1
00:00:08,625 --> 00:00:12,565
I WAS UNDER THE IMPRESSION
THE DEAL HAD CLOSED.

2
00:00:12,589 --> 00:00:14,738
MR. LUTHOR, I'M SORRY.

3
00:00:14,762 --> 00:00:17,511
I DON'T WANT "I'M SORRY." I
WANT TO KNOW HOW THE HELL

4
00:00:17,535 --> 00:00:19,512
MY FATHER BEAT ME OUT
OF A $150-MILLION CONTRACT

5
00:00:19,536 --> 00:00:21,575
THAT YOU ASSURED
ME WAS A DONE DEAL.

6
00:00:21,599 --> 00:00:23,578
THE ONLY WAY THEY WOULD'VE
KNOWN THE EXACT DOLLAR AMOUNT

7
00:00:23,602 --> 00:00:25,419
WAS IF THEY HAD
INSIDE INFORMATION.

8
00:00:25,443 --> 00:00:27,422
AND SINCE YOU AND I WERE THE
ONLY ONES WHO KNEW ABOUT IT,

9
00:00:27,446 --> 00:00:29,424
AND I CERTAINLY
DIDN'T TELL MY FATHER,

10
00:00:29,448 --> 00:00:31,427
THAT LEAVES YOU IN A VERY
UNCOMFORTABLE POSITION.

11
00:00:31,451 --> 00:00:33,929
IF I NO LONGER HAVE
YOUR CONFIDENCE,

12
00:00:33,953 --> 00:00:36,531
I'll TENDER MY RESIGNATION
IN THE MORNING.

13
00:00:36,555 --> 00:00:40,896
MY FATHER WOULD WANT
MORE THAN YOUR RESIGNATION.

14
00:00:40,920 --> 00:00:43,941
HE'D HOBBLE YOU AT THE KNEES
AND DO EVERYTHING IN HIS POWER

15
00:00:43,965 --> 00:00:48,869
TO ENSURE YOU'D NEVER WORK
IN THE CORPORATE WORLD AGAIN.

16
00:00:50,902 --> 00:00:54,882
BUT I'M NOT MY FATHER.

17
00:00:54,906 --> 00:00:58,787
ALL I WANT TO KNOW
IS HOW HE FOUND OUT

18
00:00:58,811 --> 00:01:01,914
AND HOW I CAN STOP IT
FROM EVER HAPPENING AGAIN.

19
00:02:09,992 --> 00:02:12,064
LEX, WHAT'S GOING ON?

20
00:02:18,802 --> 00:02:20,550
[ TURNS ON MUSIC ]

21
00:02:20,574 --> 00:02:24,615
BIG BROTHER IS LISTENING,
OR SHOULD I SAY "BIG DADDY"?

22
00:02:24,639 --> 00:02:27,058
THESE ARE JUST
WHAT I FOUND SO FAR.

23
00:02:27,082 --> 00:02:29,061
STATE OF THE ART IN
HIGH-TECH SURVEILLANCE.

24
00:02:29,085 --> 00:02:30,992
I'M GOING TO HAVE
BRING A TEAM OF EXPERTS

25
00:02:31,016 --> 00:02:32,995
TO SWEEP THE REST
OF THE MANSION.

26
00:02:33,019 --> 00:02:34,897
WHAT ARE YOU SAYING,
YOUR DAD'S SPYING ON YOU?

27
00:02:34,921 --> 00:02:36,900
I HAD THE INSIDE TRACK ON A
MULTIMILLION-DOLLAR CONTRACT.

28
00:02:36,924 --> 00:02:38,901
AT THE LAST MINUTE, LUTHORCORP
MANAGES TO UNDERBID ME.

29
00:02:38,925 --> 00:02:40,574
YOU DO THE MATH.

30
00:02:40,598 --> 00:02:42,105
LEX, YOU GOT TO CALM DOWN...

31
00:02:42,129 --> 00:02:45,109
DON'T TELL ME TO
CALM DOWN, CLARK.

32
00:02:45,133 --> 00:02:47,682
HOW WOULD YOU FEEL IF
SOMEONE WERE LISTENING

33
00:02:47,706 --> 00:02:49,584
TO EVERY PRIVATE
WORD YOU UTTERED,

34
00:02:49,608 --> 00:02:52,942
LEARNING ALL YOUR SECRETS?

35
00:03:09,030 --> 00:03:10,608
LEX.

36
00:03:10,632 --> 00:03:12,711
THESE DEVICES COULD BE ANYWHERE.

37
00:03:12,735 --> 00:03:14,772
THEY COULD BE IN THE SOFA
CUSHIONS OR THE HEATING VENTS.

38
00:03:14,796 --> 00:03:16,715
I ALREADY CHECKED.

39
00:03:16,739 --> 00:03:20,644
WHAT ABOUT YOUR STEREO?

40
00:03:37,923 --> 00:03:45,048
♫ SOMEBODY SAVE ME ♫

41
00:03:45,072 --> 00:03:48,982
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

42
00:03:49,006 --> 00:03:55,620
♫ SOMEBODY SAVE ME ♫

43
00:03:55,644 --> 00:03:59,093
♫ I DON'T CARE HOW YOU DO IT ♫

44
00:03:59,117 --> 00:04:00,164
♫ JUST STAY ♫

45
00:04:00,188 --> 00:04:02,097
♫ STAY WITH ME ♫

46
00:04:02,121 --> 00:04:04,098
♫ STAY ♫

47
00:04:04,122 --> 00:04:05,971
♫ COME ON ♫

48
00:04:05,995 --> 00:04:09,635
♫ I'VE BEEN WAITING FOR YOU ♫

49
00:04:09,659 --> 00:04:15,111
♫ JUST STAY WITH ME ♫

50
00:04:15,135 --> 00:04:19,987
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

51
00:04:20,011 --> 00:04:21,889
♫ JUST STAY ♫

52
00:04:21,913 --> 00:04:24,252
♫ STAY ♫

53
00:04:24,276 --> 00:04:27,819
♫ COME ON ♫

54
00:04:33,326 --> 00:04:36,206
HEY, DAD, YOU WANT ME TO
MAKE THIS EXTRA CRISPY FOR YOU?

55
00:04:36,230 --> 00:04:38,307
NO THANKS, BUT IF I
DO SAY SO MYSELF,

56
00:04:38,331 --> 00:04:40,810
I'VE COOKED THIS BIRD TO A
GOLDEN BROWN PERFECTION,

57
00:04:40,834 --> 00:04:42,843
JUST THE WAY YOUR
MOTHER LIKES IT.

58
00:04:42,867 --> 00:04:45,276
SO HOW COME YOU GUYS AREN'T
GOING TO METROPOLIS THIS YEAR

59
00:04:45,300 --> 00:04:46,947
FOR YOUR ANNIVERSARY?

60
00:04:46,971 --> 00:04:48,850
WELL, IT SEEMS TO
ME THAT LAST YEAR,

61
00:04:48,874 --> 00:04:50,581
WHILE WE WERE OUT OF
TOWN, A CERTAIN SOMEBODY

62
00:04:50,605 --> 00:04:52,223
HAD A PARTY AT OUR HOUSE.

63
00:04:52,247 --> 00:04:54,956
YEAH, WELL, YOU KNOW WHAT? I
THINK A PICNIC SOUNDS PERFECT.

64
00:04:54,980 --> 00:04:59,062
SO DO I, BUT I CAN'T GO.

65
00:04:59,086 --> 00:05:02,665
WAIT... WAIT A MINUTE. WHAT
DO YOU MEAN YOU CAN'T GO?

66
00:05:02,689 --> 00:05:04,298
LIONEL JUST CALLED.

67
00:05:04,322 --> 00:05:06,601
LUTHORCORP'S FINALIZING A
MAJOR ACQUISITION TOMORROW,

68
00:05:06,625 --> 00:05:08,273
AND HE NEEDS ME TO GO WITH HIM

69
00:05:08,297 --> 00:05:10,045
TO HIS METROPOLIS
OFFICE TO PREPARE.

70
00:05:10,069 --> 00:05:12,106
DIDN'T YOU TELL HIM IT'S
YOUR ANNIVERSARY, MOM?

71
00:05:12,130 --> 00:05:14,949
I'll BE BACK TOMORROW NIGHT.

72
00:05:14,973 --> 00:05:16,983
WE CAN CELEBRATE THEN.
ANY RESTAURANT YOU WANT.

73
00:05:17,007 --> 00:05:18,613
WHAT ARE YOU GOING TO DO,

74
00:05:18,637 --> 00:05:20,687
PUT IT ON YOUR LUTHORCORP
EXPENSE ACCOUNT?

75
00:05:20,711 --> 00:05:22,689
JONATHAN, YOU CAN'T ME
FEEL ANY WORSE ABOUT IT

76
00:05:22,713 --> 00:05:24,992
THAN I ALREADY DO.
I KNOW HOW HARD

77
00:05:25,016 --> 00:05:26,963
YOU WORKED PLANNING TODAY,
BUT I DON'T HAVE A CHOICE.

78
00:05:26,987 --> 00:05:28,324
HE'S MY BOSS.

79
00:05:28,348 --> 00:05:30,127
I'M YOUR HUSBAND.

80
00:05:30,151 --> 00:05:35,002
BELIEVE ME, I'D MUCH RATHER
SPEND TODAY WITH YOU,

81
00:05:35,026 --> 00:05:38,076
BUT THIS JOB IS IMPORTANT TO ME.

82
00:05:38,100 --> 00:05:40,308
I NEVER THOUGHT I'D SEE
THE DAY WHEN THIS JOB

83
00:05:40,332 --> 00:05:42,981
WAS MORE IMPORTANT
TO YOU THAN THIS FAMILY.

84
00:05:43,005 --> 00:05:44,683
YOU KNOW WHAT? DAD'S RIGHT.

85
00:05:44,707 --> 00:05:46,316
YOU SHOULDN'T BE WORKING
FOR LIONEL LUTHOR ANYWAY.

86
00:05:46,340 --> 00:05:48,288
CLARK... NO. THE ONLY WAY THAT
HE GOT THIS MAJOR ACQUISITION

87
00:05:48,312 --> 00:05:50,050
WAS BECAUSE HE
WAS SPYING ON LEX.

88
00:05:50,074 --> 00:05:51,922
CLARK. THIS IS BETWEEN
YOUR MOTHER AND I.

89
00:05:51,946 --> 00:05:54,995
JONATHAN, HOW MANY TIMES
HAVE YOU PUT THIS FARM

90
00:05:55,019 --> 00:05:56,927
ABOVE OUR PERSONAL LIVES?

91
00:05:56,951 --> 00:05:59,000
THAT IS DIFFERENT, MARTHA.

92
00:05:59,024 --> 00:06:01,663
WHY? I'M WORKING
TOWARD THE SAME GOAL...

93
00:06:01,687 --> 00:06:04,036
OUR FAMILY'S FINANCIAL SECURITY.

94
00:06:04,060 --> 00:06:07,163
I WISH THIS JOB DIDN'T
BOTHER YOU SO MUCH.

95
00:06:15,372 --> 00:06:17,074
I HAVE TO GO.

96
00:06:29,088 --> 00:06:32,268
ALL RIGHT, LEX,
WHAT'S SO URGENT?

97
00:06:32,292 --> 00:06:35,401
REMEMBER THE NEW AMERICAN
EMBASSY IN MOSCOW, DAD?

98
00:06:35,425 --> 00:06:37,074
UH-HUH.

99
00:06:37,098 --> 00:06:40,047
IT WAS SO RIDDLED WITH
SURVEILLANCE HARDWARE,

100
00:06:40,071 --> 00:06:42,379
THE STATE DEPARTMENT
HAD TO ABANDON IT.

101
00:06:42,403 --> 00:06:44,682
I'VE GOT A MEETING, LEX. I
DON'T HAVE TIME TO CHAT

102
00:06:44,706 --> 00:06:46,213
ABOUT FOREIGN AFFAIRS.

103
00:06:46,237 --> 00:06:48,216
ACTUALLY, THE TOPIC IS DOMESTIC.

104
00:06:48,240 --> 00:06:51,259
I'VE DISCOVERED A BUG PROBLEM
RIGHT HERE IN MY VERY OWN HOME.

105
00:06:51,283 --> 00:06:53,122
HA HA HA HA.

106
00:06:53,146 --> 00:06:54,723
CORPORATE ESPIONAGE?

107
00:06:54,747 --> 00:06:56,795
IT'S A FACT OF
MODERN BUSINESS, LEX.

108
00:06:56,819 --> 00:06:59,098
I'M SURPRISED YOUR
SECURITY WAS SO LAX.

109
00:06:59,122 --> 00:07:01,170
STILL, IT'S HARD TO IMAGINE
HOW THE PERPETRATOR COULD'VE

110
00:07:01,194 --> 00:07:03,204
GAINED ACCESS TO THE MANSION.

111
00:07:03,228 --> 00:07:05,206
[ SNIFFS ]

112
00:07:05,230 --> 00:07:09,110
DO I DETECT A FAINT
WHIFF OF INNUENDO?

113
00:07:09,134 --> 00:07:11,783
OF COURSE NOT, DAD.

114
00:07:11,807 --> 00:07:14,216
I JUST WANTED TO
CONGRATULATE YOU

115
00:07:14,240 --> 00:07:15,747
ON WINNING THAT CONTRACT.

116
00:07:15,771 --> 00:07:17,220
OH, IS THAT WHAT THIS IS ABOUT,

117
00:07:17,244 --> 00:07:18,451
MAKING AN EXCUSE
FOR YOUR DEFEAT?

118
00:07:18,475 --> 00:07:20,423
HMM?

119
00:07:20,447 --> 00:07:25,428
BECAUSE I DON'T HAVE
TIME FOR EXCUSES.

120
00:07:25,452 --> 00:07:29,334
AS FOR YOUR BUG PROBLEM,

121
00:07:29,358 --> 00:07:31,360
I SUGGEST YOU CALL
AN EXTERMINATOR.

122
00:07:38,197 --> 00:07:40,170
[ CELLPHONE RINGS ]

123
00:07:55,086 --> 00:07:56,435
THIS IS MR. GREEN.

124
00:07:56,459 --> 00:07:58,836
I FINISHED THE APPRAISAL
YOU REQUESTED,

125
00:07:58,860 --> 00:08:00,538
AND WE'RE READY TO CLOSE ESCROW.

126
00:08:00,562 --> 00:08:02,541
[ Computer-distorted
voice ] How soon can you

127
00:08:02,565 --> 00:08:05,545
complete the transaction? TODAY.
WE'RE ON SITE AND READY TO ROLL.

128
00:08:05,569 --> 00:08:08,278
WE CAN GET YOU FULL
ACCESS TO THE PROPERTY...

129
00:08:08,302 --> 00:08:11,180
AUDIO AND VIDEO.
DO WE HAVE A GO?

130
00:08:11,204 --> 00:08:13,838
Mr. Green, are you there?

131
00:08:16,540 --> 00:08:17,858
Mr. Green.

132
00:08:17,882 --> 00:08:19,290
DO IT.

133
00:08:19,314 --> 00:08:21,817
WE'RE ON.

134
00:08:34,501 --> 00:08:37,441
WOW.

135
00:08:37,465 --> 00:08:40,314
DON'T THINK IT'S TOO MUCH?

136
00:08:40,338 --> 00:08:44,249
WELL, IT DEPENDS WHO
YOU'RE WEARING IT FOR.

137
00:08:44,273 --> 00:08:46,250
WHAT DO YOU CALL

138
00:08:46,274 --> 00:08:48,553
YOUR NEWLY DISCOVERED
BIOLOGICAL FATHER'S WIFE?

139
00:08:48,577 --> 00:08:51,297
WELL,

140
00:08:51,321 --> 00:08:54,601
PERSONALLY, I'D CALL HER
MRS. SMALL, BUT THAT'S JUST ME.

141
00:08:54,625 --> 00:08:57,163
SO YOU'RE REALLY
GOING TO SEE HER, HUH?

142
00:08:57,187 --> 00:08:59,907
YEAH. I KIND OF FEEL
LIKE I'M AUDITIONING.

143
00:08:59,931 --> 00:09:03,871
WHAT IF SHE VOTES
ME OFF THE ISLAND?

144
00:09:03,895 --> 00:09:06,544
LANA, ANYONE WHO
GETS TO KNOW YOU

145
00:09:06,568 --> 00:09:09,201
REALIZES HOW SPECIAL YOU ARE.

146
00:09:12,645 --> 00:09:14,884
THANKS, CLARK.

147
00:09:14,908 --> 00:09:18,158
THAT'S... THAT'S REALLY
SWEET OF YOU TO SAY.

148
00:09:18,182 --> 00:09:20,259
YOU'RE ALWAYS THE ONE TELLING ME

149
00:09:20,283 --> 00:09:22,263
I NEED TO BE MORE HONEST.

150
00:09:22,287 --> 00:09:24,434
YEAH.

151
00:09:24,458 --> 00:09:27,437
WELL, YOU KNOW, MAYBE
YOU SEE ME THAT WAY

152
00:09:27,461 --> 00:09:30,272
BECAUSE WE'RE FRIENDS,
BUT TO JENNIFER SMALL,

153
00:09:30,296 --> 00:09:32,344
I AM JUST HER HUSBAND'S
ILLEGITIMATE DAUGHTER

154
00:09:32,368 --> 00:09:34,375
TRYING TO WORM
HER WAY INTO HIS LIFE.

155
00:09:34,399 --> 00:09:36,649
LANA, IF SHE ACCEPTS
YOU, THEN GREAT.

156
00:09:36,673 --> 00:09:39,182
BUT IF NOT, THAT'S HER LOSS.

157
00:09:39,206 --> 00:09:40,913
BESIDES, ISN'T YOUR
PRIORITY HENRY?

158
00:09:40,937 --> 00:09:42,916
THAT'S BEEN GOING PRETTY WELL.

159
00:09:42,940 --> 00:09:47,520
YEAH, BUT MAYBE IT'S THE WHOLE
ADOPTED-KID FANTASY THING,

160
00:09:47,544 --> 00:09:50,465
BUT I CAN'T HELP THINKING
THAT IF I DON'T SCREW IT UP,

161
00:09:50,489 --> 00:09:53,427
I MIGHT HAVE AN ACTUAL FAMILY.

162
00:09:53,451 --> 00:09:56,532
LOOK, LANA, I WANT
YOU TO HAVE EVERYTHING

163
00:09:56,556 --> 00:09:58,533
YOU WISH FOR... I REALLY DO...

164
00:09:58,557 --> 00:10:00,576
BUT JUST BECAUSE
YOU HAVE A FAMILY

165
00:10:00,600 --> 00:10:02,908
DOESN'T MEAN
EVERY DAY'S A PICNIC.

166
00:10:02,932 --> 00:10:05,481
UNLESS, OF COURSE,
YOU'RE A KENT.

167
00:10:05,505 --> 00:10:07,484
WELL, TO BE HONEST,

168
00:10:07,508 --> 00:10:09,547
MY PARENTS AREN'T REALLY
GETTING ALONG RIGHT NOW.

169
00:10:09,571 --> 00:10:12,220
I'M SORRY, CLARK.

170
00:10:12,244 --> 00:10:14,552
DO YOU WANT TO TALK ABOUT IT?

171
00:10:14,576 --> 00:10:17,549
LATER. YOU'VE GOT
SOMEPLACE TO BE.

172
00:10:19,621 --> 00:10:21,724
OKAY.

173
00:10:26,389 --> 00:10:31,370
CLARK, WHATEVER IT IS,

174
00:10:31,394 --> 00:10:33,668
YOUR PARENTS WILL WORK IT OUT.

175
00:10:36,000 --> 00:10:40,405
AFTER ALL, SOME PEOPLE ARE
JUST MEANT TO BE TOGETHER.

176
00:10:55,623 --> 00:10:59,474
LEX, WHAT'S THE MOST ROMANTIC
RESTAURANT IN METROPOLIS?

177
00:10:59,498 --> 00:11:02,677
WELL, I'M SURE THERE ARE A
LOT OF OPINIONS ON THAT, CLARK,

178
00:11:02,701 --> 00:11:05,450
BUT, UH, PERSONALLY, I'D
HAVE TO GO WITH LE PETIT FLEUR.

179
00:11:05,474 --> 00:11:07,612
THINK YOU COULD SCORE ME
A RESERVATION FOR TONIGHT?

180
00:11:07,636 --> 00:11:09,485
WHO'S THE LUCKY GIRL?

181
00:11:09,509 --> 00:11:11,586
MY MOM. IT'S MY
PARENTS' ANNIVERSARY.

182
00:11:11,610 --> 00:11:13,490
MY DAD HAD A PICNIC,

183
00:11:13,514 --> 00:11:15,522
BUT NOW SHE'S IN
METROPOLIS WITH YOUR DAD.

184
00:11:15,546 --> 00:11:17,624
THEY'RE IN METROPOLIS
AT LUTHORCORP

185
00:11:17,648 --> 00:11:19,296
ON A SUNDAY?

186
00:11:19,320 --> 00:11:21,368
YEAH. CAN YOU BELIEVE
THAT HE MAKES HER WORK

187
00:11:21,392 --> 00:11:23,070
ON HER ANNIVERSARY?

188
00:11:23,094 --> 00:11:24,701
IT'S MY FATHER. THERE'S NO
SUCH THING AS A PERSONAL LIFE.

189
00:11:24,725 --> 00:11:27,004
LISTEN, CLARK, SINCE
IT IS THEIR ANNIVERSARY,

190
00:11:27,028 --> 00:11:29,037
I THINK I COULD DO YOU ONE
BETTER THAN THE RESERVATIONS.

191
00:11:29,061 --> 00:11:31,039
WHAT DO YOU HAVE IN MIND?

192
00:11:31,063 --> 00:11:33,312
WELL, IF YOU'LL EXCUSE ME A
MINUTE TO MAKE A FEW CALLS,

193
00:11:33,336 --> 00:11:35,438
I'll EXPLAIN.

194
00:12:19,489 --> 00:12:21,561
[ CELLPHONE RINGS ]

195
00:12:23,663 --> 00:12:25,071
IT'S KERN.

196
00:12:25,095 --> 00:12:26,773
[ Computer-distorted
voice ] This is Green.

197
00:12:26,797 --> 00:12:29,546
I WANT YOU TO TERMINATE NOW.

198
00:12:29,570 --> 00:12:31,548
YOU REALIZE YOU'LL BE
FORFEITING YOUR DEPOSIT.

199
00:12:31,572 --> 00:12:33,610
There are people
in the building.

200
00:12:33,634 --> 00:12:37,115
I want you all out.
I UNDERSTAND.

201
00:12:37,139 --> 00:12:40,719
OUR CLIENT HAS
CANCELED THE PROJECT.

202
00:12:40,743 --> 00:12:43,716
HE BELIEVES THERE ARE
PEOPLE ON THIS FLOOR.

203
00:12:46,750 --> 00:12:48,567
WHAT ARE YOU DOING?

204
00:12:48,591 --> 00:12:50,100
YOU THINK THE REST OF
US BROKE INTO THE OFFICE

205
00:12:50,124 --> 00:12:52,402
OF ONE OF THE RICHEST
MEN IN THE WORLD

206
00:12:52,426 --> 00:12:55,105
JUST TO PLANT A FEW BUGS?

207
00:12:55,129 --> 00:12:57,631
WE AIN'T LEAVING THIS PLACE
UNTIL WE EMPTY THAT VAULT.

208
00:13:00,635 --> 00:13:03,585
BISHOP.

209
00:13:03,609 --> 00:13:06,589
NICKY, HOW LONG HAVE
WE WORKED TOGETHER?

210
00:13:06,613 --> 00:13:08,914
WE'RE NOT THIEVES. WE WERE
HIRED TO DO A SPECIFIC JOB.

211
00:13:12,448 --> 00:13:14,682
THE JOB DESCRIPTION'S
JUST BEEN CHANGED.

212
00:13:16,854 --> 00:13:19,663
GO OUT AND CHECK
THE OTHER OFFICES.

213
00:13:19,687 --> 00:13:21,706
BISHOP, GET THE TORCH.

214
00:13:21,730 --> 00:13:25,570
SIGN HERE.

215
00:13:25,594 --> 00:13:27,596
OKAY.

216
00:13:30,899 --> 00:13:32,748
MARTHA?

217
00:13:32,772 --> 00:13:33,850
YES.

218
00:13:33,874 --> 00:13:37,453
IS SOMETHING WRONG?

219
00:13:37,477 --> 00:13:40,456
NO.

220
00:13:40,480 --> 00:13:42,759
IT'S JUST THAT WHEN
YOU SAID THERE WAS WORK

221
00:13:42,783 --> 00:13:44,692
THAT COULDN'T WAIT UNTIL MONDAY,

222
00:13:44,716 --> 00:13:46,734
I DIDN'T THINK I'D BE
THE ONLY ONE HERE.

223
00:13:46,758 --> 00:13:49,597
I THOUGHT YOU'D LIKE TO
WORK IN YOUR NEW OFFICE.

224
00:13:49,621 --> 00:13:50,938
NEW OFFICE?

225
00:13:50,962 --> 00:13:53,802
I-I DON'T UNDERSTAND.

226
00:13:53,826 --> 00:13:57,770
LOOK INSIDE THE TOP
LEFT-HAND DRAWER OF THE DESK.

227
00:14:06,610 --> 00:14:09,784
GO AHEAD. OPEN IT.

228
00:14:23,730 --> 00:14:26,264
TURN IT OVER.

229
00:14:30,739 --> 00:14:34,688
"TO MARTHA, WITH
DEEP AFFECTION, L.L."

230
00:14:34,712 --> 00:14:37,793
I'M PROMOTING YOU, MARTHA,

231
00:14:37,817 --> 00:14:40,255
WHICH MEANS I'll BE NEEDING
YOU MORE IN METROPOLIS,

232
00:14:40,279 --> 00:14:43,328
WHICH MEANS YOU'LL
NEED SOMEPLACE TO WORK.

233
00:14:43,352 --> 00:14:46,533
LIONEL...

234
00:14:46,557 --> 00:14:51,692
I'M FLATTERED, REALLY,
BUT I-I CAN'T ACCEPT THIS.

235
00:14:53,894 --> 00:14:56,344
AND AS FAR AS
WORKING IN METROPOLIS,

236
00:14:56,368 --> 00:15:00,302
THIS JOB IS PUTTING ENOUGH
STRAIN ON MY FAMILY AS IT IS.

237
00:15:10,955 --> 00:15:12,663
MARTHA,

238
00:15:12,687 --> 00:15:15,865
I KNOW HOW MUCH
YOU'VE GIVEN UP TO BE

239
00:15:15,889 --> 00:15:17,969
UH, A FARMER'S WIFE,

240
00:15:17,993 --> 00:15:20,572
BUT WITH YOUR BRAINS
AND YOUR TALENT,

241
00:15:20,596 --> 00:15:23,274
DON'T YOU DESERVE TO
MAKE YOUR OWN AMBITIONS

242
00:15:23,298 --> 00:15:25,677
A PRIORITY FOR A CHANGE?

243
00:15:25,701 --> 00:15:27,874
WE'LL DISCUSS IT OVER DINNER.

244
00:15:32,808 --> 00:15:34,587
HEY, LOVEBIRDS, WRONG
PLACE, WRONG TIME.

245
00:15:34,611 --> 00:15:36,820
WHO IS IT? MARTHA?

246
00:15:36,844 --> 00:15:39,322
PUT YOUR HANDS UP.
LET'S GO! GET 'EM IN THE AIR!

247
00:15:39,346 --> 00:15:43,727
NOW!

248
00:15:43,751 --> 00:15:45,769
CLARK.

249
00:15:45,793 --> 00:15:47,032
CLARK!

250
00:15:47,056 --> 00:15:49,374
I DON'T SUPPOSE
YOU HAVE ANY IDEA

251
00:15:49,398 --> 00:15:51,407
WHY THERE'S A HELICOPTER
PARKED IN OUR FRONT YARD, DO YOU?

252
00:15:51,431 --> 00:15:53,678
LEX IS GOING TO TAKE
YOU TO METROPOLIS

253
00:15:53,702 --> 00:15:55,010
SO YOU CAN TAKE MOM TO DINNER.

254
00:15:55,034 --> 00:15:57,013
OH, SO THIS WAS
YOUR IDEA, WAS IT?

255
00:15:57,037 --> 00:15:58,945
ACTUALLY, IT WAS CLARK'S.

256
00:15:58,969 --> 00:16:00,586
I JUST OFFERED TO PROVIDE
THE TRANSPORTATION.

257
00:16:00,610 --> 00:16:02,620
LOOK, I DON'T KNOW HOW
THINGS WORK IN YOUR HOUSE,

258
00:16:02,644 --> 00:16:04,991
BUT AROUND HERE, WE THINK
IT'S IMPORTANT TO RESPECT

259
00:16:05,015 --> 00:16:06,724
OTHER PEOPLE'S PRIVACY.

260
00:16:06,748 --> 00:16:08,826
DAD... IT'S ALL RIGHT, CLARK.

261
00:16:08,850 --> 00:16:13,601
MR. KENT, SINCE THE DAY
I MOVED TO SMALLVILLE,

262
00:16:13,625 --> 00:16:16,504
I'VE DONE NOTHING BUT
TRY TO BE A FRIEND TO YOU.

263
00:16:16,528 --> 00:16:18,837
AND IN RETURN, YOU DO
NOTHING BUT LECTURE ME

264
00:16:18,861 --> 00:16:21,841
WITH SANCTIMONIOUS PLATITUDES.

265
00:16:21,865 --> 00:16:25,068
I'M DONE LISTENING TO THEM.

266
00:16:28,873 --> 00:16:30,851
DAD, THAT WAS NOT FAIR.

267
00:16:30,875 --> 00:16:32,823
EVERYTHING WAS
JUST FINE IN THIS FAMILY

268
00:16:32,847 --> 00:16:35,527
UNTIL WE LET THE
LUTHORS INTO OUR LIVES.

269
00:16:35,551 --> 00:16:37,659
THAT WASN'T LEX'S FAULT.

270
00:16:37,683 --> 00:16:39,861
HEY, I APPRECIATE YOUR
CONCERN, BUT IT IS NOT

271
00:16:39,885 --> 00:16:43,836
YOUR RESPONSIBILITY
TO FIX EVERYTHING!

272
00:16:43,860 --> 00:16:48,966
SO JUST STAY OUT OF IT.

273
00:17:06,016 --> 00:17:08,465
HEY, PINE, I GOT A
LITTLE PRESENT FOR YOU.

274
00:17:08,489 --> 00:17:09,995
LIONEL LUTHOR.

275
00:17:10,019 --> 00:17:11,968
GOOD.

276
00:17:11,992 --> 00:17:14,601
YOU JUST SAVED US
A WHOLE LOT OF TIME.

277
00:17:14,625 --> 00:17:16,603
GET HIM TO OPEN THE VAULT.

278
00:17:16,627 --> 00:17:19,431
TOO LATE, GENIUS. YOU
ALREADY BURNED THE PLATE.

279
00:17:27,009 --> 00:17:31,013
[ ALARM BLARES ]

280
00:17:38,583 --> 00:17:41,056
HOW THE HELL DID THE
COPS GET TIPPED OFF?

281
00:17:50,036 --> 00:17:52,715
WHAT DO YOU GOT IN YOUR HAND?

282
00:17:52,739 --> 00:17:54,918
OPEN IT UP! Martha: STOP
IT! YOU'RE HURTING HIM!

283
00:17:54,942 --> 00:17:57,003
STOP! LIONEL, PLEASE.

284
00:18:00,048 --> 00:18:03,551
PANIC BUTTON...
STATE OF THE ART.

285
00:18:06,684 --> 00:18:08,257
CHECK HIM OUT.

286
00:18:10,259 --> 00:18:12,137
LET'S GO.

287
00:18:12,161 --> 00:18:15,041
A MAN IN MY POSITION CAN NEVER
TAKE TOO MANY PRECAUTIONS.

288
00:18:15,065 --> 00:18:16,602
WHY DON'T YOU JUST LET US GO?

289
00:18:16,626 --> 00:18:18,504
YOU CAN AVOID ADDING KIDNAPPING

290
00:18:18,528 --> 00:18:20,045
TO THE BREAKING AND
ENTERING CHARGES.

291
00:18:20,069 --> 00:18:21,547
YOU SHOULD LISTEN TO THIS WOMAN.

292
00:18:21,571 --> 00:18:23,550
I FIND HER ADVICE
INVARIABLY SOUND.

293
00:18:23,574 --> 00:18:25,012
I THINK HE'S ALL RIGHT.

294
00:18:25,036 --> 00:18:27,114
WE SHOULD'VE GOTTEN
OUT WHEN I SAID.

295
00:18:27,138 --> 00:18:30,142
IF YOU'D KEPT TO THE PLAN,
NONE OF THIS WOULD'VE HAPPENED.

296
00:18:34,586 --> 00:18:36,195
AAH!

297
00:18:36,219 --> 00:18:38,097
WHAT THE HELL IS THE MATTER
WITH YOU? ARE YOU CRAZY?

298
00:18:38,121 --> 00:18:39,968
SHUT UP! YOU SHUT UP!

299
00:18:39,992 --> 00:18:42,272
WHAT ARE YOU DOING?! SHUT UP!

300
00:18:42,296 --> 00:18:44,133
SHUT UP! DROP IT NOW!

301
00:18:44,157 --> 00:18:46,005
ALL RIGHT.

302
00:18:46,029 --> 00:18:47,537
ALL RIGHT, ALL RIGHT, ALL RIGHT,
LET'S JUST SETTLE DOWN, OKAY?

303
00:18:47,561 --> 00:18:49,709
DROP IT, PINE.

304
00:18:49,733 --> 00:18:51,713
JUST RELAX, ALL RIGHT?

305
00:18:51,737 --> 00:18:54,545
RELAX. LET'S TAKE IT EASY.

306
00:18:54,569 --> 00:18:58,249
I'M PUTTING MY GUNS
DOWN. ALL RIGHT?

307
00:18:58,273 --> 00:19:00,592
WE'RE JUST GOING
TO GET THE MONEY,

308
00:19:00,616 --> 00:19:03,750
AND WE'RE GOING TO GET
THE HELL OUT OF HERE.

309
00:19:14,633 --> 00:19:17,812
GET BACK TO WORK ON THAT VAULT.

310
00:19:17,836 --> 00:19:20,314
YOU'RE WASTING
YOUR TIME, YOU KNOW.

311
00:19:20,338 --> 00:19:23,047
THERE'S NOTHING IN THERE
OF VALUE TO ANY OF YOU.

312
00:19:23,071 --> 00:19:24,679
YOU KEEP YOUR EYES ON THEM.

313
00:19:24,703 --> 00:19:28,077
WE'LL NEED 'EM
LATER FOR LEVERAGE.

314
00:19:39,320 --> 00:19:42,239
UH, MORE COFFEE?

315
00:19:42,263 --> 00:19:44,243
HENRY, WHY DON'T YOU GET IT?

316
00:19:44,267 --> 00:19:46,804
GIVE LANA AND I A
CHANCE TO GET A WORD IN.

317
00:19:46,828 --> 00:19:49,201
SURE. I'll BE RIGHT BACK.

318
00:19:57,141 --> 00:19:59,320
THIS REALLY IS A
CUTE PLACE, LANA.

319
00:19:59,344 --> 00:20:01,062
YOU'VE GOT GREAT TASTE.

320
00:20:01,086 --> 00:20:02,623
THANK YOU.

321
00:20:02,647 --> 00:20:04,366
AND THANK YOU FOR
AGREEING TO MEET WITH ME.

322
00:20:04,390 --> 00:20:06,828
I KNOW IT CAN'T BE EASY FOR YOU.

323
00:20:06,852 --> 00:20:09,831
LANA, YOU SEEM LIKE A VERY
TOGETHER YOUNG WOMAN,

324
00:20:09,855 --> 00:20:14,377
WHICH IS WHY I FEEL LIKE I CAN
BE COMPLETELY CANDID WITH YOU.

325
00:20:14,401 --> 00:20:18,736
I DON'T WANT YOU GETTING
TOO CLOSE TO HENRY.

326
00:20:22,269 --> 00:20:24,688
MRS. SMALL, I-I DON'T
KNOW WHAT YOU THINK,

327
00:20:24,712 --> 00:20:27,091
BUT I AM NOT TRYING TO
INTERFERE WITH YOUR FAMILY.

328
00:20:27,115 --> 00:20:29,377
THAT'S NOT WHAT
I'M WORRIED ABOUT.

329
00:20:31,250 --> 00:20:33,629
LANA, WHEN I MARRIED HENRY,

330
00:20:33,653 --> 00:20:35,700
HE WAS THE EDITOR
OF THE LAW REVIEW.

331
00:20:35,724 --> 00:20:37,833
HE WAS GOING TO
RUN FOR CONGRESS.

332
00:20:37,857 --> 00:20:40,265
NOW HE RUNS A LAW
PRACTICE FOR LOST CAUSES

333
00:20:40,289 --> 00:20:42,109
OUT OF OUR LIVING ROOM.

334
00:20:42,133 --> 00:20:44,271
HE BELIEVES IN WHAT HE'S DOING.

335
00:20:44,295 --> 00:20:46,273
YEAH, UNTIL IT
GETS TOO DIFFICULT

336
00:20:46,297 --> 00:20:50,372
OR HE LOSES INTEREST,
WHICH HE ALWAYS DOES.

337
00:20:54,175 --> 00:20:56,725
YOU THINK HE'LL
LOSE INTEREST IN ME.

338
00:20:56,749 --> 00:20:58,427
HENRY HAS TWO CHILDREN
IN BOARDING SCHOOL.

339
00:20:58,451 --> 00:21:00,188
HE NEVER CALLS THEM.

340
00:21:00,212 --> 00:21:03,733
EVEN WHEN THEY'RE HOME,
HE DOESN'T HAVE TIME FOR THEM

341
00:21:03,757 --> 00:21:06,335
OR ANYONE ELSE.

342
00:21:06,359 --> 00:21:10,400
WHY ARE YOU TELLING ME THIS?

343
00:21:10,424 --> 00:21:14,775
I'M TRYING TO DO YOU A FAVOR.

344
00:21:14,799 --> 00:21:16,777
I DO NOT WANT TO
SEE YOU GET HURT

345
00:21:16,801 --> 00:21:19,704
THE NEXT TIME HENRY'S
PRIORITIES SUDDENLY CHANGE.

346
00:21:22,178 --> 00:21:27,443
SO, WHAT HAVE YOU TWO
LADIES BEEN TALKING ABOUT?

347
00:21:34,792 --> 00:21:37,170
WE ARE LIVE AT THE
LUTHORCORP TOWER

348
00:21:37,194 --> 00:21:39,174
WHERE SOMETIME
EARLIER THIS AFTERNOON

349
00:21:39,198 --> 00:21:41,436
ARMED GUNMEN APPARENTLY
ENTERED THE BUILDING

350
00:21:41,460 --> 00:21:44,810
AND ARE NOW HOLDING
LUTHORCORP CHAIRMAN AND CEO

351
00:21:44,834 --> 00:21:46,712
LIONEL LUTHOR HOSTAGE

352
00:21:46,736 --> 00:21:50,315
ALONG WITH AT LEAST ONE
UNIDENTIFIED FEMALE EMPLOYEE.

353
00:21:50,339 --> 00:21:51,818
MOM.

354
00:21:51,842 --> 00:21:53,389
IF ANYBODY TRIES TO
HURT YOUR MOTHER...

355
00:21:53,413 --> 00:21:55,822
I'M NOT GOING TO
LET THAT HAPPEN.

356
00:21:55,846 --> 00:21:56,924
CLARK. CLARK!

357
00:21:56,948 --> 00:21:59,327
I'M NOT GOING TO
TRY AND STOP YOU,

358
00:21:59,351 --> 00:22:01,329
BUT I WANT YOU TO BE CAREFUL.

359
00:22:01,353 --> 00:22:03,400
I'M GOING TO FOLLOW
YOU IN THE TRUCK.

360
00:22:03,424 --> 00:22:05,404
I'll GET THERE JUST
AS SOON AS I CAN.

361
00:22:05,428 --> 00:22:07,406
DAD, THERE'S A FASTER WAY
FOR YOU TO GET TO METROPOLIS.

362
00:22:07,430 --> 00:22:10,339
YOU JUST HAVE TO TALK TO LEX.

363
00:22:10,363 --> 00:22:13,467
[ CELLPHONE RINGS ]

364
00:22:20,474 --> 00:22:22,477
GET HIM OUT OF HERE.

365
00:22:25,349 --> 00:22:27,027
WHAT?

366
00:22:27,051 --> 00:22:29,460
[ Computer-distorted voice
] I hired you to bug an office,

367
00:22:29,484 --> 00:22:31,964
NOT CREATE A MEDIA CIRCUS.

368
00:22:31,988 --> 00:22:33,966
Yeah, well, we
ran into a little snag.

369
00:22:33,990 --> 00:22:35,398
WHO IS THIS?

370
00:22:35,422 --> 00:22:38,841
TELL YOU WHAT,
MR. GREEN, YOU SHOW ME

371
00:22:38,865 --> 00:22:41,374
YOUR CALLER I.D.,
AND I'll SHOW YOU MINE.

372
00:22:41,398 --> 00:22:43,107
I WANT TO TALK TO KERN NOW.

373
00:22:43,131 --> 00:22:45,804
YEAH, WELL, KERN'S DEFINITELY
NOT IN CHARGE ANYMORE.

374
00:22:49,877 --> 00:22:54,959
[ KNOCK ON DOOR ]

375
00:22:54,983 --> 00:22:57,994
MR. KENT.

376
00:22:58,018 --> 00:23:00,827
I TAKE IT YOU'VE SEEN THE NEWS?

377
00:23:00,851 --> 00:23:07,475
IF I HADN'T BEEN SO
BULLHEADED AND...

378
00:23:07,499 --> 00:23:10,408
TAKEN YOU UP ON YOUR OFFER,

379
00:23:10,432 --> 00:23:14,507
MARTHA AND I WOULD PROBABLY
BE ON OUR WAY TO DINNER.

380
00:23:16,868 --> 00:23:20,089
INSTEAD...

381
00:23:20,113 --> 00:23:24,577
BELIEVE ME, THERE'S PLENTY
OF BLAME TO GO AROUND.

382
00:23:30,585 --> 00:23:33,888
LEX, I WAS WONDERING...

383
00:23:41,897 --> 00:23:46,478
I WAS WONDERING
IF I... SURE, MR. KENT.

384
00:23:46,502 --> 00:23:49,906
I'll GIVE YOU A HELICOPTER
RIDE TO METROPOLIS.

385
00:23:54,582 --> 00:23:58,356
[ SIRENS BLARING ]

386
00:24:12,132 --> 00:24:14,081
Officer: EVERYONE,
BACK. MOVE IT!

387
00:24:14,105 --> 00:24:17,955
YOUNG MAN, YOU TOO.
STAY BEHIND THE BARRICADE.

388
00:24:17,979 --> 00:24:19,411
LET'S GO!

389
00:24:30,522 --> 00:24:33,973
STAND UP AND PUT YOUR
HANDS ON YOUR HEAD.

390
00:24:33,997 --> 00:24:36,406
STAND UP!

391
00:24:36,430 --> 00:24:38,007
TURN AROUND.

392
00:24:38,031 --> 00:24:41,110
I CAN EXPLAIN.

393
00:24:41,134 --> 00:24:44,514
HOLD STILL. KEEP
YOUR FINGERS LACED.

394
00:24:44,538 --> 00:24:46,517
I'M LISTENING.

395
00:24:46,541 --> 00:24:48,620
MY NAME IS CLARK KENT.

396
00:24:48,644 --> 00:24:50,621
MY MOM IS ONE OF THE
HOSTAGES BEING HELD UP THERE.

397
00:24:50,645 --> 00:24:52,454
AND YOU THOUGHT YOU'D PLAY HERO?

398
00:24:52,478 --> 00:24:54,996
WELL, ASSUMING YOU
ARE WHO YOU SAY YOU ARE,

399
00:24:55,020 --> 00:24:56,528
YOU ALMOST JUST GOT
YOUR MOTHER KILLED.

400
00:24:56,552 --> 00:24:58,460
EVERY OPENING IN THIS
BUILDING IS WIRED WITH ALARMS.

401
00:24:58,484 --> 00:25:00,533
THE KIDNAPPERS HAVE CONTROL
OF THE SECURITY SYSTEM,

402
00:25:00,557 --> 00:25:02,535
AND THEY THREATENED TO
START SHOOTING HOSTAGES

403
00:25:02,559 --> 00:25:04,537
IF ANYONE SO MUCH AS
SETS A BIG TOE INSIDE.

404
00:25:04,561 --> 00:25:06,540
COME ON, HERO.
YOU'RE COMING WITH ME.

405
00:25:06,564 --> 00:25:08,195
MOVE IT!

406
00:25:12,741 --> 00:25:15,149
SO, WHAT ARE WE GOING TO DO?

407
00:25:15,173 --> 00:25:18,424
THEY SAW YOU KILL KERN.
THEY CAN I.D. US, PINE.

408
00:25:18,448 --> 00:25:20,657
AND I, FOR ONE, AM NOT
GOING DOWN FOR MURDER,

409
00:25:20,681 --> 00:25:22,658
DO YOU UNDERSTAND ME?

410
00:25:22,682 --> 00:25:25,486
WE'LL DEAL WITH THEM
WHEN THE TIME COMES.

411
00:25:28,720 --> 00:25:31,068
I KNOW WHAT YOU'RE THINKING.

412
00:25:31,092 --> 00:25:33,170
IF I HADN'T ASKED
YOU TO WORK TODAY,

413
00:25:33,194 --> 00:25:36,204
YOU'D BE AT HOME RIGHT
NOW WITH YOUR FAMILY.

414
00:25:36,228 --> 00:25:39,548
I DON'T BLAME YOU, LIONEL.

415
00:25:39,572 --> 00:25:42,081
IT'S... IT'S JUST THAT
JONATHAN AND I LEFT

416
00:25:42,105 --> 00:25:44,152
ON SUCH BAD TERMS.

417
00:25:44,176 --> 00:25:46,585
IT'S IRONIC.

418
00:25:46,609 --> 00:25:50,159
I HAD QUITE A ROW THIS
MORNING, TOO, WITH LEX.

419
00:25:50,183 --> 00:25:52,763
IF THEY KILL US,

420
00:25:52,787 --> 00:25:57,021
THOSE WILL BE THE LAST WORDS
WE EVER SPOKE TO EACH OTHER.

421
00:26:06,732 --> 00:26:09,135
PINE. YOU'RE UP.

422
00:26:42,544 --> 00:26:45,176
WHAT THE HELL IS THIS?

423
00:27:00,193 --> 00:27:02,672
Officer: I WANT YOU TO
MONITOR THE RADIO CHANNELS.

424
00:27:02,696 --> 00:27:04,804
IT'S OKAY, IT'S OKAY.

425
00:27:04,828 --> 00:27:06,577
CLARK?

426
00:27:06,601 --> 00:27:09,080
YOU KNOW THIS KID?

427
00:27:09,104 --> 00:27:11,213
YES, MA'AM, HE'S MY SON.

428
00:27:11,237 --> 00:27:13,815
WELL, YOU KEEP HIM
AWAY FROM THE BUILDING,

429
00:27:13,839 --> 00:27:15,588
OR I'll ARREST HIM.

430
00:27:15,612 --> 00:27:17,560
LIEUTENANT SAWYER,
MY NAME IS LEX LUTHOR...

431
00:27:17,584 --> 00:27:19,191
I KNOW WHO YOU ARE.

432
00:27:19,215 --> 00:27:21,624
I'D APPRECIATE AN UPDATE
ON THE NEGOTIATIONS.

433
00:27:21,648 --> 00:27:23,391
THIS WAY.

434
00:27:26,153 --> 00:27:27,802
WHAT HAPPENED?

435
00:27:27,826 --> 00:27:29,803
I'VE BEEN LISTENING
TO THE POLICE.

436
00:27:29,827 --> 00:27:31,706
I THINK I FOUND A
WAY INTO THE BUILDING.

437
00:27:31,730 --> 00:27:33,207
REALLY? HOW?

438
00:27:33,231 --> 00:27:35,664
NO ONE'S WATCHING
THE "DAILY PLANET."

439
00:27:41,211 --> 00:27:42,718
YOU'RE NOT THINKING
ABOUT JUMPING.

440
00:27:42,742 --> 00:27:44,149
IT'S THE ONLY WAY.

441
00:27:44,173 --> 00:27:46,152
CLARK, THAT'S GOT
TO BE OVER 200 FEET.

442
00:27:46,176 --> 00:27:47,724
I CAN MAKE IT.

443
00:27:47,748 --> 00:27:49,756
YOU DON'T KNOW THAT.

444
00:27:49,780 --> 00:27:51,799
BESIDES, DON'T YOU
HAVE A FEAR OF HEIGHTS?

445
00:27:51,823 --> 00:27:53,331
IF WE'RE NOT HERE
TO GET MOM OUT,

446
00:27:53,355 --> 00:27:54,832
THEN WHY ARE WE HERE?

447
00:27:54,856 --> 00:27:57,805
LISTEN TO ME. I AM JUST AS
CONCERNED ABOUT YOUR MOTHER

448
00:27:57,829 --> 00:28:00,369
AS YOU ARE, BUT WE CAN'T
AFFORD TO MAKE A MISTAKE

449
00:28:00,393 --> 00:28:03,797
THAT COULD GET HER KILLED.

450
00:28:18,784 --> 00:28:20,861
WHERE'S THE DAMN MONEY?

451
00:28:20,885 --> 00:28:24,220
I TOLD YOU THERE WAS NOTHING
IN THERE OF INTEREST TO YOU.

452
00:28:32,199 --> 00:28:35,732
CHECK THIS OUT.

453
00:28:46,315 --> 00:28:48,417
IT COULD BE WORTH SOMETHING.

454
00:29:03,434 --> 00:29:04,912
AHH!

455
00:29:04,936 --> 00:29:07,215
WHAT THE HELL IS THIS?

456
00:29:07,239 --> 00:29:11,820
MARTHA, PERHAPS THE, UH,
GENTLEMAN HASN'T NOTICED

457
00:29:11,844 --> 00:29:14,924
THAT I'M BLIND.

458
00:29:14,948 --> 00:29:18,982
WOULD YOU MIND TELLING
ME WHAT HE'S REFERRING TO?

459
00:29:21,384 --> 00:29:24,334
IT'S SOME SORT OF METALLIC DISK

460
00:29:24,358 --> 00:29:27,768
SHAPED LIKE AN OCTAGON.

461
00:29:27,792 --> 00:29:30,865
IT'S NOTHING... KEEPSAKE.

462
00:29:43,480 --> 00:29:47,331
[ BEEPING ]

463
00:29:47,355 --> 00:29:48,832
SAWYER.

464
00:29:48,856 --> 00:29:50,363
WHERE IS MY TRANSPORTATION?

465
00:29:50,387 --> 00:29:51,535
I told you,

466
00:29:51,559 --> 00:29:53,298
I NEED A SHOW OF
GOOD FAITH FIRST.

467
00:29:53,322 --> 00:29:55,399
YOU GIVE ME ONE
OF THOSE HOSTAGES.

468
00:29:55,423 --> 00:29:57,773
OKAY.

469
00:29:57,797 --> 00:29:59,804
FINE.

470
00:29:59,828 --> 00:30:01,500
GET UP.

471
00:30:03,502 --> 00:30:05,752
YOU'VE GOT 10 MINUTES,

472
00:30:05,776 --> 00:30:09,485
THEN YOU CAN TAKE THIS
ONE OUT IN A BODY BAG.

473
00:30:09,509 --> 00:30:11,889
We're working on
it. Stay cool up there.

474
00:30:11,913 --> 00:30:14,885
Stay cool.

475
00:31:06,474 --> 00:31:08,583
WHATEVER YOU DO, DON'T
HURT ANY OF THE HOSTAGES.

476
00:31:08,607 --> 00:31:10,585
JUST STAY CALM.

477
00:31:10,609 --> 00:31:12,687
YEAH, WELL, HOW AM I
SUPPOSED TO STAY CALM, HUH?

478
00:31:12,711 --> 00:31:15,360
I OPEN THAT DAMN
VAULT EXPECTING TO FIND

479
00:31:15,384 --> 00:31:18,695
MY RETIREMENT FUND, AND
INSTEAD, I FIND A BUNCH OF FILES,

480
00:31:18,719 --> 00:31:20,797
green rocks all
cut up into bars.

481
00:31:20,821 --> 00:31:22,999
WHAT ELSE WAS IN
THERE? WHAT'S IT TO YOU?

482
00:31:23,023 --> 00:31:24,702
[ Computer-distorted
voice ] Answer me,

483
00:31:24,726 --> 00:31:26,573
and maybe I can help you.

484
00:31:26,597 --> 00:31:28,577
I... JUST WHAT I TOLD YOU.

485
00:31:28,601 --> 00:31:32,450
OH, AND SOME METAL
OCTAGON-LOOKING THING.

486
00:31:32,474 --> 00:31:36,155
LISTEN TO ME. PACK
UP EVERYTHING.

487
00:31:36,179 --> 00:31:39,017
THE FILES, the
bars, the octagon.

488
00:31:39,041 --> 00:31:41,120
YEAH, THEN WHAT?

489
00:31:41,144 --> 00:31:43,122
I KNOW A WAY OUT
OF THE BUILDING,

490
00:31:43,146 --> 00:31:46,851
BUT FIRST, YOU LET
THE HOSTAGES GO.

491
00:33:10,946 --> 00:33:14,197
[ BEEPING ]

492
00:33:14,221 --> 00:33:16,499
PINE.

493
00:33:16,523 --> 00:33:19,233
BETTER TAKE A LOOK AT THIS.

494
00:33:19,257 --> 00:33:21,936
WE GOT COMPANY.

495
00:33:21,960 --> 00:33:23,761
CHECK IT OUT.

496
00:33:26,865 --> 00:33:29,584
A WINDOW JUST BLEW
OUT ON THE 30th FLOOR.

497
00:33:29,608 --> 00:33:31,971
GET THE TEAM
TOGETHER. WE'RE GOING IN.

498
00:33:38,878 --> 00:33:40,226
WHAT THE HELL'S
GOING ON UP THERE?

499
00:33:40,250 --> 00:33:42,228
IT SOUNDS LIKE THE
JUNK IN THAT SAFE

500
00:33:42,252 --> 00:33:44,231
IS WORTH SOMETHING
TO YOU. TELL YOU WHAT.

501
00:33:44,255 --> 00:33:47,764
I WANT A MILLION DOLLARS
AND I WANT A WAY OUT OF HERE.

502
00:33:47,788 --> 00:33:49,266
YOU'RE IN NO
POSITION TO NEGOTIATE.

503
00:33:49,290 --> 00:33:51,770
THIS IS NOT A
NEGOTIATION, ALL RIGHT?

504
00:33:51,794 --> 00:33:53,911
WE GET OUT OF HERE,
OR NOBODY DOES.

505
00:33:53,935 --> 00:33:56,976
ALL RIGHT, LISTEN TO ME.

506
00:33:57,000 --> 00:34:00,679
LUTHOR HAS A PRIVATE ELEVATOR.

507
00:34:00,703 --> 00:34:02,983
IT'LL TAKE YOU TO A TUNNEL
THAT LEADS TO A GARAGE

508
00:34:03,007 --> 00:34:05,555
three blocks away.

509
00:34:05,579 --> 00:34:08,930
HEY, LIONEL, YOU BEEN
HOLDING OUT ON ME?

510
00:34:08,954 --> 00:34:11,863
IS THERE SOME KIND OF
SECRET WAY OUT OF HERE?

511
00:34:11,887 --> 00:34:14,896
OH, YES.

512
00:34:14,920 --> 00:34:19,001
AND WHATEVER THAT ANONYMOUS
COWARD, YOUR MR. GREEN,

513
00:34:19,025 --> 00:34:24,207
IS OFFERING, I'll DOUBLE IT.

514
00:34:24,231 --> 00:34:26,209
IN EXCHANGE FOR OUR LIVES

515
00:34:26,233 --> 00:34:29,812
AND THE CONTENTS OF THE SAFE.

516
00:34:29,836 --> 00:34:31,956
HMM. HEAR THAT, MR. GREEN?

517
00:34:31,980 --> 00:34:33,957
IT LOOKS LIKE WE
GOT US A BIDDING WAR.

518
00:34:33,981 --> 00:34:35,959
LOOK, NO MATTER WHAT LIONEL
LUTHOR IS PROMISING YOU,

519
00:34:35,983 --> 00:34:37,963
YOU CAN'T TRUST HIM.

520
00:34:37,987 --> 00:34:40,224
OH, BUT I SHOULD TRUST YOU...

521
00:34:40,248 --> 00:34:41,867
SOMEBODY WHO HIDES
HIS OWN IDENTITY?

522
00:34:41,891 --> 00:34:44,831
I THINK I'D RATHER
DEAL WITH LIONEL.

523
00:34:44,855 --> 00:34:47,728
I'll MATCH WHAT HE'S OFFERING.
JUST DON'T HURT THEM.

524
00:34:55,706 --> 00:34:59,411
Jonathan: DON'T HURT WHO, LEX?

525
00:35:05,018 --> 00:35:06,995
WERE YOU JUST TALKING
TO THOSE MEN UP THERE?

526
00:35:07,019 --> 00:35:09,999
MR. KENT, WHATEVER I'M
DOING IS IN THE BEST INTEREST

527
00:35:10,023 --> 00:35:12,025
OF YOUR WIFE AND
MY FATHER, BELIEVE ME.

528
00:35:14,027 --> 00:35:16,265
IF I FIND OUT THAT YOU
HAD ANYTHING TO DO

529
00:35:16,289 --> 00:35:18,809
WITH WHAT'S GOING ON OUT HERE,

530
00:35:18,833 --> 00:35:21,012
YOU WILL PRAY TO GOD YOU
NEVER SET FOOT IN SMALLVILLE,

531
00:35:21,036 --> 00:35:23,369
YOU BELIEVE ME.

532
00:35:45,324 --> 00:35:46,901
WHERE'S MY MOM?

533
00:35:46,925 --> 00:35:48,967
WHERE IS SHE?!

534
00:35:50,929 --> 00:35:53,709
SO, AS SOON AS THE BANKS
OPEN, I'll HAVE THE MONEY WIRED.

535
00:35:53,733 --> 00:35:56,912
TO, UH, ANY ACCOUNT YOU CHOOSE

536
00:35:56,936 --> 00:35:59,340
ANYWHERE IN THE WORLD.

537
00:36:01,943 --> 00:36:04,061
ALL RIGHT, WE GOT A DEAL.

538
00:36:04,085 --> 00:36:05,793
GOOD.

539
00:36:05,817 --> 00:36:08,425
BUT I'M HANGING ONTO
EVERYTHING UNTIL I GET THAT MONEY.

540
00:36:08,449 --> 00:36:11,930
ALL RIGHT.

541
00:36:11,954 --> 00:36:14,872
BISHOP, PACK UP THE
STUFF FROM THE VAULT.

542
00:36:14,896 --> 00:36:16,976
SO, NOW ARE YOU GOING TO TELL ME

543
00:36:17,000 --> 00:36:18,436
WHO'S ON THE OTHER
END OF THE LINE?

544
00:36:18,460 --> 00:36:20,439
YOU'D PROBABLY
KNOW BETTER THAN I DO.

545
00:36:20,463 --> 00:36:23,744
WHY DON'T YOU THINK
WHO YOUR ENEMIES ARE?

546
00:36:23,768 --> 00:36:26,416
COME ON, LADY, YOU
CAN HELP OUT, TOO!

547
00:36:26,440 --> 00:36:29,514
PICK UP THE FILES. COME ON!

548
00:36:39,385 --> 00:36:41,733
TODAY. COME ON!
LET'S GO, PICK 'EM UP,

549
00:36:41,757 --> 00:36:44,106
PUT 'EM IN THE BARREL
WITH THE REST OF THE STUFF!

550
00:36:44,130 --> 00:36:46,534
OKAY, I'M PICKING THEM UP.

551
00:36:50,197 --> 00:36:52,175
ALL RIGHT, THAT'S GOOD.

552
00:36:52,199 --> 00:36:54,178
GET OVER THERE AND
HELP YOUR BOSS UP.

553
00:36:54,202 --> 00:36:57,405
HI.

554
00:36:59,407 --> 00:37:01,526
Martha. The octagonal disk...

555
00:37:01,550 --> 00:37:03,189
Where is it?

556
00:37:03,213 --> 00:37:05,530
I DON'T KNOW. WHY
IS IT SO IMPORTANT?

557
00:37:05,554 --> 00:37:07,162
COME ON, TIME'S
UP. LET'S GO, MOVE.

558
00:37:07,186 --> 00:37:08,889
MOVE, MOVE!

559
00:37:13,795 --> 00:37:15,843
Pine: WHAT THE HELL HAPPENED?

560
00:37:15,867 --> 00:37:18,506
THE COPS CUT THE
POWER! WE HAVE GOT TO GO!

561
00:37:18,530 --> 00:37:21,233
BISHOP, DON'T!

562
00:37:29,512 --> 00:37:32,885
CLARK, GET OUT OF HERE NOW!

563
00:37:36,820 --> 00:37:39,530
CLARK!

564
00:37:39,554 --> 00:37:42,898
[ GROANING ]

565
00:37:46,601 --> 00:37:49,606
CLARK!

566
00:37:53,210 --> 00:37:56,072
[ HELICOPTER WHIRRING OUTSIDE ]

567
00:38:00,248 --> 00:38:03,356
ARE YOU ALONE?

568
00:38:03,380 --> 00:38:07,155
ANSWER ME! ARE YOU ALONE?

569
00:38:13,161 --> 00:38:16,266
AAH!

570
00:38:21,371 --> 00:38:23,119
CLARK! CLARK!

571
00:38:23,143 --> 00:38:25,923
ARE YOU ALL RIGHT?

572
00:38:25,947 --> 00:38:29,026
LADY, YOU AND THE KID GET UP!

573
00:38:29,050 --> 00:38:32,483
PUT YOUR HANDS OVER YOUR
HEAD, OR I KILL THE OLD MAN.

574
00:38:36,418 --> 00:38:39,422
[ GUNSHOT ]

575
00:38:54,980 --> 00:38:56,311
HE'S DEAD.

576
00:39:03,018 --> 00:39:06,499
Clark, those files
over there... burn them.

577
00:39:06,523 --> 00:39:09,356
There's one about you.
We can't let it get out.

578
00:39:21,440 --> 00:39:23,342
METROPOLIS P.D.! NOBODY MOVE!

579
00:39:53,476 --> 00:39:55,349
ARE YOU ALL RIGHT?

580
00:40:05,090 --> 00:40:07,369
CLARK, HOW DID YOU GET INSIDE?

581
00:40:07,393 --> 00:40:10,501
THE BOY'S RESOURCEFUL, LEX.

582
00:40:10,525 --> 00:40:12,544
WHAT DIFFERENCE DOES
IT MAKE HOW HE DID IT?

583
00:40:12,568 --> 00:40:15,307
HE SAVED US. THAT'S
WHAT'S IMPORTANT.

584
00:40:15,331 --> 00:40:17,379
DAD.

585
00:40:17,403 --> 00:40:20,253
I WANT YOU TO KNOW I WAS
DOING EVERYTHING I COULD

586
00:40:20,277 --> 00:40:21,985
TO SECURE YOUR RELEASE.

587
00:40:22,009 --> 00:40:24,242
OH, I'M SURE YOU
DID A GREAT DEAL.

588
00:40:26,614 --> 00:40:30,164
I'll SEND SOMEONE TO THE
MANSION FOR MY THINGS.

589
00:40:30,188 --> 00:40:33,092
I'll HELP THEM PACK.

590
00:40:36,456 --> 00:40:38,257
THANK YOU, THANK YOU.

591
00:41:22,208 --> 00:41:24,457
THANKS.

592
00:41:24,481 --> 00:41:26,289
WHAT'S THAT?

593
00:41:26,313 --> 00:41:27,660
IT'S MY RESIGNATION.

594
00:41:27,684 --> 00:41:30,133
THERE'S NO WAY I CAN
KEEP WORKING FOR LIONEL.

595
00:41:30,157 --> 00:41:33,367
HE HAD REFINED METEOR
ROCKS IN HIS VAULT,

596
00:41:33,391 --> 00:41:35,468
A FILE ON CLARK...

597
00:41:35,492 --> 00:41:37,200
I CAN'T BELIEVE I TRUSTED HIM.

598
00:41:37,224 --> 00:41:39,644
WITHOUT THAT FILE, AT LEAST
THE POLICE CAN'T FIND OUT

599
00:41:39,668 --> 00:41:42,146
ANYTHING ABOUT ME.

600
00:41:42,170 --> 00:41:44,148
TO THINK I MADE THIS
JOB SUCH A BIG PRIORITY,

601
00:41:44,172 --> 00:41:47,352
AND LIONEL MAY HAVE ONLY HIRED
ME TO LEARN MORE ABOUT CLARK.

602
00:41:47,376 --> 00:41:49,285
I'M SORRY, MOM.

603
00:41:49,309 --> 00:41:51,687
I KNOW HOW IMPORTANT
YOUR WORK HAS BEEN TO YOU.

604
00:41:51,711 --> 00:41:54,620
IT'S NOT MORE
IMPORTANT THAN YOU.

605
00:41:54,644 --> 00:41:57,193
WAIT.

606
00:41:57,217 --> 00:42:01,198
ARE YOU SURE THAT THIS
IS THE BEST THING TO DO?

607
00:42:01,222 --> 00:42:02,599
QUIT... I MEAN.

608
00:42:02,623 --> 00:42:04,633
WHAT DO YOU MEAN? I THOUGHT
YOU'D BE HAPPY ABOUT IT.

609
00:42:04,657 --> 00:42:07,104
IF YOU HADN'T BEEN
WORKING FOR LIONEL,

610
00:42:07,128 --> 00:42:08,477
THEN WE'D HAVE NO WAY OF KNOWING

611
00:42:08,501 --> 00:42:11,379
THAT HE WAS KEEPING
TABS ON CLARK.

612
00:42:11,403 --> 00:42:13,642
SO INSTEAD OF STAYING
AWAY FROM HIM...

613
00:42:13,666 --> 00:42:16,309
MAYBE WE SHOULD TAKE A PAGE
OUT OF THE LUTHOR PLAYBOOK.

614
00:42:47,576 --> 00:42:49,584
SWEETHEART, ARE YOU COMING UP?

615
00:42:49,608 --> 00:42:51,510
IN A MINUTE.

616
00:43:29,623 --> 00:43:33,374
Captions by VITAC...
www.vitac.com

617
00:43:33,398 --> 00:43:36,601
CAPTIONS PAID FOR BY
WARNER BROS. TELEVISION