1
00:00:28,767 --> 00:00:30,000
 ANYTHING YOU WANT.

2
00:00:30,100 --> 00:00:31,467
THAT'S THE ONE.

3
00:00:42,701 --> 00:00:44,834
 COME ON,
  LET'S GET OUTTA HERE.

4
00:00:44,934 --> 00:00:45,968
 WHATEVER'S GOING ON,

5
00:00:46,067 --> 00:00:47,467
 THE PLACE IS CREEPING
 ME OUT BIG TIME.

6
00:00:47,567 --> 00:00:50,200
 GOD, I KNEW THIS JOB
WAS TOO GOOD TO BE TRUE.

7
00:00:50,300 --> 00:00:51,467
BABY...

8
00:00:51,567 --> 00:00:53,601
THERE YOU ARE.

9
00:00:53,701 --> 00:00:54,334
 HI.

10
00:00:54,434 --> 00:00:55,467
UM...

11
00:00:55,567 --> 00:00:56,567
BRITTANY?

12
00:00:56,667 --> 00:00:57,734
WHAT'S GOING ON?

13
00:00:57,834 --> 00:01:02,200
  I FINALLY MET THE
  MAN OF MY DREAMS.

14
00:01:02,300 --> 00:01:04,200
HUH...

15
00:01:04,300 --> 00:01:06,033
 THEY GOT TO YOU
TOO, DIDN'T THEY?

16
00:01:06,133 --> 00:01:08,734
 I DON'T KNOW WHAT
  YOU'RE TALKING ABOUT.

17
00:01:11,701 --> 00:01:13,367
 <sigh>

18
00:01:33,834 --> 00:01:35,234
  SHAL, COME ON.
 WHAT ARE YOU DOING?

19
00:01:35,334 --> 00:01:36,434
THE MOVIE STARTS
 IN AN HOUR.

20
00:01:36,534 --> 00:01:37,667
 WE'RE GOING TO MISS
THE PREVIEWS - AGAIN.

21
00:01:37,767 --> 00:01:38,934
 WOULD YOU KEEP
 YOUR PANTS ON?

22
00:01:39,033 --> 00:01:40,334
 WE HAVE
 PLENTY OF TIME.

23
00:01:40,434 --> 00:01:41,300
WHAT?

24
00:01:41,400 --> 00:01:42,567
OR BETTER YET, TAKE THOSE OFF.

25
00:01:42,667 --> 00:01:43,667
YOU AIN'T READY.

26
00:01:43,767 --> 00:01:44,567
COME ON...

27
00:01:44,667 --> 00:01:46,501
<ringing>
COME ON, VOICE MAIL...

28
00:01:46,601 --> 00:01:47,501
HOLD ON, HOLD ON,
HOLD ON.

29
00:01:47,601 --> 00:01:49,000
  VOICE MAIL.
  VOICE MAIL.

30
00:01:49,100 --> 00:01:50,434
YEAH?

31
00:01:50,534 --> 00:01:52,300
SHALIMAR,
 IT'S ME, GIA.

32
00:01:53,567 --> 00:01:54,734
GIA.

33
00:01:54,834 --> 00:01:57,133
I DIDN'T KNOW WHO ELSE TO
TURN TO - YOU GOTTA HELP ME.

34
00:01:57,234 --> 00:01:58,501
  LOOK, GIA, I TOLD
YOU LAST TIME,

35
00:01:58,601 --> 00:02:00,267
  YOU GOTTA CHECK
 YOURSELF INTO REHAB.

36
00:02:00,367 --> 00:02:01,467
 <i>SHALIMAR, I'M STRAIGHT.

37
00:02:01,567 --> 00:02:02,634
I SWEAR.

38
00:02:02,734 --> 00:02:04,167
  WELL, THEN,
 WHAT'S WRONG?

39
00:02:04,267 --> 00:02:05,534
 I CAN'T TALK
 ABOUT IT HERE.

40
00:02:05,634 --> 00:02:06,601
COULD YOU
 JUST MEET ME?

41
00:02:06,701 --> 00:02:07,834
 I'M AT THE --

42
00:02:07,934 --> 00:02:09,300
 MEET YOU WHERE?

43
00:02:09,400 --> 00:02:11,067
GIA?

44
00:02:12,501 --> 00:02:13,934
  COME ON, GIA.

45
00:02:14,033 --> 00:02:16,567
 YOU GOT A NEW FRIEND
WHO'S DYING TO MEET YOU.

46
00:02:18,868 --> 00:02:20,267
I'M OUTTA HERE.

47
00:02:21,868 --> 00:02:23,167
UHH.

48
00:02:24,701 --> 00:02:26,267
 UHH.

49
00:02:27,901 --> 00:02:29,701
TAKE HER DOWNSTAIRS.

50
00:02:34,367 --> 00:02:35,267
THAT'S WEIRD.

51
00:02:35,367 --> 00:02:36,534
WHY WOULD SHE JUST
HANG UP LIKE THAT?

52
00:02:36,634 --> 00:02:38,667
 WELL, MAYBE HER DEALER
 FINALLY CAME THROUGH.

53
00:02:38,767 --> 00:02:40,267
COME ON, BRENNAN,
 YOU HEARD HER.

54
00:02:40,367 --> 00:02:41,667
SHE SOUNDED
REALLY FREAKED OUT.

55
00:02:41,767 --> 00:02:43,367
SHAL, HOW MANY TIMES ARE
 YOU GOING TO LET HER

56
00:02:43,467 --> 00:02:44,767
DRAG YOU DOWN THIS ROAD?

57
00:02:44,868 --> 00:02:46,167
  I KNOW FERALS ARE
 TIGHT, BUT...

58
00:02:46,267 --> 00:02:47,300
IT'S NOT LIKE THAT.

59
00:02:47,400 --> 00:02:48,300
WELL, IF IT'S IMPORTANT,

60
00:02:48,400 --> 00:02:49,567
 SHE'S GOING TO
 CALL BACK, RIGHT?

61
00:02:49,667 --> 00:02:50,601
COME ON, MOVIES.

62
00:02:50,701 --> 00:02:52,868
  MOVIES. PREVIEWS.
  COME ON!

63
00:02:52,968 --> 00:02:54,367
I GUESS SO.

64
00:02:54,467 --> 00:02:56,434
COME ON!

65
00:02:57,467 --> 00:02:58,701
 <i>THIS ONE'S SPECIAL.

66
00:02:58,801 --> 00:03:00,868
   <i>SHE PUT UP QUITE
  <i>THE FIGHT.

67
00:03:00,968 --> 00:03:02,701
 WAIT A MINUTE.
I THINK MAYBE WE...

68
00:03:02,801 --> 00:03:03,934
YOU KNOW, THIS...

69
00:03:04,067 --> 00:03:05,367
 I'M NOT FEELING
GOOD ABOUT THIS,

70
00:03:05,467 --> 00:03:06,367
MAYBE WE SHOULD WAIT.

71
00:03:06,467 --> 00:03:07,767
 DON'T BE SUCH A COWARD.

72
00:03:07,868 --> 00:03:10,033
 SHE'S ALREADY PAID FOR.

73
00:03:13,834 --> 00:03:15,801
 START THE PROCEDURE.

74
00:03:36,167 --> 00:03:40,133
   <i>SCIENTIST ADAM KANE WAS A
  <i>PIONEER OF GENETIC RESEARCH.

75
00:03:40,234 --> 00:03:44,868
  <i>MANIPULATING DNA TO
   <i>SAVE HUMAN LIVES.

76
00:03:44,968 --> 00:03:48,234
 <i>BUT IN MANY THEIR GENES
  <i>UNEXPECTEDLY MUTATED

77
00:03:48,334 --> 00:03:51,400
   <i>AND THEY DEVELOPED
  <i>SUPERHUMAN ABILITIES.

78
00:04:20,734 --> 00:04:23,267
  <i>TOGETHER, FOUR OF THE
  <i>MOST POWERFUL FIGHT

79
00:04:23,367 --> 00:04:26,634
 <i>TO PROTECT A WORLD THAT
  <i>DOESN'T EVEN KNOW THEY EXIST.

80
00:04:29,100 --> 00:04:32,834
  <i>THEY ARE... MUTANT X.

81
00:04:37,968 --> 00:04:40,300
 SLOW NIGHT AT
  SANCTUARY, IS IT?

82
00:04:42,133 --> 00:04:44,033
 <SIGHS>

83
00:04:45,501 --> 00:04:46,834
 DO YOU WANT
SOMETHING, JESS?

84
00:04:46,934 --> 00:04:48,100
  YEAH.

85
00:04:48,200 --> 00:04:49,334
 LISTEN, UH,

86
00:04:49,434 --> 00:04:50,534
WHILE WE'RE STILL ON GOOD
TERMS WITH THE DOMINION,

87
00:04:50,634 --> 00:04:51,801
DO YOU THINK YOU
 COULD GET YOUR FRIENDS

88
00:04:51,901 --> 00:04:54,400
TO GET US A CRANK 38 DUAL
PROCESSOR FOR THE HELIX?

89
00:04:54,501 --> 00:04:55,601
 WHAT'S WRONG WITH THE OLD ONE?

90
00:04:55,701 --> 00:04:56,667
 OH, NOTHING.

91
00:04:56,767 --> 00:04:59,667
IT'S JUST THIS ONE'S
BIGGER... BETTER.

92
00:05:01,100 --> 00:05:03,033
 WHAT'S IN IT FOR ME?

93
00:05:03,133 --> 00:05:04,334
 SORRY?

94
00:05:04,434 --> 00:05:06,334
IF I'M GOING TO CALL
 YOU IN A FAVOUR,

95
00:05:06,434 --> 00:05:09,033
 WHAT ARE YOU WILLING
TO DO FOR ME, HM?

96
00:05:09,133 --> 00:05:10,801
 UM...

97
00:05:10,901 --> 00:05:12,434
 WHADDYA WANT?

98
00:05:12,534 --> 00:05:14,200
 HMM...

99
00:05:15,834 --> 00:05:16,968
OH!

100
00:05:17,100 --> 00:05:20,534
 WELL, YOU COULD
PAINT MY TOENAILS.

101
00:05:20,634 --> 00:05:21,167
HM?

102
00:05:21,267 --> 00:05:22,334
DREAM ON.

103
00:05:22,434 --> 00:05:23,501
DREAM ON?

104
00:05:23,601 --> 00:05:25,434
  <i>HEY, JESS?

105
00:05:27,667 --> 00:05:29,567
  YEAH?

106
00:05:36,467 --> 00:05:39,300
 HEY, SO HOW
WAS THE MOVIE?

107
00:05:39,400 --> 00:05:41,367
 I'LL TELL YOU WHEN I ACTUALLY
 GET A CHANCE TO SEE IT.

108
00:05:41,467 --> 00:05:42,734
 JESS, CAN YOU
DO ME A FAVOUR?

109
00:05:42,834 --> 00:05:44,868
 I NEED YOU TO RUN A TRACE
 ON A CALL I GOT EARLIER

110
00:05:44,968 --> 00:05:46,133
 FROM A FRIEND OF MINE.

111
00:05:46,234 --> 00:05:47,634
 I'LL SEE WHAT
  I CAN DO.

112
00:05:47,734 --> 00:05:49,167
GIA DUCHAMPS.

113
00:05:49,267 --> 00:05:50,400
UH HUH.

114
00:05:50,501 --> 00:05:52,067
SHALIMAR SEEMS TO THINK
SOMETHING'S HAPPENED TO HER.

115
00:05:52,167 --> 00:05:53,434
  I THOUGHT SHE WAS GOING TO
CALL BACK AND SHE DIDN'T.

116
00:05:53,534 --> 00:05:54,901
I HAVE NO WAY OF
 GETTING HOLD OF HER.

117
00:05:55,000 --> 00:05:55,968
SHAL, SERIOUSLY,

118
00:05:56,067 --> 00:05:57,434
I'M SURE THERE'S
 NOTHING TO WORRY ABOUT.

119
00:05:57,534 --> 00:05:58,968
BESIDES, YOU KNOW HOW GIA
ALWAYS FLAKES OUT ON YOU.

120
00:05:59,067 --> 00:06:01,300
BREN, WILL YOU STOP IT, PLEASE?

121
00:06:02,400 --> 00:06:03,801
WELL, THE CALLER ID WAS BLOCKED.

122
00:06:03,901 --> 00:06:05,267
YEAH, I KNOW.

123
00:06:05,367 --> 00:06:06,868
 OKAY. WELL, IT'S GOING
  TO TAKE SOME WORK,

124
00:06:06,968 --> 00:06:08,901
 BUT I SHOULD BE ABLE TO TRACE
 THE CALL TO THE PHONE COMPANY.

125
00:06:09,000 --> 00:06:10,234
SOONER THE BETTER, OKAY?

126
00:06:10,334 --> 00:06:11,400
 YEAH, YEAH.

127
00:06:11,501 --> 00:06:12,634
THANKS.

128
00:06:17,767 --> 00:06:19,367
 SO, MR. GITRE, BEFORE
WE COMPLETE THE DESIGN,

129
00:06:19,467 --> 00:06:20,701
IS THERE ANYTHING YOU
WOULD LIKE US TO ADD

130
00:06:20,801 --> 00:06:22,200
 TO GIA'S
PSYCHOLOGICAL MAKEUP?

131
00:06:22,300 --> 00:06:23,667
 I JUST WANT HER TO BE
 CLASSY ON THE OUTSIDE -

132
00:06:23,767 --> 00:06:25,067
  AND NASTY IN THE BEDROOM.

133
00:06:25,167 --> 00:06:26,200
<laughing>
 RIGHT.

134
00:06:26,300 --> 00:06:27,667
  ACCORDING TO YOUR
SPECIFICATIONS,

135
00:06:27,767 --> 00:06:29,767
 GIA WILL BE ATHLETIC, ABLE
 TO SPEAK FRENCH FLUENTLY...

136
00:06:29,868 --> 00:06:31,067
 AND SHE'LL DO ANYTHING
 I TELL HER TO?

137
00:06:31,167 --> 00:06:32,400
 UH, WITHIN REASON.

138
00:06:32,501 --> 00:06:34,400
UNDERSTAND THAT GIA'S BEEN
DESIGNED FOR PLEASURE...

139
00:06:34,501 --> 00:06:35,868
  NOTHING MORE.

140
00:06:35,968 --> 00:06:36,767
BUT SHE IS HUMAN?

141
00:06:36,868 --> 00:06:38,234
BETTER.

142
00:06:38,334 --> 00:06:39,767
SHE'S WHAT WE CALL A SYNTHETIC.

143
00:06:39,868 --> 00:06:41,868
IT'S A FORM OF ORGANIC
NANOTECHNOLOGY,

144
00:06:41,968 --> 00:06:42,934
AND THE BEST PART IS,

145
00:06:43,033 --> 00:06:45,467
SHE'LL NEVER AGE,
AND SHE'LL NEVER ARGUE.

146
00:06:45,567 --> 00:06:46,901
RIGHT. REST ASSURED.

147
00:06:47,000 --> 00:06:48,767
 SHE'S BEEN BIOENGINEERED TO
 LOOK AND FEEL COMPLETELY HUMAN.

148
00:06:48,868 --> 00:06:50,767
HER OWN MOTHER WOULDN'T BE
ABLE TO TELL THE DIFFERENCE.

149
00:06:50,868 --> 00:06:52,234
TRUST ME, MR. GITRE,

150
00:06:52,334 --> 00:06:54,567
 YOU'RE GOING TO BE
COMPLETELY SATISFIED.

151
00:06:54,667 --> 00:06:57,400
 OH, I'M SURE I WILL.

152
00:07:00,133 --> 00:07:03,300
 AND A HELL OF A LOT CHEAPER
 THAN ANOTHER DIVORCE.

153
00:07:04,400 --> 00:07:06,067
THERE'S ONE LAST THING.

154
00:07:06,167 --> 00:07:10,200
THIS TRANSACTION HAS TO BE
 COMPLETELY CONFIDENTIAL.

155
00:07:10,300 --> 00:07:12,834
NOW, I CAN'T STRESS
  THAT ENOUGH.

156
00:07:12,934 --> 00:07:14,167
ANY NON-COMPLIANCE
WILL RESULT

157
00:07:14,267 --> 00:07:16,834
IN THE IMMEDIATE TERMINATION
 OF THIS AGREEMENT -

158
00:07:16,934 --> 00:07:18,968
WITH EXTREME
 PREJUDICE.

159
00:07:19,067 --> 00:07:21,834
UNDERSTAND?

160
00:07:21,934 --> 00:07:23,234
 YES.

161
00:07:24,067 --> 00:07:25,467
GOOD.

162
00:07:29,667 --> 00:07:31,734
 MR. GITRE...

163
00:07:31,834 --> 00:07:33,501
 GIA.

164
00:07:40,334 --> 00:07:42,467
  HELLO, LOVER.

165
00:07:51,501 --> 00:07:53,968
YOU'RE REALLY WORRIED
ABOUT THIS GIRL, HUH?

166
00:07:54,067 --> 00:07:56,701
 I DIDN'T KNOW YOU
TWO WERE SO CLOSE.

167
00:07:56,801 --> 00:07:58,567
YEAH, WELL, WE WERE.

168
00:08:00,100 --> 00:08:01,200
BEFORE I JOINED
  MUTANT X

169
00:08:01,300 --> 00:08:02,467
I LIVED ON THE
 STREETS FOR A WHILE

170
00:08:02,567 --> 00:08:05,033
 AND GIA AND I KINDA LOOKED
OUT FOR ONE ANOTHER.

171
00:08:05,133 --> 00:08:06,501
HUH.

172
00:08:06,601 --> 00:08:08,434
I GUESS WE ALL BROUGHT
ALONG A LITTLE BAGGAGE

173
00:08:08,534 --> 00:08:11,501
WHEN WE JOINED MUTANT X.

174
00:08:14,367 --> 00:08:15,968
IT'S JUST THAT LAST
TIME I TALKED TO HER,

175
00:08:16,067 --> 00:08:19,100
I REALLY THOUGHT SHE WAS
GOING TO GET HER LIFE
TOGETHER, YOU KNOW?

176
00:08:19,200 --> 00:08:20,634
YOU KNOW WHAT, SHAL?

177
00:08:20,734 --> 00:08:25,567
THERE'S ONE THING I'VE LEARNED,
IS NEVER UNDERESTIMATE A FERAL.

178
00:08:26,901 --> 00:08:28,434
  <i>WHOO HOO.

179
00:08:28,534 --> 00:08:30,501
TRACED THE CALL.

180
00:08:30,601 --> 00:08:34,434
 IT CAME FROM...

181
00:08:34,534 --> 00:08:35,767
 AH...

182
00:08:35,868 --> 00:08:39,767
AN ULTRA-EXCLUSIVE GENTLEMEN'S
CLUB CALLED NERO'S WAKE.

183
00:08:39,868 --> 00:08:42,501
IT'S RUN BY A GUY NAMED...

184
00:08:42,601 --> 00:08:44,167
...SEBASTIAN CONWAY.

185
00:08:44,267 --> 00:08:46,968
 <i>HI. I'M MELODY.
 <i>WELCOME TO NERO'S WAKE.

186
00:08:47,067 --> 00:08:49,767
  <i>MEMBERS CAN PROCEED BY
  <i>ENTERING YOUR PASSWORD NOW...

187
00:08:49,868 --> 00:08:53,133
 WAIT A MINUTE - GIA WAS SOME
 KIND OF HIGH-CLASS PLAYMATE?

188
00:08:53,234 --> 00:08:54,734
OH, HIGH CLASS, I'LL SAY.

189
00:08:54,834 --> 00:08:58,334
YOU GOTTA BE FORTUNE 500 JUST
 TO BREATH THE AIR IN THERE.

190
00:08:58,434 --> 00:09:01,567
MAYBE - IF YOU'RE A GUY.

191
00:09:07,667 --> 00:09:52,934
[*]

192
00:09:53,033 --> 00:09:54,934
THIS PLACE IS REALLY
 JUMPING TONIGHT.

193
00:09:55,033 --> 00:09:57,634
 ALWAYS.

194
00:09:57,734 --> 00:09:59,100
 I'M LOOKING FOR
A FRIEND OF MINE.

195
00:09:59,200 --> 00:10:00,300
HER NAME'S GIA DUCHAMPS.

196
00:10:00,400 --> 00:10:01,334
I THINK SHE WORKS HERE.

197
00:10:01,434 --> 00:10:02,300
 LUCKY GIRL.

198
00:10:02,400 --> 00:10:04,667
SHE MADE FRIENDS
WITH A REAL WHALE.

199
00:10:04,767 --> 00:10:05,567
A HOT CATCH?

200
00:10:05,667 --> 00:10:07,767
 A GUY WITH
 LOTS OF MONEY?

201
00:10:07,868 --> 00:10:09,601
 MUST BE AN
OCCUPATIONAL HAZARD.

202
00:10:09,701 --> 00:10:11,467
UM...

203
00:10:11,567 --> 00:10:13,100
  DO YOU KNOW
WHERE SHE IS NOW?

204
00:10:13,200 --> 00:10:15,033
SAW HER HEAD BACK TO
THE PLATINUM LOUNGE

205
00:10:15,133 --> 00:10:17,033
 A LITTLE WHILE AGO.

206
00:10:18,634 --> 00:10:21,834
 GUESS THEY MUST BE
 REALLY HITTING IT OFF.

207
00:10:24,067 --> 00:10:25,934
YOU WORKING?

208
00:10:26,033 --> 00:10:26,701
I'M SORRY?

209
00:10:26,801 --> 00:10:28,100
A GIRL LIKE YOU

210
00:10:28,200 --> 00:10:29,968
  COULD BRING IN A COUPLE
  OF GRAND IN TIPS A NIGHT.

211
00:10:30,067 --> 00:10:31,968
 SEBASTIAN WOULD ADORE YOU.

212
00:10:32,067 --> 00:10:34,901
WELL, HE SOUNDS LIKE
A GUY I SHOULD MEET.

213
00:10:35,000 --> 00:10:37,334
HE KNOWS HOW TO KEEP
HIS GIRLS HAPPY.

214
00:10:40,801 --> 00:10:41,968
THANKS...

215
00:10:46,467 --> 00:10:48,334
GIA!

216
00:10:48,434 --> 00:10:49,467
 HEY...

217
00:10:49,567 --> 00:10:50,634
 THANK YOU FOR DOING
 BUSINESS WITH US.

218
00:10:50,734 --> 00:10:51,601
THANK YOU VERY MUCH.

219
00:10:51,701 --> 00:10:53,467
I REALLY HOPE YOU
ENJOY YOURSELF.

220
00:10:53,567 --> 00:10:54,567
I'M SORRY?

221
00:10:54,667 --> 00:10:56,200
WHAT'S GOING ON?

222
00:10:56,300 --> 00:10:57,501
I'M SORRY.

223
00:10:57,601 --> 00:10:59,801
I THINK YOU MUST HAVE ME
CONFUSED WITH SOMEONE ELSE.

224
00:11:01,634 --> 00:11:03,300
  THIS ISN'T FUNNY.

225
00:11:03,400 --> 00:11:05,701
 YOU CALLED ME.

226
00:11:05,801 --> 00:11:07,334
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

227
00:11:07,434 --> 00:11:08,467
 HI.

228
00:11:08,567 --> 00:11:10,234
KEVIN GITRE.

229
00:11:10,334 --> 00:11:12,334
HI.

230
00:11:12,434 --> 00:11:14,267
GIA, WE REALLY
SHOULD BE GOING.

231
00:11:14,367 --> 00:11:16,367
OF COURSE, ANGEL.

232
00:11:23,200 --> 00:11:24,100
 OH!

233
00:11:24,200 --> 00:11:25,033
NOT AGAIN...

234
00:11:25,133 --> 00:11:26,534
  I'M GOING TO KILL IT!

235
00:11:26,634 --> 00:11:28,667
 <sigh>

236
00:11:28,767 --> 00:11:29,501
HUH.

237
00:11:29,601 --> 00:11:30,968
  YEAH.

238
00:11:32,200 --> 00:11:33,100
 HELLO?

239
00:11:33,200 --> 00:11:35,133
 DAMSEL IN DISTRESS,
 AISLE 2?

240
00:11:35,234 --> 00:11:36,534
YEAH.

241
00:11:36,634 --> 00:11:39,033
THAT IS REALLY
LOCKED UP ON YOU.

242
00:11:39,133 --> 00:11:41,400
 I BET YOU'D
LIKE SOME HELP.

243
00:11:41,501 --> 00:11:42,801
 OH... WHAT DO YOU WANT?

244
00:11:42,901 --> 00:11:44,200
 ME TO PAINT YOUR TOENAILS?

245
00:11:44,300 --> 00:11:45,334
 YOU KNOW, I WAS
ACTUALLY THINKING

246
00:11:45,434 --> 00:11:46,801
MORE ALONG THE LINES OF UH...

247
00:11:46,901 --> 00:11:48,934
I DON'T KNOW...

248
00:11:49,033 --> 00:11:50,167
...FULL BODY MASSAGE.

249
00:11:50,267 --> 00:11:51,801
 OH! REALLY!

250
00:11:51,901 --> 00:11:53,400
 HUH, NOW
  WHO'S DREAMING?

251
00:11:55,200 --> 00:11:57,801
HEY! DID YOU  FIND
YOUR, UH... FRIEND?

252
00:11:57,901 --> 00:11:58,968
SORT OF.

253
00:11:59,067 --> 00:12:00,300
 SHE WAS ACTING REALLY
 STRANGE, THOUGH.

254
00:12:00,400 --> 00:12:02,000
 IT WAS LIKE SHE DIDN'T
 EVEN RECOGNIZE ME.

255
00:12:02,100 --> 00:12:03,367
 HUH. EH, WELL,
 PEOPLE CHANGE.

256
00:12:03,467 --> 00:12:04,667
 NOT LIKE THIS.

257
00:12:04,767 --> 00:12:06,400
  I MEAN, SHE WAS
  REALLY DIFFERENT.

258
00:12:06,501 --> 00:12:07,501
LOOK, JESS, DO YOU THINK
YOU CAN FIND ANYTHING

259
00:12:07,601 --> 00:12:08,734
  ON THE GUY SHE LEFT WITH?

260
00:12:08,834 --> 00:12:10,033
HIS NAME'S KEVIN GITRE.

261
00:12:10,133 --> 00:12:11,300
SURE.

262
00:12:11,400 --> 00:12:13,400
  OH, RIGHT.

263
00:12:13,501 --> 00:12:14,601
 MAYBE YOUR FRIEND BLEW YOU OFF

264
00:12:14,701 --> 00:12:15,901
BECAUSE SHE WAS
TRYING TO PLAY THIS GUY.

265
00:12:16,000 --> 00:12:18,767
YEAH, WELL, IF SHE DID, THEN
SHE WAS REALLY CONVINCING.

266
00:12:18,868 --> 00:12:20,367
GITRE...

267
00:12:24,300 --> 00:12:25,634
 ALL RIGHT, HE'S
 MARRIED WITH TWO KIDS.

268
00:12:25,734 --> 00:12:29,834
 HAS A <i>SLAMMIN' HOUSE
 IN THE SUBURBS.

269
00:12:29,934 --> 00:12:33,167
 OOOH, HE'S LOADED WITH
  A GREAT BIG GOLD L.

270
00:12:33,267 --> 00:12:37,033
HE'S THE HEIR TO
A CANDY FORTUNE.

271
00:12:37,133 --> 00:12:38,234
 HUH.

272
00:12:38,334 --> 00:12:40,634
 LISTEN, HE JUST LEASED
 A CONDO IN THE CITY.

273
00:12:40,734 --> 00:12:41,801
 UH HUH.

274
00:12:41,901 --> 00:12:44,133
COZY LITTLE LOVE NEST
FOR THE MISTRESS, MAYBE?

275
00:12:44,234 --> 00:12:45,534
 AND SHE'S GOT A
 GREAT BIG ALLOWANCE.

276
00:12:45,634 --> 00:12:47,000
  HE JUST WITHDREW A QUARTER
 OF A MILLION DOLLARS

277
00:12:47,100 --> 00:12:49,067
 FROM HIS BANK ACCOUNT
 TWO DAYS AGO.

278
00:12:49,167 --> 00:12:51,501
OH, THAT'S A LOT OF MONEY
 TO BE THROWING AROUND.

279
00:12:51,601 --> 00:12:54,901
  MAYBE IT'S TIME WE FIND OUT
WHAT HE'S SPENDING IT ON.

280
00:13:01,367 --> 00:13:02,567
DO YOU HEAR THAT?

281
00:13:02,667 --> 00:13:05,033
 [distant cries]

282
00:13:05,133 --> 00:13:06,734
  WHAT THE HELL IS
  SHE DOING TO HIM?

283
00:13:06,834 --> 00:13:07,968
 AGHH...

284
00:13:08,067 --> 00:13:09,334
AGH.

285
00:13:10,534 --> 00:13:12,968
 WHAT THE HELL
IS GOING ON HERE?

286
00:13:13,067 --> 00:13:14,167
OH, IT'S...

287
00:13:14,267 --> 00:13:16,434
IT'S FUNNY, I WAS ABOUT
TO ASK YOU THE SAME THING.

288
00:13:16,534 --> 00:13:18,534
 DON'T WORRY, GIA,
WE'RE HERE TO HELP.

289
00:13:18,634 --> 00:13:19,701
SO YOU, UH...

290
00:13:19,801 --> 00:13:21,300
MIND TELLING ME WHAT'S
  GOING ON HERE...

291
00:13:21,400 --> 00:13:22,300
PRINCESS?

292
00:13:22,400 --> 00:13:23,567
 I DON'T OWE YOU
ANY EXPLANATION.

293
00:13:23,667 --> 00:13:25,534
 NOW GET THE HELL OUT
BEFORE I CALL THE POLICE.

294
00:13:25,634 --> 00:13:26,601
UH, NO.

295
00:13:26,701 --> 00:13:27,801
MIGHT WANT TO RETHINK
 THAT, BECAUSE, UH,

296
00:13:27,901 --> 00:13:29,100
WE CAN ALWAYS CALL
  UP YOUR WIFE

297
00:13:29,200 --> 00:13:30,534
AND TELL HER ABOUT YOUR
 LITTLE FETISH HERE.

298
00:13:30,634 --> 00:13:31,567
  OH.

299
00:13:31,667 --> 00:13:32,868
  SO IS THAT
 WHAT THIS IS?

300
00:13:32,968 --> 00:13:34,868
 A SHAKEDOWN FOR
  MORE MONEY?

301
00:13:34,968 --> 00:13:37,434
  WELL, YOU TELL SEBASTIAN HE'S
  MESSING WITH THE WRONG MAN.

302
00:13:37,534 --> 00:13:39,934
  WE HAVE A SIGNED CONTRACT.

303
00:13:40,033 --> 00:13:41,334
 WHAT ARE YOU
TALKING ABOUT?

304
00:13:41,434 --> 00:13:42,567
 GIA.

305
00:13:42,667 --> 00:13:43,801
SHE'S MINE.

306
00:13:43,901 --> 00:13:46,167
I CAN DO WHATEVER
I WANT WITH HER.

307
00:13:47,200 --> 00:13:48,801
 YOU SHOULDN'T HAVE
  SAID THAT, LOVER.

308
00:13:48,901 --> 00:13:50,100
NO, GIA,
STAY OUT OF THIS.

309
00:13:50,200 --> 00:13:52,300
 THAT WAS SUPPOSED TO
 BE OUR LITTLE SECRET.

310
00:13:52,400 --> 00:13:53,801
 AGH...

311
00:13:53,901 --> 00:13:56,467
 NO, NO. NO...

312
00:14:18,200 --> 00:14:19,667
SHE'S GONE.

313
00:14:19,767 --> 00:14:20,734
 NO.

314
00:14:20,834 --> 00:14:23,300
 THAT'S IMPOSSIBLE.

315
00:14:32,801 --> 00:14:34,334
 WHAT THE HELL
 DID SHE DO?

316
00:14:34,434 --> 00:14:37,234
 I'VE RIGGED HER
RETINAL SCANNERS.

317
00:14:37,334 --> 00:14:39,601
WE'RE ABOUT TO FIND OUT.

318
00:14:43,567 --> 00:14:44,567
  <i>WELL, YOU TELL SEBASTIAN

319
00:14:44,667 --> 00:14:45,968
  <i>HE'S MESSING WITH
  <i>THE WRONG MAN.

320
00:14:46,067 --> 00:14:47,868
  <i>WE HAVE A
  <i>SIGNED CONTRACT.

321
00:14:47,968 --> 00:14:49,267
 <i>WHAT ARE YOU
 <i>TALKING ABOUT?

322
00:14:49,367 --> 00:14:51,234
 <i>GIA. SHE'S MINE.

323
00:14:51,334 --> 00:14:53,501
 <i>I CAN DO WHATEVER
 <i>I WANT WITH HER.

324
00:14:53,601 --> 00:14:55,267
   <i>YOU SHOULDN'T HAVE
   <i>SAID THAT, LOVER.

325
00:14:55,367 --> 00:14:56,601
  <i>OH, NO, GIA, STAY OUT OF THIS.

326
00:14:56,701 --> 00:14:58,567
  <i>THAT WAS SUPPOSED TO
  <i>BE OUR LITTLE SECRET.

327
00:14:58,667 --> 00:14:59,601
  <i>AGH.

328
00:14:59,701 --> 00:15:01,667
  <i>NO, NO... NO.

329
00:15:01,767 --> 00:15:04,067
 WELL, HE CAN'T SAY
 WE DIDN'T WARN HIM.

330
00:15:06,133 --> 00:15:07,534
 I KNOW HER.

331
00:15:07,634 --> 00:15:08,968
 SHE WAS TALKING TO
 GIA LAST NIGHT,

332
00:15:09,067 --> 00:15:10,968
 PROBABLY A FRIEND OF HERS.

333
00:15:11,067 --> 00:15:13,667
I DON'T LIKE THIS
AT ALL I TOLD YOU.

334
00:15:13,767 --> 00:15:15,767
I TOLD YOU THAT THE GIRLS
WE USE SHOULD BE RUNAWAYS.

335
00:15:15,868 --> 00:15:17,200
NO FRIENDS,
NO NEXT OF KIN.

336
00:15:17,300 --> 00:15:18,501
WE DON'T...

337
00:15:18,601 --> 00:15:19,901
YOU KNOW, WE DON'T NEED ANYONE
PRYING INTO OUR AFFAIRS.

338
00:15:20,000 --> 00:15:21,133
  RELAX, NOLAN.

339
00:15:21,234 --> 00:15:22,634
  THAT'S WHAT I'M
 HERE FOR, REMEMBER?

340
00:15:22,734 --> 00:15:24,868
 I TAKE CARE OF
  THESE THINGS.

341
00:15:24,968 --> 00:15:26,267
HUH, TAKE A LOOK AROUND.

342
00:15:26,367 --> 00:15:27,667
HUH? THINGS ARE
UNDER CONTROL.

343
00:15:27,767 --> 00:15:29,100
AS FAR AS THE POLICE
  ARE CONCERNED,

344
00:15:29,200 --> 00:15:31,300
 HE WAS KILLED BY A
PSYCHO STREETWALKER,

345
00:15:31,400 --> 00:15:36,133
 A STREETWALKER...
  WHO NO LONGER EXISTS.

346
00:15:39,367 --> 00:15:40,567
I KNOW IT SOUNDS
 CRAZY TO YOU,

347
00:15:40,667 --> 00:15:42,367
 BUT EVERYONE HAS THEIR
 OWN DISTINCTIVE SCENT

348
00:15:42,467 --> 00:15:44,100
 AND THAT WASN'T GIA.

349
00:15:44,200 --> 00:15:45,534
WELL, MAYBE SHE
 CHANGED HER PERFUME.

350
00:15:45,634 --> 00:15:47,567
 YEAH, BRENNAN,
THAT MUST BE IT.

351
00:15:47,667 --> 00:15:49,000
  WHAT?

352
00:15:49,100 --> 00:15:50,901
LOOK, I DON'T KNOW WHY I DIDN'T
PICK UP ON IT AT THE CLUB,

353
00:15:51,033 --> 00:15:53,467
 BUT THERE WERE SO
MANY PEOPLE AROUND.

354
00:15:53,567 --> 00:15:54,667
 ALL RIGHT.
 ALL RIGHT.

355
00:15:54,767 --> 00:15:56,000
 LET'S JUST SAY THAT
 THAT WASN'T GIA.

356
00:15:56,100 --> 00:15:57,000
IT WASN'T.

357
00:15:57,100 --> 00:15:58,734
AND WHATEVER SHE
WAS WASN'T HUMAN.

358
00:16:00,267 --> 00:16:01,501
  WELL, UH...

359
00:16:01,601 --> 00:16:03,167
 I'VE BEEN LOOKING INTO
 OUR MYSTERY MAN SEBASTIAN.

360
00:16:03,267 --> 00:16:04,434
 COMING UP WITH NADA.

361
00:16:04,534 --> 00:16:06,300
 IT'S AS IF THE GUY
 NEVER EVEN EXISTED.

362
00:16:06,400 --> 00:16:07,300
 YOU KNOW WHAT?

363
00:16:07,400 --> 00:16:08,667
I'M STARTING TO
AGREE WITH SHAL.

364
00:16:08,767 --> 00:16:10,000
 I MEAN, THERE'S GOTTA
BE SOMETHING MORE

365
00:16:10,100 --> 00:16:12,334
THAN JUST PARTYING GOING
 DOWN WITH THAT CLUB.

366
00:16:12,434 --> 00:16:14,767
 AND I THINK WE NEED
TO TAKE A LOOK AROUND.

367
00:16:14,868 --> 00:16:17,167
FROM THE INSIDE.

368
00:16:24,834 --> 00:16:25,968
HEY.
HEY.

369
00:16:26,067 --> 00:16:27,133
 TELL ME, WHAT DO YOU THINK?

370
00:16:27,234 --> 00:16:28,501
 A LITTLE TOO MOULIN ROUGE?

371
00:16:28,601 --> 00:16:29,801
<laughing>

372
00:16:29,901 --> 00:16:32,467
  A LITTLE
TOO SOMETHING.

373
00:16:32,567 --> 00:16:35,467
YOU KNOW, I CAN HANDLE THIS ON
MY OWN IF YOU DON'T WANT TO GO.

374
00:16:35,567 --> 00:16:36,567
ARE YOU KIDDING?

375
00:16:36,667 --> 00:16:38,467
I AM NOT LETTING YOU
GO BACK IN THERE ALONE.

376
00:16:38,567 --> 00:16:39,701
THIS MAKES MY
 BLOOD BOIL.

377
00:16:39,801 --> 00:16:41,534
OH, DON'T GET
 ME STARTED.

378
00:16:41,634 --> 00:16:43,467
 I CAN'T EVEN IMAGINE HOW
DESPERATE GIA MUST HAVE BEEN

379
00:16:43,567 --> 00:16:44,801
TO TAKE THIS JOB.

380
00:16:44,901 --> 00:16:46,033
 YEAH, YOU KNOW WHAT?

381
00:16:46,133 --> 00:16:47,367
THAT'S JUST IT.

382
00:16:47,467 --> 00:16:48,901
 THERE'S AN ENDLESS SUPPLY
 OF GIRLS, JUST LIKE GIA,

383
00:16:49,000 --> 00:16:51,400
WAITING TO TAKE
 HER PLACE.

384
00:16:51,501 --> 00:16:53,400
ADD TWO MORE
TO THE LIST.

385
00:16:53,501 --> 00:17:09,701
[*]

386
00:17:09,801 --> 00:17:11,033
SEBASTIAN CONWAY?

387
00:17:11,133 --> 00:17:12,534
 UH HUH...?

388
00:17:12,634 --> 00:17:13,734
I WAS HERE
LAST NIGHT.

389
00:17:13,834 --> 00:17:14,934
 REALLY?

390
00:17:15,033 --> 00:17:18,968
 WELL, I'M SORRY
WE DIDN'T HOOK UP.

391
00:17:19,067 --> 00:17:20,133
I HEARD THAT YOU
MIGHT BE LOOKING

392
00:17:20,234 --> 00:17:22,167
TO RECRUIT SOME
 NEW GIRLS.

393
00:17:26,734 --> 00:17:28,033
 VERY NICE.

394
00:17:28,133 --> 00:17:29,467
 <clears throat>
 EXCUSE US...

395
00:17:29,567 --> 00:17:30,968
  CAN I TALK TO
 YOU RIGHT NOW?

396
00:17:31,067 --> 00:17:32,300
GO BACK TO YOUR
 SEAT, NOLAN.

397
00:17:32,400 --> 00:17:33,734
  YEAH.

398
00:17:33,834 --> 00:17:36,400
NOW.

399
00:17:36,501 --> 00:17:38,567
 PAY'S $200 A NIGHT, THE
 TIPS ARE YOURS TO KEEP,

400
00:17:38,667 --> 00:17:40,133
 YOU START IMMEDIATELY.

401
00:17:40,234 --> 00:17:42,100
 ANY QUESTIONS?

402
00:17:42,200 --> 00:17:43,367
  NO.

403
00:17:43,467 --> 00:17:44,767
 PLAY YOUR CARDS
 RIGHT, GIRLS,

404
00:17:44,868 --> 00:17:46,734
YOU COULD WALK OUT OF HERE
WITH THE MAN OF YOUR DREAMS.

405
00:17:46,834 --> 00:17:48,200
HUH...

406
00:17:49,501 --> 00:17:51,200
 REALLY?

407
00:17:51,300 --> 00:17:53,334
  ARE YOU OUT OF YOUR MIND?

408
00:17:53,434 --> 00:17:54,734
WHAT DO YOU THINK YOU'RE
 DOING, HIRING THEM?

409
00:17:54,834 --> 00:17:56,300
 IT'S LIKE THE
  GODFATHER, NOLAN.

410
00:17:56,400 --> 00:17:58,467
 YOU KEEP YOUR FRIENDS CLOSE
 - AND YOUR ENEMIES CLOSER.

411
00:17:58,567 --> 00:17:59,868
  OH. YEAH.

412
00:17:59,968 --> 00:18:01,067
 NO. NO, NO,
 NO, NO, NO.

413
00:18:01,167 --> 00:18:02,367
 THAT IS A MISTAKE.

414
00:18:02,467 --> 00:18:04,000
  SEE, THINGS ARE
 WAY OUT OF CONTROL.

415
00:18:04,100 --> 00:18:05,968
I THINK WHAT WE HAVE HERE
 IS A GOLDEN OPPORTUNITY

416
00:18:06,067 --> 00:18:08,167
STARING US IN THE FACE.

417
00:18:08,267 --> 00:18:09,400
 YOU KNOW WHAT
 I THINK?

418
00:18:09,501 --> 00:18:10,634
 I THINK IT WOULD BE
 PRUDENT TO SHUT DOWN.

419
00:18:10,734 --> 00:18:11,968
 YOU SHUT DOWN, YOU
 LET THINGS COOL OFF.

420
00:18:12,067 --> 00:18:13,767
OF COURSE, YOU WOULD
  DO THAT, NOLAN.

421
00:18:13,868 --> 00:18:17,467
THAT'S WHY I CALL THE
 SHOTS AROUND HERE.

422
00:18:21,334 --> 00:18:22,467
 <i>CONGRATULATIONS.

423
00:18:22,567 --> 00:18:24,501
 <i>YOUR EXCEPTIONAL CREDIT
  <i>HAS PRE-APPROVED YOU

424
00:18:24,601 --> 00:18:26,467
 <i>FOR NERO'S PLATINUM
 <i>MEMBERSHIP.

425
00:18:26,567 --> 00:18:28,701
 <i>ANY QUESTIONS?

426
00:18:28,801 --> 00:18:31,667
 OH, LET'S GO
 INTERACTIVE, HUH, MELODY?

427
00:18:31,767 --> 00:18:33,567
 HI.

428
00:18:33,667 --> 00:18:35,200
 SO, HOW DOES THIS ALL WORK?

429
00:18:35,300 --> 00:18:37,667
   <i>SINCE YOU'RE OBVIOUSLY A
 <i>MAN WITH DISCERNING TASTES,

430
00:18:37,767 --> 00:18:40,634
 <i>NERO'S HAS PROVIDED YOU WITH
   <i>AN ARRAY OF COMPANIONS

431
00:18:40,734 --> 00:18:43,067
 <i>TO MATCH YOUR
 <i>EVERY DESIRE.

432
00:18:43,167 --> 00:18:44,033
WOW.

433
00:18:44,133 --> 00:18:45,601
 YOU MAKE IT
 SOUND SO EASY.

434
00:18:45,701 --> 00:18:47,501
 LIKE, ALL I GOTTA DO IS TAKE
 A STROLL THROUGH YOUR SHOWROOM

435
00:18:47,601 --> 00:18:48,934
  AND PICK OUT A MODEL.

436
00:18:49,033 --> 00:18:50,467
 <i>THAT'S BASICALLY IT.

437
00:18:50,567 --> 00:18:52,167
 <i>BECAUSE OF YOUR
 <i>RESOURCE STATUS,

438
00:18:52,267 --> 00:18:56,000
 <i>SEBASTIAN CONWAY HAS INVITED
 <i>YOU FOR A PERSONAL CONSULTATION

439
00:18:56,100 --> 00:18:59,467
 <i>TO DISCUSS HOW NERO'S
 <i>CAN BETTER ASSIST YOU
 <i>IN YOUR DECISION.

440
00:18:59,567 --> 00:19:00,801
  LIKE WHAT I HEAR.

441
00:19:00,901 --> 00:19:02,367
 BUT, FIRST, I'D...

442
00:19:02,467 --> 00:19:04,734
 WELL, I'D LIKE TO KNOW WHAT
 I'M GETTING MYSELF INTO.

443
00:19:04,834 --> 00:19:06,000
  SO LET'S JUST SUPPOSE

444
00:19:06,100 --> 00:19:08,067
THAT I FIND A MODEL THAT
 I'M INTERESTED IN...

445
00:19:08,167 --> 00:19:12,234
UH... GETTING TO KNOW A LITTLE
 BETTER, WHAT THEN?

446
00:19:12,334 --> 00:19:15,367
 <i>MR. CONWAY WILL ANSWER ALL
 <i>CONCERNS, IF YOU HAVE ANY.

447
00:19:15,467 --> 00:19:17,534
PLEASE, MELODY - I'M A
TYPE-A PERSONALITY.

448
00:19:17,634 --> 00:19:19,033
 WHAT HAPPENS THEN?

449
00:19:19,133 --> 00:19:22,100
 <i>IF A CLIENT SHOWS A PARTICULAR
 <i>INTEREST IN ONE OF OUR GIRLS,

450
00:19:22,200 --> 00:19:24,033
 <i>THEY'RE ESCORTED TO
 <i>THE PLATINUM LOUNGE

451
00:19:24,133 --> 00:19:25,601
 <i>TO GET TO KNOW THEM BETTER.

452
00:19:25,701 --> 00:19:26,934
 I SEE.

453
00:19:27,033 --> 00:19:29,400
HMM,
 SOUNDS PRETTY EASY.

454
00:19:29,501 --> 00:19:31,501
 <i>NO ONE HAS EVER WALKED
  <i>AWAY DISSATISFIED.

455
00:19:31,601 --> 00:19:33,000
 I BET.

456
00:19:33,100 --> 00:19:35,567
 LOOK, LET ME THINK ABOUT IT
 AND I'LL GET BACK TO YOU, OKAY?

457
00:19:36,834 --> 00:19:39,100
SOMEBODY'S LOOKING FOR LOVE
 IN ALL THE RIGHT PLACES.

458
00:19:39,200 --> 00:19:40,901
 <laughing>
 YEAH, SOMETHING LIKE THAT.

459
00:19:41,000 --> 00:19:42,300
ALL I NEED IS A
 HEALTHY BANK ACCOUNT

460
00:19:42,400 --> 00:19:44,067
  TO GET TO THE HEAD
 OF THE CLASS.

461
00:19:44,167 --> 00:19:46,133
  WHAT DO YOU THINK THIS
PLATINUM LOUNGE IS ALL ABOUT?

462
00:19:46,234 --> 00:19:48,701
 WELL, MY LITTLE GIRLFRIEND
 HERE WAS BEING COY,

463
00:19:48,801 --> 00:19:51,701
  BUT IT SOUNDS LIKE IT'S
WHERE ALL THE MAGIC HAPPENS.

464
00:19:51,801 --> 00:19:53,300
 WELL, I GUESS IF
YOU GOT A BANKROLL,

465
00:19:53,400 --> 00:19:54,868
A QUARTER MILLION BUCKS
IS A SMALL PRICE TO PAY

466
00:19:54,968 --> 00:19:55,934
FOR THE PERFECT WOMAN.

467
00:19:56,033 --> 00:19:57,367
  YEAH.

468
00:19:57,467 --> 00:19:59,734
STILL THINK I'D LIKE TO FIND
A WOMAN THE OLD-FASHIONED WAY.

469
00:19:59,834 --> 00:20:00,701
WHAT?

470
00:20:00,801 --> 00:20:02,300
THROUGH PITY AND ALCOHOL?

471
00:20:02,400 --> 00:20:03,767
  WORKS FOR ME.

472
00:20:03,868 --> 00:20:05,100
HUH...

473
00:20:05,200 --> 00:20:06,200
GOOD FOR YOU.

474
00:20:06,300 --> 00:20:07,367
 <laughter>

475
00:20:07,467 --> 00:20:31,634
  [*]

476
00:20:31,734 --> 00:20:34,567
 HEY, LEX, HOW'S IT COMING OVER
  THERE IN SODOM AND GOMORRAH?

477
00:20:34,667 --> 00:20:36,067
BUSINESS AS USUAL.

478
00:20:36,167 --> 00:20:38,267
I'VE BEEN HIT ON MORE TIMES
 THAN OSCAR DE LA HOYA.

479
00:20:38,367 --> 00:20:39,501
WHAT'S UP?

480
00:20:39,601 --> 00:20:41,634
  OH, LOOKS LIKE NERO'S A FRONT

481
00:20:41,734 --> 00:20:43,367
FOR THE WHITE SLAVERY TRADE.

482
00:20:43,467 --> 00:20:45,300
THESE GIRLS ARE FOR SALE?

483
00:20:45,400 --> 00:20:46,634
 THEY SURE DON'T LOOK
 LIKE THEY'RE BEING HELD

484
00:20:46,734 --> 00:20:48,000
  AGAINST THEIR WILL.

485
00:20:48,100 --> 00:20:49,634
WELL, MAYBE THEY
 DON'T KNOW THEY ARE.

486
00:20:49,734 --> 00:20:50,968
 <i>ALL I KNOW IS SOMETHING
 <i>HAPPENS TO THEM

487
00:20:51,067 --> 00:20:54,868
 <i>WHEN THEY GET INVITED
 <i>TO THE PLATINUM LOUNGE.

488
00:20:54,968 --> 00:20:56,100
WHAT DO YOU MEAN?

489
00:20:56,200 --> 00:20:57,367
  <i>WE DON'T KNOW.

490
00:20:57,467 --> 00:20:58,501
 <i>BUT UNTIL WE DO,
 <i>STICK TOGETHER.

491
00:20:58,601 --> 00:21:00,767
 WOULD YOU MIND COMING
 WITH ME FOR A SEC?

492
00:21:00,868 --> 00:21:02,400
 I'D LIKE YOU TO
 MEET SOMEBODY.

493
00:21:02,501 --> 00:21:05,334
THAT COULD BE A PROBLEM.

494
00:21:06,634 --> 00:21:07,734
OUR GUEST HERE

495
00:21:07,834 --> 00:21:08,934
WOULD LIKE TO GET TO KNOW
YOU A LITTLE BIT BETTER,

496
00:21:09,033 --> 00:21:10,934
 SO I'LL LEAVE
YOU TWO ALONE.

497
00:21:11,033 --> 00:21:12,033
  ALL RIGHT?

498
00:21:12,133 --> 00:21:14,000
 HI.
 HI.

499
00:21:14,100 --> 00:21:15,434
SO YOU HAVING
FUN TONIGHT?

500
00:21:15,534 --> 00:21:17,501
  OH, YEAH.

501
00:21:17,601 --> 00:21:19,033
  YOU REALLY LOOK SEXY.

502
00:21:19,133 --> 00:21:20,234
 THANKS.

503
00:21:20,334 --> 00:21:21,367
NOW WHY SETTLE
FOR JUST ONE...

504
00:21:21,467 --> 00:21:24,334
WHEN YOU CAN HAVE
 THE TWO OF US?

505
00:21:24,434 --> 00:21:27,667
 THINK OF ALL THE
FUN WE COULD HAVE.

506
00:21:33,434 --> 00:21:35,234
  <giggling>

507
00:21:35,334 --> 00:21:39,200
 FOR NOW THE BLONDES GET
 TO HAVE A BIT MORE FUN.

508
00:21:43,934 --> 00:21:46,400
I'LL BE OKAY.

509
00:21:46,501 --> 00:21:48,467
I HAVE TO GO IN THERE.

510
00:21:48,567 --> 00:21:49,901
I'LL CALL YOU IF I NEED YOU.

511
00:21:50,000 --> 00:21:51,868
  OKAY.

512
00:21:53,100 --> 00:21:55,300
 WHY DON'T YOU TAKE OUR GUEST
 TO THE PLATINUM LOUNGE,

513
00:21:55,400 --> 00:21:58,367
  AND WHY DON'T YOU
 COME WITH ME?

514
00:22:05,934 --> 00:22:07,234
 THAT'S IT.
I'M GOING IN.

515
00:22:07,334 --> 00:22:08,601
 CAN YOU GET ME AN
INVITE TO THIS PLACE?

516
00:22:08,701 --> 00:22:09,601
 YEAH, SURE.

517
00:22:09,701 --> 00:22:10,901
 WHAT DO YOU WANT TO BE?

518
00:22:11,000 --> 00:22:12,567
AN OIL TYCOON?
 A POP STAR?

519
00:22:12,667 --> 00:22:14,601
OOOH, A CAPTAIN OF INDUSTRY.

520
00:22:14,701 --> 00:22:16,267
CAPTAIN OF INDUSTRY
  SOUNDS GOOD.

521
00:22:16,367 --> 00:22:18,267
 ALL RIGHT.
 YOU GOT IT.

522
00:22:18,367 --> 00:22:19,501
JUST GIVE ME
ENOUGH MONEY

523
00:22:19,601 --> 00:22:20,701
TO MAKE THIS
GUY SEBASTIAN

524
00:22:20,801 --> 00:22:21,667
 MY NEW BEST
FRIEND, HUH?

525
00:22:21,767 --> 00:22:22,934
  SURE.

526
00:22:23,033 --> 00:22:24,367
DID YOU MANAGE TO FIND
ANYTHING ELSE ON THIS GUY?

527
00:22:24,467 --> 00:22:25,634
NAH, NOT REALLY.

528
00:22:25,734 --> 00:22:27,434
EXCEPT THE PLACE IS REALLY
OWNED BY A NOLAN BLACKLEDGE.

529
00:22:27,534 --> 00:22:28,434
WHO'S HE?

530
00:22:28,534 --> 00:22:30,133
 I DON'T KNOW,
 I'M WORKING ON IT.

531
00:22:30,234 --> 00:22:31,200
 ALL RIGHT.
LET ME KNOW.

532
00:22:31,300 --> 00:22:32,634
  YEAH.

533
00:22:40,567 --> 00:22:43,767
WHAT'S GOING ON?

534
00:22:43,868 --> 00:22:45,434
YOU REALLY SHOULDN'T HAVE
 STUCK YOUR PRETTY LITTLE NOSE

535
00:22:45,534 --> 00:22:47,567
 WHERE IT DIDN'T BELONG.

536
00:22:53,868 --> 00:22:55,367
 UHHH!

537
00:22:57,734 --> 00:23:01,767
 LOOKS LIKE WE'VE CAUGHT
  ANOTHER ONE, BOYS.

538
00:23:09,367 --> 00:23:11,534
I WANT TO CLONE HER
BODY AND HER BRAIN,

539
00:23:11,634 --> 00:23:14,167
PERSONALITY, MEMORY,
 EVERYTHING.

540
00:23:14,267 --> 00:23:16,667
 UH, I... I'VE NEVER
  ATTEMPTED AN...

541
00:23:16,767 --> 00:23:17,968
 ENTIRE REPLICATION.

542
00:23:18,067 --> 00:23:20,100
  WELL, IT'S OBVIOUS
SHE'S NOT WORKING ALONE.

543
00:23:20,200 --> 00:23:21,400
WE NEED TO KNOW
WHAT SHE KNOWS

544
00:23:21,501 --> 00:23:23,000
IN ORDER TO TURN IT
 TO OUR ADVANTAGE.

545
00:23:23,100 --> 00:23:25,033
  MEMORIES ARE NOTHING MORE
  THAN ELECTRONIC IMPULSES,

546
00:23:25,133 --> 00:23:27,000
  SO WE SHOULD BE ABLE TO
 REPRODUCE THEM ORGANICALLY.

547
00:23:27,100 --> 00:23:28,267
I MEAN, THERE'S
  GONNA BE HOLES...

548
00:23:28,367 --> 00:23:29,701
 I KNOW I CAN'T
  REPLICATE EVERYTHING.

549
00:23:29,801 --> 00:23:31,033
THAT'S FINE.

550
00:23:31,133 --> 00:23:32,834
THERE'S NO REASON IT SHOULDN'T
 WORK LIKE THE OTHERS.

551
00:23:32,934 --> 00:23:35,100
THE KEY IS TO MAINTAIN
 CONTROL OF HER MIND.

552
00:23:35,200 --> 00:23:37,133
 THEN WE SEND HER BACK
TO WHERE SHE CAME FROM

553
00:23:37,234 --> 00:23:38,801
AS A TROJAN HORSE.

554
00:23:38,901 --> 00:23:41,467
PROBLEM SOLVED.

555
00:23:43,000 --> 00:23:45,167
  YOU REALIZE
 SHE'S A MUTANT?

556
00:23:45,267 --> 00:23:47,534
OF COURSE I DO.

557
00:23:47,634 --> 00:23:49,767
 HOW MANY OF THOSE FREAKS
DID YOU PEOPLE MAKE ANYWAY?

558
00:23:49,868 --> 00:23:51,234
  WELL, NOT AS MANY
 AS I'D HAVE LIKED.

559
00:23:51,334 --> 00:23:53,400
  LOOK,
 THEY'RE EXTRAORDINARY.

560
00:23:53,501 --> 00:23:56,300
 WE LABEL HER AS
ONE OF THE EXOTICS.

561
00:23:56,400 --> 00:23:58,267
CAN YOU IMAGINE THE PRICE
  HER KIND WILL FETCH

562
00:23:58,367 --> 00:24:00,601
WHEN ALL THIS IS OVER?

563
00:24:23,701 --> 00:24:42,534
[*]

564
00:24:42,634 --> 00:24:43,767
 SORRY.

565
00:24:43,868 --> 00:24:45,033
RELAX, BOYS.

566
00:24:45,133 --> 00:24:47,868
JUST WORKING THE ROOM.

567
00:24:51,300 --> 00:24:52,367
HELLO, ANGELS.

568
00:24:52,467 --> 00:24:54,200
  SORRY, CHARLIE,
MAKE THAT ONE ANGEL.

569
00:24:54,300 --> 00:24:56,367
WHY? WHAT'S GOING ON?

570
00:24:56,467 --> 00:24:57,567
 WELL, SHAL TOOK ONE
  OF OUR CLIENTS

571
00:24:57,667 --> 00:24:58,734
 BACK IN THE
PLATINUM LOUNGE.

572
00:24:58,834 --> 00:25:00,100
 SAID SHE'D GIVE
 ME A HEADS UP

573
00:25:00,200 --> 00:25:01,367
IF THINGS GOT DICEY.

574
00:25:01,467 --> 00:25:02,934
WELL, BRENNAN'S ON
HIS WAY OVER THERE

575
00:25:03,033 --> 00:25:05,167
TO START RUBBING ELBOWS
WITH SEBASTIAN.

576
00:25:05,267 --> 00:25:06,467
 WHAT ELSE YOU GOT?

577
00:25:06,567 --> 00:25:08,634
 WELL, THE GUY WHO'S
REALLY BEHIND NERO'S

578
00:25:08,734 --> 00:25:11,734
 IS A GUY NAMED
NOLAN BLACKLEDGE.

579
00:25:11,834 --> 00:25:13,901
HE'S A GENOMEX ALUMNI.

580
00:25:14,000 --> 00:25:15,834
 HUH, OF COURSE.

581
00:25:15,934 --> 00:25:17,434
 DAMN, I'D LOVE TO
KNOW WHAT EVIL JUICE

582
00:25:17,534 --> 00:25:19,133
THEY PUT IN THAT
 WATER COOLER.

583
00:25:19,234 --> 00:25:20,801
YEAH, TELL ME ABOUT IT.

584
00:25:20,901 --> 00:25:25,400
 THIS GUY SPECIALIZED IN
ORGANIC NANOBOT TECHNOLOGY.

585
00:25:25,501 --> 00:25:27,601
WHEN GENOMEX FOLDED,
  HE DISAPPEARED.

586
00:25:27,701 --> 00:25:28,834
SO WHAT?

587
00:25:28,934 --> 00:25:30,734
 OPENED UP A HIGH CLASS
 GENTLEMEN'S CLUB?

588
00:25:30,834 --> 00:25:32,100
 TALK ABOUT A CHANGE
 OF CAREERS.

589
00:25:32,200 --> 00:25:33,667
WELL, YOU NEVER KNOW
 WITH THESE GUYS.

590
00:25:33,767 --> 00:25:35,767
MAYBE HE DIDN'T.

591
00:25:37,267 --> 00:25:39,234
 OH, HOLD THAT THOUGHT.

592
00:25:39,334 --> 00:25:41,133
HERE COMES SHAL.

593
00:25:43,000 --> 00:25:45,400
 HEY, WHAT HAPPENED?

594
00:25:45,501 --> 00:25:46,367
NOT MUCH.

595
00:25:46,467 --> 00:25:47,901
HE, UH, GAVE
 ME THE, UH,

596
00:25:48,000 --> 00:25:50,000
ONCE OVER AND THE
BIG OLD PASADENA.

597
00:25:50,100 --> 00:25:52,167
APPARENTLY I'M
 NOT HIS TYPE.

598
00:25:52,267 --> 00:25:54,100
 I THINK HE'S
HOTTER FOR YOU.

599
00:25:54,200 --> 00:25:56,200
 OH. LUCKY ME.

600
00:25:56,300 --> 00:25:58,267
 DON'T TAKE IT
 PERSONALLY.

601
00:25:59,934 --> 00:26:01,834
 OH, I WON'T.

602
00:26:06,701 --> 00:26:23,300
[*]

603
00:26:23,400 --> 00:26:24,934
SIR.

604
00:26:25,067 --> 00:26:26,934
  GOOD EVENING.

605
00:26:27,033 --> 00:26:28,834
HEY, HOW ARE YOU?

606
00:26:28,934 --> 00:26:30,801
  GOOD, THANKS.

607
00:26:36,267 --> 00:26:38,133
THIS IS FOR YOU,
 THANKS.

608
00:26:38,234 --> 00:26:39,501
 THANK YOU.

609
00:26:39,601 --> 00:26:41,801
  <laughing>

610
00:26:49,567 --> 00:26:51,467
MR. MCCALLISTER.

611
00:26:51,567 --> 00:26:52,968
  SEBASTIAN CONWAY.

612
00:26:53,067 --> 00:26:53,767
HEY.

613
00:26:53,868 --> 00:26:55,000
 WELCOME TO NERO'S WAKE.

614
00:26:55,100 --> 00:26:55,901
THANK YOU.

615
00:26:56,000 --> 00:26:58,367
 IT'S NICE TO
FINALLY BE HERE.

616
00:27:01,634 --> 00:27:02,701
VERY IMPRESSIVE.

617
00:27:02,801 --> 00:27:04,033
WELL, THANK YOU.

618
00:27:15,434 --> 00:27:17,133
 LOVELY, ISN'T SHE?

619
00:27:17,234 --> 00:27:18,400
YEAH.

620
00:27:18,501 --> 00:27:19,934
UNFORTUNATELY,
 MY TASTES,

621
00:27:20,033 --> 00:27:21,267
UH, HAPPEN TO LEAN
  A LITTLE MORE

622
00:27:21,367 --> 00:27:22,367
TOWARDS THE
WILD SIDE.

623
00:27:22,467 --> 00:27:23,534
 OH, REALLY?

624
00:27:23,634 --> 00:27:24,868
 WELL, THEN, MAYBE
 I CAN INTEREST YOU

625
00:27:24,968 --> 00:27:26,901
IN ONE OF OUR MORE
EXOTIC ACQUISITIONS.

626
00:27:27,000 --> 00:27:28,501
I'D LIKE...

627
00:27:35,000 --> 00:27:36,501
 HERE WE GO.

628
00:27:36,601 --> 00:27:38,767
  YOURS FOR THE ASKING.

629
00:27:41,534 --> 00:27:42,934
  HI.

630
00:27:44,334 --> 00:27:45,367
HI.

631
00:27:45,467 --> 00:27:46,934
 HOW YOU DOING?

632
00:27:47,033 --> 00:27:49,167
I'M GOOD.

633
00:27:52,901 --> 00:27:54,701
JUST PLAY ALONG.

634
00:27:54,801 --> 00:27:58,000
BECAUSE I HAVE A LOT
 TO FILL YOU IN ON.

635
00:27:58,100 --> 00:28:00,434
 REALLY?

636
00:28:02,501 --> 00:28:04,801
 <laughing>
 I'M ASKING.

637
00:28:04,901 --> 00:28:07,901
WHY DON'T YOU TAKE
HIM TO THE LOUNGE?

638
00:28:16,200 --> 00:28:17,167
NICE WORK.

639
00:28:17,267 --> 00:28:19,300
  HAVE FUN.

640
00:28:38,701 --> 00:28:40,601
 GIA...

641
00:28:40,701 --> 00:28:43,167
  GIA, WAKE UP.

642
00:28:46,534 --> 00:28:48,334
SHALIMAR.

643
00:28:50,434 --> 00:28:53,033
I'M SO SORRY.

644
00:28:53,133 --> 00:28:55,200
I SCREWED UP AGAIN,
 DIDN'T I?

645
00:28:55,300 --> 00:28:57,667
 NO.

646
00:28:57,767 --> 00:28:59,467
 JUST RELAX, SUGAR.

647
00:28:59,567 --> 00:29:02,400
 EVERYTHING'S GOING
  TO BE ALL RIGHT.

648
00:29:05,133 --> 00:29:07,000
  SWEET DREAMS.

649
00:29:28,968 --> 00:29:30,968
 SHE'S NICE.

650
00:29:35,734 --> 00:29:37,067
 <clears throat>

651
00:29:37,167 --> 00:29:38,067
WE GOT A PROBLEM.

652
00:29:38,167 --> 00:29:39,167
 UM...

653
00:29:39,267 --> 00:29:40,400
LISTEN, I GOT A BAD
FEELING ABOUT THIS.

654
00:29:40,501 --> 00:29:41,701
NOLAN, WILL YOU PLEASE RELAX.

655
00:29:41,801 --> 00:29:43,067
ROME IS NOT
 BURNING.

656
00:29:43,167 --> 00:29:44,300
EXCUSE US.

657
00:29:44,400 --> 00:29:46,133
BESIDES, C'MERE.

658
00:29:46,234 --> 00:29:47,300
ONCE WE'RE THROUGH
WITH THIS,

659
00:29:47,400 --> 00:29:48,501
WE'RE GOING TO
BE ABLE TO MAKE

660
00:29:48,601 --> 00:29:49,801
AS MANY COPIES OF THOSE
FREAKS AS WE WANT.

661
00:29:49,901 --> 00:29:50,901
 TOO MANY
 LOOSE ENDS.

662
00:29:51,000 --> 00:29:53,601
AND WE'RE SEWING
THEM UP AS WE SPEAK.

663
00:29:53,701 --> 00:29:54,934
 HOW CAN YOU JUST SIT THERE

664
00:29:55,033 --> 00:29:56,534
 LIKE YOU HAVEN'T A
 CARE IN THE WORLD?

665
00:29:56,634 --> 00:29:57,701
WHAT CAN I TELL YOU, NOLAN?

666
00:29:57,801 --> 00:29:59,033
IT'S GOOD TO BE ME.

667
00:29:59,133 --> 00:30:00,501
YOU OUGHT TO LEARN
 BY MY EXAMPLE.

668
00:30:00,601 --> 00:30:03,734
  <phone rings>
 NOLAN.

669
00:30:03,834 --> 00:30:05,133
  WHAT?

670
00:30:05,234 --> 00:30:06,801
  YEAH. YEAH...

671
00:30:06,901 --> 00:30:08,767
 SEE? WE HAVE A PROBLEM.

672
00:30:08,868 --> 00:30:10,667
 WE HAVE A PROBLEM WITH
  ONE OF YOUR MUTANTS.

673
00:30:10,767 --> 00:30:12,300
 ACCIDENTAL
  OVERDOSE.

674
00:30:12,400 --> 00:30:13,501
WELL, THEN, WHAT ARE
 YOU DOING UP HERE?

675
00:30:13,601 --> 00:30:15,000
GO PROTECT OUR
 INVESTMENT.

676
00:30:15,100 --> 00:30:16,968
GO.

677
00:30:24,334 --> 00:30:25,901
HOW COULD YOU LET
 THIS HAPPEN?

678
00:30:26,000 --> 00:30:27,434
 I PUT HER ON THE
DRIP YOU PRESCRIBED.

679
00:30:27,534 --> 00:30:28,634
ALL RIGHT,
GET HER UP.

680
00:30:28,734 --> 00:30:31,234
I'LL TAKE HER BY THE LAB
AND I'LL CHECK HER OUT.

681
00:30:42,100 --> 00:30:43,467
THEY'VE GOT CAMERAS
ALL OVER THE PLACE,

682
00:30:43,567 --> 00:30:46,767
 SO DO YOUR BEST TO
KEEP UP APPEARANCES?

683
00:30:55,033 --> 00:30:57,267
  WHAT'S WRONG?

684
00:30:57,367 --> 00:30:59,734
WHY DON'T YOU TELL ME?

685
00:30:59,834 --> 00:31:02,334
 I THINK THEY'VE
  TAKEN LEXA.

686
00:31:02,434 --> 00:31:04,133
 HOW LONG'S IT BEEN
SINCE YOU'VE SEEN HER?

687
00:31:04,234 --> 00:31:05,300
  JUST BEFORE YOU GOT HERE.

688
00:31:05,400 --> 00:31:07,634
 SHE WAS NOSING
 AROUND IN THE BACK.

689
00:31:17,567 --> 00:31:18,501
WHAT ARE YOU
 DOING HERE?

690
00:31:18,601 --> 00:31:19,601
 IT'S OKAY.

691
00:31:19,701 --> 00:31:20,901
 SHAL AND BRENNAN
 GOT THINGS COVERED.

692
00:31:21,000 --> 00:31:23,100
 WHAT HAVE YOU GOT?

693
00:31:23,200 --> 00:31:25,434
UH, WELL, I'VE BEEN POURING
 OVER NOLAN'S RESEARCH.

694
00:31:25,534 --> 00:31:27,133
HE'S A GENIUS.

695
00:31:27,234 --> 00:31:28,501
 HOW SO?

696
00:31:28,601 --> 00:31:31,567
HE'S FIGURED OUT HOW TO
CREATE SYNTHETIC CLONES

697
00:31:31,667 --> 00:31:35,100
BY COMBINING GENETICS
WITH NANOTECHNOLOGY.

698
00:31:35,200 --> 00:31:37,801
 HIS SYNTHETIC CLONES ARE
VIRTUALLY INDISTINGUISHABLE

699
00:31:37,901 --> 00:31:39,701
FROM THEIR HUMAN COUNTERPARTS.

700
00:31:44,868 --> 00:31:47,834
  WHAT?

701
00:31:47,934 --> 00:31:50,501
NOTHING.

702
00:31:50,601 --> 00:31:52,467
IT'S JUST I, UH...

703
00:31:52,567 --> 00:31:56,534
 NEVER REALIZED HOW
GOOD LOOKING YOU ARE.

704
00:31:58,734 --> 00:31:59,934
SHUT UP.

705
00:32:00,033 --> 00:32:02,167
I'M SERIOUS.

706
00:32:05,701 --> 00:32:08,601
  YOU JUST LOVE MESSING
WITH ME, DON'T YOU?

707
00:32:08,701 --> 00:32:10,968
NO, BUT I'D LIKE TO.

708
00:32:28,634 --> 00:32:30,267
OKAY...

709
00:32:38,400 --> 00:32:41,334
NOW YOU KNOW WHY I
 REALLY CAME BACK HERE.

710
00:33:05,133 --> 00:33:08,434
DO YOU HAVE ANY IDEA WHERE
 THEY MAY HAVE TAKEN LEXA?

711
00:33:12,133 --> 00:33:13,100
 I DON'T KNOW.

712
00:33:13,200 --> 00:33:14,767
I ONLY LEFT HER
ALONE FOR A MINUTE.

713
00:33:14,868 --> 00:33:16,100
BUT, THIS PLACE
GOES ON FOREVER.

714
00:33:16,200 --> 00:33:18,701
 SHE COULD BE IN ANY
 ONE OF THESE ROOMS.

715
00:33:21,033 --> 00:33:23,567
 WHY ARE YOU LOOKING
 AT ME LIKE THAT?

716
00:33:23,667 --> 00:33:25,100
LIKE WHAT?

717
00:33:25,200 --> 00:33:27,367
 LIKE YOU DON'T
 EVEN KNOW ME?

718
00:33:27,467 --> 00:33:29,934
BRENNAN, I'M NOT
THE ENEMY HERE.

719
00:33:33,968 --> 00:33:37,400
 THERE'S ONE MORE THING
  I HAVE TO TELL YOU.

720
00:33:37,501 --> 00:33:39,367
YOU'RE ABOUT TO DIE!
HUHH!

721
00:33:53,467 --> 00:33:57,634
LEXA, WHAT DO YOU...?

722
00:33:57,734 --> 00:33:58,901
 COME ON, JESS,

723
00:33:59,000 --> 00:34:01,467
YOU DON'T REALLY WANT TO
PLAY IT LIKE THIS, DO YOU?

724
00:34:01,567 --> 00:34:03,400
 AGH...

725
00:34:03,501 --> 00:34:05,901
BRENNAN!

726
00:34:06,000 --> 00:34:07,968
BRENNAN!

727
00:34:11,100 --> 00:34:12,634
THEY'RE ON TO US!

728
00:34:12,734 --> 00:34:15,067
 <gasp>

729
00:34:15,167 --> 00:34:17,100
SEBASTIAN'S BEEN POPPING
OFF CLONES OF THE GIRLS.

730
00:34:17,200 --> 00:34:19,100
  GIA, LEXA, THEY'RE
 ALL SYNTHETICS.

731
00:34:19,200 --> 00:34:21,767
 I HAVE NO IDEA HOW TO
 PULL THE PLUG ON THEM.

732
00:34:24,801 --> 00:34:28,133
 WAIT, NANOTECHNOLOGY'S
BASED ON BIOELECTRONICS.
 WHICH MEANS...

733
00:34:28,234 --> 00:34:30,000
 AHH!!

734
00:35:03,868 --> 00:35:05,000
LOOKING FOR SOMEONE?

735
00:35:05,100 --> 00:35:06,534
UH, SHALIMAR, YOU...

736
00:35:06,634 --> 00:35:08,234
 UH, YOU SHOULD
JUST SIT AND RELAX.

737
00:35:08,334 --> 00:35:09,634
YOU'RE GOING TO BE... FINE.

738
00:35:09,734 --> 00:35:11,033
 DAMN STRAIGHT IT WILL.

739
00:35:11,133 --> 00:35:12,033
PLEASE DON'T HURT ME.

740
00:35:12,133 --> 00:35:13,467
SEBASTIAN, HE'S THE
ONE THAT YOU WANT.

741
00:35:13,567 --> 00:35:14,400
YOU HAVE TO BELIEVE ME.

742
00:35:14,501 --> 00:35:15,667
I NEVER INTENDED
TO HURT ANYONE.

743
00:35:15,767 --> 00:35:16,567
WHERE IS HE?

744
00:35:16,667 --> 00:35:17,734
 UH, HE'S UP
IN THE CLUB.

745
00:35:17,834 --> 00:35:18,968
RIGHT NOW, HE'S
UP IN THE CLUB.

746
00:35:19,100 --> 00:35:20,334
I DIDN'T HAVE
 A CHOICE.

747
00:35:20,434 --> 00:35:22,367
 OH!!

748
00:35:22,467 --> 00:35:24,734
 WE ALL HAVE
 CHOICES.

749
00:35:38,968 --> 00:35:42,234
  COME OUT, COME OUT
WHEREVER YOU ARE.

750
00:35:59,834 --> 00:36:01,567
LET HIM GO!

751
00:36:04,801 --> 00:36:06,434
<gasp>

752
00:36:07,901 --> 00:36:09,868
SHAME TO MESS UP
THAT PRETTY FACE.

753
00:36:14,334 --> 00:36:16,133
WHAT'S A GIRL
  TO DO?

754
00:36:35,334 --> 00:36:39,234
 OH, MAN, THAT'S
  JUST NASTY.

755
00:36:42,868 --> 00:36:44,300
BRENNAN?
JESSE.

756
00:36:44,400 --> 00:36:46,534
  FINALLY FIGURED
 OUT THE OFF SWITCH.

757
00:36:46,634 --> 00:36:49,701
 SINCE THESE GUYS ARE BASED
  ON NANOTECHNOLOGY, THE...

758
00:36:49,801 --> 00:36:51,267
JUST CUT TO IT!

759
00:36:51,367 --> 00:36:52,834
ELECTRICITY.

760
00:36:52,934 --> 00:36:55,200
  <i>YOU COULD BE THE KEY,
  <i>SPARKY.

761
00:36:55,300 --> 00:36:56,501
 <i>I'M SOAKING WET.

762
00:36:56,601 --> 00:36:59,234
 <i>WELL, YOU BETTER DRY
 <i>YOUR ASS OFF, FAST.

763
00:37:19,868 --> 00:37:21,534
SHALIMAR!

764
00:37:36,100 --> 00:37:38,000
  BRENNAN, GET HER!
  IT'S ME!

765
00:37:38,100 --> 00:37:39,567
SHE'S LYING!

766
00:37:42,267 --> 00:37:44,634
 BRENNAN, DO IT NOW!

767
00:37:52,834 --> 00:37:54,667
 HOW'D YOU KNOW
  IT WAS ME?

768
00:37:54,767 --> 00:37:57,033
 I FIGURED I HAD
 A 50/50 CHANCE.

769
00:37:57,133 --> 00:37:58,200
OH, COME ON,

770
00:37:58,300 --> 00:37:59,200
I'M NOT GOING TO
GET YOU CONFUSED

771
00:37:59,300 --> 00:38:00,534
 WITH SOME CHEAP
  IMITATION?

772
00:38:00,634 --> 00:38:02,033
 WHAT YOU
 TALKING ABOUT?

773
00:38:02,133 --> 00:38:03,634
COME ON.

774
00:38:10,601 --> 00:38:12,501
WHERE IS HE?

775
00:38:12,601 --> 00:38:14,267
 HE'S IN THE HOT TUB.

776
00:38:14,367 --> 00:38:16,234
 GO.

777
00:38:29,234 --> 00:38:33,067
DAMN, HE'S ONE
 OF THEM, TOO?

778
00:38:33,167 --> 00:38:35,734
I THINK IT'S TIME WE PULLED THE
 PLUG ON THE REAL RINGLEADER.

779
00:38:35,834 --> 00:38:37,601
  YEAH.

780
00:39:10,267 --> 00:39:11,567
 <gasp!>

781
00:39:14,200 --> 00:39:15,767
OKAY.

782
00:39:15,868 --> 00:39:16,801
LEXA?

783
00:39:16,901 --> 00:39:18,033
LEXA, YOU ALL RIGHT?

784
00:39:18,133 --> 00:39:19,234
  JESS.

785
00:39:19,334 --> 00:39:20,567
 OKAY, JUST STAY
WITH ME, ALL RIGHT?

786
00:39:20,667 --> 00:39:22,767
WE'RE GOING TO GET
 YOU OUT OF HERE.

787
00:39:25,834 --> 00:39:28,567
MOVE AND SHE'S DEAD.

788
00:39:28,667 --> 00:39:30,434
 AHH...

789
00:39:30,534 --> 00:39:34,067
 YOU MUST BE THE BRAINS
 OF THE OPERATION.

790
00:39:34,167 --> 00:39:35,567
  NOLAN BLACKLEDGE.

791
00:39:35,667 --> 00:39:37,234
THAT'S RIGHT.
 YEAH. YEAH.

792
00:39:37,334 --> 00:39:38,734
SO WHO'S SEBASTIAN?

793
00:39:38,834 --> 00:39:40,634
 YOUR ALTER EGO?

794
00:39:40,734 --> 00:39:42,067
  SEBASTIAN?

795
00:39:42,167 --> 00:39:44,901
 HE'S JUST PART OF THE
 WHOLE NERO'S MYSTIQUE.

796
00:39:45,000 --> 00:39:46,701
YOU CREATED HIM.

797
00:39:46,801 --> 00:39:47,868
 AS YOUR FRONT MAN.

798
00:39:47,968 --> 00:39:49,033
I MEAN, HE'S EVERYTHING
YOU'RE NOT, RIGHT?

799
00:39:49,133 --> 00:39:50,734
  CONFIDENT,
 CHARISMATIC...

800
00:39:50,834 --> 00:39:53,300
  SEBASTIAN SERVES
 HIS PURPOSE.

801
00:39:53,400 --> 00:39:55,601
WELL, YOU WON'T HAVE HIM
  TO HIDE BEHIND ANY LONGER.

802
00:39:55,701 --> 00:39:57,367
YEAH, HE DONE BLOWED UP.

803
00:40:07,334 --> 00:40:09,734
  HEY, GIA.

804
00:40:09,834 --> 00:40:11,801
GIA.

805
00:40:14,067 --> 00:40:15,100
SHALIMAR?

806
00:40:15,200 --> 00:40:16,634
 HEY, IT'S OVER.

807
00:40:16,734 --> 00:40:18,634
I DIDN'T KNOW WHAT
I WAS GETTING INTO.

808
00:40:18,734 --> 00:40:20,934
 I KNOW.

809
00:40:21,033 --> 00:40:22,667
 IT'S GOING
 TO BE OKAY.

810
00:40:22,767 --> 00:40:24,567
 I PROMISE.

811
00:40:32,534 --> 00:40:33,467
 HEY, THERE,
 SUNSHINE.

812
00:40:33,567 --> 00:40:34,734
 YOU FEELING
 ANY BETTER?

813
00:40:34,834 --> 00:40:35,767
YEAH.

814
00:40:35,868 --> 00:40:36,934
YOU'D BE AMAZED HOW
REFRESHED YOU FEEL

815
00:40:37,033 --> 00:40:38,367
AFTER 20 HOURS
  OF SLEEP.

816
00:40:38,467 --> 00:40:40,667
YEAH, WELL, IT'S A PRETTY
STRONG SEDATIVE THEY GAVE YOU,

817
00:40:40,767 --> 00:40:43,667
YEAH. JUST MY LUCK. I GOT TO
 SLEEP THROUGH ALL THE FUN.

818
00:40:43,767 --> 00:40:45,200
  EH, YOU DIDN'T MISS MUCH.

819
00:40:45,300 --> 00:40:48,334
SO, DID I BEHAVE
 MYSELF?

820
00:40:48,434 --> 00:40:51,234
  OH, YEAH, YOU
WERE GOOD.

821
00:40:51,334 --> 00:40:52,868
YOU WERE...

822
00:40:52,968 --> 00:40:55,234
REALLY GOOD.

823
00:40:56,534 --> 00:40:58,000
 YEAH, RIGHT...
YOU WISH.

824
00:40:59,467 --> 00:41:02,868
THAT'S A NICE, UH,
 TATTOO YOU HAVE.

825
00:41:02,968 --> 00:41:05,334
  JESSE! GET BACK HERE!

826
00:41:05,434 --> 00:41:06,801
 YOU'RE GOING TO TELL ME
EVERYTHING THAT WENT ON!

827
00:41:06,901 --> 00:41:08,167
 JESSE!

828
00:41:08,267 --> 00:41:10,334
  EVERYTHING!
 DO YOU HEAR ME!

829
00:41:10,434 --> 00:41:12,133
  JESS!

830
00:41:16,334 --> 00:41:17,767
 HEY, THERE.

831
00:41:17,868 --> 00:41:20,167
HEY. WHERE YOU BEEN?

832
00:41:20,267 --> 00:41:22,334
  I SET GIA UP WITH
  A PLACE TO STAY.

833
00:41:22,434 --> 00:41:23,934
 GAVE HER SOME CASH
  TO TIDE HER OVER

834
00:41:24,033 --> 00:41:25,234
 'TIL SHE FOUND
 A JOB.

835
00:41:25,334 --> 00:41:26,334
SHAL. I JUST ...

836
00:41:26,434 --> 00:41:27,734
 LOOK, I KNOW WHAT
YOU'RE GOING TO SAY.

837
00:41:27,834 --> 00:41:28,934
 I KNOW I'M NOT
 A SUPER-HERO.

838
00:41:29,033 --> 00:41:30,767
I CAN'T SAVE
 EVERYONE.

839
00:41:30,868 --> 00:41:31,868
NO, NO...

840
00:41:31,968 --> 00:41:34,167
ACTUALLY I WAS GOING
TO SAY THAT I'M SORRY.

841
00:41:34,267 --> 00:41:36,734
 I SHOULDN'T HAVE ASSUMED
ANYTHING ABOUT YOUR FRIEND.

842
00:41:36,834 --> 00:41:38,367
PEOPLE CAN CHANGE.

843
00:41:38,467 --> 00:41:41,834
AND I JUST HOPE THAT SHE
 KEEPS HER ACT TOGETHER.

844
00:41:41,934 --> 00:41:43,701
  YEAH, ME TOO.

845
00:41:45,267 --> 00:41:46,834
 GOD, IT JUST MAKES
  ME SICK,

846
00:41:46,934 --> 00:41:50,067
 A PLACE LIKE NERO'S
 EVEN EXISTS TODAY.

847
00:41:50,167 --> 00:41:51,200
YEAH.

848
00:41:51,300 --> 00:41:52,901
WELL, IT'S MAN'S PURSUIT
OF THE PERFECT WOMAN.

849
00:41:53,000 --> 00:41:56,100
IT'S BEEN GOING ON SINCE
 THE BEGINNING OF TIME.

850
00:41:56,200 --> 00:41:58,734
 YEAH, WELL, MAN SHOULD
 GET OVER HIS DAMN SELF.

851
00:41:58,834 --> 00:42:03,067
 WOMEN ARE PERFECT
 JUST THE WAY THEY ARE.

852
00:42:06,667 --> 00:42:08,701
 YEAH...