:20:04,310
TRUSTING HER MOTHER,

399
00:20:04,334 --> 00:20:06,611
SHE'S PLAYING WITH FIRE.

400
00:20:06,635 --> 00:20:08,553
WE'VE HAD THIS DISCUSSION.

401
00:20:08,577 --> 00:20:10,509
THERE'S NO ONE
ELSE TO DO THIS JOB.

402
00:20:11,840 --> 00:20:14,360
SYDNEY WENT TO SEE HER MOTHER.

403
00:20:14,384 --> 00:20:19,324
YES, SHE'S THERE
NOW LOOKING FOR HELP.

404
00:20:19,348 --> 00:20:20,966
THE EAST WING
STAIRWELL IS AN OPTION.

405
00:20:20,990 --> 00:20:22,668
I CAN SEE WHY SD-6
CHOSE THAT ROUTE,

406
00:20:22,692 --> 00:20:24,370
BUT THERE IS A BETTER WAY

407
00:20:24,394 --> 00:20:25,970
TO GET TO THE
SIXTH FLOOR LIBRARY.

408
00:20:25,994 --> 00:20:27,602
WRITE THIS DOWN.

409
00:20:27,626 --> 00:20:29,604
ONCE YOU'RE INSIDE THE BUILDING,

410
00:20:29,628 --> 00:20:31,837
DON'T TAKE THE MAIN STAIRS.

411
00:20:31,861 --> 00:20:33,809
YOU JUST... LOOK TO YOUR
LEFT, AND THERE'S A DOOR...

412
00:20:33,833 --> 00:20:35,640
Jack: NO ONE WANTS A
HAPPY ENDING TO THIS STORY.

413
00:20:35,664 --> 00:20:39,645
MORE THAN I DO, BUT
I KNOW THIS WOMAN.

414
00:20:39,669 --> 00:20:41,546
I KNOW HER CHARMS.

415
00:20:41,570 --> 00:20:43,619
I KNOW HER TRICKS.

416
00:20:43,643 --> 00:20:46,322
THE WAY SHE PRESENTS HERSELF,

417
00:20:46,346 --> 00:20:48,424
SHE DISARMS YOU.

418
00:20:48,448 --> 00:20:51,796
SOME PEOPLE HAVE THAT TALENT.

419
00:20:51,820 --> 00:20:54,499
COMPARED TO ALL OF THEM,

420
00:20:54,523 --> 00:20:58,803
IRINA DEREVKO IS EXTRAORDINARY.

421
00:20:58,827 --> 00:21:01,337
IS THERE ANY CHANCE
THAT ALL SHE WANTS

422
00:21:01,361 --> 00:21:02,808
IS FORGIVENESS?

423
00:21:02,832 --> 00:21:04,540
NO.

424
00:21:04,564 --> 00:21:08,567
BE SPECIFIC ABOUT YOUR CONCERNS.

425
00:21:11,570 --> 00:21:14,679
I DON'T KNOW WHAT
IT IS DEREVKO WANTS.

426
00:21:14,703 --> 00:21:17,523
MAYBE SOMETHING WITHIN THE CIA.

427
00:21:17,547 --> 00:21:19,655
MAYBE TO RECRUIT
SYDNEY TO HER SIDE.

428
00:21:19,679 --> 00:21:23,529
I CAN TELL YOU I KNOW THIS...

429
00:21:23,553 --> 00:21:26,532
DEREVKO IS USING THIS
AGENCY AND MY DAUGHTER

430
00:21:26,556 --> 00:21:28,833
TO GET WHATEVER
IT IS THAT SHE WANTS,

431
00:21:28,857 --> 00:21:31,697
AND EVERYWHERE I LOOK,
PEOPLE ARE COMPLACENT

432
00:21:31,721 --> 00:21:33,668
AND COOPERATIVE,
LISTENING TO THE...

433
00:21:33,692 --> 00:21:36,671
[ CLOCK TICKING ]

434
00:21:36,695 --> 00:21:38,843
LISTENING TO A WOMAN

435
00:21:38,867 --> 00:21:42,548
WHO KILLED
OPERATIVES OF THE CIA,

436
00:21:42,572 --> 00:21:45,811
WHO DESTROYED COUNTLESS LIVES.

437
00:21:45,835 --> 00:21:47,036
YOURS?

438
00:21:54,413 --> 00:21:57,763
WE'LL TAKE YOUR SUGGESTIONS
INTO CONSIDERATION.

439
00:21:57,787 --> 00:21:59,919
BE CAREFUL.

440
00:22:13,863 --> 00:22:17,513
Jack: YOU ASKED ME
WHAT I WAS AFRAID OF.

441
00:22:17,537 --> 00:22:20,470
I CAN TELL YOU. IT'S OBVIOUS.

442
00:22:23,873 --> 00:22:26,546
I'M AFRAID OF
LOSING MY DAUGHTER.

443
00:22:41,059 --> 00:22:42,568
HEY.

444
00:22:42,592 --> 00:22:44,639
SO, I HEARD YOUR
FATHER CAME TO SEE YOU

445
00:22:44,663 --> 00:22:47,443
AND HE TRIED TO
PREEMPT MY INVOLVEMENT.

446
00:22:47,467 --> 00:22:49,614
HE WAS JUST TRYING TO KEEP
ME AWAY FROM MY MOTHER.

447
00:22:49,638 --> 00:22:52,046
I KNOW.

448
00:22:52,070 --> 00:22:54,820
SHE ACTUALLY HAD SOME
INTEL FOR THIS MISSION

449
00:22:54,844 --> 00:22:56,681
THAT COULD HELP.

450
00:22:56,705 --> 00:22:59,824
GOOD.

451
00:22:59,848 --> 00:23:02,828
LISTEN, AS FAR AS YOUR
MOTHER'S CONCERNED,

452
00:23:02,852 --> 00:23:05,430
IT'S RIDICULOUS FOR
YOU TO WORRY ABOUT ME.

453
00:23:05,454 --> 00:23:06,831
I MEAN, I'M FINE.

454
00:23:06,855 --> 00:23:09,063
WHAT SHE DID TO MY
FATHER, I CAN HANDLE.

455
00:23:09,087 --> 00:23:11,366
BUT WHEN I HEARD
WHAT YOUR FATHER DID...

456
00:23:11,390 --> 00:23:12,838
COMING TO SEE YOU LIKE THAT...

457
00:23:12,862 --> 00:23:17,443
I-I REALIZED HOW INSANE
THIS MUST BE FOR HIM,

458
00:23:17,467 --> 00:23:20,446
HAVING YOUR MOTHER
BACK IN HIS LIFE.

459
00:23:20,470 --> 00:23:24,810
WHICH ONLY CONCERNED
ME BECAUSE THAT MEANS

460
00:23:24,834 --> 00:23:27,606
HE'S NOT MAKING IT
ANY EASIER FOR YOU.

461
00:23:29,838 --> 00:23:32,858
SO, BEFORE YOU LEAVE FOR MOSCOW,

462
00:23:32,882 --> 00:23:35,491
I JUST WANTED TO SAY

463
00:23:35,515 --> 00:23:38,524
THAT YOU MIGHT
FEEL ALONE IN ALL THIS,

464
00:23:38,548 --> 00:23:39,949
LIKE YOU DON'T HAVE AN ALLY.

465
00:23:44,153 --> 00:23:46,431
I'M YOUR ALLY.

466
00:23:46,455 --> 00:23:47,832
[ DOOR OPENS IN THE DISTANCE ]

467
00:23:47,856 --> 00:23:49,999
NEVER QUESTION THAT.

468
00:23:51,661 --> 00:23:54,202
MISS BRISTOW, YOUR
PLANE'S STANDING BY.

469
00:23:59,868 --> 00:24:02,040
I'll SEE YOU WHEN I GET BACK.

470
00:24:44,653 --> 00:24:46,214
[ BEEP ]

471
00:24:58,627 --> 00:25:00,098
[ ALARM SOUNDS ]

472
00:25:03,833 --> 00:25:07,683
[ ALARM SOUNDS ]

473
00:25:07,707 --> 00:25:08,907
[ SNAPS FINGERS ]

474
00:25:12,912 --> 00:25:14,584
[ CHIRPING ]

475
00:25:25,855 --> 00:25:27,757
[ ALARM SOUNDS ]

476
00:25:33,903 --> 00:25:35,781
OKAY, THESE MEDALS
THAT YOU WON...

477
00:25:35,805 --> 00:25:37,642
WELL, ACTUALLY, YOU
DIDN'T RALLY WIN THEM,

478
00:25:37,666 --> 00:25:39,113
AND, WELL, THEY'RE
NOT REALLY MEDALS.

479
00:25:39,137 --> 00:25:41,116
THIS ONE RIGHT HERE IS THE
ORDER OF BRAVERY, RIGHT?

480
00:25:41,140 --> 00:25:43,649
NOT A MEDAL. RIGHT?

481
00:25:43,673 --> 00:25:45,050
NO, IT'S AN ELECTRONIC
SKELETON KEY.

482
00:25:45,074 --> 00:25:46,752
IT'LL GET YOU ACCESS
TO THE SIXTH FLOOR.

483
00:25:46,776 --> 00:25:47,977
[ BELL DINGS ]

484
00:25:56,955 --> 00:25:59,604
THIS ONE... THE ORDER
OF ZUKOV, FIRST CLASS.

485
00:25:59,628 --> 00:26:02,090
THIS WILL GET YOU INTO
THE TECHNICAL LIBRARY.

486
00:26:11,569 --> 00:26:12,717
NOW, THIS ONE IS
THE ORDER OF MERIT.

487
00:26:12,741 --> 00:26:14,749
IT'LL GET YOU INTO THE A.S.R.S.

488
00:26:14,773 --> 00:26:16,651
WHAT'S A.S.R.S.? OKAY, THE MAJORITY
OF THE BOOKS ARE KEPT IN A SECURE AREA

489
00:26:16,675 --> 00:26:18,183
UNDERNEATH THE BUILDING.

490
00:26:18,207 --> 00:26:19,854
NOW, IN ORDER TO GET
THEM, YOU'RE GOING TO NEED

491
00:26:19,878 --> 00:26:21,756
TO GET TO THE
SELECTION TERMINAL.

492
00:26:21,780 --> 00:26:23,058
WHAT YOU'LL DO IS
YOU'LL TYPE IN THE NAME

493
00:26:23,082 --> 00:26:24,889
OF THE BOOK THAT YOU WANT,
THEN THERE'S GOING TO BE

494
00:26:24,913 --> 00:26:26,160
THIS, LIKE, AUTOMATIC
CRANE THING

495
00:26:26,184 --> 00:26:27,793
THAT RETRIEVES THE BOOK
THAT YOU'VE REQUESTED

496
00:26:27,817 --> 00:26:31,035
AND THEN DEPOSITS IT OVER
ON THE SIXTH FLOOR, OKAY?

497
00:26:31,059 --> 00:26:32,898
NOW, JUST MAKE SURE
THAT YOU DON'T, UM,

498
00:26:32,922 --> 00:26:35,870
REMOVE THE METAL UNTIL AFTER
YOU'VE LOGGED OFF THE SYSTEM,

499
00:26:35,894 --> 00:26:38,003
OR YOU'LL PROBABLY
SET OFF THE ALARM, OKAY?

500
00:26:38,027 --> 00:26:40,205
OW!

501
00:26:40,229 --> 00:26:41,871
ACTUALLY, IT FELT KIND OF GOOD.

502
00:26:49,679 --> 00:26:52,286
[ BEEPING ]

503
00:26:52,310 --> 00:26:53,942
[ GUN COCKS ]

504
00:26:56,846 --> 00:27:00,195
WHATEVER ARVIN SLOANE
PAYS YOU, IT CAN'T BE ENOUGH.

505
00:27:00,219 --> 00:27:02,727
WOULD YOU CONSIDER
COMING TO WORK FOR ME

506
00:27:02,751 --> 00:27:05,370
IF IT MEANT I'D LET
YOU WALK OUT OF HERE?

507
00:27:05,394 --> 00:27:08,774
I BELIEVE IF YOU TOOK THE TIME
TO HEAR A COMPREHENSIVE OFFER,

508
00:27:08,798 --> 00:27:10,098
YOU MIGHT ACTUALLY SAY YES.

509
00:27:14,363 --> 00:27:17,212
YOU'RE CUTE, BUT I'll PASS.

510
00:27:17,236 --> 00:27:19,107
[ ALARM WAILING ]

511
00:27:32,280 --> 00:27:36,125
[ MEN SHOUTING IN RUSSIAN ]

512
00:27:49,367 --> 00:27:52,842
[ SHOUTING CONTINUES ]

513
00:28:11,359 --> 00:28:12,697
[ CELLULAR PHONE RINGS ]

514
00:28:12,721 --> 00:28:15,139
GO AHEAD. IT'S ME.

515
00:28:15,163 --> 00:28:16,941
I AM TRAPPED IN THE
TECHNICAL SERVICES BUILDING.

516
00:28:16,965 --> 00:28:18,704
I NEED A WAY OUT.

517
00:28:18,728 --> 00:28:20,344
MY MOTHER SAID SOMETHING
ABOUT SECRET PASSAGES.

518
00:28:20,368 --> 00:28:21,877
GET HER ON THE PHONE.

519
00:28:21,901 --> 00:28:24,303
[ ALARM CONTINUES WAILING ]

520
00:28:29,038 --> 00:28:31,255
SYDNEY'S TRAPPED IN THE
FAPSI BUILDING IN MOSCOW.

521
00:28:31,279 --> 00:28:32,787
SHE NEEDS A WAY OUT NOW.

522
00:28:32,811 --> 00:28:34,860
WHERE IS SHE EXACTLY?

523
00:28:34,884 --> 00:28:36,120
WHERE ARE YOU EXACTLY?

524
00:28:36,144 --> 00:28:38,317
AN OFFICE ON THE SEVENTH FLOOR.

525
00:28:41,289 --> 00:28:43,467
WHOSE OFFICE? WHOSE OFFICE?

526
00:28:43,491 --> 00:28:46,700
GENERAL VITALI SIMONOV.

527
00:28:46,724 --> 00:28:47,902
ASK HER IF THERE'S
AN ABSTRACT PAINTING

528
00:28:47,926 --> 00:28:49,133
BEHIND THE DESK.

529
00:28:49,157 --> 00:28:51,106
IS THERE AN ABSTRACT
PAINTING BEHIND THE DESK?

530
00:28:51,130 --> 00:28:53,007
YES, YES, YES.

531
00:28:53,031 --> 00:28:55,209
[ MEN SHOUTING, ALARM WAILING ]

532
00:28:55,233 --> 00:28:57,012
BEHIND IT THERE'S
AN ACTIVATION SWITCH

533
00:28:57,036 --> 00:28:58,237
FOR A PRIVATE SECURITY DOOR.

534
00:29:00,209 --> 00:29:03,873
[ MEN SHOUTING ]

535
00:29:11,951 --> 00:29:13,451
[ SHOUTING IN RUSSIAN ]

536
00:29:18,257 --> 00:29:20,064
WHAT TIME DOES THIS PLACE OPEN?

537
00:29:20,088 --> 00:29:21,366
NOT FOR ANOTHER HOUR.

538
00:29:21,390 --> 00:29:23,291
I'M OUT, AND I'VE GOT THE MAP.

539
00:29:24,933 --> 00:29:26,812
COPY, FREELANCER.

540
00:29:26,836 --> 00:29:28,297
SEE YOU AT HOME.

541
00:29:33,843 --> 00:29:35,379
HOW DO YOU SAY "THANK YOU"

542
00:29:35,403 --> 00:29:37,076
TO THE WOMAN WHO
KILLED YOUR FATHER?

543
00:29:39,377 --> 00:29:41,186
YOU DON'T.

544
00:29:41,210 --> 00:29:45,890
[ PRISON DOORS BUZZ ]

545
00:29:45,914 --> 00:29:47,155
[ DOOR SLAMS ]

546
00:29:54,323 --> 00:29:56,470
Michael: SARK ASKED YOU
TO COME WORK WITH HIM?

547
00:29:56,494 --> 00:29:58,443
Sydney: LIKE IT WASN'T
EVEN A QUESTION.

548
00:29:58,467 --> 00:30:00,044
LIKE IT WAS A DONE DEAL.

549
00:30:00,068 --> 00:30:02,177
SARK IS LIKE THE GOOD-LOOKING
GUY IN HIGH SCHOOL

550
00:30:02,201 --> 00:30:03,879
WHO KNOWS HOW CUTE HE IS

551
00:30:03,903 --> 00:30:06,511
AND WON'T TAKE
"NO" FOR AN ANSWER.

552
00:30:06,535 --> 00:30:09,514
ANY SUSPICIOUS REACTIONS
TO THE MAP YOU GAVE SD-6?

553
00:30:09,538 --> 00:30:11,555
NO. THEY'RE ANALYZING IT NOW.

554
00:30:11,579 --> 00:30:13,118
GOOD.

555
00:30:13,142 --> 00:30:15,020
WE HAVE A CIA TECH TRYING
TO DECODE THE REAL MAP.

556
00:30:15,044 --> 00:30:16,291
THEY'RE HAVING TROUBLE WITH IT.

557
00:30:16,315 --> 00:30:18,362
DO YOU THINK RICHTER
USED A CIPHER TEXT

558
00:30:18,386 --> 00:30:20,165
ONLY THEY COULD READ?

559
00:30:20,189 --> 00:30:22,097
MAYBE.

560
00:30:22,121 --> 00:30:25,570
YOUR MOTHER MIGHT BE
ABLE TO HELP US WITH THIS.

561
00:30:25,594 --> 00:30:29,474
IF YOU'RE ASKING ME
TO GO SEE HER AGAIN,

562
00:30:29,498 --> 00:30:31,599
SHE DID HAVE A REQUEST.

563
00:30:34,232 --> 00:30:36,341
THEY'VE BEEN CHECKED
FOR HIDDEN COMPARTMENTS,

564
00:30:36,365 --> 00:30:38,984
TRANSMITTERS, PASSIVE SENSORS.

565
00:30:39,008 --> 00:30:41,585
EVERY SHARP EDGE
HAS BEEN DULLED.

566
00:30:41,609 --> 00:30:45,020
I WAS 21 YEARS OLD
WHEN I WAS GIVEN THESE.

567
00:30:45,044 --> 00:30:47,391
AT THE GRADUATION
FROM THE ACADEMY,

568
00:30:47,415 --> 00:30:54,198
MY MOTHER... YOUR GRANDMOTHER...

569
00:30:54,222 --> 00:30:58,162
PUT THESE IN MY HANDS.

570
00:30:58,186 --> 00:31:00,534
I CRIED.

571
00:31:00,558 --> 00:31:04,109
SHE SAID, "SWEETHEART,
WEAR THEM WELL."

572
00:31:04,133 --> 00:31:07,111
YOU WOULD HAVE LIKED HER.

573
00:31:07,135 --> 00:31:12,441
HAD THINGS... BEEN DIFFERENT.

574
00:31:27,215 --> 00:31:30,588
WE NEED YOU TO DECODE THE MAP.

575
00:31:37,226 --> 00:31:39,204
I HAVE A REQUEST.

576
00:31:39,228 --> 00:31:41,245
SURE.

577
00:31:41,269 --> 00:31:43,378
MR. SLOANE IS CONCERNED
ABOUT A PHONE CALL

578
00:31:43,402 --> 00:31:45,379
HE RECEIVED AT HOME
LAST THURSDAY NIGHT.

579
00:31:45,403 --> 00:31:48,183
THE CALL WAS TRACED TO
THE BARANCA BED & BREAKFAST

580
00:31:48,207 --> 00:31:49,955
IN SONOMA, CALIFORNIA.

581
00:31:49,979 --> 00:31:53,017
HE'S ASKED ME TO SEND
SOMEONE TO SONOMA,

582
00:31:53,041 --> 00:31:54,889
FIND OUT WHO WAS STAYING THERE,

583
00:31:54,913 --> 00:31:56,460
WHO MIGHT HAVE MADE THE CALL...

584
00:31:56,484 --> 00:31:59,363
WHATEVER INFORMATION
YOU CAN GET.

585
00:31:59,387 --> 00:32:00,995
SOUNDS EASY ENOUGH.

586
00:32:01,019 --> 00:32:02,550
NO ONE'S TO KNOW ABOUT THIS.

587
00:32:04,353 --> 00:32:05,994
UNDERSTOOD.

588
00:32:14,432 --> 00:32:17,542
MADAGASCAR CLOSE TO SAMBABA.

589
00:32:17,566 --> 00:32:21,646
LATITUDE... MINUS 14
DEGREES, 26 MINUTES.

590
00:32:21,670 --> 00:32:26,021
LONGITUDE... 49 DEGREES,

591
00:32:26,045 --> 00:32:28,946
57 MINUTES, AND 20 SECONDS.

592
00:32:33,682 --> 00:32:36,331
SHE SAYS THE BUILDING IS CLEAN.

593
00:32:36,355 --> 00:32:39,403
THERE ARE NO EXPLOSIVES
OR ANTI-INTRUSION SYSTEMS.

594
00:32:39,427 --> 00:32:41,366
YOU OBVIOUSLY CAN'T
TRUST THIS INFORMATION.

595
00:32:41,390 --> 00:32:43,068
DAD, COME ON.

596
00:32:43,092 --> 00:32:44,539
IF SHE WANTED ME DEAD,
SHE COULD HAVE LEFT ME

597
00:32:44,563 --> 00:32:46,140
STUCK AT FAPSI HEADQUARTERS.

598
00:32:46,164 --> 00:32:47,973
YOUR MOTHER KNOWS THAT
THE ONLY LEVERAGE SHE HAS

599
00:32:47,997 --> 00:32:50,014
IS THE INFORMATION
ABOUT HER AGENCY.

600
00:32:50,038 --> 00:32:52,177
AS SOON AS WE GET THAT
MANUAL, SHE'S GOT NOTHING.

601
00:32:52,201 --> 00:32:54,178
UNLESS SHE WANTS
TO PROVE HERSELF.

602
00:32:54,202 --> 00:32:55,620
THAT'S THE KIND OF
HOPEFUL THINKING

603
00:32:55,644 --> 00:32:57,651
THAT WILL GET YOU KILLED.

604
00:32:57,675 --> 00:32:58,723
I'M GOING IN. NO, YOU'RE NOT.

605
00:32:58,747 --> 00:33:00,955
IRINA DEREVKO HAS
PROVED HER VALUE.

606
00:33:00,979 --> 00:33:03,058
DO NOT TALK TO ME ABOUT
THAT WOMAN'S VALUE!

607
00:33:03,082 --> 00:33:06,190
OF ALL PEOPLE, YOU
SHOULD KNOW BETTER.

608
00:33:06,214 --> 00:33:07,732
WE'RE SENDING YOU TO MADAGASCAR

609
00:33:07,756 --> 00:33:09,363
TO RETRIEVE THE BIBLE.

610
00:33:09,387 --> 00:33:11,136
YOU, TOO. PREPARE
TO LEAVE TONIGHT.

611
00:33:11,160 --> 00:33:13,668
I WANT YOU TO DEAL WITH
SYDNEY'S COVER AT SD-6.

612
00:33:13,692 --> 00:33:15,163
LET'S MOVE IT.

613
00:33:24,603 --> 00:33:27,476
[ THUNDER RUMBLING ]

614
00:33:31,480 --> 00:33:34,289
TEAM WILL BE IN
MADAGASCAR IN 12 HOURS.

615
00:33:34,313 --> 00:33:36,420
I'll NEED YOU TO HAVE
EVERYTHING IN PLACE BY THEN.

616
00:33:36,444 --> 00:33:40,749
ON THAT TIMEFRAME, I
HAVE TO PARACHUTE IN.

617
00:33:44,692 --> 00:33:46,670
JACK, I OWE YOU.

618
00:33:46,694 --> 00:33:49,734
BUT WHY 30 POUNDS OF SEMTEX?

619
00:33:49,758 --> 00:33:52,506
I COULD DO THE SAME
JOB WITH 5 POUNDS OF C-4.

620
00:33:52,530 --> 00:33:54,238
I NEED YOU TO MAKE SURE

621
00:33:54,262 --> 00:33:56,341
THAT IF ANYONE
ENTERS THAT BUILDING,

622
00:33:56,365 --> 00:33:58,606
NO ONE WILL SURVIVE.

623
00:34:02,270 --> 00:34:04,619
Woman: GOD GRANT
US THE SERENITY.

624
00:34:04,643 --> 00:34:07,722
TO ACCEPT THE THINGS
WE CANNOT CHANGE,

625
00:34:07,746 --> 00:34:10,724
COURAGE TO CHANGE
THE THINGS WE CAN,

626
00:34:10,748 --> 00:34:14,428
AND WISDOM TO
KNOW THE DIFFERENCE.

627
00:34:14,452 --> 00:34:17,361
DON'T FORGET, NEXT MEETING,
PATTY'S BRINGING THE DOUGHNUTS.

628
00:34:17,385 --> 00:34:19,327
[ LIGHT LAUGHTER ]

629
00:34:25,693 --> 00:34:27,541
HEY. I HAD A THOUGHT.

630
00:34:27,565 --> 00:34:29,343
YOU AND I COULD
DO THIS TOGETHER.

631
00:34:29,367 --> 00:34:30,675
DO WHAT TOGETHER?

632
00:34:30,699 --> 00:34:32,347
YOU COULD TELL ME WHAT TO DO...

633
00:34:32,371 --> 00:34:33,818
WHO TO CONTACT, WHAT TO WRITE.

634
00:34:33,842 --> 00:34:35,519
I CAN PUBLISH IT
ALL ON MY WEB PAGE,

635
00:34:35,543 --> 00:34:36,680
TOTALLY ANONYMOUS.

636
00:34:36,704 --> 00:34:39,624
REBECCA... AND WE
COULD HANG OUT.

637
00:34:39,648 --> 00:34:41,655
WHICH COULD BE KIND OF NICE.

638
00:34:41,679 --> 00:34:44,289
DO YOU LIKE FROZEN YOGURT?

639
00:34:44,313 --> 00:34:46,660
I ALREADY TOLD YOU
THAT THE WHOLE THING

640
00:34:46,684 --> 00:34:48,463
ABOUT SD-6, IT
WAS ALL FICTIONAL.

641
00:34:48,487 --> 00:34:50,064
WILL, COME ON.

642
00:34:50,088 --> 00:34:52,236
NOW, WHY WOULD
ANYONE, ESPECIALLY YOU,

643
00:34:52,260 --> 00:34:53,668
MAKE UP A STORY LIKE THAT?

644
00:34:53,692 --> 00:34:56,541
[ SIGHS ]

645
00:34:56,565 --> 00:34:59,474
OKAY, JUST TELL ME THIS.

646
00:34:59,498 --> 00:35:00,798
DID THEY DO THIS TO YOU?

647
00:35:05,103 --> 00:35:08,452
A FRIEND OF MINE,
HER FIANCé WAS KILLED.

648
00:35:08,476 --> 00:35:11,084
THE POLICE, THEY THOUGHT IT
WAS JUST A RANDOM SHOOTING

649
00:35:11,108 --> 00:35:13,687
AND SOME GUY HAD
BROKEN INTO HIS APARTMENT.

650
00:35:13,711 --> 00:35:15,519
AND I WAS WORRIED ABOUT HER.

651
00:35:15,543 --> 00:35:17,392
I DECIDED TO PLAY HERO.

652
00:35:17,416 --> 00:35:19,463
I WAS GOING TO FIND
OUT WHO KILLED HIM.

653
00:35:19,487 --> 00:35:22,367
AND AFTER THAT,
I WAS GOING TO...

654
00:35:22,391 --> 00:35:25,869
I DON'T KNOW, MAYBE, UH...

655
00:35:25,893 --> 00:35:29,233
MAYBE OUR RELATIONSHIP
WOULD BE DIFFERENT.

656
00:35:29,257 --> 00:35:31,535
BUT THE MORE THAT
I LOOKED INTO IT,

657
00:35:31,559 --> 00:35:33,637
THE LESS I FOUND.

658
00:35:33,661 --> 00:35:36,780
THEN I HAD TO MAKE IT UP,

659
00:35:36,804 --> 00:35:38,282
BECAUSE TO ME IT
WAS MORE IMPORTANT

660
00:35:38,306 --> 00:35:39,783
NOT TO LET HER DOWN THAN IT WAS

661
00:35:39,807 --> 00:35:41,845
FOR ME TO JUST BE
HONEST WITH HER.

662
00:35:41,869 --> 00:35:46,550
SO, YOU WANT TO
LOOK INTO SD-6, HEY...

663
00:35:46,574 --> 00:35:47,815
GOOD LUCK.

664
00:35:54,822 --> 00:35:57,631
WILL TIPPIN SHOULDN'T
BE A PROBLEM.

665
00:35:57,655 --> 00:35:59,704
I GAVE HIM A NUMBER
OF OPPORTUNITIES,

666
00:35:59,728 --> 00:36:01,865
ALL RECORDED ON AUDIO FILES,

667
00:36:01,889 --> 00:36:04,769
TO RESTART HIS
SD-6 INVESTIGATION.

668
00:36:04,793 --> 00:36:06,771
TIPPIN NEVER TOOK THE BAIT.

669
00:36:06,795 --> 00:36:09,374
HAS SECURITY SECTION SEEN THAT?

670
00:36:09,398 --> 00:36:12,570
YES, AND THEY'RE CLASSIFYING
TIPPIN AS A NON-THREAT.

671
00:36:14,172 --> 00:36:16,173
GOOD.

672
00:36:24,282 --> 00:36:26,260
DID YOU TALK TO THE DESK CLERK?

673
00:36:26,284 --> 00:36:27,762
YES, I DID, SIR.

674
00:36:27,786 --> 00:36:29,764
THE BARANCA INN
HAS NO WAY OF LINKING

675
00:36:29,788 --> 00:36:31,736
A BACK TRACE FROM
AN OUTSIDE LINE

676
00:36:31,760 --> 00:36:33,898
TO AN INDIVIDUAL
ROOM, SO WE DON'T KNOW

677
00:36:33,922 --> 00:36:36,401
WHICH ROOM IT WAS
THAT CALLED YOUR HOME,

678
00:36:36,425 --> 00:36:39,967
BUT WE DO KNOW WHO WAS
STAYING AT THE INN THAT NIGHT.

679
00:36:51,579 --> 00:36:53,411
IS THAT YOUR WIFE'S SIGNATURE?

680
00:37:15,664 --> 00:37:17,811
[ GUN COCKS ]

681
00:37:17,835 --> 00:37:20,515
Sydney: FREELANCER
HAS REACHED THE TARGET.

682
00:37:20,539 --> 00:37:21,940
AND IS HEADING TOWARD POSITION.

683
00:37:24,742 --> 00:37:27,346
WE HAVE YOU ON
SCREEN, FREELANCER.

684
00:37:30,318 --> 00:37:35,724
[ BEEPING ]

685
00:37:37,385 --> 00:37:39,934
Sydney: THERE'S THE HOUSE.

686
00:37:39,958 --> 00:37:41,666
[ DISTANT SCREAM ]

687
00:37:41,690 --> 00:37:43,731
FREELANCER'S GOING IN.

688
00:37:47,335 --> 00:37:49,467
WE'RE AT THE DOOR.

689
00:37:58,306 --> 00:38:00,354
CAN YOU SWITCH FROM THE
REAL-TIME SAT RADAR SCAN

690
00:38:00,378 --> 00:38:01,686
TO INFRARED?

691
00:38:01,710 --> 00:38:02,751
SWITCHING TO INFRARED.

692
00:38:10,318 --> 00:38:11,436
HOLD YOUR ENTRY.

693
00:38:11,460 --> 00:38:14,499
WHAT IS IT, DAD?

694
00:38:14,523 --> 00:38:16,541
SEE HOW THESE
AREAS DON'T GIVE OFF

695
00:38:16,565 --> 00:38:18,742
THE SAME AMOUNT OF HEAT AS
THE SURROUNDING STRUCTURE?

696
00:38:18,766 --> 00:38:19,903
THAT'S BECAUSE THEY'RE
NOT MADE OF WOOD.

697
00:38:19,927 --> 00:38:21,546
WHAT ARE THEY MADE OF?

698
00:38:21,570 --> 00:38:23,046
SYDNEY...

699
00:38:23,070 --> 00:38:24,849
I NEED YOU TO TAKE A
LOOK UNDER THE HOUSE.

700
00:38:24,873 --> 00:38:25,873
IS THERE A CRAWL SPACE?

701
00:39:03,871 --> 00:39:05,744
SHE LIED TO ME.

702
00:39:10,818 --> 00:39:12,457
SYDNEY, COME ON.

703
00:39:12,481 --> 00:39:13,952
WE'RE PULLING BACK.

704
00:39:17,556 --> 00:39:19,834
IF SHE WAS COUNTING ON MY TRUST,

705
00:39:19,858 --> 00:39:21,706
THAT I WOULD JUST WALK IN THERE

706
00:39:21,730 --> 00:39:22,966
AND SET OFF THE EXPLOSIVES,

707
00:39:22,990 --> 00:39:24,608
THEN WHY DID SHE
HELP US GET THIS FAR?

708
00:39:24,632 --> 00:39:26,570
THERE ARE ENOUGH
EXPLOSIVES IN THERE

709
00:39:26,594 --> 00:39:28,812
TO BLOW THIS ENTIRE PLACE,
OPERATION MANUAL INCLUDED.

710
00:39:28,836 --> 00:39:31,115
YOUR MOTHER WAS USING
US TO DESTROY IT FOR HER.

711
00:39:31,139 --> 00:39:33,617
SECURE THE PERIMETER UNTIL...

712
00:39:33,641 --> 00:39:35,704
[ GUN COCKS ]

713
00:39:38,106 --> 00:39:39,783
YOUR EFFICIENT
RECONNAISSANCE WORK

714
00:39:39,807 --> 00:39:41,385
SAVED US THE TROUBLE
OF USING OUR GPS.

715
00:39:41,409 --> 00:39:43,512
THANK YOU.

716
00:39:48,085 --> 00:39:51,836
GO INSIDE AND RECOVER
THE OPERATIONS MANUAL.

717
00:39:51,860 --> 00:39:55,570
YOU ESCAPED TACTICAL
DIRECTORATE AFTER LOCKDOWN.

718
00:39:55,594 --> 00:39:57,602
CLEARLY YOU HAD NO
TROUBLE DECODING THE MAP.

719
00:39:57,626 --> 00:40:00,104
I'M SURPRISED KLAUS
RICHTER WAS SO WILLING

720
00:40:00,128 --> 00:40:02,646
TO REVEAL HIS SECRETS. IF
I DIDN'T KNOW ANY BETTER,

721
00:40:02,670 --> 00:40:04,077
I'D GUESS YOU HAD
ANOTHER SOURCE.

722
00:40:04,101 --> 00:40:06,851
[ EXPLOSIVES CHARGING ]

723
00:40:06,875 --> 00:40:08,936
SYDNEY! SYDNEY!

724
00:40:20,619 --> 00:40:22,066
WHERE'S SARK?

725
00:40:22,090 --> 00:40:23,822
HE'S GONE.

726
00:40:34,032 --> 00:40:36,039
Jack: SYDNEY, ARE YOU OKAY?

727
00:40:36,063 --> 00:40:38,483
WE'RE OKAY, DAD.

728
00:40:38,507 --> 00:40:40,809
WE'RE COMING HOME.

729
00:40:52,521 --> 00:40:54,559
THIS IS ASSISTANT
DIRECTOR KENDALL.

730
00:40:54,583 --> 00:40:57,131
I WANT IRINA DEREVKO
REMOVED FROM THIS FACILITY.

731
00:40:57,155 --> 00:40:59,533
I WANT HER TRANSFERRED
TO CAMP HARRIS

732
00:40:59,557 --> 00:41:01,635
FOR UNRESTRICTED INTERROGATION.

733
00:41:01,659 --> 00:41:03,838
SHE'LL BE GONE WITHIN THE HOUR.

734
00:41:03,862 --> 00:41:05,869
YOU WERE RIGHT ABOUT HER, JACK.

735
00:41:05,893 --> 00:41:07,936
YOU WERE RIGHT.

736
00:41:13,141 --> 00:41:16,921
♪ YOU CANNOT CALM THE STORM ♪

737
00:41:16,945 --> 00:41:20,754
♪ YOU CANNOT STOP THE RAIN ♪

738
00:41:20,778 --> 00:41:24,628
♪ BUT I NEED A MIRACLE ♪

739
00:41:24,652 --> 00:41:28,693
♪ TO CAPTIVATE THE PAIN ♪

740
00:41:28,717 --> 00:41:32,066
♪ IT'S ALL TOO MUCH TO HOLD ♪

741
00:41:32,090 --> 00:41:36,140
♪ IN A HEART TOO WEAK TO BEAT ♪

742
00:41:36,164 --> 00:41:39,974
♪ WHEN ALL I HAD IS GONE ♪

743
00:41:39,998 --> 00:41:43,802
♪ WITH NOTHING HERE TO KEEP ♪

744
00:41:48,806 --> 00:41:54,258
♪ OH, CAN I WAKE UP? ♪

745
00:41:54,282 --> 00:41:58,085
♪ CAN I FIND A WAY? ♪

746
00:42:01,248 --> 00:42:03,597
♪ OH ♪

747
00:42:03,621 --> 00:42:05,829
Sydney: I THOUGHT THERE
MIGHT HAVE BEEN A CHANCE.

748
00:42:05,853 --> 00:42:09,032
TO BELIEVE...

749
00:42:09,056 --> 00:42:11,900
TO BELIEVE THAT SHE
HAD NO HIDDEN AGENDA.

750
00:42:24,842 --> 00:42:28,076
EVERYTHING YOU SAID WAS RIGHT.

751
00:42:32,981 --> 00:42:34,882
AND I WAS SO STUPID.

752
00:42:40,588 --> 00:42:42,159
I'M SORRY, DAD.

753
00:42:47,164 --> 00:42:48,896
I'M SORRY THAT I DOUBTED YOU.

754
00:42:53,742 --> 00:42:55,720
I'M SORRY, DAD.

755
00:42:55,744 --> 00:43:00,277
♪ CAN I RUN AWAY? ♪

756
00:43:03,050 --> 00:43:05,028
♪ OH ♪

757
00:43:05,052 --> 00:43:07,686
♪ I CAN'T ESCAPE. ♪