1
00:00:09,669 --> 00:00:13,376
ARE WE GOING TO STATE THIS YEAR?

2
00:00:13,400 --> 00:00:16,646
I CAN'T HEAR YA! WHO'S GONNA
BE THE STATE CHAMPIONS?

3
00:00:16,670 --> 00:00:18,105
All: THE CROWS!

4
00:00:18,129 --> 00:00:21,006
I NEED A BRAVE
FRESHMAN TO STEP UP.

5
00:00:21,030 --> 00:00:23,346
ALL RIGHT, WHICH
ONE OF YOU STUDS

6
00:00:23,370 --> 00:00:26,105
THINKS YOU'RE A BETTER
QUARTERBACK THAN ME?

7
00:00:26,129 --> 00:00:28,175
KENT, HOW ABOUT IT?

8
00:00:28,199 --> 00:00:30,276
HUH?

9
00:00:30,300 --> 00:00:32,746
THAT'S OKAY.

10
00:00:32,770 --> 00:00:35,176
YOU TOO BUSY MILKING COWS TO
COME AND TRY OUT FOR THE TEAM.

11
00:00:35,200 --> 00:00:37,200
THE LEAST YOU CAN DO IS
SHOW SOME SCHOOL SPIRIT.

12
00:00:38,670 --> 00:00:40,106
AM I RIGHT?

13
00:00:40,130 --> 00:00:41,746
COME ON, KENT, DO YOU
WANT TO TAKE A SHOT

14
00:00:41,770 --> 00:00:44,729
AT THE HOTTEST FRESHMAN
AT SMALLVILLE HIGH?

15
00:00:46,369 --> 00:00:48,670
Girl: COME ON, CLARK.

16
00:00:57,270 --> 00:00:59,345
JUST TAKE YOUR TIME.

17
00:00:59,369 --> 00:01:01,100
COME ON, CLARK. YOU CAN DO IT.

18
00:01:02,270 --> 00:01:04,146
CAW! CAW!

19
00:01:04,170 --> 00:01:06,605
SUPPORT THE TEAM. GO, CROWS!

20
00:01:06,629 --> 00:01:08,275
COME ON, CROWS!

21
00:01:08,299 --> 00:01:11,676
WHOO-HOO! GO, CROWS! WHOO-HOO!

22
00:01:11,700 --> 00:01:15,605
LADIES AND CROWS, WHO'S
THE LUCKY FRESHMAN THIS YEAR?

23
00:01:15,629 --> 00:01:18,045
PROBABLY THE BIGGEST
LOSER LIKE EVERY YEAR.

24
00:01:18,069 --> 00:01:19,376
COME ON, TAKE IT OFF.

25
00:01:19,400 --> 00:01:21,346
HEY, LEAVE HER ALONE.

26
00:01:21,370 --> 00:01:23,245
DON'T DO THIS, YOU GUYS.
JUST LEAVE ME ALONE.

27
00:01:23,269 --> 00:01:25,605
WE ALWAYS TORTURE THE MASCOT.

28
00:01:25,629 --> 00:01:27,346
IT'S A TRADITION.

29
00:01:27,370 --> 00:01:31,075
LEAVE ME ALONE.
STOP IT, YOU GUYS!

30
00:01:31,099 --> 00:01:33,646
[ LAUGHTER ]

31
00:01:33,670 --> 00:01:37,605
SCABBY ABBY. HEY,
IT'S SCABBY ABBY.

32
00:01:37,629 --> 00:01:41,305
SCABBY ABBY! SCABBY ABBY!

33
00:01:41,329 --> 00:01:44,075
Students: [ Chanting ]
SCABBY ABBY! SCABBY ABBY!

34
00:01:44,099 --> 00:01:52,075
SCABBY ABBY! SCABBY ABBY!

35
00:01:52,099 --> 00:01:54,629
YOU BETTER PUT YOUR
MASK BACK ON, SCABSTER!

36
00:01:57,000 --> 00:02:01,045
ALL RIGHT, WHO'S NEXT? WHO'S
GONNA STEP UP AND DUNK HER?

37
00:02:01,069 --> 00:02:03,099
[ SOBBING ]

38
00:02:15,430 --> 00:02:19,045
Woman: POOR ABBY.
IT'S TAKEN THREE YEARS,

39
00:02:19,069 --> 00:02:22,099
BUT YOU FINALLY
LET MOMMY HELP YOU.

40
00:02:24,229 --> 00:02:26,276
DON'T WORRY, SWEETHEART.

41
00:02:26,300 --> 00:02:28,976
I WON'T LET YOU WASTE
YOUR SENIOR YEAR

42
00:02:29,000 --> 00:02:31,305
LIKE YOU DID ALL THE OTHERS.

43
00:02:31,329 --> 00:02:33,305
YOU PROMISE PEOPLE WILL LIKE ME?

44
00:02:33,329 --> 00:02:34,346
THEY WILL.

45
00:02:34,370 --> 00:02:37,370
I PROMISE. JUST
LIKE THEY DID ME.

46
00:02:44,199 --> 00:02:47,246
EVERYONE WILL LOVE YOU
WHEN THEY SEE THE REAL YOU...

47
00:02:47,270 --> 00:02:50,129
THE ONE THAT'S BEEN
INSIDE ALL ALONG.

48
00:02:59,370 --> 00:03:01,276
THEY'RE GOING TO
HAVE A SENIOR YEAR

49
00:03:01,300 --> 00:03:03,599
NO ONE WILL EVER FORGET.

50
00:03:13,099 --> 00:03:20,205
♫ SOMEBODY SAVE ME ♫

51
00:03:20,229 --> 00:03:24,146
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

52
00:03:24,170 --> 00:03:30,406
♫ SOMEBODY SAVE ME ♫

53
00:03:30,430 --> 00:03:34,205
♫ I DON'T CARE HOW YOU DO IT ♫

54
00:03:34,229 --> 00:03:35,305
♫ JUST STAY ♫

55
00:03:35,329 --> 00:03:37,205
♫ STAY WITH ME ♫

56
00:03:37,229 --> 00:03:39,205
♫ STAY ♫

57
00:03:39,229 --> 00:03:41,075
♫ COME ON ♫

58
00:03:41,099 --> 00:03:44,406
♫ I'VE BEEN WAITING FOR YOU ♫

59
00:03:44,430 --> 00:03:50,205
♫ JUST STAY WITH ME ♫

60
00:03:50,229 --> 00:03:55,075
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

61
00:03:55,099 --> 00:03:56,976
♫ JUST STAY ♫

62
00:03:57,000 --> 00:03:59,406
♫ STAY ♫

63
00:03:59,430 --> 00:04:02,699
♫ COME ON ♫

64
00:04:03,699 --> 00:04:06,276
[ CROWD CHEERING ]

65
00:04:06,300 --> 00:04:08,575
Announcer: WHAT A BALL
GAME! IT'S ALL TIED UP.

66
00:04:08,599 --> 00:04:11,246
WITH FIVE SECONDS LEFT, IT'S A
THRILLER HERE AT METRO STADIUM.

67
00:04:11,270 --> 00:04:13,445
CLARK KENT, THE YOUNG
PHENOM FROM SMALLVILLE,

68
00:04:13,469 --> 00:04:16,646
HAS LED M.U.'s
INCREDIBLE COMEBACK.

69
00:04:16,670 --> 00:04:19,305
KENT TAKES THE SNAP
FROM HIS OWN 10-YARD LINE.

70
00:04:19,329 --> 00:04:21,476
IT'S HAIL MARY TIME.
HE FADES BACK...

71
00:04:21,500 --> 00:04:23,245
HERE'S THE PASS...

72
00:04:23,269 --> 00:04:27,446
A BULLET DEEP DOWNFIELD
WAY PAST HIS OWN RECEIVER.

73
00:04:27,470 --> 00:04:29,346
WAIT! KENT'S NOW
FLYING DOWN THE FIELD.

74
00:04:29,370 --> 00:04:31,346
HE'S GOING TO
CATCH HIS OWN PASS!

75
00:04:31,370 --> 00:04:34,646
TOUCHDOWN! THE METEORS
WIN! KENT IS UNBELIEVABLE!

76
00:04:34,670 --> 00:04:36,569
[ CHEERING FADES ]

77
00:04:42,399 --> 00:04:43,430
NICE ARM, FARM BOY.

78
00:04:44,600 --> 00:04:46,605
WHEN'S THE FIRST GAME?

79
00:04:46,629 --> 00:04:49,406
I'M NOT ON THE TEAM.

80
00:04:49,430 --> 00:04:53,175
WHY NOT? AN ARM LIKE THAT IS
A "GET OUT OF GEEK FREE" PASS.

81
00:04:53,199 --> 00:04:55,576
WELL, EVEN IF I
WANTED TO PLAY...

82
00:04:55,600 --> 00:04:57,175
WHICH OBVIOUSLY YOU DO.

83
00:04:57,199 --> 00:04:59,175
THAT WOULDN'T BE THE REASON.

84
00:04:59,199 --> 00:05:01,576
THANKS. I DON'T REALLY
CONSIDER MYSELF A GEEK.

85
00:05:01,600 --> 00:05:06,706
SO... WHAT DO YOU
SEE YOURSELF AS?

86
00:05:06,730 --> 00:05:08,576
I DON'T KNOW.

87
00:05:08,600 --> 00:05:10,576
AN OUTSIDER, I GUESS.

88
00:05:10,600 --> 00:05:12,605
THAT'S A RECIPE FOR WEDGIES

89
00:05:12,629 --> 00:05:14,976
IF I'VE EVER HEARD ONE.

90
00:05:15,000 --> 00:05:16,720
HAVE I TOLD YOU HOW
MUCH I'M GONNA MISS YOU?

91
00:05:20,399 --> 00:05:22,576
DADDY...

92
00:05:22,600 --> 00:05:25,476
DON'T YOU HAVE 3,000
GUYS TO BABYSIT?

93
00:05:25,500 --> 00:05:28,476
DO YOU REALLY NEED TO
KEEP CHECKING UP ON ME?

94
00:05:28,500 --> 00:05:30,476
IT WOULD APPEAR THAT WAY.

95
00:05:30,500 --> 00:05:32,175
I KNOW THAT I'M LATE,

96
00:05:32,199 --> 00:05:34,346
BUT I CAN STILL MAKE IT TO
CAMPUS FOR ORIENTATION.

97
00:05:34,370 --> 00:05:38,175
SAVE YOURSELF A TRIP. MET. U.
JUST YANKED YOUR ACCEPTANCE.

98
00:05:38,199 --> 00:05:40,476
WHAT? THEY CAN'T DO THAT.

99
00:05:40,500 --> 00:05:42,576
THEY CAN IF YOU DON'T HAVE ENOUGH
CREDITS TO FINISH HIGH SCHOOL.

100
00:05:42,600 --> 00:05:44,745
LOOK, I KNOW I MISSED
A FEW CLASSES, BUT...

101
00:05:44,769 --> 00:05:47,375
LO, YOU FAILED
THE LAST SEMESTER.

102
00:05:47,399 --> 00:05:51,000
[ LAUGHS ]

103
00:05:52,500 --> 00:05:55,305
NOT TO WORRY, THOUGH.

104
00:05:55,329 --> 00:05:58,505
I'M SURE THAT CLARK WILL BE
HAPPY TO SHOW YOU AROUND.

105
00:05:58,529 --> 00:06:01,476
AROUND WHERE? AROUND WHERE?

106
00:06:01,500 --> 00:06:04,476
BRIGHT AND EARLY,
TOMORROW MORNING.

107
00:06:04,500 --> 00:06:07,446
YOU START SMALLVILLE HIGH.

108
00:06:07,470 --> 00:06:12,245
[ SIGHS ]

109
00:06:12,269 --> 00:06:13,470
GREAT.

110
00:06:20,199 --> 00:06:23,706
YOU KNOW, SOCIALLY DIVISIVE
CLIQUES AND HALL PASSES ASIDE,

111
00:06:23,730 --> 00:06:26,505
THIS PLACE REALLY
IS NOT ALL THAT BAD.

112
00:06:26,529 --> 00:06:29,706
IT'S THE VARSITY VERSION
OF DANTE'S SEVENTH RING.

113
00:06:29,730 --> 00:06:32,305
[ CHUCKLES ] COME ON, DO
YOU KNOW HOW MANY PEOPLE

114
00:06:32,329 --> 00:06:34,576
WOULD KILL TO RELIVE THEIR
SENIOR YEAR IN HIGH SCHOOL?

115
00:06:34,600 --> 00:06:36,245
MAKE THAT SEMESTER.

116
00:06:36,269 --> 00:06:38,375
FIVE MORE CREDITS, AND I
AM OUT OF THIS COWPILE.

117
00:06:38,399 --> 00:06:40,406
WAIT A MINUTE. FIVE
CREDITS IN ONE SEMESTER?

118
00:06:40,430 --> 00:06:42,375
LOIS, THE ONLY WAY
YOU'RE GONNA DO THAT IS

119
00:06:42,399 --> 00:06:44,505
IF YOU ADD AN EXTRACURRICULAR
TO YOUR CLASSLOAD.

120
00:06:44,529 --> 00:06:47,305
LIKE, SAY, MAYBE...
WRITING FOR THE TORCH.

121
00:06:47,329 --> 00:06:49,305
UH, NO HARD FEELINGS HERE, CUZ,

122
00:06:49,329 --> 00:06:51,745
BUT, UNLIKE YOU, THE
LAST THING I WANT TO BE

123
00:06:51,769 --> 00:06:53,476
IS A REPORTER.

124
00:06:53,500 --> 00:06:55,446
WHAT COULD BE
WORSE THAN, YOU KNOW,

125
00:06:55,470 --> 00:06:57,745
UNCOVERING THE TRUTH
AND PROTECTING THE PUBLIC?

126
00:06:57,769 --> 00:07:00,576
AND STICKING YOUR NOSE
IN OTHER PEOPLE'S BUSINESS.

127
00:07:00,600 --> 00:07:02,375
LIKE I SAID, YOU'D BE PERFECT.

128
00:07:02,399 --> 00:07:04,470
[ SCHOOL BELL RINGS
] COME ON, LET'S GO.

129
00:07:07,230 --> 00:07:09,329
IT'S GONNA BE GREAT
HAVING YOU HERE.

130
00:07:13,470 --> 00:07:15,706
CHECK IT OUT. THE NEW GIRL.

131
00:07:15,730 --> 00:07:17,470
[ WOLF WHISTLES ]

132
00:07:29,399 --> 00:07:31,300
HI, CLARK.

133
00:07:34,769 --> 00:07:36,276
ABBY?

134
00:07:36,300 --> 00:07:38,730
IT'S ACTUALLY ABIGAIL NOW.

135
00:07:41,329 --> 00:07:43,545
YOU KNOW, I ALMOST
DIDN'T RECOGNIZE YOU.

136
00:07:43,569 --> 00:07:47,375
WELL, AFTER AN ENTIRE
SUMMER IN RECOVERY...

137
00:07:47,399 --> 00:07:49,706
GOOD.

138
00:07:49,730 --> 00:07:52,706
WITH ANY LUCK, THIS OLD
LOCKER WILL BE THE ONLY THING

139
00:07:52,730 --> 00:07:54,646
THAT STAYS THE SAME THIS YEAR.

140
00:07:54,670 --> 00:07:56,175
[ CHUCKLES ]

141
00:07:56,199 --> 00:07:58,505
YEAH, UM, THAT
SHOULDN'T BE A PROBLEM.

142
00:07:58,529 --> 00:08:04,199
SO, UH, WHY THE, UH... CHANGE?

143
00:08:05,370 --> 00:08:06,745
[ SIGHS ]

144
00:08:06,769 --> 00:08:09,706
I GUESS JUST ONE DAY
YOU REALIZE YOU CAN SPEND

145
00:08:09,730 --> 00:08:13,305
ANOTHER YEAR BEING RESENTFUL
OF WHAT EVERYBODY ELSE HAS

146
00:08:13,329 --> 00:08:15,199
OR YOU CAN DO
SOMETHING ABOUT IT.

147
00:08:16,300 --> 00:08:18,505
IT'S OUR SENIOR YEAR, CLARK.

148
00:08:18,529 --> 00:08:20,300
THIS IS MY LAST CHANCE.

149
00:08:22,370 --> 00:08:23,699
Man: I CAN'T BELIEVE THAT'S HER.

150
00:08:24,730 --> 00:08:27,206
GOOD MORNING,
CLARK. HEY... ABBY.

151
00:08:27,230 --> 00:08:29,976
WHOA. EITHER SHE
SPENT AN ENTIRE SUMMER

152
00:08:30,000 --> 00:08:31,406
AT A SILICON FARM,

153
00:08:31,430 --> 00:08:34,505
OR I AM SHOPPING AT THE
WRONG MAKEUP COUNTER.

154
00:08:34,529 --> 00:08:36,245
HOW OLD IS SHE... 17?

155
00:08:36,269 --> 00:08:38,176
THAT'S LIKE MESSING
WITH THE BATTER

156
00:08:38,200 --> 00:08:39,706
BEFORE THE COOKIES
ARE EVEN BAKED.

157
00:08:39,730 --> 00:08:42,976
DON'T TELL ME THAT THE WORLD
ISN'T NICER TO PRETTIER PEOPLE.

158
00:08:43,000 --> 00:08:45,176
BESIDES, YOU KNOW,
I MEAN, IT'S HER BODY.

159
00:08:45,200 --> 00:08:47,769
AND IF IT MAKES HER FEEL BETTER,
THEN IT'S NONE OF OUR BUSINESS.

160
00:08:49,669 --> 00:08:51,476
WHAT?

161
00:08:51,500 --> 00:08:54,476
I'M JUST STUNNED THAT
MISS "LETTER TO THE EDITOR"

162
00:08:54,500 --> 00:08:56,476
DOESN'T FIND IT
ONE BIT DISTRESSING

163
00:08:56,500 --> 00:08:58,576
THAT A GIRL WOULD
GET NIPPED AND TUCKED

164
00:08:58,600 --> 00:09:00,375
TO FIT INTO SOME
PLASTIC POD PERSON...

165
00:09:00,399 --> 00:09:02,745
I THINK SHE LOOKS GREAT.

166
00:09:02,769 --> 00:09:04,346
WHAT A SHOCKER.

167
00:09:04,370 --> 00:09:06,206
LOOK, THAT'S THE
PROBLEM WITH HIGH SCHOOL.

168
00:09:06,230 --> 00:09:07,446
IT'S ALL A FACADE.

169
00:09:07,470 --> 00:09:09,206
EVERYONE'S HIDING
WHO THEY REALLY ARE

170
00:09:09,230 --> 00:09:10,645
AND TRYING TO BE
SOMETHING THEY'RE NOT.

171
00:09:10,669 --> 00:09:13,176
WELL, IT SOUNDS LIKE YOU'VE
GOT YOUR FIRST ARTICLE.

172
00:09:13,200 --> 00:09:16,576
SEE YOU IN THE TORCH.

173
00:09:16,600 --> 00:09:19,669
OKAY, I'll WRITE FOR YOU, BUT
YOU BETTER GET ME EXTRA CREDIT.

174
00:09:33,529 --> 00:09:35,206
[ LAUGHS ]

175
00:09:35,230 --> 00:09:37,200
HEY.

176
00:09:38,570 --> 00:09:41,346
MMM... [ GIGGLES ]

177
00:09:41,370 --> 00:09:43,446
A NOTE THROUGH THE
VENT OF MY LOCKER.

178
00:09:43,470 --> 00:09:44,546
VERY CREATIVE.

179
00:09:44,570 --> 00:09:46,245
WELL, I PRIDE MYSELF

180
00:09:46,269 --> 00:09:48,706
ON BEING ABLE TO REVERT
BACK TO THE FOURTH GRADE.

181
00:09:48,730 --> 00:09:50,706
WHAT ARE YOU DOING HERE?

182
00:09:50,730 --> 00:09:52,546
IF WE GET CAUGHT, I
COULD GET DETENTION.

183
00:09:52,570 --> 00:09:54,576
I COULD GET FIRED.

184
00:09:54,600 --> 00:09:56,375
[ KNOCK ON DOOR ]

185
00:09:56,399 --> 00:09:57,546
[ DOOR OPENS ]

186
00:09:57,570 --> 00:09:59,330
COACH TEAGUE.

187
00:10:04,470 --> 00:10:05,706
I'M CLARK KENT.

188
00:10:05,730 --> 00:10:06,730
HI.

189
00:10:09,299 --> 00:10:11,275
LANA.

190
00:10:11,299 --> 00:10:13,645
WHAT ARE YOU DOING HERE?

191
00:10:13,669 --> 00:10:15,446
UM, I, UH...

192
00:10:15,470 --> 00:10:17,446
THE PRINCIPAL ASKED
THIS YOUNG LADY

193
00:10:17,470 --> 00:10:19,446
TO GIVE ME THE GRAND TOUR.

194
00:10:19,470 --> 00:10:22,375
IT'S GOOD TO MEET YOU, CLARK.

195
00:10:22,399 --> 00:10:25,375
YOU KNOW, THEY DIDN'T TELL
ME YOU WERE JASON TEAGUE.

196
00:10:25,399 --> 00:10:27,375
THIS GUY THREW A PASSING RECORD

197
00:10:27,399 --> 00:10:29,405
HIS FRESHMAN YEAR AT
METROPOLIS UNIVERSITY.

198
00:10:29,429 --> 00:10:30,605
HE COULD'VE GONE PRO.

199
00:10:30,629 --> 00:10:32,645
YEAH, WELL, NOW
I'M JUST A TRANSFER

200
00:10:32,669 --> 00:10:34,706
TO CENTRAL KANSAS A&M.
IT'S AMAZING HOW QUICKLY

201
00:10:34,730 --> 00:10:37,706
YOU FALL OF RECRUITERS' LISTS
WHEN YOU TEAR YOUR ROTATOR CUFF.

202
00:10:37,730 --> 00:10:40,375
WELL, THEN, I, UH,

203
00:10:40,399 --> 00:10:42,645
I GUESS WE'RE LUCKY TO
HAVE YOU HERE, COACH.

204
00:10:42,669 --> 00:10:45,600
ASSISTANT COACH, MISS LANG.

205
00:10:47,330 --> 00:10:50,405
QUIGLEY'S STILL GONNA BE
CALLING THE PLAYS FOR YOU GUYS.

206
00:10:50,429 --> 00:10:54,306
WELL, ACTUALLY,
I'M NOT ON THE TEAM.

207
00:10:54,330 --> 00:10:57,476
I WAS HOPING I COULD TRY OUT.

208
00:10:57,500 --> 00:10:59,769
YOU LOOK BIG ENOUGH. SURE.

209
00:11:02,570 --> 00:11:03,706
THE TALON.

210
00:11:03,730 --> 00:11:07,470
LEX, UH, AGREED
TO LET ME MANAGE IT.

211
00:11:09,330 --> 00:11:11,976
I WAS LUCKY TO FIND A
JOB AT ALL, JONATHAN.

212
00:11:12,000 --> 00:11:14,446
IT'S NOT LIKE I HAVE A
FULL RéSUMé THESE DAYS.

213
00:11:14,470 --> 00:11:16,476
SWEETHEART, IF WE'RE
SO WORRIED ABOUT MONEY,

214
00:11:16,500 --> 00:11:18,676
THEN WHY DON'T WE JUST GO
THROUGH THE BOOKS AGAIN?

215
00:11:18,700 --> 00:11:20,505
WE'LL FIND SOME
OTHER PLACE TO CUT.

216
00:11:20,529 --> 00:11:23,745
LIKE WHERE? WE'VE BEEN OVER
IT EVERY WEEK FOR TWO MONTHS.

217
00:11:23,769 --> 00:11:26,306
THERE'S NO WAY WE CAN GET OUT
FROM UNDER THESE HOSPITAL BILLS.

218
00:11:26,330 --> 00:11:28,306
I'M NOT BLAMING YOU. I JUST...

219
00:11:28,330 --> 00:11:30,546
I JUST DON'T WANT
TO KEEP WAITING

220
00:11:30,570 --> 00:11:32,645
AND RISK LOSING THE FARM.

221
00:11:32,669 --> 00:11:34,446
YOU'VE WORKED TOO HARD.

222
00:11:34,470 --> 00:11:36,576
YEAH, SO THAT YOU
WOULDN'T HAVE TO.

223
00:11:36,600 --> 00:11:39,306
IT'S NOT SO BAD RIGHT NOW.

224
00:11:39,330 --> 00:11:40,745
YOU HAVE THE FARM,

225
00:11:40,769 --> 00:11:43,446
AND CLARK IS GONNA GO
OFF TO COLLEGE NEXT YEAR.

226
00:11:43,470 --> 00:11:45,446
I NEED SOMETHING OF MY OWN.

227
00:11:45,470 --> 00:11:48,306
BUT WHY DOES IT HAVE
TO BE WITH THE LUTHORS?

228
00:11:48,330 --> 00:11:50,405
I'll BE SELLING
ESPRESSOS, JONATHAN,

229
00:11:50,429 --> 00:11:53,176
NOT MASTERMINDING
HOSTILE TAKEOVERS.

230
00:11:53,200 --> 00:11:57,546
WELL... I'VE ALWAYS KNOWN THAT

231
00:11:57,570 --> 00:12:01,245
YOU WANTED TO HAVE MORE
THAN JUST THIS OLD FARM.

232
00:12:01,269 --> 00:12:04,529
I'M NOT GONNA BE THE
ONE TO STAND IN YOUR WAY.

233
00:12:06,230 --> 00:12:08,446
THANK YOU, SWEETHEART.

234
00:12:08,470 --> 00:12:10,306
YOU'RE WELCOME.

235
00:12:10,330 --> 00:12:14,470
HEY, KENT, I NEED YOUR
PERMISSION SLIP, BUD.

236
00:12:20,200 --> 00:12:22,230
WHAT POSITIONS HAVE YOU PLAYED?

237
00:12:23,730 --> 00:12:27,306
NONE, ACTUALLY. I'VE NEVER
BEEN ON A TEAM BEFORE.

238
00:12:27,330 --> 00:12:29,676
MY FATHER WASN'T TOO
KEEN ON THE WHOLE IDEA.

239
00:12:29,700 --> 00:12:33,405
YOUR DAD DOESN'T KNOW
YOU'RE HERE, DOES HE?

240
00:12:33,429 --> 00:12:35,405
WHEN IT COMES TO
DEFYING FATHERS,

241
00:12:35,429 --> 00:12:36,700
I'M KIND OF A PRO.

242
00:12:39,200 --> 00:12:40,470
I'M NOT DOING THIS FOR HIM.

243
00:12:42,600 --> 00:12:45,245
YOU KNOW, I'VE SEEN A
LOT OF GUYS JOIN THE TEAM

244
00:12:45,269 --> 00:12:47,745
JUST SO THEY CAN WALK
AROUND IN A LETTERMAN'S JACKET.

245
00:12:47,769 --> 00:12:50,576
'CAUSE THEY WANT PEOPLE
TO LOOK AT THEM DIFFERENTLY.

246
00:12:50,600 --> 00:12:53,429
BUT FOOTBALL'S JUST A GAME.

247
00:12:55,470 --> 00:12:57,676
IF YOU WANT TO CHANGE,
YOU GOT TO DO THAT YOURSELF.

248
00:12:57,700 --> 00:13:00,470
THAT'S WHY I'M HERE.

249
00:13:06,200 --> 00:13:08,730
ALL RIGHT. LET'S
SEE WHAT YOU GOT.

250
00:13:18,600 --> 00:13:20,176
ALL RIGHT, KENT.

251
00:13:20,200 --> 00:13:21,730
PROVE SOMETHING TO US.

252
00:13:26,200 --> 00:13:28,176
ALL RIGHT, GUYS! LET'S GO!

253
00:13:28,200 --> 00:13:30,330
GET IN THERE! LET'S
SEE SOME HUSTLE!

254
00:13:36,570 --> 00:13:39,200
ALL RIGHT, GUYS. ON TWO...

255
00:13:42,269 --> 00:13:43,600
HUT! HUT!

256
00:13:46,600 --> 00:13:48,306
[ GROANS ]

257
00:13:48,330 --> 00:13:49,730
[ WHISTLE ]

258
00:13:52,600 --> 00:13:54,446
ALL RIGHT, THAT'LL WORK.

259
00:13:54,470 --> 00:13:55,706
LINE UP AGAIN, GUYS.

260
00:13:55,730 --> 00:13:58,730
CHECK OUT SCABBY ABBY.

261
00:14:00,470 --> 00:14:03,346
THEY'RE FAKE, YOU
KNOW. WHO CARES?

262
00:14:03,370 --> 00:14:05,676
[ WOLF WHISTLES ]

263
00:14:05,700 --> 00:14:07,405
ARE YOU KIDDING ME?

264
00:14:07,429 --> 00:14:09,476
MAN, IS SHE HOT.

265
00:14:09,500 --> 00:14:13,769
HEY, BABY, YOU GOT A
HAMBURGER FOR THAT SHAKE?

266
00:14:27,769 --> 00:14:29,275
[ GASPS ]

267
00:14:29,299 --> 00:14:30,306
[ CHUCKLES ]

268
00:14:30,330 --> 00:14:32,546
I DIDN'T MEAN TO SCARE YOU.

269
00:14:32,570 --> 00:14:35,546
JUST... I CAN'T STOP
THINKING ABOUT YOU.

270
00:14:35,570 --> 00:14:38,706
YOU MEAN THE GIRL YOU
NICKNAMED "SCABBY ABBY"?

271
00:14:38,730 --> 00:14:42,745
YEAH, I TOTALLY DESERVED THAT.

272
00:14:42,769 --> 00:14:45,176
MAYBE IF I'D BEEN MORE PATIENT,

273
00:14:45,200 --> 00:14:47,375
I WOULD'VE SEEN
WHO YOU REALLY ARE.

274
00:14:47,399 --> 00:14:52,299
THE MOST... BEAUTIFUL
GIRL IN SCHOOL.

275
00:15:04,769 --> 00:15:08,306
I HAVE A LOT TO APOLOGIZE FOR.

276
00:15:08,330 --> 00:15:10,306
WHAT DO YOU SAY...

277
00:15:10,330 --> 00:15:13,200
WE GO SOMEPLACE
A LITTLE MORE QUIET?

278
00:15:24,529 --> 00:15:27,470
SO, WHERE ARE WE GOING?

279
00:16:25,200 --> 00:16:28,605
WHAT ARE YOU DOING?
YOU DIDN'T FEEL THAT?

280
00:16:28,629 --> 00:16:31,546
OF COURSE I DID.

281
00:16:31,570 --> 00:16:33,629
NO. I-I SHOULD GO.

282
00:16:35,230 --> 00:16:37,206
WHAT'S GOING ON?

283
00:16:37,230 --> 00:16:38,605
ABIGAIL, WAIT.

284
00:16:38,629 --> 00:16:40,446
OH, I GET IT.

285
00:16:40,470 --> 00:16:43,500
NEW FACE... SAME
OLD, BORING SCABBY.

286
00:16:46,299 --> 00:16:47,470
HEY!

287
00:16:54,470 --> 00:16:56,176
OH, MY GOD.

288
00:16:56,200 --> 00:16:57,645
BRET?

289
00:16:57,669 --> 00:16:59,706
WHAT'S HAPPENING?

290
00:16:59,730 --> 00:17:01,546
WHAT'S WRONG?

291
00:17:01,570 --> 00:17:03,706
OH, MY GOD.

292
00:17:03,730 --> 00:17:05,376
MY FACE.

293
00:17:05,400 --> 00:17:07,305
MY GOD.

294
00:17:07,329 --> 00:17:09,329
WHAT DID YOU DO TO ME?

295
00:17:11,200 --> 00:17:14,345
NO! MY FACE!

296
00:17:14,369 --> 00:17:15,646
ADMISSIONS OFFICE?

297
00:17:15,670 --> 00:17:17,676
LOOK, I'M IN THE NATION'S
CREAM-CORN CAPITAL,

298
00:17:17,700 --> 00:17:20,245
RETAKING CALCULUS.
NO, DON'T PUT ME ON HOLD.

299
00:17:20,269 --> 00:17:21,976
COULD THIS DAY BE ANY WORSE?

300
00:17:22,000 --> 00:17:23,730
AAH!

301
00:17:29,700 --> 00:17:32,476
ANYTHING ELSE YOU CAN TELL ME?

302
00:17:32,500 --> 00:17:35,569
NO, THAT'S
EVERYTHING. THANK YOU.

303
00:17:39,099 --> 00:17:42,045
LOIS, WHAT'S GOING ON?

304
00:17:42,069 --> 00:17:44,476
HE JUST RAN RIGHT
OUT IN FRONT OF ME.

305
00:17:44,500 --> 00:17:46,476
I DON'T KNOW. THEY
SAID HE'S GONNA BE OKAY.

306
00:17:46,500 --> 00:17:48,606
PHYSICALLY, ANYWAY.

307
00:17:48,630 --> 00:17:50,045
THE COPS THINK
HE KIND OF LOST IT.

308
00:17:50,069 --> 00:17:51,569
WHO... BRET?

309
00:17:53,130 --> 00:17:55,606
I JUST SAW HIM AT PRACTICE
AN HOUR AGO. HE WAS FINE.

310
00:17:55,630 --> 00:17:57,176
ARE YOU SURE ABOUT THAT?

311
00:17:57,200 --> 00:17:58,177
YEAH.

312
00:17:58,201 --> 00:17:59,646
THINK ABOUT IT, CLARK.

313
00:17:59,670 --> 00:18:01,976
IT'S THE START OF THE
NEW SEASON, SCHOLARSHIPS,

314
00:18:02,000 --> 00:18:04,545
THE ENTIRE TOWN COUNTING
ON YOU TO BE THEIR HERO?

315
00:18:04,569 --> 00:18:06,275
WHO KNOWS WHAT KIND OF NEUROSES

316
00:18:06,299 --> 00:18:08,745
ARE HIDING BEHIND THAT
BIG-MAN-ON-CAMPUS MASK?

317
00:18:08,769 --> 00:18:11,206
NO WAY. IF ANYTHING, BRET
WAS TOO OVERCONFIDENT.

318
00:18:11,230 --> 00:18:13,075
HE PROBABLY JUST DIDN'T SEE YOU.

319
00:18:13,099 --> 00:18:15,676
YEAH, THAT MIGHT EXPLAIN
THE BROKEN WINDSHIELD,

320
00:18:15,700 --> 00:18:18,646
BUT DO YOU WANT TO TELL ME
WHY HE WAS RUNNING AROUND

321
00:18:18,670 --> 00:18:21,769
HALF NAKED, SOAKING WET?
WHY WOULD HE DO THAT?

322
00:18:27,529 --> 00:18:29,176
HEY, HEY, LAST TIME I CHECKED,

323
00:18:29,200 --> 00:18:31,206
YOU WERE MISSING
A FEW PREREQUISITES

324
00:18:31,230 --> 00:18:32,646
FOR BEING IN HERE.

325
00:18:32,670 --> 00:18:34,545
SO YOU HAVE BEEN
CHECKING ME OUT.

326
00:18:34,569 --> 00:18:36,976
LOIS, JUST WAIT OUTSIDE.

327
00:18:37,000 --> 00:18:38,706
ARE YOU KIDDING?

328
00:18:38,730 --> 00:18:41,146
TORTURED SENIOR CAN'T KEEP
UP THE HOMETOWN-HERO ACT

329
00:18:41,170 --> 00:18:42,706
IN BUCKLES?

330
00:18:42,730 --> 00:18:47,206
THIS IS AS JUICY AS MY TEEN
COSMETIC SURGERY ARTICLE.

331
00:18:47,230 --> 00:18:49,075
EXCUSE ME.

332
00:18:49,099 --> 00:18:51,005
HOW WELL DID YOU
KNOW BRET ANDERSON?

333
00:18:51,029 --> 00:18:53,646
NOT AS WELL AS I'D
LIKE TO KNOW YOU.

334
00:18:53,670 --> 00:18:55,075
CHARMING.

335
00:18:55,099 --> 00:18:57,176
LOOK, BRET RAN IN
FRONT OF MY CAR.

336
00:18:57,200 --> 00:19:00,200
DO ANY OF YOU GUYS KNOW
WHAT THAT WAS ALL ABOUT?

337
00:19:35,099 --> 00:19:36,700
[ DOOR CLOSES ]

338
00:19:39,529 --> 00:19:42,269
YOU MAKE A HABIT OF GOING
THROUGH OTHER PEOPLE'S MAIL?

339
00:19:44,099 --> 00:19:48,005
SORRY. THE BOX WAS
ADDRESSED TO THE TALON.

340
00:19:48,029 --> 00:19:51,099
SOMETHING TELLS ME THIS ISN'T
A BOOK-OF-THE-MONTH SELECTION.

341
00:19:52,630 --> 00:19:56,269
WHAT'S WITH THIS FASCINATION
WITH ANCIENT WRITINGS?

342
00:19:57,769 --> 00:19:59,646
SCHOOL PROJECT.

343
00:19:59,670 --> 00:20:04,176
MUST BE THE SAME PROJECT
CLARK'S ALWAYS WORKING ON.

344
00:20:04,200 --> 00:20:06,275
FOR TWO PEOPLE SO DIFFERENT,

345
00:20:06,299 --> 00:20:08,630
YOU HAVE REMARKABLY
SIMILAR INTERESTS.

346
00:20:11,529 --> 00:20:13,646
IT STILL AMAZES ME WHAT
YOU DID WITH THIS PLACE.

347
00:20:13,670 --> 00:20:15,646
YOU SAW PROMISE IN SOMETHING

348
00:20:15,670 --> 00:20:18,575
EVERYONE ELSE THOUGHT
WAS BEYOND REDEMPTION.

349
00:20:18,599 --> 00:20:21,245
HUH. THIS IS A
SIDE OF LEX LUTHOR

350
00:20:21,269 --> 00:20:23,476
I'VE NEVER SEEN BEFORE.

351
00:20:23,500 --> 00:20:26,505
YOU'RE COMING DANGEROUSLY CLOSE

352
00:20:26,529 --> 00:20:28,099
TO BEING NOSTALGIC.

353
00:20:41,599 --> 00:20:44,206
CONGRATULATIONS ARE IN ORDER.

354
00:20:44,230 --> 00:20:48,245
COACH QUIGLEY CALLED.
YOU MADE THE FOOTBALL TEAM.

355
00:20:48,269 --> 00:20:51,146
YOU DON'T HAVE TO WORRY,
DAD. I'M NOT GONNA HURT ANYONE.

356
00:20:51,170 --> 00:20:53,075
I KNOW HOW TO
CONTROL MY ABILITIES.

357
00:20:53,099 --> 00:20:55,545
THE PERSON I'M WORRIED
ABOUT YOU HURTING, CLARK,

358
00:20:55,569 --> 00:20:56,769
IS YOURSELF.

359
00:20:59,500 --> 00:21:02,646
YOU'RE GONNA BE TEMPTED
TO RUN JUST A LITTLE BIT FASTER,

360
00:21:02,670 --> 00:21:05,075
TO THROW THE BALL JUST...

361
00:21:05,099 --> 00:21:07,206
FAR ENOUGH TO WIN EVERY GAME.

362
00:21:07,230 --> 00:21:11,075
YOU THINK I'M GONNA CHEAT?

363
00:21:11,099 --> 00:21:13,075
I WON'T CROSS THAT LINE.

364
00:21:13,099 --> 00:21:15,976
YOU WON'T EVEN KNOW
WHERE THAT LINE IS, CLARK.

365
00:21:16,000 --> 00:21:18,146
COME ON, THINK ABOUT IT.

366
00:21:18,170 --> 00:21:20,245
YOU'RE OUT THERE, YOUR
FRIENDS ARE GIVING IT THEIR ALL.

367
00:21:20,269 --> 00:21:22,545
YOU'RE GONNA DO
WHATEVER IT TAKES TO WIN.

368
00:21:22,569 --> 00:21:24,606
THAT'S FOOTBALL, SON.

369
00:21:24,630 --> 00:21:27,745
AND WITH YOU, IT'S NEVER
GONNA BE A FAIR COMPETITION.

370
00:21:27,769 --> 00:21:30,075
WELL, LET'S TALK
ABOUT WHAT'S FAIR.

371
00:21:30,099 --> 00:21:33,176
WHAT'S THE FIRST THING YOU
REMEMBER ABOUT HIGH SCHOOL

372
00:21:33,200 --> 00:21:34,706
WHEN YOU THINK
BACK? NO, NO, NO...

373
00:21:34,730 --> 00:21:36,769
DON'T TELL ME IT'S NOT FOOTBALL.

374
00:21:38,230 --> 00:21:41,075
I WANT THAT, TOO, DAD.

375
00:21:41,099 --> 00:21:43,075
AND I'M SICK OF BEGGING

376
00:21:43,099 --> 00:21:46,745
FOR THE SAME CHANCES
THAT YOU JUST HAD.

377
00:21:46,769 --> 00:21:49,170
I WANT MY OWN LIFE.

378
00:22:04,069 --> 00:22:06,745
YOU'RE NOT THE FIRST PERSON
TO WALK THROUGH THAT DOOR

379
00:22:06,769 --> 00:22:08,745
WITH TATTOO REMORSE.

380
00:22:08,769 --> 00:22:12,476
BUT YOU'RE THE FIRST
ONE TO DO IT WITHOUT INK.

381
00:22:12,500 --> 00:22:13,745
WHAT?

382
00:22:13,769 --> 00:22:16,176
WHATEVER THIS PIGMENT IS,

383
00:22:16,200 --> 00:22:18,606
IT'S ALMOST AS THOUGH
THE SYMBOL WERE BRANDED

384
00:22:18,630 --> 00:22:20,245
UNDERNEATH YOUR SKIN.

385
00:22:20,269 --> 00:22:22,476
SOMEONE WANTED TO LEAVE A MARK

386
00:22:22,500 --> 00:22:24,476
YOU WOULDN'T EASILY FORGET.

387
00:22:24,500 --> 00:22:26,575
BUT YOU CAN STILL
REMOVE IT, RIGHT?

388
00:22:26,599 --> 00:22:29,745
WELL, I'll HAVE TO SEND THIS
TISSUE SAMPLE OFF TO THE LAB,

389
00:22:29,769 --> 00:22:32,275
BUT I AM GUESSING
REMOVAL WON'T BE POSSIBLE

390
00:22:32,299 --> 00:22:34,206
WITHOUT A COMPLETE SKIN GRAFT.

391
00:22:34,230 --> 00:22:37,099
BUT WE'LL SEE.

392
00:22:39,500 --> 00:22:43,275
YOU GO TO SCHOOL WITH
MY DAUGHTER, DON'T YOU?

393
00:22:43,299 --> 00:22:47,476
I NEVER FORGET A FACE...

394
00:22:47,500 --> 00:22:50,769
ESPECIALLY A PERFECT
ONE LIKE YOURS.

395
00:22:53,200 --> 00:22:56,769
IT MUST GET YOU
ANYTHING YOU WANT, HMM?

396
00:22:59,569 --> 00:23:00,630
ABBY...

397
00:23:02,069 --> 00:23:04,646
HOW'S BRET? I SAW
YOU TWO IN THE HALL.

398
00:23:04,670 --> 00:23:07,170
I DON'T KNOW WHAT
YOU'RE TALKING ABOUT.

399
00:23:09,099 --> 00:23:11,176
I'll TALK TO YOU LATER.

400
00:23:11,200 --> 00:23:12,476
THANK YOU.

401
00:23:12,500 --> 00:23:15,745
UM, BYE, DR. FINE.

402
00:23:15,769 --> 00:23:18,075
WHAT DID YOU DO TO ME?

403
00:23:18,099 --> 00:23:20,646
I KISSED THIS GUY,
AND HE FREAKED OUT.

404
00:23:20,670 --> 00:23:23,476
IT WAS LIKE... IT WAS LIKE HE
WENT INSANE OR SOMETHING.

405
00:23:23,500 --> 00:23:26,045
YOU WERE MY FIRST
TRIAL AT THIS, ABIGAIL.

406
00:23:26,069 --> 00:23:28,106
I MEAN, THERE'S ALWAYS
POTENTIAL FOR COMPLICATION.

407
00:23:28,130 --> 00:23:31,106
COMPLICATION? BRET'S AT
THE HOSPITAL BECAUSE OF ME.

408
00:23:31,130 --> 00:23:34,545
BRET? ISN'T THIS THE BOY
THAT NAMED YOU "SCABBY ABBY"?

409
00:23:34,569 --> 00:23:36,575
MAYBE HE GOT EXACTLY
WHAT HE DESERVED.

410
00:23:36,599 --> 00:23:39,005
AND LANA SHOULD, TOO.

411
00:23:39,029 --> 00:23:42,029
LANA? BUT LANA NEVER
DID ANYTHING TO ME.

412
00:23:45,529 --> 00:23:47,075
LANA SAW THE TWO
OF YOU TOGETHER.

413
00:23:47,099 --> 00:23:49,206
SHE'S ALREADY ASKING QUESTIONS.

414
00:23:49,230 --> 00:23:51,106
YOU THINK SHE KNOWS?

415
00:23:51,130 --> 00:23:54,106
THIS IS A VERY SERIOUS
PROBLEM, ABIGAIL.

416
00:23:54,130 --> 00:23:56,706
IF LANA SAYS ANYTHING

417
00:23:56,730 --> 00:23:58,706
TO ANYONE ABOUT WHAT'S HAPPENED

418
00:23:58,730 --> 00:24:00,706
BETWEEN YOU AND THIS BOY,

419
00:24:00,730 --> 00:24:03,505
THEY'LL TAKE ALL OF
THIS AWAY FROM ME.

420
00:24:03,529 --> 00:24:05,206
AND WITHOUT YOUR TREATMENTS,

421
00:24:05,230 --> 00:24:08,606
YOU'RE GONNA REVERT BACK
EXACTLY THE WAY YOU USED TO BE.

422
00:24:08,630 --> 00:24:11,545
IS THAT REALLY WHAT YOU WANT?

423
00:24:11,569 --> 00:24:12,676
NO.

424
00:24:12,700 --> 00:24:16,099
I HAVE DONE EVERYTHING FOR YOU.

425
00:24:17,769 --> 00:24:22,170
AND NOW I NEED YOU TO
DO SOMETHING FOR ME.

426
00:24:26,500 --> 00:24:27,676
Yeah.

427
00:24:27,700 --> 00:24:29,200
Okay.

428
00:24:31,769 --> 00:24:34,976
Jason: IT'S THE OLD DRAMA ROOM.

429
00:24:35,000 --> 00:24:37,646
WOW. [ CHUCKLES ]

430
00:24:37,670 --> 00:24:40,075
OH, THIS IS AN
INTERESTING DETOUR

431
00:24:40,099 --> 00:24:41,646
FROM THE COACH'S OFFICE.

432
00:24:41,670 --> 00:24:43,706
I DIDN'T EVEN KNOW
THIS ROOM EXISTED.

433
00:24:43,730 --> 00:24:46,745
YEP. NEITHER DOES
ANYONE ELSE, HOPEFULLY.

434
00:24:46,769 --> 00:24:50,005
I STILL CAN'T BELIEVE
THAT YOU HAVE A JOB

435
00:24:50,029 --> 00:24:51,646
AT MY SCHOOL.

436
00:24:51,670 --> 00:24:54,275
I KNOW. I GUESS I'M
GONNA HAVE TO GET USED

437
00:24:54,299 --> 00:24:56,476
TO MY GUYS DROOLING OVER YOU.

438
00:24:56,500 --> 00:24:59,045
I DON'T THINK YOU HAVE
ANYTHING TO WORRY ABOUT.

439
00:24:59,069 --> 00:25:00,606
YEAH?

440
00:25:00,630 --> 00:25:02,529
WHAT ABOUT CLARK KENT?

441
00:25:06,099 --> 00:25:08,745
I THOUGHT THAT YOU SAID
YOU HAD A SURPRISE FOR ME.

442
00:25:08,769 --> 00:25:11,476
HOW DID THIS BECOME ABOUT CLARK?

443
00:25:11,500 --> 00:25:13,646
IT WAS STRANGE.

444
00:25:13,670 --> 00:25:16,275
HE KIND OF OPENED
UP TO ME TODAY.

445
00:25:16,299 --> 00:25:18,976
YOU HAVE NO IDEA

446
00:25:19,000 --> 00:25:21,176
HOW STRANGE THAT REALLY IS.

447
00:25:21,200 --> 00:25:22,575
REALLY? YEAH.

448
00:25:22,599 --> 00:25:24,745
THE THING IS, YOU KNOW,
RUNNING THE DRILLS

449
00:25:24,769 --> 00:25:28,606
AND PUTTING TOGETHER A
GOOD TEAM IS ONE THING,

450
00:25:28,630 --> 00:25:32,005
BUT HAVING GUYS LIKE
CLARK COMING IN FOR ADVICE...

451
00:25:32,029 --> 00:25:34,176
IT'S NOT GONNA BE SO
EASY WHEN THESE GUYS

452
00:25:34,200 --> 00:25:36,206
ARE LOOKING AT
ME LIKE I'M AN ADULT.

453
00:25:36,230 --> 00:25:38,500
I STILL FEEL LIKE I'M
PART OF THE TEAM.

454
00:25:42,200 --> 00:25:44,476
BUT THIS MOMENT ISN'T ABOUT ME.

455
00:25:44,500 --> 00:25:45,606
NO.

456
00:25:45,630 --> 00:25:46,745
MNH-MNH.

457
00:25:46,769 --> 00:25:48,106
HOLD ON.

458
00:25:48,130 --> 00:25:49,146
OKAY.

459
00:25:49,170 --> 00:25:50,745
IT'S ABOUT THIS.

460
00:25:50,769 --> 00:25:53,045
OH, DEAR. THAT
WOULD BE A BLINDFOLD.

461
00:25:53,069 --> 00:25:54,606
YES, IT WOULD. OKAY.

462
00:25:54,630 --> 00:25:57,176
SO, WHAT DO YOU THINK
YOU'RE GONNA GET OUT OF THIS?

463
00:25:57,200 --> 00:26:00,005
OH, NOTHING. IT'S JUST
THAT WE NEVER REALLY GOT

464
00:26:00,029 --> 00:26:02,245
TO CELEBRATE
SOMEBODY'S BIRTHDAY.

465
00:26:02,269 --> 00:26:06,206
RIGHT... SO YOU STAY RIGHT HERE.

466
00:26:06,230 --> 00:26:08,029
OKAY. OKAY.

467
00:26:09,500 --> 00:26:10,569
DON'T PEEK.

468
00:26:17,670 --> 00:26:19,299
[ DOOR CLOSES ]

469
00:26:21,200 --> 00:26:23,075
[ DOOR OPENS ]

470
00:26:23,099 --> 00:26:24,670
JASON?

471
00:26:27,670 --> 00:26:30,099
HELLO?

472
00:26:36,099 --> 00:26:38,230
JASON, WHAT ARE YOU DO...

473
00:26:51,230 --> 00:26:53,075
ABBY?

474
00:26:53,099 --> 00:26:55,569
I'M SORRY, LANA.

475
00:27:27,200 --> 00:27:29,730
[ CREAKING ]

476
00:27:34,170 --> 00:27:36,170
AAH!

477
00:27:52,170 --> 00:27:54,470
I DON'T KNOW IF YOU
CAN EVEN HEAR ME, LANA...

478
00:27:57,200 --> 00:28:01,075
BUT IF YOU KNEW HOW
MUCH YOU MEANT TO ME...

479
00:28:01,099 --> 00:28:04,406
WELL, I GUESS THE POLITE
THING TO DO IS COUGH

480
00:28:04,430 --> 00:28:07,275
AND LET YOU KNOW I'M
STANDING HERE, BUT...

481
00:28:07,299 --> 00:28:09,529
THAT ALWAYS SEEMS
SO FORCED, DOESN'T IT?

482
00:28:13,269 --> 00:28:15,045
HOW IS SHE?

483
00:28:15,069 --> 00:28:17,305
WELL, THEY DON'T KNOW
WHAT'S WRONG WITH HER,

484
00:28:17,329 --> 00:28:20,075
SO IT'S... IT'S KIND
OF HARD TO SAY.

485
00:28:20,099 --> 00:28:23,345
LEX LUTHOR.

486
00:28:23,369 --> 00:28:26,305
JASON TEAGUE.

487
00:28:26,329 --> 00:28:27,745
I, UH, I WORK AT THE SCHOOL.

488
00:28:27,769 --> 00:28:29,476
I'M THE NEW ASSISTANT
FOOTBALL COACH.

489
00:28:29,500 --> 00:28:31,745
TEAGUE.

490
00:28:31,769 --> 00:28:35,029
AS IN MARION, TEAGUE & WEISMAN?

491
00:28:37,069 --> 00:28:39,706
THAT'S MY FATHER'S FIRM.

492
00:28:39,730 --> 00:28:42,245
AND YOU DECIDED
TO GET AS FAR AWAY

493
00:28:42,269 --> 00:28:45,045
FROM THE FAMILY
BUSINESS AS POSSIBLE.

494
00:28:45,069 --> 00:28:47,045
SMART MOVE.

495
00:28:47,069 --> 00:28:49,305
IT DIDN'T EXACTLY
GO DOWN LIKE THAT.

496
00:28:49,329 --> 00:28:51,745
HE, UH, HE CUT ME OFF.

497
00:28:51,769 --> 00:28:55,106
WELL, WHAT BETTER PLACE
TO KICK-START A NEW CAREER

498
00:28:55,130 --> 00:28:57,045
THAN SMALLVILLE HIGH.

499
00:28:57,069 --> 00:28:59,075
YEAH.

500
00:28:59,099 --> 00:29:01,075
IT'S CERTAINLY
RESPONSIBLE OF THE SCHOOL

501
00:29:01,099 --> 00:29:03,146
TO SEND OVER A REPRESENTATIVE
TO CHECK IN ON HER.

502
00:29:03,170 --> 00:29:05,706
OH, UM, YEAH, I JUST...

503
00:29:05,730 --> 00:29:08,706
I THOUGHT I'D STOP
BY ON THE WAY HOME.

504
00:29:08,730 --> 00:29:10,406
IT WAS NOTHING.

505
00:29:10,430 --> 00:29:14,230
I DOUBT THAT.

506
00:29:26,130 --> 00:29:28,230
LANA DESERVES THE BEST.

507
00:29:31,029 --> 00:29:33,170
I HOPE YOU'RE IT.

508
00:30:04,369 --> 00:30:07,345
HEY. HOW'S SHE DOING?

509
00:30:07,369 --> 00:30:10,176
SHE'S PRETTY CUT UP.

510
00:30:10,200 --> 00:30:12,476
THEY GAVE HER A SEDATIVE,
BUT SHE KEEPS SAYING,

511
00:30:12,500 --> 00:30:14,706
"DON'T LET HIM SEE ME"
OVER AND OVER AGAIN.

512
00:30:14,730 --> 00:30:16,376
IT'S LIKE SOME KIND
OF BREAKDOWN.

513
00:30:16,400 --> 00:30:18,206
WHEN THEY BROUGHT BRET IN,
HE WAS ACTING THE SAME WAY,

514
00:30:18,230 --> 00:30:19,706
BUT THE ONLY THING
THEY CAN FIND IN COMMON

515
00:30:19,730 --> 00:30:21,176
IS A SPIKE IN THEIR
SEROTONIN LEVELS.

516
00:30:21,200 --> 00:30:24,106
SEROTONIN? IT'S
A BRAIN CHEMICAL.

517
00:30:24,130 --> 00:30:26,976
THAT LSD AND
HALLUCINOGENS MIMIC.

518
00:30:27,000 --> 00:30:30,976
IT'S ALSO THE WORD THAT
LOIS MISSPELLED THREE TIMES

519
00:30:31,000 --> 00:30:34,206
IN HER SLANDER PIECE
ON EXTREME MAKEOVERS.

520
00:30:34,230 --> 00:30:36,106
YEAH, WELL, LANA AND BRET
ARE HARDLY CANDIDATES

521
00:30:36,130 --> 00:30:37,706
FOR PLASTIC SURGERY.

522
00:30:37,730 --> 00:30:39,305
YEAH, BUT ABBY WAS.

523
00:30:39,329 --> 00:30:41,406
DIDN'T LANA SAY SHE
SAW BRET WITH ABBY

524
00:30:41,430 --> 00:30:44,476
RIGHT BEFORE HE WENT CRAZY?

525
00:30:44,500 --> 00:30:47,730
MAYBE THIS PROCEDURE MADE
HER MORE BEAST THAN BEAUTY.

526
00:30:52,470 --> 00:30:55,206
MY PARENTS DON'T UNDERSTAND.

527
00:30:55,230 --> 00:30:57,706
THEY SAY I'M TOO YOUNG
FOR PLASTIC SURGERY.

528
00:30:57,730 --> 00:31:00,505
WELL, SOME PARENTS DON'T
REMEMBER WHAT IT WAS LIKE.

529
00:31:00,529 --> 00:31:02,505
WHEN I WAS YOUR AGE,

530
00:31:02,529 --> 00:31:04,505
I WASN'T EXACTLY
HOMECOMING QUEEN.

531
00:31:04,529 --> 00:31:07,206
I WORKED HARDER THAN
ALL THE PRETTY GIRLS,

532
00:31:07,230 --> 00:31:10,075
ONLY TO WATCH EVERYTHING
GET HANDED TO THEM.

533
00:31:10,099 --> 00:31:15,029
SEVEN SURGERIES IN TWO
YEARS CHANGED ALL THAT.

534
00:31:20,400 --> 00:31:22,976
YOU KNOW, I WAS
ACTUALLY INTERESTED

535
00:31:23,000 --> 00:31:26,106
IN THAT NEW PROCEDURE
YOU USED ON ABBY.

536
00:31:26,130 --> 00:31:28,305
IS IT REALLY TRUE THAT YOU
ONLY HAVE TO COME IN ONCE?

537
00:31:28,329 --> 00:31:30,176
THAT'S WHY I
DEVELOPED THE PROCESS.

538
00:31:30,200 --> 00:31:32,005
I DIDN'T WANT TO
WATCH MY DAUGHTER

539
00:31:32,029 --> 00:31:33,446
GO THROUGH THE
PAIN THAT I ENDURED

540
00:31:33,470 --> 00:31:35,146
ONLY TO HAVE WHAT OTHER GIRLS

541
00:31:35,170 --> 00:31:37,000
WERE LUCKY ENOUGH
TO BE BORN WITH.

542
00:31:39,029 --> 00:31:40,706
SO LET'S GET YOU SCHEDULED HERE.

543
00:31:40,730 --> 00:31:42,706
YES, PLEASE.

544
00:31:42,730 --> 00:31:45,106
[ CASSETTE TAPE REWINDING ]

545
00:31:45,130 --> 00:31:47,976
YOU KNOW, I'M ACTUALLY
RUNNING A LITTLE LATE.

546
00:31:48,000 --> 00:31:50,446
ARE YOU RECORDING THIS?

547
00:31:50,470 --> 00:31:54,206
WHAT THE... I'M
GOING TO EXPOSE YOU.

548
00:31:54,230 --> 00:31:57,706
WHO ARE YOU TO STOP
PEOPLE FROM BEING THEIR BEST?

549
00:31:57,730 --> 00:32:00,376
CALL ME CRAZY, BUT
I'VE ALWAYS BEEN

550
00:32:00,400 --> 00:32:02,976
A FIRM BELIEVER THAT BEAUTY...

551
00:32:03,000 --> 00:32:04,275
IT'S ON THE INSIDE.

552
00:32:04,299 --> 00:32:06,099
AAH!

553
00:32:08,329 --> 00:32:11,206
THE PEOPLE THAT SAY
THAT ARE THE ONES

554
00:32:11,230 --> 00:32:14,470
WHO ALREADY HAVE
IT ON THE OUTSIDE.

555
00:32:17,130 --> 00:32:18,376
OKAY.

556
00:32:18,400 --> 00:32:20,706
WOW. YOU KIND OF LET
THE INNER SLOB OUT, HUH?

557
00:32:20,730 --> 00:32:22,245
YEAH, AND HER NAME IS LOIS.

558
00:32:22,269 --> 00:32:24,176
SHE'S BEEN PULLING
THESE ARTICLES

559
00:32:24,200 --> 00:32:27,005
THAT ABBY'S MOM PUBLISHED
ON THIS NEW BREAKTHROUGH...

560
00:32:27,029 --> 00:32:29,245
INSTANT MAKEOVER TECHNIQUE.

561
00:32:29,269 --> 00:32:31,176
BUT, UH, DR. FINE
RAN INTO ONE SNAG.

562
00:32:31,200 --> 00:32:34,245
IT'S SENDING THE PATIENTS'
SEROTONIN LEVELS INTO OVERDRIVE.

563
00:32:34,269 --> 00:32:36,206
IT SAYS HERE
DR. FINE WAS WORKING

564
00:32:36,230 --> 00:32:38,446
ON A SUPPRESSION
MEDICATION CALLED CERETHRO

565
00:32:38,470 --> 00:32:40,706
TO KEEP THE SEROTONIN
LEVELS IN CHECK.

566
00:32:40,730 --> 00:32:42,305
MAYBE IT WORKED.

567
00:32:42,329 --> 00:32:45,206
MAYBE ABBY WAS A TRIAL RUN.

568
00:32:45,230 --> 00:32:48,106
ONLY ABBY'S SEISMIC SURGERY

569
00:32:48,130 --> 00:32:50,206
DIDN'T COME WITHOUT AFTERSHOCKS.

570
00:32:50,230 --> 00:32:52,376
SHE'S PASSING
SOMETHING TO PEOPLE

571
00:32:52,400 --> 00:32:55,005
THAT'S SUPERBOOSTING
THEIR SEROTONIN.

572
00:32:55,029 --> 00:32:57,275
THAT MAKES SENSE
IF SHE KISSES BRET,

573
00:32:57,299 --> 00:32:59,446
BUT WHAT ABOUT LANA?

574
00:32:59,470 --> 00:33:01,106
I DON'T KNOW.

575
00:33:01,130 --> 00:33:03,275
ALL I DO KNOW IS THAT
ABBY'S NOT HALLUCINATING,

576
00:33:03,299 --> 00:33:05,146
SO MAYBE ALL LANA AND BRET NEED

577
00:33:05,170 --> 00:33:07,200
IS A DOSE OF THAT
CERETHRO MEDICATION.

578
00:33:11,329 --> 00:33:14,470
IT LOOKS LIKE LOIS IS
ONE STEP AHEAD OF US.

579
00:33:22,500 --> 00:33:24,245
WHAT ARE YOU DOING?

580
00:33:24,269 --> 00:33:26,500
GIVING YOU THE INSIDE SCOOP.

581
00:33:28,730 --> 00:33:31,106
YOU REALLY WANT TO
KNOW WHAT IT WAS LIKE

582
00:33:31,130 --> 00:33:33,476
FOR ABIGAIL ALL OF
THOSE YEARS, HMM?

583
00:33:33,500 --> 00:33:36,230
WELL, YOU'RE GONNA FIND OUT.

584
00:33:44,230 --> 00:33:45,706
[ BREATHING HEAVILY ]

585
00:33:45,730 --> 00:33:48,476
AND WITHOUT THE SUPPRESSANT

586
00:33:48,500 --> 00:33:50,406
TO BALANCE OUT YOUR
SEROTONIN LEVELS,

587
00:33:50,430 --> 00:33:54,000
YOU'LL BE FILING YOUR
STORY FROM THE PSYCH WARD.

588
00:34:30,329 --> 00:34:31,400
CLARK!

589
00:34:39,769 --> 00:34:41,369
AAH!

590
00:34:50,199 --> 00:34:53,445
CLARK! ARE YOU OKAY?

591
00:34:53,469 --> 00:34:55,500
GET ME OUT OF HERE. OKAY.

592
00:35:02,329 --> 00:35:04,070
Lois: BITCH.

593
00:35:12,230 --> 00:35:14,445
I DON'T KNOW HOW
TO TELL YOU THIS

594
00:35:14,469 --> 00:35:17,405
WITHOUT SOUNDING
REALLY STUCK-UP...

595
00:35:17,429 --> 00:35:19,405
I ALREADY KNOW YOU'RE STUCK-UP.

596
00:35:19,429 --> 00:35:21,405
IN FACT, I WANTED TO
TALK TO YOU ABOUT THAT.

597
00:35:21,429 --> 00:35:22,606
YOU'RE FUNNY.

598
00:35:22,630 --> 00:35:25,329
YEAH. AND CUTE, HUH?

599
00:35:27,369 --> 00:35:29,476
OKAY, JASON, LOOK,
I'M BEING SERIOUS.

600
00:35:29,500 --> 00:35:32,345
ALL RIGHT.

601
00:35:32,369 --> 00:35:34,345
BACK IN FRESHMAN YEAR,

602
00:35:34,369 --> 00:35:36,675
I, UH, MADE THE
CHEERLEADING SQUAD.

603
00:35:36,699 --> 00:35:40,476
AND THAT WAS MY WHOLE IDENTITY.

604
00:35:40,500 --> 00:35:42,376
PUTTING ON THE FACE

605
00:35:42,400 --> 00:35:45,530
THAT I THOUGHT
EVERYONE WANTED TO SEE.

606
00:35:52,730 --> 00:35:55,006
I KEEP THINKING OF ALL THE TIMES

607
00:35:55,030 --> 00:35:57,476
THAT YOU'VE TOLD
ME THAT I'M BEAUTIFUL.

608
00:35:57,500 --> 00:36:02,476
AND, UM... I CAN'T
HELP BUT WONDER

609
00:36:02,500 --> 00:36:05,469
HOW MUCH OF ME YOU REALLY SEE.

610
00:36:10,630 --> 00:36:13,006
LANA, I TELL YOU
YOU'RE BEAUTIFUL

611
00:36:13,030 --> 00:36:15,006
BECAUSE OF WHO YOU ARE,

612
00:36:15,030 --> 00:36:18,476
NOT BECAUSE OF WHAT I SEE.

613
00:36:18,500 --> 00:36:20,546
I MEAN, YOU'RE THE GIRL

614
00:36:20,570 --> 00:36:23,630
I FLEW HALFWAY ACROSS
THE WORLD TO BE WITH.

615
00:36:25,769 --> 00:36:30,245
THE GIRL WHO KICKS THE
CRAP OUT OF ME AT XBOX

616
00:36:30,269 --> 00:36:32,476
AND THINKS IT'S HYSTERICAL.

617
00:36:32,500 --> 00:36:35,305
I MEAN, I HAVE SEEN YOU
WITH THE STOMACH FLU

618
00:36:35,329 --> 00:36:37,606
WHERE YOUR EYES WERE PUFFY
AND YOUR NOSE WAS RUNNING,

619
00:36:37,630 --> 00:36:40,769
YOU'RE YAKKING...
I GET THE PICTURE.

620
00:36:45,530 --> 00:36:48,345
ALL I'M SAYING IS...

621
00:36:48,369 --> 00:36:50,400
THE REASONS I LOVE YOU...

622
00:36:53,369 --> 00:36:55,630
IT'S NOT SOMETHING
YOU CAN SEE IN A MIRROR.

623
00:36:59,300 --> 00:37:00,606
THAT'S GOOD.

624
00:37:00,630 --> 00:37:02,706
I'M GONNA WRITE THAT
DOWN AND USE THAT LATER.

625
00:37:02,730 --> 00:37:04,599
[ CHUCKLES ]

626
00:37:19,269 --> 00:37:21,500
I GUESS PRACTICE RAN LATE, HUH?

627
00:37:28,400 --> 00:37:30,570
DAD, I'M SORRY I
DISAPPOINTED YOU.

628
00:37:32,500 --> 00:37:34,630
BUT I'M STAYING ON THE TEAM.

629
00:37:36,630 --> 00:37:39,646
I'M TIRED OF LIVING MY
LIFE ON THE SIDELINES.

630
00:37:39,670 --> 00:37:42,405
I REALIZE THAT, CLARK.

631
00:37:42,429 --> 00:37:45,245
I ALSO REALIZE THAT YOU'RE
A SENIOR IN HIGH SCHOOL,

632
00:37:45,269 --> 00:37:46,706
AND FROM NOW ON,

633
00:37:46,730 --> 00:37:49,429
YOU'RE GONNA BE MAKING A
LOT OF YOUR OWN DECISIONS.

634
00:37:52,400 --> 00:37:53,675
BUT IF YOU WANT TO BE

635
00:37:53,699 --> 00:37:56,245
SEEN AS AN ADULT IN THIS FAMILY,

636
00:37:56,269 --> 00:37:58,530
THEN YOU'RE GONNA HAVE
TO START ACTING LIKE ONE.

637
00:38:03,500 --> 00:38:05,506
ADULTS IN THIS
FAMILY DON'T RUN OFF

638
00:38:05,530 --> 00:38:09,570
AND DO THINGS WITHOUT
DISCUSSING THEM FIRST.

639
00:38:14,469 --> 00:38:15,670
I KNOW.

640
00:38:17,570 --> 00:38:19,630
THAT'S WHY I HAVE JUST
ONE QUESTION FOR YOU.

641
00:38:21,630 --> 00:38:24,476
ARE YOU GONNA LET SOME
ASSISTANT COACH FROM METROPOLIS

642
00:38:24,500 --> 00:38:27,000
TEACH YOUR BOY HOW
TO PLAY FOOTBALL?

643
00:38:36,230 --> 00:38:37,230
GO DEEP.

644
00:38:49,530 --> 00:38:51,630
YEAH!

645
00:39:04,570 --> 00:39:07,476
ADMIRING THE GENIUS WITHIN, HUH?

646
00:39:07,500 --> 00:39:09,476
IT HAD A TYPO.

647
00:39:09,500 --> 00:39:11,345
OH, NICE TRY.

648
00:39:11,369 --> 00:39:13,675
SO, I FOLLOWED UP ON
THE ABBY STORY LINE,

649
00:39:13,699 --> 00:39:16,445
AND IT LOOKS LIKE MOTHER
MAKEOVER'S GONNA BE PLAYING

650
00:39:16,469 --> 00:39:18,745
"MIRROR, MIRROR" ON THE
PSYCH-WARD WALL FROM NOW ON.

651
00:39:18,769 --> 00:39:20,006
IS ABBY GONNA BE OKAY?

652
00:39:20,030 --> 00:39:21,546
YEAH, SHE'LL BE BACK NEXT WEEK.

653
00:39:21,570 --> 00:39:23,675
SO, ARE YOU EXCITED
FOR YOUR FIRST PEP RALLY?

654
00:39:23,699 --> 00:39:26,345
NOT EXACTLY THE FRIDAY
NIGHT I'VE BEEN DREAMING OF.

655
00:39:26,369 --> 00:39:28,976
OH, COME ON, IT'S YOUR DEBUT
AS SMALLVILLE'S NEWEST CELEB.

656
00:39:29,000 --> 00:39:30,745
YEAH, RIGHT. ONE
PLASTICS 'R' US PIECE,

657
00:39:30,769 --> 00:39:33,546
AND THEY'RE GONNA BE HOLDING
TABLES ALL OVER TOWN FOR ME.

658
00:39:33,570 --> 00:39:36,345
YOU'D BE SURPRISED. I MEAN,
NOT THAT I'M CEDING MY STANCE

659
00:39:36,369 --> 00:39:38,376
ON A WOMAN'S RIGHT
TO CHOOSE RHINOPLASTY,

660
00:39:38,400 --> 00:39:40,606
BUT YOU'VE GOT FAN MAIL.

661
00:39:40,630 --> 00:39:43,606
LOOKS LIKE YOUR LITTLE EXPOSé
STRUCK A COUPLE CHORDS.

662
00:39:43,630 --> 00:39:46,006
I DIDN'T EVEN EXPECT
ANYBODY TO READ THIS,

663
00:39:46,030 --> 00:39:49,405
LET ALONE HAVE A... A
"LIFE-CHANGING EXPERIENCE"?

664
00:39:49,429 --> 00:39:50,506
PLEASE.

665
00:39:50,530 --> 00:39:52,376
WHATEVER. SAY WHAT YOU WANT,

666
00:39:52,400 --> 00:39:54,606
BUT I KNOW INSIDE
IT'S GETTING TO YOU.

667
00:39:54,630 --> 00:39:57,376
WELCOME TO THE
BULLPEN, MISS LANE.

668
00:39:57,400 --> 00:39:59,575
I'M OFF TO SEE CLARK
KENT IN A WET T-SHIRT.

669
00:39:59,599 --> 00:40:02,006
CARE TO JOIN ME?

670
00:40:02,030 --> 00:40:05,030
LIKE I'VE NEVER
SEEN THAT BEFORE.

671
00:40:14,369 --> 00:40:16,506
KEEP YOUR EYE ON THE TARGET.

672
00:40:16,530 --> 00:40:18,276
Clark: COME ON, LOIS,

673
00:40:18,300 --> 00:40:20,305
DIDN'T THOSE GUYS ON THE
BASE TEACH YOU ANYTHING?

674
00:40:20,329 --> 00:40:22,000
WOULDN'T YOU LIKE TO KNOW?

675
00:40:22,769 --> 00:40:25,276
IT DOESN'T MATTER, 'CAUSE
YOU ARE GOING DOWN.

676
00:40:25,300 --> 00:40:26,606
THAT'LL BE THE DAY.

677
00:40:26,630 --> 00:40:29,476
All: [ Chanting ] DUNK,
DUNK, DUNK, DUNK, DUNK.

678
00:40:29,500 --> 00:40:33,329
DUNK, DUNK, DUNK,
DUNK, DUNK, DUNK.

679
00:40:35,500 --> 00:40:37,500
WHOO!

680
00:41:18,070 --> 00:41:21,046
Captions by VITAC...
www.vitac.com

681
00:41:21,070 --> 00:41:24,070
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION