1
00:00:01,572 --> 00:00:04,511
Man: CIA PROFILE...
AGENT SYDNEY BRISTOW.

2
00:00:04,535 --> 00:00:06,253
OKAY, I'M IN.

3
00:00:06,277 --> 00:00:08,655
AGENT BRISTOW WORKS UNDERCOVER
WITH HER FATHER JACK BRISTOW,

4
00:00:08,679 --> 00:00:10,517
ALSO A DOUBLE AGENT WITH CIA.

5
00:00:10,541 --> 00:00:12,258
GET DOWN!

6
00:00:12,282 --> 00:00:14,261
I GUESS WE'LL JUST HAVE TO
LEARN TO TRUST EACH OTHER.

7
00:00:14,285 --> 00:00:16,192
BRISTOW'S CIA CONTACT...
MICHAEL VAUGHN.

8
00:00:16,216 --> 00:00:18,594
MY GUARDIAN ANGEL.

9
00:00:18,618 --> 00:00:22,628
HER CURRENT ASSIGNMENT...
TO INFILTRATE AND DESTROY SD-6,

10
00:00:22,652 --> 00:00:25,501
A SECRET ORGANIZATION
DEALING IN ESPIONAGE,

11
00:00:25,525 --> 00:00:28,504
EXTORTION, WEAPONS
SALES, POSING AS THE CIA.

12
00:00:28,528 --> 00:00:30,506
SD-6 HAS MADE OVER $400 MILLION

13
00:00:30,530 --> 00:00:32,079
IN ARMS SALES ALONE.

14
00:00:32,103 --> 00:00:33,680
SD-6 DIRECTOR... ARVIN SLOANE.

15
00:00:33,704 --> 00:00:36,143
THE SANCTITY OF THIS AGENCY
REQUIRES THE SACRIFICE

16
00:00:36,167 --> 00:00:38,344
OF SOME PERSONAL FREEDOMS.

17
00:00:38,368 --> 00:00:39,646
THIS IS NOT ABOUT
CUTTING OFF AN ARM

18
00:00:39,670 --> 00:00:41,188
OF THE MONSTER.

19
00:00:41,212 --> 00:00:42,689
THIS IS ABOUT
KILLING THE MONSTER.

20
00:00:42,713 --> 00:00:45,222
BRISTOW'S MOTHER, FORMERLY
RUSSIAN INTELLIGENCE,

21
00:00:45,246 --> 00:00:48,024
RECENTLY TURNED
HERSELF IN TO THE CIA.

22
00:00:48,048 --> 00:00:49,695
MOM?

23
00:00:49,719 --> 00:00:52,528
INTEL INDICATES SHE
MAY STILL BE AN ENEMY

24
00:00:52,552 --> 00:00:55,061
OF THE UNITED STATES.

25
00:00:55,085 --> 00:00:58,134
THE TRUE LOYALTY OF
AGENT BRISTOW'S MOTHER

26
00:00:58,158 --> 00:01:00,336
REMAINS UNKNOWN.

27
00:01:00,360 --> 00:01:02,109
PREVIOUSLY ON ALIAS...

28
00:01:02,133 --> 00:01:04,271
I AM MR. SARK,
DIRECTOR OF OPERATIONS.

29
00:01:04,295 --> 00:01:06,343
WHO IS YOUR EMPLOYER?

30
00:01:06,367 --> 00:01:08,215
I'M AFRAID MY
EMPLOYER'S IDENTITY

31
00:01:08,239 --> 00:01:11,046
WILL HAVE TO REMAIN
CONFIDENTIAL FOR NOW.

32
00:01:11,070 --> 00:01:12,679
YOU TELL YOUR EMPLOYER

33
00:01:12,703 --> 00:01:15,751
IF HE EVER WASTES
MY TIME LIKE THIS AGAIN,

34
00:01:15,775 --> 00:01:17,478
OUR NEXT MEETING
WILL NOT BE SO CORDIAL.

35
00:01:23,713 --> 00:01:26,263
UNDER PROPOSITION 36, YOU
ARE TO RECEIVE PROBATION

36
00:01:26,287 --> 00:01:28,295
AND ARE HEREBY
ORDERED TO COMPLETE

37
00:01:28,319 --> 00:01:30,396
A CERTIFIED DRUG
TREATMENT PROGRAM.

38
00:01:30,420 --> 00:01:34,140
ARVIN SLOANE IS A MAN
OF INTEGRITY AND COURAGE.

39
00:01:34,164 --> 00:01:35,701
AS THE HEAD OF SD-6,

40
00:01:35,725 --> 00:01:38,545
HE BRILLIANTLY
EXECUTED ALLIANCE POLICY.

41
00:01:38,569 --> 00:01:42,348
NOW, AS THE NEWEST FULL
PARTNER OF THE ALLIANCE,

42
00:01:42,372 --> 00:01:44,851
I FEEL CONFIDENT THAT
HE WILL PLAY A MAJOR PART

43
00:01:44,875 --> 00:01:47,513
IN SHAPING THAT POLICY.

44
00:01:47,537 --> 00:01:50,109
WELCOME TO THE ALLIANCE.

45
00:01:52,543 --> 00:01:54,621
YOU'VE AGREED TO SEE HER? YES.

46
00:01:54,645 --> 00:01:56,222
SHE IS THE ENEMY.

47
00:01:56,246 --> 00:01:57,524
AND SO IS SLOANE.

48
00:01:57,548 --> 00:01:59,366
AND IF THE DEVIL HERSELF
WANTS TO HELP ME

49
00:01:59,390 --> 00:02:01,128
BRING HIM DOWN, FINE BY ME.

50
00:02:01,152 --> 00:02:02,828
YOU'RE SMARTER THAN THIS.

51
00:02:02,852 --> 00:02:06,203
YOUR MOTHER WANTS YOU
TO THINK SHE'S YOUR ALLY.

52
00:02:06,227 --> 00:02:08,675
THE MINUTE YOU START
DEPENDING ON HER,

53
00:02:08,699 --> 00:02:10,631
SHE WILL GUT YOU.

54
00:02:26,417 --> 00:02:28,794
FREELANCER REQUESTS
COVERT ENTRY.

55
00:02:28,818 --> 00:02:32,323
THAT'S A COPY. WE'LL
NOTIFY AGENT VAUGHN.

56
00:02:35,885 --> 00:02:36,833
NO ONE'S FOLLOWING HER.

57
00:02:36,857 --> 00:02:38,534
IDENT CONFIRMED.

58
00:02:38,558 --> 00:02:40,607
FREELANCER IS
APPROACHING QUADRANT 4.

59
00:02:40,631 --> 00:02:43,634
SIG INT REPORTING CLEAR.
NO SUSPECT SIGNALS.

60
00:02:51,872 --> 00:02:55,482
AGENT BRISTOW, THANK
YOU FOR COMING IN.

61
00:02:55,506 --> 00:02:57,424
I KNOW YOU WEREN'T WILD

62
00:02:57,448 --> 00:02:59,656
ABOUT TALKING WITH
YOUR MOTHER LAST WEEK,

63
00:02:59,680 --> 00:03:01,888
BUT I HOPE WE CAN AGREE THAT
THE INFORMATION SHE GAVE US

64
00:03:01,912 --> 00:03:03,229
MADE IT WORTH YOUR DISCOMFORT.

65
00:03:03,253 --> 00:03:06,293
I THOUGHT SO UNTIL AN HOUR AGO.

66
00:03:06,317 --> 00:03:08,264
HOW IS THAT?

67
00:03:08,288 --> 00:03:10,466
I JUST CAME FROM A
MEETING WITH SLOANE.

68
00:03:10,490 --> 00:03:12,438
THE CAMERA I TOOK
FROM FORDSON'S VAULT,

69
00:03:12,462 --> 00:03:14,501
THE CAMERA WE TRIED
TO KEEP FROM SD-6,

70
00:03:14,525 --> 00:03:15,872
WAS AN EARLY PROTOTYPE.

71
00:03:15,896 --> 00:03:18,275
THE REAL CAMERA IS SCHEDULED
TO BE LAUNCHED INTO ORBIT

72
00:03:18,299 --> 00:03:19,746
72 HOURS FROM NOW.

73
00:03:19,770 --> 00:03:21,478
BY WHOM?

74
00:03:21,502 --> 00:03:23,479
THE ASIATIC SPACE AGENCY...

75
00:03:23,503 --> 00:03:25,782
FOUNDED AFTER THE
FALL OF THE IRON CURTAIN.

76
00:03:25,806 --> 00:03:30,287
THE ASA CONSISTS MAINLY OF
DISPLACED RUSSIAN SCIENTISTS.

77
00:03:30,311 --> 00:03:32,843
THEIR LATEST CLIENT IS
AN OLD FRIEND OF OURS.

78
00:03:35,545 --> 00:03:37,623
SARK.

79
00:03:37,647 --> 00:03:39,726
WHAT'S HIS INTEREST IN
LAUNCHING A SATELLITE?

80
00:03:39,750 --> 00:03:41,567
THAT'S THE QUESTION.

81
00:03:41,591 --> 00:03:43,870
THE SATELLITE IS EQUIPPED WITH
A TERAHERTZ IMAGING CAMERA.

82
00:03:43,894 --> 00:03:45,972
NOW, THIS CAMERA'S CAPABLE
OF SEEING THROUGH SOLID MATTER

83
00:03:45,996 --> 00:03:48,204
UP TO A DEPTH OF 100 METERS.

84
00:03:48,228 --> 00:03:49,805
IT IS IMPERATIVE

85
00:03:49,829 --> 00:03:52,709
THAT WE FIND OUT WHAT
MR. SARK IS LOOKING FOR.

86
00:03:52,733 --> 00:03:54,881
THE LAUNCH SITE'S IN SRI LANKA.

87
00:03:54,905 --> 00:03:57,683
SLOANE WANTS US TO INFILTRATE
IT POSING AS CORPORATE BUYERS.

88
00:03:57,707 --> 00:03:59,415
OUR MISSION IS TO
HACK INTO THE SATELLITE

89
00:03:59,439 --> 00:04:00,947
SO SD-6 CAN TAP INTO SARK'S FEED

90
00:04:00,971 --> 00:04:02,588
AND SEE WHAT HE SEES.

91
00:04:02,612 --> 00:04:04,351
I'll GET TECHNICAL
SERVICES ON THAT.

92
00:04:04,375 --> 00:04:05,852
WE'LL WANT TO HACK
INTO THAT FEED, TOO.

93
00:04:05,876 --> 00:04:07,494
THAT'S A FINE PRELIMINARY
STEP, AGENT VAUGHN,

94
00:04:07,518 --> 00:04:09,325
BUT I WILL WANT TO KNOW
WHAT WE'RE LOOKING FOR

95
00:04:09,349 --> 00:04:10,651
BEFORE THE
SATELLITE IS LAUNCHED.

96
00:04:14,485 --> 00:04:17,533
YOU WANT ME TO
TALK TO HER AGAIN.

97
00:04:17,557 --> 00:04:19,636
MR. SARK HAS ASSUMED CONTROL
OF YOUR MOTHER'S OPERATION.

98
00:04:19,660 --> 00:04:21,468
PLEASE STOP REFERRING
TO HER AS MY MOTHER.

99
00:04:21,492 --> 00:04:22,869
THEREFORE, MS. DEREVKO MUST
KNOW WHAT HE'S LOOKING FOR,

100
00:04:22,893 --> 00:04:24,440
AND SHE'S MADE IT CLEAR
SHE WILL ONLY SPEAK WITH YOU.

101
00:04:24,464 --> 00:04:26,543
LOOK, I TALKED TO HER
BEFORE BECAUSE I HAD TO.

102
00:04:26,567 --> 00:04:28,615
I HAVE NO INTENTION OF
MAKING THIS INTO A HABIT.

103
00:04:28,639 --> 00:04:31,478
I ASSUME YOU HAVE AN
OPINION ON THIS, AGENT VAUGHN.

104
00:04:31,502 --> 00:04:34,781
UH, I DON'T HAVE AN
EASY ANSWER TO THAT.

105
00:04:34,805 --> 00:04:36,307
I'll TAKE A COMPLICATED ONE.

106
00:04:39,409 --> 00:04:41,927
I CAN'T PRETEND TO
HIDE MY BIAS HERE.

107
00:04:41,951 --> 00:04:43,730
IRINA DEREVKO
BETRAYED THIS COUNTRY

108
00:04:43,754 --> 00:04:45,591
AND KILLED MY FATHER
IN THE PROCESS.

109
00:04:45,615 --> 00:04:47,262
ON THE OTHER HAND,

110
00:04:47,286 --> 00:04:48,995
SHE IS A CERTIFIABLE
RAMBALDI EXPERT

111
00:04:49,019 --> 00:04:50,497
AND PROBABLY KNOWS MORE

112
00:04:50,521 --> 00:04:53,269
ABOUT THE INNER WORKINGS
OF GLOBAL ORGANIZED CRIME

113
00:04:53,293 --> 00:04:55,725
THAN ANY OTHER
PERSON IN U.S. CUSTODY.

114
00:04:57,728 --> 00:05:00,377
HAVING SAID THAT,

115
00:05:00,401 --> 00:05:03,048
I BELIEVE AGENT BRISTOW AND I
WERE EFFECTIVELY COUNTERING SD-6

116
00:05:03,072 --> 00:05:05,911
BEFORE DEREVKO
TURNED HERSELF IN,

117
00:05:05,935 --> 00:05:09,439
AND I STAND BEHIND
WHATEVER SHE DECIDES.

118
00:05:11,612 --> 00:05:14,761
I DO UNDERSTAND

119
00:05:14,785 --> 00:05:17,394
THAT YOU'RE CAUGHT IN THE
MIDDLE OF ALL THIS, AGENT BRISTOW.

120
00:05:17,418 --> 00:05:18,564
I CAN ONLY OFFER MY WORD.

121
00:05:18,588 --> 00:05:20,326
THE SOONER WE KNOW
WHAT SHE KNOWS,

122
00:05:20,350 --> 00:05:21,697
THE SOONER YOU'LL NEVER
HAVE TO SPEAK WITH HER AGAIN.

123
00:05:21,721 --> 00:05:25,901
WE WEREN'T SCHEDULED
TO MEET UNTIL WEDNESDAY.

124
00:05:25,925 --> 00:05:28,033
IS EVERYTHING ALL RIGHT?

125
00:05:28,057 --> 00:05:31,437
I'M HERE TO TALK ABOUT SYDNEY.

126
00:05:31,461 --> 00:05:33,579
GOOD. WHAT'S ON YOUR MIND?

127
00:05:33,603 --> 00:05:36,483
I WANT YOUR HELP

128
00:05:36,507 --> 00:05:40,086
IN DEVISING A STRATEGY
TO PERSUADE SYDNEY

129
00:05:40,110 --> 00:05:42,548
NOT TO INTERACT WITH HER MOTHER.

130
00:05:42,572 --> 00:05:44,651
WHY?

131
00:05:44,675 --> 00:05:47,824
BECAUSE IRINA DEREVKO IS
AN OPPORTUNISTIC SOCIOPATH

132
00:05:47,848 --> 00:05:49,896
WHO'LL USE WHATEVER INROADS
SHE CAN MAKE WITH MY DAUGHTER

133
00:05:49,920 --> 00:05:51,827
TO GET WHAT SHE WANTS.

134
00:05:51,851 --> 00:05:53,829
HAVE YOU CONSIDERED

135
00:05:53,853 --> 00:05:56,031
THAT THE MORE YOU KEEP
HER FROM HER MOTHER,

136
00:05:56,055 --> 00:05:58,365
THE MORE YOU'RE GOING
TO SPARK HER INTEREST?

137
00:05:58,389 --> 00:05:59,665
OF COURSE I HAVE,

138
00:05:59,689 --> 00:06:02,868
WHICH IS WHY I'M HOPING
TO DEVISE A STRATEGY

139
00:06:02,892 --> 00:06:04,810
WITH THE NECESSARY SUBTLETY.

140
00:06:04,834 --> 00:06:10,377
WELL, I'M SORRY, BUT
I AM NOT IN THE HABIT

141
00:06:10,401 --> 00:06:13,348
OF HELPING A FATHER
MANIPULATE HIS DAUGHTER,

142
00:06:13,372 --> 00:06:15,651
NO MATTER HOW GOOD
HIS INTENTIONS MAY BE.

143
00:06:15,675 --> 00:06:19,625
I SEE.

144
00:06:19,649 --> 00:06:22,689
AND IS YOUR OPINION HERE
BASED ON WHAT'S BEST FOR SYDNEY

145
00:06:22,713 --> 00:06:23,730
OR FOR THE AGENCY?

146
00:06:23,754 --> 00:06:25,391
BECAUSE THE FACT IS

147
00:06:25,415 --> 00:06:27,062
IF SYDNEY DOESN'T TALK TO LAURA,

148
00:06:27,086 --> 00:06:28,964
THE CIA LEARNS NOTHING.

149
00:06:28,988 --> 00:06:32,838
SO YOU STILL THINK
OF HER AS LAURA,

150
00:06:32,862 --> 00:06:35,596
EVEN THOUGH THAT WAS HER ALIAS.

151
00:06:56,917 --> 00:06:59,095
AUTOCIRCADIAN MEDITATION.

152
00:06:59,119 --> 00:07:03,192
ALL THE BENEFITS OF SLEEP
IN A FRACTION OF THE TIME.

153
00:07:05,755 --> 00:07:08,875
I CAN TEACH IT TO YOU, SYDNEY.

154
00:07:08,899 --> 00:07:10,606
I TOLD YOU, WHEN WE SPEAK,

155
00:07:10,630 --> 00:07:12,663
YOU ARE TO ADDRESS
ME AS AGENT BRISTOW.

156
00:07:15,536 --> 00:07:18,615
MR. SARK WAS ONE OF
YOUR TOP OPERATIVES.

157
00:07:18,639 --> 00:07:20,817
HE'S NOW ASSUMED
CONTROL OF YOUR ASSETS.

158
00:07:20,841 --> 00:07:22,449
HE'S LAUNCHING A SATELLITE

159
00:07:22,473 --> 00:07:24,120
WITH GROUND-PENETRATING
SURVEILLANCE CAPABILITIES,

160
00:07:24,144 --> 00:07:25,822
BUT I DOUBT THIS IS NEWS TO YOU.

161
00:07:25,846 --> 00:07:27,778
WHAT'S HE LOOKING FOR?

162
00:07:35,454 --> 00:07:37,863
DO YOU REMEMBER WHEN
YOU WERE 6 YEARS OLD,

163
00:07:37,887 --> 00:07:41,007
I SENT YOU TO PIANO LESSONS?

164
00:07:41,031 --> 00:07:44,439
YOUR TEACHER WAS MS. ADAMS.

165
00:07:44,463 --> 00:07:47,644
WE'RE NOT HAVING
THIS CONVERSATION.

166
00:07:47,668 --> 00:07:50,646
YOU ASKED ME A QUESTION.
I'M GIVING YOU AN ANSWER.

167
00:07:50,670 --> 00:07:52,649
DO YOU REMEMBER THE FIRST THING

168
00:07:52,673 --> 00:07:54,204
MS. ADAMS TAUGHT
YOU ABOUT MUSIC?

169
00:08:00,781 --> 00:08:04,790
SHE SAID MUSIC IS LIKE MATH...

170
00:08:04,814 --> 00:08:07,593
IF YOU CAN COUNT, YOU CAN PLAY.

171
00:08:07,617 --> 00:08:10,966
EVERY MUSICAL NOTE HAS A
CORRESPONDING FREQUENCY.

172
00:08:10,990 --> 00:08:12,639
MIDDLE C, FOR EXAMPLE,

173
00:08:12,663 --> 00:08:14,701
VIBRATES AT 261 HERTZ,

174
00:08:14,725 --> 00:08:16,471
WHICH MEANS ANY PIECE OF MUSIC

175
00:08:16,495 --> 00:08:18,774
CAN BE EXPRESSED AS
A SERIES OF NUMBERS.

176
00:08:18,798 --> 00:08:20,076
SARK IS LOOKING

177
00:08:20,100 --> 00:08:22,077
FOR A MUSIC BOX
DESIGNED BY RAMBALDI.

178
00:08:22,101 --> 00:08:24,581
THE BOX PLAYS A UNIQUE TUNE.

179
00:08:24,605 --> 00:08:26,682
ENCODED WITHIN THE
TUNE, THERE'S AN EQUATION.

180
00:08:26,706 --> 00:08:28,183
FOR WHAT?

181
00:08:28,207 --> 00:08:31,918
ZERO-POINT ENERGY.
A FUEL SOURCE.

182
00:08:31,942 --> 00:08:34,721
THE MILITARY APPLICATIONS
ALONE WOULD BE UNLIMITED.

183
00:08:34,745 --> 00:08:38,094
FROM A MUSIC BOX?

184
00:08:38,118 --> 00:08:41,528
OF COURSE, THE MUSIC WON'T PLAY
WITHOUT THE PROPER COMBINATION.

185
00:08:41,552 --> 00:08:43,499
SARK WAS WORKING
ON DECIPHERING IT,

186
00:08:43,523 --> 00:08:46,797
BUT I DON'T KNOW WHETHER
HE WAS SUCCESSFUL.

187
00:08:48,959 --> 00:08:51,137
FINE.

188
00:08:51,161 --> 00:08:52,839
THANK YOU.

189
00:08:52,863 --> 00:08:54,664
SPEAKING OF MS. ADAMS...

190
00:08:57,067 --> 00:08:59,284
JUST BEFORE I LEFT, I REMEMBER

191
00:08:59,308 --> 00:09:01,788
HER ENCOURAGING YOU TO TRY OUT

192
00:09:01,812 --> 00:09:04,043
FOR YOUR SCHOOL'S
THANKSGIVING PLAY.

193
00:09:06,817 --> 00:09:08,955
YOU DON'T HAVE TO TELL
ME IF YOU DON'T WANT TO,

194
00:09:08,979 --> 00:09:11,527
BUT IN THE 20 YEARS
SINCE I LAST SAW YOU,

195
00:09:11,551 --> 00:09:13,082
I'VE OFTEN WONDERED...

196
00:09:16,927 --> 00:09:18,989
WHAT PART DID YOU PLAY?

197
00:09:23,933 --> 00:09:27,273
I DON'T REMEMBER.

198
00:09:27,297 --> 00:09:30,576
IT WAS AROUND THE TIME I
WAS TOLD MY MOTHER HAD DIED.

199
00:09:30,600 --> 00:09:32,702
EVERYTHING ELSE IS A BLUR.

200
00:10:16,947 --> 00:10:19,966
I READ VAUGHN'S DEBRIEF. I
KNOW YOU SAW YOUR MOTHER.

201
00:10:19,990 --> 00:10:21,967
YOU OKAY?

202
00:10:21,991 --> 00:10:27,133
SEEING HER AGAIN, I'M
REALIZING THERE ARE

203
00:10:27,157 --> 00:10:30,035
THESE GAPS IN MY MEMORY

204
00:10:30,059 --> 00:10:32,839
FROM AROUND THE TIME SHE LEFT.

205
00:10:32,863 --> 00:10:36,111
DAD, DO YOU REMEMBER
THE THANKSGIVING PLAY

206
00:10:36,135 --> 00:10:38,214
I WAS IN THAT YEAR IN SCHOOL?

207
00:10:38,238 --> 00:10:39,816
BECAUSE I SORT OF DO.

208
00:10:39,840 --> 00:10:41,817
I MEAN, I HAVE AN
IMPRESSION OF IT,

209
00:10:41,841 --> 00:10:43,850
BUT I CAN'T REMEMBER.

210
00:10:43,874 --> 00:10:48,654
WAS I A PILGRIM OR AN INDIAN?

211
00:10:48,678 --> 00:10:49,950
WHAT?

212
00:10:52,022 --> 00:10:55,160
YOU WERE NEITHER.

213
00:10:55,184 --> 00:10:57,102
YOU WERE A TURKEY.

214
00:10:57,126 --> 00:10:59,304
YOU WERE THE ONLY TURKEY

215
00:10:59,328 --> 00:11:02,091
THAT WAS SPARED TO
CELEBRATE THE HARVEST.

216
00:11:09,269 --> 00:11:10,947
I KNOW YOU THINK IT'S DANGEROUS

217
00:11:10,971 --> 00:11:12,979
FOR ME TO SEE MOM,

218
00:11:13,003 --> 00:11:14,921
BUT SHE'S A MEANS TO AN END.

219
00:11:14,945 --> 00:11:16,722
I DON'T TAKE ANYTHING
SHE SAYS AT FACE VALUE.

220
00:11:16,746 --> 00:11:17,953
SHE WON'T EXPECT YOU TO.

221
00:11:17,977 --> 00:11:19,850
SYDNEY...

222
00:11:26,986 --> 00:11:29,820
I TRUST YOUR JUDGMENT.

223
00:11:31,961 --> 00:11:33,894
YOU'RE DOING FINE.

224
00:11:37,697 --> 00:11:39,404
OKAY, ONCE YOU GET
THROUGH THE LAUNCH SITE

225
00:11:39,428 --> 00:11:41,246
TO THE EXHAUST DUCTS,

226
00:11:41,270 --> 00:11:45,110
JUST PRESS THIS
BUTTON RIGHT HERE AND...

227
00:11:45,134 --> 00:11:46,812
VOILà.

228
00:11:46,836 --> 00:11:48,784
IT'S EMPTY.

229
00:11:48,808 --> 00:11:50,787
OH, YEAH. I'M SORRY.
TOTALLY FORGOT TO TELL YOU.

230
00:11:50,811 --> 00:11:52,158
THE REAL DEAL... NOT DONE YET.

231
00:11:52,182 --> 00:11:54,791
BUT TOMORROW, WHEN
YOU OPEN UP THIS BRIEFCASE,

232
00:11:54,815 --> 00:11:56,121
YOU WILL BE LOOKING

233
00:11:56,145 --> 00:11:58,894
AT A HIGH-PERFORMANCE
HYDRAULIC LUGE.

234
00:11:58,918 --> 00:12:01,096
HOW FAST CAN I GO?

235
00:12:01,120 --> 00:12:02,869
ABOUT 150,

236
00:12:02,893 --> 00:12:04,700
WHICH SHOULD GET YOU
THROUGH THE LAUNCH FACILITY'S

237
00:12:04,724 --> 00:12:06,832
2-MILE DUCTS IN
ABOUT, UH, 12 SECONDS.

238
00:12:06,856 --> 00:12:08,875
OH, YOU WANT TO MAKE SURE
THAT YOU GET OUT OF THERE

239
00:12:08,899 --> 00:12:10,206
AS FAST AS YOU CAN
AFTER YOU'RE DONE

240
00:12:10,230 --> 00:12:12,237
WIRING THE CIRCUIT
BOARD INTO THE SATELLITE

241
00:12:12,261 --> 00:12:13,779
BECAUSE IF YOU'RE
STUCK IN THE DUCTS

242
00:12:13,803 --> 00:12:16,767
WHEN THE ROCKET
LAUNCHES, THEN, WELL, BOOM.

243
00:12:18,808 --> 00:12:20,811
AND I'D MISS YOU.

244
00:12:27,918 --> 00:12:29,755
YOU WANTED TO SEE ME?

245
00:12:29,779 --> 00:12:30,779
COME IN.

246
00:12:34,323 --> 00:12:37,263
I HAVE SOMETHING TO GIVE YOU.

247
00:12:37,287 --> 00:12:39,365
IT'S EMILY'S SEED BOX.

248
00:12:39,389 --> 00:12:43,810
THE LITHOGRAPHY'S
ORIGINAL, CIRCA 1910.

249
00:12:43,834 --> 00:12:45,871
HER MOTHER GAVE IT TO HER.

250
00:12:45,895 --> 00:12:49,038
EMILY WOULD HAVE
WANTED YOU TO HAVE IT.

251
00:12:50,841 --> 00:12:52,018
THANK YOU.

252
00:12:52,042 --> 00:12:54,019
I CAN'T THINK OF EMILY

253
00:12:54,043 --> 00:12:56,221
WITHOUT THINKING OF HER GARDEN.

254
00:12:56,245 --> 00:12:58,477
WELL, NEITHER CAN I.

255
00:13:04,985 --> 00:13:06,761
I MISS HER, TOO.

256
00:13:06,785 --> 00:13:10,395
THIS OFFICE IS WHERE I FEEL
MOST AT HOME THESE DAYS.

257
00:13:10,419 --> 00:13:12,498
AT THE HOUSE, I DON'T KNOW,

258
00:13:12,522 --> 00:13:15,400
I SEEM TO BE PARALYZED.

259
00:13:15,424 --> 00:13:17,342
IF A STRANGER WERE
TO COME TO THE HOUSE

260
00:13:17,366 --> 00:13:20,405
FOR THE FIRST TIME,

261
00:13:20,429 --> 00:13:22,808
THEY WOULD THINK THAT
EMILY STILL LIVED THERE.

262
00:13:22,832 --> 00:13:25,181
HER CLOTHES ARE IN THE CLOSET,

263
00:13:25,205 --> 00:13:28,214
HER MAKEUP ON THE VANITY.

264
00:13:28,238 --> 00:13:30,856
THE ONLY THING THAT BETRAYS
THIS PRETENSE OF NORMALCY

265
00:13:30,880 --> 00:13:32,317
IS HER GARDEN.

266
00:13:32,341 --> 00:13:35,360
WHERE ROSES ONCE
GREW, THEY'RE GONE NOW.

267
00:13:35,384 --> 00:13:38,418
HER GARDEN SEEMS
TO HAVE DIED WITH HER.

268
00:13:41,991 --> 00:13:43,352
IT'S NOT YOUR FAULT.

269
00:13:57,307 --> 00:13:59,209
GOOD LUCK IN SRI LANKA.

270
00:14:03,913 --> 00:14:05,991
ATTACH THIS CIRCUIT
BOARD TO THE SATELLITE

271
00:14:06,015 --> 00:14:07,994
INSTEAD OF THE ONE
YOU GOT FROM SD-6.

272
00:14:08,018 --> 00:14:09,995
NOW, IT'S AN EXACT DUPLICATE.

273
00:14:10,019 --> 00:14:12,057
THEY'LL STILL BE ABLE TO
INTERCEPT SARK'S FEED,

274
00:14:12,081 --> 00:14:14,600
BUT WE'VE MODIFIED IT SO WE
CAN ACCESS THE SIGNAL, TOO,

275
00:14:14,624 --> 00:14:16,162
SEE WHAT EVERYONE
ELSE IS SEEING.

276
00:14:16,186 --> 00:14:17,964
ONE MORE THING...

277
00:14:17,988 --> 00:14:19,365
WE'D LIKE TO
BRING WILL TIPPIN IN

278
00:14:19,389 --> 00:14:21,167
FOR A FOLLOW-UP ON HIS DEBRIEF.

279
00:14:21,191 --> 00:14:23,568
WHY?

280
00:14:23,592 --> 00:14:26,042
DEREVKO TOLD US THAT
SARK HAS BEEN WORKING

281
00:14:26,066 --> 00:14:28,844
ON CRACKING A COMBINATION THAT
WOULD ACTIVATE THE MUSIC BOX.

282
00:14:28,868 --> 00:14:30,615
YEAH.

283
00:14:30,639 --> 00:14:32,278
AND WE'VE BEEN REVIEWING
TIPPIN'S STATEMENT,

284
00:14:32,302 --> 00:14:33,479
AND HE REPORTED FALLING IN
AND OUT OF CONSCIOUSNESS

285
00:14:33,503 --> 00:14:35,851
ON THE FLIGHT TO TAIPEI
AND VAGUELY REMEMBERS

286
00:14:35,875 --> 00:14:37,383
SEEING SARK WORKING AT A LAPTOP.

287
00:14:37,407 --> 00:14:39,355
YOU'RE THINKING WHAT,
INDUCED REGRESSION?

288
00:14:39,379 --> 00:14:41,057
WE HAVE SOMEONE
COMING IN FROM LANGLEY.

289
00:14:41,081 --> 00:14:42,528
SO HE CAN RELIVE
EVERYTHING HE WENT THROUGH.

290
00:14:42,552 --> 00:14:44,090
IF THERE WERE
ANOTHER OPTION, SYDNEY,

291
00:14:44,114 --> 00:14:45,291
BELIEVE ME, I'D TAKE IT.

292
00:14:45,315 --> 00:14:46,893
Sydney: LISTEN, WILL,

293
00:14:46,917 --> 00:14:48,464
THE CIA WANTS TO
MEET WITH YOU AGAIN.

294
00:14:48,488 --> 00:14:50,566
WHY?

295
00:14:50,590 --> 00:14:54,639
THEY CAN TELL YOU
BETTER THAN I CAN, BUT...

296
00:14:54,663 --> 00:14:56,871
HERE'S YOUR S.O.P.

297
00:14:56,895 --> 00:14:58,374
S.O.P.?

298
00:14:58,398 --> 00:15:00,576
STANDARD OPERATING
PROCEDURE FOR A MEET.

299
00:15:00,600 --> 00:15:02,278
YOU'RE MEETING WITH MY HANDLER.

300
00:15:02,302 --> 00:15:03,649
VAUGHN.

301
00:15:03,673 --> 00:15:06,111
HE'S...

302
00:15:06,135 --> 00:15:09,384
SMART, PROFESSIONAL,
WON'T WASTE YOUR TIME.

303
00:15:09,408 --> 00:15:12,357
LOOK, I'M SORRY.

304
00:15:12,381 --> 00:15:15,260
YOU DESERVE TO
MOVE ON FROM THIS.

305
00:15:15,284 --> 00:15:17,322
HEY, GUYS.

306
00:15:17,346 --> 00:15:19,688
HEY.

307
00:15:22,022 --> 00:15:23,899
WHAT ARE YOU DOING? WHAT?

308
00:15:23,923 --> 00:15:25,071
WILL JUST WENT TO
HIS FIRST N.A. MEETING,

309
00:15:25,095 --> 00:15:26,432
AND YOU'RE WAVING
A BEER IN HIS FACE?

310
00:15:26,456 --> 00:15:27,633
YOU'RE RIGHT, YOU'RE
RIGHT, YOU'RE RIGHT.

311
00:15:27,657 --> 00:15:29,205
IT'S OKAY.

312
00:15:29,229 --> 00:15:31,576
OH, HEY, CAN YOU COME DOWN
TO THE RESTAURANT TOMORROW?

313
00:15:31,600 --> 00:15:33,208
SURE. ALL THE FLATWARE CAME IN,

314
00:15:33,232 --> 00:15:34,909
AND THE DISHWASHER'S
NOT HOOKED UP,

315
00:15:34,933 --> 00:15:36,182
SO WE HAVE TO WASH EVERYTHING
BY HAND BEFORE THE OPENING.

316
00:15:36,206 --> 00:15:37,342
YOU'RE COMING, RIGHT?

317
00:15:37,366 --> 00:15:38,443
ARE YOU KIDDING?

318
00:15:38,467 --> 00:15:39,485
WHAT TIME DO YOU NEED ME?

319
00:15:39,509 --> 00:15:40,947
2:00, 2:30?

320
00:15:40,971 --> 00:15:42,217
I GOT TO GO. I'M GOING
TO MISS MY FLIGHT.

321
00:15:42,241 --> 00:15:44,389
FANCY CLIENT OR BORING SEMINAR?

322
00:15:44,413 --> 00:15:45,951
BORING CLIENT, AND
HE'S IN SRI LANKA,

323
00:15:45,975 --> 00:15:48,124
SO I GET TO FLY 15
HOURS BOTH DIRECTIONS

324
00:15:48,148 --> 00:15:49,495
FOR A ONE-HOUR MEETING.

325
00:15:49,519 --> 00:15:51,027
HEY, THANKS FOR
LETTING ME STAY HERE

326
00:15:51,051 --> 00:15:52,371
TILL I CAN AFFORD
A CHEAPER PLACE.

327
00:16:53,783 --> 00:16:55,461
OKAY, SYD.

328
00:16:55,485 --> 00:16:58,094
SARK'S CONFIRMED
INSIDE. YOU'RE A GO.

329
00:16:58,118 --> 00:17:00,466
REMEMBER, THE SOONER
YOU GET ON THE PHONE LINE,

330
00:17:00,490 --> 00:17:03,469
THE MORE TIME I HAVE TO
HACK INTO THEIR SYSTEM.

331
00:17:03,493 --> 00:17:06,331
JOANNA KELLY FROM EURO TELEDYNE.

332
00:17:06,355 --> 00:17:09,604
I HAVE AN APPOINTMENT
WITH MR. VASHKO.

333
00:17:09,628 --> 00:17:12,207
MR. SARK, WELCOME TO
OUR CONTROL CENTER.

334
00:17:12,231 --> 00:17:14,439
WILL YOU BE THE ONLY OBSERVER
FROM YOUR COMPANY TODAY?

335
00:17:14,463 --> 00:17:16,141
I'M AFRAID MY ASSOCIATES

336
00:17:16,165 --> 00:17:18,283
HAVE A PLAN TO LOBBY
OPEC FOR DRILLING RIGHTS.

337
00:17:18,307 --> 00:17:20,616
WE ARE ABOUT TO BEGIN
THE FINAL SYSTEM CHECKS.

338
00:17:20,640 --> 00:17:21,641
EXCELLENT.

339
00:17:28,778 --> 00:17:31,157
MISS KELLY.

340
00:17:31,181 --> 00:17:33,158
WELCOME TO ASA'S
LAUNCH FACILITY.

341
00:17:33,182 --> 00:17:36,161
THANK YOU. I LOOK
FORWARD TO THE TOUR.

342
00:17:36,185 --> 00:17:38,033
WOULD YOU MIND IF I MADE
A CALL BEFORE WE START?

343
00:17:38,057 --> 00:17:39,405
OH, I'M SORRY.

344
00:17:39,429 --> 00:17:42,108
WE DO NOT ALLOW MOBILE
PHONE USE DURING THE LAUNCH.

345
00:17:42,132 --> 00:17:43,768
IT INTERFERES WITH
THE RADIO SIGNALS.

346
00:17:43,792 --> 00:17:47,312
BUT YOU ARE MORE THAN WELCOME
TO USE ONE OF OUR LANDLINES.

347
00:17:47,336 --> 00:17:49,514
THANK YOU.

348
00:17:49,538 --> 00:17:51,447
[ CELLULAR PHONE RINGS ]

349
00:17:51,471 --> 00:17:53,802
[ MODEM CONNECTING ]

350
00:17:56,675 --> 00:17:59,084
HI, DARLING, JUST CHECKING IN.

351
00:17:59,108 --> 00:18:00,656
OKAY, I'M INTO THEIR
LOCAL AREA NETWORK.

352
00:18:00,680 --> 00:18:02,227
IT'LL TAKE ME A MINUTE

353
00:18:02,251 --> 00:18:04,260
TO ACCESS THE SECURITY
SURVEILLANCE FEED.

354
00:18:04,284 --> 00:18:06,691
OKAY, I'M IN IT.

355
00:18:06,715 --> 00:18:10,396
MISS YOU, TOO. KISSES.

356
00:18:10,420 --> 00:18:11,796
AND IN COMPLIANCE

357
00:18:11,820 --> 00:18:13,698
WITH KYOTO
ENVIRONMENTAL ACCORDS,

358
00:18:13,722 --> 00:18:15,440
DURING LAUNCH,

359
00:18:15,464 --> 00:18:18,474
WE FILTER THE ROCKET'S
EXHAUST THROUGH 2-MILE DUCTS.

360
00:18:18,498 --> 00:18:21,476
I UNDERSTAND THESE DUCTS
ARE CAPABLE OF CHANNELING

361
00:18:21,500 --> 00:18:23,748
OVER A MILLION POUNDS OF THRUST.

362
00:18:23,772 --> 00:18:26,151
YOU HAVE DONE YOUR HOMEWORK.

363
00:18:26,175 --> 00:18:30,856
I WILL TAKE YOU TO THE
VIP OBSERVATION DECK.

364
00:18:30,880 --> 00:18:33,143
THE VIEW IS SPECTACULAR.

365
00:18:39,489 --> 00:18:42,298
MY WATCH SEEMS TO HAVE
STOPPED. DO YOU HAVE THE TIME?

366
00:18:42,322 --> 00:18:43,369
OH, SURE.

367
00:18:43,393 --> 00:18:44,753
[ FAINT HISS ]

368
00:18:46,796 --> 00:18:48,704
OKAY, DIXON,

369
00:18:48,728 --> 00:18:50,676
I'll BE IN THE CANAL
IN TWO MINUTES.

370
00:18:50,700 --> 00:18:52,437
COPY THAT, SYD.

371
00:18:52,461 --> 00:18:53,778
READY TO CUT THE SURVEILLANCE
FEED ON YOUR SIGNAL.

372
00:18:53,802 --> 00:18:55,680
Man: RADIO FREQUENCY
SYSTEM... CHECK.

373
00:18:55,704 --> 00:18:57,683
ACTIVATION VEHICLE
TELEMETRY... CHECK.

374
00:18:57,707 --> 00:18:59,113
ONBOARD POWER TEST... CHECK.

375
00:18:59,137 --> 00:19:00,345
DATA TRANSPONDER

376
00:19:00,369 --> 00:19:02,049
AND LAUNCH VEHICLE
REMOTE CONTROL... CHECK.

377
00:20:02,332 --> 00:20:05,380
OKAY, DIXON, I'M IN POSITION.

378
00:20:05,404 --> 00:20:06,651
COPY THAT, SYD.

379
00:20:06,675 --> 00:20:08,454
THE GROUND CREW'S
LEFT THE LAUNCH DECK.

380
00:20:08,478 --> 00:20:10,686
I'M SHUTTING DOWN SURVEILLANCE
FOR FIVE MINUTES STARTING...

381
00:20:10,710 --> 00:20:12,457
NOW.

382
00:20:12,481 --> 00:20:14,760
[ ALARM BEEPING ]

383
00:20:14,784 --> 00:20:16,986
WE LOST CCTV TO THE LAUNCH DECK.

384
00:20:29,358 --> 00:20:30,936
WHAT'S THE PROBLEM?

385
00:20:30,960 --> 00:20:32,761
I'll KNOW SHORTLY.

386
00:20:51,820 --> 00:20:53,498
DIXON, HOW AM I DOING?

387
00:20:53,522 --> 00:20:55,229
3 MINUTES, 10 SECONDS

388
00:20:55,253 --> 00:20:57,362
UNTIL SURVEILLANCE
IS RESTORED, SYD.

389
00:20:57,386 --> 00:20:59,364
POWER SURGE.

390
00:20:59,388 --> 00:21:01,407
WE'LL BE BACK ON-LINE
IN THREE MINUTES.

391
00:21:01,431 --> 00:21:02,767
WE ASSURE YOU,

392
00:21:02,791 --> 00:21:04,969
THIS IN NO WAY INDICATES A
PROBLEM WITH THE LAUNCH.

393
00:21:04,993 --> 00:21:06,871
IS THERE ANY WAY
INTO THE LAUNCH ZONE

394
00:21:06,895 --> 00:21:08,474
THAT ISN'T VISIBLE FROM HERE?

395
00:21:08,498 --> 00:21:10,416
JUST THE EXHAUST DUCTS,

396
00:21:10,440 --> 00:21:12,418
BUT OUR GROUND CREWS
DON'T GO ANYWHERE NEAR THEM

397
00:21:12,442 --> 00:21:15,249
DURING COUNTDOWN.

398
00:21:15,273 --> 00:21:16,822
MOVE UP THE LAUNCH.

399
00:21:16,846 --> 00:21:19,354
PARDON?

400
00:21:19,378 --> 00:21:20,985
I'M SPLICING INTO THE
INTERNAL SUPPLY SYSTEM NOW.

401
00:21:21,009 --> 00:21:22,658
ALMOST THERE.

402
00:21:22,682 --> 00:21:24,989
YOU SAID THE CAMERAS
DON'T AFFECT THE LAUNCH.

403
00:21:25,013 --> 00:21:26,292
TECHNICALLY, THEY
DON'T, BUT IF SOMETHING

404
00:21:26,316 --> 00:21:27,662
WERE TO GO WRONG, WE
WILL WANT TO STUDY THE...

405
00:21:27,686 --> 00:21:29,695
THEN BEGIN THE FINAL COUNTDOWN.

406
00:21:29,719 --> 00:21:31,536
OR SHOULD WE ABORT ALTOGETHER?

407
00:21:31,560 --> 00:21:33,037
AND I CAN SPREAD THE WORD
AMONGST MY COLLEAGUES

408
00:21:33,061 --> 00:21:34,669
THAT THE ASIATIC SPACE AGENCY

409
00:21:34,693 --> 00:21:36,493
IS NOTHING BUT THE POOR
MAN'S VERSION OF NASA.

410
00:21:41,330 --> 00:21:43,879
INITIATE THE FINAL COUNTDOWN.

411
00:21:43,903 --> 00:21:47,076
WE'RE ADVANCING OUR TIMETABLE.

412
00:21:49,578 --> 00:21:52,558
SYDNEY, GET OUT OF THERE.
THEY'VE MOVED UP THE LAUNCH.

413
00:21:52,582 --> 00:21:55,013
[ GASES HISSING, ALARM BLARING ]

414
00:22:02,521 --> 00:22:04,929
DIXON, I'M STILL WIRING
THE CIRCUIT BOARD.

415
00:22:04,953 --> 00:22:06,371
HOW MUCH TIME DO I HAVE?

416
00:22:06,395 --> 00:22:08,333
48 SECONDS AND COUNTING.

417
00:22:08,357 --> 00:22:09,475
SWITCHING TO INTERNAL POWER.

418
00:22:09,499 --> 00:22:10,676
TRANSMITTER CODE...

419
00:22:10,700 --> 00:22:12,408
TRANSMITTER SHOWS
ENGINE TO LAUNCH.

420
00:22:12,432 --> 00:22:14,879
Dixon: SYDNEY, IT'S TOO
DANGEROUS. ABORT.

421
00:22:14,903 --> 00:22:16,712
WE'RE AT 44 SECONDS
AND COUNTING.

422
00:22:16,736 --> 00:22:18,082
SYD, GET OUT OF THERE.

423
00:22:18,106 --> 00:22:19,409
NO. I GOT IT.

424
00:22:22,412 --> 00:22:23,849
ALL SYSTEMS GREEN
FOR LAUNCH IN 30...

425
00:22:23,873 --> 00:22:27,416
29... 28... 27...

426
00:22:40,789 --> 00:22:42,731
3... 2...

427
00:22:56,546 --> 00:22:57,707
SYDNEY!

428
00:23:04,814 --> 00:23:07,392
Sydney: I'M ALL RIGHT.

429
00:23:07,416 --> 00:23:10,720
I'll MEET YOU AT THE
RENDEZVOUS IN 10 MINUTES.

430
00:23:22,701 --> 00:23:24,409
DID YOU ENJOY THE LAUNCH?

431
00:23:24,433 --> 00:23:26,806
IT WAS A THRILL.

432
00:24:00,609 --> 00:24:02,588
WILL, I'M MICHAEL VAUGHN.

433
00:24:02,612 --> 00:24:04,018
HEY.

434
00:24:04,042 --> 00:24:05,751
SORRY ABOUT THE
CLOAK-AND-DAGGER ROUTINE,

435
00:24:05,775 --> 00:24:07,822
BUT SD-6 MAY MONITOR
YOU FROM TIME TO TIME.

436
00:24:07,846 --> 00:24:09,554
WE HAD TO MAKE SURE
YOU WEREN'T FOLLOWED.

437
00:24:09,578 --> 00:24:11,095
SURE, I GET IT.

438
00:24:11,119 --> 00:24:13,458
SO YOU'RE VAUGHN.

439
00:24:13,482 --> 00:24:15,831
YOU SOUND SURPRISED.

440
00:24:15,855 --> 00:24:18,833
NO, I JUST THOUGHT
YOU'D BE, UH... OLDER.

441
00:24:18,857 --> 00:24:20,636
AH.

442
00:24:20,660 --> 00:24:23,569
LISTEN, WE WANT TO BRING YOU
IN FOR A HYPNOTHERAPY SESSION.

443
00:24:23,593 --> 00:24:26,140
FROM YOUR STATEMENT, WE
THINK YOU MIGHT BE ABLE TO RECALL

444
00:24:26,164 --> 00:24:28,443
DETAILS FROM YOUR
CAPTIVITY THAT COULD HELP US.

445
00:24:28,467 --> 00:24:30,815
WHEN?

446
00:24:30,839 --> 00:24:32,147
THERE'S A CAR WAITING
FOR US UPSTAIRS.

447
00:24:32,171 --> 00:24:33,718
NOW?

448
00:24:33,742 --> 00:24:35,720
YOU KNOW, I CAN'T.

449
00:24:35,744 --> 00:24:38,122
I'M HELPING MY FRIEND GET A
RESTAURANT READY. FRANCIE.

450
00:24:38,146 --> 00:24:41,687
RIGHT.

451
00:24:41,711 --> 00:24:43,187
SO TOMORROW THEN?

452
00:24:43,211 --> 00:24:45,831
SURE, OKAY.

453
00:24:45,855 --> 00:24:47,933
OKAY, YOU'LL GET A
CALL ON YOUR CELL PHONE

454
00:24:47,957 --> 00:24:50,165
FROM A TELEMARKETER
ASKING IF YOU'RE INTERESTED

455
00:24:50,189 --> 00:24:51,697
IN CONSOLIDATING YOUR DEBT.

456
00:24:51,721 --> 00:24:53,839
THAT WILL BE YOUR
SIGNAL TO MEET BACK HERE.

457
00:24:53,863 --> 00:24:56,194
WE'LL HAVE A CAR TAKE
YOU TO OUR OFFICE.

458
00:24:59,729 --> 00:25:02,476
SO EVERY TIME THAT
SYDNEY RAN OUT THE DOOR

459
00:25:02,500 --> 00:25:06,081
AFTER SHE GOT A WRONG NUMBER,
SHE WAS GOING TO MEET YOU?

460
00:25:06,105 --> 00:25:08,853
IT'S STANDARD PROTOCOL,
IN CASE THE LINE'S TAPPED.

461
00:25:08,877 --> 00:25:10,609
IT'S A LOW-RISK WAY
TO SET UP A MEET.

462
00:25:14,242 --> 00:25:16,261
DID YOU EVER GIVE
HER A PICTURE FRAME?

463
00:25:16,285 --> 00:25:18,193
IT WAS, LIKE, AN ANTIQUE.

464
00:25:18,217 --> 00:25:21,025
SHE SAID THAT IT WAS
FROM SOMEBODY AT WORK,

465
00:25:21,049 --> 00:25:24,969
AND IT WAS PROBABLY JUST
ANOTHER WAY TO CONTACT HER, RIGHT?

466
00:25:24,993 --> 00:25:27,056
ACTUALLY, NO, THAT
WAS JUST A GIFT.

467
00:25:35,565 --> 00:25:36,742
IT'S NICE TO MEET YOU, WILL.

468
00:25:36,766 --> 00:25:37,766
YOU TOO.

469
00:25:39,769 --> 00:25:42,548
CONGRATULATIONS ARE
IN ORDER TO BOTH OF YOU.

470
00:25:42,572 --> 00:25:44,149
THANKS TO YOUR
EFFORTS IN SRI LANKA,

471
00:25:44,173 --> 00:25:45,751
WE WERE ABLE TO
INTERCEPT THE FEED

472
00:25:45,775 --> 00:25:48,223
FROM A SATELLITE LAUNCHED
BY MR. SARK YESTERDAY.

473
00:25:48,247 --> 00:25:52,226
HE'S LOOKING AT A
20-SQUARE-MILE AREA

474
00:25:52,250 --> 00:25:54,560
OF SIBERIA. MARSHALL.

475
00:25:54,584 --> 00:25:56,631
RIGHT. NOW, I KNOW, I
KNOW THIS LOOKS LIKE

476
00:25:56,655 --> 00:25:59,705
20 MILES OF FROZEN
TUNDROCITY, RIGHT?

477
00:25:59,729 --> 00:26:01,607
WELL, TAKE A LOOK AT IT
THROUGH THE TERAHERTZ

478
00:26:01,631 --> 00:26:03,192
IMAGING CAMERA.

479
00:26:05,233 --> 00:26:08,543
Sydney: THE SYMBOL OF RAMBALDI.

480
00:26:08,567 --> 00:26:10,676
YEAH, NOW, WHAT THE
SATELLITE'S LOOKING AT

481
00:26:10,700 --> 00:26:13,649
ARE SUBGLACIAL
CAVERNS UNDER THE ICE.

482
00:26:13,673 --> 00:26:15,981
ARE YOU SAYING IT'S A
NATURAL FORMATION?

483
00:26:16,005 --> 00:26:18,783
WELL, BEATS ME. I'M REALLY...
WITHOUT ACTUAL ICE CORE SAMPLES,

484
00:26:18,807 --> 00:26:21,687
I CAN'T SAY ANYTHING
EXCEPT, YOU KNOW, WOW.

485
00:26:21,711 --> 00:26:24,989
YOU ARE NOW LOOKING AT AN IMAGE
WITH A 10-CENTIMETER RESOLUTION.

486
00:26:25,013 --> 00:26:27,963
AND AS YOU CAN SEE, IN
THE CENTER OF THE CAVERN,

487
00:26:27,987 --> 00:26:31,265
THERE APPEARS TO BE AN OBJECT
NOTABLY COMPOSED OF METAL.

488
00:26:31,289 --> 00:26:35,040
WE MUST ACQUIRE THIS
OBJECT BEFORE MR. SARK DOES.

489
00:26:35,064 --> 00:26:38,102
SO YOU WILL BE ACCOMPANIED
BY A SUPPORT TEAM.

490
00:26:38,126 --> 00:26:40,845
THEY WILL ESTABLISH A
PERIMETER WITH AGENT DIXON

491
00:26:40,869 --> 00:26:43,308
TO GUARD EVERY POSSIBLE
ENTRANCE TO THE CAVERN.

492
00:26:43,332 --> 00:26:46,110
SYDNEY, YOU'RE ON POINT.

493
00:26:46,134 --> 00:26:48,312
FLIGHT LEAVES IN FOUR HOURS.

494
00:26:48,336 --> 00:26:51,687
THAT'S ALL. YOU CAN GO.

495
00:26:51,711 --> 00:26:54,713
JACK, WOULD YOU
STAY A MINUTE, PLEASE?

496
00:27:01,651 --> 00:27:05,300
I WANT TO ASK YOU
FOR A FAVOR, JACK.

497
00:27:05,324 --> 00:27:08,873
I THINK I MAY HAVE
UNDERESTIMATED

498
00:27:08,897 --> 00:27:11,376
THE EFFECT THAT EMILY'S
DEATH WOULD HAVE ON ME.

499
00:27:11,400 --> 00:27:14,639
YOU'RE ENTITLED TO YOUR GRIEF.

500
00:27:14,663 --> 00:27:16,712
NOT WHEN IT UNDERMINES
MY AUTHORITY HERE,

501
00:27:16,736 --> 00:27:19,268
MY STANDING WITHIN THE ALLIANCE.

502
00:27:22,070 --> 00:27:25,751
I NEED YOU TO MONITOR ME,
JACK. I NEED YOU TO PULL ME ASIDE

503
00:27:25,775 --> 00:27:30,094
IF YOU THINK THAT I'M
LETTING MY CARDS SHOW.

504
00:27:30,118 --> 00:27:32,421
OF COURSE.

505
00:27:37,926 --> 00:27:39,959
THE DAY BEFORE SHE...

506
00:27:45,795 --> 00:27:48,312
THE DAY BEFORE SHE PASSED,
EMILY RESERVED US A SUITE

507
00:27:48,336 --> 00:27:50,769
AT OUR FAVORITE BED
AND BREAKFAST IN SONOMA.

508
00:27:53,271 --> 00:27:56,674
EVEN IN HER LAST MOMENTS,
SHE WAS PLANNING OUR FUTURE.

509
00:28:01,780 --> 00:28:05,090
I'M NOT A SPIRITUAL MAN,

510
00:28:05,114 --> 00:28:10,936
BUT I FEEL LATELY HER PRESENCE

511
00:28:10,960 --> 00:28:13,437
EVERYWHERE AROUND ME.

512
00:28:13,461 --> 00:28:19,444
TRAUMA CAN BRING ABOUT FEELINGS
OF METAPHYSICAL FAMILIARITY...

513
00:28:19,468 --> 00:28:22,046
WAKING DREAMS, AS IT WERE.

514
00:28:22,070 --> 00:28:25,974
ON THE OTHER HAND, WHO'S
TO SAY SHE ISN'T WITH YOU?

515
00:28:30,880 --> 00:28:34,018
I'M GOING TO COUNT
BACKWARDS FROM THREE,

516
00:28:34,042 --> 00:28:37,161
AND WHEN I REACH ONE, I
WANT YOU TO LIFT YOUR HEAD

517
00:28:37,185 --> 00:28:39,323
AND TELL ME WHERE YOU ARE.

518
00:28:39,347 --> 00:28:43,893
3... 2... 1...

519
00:28:48,297 --> 00:28:50,229
Woman: WHERE ARE YOU?

520
00:28:54,163 --> 00:28:58,443
I'M IN A CARGO PLANE...

521
00:28:58,467 --> 00:29:00,185
ON THE WAY TO TAIPEI.

522
00:29:00,209 --> 00:29:01,786
WILL, HOW ARE YOU FEELING?

523
00:29:01,810 --> 00:29:04,272
I'M AFRAID THEY'RE
GOING TO KILL ME.

524
00:29:06,846 --> 00:29:09,154
I'M AFRAID THEY'RE
GOING TO GET TO SYDNEY.

525
00:29:09,178 --> 00:29:11,095
THEY CAN'T, WILL.

526
00:29:11,119 --> 00:29:13,328
YOU'RE REVISITING
WHAT'S ALREADY HAPPENED.

527
00:29:13,352 --> 00:29:15,399
THIS IS JUST A MEMORY.

528
00:29:15,423 --> 00:29:18,227
NOW, TELL ME WHAT YOU SEE.

529
00:29:21,460 --> 00:29:25,070
SARK... WORKING ON HIS LAPTOP.

530
00:29:25,094 --> 00:29:27,766
CAN YOU SEE THE SCREEN?

531
00:29:29,898 --> 00:29:31,176
NO.

532
00:29:31,200 --> 00:29:33,879
IT'S TOO FAR AWAY.

533
00:29:33,903 --> 00:29:35,379
[ Whispering ] IN HIS STATEMENT,

534
00:29:35,403 --> 00:29:38,122
HE SAID THAT HE WAS PICKED
UP AND CARRIED OFF THE PLANE,

535
00:29:38,146 --> 00:29:40,548
SO MAYBE HE GOT CLOSER.

536
00:29:43,382 --> 00:29:45,159
WILL, LISTEN TO ME.

537
00:29:45,183 --> 00:29:48,392
I WANT YOU TO THINK AHEAD
TO WHEN THE PLANE LANDED,

538
00:29:48,416 --> 00:29:50,495
WHEN YOU WERE
GETTING OFF THE PLANE.

539
00:29:50,519 --> 00:29:52,868
CAN YOU DO THAT?

540
00:29:52,892 --> 00:29:54,099
YES.

541
00:29:54,123 --> 00:29:56,325
WHAT DO YOU SEE?

542
00:29:58,927 --> 00:30:01,206
OH, GOD! PLEASE... PLEASE,
PLEASE DON'T KILL ME.

543
00:30:01,230 --> 00:30:04,408
PLEA... PLEASE DON'T KILL ME.

544
00:30:04,432 --> 00:30:05,449
WAKE HIM UP.

545
00:30:05,473 --> 00:30:07,482
IT'S ALL RIGHT.

546
00:30:07,506 --> 00:30:09,414
DON'T KILL ME. OH,
PLEASE DON'T KILL ME.

547
00:30:09,438 --> 00:30:11,785
WILL, TELL ME WHAT'S HAPPENING.

548
00:30:11,809 --> 00:30:13,457
THEY'RE CARRYING
ME OFF THE PLANE.

549
00:30:13,481 --> 00:30:15,821
CAN YOU SEE SARK'S COMPUTER?

550
00:30:15,845 --> 00:30:18,062
NO, NO, I'M PASSING TOO FAST.

551
00:30:18,086 --> 00:30:20,225
GO BACK AND TRY AGAIN.

552
00:30:20,249 --> 00:30:22,127
THIS TIME, WHEN YOU
PASS THE COMPUTER,

553
00:30:22,151 --> 00:30:25,294
I WANT YOU TO STOP.

554
00:30:31,901 --> 00:30:34,039
NAMES. I-I SEE NAMES.

555
00:30:34,063 --> 00:30:35,810
READ THEM TO ME.

556
00:30:35,834 --> 00:30:43,834
DOSTOYEVSKY...
NABOKOV... TOLSTOY...

557
00:30:46,275 --> 00:30:47,846
CHEKOV.

558
00:30:53,182 --> 00:30:55,060
THAT'S GOOD, WILL.

559
00:30:55,084 --> 00:30:58,964
NOW, WHEN YOU HEAR THE TONE,
I WANT YOU TO OPEN YOUR EYES

560
00:30:58,988 --> 00:31:03,037
AND AS SOON AS YOU DO, YOU
WILL FEEL RESTED AND REFRESHED.

561
00:31:03,061 --> 00:31:04,939
[ BEEP ]

562
00:31:04,963 --> 00:31:07,336
I NEED TO CHECK HIS VITALS.
JUST GIVE ME A MINUTE.

563
00:31:16,474 --> 00:31:18,622
YOU OKAY?

564
00:31:18,646 --> 00:31:21,986
I DOUBT THE CODE THAT
ACTIVATES RAMBALDI'S MUSIC BOX

565
00:31:22,010 --> 00:31:23,858
IS A LIST OF RUSSIAN AUTHORS.

566
00:31:23,882 --> 00:31:26,091
IT MUST BE SOME
KIND OF CIPHER TEXT.

567
00:31:26,115 --> 00:31:28,332
LOOK, UNDER NORMAL
CIRCUMSTANCES,

568
00:31:28,356 --> 00:31:31,136
I WOULD NEVER ASK THIS,

569
00:31:31,160 --> 00:31:34,168
BUT YOUR MOTHER IS THE ONLY
PERSON WHO CAN TRANSLATE

570
00:31:34,192 --> 00:31:36,341
THOSE NAMES FOR US
BY THE TIME YOU LEAVE.

571
00:31:36,365 --> 00:31:38,003
IF YOUR MOTHER
WILL GIVE US THE CODE

572
00:31:38,027 --> 00:31:39,403
TO ACTIVATE THE MUSIC BOX,

573
00:31:39,427 --> 00:31:41,406
WE WANT YOU TO
ACTIVATE THE BOX ON SITE.

574
00:31:41,430 --> 00:31:43,408
YOU'LL GET IT TO PLAY, AND
WE'LL RECORD THE MUSIC

575
00:31:43,432 --> 00:31:46,051
THROUGH YOUR COMM
LINK, THEN YOU'LL DESTROY IT.

576
00:31:46,075 --> 00:31:47,635
AGENT BRISTOW.

577
00:32:06,525 --> 00:32:11,376
DOSTOYEVSKY, NABOKOV,
TOLSTOY, CHEKOV.

578
00:32:11,400 --> 00:32:14,109
WE TOOK THESE CODE WORDS
FROM SARK'S COMPUTER.

579
00:32:14,133 --> 00:32:16,440
I WANT YOU TO
TRANSLATE THEM FOR ME.

580
00:32:16,464 --> 00:32:18,984
GIVE ME A PENCIL AND PAPER.

581
00:32:19,008 --> 00:32:20,645
NO.

582
00:32:20,669 --> 00:32:23,471
I CAN'T DECIPHER IT
WITHOUT PENCIL AND PAPER.

583
00:32:35,984 --> 00:32:38,457
[ RIPPING PAPER ]

584
00:32:48,596 --> 00:32:51,400
[ WRITING ON PAPER ]

585
00:32:54,702 --> 00:32:58,382
YOU KNOW, YOU
HAVEN'T YET ASKED ME

586
00:32:58,406 --> 00:33:01,485
HOW I COULD SHOOT
MY OWN DAUGHTER.

587
00:33:01,509 --> 00:33:05,483
NO, I HAVEN'T.

588
00:33:07,215 --> 00:33:08,757
[ FOLDS PAPER ]

589
00:33:14,292 --> 00:33:17,601
I ASSUME YOU WOULDN'T NEED
THIS COMBINATION SO URGENTLY

590
00:33:17,625 --> 00:33:19,468
IF YOU DIDN'T KNOW
WHERE THE MUSIC BOX WAS.

591
00:33:21,500 --> 00:33:24,049
[ OPENS PAPER ]

592
00:33:24,073 --> 00:33:26,375
SARK WON'T HESITATE TO KILL YOU.

593
00:33:30,078 --> 00:33:34,042
I DON'T WANT TO LOSE THE CHANCE
TO EXPLAIN MYSELF SOMEDAY.

594
00:33:38,447 --> 00:33:41,150
[ BUZZER ]

595
00:33:48,156 --> 00:33:52,577
ABOUT THE THANKSGIVING PLAY...

596
00:33:52,601 --> 00:33:54,403
I WAS A TURKEY.

597
00:34:02,171 --> 00:34:03,571
THANK YOU.

598
00:34:07,175 --> 00:34:09,378
[ BUZZER ]

599
00:34:33,271 --> 00:34:36,344
[ BEEPING ]

600
00:34:44,853 --> 00:34:48,793
I'M NOT READING ANY
INBOUND CONTACTS!

601
00:34:48,817 --> 00:34:51,535
IT LOOKS GOOD. WE'RE
ALL ALONE OUT HERE!

602
00:34:51,559 --> 00:34:53,398
BUT KEEP YOUR
MOTION TRACKERS ON,

603
00:34:53,422 --> 00:34:55,470
AND STAY SHARP!

604
00:34:55,494 --> 00:34:57,441
NOVAK, YOU'RE GUARDING
THE SOUTHEAST ENTRANCE!

605
00:34:57,465 --> 00:35:00,604
COOPER, YOU GUARD THE
NORTH. STAY ON STATION!

606
00:35:00,628 --> 00:35:03,407
WATCH YOUR STEP. IF
YOU FALL THROUGH THE ICE,

607
00:35:03,431 --> 00:35:05,579
IT'LL FREEZE OVER
IN FOUR SECONDS!

608
00:35:05,603 --> 00:35:07,782
GOOD TO KNOW.

609
00:35:07,806 --> 00:35:10,778
[ BEEPING ]

610
00:35:21,449 --> 00:35:24,152
[ SIGHS ]

611
00:35:31,630 --> 00:35:36,340
[ TELEPHONE RINGS ]

612
00:35:36,364 --> 00:35:37,841
[ RING ]

613
00:35:37,865 --> 00:35:39,684
YEAH?

614
00:35:39,708 --> 00:35:40,715
[ STATIC ]

615
00:35:40,739 --> 00:35:42,186
HELLO?

616
00:35:42,210 --> 00:35:43,517
HELLO.

617
00:35:43,541 --> 00:35:47,291
[ STATIC CONTINUES ]

618
00:35:47,315 --> 00:35:48,793
[ CLICK ]

619
00:35:48,817 --> 00:35:51,325
[ DIAL TONE ]

620
00:35:51,349 --> 00:35:52,657
[ DIALS TELEPHONE ]

621
00:35:52,681 --> 00:35:54,398
[ TELEPHONE RINGS ]

622
00:35:54,422 --> 00:35:55,899
Man: YES, SIR?

623
00:35:55,923 --> 00:35:57,861
COULD YOU GET ME
SECURITY SECTION?

624
00:35:57,885 --> 00:36:00,365
I NEED A BACKTRACE ON
A CALL I JUST RECEIVED.

625
00:36:00,389 --> 00:36:04,408
JUST A MOMENT.

626
00:36:04,432 --> 00:36:07,742
SIR, THE CALL CAME FROM THE
BARANCA BED AND BREAKFAST

627
00:36:07,766 --> 00:36:10,168
IN SONOMA COUNTY, CALIFORNIA.

628
00:36:16,804 --> 00:36:18,483
REPORT CONTACTS!

629
00:36:18,507 --> 00:36:22,186
POSITION ONE HOLDING!
NEGATIVE ON CONTACTS!

630
00:36:22,210 --> 00:36:24,858
POSITION TWO
HOLDING! NO CONTACT!

631
00:36:24,882 --> 00:36:26,590
I'M ALL ALONE OUT HERE!

632
00:36:26,614 --> 00:36:28,686
SYD, HOW DO YOU COPY IN THERE?

633
00:36:30,818 --> 00:36:32,721
GOT YOU FIVE BY, DIXON.

634
00:37:12,400 --> 00:37:14,439
Sydney: DIXON, THE
ICE IN THIS TUNNEL.

635
00:37:14,463 --> 00:37:16,280
LOOKS A LITTLE SHAKY.

636
00:37:16,304 --> 00:37:17,782
I'M GOING TO GO RADIO
SILENT UNTIL I PASS THROUGH.

637
00:37:17,806 --> 00:37:20,668
COPY THAT! STANDING BY!

638
00:37:23,871 --> 00:37:27,876
[ BUZZER ]

639
00:37:35,824 --> 00:37:38,327
[ BUZZER ]

640
00:37:55,704 --> 00:37:59,777
I'VE HAD A PICTURE OF YOUR
FACE IN MY MIND FOR 20 YEARS.

641
00:38:03,581 --> 00:38:06,990
I REMEMBER A LOVING HUSBAND,

642
00:38:07,014 --> 00:38:11,936
GENEROUS MAN, PATRIOT.

643
00:38:11,960 --> 00:38:15,669
I MAY HAVE BEEN UNDER ORDERS

644
00:38:15,693 --> 00:38:19,343
TO FABRICATE A LIFE WITH YOU,

645
00:38:19,367 --> 00:38:23,307
BUT THERE WERE TIMES WHEN
THE ILLUSION OF OUR MARRIAGE

646
00:38:23,331 --> 00:38:29,012
WAS AS POWERFUL FOR
ME AS IT WAS FOR YOU,

647
00:38:29,036 --> 00:38:32,981
ESPECIALLY WHEN SYDNEY WAS BORN.

648
00:38:35,384 --> 00:38:39,463
LOOKING AT YOU NOW,

649
00:38:39,487 --> 00:38:44,693
I SEE THAT ILLUSION
IS FINALLY GONE.

650
00:38:47,856 --> 00:38:51,736
I WANT TO MAKE SOMETHING
VERY CLEAR TO YOU.

651
00:38:51,760 --> 00:38:54,008
THERE ARE PEOPLE
HERE WHO BELIEVE

652
00:38:54,032 --> 00:38:56,811
YOU CAN REPAY THE DEBT
YOU OWE THIS COUNTRY

653
00:38:56,835 --> 00:39:01,986
THROUGH YOUR
CONTINUED COOPERATION.

654
00:39:02,010 --> 00:39:04,849
I AM NOT ONE OF THEM.

655
00:39:04,873 --> 00:39:06,851
AND IF SYDNEY, IN ANY WAY,

656
00:39:06,875 --> 00:39:10,425
BECOMES VICTIM TO YOUR ENDGAME,

657
00:39:10,449 --> 00:39:12,597
I WILL KILL YOU.

658
00:39:12,621 --> 00:39:15,459
SHE SPENT MOST OF HER
LIFE BELIEVING YOU WERE DEAD.

659
00:39:15,483 --> 00:39:19,032
SHE'LL GET USED TO IT AGAIN,

660
00:39:19,056 --> 00:39:22,960
NO MATTER WHAT BOND
YOU TRY TO FORGE WITH HER.

661
00:39:26,034 --> 00:39:28,673
[ BUZZER ]

662
00:39:28,697 --> 00:39:31,345
YOU HAVEN'T TOLD HER
WHAT YOU DID TO HER

663
00:39:31,369 --> 00:39:34,802
AFTER I DISAPPEARED, HAVE YOU?

664
00:39:42,380 --> 00:39:43,782
[ BUZZER ]

665
00:39:58,726 --> 00:40:01,506
BASE OPS, THIS IS
FREELANCER. DO YOU COPY?

666
00:40:01,530 --> 00:40:03,106
READ YOU LOUD AND
CLEAR, FREELANCER.

667
00:40:03,130 --> 00:40:05,434
I FOUND THE MUSIC BOX.

668
00:40:08,606 --> 00:40:10,084
IT LOOKS INTACT.

669
00:40:10,108 --> 00:40:12,916
STAND BY. I'M GOING TO ENTER
THE CODE MY MOTHER GAVE ME.

670
00:40:12,940 --> 00:40:15,158
[ BEEPING ]

671
00:40:15,182 --> 00:40:17,722
COOPER! NOVAK!

672
00:40:17,746 --> 00:40:20,465
I'VE GOT AN INBOUND CONTACT!
NORTHWEST, 100 METERS...

673
00:40:20,489 --> 00:40:21,765
CAN YOU CONFIRM?

674
00:40:21,789 --> 00:40:23,126
GOT 'EM ON RADAR!

675
00:40:23,150 --> 00:40:25,629
DITTO!

676
00:40:25,653 --> 00:40:27,602
BUT I DON'T SEE ANYONE!

677
00:40:27,626 --> 00:40:29,533
THE TARGET HAS STOPPED!

678
00:40:29,557 --> 00:40:34,479
CORRECTION... READING
FOUR! FOUR TANGOS

679
00:40:34,503 --> 00:40:37,180
APPROACHING FROM ALL DIRECTIONS!

680
00:40:37,204 --> 00:40:38,812
THEY'RE HEADING
FOR THE ENTRANCE!

681
00:40:38,836 --> 00:40:40,615
I STILL DON'T SEE ANYONE!

682
00:40:40,639 --> 00:40:43,517
SYDNEY, DO YOU COPY?!

683
00:40:43,541 --> 00:40:44,889
SYDNEY!

684
00:40:44,913 --> 00:40:49,016
3-1-1... 2-5-4.

685
00:40:51,949 --> 00:40:56,855
[ MUSIC PLAYING ]

686
00:40:59,527 --> 00:41:01,135
WE'VE GOT AUDIO.

687
00:41:01,159 --> 00:41:04,709
[ MUSIC PLAYING ]

688
00:41:04,733 --> 00:41:07,771
TALK TO ME, COOPER! YOUR
TANGO IS 10 METERS AWAY!

689
00:41:07,795 --> 00:41:09,474
I DON'T SEE ANYTHING!

690
00:41:09,498 --> 00:41:11,144
IT'S RIGHT ON TOP OF YOU!

691
00:41:11,168 --> 00:41:13,847
I'M TELLING YOU, I'M ALL
OVER IT! [ GUNSHOTS ]

692
00:41:13,871 --> 00:41:15,849
COOPER! DO YOU COPY?

693
00:41:15,873 --> 00:41:18,852
TALK TO ME, COOPER!

694
00:41:18,876 --> 00:41:20,885
MY CONTACT'S AT 2 METERS!

695
00:41:20,909 --> 00:41:22,626
IT'S GOT TO BE AN
EQUIPMENT MALFUNCTION!

696
00:41:22,650 --> 00:41:25,490
[ BEEPING ]

697
00:41:25,514 --> 00:41:27,731
NOVAK! THEY'RE UNDER THE ICE!

698
00:41:27,755 --> 00:41:29,217
[ GUNSHOTS ] NOVAK!

699
00:41:33,621 --> 00:41:35,099
DO YOU COPY, SYDNEY?

700
00:41:35,123 --> 00:41:40,874
[ MUSIC PLAYING ]

701
00:41:40,898 --> 00:41:42,606
Sydney: OKAY, THAT'S IT.

702
00:41:42,630 --> 00:41:44,508
CONFIRM YOU'VE
GOT THE RECORDING.

703
00:41:44,532 --> 00:41:46,581
I'M READY TO DESTROY
THE MUSIC BOX.

704
00:41:46,605 --> 00:41:48,613
Vaughn: AFFIRMATIVE,
WE'VE GOT THE RECORDING.

705
00:41:48,637 --> 00:41:50,679
IT'S AFFIRMATIVE. I'M 10-7.

706
00:42:03,592 --> 00:42:05,829
Dixon: SYDNEY, DO YOU COPY?!

707
00:42:05,853 --> 00:42:07,671
I READ YOU, DIXON. WHAT'S WRONG?

708
00:42:07,695 --> 00:42:09,998
GET OUT OF THERE! SARK'S HERE!

709
00:42:12,059 --> 00:42:13,260
PUT THE CASE DOWN.

710
00:42:18,266 --> 00:42:19,637
SLIDE IT OVER.

711
00:42:26,744 --> 00:42:29,077
IT WAS YOU GIVING US
PROBLEMS AT THE LAUNCH.

712
00:42:31,278 --> 00:42:33,858
I'D OFFER YOU PASSAGE
BACK TO CIVILIZATION,

713
00:42:33,882 --> 00:42:36,030
BUT MY SUBMERSIBLE
ONLY SEATS FOUR.

714
00:42:36,054 --> 00:42:38,626
IT'S THE THOUGHT THAT COUNTS.