1 00:00:02,391 --> 00:00:05,110 PREVIOUSLY ON "SMALLVILLE"... 2 00:00:05,134 --> 00:00:07,011 A SPACESHIP. WHERE? 3 00:00:07,035 --> 00:00:09,844 YOU'RE A PUBLIC FIGURE NOW, SENATOR. 4 00:00:09,868 --> 00:00:12,046 IT'S POSSIBLE THAT ANY ASSOCIATION WITH ME... 5 00:00:12,070 --> 00:00:14,578 COULD BE DANGEROUS. 6 00:00:14,602 --> 00:00:16,550 I KNOW I SHOULD BE ABLE TO MOVE ON, 7 00:00:16,574 --> 00:00:18,823 BUT LIFE WITHOUT HIM DOESN'T FEEL REAL. 8 00:00:18,847 --> 00:00:21,555 WHY WOULD YOU LIE TO SOMEONE YOU LOVE? 9 00:00:21,579 --> 00:00:22,826 I WOULDN'T. 10 00:00:22,850 --> 00:00:26,059 NEVER START A GAME YOU CAN'T WIN, MR. LUTHOR. 11 00:00:26,083 --> 00:00:27,861 [ GRUNTS ] 12 00:00:27,885 --> 00:00:30,134 I GUESS HE WAS KRYPTONIAN ARTIFICIAL INTELLIGENCE. 13 00:00:30,158 --> 00:00:32,759 [ GRUNTS ] 14 00:00:40,768 --> 00:00:42,604 I WANT FINE LOCATED, 15 00:00:42,628 --> 00:00:44,747 OR SOMEBODY'S GONNA BE WONDERING WHERE YOU DISAPPEARED TO. 16 00:00:44,771 --> 00:00:46,679 THERE'S A PROBLEM. THE SHIP'S GONE. 17 00:00:46,703 --> 00:00:49,552 I'll TAKE THE NECESSARY STEPS TO RECTIFY THE SITUATION. 18 00:00:49,576 --> 00:00:50,683 SO WILL I. 19 00:00:50,707 --> 00:00:54,015 YOUR SECRET IS SAFE WITH ME, KAL-EL. 20 00:00:54,039 --> 00:00:57,560 TELL ME THE TRUTH, CLARK. DO YOU STILL LOVE ME? 21 00:00:57,584 --> 00:00:59,845 I'VE ALWAYS LOVED YOU, AND I ALWAYS WILL. 22 00:01:36,980 --> 00:01:38,728 Man: THERE'S THE HUT. 23 00:01:38,752 --> 00:01:41,700 LET'S HOPE WORD OF THE EVAC ORDER MADE IT OUT THIS FAR. 24 00:01:41,724 --> 00:01:43,026 LET'S GO. 25 00:01:54,837 --> 00:01:56,098 HOLD UP. 26 00:01:59,671 --> 00:02:01,650 GOOD GOD. 27 00:02:01,674 --> 00:02:03,646 SON OF A BITCH. 28 00:02:10,853 --> 00:02:12,931 ALL RIGHT, LET'S GET BLOOD SAMPLES. 29 00:02:12,955 --> 00:02:14,786 10 cc EACH. 30 00:02:49,949 --> 00:02:53,923 HEY, THIS IS A QUARANTINED HOT ZONE! GET OUT NOW! 31 00:02:58,257 --> 00:02:59,835 DID YOU HEAR ME? 32 00:02:59,859 --> 00:03:02,001 YOU'RE EXPOSING YOURSELF TO A DEADLY VIRUS. 33 00:03:04,233 --> 00:03:06,104 AAH! 34 00:03:08,236 --> 00:03:09,237 AAH! 35 00:03:19,046 --> 00:03:22,850 [ GASPING, GROANING ] 36 00:03:51,007 --> 00:03:57,729 ♫ SOMEBODY SAVE ME ♫ 37 00:03:57,753 --> 00:04:00,962 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 38 00:04:00,986 --> 00:04:07,799 ♫ SOMEBODY SAVE ME ♫ 39 00:04:07,823 --> 00:04:11,241 ♫ I DON'T CARE HOW YOU DO IT ♫ 40 00:04:11,265 --> 00:04:12,204 ♫ JUST STAY ♫ 41 00:04:12,228 --> 00:04:14,204 ♫ STAY WITH ME ♫ 42 00:04:14,228 --> 00:04:16,276 ♫ STAY ♫ 43 00:04:16,300 --> 00:04:18,209 ♫ COME ON ♫ 44 00:04:18,233 --> 00:04:21,882 ♫ I'VE BEEN WAITING FOR YOU ♫ 45 00:04:21,906 --> 00:04:27,788 ♫ JUST STAY WITH ME ♫ 46 00:04:27,812 --> 00:04:31,862 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 47 00:04:31,886 --> 00:04:34,264 ♫ JUST STAY ♫ 48 00:04:34,288 --> 00:04:36,295 ♫ STAY ♫ 49 00:04:36,319 --> 00:04:39,952 ♫ COME ON ♫ 50 00:04:45,197 --> 00:04:47,175 Lana: CLARK, YOU'RE AMAZING. 51 00:04:47,199 --> 00:04:48,778 [ BOTH LAUGH ] 52 00:04:48,802 --> 00:04:51,680 OKAY, SO YOU'RE NOT GONNA WIN ANY DANCE CONTESTS, 53 00:04:51,704 --> 00:04:54,043 BUT YOU'RE DEFINITELY NOT THE WORST. 54 00:04:54,067 --> 00:04:55,744 LANA, I ALMOST STARTED A 10-PERSON PILEUP 55 00:04:55,768 --> 00:04:57,316 DOING THE TWO-STEP. 56 00:04:57,340 --> 00:04:59,848 WE SHOULD SKIP THE DANCING BEFORE SOMEONE GETS HURT. 57 00:04:59,872 --> 00:05:02,790 WELL, MAYBE WE SHOULD TRY SOMETHING ELSE MORE OFTEN. 58 00:05:02,814 --> 00:05:03,951 LIKE WHAT? 59 00:05:03,975 --> 00:05:06,654 WELL, I'll GIVE YOU A HINT. 60 00:05:06,678 --> 00:05:09,156 CHLOE HAPPENS TO BE PULLING AN ALL-NIGHTER 61 00:05:09,180 --> 00:05:11,122 AT THE DAILY PLANET. 62 00:05:13,185 --> 00:05:15,832 SO YOU HAVE THE DORM ROOM ALL TO YOURSELF? 63 00:05:15,856 --> 00:05:18,088 ALL TO OURSELVES. 64 00:05:20,190 --> 00:05:22,069 [ CHUCKLES NERVOUSLY ] 65 00:05:22,093 --> 00:05:24,071 THAT SOUNDS GREAT. IT REALLY DOES. 66 00:05:24,095 --> 00:05:26,143 BUT I HAVE TO GET BACK TO THE FARM. 67 00:05:26,167 --> 00:05:30,170 IT'S GONNA RAIN TOMORROW, AND I HAVE TO PUT UP SOME TARPS. 68 00:05:34,404 --> 00:05:36,223 CLARK... 69 00:05:36,247 --> 00:05:39,125 WHENEVER YOU'RE READY, I'll BE WAITING. 70 00:05:39,149 --> 00:05:41,086 AS LONG AS IT TAKES. 71 00:05:41,110 --> 00:05:43,252 NO PRESSURE. 72 00:05:45,886 --> 00:05:47,387 LANA. 73 00:05:50,689 --> 00:05:52,238 I GOT TO GO. 74 00:05:52,262 --> 00:05:55,300 IT'S GETTING LATE, BUT I'll TALK TO YOU TOMORROW. 75 00:05:55,324 --> 00:05:56,324 OKAY. 76 00:06:02,732 --> 00:06:04,874 Simone: I THOUGHT SHE'D NEVER LEAVE. 77 00:06:07,406 --> 00:06:11,154 HI... I'M SIMONE. 78 00:06:11,178 --> 00:06:12,856 I WAS JUST LEAVING. 79 00:06:12,880 --> 00:06:14,341 WHAT'S THE HURRY? 80 00:06:27,454 --> 00:06:30,226 YOU'RE NOT GOING ANYWHERE UNTIL I TELL YOU TO. 81 00:06:31,759 --> 00:06:33,329 OKAY. 82 00:06:35,201 --> 00:06:37,180 YOU'RE GONNA BELIEVE EVERYTHING I TELL YOU, 83 00:06:37,204 --> 00:06:39,711 AND YOU'RE GONNA DO EVERYTHING I SAY... 84 00:06:39,735 --> 00:06:41,413 STARTING NOW. 85 00:06:41,437 --> 00:06:43,409 WHAT DO YOU HAVE IN MIND? 86 00:07:09,865 --> 00:07:11,942 Lois: SMALLVILLE? 87 00:07:11,966 --> 00:07:13,538 WHAT THE HELL ARE YOU DOING? 88 00:07:15,399 --> 00:07:18,778 LOIS, I'D LIKE YOU TO MEET SIMONE... 89 00:07:18,802 --> 00:07:20,805 MY NEW GIRLFRIEND. 90 00:07:35,819 --> 00:07:37,466 Lana: I GOT YOUR TEXT MESSAGE. 91 00:07:37,490 --> 00:07:38,997 LANA. 92 00:07:39,021 --> 00:07:41,800 I APOLOGIZE FOR INTERRUPTING YOUR SATURDAY NIGHT, 93 00:07:41,824 --> 00:07:43,403 BUT I THOUGHT YOU'D BE INTERESTED. 94 00:07:43,427 --> 00:07:45,875 IT'S OKAY. I WAS JUST ON MY WAY BACK TO METROPOLIS. 95 00:07:45,899 --> 00:07:47,406 WHAT'S GOING ON? 96 00:07:47,430 --> 00:07:52,310 MY FATHER TAUGHT ME NEVER TO REVEAL MY HAND, BUT... 97 00:07:52,334 --> 00:07:54,812 I CONSIDER YOU MY PARTNER. 98 00:07:54,836 --> 00:07:56,415 IF IT WASN'T FOR YOU, 99 00:07:56,439 --> 00:07:59,016 I WOULD HAVE NEVER KNOWN THE SPACECRAFT EXISTED. 100 00:07:59,040 --> 00:08:01,019 HAVE YOU FOUND THE SHIP? 101 00:08:01,043 --> 00:08:04,822 NO, BUT I HAVE MANAGED TO TRACK DOWN MILTON FINE. 102 00:08:04,846 --> 00:08:07,365 WHAT DOES HE GOT TO DO WITH ANY OF THIS? 103 00:08:07,389 --> 00:08:09,266 HE WAS SEEN SEVERAL TIMES AROUND THE WAREHOUSE 104 00:08:09,290 --> 00:08:10,968 WHERE I STORED THE SPACECRAFT. 105 00:08:10,992 --> 00:08:12,569 AND HE HAPPENED TO DISAPPEAR 106 00:08:12,593 --> 00:08:15,572 FROM SMALLVILLE THE SAME EXACT DAY THE SHIP VANISHED. 107 00:08:15,596 --> 00:08:18,600 SOMETHING TELLS ME IT'S NOT A COINCIDENCE. 108 00:08:20,862 --> 00:08:23,439 SO EITHER YOU'RE PLANNING AN EXOTIC VACATION, 109 00:08:23,463 --> 00:08:26,312 OR THIS PROFESSOR IS SOMEWHERE IN CENTRAL AMERICA? 110 00:08:26,336 --> 00:08:29,540 HE WAS LAST SEEN IN HONDURAS. MY JET LEAVES IN AN HOUR. 111 00:08:34,073 --> 00:08:37,352 LEX, LET ME COME WITH YOU. MAYBE I COULD HELP. 112 00:08:37,376 --> 00:08:39,855 LANA, I APPRECIATE YOUR PASSION, 113 00:08:39,879 --> 00:08:42,398 BUT I HAVE NO IDEA WHAT I'M WALKING INTO. 114 00:08:42,422 --> 00:08:44,529 I CAN'T RISK PUTTING YOU IN DANGER. 115 00:08:44,553 --> 00:08:48,327 I PROMISE, WHEN I GET BACK, I'll TELL YOU EVERYTHING. 116 00:08:52,030 --> 00:08:53,432 [ CRICKETS CHIRPING ] 117 00:09:00,970 --> 00:09:02,947 HERE YOU GO. 118 00:09:02,971 --> 00:09:05,379 APPLE PIE. 119 00:09:05,403 --> 00:09:07,020 WELL, WHAT ELSE? 120 00:09:07,044 --> 00:09:09,354 MY MOM JUST MADE IT. 121 00:09:09,378 --> 00:09:10,879 OF COURSE SHE DID. 122 00:09:14,011 --> 00:09:15,960 THAT'S DELICIOUS. 123 00:09:15,984 --> 00:09:17,932 ALL I NEED NOW IS A GLASS OF CHAMPAGNE. 124 00:09:17,956 --> 00:09:20,587 I DON'T SUPPOSE YOU HAVE THAT HIDDEN BEHIND THE MARMALADE. 125 00:09:25,293 --> 00:09:26,594 CLARK? 126 00:09:33,029 --> 00:09:34,047 CLARK? 127 00:09:34,071 --> 00:09:36,072 [ WHOOSHES ] 128 00:09:38,905 --> 00:09:40,576 WHAT DID YOU... 129 00:09:44,039 --> 00:09:45,357 WHERE DID YOU GET THAT? 130 00:09:45,381 --> 00:09:47,460 HOWE'S LIQUOR STORE IN METROPOLIS. 131 00:09:47,484 --> 00:09:49,991 WHAT? 132 00:09:50,015 --> 00:09:51,493 METROPOLIS? HOW? 133 00:09:51,517 --> 00:09:53,294 I CAN RUN REALLY FAST. 134 00:09:53,318 --> 00:09:55,027 [ LAUGHS ] 135 00:09:55,051 --> 00:09:58,500 SO IF I WERE TO SAY, "CLARK... 136 00:09:58,524 --> 00:10:01,496 I WANT SOME CHOCOLATE-COVERED STRAWBERRIES." 137 00:10:10,434 --> 00:10:11,505 [ GASPS ] HERE YOU GO. 138 00:10:13,707 --> 00:10:16,471 YOU ARE TOO GOOD TO BE TRUE. 139 00:10:18,072 --> 00:10:21,044 I THINK IT'S TIME YOU TOLD YOUR GIRLFRIEND ABOUT US. 140 00:10:23,447 --> 00:10:25,950 CALL HER AND ASK HER TO COME OVER. 141 00:10:34,028 --> 00:10:36,336 OKAY, I AM THE FIRST PERSON TO CONCEDE 142 00:10:36,360 --> 00:10:38,707 THAT ANYTHING IS POSSIBLE IN THIS UNIVERSE, 143 00:10:38,731 --> 00:10:41,610 BUT CLARK KENT LIP-LOCKED WITH ANOTHER GIRL? 144 00:10:41,634 --> 00:10:44,614 CHLOE, I'M TELLING YOU, IT WAS LAST TANGO AT THE TALON. 145 00:10:44,638 --> 00:10:47,370 UNFORTUNATELY, I HAD FRONT-ROW SEATS. 146 00:10:49,072 --> 00:10:50,519 WELL... 147 00:10:50,543 --> 00:10:52,451 SOMETHING MUST HAVE HAPPENED TO HIM 148 00:10:52,475 --> 00:10:54,452 BECAUSE HE WOULDN'T JUST DO THIS. 149 00:10:54,476 --> 00:10:57,085 LOOK, I KNOW THAT YOU HAVE THIS WHOLE HERO-WORSHIP THING 150 00:10:57,109 --> 00:10:58,986 WITH THE GUY, BUT FACE IT... 151 00:10:59,010 --> 00:11:01,089 CLARK IS NO DIFFERENT THAN ANY OTHER RED-BLOODED MALE. 152 00:11:01,113 --> 00:11:03,631 HIS BRAIN... IT'S NOT HIS COMMANDING OFFICER. 153 00:11:03,655 --> 00:11:05,462 NO, LOIS, YOU DON'T KNOW HIM LIKE I DO. 154 00:11:05,486 --> 00:11:07,966 HE IS DIFFERENT. HE WOULDN'T DO THIS TO LANA. 155 00:11:07,990 --> 00:11:10,398 HE ALREADY HAS, AND IF LANA'S OUR FRIEND, 156 00:11:10,422 --> 00:11:12,639 WE NEED TO SHOOT OFF A WARNING FLARE... NO. 157 00:11:12,663 --> 00:11:14,741 NOW, BEFORE YOU UTTER ONE WORD TO LANA ABOUT THIS, 158 00:11:14,765 --> 00:11:17,698 I JUST WANT... ONE WORD ABOUT WHAT? 159 00:11:20,130 --> 00:11:21,548 WHAT'S GOING ON? 160 00:11:21,572 --> 00:11:25,481 UM, LOIS NEEDS A PLACE TO STAY. 161 00:11:25,505 --> 00:11:27,683 SHE NEEDS TO STAY AT OUR DORM ROOM FOR A COUPLE NIGHTS. 162 00:11:27,707 --> 00:11:29,515 RIGHT, THE HEATER'S ON THE FRITZ. 163 00:11:29,539 --> 00:11:31,587 AND I JUST WANTED TO MAKE SURE THAT I BROUGHT IT UP TO YOU 164 00:11:31,611 --> 00:11:34,120 BEFORE SHE SAID ANYTHING. 165 00:11:34,144 --> 00:11:36,493 OKAY. 166 00:11:36,517 --> 00:11:39,564 LOIS, YOU ARE ALWAYS WELCOME HERE. 167 00:11:39,588 --> 00:11:42,168 GREAT. 168 00:11:42,192 --> 00:11:44,399 I THOUGHT YOU WERE GONNA PULL AN ALL-NIGHTER? 169 00:11:44,423 --> 00:11:46,131 YEAH, WELL, AS MUCH AS I ENJOY 170 00:11:46,155 --> 00:11:48,134 A GOOD DOSE OF SLEEP DEPRIVATION, 171 00:11:48,158 --> 00:11:49,504 MY DEADLINE WAS PUSHED. 172 00:11:49,528 --> 00:11:51,530 [ CELLPHONE RINGING ] OH. 173 00:11:53,732 --> 00:11:55,409 HELLO? 174 00:11:55,433 --> 00:11:56,735 HI. 175 00:11:58,506 --> 00:12:00,485 OH, IS EVERYTHING ALL RIGHT? 176 00:12:00,509 --> 00:12:03,518 YEAH, I'll BE THERE AS SOON AS I CAN. 177 00:12:03,542 --> 00:12:05,490 WHO WAS THAT? 178 00:12:05,514 --> 00:12:07,591 THAT WAS CLARK. HE SAID HE NEEDS TO TALK TO ME. 179 00:12:07,615 --> 00:12:11,249 IT SEEMS REALLY URGENT. I'll SEE YOU GUYS LATER. 180 00:12:17,654 --> 00:12:19,756 [ SIGHS ] 181 00:12:25,832 --> 00:12:29,572 SO, LIGHTNING LEGS... [ BOTH CHUCKLE ] 182 00:12:29,596 --> 00:12:31,838 GOT ANY OTHER SPECIAL SKILLS? 183 00:12:33,841 --> 00:12:36,743 I WANT TO KNOW EVERYTHING YOU'RE CAPABLE OF. 184 00:12:56,162 --> 00:12:57,863 AN "S" FOR SIMONE. 185 00:12:59,764 --> 00:13:01,172 [ LAUGHS ] 186 00:13:01,196 --> 00:13:03,073 EVER SINCE I WAS LITTLE, 187 00:13:03,097 --> 00:13:05,206 I DREAMED ABOUT MY KNIGHT IN SHINING ARMOR, 188 00:13:05,230 --> 00:13:07,873 AND NOW THAT DREAM'S ACTUALLY COME TRUE. 189 00:13:20,213 --> 00:13:22,517 TAKE OFF YOUR SHIRT. 190 00:13:30,653 --> 00:13:32,125 YOUR TURN. 191 00:13:52,715 --> 00:13:55,246 NOW TAKE OFF THE REST OF YOUR CLOTHES. 192 00:13:59,280 --> 00:14:00,682 SIMONE... 193 00:14:02,283 --> 00:14:03,625 MY POWERS... 194 00:14:05,157 --> 00:14:06,857 I COULD HURT YOU. 195 00:14:11,663 --> 00:14:13,764 THAT'S A CHANCE I'M WILLING TO TAKE. 196 00:14:31,682 --> 00:14:33,283 MAKE LOVE TO ME, CLARK. 197 00:14:57,775 --> 00:14:59,778 OH, GOD. 198 00:15:04,883 --> 00:15:06,961 YOU DON'T CARE ABOUT HER ANYMORE, CLARK. 199 00:15:06,985 --> 00:15:08,417 GO TELL HER THAT IT'S OVER. 200 00:15:15,352 --> 00:15:16,793 LANA, WAIT. 201 00:15:22,830 --> 00:15:25,633 THIS IS WHY YOU COULDN'T SPEND THE NIGHT WITH ME? 202 00:15:29,907 --> 00:15:32,709 LANA, I'VE FALLEN IN LOVE WITH SOMEONE ELSE. 203 00:16:17,581 --> 00:16:18,783 [ CRICKETS CHIRPING ] 204 00:16:27,620 --> 00:16:29,493 MR. LUTHOR? 205 00:16:31,065 --> 00:16:32,566 WELCOME, SIMONE. 206 00:16:34,067 --> 00:16:36,274 DON'T YOU LOOK DELECTABLE THIS EVENING? 207 00:16:36,298 --> 00:16:37,547 DO I EVER GET TO MEET 208 00:16:37,571 --> 00:16:39,533 THE BILLIONAIRE BOY WONDER FACE-TO-FACE? 209 00:16:41,573 --> 00:16:44,913 WELL, AS MUCH I'D LIKE TO ADMIRE YOU UP CLOSE AND PERSONAL, 210 00:16:44,937 --> 00:16:47,655 I PREFER TO HOLD ON TO MY FREE WILL. 211 00:16:47,679 --> 00:16:49,388 OH. 212 00:16:49,412 --> 00:16:51,389 HOW'S YOUR PROGRESS? 213 00:16:51,413 --> 00:16:53,922 LET'S JUST SAY THAT LANA LANG WON'T BE SENDING CLARK 214 00:16:53,946 --> 00:16:55,548 ANY MORE VALENTINE'S DAY CARDS. 215 00:16:57,088 --> 00:16:59,067 AND WHAT ABOUT CLARK? 216 00:16:59,091 --> 00:17:01,668 HAVE YOU DISCOVERED ANYTHING UNUSUAL ABOUT HIM? 217 00:17:01,692 --> 00:17:03,554 ABSOLUTELY. 218 00:17:05,626 --> 00:17:07,534 WHAT IS IT? 219 00:17:07,558 --> 00:17:11,633 CLARK KENT IS THE MOST EXTRAORDINARY... 220 00:17:13,364 --> 00:17:14,665 KISSER. 221 00:17:18,538 --> 00:17:20,447 THERE MUST BE MORE. 222 00:17:20,471 --> 00:17:22,949 IF HE HAD SOME SECRET, DON'T YOU THINK THAT I WOULD KNOW? 223 00:17:22,973 --> 00:17:26,322 WHAT YOU SEE IS WHAT YOU GET... A CORN-FED FARM BOY. 224 00:17:26,346 --> 00:17:29,024 I'VE DONE EVERYTHING YOU'VE ASKED ME TO, 225 00:17:29,048 --> 00:17:30,956 SO NOW YOU CAN GET OUT OF MY LIFE 226 00:17:30,980 --> 00:17:32,098 AND LEAVE ME ALONE. 227 00:17:32,122 --> 00:17:34,731 PATIENCE, SIMONE. 228 00:17:34,755 --> 00:17:37,733 THERE'S SOMEONE ELSE I'D LIKE YOU TO MEET... 229 00:17:37,757 --> 00:17:39,435 IN HONDURAS. 230 00:17:39,459 --> 00:17:41,966 NO WAY. THIS WAS A ONE-TIME DEAL, REMEMBER? 231 00:17:41,990 --> 00:17:44,069 DO YOU REMEMBER THAT I JUST UNEARTHED EVIDENCE 232 00:17:44,093 --> 00:17:46,596 THAT COULD PUT YOU IN PRISON FOR THE REST OF YOUR LIFE? 233 00:17:47,697 --> 00:17:49,574 NOW, I THINK THE LEAST YOU COULD DO 234 00:17:49,598 --> 00:17:52,476 IS ONE MORE LITTLE FAVOR FOR ME. 235 00:17:52,500 --> 00:17:55,604 I'll BE BACK TOMORROW NIGHT. WE'LL TALK. 236 00:17:59,407 --> 00:18:00,584 SIR? 237 00:18:00,608 --> 00:18:02,427 I HAVE ROBERTS ON THE SECURE LINE. 238 00:18:02,451 --> 00:18:05,384 IT TURNS OUT MILTON FINE ISN'T WHO WE THINK HE IS. 239 00:18:17,125 --> 00:18:19,743 OH, THANK GOD, YOU'RE FULLY CLOTHED. 240 00:18:19,767 --> 00:18:21,475 I WAS AFRAID I'D BE WALKING IN 241 00:18:21,499 --> 00:18:23,146 ON SOME SORT OF DANGEROUS LIAISON. 242 00:18:23,170 --> 00:18:24,747 I TAKE IT YOU'VE TALKED TO LANA. 243 00:18:24,771 --> 00:18:26,679 WELL, I COULD BARELY HEAR HER THROUGH THE SOBS, 244 00:18:26,703 --> 00:18:28,782 BUT, YEAH, SHE CALLED TO TELL ME 245 00:18:28,806 --> 00:18:30,778 THAT SHE WAS SPENDING THE NIGHT AT AUNT NELL'S. 246 00:18:32,138 --> 00:18:34,516 SO WHERE'S THE HOTTIE? 247 00:18:34,540 --> 00:18:37,784 IF YOU'RE TALKING ABOUT SIMONE, SHE'S IN THE HOUSE. 248 00:18:39,786 --> 00:18:41,494 I DON'T GET IT. 249 00:18:41,518 --> 00:18:44,426 I MEAN, IF IT WAS RED "K," YOU WOULDN'T BE DOING CHORES, 250 00:18:44,450 --> 00:18:46,768 AND IF IT WAS SILVER "K," YOU'D BE AFRAID 251 00:18:46,792 --> 00:18:49,801 THAT PITCHFORK WAS GONNA TURN YOU INTO A SHISH KEBAB. 252 00:18:49,825 --> 00:18:51,033 [ CHUCKLES ] 253 00:18:51,057 --> 00:18:53,034 WHAT HAPPENED TO YOU, CLARK? 254 00:18:53,058 --> 00:18:55,059 I FELL IN LOVE. 255 00:18:57,162 --> 00:18:59,139 I DON'T THINK YOU FELL. 256 00:18:59,163 --> 00:19:02,443 I THINK YOU WERE PUSHED... OFF A CLIFF. 257 00:19:02,467 --> 00:19:05,045 CHLOE, JUST BECAUSE YOU KNOW MY SECRET 258 00:19:05,069 --> 00:19:07,447 DOESN'T MEAN YOU KNOW HOW I FEEL. 259 00:19:07,471 --> 00:19:08,849 YEAH, BUT I DO KNOW 260 00:19:08,873 --> 00:19:11,421 THAT YOU'D NEVER INTENTIONALLY HURT LANA LIKE THIS. 261 00:19:11,445 --> 00:19:13,052 CHLOE, YOU'RE THE ONE WHO SAID 262 00:19:13,076 --> 00:19:15,795 THAT MY RELATIONSHIP WITH LANA WOULD NEVER GO ANYWHERE 263 00:19:15,819 --> 00:19:18,859 AS LONG AS I HAVE TO LIE ABOUT WHO I AM, AND YOU WERE RIGHT. 264 00:19:18,883 --> 00:19:21,460 SO HOW ARE THINGS GONNA BE ANY DIFFERENT WITH SIMONE? 265 00:19:21,484 --> 00:19:25,558 I TOLD SIMONE ABOUT MY POWERS. 266 00:19:27,090 --> 00:19:28,608 OKAY, WAIT A MINUTE, CLARK. 267 00:19:28,632 --> 00:19:30,669 YOU MAY THINK YOU'RE MADLY IN LOVE WITH THIS GIRL, 268 00:19:30,693 --> 00:19:32,472 BUT YOU NEED TO STAY AWAY FROM HER. 269 00:19:32,496 --> 00:19:33,812 YOU DON'T EVEN KNOW SIMONE. 270 00:19:33,836 --> 00:19:36,169 I KNOW WHEN YOU'RE BEING MANIPULATED. 271 00:19:37,701 --> 00:19:39,217 YOU'RE CROSSING A LINE HERE, CHLOE, 272 00:19:39,241 --> 00:19:40,820 AND I HAVE ALWAYS TRUSTED YOU. 273 00:19:40,844 --> 00:19:42,751 SO HOW ABOUT THIS TIME, YOU TRUST ME? 274 00:19:42,775 --> 00:19:44,676 LET ME LIVE MY LIFE. 275 00:19:46,209 --> 00:19:47,710 BACK OFF. 276 00:20:13,934 --> 00:20:15,713 Simone: CLARK, IS THAT YOU? 277 00:20:15,737 --> 00:20:18,614 HI, YOU MUST BE SIMONE. 278 00:20:18,638 --> 00:20:21,158 I'M CHLOE. I'M CLARK'S FRIEND. 279 00:20:21,182 --> 00:20:23,120 IT'S REALLY GREAT TO FINALLY MEET YOU. 280 00:20:23,144 --> 00:20:24,644 HELLO. 281 00:20:26,646 --> 00:20:28,864 I'M SO GLAD THAT CLARK HOOKED UP WITH YOU. 282 00:20:28,888 --> 00:20:31,266 I MEAN, HE WAS JUST MISERABLE WITH LANA, 283 00:20:31,290 --> 00:20:34,669 AND NOW I HONESTLY HAVE NEVER SEEN HIM MORE HAPPY. 284 00:20:34,693 --> 00:20:36,826 YOU TWO ARE REALLY PERFECT FOR EACH OTHER. 285 00:20:39,159 --> 00:20:42,237 THAT'S NICE TO HEAR. DO YOU KNOW WHERE HE IS? 286 00:20:42,261 --> 00:20:44,604 YEAH, HE'S IN THE BARN. 287 00:20:52,641 --> 00:20:55,149 CLARK, I NEED YOU. 288 00:20:55,173 --> 00:20:57,846 CLARK? 289 00:21:23,901 --> 00:21:25,903 [ ENGINE IDLING ] 290 00:21:52,827 --> 00:21:54,805 Dr. Fine: I WOULD HAVE TEA AND PETIT FOURS WAITING, 291 00:21:54,829 --> 00:21:57,231 BUT I DIDN'T EXPECT YOU SO SOON. 292 00:21:58,733 --> 00:22:00,812 YOU KNEW I WAS COMING? 293 00:22:00,836 --> 00:22:02,914 WHEN YOU LEAVE A TRAIL OF BREAD CRUMBS, 294 00:22:02,938 --> 00:22:05,315 IT'S NO SURPRISE WHEN THE CROW COMES CALLING. 295 00:22:05,339 --> 00:22:07,818 OH, I THINK A SIMPLE PHONE CALL WOULD HAVE SUFFICED. 296 00:22:07,842 --> 00:22:10,220 I COULDN'T REVEAL THE TRUTH ABOUT MYSELF 297 00:22:10,244 --> 00:22:12,963 UNTIL I WAS SURE YOU WERE DEDICATED TO YOUR CAUSE. 298 00:22:12,987 --> 00:22:17,327 WELL, I HATE TO DISAPPOINT YOU, BUT... 299 00:22:17,351 --> 00:22:19,993 I ALREADY KNOW WHAT YOU ARE. 300 00:22:23,257 --> 00:22:25,929 AND IT'S NOT A PROFESSOR OF HISTORY, IS IT? 301 00:22:27,730 --> 00:22:30,939 NO, IT'S SOMETHING MUCH MORE EXCITING. 302 00:22:30,963 --> 00:22:32,712 TELL ME... 303 00:22:32,736 --> 00:22:35,645 WHAT'S THE BENEFITS PACKAGE OF A GOVERNMENT OPERATIVE 304 00:22:35,669 --> 00:22:38,347 WORKING FOR A COVERT BRANCH OF THE STATE DEPARTMENT? 305 00:22:38,371 --> 00:22:40,973 [ SIGHS ] 306 00:22:42,875 --> 00:22:44,376 VERY GOOD. 307 00:22:46,348 --> 00:22:48,750 YOU FOUND THAT BREAD CRUMB ON YOUR OWN. 308 00:22:50,752 --> 00:22:52,960 WHAT I WANT TO KNOW IS WHAT YOU WERE DOING POSING 309 00:22:52,984 --> 00:22:56,264 AS A COLLEGE PROFESSOR IN A KANSAS FARM TOWN? 310 00:22:56,288 --> 00:22:59,006 I WAS INVESTIGATING THE POSSIBILITY 311 00:22:59,030 --> 00:23:01,893 OF AN EXTRATERRESTRIAL PRESENCE. 312 00:23:05,896 --> 00:23:09,345 THIS INVESTIGATION... DID IT BEAR ANY FRUIT? 313 00:23:09,369 --> 00:23:10,747 [ CHUCKLES ] 314 00:23:10,771 --> 00:23:12,749 WELL, WE BELIEVE A SPACECRAFT 315 00:23:12,773 --> 00:23:14,752 OF UNKNOWN ORIGIN TOUCHED DOWN 316 00:23:14,776 --> 00:23:18,784 DURING THE RECENT METEOR SHOWER, BUT... 317 00:23:18,808 --> 00:23:22,058 AN INDIVIDUAL WITH QUICK REFLEXES AND VAST RESOURCES 318 00:23:22,082 --> 00:23:25,115 WAS ABLE TO GET TO IT BEFORE WE COULD. 319 00:23:27,386 --> 00:23:30,035 SO THAT'S WHY YOU WERE INVESTIGATING LUTHORCORP. 320 00:23:30,059 --> 00:23:32,298 YEAH... 321 00:23:32,322 --> 00:23:34,340 AND I ADMIRE THE REMARKABLE ADVANCES YOU MADE 322 00:23:34,364 --> 00:23:35,801 IN THE NAME OF SCIENCE. 323 00:23:35,825 --> 00:23:38,303 TOO BAD YOU COULDN'T GET INTO THAT SHIP 324 00:23:38,327 --> 00:23:39,798 WHEN YOU HAD A CHANCE. 325 00:23:41,901 --> 00:23:43,432 YOU KNOW WHERE IT IS. 326 00:23:46,375 --> 00:23:47,713 [ SNIFFS ] 327 00:23:47,737 --> 00:23:49,313 YOU KNOW THE ANCIENT MAYANS BELIEVED 328 00:23:49,337 --> 00:23:51,941 THAT THEY WERE VISITED BY GREAT BEINGS FROM THE HEAVENS. 329 00:23:54,343 --> 00:23:56,890 YOU THINK THE SHIP'S IN HONDURAS. 330 00:23:56,914 --> 00:23:59,387 WELL, I'M CERTAINLY NOT HERE FOR THE COFFEE. 331 00:24:17,003 --> 00:24:19,713 SO I THINK CLARK'S BIZARRE BEHAVIOR 332 00:24:19,737 --> 00:24:21,745 MIGHT BE SOME FORM OF SUPERCHARGED HYPNOSIS. 333 00:24:21,769 --> 00:24:23,887 I'VE HEARD OF HYPNOTISM BEING USED TO STOP SMOKING 334 00:24:23,911 --> 00:24:25,487 OR LOSE WEIGHT, 335 00:24:25,511 --> 00:24:28,051 BUT TO REDUCE CLARK TO SOME GOO-GOO-EYED LOVE SLAVE? 336 00:24:28,075 --> 00:24:30,052 IT ISN'T JUST OVER-THE-COUNTER HYPNOSIS. 337 00:24:30,076 --> 00:24:32,754 THIS IS PRESCRIPTION STRENGTH, AND IT NEVER WEARS OFF. 338 00:24:32,778 --> 00:24:34,156 CHECK THIS OUT. 339 00:24:34,180 --> 00:24:36,058 SIMONE'S DAD WAS WORLD-RENOWNED FOR CURING HIS PATIENTS 340 00:24:36,082 --> 00:24:37,459 OF ALL KINDS OF AFFLICTIONS... 341 00:24:37,483 --> 00:24:40,302 EVERYTHING FROM CRAVINGS TO CANCER. 342 00:24:40,326 --> 00:24:43,004 MAYBE I CAN TALK TO HIM ABOUT MY NAIL-BITING ISSUE. 343 00:24:43,028 --> 00:24:44,548 I'M AFRAID IT'S A LITTLE LATE FOR THAT. 344 00:24:45,932 --> 00:24:49,464 LAST MONTH, HE DIED DURING A BOTCHED BURGLARY. 345 00:24:52,998 --> 00:24:55,146 WAIT A SECOND, I'VE SEEN THAT JEWEL. 346 00:24:55,170 --> 00:24:57,918 SO HAVE I, AROUND SIMONE'S SCRAWNY LITTLE NECK. 347 00:24:57,942 --> 00:25:00,120 IT'S AN ANCIENT FAMILY HEIRLOOM THAT DATES BACK 348 00:25:00,144 --> 00:25:02,422 TO THE GREAT ALCHEMISTS IN MEDIEVAL ENGLAND. 349 00:25:02,446 --> 00:25:04,985 IT WAS ALSO THE ONLY THING STOLEN. 350 00:25:05,009 --> 00:25:06,927 ARE YOU SAYING SIMONE'S RESPONSIBLE 351 00:25:06,951 --> 00:25:08,329 FOR HER OWN FATHER'S DEATH? 352 00:25:08,353 --> 00:25:10,060 WELL... 353 00:25:10,084 --> 00:25:12,533 IF IT MEANT GETTING DADDY'S HYPER-HYPNO POWERS, 354 00:25:12,557 --> 00:25:14,063 MAYBE. 355 00:25:14,087 --> 00:25:15,535 I JUST THINK IT'S A TAD BIT COCKY 356 00:25:15,559 --> 00:25:18,037 TO BE WEARING IT AROUND YOUR NECK LIKE AN OLYMPIC MEDAL. 357 00:25:18,061 --> 00:25:21,001 NOT IF YOU COULD MAKE ANY COP BELIEVE THAT YOU'RE INNOCENT. 358 00:25:21,025 --> 00:25:22,272 WHAT I DON'T UNDERSTAND IS, 359 00:25:22,296 --> 00:25:24,174 OF ALL PEOPLE, WHY GO AFTER CLARK? 360 00:25:24,198 --> 00:25:26,074 I DON'T KNOW... 361 00:25:26,098 --> 00:25:28,177 BUT WE DEFINITELY NEED TO SNAP HIM OUT OF IT SOON 362 00:25:28,201 --> 00:25:30,379 BEFORE HE DOES SOMETHING HE CAN'T EVER COME BACK FROM. 363 00:25:30,403 --> 00:25:33,012 WELL, WHAT ARE WE WAITING FOR? 364 00:25:33,036 --> 00:25:34,253 LET'S MOVE. 365 00:25:34,277 --> 00:25:36,155 YEAH, YOU KNOW, I, UM... 366 00:25:36,179 --> 00:25:38,357 I JUST NEED TO GRAB SOMETHING. I'll MEET YOU THERE. 367 00:25:38,381 --> 00:25:40,282 OKAY. 368 00:26:01,001 --> 00:26:02,439 HEY. 369 00:26:02,463 --> 00:26:04,035 [ SPEAKING SPANISH ] 370 00:26:11,112 --> 00:26:13,249 [ SPEAKING SPANISH ] 371 00:26:13,273 --> 00:26:15,415 GRACIAS. 372 00:26:19,180 --> 00:26:21,527 HIS FATHER CARVED IT AFTER CLAIMING 373 00:26:21,551 --> 00:26:25,532 TO HAVE SEEN A CARRO DE iOS DIOSES LAND FROM THE SKY. 374 00:26:25,556 --> 00:26:27,533 "CHARIOT OF THE GODS"? 375 00:26:27,557 --> 00:26:29,235 YEAH. 376 00:26:29,259 --> 00:26:30,505 I WANT TO TALK TO HIM. 377 00:26:30,529 --> 00:26:32,267 UM... 378 00:26:32,291 --> 00:26:34,409 I KNOW YOU CAN DO MANY THINGS, MR. LUTHOR, 379 00:26:34,433 --> 00:26:36,411 BUT I'M NOT SURE YOU CAN COMMUNICATE WITH THE DEAD. 380 00:26:36,435 --> 00:26:38,214 DAYS AFTER THE SIGHTING, 381 00:26:38,238 --> 00:26:41,039 HIS WIFE CAME HOME TO FIND HIS CHARRED REMAINS ON THE FLOOR. 382 00:26:43,172 --> 00:26:45,403 DESPITE URBAN MYTHS... 383 00:26:46,575 --> 00:26:49,383 HUMAN BEINGS DON'T SPONTANEOUSLY COMBUST. 384 00:26:49,407 --> 00:26:51,055 NO. 385 00:26:51,079 --> 00:26:53,487 WE BELIEVE WHOEVER OR WHATEVER WAS IN THAT SPACESHIP 386 00:26:53,511 --> 00:26:55,429 INCINERATED THE MAN. 387 00:26:55,453 --> 00:26:59,332 IN FACT, WE SUSPECT THIS ALIEN RACE POSES A GRAVE THREAT 388 00:26:59,356 --> 00:27:01,165 TO THE ENTIRE PLANET. 389 00:27:01,189 --> 00:27:03,437 HOW DO YOU DEFEND AGAINST A THREAT OF THAT MAGNITUDE? 390 00:27:03,461 --> 00:27:04,638 [ SIGHS ] 391 00:27:04,662 --> 00:27:07,640 IT PRESENTS A GREAT CHALLENGE... 392 00:27:07,664 --> 00:27:10,043 BUT WE ARE WORKING ON A POTENTIAL WEAPON, 393 00:27:10,067 --> 00:27:11,574 A WEAPON THAT WOULD GREATLY BENEFIT 394 00:27:11,598 --> 00:27:14,247 FROM LUTHORCORP'S ASSISTANCE. 395 00:27:14,271 --> 00:27:16,208 WE'RE WELL AWARE OF YOUR TIRELESS QUEST 396 00:27:16,232 --> 00:27:18,180 FOR EXTRATERRESTRIAL LIFE, MR. LUTHOR. 397 00:27:18,204 --> 00:27:19,411 YOUR TENACITY IS IMPRESSIVE. 398 00:27:19,435 --> 00:27:22,314 I'll HELP IN ANY WAY I CAN, 399 00:27:22,338 --> 00:27:25,118 BUT I WANT UNRESTRICTED ACCESS TO ALL YOUR DATA. 400 00:27:25,142 --> 00:27:27,459 THAT'S A BOLD REQUEST. 401 00:27:27,483 --> 00:27:30,162 WELL, WITHOUT IT, THIS DISCUSSION IS OVER. 402 00:27:30,186 --> 00:27:32,164 I'M NOT SURE YOU UNDERSTAND ME, MR. LUTHOR. 403 00:27:32,188 --> 00:27:35,167 IF WE DON'T WORK TOGETHER, THERE MAY NOT BE A LUTHORCORP 404 00:27:35,191 --> 00:27:37,369 OR A GOVERNMENT LEFT. 405 00:27:37,393 --> 00:27:40,096 THINK ABOUT THAT ON YOUR FLIGHT HOME. 406 00:27:49,365 --> 00:27:51,081 [ EXHALES SHARPLY ] 407 00:27:51,105 --> 00:27:54,185 WHERE YOU OFF TO, ROMEO? A MOTEL WITH VIBRATING BEDS? 408 00:27:54,209 --> 00:27:55,516 SIMONE AND I ARE GOING TO CALIFORNIA. 409 00:27:55,540 --> 00:27:57,588 THAT WAY I CAN GET AWAY FROM YOUR RUNNING COMMENTARY. 410 00:27:57,612 --> 00:28:00,351 WHOA, MY RUNNING COMMENTARY SAYS YOU'RE HYPNOTIZED. 411 00:28:00,375 --> 00:28:02,592 NOW, CLARK, YOU NEED TO DROP YOUR SUITCASE. 412 00:28:02,616 --> 00:28:04,254 YOU'RE NOT GOING ANYWHERE. 413 00:28:04,278 --> 00:28:06,397 I'M ASKING YOU NICELY. STEP ASIDE. 414 00:28:06,421 --> 00:28:09,099 LOOK, I DIDN'T WANT TO HAVE TO DO THIS, 415 00:28:09,123 --> 00:28:12,602 BUT IF NECESSARY, I'M GONNA HAVE TO TAKE YOU DOWN. 416 00:28:12,626 --> 00:28:14,488 [ LAUGHS ] 417 00:28:15,660 --> 00:28:17,667 I SEE WE HAVE A VISITOR. 418 00:28:17,691 --> 00:28:20,669 [ SIGHS ] 419 00:28:20,693 --> 00:28:23,243 I SUGGEST YOU TURN YOUR BOY TOY BACK TO NORMAL 420 00:28:23,267 --> 00:28:24,643 BEFORE I REACH OVER AND RIP OUT 421 00:28:24,667 --> 00:28:26,515 THOSE PEARLY-WHITE TEETH OF YOURS. 422 00:28:26,539 --> 00:28:29,177 CLARK, BE A LOVE AND KNOCK HER OUT. 423 00:28:29,201 --> 00:28:31,680 YEAH, RIGHT. 424 00:28:31,704 --> 00:28:32,705 [ CHUCKLES ] 425 00:28:35,307 --> 00:28:36,725 [ GASPS ] 426 00:28:36,749 --> 00:28:39,388 OH, MY GOD. WHAT HAPPENED? 427 00:28:39,412 --> 00:28:41,389 MRS. KENT... 428 00:28:41,413 --> 00:28:43,431 I WANT YOU TO DO WHATEVER IT TAKES 429 00:28:43,455 --> 00:28:45,417 TO STOP HER FROM FOLLOWING US. 430 00:28:48,460 --> 00:28:50,537 WHERE ARE YOU OFF TO? 431 00:28:50,561 --> 00:28:52,741 WE'RE LEAVING SMALLVILLE FOREVER. 432 00:28:52,765 --> 00:28:55,673 AND YOU COULDN'T BE MORE THRILLED. 433 00:28:55,697 --> 00:28:57,298 YOU WON'T MISS CLARK ONE BIT. 434 00:28:58,700 --> 00:29:00,677 WELL, THEN... 435 00:29:00,701 --> 00:29:03,280 YOU TWO HAVE A WONDERFUL TIME. 436 00:29:03,304 --> 00:29:04,536 THANKS, MOM. 437 00:29:07,438 --> 00:29:09,711 BETTER GO. OKAY. BYE. 438 00:29:12,282 --> 00:29:14,561 OH, AND WE HAVE TO MAKE ONE QUICK PIT STOP 439 00:29:14,585 --> 00:29:16,162 AT THE LUTHOR MANSION. 440 00:29:16,186 --> 00:29:17,764 I NEED YOU TO DO ME A FAVOR. 441 00:29:17,788 --> 00:29:19,325 WHATEVER YOU NEED. 442 00:29:19,349 --> 00:29:22,423 CLARK, YOU'RE GONNA KILL LEX LUTHOR. 443 00:29:24,423 --> 00:29:26,326 HE'S A DEAD MAN. 444 00:29:33,403 --> 00:29:35,180 [ CRICKETS CHIRPING ] 445 00:29:35,204 --> 00:29:36,742 [ GROANS ] 446 00:29:36,766 --> 00:29:39,143 [ INHALES SHARPLY ] OW. 447 00:29:39,167 --> 00:29:41,186 [ SIGHS ] 448 00:29:41,210 --> 00:29:43,412 [ GASPS ] 449 00:29:46,545 --> 00:29:51,025 MRS. KENT... WHAT ARE YOU DOING? 450 00:29:51,049 --> 00:29:54,158 STAY RIGHT WHERE YOU ARE. 451 00:29:54,182 --> 00:29:57,061 LOOK, YOU'RE NOT YOURSELF, 452 00:29:57,085 --> 00:29:59,664 SO WHY DON'T YOU QUIT THE CALAMITY JANE IMPERSONATION 453 00:29:59,688 --> 00:30:03,066 AND, UH, DROP THE WEAPON. 454 00:30:03,090 --> 00:30:05,508 I DON'T LIKE IT ANY MORE THAN YOU DO, LOIS, 455 00:30:05,532 --> 00:30:07,670 BUT IT'S THE ONLY WAY TO KEEP YOU HERE. 456 00:30:07,694 --> 00:30:09,467 [ SIGHS ] 457 00:30:12,199 --> 00:30:15,549 OH, MY GOD. I JUST KNOCKED OUT MARTHA KENT. 458 00:30:15,573 --> 00:30:17,080 HELLO. 459 00:30:17,104 --> 00:30:19,452 THE WOMAN WAS ABOUT TO WALLPAPER HER LIVING ROOM 460 00:30:19,476 --> 00:30:20,652 WITH MY BRAIN MATTER. 461 00:30:20,676 --> 00:30:23,085 RIGHT. WHERE'S CLARK? 462 00:30:23,109 --> 00:30:25,187 WELL, WHILE I WAS SEEING STARS, 463 00:30:25,211 --> 00:30:28,060 I THINK HIS GIRLFRIEND SAID SHE WANTED TO GO 464 00:30:28,084 --> 00:30:30,433 TO LUTHOR MANSION OR SOMETHING. 465 00:30:30,457 --> 00:30:33,696 SO WHY DON'T YOU STAY HERE AND KEEP MRS. KENT... 466 00:30:33,720 --> 00:30:35,822 [ SIGHS ] 467 00:30:38,564 --> 00:30:40,226 MRS. KENT? 468 00:30:45,500 --> 00:30:48,709 WELL, IT'S ALWAYS NICE TO BE WELCOMED HOME AFTER A TRIP, 469 00:30:48,733 --> 00:30:51,507 BUT I DIDN'T EXPECT TO FIND YOU HERE. 470 00:30:57,142 --> 00:30:58,589 [ GRUNTS ] 471 00:30:58,613 --> 00:31:00,720 CLARK, YOU'VE BEEN HYPNOTIZED. 472 00:31:00,744 --> 00:31:04,124 HOW ELSE COULD YOU THROW ME ACROSS THE ROOM LIKE THAT? 473 00:31:04,148 --> 00:31:05,595 I'M DONE WITH YOU, LEX. 474 00:31:05,619 --> 00:31:07,467 YOU'RE UNDER SIMONE'S CONTROL NOW. 475 00:31:07,491 --> 00:31:10,470 THE GIRL'S A COLD-BLOODED MURDERER, CLARK. 476 00:31:10,494 --> 00:31:12,202 YOUR LIES CAN'T HELP YOU NOW. 477 00:31:12,226 --> 00:31:14,804 [ GRUNTS ] 478 00:31:14,828 --> 00:31:16,735 CLARK, BEFORE SHE WORE THAT JEWEL, 479 00:31:16,759 --> 00:31:18,737 SHE WAS NOTHING BUT A PETTY SHOPLIFTER. 480 00:31:18,761 --> 00:31:20,610 HER DAD NEVER TRUSTED HER WITH THE GEM, 481 00:31:20,634 --> 00:31:21,880 SO SHE MURDERED HIM FOR IT. 482 00:31:21,904 --> 00:31:24,708 I HAVE THE WHOLE THING ON SURVEILLANCE TAPE. 483 00:31:25,909 --> 00:31:28,618 YOU DON'T BELIEVE A WORD HE SAID, CLARK. 484 00:31:28,642 --> 00:31:30,620 MY SECURITY'S ON THE WAY. 485 00:31:30,644 --> 00:31:32,491 OH, I'VE MET YOUR SECURITY TEAM. 486 00:31:32,515 --> 00:31:34,917 I HOPE YOU DON'T MIND. I GAVE THEM ALL THE DAY OFF. 487 00:31:36,278 --> 00:31:37,920 FINISH HIM OFF, CLARK... 488 00:31:38,881 --> 00:31:40,552 AND MAKE HIM SUFFER. 489 00:31:41,284 --> 00:31:42,801 AAH! 490 00:31:42,825 --> 00:31:44,787 [ CHOKES ] 491 00:32:04,806 --> 00:32:06,853 Simone: LEX! 492 00:32:06,877 --> 00:32:08,548 KILL HER. 493 00:32:15,756 --> 00:32:17,317 AND THEN KILL YOURSELF. 494 00:32:19,660 --> 00:32:20,837 NO! 495 00:32:20,861 --> 00:32:23,363 [ BOTH GRUNTING ] 496 00:32:24,694 --> 00:32:26,601 [ GUNSHOT ] 497 00:32:26,625 --> 00:32:30,369 [ THUNDER CRASHES, WIND BLOWS ] 498 00:32:38,577 --> 00:32:40,910 [ CLARK GRUNTING ] 499 00:32:48,947 --> 00:32:50,925 ARE YOU ALL RIGHT, CLARK? 500 00:32:50,949 --> 00:32:53,352 I THINK SO. 501 00:33:01,328 --> 00:33:03,806 Clark: I FEEL LIKE I JUST WOKE UP FROM A BAD DREAM, 502 00:33:03,830 --> 00:33:05,809 EXCEPT I REMEMBER ALL THE GORY DETAILS. 503 00:33:05,833 --> 00:33:09,683 YEAH, UM, DID YOU AND SIMONE EVER ACTUALLY... 504 00:33:09,707 --> 00:33:11,314 NO, THANK GOD. 505 00:33:11,338 --> 00:33:12,386 OKAY. 506 00:33:12,410 --> 00:33:13,917 SO THEN THE MORAL OF THE STORY 507 00:33:13,941 --> 00:33:15,988 IS JUST NEVER GAZE INTO THE EYES OF A SEDUCTIVE WOMAN 508 00:33:16,012 --> 00:33:18,591 WEARING A SPARKLY GEMSTONE AROUND HER NECK. 509 00:33:18,615 --> 00:33:20,793 UNLESS, OF COURSE, HER NAME IS LANA LANG. 510 00:33:20,817 --> 00:33:23,619 HAVE YOU TALKED TO HER YET? DID YOU GUYS KISS AND MAKE UP? 511 00:33:26,353 --> 00:33:28,630 YOU HAVEN'T TALKED TO HER, HAVE YOU? 512 00:33:28,654 --> 00:33:30,733 NO. 513 00:33:30,757 --> 00:33:32,864 WHAT ARE YOU WAITING FOR? 514 00:33:32,888 --> 00:33:35,266 I MEAN, SHE KNOWS THAT YOU WERE HYPNOTIZED. 515 00:33:35,290 --> 00:33:37,639 BESIDES, EVERY SINGLE ONE OF US HAS GONE THROUGH 516 00:33:37,663 --> 00:33:40,312 SOME SORT OF AN IDENTITY CRISIS AT ONE POINT OR ANOTHER. 517 00:33:40,336 --> 00:33:42,343 IT'S LIKE A RITE OF PASSAGE IN SMALLVILLE. 518 00:33:42,367 --> 00:33:44,345 SHE'LL UNDERSTAND. 519 00:33:44,369 --> 00:33:47,649 MAYBE I DON'T WANT HER TO UNDERSTAND. 520 00:33:47,673 --> 00:33:51,351 SEE, AS HORRIBLE AS THIS WAS, IT DID ACCOMPLISH ONE THING 521 00:33:51,375 --> 00:33:54,024 THAT I DIDN'T HAVE THE GUTS TO DO MYSELF. 522 00:33:54,048 --> 00:33:56,627 IT BROKE ME AND LANA UP. 523 00:33:56,651 --> 00:33:59,290 WHAT? 524 00:33:59,314 --> 00:34:02,763 WAIT A MINUTE. ARE YOU STILL HYPNOED? 525 00:34:02,787 --> 00:34:04,764 CHLOE, HOW MANY TIMES CAN I BREAK SOMEONE'S HEART 526 00:34:04,788 --> 00:34:06,035 BEFORE IT CRUMBLES TO PIECES? 527 00:34:06,059 --> 00:34:09,039 BUT IT WASN'T YOUR FAULT. YOU WERE HYPNOTIZED. 528 00:34:09,063 --> 00:34:12,041 LANA WASN'T. CHLOE, HER FEELINGS WERE REAL. 529 00:34:12,065 --> 00:34:14,303 THE LOOK OF PAIN IN HER EYE 530 00:34:14,327 --> 00:34:16,699 WHEN SHE WALKED IN ON SIMONE AND I... 531 00:34:18,032 --> 00:34:20,910 IT MADE ME REALIZE THAT MY POWER TO HURT LANA 532 00:34:20,934 --> 00:34:24,414 IS STRONGER THAN ALL MY POWERS PUT TOGETHER. 533 00:34:24,438 --> 00:34:25,914 IT'S NOT LIKE MEETING A GIRL 534 00:34:25,938 --> 00:34:28,017 WITH HOCUS-POCUS JEWELRY IS AN EVERYDAY OCCURRENCE. 535 00:34:28,041 --> 00:34:29,919 YEAH, BUT HURTING LANA HAS BECOME ONE, 536 00:34:29,943 --> 00:34:31,760 AND AS LONG AS I HAVE TO LIE TO HER 537 00:34:31,784 --> 00:34:33,923 ABOUT WHO I REALLY AM, I'M GONNA CAUSE HER PAIN. 538 00:34:33,947 --> 00:34:36,688 YOU DON'T SET THE RECORD STRAIGHT, SHE'S GONNA HATE YOU. 539 00:34:38,451 --> 00:34:40,893 MAYBE THAT'S NOT SUCH A BAD THING. 540 00:34:44,356 --> 00:34:46,805 MAYBE IT'LL HELP HER MOVE ON, FORGET I EVER EXISTED, 541 00:34:46,829 --> 00:34:49,460 FIND SOMEONE WHO CAN GIVE HER WHAT SHE DESERVES. 542 00:34:52,463 --> 00:34:55,443 YOU JUST NEED TO KNOW THAT IF YOU DO THIS, 543 00:34:55,467 --> 00:34:58,816 THAT'S IT, GAME OVER, THERE'S NO MORE QUARTERS LEFT. 544 00:34:58,840 --> 00:35:00,818 I MEAN, YOU'RE SAYING GOODBYE FOREVER. 545 00:35:00,842 --> 00:35:03,320 IT WILL CRUSH HER, CLARK. 546 00:35:03,344 --> 00:35:06,053 PLEASE, JUST THINK LONG AND HARD 547 00:35:06,077 --> 00:35:08,679 BEFORE YOU END THIS FOR GOOD. 548 00:35:29,539 --> 00:35:32,117 I'VE CLIMBED THESE STAIRS SO MANY TIMES BEFORE. 549 00:35:32,141 --> 00:35:34,450 WHY DO THEY SEEM STEEPER THAN EVER? 550 00:35:34,474 --> 00:35:35,680 THANKS FOR COMING BY. 551 00:35:35,704 --> 00:35:38,023 I DIDN'T WANT TO BOTHER YOU AT SCHOOL. 552 00:35:38,047 --> 00:35:40,785 CLARK, YOU CAN SPARE ME THE SPEECH ABOUT HOW SORRY YOU ARE. 553 00:35:40,809 --> 00:35:42,526 I KNOW YOU WERE HYPNOTIZED, 554 00:35:42,550 --> 00:35:45,384 AND I KNOW THAT YOU WEREN'T IN CONTROL OF YOUR ACTIONS. 555 00:35:47,516 --> 00:35:49,434 I NEED TO BE HONEST WITH YOU. 556 00:35:49,458 --> 00:35:52,391 THAT WOULD BE REFRESHING. 557 00:35:55,123 --> 00:35:57,626 I DON'T KNOW ANY OTHER WAY TO SAY IT... 558 00:36:00,427 --> 00:36:03,646 BUT THE TRUTH IS... [ SWALLOWS ] 559 00:36:03,670 --> 00:36:05,833 MY FEELINGS FOR YOU HAVE CHANGED. 560 00:36:13,811 --> 00:36:15,858 CLARK, I WANT YOU... 561 00:36:15,882 --> 00:36:19,061 TO LOOK ME IN THE EYE... 562 00:36:19,085 --> 00:36:21,617 AND TELL ME THAT YOU DON'T LOVE ME. 563 00:36:33,099 --> 00:36:35,161 I DON'T LOVE YOU. 564 00:36:50,846 --> 00:36:55,126 I HAVE WAITED... FOR YOU TO GROW UP, 565 00:36:55,150 --> 00:36:57,851 TO GET OVER WHATEVER HANG-UPS YOU MAY HAVE. 566 00:37:01,686 --> 00:37:03,633 I NEVER MEANT TO HURT YOU. 567 00:37:03,657 --> 00:37:05,889 I DON'T WANT ANOTHER CLARK KENT APOLOGY. 568 00:37:12,795 --> 00:37:14,697 IT'S OVER... 569 00:37:16,699 --> 00:37:19,141 FOREVER. 570 00:38:27,606 --> 00:38:29,608 WE NEED MORE SAMPLES. 571 00:38:49,688 --> 00:38:51,989 HOW DID SHE TAKE IT? 572 00:38:58,295 --> 00:39:02,670 I'VE NEVER SEEN HER SO HURT... SO ANGRY. 573 00:39:05,342 --> 00:39:06,950 SAYING THOSE WORDS 574 00:39:06,974 --> 00:39:09,222 WAS THE HARDEST THING I'VE EVER HAD TO DO. 575 00:39:09,246 --> 00:39:11,224 [ SIGHS ] 576 00:39:11,248 --> 00:39:14,227 YOU'RE AN ADULT NOW, CLARK, 577 00:39:14,251 --> 00:39:16,559 IN AN ADULT RELATIONSHIP, 578 00:39:16,583 --> 00:39:19,615 AND THEY RARELY END THE WAY WE WANT THEM TO. 579 00:39:21,717 --> 00:39:25,298 YOU KNOW, I JUST DIDN'T KNOW WHAT ELSE TO DO. 580 00:39:25,322 --> 00:39:27,700 IT WAS EITHER MAKE A CLEAN BREAK... 581 00:39:27,724 --> 00:39:29,671 OR TELL HER MY SECRET. 582 00:39:29,695 --> 00:39:30,766 YEAH. 583 00:39:32,798 --> 00:39:34,977 I KNOW YOU DIDN'T TELL LANA THE TRUTH 584 00:39:35,001 --> 00:39:37,878 BECAUSE YOU WANTED TO PROTECT HER, 585 00:39:37,902 --> 00:39:40,936 BUT MAYBE THERE WAS ACTUALLY MORE TO IT. 586 00:39:47,612 --> 00:39:49,691 WHAT DO YOU MEAN? 587 00:39:49,715 --> 00:39:53,693 DO YOU THINK YOU DIDN'T TELL HER BECAUSE... 588 00:39:53,717 --> 00:39:56,796 MAYBE DEEP DOWN... 589 00:39:56,820 --> 00:39:59,623 YOU DIDN'T THINK SHE WAS THE ONE? 590 00:40:06,831 --> 00:40:08,738 MOM, I'll ALWAYS LOVE LANA. 591 00:40:08,762 --> 00:40:10,740 I KNOW. 592 00:40:10,764 --> 00:40:13,343 THAT'S WHY YOU DID THIS, 593 00:40:13,367 --> 00:40:15,885 BUT YOU DIDN'T JUST BREAK HER HEART, CLARK. 594 00:40:15,909 --> 00:40:18,010 YOU GAVE HER REASON TO HATE YOU. 595 00:40:20,414 --> 00:40:22,622 I JUST HOPE HER ANGER DOESN'T DRIVE HER 596 00:40:22,646 --> 00:40:24,317 TO DO SOMETHING WE'LL ALL REGRET. 597 00:40:42,364 --> 00:40:45,713 OH, JUST THE WOMAN I WANTED TO SEE. 598 00:40:45,737 --> 00:40:48,876 SO IT TURNS OUT EVERYBODY'S FAVORITE ACADEMIC, MILTON FINE, 599 00:40:48,900 --> 00:40:50,648 ISN'T A PROFESSOR AT ALL. 600 00:40:50,672 --> 00:40:52,773 LEX, I'M NOT HERE TO TALK ABOUT MILTON FINE. 601 00:40:54,005 --> 00:40:57,925 I ACTUALLY WANTED YOU TO BE THE FIRST TO KNOW. 602 00:40:57,949 --> 00:41:00,050 IS EVERYTHING OKAY? 603 00:41:02,452 --> 00:41:04,355 CLARK AND I BROKE UP. 604 00:41:06,387 --> 00:41:08,765 FOR REAL. 605 00:41:08,789 --> 00:41:10,867 LANA, I'M SORRY. 606 00:41:10,891 --> 00:41:12,898 NO, IT'S OKAY. DON'T BE. 607 00:41:12,922 --> 00:41:16,001 I ACTUALLY DO FEEL LIKE A HUNDRED TONS OF SECRETS 608 00:41:16,025 --> 00:41:18,068 AND LIES HAVE BEEN LIFTED OFF MY SHOULDERS. 609 00:41:20,400 --> 00:41:22,878 YOU KNOW WHAT IT'S LIKE BEING FRIENDS WITH CLARK. 610 00:41:22,902 --> 00:41:25,751 NO MATTER WHAT HE TELLS YOU, 611 00:41:25,775 --> 00:41:28,454 YOU DON'T KNOW IF IT'S THE TRUTH. 612 00:41:28,478 --> 00:41:30,139 YOU CAN NEVER TRUST HIM. 613 00:41:41,820 --> 00:41:43,092 LANA... 614 00:41:44,822 --> 00:41:46,970 I KNOW CLARK'S PROBABLY NOT THE EASIEST GUY 615 00:41:46,994 --> 00:41:48,803 TO BE IN A RELATIONSHIP WITH. 616 00:41:48,827 --> 00:41:51,706 I DON'T THINK HE MEANS... 617 00:41:51,730 --> 00:41:53,862 PLEASE, DON'T DEFEND HIM, LEX. 618 00:41:57,034 --> 00:41:59,137 HOW COULD I HAVE BEEN SO STUPID? 619 00:42:03,170 --> 00:42:05,072 YOU'RE NOT STUPID. 620 00:42:09,947 --> 00:42:13,280 YOU JUST PUT YOUR TRUST IN THE WRONG PERSON. 621 00:42:35,371 --> 00:42:37,172 Captions by VITAC... www.vitac.com