1
00:00:00,982 --> 00:00:03,591
PREVIOUSLY ON "SMALLVILLE"...

2
00:00:03,615 --> 00:00:06,264
Jor-El: I KNEW YOU
WOULD RETURN, MY SON.

3
00:00:06,288 --> 00:00:08,436
I FELT AS THOUGH SOMETHING
WAS CALLING ME HOME.

4
00:00:08,460 --> 00:00:10,537
WITH EVERYTHING WE'VE
BEEN THROUGH WITH JOR-EL,

5
00:00:10,561 --> 00:00:12,540
I JUST WANTED TO CLOSE
THAT CHAPTER IN MY LIFE.

6
00:00:12,564 --> 00:00:14,543
THERE'S A DARKNESS IN ME
THAT I CAN'T ALWAYS CONTROL.

7
00:00:14,567 --> 00:00:16,474
WELL, YOU'VE CERTAINLY
SEEN ME AT MY WORST.

8
00:00:16,498 --> 00:00:18,177
AND AT YOUR BEST.

9
00:00:18,201 --> 00:00:20,509
Lex: THREE RELICS...
HIDDEN AROUND THE WORLD.

10
00:00:20,533 --> 00:00:22,651
BY SCIENTIFICALLY
ADVANCED ANCIENT CULTURES.

11
00:00:22,675 --> 00:00:24,985
WATER... AND THAT
ONE MEANS FIRE,

12
00:00:25,009 --> 00:00:27,216
AND THE ONE UP
THERE... THAT'S AIR.

13
00:00:27,240 --> 00:00:28,558
PUT 'EM TOGETHER...

14
00:00:28,582 --> 00:00:30,684
WHERE IS IT? GOD HELP ME.

15
00:00:37,453 --> 00:00:39,601
I THOUGHT BY NOW YOU'D KNOW
THAT LANA IS NOTHING MORE

16
00:00:39,625 --> 00:00:41,332
THAN MY MOTHER'S PAWN.

17
00:00:41,356 --> 00:00:43,735
CLARK STILL FEELS RESPONSIBLE
FOR MY HEART PROBLEMS.

18
00:00:43,759 --> 00:00:46,338
IF YOU FOUND OUT SOMETHING...

19
00:00:46,362 --> 00:00:48,411
SOMETHING SOMEONE DIDN'T
WANT YOU TO KNOW ABOUT THEM...

20
00:00:48,435 --> 00:00:50,213
WOULD YOU TELL THEM?

21
00:00:50,237 --> 00:00:51,344
WHAT'D I DO?

22
00:00:51,368 --> 00:00:52,746
YOU TRUSTED ME.

23
00:00:52,770 --> 00:00:54,647
I CAN'T LET YOU
WALK OUT, NOT AGAIN.

24
00:00:54,671 --> 00:00:56,320
THAT'S WHY THIS TIME
WILL BE DIFFERENT.

25
00:00:56,344 --> 00:00:58,421
Lois: THIS TIME?

26
00:00:58,445 --> 00:01:00,354
YOU'RE AN AMAZING
YOUNG MAN, CLARK.

27
00:01:00,378 --> 00:01:02,356
YOU MAKE LIFE AND DEATH
DECISIONS EVERY DAY.

28
00:01:02,380 --> 00:01:03,757
TRUST YOUR GUT.

29
00:01:03,781 --> 00:01:06,230
Jor-El: GREED WILL DRIVE
OTHERS TO HUNT THE STONES.

30
00:01:06,254 --> 00:01:09,263
AND WILL DRIVE THE
WORLD TO FAMINE, WAR,

31
00:01:09,287 --> 00:01:11,236
AND THE EARTH'S
ULTIMATE DESTRUCTION.

32
00:01:11,260 --> 00:01:13,608
WHERE IS THE STONE?

33
00:01:13,632 --> 00:01:16,241
I GAVE IT TO LANA. SHE
IS THE CHOSEN ONE,

34
00:01:16,265 --> 00:01:17,774
AND WE ALL KNOW THAT.

35
00:01:17,798 --> 00:01:20,447
CLARK'S MORE CONNECTED
TO THIS THAN ANY OF US.

36
00:01:20,471 --> 00:01:22,519
IT'S CLARK. HE'S...

37
00:01:22,543 --> 00:01:24,721
A MAN CAN'T DENY HIS
TRUE NATURE, CAN HE?

38
00:01:24,745 --> 00:01:27,784
IT IS TIME TO
FULFILL MY DESTINY.

39
00:01:27,808 --> 00:01:30,388
I AM THE VILLAIN OF THIS STORY.

40
00:01:30,412 --> 00:01:33,685
AND NOW THE SEASON
FINALE OF "SMALLVILLE."

41
00:01:44,828 --> 00:01:49,378
I HAVE TO APPLAUD YOU, LANA.

42
00:01:49,402 --> 00:01:52,081
I RAISED MY SON TO
HAVE A WILLPOWER

43
00:01:52,105 --> 00:01:54,685
THAT COULDN'T BE
BROKEN BY ANYTHING...

44
00:01:54,709 --> 00:01:58,442
EXCEPT HIS LOVE
FOR YOU, APPARENTLY.

45
00:02:03,888 --> 00:02:06,468
WHAT DO YOU WANT FROM ME?

46
00:02:06,492 --> 00:02:07,729
THE STONE.

47
00:02:07,753 --> 00:02:10,573
THE ONE LIONEL GAVE YOU.

48
00:02:10,597 --> 00:02:14,107
LIONEL? HE NEVER GAVE ME ANY...

49
00:02:14,131 --> 00:02:17,433
I'M GONNA FIND IT WHETHER
YOU HELP ME OR NOT.

50
00:04:38,692 --> 00:04:41,865
[ WHINING ]

51
00:05:29,348 --> 00:05:30,819
[ WHIMPERS ]

52
00:05:41,132 --> 00:05:44,040
CLARK! IT'S OKAY,
IT'S JUST A BAD DREAM.

53
00:05:44,064 --> 00:05:46,574
YOU SCARED THE DAYLIGHTS
OUT OF US YELLING LIKE THAT.

54
00:05:46,598 --> 00:05:47,915
WHAT?

55
00:05:47,939 --> 00:05:50,702
YOU KEPT YELLING, "IT'S
COMING," OVER AND OVER.

56
00:06:13,067 --> 00:06:20,612
♫ SOMEBODY SAVE ME ♫

57
00:06:20,636 --> 00:06:24,386
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

58
00:06:24,410 --> 00:06:30,824
♫ SOMEBODY SAVE ME ♫

59
00:06:30,848 --> 00:06:34,668
♫ I DON'T CARE HOW YOU DO IT ♫

60
00:06:34,692 --> 00:06:35,728
♫ JUST STAY ♫

61
00:06:35,752 --> 00:06:37,670
♫ STAY WITH ME ♫

62
00:06:37,694 --> 00:06:39,673
♫ STAY ♫

63
00:06:39,697 --> 00:06:41,175
♫ COME ON ♫

64
00:06:41,199 --> 00:06:44,838
♫ I'VE BEEN WAITING FOR YOU ♫

65
00:06:44,862 --> 00:06:50,685
♫ JUST STAY WITH ME ♫

66
00:06:50,709 --> 00:06:55,790
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

67
00:06:55,814 --> 00:06:57,122
♫ JUST STAY ♫

68
00:06:57,146 --> 00:06:59,855
♫ STAY ♫

69
00:06:59,879 --> 00:07:02,923
♫ COME ON ♫

70
00:07:10,692 --> 00:07:13,110
SHE WAS COMING AT ME.
IT HAPPENED SO QUICKLY.

71
00:07:13,134 --> 00:07:15,442
I DON'T EVEN REMEMBER
STABBING HER.

72
00:07:15,466 --> 00:07:17,815
LANA, I WANT YOU TO
TAKE A DEEP BREATH,

73
00:07:17,839 --> 00:07:19,918
AND TRY TO RELAX.

74
00:07:19,942 --> 00:07:22,180
LEX, SOME WOMAN IS
DEAD BECAUSE OF ME.

75
00:07:22,204 --> 00:07:23,952
I KILLED HER.

76
00:07:23,976 --> 00:07:27,826
NO, NO, YOU HAD NO CHOICE.

77
00:07:27,850 --> 00:07:31,692
YOU DID WHAT ANYONE WOULD
DO IF THEIR LIFE WAS AT STAKE.

78
00:07:31,716 --> 00:07:34,233
I HAVE TO TELL JASON.
SHE WAS HIS MOTHER.

79
00:07:34,257 --> 00:07:36,237
I'll DEAL WITH JASON.

80
00:07:36,261 --> 00:07:38,238
LEX, THERE'S A BODY
IN MY APARTMENT.

81
00:07:38,262 --> 00:07:40,240
I HAVE TO GO TO THE POLICE.

82
00:07:40,264 --> 00:07:42,473
I HAVE TO TELL THEM
WHAT HAPPENED.

83
00:07:42,497 --> 00:07:44,976
LANA, I'M NOT SURE
THAT'S SUCH A WISE IDEA.

84
00:07:45,000 --> 00:07:47,850
GENEVIEVE TEAGUE
WAS A POWERFUL WOMAN,

85
00:07:47,874 --> 00:07:49,851
MARRIED TO AN EXTREMELY
POWERFUL LAWYER.

86
00:07:49,875 --> 00:07:51,853
EVEN THOUGH IT'S
CLEARLY SELF-DEFENSE,

87
00:07:51,877 --> 00:07:53,855
EDWARD TEAGUE IS
GOING TO MAKE SURE

88
00:07:53,879 --> 00:07:55,257
A JURY SEES OTHERWISE.

89
00:07:55,281 --> 00:07:59,122
WHAT'S GONNA HAPPEN TO
ME? I'M GONNA GO TO PRISON.

90
00:07:59,146 --> 00:08:00,963
NO.

91
00:08:00,987 --> 00:08:04,868
I HAVE RETAINED ONE OF
THE BEST DEFENSE ATTORNEYS

92
00:08:04,892 --> 00:08:06,230
IN THE COUNTRY.

93
00:08:06,254 --> 00:08:08,231
AND ONCE HE ARRIVES
FROM NEW YORK,

94
00:08:08,255 --> 00:08:10,274
WE'LL GO TO THE AUTHORITIES.

95
00:08:10,298 --> 00:08:12,261
OKAY. THANK YOU.

96
00:08:18,167 --> 00:08:20,745
YOU HAVE TO TRUST ME.

97
00:08:20,769 --> 00:08:22,749
UNTIL THE LAWYER ARRIVES,

98
00:08:22,773 --> 00:08:26,216
I WANT YOU TO STAY
HERE AND TALK TO NO ONE.

99
00:08:31,923 --> 00:08:35,263
MY PURSE. WHERE'S MY PURSE?

100
00:08:35,287 --> 00:08:38,866
Lex: DON'T WORRY.
IT'S STILL THERE.

101
00:08:38,890 --> 00:08:40,793
I'D NEVER TAKE IT FROM YOU.

102
00:08:42,234 --> 00:08:45,238
MR. LUTHOR, WE HAVE A SITUATION.

103
00:08:47,941 --> 00:08:50,573
IT'S GONNA BE OKAY.

104
00:09:12,168 --> 00:09:14,947
I CAN'T HELP BUT FEEL THIS
WAS SOME KIND OF WARNING.

105
00:09:14,971 --> 00:09:16,948
CLARK, IT WAS NOTHING
BUT A BAD DREAM.

106
00:09:16,972 --> 00:09:18,980
YOU USED TO HAVE
NIGHTMARES ALL THE TIME

107
00:09:19,004 --> 00:09:20,984
WHEN YOU WERE LITTLE, REMEMBER?

108
00:09:21,008 --> 00:09:23,056
THIS TIME'S DIFFERENT.
IT FELT SO REAL.

109
00:09:23,080 --> 00:09:25,619
AND IF IT IS A WARNING, I
NEED TO DO SOMETHING.

110
00:09:25,643 --> 00:09:27,860
WHAT YOU NEED TO DO IS YOU
NEED TO GET SOME SHUTEYE

111
00:09:27,884 --> 00:09:29,823
SO THAT YOU'RE NOT
HALF-ASLEEP TOMORROW

112
00:09:29,847 --> 00:09:31,365
WHEN THEY HAND YOU THAT DIPLOMA.

113
00:09:31,389 --> 00:09:33,167
YOUR DAD'S RIGHT.
DON'T LET A NIGHTMARE

114
00:09:33,191 --> 00:09:35,068
SPOIL YOUR
HIGH-SCHOOL GRADUATION.

115
00:09:35,092 --> 00:09:37,101
NIGHTMARE? SO THAT'S WHAT
ALL THIS COMMOTION IS ABOUT.

116
00:09:37,125 --> 00:09:38,332
LOIS.

117
00:09:38,356 --> 00:09:40,235
YOU KNOW, IF IT MAKES
YOU FEEL ANY BETTER,

118
00:09:40,259 --> 00:09:43,379
I HAVE THEM ALL THE TIME.

119
00:09:43,403 --> 00:09:47,082
I HAD THIS ONE LAST
WEEK... REALLY SCARY.

120
00:09:47,106 --> 00:09:52,149
IT WAS THIS, UH, GUY
WEARING A RED CAPE.

121
00:09:52,173 --> 00:09:54,291
WOW, THAT SOUNDS HORRIBLE, LOIS.

122
00:09:54,315 --> 00:09:56,393
YEAH.

123
00:09:56,417 --> 00:09:58,395
THERE'S SOMETHING I
WANTED TO TELL ALL YOU GUYS.

124
00:09:58,419 --> 00:10:01,298
I JUST DIDN'T KNOW WHEN TO,
SO I GUESS 2:00 IN THE MORNING

125
00:10:01,322 --> 00:10:04,402
IS GOOD A TIME AS
ANY. WHAT IS IT, LOIS?

126
00:10:04,426 --> 00:10:07,065
OH, THE GENERAL'S RECRUITED
ME ON A RECON MISSION

127
00:10:07,089 --> 00:10:09,138
TO TRACK DOWN MY SISTER,
THE GRIFTER, IN EUROPE,

128
00:10:09,162 --> 00:10:11,409
SO WE'RE HEADED FOR
HEIDELBERG TOMORROW.

129
00:10:11,433 --> 00:10:14,413
OH, I'M SORRY TO HEAR THAT.

130
00:10:14,437 --> 00:10:17,046
CLARK, I KNOW HOW
DEVASTATED YOU MUST BE,

131
00:10:17,070 --> 00:10:20,019
BUT IF YOU COULD JUST KEEP
YOUR TEARS TO A MINIMUM,

132
00:10:20,043 --> 00:10:22,022
I'D APPRECIATE IT.

133
00:10:22,046 --> 00:10:23,423
I'll TRY.

134
00:10:23,447 --> 00:10:27,388
THANKS.

135
00:10:27,412 --> 00:10:32,033
MR. AND MRS. KENT, I JUST WANTED
TO SAY THANKS FOR EVERYTHING.

136
00:10:32,057 --> 00:10:34,365
YOU GUYS ARE LIKE
THE MOM AND DAD

137
00:10:34,389 --> 00:10:37,298
I'VE ALWAYS WANTED TO HAVE.

138
00:10:37,322 --> 00:10:39,201
LOIS, WE WANT YOU TO KNOW

139
00:10:39,225 --> 00:10:41,302
THAT YOU ARE WELCOME
BACK HERE ANY TIME.

140
00:10:41,326 --> 00:10:45,148
ACTUALLY... WE'LL
ALL MISS YOU, LOIS.

141
00:10:45,172 --> 00:10:48,150
[ Sighs ] I'll MISS
YOU ALL, TOO.

142
00:10:48,174 --> 00:10:53,480
HIM... NOT SO MUCH.

143
00:11:12,331 --> 00:11:14,941
Lionel: I THOUGHT I'D
DO MISS LANG A FAVOR.

144
00:11:14,965 --> 00:11:18,008
AND TIDY UP THE PLACE A BIT.

145
00:11:20,510 --> 00:11:24,091
SHE LEFT IT QUITE A
MESS, QUITE A MESS.

146
00:11:24,115 --> 00:11:27,254
WHAT ARE YOU LOOKING FOR, DAD...

147
00:11:27,278 --> 00:11:29,297
THE "GOOD HOUSEKEEPING"
SEAL OF APPROVAL?

148
00:11:29,321 --> 00:11:32,360
YOU KNOW, FOR A
WOMAN WITHOUT A HEART,

149
00:11:32,384 --> 00:11:36,105
GENEVIEVE TEAGUE CERTAINLY
DID HAVE A LOT OF BLOOD.

150
00:11:36,129 --> 00:11:38,407
YOU DIDN'T COME HERE
TO DO A POSTMORTEM

151
00:11:38,431 --> 00:11:41,510
ON GENEVIEVE TEAGUE.
WHAT IS IT YOU WANT?

152
00:11:41,534 --> 00:11:45,499
I'D LIKE TO OFFER A TRADE.

153
00:11:47,500 --> 00:11:50,780
LANA LANG'S FREEDOM

154
00:11:50,804 --> 00:11:53,423
IN EXCHANGE FOR THE, UM...

155
00:11:53,447 --> 00:11:56,086
ARTIFACT SHE HAS
IN HER POSSESSION.

156
00:11:56,110 --> 00:11:59,129
DAD, DON'T YOU THINK YOUR SEARCH
FOR THESE THREE ANCIENT STONES

157
00:11:59,153 --> 00:12:01,994
IS STARTING TO BORDER
ON THE FANATICAL?

158
00:12:02,018 --> 00:12:03,995
[ Chuckles ] LET ME
REMIND YOU, LEX,

159
00:12:04,019 --> 00:12:07,440
IT WAS YOU WHO LOOTED
THE RUINS OF EGYPT...

160
00:12:07,464 --> 00:12:11,543
TO GET YOUR HANDS ON
ONE OF THOSE STONES.

161
00:12:11,567 --> 00:12:14,408
TRUST ME, LANA LANG HAS
NOTHING TO DO WITH THIS.

162
00:12:14,432 --> 00:12:17,009
SO CHIVALROUS OF YOU.

163
00:12:17,033 --> 00:12:19,013
YOU ARE THE GALLANT HERO

164
00:12:19,037 --> 00:12:22,115
TRYING TO PROTECT THE
DAMSEL IN DISTRESS. HMM?

165
00:12:22,139 --> 00:12:27,422
I'M WARNING YOU,
LEAVE HER ALONE.

166
00:12:27,446 --> 00:12:30,365
ALL YOUR LIFE, YOU'VE
HAD A TENDENCY

167
00:12:30,389 --> 00:12:32,368
TO LET THE DAMSEL

168
00:12:32,392 --> 00:12:36,172
LEAD YOU STRAIGHT INTO
THE MOUTH OF THE DRAGON.

169
00:12:36,196 --> 00:12:38,804
YOUR FEELINGS FOR MISS LANG...

170
00:12:38,828 --> 00:12:42,263
DON'T LET THEM CRIPPLE
YOUR COMMON SENSE, SON.

171
00:12:44,304 --> 00:12:48,185
I EXPECT TO SEE THAT
STONE BY NOON TOMORROW.

172
00:12:48,209 --> 00:12:50,347
IT WOULD BE A SHAME
IF GENEVIEVE'S CORPSE

173
00:12:50,371 --> 00:12:52,450
WERE DELIVERED TO THE SHERIFF

174
00:12:52,474 --> 00:12:55,417
WITH LANA LANG'S DNA AS POSTAGE.

175
00:13:23,509 --> 00:13:26,913
SIR, YOU BETTER TAKE A
LOOK AT THE RIGHT ASCENSION.

176
00:13:29,254 --> 00:13:31,364
HOW LONG HAS
THERE BEEN ACTIVITY?

177
00:13:31,388 --> 00:13:33,235
THERE WAS NOTHING
THERE 10 SECONDS AGO.

178
00:13:33,259 --> 00:13:35,322
IT JUST CAME OUT OF NOWHERE.

179
00:13:41,568 --> 00:13:45,602
MY GOD. IT'S HEADED
STRAIGHT FOR EARTH.

180
00:14:04,455 --> 00:14:07,433
I REALIZE HAND-EYE COORDINATION
ISN'T ONE OF YOUR STRONG SUITS.

181
00:14:07,457 --> 00:14:11,038
HERE... LET ME
HELP YOU WITH THAT.

182
00:14:11,062 --> 00:14:13,581
LOIS, I'M NOT SURE WHAT
I'M GONNA DO WITHOUT YOU.

183
00:14:13,605 --> 00:14:15,612
OH, COME ON, CLARK,
YOUR FUTURE'S LAID OUT

184
00:14:15,636 --> 00:14:18,145
RIGHT IN FRONT OF
YOU. YOU'RE GONNA GO

185
00:14:18,169 --> 00:14:20,447
TO COMMUNITY COLLEGE,
MAJOR IN AGRICULTURE,

186
00:14:20,471 --> 00:14:22,451
PROBABLY MINOR IN
LAW ENFORCEMENT,

187
00:14:22,475 --> 00:14:24,452
AND THEN YOU AND
LANA ARE GONNA HAVE

188
00:14:24,476 --> 00:14:26,455
A NICE LITTLE CHURCH WEDDING.

189
00:14:26,479 --> 00:14:27,927
EXCUSE ME?

190
00:14:27,951 --> 00:14:29,558
IT'S WRITTEN IN THE
STARS, AND YOU KNOW IT.

191
00:14:29,582 --> 00:14:31,561
IT'S ONLY A MATTER OF
TIME BEFORE YOU JOIN

192
00:14:31,585 --> 00:14:33,562
THE BOWLING LEAGUE,
TAKE OVER THE FAMILY FARM,

193
00:14:33,586 --> 00:14:35,966
AND THEN, WELL, YOU AND
LANA CAN BRING LITTLE CLARK JR.

194
00:14:35,990 --> 00:14:37,466
INTO THE WORLD.

195
00:14:37,490 --> 00:14:39,470
I THINK YOU'RE HALLUCINATING.

196
00:14:39,494 --> 00:14:42,072
NO. HALLUCINATING WOULD
BE IMAGINING CLARK KENT

197
00:14:42,096 --> 00:14:44,615
GOING OFF TO THE BIG CITY TO
MAKE HIS MARK ON THE WORLD.

198
00:14:44,639 --> 00:14:46,618
I'M JUST BEING REALISTIC.

199
00:14:46,642 --> 00:14:48,620
[ GROANS ]

200
00:14:48,644 --> 00:14:51,052
WELL, LOIS, WHAT ARE YOUR
BIG PLANS AFTER EUROPE?

201
00:14:51,076 --> 00:14:53,085
ARE YOU GONNA GO BACK TO SCHOOL,

202
00:14:53,109 --> 00:14:55,086
MAYBE ACTUALLY
STAY A LITTLE WHILE?

203
00:14:55,110 --> 00:14:57,230
I'VE A FEELING THAT IF I'M
GONNA GET AN EDUCATION,

204
00:14:57,254 --> 00:14:59,491
IT'S GONNA BE IN THE REAL WORLD.

205
00:14:59,515 --> 00:15:02,134
YOU KNOW, I TOOK THIS
CAREER TEST IN SOME MAGAZINE.

206
00:15:02,158 --> 00:15:04,998
IT SAID THAT MY PERFECT JOB
WOULD BE A RADIO DISC JOCKEY.

207
00:15:05,022 --> 00:15:06,669
THAT WOULD MAKE
SENSE. YOU TALK ENOUGH.

208
00:15:06,693 --> 00:15:09,043
THERE WON'T BE ANY DEAD AIR.

209
00:15:09,067 --> 00:15:11,504
YOU MOCK ME NOW, SMALLVILLE,
BUT YOU JUST WAIT AND SEE.

210
00:15:11,528 --> 00:15:13,508
JOURNALISM... YOU EVER
THOUGHT ABOUT THAT?

211
00:15:13,532 --> 00:15:15,679
YOU WROTE SOME
HALF-DECENT ARTICLES

212
00:15:15,703 --> 00:15:17,751
AT YOUR SHORT-LIVED
CAREER AT THE "TORCH."

213
00:15:17,775 --> 00:15:19,754
NO, KILL ME FIRST.
EVEN IF I COULD SPELL,

214
00:15:19,778 --> 00:15:22,086
THE LAST THING I'D WANT TO DO
IS SPEND MY TIME IN A NEWS ROOM.

215
00:15:22,110 --> 00:15:24,189
WITH MY LUCK, I'D PROBABLY
WIND UP ACROSS THE DESK

216
00:15:24,213 --> 00:15:27,147
FROM THE MOST BUMBLING
REPORTER ON THE MASTHEAD.

217
00:15:30,019 --> 00:15:31,327
YOU KNOW WHAT?

218
00:15:31,351 --> 00:15:33,330
YOU ACTUALLY LOOK
HANDSOME FOR A CHANGE.

219
00:15:33,354 --> 00:15:35,532
WELL, I'll TAKE THAT
AS A COMPLIMENT.

220
00:15:35,556 --> 00:15:39,277
LOOK, I KNOW WE'VE HAD OUR
DISAGREEMENTS IN THE PAST,

221
00:15:39,301 --> 00:15:41,778
AND I WILL BE THE FIRST
TO ADMIT THAT I'VE MADE IT

222
00:15:41,802 --> 00:15:43,280
MY OWN LITTLE HOBBY
TO BUST YOUR CHOPS...

223
00:15:43,304 --> 00:15:45,043
I'VE GOTTEN USED TO IT.

224
00:15:45,067 --> 00:15:47,546
BESIDES, I KNOW I HAVEN'T
BEEN THE MOST GRACIOUS HOST.

225
00:15:47,570 --> 00:15:50,589
LOOK, I-I JUST WANT
YOU TO KNOW, CLARK,

226
00:15:50,613 --> 00:15:53,091
THAT WHEN I'M SITTING
IN THE AUDIENCE TODAY

227
00:15:53,115 --> 00:15:55,625
AT YOUR GRADUATION AND
YOU STAND UP ON THAT STAGE

228
00:15:55,649 --> 00:15:57,697
IN FRONT OF ALL THOSE PEOPLE,

229
00:15:57,721 --> 00:16:00,129
I'M GOING TO BE LOOKING UP
AT YOU AND THINKING ONE THING.

230
00:16:00,153 --> 00:16:02,062
WHAT'S THAT?

231
00:16:02,086 --> 00:16:04,729
PLEASE, GOD, DON'T LET HIM TRIP.

232
00:16:06,160 --> 00:16:07,392
SEE YA.

233
00:16:13,067 --> 00:16:15,177
DARREN COOPER...

234
00:16:15,201 --> 00:16:18,149
[ "POMP AND CIRCUMSTANCE"
PLAYING IN BACKGROUND ]

235
00:16:18,173 --> 00:16:20,606
CAROLINE CREESE...

236
00:16:22,249 --> 00:16:24,081
TONY DAVIS...

237
00:16:25,751 --> 00:16:28,254
ERICA FELDMAN...

238
00:16:30,357 --> 00:16:34,739
LAUREN FELDMAN...
HAVE YOU SEEN LANA YET?

239
00:16:34,763 --> 00:16:37,240
STILL NO SIGN. I'M
STARTING TO GET WORRIED.

240
00:16:37,264 --> 00:16:39,303
LANA'S NEVER SO
MUCH AS HAD A TARDY.

241
00:16:39,327 --> 00:16:41,645
SHE'S NOT GONNA MISS HER
HIGH-SCHOOL GRADUATION.

242
00:16:41,669 --> 00:16:44,102
SHE'LL BE HERE.

243
00:16:46,436 --> 00:16:49,379
MICHAEL HALL...

244
00:16:53,383 --> 00:16:59,389
HOLLY HAROLD... TANYA HART...

245
00:17:01,793 --> 00:17:08,676
KATE HORTON... MICHAEL HOOVER...

246
00:17:08,700 --> 00:17:12,134
HANNAH JACOBS...
MICHELLE JEWEL...

247
00:17:14,366 --> 00:17:17,446
CLARK KENT... HEY, HEY!

248
00:17:17,470 --> 00:17:19,271
[ WHISTLES ]

249
00:17:25,378 --> 00:17:29,354
LANA LANG...

250
00:17:32,686 --> 00:17:34,358
LANA LANG.

251
00:17:46,772 --> 00:17:48,851
Man: [ Over loudspeaker
] ATTENTION!

252
00:17:48,875 --> 00:17:50,753
REMAIN CALM.

253
00:17:50,777 --> 00:17:53,756
BY ORDER OF THE FEDERAL
EMERGENCY DECREE,

254
00:17:53,780 --> 00:17:56,360
ALL NON-ESSENTIAL PERSONNEL
MUST EVACUATE THE AREA

255
00:17:56,384 --> 00:17:59,162
WITHIN A 50-MILE RADIUS.

256
00:17:59,186 --> 00:18:01,165
IN APPROXIMATELY THREE HOURS,

257
00:18:01,189 --> 00:18:04,768
A METEOR SHOWER IS
PREDICTED TO HIT SMALLVILLE.

258
00:18:04,792 --> 00:18:07,502
OH, MY GOD.

259
00:18:07,526 --> 00:18:09,745
NOT AGAIN.

260
00:18:09,769 --> 00:18:13,309
Man: PLEASE REMAIN CALM.

261
00:18:13,333 --> 00:18:15,410
THERE IS NO NEED TO PANIC.

262
00:18:15,434 --> 00:18:18,414
PLEASE PROCEED HOME, AND
GATHER ONLY NECESSARY ITEMS.

263
00:18:18,438 --> 00:18:20,716
HEY, CLARK, CAN YOU BELIEVE IT?

264
00:18:20,740 --> 00:18:22,859
TWICE IN 16 YEARS... I
MEAN, THIS IS CRAZY!

265
00:18:22,883 --> 00:18:24,861
SMALLVILLE'S GOTTA
HAVE SOME SORT OF

266
00:18:24,885 --> 00:18:26,863
EXTRATERRESTRIAL
BULL'S-EYE ON IT!

267
00:18:26,887 --> 00:18:28,525
IT'S PRETTY WEIRD, HUH?

268
00:18:28,549 --> 00:18:30,398
WELL, THERE'S GOTTA BE SOME
KIND OF CONNECTION IN THE COSMOS.

269
00:18:30,422 --> 00:18:32,399
I MEAN, THIS IS NOT
JUST A COINCIDENCE.

270
00:18:32,423 --> 00:18:34,502
YEAH, I'M SURE THERE'S
SOME SORT OF EXPLANATION.

271
00:18:34,526 --> 00:18:36,504
WELL, THERE'S JUST
SOMETHING IN SMALLVILLE

272
00:18:36,528 --> 00:18:38,506
THAT IS SCREAMING FOR
CELESTIAL ATTENTION.

273
00:18:38,530 --> 00:18:40,508
I MEAN, LIGHTNING DOES NOT
STRIKE TWICE IN THE SAME PLACE

274
00:18:40,532 --> 00:18:42,511
WITHOUT SOME KIND OF
LIGHTNING ROD, RIGHT?

275
00:18:42,535 --> 00:18:44,514
I JUST WONDER WHAT THAT IS.

276
00:18:44,538 --> 00:18:46,515
UM, I'M NOT SURE, BUT
WE DON'T HAVE MUCH TIME.

277
00:18:46,539 --> 00:18:48,517
WE NEED TO FIND LANA.

278
00:18:48,541 --> 00:18:50,520
YOU'RE RIGHT, AND IF
ANYONE CAN FIND HER

279
00:18:50,544 --> 00:18:52,523
WITH MOMENTS TO
SPARE, IT'S YOU, CLARK.

280
00:18:52,547 --> 00:18:54,524
WHY DO YOU SAY THAT?

281
00:18:54,548 --> 00:18:56,526
I DON'T KNOW. BECAUSE YOU HAVE
A WAY OF GETTING THINGS DONE

282
00:18:56,550 --> 00:18:59,499
IN HALF THE TIME A NORMAL
PERSON GETS THINGS DONE.

283
00:18:59,523 --> 00:19:02,003
AND I'M NOT NORMAL? NO, OF
COURSE YOU'RE NORMAL, CLARK.

284
00:19:02,027 --> 00:19:04,406
YOU'RE AS NORMAL AS THEY COME.
NOW, LET'S HURRY AND FIND LANA.

285
00:19:04,430 --> 00:19:06,408
LOOK, I'M SURE SHE'S
ALREADY OUT OF TOWN.

286
00:19:06,432 --> 00:19:08,010
THEY'VE EVACUATED
HALF OF THE COUNTY.

287
00:19:08,034 --> 00:19:09,772
THEY PROBABLY SAW
HER RUNNING IN LATE

288
00:19:09,796 --> 00:19:11,414
AND TOLD HER TO LEAVE TOWN.

289
00:19:11,438 --> 00:19:13,416
THAT'S EXACTLY WHAT YOU
TWO NEED TO DO RIGHT NOW.

290
00:19:13,440 --> 00:19:15,477
THANKS FOR THE TIP. NOW
LISTEN TO ME, SMALLVILLE,

291
00:19:15,501 --> 00:19:17,950
IF THERE'S ONE THING THAT
THE GENERAL HAS TAUGHT ME,

292
00:19:17,974 --> 00:19:19,922
HE'S TAUGHT ME THAT YOU
CANNOT PANIC IN TIMES OF CRISIS.

293
00:19:19,946 --> 00:19:21,925
WHATEVER HAPPENS, YOU HAVE
TO STAY CALM. YOU CANNOT PANIC.

294
00:19:21,949 --> 00:19:23,957
BECAUSE IF YOU LOSE YOUR COOL...

295
00:19:23,981 --> 00:19:25,589
LOIS. YOU'RE PANICKING.

296
00:19:25,613 --> 00:19:26,884
FINE.

297
00:19:44,505 --> 00:19:46,513
CLARK, WHERE THE
HELL HAVE YOU BEEN?

298
00:19:46,537 --> 00:19:48,284
WE GOTTA PACK UP.

299
00:19:48,308 --> 00:19:50,016
I'VE BEEN LOOKING FOR LANA
EVERYWHERE. I CAN'T FIND HER.

300
00:19:50,040 --> 00:19:52,018
SWEETHEART, SHE'S PROBABLY
ALREADY BEEN EVACUATED.

301
00:19:52,042 --> 00:19:53,920
I WANT YOU TO GO UP TO YOUR ROOM

302
00:19:53,944 --> 00:19:55,562
AND PACK EVERYTHING
THAT'S NECESSARY.

303
00:19:55,586 --> 00:19:57,624
YOUR MOM AND I WILL TAKE
CARE OF EVERYTHING DOWN HERE.

304
00:19:57,648 --> 00:19:59,828
NO, I GOTTA DO SOMETHING FIRST.

305
00:19:59,852 --> 00:20:01,929
DON'T THINK FOR A
SECOND THIS IS YOUR FAULT.

306
00:20:01,953 --> 00:20:03,972
I CAME TO SMALLVILLE
IN A METEOR SHOWER.

307
00:20:03,996 --> 00:20:05,975
NOW IT'S HAPPENING AGAIN,
AND IT'S ALL BECAUSE OF ME.

308
00:20:05,999 --> 00:20:08,006
CLARK, THERE IS ABSOLUTELY
NOTHING YOU COULD'VE DONE

309
00:20:08,030 --> 00:20:10,039
TO PREVENT THIS.
WE DON'T KNOW THAT.

310
00:20:10,063 --> 00:20:12,312
THERE'S GOTTA BE
SOMETHING I CAN DO.

311
00:20:12,336 --> 00:20:14,313
CLARK, YOU DON'T HAVE TIME.

312
00:20:14,337 --> 00:20:18,011
I DON'T HAVE A CHOICE.

313
00:20:45,542 --> 00:20:48,421
LEX, WHAT ARE YOU DOING HERE?

314
00:20:48,445 --> 00:20:50,583
WELL, I WANTED TO OFFER
YOU AND YOUR PARENTS

315
00:20:50,607 --> 00:20:52,887
SAFE PASSAGE OUT OF
HERE IN A LUTHORCORP JET.

316
00:20:52,911 --> 00:20:54,958
THE ROADS ARE GONNA
GET PRETTY UGLY SOON.

317
00:20:54,982 --> 00:20:59,518
THANKS, BUT I
THINK WE'LL BE OKAY.

318
00:21:02,662 --> 00:21:04,899
CLARK, WHY TAKE THE RISK?

319
00:21:04,923 --> 00:21:07,503
THE FIRST METEOR SHOWER
CAUSED ME IRREVOCABLE DAMAGE.

320
00:21:07,527 --> 00:21:09,575
TRUST ME, YOU DON'T WANT
TO BE ANYWHERE NEAR HERE

321
00:21:09,599 --> 00:21:11,648
WHEN THE NEXT ONE HITS.

322
00:21:11,672 --> 00:21:13,950
THANKS, LEX, BUT I THINK MY
DAD IS GONNA WANT TO PACK UP

323
00:21:13,974 --> 00:21:15,953
THE TRUCK WITH AS
MUCH AS WE CAN TAKE.

324
00:21:15,977 --> 00:21:19,441
I UNDERSTAND. SOME THINGS
SIMPLY CAN'T BE REPLACED.

325
00:21:21,643 --> 00:21:24,391
CLARK, MY SCIENTISTS
HAVE IDENTIFIED

326
00:21:24,415 --> 00:21:27,495
WHAT SEEMS TO BE AN INNER
CHAMBER INSIDE THE CAVE WALL.

327
00:21:27,519 --> 00:21:29,998
REALLY?

328
00:21:30,022 --> 00:21:32,071
I WAS WONDERING IF YOUR
RESEARCH INTO THE CAVE

329
00:21:32,095 --> 00:21:35,073
MIGHT'VE TURNED
UP ANYTHING SIMILAR.

330
00:21:35,097 --> 00:21:37,677
NO. UM, BUT, LEX, WHY ARE
YOU SO INTERESTED IN THE CAVES

331
00:21:37,701 --> 00:21:39,678
WHEN THERE'S A NATURAL
DISASTER HEADED OUR WAY?

332
00:21:39,702 --> 00:21:41,742
CLARK, IF ANYTHING IN THIS
TOWN IS IRREPLACEABLE,

333
00:21:41,766 --> 00:21:43,744
IT'S THOSE CAVES.

334
00:21:43,768 --> 00:21:45,545
THEY'VE BEEN AROUND
FOR THOUSANDS OF YEARS,

335
00:21:45,569 --> 00:21:47,548
AND THEY COULD VERY WELL
BE DESTROYED IN THE NEXT 24...

336
00:21:47,572 --> 00:21:49,550
WELL, LET'S HOPE THEY'RE NOT.

337
00:21:49,574 --> 00:21:51,693
I REALLY NEED TO GET
TO HELPING MY PARENTS.

338
00:21:51,717 --> 00:21:53,194
GOOD LUCK, LEX.

339
00:21:53,218 --> 00:21:56,158
THANKS, CLARK, BUT I
DON'T BELIEVE IN LUCK.

340
00:21:56,182 --> 00:21:59,224
IT'S OUR WITS AND OUR
FORTITUDE THAT KEEP US SAFE.

341
00:22:01,587 --> 00:22:06,008
AND I'M SURE YOU HAVE
MORE THAN ENOUGH OF BOTH.

342
00:22:06,032 --> 00:22:09,096
STAY SAFE.

343
00:22:27,257 --> 00:22:29,864
YOU'RE MY FATHER.

344
00:22:29,888 --> 00:22:32,799
TALK TO ME.

345
00:22:32,823 --> 00:22:35,742
AND TELL ME WHAT YOU'VE DONE!

346
00:22:35,766 --> 00:22:38,245
Jor-El: IT WAS YOU.

347
00:22:38,269 --> 00:22:40,808
WHO BROUGHT THIS
UPON YOURSELF, KAL-EL.

348
00:22:40,832 --> 00:22:42,749
WHAT DID I DO?!

349
00:22:42,773 --> 00:22:44,982
I SENT YOU HERE TO
UNITE THE THREE ELEMENTS.

350
00:22:45,006 --> 00:22:46,853
THE STONES?

351
00:22:46,877 --> 00:22:49,687
THEY HAVE NOTHING TO DO WITH ME!

352
00:22:49,711 --> 00:22:51,689
BUT THEY DO, KAL-EL,
FOR THE KNOWLEDGE

353
00:22:51,713 --> 00:22:53,962
OF THE UNIVERSE IS
MEANT FOR YOU ONLY.

354
00:22:53,986 --> 00:22:56,725
YET YOU CHOSE TO
DENY YOUR HERITAGE.

355
00:22:56,749 --> 00:22:59,098
TODAY, YOU WILL WITNESS
THE CONSEQUENCES.

356
00:22:59,122 --> 00:23:01,231
SO YOU SENT A METEOR SHOWER?

357
00:23:01,255 --> 00:23:03,802
I HAVE DONE NOTHING, KAL-EL.

358
00:23:03,826 --> 00:23:05,976
HUMAN BLOOD HAS STAINED
ONE OF THE ELEMENTS

359
00:23:06,000 --> 00:23:08,908
AND AWAKENED GREAT DANGER
FROM THE DARKNESS OF SPACE.

360
00:23:08,932 --> 00:23:10,811
WHAT CAN I DO TO STOP IT?

361
00:23:10,835 --> 00:23:12,812
THERE IS NOTHING YOU CAN DO

362
00:23:12,836 --> 00:23:14,886
TO PREVENT WHAT
IS ALREADY IN MOTION.

363
00:23:14,910 --> 00:23:17,718
BUT THE METEOR SHOWER IS
JUST THE BEGINNING, KAL-EL.

364
00:23:17,742 --> 00:23:19,720
I WARNED YOU THAT THE ELEMENTS

365
00:23:19,744 --> 00:23:22,824
COULD NOT FALL INTO
THE HANDS OF A HUMAN.

366
00:23:22,848 --> 00:23:24,827
THE THREE MUST BECOME ONE.

367
00:23:24,851 --> 00:23:26,829
IT IS THE ONLY WAY TO SAVE EARTH

368
00:23:26,853 --> 00:23:28,130
FROM TOTAL ANNIHILATION.

369
00:23:28,154 --> 00:23:30,533
WELL, I DON'T KNOW
WHERE THEY ARE!

370
00:23:30,557 --> 00:23:33,265
I DON'T HAVE TIME TO FIND THEM!

371
00:23:33,289 --> 00:23:35,839
IF YOU DON'T UNITE THEM AT ONCE,

372
00:23:35,863 --> 00:23:39,944
YOU, MY SON, WILL BE
SEARED BY FIRE FROM THE SKY.

373
00:23:39,968 --> 00:23:42,275
EVEN YOU CANNOT SURVIVE.

374
00:23:42,299 --> 00:23:46,751
THE FUTURE OF MANKIND
RESTS IN YOUR HANDS, KAL-EL.

375
00:23:46,775 --> 00:23:50,779
PLEASE... HELP ME! I
CAN'T DO THIS ALONE!

376
00:24:06,897 --> 00:24:09,306
I CAN'T BELIEVE I
ALMOST FORGOT THIS!

377
00:24:09,330 --> 00:24:11,049
THAT'S GREAT, SWEETHEART.

378
00:24:11,073 --> 00:24:13,081
I ALMOST HAVE THE
TRUCK ALL LOADED UP.

379
00:24:13,105 --> 00:24:15,954
GOOD. SHELBY, LOAD UP.

380
00:24:15,978 --> 00:24:17,985
CLARK, GREAT.

381
00:24:18,009 --> 00:24:20,889
WHY DON'T YOU HELP
ME SECURE THE TRUCK?

382
00:24:20,913 --> 00:24:23,862
YOU'RE GONNA HAVE
TO GO WITHOUT ME.

383
00:24:23,886 --> 00:24:25,093
WHAT?

384
00:24:25,117 --> 00:24:27,197
DO I HAVE TO REMIND YOU, CLARK,

385
00:24:27,221 --> 00:24:29,599
THAT THE LAST TIME WE
HAD A METEOR SHOWER,

386
00:24:29,623 --> 00:24:31,601
IT WAS FULL OF KRYPTONITE?

387
00:24:31,625 --> 00:24:34,073
IF THE SAME THING HAPPENS
TODAY, IT COULD KILL YOU.

388
00:24:34,097 --> 00:24:36,206
YOU HAVE TO COME WITH US.

389
00:24:36,230 --> 00:24:40,812
I SPOKE TO JOR-EL.

390
00:24:40,836 --> 00:24:43,344
HE TOLD ME I HAVE TO FIND THE
OTHER TWO STONES RIGHT NOW

391
00:24:43,368 --> 00:24:46,017
AND UNITE THEM WITH
THE ONE IN THE CAVE.

392
00:24:46,041 --> 00:24:48,350
NO! YOU'RE MY SON.

393
00:24:48,374 --> 00:24:51,122
YOU'RE NOT GONNA GO ON
SOME KIND OF SUICIDE MISSION.

394
00:24:51,146 --> 00:24:52,854
CLARK, YOU MIGHT BE
STRONGER THAN STEEL,

395
00:24:52,878 --> 00:24:54,127
BUT YOU'RE NOT INVINCIBLE.

396
00:24:54,151 --> 00:24:56,158
I KNOW, DAD.

397
00:24:56,182 --> 00:24:58,955
BUT I'M THE ONLY
ONE WHO CAN DO THIS.

398
00:25:10,269 --> 00:25:12,872
ALL RIGHT.

399
00:25:15,074 --> 00:25:19,324
BUT I WANT YOU TO
LISTEN TO ME RIGHT NOW.

400
00:25:19,348 --> 00:25:23,158
ALL THE YEARS THAT YOUR
MOTHER AND I SPENT RAISING YOU

401
00:25:23,182 --> 00:25:27,063
FROM A WIDE-EYED TODDLER
RUNNING AROUND ON THIS FARM

402
00:25:27,087 --> 00:25:31,021
TO THE MAN WHO IS STANDING
IN FRONT OF ME RIGHT NOW...

403
00:25:33,064 --> 00:25:37,028
WAS FOR THIS MOMENT.

404
00:25:41,403 --> 00:25:45,208
YOU DO THIS, SON.
YOU MAKE US PROUD.

405
00:26:21,478 --> 00:26:26,260
THOSE METEORS CAN
KILL HIM, JONATHAN.

406
00:26:26,284 --> 00:26:31,135
I KNOW THAT, SWEETHEART.

407
00:26:31,159 --> 00:26:33,236
BUT IF WE HAVE FAITH IN OUR SON,

408
00:26:33,260 --> 00:26:36,965
THEN WE CAN'T LET
THAT FAITH WAVER NOW.

409
00:26:49,078 --> 00:26:53,330
LANA, I THOUGHT YOU
ALREADY EVACUATED.

410
00:26:53,354 --> 00:26:55,262
ARE YOU OKAY?

411
00:26:55,286 --> 00:26:56,994
I'M SCARED.

412
00:26:57,018 --> 00:26:58,995
LANA, I KNOW THIS METEOR SHOWER

413
00:26:59,019 --> 00:27:01,268
MUST BRING UP SOME
PAINFUL MEMORIES FOR YOU,

414
00:27:01,292 --> 00:27:03,301
BUT THIS TIME IT'S DIFFERENT.

415
00:27:03,325 --> 00:27:05,372
WE HAVE WARNING,
AND WE'LL BE SAFE.

416
00:27:05,396 --> 00:27:07,245
NO, I'M NOT SO SURE.

417
00:27:07,269 --> 00:27:10,079
CLARK, I DON'T KNOW WHAT'S
GOING TO HAPPEN TO ME.

418
00:27:10,103 --> 00:27:12,535
I WANT YOU TO HAVE THIS.

419
00:27:29,423 --> 00:27:33,004
WHERE'D YOU GET THIS?

420
00:27:33,028 --> 00:27:34,829
IN CHINA.

421
00:27:36,501 --> 00:27:42,043
WHATEVER IT IS,
WHATEVER IT MEANS, I...

422
00:27:42,067 --> 00:27:45,487
I SOMEHOW KNOW THAT
IT'S MEANT FOR YOU.

423
00:27:45,511 --> 00:27:50,052
IS THIS BLOOD?

424
00:27:50,076 --> 00:27:53,397
REMEMBER ALL THOSE TIMES THAT
I ASKED YOU FOR AN EXPLANATION,

425
00:27:53,421 --> 00:27:56,399
BUT YOU SAID YOU
COULDN'T GIVE ME ONE,

426
00:27:56,423 --> 00:27:59,563
THAT I HAD TO TRUST YOU?

427
00:27:59,587 --> 00:28:03,362
WELL, THIS TIME I
NEED YOU TO TRUST ME.

428
00:28:05,535 --> 00:28:08,313
LANA, MY PARENTS ARE
ABOUT TO LEAVE RIGHT NOW.

429
00:28:08,337 --> 00:28:10,847
GO WITH THEM.
YOU'LL BE SAFE. I CAN'T.

430
00:28:10,871 --> 00:28:13,349
YOU HAVE TO.

431
00:28:13,373 --> 00:28:17,154
CLARK, I NEED YOU TO KNOW
THAT WHATEVER HAPPENS,

432
00:28:17,178 --> 00:28:20,480
I WILL NEVER FORGET YOU.

433
00:28:24,586 --> 00:28:26,593
LANA, YOU'RE TALKING LIKE

434
00:28:26,617 --> 00:28:30,068
WE'RE NEVER GONNA
SEE EACH OTHER AGAIN.

435
00:28:30,092 --> 00:28:32,365
I LOVE YOU.

436
00:28:47,211 --> 00:28:49,584
I LOVE YOU, TOO.

437
00:28:52,917 --> 00:28:54,419
GOODBYE.

438
00:29:15,313 --> 00:29:17,690
CHLOE, EVEN THOUGH YOU
WON'T HEAR FROM ME FOR A WHILE,

439
00:29:17,714 --> 00:29:20,154
I WANT YOU TO
KNOW THAT I'M OKAY.

440
00:29:20,178 --> 00:29:22,697
I THOUGHT WE AGREED YOU
WOULDN'T TALK TO ANYONE.

441
00:29:22,721 --> 00:29:25,429
I HAVE TO LET MY FRIENDS
KNOW THAT I'M ALL RIGHT.

442
00:29:25,453 --> 00:29:27,532
LANA, I UNDERSTAND YOU
NOT WANTING THEM TO WORRY,

443
00:29:27,556 --> 00:29:29,534
BUT YOU HAVE TO TRUST ME.

444
00:29:29,558 --> 00:29:31,536
NOW, I ASSUME THE
STONE IS STILL SAFE?

445
00:29:31,560 --> 00:29:34,139
AS SAFE AS CAN BE.

446
00:29:34,163 --> 00:29:36,141
WELL, LET'S KEEP IT THAT WAY.

447
00:29:36,165 --> 00:29:38,568
I'll PUT IT IN MY VAULT. WHY?

448
00:29:41,172 --> 00:29:44,220
A CHOPPER IS BEING FUELED TO
EVACUATE YOU TO METROPOLIS

449
00:29:44,244 --> 00:29:46,684
WHERE YOU'LL STAY AT A HOTEL
UNTIL YOUR LAWYER ARRIVES.

450
00:29:46,708 --> 00:29:49,627
IT'S PROBABLY BEST NOT TO
TRAVEL WITH THE MURDER WEAPON.

451
00:29:49,651 --> 00:29:52,629
I UNDERSTAND THAT, LEX,
BUT I'D RATHER HOLD ONTO IT.

452
00:29:52,653 --> 00:29:57,195
LANA...

453
00:29:57,219 --> 00:29:59,537
THAT OBJECT IS WHAT
PROSECUTORS FONDLY REFER TO

454
00:29:59,561 --> 00:30:01,700
AS THE SMOKING GUN.

455
00:30:01,724 --> 00:30:04,474
NOW, I'll DO ANYTHING I
CAN TO PROTECT YOU,

456
00:30:04,498 --> 00:30:07,577
INCLUDING SUPPORTING
WHATEVER STORY OF SELF-DEFENSE

457
00:30:07,601 --> 00:30:09,708
YOU WANT TO RUN WITH.

458
00:30:09,732 --> 00:30:12,552
IT'S NOT A STORY, LEX.

459
00:30:12,576 --> 00:30:16,587
I WOULD NEVER MURDER SOMEBODY.

460
00:30:16,611 --> 00:30:19,344
OF COURSE NOT.

461
00:30:21,616 --> 00:30:23,419
LANA...

462
00:30:26,291 --> 00:30:28,399
I TRUST YOU.

463
00:30:28,423 --> 00:30:31,458
NOW YOU HAVE TO TRUST
ME WITH THAT STONE.

464
00:30:34,230 --> 00:30:38,365
I'M SORRY, LEX,
BUT I CAN'T DO THAT.

465
00:30:55,324 --> 00:30:56,655
GOD.

466
00:30:58,788 --> 00:31:02,368
JASON?

467
00:31:02,392 --> 00:31:06,166
JASON!

468
00:31:09,670 --> 00:31:12,780
I'M HAVING WHAT YOU'D
CALL A ROUGH DAY.

469
00:31:12,804 --> 00:31:16,783
WHY DON'T YOU JUST
CALM DOWN... SON?

470
00:31:16,807 --> 00:31:19,310
WHERE IS CLARK?

471
00:31:20,813 --> 00:31:22,561
[ SHELBY GROWLING ]

472
00:31:22,585 --> 00:31:26,264
HE'S NOT HERE. LOOK, WHY DON'T
YOU PUT DOWN THE SHOTGUN,

473
00:31:26,288 --> 00:31:28,437
AND WE'LL TALK ABOUT IT?

474
00:31:28,461 --> 00:31:30,824
TELL ME WHERE HE IS!

475
00:32:00,297 --> 00:32:02,636
WHY WOULD LANA
BE AT LEX'S MANSION

476
00:32:02,660 --> 00:32:04,638
WHEN SHE'S SUPPOSED TO EVACUATE?

477
00:32:04,662 --> 00:32:06,709
I DON'T KNOW, BUT I COULD
SWEAR THAT WAS LEX'S VOICE

478
00:32:06,733 --> 00:32:08,783
IN THE BACKGROUND. SHE
SOUNDS LIKE SHE'S IN TROUBLE, LOIS.

479
00:32:08,807 --> 00:32:10,784
I CAN'T ABANDON HER. THE MANSION
IS JUST RIGHT AROUND THAT BEND.

480
00:32:10,808 --> 00:32:12,847
UNLESS YOU HAVE A
JET PACK IN YOUR PURSE,

481
00:32:12,871 --> 00:32:14,889
WE'RE NOT GOING ANYWHERE.

482
00:32:14,913 --> 00:32:17,351
Man: HEY, HEY, WHOA,
WHOA, WHOA, WHOA, WHOA!

483
00:32:17,375 --> 00:32:19,854
EMERGENCY VEHICLES ONLY.
TURN THE CAR AROUND IMMEDIATELY.

484
00:32:19,878 --> 00:32:21,857
WELL, OUR FRIEND
COULD BE TRAPPED INSIDE.

485
00:32:21,881 --> 00:32:24,459
WE'RE JUST GONNA GO GRAB
HER AND THEN COME RIGHT BACK.

486
00:32:24,483 --> 00:32:28,404
I'M SORRY, MA'AM. NO
ONE GETS THROUGH.

487
00:32:28,428 --> 00:32:31,231
WE'RE WAY TOO
CLOSE TO TURN AWAY.

488
00:32:34,694 --> 00:32:38,275
HEY, SOLDIER!

489
00:32:38,299 --> 00:32:40,378
IS THIS A ROADBLOCK

490
00:32:40,402 --> 00:32:42,781
OR A LEMONADE
STAND YOU GOT HERE?

491
00:32:42,805 --> 00:32:45,283
WAIT A SECOND, I
RECOGNIZE YOU. YOU'RE THE...

492
00:32:45,307 --> 00:32:47,285
DAUGHTER OF GENERAL LANE.
YOU MIGHT'VE HEARD OF HIM.

493
00:32:47,309 --> 00:32:50,158
HE TALKS REAL LOUD,
SMOKES A STOGIE.

494
00:32:50,182 --> 00:32:52,390
HEY!

495
00:32:52,414 --> 00:32:54,193
HEY. THIS BARRICADE...

496
00:32:54,217 --> 00:32:56,696
IT SHOULD BE
PERPENDICULAR TO THE ROAD.

497
00:32:56,720 --> 00:32:59,438
THOSE CHANNELIZERS
SHOULD BE FURTHER APART,

498
00:32:59,462 --> 00:33:01,301
AND UNLESS I NEED GLASSES,

499
00:33:01,325 --> 00:33:04,174
THERE SHOULD BE
REFLECTORS ON THOSE I-BEAMS.

500
00:33:04,198 --> 00:33:07,777
YES, MA'AM, I UNDERSTAND,
BUT I CAN'T LET YOU THROUGH.

501
00:33:07,801 --> 00:33:09,781
YOU'RE A CUB SCOUT
OUT HERE, SOLDIER.

502
00:33:09,805 --> 00:33:13,338
WHERE'S YOUR DEN
MOTHER... BAKING BROWNIES?

503
00:33:38,906 --> 00:33:42,216
WHAT HAPPENED TO YOUR
SURVIVAL INSTINCTS, DAD?

504
00:33:42,240 --> 00:33:45,249
FIRE AND BRIMSTONE ARE ABOUT
TO RAIN DOWN FROM THE SKY...

505
00:33:45,273 --> 00:33:47,322
AND YOU'RE SIPPING A COCKTAIL

506
00:33:47,346 --> 00:33:49,354
LIKE IT'S SUNDAY AT
THE COUNTRY CLUB.

507
00:33:49,378 --> 00:33:51,456
I AM AWARE OF THE
IMMINENT DANGER, LEX,

508
00:33:51,480 --> 00:33:53,459
BUT I'M NOT ABOUT TO LEAVE

509
00:33:53,483 --> 00:33:55,502
WITHOUT KNOWING
THAT MY SON IS ALL RIGHT.

510
00:33:55,526 --> 00:33:57,504
COME ON, WHO'S KIDDING WHO?

511
00:33:57,528 --> 00:33:59,505
YOU'RE NOT ABOUT TO
LEAVE WITHOUT THE ELEMENT.

512
00:33:59,529 --> 00:34:01,508
I HATE TO DISAPPOINT YOU,

513
00:34:01,532 --> 00:34:03,511
BUT I HAVEN'T EVEN
SEEN LANA LANG.

514
00:34:03,535 --> 00:34:05,943
SHE'S PROBABLY ON THE RUN,
HALFWAY TO COSTA RICA BY NOW.

515
00:34:05,967 --> 00:34:07,946
WELL, A FACE LIKE LANA
LANG'S ISN'T EASY TO HIDE.

516
00:34:07,970 --> 00:34:09,977
IT'S JUST A MATTER OF TIME

517
00:34:10,001 --> 00:34:13,045
BEFORE SHE CATCHES THE
ATTENTION OF SOME CUSTOMS OFFICIAL.

518
00:34:21,315 --> 00:34:23,463
ALL RIGHT.

519
00:34:23,487 --> 00:34:25,995
AGREE TO LEAVE HER ALONE,

520
00:34:26,019 --> 00:34:29,369
AND I'll GIVE YOU SOMETHING
YOU DESPERATELY NEED.

521
00:34:29,393 --> 00:34:32,403
I AM A BLESSED MAN, LEX.
I NEED VERY LITTLE IN LIFE.

522
00:34:32,427 --> 00:34:33,945
I WONDER,

523
00:34:33,969 --> 00:34:37,309
WHAT GOOD IS A KEY IF YOU
DON'T KNOW WHERE THE LOCK IS?

524
00:34:37,333 --> 00:34:38,550
WISE OBSERVATION.

525
00:34:38,574 --> 00:34:40,552
WHY DO YOU THINK ANY
OF THIS APPLIES TO ME?

526
00:34:40,576 --> 00:34:42,954
YOU HAVE ONE OF
THE ELEMENTS, DAD.

527
00:34:42,978 --> 00:34:45,358
THAT MUCH IS CLEAR.
WHAT YOU DON'T HAVE

528
00:34:45,382 --> 00:34:47,459
IS THE KNOWLEDGE
OF WHERE IT BELONGS.

529
00:34:47,483 --> 00:34:49,492
I CAN HELP YOU.

530
00:34:49,516 --> 00:34:51,494
I'll TAKE YOU THERE RIGHT NOW.

531
00:34:51,518 --> 00:34:54,351
I WISH IT WERE TRUE, LEX,
BUT I DON'T HAVE THE STONE.

532
00:35:20,920 --> 00:35:22,353
AAH!

533
00:35:48,081 --> 00:35:49,959
SIR!

534
00:35:49,983 --> 00:35:52,963
IS EVERYTHING OKAY?

535
00:35:52,987 --> 00:35:56,466
GET J.D., AND TAKE
MY FATHER UPSTAIRS.

536
00:35:56,490 --> 00:35:58,499
MR. LUTHOR, WE'RE
EVACUATING THE MA...

537
00:35:58,523 --> 00:36:01,427
DO IT!!

538
00:36:05,570 --> 00:36:09,005
CAN YOU HEAR ME, DAD?

539
00:36:12,007 --> 00:36:17,160
BEFORE YOU LEAVE THIS
EARTH, I WANT YOU TO KNOW...

540
00:36:17,184 --> 00:36:21,449
YOU DID CREATE THE
SON YOU ALWAYS WANTED.

541
00:36:42,172 --> 00:36:45,476
[ PIERCING NOISE ]

542
00:37:05,038 --> 00:37:08,471
[ PIERCING NOISE ]

543
00:37:29,125 --> 00:37:31,197
[ NOISE STOPS ]

544
00:37:44,981 --> 00:37:46,490
COME ON, HURRY UP!

545
00:37:46,514 --> 00:37:48,492
JASON, WHY DON'T
YOU LET MARTHA GO?

546
00:37:48,516 --> 00:37:50,524
SHE DOESN'T KNOW
ANYTHING ABOUT ANY OF THIS.

547
00:37:50,548 --> 00:37:52,767
NO, A MOTHER ALWAYS KNOWS
HER SON'S DEEP, DARK SECRETS.

548
00:37:52,791 --> 00:37:54,898
NOW, WHERE DOES
HE KEEP THE STONES?

549
00:37:54,922 --> 00:37:57,001
WHY WOULD CLARK KNOW
ANYTHING ABOUT ANCIENT STONES?

550
00:37:57,025 --> 00:37:58,773
ALL RIGHT, THAT'S
ENOUGH. COME ON.

551
00:37:58,797 --> 00:38:00,235
WELL, LET'S SEE...

552
00:38:00,259 --> 00:38:02,278
WHEN I RAN INTO
YOUR SON IN BEIJING,

553
00:38:02,302 --> 00:38:04,910
I DECIDED TO DO A LITTLE
HOMEWORK ON MY OWN.

554
00:38:04,934 --> 00:38:07,142
AND THE MORE I DUG, THE
MORE CLARK KENT'S NAME

555
00:38:07,166 --> 00:38:09,015
JUST KEPT POPPING UP.

556
00:38:09,039 --> 00:38:10,747
SIT DOWN!!

557
00:38:10,771 --> 00:38:12,818
NOW IS THAT A COINCIDENCE
THAT THE SYMBOLS

558
00:38:12,842 --> 00:38:14,992
WERE BURNED INTO YOUR FIELD?

559
00:38:15,016 --> 00:38:17,193
I-I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

560
00:38:17,217 --> 00:38:18,995
JASON!

561
00:38:19,019 --> 00:38:20,898
WHAT ABOUT CLARK'S
CONNECTION TO BRIDGETTE CROSBY?

562
00:38:20,922 --> 00:38:22,229
I DON'T KNOW. I DON'T KNOW.

563
00:38:22,253 --> 00:38:24,231
SHE HAD ONE OF THE ARTIFACTS.

564
00:38:24,255 --> 00:38:26,233
I SUPPOSE THAT WAS
JUST A COINCIDENCE, TOO.

565
00:38:26,257 --> 00:38:29,008
NONE OF THAT MAKES
ANY DIFFERENCE NOW.

566
00:38:29,032 --> 00:38:31,870
YOU KNOW, WHEN MY
MOTHER CAME TO SMALLVILLE,

567
00:38:31,894 --> 00:38:34,312
SHE THOUGHT THE LUTHORS
WOULD LEAD HER TO THE STONES...

568
00:38:34,336 --> 00:38:36,876
BUT SHE WAS WRONG.

569
00:38:36,900 --> 00:38:39,019
IT WAS THE FARM BOY.

570
00:38:39,043 --> 00:38:42,122
THE ONE WHO HAS NO
RECORD OF EVER BEING BORN.

571
00:38:42,146 --> 00:38:45,325
HE'S MORE CONNECTED TO
THOSE STONES THAN ANY OF US.

572
00:38:45,349 --> 00:38:48,789
THERE'S A METEOR SHOWER
ABOUT TO TEAR THIS TOWN APART!

573
00:38:48,813 --> 00:38:50,791
YOU NEED TO GET TO YOUR
MOTHER, GET HER TO SAFETY!

574
00:38:50,815 --> 00:38:53,064
DON'T YOU THINK I KNOW THAT?!

575
00:38:53,088 --> 00:38:55,968
I CAN'T FIND HER ANYWHERE!

576
00:38:55,992 --> 00:38:58,200
BUT I'll TELL YOU ONE THING...

577
00:38:58,224 --> 00:39:00,343
WHEN I DO FIND MY MOTHER,

578
00:39:00,367 --> 00:39:02,874
I'll FINALLY BE ABLE TO
GIVE HER THE ONE THING.

579
00:39:02,898 --> 00:39:05,632
SHE'S BEEN SEARCHING
FOR ALL THESE YEARS.

580
00:39:09,277 --> 00:39:12,039
NOW TELL ME WHERE
THE STONES ARE!

581
00:39:22,090 --> 00:39:24,068
I'll MEET YOU IN METROPOLIS.

582
00:39:24,092 --> 00:39:25,930
WHAT, YOU'RE NOT COMING?

583
00:39:25,954 --> 00:39:28,374
I HAVE A PRESSING
MATTER TO TAKE CARE OF.

584
00:39:28,398 --> 00:39:30,376
NOW, LANA, FOR YOUR OWN SAFETY,

585
00:39:30,400 --> 00:39:34,079
I NEED THAT STONE.

586
00:39:34,103 --> 00:39:36,282
LOOK, WE ALL HAVE A
NEED TO CLING ONTO THINGS,

587
00:39:36,306 --> 00:39:38,845
BUT EVENTUALLY, YOU
HAVE TO LOOSEN YOUR GRIP.

588
00:39:38,869 --> 00:39:40,847
IT'S TOO DANGEROUS FOR YOU.

589
00:39:40,871 --> 00:39:42,390
I DON'T HAVE IT!

590
00:39:42,414 --> 00:39:45,293
LIES DON'T BECOME YOU.

591
00:39:45,317 --> 00:39:47,394
IT'S THE TRUTH,
LEX. I DON'T HAVE IT.

592
00:39:47,418 --> 00:39:49,928
TRUST ME, IT'S SAFE. I PROMISE!

593
00:39:49,952 --> 00:39:53,262
WHERE IS IT?!

594
00:39:53,286 --> 00:39:56,064
THIS WAS NEVER ABOUT
MY SAFETY, WAS IT?

595
00:39:56,088 --> 00:39:58,961
THIS WAS ABOUT YOU GETTING
YOUR HANDS ON THAT STONE!

596
00:40:04,338 --> 00:40:07,418
LANA...

597
00:40:07,442 --> 00:40:10,304
YOUR SAFETY IS MORE
IMPORTANT THAN ANY OF THIS.

598
00:40:13,208 --> 00:40:16,382
YOU MEAN A LOT MORE
TO ME THAN YOU KNOW.

599
00:40:18,052 --> 00:40:20,032
CAN'T WAIT ANY
LONGER, MR. LUTHOR.

600
00:40:20,056 --> 00:40:22,989
WE GOTTA GO!

601
00:40:47,385 --> 00:40:49,193
LANA?

602
00:40:49,217 --> 00:40:51,951
LANA.

603
00:40:56,195 --> 00:40:58,173
OH, MY GOD. CLARK.

604
00:40:58,197 --> 00:41:00,360
CLARK.

605
00:41:20,123 --> 00:41:21,731
[ CLARK SUPER SPEEDS AWAY ]

606
00:41:21,755 --> 00:41:23,762
LEX, UM, I WAS LOOKING FOR LANA.

607
00:41:23,786 --> 00:41:26,104
SHE'S ALREADY LEFT.
WHAT HAPPENED?

608
00:41:26,128 --> 00:41:28,461
I DON'T KNOW I JUST WALKED IN.

609
00:41:31,335 --> 00:41:34,113
YOU KNOW MORE THAN
YOU'RE TELLING ME, CHLOE.

610
00:41:34,137 --> 00:41:35,977
WHO DID THIS?

611
00:41:36,001 --> 00:41:38,979
LEX, HONESTLY, I JUST
CAME TO FIND LANA.

612
00:41:39,003 --> 00:41:41,523
YOUR CURIOSITY SEEMS
TO ALWAYS HAVE A WAY

613
00:41:41,547 --> 00:41:45,057
OF LANDING YOU IN
PRECARIOUS POSITIONS...

614
00:41:45,081 --> 00:41:47,158
ONLY THIS TIME, YOU'RE OUT
ON A VERY NARROW LEDGE

615
00:41:47,182 --> 00:41:50,032
WITH ONLY ONE WAY BACK!
NOW, WHO TOOK THE ELEMENT?

616
00:41:50,056 --> 00:41:52,394
LEX, I SWEAR, I DON'T KNOW
WHAT YOU'RE TALKING ABOUT.

617
00:41:52,418 --> 00:41:54,497
BUT I THINK WE NEED TO
GET OUT OF SMALLVILLE

618
00:41:54,521 --> 00:41:56,499
BEFORE THE METEOR SHOWER HITS.

619
00:41:56,523 --> 00:41:58,541
I'M GOING TO FIND
THAT STONE, CHLOE,

620
00:41:58,565 --> 00:42:01,003
EVEN IF THAT MEANS DODGING A
FEW METEORS IN THE PROCESS.

621
00:42:01,027 --> 00:42:02,405
AND YOU'RE COMING WITH ME.

622
00:42:02,429 --> 00:42:04,207
I DON'T... LET'S GO.

623
00:42:04,231 --> 00:42:06,233
LEX, I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

624
00:42:10,579 --> 00:42:13,559
I SWEAR TO GOD, IF YOU
DON'T START TALKING,

625
00:42:13,583 --> 00:42:16,061
I'M GONNA BLOW HER BRAINS OUT.

626
00:42:16,085 --> 00:42:19,164
SWEETHEART, IT'S NO GOOD.
TELL HIM WHAT HE WANTS TO KNOW.

627
00:42:19,188 --> 00:42:22,152
TELL HIM WHERE THE STONES ARE.

628
00:42:24,494 --> 00:42:26,432
TELL ME RIGHT NOW.

629
00:42:26,456 --> 00:42:28,535
OKAY, OKAY.

630
00:42:28,559 --> 00:42:32,202
GO UPSTAIRS TO CLARK'S ROOM...

631
00:42:43,615 --> 00:42:46,219
MARTHA!

632
00:43:05,900 --> 00:43:08,344
AAH!

633
00:43:19,556 --> 00:43:22,659
[ DISTANT RUMBLING ]

634
00:44:21,525 --> 00:44:26,707
HENRY! HENRY!

635
00:44:26,731 --> 00:44:28,333
HENRY!

636
00:44:29,735 --> 00:44:33,369
HENRY!

637
00:44:54,623 --> 00:44:56,671
YOU'RE NOT MY DADDY.

638
00:44:56,695 --> 00:44:59,604
HENRY! HENRY! HENRY! HENRY!

639
00:44:59,628 --> 00:45:01,445
DADDY! COME HERE, COME HERE.

640
00:45:01,469 --> 00:45:05,209
GO!

641
00:45:05,233 --> 00:45:08,478
THANK YOU. THANK YOU!

642
00:46:37,306 --> 00:46:40,287
WHY DO I GET THE FEELING WE'RE
NOT IN THIS CAVE FOR COVER?

643
00:46:40,311 --> 00:46:42,559
YOU KNOW AS WELL AS I DO.

644
00:46:42,583 --> 00:46:44,561
IT'S THE EPICENTER.

645
00:46:44,585 --> 00:46:46,593
OF WHAT? COME ON, CHLOE!

646
00:46:46,617 --> 00:46:49,566
YOU'RE THE TOWN PURVEYOR
OF ALL THINGS UNEXPLAINED!

647
00:46:49,590 --> 00:46:52,099
YOU KNOW DAMN WELL ABOUT
THIS CAVE AND THE STONES.

648
00:46:52,123 --> 00:46:53,572
LEX, WHAT'S WRONG WITH YOU?

649
00:46:53,596 --> 00:46:55,604
IF YOU DIDN'T BREAK
INTO MY LIBRARY,

650
00:46:55,628 --> 00:46:58,207
YOU KNOW WHO DID. WHO
ARE YOU TRYING TO PROTECT?

651
00:46:58,231 --> 00:46:59,707
NO ONE.

652
00:46:59,731 --> 00:47:01,711
IS IT CLARK?

653
00:47:01,735 --> 00:47:03,211
CLARK? OF COURSE NOT.

654
00:47:03,235 --> 00:47:05,215
WHAT DOES CLARK HAVE
TO DO WITH ANY OF THIS?

655
00:47:05,239 --> 00:47:06,715
YOU TELL ME.

656
00:47:06,739 --> 00:47:08,318
YOU'VE KNOWN CLARK A
LOT LONGER THAN I HAVE.

657
00:47:08,342 --> 00:47:10,590
IN FACT, YOU MIGHT KNOW
HIM BETTER THAN ANYONE.

658
00:47:10,614 --> 00:47:12,823
YOU'RE RIGHT, LEX, I DO.
AND THE CLARK KENT I KNOW

659
00:47:12,847 --> 00:47:16,157
WOULD BE THE LAST PERSON TO
GO SUPER THIEF ON YOUR LIBRARY

660
00:47:16,181 --> 00:47:18,653
FOR SOME STUPID PIECE OF ROCK.

661
00:47:30,637 --> 00:47:33,769
WHAT IS THAT?

662
00:47:41,248 --> 00:47:43,411
LEX, BE CAREFUL. IT
MIGHT BE DANGEROUS.

663
00:49:52,425 --> 00:49:54,527
[ COUGHS ]

664
00:50:08,443 --> 00:50:10,815
AAH!

665
00:52:22,163 --> 00:52:26,142
Captions by VITAC...
www.vitac.com

666
00:52:26,166 --> 00:52:30,172
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION