1
00:01:06,602 --> 00:01:09,753
I LIKE THIS CAR. HOW MUCH IS IT?

2
00:01:09,777 --> 00:01:12,617
IF YOU HAVE TO ASK,
YOU CAN'T AFFORD IT.

3
00:01:12,641 --> 00:01:14,489
TRY ME.

4
00:01:14,513 --> 00:01:16,491
$240,000.

5
00:01:16,515 --> 00:01:18,494
[ WHISTLES ]

6
00:01:18,518 --> 00:01:19,989
THIS SHOULD COVER IT.

7
00:01:22,722 --> 00:01:25,426
WHY DON'T WE TAKE
IT FOR A TEST DRIVE?

8
00:01:41,817 --> 00:01:43,996
COOL RIDE, KAL.

9
00:01:44,020 --> 00:01:46,359
YOU LIKE IT?

10
00:01:46,383 --> 00:01:48,460
IT'S YOURS.

11
00:01:48,484 --> 00:01:49,986
KEEP IT.

12
00:01:52,289 --> 00:01:55,765
[ DANCE MUSIC PLAYING ]

13
00:02:07,308 --> 00:02:10,459
SO, KAL, WHERE ARE YOU FROM?

14
00:02:10,483 --> 00:02:13,932
SOMEPLACE I'M TRYING TO FORGET.

15
00:02:13,956 --> 00:02:15,990
ME TOO.

16
00:02:26,802 --> 00:02:28,510
WHAT IS THAT?

17
00:02:28,534 --> 00:02:30,783
IT'S A BIRTHMARK.

18
00:02:30,807 --> 00:02:32,887
OOH, IT'S PRETTY
BIG FOR A BIRTHMARK.

19
00:02:32,911 --> 00:02:34,859
DON'T TOUCH.

20
00:02:34,883 --> 00:02:36,891
OW. THAT HURT.

21
00:02:36,915 --> 00:02:38,388
JERK.

22
00:02:40,790 --> 00:02:42,998
WHAT'S THE DEAL, KAL?

23
00:02:43,022 --> 00:02:45,031
EVERY NIGHT YOU ROLL
IN HERE WITH A BABE,

24
00:02:45,055 --> 00:02:47,033
BUT YOU ALWAYS
LEAVE EMPTY-HANDED.

25
00:02:47,057 --> 00:02:49,437
WHAT ARE YOU, A
MONK OR SOMETHING?

26
00:02:49,461 --> 00:02:52,040
WHAT'S THE POINT OF
STARTING SOMETHING

27
00:02:52,064 --> 00:02:54,406
IF IT'S JUST GOING TO END BADLY?

28
00:03:02,477 --> 00:03:04,950
[ GROANING ]

29
00:03:11,489 --> 00:03:14,491
[ GROANING CONTINUES ]

30
00:03:17,966 --> 00:03:21,100
AAH!

31
00:03:36,490 --> 00:03:38,067
[ TELEPHONE RINGS ]

32
00:03:38,091 --> 00:03:39,924
HELLO?

33
00:03:41,896 --> 00:03:45,670
CLARK, IS THAT YOU?

34
00:03:52,939 --> 00:03:55,944
PLEASE COME HOME.

35
00:04:23,648 --> 00:04:30,762
♫ SOMEBODY SAVE ME ♫

36
00:04:30,786 --> 00:04:34,707
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

37
00:04:34,731 --> 00:04:41,146
♫ SOMEBODY SAVE ME ♫

38
00:04:41,170 --> 00:04:44,821
♫ I DON'T CARE HOW YOU DO IT ♫

39
00:04:44,845 --> 00:04:46,021
♫ JUST STAY ♫

40
00:04:46,045 --> 00:04:47,824
♫ STAY WITH ME ♫

41
00:04:47,848 --> 00:04:49,826
♫ STAY ♫

42
00:04:49,850 --> 00:04:51,689
♫ COME ON ♫

43
00:04:51,713 --> 00:04:55,163
♫ I'VE BEEN WAITING FOR YOU ♫

44
00:04:55,187 --> 00:05:00,841
♫ JUST STAY WITH ME ♫

45
00:05:00,865 --> 00:05:05,706
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

46
00:05:05,730 --> 00:05:07,608
♫ JUST STAY ♫

47
00:05:07,632 --> 00:05:10,182
♫ STAY ♫

48
00:05:10,206 --> 00:05:13,509
♫ COME ON ♫

49
00:05:18,045 --> 00:05:21,697
EVERYONE ON THE FLOOR NOW!

50
00:05:21,721 --> 00:05:23,668
DOWN NOW!

51
00:05:23,692 --> 00:05:26,002
WHAT? WHAT, YOU GOT A PROBLEM?

52
00:05:26,026 --> 00:05:28,235
GET DOWN NOW!

53
00:05:28,259 --> 00:05:30,632
YOU'RE TAKING TOO
LONG! WE GOTTA GO!

54
00:05:32,264 --> 00:05:34,042
FACE DOWN! FACE DOWN!

55
00:05:34,066 --> 00:05:36,668
HIT THE FLOOR!

56
00:05:50,687 --> 00:05:53,090
GET THE BASTARD!

57
00:05:56,733 --> 00:05:59,814
♫ IF I COULD HAVE MY
WASTED DAYS BACK ♫

58
00:05:59,838 --> 00:06:02,648
♫ WOULD I USE THEM TO
GET BACK ON TRACK? ♫

59
00:06:02,672 --> 00:06:05,281
♫ STOP TO WARM AT
KARMA'S BURNING ♫

60
00:06:05,305 --> 00:06:08,153
♫ OR LOOK AHEAD BUT
KEEP ON TURNING? ♫

61
00:06:08,177 --> 00:06:11,187
STICK TO BALLOON ANIMALS.

62
00:06:11,211 --> 00:06:12,660
♫ CAN I FIND IT INSIDE ♫

63
00:06:12,684 --> 00:06:15,663
♫ TO DO WHAT I
SHOULD HAVE KNOWN? ♫

64
00:06:15,687 --> 00:06:17,735
♫ CAN I HAVE MY
WASTED DAYS BACK? ♫

65
00:06:17,759 --> 00:06:19,798
♫ I'D USE THEM TO
GET BACK ON TRACK ♫

66
00:06:19,822 --> 00:06:22,742
SORRY, KRUSTY, I
SAW THE BANK FIRST.

67
00:06:22,766 --> 00:06:26,646
♫ YOU LIVE IT OR LIE IT ♫

68
00:06:26,670 --> 00:06:29,281
♫ YOU LIVE IT OR LIE
IT, YOU LIVE IT OR LIE IT ♫

69
00:06:29,305 --> 00:06:36,319
♫ MY LIFESTYLE DETERMINES
MY DEATHSTYLE ♫

70
00:06:36,343 --> 00:06:38,762
♫ KEEP SEARCHING ♫

71
00:06:38,786 --> 00:06:41,125
Woman: THE BUILDING
IS SURROUNDED.

72
00:06:41,149 --> 00:06:44,069
COME OUT OF THE BUILDING
WITH YOUR HANDS IN THE AIR.

73
00:06:44,093 --> 00:06:46,132
♫ THIS SEARCH GOES ON ♫

74
00:06:46,156 --> 00:06:48,875
Woman: DROP THE BAG!
FALL TO YOUR KNEES!

75
00:06:48,899 --> 00:06:51,238
PUT YOUR HANDS BEHIND YOUR HEAD!

76
00:06:51,262 --> 00:06:54,781
DROP THE BAG! THIS
IS YOUR FINAL WARNING!

77
00:06:54,805 --> 00:07:00,348
♫ THIS SEARCH GOES ON ♫

78
00:07:00,372 --> 00:07:02,692
♫ FRANTIC-TICK-TICK
TICK-TICK-TOCK ♫

79
00:07:02,716 --> 00:07:10,716
♫ FRANTIC-TICK-TICK
TICK-TICK-TICK-TOCK ♫

80
00:07:17,665 --> 00:07:20,244
♫ KEEP ON SEARCHING ♫

81
00:07:20,268 --> 00:07:22,846
♫ THIS SEARCH GOES ON ♫

82
00:07:22,870 --> 00:07:25,250
♫ ON AND ON ♫

83
00:07:25,274 --> 00:07:33,274
♫ FRANTIC-TICK-TICK
TICK-TICK-TICK-TOCK ♫

84
00:07:44,899 --> 00:07:47,807
Pete: HIS CRIMES JUST KEEP
GETTING BIGGER AND BIGGER.

85
00:07:47,831 --> 00:07:49,951
WE CAN'T BE SURE IT'S CLARK.

86
00:07:49,975 --> 00:07:53,314
LOOK, I KNOW YOU DON'T
WANT TO BELIEVE IT, BUT...

87
00:07:53,338 --> 00:07:54,817
IT'S HIM.

88
00:07:54,841 --> 00:07:56,158
WHAT ARE WE GOING TO DO?

89
00:07:56,182 --> 00:07:58,260
THERE REALLY ISN'T ANYTHING...

90
00:07:58,284 --> 00:08:00,788
YOU GET IN THE TRUCK.
I'M GONNA GET MY COAT.

91
00:08:04,293 --> 00:08:05,300
WHERE ARE YOU GOING?

92
00:08:05,324 --> 00:08:06,432
I'M GOING TO GET HIM.

93
00:08:06,456 --> 00:08:08,274
HE KNOWS WHAT RED
KRYPTONITE DOES.

94
00:08:08,298 --> 00:08:10,175
HE CAN TAKE THAT
RING OFF ANYTIME.

95
00:08:10,199 --> 00:08:11,478
MARTHA, I DON'T KNOW THAT.

96
00:08:11,502 --> 00:08:14,211
JONATHAN, THE PHONE
CALLS... THEY'RE THE FIRST STEP.

97
00:08:14,235 --> 00:08:16,314
I CAN'T JUST SIT AROUND
IN THIS FARMHOUSE

98
00:08:16,338 --> 00:08:17,786
AND DO NOTHING ANYMORE.

99
00:08:17,810 --> 00:08:19,918
EVEN IF YOU DO FIND HIM,
HOW EXACTLY DO YOU PLAN

100
00:08:19,942 --> 00:08:20,990
ON BRINGING HIM HOME?

101
00:08:21,014 --> 00:08:22,891
IT'S BEEN THREE MONTHS.

102
00:08:22,915 --> 00:08:24,793
WE'VE BEEN SEARCHING
ALL THAT TIME.

103
00:08:24,817 --> 00:08:26,497
WE FILED A MISSING
PERSON'S REPORT.

104
00:08:26,521 --> 00:08:28,899
WE HAVE DONE EVERYTHING
WE CAN. MARTHA...

105
00:08:28,923 --> 00:08:32,488
THE FACT IS, CLARK
DOESN'T WANT TO BE FOUND.

106
00:08:34,931 --> 00:08:37,811
HE'LL COME HOME TO
US WHEN HE'S READY.

107
00:08:37,835 --> 00:08:39,836
WE JUST HAVE TO HAVE FAITH.

108
00:08:42,971 --> 00:08:44,519
OKAY?

109
00:08:44,543 --> 00:08:46,375
YEAH.

110
00:08:54,956 --> 00:08:57,365
HEY. I HAVEN'T SEEN
YOU IN, LIKE, A WEEK.

111
00:08:57,389 --> 00:08:59,937
I WAS WONDERING IF WE STILL
LIVED UNDER THE SAME ROOF.

112
00:08:59,961 --> 00:09:01,399
I'M SWAMPED HERE.

113
00:09:01,423 --> 00:09:03,503
YOUR DAD SAID YOU SPENT
THE ENTIRE AFTERNOON

114
00:09:03,527 --> 00:09:05,274
AT THE "DAILY PLANET."

115
00:09:05,298 --> 00:09:07,277
YEAH, AS FAR AS MY
EDITOR IS CONCERNED,

116
00:09:07,301 --> 00:09:09,509
PICKING UP HIS DRY CLEANING
IS MORE OF A PRIORITY

117
00:09:09,533 --> 00:09:11,812
THAN MEETING FACE TO FACE
WITH THE JUNIOR COLUMNIST.

118
00:09:11,836 --> 00:09:13,916
I THOUGHT MAYBE WE
COULD HAVE LUNCH.

119
00:09:13,940 --> 00:09:17,259
I CAN'T. SINCE LEX IS GONE,

120
00:09:17,283 --> 00:09:19,361
THE TALON'S BEEN RELEGATED
TO LUTHORCORP ACCOUNTANTS

121
00:09:19,385 --> 00:09:22,525
WHO HAVE NO INTEREST IN A
COFFEE SHOP IN SMALLVILLE.

122
00:09:22,549 --> 00:09:24,028
OKAY.

123
00:09:24,052 --> 00:09:26,301
UH, WELL, IF YOU NEED
A RIDE TO LEX'S FUNERAL,

124
00:09:26,325 --> 00:09:29,475
I'M ALWAYS AVAILABLE FOR
CHAUFFEURING AND MORAL SUPPORT.

125
00:09:29,499 --> 00:09:32,538
THANKS. I'M GOING
WITH THE KENTS.

126
00:09:32,562 --> 00:09:35,012
HAVE YOU HEARD FROM CLARK?

127
00:09:35,036 --> 00:09:36,943
I WAS THINKING OF STAYING
IN METROPOLIS WITH NELL

128
00:09:36,967 --> 00:09:38,817
FOR A FEW DAYS.

129
00:09:38,841 --> 00:09:42,019
I FEEL GUILTY I HAVEN'T SPENT
MORE TIME SEARCHING FOR HIM.

130
00:09:42,043 --> 00:09:44,352
HE'S NOT LOST, LANA.

131
00:09:44,376 --> 00:09:48,097
YOU MAY HAVE WRITTEN HIM
OFF, BUT I CAN'T GIVE UP HOPE.

132
00:09:48,121 --> 00:09:49,899
CLARK RAN AWAY.

133
00:09:49,923 --> 00:09:51,903
HE MADE A CONSCIOUS
DECISION TO LEAVE HIS FRIENDS,

134
00:09:51,927 --> 00:09:54,129
HIS FAMILY, AND THE
GIRL HE CLAIMED TO LOVE.

135
00:09:58,495 --> 00:10:01,114
LANA, I KNOW WE'VE SAID OUR
PIECE ABOUT WHAT HAPPENED,

136
00:10:01,138 --> 00:10:03,376
AND WE CAN CONTINUE
DOING THE AVOIDANCE STANCE

137
00:10:03,400 --> 00:10:05,519
WE'VE PERFECTED ALL
SUMMER, BUT THE FACT IS,

138
00:10:05,543 --> 00:10:06,981
I'M WORRIED ABOUT YOU.

139
00:10:07,005 --> 00:10:08,953
I'M THE LAST PERSON YOU
NEED TO WORRY ABOUT.

140
00:10:08,977 --> 00:10:11,356
PINING OVER CLARK ONLY
LEADS TO PERSONAL MISERY.

141
00:10:11,380 --> 00:10:13,389
TRUST ME, I WROTE THE BOOK.
NOW YOU NEED TO MOVE ON.

142
00:10:13,413 --> 00:10:15,361
HE OBVIOUSLY HAS.

143
00:10:15,385 --> 00:10:17,995
I DON'T BELIEVE THAT.

144
00:10:18,019 --> 00:10:22,124
I JUST THINK HE'S WAITING FOR
THE RIGHT PERSON TO FIND HIM.

145
00:11:00,211 --> 00:11:02,451
WHO SENT YOU?

146
00:11:02,475 --> 00:11:04,523
I DID.

147
00:11:04,547 --> 00:11:07,149
MORGAN EDGE.

148
00:11:11,556 --> 00:11:15,431
THAT'S A HELL OF A
SCAR. HOW'D YOU GET IT?

149
00:11:18,163 --> 00:11:20,567
MY DAD'S A REAL BASTARD.

150
00:11:22,038 --> 00:11:24,418
WHAT DO YOU WANT?

151
00:11:24,442 --> 00:11:28,022
YOU CAME TO MY
CLUB FLASHING MONEY,

152
00:11:28,046 --> 00:11:32,187
AND THEN YOU INTERRUPT
MY GUYS AT THE BANK.

153
00:11:32,211 --> 00:11:35,461
I TAKE IT THAT WAS
NOT A COINCIDENCE.

154
00:11:35,485 --> 00:11:38,696
[ LAUGHS ] THOSE CLOWNS...
THEY WORK FOR YOU?

155
00:11:38,720 --> 00:11:42,570
YOU'VE MADE QUITE A
REPUTATION FOR YOURSELF.

156
00:11:42,594 --> 00:11:44,572
I SET UP THIS TEST

157
00:11:44,596 --> 00:11:48,206
SO I COULD SEE WITH MY OWN
EYES IF YOU WERE MAN OR MYTH.

158
00:11:48,230 --> 00:11:51,211
AND CLEARLY, YOU'RE BOTH.

159
00:11:51,235 --> 00:11:54,585
WELL, I'M GLAD I COULD
CLEAR IT UP FOR YOU...

160
00:11:54,609 --> 00:11:56,511
MR. EDGE.

161
00:11:58,713 --> 00:12:01,618
I'D LIKE TO TALK ABOUT
A JOB OPPORTUNITY.

162
00:12:04,091 --> 00:12:08,101
THANKS, BUT I'M REALLY NOT
LOOKING FOR WORK RIGHT NOW.

163
00:12:08,125 --> 00:12:09,634
I LIKE TO FLY SOLO.

164
00:12:09,658 --> 00:12:12,607
NO MATTER HOW MANY
BULLETS BOUNCE OFF YOU, KAL,

165
00:12:12,631 --> 00:12:14,740
YOU'RE STILL A KID,

166
00:12:14,764 --> 00:12:19,086
AND I'M THE BIGGEST
CRIME BOSS IN METROPOLIS.

167
00:12:19,110 --> 00:12:23,174
WELL, I WOULD THINK YOU
COULD AFFORD BETTER HELP.

168
00:12:25,147 --> 00:12:27,726
THAT'S WHY WE'RE TALKING.

169
00:12:27,750 --> 00:12:31,101
I'VE GOT THIS ONE JOB.

170
00:12:31,125 --> 00:12:35,666
IT'LL MAKE YOU MIDAS RICH.

171
00:12:35,690 --> 00:12:40,111
SO, WHEN YOU ARE TIRED OF
PLAYING IN THE LITTLE LEAGUE,

172
00:12:40,135 --> 00:12:43,139
YOU KNOW WHERE TO FIND ME.

173
00:12:59,821 --> 00:13:01,722
MR. LUTHOR?

174
00:13:04,265 --> 00:13:08,677
MR. LUTHOR... MR. LUTHOR.

175
00:13:08,701 --> 00:13:10,279
I GOT YOUR MESSAGE.

176
00:13:10,303 --> 00:13:12,611
I WAS SURPRISED TO HEAR THAT
YOU WANTED TO MEET TODAY,

177
00:13:12,635 --> 00:13:14,815
CONSIDERING THE FACT
THAT TOMORROW IS LEX'S...

178
00:13:14,839 --> 00:13:17,619
MY SON IS GONE, MISS
SULLIVAN, AND THERE IS NOTHING

179
00:13:17,643 --> 00:13:19,691
I CAN DO NOW BUT PUT
HIS MEMORY TO REST

180
00:13:19,715 --> 00:13:23,166
AND GET ON WITH THE
BUSINESS OF LIVING.

181
00:13:23,190 --> 00:13:27,301
YOU REMEMBER THERE USED TO
BE AN OCTAGONAL KEYHOLE HERE.

182
00:13:27,325 --> 00:13:30,303
VAGUELY. I DIDN'T SPEND
MUCH TIME IN THIS CAVE.

183
00:13:30,327 --> 00:13:32,307
TRUST ME, IT WAS RIGHT HERE.

184
00:13:32,331 --> 00:13:35,581
IT DISAPPEARED THE
SAME DAY AS THAT...

185
00:13:35,605 --> 00:13:40,746
INEXPLICABLE EXPLOSION
ON THE KENT FARM...

186
00:13:40,770 --> 00:13:45,192
THE SAME DAY THAT
OUR YOUNG FRIEND CLARK

187
00:13:45,216 --> 00:13:47,855
WENT INTO EXILE.

188
00:13:47,879 --> 00:13:52,601
YOU HAVEN'T SEEN
HIM... HAVE YOU?

189
00:13:52,625 --> 00:13:54,804
AFTER THE FIGHT
THAT CLARK AND I HAD,

190
00:13:54,828 --> 00:13:57,237
I'D BE THE LAST
PERSON HE'D CALL.

191
00:13:57,261 --> 00:13:59,634
HMM. [ CHUCKLES ]

192
00:14:01,197 --> 00:14:03,816
I'VE ENJOYED READING
YOUR COLUMN, MISS SULLIVAN.

193
00:14:03,840 --> 00:14:05,719
YOU'RE A GOOD WRITER.

194
00:14:05,743 --> 00:14:09,783
"THE WORST SIN OF
AGE IS TO FORGET

195
00:14:09,807 --> 00:14:11,855
THE TRIALS OF YOUTH."

196
00:14:11,879 --> 00:14:13,427
[ CHUCKLES ]

197
00:14:13,451 --> 00:14:16,262
I JUST WISH THAT REPORT
YOU DID FOR ME ON CLARK KENT

198
00:14:16,286 --> 00:14:18,433
HAD THE SAME KIND OF INSIGHT.

199
00:14:18,457 --> 00:14:20,667
WELL, I GAVE YOU
EVERYTHING I HAD.

200
00:14:20,691 --> 00:14:23,169
BUT YOU CAME TO ME WITH
SUCH VIGOR, AND NOW IT SEEMS

201
00:14:23,193 --> 00:14:25,903
YOUR ENTHUSIASM FOR OUR
ARRANGEMENT IS, UH, WANING.

202
00:14:25,927 --> 00:14:27,875
IT'S KIND OF HARD
TO FIND INFORMATION

203
00:14:27,899 --> 00:14:29,778
WHEN THE SUBJECT IS M.I.A.

204
00:14:29,802 --> 00:14:32,181
IT MIGHT HELP YOU
TO VIEW THAT AS A TEST

205
00:14:32,205 --> 00:14:34,814
OF YOUR REPORTER'S METTLE.

206
00:14:34,838 --> 00:14:37,258
YOU'RE SUCH A
PROMISING YOUNG TALENT.

207
00:14:37,282 --> 00:14:39,660
I'D HATE TO SEE AN
OPPORTUNITY LIKE THIS VANISH

208
00:14:39,684 --> 00:14:43,365
LIKE THE KEYHOLE
ON THIS WALL HERE.

209
00:14:43,389 --> 00:14:45,668
THREATENING ME, MR. LUTHOR,

210
00:14:45,692 --> 00:14:48,731
ISN'T GOING TO MAKE
CLARK MAGICALLY REAPPEAR.

211
00:14:48,755 --> 00:14:52,876
ALL DECISIONS HAVE CONSEQUENCES.

212
00:14:52,900 --> 00:14:55,681
CLARK CHOSE TO
RUN AWAY FROM HIS.

213
00:14:55,705 --> 00:14:57,812
ARE YOU GOING TO RUN
AWAY FROM YOURS, TOO,

214
00:14:57,836 --> 00:14:59,408
MISS SULLIVAN?

215
00:15:32,780 --> 00:15:33,827
[ GASPS ]

216
00:15:33,851 --> 00:15:36,360
WHOA, EASY THERE, LEX.

217
00:15:36,384 --> 00:15:37,732
WHERE AM I?

218
00:15:37,756 --> 00:15:39,865
SAME PLACE YOU'VE BEEN
THE LAST THREE MONTHS...

219
00:15:39,889 --> 00:15:41,597
PARADISE.

220
00:15:41,621 --> 00:15:45,602
YOU HAD ANOTHER FEVER DREAM.

221
00:15:45,626 --> 00:15:47,929
THE MALARIA'S STILL GOT YOU.

222
00:15:50,673 --> 00:15:53,405
YOU WERE CALLING HER NAME AGAIN.

223
00:15:54,738 --> 00:15:55,956
WHO?

224
00:15:55,980 --> 00:16:00,916
THAT BITCH WHO SET YOU UP.

225
00:16:02,988 --> 00:16:04,726
LOUIS.

226
00:16:04,750 --> 00:16:08,530
I APPRECIATE EVERYTHING
YOU'VE DONE FOR ME,

227
00:16:08,554 --> 00:16:11,674
BUT IF YOU EVER REFER
TO MY WIFE THAT WAY AGAIN,

228
00:16:11,698 --> 00:16:13,878
I WON'T BE HELD
RESPONSIBLE FOR MY ACTIONS.

229
00:16:13,902 --> 00:16:15,710
[ LAUGHS ]

230
00:16:15,734 --> 00:16:17,712
SEE, I WAS JUST SITTING HERE

231
00:16:17,736 --> 00:16:19,784
RUNNING THROUGH
YOUR STORY IN MY HEAD.

232
00:16:19,808 --> 00:16:21,817
NOW, YOU WAKE UP, HELEN
AND THE PILOT ARE GONE,

233
00:16:21,841 --> 00:16:23,620
AND YOU'RE LEFT TO DIE.

234
00:16:23,644 --> 00:16:25,852
YOU'VE GOT TO AT LEAST
CONSIDER THE POSSIBILITY.

235
00:16:25,876 --> 00:16:27,955
DON'T YOU HAVE ANYTHING
ELSE TO TALK ABOUT?

236
00:16:27,979 --> 00:16:31,799
ALL THESE YEARS ALONE
ON AN ISLAND? NOT REALLY.

237
00:16:31,823 --> 00:16:33,802
WHY DON'T YOU GO
WORK ON THE RAFT?

238
00:16:33,826 --> 00:16:36,566
BECAUSE I AM NOT GOING
TO LET YOU COMMIT SUICIDE!

239
00:16:36,590 --> 00:16:38,668
YOU COULD END UP DRIFTING
FOR WEEKS AND DIE ALONE.

240
00:16:38,692 --> 00:16:40,711
IS THAT WHAT YOU WANT?

241
00:16:40,735 --> 00:16:42,714
I WANT TO GET OFF THIS ISLAND

242
00:16:42,738 --> 00:16:44,745
AND FIND OUT THE TRUTH.

243
00:16:44,769 --> 00:16:46,778
OH, THE TRUTH.

244
00:16:46,802 --> 00:16:48,821
SEE, THE WAY I FIGURE
IT, EITHER YOUR FATHER

245
00:16:48,845 --> 00:16:51,924
SET YOU BOTH UP, HELEN
MANAGED THIS ON HER OWN,

246
00:16:51,948 --> 00:16:53,927
OR THE TWO OF
THEM WERE IN LEAGUE.

247
00:16:53,951 --> 00:16:55,929
WHY ARE YOU IN SUCH A HURRY

248
00:16:55,953 --> 00:16:58,462
TO GET BACK TO A
FAMILY THAT TWISTED?

249
00:16:58,486 --> 00:17:00,865
BECAUSE MY LIFE IS NOT HERE.

250
00:17:00,889 --> 00:17:03,470
WELL, IT DOESN'T SOUND
SO GREAT BACK THERE.

251
00:17:03,494 --> 00:17:05,742
YOU'VE GOT TO STOP
LOOKING AT THIS PLACE

252
00:17:05,766 --> 00:17:07,745
AS A CURSE, LEX. SHUT UP!

253
00:17:07,769 --> 00:17:10,708
IT IS A GIFT! YOUR LIFE
HAS BEEN STRIPPED DOWN

254
00:17:10,732 --> 00:17:12,751
TO ITS BARE ESSENCE.

255
00:17:12,775 --> 00:17:18,017
TO THE OUTSIDE WORLD,
YOU'RE ALREADY DEAD.

256
00:17:18,041 --> 00:17:21,591
WHY DON'T YOU LET YOUR
OLD SELF REST IN PEACE?

257
00:17:21,615 --> 00:17:25,496
Lionel: I THINK THE
CRUELEST FATE.

258
00:17:25,520 --> 00:17:29,901
THAT A PARENT CAN SUFFER

259
00:17:29,925 --> 00:17:32,034
IS TO LOSE A CHILD.

260
00:17:32,058 --> 00:17:36,841
LEX WAS TOUCHED WITH GREATNESS.

261
00:17:36,865 --> 00:17:39,645
WE'D ONLY JUST BEGUN
TO SEE THAT POTENTIAL.

262
00:17:39,669 --> 00:17:42,918
I CAN ONLY IMAGINE THE
HEIGHTS HE WOULD'VE SOARED TO

263
00:17:42,942 --> 00:17:48,795
IF HIS LIFE... HADN'T BEEN...

264
00:17:48,819 --> 00:17:53,556
CUT SHORT SO TRAGICALLY.

265
00:17:55,959 --> 00:17:58,869
THESE RITUALS ARE
MEANT TO BRING CLOSURE,

266
00:17:58,893 --> 00:18:00,811
BUT THERE ARE SO MANY
UNANSWERED QUESTIONS

267
00:18:00,835 --> 00:18:02,812
ABOUT LEX'S DISAPPEARANCE...

268
00:18:02,836 --> 00:18:06,677
QUESTIONS I HOPE THAT
WILL SOMEDAY BE ANSWERED.

269
00:18:06,701 --> 00:18:08,821
BUT THOSE ANSWERS
WON'T BRING HIM BACK.

270
00:18:08,845 --> 00:18:11,154
I WOULD'VE SEARCHED
FOR 1,000 YEARS

271
00:18:11,178 --> 00:18:13,857
IF I THOUGHT HE COULD BE FOUND.

272
00:18:13,881 --> 00:18:17,691
WE CAN'T HOLD ONTO THE PAST.

273
00:18:17,715 --> 00:18:20,034
IN MY HEART, I WILL BE SEARCHING

274
00:18:20,058 --> 00:18:22,137
FOR MY SON FOREVER.

275
00:18:22,161 --> 00:18:26,626
SO WILL I.

276
00:18:35,909 --> 00:18:39,059
IF YOU'RE HERE TO
GRANDSTAND FOR THE PAPARAZZI,

277
00:18:39,083 --> 00:18:41,021
I WILL HAVE YOU ESCORTED OUT.

278
00:18:41,045 --> 00:18:44,124
I WISH TO PAY MY LAST
RESPECTS TO MY HUSBAND.

279
00:18:44,148 --> 00:18:45,996
THEN, MRS. LUTHOR,
ALLOW ME TO LEAVE

280
00:18:46,020 --> 00:18:49,055
BEFORE THE HYPOCRISY BEGINS.

281
00:19:02,771 --> 00:19:05,675
[ ELEVATOR BELL DINGS ]

282
00:19:07,778 --> 00:19:09,857
CLARK, I NEED TO
TALK TO YOU ABOUT...

283
00:19:09,881 --> 00:19:12,159
CHLOE, I TOLD YOU TO NEVER
COME BACK HERE AGAIN.

284
00:19:12,183 --> 00:19:14,232
WHO ELSE KNOWS I'M HERE?

285
00:19:14,256 --> 00:19:17,766
NO ONE. YOUR SECRET'S SAFE
WITH ME, BUT WE NEED TO TALK.

286
00:19:17,790 --> 00:19:19,869
I'M BUSY.

287
00:19:19,893 --> 00:19:21,871
WELL, I'M COMING IN.

288
00:19:21,895 --> 00:19:24,043
NOW, WHAT'S YOUR DEAL?
YOU COME TO METROPOLIS,

289
00:19:24,067 --> 00:19:26,648
AND YOU'RE A COMPLETELY
DIFFERENT PERSON.

290
00:19:26,672 --> 00:19:28,179
MAYBE IT'S THE REAL ME.

291
00:19:28,203 --> 00:19:30,181
WELL, IF IT IS, THEN
I DEFINITELY PREFER

292
00:19:30,205 --> 00:19:32,124
THE COUNTRY CLARK.

293
00:19:32,148 --> 00:19:34,987
NOW, HOW DID YOU
AFFORD ALL OF THIS?

294
00:19:35,011 --> 00:19:37,962
WHY, CHLOE? SO YOU CAN
PUT ME IN YOUR COLUMN

295
00:19:37,986 --> 00:19:39,964
OR WRITE A BIG STORY ABOUT ME?

296
00:19:39,988 --> 00:19:41,735
MAYBE THAT'S WHY
YOU KEPT MY SECRET.

297
00:19:41,759 --> 00:19:44,069
I KEPT YOUR SECRET
BECAUSE YOU ASKED ME TO.

298
00:19:44,093 --> 00:19:45,901
I WAS HOPING THAT
IF I LEFT YOU ALONE,

299
00:19:45,925 --> 00:19:47,774
YOU'D GET A GRIP AND COME HOME.

300
00:19:47,798 --> 00:19:49,847
THERE ARE PEOPLE IN SMALLVILLE
THAT STILL HAVEN'T GIVEN UP.

301
00:19:49,871 --> 00:19:52,909
I'VE ERASED SMALLVILLE
FROM MY PAST.

302
00:19:52,933 --> 00:19:55,277
REALLY? IS THAT WHY YOU'RE
STILL WEARING YOUR SCHOOL RING?

303
00:19:56,979 --> 00:19:58,687
YOU KNOW, SOONER OR LATER,

304
00:19:58,711 --> 00:20:01,020
SOMEONE ELSE IS GOING TO
FIND YOU. YOU WERE LUCKY.

305
00:20:01,044 --> 00:20:02,822
MAYBE SO, BUT WHAT
ARE YOU GOING TO DO

306
00:20:02,846 --> 00:20:04,925
IF, ONE DAY, LANA SHOWS UP ON
YOUR DOORSTEP OR YOUR DAD?

307
00:20:04,949 --> 00:20:06,767
HOW ARE YOU GOING TO
EXPLAIN THIS TO THEM?

308
00:20:06,791 --> 00:20:09,030
I'M THROUGH EXPLAINING
MYSELF TO ANYONE.

309
00:20:09,054 --> 00:20:10,232
CLARK, LANA IS A WRECK,

310
00:20:10,256 --> 00:20:12,774
AND YOUR PARENTS
ARE LOSING THE FARM!

311
00:20:12,798 --> 00:20:15,708
WHAT DO I CARE? I'M NEVER
GOING TO GO BACK, ANYWAY.

312
00:20:15,732 --> 00:20:17,910
CLARK, YOU WERE
NOT FORCED INTO EXILE.

313
00:20:17,934 --> 00:20:19,914
YOU RAN AWAY FROM YOUR PROBLEMS.

314
00:20:19,938 --> 00:20:22,716
YOU ARE NOT BEING NOBLE.
YOU'RE BEING A COWARD!

315
00:20:22,740 --> 00:20:24,889
CHLOE, GET OUT! YOU
TELL ANYONE WHERE I AM,

316
00:20:24,913 --> 00:20:26,892
I WILL GO SO FAR
AWAY FROM METROPOLIS

317
00:20:26,916 --> 00:20:28,224
THAT NO ONE WILL EVER FIND ME!

318
00:20:28,248 --> 00:20:30,726
I DON'T EVEN KNOW
WHO YOU ARE ANYMORE.

319
00:20:30,750 --> 00:20:32,282
GET OUT!

320
00:20:40,993 --> 00:20:43,166
AAH!

321
00:21:02,790 --> 00:21:05,324
[ CLAPPING ]

322
00:21:08,198 --> 00:21:12,049
[ Sarcastic ] THE HIGHLIGHT
OF THE SOMBER AFFAIR.

323
00:21:12,073 --> 00:21:14,881
WAS THE PERFORMANCE
OF THE GRIEVING WIDOW

324
00:21:14,905 --> 00:21:17,215
PLAYED TO PERFECTION
BY DR. HELEN BRYCE

325
00:21:17,239 --> 00:21:18,917
IN HER FIRST PUBLIC APPEARANCE

326
00:21:18,941 --> 00:21:22,091
SINCE HER DRAMATIC RESCUE.

327
00:21:22,115 --> 00:21:25,094
I WANT YOU OUT OF MY HOUSE.

328
00:21:25,118 --> 00:21:27,968
YOU CAN DROP THE ACT,
HELEN. YOU'RE AMONG FAMILY.

329
00:21:27,992 --> 00:21:30,802
AND IT'S NOT YOUR HOUSE... YET.

330
00:21:30,826 --> 00:21:34,136
I'M SURE YOU DIDN'T COME ALL
THIS WAY FOR A CONDOLENCE CALL.

331
00:21:34,160 --> 00:21:35,938
I WON'T GIVE MY
CONDOLENCES TO A MURDERER.

332
00:21:35,962 --> 00:21:37,209
I DIDN'T MURDER LEX.

333
00:21:37,233 --> 00:21:40,313
OH, OH, THAT'S RIGHT. LET
ME SEE IF I CAN REMEMBER

334
00:21:40,337 --> 00:21:43,818
YOUR ACCOUNT OF
THE HARROWING EVENT.

335
00:21:43,842 --> 00:21:45,821
YOU WOKE UP HAVING BEEN ROBBED,

336
00:21:45,845 --> 00:21:48,323
FOUND THE PILOT JUMPING
OUT OF THE AIRPLANE.

337
00:21:48,347 --> 00:21:50,397
WITH ONLY ONE PARACHUTE LEFT,

338
00:21:50,421 --> 00:21:53,060
LEX VALIANTLY OFFERED
TO GIVE IT TO YOU

339
00:21:53,084 --> 00:21:57,135
AND WENT DOWN TO HIS DEATH
IN THE CRIPPLED AIRCRAFT.

340
00:21:57,159 --> 00:22:00,007
THAT'S A WONDERFUL
PIECE OF FICTION.

341
00:22:00,031 --> 00:22:02,841
I THINK THE POLICE
WOULD FIND IT INTERESTING

342
00:22:02,865 --> 00:22:05,175
THAT YOU HIRED ME TO SPY ON LEX.

343
00:22:05,199 --> 00:22:06,877
YOU MURDERED MY SON.

344
00:22:06,901 --> 00:22:10,150
I WON'T REST TILL I'VE BROUGHT
YOUR DUPLICITY TO LIGHT.

345
00:22:10,174 --> 00:22:12,248
[ CHUCKLES ]

346
00:22:14,410 --> 00:22:16,258
YOU KNOW, HELEN,

347
00:22:16,282 --> 00:22:18,891
BLACK WIDOWS MAY BE
POWERFUL PREDATORS,

348
00:22:18,915 --> 00:22:21,866
BUT EVERY PREDATOR IS...

349
00:22:21,890 --> 00:22:25,023
SOMEBODY ELSE'S PREY.

350
00:22:41,914 --> 00:22:45,219
[ AIRPLANE SOARING OVERHEAD ]

351
00:22:54,359 --> 00:23:00,142
LOUIS! LOUIS!

352
00:23:00,166 --> 00:23:02,045
LOUIS!

353
00:23:02,069 --> 00:23:05,119
THERE'S A PLANE!
DID YOU HEAR IT?

354
00:23:05,143 --> 00:23:06,491
I HEARD IT.

355
00:23:06,515 --> 00:23:09,324
THAT'S THE FIRST ONE THAT'S
FLOWN OVER IN MONTHS!

356
00:23:09,348 --> 00:23:13,053
IT'S TOO LATE NOW.
IT'S LONG GONE.

357
00:23:15,086 --> 00:23:17,504
THAT'S GREAT. THAT'S JUST GREAT!

358
00:23:17,528 --> 00:23:20,468
YOU'RE WASTING YOUR TIME.
THEY'RE NEVER GOING TO SEE IT.

359
00:23:20,492 --> 00:23:23,341
I NEED TO GET OFF THIS ISLAND!

360
00:23:23,365 --> 00:23:24,366
AAH!

361
00:23:26,269 --> 00:23:28,348
YOU KNOW IN YOUR HEART
THIS IS WHERE YOU BELONG.

362
00:23:28,372 --> 00:23:30,281
NOW, YOU CAN RAGE AGAINST IT,

363
00:23:30,305 --> 00:23:32,406
BUT ULTIMATELY YOU'LL
HAVE TO ACCEPT IT.

364
00:23:34,980 --> 00:23:37,252
YOU STAY AWAY
FROM ME, YOU FREAK!

365
00:24:03,286 --> 00:24:04,562
Martha: I SPOKE TO THE BANK.

366
00:24:04,586 --> 00:24:07,025
THEY STILL WANT US
OUT BEFORE THE AUCTION.

367
00:24:07,049 --> 00:24:09,530
Jonathan: IT IS AMAZING HOW
YOU CAN FIT YOUR WHOLE LIFE.

368
00:24:09,554 --> 00:24:11,425
INTO THE BACK OF A PICKUP TRUCK.

369
00:24:14,329 --> 00:24:18,440
IS BILL ROSS STILL OKAY WITH US
STORING OUR STUFF IN HIS GARAGE?

370
00:24:18,464 --> 00:24:20,612
YEAH. HE SAID AS
LONG AS WE NEED IT,

371
00:24:20,636 --> 00:24:22,485
IT'S FINE WITH HIM.

372
00:24:22,509 --> 00:24:25,049
OH, LANA GAVE ME THE
KEYS TO THE APARTMENT

373
00:24:25,073 --> 00:24:26,491
OVER THE TALON.

374
00:24:26,515 --> 00:24:28,152
GREAT.

375
00:24:28,176 --> 00:24:30,318
YEAH, IT'S SMALL.

376
00:24:32,521 --> 00:24:34,360
[ SOBBING ]

377
00:24:34,384 --> 00:24:37,303
IT'S OKAY. MARTHA,
MARTHA, MARTHA...

378
00:24:37,327 --> 00:24:40,437
IT'S JUST NOT FAIR.

379
00:24:40,461 --> 00:24:43,341
THIS FARM HAS
BEEN IN YOUR FAMILY

380
00:24:43,365 --> 00:24:46,314
FOR THREE GENERATIONS...
FOUR, COUNTING CLARK.

381
00:24:46,338 --> 00:24:48,271
IT'S SAD.

382
00:24:50,545 --> 00:24:54,054
SINCE WHEN HAVE OUR LIVES
BEEN FAIR, ANYWAY, HUH?

383
00:24:54,078 --> 00:24:56,527
DO YOU REMEMBER THE DAY

384
00:24:56,551 --> 00:24:59,591
WE FOUND OUT WE
COULDN'T HAVE CHILDREN?

385
00:24:59,615 --> 00:25:03,166
YOU GRABBED MY HAND,

386
00:25:03,190 --> 00:25:05,668
AND YOU TOLD ME NOT TO WORRY.

387
00:25:05,692 --> 00:25:10,074
YOU SAID THAT WE WOULD
HAVE HAPPY DAYS AGAIN.

388
00:25:10,098 --> 00:25:14,449
AND YOU WERE RIGHT.
WE HAVE HAD HAPPY DAYS...

389
00:25:14,473 --> 00:25:16,237
WITH CLARK.

390
00:25:17,538 --> 00:25:20,618
BUT EVEN THOUGH HE'S NOT HERE
WITH US ANYMORE, MARTHA KENT,

391
00:25:20,642 --> 00:25:23,685
I AM HERE TO TELL YOU THAT
WE WILL HAVE HAPPY DAYS AGAIN.

392
00:25:35,160 --> 00:25:36,378
[ CRASH ]

393
00:25:36,402 --> 00:25:42,584
CLARK!

394
00:25:42,608 --> 00:25:44,572
CLARK.

395
00:25:50,378 --> 00:25:52,381
CLARK!

396
00:25:53,722 --> 00:25:56,185
CLARK...

397
00:26:04,296 --> 00:26:06,175
THANK YOU.

398
00:26:06,199 --> 00:26:08,276
LANA, HEY, THE OTHER DAY,

399
00:26:08,300 --> 00:26:10,679
I, UH, I DIDN'T MEAN TO PUSH
MY OWN PERSONAL BRAND

400
00:26:10,703 --> 00:26:12,723
OF SELF-DENIAL ON YOU.

401
00:26:12,747 --> 00:26:15,186
IT'S OKAY, CHLOE.

402
00:26:15,210 --> 00:26:17,658
WE'RE ALL DEALING WITH
CLARK IN OUR OWN WAY.

403
00:26:17,682 --> 00:26:20,292
YEAH, AND MY WAY IS TO
PULL THE EMOTIONAL RIPCORD

404
00:26:20,316 --> 00:26:22,594
AND PRETEND LIKE
IT DIDN'T HAPPEN.

405
00:26:22,618 --> 00:26:26,300
IT'S A FORCE OF HABIT WHEN
PEOPLE WALK OUT OF MY LIFE.

406
00:26:26,324 --> 00:26:29,474
I CAN'T GIVE UP ON
HIM WITHOUT A FIGHT.

407
00:26:29,498 --> 00:26:32,206
I ALREADY BLEW IT ONCE.

408
00:26:32,230 --> 00:26:34,780
BLEW IT? HOW?

409
00:26:34,804 --> 00:26:38,184
WHEN CLARK WAS LEAVING,
HE ASKED ME TO GO WITH HIM.

410
00:26:38,208 --> 00:26:40,717
I SAID NO, BUT I CAN'T HELP
THINKING THAT IF I HAD GONE,

411
00:26:40,741 --> 00:26:43,660
I COULD'VE CONVINCED
HIM TO COME HOME.

412
00:26:43,684 --> 00:26:47,490
LANA, YOU CAN'T SAVE SOMEONE
WHO DOESN'T WANT TO BE SAVED.

413
00:26:49,722 --> 00:26:51,494
I LOVE HIM.

414
00:26:54,228 --> 00:26:56,737
IT'S OKAY.

415
00:26:56,761 --> 00:27:00,365
YOUR FEELINGS FOR CLARK
AREN'T EXACTLY BREAKING NEWS.

416
00:27:04,270 --> 00:27:06,248
I SAW HIM YESTERDAY...

417
00:27:06,272 --> 00:27:08,522
JUST FOR A SECOND,
AT LEX'S FUNERAL.

418
00:27:08,546 --> 00:27:10,524
ARE YOU SURE?

419
00:27:10,548 --> 00:27:12,726
POSITIVE. BUT HE
TOOK OFF RIGHT AWAY.

420
00:27:12,750 --> 00:27:16,425
I'M GOING TO GO BACK
UP THERE AND POST THESE.

421
00:27:18,528 --> 00:27:20,736
COULD YOU GIVE ME A LIFT?

422
00:27:20,760 --> 00:27:23,470
SURE, BUT YOU DON'T
NEED THE FLIERS.

423
00:27:23,494 --> 00:27:25,513
I KNOW WHERE HE IS.

424
00:27:25,537 --> 00:27:26,774
WHAT?

425
00:27:26,798 --> 00:27:28,716
YOU'RE GOING TO
TOTALLY HATE ME FOR THIS,

426
00:27:28,740 --> 00:27:30,448
BUT I FOUND HIM TWO MONTHS AGO.

427
00:27:30,472 --> 00:27:32,381
SOME FRIENDS OF
MINE FROM THE "PLANET"

428
00:27:32,405 --> 00:27:34,424
SNUCK ME INTO THIS
CLUB, AND THERE HE WAS,

429
00:27:34,448 --> 00:27:36,256
AND I COULDN'T
BELIEVE IT WAS HIM,

430
00:27:36,280 --> 00:27:38,258
SO I FOLLOWED HIM
BACK TO HIS APARTMENT.

431
00:27:38,282 --> 00:27:40,292
YOU'VE KNOWN WHERE
HE'S BEEN THIS ENTIRE TIME,

432
00:27:40,316 --> 00:27:41,632
AND YOU HAVEN'T SAID ANYTHING?

433
00:27:41,656 --> 00:27:43,294
HE SAID IF ANYONE
ELSE FOUND OUT,

434
00:27:43,318 --> 00:27:45,338
HE'D RUN AWAY TO SOMEWHERE
NO ONE WOULD FIND HIM.

435
00:27:45,362 --> 00:27:47,571
I CAN'T BELIEVE YOU'VE BEEN
TELLING ME TO GIVE UP ON HIM.

436
00:27:47,595 --> 00:27:49,803
HE'S NOT ACTING LIKE HIMSELF.
HE COULD BE DANGEROUS.

437
00:27:49,827 --> 00:27:51,845
JUST GIVE ME THE
ADDRESS. WELL, I'll TAKE YOU.

438
00:27:51,869 --> 00:27:53,701
I THINK YOU'VE DONE
ENOUGH ALREADY.

439
00:28:10,894 --> 00:28:13,473
WHAT ARE YOU DOING HERE?

440
00:28:13,497 --> 00:28:16,306
LOOKING FOR YOU.

441
00:28:16,330 --> 00:28:17,707
CLARK, YOU NEED TO COME HOME.

442
00:28:17,731 --> 00:28:19,934
SMALLVILLE'S NOT
MY HOME ANYMORE.

443
00:28:25,672 --> 00:28:29,517
I AM NOT LETTING YOU
RIDE OUT OF MY LIFE AGAIN.

444
00:28:31,950 --> 00:28:34,583
THEN GET ON.

445
00:29:28,420 --> 00:29:30,553
AAH!

446
00:29:45,771 --> 00:29:48,674
LEX! I'D LIKE YOU
TO MEET MY DAD.

447
00:29:51,848 --> 00:29:54,358
YOU KILLED YOUR FATHER.

448
00:29:54,382 --> 00:29:56,630
YEAH, IT WAS INEVITABLE.

449
00:29:56,654 --> 00:29:59,405
I HAD TO DO IT. ONLY
ONE OF US COULD SURVIVE.

450
00:29:59,429 --> 00:30:02,732
SEE, BACK THERE, HE WAS
A RICH AND POWERFUL GUY.

451
00:30:07,469 --> 00:30:10,619
HE WAS ALWAYS CRITICIZING ME,

452
00:30:10,643 --> 00:30:13,922
NEVER THINKING I
WAS GOOD ENOUGH...

453
00:30:13,946 --> 00:30:16,927
AND IT JUST KEPT
CHIPPING AWAY...

454
00:30:16,951 --> 00:30:19,590
CHIPPING AWAY...

455
00:30:19,614 --> 00:30:21,757
TILL THERE WAS NOTHING LEFT.

456
00:30:31,499 --> 00:30:35,634
I THOUGHT YOU AND I
WERE KINDRED SPIRITS.

457
00:30:38,477 --> 00:30:42,643
NO, LOUIS, YOU'RE A PSYCHOPATH.

458
00:30:45,615 --> 00:30:48,626
WELL, THERE'S ONE IN ALL OF US.

459
00:30:48,650 --> 00:30:50,652
I JUST LET MINE OUT.

460
00:30:55,558 --> 00:30:57,806
LEX!

461
00:30:57,830 --> 00:31:00,781
[ HORN HONKS ]

462
00:31:00,805 --> 00:31:03,939
[ DANCE MUSIC PLAYING ]

463
00:31:09,645 --> 00:31:11,655
♫ THE BACK ROOM ♫

464
00:31:11,679 --> 00:31:16,561
♫ BACK ROOM ♫

465
00:31:16,585 --> 00:31:18,662
♫ THE BACK ROOM, MUTHA ♫

466
00:31:18,686 --> 00:31:20,466
♫ BACK ROOM, MUTHA ♫

467
00:31:20,490 --> 00:31:22,437
♫ BACK ROOM ♫

468
00:31:22,461 --> 00:31:23,770
HEY, WHAT'S UP, KAL?

469
00:31:23,794 --> 00:31:25,671
WHY'D SHE CALL YOU "KAL"?

470
00:31:25,695 --> 00:31:27,514
IT'S MY SECRET IDENTITY.

471
00:31:27,538 --> 00:31:30,578
CLARK. CLARK, I HAVE
BEEN WORRIED ABOUT YOU

472
00:31:30,602 --> 00:31:33,921
FOR THREE MONTHS, AND
YOU'VE BEEN HANGING AROUND

473
00:31:33,945 --> 00:31:35,583
IN NIGHTCLUBS?

474
00:31:35,607 --> 00:31:37,851
YOU'RE SO CUTE
WHEN YOU'RE ANGRY.

475
00:31:40,515 --> 00:31:42,463
LANA, IF YOU KEEP
TALKING ABOUT HICKSVILLE,

476
00:31:42,487 --> 00:31:44,535
YOU'RE GOING TO BE ON
THE NEXT BUS GOING BACK.

477
00:31:44,559 --> 00:31:46,598
NOW, I THOUGHT YOU WERE
HERE TO HAVE SOME FUN.

478
00:31:46,622 --> 00:31:47,840
WHAT'S UP, KAL?

479
00:31:47,864 --> 00:31:49,941
HEY, WHAT'S UP?

480
00:31:49,965 --> 00:31:52,245
YOU'RE RIGHT, I'M
SORRY. I'll GO FRESHEN UP.

481
00:31:52,269 --> 00:31:54,648
HEY, WHY?

482
00:31:54,672 --> 00:31:58,582
I THINK YOU LOOK GREAT.

483
00:31:58,606 --> 00:31:59,854
♫ OH, YEAH ♫

484
00:31:59,878 --> 00:32:02,658
♫ OH, YEAH, OH, YEAH ♫

485
00:32:02,682 --> 00:32:05,015
♫ OH, YEAH ♫

486
00:32:06,686 --> 00:32:08,995
I'M GLAD YOU'RE HERE.

487
00:32:09,019 --> 00:32:12,771
♫ BACK ROOM ♫

488
00:32:12,795 --> 00:32:15,027
ME TOO.

489
00:32:17,861 --> 00:32:21,782
IF SHE IS THE ONE YOU'VE
BEEN SAVING YOURSELF FOR,

490
00:32:21,806 --> 00:32:24,009
I CAN UNDERSTAND THE WAIT.

491
00:32:27,071 --> 00:32:29,552
[ TELEPHONE RINGS ] HELLO.

492
00:32:29,576 --> 00:32:31,052
MR. KENT, I FOUND CLARK.

493
00:32:31,076 --> 00:32:32,896
LANA, WHERE ARE YOU?

494
00:32:32,920 --> 00:32:34,727
A NIGHTCLUB IN METROPOLIS
CALLED ATLANTIS.

495
00:32:34,751 --> 00:32:36,960
HE'S ACTING REALLY STRANGE.

496
00:32:36,984 --> 00:32:39,903
LANA, LISTEN TO ME. CLARK
IS NOT HIMSELF RIGHT NOW.

497
00:32:39,927 --> 00:32:42,767
I WANT YOU TO BE VERY CAREFUL.
NOW, I'M ON MY WAY DOWN THERE,

498
00:32:42,791 --> 00:32:44,639
BUT IF HE WANTS TO LEAVE,

499
00:32:44,663 --> 00:32:46,312
I DON'T WANT YOU
TO TRY AND STOP HIM.

500
00:32:46,336 --> 00:32:47,573
OKAY.

501
00:32:47,597 --> 00:32:49,575
WHO YOU TALKING' TO?

502
00:32:49,599 --> 00:32:50,777
WHO'S THIS?

503
00:32:50,801 --> 00:32:52,880
CLARK, IT'S ME.

504
00:32:52,904 --> 00:32:55,684
JONATHAN.

505
00:32:55,708 --> 00:32:57,726
HOW'S THE FARM?

506
00:32:57,750 --> 00:33:00,991
CLARK, YOUR MOTHER
AND I LOVE YOU VERY MUCH,

507
00:33:01,015 --> 00:33:03,563
AND WE WANT YOU TO COME HOME.

508
00:33:03,587 --> 00:33:04,864
IS THAT RIGHT?

509
00:33:04,888 --> 00:33:06,937
HEY, WHAT ABOUT NOT
DWELLING ON THE PAST

510
00:33:06,961 --> 00:33:09,041
AND MAKING A FRESH, NEW START?

511
00:33:09,065 --> 00:33:11,643
COME ON, YOU CAN ADMIT
IT. YOU'RE HAPPIER I'M GONE.

512
00:33:11,667 --> 00:33:14,608
CLARK... SON, THAT'S NOT TRUE.

513
00:33:14,632 --> 00:33:16,810
I'M NOT YOUR SON, AND
YOU'RE NOT MY PARENTS.

514
00:33:16,834 --> 00:33:19,607
YOU NEVER HAVE BEEN.
YOU NEVER WILL BE!

515
00:33:23,613 --> 00:33:26,993
CLARK, WHAT IS THE MATTER WITH
YOU? YOUR PARENTS LOVE YOU.

516
00:33:27,017 --> 00:33:29,095
I LOVE YOU.

517
00:33:29,119 --> 00:33:31,853
DO YOU ALWAYS BETRAY
THE PEOPLE YOU LOVE?

518
00:33:37,130 --> 00:33:39,378
I'VE GOTTA GO GET HIM.

519
00:33:39,402 --> 00:33:40,909
HOW, JONATHAN?

520
00:33:40,933 --> 00:33:42,912
IF HE SEES YOU, HE
COULD EITHER RUN,

521
00:33:42,936 --> 00:33:44,915
OR IF HE'S ANGRY ENOUGH,
HE COULD HURT YOU.

522
00:33:44,939 --> 00:33:46,687
YOU CAN'T STOP HIM.

523
00:33:46,711 --> 00:33:48,989
MARTHA, IF I DON'T
GO AND GET HIM NOW,

524
00:33:49,013 --> 00:33:52,749
WE MAY LOSE HIM FOREVER.

525
00:34:18,451 --> 00:34:21,760
Morgan: I'M GLAD YOU DECIDED
TO CONSIDER MY OFFER.

526
00:34:21,784 --> 00:34:25,088
BUT WHY THE CHANGE OF HEART?

527
00:34:29,193 --> 00:34:31,874
MY PAST IS CATCHING
UP TO MY PRESENT.

528
00:34:31,898 --> 00:34:34,006
I NEED TO DISAPPEAR.

529
00:34:34,030 --> 00:34:36,032
FREE TONIGHT?

530
00:34:40,809 --> 00:34:43,457
MY CALENDAR JUST OPENED UP.

531
00:34:43,481 --> 00:34:46,722
THIS IS AN ACCOUNT
IN GRAND CAYMAN.

532
00:34:46,746 --> 00:34:49,989
HERE'S HOW MUCH
IS WAITING FOR YOU.

533
00:34:51,893 --> 00:34:54,832
[ WHISTLES ]

534
00:34:54,856 --> 00:34:57,905
THAT'S A SERIOUS
AMOUNT OF ZEROES.

535
00:34:57,929 --> 00:35:00,008
IT'S A SERIOUS JOB.

536
00:35:00,032 --> 00:35:03,242
I NEED YOU TO BREAK
INTO A SECURE BUILDING.

537
00:35:03,266 --> 00:35:08,019
THE OFFICE ON THE 60th FLOOR
HAS A VERY VALUABLE PACKAGE.

538
00:35:08,043 --> 00:35:12,023
IT'S IN A TITANIUM-REINFORCED
STEEL SAFE.

539
00:35:12,047 --> 00:35:15,727
NOT A JOB FOR MERE MORTALS.

540
00:35:15,751 --> 00:35:19,262
SOUNDS LIKE EASY MONEY.

541
00:35:19,286 --> 00:35:22,891
I HAVEN'T TOLD YOU
WHERE YOU'RE GOING YET.

542
00:35:27,536 --> 00:35:30,947
LUTHORCORP PLAZA.

543
00:35:30,971 --> 00:35:34,120
YOU WANT ME TO BREAK
INTO LIONEL LUTHOR'S OFFICE.

544
00:35:34,144 --> 00:35:36,283
WILL THAT BE A PROBLEM?

545
00:35:36,307 --> 00:35:40,128
NO.

546
00:35:40,152 --> 00:35:42,992
IT'LL BE MY PLEASURE.

547
00:35:43,016 --> 00:35:50,565
LEX... LEX... LEX.

548
00:35:52,297 --> 00:35:55,847
LEX!

549
00:35:55,871 --> 00:35:58,275
I KNOW EVERY
INCH OF THIS ISLAND.

550
00:35:59,936 --> 00:36:02,840
WHERE ARE YOU GOING?

551
00:36:20,963 --> 00:36:22,912
[ CRUNCH ]

552
00:36:22,936 --> 00:36:25,184
YOU CAN'T KILL ME!

553
00:36:25,208 --> 00:36:27,210
HEY, MON!

554
00:36:29,974 --> 00:36:32,593
WHAT HAPPENED HERE?

555
00:36:32,617 --> 00:36:35,197
NO, NO.

556
00:36:35,221 --> 00:36:36,959
I HAD TO DO IT.

557
00:36:36,983 --> 00:36:38,300
HE WAS CRAZY.

558
00:36:38,324 --> 00:36:40,628
I HAD NO CHOICE.
I HAD TO KILL HIM.

559
00:36:42,230 --> 00:36:45,008
KILL WHO?

560
00:36:45,032 --> 00:36:48,067
HIM!

561
00:36:50,639 --> 00:36:52,643
THERE AIN'T NOBODY THERE, MON.

562
00:36:58,951 --> 00:37:01,360
NO. NO!

563
00:37:01,384 --> 00:37:03,432
LOUIS!

564
00:37:03,456 --> 00:37:05,434
THESE ISLANDS CAN
MESS WITH YOUR HEAD,

565
00:37:05,458 --> 00:37:07,137
PLAY TRICKS ON YOU.

566
00:37:07,161 --> 00:37:11,242
YOU'RE LUCKY MY
CAPTAIN SAW YOUR FIRE.

567
00:37:11,266 --> 00:37:13,905
NO. NO.

568
00:37:13,929 --> 00:37:16,378
IT WASN'T A TRICK. HE WAS REAL.

569
00:37:16,402 --> 00:37:18,910
YOU HAVE TO BELIEVE ME.

570
00:37:18,934 --> 00:37:21,108
HE WAS REAL!

571
00:38:00,987 --> 00:38:05,309
HE WASN'T READY!

572
00:38:05,333 --> 00:38:09,338
BUT YOU... YOU HAD TO KEEP
PUSHING HIM ANYWAY, DIDN'T YOU?

573
00:38:11,740 --> 00:38:14,744
WHAT KIND OF A RACE
ARE YOU PEOPLE?

574
00:38:18,409 --> 00:38:21,583
NO WONDER YOU
DESTROYED YOURSELVES.

575
00:39:00,461 --> 00:39:03,635
AAH!

576
00:39:07,570 --> 00:39:12,122
I AM JOR-EL... THE
TRUE FATHER OF KAL-EL.

577
00:39:12,146 --> 00:39:15,597
HIS NAME IS CLARK KENT.

578
00:39:15,621 --> 00:39:18,700
I AM HIS FATHER. I RAISED HIM.

579
00:39:18,724 --> 00:39:21,704
YOU HAVE FULFILLED YOUR
FUNCTION IN KAL-EL'S DESTINY.

580
00:39:21,728 --> 00:39:25,209
HIS DESTINY IS
WHATEVER HE MAKES OF IT.

581
00:39:25,233 --> 00:39:28,472
HIS DESTINY IS TOO GREAT
FOR YOU TO COMPREHEND.

582
00:39:28,496 --> 00:39:31,115
THIS WAS KAL-EL'S FIRST TEST

583
00:39:31,139 --> 00:39:34,220
TO SEE IF HE WAS READY
TO BEGIN HIS JOURNEY.

584
00:39:34,244 --> 00:39:37,222
HE'S TOO YOUNG.
HE NEEDS MORE TIME.

585
00:39:37,246 --> 00:39:40,827
THIS PHASE OF KAL-EL'S
JOURNEY IS ALMOST COMPLETE.

586
00:39:40,851 --> 00:39:44,162
IT WILL BE OF NO CONSEQUENCE
IF HE RETURNS TO YOU...

587
00:39:44,186 --> 00:39:45,494
FOR NOW.

588
00:39:45,518 --> 00:39:49,238
YOU'LL BRING HIM HOME?

589
00:39:49,262 --> 00:39:53,704
IF YOU WANT HIM, YOU MUST
RETRIEVE HIM YOURSELF.

590
00:39:53,728 --> 00:39:56,648
I CAN'T. HE'S TOO POWERFUL.

591
00:39:56,672 --> 00:39:59,111
ARE YOU WILLING TO
SACRIFICE ANYTHING

592
00:39:59,135 --> 00:40:00,812
TO GET HIM BACK?

593
00:40:00,836 --> 00:40:05,311
YES. FOR MY SON,
I'll DO ANYTHING.

594
00:40:08,315 --> 00:40:12,692
AAH! AAH!

595
00:40:57,206 --> 00:40:58,708
HELLO, CLARK.

596
00:41:01,713 --> 00:41:05,193
JONATHAN KENT.

597
00:41:05,217 --> 00:41:07,690
ISN'T IT A LITTLE
PAST YOUR BEDTIME?

598
00:41:09,762 --> 00:41:12,903
HOW'D YOU FIND ME?

599
00:41:12,927 --> 00:41:16,800
YOUR BIOLOGICAL FATHER.

600
00:41:19,304 --> 00:41:21,854
YOU TWO ARE WORKING
TOGETHER NOW, HUH?

601
00:41:21,878 --> 00:41:23,885
THAT'S CUTE.

602
00:41:23,909 --> 00:41:26,189
BUT I DIDN'T LISTEN TO HIM,

603
00:41:26,213 --> 00:41:29,363
AND I'M CERTAINLY NOT
GOING TO LISTEN TO YOU.

604
00:41:29,387 --> 00:41:32,727
CLARK, YOU NEED TO PUT
ALL THIS BEHIND YOU, SON.

605
00:41:32,751 --> 00:41:35,423
COME ON HOME TO THE
PEOPLE WHO LOVE YOU.

606
00:41:43,735 --> 00:41:47,268
YOU SHOULD'VE
STAYED IN SMALLVILLE.

607
00:41:59,684 --> 00:42:04,990
SON, YOU'RE COMING
HOME WITH ME... NOW.

608
00:42:28,690 --> 00:42:31,669
Captions by VITAC...
www.vitac.com

609
00:42:31,693 --> 00:42:34,697
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION