1
00:00:01,401 --> 00:00:04,549
Naomi: YES, MARTHA, I
FINISHED THE PROPOSAL.

2
00:00:04,573 --> 00:00:07,623
AND I FINISHED ALL THE CHARTS
FOR YOUR COMMITTEE MEETING.

3
00:00:07,647 --> 00:00:09,686
OH, CLARK'S IN THE NEIGHBORHOOD?

4
00:00:09,710 --> 00:00:11,687
SURE, HE CAN COME PICK THEM UP.

5
00:00:11,711 --> 00:00:13,960
OH, DON'T EVEN MENTION IT.

6
00:00:13,984 --> 00:00:16,893
OKAY. BYE, MARTHA.

7
00:00:16,917 --> 00:00:19,564
MADDIE, WHAT ARE YOU DOING?

8
00:00:19,588 --> 00:00:22,869
[ SIGHS ] IT'S TIME TO
EAT DINNER, SWEETHEART.

9
00:00:22,893 --> 00:00:24,695
YOU CAN DRAW LATER.

10
00:00:26,867 --> 00:00:28,774
MADDIE, YOU KNOW THE RULES.

11
00:00:28,798 --> 00:00:31,146
PLEASE GET BACK TO THE TABLE.

12
00:00:31,170 --> 00:00:35,005
I WANT US TO EAT AS A FAMILY.

13
00:00:38,008 --> 00:00:39,155
[ SIGHS ]

14
00:00:39,179 --> 00:00:41,857
LOOK, YOU MIGHT
NOT WANT TO TALK,

15
00:00:41,881 --> 00:00:43,860
BUT YOU HAVE TO LISTEN TO ME.

16
00:00:43,884 --> 00:00:45,661
PUT YOUR BOOK AWAY NOW.

17
00:00:45,685 --> 00:00:47,887
MADDIE, GIVE THAT TO ME!

18
00:00:54,094 --> 00:00:55,755
WHAT JUST HAPPENED?

19
00:00:59,960 --> 00:01:01,932
YOU DID THAT, DIDN'T YOU?

20
00:01:05,105 --> 00:01:09,185
ALL THOSE TIMES I'VE
FOUND BROKEN GLASS...

21
00:01:09,209 --> 00:01:11,641
THEY WEREN'T ACCIDENTS.

22
00:01:17,447 --> 00:01:19,849
I THINK YOU NEED HELP.

23
00:01:21,680 --> 00:01:24,123
I'M CALLING THE FOSTER-CARE
AGENCY RIGHT NOW.

24
00:01:26,725 --> 00:01:29,664
NO! DON'T TOUCH ME!

25
00:01:29,688 --> 00:01:32,192
JUST... JUST, PLEASE,
GO TO YOUR ROOM!

26
00:01:45,045 --> 00:01:46,676
[ SCREAMS ]

27
00:03:06,756 --> 00:03:10,034
NO!

28
00:03:10,058 --> 00:03:12,161
[ GLASS SHATTERS ]

29
00:03:14,993 --> 00:03:21,546
♫ SOMEBODY SAVE ME ♫

30
00:03:21,570 --> 00:03:24,919
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

31
00:03:24,943 --> 00:03:31,787
♫ SOMEBODY SAVE ME ♫

32
00:03:31,811 --> 00:03:35,229
♫ I DON'T CARE HOW YOU DO IT ♫

33
00:03:35,253 --> 00:03:38,192
♫ JUST STAY ♫

34
00:03:38,216 --> 00:03:40,235
♫ STAY ♫

35
00:03:40,259 --> 00:03:42,197
♫ COME ON ♫

36
00:03:42,221 --> 00:03:45,901
♫ I'VE BEEN WAITING FOR YOU ♫

37
00:03:45,925 --> 00:03:51,776
♫ JUST STAY WITH ME ♫

38
00:03:51,800 --> 00:03:55,811
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

39
00:03:55,835 --> 00:03:58,252
♫ JUST STAY ♫

40
00:03:58,276 --> 00:04:00,284
♫ STAY ♫

41
00:04:00,308 --> 00:04:03,883
♫ COME ON ♫

42
00:04:09,087 --> 00:04:11,365
Clark: I FOUND NAOMI
IN THE KITCHEN.

43
00:04:11,389 --> 00:04:13,027
THERE WAS GLASS EVERYWHERE.

44
00:04:13,051 --> 00:04:16,031
WHAT KIND OF PERSON WOULD
COMMIT SUCH A BRUTAL CRIME?

45
00:04:16,055 --> 00:04:18,072
WHOEVER IT WAS, THE
SOUND OF YOUR TRUCK

46
00:04:18,096 --> 00:04:19,875
PROBABLY SCARED THEM OFF.

47
00:04:19,899 --> 00:04:23,108
THANK YOU FOR LETTING HER
STAY WITH US TONIGHT, DEPUTY.

48
00:04:23,132 --> 00:04:24,980
AFTER ALL SHE'S BEEN THROUGH,

49
00:04:25,004 --> 00:04:26,641
THERE'S NO REASON

50
00:04:26,665 --> 00:04:28,143
SHE SHOULD BE SPENDING
THE NIGHT IN SOME SHELTER.

51
00:04:28,167 --> 00:04:29,915
NO PROBLEM, SENATOR.

52
00:04:29,939 --> 00:04:31,916
CHILD SERVICES WILL COME
BY TOMORROW TO CHECK IN.

53
00:04:31,940 --> 00:04:33,411
OKAY, GOOD. THANK YOU.

54
00:04:36,646 --> 00:04:37,992
IT MAKES NO SENSE.

55
00:04:38,016 --> 00:04:41,396
ALL NAOMI WANTED TO
DO WAS HELP PEOPLE.

56
00:04:41,420 --> 00:04:43,098
SHE WAS A FOSTER PARENT.

57
00:04:43,122 --> 00:04:46,185
SHE RAN A YOUTH CENTER
BEFORE SHE WAS MY CHIEF OF STAFF.

58
00:04:48,927 --> 00:04:51,135
MADDIE HASN'T SAID A
WORD SINCE SHE GOT HERE.

59
00:04:51,159 --> 00:04:56,170
NAOMI TOLD ME SHE HASN'T
SPOKEN SINCE SHE WAS 3 YEARS OLD.

60
00:04:56,194 --> 00:04:59,644
THAT'S WHEN HER BIRTH
MOTHER WAS KILLED.

61
00:04:59,668 --> 00:05:01,916
I CAN'T BLAME HER.

62
00:05:01,940 --> 00:05:04,079
SHE'S BEEN THROUGH ONE
TRAGEDY AFTER ANOTHER.

63
00:05:04,103 --> 00:05:05,750
AND COUNTLESS FOSTER HOMES.

64
00:05:05,774 --> 00:05:09,184
I SHOULD CALL LIONEL
IN LONDON. LIONEL?

65
00:05:09,208 --> 00:05:11,185
NAOMI USED TO RUN HIS
CHILDREN'S FOUNDATION.

66
00:05:11,209 --> 00:05:13,158
I REALLY SHOULD LET HIM
KNOW WHAT HAPPENED.

67
00:05:13,182 --> 00:05:14,889
MOM, MAYBE YOU SHOULD JUST WAIT.

68
00:05:14,913 --> 00:05:16,755
NO, NO, NO... IT'LL
TAKE A MINUTE.

69
00:05:26,165 --> 00:05:28,197
HEY, MADDIE, WHAT
ARE YOU DRAWING?

70
00:05:32,802 --> 00:05:35,004
YOU'RE QUITE THE
ARTIST, AREN'T YOU?

71
00:05:40,079 --> 00:05:43,141
YOU KNOW, I'M AN ARTIST, TOO.

72
00:05:45,084 --> 00:05:48,994
YOU DON'T BELIEVE ME? [ SIGHS ]

73
00:05:49,018 --> 00:05:51,891
ALL RIGHT, WELL, I'll JUST
HAVE TO PROVE IT TO YOU, THEN.

74
00:05:57,255 --> 00:06:00,004
NOW, PREPARE YOURSELF,

75
00:06:00,028 --> 00:06:02,007
BECAUSE THIS IS GONNA
BE A SELF-PORTRAIT,

76
00:06:02,031 --> 00:06:04,209
AND YOU MIGHT NOT BE
ABLE TO TELL THE DIFFERENCE

77
00:06:04,233 --> 00:06:06,134
BETWEEN THIS AND AN
ACTUAL PHOTOGRAPH.

78
00:06:19,848 --> 00:06:21,797
AS LONG WE HAVE TO WADE THROUGH

79
00:06:21,821 --> 00:06:23,197
A SEA OF GOVERNMENT PAPERWORK,

80
00:06:23,221 --> 00:06:25,759
AT LEAST WE GOT TO DO
IT OVER SPICY TUNA ROLLS.

81
00:06:25,783 --> 00:06:27,963
WELL, I'M NOT TOO FOND
OF WORKING IN THE STACKS.

82
00:06:27,987 --> 00:06:29,904
I HAVE TO ADMIT, I
WAS PRETTY IMPRESSED

83
00:06:29,928 --> 00:06:32,206
WHEN YOU ORDERED THE
ENTIRE MEAL IN FLUENT JAPANESE.

84
00:06:32,230 --> 00:06:34,970
YOU COULD HAVE WARNED ME
ABOUT THE SQUID BRAINS, THOUGH.

85
00:06:34,994 --> 00:06:38,072
[ SPEAKING JAPANESE ]

86
00:06:38,096 --> 00:06:41,146
COME ON. YOU CAN'T
FOOL ME. YOU LOVED IT.

87
00:06:41,170 --> 00:06:42,848
LEX, I WAS THINKING.

88
00:06:42,872 --> 00:06:45,079
I DON'T REALLY FEEL
COMFORTABLE HANGING ON TO THESE.

89
00:06:45,103 --> 00:06:47,521
SOME OF THESE PAPERS
ARE MARKED "CLASSIFIED."

90
00:06:47,545 --> 00:06:50,925
YOU COULD GET INTO A LOT OF
TROUBLE EVEN SHOWING THEM TO ME.

91
00:06:50,949 --> 00:06:52,757
LANA, IF MILTON FINE IS RIGHT

92
00:06:52,781 --> 00:06:54,858
ABOUT AN
EXTRATERRESTRIAL THREAT,

93
00:06:54,882 --> 00:06:57,992
THE LAST THING THE GOVERNMENT'S
GONNA BE WORRIED ABOUT

94
00:06:58,016 --> 00:07:00,295
IS LANA LANG.

95
00:07:00,319 --> 00:07:04,868
BESIDES, YOU'RE THE ONLY ONE
WHO KNOWS OF MY TRANSGRESSION.

96
00:07:04,892 --> 00:07:08,103
I THINK I'M SAFE WITH
MY FATE IN YOUR HANDS.

97
00:07:08,127 --> 00:07:11,846
YOU MUST REALLY TRUST ME.

98
00:07:11,870 --> 00:07:14,002
100%.

99
00:07:15,803 --> 00:07:18,237
WELL, I HOPE YOU FEEL
THE SAME WAY ABOUT ME.

100
00:07:19,937 --> 00:07:21,310
I DO.

101
00:07:31,389 --> 00:07:34,298
SORRY. I'VE, UM...

102
00:07:34,322 --> 00:07:38,197
I FORGOT MY PENCIL
IN THE LIBRARY.

103
00:07:49,937 --> 00:07:52,146
AND THIS IS THE
WORLD-FAMOUS KENT BARN.

104
00:07:52,170 --> 00:07:54,249
YOU KNOW, WHEN I
WAS ABOUT YOUR AGE,

105
00:07:54,273 --> 00:07:57,276
MY DAD USED TO LET ME JUMP
IN THE HAYSTACKS IN HERE.

106
00:08:02,050 --> 00:08:04,158
HEY, WHY DON'T YOU CLOSE
YOUR EYES, TURN AROUND?

107
00:08:04,182 --> 00:08:07,060
I GOT A SURPRISE FOR YOU.

108
00:08:07,084 --> 00:08:10,158
IT'LL BE WORTH IT... I PROMISE.

109
00:08:24,442 --> 00:08:26,380
SO, WHAT DO YOU THINK?

110
00:08:26,404 --> 00:08:29,348
YOU WANT TO GIVE IT A SHOT?

111
00:08:32,080 --> 00:08:33,912
LET ME GUESS... YOU'RE
AFRAID OF HEIGHTS?

112
00:08:35,413 --> 00:08:37,915
I CAN RELATE.

113
00:08:39,317 --> 00:08:42,966
YOU KNOW, MADDIE...

114
00:08:42,990 --> 00:08:45,663
YOU AND I HAVE A LOT MORE
IN COMMON THAN YOU THINK.

115
00:08:47,326 --> 00:08:49,668
I WAS AN ORPHAN, TOO.

116
00:08:53,402 --> 00:08:55,149
[ DOG WHIMPERS ]

117
00:08:55,173 --> 00:08:57,274
[ PANTING ]

118
00:09:02,210 --> 00:09:04,418
What a good dog.

119
00:09:04,442 --> 00:09:07,922
Good doggy.

120
00:09:07,946 --> 00:09:10,424
Hey, boy.

121
00:09:10,448 --> 00:09:12,921
Good doggy.

122
00:09:20,399 --> 00:09:22,500
LOOKS LIKE SHELBY LIKES YOU.

123
00:09:27,436 --> 00:09:30,067
ANIMALS ARE GREAT, AREN'T THEY?

124
00:09:33,071 --> 00:09:37,975
THEY LISTEN TO YOU, BUT
DON'T SAY MEAN THINGS BACK.

125
00:09:39,717 --> 00:09:42,125
LOOK, I MIGHT NOT BE
AS FURRY AS SHELBY

126
00:09:42,149 --> 00:09:44,698
OR WAG MY TAIL OR BARK,

127
00:09:44,722 --> 00:09:48,527
BUT I PROMISE I'll NEVER
SAY MEAN THINGS TO YOU.

128
00:09:53,290 --> 00:09:56,063
WHAT'S UP THERE?

129
00:10:06,144 --> 00:10:08,405
IT'S KIND OF LIKE MY CLUBHOUSE.

130
00:10:13,211 --> 00:10:16,189
YOU'RE SO LUCKY.

131
00:10:16,213 --> 00:10:18,091
YOU CAN BE LUCKY, TOO, MADDIE.

132
00:10:18,115 --> 00:10:21,134
IT'S NOT TOO LATE. WE'RE
GONNA FIND YOU A GOOD FAMILY.

133
00:10:21,158 --> 00:10:23,096
PEOPLE DON'T LIKE ME. WHAT?

134
00:10:23,120 --> 00:10:25,764
WELL, THOSE PEOPLE
ARE CRAZY. I LIKE YOU.

135
00:10:28,525 --> 00:10:31,174
IS THIS YOUR GIRLFRIEND?

136
00:10:31,198 --> 00:10:34,749
UM, SHE USED TO BE.

137
00:10:34,773 --> 00:10:38,235
WE KIND OF PARTED WAYS.

138
00:10:40,008 --> 00:10:43,356
HEY, YOU WANT TO GO FOR A
HORSEBACK RIDE, JUST YOU AND ME?

139
00:10:43,380 --> 00:10:44,759
LET'S GO.

140
00:10:44,783 --> 00:10:47,091
YOU CAN CHAT UP
BUTTERCUP ALL YOU WANT.

141
00:10:47,115 --> 00:10:48,422
YOU HAVE HORSES?

142
00:10:48,446 --> 00:10:51,325
Lois: SO, YOU CAN TALK?

143
00:10:51,349 --> 00:10:54,528
I KNEW MARCEL MARCEAU "SOUND
OF SILENCE" THING WAS JUST A RUMOR.

144
00:10:54,552 --> 00:10:56,794
I'M LOIS.

145
00:10:59,256 --> 00:11:00,533
SHE'S A LITTLE SHY.

146
00:11:00,557 --> 00:11:04,307
I UNDERSTAND. A
LOT OF ARTISTS ARE.

147
00:11:04,331 --> 00:11:06,379
I BROUGHT YOU SOME
CRAYONS AND A COLORING BOOK.

148
00:11:06,403 --> 00:11:08,783
MADDIE, CHECK IT OUT.

149
00:11:08,807 --> 00:11:12,015
GO AHEAD.

150
00:11:12,039 --> 00:11:13,517
YOUR MOM CALLED FROM TOPEKA.

151
00:11:13,541 --> 00:11:15,119
WITH HER CHIEF OF STAFF GONE,

152
00:11:15,143 --> 00:11:17,150
SHE'S BEEN IN EMERGENCY
MEETINGS ALL DAY.

153
00:11:17,174 --> 00:11:19,123
SHE ASKED IF I COULD HELP OUT.

154
00:11:19,147 --> 00:11:21,394
ACTUALLY, I THINK WE'VE
GOT IT UNDER CONTROL.

155
00:11:21,418 --> 00:11:25,259
I'M THE ONE WITH THE
LITTLE SISTER, REMEMBER?

156
00:11:25,283 --> 00:11:28,062
OKAY, READY FOR A FEW
GAMES OF HOPSCOTCH?

157
00:11:28,086 --> 00:11:30,533
I'M A BIT RUSTY, BUT YOU'LL
BE THE ODDS-ON FAVORITE.

158
00:11:30,557 --> 00:11:33,137
WELL, ACTUALLY,

159
00:11:33,161 --> 00:11:36,139
WE WERE JUST ABOUT TO
SADDLE UP AND HIT THE TRAILS.

160
00:11:36,163 --> 00:11:38,495
GREAT. BUST OUT
THE SPURS... I'M GAME.

161
00:11:41,469 --> 00:11:45,119
OH, HOW ADORABLE. YOU
WANT TO BE ALONE WITH CLARK.

162
00:11:45,143 --> 00:11:46,350
HEY, NO WORRIES.

163
00:11:46,374 --> 00:11:49,177
I WILL BE GALLOPING
WAY AHEAD OF YOU GUYS.

164
00:12:02,360 --> 00:12:04,322
MADDIE?

165
00:12:09,866 --> 00:12:12,330
HEY, WHAT JUST
HAPPENED OUT THERE?

166
00:12:20,337 --> 00:12:23,110
DID YOU BREAK ALL
THOSE LIGHT BULBS?

167
00:12:27,345 --> 00:12:30,663
SEE, MADDIE, I UNDERSTAND.

168
00:12:30,687 --> 00:12:33,397
YOU HAVE POWERS...

169
00:12:33,421 --> 00:12:36,553
ABILITIES THAT NORMAL
PEOPLE CAN'T EVEN DREAM OF.

170
00:12:39,596 --> 00:12:41,575
AND IT'S OKAY.

171
00:12:41,599 --> 00:12:45,332
YOU CAN TRUST ME. YOU
CAN TELL ME THE TRUTH.

172
00:12:52,669 --> 00:12:56,490
EVER SINCE I WAS LITTLE,
I COULD BREAK GLASS.

173
00:12:56,514 --> 00:12:58,522
YEAH?

174
00:12:58,546 --> 00:13:02,250
AND WHEN I GET UPSET,
I CAN'T CONTROL IT.

175
00:13:06,153 --> 00:13:07,924
WERE YOU UPSET WITH NAOMI?

176
00:13:09,326 --> 00:13:11,304
YOU THINK I KILLED HER?

177
00:13:11,328 --> 00:13:14,368
MADDIE, YOU HAVE THE
POWER TO BREAK GLASS.

178
00:13:14,392 --> 00:13:16,409
AND THE WAY THAT
SHE DIED... I DIDN'T DO IT.

179
00:13:16,433 --> 00:13:18,912
CLARK, I WASN'T
IN THE SAME ROOM,

180
00:13:18,936 --> 00:13:21,674
AND I CAN'T DO ANYTHING
THROUGH WALLS.

181
00:13:21,698 --> 00:13:24,501
I DIDN'T HURT
NAOMI. I LIKED HER.

182
00:13:28,605 --> 00:13:30,323
Lois: CLARK!

183
00:13:30,347 --> 00:13:32,250
CAN I TALK TO YOU FOR A MINUTE?

184
00:13:45,192 --> 00:13:47,270
CLARK, I'M GONNA CALL
THE SHERIFF RIGHT NOW

185
00:13:47,294 --> 00:13:49,273
BEFORE WE GET SLICED,
DICED, AND PUREED.

186
00:13:49,297 --> 00:13:51,304
LOIS, I'M NOT SO SURE
SHE KILLED ANYBODY.

187
00:13:51,328 --> 00:13:53,407
SO SOMEONE ELSE WITH THE
POWER TO SHATTER GLASS

188
00:13:53,431 --> 00:13:55,479
JUST MOSEYED ON IN AND
MURDERED HER FOSTER MOM?

189
00:13:55,503 --> 00:13:57,179
JUST BECAUSE SHE
HAS THIS ABILITY

190
00:13:57,203 --> 00:13:58,412
DOESN'T MAKE HER A KILLER.

191
00:13:58,436 --> 00:14:00,653
I ALWAYS KNEW YOU
WERE NAIVE, BUT COME ON.

192
00:14:00,677 --> 00:14:03,486
DON'T LET HER ROSY CHEEKS
AND SAUCER EYES SWAY YOU.

193
00:14:03,510 --> 00:14:06,188
THAT GIRL'S ONE STEP
SHORT OF THE DEMON'S SEED.

194
00:14:06,212 --> 00:14:07,190
GIVE ME AN HOUR.

195
00:14:07,214 --> 00:14:08,621
THEN WE'LL CALL THE POLICE.

196
00:14:08,645 --> 00:14:10,764
YOU WANT ME TO BABYSIT
THAT LITTLE GLASS-SMASHER?

197
00:14:10,788 --> 00:14:12,525
DOES MY LIFE MEAN
NOTHING TO YOU?

198
00:14:12,549 --> 00:14:13,966
I DON'T THINK SHE'S DANGEROUS.

199
00:14:13,990 --> 00:14:15,568
IF YOU'RE SCARED,
I CAN CALL CHLOE.

200
00:14:15,592 --> 00:14:18,432
WHO SAID I WAS
SCARED? I'M NOT SCARED.

201
00:14:18,456 --> 00:14:19,756
GREAT. THANKS.

202
00:14:35,341 --> 00:14:36,789
UM, I TOOK A PEEK

203
00:14:36,813 --> 00:14:38,422
INTO MADDIE VAN HORN'S
CHILD-SERVICES FILES.

204
00:14:38,446 --> 00:14:40,253
AND I HATE TO BREAK IT TO YOU,

205
00:14:40,277 --> 00:14:42,755
BUT THERE'S MORE THAN JUST
ONE REFERENCE TO BROKEN GLASS.

206
00:14:42,779 --> 00:14:44,898
I THINK MADDIE'S NOT
JUST ACCIDENT-PRONE...

207
00:14:44,922 --> 00:14:46,360
SHE'S DISASTER-PRONE.

208
00:14:46,384 --> 00:14:48,802
WELL, THAT DOESN'T
PROVE SHE'S A KILLER.

209
00:14:48,826 --> 00:14:51,735
CHLOE, IF MY PARENTS
DIDN'T FIND ME IN THAT FIELD,

210
00:14:51,759 --> 00:14:53,766
IT COULD HAVE BEEN ME IN
THE FOSTER-CARE SYSTEM,

211
00:14:53,790 --> 00:14:55,307
SCARING PEOPLE WITH MY POWERS,

212
00:14:55,331 --> 00:14:56,909
BEING ACCUSED OF
CRIMES I DIDN'T COMMIT.

213
00:14:56,933 --> 00:14:58,772
AND, CLARK, ONE OF
YOUR GREATEST POWERS

214
00:14:58,796 --> 00:15:00,443
IS YOUR UNRELENTING
FAITH IN PEOPLE.

215
00:15:00,467 --> 00:15:02,799
BUT I THINK WHEN IT COMES
TO MADDIE, THE JURY'S IN.

216
00:15:03,870 --> 00:15:05,678
WHEN SHE WAS LITTLE,

217
00:15:05,702 --> 00:15:07,951
IT WASN'T JUST A CAR ACCIDENT
THAT KILLED HER MOTHER...

218
00:15:07,975 --> 00:15:09,852
IT WAS A FREAK CAR ACCIDENT.

219
00:15:09,876 --> 00:15:12,785
WITNESSES SAW THE FRONT
WINDSHIELD MYSTERIOUSLY SHATTER

220
00:15:12,809 --> 00:15:14,427
RIGHT BEFORE THE CRASH.

221
00:15:14,451 --> 00:15:16,830
YOU THINK MADDIE'S RESPONSIBLE
FOR HER OWN MOTHER'S DEATH?

222
00:15:16,854 --> 00:15:18,762
WELL, DIDN'T SHE SAY

223
00:15:18,786 --> 00:15:21,317
SHE WAS HAVING A HARD TIME
CONTROLLING HER POWERS?

224
00:15:27,725 --> 00:15:30,273
WHO EVER SAID YOU HAD
TO BE INDOORS TO HAVE FUN?

225
00:15:30,297 --> 00:15:32,345
SOME OF THE BEST
TIMES I'VE EVER HAD

226
00:15:32,369 --> 00:15:33,807
WERE WAY OUT IN THE BOONIES,

227
00:15:33,831 --> 00:15:35,979
AS FAR AWAY FROM
BREAKABLES AS POSSIBLE.

228
00:15:36,003 --> 00:15:38,351
WHERE'S SHELBY?

229
00:15:38,375 --> 00:15:40,813
OH, I HAVE NO IDEA.
I'M ALLERGIC TO HIM.

230
00:15:40,837 --> 00:15:43,687
AND LET'S JUST SAY HE'S
NOT TOO FOND OF ME.

231
00:15:43,711 --> 00:15:45,688
HERE. YOU KNOW WHAT?

232
00:15:45,712 --> 00:15:47,760
WE'RE GONNA HAVE
A GOOD OLD TIME.

233
00:15:47,784 --> 00:15:49,962
WE CAN PICK FLOWERS
OR CATCH BUGS...

234
00:15:49,986 --> 00:15:51,695
WHATEVER FLOATS YOUR BOAT.

235
00:15:51,719 --> 00:15:53,766
I EVEN PACKED THAT
LITTLE PICNIC FOR US.

236
00:15:53,790 --> 00:15:55,798
I'M NOT THE GREATEST
CHEF IN THE WORLD,

237
00:15:55,822 --> 00:15:57,971
BUT HOW CAN YOU
SCREW UP P.B. & J.?

238
00:15:57,995 --> 00:16:01,899
HEY, WHERE ARE YOU GOING?

239
00:16:03,399 --> 00:16:05,938
SHELBY? SHELBY?

240
00:16:05,962 --> 00:16:08,410
MADDIE, YOU CAN PLAY WITH THE
POOCH WHEN CLARK GETS BACK.

241
00:16:08,434 --> 00:16:10,466
WHY DON'T WE JUST TURN
AROUND, AND WE CAN GET...

242
00:16:12,840 --> 00:16:13,941
OKAY.

243
00:16:15,942 --> 00:16:18,390
NOW, WHY DON'T WE BOTH
JUST EASE ON OUT OF HERE

244
00:16:18,414 --> 00:16:19,893
BEFORE ONE OF US GETS HURT?

245
00:16:19,917 --> 00:16:23,049
OKAY.

246
00:16:25,952 --> 00:16:30,003
WHAT DO YOU MEAN, "GETS HURT"?

247
00:16:30,027 --> 00:16:31,504
WHO ARE YOU?

248
00:16:31,528 --> 00:16:34,737
FRANK COLBERT, CHILD
SERVICES. WHAT'S GOING ON HERE?

249
00:16:34,761 --> 00:16:37,039
OKAY, LOOK.

250
00:16:37,063 --> 00:16:38,942
I KNOW THIS SOUNDS CRAZY,

251
00:16:38,966 --> 00:16:42,369
BUT I'M TRYING TO KEEP HER AS
FAR AWAY FROM GLASS AS POSSIBLE.

252
00:16:44,370 --> 00:16:47,374
MADDIE, WHY DON'T
YOU GET IN THE CAR?

253
00:16:49,576 --> 00:16:51,754
NO, NO, NO... NOT THE CAR.

254
00:16:51,778 --> 00:16:52,885
YOU DON'T UNDERSTAND.

255
00:16:52,909 --> 00:16:54,788
I AM TELLING YOU, THIS GIRL,

256
00:16:54,812 --> 00:16:56,889
SHE CAN SHATTER GLASS
JUST BY LOOKING AT IT.

257
00:16:56,913 --> 00:16:58,390
THANK YOU FOR YOUR CONCERN.

258
00:16:58,414 --> 00:17:00,493
MADDIE, I'M GOING TO TAKE
YOU BACK TO THE SHELTER,

259
00:17:00,517 --> 00:17:02,788
WHERE YOU CAN BE
PROPERLY TAKEN CARE OF.

260
00:17:14,800 --> 00:17:19,882
WE'VE SPOTTED MILTON FINE
AT 0200 GREENWICH MEAN TIME,

261
00:17:19,906 --> 00:17:22,940
40 KILOMETERS NORTH
OF THE SOMALIAN BORDER.

262
00:17:28,144 --> 00:17:31,024
GOOD NEWS... FINE IS IN MYANMAR.

263
00:17:31,048 --> 00:17:34,020
IT'S 0200 GMT AND WE'RE
WATCHING HIM AS WE SPEAK.

264
00:17:39,855 --> 00:17:43,136
I KNOW YOUR MORAL COMPASS HAS
A TENDENCY TO VEER OFF COURSE,

265
00:17:43,160 --> 00:17:44,907
BUT TAKING ADVANTAGE OF LANA

266
00:17:44,931 --> 00:17:46,809
WHEN SHE'S AT HER
MOST VULNERABLE?

267
00:17:46,833 --> 00:17:48,005
IT'S DESPICABLE.

268
00:17:49,566 --> 00:17:52,445
I THINK YOUR REPORTER'S
EYE IS GETTING A LITTLE CLOUDY.

269
00:17:52,469 --> 00:17:55,888
YOU'RE STARTING TO SEE
THINGS THAT AREN'T THERE.

270
00:17:55,912 --> 00:17:57,820
I DON'T HAVE TO WORK FOR THE DWP

271
00:17:57,844 --> 00:18:00,592
TO KNOW THAT THERE WAS
ENOUGH ELECTRICITY IN THAT ROOM

272
00:18:00,616 --> 00:18:03,025
TO LIGHT UP THE
ENTIRE STATE OF KANSAS.

273
00:18:03,049 --> 00:18:05,598
IT'S INTERESTING HOW
PERCEPTIVE YOU ARE

274
00:18:05,622 --> 00:18:07,429
ABOUT AFFAIRS OF THE HEART,

275
00:18:07,453 --> 00:18:09,931
CONSIDERING YOU'VE
NEVER ACTUALLY BEEN

276
00:18:09,955 --> 00:18:11,587
IN A SERIOUS RELATIONSHIP.

277
00:18:13,859 --> 00:18:15,168
DO YOU REALLY THINK THAT LANA

278
00:18:15,192 --> 00:18:17,139
WOULD BE REMOTELY
INTERESTED IN YOU

279
00:18:17,163 --> 00:18:19,941
IF SHE WASN'T SWEPT UP IN
HER OWN EMOTIONAL TORNADO?

280
00:18:19,965 --> 00:18:21,597
I MEAN, HONESTLY.

281
00:18:24,039 --> 00:18:27,219
I APPRECIATE YOUR LOOKING
OUT FOR YOUR FRIEND.

282
00:18:27,243 --> 00:18:30,983
I'D DO THE SAME, BUT YOUR
CONCERN IS UNWARRANTED.

283
00:18:31,007 --> 00:18:34,111
WE'RE FRIENDS... NOTHING MORE.

284
00:18:36,653 --> 00:18:39,131
LEX, I KNOW YOU'RE USED TO
GETTING WHATEVER YOU WANT

285
00:18:39,155 --> 00:18:41,464
WITHOUT EVEN THINKING
ABOUT THE CONSEQUENCES.

286
00:18:41,488 --> 00:18:44,597
BUT I PROMISE YOU, IF
YOU HURT MY FRIEND,

287
00:18:44,621 --> 00:18:46,992
THERE WILL BE A CONSEQUENCE.

288
00:18:48,023 --> 00:18:50,197
AND YOU'RE LOOKING AT HER.

289
00:18:53,200 --> 00:18:54,500
CHLOE.

290
00:18:56,202 --> 00:18:59,051
I THINK I'M GETTING AN INKLING

291
00:18:59,075 --> 00:19:01,508
WHY YOU'VE NEVER
HAD A BOYFRIEND.

292
00:19:19,996 --> 00:19:21,704
Lois: TRUST ME.

293
00:19:21,728 --> 00:19:24,236
FOR YOUR OWN SAFETY, THE
GIRL CAN'T BE NEAR GLASS.

294
00:19:24,260 --> 00:19:25,932
I HEARD YOU THE FIRST TIME.

295
00:19:27,232 --> 00:19:29,234
WILL YOU GET HER
BELONGINGS, PLEASE?

296
00:19:41,617 --> 00:19:42,949
OH, GOD.

297
00:19:48,555 --> 00:19:50,226
MADDIE, GET OUT OF THE CAR!

298
00:20:15,280 --> 00:20:16,281
HEY!

299
00:20:18,615 --> 00:20:20,086
STAY THERE.

300
00:20:53,048 --> 00:20:55,697
LOIS, ARE YOU OKAY?

301
00:20:55,721 --> 00:20:58,169
I'VE SCREWED UP A LOT IN MY
LIFE, BUT THIS RANKS UP THERE.

302
00:20:58,193 --> 00:21:00,002
THAT LITTLE GIRL
WAS ON MY WATCH.

303
00:21:00,026 --> 00:21:02,604
LOIS, THERE'S NOTHING
YOU COULD HAVE DONE.

304
00:21:02,628 --> 00:21:04,776
I SHOULD NEVER HAVE
LEFT YOU TWO ALONE.

305
00:21:04,800 --> 00:21:06,938
WHO'S KIDDING WHO, SMALLVILLE?

306
00:21:06,962 --> 00:21:10,842
IF YOU HAD BEEN THERE, YOU
WOULD HAVE BEEN SHREDDED BEEF.

307
00:21:10,866 --> 00:21:12,745
LOOK, CLARK, SHE'S
GONNA BE FINE.

308
00:21:12,769 --> 00:21:14,045
THEY PUT OUT AN AMBER ALERT.

309
00:21:14,069 --> 00:21:16,748
EVERY COP IN THE STATE
IS LOOKING FOR MADDIE.

310
00:21:16,772 --> 00:21:19,891
DID YOU GET A GOOD
LOOK AT THE GUY?

311
00:21:19,915 --> 00:21:24,857
LIKE I TOLD THE SHERIFF...
MID-30s, SANDY-BLOND HAIR,

312
00:21:24,881 --> 00:21:27,729
GOOD-LOOKING IN THAT
PSYCHO-KILLER KIND OF WAY.

313
00:21:27,753 --> 00:21:31,062
I JUST DON'T UNDERSTAND. WHO
WOULD WANT TO KIDNAP MADDIE?

314
00:21:31,086 --> 00:21:33,666
CONSIDERING HER
DANGEROUS DISPOSITION,

315
00:21:33,690 --> 00:21:36,968
I'M GUESSING SOMEBODY WHO'S
PRETTY DESPERATE TO BE WITH HER.

316
00:21:36,992 --> 00:21:40,936
[ SIGHS ]

317
00:21:43,869 --> 00:21:46,247
COME ON, CLARK. PLEASE PICK UP.

318
00:21:46,271 --> 00:21:49,952
PICK UP, CLARK,
PLEASE. COME ON, CLARK.

319
00:21:49,976 --> 00:21:52,725
CLARK, PLEASE. WHERE ARE...

320
00:21:52,749 --> 00:21:55,026
WHAT ARE YOU DOING, PRINCESS?

321
00:21:55,050 --> 00:21:57,884
WHY ARE YOU RUNNING
AWAY FROM ME?

322
00:21:59,115 --> 00:22:01,233
UGH.

323
00:22:01,257 --> 00:22:04,937
LOOK. LOOK, I'M YOUR DAD.

324
00:22:04,961 --> 00:22:07,870
I'M YOUR DAD.

325
00:22:07,894 --> 00:22:09,200
WHAT?

326
00:22:09,224 --> 00:22:10,902
YEAH.

327
00:22:10,926 --> 00:22:13,104
ALL THOSE YEARS LOCKED UP,

328
00:22:13,128 --> 00:22:16,007
YOU'RE THE ONLY THING
THAT KEPT ME GOING.

329
00:22:16,031 --> 00:22:17,810
I WOULD DO ANYTHING FOR YOU.

330
00:22:17,834 --> 00:22:19,952
YOU KILLED THAT MAN. LOOK...

331
00:22:19,976 --> 00:22:22,077
YOU KILLED NAOMI.

332
00:22:24,210 --> 00:22:27,718
YOU KILLED MY REAL
MOM, DIDN'T YOU?

333
00:22:27,742 --> 00:22:29,091
YOU DID.

334
00:22:29,115 --> 00:22:33,866
MOMMY DIDN'T WANT ME NEAR YOU.

335
00:22:33,890 --> 00:22:36,798
SHE THOUGHT I WAS SOME MONSTER.

336
00:22:36,822 --> 00:22:39,700
I SWEAR, ALL I WANTED WAS
FOR US TO BE TOGETHER.

337
00:22:39,724 --> 00:22:42,929
YOU LIKE BUTTERFLIES, DON'T YOU?

338
00:22:53,269 --> 00:22:55,810
I MADE THIS FOR YOU.

339
00:23:02,048 --> 00:23:04,019
IT'S OKAY.

340
00:23:05,750 --> 00:23:08,023
I KNOW THIS IS A BIG CHANGE.

341
00:23:10,286 --> 00:23:14,990
ALL I WANT TO DO IS PUT
OUR FAMILY BACK TOGETHER.

342
00:23:23,199 --> 00:23:26,277
YOU BELONG TO ME. COME ON.

343
00:23:26,301 --> 00:23:29,775
COME ON. I'VE GOT
A SURPRISE FOR YOU.

344
00:23:42,357 --> 00:23:46,168
HIS NAME IS TYLER McKNIGHT,
AND I THINK HE MIGHT BE.

345
00:23:46,192 --> 00:23:47,799
MADDIE VAN HORN'S
LONG-LOST FATHER.

346
00:23:47,823 --> 00:23:49,071
WHAT MAKES YOU SAY THAT?

347
00:23:49,095 --> 00:23:51,173
HE WAS MADDIE'S MOM'S
COLLEGE SWEETHEART

348
00:23:51,197 --> 00:23:52,873
THE YEAR BEFORE SHE WAS BORN.

349
00:23:52,897 --> 00:23:54,106
BUT WHAT DOES THAT PROVE?

350
00:23:54,130 --> 00:23:56,308
12 YEARS AGO, HE
LANDED IN BELLE REVE

351
00:23:56,332 --> 00:23:59,180
WITH THE ABILITY TO
CONTROL ALL THINGS GLASS.

352
00:23:59,204 --> 00:24:00,911
SO HE REALLY IS MADDIE'S DAD.

353
00:24:00,935 --> 00:24:03,215
WHICH MEANS THAT MADDIE
VAN HORN'S METEOR POWERS

354
00:24:03,239 --> 00:24:04,856
ARE SECOND-GENERATION.

355
00:24:04,880 --> 00:24:06,187
HER DAD HAD THE MISFORTUNE

356
00:24:06,211 --> 00:24:08,790
OF BEING IN A
STAINED-GLASS WORKSHOP

357
00:24:08,814 --> 00:24:10,921
WHEN THE FIRST
METEOR SHOWER HIT.

358
00:24:10,945 --> 00:24:14,024
SO MADDIE NEVER MET HER
FATHER 'CAUSE HE'S BEEN LOCKED UP.

359
00:24:14,048 --> 00:24:15,296
THAT'S WHAT HAPPENS

360
00:24:15,320 --> 00:24:17,198
WHEN YOU USE YOUR POWERS
TO ROB A JEWELRY STORE.

361
00:24:17,222 --> 00:24:18,929
HE GOT CAUGHT.

362
00:24:18,953 --> 00:24:21,101
THE SEVEN FIVE-KARAT
DIAMONDS HE STOLE DIDN'T.

363
00:24:21,125 --> 00:24:22,904
DID HE JUST ESCAPE?

364
00:24:22,928 --> 00:24:25,106
HE WALKED OUT. HE
WAS A MODEL PATIENT.

365
00:24:25,130 --> 00:24:28,109
THE SHRINKS GAVE HIM A
CLEAN BILL OF MENTAL HEALTH.

366
00:24:28,133 --> 00:24:29,341
LOOK, WE HAVE TO FIND MADDIE.

367
00:24:29,365 --> 00:24:31,312
WE DON'T KNOW WHAT
THIS GUY'S CAPABLE OF.

368
00:24:31,336 --> 00:24:33,385
HOW? WE HAVE NO IDEA
WHERE HE'S HEADED.

369
00:24:33,409 --> 00:24:36,211
WHERE DID HE LIVE
WHEN HE WAS ARRESTED?

370
00:24:43,449 --> 00:24:48,284
WITH HIS MOTHER...
145 HASTINGS ROAD.

371
00:24:52,057 --> 00:24:54,835
Woman: I CAN'T BELIEVE
THEY LET MY SON OUT.

372
00:24:54,859 --> 00:24:57,408
WHY DIDN'T HE COME AND SEE ME?

373
00:24:57,432 --> 00:25:00,011
HE PROBABLY WENT STRAIGHT
TO SEE HIS DAUGHTER.

374
00:25:00,035 --> 00:25:02,096
DAUGHTER? TYLER
DOESN'T HAVE A DAUGHTER.

375
00:25:05,340 --> 00:25:08,979
HER NAME IS MADDIE,
AND SHE'S 11 YEARS OLD.

376
00:25:09,003 --> 00:25:11,882
I HAVE A GRANDDAUGHTER?

377
00:25:11,906 --> 00:25:14,284
YES, MA'AM, AND IT'S VERY
IMPORTANT THAT WE FIND HER.

378
00:25:14,308 --> 00:25:16,412
SHE COULD BE IN DANGER.

379
00:25:21,155 --> 00:25:24,966
I'VE SEEN THIS
BEFORE... AT THE TALON.

380
00:25:24,990 --> 00:25:26,437
ISN'T IT BEAUTIFUL?

381
00:25:26,461 --> 00:25:29,300
HE MADE IT RIGHT
BEFORE HE WAS ARRESTED.

382
00:25:29,324 --> 00:25:31,272
I DON'T HAVE THE FINISHED PIECE.

383
00:25:31,296 --> 00:25:35,130
I HAD TO SELL IT AFTER
MY HUSBAND PASSED AWAY.

384
00:25:37,903 --> 00:25:39,410
THE SEVEN DIAMONDS HE STOLE...

385
00:25:39,434 --> 00:25:41,912
DID THEY EVER FIND THEM?

386
00:25:41,936 --> 00:25:43,377
NO.

387
00:25:49,284 --> 00:25:51,262
Tyler: I MADE THIS.

388
00:25:51,286 --> 00:25:53,895
RIGHT BEFORE THEY
THREW ME INTO BELLE REVE.

389
00:25:53,919 --> 00:25:57,298
BUT I ALWAYS KNEW
THAT I'D GET OUT...

390
00:25:57,322 --> 00:26:00,154
AND WE'D BE TOGETHER.

391
00:26:04,128 --> 00:26:05,931
WATCH THIS.

392
00:26:25,150 --> 00:26:27,352
[ LAUGHS ]

393
00:26:30,085 --> 00:26:33,063
I HID THESE HERE
FOR YOU, MADDIE...

394
00:26:33,087 --> 00:26:35,430
FOR US.

395
00:26:37,962 --> 00:26:40,394
THESE ARE THE START
OF OUR NEW LIFE.

396
00:26:42,998 --> 00:26:45,240
TAKE THEM.

397
00:26:47,372 --> 00:26:49,249
NO.

398
00:26:49,273 --> 00:26:54,385
YOU STOLE THEM.

399
00:26:54,409 --> 00:26:58,413
PLEASE. TAKE THEM.

400
00:27:01,256 --> 00:27:03,989
LET HER GO! GO!

401
00:27:21,536 --> 00:27:24,215
MADDIE?

402
00:27:24,239 --> 00:27:27,088
IT'S OKAY.

403
00:27:27,112 --> 00:27:29,459
IT'S... OHH.

404
00:27:29,483 --> 00:27:33,593
IT'S OKAY.

405
00:27:33,617 --> 00:27:36,151
HE'LL NEVER HURT ANYBODY AGAIN.

406
00:27:43,627 --> 00:27:46,506
THANKS. HEY, WHAT
ARE YOU DOING HERE?

407
00:27:46,530 --> 00:27:49,479
I DIDN'T THINK THE DAILY PLANET
WAS ON YOUR WEEKEND ORBIT.

408
00:27:49,503 --> 00:27:52,567
I JUST GOT A PHONE
CALL FROM LEX.

409
00:27:55,269 --> 00:27:58,248
I DON'T UNDERSTAND, CHLOE.
WHY DIDN'T YOU JUST TALK TO ME?

410
00:27:58,272 --> 00:28:01,522
LOOK, LANA, I'M SORRY, BUT
AFTER THE LAST COUPLE WEEKS,

411
00:28:01,546 --> 00:28:04,054
I DIDN'T THINK YOU
WERE INTERESTED

412
00:28:04,078 --> 00:28:07,158
IN TALKING TO ME ABOUT
YOUR LOVE LIFE. MY LOVE LIFE?

413
00:28:07,182 --> 00:28:09,330
WITH LEX? YOU'VE
GOT TO BE KIDDING ME.

414
00:28:09,354 --> 00:28:11,131
LANA, IT'S OKAY TO BE HONEST.

415
00:28:11,155 --> 00:28:13,133
I'M NOT GONNA BURN
YOU AT THE STAKE.

416
00:28:13,157 --> 00:28:15,166
THERE IS NOTHING TO
BE HONEST ABOUT, CHLOE,

417
00:28:15,190 --> 00:28:17,638
SO I'D APPRECIATE IT IF YOU'D
STOP SPINNING YOUR RUMOR MILL

418
00:28:17,662 --> 00:28:21,411
BEFORE YOU HUMILIATE ME ANY
MORE THAN YOU ALREADY HAVE.

419
00:28:21,435 --> 00:28:25,116
LANA, I UNDERSTAND IF
YOU WANT TO HURT CLARK.

420
00:28:25,140 --> 00:28:26,377
WHAT?

421
00:28:26,401 --> 00:28:29,280
BUT JUST DON'T HURT
YOURSELF IN THE PROCESS.

422
00:28:29,304 --> 00:28:32,207
LEX LUTHOR IS NOTHING
MORE THAN A PREDATOR.

423
00:28:34,209 --> 00:28:37,257
WELL, I DON'T PLAN ON
BEING ANYBODY'S PREY.

424
00:28:37,281 --> 00:28:39,653
SO WE HAVE NOTHING
TO WORRY ABOUT.

425
00:28:46,621 --> 00:28:50,071
[ SIGHS ]

426
00:28:50,095 --> 00:28:52,543
NOW, REMEMBER, THE DOCTOR
TOLD YOU TO TAKE IT EASY,

427
00:28:52,567 --> 00:28:55,206
SO YOU MIGHT HAVE TO
LAY OFF THE ARM WRESTLING.

428
00:28:55,230 --> 00:28:57,648
MY ARM DOESN'T
EVEN HURT ANYMORE.

429
00:28:57,672 --> 00:29:00,450
WHAT HURTS IS KNOWING HOW
BADLY I TREATED THAT POOR GIRL.

430
00:29:00,474 --> 00:29:02,612
I HAD NO DOUBT SHE WAS
A COLD-BLOODED KILLER.

431
00:29:02,636 --> 00:29:04,284
JUST GOES TO SHOW YOU

432
00:29:04,308 --> 00:29:06,216
PEOPLE AREN'T ALWAYS
WHO YOU THINK THEY ARE.

433
00:29:06,240 --> 00:29:08,188
I HAVE TO GIVE YOU
CREDIT, SMALLVILLE.

434
00:29:08,212 --> 00:29:10,591
WHO WOULD HAVE KNOWN YOU'D
BE SUCH A NATURAL WITH KIDS?

435
00:29:10,615 --> 00:29:12,622
MADDIE'S PRETTY SPECIAL.

436
00:29:12,646 --> 00:29:14,495
SO WHAT HAPPENS TO HER NOW?

437
00:29:14,519 --> 00:29:16,427
IT CAN'T BE EASY
FINDING A FAMILY

438
00:29:16,451 --> 00:29:18,498
THAT'S WILLING TO
LIVE WITHOUT WINDOWS.

439
00:29:18,522 --> 00:29:20,501
MADDIE'S GONNA LIVE
WITH HER GRANDMOTHER,

440
00:29:20,525 --> 00:29:22,132
WHO COULDN'T BE HAPPIER.

441
00:29:22,156 --> 00:29:24,103
SHE DIDN'T EVEN KNOW
SHE HAD A GRANDDAUGHTER.

442
00:29:24,127 --> 00:29:26,206
WOW. SHE MUST BE PRETTY BRAVE.

443
00:29:26,230 --> 00:29:28,678
SHE'S VERY EXCITED, LIKE MY
PARENTS WHEN THEY ADOPTED ME.

444
00:29:28,702 --> 00:29:30,281
BUT THEY DIDN'T HAVE TO WORRY

445
00:29:30,305 --> 00:29:31,712
ABOUT THEIR HOUSE
GETTING DESTROYED.

446
00:29:31,736 --> 00:29:34,385
WELL, HE HAD HIS
MOMENTS. HI, CLARK.

447
00:29:34,409 --> 00:29:37,487
SINCE YOU'RE GONNA BE
BEDRIDDEN FOR A FEW DAYS,

448
00:29:37,511 --> 00:29:39,689
I BROUGHT YOU
SOME STUFF TO READ.

449
00:29:39,713 --> 00:29:42,121
THE CHIEF OF STAFF
FOR A STATE SENATOR

450
00:29:42,145 --> 00:29:44,695
NEEDS TO BE FULLY INFORMED
ON ALL SIDES OF THE ISSUES.

451
00:29:44,719 --> 00:29:46,526
WAIT A MINUTE.

452
00:29:46,550 --> 00:29:49,399
YOU WANT ME TO BE
YOUR CHIEF OF STAFF?

453
00:29:49,423 --> 00:29:52,733
MOM, ARE YOU SURE YOU DON'T
WANT TO THINK THIS THROUGH?

454
00:29:52,757 --> 00:29:54,364
IF IT WEREN'T FOR LOIS LANE,

455
00:29:54,388 --> 00:29:56,136
YOUR FATHER WOULD
NEVER HAVE BEEN ELECTED

456
00:29:56,160 --> 00:29:57,368
AND I WOULDN'T BE IN OFFICE.

457
00:29:57,392 --> 00:29:59,208
BESIDES, LOIS, IT'S PRETTY CLEAR

458
00:29:59,232 --> 00:30:02,212
YOUR DESTINY LIES FAR
BEYOND A CAPPUCCINO MAKER.

459
00:30:02,236 --> 00:30:03,738
WHAT DO YOU THINK?

460
00:30:16,351 --> 00:30:18,682
COME ON. LET'S GO.

461
00:30:26,220 --> 00:30:28,192
NICE GLASSES.

462
00:30:52,787 --> 00:30:56,697
MADDIE? WHAT ARE YOU DOING?

463
00:30:56,721 --> 00:31:00,930
CLARK, YOU SAVED MY LIFE.
I JUST WANTED TO HELP OUT.

464
00:31:00,954 --> 00:31:02,773
MADDIE.

465
00:31:02,797 --> 00:31:04,774
SWEETIE, YOU DON'T
NEED TO DO THAT.

466
00:31:04,798 --> 00:31:07,437
DON'T WORRY. I'M USED TO
CLEANING UP AFTER MYSELF.

467
00:31:07,461 --> 00:31:09,909
WELL, IN THIS HOUSE,
YOU'RE A GUEST.

468
00:31:09,933 --> 00:31:11,812
AND GUESTS ALWAYS
GET A DOUBLE HELPING

469
00:31:11,836 --> 00:31:13,807
OF MOM'S BANANA PANCAKES.

470
00:31:15,710 --> 00:31:17,942
THE WAY YOU ARE WITH HER...

471
00:31:20,273 --> 00:31:22,415
YOUR DAD WOULD BE SO PROUD.

472
00:31:28,422 --> 00:31:30,731
CLARK, DID YOU EVER
MEET YOUR REAL DAD?

473
00:31:30,755 --> 00:31:33,263
SORT OF.

474
00:31:33,287 --> 00:31:35,465
IS HE BAD LIKE MINE?

475
00:31:35,489 --> 00:31:37,490
MAYBE WORSE.

476
00:31:39,462 --> 00:31:40,910
BUT JUST BECAUSE HE GAVE ME LIFE

477
00:31:40,934 --> 00:31:42,465
DOESN'T MEAN I'M
ANYTHING LIKE HIM.

478
00:31:44,699 --> 00:31:50,280
SEE, THE THING IS, MADDIE,
ANYONE CAN BE A FATHER,

479
00:31:50,304 --> 00:31:53,307
BUT IT TAKES SOMEONE
VERY SPECIAL TO BE A DAD.

480
00:31:54,979 --> 00:31:58,829
I WISH YOU COULD HAVE
MET THE MAN WHO RAISED ME.

481
00:31:58,853 --> 00:32:02,361
HE WAS MY REAL DAD.

482
00:32:02,385 --> 00:32:04,387
HE WOULD HAVE LIKED YOU A LOT.

483
00:32:11,424 --> 00:32:15,398
CLARK, COULD I
STAY HERE WITH YOU?

484
00:32:18,833 --> 00:32:20,510
MADDIE, YOU HAVE A GRANDMOTHER.

485
00:32:20,534 --> 00:32:23,382
SHE'S VERY EXCITED FOR
YOU TO COME LIVE WITH HER.

486
00:32:23,406 --> 00:32:26,339
I DON'T KNOW HER.

487
00:32:27,540 --> 00:32:29,919
I KNOW YOU.

488
00:32:29,943 --> 00:32:33,724
WELL, MADDIE, IT'S JUST YOU'RE
GONNA HAVE TO GIVE IT TIME

489
00:32:33,748 --> 00:32:35,064
TO GET TO KNOW HER.

490
00:32:35,088 --> 00:32:36,750
AND...

491
00:32:38,792 --> 00:32:40,354
MADDIE.

492
00:32:42,496 --> 00:32:45,876
MADDIE, LISTEN.

493
00:32:45,900 --> 00:32:49,339
MADDIE, I WOULD NEVER
LET YOU GO WITH ANYONE

494
00:32:49,363 --> 00:32:52,742
WHO'S NOT GONNA ACCEPT YOU
FOR WHO YOU REALLY ARE, OKAY?

495
00:32:52,766 --> 00:32:54,868
I PROMISE.

496
00:33:02,445 --> 00:33:05,920
YOU'RE GONNA BE OKAY.

497
00:33:08,051 --> 00:33:11,400
I'll MAKE SURE.

498
00:33:11,424 --> 00:33:13,787
OKAY?

499
00:33:21,565 --> 00:33:24,073
HEY, MOM!

500
00:33:24,097 --> 00:33:26,539
WE NEED ANOTHER DECK OF CARDS.

501
00:33:34,048 --> 00:33:36,055
[ GLASS BREAKS ]

502
00:33:36,079 --> 00:33:38,152
MADDIE, STAY HERE.

503
00:33:44,018 --> 00:33:45,534
MOM!

504
00:33:45,558 --> 00:33:47,421
CLARK.

505
00:33:53,067 --> 00:33:54,867
MOVE A MUSCLE...

506
00:33:57,871 --> 00:34:00,933
MOM GETS HER THROAT SLASHED.

507
00:34:05,038 --> 00:34:07,441
BRING ME MY DAUGHTER.

508
00:34:08,481 --> 00:34:10,590
BRING ME MY DAUGHTER!

509
00:34:10,614 --> 00:34:12,085
NOW!

510
00:34:37,170 --> 00:34:39,189
DON'T WORRY, CLARK.

511
00:34:39,213 --> 00:34:41,191
I'M NOT GONNA LET HIM
HURT ANY MORE PEOPLE.

512
00:34:41,215 --> 00:34:44,954
MADDIE, NO.

513
00:34:44,978 --> 00:34:47,126
PRINCESS, WHAT ARE
YOU DOING TO ME?

514
00:34:47,150 --> 00:34:48,597
DON'T.

515
00:34:48,621 --> 00:34:51,601
MADDIE, IF YOU KILL HIM,
YOU'LL BE JUST LIKE HIM.

516
00:34:51,625 --> 00:34:54,188
YOU DON'T HAVE TO
TURN INTO YOUR FATHER.

517
00:34:55,458 --> 00:34:58,661
MAYBE I DON'T HAVE A CHOICE.

518
00:35:00,092 --> 00:35:03,041
MADDIE, JUST BECAUSE YOU'RE
HIS CHILD DOES NOT MEAN

519
00:35:03,065 --> 00:35:05,739
THAT YOU'RE DESTINED TO
FOLLOW IN HIS FOOTSTEPS.

520
00:35:08,601 --> 00:35:12,682
BUT I DON'T WANT HIM TO
HURT ANY MORE PEOPLE.

521
00:35:12,706 --> 00:35:15,184
I WON'T. I WON'T, HONEY.

522
00:35:15,208 --> 00:35:18,026
PLEASE.

523
00:35:18,050 --> 00:35:20,590
I PROMISE.

524
00:35:20,614 --> 00:35:24,533
I MADE A MISTAKE, MADDIE.

525
00:35:24,557 --> 00:35:27,666
MADDIE, YOUR FATHER HAS
ALREADY DESTROYED HIS LIFE.

526
00:35:27,690 --> 00:35:29,068
DON'T DESTROY YOURS.

527
00:35:29,092 --> 00:35:32,164
YOU HAVE TOO MUCH
TO OFFER THIS WORLD.

528
00:35:43,036 --> 00:35:46,079
I'M SORRY, CLARK.

529
00:35:53,045 --> 00:35:55,518
IT'S OKAY. IT'S OVER NOW.

530
00:36:09,762 --> 00:36:12,742
GO AHEAD, MADDIE. THERE'S
NOTHING TO BE SCARED ABOUT.

531
00:36:12,766 --> 00:36:15,014
YES, THERE IS.

532
00:36:15,038 --> 00:36:16,710
YOU WON'T BE WITH ME.

533
00:36:18,170 --> 00:36:21,019
I'll HAVE NO ONE TO TALK TO.

534
00:36:21,043 --> 00:36:23,622
THAT'S NOT TRUE.

535
00:36:23,646 --> 00:36:26,195
MADDIE, YOUR GRANDMOTHER
CAN'T WAIT TO TALK TO YOU.

536
00:36:26,219 --> 00:36:28,652
SHE WANTS TO HEAR EVERY
WORD YOU HAVE TO SAY.

537
00:36:32,085 --> 00:36:33,733
WHAT ABOUT MY POWERS?

538
00:36:33,757 --> 00:36:36,265
WHAT IF I CAN'T CONTROL THEM?

539
00:36:36,289 --> 00:36:38,807
BUT YOU CAN, MADDIE.

540
00:36:38,831 --> 00:36:41,039
I'VE SEEN YOU.

541
00:36:41,063 --> 00:36:43,235
JUST LIKE YOU DID IN
THE BARN, REMEMBER?

542
00:36:45,568 --> 00:36:48,216
BUT IF YOU EVER FEEL LIKE
YOU'RE GONNA LOSE CONTROL,

543
00:36:48,240 --> 00:36:50,178
ALL YOU HAVE TO DO
IS PICK UP THE PHONE.

544
00:36:50,202 --> 00:36:51,720
YOU CALL ME.

545
00:36:51,744 --> 00:36:54,182
I'll BE RIGHT THERE TO
TALK YOU THROUGH IT, OKAY?

546
00:36:54,206 --> 00:36:57,079
I ALREADY MISS YOU, CLARK.

547
00:37:01,153 --> 00:37:04,233
I MISS YOU, TOO.

548
00:37:04,257 --> 00:37:06,695
YOUR GRANDMOTHER
IS WAITING FOR YOU.

549
00:37:06,719 --> 00:37:09,137
SHE'S GONNA TAKE
GOOD CARE OF YOU.

550
00:37:09,161 --> 00:37:11,164
I ALMOST FORGOT.

551
00:38:25,438 --> 00:38:28,316
SO, THE GOOD NEWS IS
WITH LOIS' LOVE FOR GOSSIP,

552
00:38:28,340 --> 00:38:31,749
I WILL ALWAYS HAVE THE INSIDE
SCOOP AT THE STATE CAPITOL.

553
00:38:31,773 --> 00:38:34,323
AS LONG AS SHE DOESN'T
GET MY MOM IMPEACHED.

554
00:38:34,347 --> 00:38:37,957
YEAH, I THINK THAT LOIS IS THE
LEAST OF YOUR MOM'S WORRIES.

555
00:38:37,981 --> 00:38:40,789
HAVE YOU TOLD HER ABOUT
YOUR OTHERWORLDLY SUSPICIONS

556
00:38:40,813 --> 00:38:42,430
THAT LIONEL KNOWS YOUR SECRET?

557
00:38:42,454 --> 00:38:44,662
SHE'S GOT A LOT ON
HER MIND RIGHT NOW.

558
00:38:44,686 --> 00:38:46,765
HEY, HOW'S LANA?

559
00:38:46,789 --> 00:38:50,238
I WAS WONDERING WHEN YOU WERE
GOING TO BRING UP THE "L" WORD.

560
00:38:50,262 --> 00:38:51,840
WHY DON'T YOU CALL HER?

561
00:38:51,864 --> 00:38:54,797
ACTUALLY, I WAS JUST TRYING
TO GIVE HER SOME SPACE.

562
00:38:55,998 --> 00:38:58,001
HAS SHE MET ANYONE YET?

563
00:39:00,233 --> 00:39:03,412
CLARK, LOOK, IF YOU DON'T
WANT TO TALK TO HER, THAT'S FINE.

564
00:39:03,436 --> 00:39:05,213
IT'S YOUR CHOICE.

565
00:39:05,237 --> 00:39:08,686
BUT PLEASE DON'T MAKE ME YOUR
OWN PERSONAL LITTLE COVERT SPY.

566
00:39:08,710 --> 00:39:09,842
CHLOE.

567
00:39:11,713 --> 00:39:14,746
IS THERE SOMETHING
YOU'RE NOT TELLING ME?

568
00:39:16,018 --> 00:39:18,296
NO.

569
00:39:18,320 --> 00:39:21,293
NOT AT ALL.

570
00:39:52,454 --> 00:39:54,733
LANA.

571
00:39:54,757 --> 00:39:57,836
I THOUGHT YOU WERE BUSY
EXPLICATING SHAKESPEARE TODAY.

572
00:39:57,860 --> 00:40:02,034
I WANTED TO TALK, JUST TO
SET THE RECORD STRAIGHT.

573
00:40:04,065 --> 00:40:07,245
I DON'T THINK THE RECORD
COULD BE ANY STRAIGHTER.

574
00:40:07,269 --> 00:40:10,001
CHLOE'S WORKING ON A
STORY WHERE THERE IS NONE.

575
00:40:11,503 --> 00:40:13,381
LEX, OUR FRIENDSHIP
MEANS A LOT TO ME,

576
00:40:13,405 --> 00:40:15,283
AND I DON'T WANT ANY
MISUNDERSTANDINGS

577
00:40:15,307 --> 00:40:16,825
TO GET IN THE WAY OF THAT.

578
00:40:16,849 --> 00:40:19,057
LANA, WE'RE ON THE SAME PAGE.

579
00:40:19,081 --> 00:40:21,860
IF I SOMEHOW GAVE YOU THE
WRONG IMPRESSION THE OTHER NIGHT,

580
00:40:21,884 --> 00:40:23,085
I APOLOGIZE.

581
00:40:25,358 --> 00:40:27,535
YOU DON'T HAVE TO APOLOGIZE

582
00:40:27,559 --> 00:40:30,499
FOR SOMETHING
THAT DIDN'T HAPPEN.

583
00:40:30,523 --> 00:40:33,972
WELL, IT WOULDN'T
BE THE FIRST TIME.

584
00:40:33,996 --> 00:40:36,544
THIS WHOLE THING...

585
00:40:36,568 --> 00:40:39,977
I MEAN, I CAN'T BELIEVE WE'RE
EVEN HAVING THIS CONVERSATION.

586
00:40:40,001 --> 00:40:42,381
TO THINK THAT THERE'D
BE ANYTHING BETWEEN US

587
00:40:42,405 --> 00:40:43,811
BESIDES FRIENDSHIP.

588
00:40:43,835 --> 00:40:48,055
DON'T WORRY. TALK IS
JUST A BUNCH OF NOISE.

589
00:40:48,079 --> 00:40:50,088
AS LONG AS WE BOTH
FEEL THE SAME WAY...

590
00:40:50,112 --> 00:40:52,315
THAT'S ALL THAT MATTERS.

591
00:41:09,461 --> 00:41:11,833
YOU OKAY?

592
00:41:15,467 --> 00:41:19,472
LOOK, IT'S JUST
SOMETHING THAT HAPPENED.

593
00:41:50,472 --> 00:41:53,450
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594
00:41:53,474 --> 00:41:56,478
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