1 00:00:02,653 --> 00:00:05,134 MY NAME IS SYDNEY BRISTOW. 2 00:00:05,179 --> 00:00:07,200 SEVEN YEARS AGO I WAS RECRUITED BY A SECRET BRANCH OF THE CIA 3 00:00:07,224 --> 00:00:11,489 CALLED SD-6. I WAS SWORN TO SECRECY, 4 00:00:11,532 --> 00:00:14,013 BUT I COULDN'T KEEP IT FROM MY FIANCé, 5 00:00:14,057 --> 00:00:16,277 AND WHEN THE HEAD OF SD-6 FOUND OUT, 6 00:00:16,320 --> 00:00:18,321 HE HAD HIM KILLED. 7 00:00:18,365 --> 00:00:19,604 THAT'S WHEN I LEARNED THE TRUTH... 8 00:00:19,628 --> 00:00:22,370 SD-6 IS NOT PART OF THE CIA. 9 00:00:22,413 --> 00:00:24,632 I'D BEEN WORKING FOR THE VERY PEOPLE 10 00:00:24,675 --> 00:00:26,417 I THOUGHT I WAS FIGHTING AGAINST. 11 00:00:26,460 --> 00:00:29,115 SO I WENT TO THE ONLY PLACE THAT COULD HELP ME TAKE THEM DOWN. 12 00:00:29,158 --> 00:00:30,681 NOW I'M A DOUBLE AGENT FOR THE CIA, 13 00:00:30,725 --> 00:00:35,469 WHERE MY HANDLER IS A MAN NAMED MICHAEL VAUGHN. 14 00:00:35,512 --> 00:00:38,081 ONLY ONE OTHER PERSON KNOWS THE TRUTH ABOUT WHAT I DO, 15 00:00:38,125 --> 00:00:40,518 ANOTHER DOUBLE AGENT INSIDE SD-6... 16 00:00:40,561 --> 00:00:43,259 SOMEONE I HARDLY KNOW. 17 00:00:43,304 --> 00:00:45,045 MY FATHER. 18 00:00:46,784 --> 00:00:49,136 SECURITY SECTION HAS MADE US AWARE 19 00:00:49,179 --> 00:00:53,270 OF THE CONCERN THAT YOU MAY HAVE A MOLE IN YOUR DEPARTMENT. 20 00:00:53,314 --> 00:00:55,011 IT WOULD APPEAR SO. 21 00:00:55,054 --> 00:00:57,012 THERE ARE SOME IN THE ALLIANCE WHO BELIEVE 22 00:00:57,057 --> 00:01:00,494 YOU MAY HAVE MORE THAN ONE. 23 00:01:00,537 --> 00:01:03,280 IT IS OUR INTENTION TO MAKE AN EXAMPLE OF THEM. 24 00:01:03,323 --> 00:01:05,325 I KNOW. 25 00:01:05,368 --> 00:01:07,153 I'M TAKING CARE OF IT. 26 00:01:10,112 --> 00:01:11,307 WHAT CAN YOU TELL ME ABOUT THIS WOMAN... 27 00:01:11,331 --> 00:01:13,334 ANNA ESPINOSA? 28 00:01:13,376 --> 00:01:15,117 SHE'S WITH K-DIRECTORATE. 29 00:01:15,162 --> 00:01:17,599 I DON'T LIKE HER, IF THAT'S WHAT YOU MEAN. 30 00:01:26,129 --> 00:01:29,524 I'M LEAVING FOR ENGLAND TONIGHT. 31 00:01:29,567 --> 00:01:32,179 SD-6 HAS TRACED THE RAMBALDI ARTIFACT 32 00:01:32,222 --> 00:01:35,399 TO THE ENGINEERING SCIENCE DEPARTMENT AT OXFORD. 33 00:01:35,442 --> 00:01:38,445 K-DIRECTORATE'S ON THIS. 34 00:01:38,489 --> 00:01:42,188 I NEED TO ACT FAST SO THAT ANNA DOESN'T GET THERE FIRST. 35 00:01:52,198 --> 00:01:54,765 Dixon: SO FTL FOUND THE RAMBALDI ARTIFACT IN TUNISIA. 36 00:01:54,810 --> 00:01:56,593 WHY'D THEY SEND IT HERE? 37 00:01:56,638 --> 00:01:58,466 ANALYSIS. 38 00:01:58,509 --> 00:02:00,313 THE ENGINEERING DEPARTMENT IS AMONG THE BEST IN THE WORLD. 39 00:02:00,337 --> 00:02:03,034 REMEMBER, THE LENS HAS TO BE WITHIN 2 FEET OF THE KEY CARD 40 00:02:03,078 --> 00:02:04,167 TO GET A READING. 41 00:02:04,210 --> 00:02:05,341 GOT IT. 42 00:02:05,385 --> 00:02:06,561 HOW DO I LOOK? 43 00:02:06,603 --> 00:02:08,170 FOR THE RECORD, 44 00:02:08,215 --> 00:02:11,174 THAT'S A QUESTION YOU NEVER HAVE TO ASK ANYONE. 45 00:02:11,217 --> 00:02:14,176 FTL AGENTS ARE HERE POSING AS CAMPUS SECURITY. 46 00:02:14,221 --> 00:02:15,352 WATCH YOUR BACK. 47 00:02:15,396 --> 00:02:16,658 YOU TOO. 48 00:02:18,789 --> 00:02:20,574 [ CLASSICAL MUSIC PLAYING ] 49 00:02:26,188 --> 00:02:27,450 FOR A JOURNALIST, 50 00:02:27,495 --> 00:02:29,758 YOU HAVE QUITE A REMARKABLE GRASP 51 00:02:29,800 --> 00:02:32,281 OF ENGINEERING PRINCIPLES. 52 00:02:32,325 --> 00:02:34,328 WHAT IS YOUR BACKGROUND? 53 00:02:34,371 --> 00:02:36,546 MY FAMILY WAS IN DEMOLITION. 54 00:02:36,591 --> 00:02:38,418 REALLY? 55 00:02:38,461 --> 00:02:39,462 SO IS IT TRUE? 56 00:02:39,507 --> 00:02:41,073 WHAT? 57 00:02:41,116 --> 00:02:42,771 THAT YOUR DEPARTMENT'S JUST RECEIVED 58 00:02:42,813 --> 00:02:45,164 ANCIENT TECHNOLOGY FROM TUNISIA. 59 00:02:45,207 --> 00:02:47,688 WHO TOLD YOU THAT? 60 00:02:47,731 --> 00:02:50,996 WELL, YOU JUST DID. HA HA HA. 61 00:02:51,039 --> 00:02:53,173 I'D LOVE TO SEE YOUR LAB. 62 00:02:54,564 --> 00:02:57,219 SEE ANYBODY, SYD? 63 00:02:57,264 --> 00:03:00,354 [ Whispers ] I'VE SPOTTED PROFESSOR HOYT. 64 00:03:00,396 --> 00:03:02,050 DO YOU SEE ANYTHING? 65 00:03:02,093 --> 00:03:04,173 GET CLOSER. I CAN'T TELL IF HE'S GOT THE CARD ON HIM. 66 00:03:08,491 --> 00:03:10,233 ANYTHING? 67 00:03:10,276 --> 00:03:13,104 YEAH, THE KEY CARD'S IN HIS BREAST POCKET. 68 00:03:13,149 --> 00:03:14,411 BUT YOU'RE TOO FAR AWAY. 69 00:03:14,455 --> 00:03:16,239 GET HIM TO TURN TOWARDS YOU. 70 00:03:16,283 --> 00:03:18,372 [ With British accent ] EXCUSE ME. PROFESSOR HOYT? 71 00:03:18,414 --> 00:03:19,546 YES? 72 00:03:21,069 --> 00:03:24,073 HOLD THAT... FOR 30 SECONDS. 73 00:03:24,115 --> 00:03:26,248 I'M MOLLY ZERTAN WITH THE MARISA FOUNDATION. 74 00:03:26,293 --> 00:03:28,512 WE'RE VERY INTERESTED IN YOUR CURRENT STUDY. 75 00:03:28,556 --> 00:03:31,514 REALLY? WHICH... WHICH ONE? 76 00:03:31,558 --> 00:03:33,212 HOYT IS CURRENTLY STUDYING 77 00:03:33,256 --> 00:03:35,650 THE CRASHWORTHINESS OF TRANSPORTATION VEHICLES. 78 00:03:35,692 --> 00:03:37,086 YOUR STUDY ON THE CRASHWORTHINESS 79 00:03:37,128 --> 00:03:39,087 OF TRANSPORTATION VEHICLES. 80 00:03:39,131 --> 00:03:41,090 OH. WONDERFUL. YES, YES. 81 00:03:41,133 --> 00:03:43,700 WELL, OF COURSE, GETTING FUNDING IS VERY DIFFICULT, 82 00:03:43,745 --> 00:03:46,312 PARTICULARLY IN TODAY'S ECONOMIC CLIMATE. 83 00:03:46,355 --> 00:03:48,489 THE DUPLICATE KEY CARD'S PRINTING. 84 00:03:48,531 --> 00:03:50,317 THAT IS SO TRUE. 85 00:03:50,360 --> 00:03:51,969 GOT IT, SYD. I'M ON MY WAY. 86 00:03:52,014 --> 00:03:53,362 EXCUSE ME. 87 00:03:58,673 --> 00:04:00,544 CONTACT UNIVERSITY SECURITY. 88 00:04:00,587 --> 00:04:02,609 TELL THEM SOMEONE'S TRYING TO BREAK INTO THE ENGINEERING LAB. 89 00:04:02,633 --> 00:04:05,200 THEN THE FTL GUARDS WILL KNOW. 90 00:04:05,245 --> 00:04:07,115 ANNA'S HERE. 91 00:04:07,158 --> 00:04:10,162 COPY THAT. CALLING THE GUARDS NOW. 92 00:04:23,175 --> 00:04:25,526 FREEZE RIGHT THERE! 93 00:04:25,569 --> 00:04:27,310 OH, THANK GOD. 94 00:04:27,353 --> 00:04:29,433 SOMEONE'S DONE SOMETHING TERRIBLE TO PROFESSOR BLUME. 95 00:04:44,326 --> 00:04:45,632 GRRAAH! 96 00:04:59,298 --> 00:05:03,040 I'M THE LAB. I DON'T SEE ANYTHING. 97 00:05:04,346 --> 00:05:05,391 OKAY, I GOT IT. 98 00:05:28,718 --> 00:05:30,677 [ TIRES SQUEALING ] 99 00:05:50,524 --> 00:05:52,612 GOT A MINUTE? 100 00:05:52,656 --> 00:05:54,353 OF COURSE. 101 00:05:59,314 --> 00:06:01,577 ELOISE KURTZ... 102 00:06:01,622 --> 00:06:04,014 SHE WAS FOUND DEAD TWO DAYS AGO IN ECHO PARK. 103 00:06:04,059 --> 00:06:06,365 SHE WAS A NEW PROMOTION AT SD-6. 104 00:06:06,408 --> 00:06:09,978 YES, I KNOW. 105 00:06:10,021 --> 00:06:12,283 YOU RETIRED HER, DIDN'T YOU? 106 00:06:12,327 --> 00:06:13,647 I THINK THE MORE PRESSING QUESTION 107 00:06:13,677 --> 00:06:15,983 IS WHY DID YOU SEND HER TO TALK TO A REPORTER 108 00:06:16,026 --> 00:06:17,637 WITHOUT RUNNING IT BY ME FIRST? 109 00:06:17,680 --> 00:06:20,074 I WASN'T KEEPING IT FROM YOU, BUT THIS REPORTER... 110 00:06:20,117 --> 00:06:21,293 WILL TIPPIN? 111 00:06:21,336 --> 00:06:23,338 YES. 112 00:06:23,382 --> 00:06:25,209 HE'S A FRIEND OF SYDNEY'S. 113 00:06:25,254 --> 00:06:27,560 HE WAS LOOKING INTO THE NAME KATE JONES... 114 00:06:27,603 --> 00:06:29,257 ONE OF HER ALIASES. 115 00:06:29,300 --> 00:06:32,173 I TASKED ELOISE KURTZ TO LEAD HIM DOWN A DEAD END 116 00:06:32,216 --> 00:06:33,610 SO HE'D DROP IT. 117 00:06:33,653 --> 00:06:36,177 YOU UNDERESTIMATED TIPPIN, 118 00:06:36,221 --> 00:06:38,572 AND AGENT KURTZ'S LACK OF FIELD EXPERIENCE 119 00:06:38,615 --> 00:06:41,749 PUT US ALL AT RISK. 120 00:06:41,792 --> 00:06:44,707 WHAT ARE YOU DOING USING A JUNIOR AGENT, JACK? 121 00:06:44,752 --> 00:06:46,709 TALK TO McCULLOUGH. I USED ELOISE KURTZ. 122 00:06:46,754 --> 00:06:49,365 BASED ON HIS ASSESSMENT OF HER FIELD ABILITY. 123 00:06:49,408 --> 00:06:51,584 HE GAVE HER HIS HIGHEST RATING. 124 00:06:51,627 --> 00:06:55,588 IN ANY CASE, I HAD CONTINGENCIES, 125 00:06:55,632 --> 00:06:58,242 ALL OF WHICH ARE NOW IRRELEVANT. 126 00:07:02,769 --> 00:07:05,206 TELL ME SOMETHING... 127 00:07:05,250 --> 00:07:07,338 HOW DID TIPPIN GET A LEAD ON THE KATE JONES ALIAS 128 00:07:07,382 --> 00:07:08,514 IN THE FIRST PLACE? 129 00:07:08,557 --> 00:07:11,995 I DON'T KNOW YET, BUT I'M LOOKING INTO IT. 130 00:07:12,040 --> 00:07:15,391 WELL, YOUR EFFORTS NOTWITHSTANDING, 131 00:07:15,435 --> 00:07:19,089 THAT REPORTER MAY WELL BE A CASUALTY OF HIS OWN CURIOSITY. 132 00:07:19,134 --> 00:07:23,093 I'D CONSIDER THAT A LAST RESORT. 133 00:07:23,137 --> 00:07:25,356 I KNOW YOU WANT WHAT'S BEST FOR SYDNEY, 134 00:07:25,401 --> 00:07:26,750 AND IF AT ALL POSSIBLE, 135 00:07:26,793 --> 00:07:29,404 WE SHOULD SPARE HER THE PAIN OF LOSING SOMEONE ELSE. 136 00:07:29,449 --> 00:07:31,451 WELL, HOW DO YOU SUGGEST WE PROCEED? 137 00:07:31,494 --> 00:07:33,060 LEAVE IT TO ME. 138 00:07:33,103 --> 00:07:34,365 I'll GET TIPPIN OFF THE STORY. 139 00:07:36,716 --> 00:07:38,718 AND IF YOU CAN'T? 140 00:07:38,762 --> 00:07:42,069 THEN I'll KILL HIM MYSELF. 141 00:08:28,507 --> 00:08:30,639 THIS IS UNACCEPTABLE. YOU'VE MISSED CLASS... 142 00:08:30,684 --> 00:08:31,771 I KNOW, BUT WHEN I... 143 00:08:31,814 --> 00:08:32,903 TURNED IN PAPERS LATE... 144 00:08:32,947 --> 00:08:34,034 YEAH, LISTEN, MY JOB... 145 00:08:34,077 --> 00:08:35,731 SYDNEY, ENOUGH ABOUT YOUR JOB. 146 00:08:35,775 --> 00:08:36,970 THINGS HAVE ONLY BEEN GETTING WORSE 147 00:08:36,994 --> 00:08:38,561 SINCE WE SPOKE ABOUT THIS LAST. 148 00:08:38,605 --> 00:08:39,798 NOW, IF YOU WANT TO BE A BANKER, 149 00:08:39,822 --> 00:08:40,998 BE A BANKER. 150 00:08:41,042 --> 00:08:43,434 I UNDERSTAND, AND LOOK, THIS IS PROBABLY NOT 151 00:08:43,479 --> 00:08:45,960 THE BEST-WRITTEN ANALYSIS OF FITZGERALD YOU'VE EVER READ, 152 00:08:46,003 --> 00:08:48,918 BUT COME ON. THIS IS NOT A "D" PAPER. 153 00:08:48,962 --> 00:08:51,661 THERE'S NO SPIRIT IN THIS PAPER, NO SOUL. 154 00:08:51,705 --> 00:08:53,140 NOW, YOU FIX IT BY FRIDAY 155 00:08:53,183 --> 00:08:55,343 OR I'll HAVE TO RE-EVALUATE YOUR PLACE IN THIS PROGRAM. 156 00:09:10,636 --> 00:09:14,118 DR. WILKINSON. 157 00:09:14,162 --> 00:09:15,772 YES, I'll HOLD. 158 00:09:19,036 --> 00:09:21,385 HELLO, DR. PETERSON. DR. WILKINSON HERE. 159 00:09:21,429 --> 00:09:22,429 HOW ARE YOU? 160 00:09:26,477 --> 00:09:30,700 OF COURSE. YES, I'D LIKE TO DISCUSS 161 00:09:30,744 --> 00:09:33,572 ABOUT THE MEETING LAST NIGHT. 162 00:09:33,615 --> 00:09:35,096 MM-HMM. 163 00:09:37,053 --> 00:09:39,013 A LATE LUNCH? 164 00:09:43,147 --> 00:09:44,758 YES. 165 00:10:03,864 --> 00:10:06,431 YES. YES, LET'S TALK ABOUT THE MEETING. 166 00:10:06,475 --> 00:10:09,956 YES. 167 00:10:10,000 --> 00:10:13,481 THAT'S WHAT WE TALKED ABOUT, YEAH. 168 00:10:13,524 --> 00:10:15,658 YEAH, THAT'S RIGHT. 169 00:10:15,701 --> 00:10:17,659 HOLD ON A SECOND. 170 00:10:29,976 --> 00:10:30,977 WHO ARE YOU? 171 00:10:32,587 --> 00:10:34,981 WHO ARE YOU?! 172 00:10:37,548 --> 00:10:39,899 SECURITY SECTION SAID YOU ASSAULTED ONE OF ITS OFFICERS. 173 00:10:39,942 --> 00:10:42,379 THIS WASN'T SECURITY SECTION. IT WASN'T STANDARD PROCEDURE. 174 00:10:42,423 --> 00:10:44,904 THIS WAS A TRACKER, AND HE HAS BEEN CONSTANT. 175 00:10:44,947 --> 00:10:47,515 I HAVE SEEN HIM THREE TIMES IN THE PAST TWO DAYS, 176 00:10:47,558 --> 00:10:50,823 AND I FOUND THIS UNDER MY CAR. 177 00:10:50,866 --> 00:10:53,129 IF THERE IS SOMETHING YOU WANT TO KNOW ABOUT ME, 178 00:10:53,173 --> 00:10:54,697 THEN YOU ASK ME. 179 00:10:54,740 --> 00:10:56,437 THE SANCTITY OF THIS AGENCY 180 00:10:56,480 --> 00:10:58,831 REQUIRES THE SACRIFICE OF SOME PERSONAL FREEDOMS. 181 00:10:58,875 --> 00:11:01,355 SD-6 IS STEPPING UP SECURITY. 182 00:11:01,399 --> 00:11:02,879 McCULLOUGH ASSIGNED THE TRACKER. 183 00:11:02,923 --> 00:11:04,533 THAT'S HIS PROVINCE. 184 00:11:04,576 --> 00:11:08,101 NOW, WE HAVE A BRIEFING. DO YOU THINK YOU CAN FOCUS? 185 00:11:08,144 --> 00:11:09,842 YEAH, I THINK I CAN. 186 00:11:09,885 --> 00:11:10,931 GOOD. 187 00:11:14,977 --> 00:11:17,414 THE CLOCK YOU RETRIEVED WAS DESIGNED BY GIOVANNI DONATO. 188 00:11:17,458 --> 00:11:18,851 HE DIED IN 1503. 189 00:11:18,894 --> 00:11:21,636 HIS INITIALS ARE ENGRAVED ON THE BOTTOM. 190 00:11:21,681 --> 00:11:24,945 NOW, DONATO WAS A MASTER CLOCK MAKER, 191 00:11:24,988 --> 00:11:27,511 BUT MORE IMPORTANTLY, HE WAS THE ONLY MAN 192 00:11:27,556 --> 00:11:29,688 THAT MILO RAMBALDI EVER COLLABORATED WITH. 193 00:11:29,731 --> 00:11:31,559 THERE IS A SINGLE REFERENCE TO DONATO 194 00:11:31,602 --> 00:11:33,605 IN OUR RAMBALDI ARCHIVE. 195 00:11:33,649 --> 00:11:36,565 APPARENTLY, RAMBALDI COMMISSIONED THE CLOCK HIMSELF. 196 00:11:36,607 --> 00:11:38,436 AND BECAUSE OF RAMBALDI'S INVOLVEMENT, 197 00:11:38,480 --> 00:11:41,134 YOU THINK IT'S MORE THAN JUST A CLOCK. 198 00:11:41,177 --> 00:11:42,745 THAT WAS RAMBALDI'S STYLE... 199 00:11:42,788 --> 00:11:45,052 HIDING CODES IN DESIGNS WITHIN HIS ARTWORK. 200 00:11:45,095 --> 00:11:46,488 GO, MARSHALL. 201 00:11:46,530 --> 00:11:49,751 UM, NOW I KNOW WE'RE ALL A BIT HUNGRY FOR LUNCH, 202 00:11:49,796 --> 00:11:52,101 SO I'll TRY TO USE THE MAXIMUM AMOUNT OF BREVITY POSSIBLE. 203 00:11:52,145 --> 00:11:53,755 AND... OKAY. 204 00:11:53,799 --> 00:11:57,063 NOW, AS A CLOCK, THIS PIECE WAS FAR AHEAD OF ITS TIME. 205 00:11:57,106 --> 00:11:59,761 MARGIN OF ERROR LESS THAN ONE SECOND PER DECADE, 206 00:11:59,806 --> 00:12:01,043 AND THE WEIRDEST PART ABOUT IT IS 207 00:12:01,067 --> 00:12:03,765 THIS GEAR ASSEMBLY. I MEAN, IT'S A PART OF IT 208 00:12:03,809 --> 00:12:06,464 THAT DOESN'T SEEM TO SERVE ANY REAL PURPOSE. 209 00:12:06,508 --> 00:12:09,076 THIS NUMBER ON THE BACK... WHAT IS IT, A DATE? 210 00:12:09,119 --> 00:12:11,730 WELL, WE'RE ANALYZING THAT. YOU KNOW WHAT WE FOUND SO FAR? 211 00:12:11,774 --> 00:12:13,080 NOTHING HAPPENED ON THAT DAY. 212 00:12:13,123 --> 00:12:15,822 LITERALLY, IT'S THE ONE DAY IN HISTORY 213 00:12:15,865 --> 00:12:18,128 THAT, BASICALLY, ZERO THINGS OCCURRED. 214 00:12:18,172 --> 00:12:20,149 WE HAVE VERY GOOD REASON TO BELIEVE THAT THIS CLOCK 215 00:12:20,173 --> 00:12:21,846 WILL REVEAL ANOTHER PIECE OF THE RAMBALDI PUZZLE. 216 00:12:21,870 --> 00:12:24,351 THE PROBLEM IS THE CLOCK DOESN'T WORK. 217 00:12:24,394 --> 00:12:27,485 WITHOUT SPECIFIC INSTRUCTIONS, WE CAN'T RISK DAMAGING IT. 218 00:12:27,528 --> 00:12:29,443 WE'VE LOCATED A DIRECT DESCENDANT OF DONATO 219 00:12:29,486 --> 00:12:30,923 IN POSITANO. 220 00:12:30,966 --> 00:12:33,709 LUCKILY, HE WENT INTO THE FAMILY BUSINESS. 221 00:12:33,753 --> 00:12:35,884 YOUR MISSION, AGENT BRISTOW, IS QUITE SIMPLE... 222 00:12:35,928 --> 00:12:38,845 TAKE THE CLOCK TO DONATO, GET HIM TO FIX IT, 223 00:12:38,888 --> 00:12:40,411 AND BRING IT BACK. 224 00:12:40,455 --> 00:12:42,586 THAT'S IT? 225 00:12:42,630 --> 00:12:44,633 THAT'S IT. 226 00:12:46,025 --> 00:12:47,678 DAD. 227 00:12:47,722 --> 00:12:48,942 DO YOU HAVE A FEW MINUTES? 228 00:12:48,985 --> 00:12:50,421 YES, OF COURSE. COULD YOU JUST... 229 00:12:50,465 --> 00:12:51,770 SOMEWHERE QUIET. 230 00:12:51,813 --> 00:12:52,989 SOMEWHERE ELSE. 231 00:12:58,472 --> 00:12:59,472 IN HERE. 232 00:13:06,873 --> 00:13:09,091 SIGNAL JAMMER. WE'RE OKAY FOR 60 SECONDS. 233 00:13:09,135 --> 00:13:10,548 THEY'LL THINK IT'S RADIO INTERFERENCE. 234 00:13:10,572 --> 00:13:11,702 TALK QUICKLY. 235 00:13:11,746 --> 00:13:12,703 SLOANE'S HAVING ME FOLLOWED. 236 00:13:12,748 --> 00:13:14,532 I CONFRONTED THE GUY LAST NIGHT. 237 00:13:14,576 --> 00:13:15,987 I THOUGHT IT MIGHT HAVE BEEN K-DIRECTORATE 238 00:13:16,011 --> 00:13:17,840 LOOKING FOR REVENGE AFTER OXFORD. 239 00:13:17,884 --> 00:13:19,798 I TALKED TO SLOANE. HE INSISTS IT'S ALL ROUTINE. 240 00:13:19,841 --> 00:13:20,929 SHOULD I BE WORRIED? 241 00:13:20,974 --> 00:13:22,845 I'M ONE OF ONLY FIVE AGENTS IN THIS OFFICE 242 00:13:22,889 --> 00:13:24,803 WHO KNOWS THE TRUTH ABOUT SD-6. 243 00:13:24,846 --> 00:13:26,500 I'VE HAD SLOANE'S TRUST, BUT LATELY, 244 00:13:26,543 --> 00:13:28,067 I HAVEN'T BEEN INFORMED OF MUCH AT ALL. 245 00:13:28,110 --> 00:13:29,547 SO WHAT DOES THAT MEAN? 246 00:13:29,591 --> 00:13:30,591 TWO THINGS CONCERN ME... 247 00:13:30,634 --> 00:13:31,985 WHILE YOU WERE IN ROMANIA, 248 00:13:32,028 --> 00:13:33,571 MARSHALL NOTICED SOME COMPUTER ABNORMALITIES. 249 00:13:33,595 --> 00:13:34,876 I ASSUMED IT WAS JUST A SYSTEM ERROR, 250 00:13:34,900 --> 00:13:36,684 BUT IT'S POSSIBLE HE REALIZES 251 00:13:36,727 --> 00:13:38,469 THAT THE SD-6 NETWORK'S BEEN COMPROMISED. 252 00:13:38,513 --> 00:13:39,861 COULD SLOANE TRACE IT TO CIA? 253 00:13:39,905 --> 00:13:41,690 I DON'T KNOW. THE SECOND THING... 254 00:13:41,732 --> 00:13:43,474 CARL DREYER IS COMING IN FROM OP COMM 255 00:13:43,518 --> 00:13:44,953 TO UPGRADE THE BIOMETRIC SCANNERS, 256 00:13:44,998 --> 00:13:46,913 BUT IF SLOANE SUSPECTS A DOUBLE AGENT, 257 00:13:46,956 --> 00:13:48,349 DREYER IS THE ONE HE'D TURN TO. 258 00:13:48,392 --> 00:13:50,524 IF THAT'S THE CASE, THE FIRST THING DREYER WILL DO 259 00:13:50,567 --> 00:13:52,744 IS GIVE EACH OF US A FUNCTIONAL IMAGING TEST. 260 00:13:52,788 --> 00:13:54,745 WHAT'S THAT? LIE DETECTOR TEST. 261 00:13:54,789 --> 00:13:56,028 I STUDIED THE CIA INSTRUCTION BOOK 262 00:13:56,052 --> 00:13:57,662 ON HOW TO TAKE A SUCCESSFUL LDT. 263 00:13:57,706 --> 00:13:59,316 THIS ISN'T LIKE THAT. 264 00:13:59,360 --> 00:14:02,363 THIS TEST MONITORS VARIATIONS IN BLOOD FLOW INSIDE THE BRAIN. 265 00:14:02,405 --> 00:14:04,581 IT'S VERY DIFFICULT TO DECEIVE. 266 00:14:04,625 --> 00:14:06,932 TELL YOUR HANDLER VAUGHN HE NEEDS TO PREPARE YOU FOR THIS. 267 00:14:06,975 --> 00:14:08,673 IF HE CAN'T, HE'LL GET SOMEONE WHO CAN. 268 00:14:08,716 --> 00:14:10,110 DAD, YOU SEEM NERVOUS. 269 00:14:11,937 --> 00:14:14,070 WELL, I THINK THAT SHOULD BE FINE. 270 00:14:14,114 --> 00:14:15,724 THANKS FOR COMING TO ME. 271 00:14:15,767 --> 00:14:17,029 OF COURSE. 272 00:14:21,730 --> 00:14:24,080 NO, I THINK THAT'S NICE. 273 00:14:24,124 --> 00:14:25,647 YEAH, OF COURSE. 274 00:14:25,690 --> 00:14:28,432 NO, I THINK HE'S GOING TO LOVE IT. YEAH. 275 00:14:28,475 --> 00:14:29,956 YEAH, I'M SURE. 276 00:14:29,999 --> 00:14:31,696 MM-HMM. 277 00:14:31,740 --> 00:14:33,046 OKAY, MOM, I GOT TO GO. 278 00:14:33,088 --> 00:14:34,611 MOM, I GOT TO GO. 279 00:14:34,655 --> 00:14:36,615 MY BOSS IS STANDING RIGHT HERE, OKAY? I GOT TO GO. 280 00:14:36,658 --> 00:14:37,919 I LOVE YOU, TOO. 281 00:14:37,963 --> 00:14:40,575 I'M SORRY. 282 00:14:40,618 --> 00:14:42,813 THERE'S STILL NO QUOTE IN HERE FROM DANIEL HECHT'S FIANCéE. 283 00:14:42,837 --> 00:14:44,360 YEAH, I KNOW I DIDN'T GET A QUOTE YET. 284 00:14:44,404 --> 00:14:45,730 WELL, WE CAN'T KEEP HAVING THIS CONVERSATION. 285 00:14:45,754 --> 00:14:47,625 WE HAVE QUOTES FROM THE DECEASED'S RELATIVE... 286 00:14:47,668 --> 00:14:49,932 CAN YOU JUST STOP FOR A SECOND? 287 00:14:49,975 --> 00:14:52,543 NO... NO, I'M NOT GOING TO DO THIS STORY. 288 00:14:52,586 --> 00:14:53,936 EXCUSE ME? 289 00:14:53,980 --> 00:14:55,546 I'M NOT GOING TO RUN THIS STORY. 290 00:14:55,590 --> 00:14:56,895 I'M NOT GOING TO DO THE PIECE. 291 00:14:56,938 --> 00:14:58,134 YOU PUSHED ME TO LET YOU PURSUE THIS. 292 00:14:58,158 --> 00:14:59,942 I KNOW, I KNOW. AND THEN YOU CONVINCED ME 293 00:14:59,985 --> 00:15:02,051 THAT THERE WAS A CONNECTION BETWEEN THESE TWO DEATHS. 294 00:15:02,075 --> 00:15:03,529 I STILL THINK SOMETHING TERRIBLE HAPPENED. 295 00:15:03,553 --> 00:15:05,339 JUNE, I TOLD YOU THIS BEFORE. 296 00:15:05,381 --> 00:15:06,969 IF RUNNING THIS STORY'S GOING TO HURT MY FRIEND, 297 00:15:06,993 --> 00:15:08,645 I DON'T WANT TO DO IT. 298 00:15:08,690 --> 00:15:11,083 YOU STILL HAVEN'T TOLD HER THAT YOU'RE WORKING ON THIS, 299 00:15:11,126 --> 00:15:12,955 HAVE YOU? 300 00:15:12,999 --> 00:15:16,958 LIKE I SAID... YOU EITHER FINISH THIS 301 00:15:17,003 --> 00:15:18,961 OR I WILL PUT ANOTHER WRITER ON IT. 302 00:15:19,004 --> 00:15:21,528 NOW YOU TELL HER AND GET THE QUOTE. 303 00:15:21,572 --> 00:15:23,923 THIS GOES TO BED TOMORROW, 3:00. 304 00:15:27,621 --> 00:15:28,623 [ KNOCK ON DOOR ] 305 00:15:28,666 --> 00:15:29,798 IT'S ME. 306 00:15:29,841 --> 00:15:30,885 IT'S OPEN. 307 00:15:32,539 --> 00:15:33,889 HEY, WILL. 308 00:15:36,152 --> 00:15:37,544 HEY. 309 00:15:37,587 --> 00:15:38,501 WHAT'S THE PAPER ON? 310 00:15:38,546 --> 00:15:39,938 IT'S A REDO. 311 00:15:39,981 --> 00:15:41,722 PROFESSOR SAID IT DIDN'T HAVE ANY SOUL, 312 00:15:41,765 --> 00:15:43,506 SO I'M WRITING A PAPER WITH SOUL. 313 00:15:43,551 --> 00:15:44,986 IT'S GOT LOTS OF SOUL. 314 00:15:45,030 --> 00:15:47,990 "LAURA, ALL MY LOVE FOREVER AND A DAY. JACK." 315 00:15:48,033 --> 00:15:49,774 THAT'S NOT LIKE YOUR DAD JACK, IS IT? 316 00:15:49,817 --> 00:15:50,818 YEAH. 317 00:15:50,861 --> 00:15:52,081 WOW. 318 00:15:52,125 --> 00:15:53,822 THAT'S UNCHARACTERISTICALLY SWEET OF HIM. 319 00:15:53,865 --> 00:15:55,649 I KNOW. HE ACTUALLY HAS A HEART, 320 00:15:55,692 --> 00:15:57,092 WHICH I'M LEARNING LITTLE BY LITTLE. 321 00:15:57,129 --> 00:15:59,436 HE BOUGHT ALL OF THESE FOR MY MOM. 322 00:15:59,480 --> 00:16:02,525 OH. 323 00:16:02,570 --> 00:16:05,876 OH, I GOT YOUR MESSAGE. YOU'RE GOING ON ANOTHER TRIP? 324 00:16:05,921 --> 00:16:07,575 THAT'S, LIKE... 325 00:16:07,618 --> 00:16:09,750 WHAT'S THAT, LIKE, SEVEN THIS MONTH? 326 00:16:09,793 --> 00:16:11,927 THE BANK EVER GOING TO LET UP? 327 00:16:20,543 --> 00:16:22,024 WHAT'S UP? 328 00:16:25,027 --> 00:16:28,596 THERE'S THIS... SITUATION AT WORK. 329 00:16:28,639 --> 00:16:32,077 JUST... SOME MONEY IS MISSING FROM PETTY CASH, 330 00:16:32,120 --> 00:16:34,471 AND IT LOOKS LIKE THERE MIGHT BE A FORMAL INQUIRY. 331 00:16:34,514 --> 00:16:35,907 THEY DON'T SUSPECT YOU, DO THEY? 332 00:16:35,951 --> 00:16:36,995 NO. 333 00:16:37,038 --> 00:16:38,475 BUT IT LOOKS LIKE 334 00:16:38,519 --> 00:16:40,650 THEY'RE GOING TO GIVE US ALL A LIE DETECTOR TESTS, 335 00:16:40,695 --> 00:16:43,350 WHICH IS JUST... CAN I MAKE A SUGGESTION, 336 00:16:43,393 --> 00:16:45,004 JUST FOR, LIKE, THE EIGHT MILLIONTH TIME? 337 00:16:45,047 --> 00:16:46,961 WHY DON'T YOU JUST QUIT YOUR JOB? 338 00:16:47,005 --> 00:16:50,443 I MEAN, YOU CAN GET A JOB ANYWHERE. 339 00:16:50,486 --> 00:16:52,880 I DON'T KNOW, I JUST... I JUST THINK IT'S WEIRD. 340 00:16:52,923 --> 00:16:54,621 I KNOW. 341 00:17:02,107 --> 00:17:05,849 I STILL WEAR THIS. 342 00:17:07,113 --> 00:17:09,767 I KNOW. 343 00:17:09,810 --> 00:17:12,074 [ TELEPHONE RINGS ] 344 00:17:12,117 --> 00:17:13,596 HELLO? 345 00:17:13,641 --> 00:17:14,945 Man: JOEY'S PIZZA? 346 00:17:14,990 --> 00:17:15,990 WRONG NUMBER. 347 00:17:20,778 --> 00:17:22,127 WHAT ARE YOU DOING HERE? 348 00:17:26,132 --> 00:17:28,742 I JUST, UH, CAME BY TO SAY HI. 349 00:17:30,657 --> 00:17:31,875 HI. 350 00:17:34,009 --> 00:17:35,880 HI. 351 00:17:38,144 --> 00:17:39,927 HAVE YOU EVER HAD UNAUTHORIZED CONTACT 352 00:17:39,971 --> 00:17:41,798 WITH MEMBERS OF ANY INTELLIGENCE AGENCY 353 00:17:41,843 --> 00:17:43,410 BESIDES SD-6? 354 00:17:43,452 --> 00:17:44,540 NO. 355 00:17:44,585 --> 00:17:47,066 [ COMPUTER BEEPS ] 356 00:17:47,108 --> 00:17:49,502 OKAY, UM, AGAIN, YOU HAVE TO STAY UNDER 30. 357 00:17:49,546 --> 00:17:51,634 THIS TEST MEASURES THE BLOOD FLOW 358 00:17:51,679 --> 00:17:52,959 TO THE EMOTIONAL PART OF YOUR BRAIN. 359 00:17:52,983 --> 00:17:54,550 NOW, IF YOU WANT TO DIVERT THE BLOOD, 360 00:17:54,595 --> 00:17:56,006 YOU HAVE TO ENGAGE THE REASONING SECTOR... 361 00:17:56,030 --> 00:17:58,642 I'M TRYING. YOU'RE REACTING EMOTIONALLY. 362 00:17:58,685 --> 00:18:00,489 WELL, IT'S NOT LIKE THERE'S JUST A SWITCH YOU CAN FLICK. 363 00:18:00,513 --> 00:18:01,471 YOU JUST HAVE TO SPLIT YOUR FOCUS. 364 00:18:01,515 --> 00:18:02,732 MAYBE THAT'S THE PROBLEM. 365 00:18:02,777 --> 00:18:04,125 MAYBE I'VE SPLIT MY FOCUS ALREADY. 366 00:18:04,170 --> 00:18:06,563 CIA, SD-6, AND SCHOOL, MY FRIENDS... 367 00:18:06,606 --> 00:18:08,782 SYDNEY, YOU CAN DO THIS. 368 00:18:08,826 --> 00:18:10,088 YOU HAVE TO. 369 00:18:12,787 --> 00:18:14,875 HAVE YOU EVER HAD UNAUTHORIZED CONTACT 370 00:18:14,919 --> 00:18:16,747 WITH MEMBERS OF ANY INTELLIGENCE AGENCY 371 00:18:16,790 --> 00:18:18,531 BESIDES SD-6? 372 00:18:18,575 --> 00:18:20,055 NO. 373 00:18:20,098 --> 00:18:22,101 [ COMPUTER BEEPS ] 374 00:18:22,144 --> 00:18:23,666 BETTER. 375 00:18:25,973 --> 00:18:28,585 ARE YOU ROMANTICALLY INTERESTED IN ANYONE? 376 00:18:31,893 --> 00:18:34,461 COULD BE A QUESTION. 377 00:18:34,503 --> 00:18:35,983 NO, I'M NOT. 378 00:18:36,027 --> 00:18:36,941 [ COMPUTER BEEPS ] 379 00:18:36,984 --> 00:18:38,855 INTERESTING. 380 00:18:38,900 --> 00:18:40,467 WAIT, ASK ME THAT AGAIN. 381 00:18:40,509 --> 00:18:42,532 NO, I DON'T HAVE TO. WE'VE GOT OUR ANSWER RIGHT HERE. 382 00:18:42,556 --> 00:18:43,644 THAT'S VERY GOOD. MOVING ON. 383 00:18:48,778 --> 00:18:49,998 HEY. 384 00:18:51,868 --> 00:18:55,829 IF THIS WERE FOR REAL, I'D BE DEAD BY NOW. 385 00:18:55,873 --> 00:18:57,570 WOULDN'T I? 386 00:18:59,963 --> 00:19:02,923 WELL, HEY, WE'RE JUST GETTING STARTED HERE, OKAY? 387 00:20:04,071 --> 00:20:07,423 SIGNOR DONATO? 388 00:20:07,467 --> 00:20:10,383 [ SPEAKING ITALIAN ] 389 00:20:18,694 --> 00:20:20,393 SIGNOR DONATO, PER FAVORE. 390 00:20:22,786 --> 00:20:25,701 [ SPEAKING ITALIAN ] 391 00:20:44,067 --> 00:20:46,896 [ SPEAKING ITALIAN ] 392 00:20:56,471 --> 00:20:57,604 YOU ARE AMERICAN. 393 00:20:57,646 --> 00:20:59,692 YES. 394 00:20:59,736 --> 00:21:02,434 ONLY AN AMERICAN WOULD COME TO MY DOOR 395 00:21:02,478 --> 00:21:04,436 WITHOUT TELEPHONING. 396 00:21:09,659 --> 00:21:12,531 SETH, CAN YOU GET IN TOUCH WITH MY CONTACT AT THE AIRLINES? 397 00:21:12,575 --> 00:21:14,882 I NEED TO RUN A BACK TRACE ON A PASSENGER MANIFEST. 398 00:21:14,924 --> 00:21:18,451 I'll BE IN MY OFFICE. 399 00:21:18,493 --> 00:21:20,670 June: YOU EVER SEEN THE PASSENGER MANIFEST. 400 00:21:20,713 --> 00:21:22,541 FOR FLIGHT 816? 401 00:21:22,585 --> 00:21:25,674 NO, BUT MY GUY AT THE AIRPORT TOLD ME OVER THE PHONE. 402 00:21:25,719 --> 00:21:27,154 HE WAS GOING TO FAX IT TO ME. 403 00:21:27,198 --> 00:21:30,854 SEAT 11A... DANIEL HECHT. 404 00:21:30,897 --> 00:21:31,855 LOOK UP SEAT 11B. 405 00:21:31,898 --> 00:21:33,727 YEAH, IT WAS KATE JONES. I KNOW. 406 00:21:33,769 --> 00:21:34,944 LOOK AT IT. 407 00:21:34,989 --> 00:21:36,556 ZACHARY COHEN? 408 00:21:36,598 --> 00:21:37,793 THERE WAS NO KATE JONES BOOKED ON THAT FLIGHT. 409 00:21:37,817 --> 00:21:38,862 WAIT, I DON'T UNDERSTAND. 410 00:21:38,905 --> 00:21:40,429 I DON'T UNDERSTAND EITHER, 411 00:21:40,472 --> 00:21:41,885 BUT IT SEEMS THERE'S NO LONGER A SINGLE FACT 412 00:21:41,909 --> 00:21:43,432 TO SUPPORT YOUR THEORY 413 00:21:43,476 --> 00:21:45,565 THAT SOMEONE IS COVERING UP DANIEL HECHT'S MURDER. 414 00:21:45,607 --> 00:21:46,957 WHAT... WHAT ABOUT ELOISE KURTZ? 415 00:21:47,000 --> 00:21:48,394 A WOMAN WHO SOMEONE HIRES 416 00:21:48,436 --> 00:21:50,090 TO TELL YOU THAT SHE'S KATE JONES 417 00:21:50,134 --> 00:21:52,615 SO YOU WILL STOP LOOKING FOR THE REAL KATE JONES. 418 00:21:52,659 --> 00:21:53,921 YEAH, THAT'S RIGHT. 419 00:21:53,963 --> 00:21:55,377 WELL, I HATE TO BE INSENSITIVE, BUT SHE'S DEAD. 420 00:21:55,401 --> 00:21:56,899 WELL, I HAD MY NOTES FROM MY INTERVIEW WITH HER. 421 00:21:56,923 --> 00:21:58,055 YOU HAVE NO RECORDING. 422 00:21:58,098 --> 00:21:59,424 OH, HEY, WHAT ABOUT THE VIDEO BLACKOUT 423 00:21:59,448 --> 00:22:00,536 THE NIGHT OF DANNY'S MURDER? 424 00:22:00,579 --> 00:22:01,905 YOU REALLY WANT TO TRY TO BUILD A CASE 425 00:22:01,929 --> 00:22:03,451 ON LACK OF PHOTOGRAPHIC EVIDENCE? 426 00:22:03,496 --> 00:22:05,453 AND YOU PUT DOWN JENNY AS YOUR FACT CHECKER, 427 00:22:05,498 --> 00:22:06,715 AND WHEN WE ASKED HER, 428 00:22:06,759 --> 00:22:08,631 SHE SAID SHE DIDN'T MAKE A SINGLE CALL. 429 00:22:08,674 --> 00:22:10,129 NO, THAT'S RIGHT. THAT'S BECAUSE SHE DIDN'T. 430 00:22:10,153 --> 00:22:12,679 I WAS DOING HER A FAVOR. SHE DOES A LOT OF WORK FOR ME, 431 00:22:12,721 --> 00:22:14,375 AND I WAS JUST GIVING HER RESEARCH CREDIT. 432 00:22:14,420 --> 00:22:15,682 IT WAS LIKE A GIFT. 433 00:22:15,724 --> 00:22:16,943 IT WAS LIKE A LIE. 434 00:22:16,987 --> 00:22:19,424 YES, IT WAS A LIE. IT WAS A KIND LIE. 435 00:22:19,468 --> 00:22:21,098 AND ON THE EVE OF YOUR FIRST FRONT PAGE STORY, 436 00:22:21,122 --> 00:22:23,124 YOU SUDDENLY GET COLD FEET. 437 00:22:23,166 --> 00:22:24,754 WHAT ARE YOU SAYING, WHAT ARE YOU SAYING... 438 00:22:24,778 --> 00:22:27,388 I MADE THIS WHOLE THING UP? 439 00:22:27,432 --> 00:22:30,696 LOOK, I SWEAR TO GOD... 440 00:22:30,740 --> 00:22:33,134 THE ONLY REASON I DIDN'T WANT THIS STORY TO RUN 441 00:22:33,176 --> 00:22:35,092 IS 'CAUSE I DON'T WANT TO HURT SYDNEY BRISTOW. 442 00:22:35,135 --> 00:22:37,050 THAT'S IT. 443 00:22:37,094 --> 00:22:38,661 YOU'RE A TALENTED WRITER, WILL, 444 00:22:38,704 --> 00:22:40,096 BUT I PROMISE YOU, 445 00:22:40,141 --> 00:22:41,837 IF ANYTHING LIKE THIS EVER HAPPENS AGAIN, 446 00:22:41,882 --> 00:22:43,536 THE ONLY THING YOU'LL BE INVENTING 447 00:22:43,578 --> 00:22:45,058 ARE FACTS ON YOUR OWN RéSUMé. 448 00:22:53,936 --> 00:22:55,765 THE FIRST GIOVANNI DONATO... 449 00:22:55,808 --> 00:23:00,422 HIS TIMEPIECES WERE MIRACLES OF PRECISION. 450 00:23:00,465 --> 00:23:04,383 KINGS AND QUEENS OFFERED HIM VAST RICHES 451 00:23:04,425 --> 00:23:07,733 IF ONLY HE WOULD DESIGN CLOCKS FOR THEM. 452 00:23:07,777 --> 00:23:14,653 HE REFUSED, BUT HE DID MAKE ONE EXCEPTION. 453 00:23:14,696 --> 00:23:16,438 FOR RAMBALDI. 454 00:23:16,481 --> 00:23:18,092 MM. 455 00:23:18,134 --> 00:23:19,441 WHY? 456 00:23:19,484 --> 00:23:22,401 RAMBALDI MADE HIM A PROMISE. 457 00:23:22,443 --> 00:23:24,054 WHAT DID HE PROMISE? 458 00:23:24,097 --> 00:23:27,013 RAMBALDI PROMISED HIM HE WOULD LIVE 459 00:23:27,057 --> 00:23:30,146 AN IMPOSSIBLY LONG LIFE. 460 00:23:30,191 --> 00:23:33,933 HE EVEN REVEALED TO HIM WHEN HE WOULD DIE. 461 00:23:33,977 --> 00:23:35,587 WAS HE RIGHT? 462 00:23:35,631 --> 00:23:38,852 OF COURSE. 463 00:23:42,637 --> 00:23:45,423 THIS SYMBOL ON THE FRONT... WHAT DOES IT MEAN? 464 00:23:45,467 --> 00:23:48,470 THE MAGNIFIC ORDER OF RAMBALDI. 465 00:23:48,513 --> 00:23:51,038 RAMBALDI'S MOST LOYAL FOLLOWERS, 466 00:23:51,080 --> 00:23:55,564 ENTRUSTED WITH SAFEGUARDING HIS CREATIONS. 467 00:23:55,607 --> 00:24:00,481 SADLY, LIKE MOST THINGS THAT ONCE WERE PURE, 468 00:24:00,526 --> 00:24:04,094 CRIMINALS NOW USE THIS SYMBOL 469 00:24:04,137 --> 00:24:07,445 TO INFILTRATE THE ORDER. 470 00:24:21,676 --> 00:24:22,765 WHAT ABOUT THIS DATE? 471 00:24:22,808 --> 00:24:26,464 IT MUST HAVE MEANT SOMETHING TO RAMBALDI. 472 00:24:26,508 --> 00:24:30,772 THE CLOCK WAS BUILT FROM ONE OF HIS DESIGNS. 473 00:24:30,817 --> 00:24:32,775 HE NEVER DID TELL ME WHAT IT MEANT. 474 00:24:34,603 --> 00:24:36,431 WHAT DID YOU SAY? 475 00:24:36,474 --> 00:24:37,953 OH. 476 00:24:37,998 --> 00:24:41,740 UH, MY MOTHER... MY MOTHER NEVER TOLD ME. 477 00:24:41,784 --> 00:24:43,786 I DON'T THINK SHE KNEW. 478 00:24:46,484 --> 00:24:49,662 THERE'S STILL ONE PIECE MISSING I DON'T HAVE. 479 00:24:49,704 --> 00:24:51,663 SO IT WON'T WORK? 480 00:24:51,707 --> 00:24:54,971 IT WILL TELL TIME... 481 00:24:55,015 --> 00:24:57,017 IF THAT'S WHAT YOU MEAN. 482 00:25:05,852 --> 00:25:08,028 Man: THE CLOCK IS FINISHED. 483 00:25:08,070 --> 00:25:10,856 I'VE GOT BRISTOW IN MY SIGHT. 484 00:25:10,900 --> 00:25:13,511 TAKE THE SHOT WHENEVER YOU HAVE IT. 485 00:25:13,555 --> 00:25:19,386 MR. DONATO, WHAT WAS RAMBALDI WORKING ON? 486 00:25:19,430 --> 00:25:23,042 THE CLOCK IS FIXED. 487 00:25:23,086 --> 00:25:27,700 NOW... IT'S OVER. 488 00:27:20,289 --> 00:27:22,291 OH. 489 00:27:22,336 --> 00:27:24,294 OH, YEAH. 490 00:27:24,337 --> 00:27:25,991 HEY. 491 00:27:26,035 --> 00:27:27,210 WELCOME BACK. 492 00:27:27,253 --> 00:27:29,909 THANKS. 493 00:27:31,953 --> 00:27:34,000 OKAY, SO THE GOOD NEWS IS 494 00:27:34,042 --> 00:27:35,150 I WENT BY YOUR PROFESSOR'S OFFICE 495 00:27:35,174 --> 00:27:38,134 TO DROP OFF THE PAPER, BUT HE WASN'T IN, 496 00:27:38,177 --> 00:27:39,284 SO THE SECRETARY WANTED ME TO LEAVE IT WITH HER, 497 00:27:39,308 --> 00:27:40,330 ONLY REMEMBER SOPHOMORE YEAR? 498 00:27:40,354 --> 00:27:41,921 SO I WAITED AROUND 499 00:27:41,963 --> 00:27:43,704 AND HANDED IT TO HIM PERSONALLY. 500 00:27:43,749 --> 00:27:45,184 THANK YOU, FRANCIE. 501 00:27:45,228 --> 00:27:46,882 WAS THERE BAD NEWS? 502 00:27:46,925 --> 00:27:49,057 YEAH. I WAS MAKING LEMONADE, 503 00:27:49,102 --> 00:27:51,365 AND I SPILLED IT ALL OVER YOUR MOM'S BOOK, 504 00:27:51,407 --> 00:27:53,037 AND I AM SO SORRY, AND I THINK IT'S GOING TO BE FINE... 505 00:27:53,061 --> 00:27:56,021 DON'T WORRY. HEY, IT DOESN'T MATTER. 506 00:27:57,500 --> 00:27:59,765 THANK YOU FOR HANDING IN THE PAPER. 507 00:27:59,807 --> 00:28:01,069 YOU'RE WELCOME. 508 00:28:47,028 --> 00:28:49,204 HAVE YOU LEAKED INFORMATION ABOUT SD-6 509 00:28:49,249 --> 00:28:50,903 TO OTHER INTELLIGENCE AGENCIES? 510 00:28:50,945 --> 00:28:52,773 NO. 511 00:28:52,817 --> 00:28:54,079 [ COMPUTER BEEPS ] 512 00:28:54,123 --> 00:28:57,257 ARE YOU A DOUBLE AGENT? 513 00:28:57,299 --> 00:28:59,476 NO... [ COMPUTER BEEPS ] 514 00:28:59,519 --> 00:29:01,391 BUT MY FATHER IS. 515 00:29:01,434 --> 00:29:04,960 I'M SURE HE'D BE THRILLED IF YOU GAVE DREYER THAT ANSWER. 516 00:29:05,003 --> 00:29:06,961 NOT NOW FOR THE CIA. 517 00:29:07,006 --> 00:29:09,224 20 YEARS AGO FOR THE KGB. 518 00:29:09,269 --> 00:29:10,400 MY MOTHER WAS A TEACHER. 519 00:29:10,443 --> 00:29:12,315 MY FATHER USED TO BUY HER BOOKS. 520 00:29:12,358 --> 00:29:14,970 SYDNEY... FIRST EDITIONS, ONE A MONTH, 521 00:29:15,013 --> 00:29:16,120 SHIPPED FROM A BOOKSTORE THEY DISCOVERED 522 00:29:16,144 --> 00:29:17,493 ON A TRIP TO PRAGUE. 523 00:29:17,538 --> 00:29:20,105 BUT WE REALLY NEED TO... LISTEN TO ME. 524 00:29:20,148 --> 00:29:21,561 LOOK, I THOUGHT IT WAS THE SWEETEST THING... 525 00:29:21,585 --> 00:29:23,892 ROMANTIC, A SIDE OF HIM THAT DIED WHEN SHE DID... 526 00:29:23,935 --> 00:29:25,459 BUT LAST NIGHT, I DISCOVERED CODES 527 00:29:25,501 --> 00:29:27,374 HIDDEN INSIDE THOSE BOOKS. 528 00:29:27,416 --> 00:29:29,984 IT'S OBVIOUSLY HOW THE KGB WAS SENDING HIM MESSAGES. 529 00:29:30,028 --> 00:29:32,074 NO... WHAT KIND OF CODES? 530 00:29:32,117 --> 00:29:34,468 ONE-TIME PADS... BLOCKS OF CIPHER TEXT, 531 00:29:34,510 --> 00:29:36,470 WRITTEN IN SETS OF FIVE CYRILLIC LETTERS. 532 00:29:36,512 --> 00:29:38,340 STAPLE OF THE KGB. 533 00:29:38,384 --> 00:29:39,516 YEAH. 534 00:29:41,997 --> 00:29:44,367 ALL RIGHT, WE'LL DEAL WITH THAT, AND I WANT TO SEE THOSE BOOKS, 535 00:29:44,391 --> 00:29:46,195 BUT RIGHT NOW, YOU STILL HAVE DREYER'S TEST COMING UP, 536 00:29:46,219 --> 00:29:48,089 AND YOUR LIFE STILL DEPENDS ON HOW WELL YOU DO. 537 00:30:02,496 --> 00:30:03,801 [ TELEPHONE RINGS ] 538 00:30:03,845 --> 00:30:05,106 HELLO, THIS IS WILL. 539 00:30:05,151 --> 00:30:06,413 HEY, WILL, IT'S MIKE. 540 00:30:06,455 --> 00:30:08,109 HEY, MIKE, HOW YOU DOING? 541 00:30:08,153 --> 00:30:10,460 OKAY. YOUR FRIEND ELOISE BROUGHT HER CAR IN HERE. 542 00:30:10,503 --> 00:30:12,810 ELOISE KURTZ? YEAH, THAT'S HER. SHE NEVER PICKED IT UP, 543 00:30:12,854 --> 00:30:14,724 BUT SHE TOLD ME SHE NEEDED IT RIGHT AWAY. 544 00:30:14,769 --> 00:30:16,030 SHE DID? 545 00:30:16,075 --> 00:30:18,294 YEAH. SO DO YOU KNOW WHERE SHE IS? 546 00:30:18,337 --> 00:30:20,315 HEY, MAN, YOU MIND IF I COME DOWN AND TAKE A LOOK AT HER CAR? 547 00:30:20,339 --> 00:30:22,419 NO, NO, COME DOWN TO THE SHOP. YOU KNOW WHERE WE ARE. 548 00:30:33,832 --> 00:30:35,834 [ CELLULAR PHONE RINGS ] 549 00:30:37,878 --> 00:30:38,836 WILL TIPPIN. 550 00:30:38,880 --> 00:30:40,969 HOW KISS-ASS OF YOU. 551 00:30:41,012 --> 00:30:42,362 WHAT? 552 00:30:42,404 --> 00:30:44,885 THE STARGAZER LILIES AND THE CARD. 553 00:30:44,930 --> 00:30:47,148 "I DIDN'T MAKE UP A SINGLE FACT." 554 00:30:47,192 --> 00:30:48,430 WELL, I DIDN'T. I THOUGHT YOU KNEW ME 555 00:30:48,454 --> 00:30:50,152 WELL ENOUGH TO KNOW THAT I DIDN'T BY NOW. 556 00:30:50,195 --> 00:30:53,894 I AM CALLING TO CLARIFY THAT YOU ARE ON THE SOIL EROSION STORY, 557 00:30:53,939 --> 00:30:57,072 AND I DON'T WANT YOU TO WASTE ANOTHER MINUTE ON KATE JONES. 558 00:30:57,115 --> 00:31:00,205 ARE WE CLEAR? 559 00:31:00,249 --> 00:31:01,729 YEAH. 560 00:31:01,771 --> 00:31:03,251 WE'RE CLEAR. 561 00:31:05,776 --> 00:31:07,473 AS YOU KNOW, FOR SOME TIME NOW, 562 00:31:07,517 --> 00:31:10,128 WE HAVE BEEN OPERATING UNDER THE ASSUMPTION 563 00:31:10,172 --> 00:31:13,306 THAT THE SUM OF RAMBALDI'S INVENTIONS 564 00:31:13,348 --> 00:31:15,351 ARE GREATER THAN THE PARTS. 565 00:31:15,394 --> 00:31:18,093 THIS CLOCK IS EVIDENCE OF THAT. 566 00:31:20,269 --> 00:31:22,183 THANK YOU. HI. 567 00:31:22,228 --> 00:31:26,144 ALL RIGHT, NOW, WHO HERE REMEMBERS THIS? 568 00:31:26,188 --> 00:31:27,948 THE GOLDEN SUN I GOT FROM THE CHURCH IN MALAGA. 569 00:31:27,972 --> 00:31:29,278 THAT'S RIGHT, THE POLYMER. 570 00:31:29,321 --> 00:31:30,341 IF YOU LOOK AT IT CLOSELY, 571 00:31:30,365 --> 00:31:31,846 HUNDREDS OF TINY IMPERFECTIONS, 572 00:31:31,890 --> 00:31:33,455 AIR BUBBLES, NOTHING UNUSUAL, RIGHT? 573 00:31:33,500 --> 00:31:35,936 BUT WHAT IS UNUSUAL IS... THIS. 574 00:31:35,980 --> 00:31:38,374 NOW, I REALIZED 575 00:31:38,417 --> 00:31:42,029 THAT IF YOU SET THIS TO EXACTLY 12:22 576 00:31:42,074 --> 00:31:49,167 AND 1/22... THEN THIS HAPPENS. 577 00:31:54,913 --> 00:31:56,392 MS. BRISTOW, LADIES FIRST. 578 00:32:01,093 --> 00:32:03,095 WHAT IS THAT? 579 00:32:03,137 --> 00:32:04,791 IT'S A STAR CHART... 580 00:32:04,835 --> 00:32:07,446 A SNAPSHOT OF THE SKY TAKEN FROM ONE SPECIFIC PLACE 581 00:32:07,490 --> 00:32:10,015 ON EARTH AT ONE SPECIFIC MOMENT IN TIME. 582 00:32:10,057 --> 00:32:11,057 SORRY I'M LATE. 583 00:32:12,843 --> 00:32:16,978 Dixon: SORT OF LIKE AN ANCIENT GPS SYSTEM. 584 00:32:17,021 --> 00:32:18,476 WELL, YEAH, IF YOU HAVE THE DATE AND THE TIME 585 00:32:18,500 --> 00:32:19,807 THAT THE SNAPSHOT WAS TAKEN. 586 00:32:19,849 --> 00:32:21,026 SEE, THAT'S THE GENIUS. 587 00:32:21,068 --> 00:32:22,264 SEE, THESE TWO THINGS SEPARATELY... NOTHING. 588 00:32:22,288 --> 00:32:23,244 NOTHING AT ALL. 589 00:32:23,288 --> 00:32:26,291 BUT YOU PUT THEM TOGETHER, AND... 590 00:32:26,335 --> 00:32:28,903 THAT SOUND THAT YOU'RE... YOU KNOW, THAT BOOM? 591 00:32:28,946 --> 00:32:30,949 THAT'S MY MIND BLOWING. 592 00:32:30,991 --> 00:32:33,125 NOW, IF WE ASSUME THAT STAR CHART 593 00:32:33,167 --> 00:32:34,734 REFERS TO THE DATE ON BACK OF THE CLOCK, 594 00:32:34,778 --> 00:32:38,913 AUGUST 16, 1523, AT 2:22 A.M. GMT, 595 00:32:38,957 --> 00:32:40,959 THEN THE ONLY SPOT ON EARTH 596 00:32:41,001 --> 00:32:43,090 WITH THAT EXACT VIEW OF THE STARS 597 00:32:43,134 --> 00:32:45,875 IS THE SOUTHERN SLOPE OF MT. ACONCAGUA 598 00:32:45,920 --> 00:32:48,009 ON THE CHILE/ARGENTINA BORDER. 599 00:32:48,052 --> 00:32:49,923 "X" MARKS THE SPOT. 600 00:32:49,968 --> 00:32:53,188 SO WE THINK RAMBALDI HAS STORED SOMETHING THERE? 601 00:32:53,231 --> 00:32:54,798 POSSIBLY. 602 00:32:54,842 --> 00:32:56,974 YOUR MISSION IS TO FIND OUT. 603 00:32:57,018 --> 00:32:59,802 MARSHALL WILL FILL YOU IN ON THE OP TECH. 604 00:32:59,846 --> 00:33:03,459 OH, AND, SYDNEY, BEFORE YOU HEAD OFF, 605 00:33:03,502 --> 00:33:05,287 I WANT YOU TO GO DOWN TO PSYCH 606 00:33:05,330 --> 00:33:07,028 AND SEE CARL DREYER. 607 00:33:16,429 --> 00:33:18,734 WHAT IS YOUR NAME? 608 00:33:18,778 --> 00:33:20,693 SYDNEY BRISTOW. 609 00:33:20,737 --> 00:33:22,826 WHAT COLOR ARE YOUR EYES? 610 00:33:22,869 --> 00:33:25,089 BROWN. 611 00:33:25,133 --> 00:33:27,875 ARE YOU SITTING DOWN? 612 00:33:27,917 --> 00:33:29,963 YES. 613 00:33:30,008 --> 00:33:33,141 ARE YOU AN AGENT OF SD-6? 614 00:33:33,184 --> 00:33:35,709 YES. 615 00:33:35,751 --> 00:33:39,278 ARE YOU A DOUBLE AGENT? 616 00:33:42,367 --> 00:33:43,846 NO. 617 00:34:07,480 --> 00:34:08,610 THIS IS A STILL CAMERA 618 00:34:08,655 --> 00:34:09,916 WITH A DIGITAL SIGNAL 619 00:34:09,960 --> 00:34:11,546 UPLINKED TO A GEOSYNCHRONOUS KEYHOLE SATELLITE, 620 00:34:11,570 --> 00:34:12,746 SO WHATEVER'S IN ARGENTINA, 621 00:34:12,789 --> 00:34:14,443 WE WON'T HAVE TO WAIT FOR THE PICTURES. 622 00:34:14,487 --> 00:34:16,619 IS THERE A TRANSMISSION WINDOW? 623 00:34:16,663 --> 00:34:19,231 UH, NO, IT'S GEOSYNCHRONOUS ORBIT. 624 00:34:19,273 --> 00:34:20,710 JUST POINT AND CLICK. 625 00:34:20,753 --> 00:34:22,494 YEAH. 626 00:34:22,538 --> 00:34:25,454 YOU SEEM A LITTLE DISTRACTED. WHAT IS IT, THE TEST? 627 00:34:25,498 --> 00:34:28,675 I'M NOT SURE I PASSED. 628 00:34:28,717 --> 00:34:29,545 AND THEY'RE STILL WATCHING ME. 629 00:34:29,588 --> 00:34:31,068 IT TOOK ME 20 MINUTES 630 00:34:31,112 --> 00:34:32,809 TO SHAKE THE GUY THEY HAD TAILING ME. 631 00:34:32,853 --> 00:34:35,333 WELL, THEY WOULDN'T BE SENDING YOU ON A MISSION 632 00:34:35,376 --> 00:34:36,552 IF YOU FAILED. 633 00:34:36,596 --> 00:34:38,597 I DON'T THINK THEY KNOW THE RESULTS YET. 634 00:34:42,644 --> 00:34:45,083 LOOK, I KNOW HOW MUCH YOU WANT TO DO THIS... 635 00:34:45,126 --> 00:34:47,041 TAKE DOWN SD-6. 636 00:34:47,085 --> 00:34:48,476 BUT YOUR LIFE IS MORE IMPORTANT, 637 00:34:48,521 --> 00:34:50,304 SO IF YOU REALLY THINK YOU FAILED THE TEST, 638 00:34:50,349 --> 00:34:53,134 WE HAVE A PLAN IN PLACE TO TAKE YOU OUT, 639 00:34:53,177 --> 00:34:54,309 A PROTECTION PROGRAM. 640 00:34:54,353 --> 00:34:56,181 NO. 641 00:34:56,224 --> 00:34:58,791 I CAN'T DO IT... LIVE IN HIDING. 642 00:34:58,835 --> 00:35:02,795 NOT A CHANCE. 643 00:35:02,838 --> 00:35:04,840 GOOD LUCK IN ARGENTINA. 644 00:35:23,208 --> 00:35:26,514 6-MILE TREK AND WE SHOULD BE THERE. 645 00:35:26,559 --> 00:35:28,516 THERE ARE EASIER JOBS THAN THIS. 646 00:35:28,561 --> 00:35:29,822 GOD, NO KIDDING. 647 00:35:32,217 --> 00:35:33,652 YOU KNOW, 648 00:35:33,695 --> 00:35:37,351 I'VE BEEN MEANING TO TELL YOU SOMETHING. 649 00:35:37,396 --> 00:35:38,527 I'M PROUD OF YOU. 650 00:35:38,570 --> 00:35:40,224 WHAT? OF ME? 651 00:35:40,268 --> 00:35:42,704 YEAH. 652 00:35:42,748 --> 00:35:44,228 WHY? 653 00:35:44,271 --> 00:35:46,360 WELL, I'VE WORKED WITH A LOT OF PEOPLE. 654 00:35:46,405 --> 00:35:47,753 YOU MAKE IT LOOK EASY. 655 00:35:51,452 --> 00:35:56,675 THE THING I ADMIRE MOST IS YOUR COURAGE. 656 00:35:56,719 --> 00:35:59,112 MY COURAGE? 657 00:36:01,159 --> 00:36:04,335 AFTER WHAT HAPPENED WITH DANNY. 658 00:36:04,378 --> 00:36:08,034 THE WAY YOU CAME BACK. 659 00:36:08,077 --> 00:36:09,471 YOUR COMMITMENT TO THE JOB. 660 00:36:09,514 --> 00:36:14,737 AND I KNOW WHAT WE DO ISN'T FOR OURSELVES. 661 00:36:14,780 --> 00:36:19,481 IT'S FOR THE GOOD OF THE COUNTRY. 662 00:36:19,525 --> 00:36:22,789 STILL, UH... 663 00:36:24,530 --> 00:36:27,184 THANKS. 664 00:36:37,150 --> 00:36:38,717 SO YOU'RE SAYING IT'S A BUG? 665 00:36:38,760 --> 00:36:41,110 NO, NO, NO, I'M SAYING IT'S A TARANTULA. 666 00:36:41,155 --> 00:36:42,722 THIS THING HOPS CHANNELS SO FAST, 667 00:36:42,764 --> 00:36:44,637 YOU COULD NEVER INTERCEPT A TRANSMISSION. 668 00:36:44,679 --> 00:36:46,507 MY GUESS IS IT'S ENCRYPTED TO BOOT. 669 00:36:46,552 --> 00:36:48,641 WHERE CAN YOU BUY THIS? 670 00:36:48,684 --> 00:36:51,686 BUY THIS? YOU CAN'T. THIS IS GOVERNMENT ISSUE. 671 00:36:51,731 --> 00:36:53,535 GOVERNMENT? MY SISTER'S HUSBAND IS SECRET SERVICE. 672 00:36:53,559 --> 00:36:56,170 HIS TRANSMITTER COULDN'T TOUCH THIS. 673 00:36:56,213 --> 00:36:58,693 IF YOU ASK ME, I'D SAY IT'S INTELLIGENCE. 674 00:36:58,737 --> 00:37:00,434 WHAT'S THE FREQUENCY, KENNETH? 675 00:37:00,478 --> 00:37:01,567 HA HA HA. 676 00:37:05,135 --> 00:37:07,485 WHAT DO YOU THINK THIS RAMBALDI GUY'S ALL ABOUT? 677 00:37:07,528 --> 00:37:09,182 I WISH WE KNEW ALREADY. 678 00:37:09,226 --> 00:37:10,619 I CAN THINK OF ABOUT 1,000 PLACES 679 00:37:10,663 --> 00:37:12,141 I'D RATHER BE RIGHT NOW. 680 00:37:12,186 --> 00:37:13,771 HEY, I THINK WE'RE ALMOST AT OUR WAYPOINT. 681 00:37:13,795 --> 00:37:18,235 32.42 BY 70.01. 682 00:37:18,278 --> 00:37:20,672 WHAT THE HELL ARE WE DOING HERE? 683 00:37:20,715 --> 00:37:23,240 I DON'T KNOW. IT FEELS LIKE A WILD GOOSE CHASE. 684 00:37:23,284 --> 00:37:25,460 AW, DAMN IT. 685 00:37:25,503 --> 00:37:28,114 I CAN'T GET A LINE OF SIGHT TO THE SATELLITE. 686 00:37:28,157 --> 00:37:31,597 IT'S A LOW EARTH ORBIT. WE'RE BLOCKED BY THE MOUNTAINS. 687 00:37:45,784 --> 00:37:48,266 HEY, GIVE ME A HAND HERE. 688 00:38:26,826 --> 00:38:28,393 I'M GOING IN. 689 00:38:28,436 --> 00:38:31,134 ALL RIGHT. 690 00:38:31,177 --> 00:38:32,372 I'll HIKE OUT UNTIL I CAN ACQUIRE THE SATELLITE. 691 00:38:32,396 --> 00:38:34,224 AND CALL FOR SUPPORT. 692 00:38:34,268 --> 00:38:37,750 SYD... BE CAREFUL. 693 00:40:53,581 --> 00:40:55,757 DIXON, I FOUND IT. 694 00:40:55,800 --> 00:40:57,200 IT'S RAMBALDI'S JOURNAL. I FOUND IT. 695 00:41:05,201 --> 00:41:08,552 Dixon: SYDNEY, I DON'T KNOW HOW THEY FOUND US. 696 00:41:08,596 --> 00:41:10,554 K-DIRECTORATE... DIXON? 697 00:41:10,597 --> 00:41:12,425 THEY'RE HERE. ANNA'S HERE. 698 00:41:12,469 --> 00:41:13,620 SYDNEY, GET OUT OF THERE NOW! [ GUNSHOT ] 699 00:41:13,644 --> 00:41:17,778 DIXON, DO YOU COPY? DO YOU COPY ME? 700 00:41:26,396 --> 00:41:28,094 HAVE YOU FINISHED WITH SYDNEY'S RESULTS? 701 00:41:32,228 --> 00:41:34,056 I THINK WE'VE FOUND OUR MOLE. 702 00:41:51,552 --> 00:41:53,510 WHAT DID YOU DO TO DIXON? 703 00:41:55,295 --> 00:41:58,123 PUT THE BOOK DOWN. 704 00:44:15,608 --> 00:44:20,744 AAH!