1 00:00:30,601 --> 00:00:33,767 SOMEBODY'S GOING TO DIE TONIGHT... 2 00:00:45,634 --> 00:00:48,801 WILL IT BE YOU? 3 00:00:57,968 --> 00:01:01,133 WILL IT BE YOU? 4 00:01:12,334 --> 00:01:17,501 OR IS IT GOING TO BE... 5 00:01:17,601 --> 00:01:20,801 YOU?! 6 00:01:38,434 --> 00:01:42,601 [audience cheering] 7 00:01:42,701 --> 00:01:52,067 [tribal music] 8 00:01:52,167 --> 00:01:53,667 TONY... 9 00:01:53,767 --> 00:01:54,534 WHERE ARE YOU GOING? 10 00:01:54,634 --> 00:01:55,868 I'M OUTTA HERE TONIGHT, DIANE. 11 00:01:55,968 --> 00:01:57,033 YOU DON'T HAVE TO RUN. 12 00:01:57,133 --> 00:01:58,400 I TOLD YOU, YOU'RE SAFE HERE. 13 00:01:58,501 --> 00:02:00,200 NO, I DON'T HAVE TIME TO EXPLAIN. 14 00:02:00,300 --> 00:02:01,133 I GOTTA GO. 15 00:02:01,234 --> 00:02:02,334 THEN LET ME COME WITH YOU. 16 00:02:02,434 --> 00:02:03,267 DIANE, I CAN'T TAKE-- 17 00:02:03,367 --> 00:02:04,901 JUST LET ME GET MY THINGS TOGETHER 18 00:02:05,000 --> 00:02:07,267 AND I'LL MEET YOU AT THE CHAMBER OF SOULS, OKAY? 19 00:02:07,367 --> 00:02:08,367 OKAY. 20 00:02:08,467 --> 00:02:09,701 OKAY. ALL RIGHT. 21 00:02:17,100 --> 00:02:21,501 [sound of keyboard typing] 22 00:02:21,601 --> 00:02:24,601 LEXA, IT'S THREE O'CLOCK IN THE MORNING. 23 00:02:24,701 --> 00:02:26,367 I STILL HAVEN'T GONE TO SLEEP. 24 00:02:26,467 --> 00:02:28,400 WHAT GIVES? 25 00:02:28,501 --> 00:02:30,534 SOMETHING REAL HEAVY'S GOING ON WITH THE DOMINION. 26 00:02:30,634 --> 00:02:32,400 ADAM WARNED US THERE'D BE A WAR. 27 00:02:32,501 --> 00:02:33,934 [yawn] OH... 28 00:02:34,033 --> 00:02:36,033 SORRY IF I'M BORING YOU. 29 00:02:36,133 --> 00:02:37,300 OH, COME ON. GIVE ME A BREAK. 30 00:02:37,400 --> 00:02:39,067 I JUST WOKE UP. 31 00:02:39,167 --> 00:02:40,300 OKAY... 32 00:02:40,400 --> 00:02:42,133 WHAT HAVE YOU GOT? 33 00:02:42,234 --> 00:02:44,000 ONE OF THE DOMINION'S TOP AGENT'S IS ON THE RUN. 34 00:02:44,100 --> 00:02:45,667 THIS GUY, TONY LAPORTA. 35 00:02:45,767 --> 00:02:48,200 OH, I THOUGHT THE ONLY WAY OUT OF THAT PLACE WAS IN A PINE BOX. 36 00:02:48,300 --> 00:02:49,434 WELL, I GUESS SOMETHING BIG 37 00:02:49,534 --> 00:02:51,467 MUST'VE INSPIRED HIM TO TAKE THE RISK. 38 00:02:51,567 --> 00:02:54,167 BY NOW THEY MUST HAVE EVERY AGENT AFTER HIM. 39 00:02:54,267 --> 00:02:55,601 WHY DIDN'T THEY CALL US? 40 00:02:55,701 --> 00:02:57,100 I'M GUESSING TONY MUST KNOW SOMETHING 41 00:02:57,200 --> 00:02:59,167 THE DOMINION DOESN'T WANT US TO FIND OUT. 42 00:02:59,267 --> 00:03:01,400 HM. 43 00:03:20,000 --> 00:03:22,167 DIANE? 44 00:03:25,934 --> 00:03:26,934 DIANE? 45 00:03:27,033 --> 00:03:30,200 LEAVING SO SOON, MR. LAPORTA? 46 00:03:32,033 --> 00:03:33,234 YEAH. 47 00:03:33,334 --> 00:03:35,067 SORRY, I... SHOULD'VE TOLD YOU. 48 00:03:35,167 --> 00:03:37,601 I NEVER INTENDED THIS TO BE A LONG-TERM GIG. 49 00:03:37,701 --> 00:03:39,934 WHAT A PITY. HUH... 50 00:03:43,267 --> 00:03:46,467 I MUST'VE NEGLECTED TO TELL YOU... 51 00:03:46,567 --> 00:03:49,334 THAT IN MY CIRCUS... 52 00:03:49,434 --> 00:03:52,567 NOBODY LEAVES. 53 00:03:58,200 --> 00:03:59,734 NO! 54 00:04:35,434 --> 00:04:39,734 SCIENTIST ADAM KANE WAS A PIONEER OF GENETIC RESEARCH, 55 00:04:39,834 --> 00:04:44,267 MANIPULATING DNA TO SAVE HUMAN LIVES. 56 00:04:44,367 --> 00:04:47,467 BUT IN MANY, THEIR GENES UNEXPECTEDLY MUTATED 57 00:04:47,567 --> 00:04:50,601 AND THEY DEVELOPED SUPERHUMAN ABILITIES. 58 00:05:19,767 --> 00:05:22,067 TOGETHER, FOUR OF THE MOST POWERFUL 59 00:05:22,167 --> 00:05:26,133 FIGHT TO PROTECT A WORLD THAT DOESN'T EVEN KNOW THEY EXIST. 60 00:05:28,400 --> 00:05:31,234 THEY ARE... MUTANT X. 61 00:05:34,300 --> 00:05:36,701 YOU ACTUALLY WANT US TO RUN AWAY AND JOIN THE CIRCUS? 62 00:05:36,801 --> 00:05:38,334 LOOK, IF ADAM WAS RIGHT ABOUT THE DOMINION, 63 00:05:38,434 --> 00:05:40,467 WE HAVE TO FIND LAPORTA, FIND OUT WHAT HE KNOWS. 64 00:05:40,567 --> 00:05:42,133 WE CAN'T AFFORD TO LET HIM SLIP AWAY. 65 00:05:42,234 --> 00:05:43,367 WELL, WHAT MAKES YOU ACTUALLY THINK 66 00:05:43,467 --> 00:05:44,734 HE'S THERE IN THE FIRST PLACE? 67 00:05:44,834 --> 00:05:46,601 BECAUSE CIRQUE DES MERVEILLES IS A TRAVELING UNDERGROUND. 68 00:05:46,701 --> 00:05:48,467 IT'S A REFUGE FOR MUTANTS. 69 00:05:48,567 --> 00:05:50,434 THE PLACE IS RUN BY A DEKLIN CHARVET. 70 00:05:50,534 --> 00:05:52,300 HE'S MANAGED TO KEEP THE PLACE UNDER THE RADAR, SO FAR. 71 00:05:52,400 --> 00:05:53,467 WELL, IT MAKES SENSE. 72 00:05:53,567 --> 00:05:55,000 I MEAN, WHERE ELSE CAN MUTANTS LIKE US 73 00:05:55,100 --> 00:05:57,434 ACTUALLY BLEND IN AND MAKE A LIVING AT THE SAME TIME, RIGHT? 74 00:05:57,534 --> 00:05:59,234 YOU ACTUALLY SOUND LIKE YOU'RE GOING TO ENJOY THIS. 75 00:05:59,334 --> 00:06:00,567 AND SO WHAT IF I AM? 76 00:06:00,667 --> 00:06:02,901 WE MAY ACTUALLY BE ABLE TO HAVE SOME FUN THIS TIME. 77 00:06:03,000 --> 00:06:05,033 THE POINT IS, YOU BOTH HAVE THE PERFECT IN. 78 00:06:05,133 --> 00:06:07,267 I MEAN, FERALS DO MAKE NATURAL-BORN ACROBATS. 79 00:06:07,367 --> 00:06:08,734 AND ELEMENTALS... 80 00:06:08,834 --> 00:06:10,400 ...NEVER CEASE TO AMAZE. 81 00:06:10,501 --> 00:06:13,767 [laughter] 82 00:06:13,868 --> 00:06:16,334 I'M HAVING A LITTLE FUN. COME ON. 83 00:06:16,434 --> 00:06:18,300 IT'S LUCKY FOR TONY HE FOUND THIS PLACE, HUH? 84 00:06:18,400 --> 00:06:19,567 TELL ME ABOUT IT. 85 00:06:19,667 --> 00:06:21,501 MAY BE THE ONLY THING THAT'S KEEPING HIM ALIVE. 86 00:06:37,534 --> 00:06:40,801 WHOA... 87 00:06:40,901 --> 00:06:42,868 VERY NICE. 88 00:06:42,968 --> 00:06:44,501 IT SEEMS YOU WERE LESS THAN HONEST WITH ME, 89 00:06:44,601 --> 00:06:46,200 CALLING YOURSELF A BEGINNER. 90 00:06:46,300 --> 00:06:48,634 WELL, I GUESS I'VE JUST ALWAYS KEPT IT TO MYSELF. 91 00:06:48,734 --> 00:06:49,801 HM. 92 00:06:49,901 --> 00:06:51,167 WELL, THAT'S WHY I CREATED CIRQUE DES MERVEILLES 93 00:06:51,267 --> 00:06:52,400 IN THE FIRST PLACE. 94 00:06:52,501 --> 00:06:54,000 GIVES PEOPLE LIKE US A SAFE RETREAT 95 00:06:54,100 --> 00:06:56,467 WHERE WE CAN BE OURSELVES. 96 00:06:56,567 --> 00:06:59,367 FREE TO BE WHATEVER WE WANT TO BE. 97 00:07:09,133 --> 00:07:11,801 I CAN FEEL IT. 98 00:07:11,901 --> 00:07:15,367 I'M SURE IN TIME YOU'LL CONSIDER THIS YOUR HOME. 99 00:07:15,467 --> 00:07:17,767 WELL, I GUESS IT'S MY TURN. 100 00:07:17,868 --> 00:07:19,634 DEKLIN, THIS IS BRENNAN-- 101 00:07:19,734 --> 00:07:20,734 BRENNAN MULWRAY. 102 00:07:20,834 --> 00:07:21,801 ...MULWRAY. 103 00:07:21,901 --> 00:07:22,868 I SEE. 104 00:07:22,968 --> 00:07:24,467 AND WHAT'S YOUR AREA OF EXPERTISE? 105 00:07:25,400 --> 00:07:27,467 ELECTRICITY. 106 00:07:33,567 --> 00:07:35,200 THAT'S TRULY REMARKABLE. 107 00:07:35,300 --> 00:07:36,734 WHAT CAN I SAY? IT'S A GIFT. 108 00:07:36,834 --> 00:07:38,467 YES, IT IS. 109 00:07:40,467 --> 00:07:45,100 DIANE, WOULD YOU BE SO KIND AS TO HELP THEM GET SETTLED IN? 110 00:07:45,200 --> 00:07:47,067 OF COURSE. 111 00:07:47,167 --> 00:07:52,000 AND THEN I'D LIKE YOU TO START REHEARSING FOR THE SHOW TONIGHT. 112 00:07:52,100 --> 00:07:54,234 DO YOU REALLY THINK I'M READY FOR THAT? 113 00:07:54,334 --> 00:07:55,601 ARE YOU KIDDING? 114 00:07:55,701 --> 00:07:57,868 [whispers] YOU'RE A NATURAL. 115 00:07:59,834 --> 00:08:01,968 COME. 116 00:08:03,300 --> 00:08:04,400 [whispering] YOU HEAR THAT? 117 00:08:04,501 --> 00:08:05,801 "NATURAL." 118 00:08:17,434 --> 00:08:19,067 HEY. SO SHAL AND BREN ARE IN... 119 00:08:19,167 --> 00:08:20,567 SOUNDS LIKE SHAL'S HAVING A BLAST. 120 00:08:20,667 --> 00:08:22,000 OH, THAT'S GREAT. 121 00:08:22,100 --> 00:08:23,067 YEAH. 122 00:08:23,167 --> 00:08:24,467 TONY'S IN SERIOUS DANGER HERE. 123 00:08:24,567 --> 00:08:25,567 THE SOONER WE GET HIM OUT, THE BETTER. 124 00:08:25,667 --> 00:08:26,734 OH, WHY? 125 00:08:26,834 --> 00:08:28,000 I THOUGHT THIS PLACE WAS LIKE A MUTANT EQUIVALENT 126 00:08:28,100 --> 00:08:29,033 OF A WITNESS RELOCATION PLAN. 127 00:08:29,133 --> 00:08:30,367 IT IS -- FOR NOW. 128 00:08:30,467 --> 00:08:32,234 UNTIL THE DOMINION FINDS OUT ABOUT IT. 129 00:08:32,334 --> 00:08:33,767 HOW MUCH DO WE KNOW ABOUT THE CIRCUS? 130 00:08:33,868 --> 00:08:36,701 ALL I KNOW IS TONY'S IN THERE, WE GOTTA GET HIM OUT. 131 00:08:36,801 --> 00:08:38,167 OKAY, YEAH, I HEARD THAT. 132 00:08:38,267 --> 00:08:39,701 BUT... 133 00:08:39,801 --> 00:08:41,767 DON'T YOU THINK IT'D BE A GOOD IDEA TO KNOW A LITTLE BIT MORE 134 00:08:41,868 --> 00:08:44,067 ABOUT WHAT IT IS WE'RE GETTING INTO? 135 00:08:44,167 --> 00:08:45,467 OH. 136 00:08:45,567 --> 00:08:47,334 KNOCK YOURSELF OUT. 137 00:09:04,667 --> 00:09:05,734 I THOUGHT EVERYBODY IN THIS CIRCUS 138 00:09:05,834 --> 00:09:07,634 WAS SUPPOSED TO BE A MUTANT. 139 00:09:11,968 --> 00:09:14,901 [laughs] 140 00:09:16,701 --> 00:09:17,868 OH, YOU THOUGHT THAT'S FUNNY? 141 00:09:17,968 --> 00:09:18,968 YEAH. 142 00:09:19,067 --> 00:09:20,501 YEAH? I'LL BONK YOU. 143 00:09:20,601 --> 00:09:21,667 DON'T YOU THINK IT'S AMAZING 144 00:09:21,767 --> 00:09:23,868 DEKLIN MANAGED TO CREATE A PLACE LIKE THIS? 145 00:09:23,968 --> 00:09:25,667 IT WAS JUST A MATTER OF TIME UNTIL SOMEBODY FOUND A WAY 146 00:09:25,767 --> 00:09:27,901 TO EXPLOIT OUR MUTANCIES FOR A BUCK. 147 00:09:28,000 --> 00:09:29,400 COME ON, HE'S NOT EXPLOITING US. 148 00:09:29,501 --> 00:09:31,801 HE ACTUALLY CREATED A PLACE WHERE IT'S OKAY TO BE US. 149 00:09:31,901 --> 00:09:32,968 UH HUH. 150 00:09:33,067 --> 00:09:36,367 YEAH, SURE. 151 00:09:36,467 --> 00:09:38,100 BRENNAN... 152 00:09:38,200 --> 00:09:39,868 ARE YOU JEALOUS OF DEKLIN? 153 00:09:39,968 --> 00:09:41,234 NO. 154 00:09:41,334 --> 00:09:45,033 NAH, I JUST THINK THE GUY'S FULL OF HIMSELF, THAT'S ALL. 155 00:09:45,133 --> 00:09:46,434 WHY? WHAT DO YOU THINK? 156 00:09:46,534 --> 00:09:47,534 [laughs] 157 00:09:47,634 --> 00:09:50,534 YOU DON'T WANT TO KNOW WHAT I THINK. 158 00:09:50,634 --> 00:09:53,000 YOU KNOW, HOW ABOUT WE JUST FIND TONY AND GET OUTTA HERE? 159 00:09:53,100 --> 00:09:54,067 HOW'S THAT SOUND? 160 00:09:54,167 --> 00:09:55,100 SOUNDS LIKE A PLAN. 161 00:09:55,200 --> 00:09:56,634 FINE. FINE. 162 00:09:57,968 --> 00:10:00,000 [clears throat] 163 00:10:02,334 --> 00:10:03,968 LOOKING FOR SHALIMAR... 164 00:10:05,501 --> 00:10:08,033 HEY, DEKLIN'S READY FOR REHEARSAL, SO... 165 00:10:08,133 --> 00:10:09,868 HEY, YOU KNOW WHAT? YOU CAN HELP ME OUT. 166 00:10:09,968 --> 00:10:11,501 I'M LOOKING FOR A FRIEND OF OURS, 167 00:10:11,601 --> 00:10:13,667 A GUY THAT TURNED US ON TO THIS PLACE -- TONY LAPORTA. 168 00:10:13,767 --> 00:10:16,000 OH, UH... 169 00:10:16,100 --> 00:10:17,167 WELL, I HAVEN'T SEEN HIM TODAY, 170 00:10:17,267 --> 00:10:19,167 BUT I'M SURE HE'S AROUND SOMEWHERE. 171 00:10:19,267 --> 00:10:21,200 SO HOW LONG HAVE YOU BEEN WITH THE CIRCUS, DIANE? 172 00:10:21,300 --> 00:10:22,968 WOW, FROM THE BEGINNING. 173 00:10:23,067 --> 00:10:25,367 DEKLIN AND I GO WAY BACK. 174 00:10:25,467 --> 00:10:26,968 HE'S AN... 175 00:10:27,067 --> 00:10:28,334 INCREDIBLE MAN. 176 00:10:28,434 --> 00:10:32,267 YEAH, SO I'VE HEARD. 177 00:10:32,367 --> 00:10:35,367 I DON'T KNOW WHAT I'D DO WITHOUT HIM. 178 00:10:35,467 --> 00:10:38,767 WAIT. SO YOU GUYS ARE TOGETHER, THEN? 179 00:10:38,868 --> 00:10:40,601 [laughs] 180 00:10:40,701 --> 00:10:42,868 WELL, I DON'T' WANT TO KEEP DEKLIN WAITING. 181 00:10:44,767 --> 00:10:47,901 NOW THAT WE BOTH KNOW YOU'RE NOT JEALOUS. 182 00:10:51,133 --> 00:10:52,801 LEXA, WE GOTTA TALK. 183 00:10:52,901 --> 00:10:54,801 [sound of shower running] 184 00:10:54,901 --> 00:10:56,567 IS THERE ANYWHERE IN THIS ROCK 185 00:10:56,667 --> 00:11:00,133 WHERE A GIRL CAN GET A LITTLE PRIVACY? 186 00:11:00,234 --> 00:11:02,033 IT BETTER BE GOOD. 187 00:11:04,968 --> 00:11:06,400 WHAT? 188 00:11:06,501 --> 00:11:07,767 I STARTED TRACING ALL THE CITIES 189 00:11:07,868 --> 00:11:09,200 THAT THE CIRCUS HAS PASSED THROUGH, 190 00:11:09,300 --> 00:11:10,968 EVERYWHERE FROM BRIDGEPORT TO LA JOLLA. 191 00:11:11,067 --> 00:11:12,467 OKAY... AND? 192 00:11:12,567 --> 00:11:14,200 AND, UH, WELL, MUTANTS HAVE DISAPPEARED 193 00:11:14,300 --> 00:11:16,434 FROM ALMOST EVERY TOWN THAT THEY'VE BEEN TO. 194 00:11:16,534 --> 00:11:17,868 WELL, ISN'T THIS WHAT THE CIRCUS IS ALL ABOUT? 195 00:11:17,968 --> 00:11:20,067 OFFERING PROTECTION FOR MUTANTS ON THE RUN? NO? 196 00:11:20,167 --> 00:11:21,334 YEAH, BUT THESE PEOPLE WERE PEOPLE 197 00:11:21,434 --> 00:11:23,067 ALREADY IN THE MUTANT UNDERGROUND. 198 00:11:23,167 --> 00:11:24,334 I MEAN, THEY WERE, UH... 199 00:11:24,434 --> 00:11:25,601 THEY HAD FAMILIES, THEY WERE ESTABLISHED, 200 00:11:25,701 --> 00:11:27,100 THEY HAD NOTHING TO RUN FROM. 201 00:11:27,200 --> 00:11:28,067 OH, AND... 202 00:11:28,167 --> 00:11:31,167 THE THING IS THAT ONCE THEY JOIN UP, 203 00:11:31,267 --> 00:11:32,634 THEIR FAMILIES NEVER HEAR FROM THEM AGAIN. 204 00:11:32,734 --> 00:11:33,934 IT'S LIKE THEY VANISH OFF THE FACE OF THE EARTH. 205 00:11:34,033 --> 00:11:35,000 SO WHAT ARE YOU TELLING ME? 206 00:11:35,100 --> 00:11:36,100 THESE PEOPLE NEVER LEFT THIS PLACE? 207 00:11:36,200 --> 00:11:37,100 ALL EXCEPT FOR ONE. 208 00:11:37,200 --> 00:11:38,667 MIKE ROBSON. HE'S A CANINE FERAL. 209 00:11:38,767 --> 00:11:40,734 HE DISAPPEARED SIX MONTHS AGO, TURNED BACK UP A MONTH LATER. 210 00:11:40,834 --> 00:11:42,968 HE'S THE ONE MUTANT WHO SOMEHOW DECIDED 211 00:11:43,067 --> 00:11:45,167 TO LEAVE THE HAPPIEST PLACE ON EARTH. 212 00:11:45,267 --> 00:11:46,934 OH. 213 00:11:47,033 --> 00:11:50,234 SO WHAT DO YOU SAY WE TAKE LITTLE DOG BOY HERE FOR A WALK, THEN? 214 00:11:50,334 --> 00:11:51,367 YEAH. 215 00:11:52,567 --> 00:11:54,901 THANK YOU. 216 00:11:55,000 --> 00:11:56,067 I'M GONNA GO PUT SOME CLOTHES ON. 217 00:11:56,167 --> 00:11:57,667 YEAH. 218 00:13:09,167 --> 00:13:10,501 HEY, DEKLIN, WHERE YOU AT? 219 00:13:13,601 --> 00:13:14,801 DEKLIN? 220 00:13:49,968 --> 00:13:51,467 YEAH... 221 00:14:05,934 --> 00:14:08,968 TONY...? OH, MY GOD. 222 00:14:13,167 --> 00:14:15,334 FOUND WHAT YOU WERE LOOKING FOR? 223 00:14:24,200 --> 00:14:25,200 UGH... 224 00:14:25,300 --> 00:14:27,167 UH... 225 00:14:27,267 --> 00:14:29,100 UHH... 226 00:14:45,601 --> 00:14:49,634 BUT I FIGURED, SINCE HE'S A CANINE FERAL, 227 00:14:49,734 --> 00:14:50,968 THERE'S A GOOD CHANCE HE'D COME BACK 228 00:14:51,067 --> 00:14:53,033 TO HIS OLD STOMPING GROUNDS. 229 00:14:53,133 --> 00:14:55,567 YOU'RE OUT OF YOUR MIND. 230 00:14:55,667 --> 00:14:58,067 REALLY? 231 00:14:58,167 --> 00:15:00,901 THERE'S AN URBAN MYTH IN THESE PARTS, 232 00:15:01,000 --> 00:15:05,901 ABOUT A GUY WHO CREEPS AROUND IN DOG PARKS LATE AT NIGHT. 233 00:15:06,000 --> 00:15:07,901 THEY CALL HIM THE WEREWOLF. 234 00:15:08,000 --> 00:15:11,968 OKAY, YOU KNOW I'M NOT CRAZY ABOUT DOGS TO BEGIN WITH, RIGHT? 235 00:15:12,067 --> 00:15:14,734 THIS FULL MOON OUTSIDE ISN'T EXACTLY HELPING. 236 00:15:16,300 --> 00:15:17,367 HEY, HOLD ON. 237 00:15:17,467 --> 00:15:18,501 HUH? 238 00:15:18,601 --> 00:15:21,534 [growling] 239 00:15:21,634 --> 00:15:25,133 GOOD BOY. EASY... 240 00:15:25,234 --> 00:15:27,834 GOOD DOG. IT'S ALL RIGHT. 241 00:15:27,934 --> 00:15:29,667 IT'S OKAY. DOWN, BOY. 242 00:15:29,767 --> 00:15:30,968 [barking] 243 00:15:31,067 --> 00:15:32,667 GOOD BOY. IT'S ALL RIGHT. STAY DOWN. 244 00:15:32,767 --> 00:15:34,000 EASY!! 245 00:15:35,701 --> 00:15:37,467 DON'T HURT HIM. 246 00:15:37,567 --> 00:15:40,033 HE'S JUST PROTECTING ME. 247 00:15:40,133 --> 00:15:41,267 WHAT ARE YOU DOING? 248 00:15:41,367 --> 00:15:43,100 CALL OFF YOUR DOGS AND WE JUST MIGHT TELL YOU. 249 00:15:43,200 --> 00:15:48,367 [growling] 250 00:15:55,868 --> 00:15:59,767 SO, YOU SPENT SOME TIME AT THE CIRCUS. 251 00:15:59,868 --> 00:16:01,367 YEAH, SO? 252 00:16:01,467 --> 00:16:03,434 OH, YOU'RE LOOKING FOR SOMEBODY, IS THAT IT? 253 00:16:05,234 --> 00:16:06,667 SOMETHING LIKE THAT. 254 00:16:06,767 --> 00:16:07,801 I CAN'T HELP YOU. 255 00:16:07,901 --> 00:16:08,868 WHY NOT? 256 00:16:08,968 --> 00:16:09,834 DID IT EVER OCCUR TO YOU 257 00:16:09,934 --> 00:16:10,801 THAT WHOEVER YOU MIGHT BE LOOKING FOR 258 00:16:10,901 --> 00:16:12,767 JUST DOESN'T WANT TO BE FOUND? 259 00:16:12,868 --> 00:16:15,334 FOR MANY OF US, THAT CIRCUS OFFERS THE ONLY WAY OUT. 260 00:16:15,434 --> 00:16:16,801 IF THAT CIRCUS IS AS GOOD AS YOU SAY 261 00:16:16,901 --> 00:16:19,234 HOW COME YOU ONLY LASTED A MONTH? 262 00:16:19,334 --> 00:16:20,801 GUESS IT WASN'T FOR ME. 263 00:16:20,901 --> 00:16:22,367 WHAT'S THAT SUPPOSED TO MEAN? 264 00:16:22,467 --> 00:16:25,033 LIKE I SAID: IT WASN'T FOR ME. 265 00:16:25,133 --> 00:16:28,267 [whisper] LOOK, JESS, I THINK WE'RE BARKING UP THE WRONG TREE HERE. 266 00:16:28,367 --> 00:16:30,200 UM, I'M SORRY TO HAVE DISTURBED YOU. 267 00:16:30,300 --> 00:16:32,167 WE'RE GOING TO GO. 268 00:16:32,267 --> 00:16:33,501 JUST, UM... 269 00:16:33,601 --> 00:16:35,334 ONE MORE QUESTION. 270 00:16:35,434 --> 00:16:38,868 WHY'D YOU JOIN THE CIRCUS? 271 00:16:38,968 --> 00:16:41,234 IT SEEMED LIKE A GOOD IDEA AT THE TIME. 272 00:16:56,033 --> 00:16:58,868 SHE MOVES EXQUISITELY, DON'T YOU THINK? 273 00:16:58,968 --> 00:17:00,334 I SUPPOSE. 274 00:17:00,434 --> 00:17:02,767 THE REAL TEST WILL BE TO SEE HOW SHE FARES ON THE TRAPEZE. 275 00:17:02,868 --> 00:17:04,234 SHE'LL BE SPLENDID. 276 00:17:04,334 --> 00:17:05,501 OH, THAT WAS AMAZING! 277 00:17:05,601 --> 00:17:07,267 WELL, PERHAPS YOU'RE READY FOR SOMETHING 278 00:17:07,367 --> 00:17:09,734 A LITTLE MORE CHALLENGING. 279 00:17:16,634 --> 00:17:18,701 [laughs] 280 00:17:24,868 --> 00:17:26,501 DON'T BE NERVOUS. 281 00:17:26,601 --> 00:17:28,234 YOU'LL BE FINE. 282 00:17:30,400 --> 00:17:32,300 YOU READY? 283 00:17:32,400 --> 00:17:34,267 I WAS BORN READY. 284 00:17:41,834 --> 00:17:45,234 [laughs] 285 00:17:49,667 --> 00:17:51,868 [Jess on comlink] SHALIMAR? 286 00:17:55,334 --> 00:17:58,067 DIANE, WHY DON'T YOU CHECK ON SHALIMAR'S COSTUME, 287 00:17:58,167 --> 00:18:01,234 AND MAKE SURE IT'S READY FOR THE SHOW TONIGHT? 288 00:18:01,334 --> 00:18:02,801 OF COURSE. 289 00:18:04,567 --> 00:18:05,934 WHAT'S UP, JESS? 290 00:18:06,033 --> 00:18:07,934 HOW ARE THINGS GOING UNDER THE BIG TOP? 291 00:18:08,033 --> 00:18:09,767 WELL, IF I EVER GET TIRED OF SAVING THE WORLD, 292 00:18:09,868 --> 00:18:12,167 I ALWAYS HAVE A JOB AS AN ACROBAT. 293 00:18:12,267 --> 00:18:13,534 ANY SIGN OF TONY? 294 00:18:13,634 --> 00:18:15,868 UH, NOT YET, BUT BRENNAN'S GONE TO LOOK FOR HIM. 295 00:18:15,968 --> 00:18:16,934 OH, WELL, WHEN YOU'RE DONE 296 00:18:17,033 --> 00:18:18,200 PLAYING LADY ON THE FLYING TRAPEZE, 297 00:18:18,300 --> 00:18:19,667 YOU MIGHT WANT TO GO GIVE HIM A HAND. 298 00:18:19,767 --> 00:18:21,000 THINGS HAVE TURNED UP A NOTCH. 299 00:18:21,100 --> 00:18:23,200 I NEED YOU TO FIND TONY AND GET OUT OF THERE, OKAY? 300 00:18:23,300 --> 00:18:25,067 OKAY. 301 00:18:29,634 --> 00:18:31,434 OH-HO... 302 00:18:32,801 --> 00:18:34,000 WOW. 303 00:18:34,100 --> 00:18:35,868 MUST FEEL NICE TO DO WHAT COMES NATURALLY. 304 00:18:35,968 --> 00:18:39,300 YOU HAVE NO IDEA. 305 00:18:39,400 --> 00:18:41,100 CAN I... UH... 306 00:18:41,200 --> 00:18:43,734 CAN I TAKE YOU ON A LITTLE PRIVATE TOUR? 307 00:18:43,834 --> 00:18:45,834 I FEEL LIKE I NEED TO GET READY FOR THE SHOW TONIGHT. 308 00:18:45,934 --> 00:18:46,901 OH, PLEASE, PLEASE. 309 00:18:47,000 --> 00:18:48,467 I WANT TO SHOW YOU THE REAL MAGIC 310 00:18:48,567 --> 00:18:50,434 THAT LIES WITHIN OUR TENTS. 311 00:18:50,534 --> 00:18:52,767 [laughs] 312 00:18:52,868 --> 00:18:57,634 I PROMISE -- I PROMISE IT'LL TAKE YOUR BREATH AWAY. 313 00:18:57,734 --> 00:18:58,734 OKAY. 314 00:18:58,834 --> 00:19:00,300 ALL RIGHT. 315 00:19:03,868 --> 00:19:04,934 UH OH. 316 00:19:05,033 --> 00:19:06,601 IT'S BRENNAN'S COMLINK. IT'S OFF THE GRID. 317 00:19:06,701 --> 00:19:08,067 IT'S LIKE HE'S FALLEN OFF THE FACE OF THE EARTH. 318 00:19:08,167 --> 00:19:09,234 MAYBE HE TOOK IT OFF. 319 00:19:09,334 --> 00:19:11,234 NO -- NO! I MEAN, EVEN DEACTIVATED, 320 00:19:11,334 --> 00:19:12,667 IT STILL SENDS OFF A SIGNAL. 321 00:19:12,767 --> 00:19:14,067 I'M GETTING NOTHING. 322 00:19:14,167 --> 00:19:16,400 MUST BE A COMPUTER GLITCH. 323 00:19:16,501 --> 00:19:17,868 I'M SURE WE'LL BE ABLE TO TRACK IT SOMEHOW. 324 00:19:17,968 --> 00:19:19,267 I'M GOING TO CONTACT SHALIMAR. 325 00:19:19,367 --> 00:19:20,200 HEY, WHAT FOR? 326 00:19:20,300 --> 00:19:22,067 TO MAKE SURE THAT HE'S OKAY. 327 00:19:22,167 --> 00:19:23,334 BRENNAN'S FINE. 328 00:19:23,434 --> 00:19:24,434 HE'S PROBABLY OFF MAKING OUT 329 00:19:24,534 --> 00:19:26,000 WITH THE BEARDED LADY OR SOMETHING. 330 00:19:26,100 --> 00:19:28,467 LEXA, WHAT'S GOING ON WITH YOU? 331 00:19:28,567 --> 00:19:29,834 SINCE WE STARTED THIS THING, 332 00:19:29,934 --> 00:19:31,501 YOU'VE BEEN WALKING AROUND WITH YOUR BLINDERS ON. 333 00:19:31,601 --> 00:19:32,968 NO, IT'S JUST IF WE DON'T FIND TONY SOON 334 00:19:33,067 --> 00:19:34,167 WE'RE SCREWED, THAT'S WHY. 335 00:19:34,267 --> 00:19:35,734 BUT WHAT IF WE'RE TOO LATE? 336 00:19:35,834 --> 00:19:38,801 LOOK, WHAT IF THE DOMINION'S ALREADY FOUND HIM? 337 00:19:38,901 --> 00:19:40,067 WHERE ARE YOU GOING? 338 00:19:40,167 --> 00:19:41,467 TO FIND OUT. 339 00:19:49,601 --> 00:19:51,734 IT'S A HOUSE OF MIRRORS. 340 00:19:51,834 --> 00:19:53,567 UH, UH, UH... 341 00:19:53,667 --> 00:19:56,100 IT'S SO MUCH MORE THAN THAT. 342 00:19:56,200 --> 00:19:58,934 REALLY? 343 00:19:59,033 --> 00:20:07,834 WITNESS THOSE SINNERS LOST FOREVER BETWEEN HEAVEN AND HELL. 344 00:20:07,934 --> 00:20:09,467 OH, MY GOD... 345 00:20:09,567 --> 00:20:11,467 IT'S QUITE THE ILLUSION, ISN'T IT? 346 00:20:16,868 --> 00:20:19,100 SO REAL... 347 00:20:25,801 --> 00:20:28,300 NOT HALF AS REAL AS YOU. 348 00:20:36,634 --> 00:20:38,067 I CAN'T DO THIS. 349 00:20:40,701 --> 00:20:42,734 I'M SORRY... 350 00:20:42,834 --> 00:20:45,434 THEY NEED TO FIT YOU WITH YOUR COSTUME FOR THE SHOW, SO... SURE. 351 00:20:57,367 --> 00:20:59,567 WHY ARE YOU GETTING INVOLVED? 352 00:20:59,667 --> 00:21:01,133 YOU CAN'T TRUST HER. 353 00:21:01,234 --> 00:21:02,634 WHAT ARE YOU TALKING ABOUT? 354 00:21:02,734 --> 00:21:05,133 SHE'S WORKING WITH OTHERS ON THE OUTSIDE. 355 00:21:05,234 --> 00:21:06,434 THEY'RE LOOKING FOR TONY. 356 00:21:06,534 --> 00:21:07,734 I DON'T BELIEVE YOU. 357 00:21:07,834 --> 00:21:10,634 OH, DEKLIN. 358 00:21:10,734 --> 00:21:11,901 I'M JUST... 359 00:21:12,000 --> 00:21:13,868 I'M JUST TRYING TO LOOK OUT FOR US-- 360 00:21:15,267 --> 00:21:18,934 I DON'T NEED YOUR HELP. 361 00:21:19,033 --> 00:21:20,701 OKAY? 362 00:21:20,801 --> 00:21:23,467 DEKLIN, PLEASE. PLEASE... 363 00:21:45,667 --> 00:21:47,133 WHAT IS IT, LEXA? 364 00:21:47,234 --> 00:21:48,667 DID YOU FIND TONY LAPORTA YET? 365 00:21:48,767 --> 00:21:50,734 HOW DID YOU KNOW ABOUT THAT? 366 00:21:50,834 --> 00:21:52,534 I KEEP MY EAR TO THE GROUND. 367 00:21:52,634 --> 00:21:55,767 LISTEN, I'M CALLING TO OFFER UP OUR HELP. 368 00:21:55,868 --> 00:21:57,300 YOU'VE STUCK YOUR NECK OUT FOR ME IN THE PAST-- 369 00:21:57,400 --> 00:21:58,667 THAT WON'T BE NECESSARY. 370 00:21:58,767 --> 00:22:00,901 WE HAVE THE SITUATION UNDER CONTROL. 371 00:22:01,000 --> 00:22:02,767 REALLY? 372 00:22:02,868 --> 00:22:05,968 WELL, GOOD. I'M GLAD TO HEAR THAT. 373 00:22:06,067 --> 00:22:08,501 SO THE, UH, RENEGADE AGENT HAS ALREADY BEEN NEUTRALIZED? 374 00:22:08,601 --> 00:22:12,300 AS I SAID, THIS SITUATION IS UNDER CONTROL. 375 00:22:12,400 --> 00:22:15,567 LEXA, YOU ARE TO STAY AWAY. 376 00:22:15,667 --> 00:22:18,334 AM I CLEAR? 377 00:22:18,434 --> 00:22:21,100 CRYSTAL. 378 00:22:22,734 --> 00:22:24,901 WELL, THAT WAS SWIFT. 379 00:22:25,000 --> 00:22:26,234 I GOT WHAT I NEEDED TO HEAR. 380 00:22:26,334 --> 00:22:28,367 THEY DON'T HAVE TONY. 381 00:22:28,467 --> 00:22:30,434 HEY, DID YOU FIGURE OUT WHAT'S WRONG WITH BRENNAN'S COMLINK? 382 00:22:30,534 --> 00:22:31,734 NO, NOT YET. 383 00:22:31,834 --> 00:22:34,934 BUT I DID FIND OUT WHY DOG BOY JOINED THE CIRCUS. 384 00:22:35,033 --> 00:22:36,200 HE GOT MARRIED. 385 00:22:36,300 --> 00:22:38,534 HM, HOW ROMANTIC. 386 00:22:38,634 --> 00:22:40,400 LEXA, HE LIED TO US. 387 00:22:40,501 --> 00:22:41,868 TWO OF THEM WENT IN, ONE CAME OUT, 388 00:22:41,968 --> 00:22:44,467 AND THAT'S A PRETTY BIG DETAIL TO LEAVE OUT. 389 00:22:44,567 --> 00:22:47,000 I'M TELLING YOU, I CAN FEEL IT. HE'S COVERING SOMETHING UP. 390 00:22:47,100 --> 00:22:48,334 SO WHAT DO YOU SUPPOSE WE DO? 391 00:22:48,434 --> 00:22:49,567 HOPE HE TELLS US THE WHOLE STORY 392 00:22:49,667 --> 00:22:51,267 IF WE SCRATCH HIM IN HIS SWEET SPOT? 393 00:22:51,367 --> 00:22:53,767 I'M GOING BACK THERE. 394 00:22:55,567 --> 00:22:57,267 UH, JESS, WAIT. 395 00:22:57,367 --> 00:22:59,667 I'M COMING WITH YOU. 396 00:23:18,901 --> 00:23:38,167 [cheering, applauding] 397 00:23:38,267 --> 00:23:40,434 SHE'S BEAUTIFUL... 398 00:23:43,601 --> 00:23:46,367 SHE'S MAGICAL... 399 00:23:46,467 --> 00:23:48,601 AND SHE'S BEEN GIVEN WINGS. 400 00:23:50,634 --> 00:23:52,767 AN ANGEL IN MOTION. 401 00:24:02,501 --> 00:24:18,667 [cheering, applauding] 402 00:24:23,934 --> 00:24:24,834 [snap] 403 00:24:24,934 --> 00:24:28,601 [audience gasps] 404 00:24:45,701 --> 00:24:48,267 [gasp] 405 00:24:49,767 --> 00:25:09,133 [cheering, applauding] 406 00:25:12,701 --> 00:25:13,934 I DON'T KNOW HOW THIS COULD'VE HAPPENED. 407 00:25:14,033 --> 00:25:16,734 THIS WASN'T AN ACCIDENT. SOMEONE TAMPERED WITH THIS. 408 00:25:18,868 --> 00:25:22,701 LOOK, DIANE, DO YOU KNOW WHAT'S GOING ON HERE? 409 00:25:22,801 --> 00:25:24,601 DON'T BE AFRAID. I CAN PROTECT YOU. 410 00:25:24,701 --> 00:25:26,834 NO, YOU CAN'T. 411 00:25:28,334 --> 00:25:31,667 THERE'S NOTHING YOU OR ANYBODY ELSE CAN DO. 412 00:25:31,767 --> 00:25:37,367 DIANE, TELL ME WHAT'S GOING ON. 413 00:25:37,467 --> 00:25:38,501 IT'S DEKLIN -- 414 00:25:38,601 --> 00:25:39,968 HE'S GOT TONY AND THE OTHERS. 415 00:25:40,067 --> 00:25:42,167 OTHERS? WHAT DO YOU MEAN? 416 00:25:42,267 --> 00:25:43,501 DO YOU MEAN BRENNAN? 417 00:25:43,601 --> 00:25:44,901 YEAH. 418 00:25:45,000 --> 00:25:46,234 WHERE ARE THEY? 419 00:25:46,334 --> 00:25:48,901 THEY'RE TRAPPED IN THE CHAMBER OF SOULS. 420 00:25:50,634 --> 00:25:52,901 OH, MY GOD. THEY'RE REAL. 421 00:26:08,801 --> 00:26:10,601 DEKLIN, I AM ENTRUSTING YOU 422 00:26:10,701 --> 00:26:12,801 WITH THE FUTURE OF MANKIND. 423 00:26:12,901 --> 00:26:16,100 THIS IS YOUR TASK, YOUR REASON FOR BEING. 424 00:26:16,200 --> 00:26:18,701 IF I DON'T SURVIVE TO CARRY OUT MY PLAN, 425 00:26:18,801 --> 00:26:22,801 THEN YOU MUST PURGE THE WORLD OF MUTANT ABOMINATIONS. 426 00:26:22,901 --> 00:26:25,133 YOU MUST NOT FAIL. 427 00:26:28,767 --> 00:26:30,367 [growling] 428 00:26:30,467 --> 00:26:33,534 CAN'T YOU PEOPLE JUST LEAVE ME ALONE? 429 00:26:37,801 --> 00:26:40,634 SHE'S THE REASON YOU JOINED THE CIRCUS. 430 00:26:44,667 --> 00:26:46,367 MY FRIEND HERE CAN BE A REAL PIT BULL. 431 00:26:46,467 --> 00:26:49,300 YOU MIGHT WANT TO ANSWER HIS QUESTION. 432 00:26:49,400 --> 00:26:50,567 LOOK, WHOEVER YOU'RE LOOKING FOR, 433 00:26:50,667 --> 00:26:52,534 IF YOU HAVEN'T HEARD FROM THEM BY NOW, THEY'RE GONE. 434 00:26:52,634 --> 00:26:53,734 MIKE. 435 00:26:53,834 --> 00:26:56,534 WHAT HAPPENED TO YOUR WIFE? 436 00:26:59,133 --> 00:27:01,534 WE WERE TRYING TO START A LIFE TOGETHER. 437 00:27:01,634 --> 00:27:02,868 AT FIRST, EVERYTHING WAS GREAT, 438 00:27:02,968 --> 00:27:05,634 THEN DEKLIN STARTED HITTING ON HER. 439 00:27:05,734 --> 00:27:07,400 HE WOULDN'T LET UP. 440 00:27:07,501 --> 00:27:10,167 THE MORE SHE TURNED HIM DOWN THE MORE HE WENT AFTER HER. 441 00:27:10,267 --> 00:27:11,834 WHAT DID YOU DO? 442 00:27:11,934 --> 00:27:13,234 I COULDN'T TAKE IT. 443 00:27:13,334 --> 00:27:14,300 I WANTED OUT. 444 00:27:14,400 --> 00:27:16,167 I STARTED PACKING. 445 00:27:16,267 --> 00:27:18,167 DONNA SAID SHE WANTED TO GO MEET HIM, 446 00:27:18,267 --> 00:27:20,300 THOUGHT SHE COULD WORK IT OUT. 447 00:27:20,400 --> 00:27:23,300 I FOLLOWED HER TO THE CHAMBER OF SOULS. 448 00:27:23,400 --> 00:27:25,934 THE FREAK SHOW EXHIBIT. 449 00:27:26,033 --> 00:27:30,834 YOU COME IN, BUT YOU DON'T COME OUT. 450 00:27:30,934 --> 00:27:33,300 I TRIED TO KEEP HER FROM HAPPENING, BUT I WAS TOO LATE. 451 00:27:33,400 --> 00:27:34,334 WHAT DO YOU MEAN YOU WERE TOO LATE? 452 00:27:34,434 --> 00:27:37,467 THERE WAS NO BRINGING HER BACK. 453 00:27:37,567 --> 00:27:40,501 SOMETHING HAPPENED WITH THE MIRROR. 454 00:27:40,601 --> 00:27:42,968 IT JUST... SWALLOWED HER UP. 455 00:27:45,667 --> 00:27:47,400 I KNEW I WAS NEXT. 456 00:27:47,501 --> 00:27:52,067 [groaning] 457 00:27:52,167 --> 00:27:56,701 I TORE THE BASTARD UP PRETTY GOOD. 458 00:27:56,801 --> 00:28:00,033 I ONLY WISH I'D KILLED HIM. 459 00:28:05,467 --> 00:28:09,667 HAVE YOU EVER COME FACE TO FACE WITH PURE EVIL? 460 00:28:09,767 --> 00:28:13,968 DEKLIN, I AM ENTRUSTING YOU WITH THE FUTURE OF MANKIND. 461 00:28:14,067 --> 00:28:15,901 YOU MUST NOT FAIL. 462 00:28:16,000 --> 00:28:17,801 YOUR MISSION MUST NOT END UNTIL ALL MUTANTS 463 00:28:17,901 --> 00:28:20,767 ARE WIPED FROM THE FACE OF THE EARTH. 464 00:28:24,501 --> 00:28:26,434 BRENNAN...? 465 00:28:45,834 --> 00:28:47,601 OH GOD! 466 00:28:49,400 --> 00:28:56,534 [thumping] [panting] 467 00:28:57,634 --> 00:29:00,234 DIANE, YOU HAVE TO HELP ME! 468 00:29:00,334 --> 00:29:01,767 OF COURSE. 469 00:29:09,767 --> 00:29:10,901 DIANE? 470 00:29:39,834 --> 00:29:41,400 WHY ISN'T SHE RESPONDING? 471 00:29:41,501 --> 00:29:43,267 WELL, BECAUSE NOW HER COMLINK'S GONE OFF THE GRID 472 00:29:43,367 --> 00:29:44,934 JUST LIKE BRENNAN'S. 473 00:29:45,033 --> 00:29:47,400 THAT'S GOTTA BE A MISTAKE. 474 00:29:49,534 --> 00:29:50,767 HEY, LOOK. 475 00:29:50,868 --> 00:29:53,467 THE SCAN I DID SHOWS FAINT SIGNALS COMING FROM THE CIRCUS. 476 00:29:53,567 --> 00:29:57,601 NO, THOSE ARE JUST ECHOES FROM WHEN THE COMLINKS WERE ACTIVE. 477 00:29:57,701 --> 00:29:58,968 OH, LOOK AT THAT. 478 00:29:59,067 --> 00:30:00,267 DOMINION ON LINE TWO. 479 00:30:00,367 --> 00:30:03,267 LEXA, HAVE YOU ANY IDEA WHAT YOU'VE DONE? 480 00:30:03,367 --> 00:30:04,434 I'M SORRY? 481 00:30:04,534 --> 00:30:05,701 YOU SENT IN FOX AND MULWRAY 482 00:30:05,801 --> 00:30:07,801 AFTER I DELIBERATELY WARNED YOU NOT TO. 483 00:30:07,901 --> 00:30:09,033 WELL, THEY WERE IN THE AREA... 484 00:30:09,133 --> 00:30:10,667 I ADVISE YOU TO PULL THEM OUT IMMEDIATELY. 485 00:30:10,767 --> 00:30:12,567 WHY? WHAT'S THE RUSH? 486 00:30:12,667 --> 00:30:14,868 CIRQUE DE MERVEILLES IS A TRAVELING DEATH CAMP. 487 00:30:14,968 --> 00:30:17,601 WHAT ARE YOU TALKING ABOUT? 488 00:30:17,701 --> 00:30:20,634 DEKLIN CHARVET WAS THE LAST OF GENOMEX'S SLEEPER AGENTS. 489 00:30:20,734 --> 00:30:22,868 ECKHART BRAINWASHED HIM INTO BEING HIS FAIL-SAFE METHOD 490 00:30:22,968 --> 00:30:25,501 FOR EXTINGUISHING MUTANTS IN CASE OF HIS DEMISE. 491 00:30:25,601 --> 00:30:26,534 WHAT? 492 00:30:26,634 --> 00:30:28,567 THIS IS HIS PLAN B. 493 00:30:28,667 --> 00:30:29,901 TAKE A LOOK. 494 00:30:30,000 --> 00:30:31,567 UPON MY LAST BREATH, 495 00:30:31,667 --> 00:30:34,534 OPERATION APOCALYPSE WILL TAKE EFFECT. 496 00:30:34,634 --> 00:30:37,801 IF I CAN NO LONGER CONTROL THE MUTANT POPULATION, 497 00:30:37,901 --> 00:30:41,267 THEN THEY CAN SIMPLY... NO LONGER EXIST. 498 00:30:41,367 --> 00:30:45,400 THEY MUST BE EXTERMINATED ONE BY ONE. 499 00:30:45,501 --> 00:30:48,501 IT'S ECKHART'S FINAL REVENGE. 500 00:30:48,601 --> 00:30:49,934 SO YOU KNEW THIS CIRCUS EXISTED, 501 00:30:50,033 --> 00:30:53,267 BUT LET DEKLIN CONTINUE HIS PLANS FOR MUTANT GENOCIDE? 502 00:30:53,367 --> 00:30:56,167 WE SIMPLY TOOK WHAT WAS THERE AND USED IT TO OUR ADVANTAGE. 503 00:30:56,267 --> 00:30:57,467 BY LURING TONY IN, 504 00:30:57,567 --> 00:30:59,434 BY MAKING HIM BELIEVE THIS WAS A SAFE HAVEN? 505 00:30:59,534 --> 00:31:02,367 I GET IT, THAT'S WHY YOU WANTED US TO STAY OUT. 506 00:31:02,467 --> 00:31:04,567 THIS WAS A SELF-CLEANING MISSION FROM THE START. 507 00:31:04,667 --> 00:31:07,367 YOU WANTED LAPORTA DEAD, DIDN'T YOU? 508 00:31:07,467 --> 00:31:08,567 PRECISELY. 509 00:31:08,667 --> 00:31:10,100 SO IF YOU HAVE ANY LOVE FOR YOUR TEAMMATES, 510 00:31:10,200 --> 00:31:12,267 YOU'LL PULL THEM OUT NOW. 511 00:31:16,067 --> 00:31:18,534 WE'RE TOO LATE... 512 00:31:44,534 --> 00:31:47,334 ARE YOU PLEASED WITH WHAT YOU SEE? 513 00:31:47,434 --> 00:31:49,167 YOU KNOW I AM. 514 00:31:49,267 --> 00:31:51,434 I'M GLAD. 515 00:31:52,934 --> 00:31:56,033 YOU KNOW I'VE ALWAYS WANTED TO MAKE YOU HAPPY. 516 00:31:58,000 --> 00:32:00,300 YOU KNOW YOU DO. 517 00:32:00,400 --> 00:32:02,067 OH... 518 00:32:12,901 --> 00:32:15,367 HUH... 519 00:32:44,534 --> 00:32:47,434 WE HAVE MUCH MORE WORK TO DO. 520 00:32:47,534 --> 00:32:48,434 YES. 521 00:32:48,534 --> 00:32:49,968 YES... 522 00:33:13,567 --> 00:33:14,667 I HOPE THIS IS WORTH IT, 523 00:33:14,767 --> 00:33:16,267 BECAUSE I AM NOT GOING TO LET BRENNAN AND SHAL 524 00:33:16,367 --> 00:33:18,067 PAY THE PRICE OF YOUR ARROGANCE. 525 00:33:19,701 --> 00:33:20,901 I SHOULD'VE KNOWN BETTER. 526 00:33:21,000 --> 00:33:23,567 YEAH. YOU SHOULD HAVE. 527 00:33:23,667 --> 00:33:26,701 IT'S OVER, JESS. WHY CAN'T YOU SEE THAT? 528 00:33:30,133 --> 00:33:32,267 IT'S ALL MY FAULT. 529 00:33:32,367 --> 00:33:33,801 I DIDN'T LISTEN TO THE WARNINGS. 530 00:33:33,901 --> 00:33:34,701 I SHOULD'VE... 531 00:33:34,801 --> 00:33:35,934 STOP IT. STOP IT! 532 00:33:36,033 --> 00:33:38,133 YOU KNOW WHAT, I QUIT. I JUST QUIT. 533 00:33:38,234 --> 00:33:39,234 NO, YOU DON'T. 534 00:33:39,334 --> 00:33:40,901 NO, YOU DON'T. 535 00:33:41,000 --> 00:33:43,133 OKAY? I'M NOT GOING TO LET YOU. 536 00:33:43,234 --> 00:33:44,767 OKAY? 537 00:33:44,868 --> 00:33:46,400 WE'RE GOING TO GET THEM BACK. 538 00:33:46,501 --> 00:33:48,033 YEAH. 539 00:33:48,133 --> 00:33:51,067 WE'RE GOING TO GET THEM BACK. 540 00:33:51,167 --> 00:33:55,267 I WISH I COULD BELIEVE YOU, JESS. 541 00:33:55,367 --> 00:33:59,834 DEKLIN, I AM ENTRUSTING YOU WITH THE FUTURE OF MANKIND. 542 00:33:59,934 --> 00:34:03,167 THIS IS YOUR TASK, YOUR REASON FOR BEING. 543 00:34:03,267 --> 00:34:05,701 IF I DON'T SURVIVE TO CARRY OUT MY PLAN, 544 00:34:05,801 --> 00:34:09,701 THEN YOU MUST PURGE THE WORLD OF MUTANT ABOMINATIONS. 545 00:34:09,801 --> 00:34:11,534 YOU MUST NOT FAIL. 546 00:34:11,634 --> 00:34:13,701 THE MISSION MUST NOT END UNTIL ALL-- 547 00:34:29,901 --> 00:34:33,968 SOON WE WILL HAVE THEM ALL. 548 00:34:34,067 --> 00:34:36,501 AND THEN MY JOB WILL BE DONE. 549 00:34:40,701 --> 00:34:43,133 HE WOULD BE SO PROUD OF YOU. 550 00:34:51,100 --> 00:34:54,634 YES. 551 00:34:54,734 --> 00:34:57,901 YES, HE WOULD. 552 00:35:00,400 --> 00:35:02,200 DIANE IS A MULTI-DIMENSIONAL PSIONIC. 553 00:35:02,300 --> 00:35:04,334 SHE HAS THE ABILITY TO SHIFT PHYSICAL ENERGY 554 00:35:04,434 --> 00:35:06,067 INTO ALTERNATE DIMENSIONS. 555 00:35:06,167 --> 00:35:07,534 WHAT KIND OF DIMENSIONS? 556 00:35:07,634 --> 00:35:08,801 WELL, THAT'S NOT ENTIRELY CLEAR. 557 00:35:08,901 --> 00:35:10,300 BUT IT WOULD SEEM THAT SHE CAN CAST ENERGY 558 00:35:10,400 --> 00:35:12,734 INTO ANY ENVIRONMENT SHE CHOOSES TO CREATE. 559 00:35:12,834 --> 00:35:13,868 WELL, WHAT IF THIS DIMENSION 560 00:35:13,968 --> 00:35:15,634 ISN'T A PLACE THAT SUSTAINS LIFE? 561 00:35:15,734 --> 00:35:18,267 YOU GOTTA LEARN TO SEE THE WORLD AS GLASS HALF FULL, 562 00:35:18,367 --> 00:35:19,901 NOT HALF EMPTY, ALL RIGHT? 563 00:35:20,000 --> 00:35:21,200 ALL RIGHT. 564 00:35:21,300 --> 00:35:24,133 I'VE DOWNLOADED THE REST OF DEKLIN'S MANIFEST 565 00:35:24,234 --> 00:35:25,334 FROM THE GENOMEX DATABASE. 566 00:35:25,434 --> 00:35:26,634 LET'S TAKE A LOOK. 567 00:35:26,734 --> 00:35:29,167 IF I DON'T SURVIVE TO CARRY OUT MY PLAN, 568 00:35:29,267 --> 00:35:33,100 THEN YOU MUST PURGE THE WORLD OF MUTANT ABOMINATIONS. 569 00:35:33,200 --> 00:35:34,801 YOU MUST NOT FAIL. 570 00:35:34,901 --> 00:35:36,434 YOUR MISSION MUST NOT END 571 00:35:36,534 --> 00:35:39,734 UNTIL ALL MUTANTS ARE WIPED FROM THE FACE OF THE EARTH. 572 00:35:39,834 --> 00:35:40,868 UH HUH. 573 00:35:40,968 --> 00:35:42,667 HOW'S THAT GLASS LOOKING TO YOU AT THE MOMENT? 574 00:35:42,767 --> 00:35:45,167 OUR CUP RUNNETH OVER. 575 00:35:45,267 --> 00:35:46,734 THINK ABOUT IT. 576 00:35:46,834 --> 00:35:49,934 WHEN DEKLIN'S DONE, WHERE DOES THAT LEAVE DIANE? 577 00:35:51,334 --> 00:35:53,734 LAST MUTANT STANDING? 578 00:35:53,834 --> 00:35:55,834 YEAH. 579 00:36:35,467 --> 00:36:37,467 HELLO, DIANE. 580 00:36:37,567 --> 00:36:38,934 DO I KNOW YOU? 581 00:36:39,033 --> 00:36:40,534 NO, BUT YOU WILL. 582 00:36:40,634 --> 00:36:42,834 AND I DON'T THINK YOU'RE GOING TO LIKE ME VERY MUCH. 583 00:36:42,934 --> 00:36:44,467 WHY IS THAT? 584 00:36:44,567 --> 00:36:45,734 WELL, BECAUSE UNLESS YOU PUT AN EXIT 585 00:36:45,834 --> 00:36:47,334 INTO THAT LITTLE HOUSE OF HORRORS YOU'VE CREATED 586 00:36:47,434 --> 00:36:48,901 YOU'RE NEVER GOING TO SEE DEKLIN AGAIN. 587 00:36:49,000 --> 00:36:51,067 WHAT HAVE YOU DONE WITH HIM? 588 00:36:51,167 --> 00:36:52,267 WANT TO GO FOR A LITTLE WHIRL 589 00:36:52,367 --> 00:36:55,267 IN THE CHAMBER OF SOULS AND FIND OUT? 590 00:37:00,400 --> 00:37:02,100 DEKLIN? 591 00:37:03,234 --> 00:37:04,667 WHERE IS HE? 592 00:37:11,734 --> 00:37:13,200 DEKLIN? 593 00:37:13,300 --> 00:37:15,334 I WANT THEM BACK, DIANE. 594 00:37:15,434 --> 00:37:21,033 ONE TWIST OF HER WRIST, AND YOUR BOYFRIEND'S BARBECUED. 595 00:37:21,133 --> 00:37:24,000 GET RID OF THEM BOTH, DIANE. 596 00:37:24,100 --> 00:37:28,300 YOU KNOW YOU CAN. 597 00:37:28,400 --> 00:37:30,434 HE DOESN'T CARE ABOUT YOU, DIANE. YES, HE DOES. 598 00:37:30,534 --> 00:37:32,501 HE'S BEEN USING YOU. THAT'S NOT TRUE. 599 00:37:32,601 --> 00:37:34,467 IT'S IN HIS MANIFESTO! 600 00:37:34,567 --> 00:37:35,501 WHAT ARE YOU TALKING ABOUT? 601 00:37:35,601 --> 00:37:36,467 DON'T LISTEN TO THEM. 602 00:37:36,567 --> 00:37:37,667 THEY'RE ONLY TRYING TO TRICK YOU. 603 00:37:37,767 --> 00:37:38,968 ECKHART'S MANIFESTO. 604 00:37:39,067 --> 00:37:41,901 HE MUST PURGE THE WORLD OF MUTANT ABOMINATIONS. 605 00:37:42,000 --> 00:37:43,334 HE MUST NOT FAIL... 606 00:37:43,434 --> 00:37:44,734 ...HIS MISSION MUST NOT END... 607 00:37:44,834 --> 00:37:49,400 UNTIL ALL MUTANTS ARE WIPED FROM THE FACE OF THE EARTH. 608 00:37:49,501 --> 00:37:54,434 DIANE, THAT INCLUDES YOU. 609 00:37:54,534 --> 00:37:55,601 DO IT! 610 00:37:55,701 --> 00:37:58,067 TAKE THEM OUT! 611 00:37:58,167 --> 00:37:59,567 IT'S TIME TO DECIDE, DIANE. 612 00:37:59,667 --> 00:38:02,000 IT'S NOW OR NEVER! 613 00:38:15,334 --> 00:38:16,334 NO! 614 00:38:18,434 --> 00:38:20,067 NO!! 615 00:38:20,167 --> 00:38:21,868 WHAT ARE YOU DOING? 616 00:38:25,200 --> 00:38:25,934 BRENNAN! 617 00:38:26,033 --> 00:38:27,701 ARE YOU INSANE? 618 00:38:29,834 --> 00:38:32,167 I NEVER CARED ABOUT THEM. 619 00:38:32,267 --> 00:38:34,701 I ONLY CARE ABOUT YOU. 620 00:38:34,801 --> 00:38:37,367 YOU DISGUST ME. 621 00:38:45,033 --> 00:38:47,601 YOU REALLY WANT HIM? 622 00:38:47,701 --> 00:38:49,834 HE'S ALL YOURS. 623 00:39:10,734 --> 00:39:12,434 BRENNAN? 624 00:39:12,534 --> 00:39:13,968 [coughing] 625 00:39:14,067 --> 00:39:15,234 OH, THANK GOD. 626 00:39:15,334 --> 00:39:16,400 SHALIMAR? 627 00:39:16,501 --> 00:39:17,868 SHALIMAR? 628 00:39:17,968 --> 00:39:19,133 COME ON. 629 00:39:19,234 --> 00:39:20,200 WHERE AM I? 630 00:39:20,300 --> 00:39:21,834 BACK IN THE LAND OF THE LIVING. 631 00:39:21,934 --> 00:39:23,167 OKAY. IT'S ALL RIGHT. 632 00:39:23,267 --> 00:39:25,000 OKAY, OKAY. 633 00:39:25,100 --> 00:39:27,300 WHERE'S DIANE? 634 00:39:33,434 --> 00:39:34,968 TAKE A LOOK. 635 00:39:36,734 --> 00:39:40,167 LOOKS LIKE SHE GOT HER GUY AFTER ALL. 636 00:39:40,267 --> 00:39:42,300 [coughing] 637 00:39:42,400 --> 00:39:43,801 LOOKS LIKE SO DID WE. 638 00:39:43,901 --> 00:39:49,334 [coughing] 639 00:39:51,033 --> 00:39:53,701 HEY... 640 00:39:53,801 --> 00:39:56,868 HEY, YOU ALL RIGHT? 641 00:39:56,968 --> 00:39:58,601 WHO ARE YOU? 642 00:39:58,701 --> 00:40:00,067 WE'RE FROM MUTANT X. 643 00:40:00,167 --> 00:40:01,968 YOU WERE DEAD FROM THE START, YOU KNOW THAT? 644 00:40:02,067 --> 00:40:03,467 THE DOMINION SET YOU UP. 645 00:40:03,567 --> 00:40:04,834 I HAD TO TAKE A CHANCE. 646 00:40:04,934 --> 00:40:06,601 THAT PLACE HAS GONE BAD. 647 00:40:06,701 --> 00:40:08,434 I KNEW THEY'D COME AFTER ME. 648 00:40:08,534 --> 00:40:10,200 [loud explosion] 649 00:40:14,334 --> 00:40:17,300 OH, MY GOD! WHO DID THIS? 650 00:40:17,400 --> 00:40:20,734 HE'S THE CREATOR. 651 00:40:20,834 --> 00:40:24,334 YOU HAVE TO STOP HIM. 652 00:40:40,033 --> 00:40:43,400 OKAY, WHOEVER THIS CREATOR IS, HE IS DEEP. 653 00:40:43,501 --> 00:40:46,000 I'VE CULLED EVERY DATABASE AND CONTACT I GOT. 654 00:40:46,100 --> 00:40:47,667 I GOT NOTHIN'. 655 00:40:47,767 --> 00:40:49,501 IT'S LIKE HE NEVER EVEN EXISTED. 656 00:40:49,601 --> 00:40:51,734 SO THE MYSTERY CONTINUES. 657 00:40:51,834 --> 00:40:53,734 WHAT? SO THIS WHOLE THING WAS FOR NOTHING? 658 00:40:53,834 --> 00:40:55,467 NOT NECESSARILY. 659 00:40:55,567 --> 00:40:58,501 WELL, AT LEAST NOW WE KNOW WHO OUR ENEMY IS, RIGHT? 660 00:41:01,033 --> 00:41:02,334 GUYS, THERE'S... 661 00:41:02,434 --> 00:41:03,934 UM, SOMETHING I WANT TO SAY. 662 00:41:04,033 --> 00:41:05,133 OH, NO, NO, NO... LEXA, IT'S ALL RIGHT. 663 00:41:05,234 --> 00:41:06,834 I ALREADY TOLD THEM, YOU KNOW, 664 00:41:06,934 --> 00:41:09,434 ABOUT THE OTHER MUTANTS IN THE CIRCUS. 665 00:41:09,534 --> 00:41:10,767 OH, YEAH. 666 00:41:10,868 --> 00:41:11,868 WE THINK IT'S GREAT YOU MANAGED TO HIDE THEM ALL 667 00:41:11,968 --> 00:41:14,501 IN THE MUTANT UNDERGROUND. 668 00:41:14,601 --> 00:41:15,801 YEAH. 669 00:41:15,901 --> 00:41:19,300 YEAH, HOPEFULLY THEY'LL BE ABLE TO START A NEW LIFE. 670 00:41:19,400 --> 00:41:23,234 I JUST CAN'T BELIEVE THAT CIRCUS WAS TOO GOOD TO BE TRUE. 671 00:41:23,334 --> 00:41:25,634 YOU REALLY HAD A THING FOR THAT DEKLIN GUY, DIDN'T YOU? 672 00:41:25,734 --> 00:41:26,868 NO, NUMB-NUT, 673 00:41:26,968 --> 00:41:28,267 SHE'S TALKING ABOUT ALL THE OTHER MUTANTS LIKE US 674 00:41:28,367 --> 00:41:29,801 WHO AREN'T AS LUCKY. 675 00:41:29,901 --> 00:41:31,367 [laughs] 676 00:41:31,467 --> 00:41:33,067 WHATEVER. I KNEW THAT. 677 00:41:33,167 --> 00:41:34,701 COME ON, LET'S GET OUT OF HERE. 678 00:41:37,467 --> 00:41:39,501 OKAY, WHY'D YOU DO THAT? 679 00:41:39,601 --> 00:41:41,667 I WAS ACTUALLY JUST ABOUT TO TRY TO APOLOGIZE. 680 00:41:41,767 --> 00:41:43,000 TRUST ME, THE LAST THING THEY WANT TO HEAR RIGHT NOW 681 00:41:43,100 --> 00:41:45,000 IS HOW YOU ALMOST GOT THEM KILLED. 682 00:41:45,100 --> 00:41:47,234 THEY BARELY LIKE YOU AS IT IS. 683 00:41:47,334 --> 00:41:48,634 OH, I'M SORRY, DID I SAY THAT OUT LOUD? 684 00:41:48,734 --> 00:41:50,400 [laughs] 685 00:41:50,501 --> 00:41:51,701 GOOD ONE. 686 00:41:51,801 --> 00:41:53,133 OKAY. WHAT HAS HAPPENED TO YOU 687 00:41:53,234 --> 00:41:56,000 AND WHAT HAVE YOU DONE WITH LEXA? 688 00:41:56,100 --> 00:41:58,100 THANKS, JESSE. 689 00:41:58,200 --> 00:42:00,400 FOR WHAT? 690 00:42:04,567 --> 00:42:06,701 FOR GIVING ME FAITH.