1 00:00:10,932 --> 00:00:12,811 24-HOUR PLUMBING IS A MYTH. 2 00:00:12,835 --> 00:00:14,713 I CALLED EVERY PLUMBER IN SMALLVILLE, 3 00:00:14,737 --> 00:00:16,855 AND THE SOONEST ANYONE CAN SHOW UP IS TOMORROW MORNING. 4 00:00:16,879 --> 00:00:18,556 BY THAT TIME, YOU'LL NEED A SNORKEL. 5 00:00:18,580 --> 00:00:20,489 LET ME SEE WHAT I CAN DO. 6 00:00:20,513 --> 00:00:23,462 OH, WRONG WAY. 7 00:00:23,486 --> 00:00:24,562 AAH! 8 00:00:24,586 --> 00:00:26,494 AH, THE THREADS ARE HISTORY. 9 00:00:26,518 --> 00:00:29,898 I NEED A WRENCH. 10 00:00:29,922 --> 00:00:31,524 AAH. 11 00:00:44,539 --> 00:00:45,945 HOW DID YOU DO THAT? 12 00:00:45,969 --> 00:00:48,912 I JUST KEPT TWISTING AND TURNING, AND IT STOPPED. 13 00:00:55,679 --> 00:00:57,527 MAYBE ONE DAY, I'll FIGURE OUT. 14 00:00:57,551 --> 00:00:59,554 HOW CLARK KENT DOES THE THINGS HE DOES. 15 00:01:01,726 --> 00:01:02,963 AHEM. 16 00:01:02,987 --> 00:01:04,665 HA HA. 17 00:01:04,689 --> 00:01:06,768 YOU KNOW THE PEOPLE WHO MOVED INTO YOUR HOUSE? 18 00:01:06,792 --> 00:01:08,539 THEY HAVE THIS ORANGE CAT 19 00:01:08,563 --> 00:01:10,671 THAT COMES BY THE LOFT SOMETIMES. 20 00:01:10,695 --> 00:01:11,974 I TRY TO TALK TO HIM, BUT HE'S NOT 21 00:01:11,998 --> 00:01:14,545 HALF THE CONVERSATIONALIST YOU WERE. 22 00:01:14,569 --> 00:01:16,479 HA HA. 23 00:01:16,503 --> 00:01:19,982 I HAVE TO ADMIT, I DO MISS THOSE SUNSETS. 24 00:01:20,006 --> 00:01:22,625 YEAH. 25 00:01:22,649 --> 00:01:25,652 THE SKY'S NOT REALLY THE SAME WHEN YOU SEE IT ALONE. 26 00:01:26,984 --> 00:01:29,692 IT'S GETTING LATE. 27 00:01:29,716 --> 00:01:32,490 YEAH. 28 00:01:33,920 --> 00:01:37,625 I, UH, I SHOULD GO PUT THIS BACK. 29 00:01:46,775 --> 00:01:48,777 ANY NEWS FROM THE MILITARY? 30 00:01:50,739 --> 00:01:52,917 I'M REALLY WORRIED. 31 00:01:52,941 --> 00:01:55,590 WHITNEY'S BEEN MISSING FOR OVER A MONTH. 32 00:01:55,614 --> 00:01:59,664 THE MILITARY EVEN SENT BACK HIS PERSONAL EFFECTS TO HIS MOM. 33 00:01:59,688 --> 00:02:01,549 SHE GAVE ME MY NECKLACE BACK. 34 00:02:18,538 --> 00:02:20,516 YOU START WEARING THAT AGAIN? 35 00:02:20,540 --> 00:02:24,050 IT DOESN'T FEEL RIGHT. 36 00:02:24,074 --> 00:02:27,978 I HAVE TO KNOW HE'S SAFE FIRST. 37 00:02:29,881 --> 00:02:33,784 WELL, IF ANYONE CAN GET THROUGH IT, WHITNEY CAN. 38 00:02:52,574 --> 00:02:53,781 THIS IS POINTLESS, FORDMAN. 39 00:02:53,805 --> 00:02:55,424 THEY THINK WE'RE DEAD. 40 00:02:55,448 --> 00:02:57,526 WE'RE GOING TO MAKE IT BACK HOME. YOU HEAR ME? 41 00:02:57,550 --> 00:02:58,988 I'M GOING TO GET BACK AND SEE... 42 00:02:59,012 --> 00:03:01,090 LANA. I KNOW. 43 00:03:01,114 --> 00:03:02,991 IF I HAVE TO HEAR ABOUT LANA 44 00:03:03,015 --> 00:03:04,593 OR SMALLVILLE 45 00:03:04,617 --> 00:03:05,935 OR HORSEBACK RIDING IN THE FREAKIN' MEADOW 46 00:03:05,959 --> 00:03:07,760 ONE MORE TIME... [ EXPLOSION ] 47 00:03:08,921 --> 00:03:11,564 MOVE IT! MOVE IT! 48 00:03:20,835 --> 00:03:22,812 KEEP MOVING! 49 00:03:22,836 --> 00:03:24,814 WE'RE NOT GOING TO MAKE IT! 50 00:03:24,838 --> 00:03:26,115 I GOT ONE FLARE LEFT. 51 00:03:26,139 --> 00:03:29,990 WE JUST GOT TO MAKE IT TO THAT RIDGE, 52 00:03:30,014 --> 00:03:32,016 AND THE SCOUTS WILL SEE US FROM THERE. 53 00:03:35,150 --> 00:03:36,828 YOU ALL RIGHT? 54 00:03:36,852 --> 00:03:38,168 COME ON, BUDDY, YOU'RE OKAY. 55 00:03:38,192 --> 00:03:40,101 YOU'RE OKAY. YOU'RE OKAY. 56 00:03:40,125 --> 00:03:41,171 IT'S ALL RIGHT. 57 00:03:41,195 --> 00:03:42,804 [ EXPLOSION ] 58 00:03:42,828 --> 00:03:47,009 PUT YOUR ARM AROUND ME. COME ON. 59 00:03:47,033 --> 00:03:48,610 COME ON, BUDDY. 60 00:03:48,634 --> 00:03:49,781 [ EXPLOSION ] 61 00:03:49,805 --> 00:03:51,614 [ COUGHING ] 62 00:03:51,638 --> 00:03:52,944 YOU'RE OKAY, BUDDY. 63 00:03:52,968 --> 00:03:54,917 I DON'T WANT TO DIE! I DON'T WANT TO DIE! 64 00:03:54,941 --> 00:03:56,742 NO ONE'S GOING TO DIE, I PROMISE. 65 00:04:04,852 --> 00:04:11,935 ♫ SOMEBODY SAVE ME ♫ 66 00:04:11,959 --> 00:04:15,869 ♫ LET YOUR WARM HANDS BREAK RIGHT THROUGH ♫ 67 00:04:15,893 --> 00:04:22,146 ♫ SOMEBODY SAVE ME ♫ 68 00:04:22,170 --> 00:04:25,980 ♫ I DON'T CARE HOW YOU DO IT ♫ 69 00:04:26,004 --> 00:04:27,021 ♫ JUST STAY ♫ 70 00:04:27,045 --> 00:04:28,983 ♫ STAY WITH ME ♫ 71 00:04:29,007 --> 00:04:30,985 ♫ STAY ♫ 72 00:04:31,009 --> 00:04:32,856 ♫ COME ON ♫ 73 00:04:32,880 --> 00:04:36,161 ♫ I'VE BEEN WAITING FOR YOU ♫ 74 00:04:36,185 --> 00:04:41,997 ♫ JUST STAY WITH ME ♫ 75 00:04:42,021 --> 00:04:46,141 ♫ I'VE MADE THIS WHOLE WORLD SHINE FOR YOU ♫ 76 00:04:46,165 --> 00:04:48,673 ♫ JUST STAY ♫ 77 00:04:48,697 --> 00:04:50,947 ♫ STAY ♫ 78 00:04:50,971 --> 00:04:54,704 ♫ COME ON ♫ 79 00:04:59,009 --> 00:05:00,856 DON'T YOU GUYS THINK YOU'RE OVERREACTING 80 00:05:00,880 --> 00:05:02,559 JUST A LITTLE BIT? 81 00:05:02,583 --> 00:05:03,889 NOT REALLY. I MEAN, YOU SPEND YOUR WHOLE LIFE 82 00:05:03,913 --> 00:05:05,591 THINKING YOU KNOW THE TRUTH ABOUT SOMEONE, 83 00:05:05,615 --> 00:05:07,694 ONLY TO FIND OUT THAT IT MAY BE A TOTAL LIE. 84 00:05:07,718 --> 00:05:09,826 THEY NAMED THE PHONE COMPANY AFTER THIS GUY. 85 00:05:09,850 --> 00:05:11,928 NOW MS. BISERY'S TELLING US THAT ALEXANDER GRAHAM BELL 86 00:05:11,952 --> 00:05:13,701 SNAKED SOMEBODY ELSE'S INVENTION? 87 00:05:13,725 --> 00:05:15,101 I HAVEN'T BEEN THIS DISILLUSIONED 88 00:05:15,125 --> 00:05:16,973 SINCE I FOUND OUT THAT BETSY ROSS 89 00:05:16,997 --> 00:05:18,935 DIDN'T DESIGN THE AMERICAN FLAG. 90 00:05:18,959 --> 00:05:20,939 I MEAN, SHE WAS MY ROLE MODEL. 91 00:05:20,963 --> 00:05:22,841 BETSY ROSS WAS YOUR ROLE MODEL? 92 00:05:22,865 --> 00:05:24,983 YEAH... IN FIRST GRADE. 93 00:05:25,007 --> 00:05:26,814 I MEAN, ONE DAY, SHE WAS A PIONEER FOR WOMEN, 94 00:05:26,838 --> 00:05:28,016 AND THEN THE NEXT, 95 00:05:28,040 --> 00:05:29,988 SHE'S A GLORIFIED SEAMSTRESS. 96 00:05:30,012 --> 00:05:32,915 ONE BY ONE, OUR HEROES ARE BEING DEFROCKED. 97 00:05:36,619 --> 00:05:38,127 YOU KNOW, LANA, THERE'S A, UM, 98 00:05:38,151 --> 00:05:40,629 WINTER FESTIVAL IN GRANDVILLE THIS WEEKEND. 99 00:05:40,653 --> 00:05:43,031 MY MOM'S GOING TO HAVE A BOOTH THERE FOR HER PRODUCE. 100 00:05:43,055 --> 00:05:45,665 I WAS THINKING MAYBE WE CAN GO AND HANG OUT. 101 00:05:45,689 --> 00:05:47,737 I'M NOT SURE. 102 00:05:47,761 --> 00:05:51,740 I HAVE TO TAKE A COUPLE OF EXTRA SHIFTS AT THE TALON. 103 00:05:51,764 --> 00:05:53,173 LOOK, I KNOW YOU'RE WORRIED ABOUT WHITNEY, 104 00:05:53,197 --> 00:05:54,845 BUT WORKING YOURSELF TO THE BONE 105 00:05:54,869 --> 00:05:56,747 ISN'T GOING TO BRING HIM BACK ANY FASTER. 106 00:05:56,771 --> 00:06:00,149 IT'S OKAY TO HAVE A LITTLE FUN. 107 00:06:00,173 --> 00:06:02,151 YOU'RE RIGHT. 108 00:06:02,175 --> 00:06:04,084 SO YOU'LL GO. 109 00:06:04,108 --> 00:06:06,180 YEAH. YEAH, COUNT ME IN. 110 00:06:55,233 --> 00:06:58,812 OH, WHITNEY. 111 00:06:58,836 --> 00:07:00,213 I MISSED YOU SO MUCH. 112 00:07:00,237 --> 00:07:02,687 I CAN'T BELIEVE YOU'RE HERE. 113 00:07:02,711 --> 00:07:04,172 I CAN'T BELIEVE YOU'RE BACK. 114 00:07:24,764 --> 00:07:26,812 WELL, IT CERTAINLY IS NICE 115 00:07:26,836 --> 00:07:28,314 TO HEAR SOME GOOD NEWS FOR A CHANGE. 116 00:07:28,338 --> 00:07:31,076 MRS. FORDMAN MUST BE SO RELIEVED. THAT'S WONDERFUL. 117 00:07:31,100 --> 00:07:33,779 YEAH. 118 00:07:33,803 --> 00:07:35,151 NOW, WHY DO I GET THE IMPRESSION 119 00:07:35,175 --> 00:07:36,952 THAT YOU'RE NOT GOING TO BE THE GRAND MARSHAL 120 00:07:36,976 --> 00:07:38,185 AT WHITNEY'S HOMECOMING PARADE? 121 00:07:38,209 --> 00:07:40,726 I'M HAPPY HE'S OKAY. I REALLY AM. 122 00:07:40,750 --> 00:07:45,863 IT'S JUST... I KNOW THIS SOUNDS SELFISH, 123 00:07:45,887 --> 00:07:47,865 BUT THINGS WERE JUST STARTING TO GET BETTER 124 00:07:47,889 --> 00:07:51,098 BETWEEN ME AND LANA, AND NOW HE'S BACK. 125 00:07:51,122 --> 00:07:53,139 OH, I THOUGHT LANA AND WHITNEY HAD BROKEN UP. 126 00:07:53,163 --> 00:07:54,901 SO DID I. 127 00:07:54,925 --> 00:07:56,874 NOW SHE'S THROWING HIM A PARTY TONIGHT AT THE TALON. 128 00:07:56,898 --> 00:07:58,329 AND YOU'RE GOING, RIGHT? 129 00:08:00,773 --> 00:08:03,812 I DON'T KNOW IF I CAN STOMACH SEEING THEM TOGETHER AGAIN. 130 00:08:03,836 --> 00:08:06,283 CLARK, 131 00:08:06,307 --> 00:08:09,117 YOU NEED TO PUT YOUR PERSONAL FEELINGS ASIDE, SON. 132 00:08:09,141 --> 00:08:11,290 WHITNEY RISKED HIS LIFE FOR THIS COUNTRY, 133 00:08:11,314 --> 00:08:13,786 AND HE DESERVES A HERO'S WELCOME. 134 00:08:20,293 --> 00:08:24,072 IT'S SO NICE TO HAVE THINGS BACK TO NORMAL... 135 00:08:24,096 --> 00:08:27,401 MY SON AND THE PRETTIEST GIRL IN SCHOOL TOGETHER. 136 00:08:33,307 --> 00:08:36,145 I BET YOU THOUGHT YOU'D NEVER SEE ME AGAIN. 137 00:08:36,169 --> 00:08:38,211 I NEVER GAVE UP HOPE. 138 00:08:40,114 --> 00:08:41,792 WHEN I WAS OUT THERE, LOST, 139 00:08:41,816 --> 00:08:43,924 THE THOUGHT OF SEEING YOU AGAIN 140 00:08:43,948 --> 00:08:46,051 WAS THE ONLY THING THAT KEPT ME GOING. 141 00:08:53,928 --> 00:08:56,168 WHAT IS IT? WHAT'S WRONG? 142 00:08:56,192 --> 00:08:57,938 WHITNEY, YOU KNOW 143 00:08:57,962 --> 00:08:59,811 THAT VIDEO LETTER I SENT YOU. 144 00:08:59,835 --> 00:09:01,898 VIDEO LETTER? WHAT'D IT SAY? 145 00:09:10,846 --> 00:09:14,826 LANA, THERE'S SOMETHING YOU NEED TO KNOW ABOUT ME. 146 00:09:14,850 --> 00:09:17,159 WHEN MY PLATOON WAS AMBUSHED, 147 00:09:17,183 --> 00:09:19,091 I WAS CAUGHT IN AN EXPLOSION, 148 00:09:19,115 --> 00:09:20,432 AND WHEN I WOKE UP, 149 00:09:20,456 --> 00:09:22,966 SOME OF MY MEMORY WAS WIPED OUT. 150 00:09:22,990 --> 00:09:25,869 THE DOCTORS DON'T KNOW IF I'll EVER GET IT BACK. 151 00:09:25,893 --> 00:09:28,302 WHITNEY, IT'S OKAY. 152 00:09:28,326 --> 00:09:30,104 ONE THING THAT I'll NEVER FORGET. 153 00:09:30,128 --> 00:09:32,105 IS HOW MUCH I CARE FOR YOU. 154 00:09:32,129 --> 00:09:34,972 I JUST WANT THINGS TO BE LIKE THEY USED TO BE. 155 00:09:52,191 --> 00:09:53,427 SORRY I'M LATE. 156 00:09:53,451 --> 00:09:55,230 HAD A PATIENT GO INTO CARDIAC ARREST, 157 00:09:55,254 --> 00:09:56,871 AND SAYING, "SORRY, I HAVE A DATE" 158 00:09:56,895 --> 00:09:58,615 MIGHT HAVE COME OFF AS SLIGHTLY INSENSITIVE. 159 00:10:02,201 --> 00:10:04,379 THE PATIENT'S FINE NOW. THANKS FOR ASKING. 160 00:10:04,403 --> 00:10:08,437 YOU TOLD ME YOU NEVER MET MY FATHER. 161 00:10:14,215 --> 00:10:16,123 WHO TOOK THESE PHOTOGRAPHS? 162 00:10:16,147 --> 00:10:17,453 A PRIVATE INVESTIGATOR. 163 00:10:17,477 --> 00:10:19,296 YOU HAD ME FOLLOWED? 164 00:10:19,320 --> 00:10:21,327 NO, I HAD MY FATHER FOLLOWED. 165 00:10:21,351 --> 00:10:24,160 NOW, UNLESS YOU BOTH SHARE A PASSION FOR FEEDING PIGEONS, 166 00:10:24,184 --> 00:10:26,302 THERE MUST BE A REASON FOR YOUR MEETING. 167 00:10:26,326 --> 00:10:28,289 HOW LONG HAVE YOU BEEN WORKING FOR HIM? 168 00:10:30,331 --> 00:10:33,171 IT TOOK ME FIVE DATES TO FIGURE IT OUT. 169 00:10:33,195 --> 00:10:35,043 YOU'RE DELUSIONAL. 170 00:10:35,067 --> 00:10:37,044 $100,000 WIRED INTO YOUR BANK ACCOUNT 171 00:10:37,068 --> 00:10:38,375 FROM LUTHORCORP... WAS THAT A DELUSION? 172 00:10:38,399 --> 00:10:40,447 YOU CHECKED MY BANK ACCOUNT? 173 00:10:40,471 --> 00:10:42,421 AFTER I DISCOVERED YOU WERE HAVING 174 00:10:42,445 --> 00:10:44,383 TêTE-à-TêTE WITH MY FATHER, I RAN A BACKGROUND CHECK. 175 00:10:44,407 --> 00:10:46,355 I IMAGINE THOSE TWO WEEKS A YEAR 176 00:10:46,379 --> 00:10:48,287 YOU SPEND IN RWANDA TREATING ORPHAN CHILDREN 177 00:10:48,311 --> 00:10:50,188 DOES WONDERS FOR YOUR CONSCIENCE. 178 00:10:50,212 --> 00:10:52,331 WHO ARE YOU? 179 00:10:52,355 --> 00:10:54,964 SOMEONE WHO'S BEEN BURNED BY THE OPPOSITE SEX 180 00:10:54,988 --> 00:10:58,297 MORE TIMES THAN HE CARES TO ADMIT. 181 00:10:58,321 --> 00:11:00,198 SO TELL ME... 182 00:11:00,222 --> 00:11:02,442 WHY DOES A HARVARD-EDUCATED PHYSICIAN, 183 00:11:02,466 --> 00:11:04,945 A WOMAN OF SUPPOSED INTEGRITY, 184 00:11:04,969 --> 00:11:06,446 ACCEPT A 6-FIGURE SUM 185 00:11:06,470 --> 00:11:09,308 TO SPY ON A MAN SHE CLAIMS TO HAVE FEELINGS FOR? 186 00:11:09,332 --> 00:11:12,182 FIRST OF ALL, 187 00:11:12,206 --> 00:11:15,215 I DON'T RECALL CLAIMING ANYTHING OF THE SORT. 188 00:11:15,239 --> 00:11:16,517 AND SECOND OF ALL, 189 00:11:16,541 --> 00:11:18,519 IF YOU THINK I'M GOING TO PUT UP 190 00:11:18,543 --> 00:11:20,321 WITH YOUR PATHETIC PARANOID ATTEMPTS 191 00:11:20,345 --> 00:11:22,092 AT INVADING MY PRIVACY, 192 00:11:22,116 --> 00:11:24,489 YOU'RE EVEN MORE ARROGANT THAN EVERYONE SAID YOU WERE. 193 00:11:33,128 --> 00:11:35,400 [ DOOR SLAMS ] 194 00:11:44,139 --> 00:11:47,250 UNLESS THE BATHROBE PASSES FOR HAUTE COUTURE THESE DAYS, 195 00:11:47,274 --> 00:11:50,022 I'M GUESSING SOMEONE'S NOT READY FOR THE PARTY. 196 00:11:50,046 --> 00:11:52,154 I DON'T KNOW HOW THIS DAY SLIPPED BY SO FAST. 197 00:11:52,178 --> 00:11:54,027 I WAS OVER AT WHITNEY'S 198 00:11:54,051 --> 00:11:56,058 LOOKING AT SOME OLD PHOTOS, 199 00:11:56,082 --> 00:11:58,360 TRYING TO REFRESH HIS MEMORY. 200 00:11:58,384 --> 00:11:59,503 HOW'S HE DOING? 201 00:11:59,527 --> 00:12:02,034 YOU KNOW, SURPRISINGLY WELL, 202 00:12:02,058 --> 00:12:04,268 YOU KNOW, CONSIDERING EVERYTHING HE'S BEEN THROUGH. 203 00:12:04,292 --> 00:12:07,270 DID HE MENTION YOUR AWARD-WINNING "DEAR JOHN" VIDEO? 204 00:12:07,294 --> 00:12:10,344 HE DOESN'T REMEMBER EVER SEEING IT. 205 00:12:10,368 --> 00:12:12,145 HE THINKS WE'RE STILL A COUPLE. 206 00:12:12,169 --> 00:12:13,642 WELL, THAT'S GOT TO BE AWKWARD. 207 00:12:15,474 --> 00:12:19,023 I CAN'T TURN MY BACK ON HIM NOW. 208 00:12:19,047 --> 00:12:21,086 HE NEEDS ME MORE THAN EVER. 209 00:12:21,110 --> 00:12:24,188 COULD LANA LANG BE FALLING FOR THE MAN IN UNIFORM? 210 00:12:24,212 --> 00:12:26,230 WHY WOULD YOU SAY THAT? 211 00:12:26,254 --> 00:12:27,432 I DON'T KNOW. 212 00:12:27,456 --> 00:12:30,095 I JUST SENSE THAT THIS MAY NOT BE 213 00:12:30,119 --> 00:12:33,438 JUST A FLORENCE NIGHTINGALE NURSING A WOUNDED SOLDIER. 214 00:12:33,462 --> 00:12:35,201 I MEAN, I DON'T KNOW HOW TO FEEL, YOU KNOW? 215 00:12:35,225 --> 00:12:37,472 IT'S HAPPENING SO FAST. 216 00:12:37,496 --> 00:12:39,475 BUT SEEING HIM AGAIN, 217 00:12:39,499 --> 00:12:41,346 A LOT OF THOSE FEELINGS CAME BACK... 218 00:12:41,370 --> 00:12:43,578 FEELINGS I THOUGHT WERE LONG GONE. 219 00:12:43,602 --> 00:12:47,607 HENCE THE 45-MINUTE WARDROBE CRISIS. 220 00:12:50,411 --> 00:12:52,418 THE THING WITH WHITNEY 221 00:12:52,442 --> 00:12:54,490 IS THAT WHAT YOU SEE IS WHAT YOU GET. 222 00:12:54,514 --> 00:12:58,064 YOU KNOW, NO MYSTERIES, NO DEEP, DARK SECRETS. 223 00:12:58,088 --> 00:13:00,321 UNLIKE SOMEONE WE KNOW. 224 00:13:16,508 --> 00:13:18,086 SO DID YOU CATCH 225 00:13:18,110 --> 00:13:19,287 ANY TAPE-DELAYED SHARKS GAMES OVER THERE? 226 00:13:19,311 --> 00:13:20,619 THEY'RE BURYING THE ENTIRE LEAGUE. 227 00:13:20,643 --> 00:13:22,221 I'M NOT THAT INTERESTED IN FOOTBALL THESE DAYS. 228 00:13:22,245 --> 00:13:23,422 YOU KNOW, WHITNEY, IF YOU'RE UP FOR IT, 229 00:13:23,446 --> 00:13:25,094 I'D LOVE TO SET UP 230 00:13:25,118 --> 00:13:26,595 AN EXCLUSIVE INTERVIEW WITH YOU FOR THE "TORCH." 231 00:13:26,619 --> 00:13:29,357 I ACTUALLY DON'T REMEMBER THAT MUCH, 232 00:13:29,381 --> 00:13:32,701 AND WHAT I DO REMEMBER, I'D RATHER NOT TALK ABOUT. 233 00:13:32,725 --> 00:13:35,203 NOW THAT I'M BACK HOME, I'D RATHER FOCUS 234 00:13:35,227 --> 00:13:37,506 ON THE MORE IMPORTANT THINGS IN LIFE. 235 00:13:37,530 --> 00:13:39,432 GREAT. 236 00:13:43,136 --> 00:13:44,374 HEY, CLARK. 237 00:13:44,398 --> 00:13:46,316 WHITNEY, GOOD TO HAVE YOU BACK. 238 00:13:46,340 --> 00:13:47,648 Boy: HEY, FORDMAN! 239 00:13:47,672 --> 00:13:50,220 THERE YOU ARE! HEY, DUDE! HOW YOU BEEN, MAN? 240 00:13:50,244 --> 00:13:52,352 LISTEN, CLARK, ABOUT SATURDAY... 241 00:13:52,376 --> 00:13:54,278 NO, IT'S OKAY. I UNDERSTAND. 242 00:13:56,150 --> 00:13:59,129 WHAT'S GOING ON THIS SATURDAY? 243 00:13:59,153 --> 00:14:00,355 NOTHING. 244 00:14:03,557 --> 00:14:07,197 I TAKE IT YOU TWO SAW A LOT OF EACH OTHER WHILE I WAS GONE. 245 00:14:07,221 --> 00:14:08,624 NO, NOT ESPECIALLY. 246 00:14:10,265 --> 00:14:12,467 CLARK AND I ARE JUST FRIENDS, WHITNEY. 247 00:14:16,701 --> 00:14:21,206 I'M GOING TO GET SOME PUNCH. 248 00:14:32,389 --> 00:14:34,721 HOW COULD I HAVE BEEN SO STUPID?! 249 00:14:44,562 --> 00:14:46,310 WHITNEY, WHAT'S GOING ON? 250 00:14:46,334 --> 00:14:47,640 WHAT'S GOING ON WITH YOU AND LANA? 251 00:14:47,664 --> 00:14:49,243 NOTHING. 252 00:14:49,267 --> 00:14:50,443 WHITNEY, I KEPT MY PROMISE TO YOU. 253 00:14:50,467 --> 00:14:52,516 I LOOKED OUT FOR HER. THAT'S IT. 254 00:14:52,540 --> 00:14:54,589 OH, YEAH, YOU'RE A REAL CLASS ACT, KENT. 255 00:14:54,613 --> 00:14:56,321 I GO OFF AND FIGHT FOR MY COUNTRY, 256 00:14:56,345 --> 00:14:58,722 AND YOU STAB ME IN THE BACK BY TRYING TO STEAL MY GIRL. 257 00:14:58,746 --> 00:15:01,196 THAT'S NOT WHAT HAPPENED. 258 00:15:01,220 --> 00:15:04,759 HOW'D YOU DO THAT TO THE DOOR? 259 00:15:04,783 --> 00:15:06,601 I'M A TRAINED U.S. MARINE, CLARK. 260 00:15:06,625 --> 00:15:08,386 THERE'S A LOT OF THINGS I CAN DO. 261 00:15:10,288 --> 00:15:12,731 STAY AWAY FROM LANA. 262 00:15:23,604 --> 00:15:27,423 LANA, WE NEED TO TALK. 263 00:15:27,447 --> 00:15:29,255 ABOUT WHAT HAPPENED LAST NIGHT IN THE TALON? 264 00:15:29,279 --> 00:15:31,258 YOU COULD HAVE APOLOGIZED OVER THE PHONE. 265 00:15:31,282 --> 00:15:32,558 WHAT ARE YOU TALKING ABOUT? 266 00:15:32,582 --> 00:15:33,689 WHITNEY TOLD ME HE WALKED IN ON YOU 267 00:15:33,713 --> 00:15:35,391 TEARING APART THE BATHROOM. 268 00:15:35,415 --> 00:15:37,433 HE SAID YOU WERE IN SOME KIND OF JEALOUS RAGE. 269 00:15:37,457 --> 00:15:39,365 NO, WHITNEY WAS THE ONE TEARING UP THE BATHROOM. 270 00:15:39,389 --> 00:15:41,599 HE SAID YOU TOLD HIM TO STAY AWAY FROM ME, CLARK. 271 00:15:41,623 --> 00:15:42,740 WHAT? 272 00:15:42,764 --> 00:15:44,601 I DIDN'T SAY THAT. HE'S LYING. 273 00:15:44,625 --> 00:15:46,644 AFTER EVERYTHING HE'S BEEN THROUGH, 274 00:15:46,668 --> 00:15:48,605 NOW YOU'RE CALLING HIM A LIAR? 275 00:15:48,629 --> 00:15:50,532 I CAN'T BELIEVE YOU. 276 00:16:20,433 --> 00:16:24,307 [ DOORBELL RINGS ] 277 00:16:26,571 --> 00:16:29,389 MA'AM, I'M LIEUTENANT McNULTY, UNITED STATES MARINE CORPS. 278 00:16:29,413 --> 00:16:30,591 MAY I COME IN? 279 00:16:30,615 --> 00:16:32,293 YES, OF COURSE. 280 00:16:32,317 --> 00:16:33,447 THANK YOU. 281 00:16:39,584 --> 00:16:42,332 ARE YOU HERE TO SEE WHITNEY? 282 00:16:42,356 --> 00:16:43,705 I BEG YOUR PARDON? 283 00:16:43,729 --> 00:16:45,490 HEY, WHAT'S UP, LIEUTENANT? 284 00:16:47,332 --> 00:16:48,740 THERE MUST BE SOME MISTAKE. 285 00:16:48,764 --> 00:16:50,772 MISTAKE? WHAT DO YOU MEAN? 286 00:16:50,796 --> 00:16:53,445 ACCORDING TO MY SUPERIORS, YOUR SON IS ACTUALLY... 287 00:16:53,469 --> 00:16:56,602 [ SCREAMING ] 288 00:17:07,954 --> 00:17:10,734 OH, I HAVEN'T SEEN HEISMAN IN SO LONG. 289 00:17:10,758 --> 00:17:12,334 HEY. 290 00:17:12,358 --> 00:17:15,399 HA HA HA. 291 00:17:15,423 --> 00:17:17,400 YOU KNOW WHAT I MISSED THE MOST? 292 00:17:17,424 --> 00:17:18,572 TIMES LIKE THESE, 293 00:17:18,596 --> 00:17:20,367 WHEN IT'S JUST THE TWO OF US. 294 00:17:23,902 --> 00:17:25,609 HEY, YOU'RE WEARING YOUR NECKLACE. 295 00:17:25,633 --> 00:17:27,611 WHENEVER I PICTURED YOU IN MY MIND, 296 00:17:27,635 --> 00:17:29,352 YOU ALWAYS HAD IT ON. 297 00:17:29,376 --> 00:17:31,616 WELL, I HAVEN'T WORN IT SINCE THEY SENT IT BACK. 298 00:17:31,640 --> 00:17:34,359 I WANTED TO KNOW THAT YOU WERE SAFE FIRST. 299 00:17:34,383 --> 00:17:35,820 SENT BACK? 300 00:17:35,844 --> 00:17:37,722 OH, I-I GAVE IT TO YOU 301 00:17:37,746 --> 00:17:39,393 WHEN YOU LEFT FOR BASIC TRAINING. 302 00:17:39,417 --> 00:17:40,765 THEY SENT IT BACK TO YOUR MOM 303 00:17:40,789 --> 00:17:42,692 WHEN YOU WERE LISTED AS MISSING. 304 00:17:44,653 --> 00:17:46,502 WHY CAN'T I REMEMBER? 305 00:17:46,526 --> 00:17:50,406 I KNOW HOW HARD THIS MUST BE FOR YOU. 306 00:17:50,430 --> 00:17:52,507 ISN'T THE IMPORTANT THING THAT YOU'RE ALIVE? 307 00:17:52,531 --> 00:17:54,851 YOU KNOW, THAT YOU'RE BACK WITH PEOPLE THAT CARE ABOUT YOU? 308 00:17:57,968 --> 00:18:01,418 LANA, I'VE BEEN THINKING. 309 00:18:01,442 --> 00:18:03,949 NOW THAT NELL'S GONE, MAYBE... 310 00:18:03,973 --> 00:18:05,945 MAYBE WE SHOULD MOVE IN TOGETHER. 311 00:18:09,779 --> 00:18:13,423 WHITNEY, WE... WE CAN'T MOVE IN TOGETHER. 312 00:18:15,787 --> 00:18:17,735 THIS IS ABOUT CLARK, ISN'T IT? 313 00:18:17,759 --> 00:18:19,937 I TOLD YOU, CLARK AND I ARE JUST FRIENDS. 314 00:18:19,961 --> 00:18:21,539 HE'S GOT SECRETS, LANA. 315 00:18:21,563 --> 00:18:23,440 WHAT KIND OF SECRETS? 316 00:18:23,464 --> 00:18:25,543 YOU SHOULD BE CAREFUL OF HIM 'CAUSE HE'S NOT WHAT HE SEEMS. 317 00:18:25,567 --> 00:18:27,514 HOW DO YOU KNOW? 318 00:18:27,538 --> 00:18:29,000 CAN WE JUST NOT TALK ABOUT CLARK? 319 00:18:30,903 --> 00:18:33,421 LANA, I'M... I'M SORRY. I DIDN'T... 320 00:18:33,445 --> 00:18:34,683 I DIDN'T MEAN TO FREAK YOU OUT 321 00:18:34,707 --> 00:18:36,554 WITH THAT WHOLE MOVING IN THING. 322 00:18:36,578 --> 00:18:39,551 I JUST... I JUST WANT TO BE WITH YOU ALL THE TIME. 323 00:18:41,784 --> 00:18:43,757 IT'S OKAY. 324 00:18:53,467 --> 00:18:55,475 WHO KNOWS WHAT KIND OF INSIDE INFORMATION 325 00:18:55,499 --> 00:18:58,072 SHE'S GIVEN HIM ABOUT MY COMPANY. 326 00:18:59,573 --> 00:19:02,552 LEX, YOU'VE BEEN DATING HELEN FOR A WHILE, 327 00:19:02,576 --> 00:19:04,455 BUT NOTHING YOU EVER TOLD ME ABOUT HER 328 00:19:04,479 --> 00:19:06,740 WOULD LEAD ME TO BELIEVE SHE'S THE ESPIONAGE TYPE. 329 00:19:08,913 --> 00:19:11,661 ONE DAY YOU'LL LEARN THE FRUSTRATING TRUTH, CLARK... 330 00:19:11,685 --> 00:19:13,694 PEOPLE ARE SELDOM WHOM THEY APPEAR TO BE. 331 00:19:13,718 --> 00:19:16,828 DID SHE GIVE YOU ANY KIND OF EXPLANATION? 332 00:19:16,852 --> 00:19:18,499 DIDN'T GET THAT FAR. 333 00:19:18,523 --> 00:19:20,031 WHEN SHE LEARNED THAT I HAD HER INVESTIGATED, 334 00:19:20,055 --> 00:19:21,872 SHE TURNED HOSTILE AND STORMED OUT. 335 00:19:21,896 --> 00:19:23,033 IF I KNEW SOMEONE WAS INVESTIGATING ME, 336 00:19:23,057 --> 00:19:24,660 I'D BE A LITTLE TICKED OFF, TOO. 337 00:19:26,932 --> 00:19:29,041 YOU WANT TO KNOW THE MOST PATHETIC PART ABOUT IT? 338 00:19:29,065 --> 00:19:31,582 IT WAS THE FIRST TIME I ACTUALLY PICTURED 339 00:19:31,606 --> 00:19:35,487 A FUTURE WITH A WOMAN BEYOND TWO MONTHS. 340 00:19:35,511 --> 00:19:37,749 DID YOU ASK HER TO EXPLAIN HER SIDE OF THE STORY? 341 00:19:37,773 --> 00:19:40,753 IT MAY NOT BE WHAT IT LOOKS LIKE. 342 00:19:40,777 --> 00:19:44,697 I WISH I SHARED YOUR ETERNAL OPTIMISM, CLARK. 343 00:19:44,721 --> 00:19:47,600 I'M NOT SURE HOW MUCH OF AN OPTIMIST I'VE BEEN LATELY. 344 00:19:47,624 --> 00:19:49,802 AND NOW THAT THE QUARTERBACK'S RETURNED, 345 00:19:49,826 --> 00:19:51,959 YOU'RE BACK AT YOUR OWN ONE-YARD LINE WITH LANA? 346 00:19:53,790 --> 00:19:55,569 BE PATIENT. 347 00:19:55,593 --> 00:19:57,765 MOST QUARTERBACKS' CAREERS DON'T LAST THAT LONG. 348 00:19:59,537 --> 00:20:01,976 IT'S NOT JUST THAT. 349 00:20:02,000 --> 00:20:03,947 I MEAN, I'M WORRIED ABOUT HIM. 350 00:20:03,971 --> 00:20:06,880 SINCE HE'S BEEN BACK, HE'S BEEN ACTING BIZARRE, 351 00:20:06,904 --> 00:20:09,052 LIKE HE'S SOMEONE ELSE. 352 00:20:09,076 --> 00:20:11,656 HE MIGHT BE SUFFERING FROM POST-TRAUMATIC STRESS. 353 00:20:11,680 --> 00:20:13,888 SOME OF MY EMPLOYEES WENT THROUGH IT AFTER THE TORNADO. 354 00:20:13,912 --> 00:20:15,729 I SENT THEM TO A SPECIALIST IN METROPOLIS. 355 00:20:15,753 --> 00:20:16,992 THEY'RE ALL DOING MUCH BETTER. 356 00:20:17,016 --> 00:20:18,934 MAYBE THE SPECIALIST COULD HELP WHITNEY. 357 00:20:18,958 --> 00:20:20,735 IT'S WORTH A TRY. 358 00:20:20,759 --> 00:20:22,638 IF YOU WANT, I CAN GET HIM AN APPOINTMENT THIS WEEK. 359 00:20:22,662 --> 00:20:25,070 YEAH, THANKS. 360 00:20:25,094 --> 00:20:27,543 WHAT HAPPENED TO YOU? 361 00:20:27,567 --> 00:20:30,106 ANSWER THE QUESTION! 362 00:20:30,130 --> 00:20:32,778 WHAT IS MY FAVORITE RADIO STATION?! 363 00:20:32,802 --> 00:20:34,110 I DON'T KNOW. 364 00:20:34,134 --> 00:20:35,952 WHEN I GET IN THE CAR WITH LANA, 365 00:20:35,976 --> 00:20:38,554 THAT RADIO HAS TO BE ON THE RIGHT STATION. 366 00:20:38,578 --> 00:20:39,740 WHAT IS IT?! 367 00:20:41,181 --> 00:20:44,591 IT'S THE ONE THAT PLAYS THE LOUD ROCK. 368 00:20:44,615 --> 00:20:46,592 I THINK THAT THERE'S A STI... 369 00:20:46,616 --> 00:20:49,827 THERE'S A STICKER ON ONE OF YOUR OLD SCHOOLBOOKS. 370 00:20:49,851 --> 00:20:51,899 PLEASE...[ SOBS ] 371 00:20:51,923 --> 00:20:53,924 [ DOORBELL RINGS ] 372 00:21:01,032 --> 00:21:03,865 [ DOORBELL RINGS ] 373 00:21:07,108 --> 00:21:10,047 WHAT DO YOU WANT NOW, KENT? 374 00:21:10,071 --> 00:21:12,020 LOOK, WHITNEY, 375 00:21:12,044 --> 00:21:13,992 I KNOW WE'VE HAD OUR DIFFERENCES IN THE PAST, 376 00:21:14,016 --> 00:21:15,724 BUT BEFORE YOU LEFT SMALLVILLE, 377 00:21:15,748 --> 00:21:17,025 I THOUGHT WE'D COME TO AN UNDERSTANDING. 378 00:21:17,049 --> 00:21:18,898 I'M WORRIED ABOUT YOU. WORRIED ABOUT WHAT? 379 00:21:18,922 --> 00:21:20,599 YOU'VE BEEN THROUGH A LOT, AND LEX LUTHOR TOLD ME 380 00:21:20,623 --> 00:21:22,200 ABOUT THIS DOCTOR WHO DEALS WITH PEOPLE 381 00:21:22,224 --> 00:21:24,062 WITH POST-TRAUMATIC STRESS DISORDER. 382 00:21:24,086 --> 00:21:25,705 CLARK, IF THIS IS YOUR WAY OF TRYING 383 00:21:25,729 --> 00:21:27,106 TO BREAK ME AND LANA UP, IT'S NOT GOING TO WORK. 384 00:21:27,130 --> 00:21:28,868 I KNOW YOU'VE GOT A THING FOR HER. YOU ALWAYS HAVE. 385 00:21:28,892 --> 00:21:31,170 IT'S ONE OF CLARK KENT'S MANY SECRETS. 386 00:21:31,194 --> 00:21:34,014 WHITNEY, THIS HAS NOTHING TO DO WITH LANA. 387 00:21:34,038 --> 00:21:35,614 YOU NEED HELP. 388 00:21:35,638 --> 00:21:38,772 WHAT I NEED IS FOR YOU TO STAY OUT OF MY LIFE. 389 00:22:03,769 --> 00:22:05,932 [ WHIMPERING ] 390 00:22:09,806 --> 00:22:11,237 SHUT UP! 391 00:22:12,939 --> 00:22:15,056 Clark: HEY. 392 00:22:15,080 --> 00:22:16,918 CLARK. WHAT'S GOING ON? 393 00:22:16,942 --> 00:22:18,690 LOOK, I KNOW THIS MAY SOUND CRAZY, 394 00:22:18,714 --> 00:22:20,062 BUT WHITNEY MAY NOT BE WHITNEY. 395 00:22:20,086 --> 00:22:21,895 ARE YOU GETTING EXISTENTIAL ON US, 396 00:22:21,919 --> 00:22:23,897 OR IS THIS WALL OF WEIRD MATERIAL? 397 00:22:23,921 --> 00:22:25,227 I THINK HE'S TINA GREER. 398 00:22:25,251 --> 00:22:27,070 THE MIGHTY MORPHING POWER GIRL? 399 00:22:27,094 --> 00:22:28,071 WHAT? 400 00:22:28,095 --> 00:22:29,302 THE GIRL WHO WAS LEX 401 00:22:29,326 --> 00:22:30,803 AND THEN LANA AND THEN LOCKED UP. 402 00:22:30,827 --> 00:22:32,775 I KNOW WHO SHE IS, BUT IT'S IMPOSSIBLE. 403 00:22:32,799 --> 00:22:34,808 WHY? SHE WAS OBSESSED WITH LANA, REMEMBER? 404 00:22:34,832 --> 00:22:36,810 MAYBE SHE ESCAPED FROM THE HOSPITAL TO SEE HER AGAIN. 405 00:22:36,834 --> 00:22:38,181 WHO BETTER TO IMPERSONATE THAN WHITNEY? 406 00:22:38,205 --> 00:22:39,843 CLARK, THERE'S NO WAY 407 00:22:39,867 --> 00:22:41,245 THAT SHE COULD HAVE PULLED A MARTIN GUERRE. 408 00:22:41,269 --> 00:22:42,716 WHY NOT? 'CAUSE SHE'S DEAD. 409 00:22:42,740 --> 00:22:43,918 WHAT? 410 00:22:43,942 --> 00:22:45,188 SHE COMMITTED SUICIDE LAST WEEK. 411 00:22:45,212 --> 00:22:46,291 I'M RUNNING A STORY ON IT ON PAGE 2. 412 00:22:46,315 --> 00:22:47,722 WHAT HAPPENED? 413 00:22:47,746 --> 00:22:49,224 THE AUTHORITIES SAID THAT SHE WENT 414 00:22:49,248 --> 00:22:51,255 INTO THE ART THERAPY ROOM IN THE PSYCHIATRIC HOSPITAL, 415 00:22:51,279 --> 00:22:53,027 DOUSED HERSELF IN PAINT THINNER, 416 00:22:53,051 --> 00:22:54,299 AND LIT A MATCH. 417 00:22:54,323 --> 00:22:56,101 OKAY, NOW THAT'S NASTY. 418 00:22:56,125 --> 00:22:58,302 I KNOW. TINA WROTE A NOTE 419 00:22:58,326 --> 00:23:00,165 SAYING THAT SHE JUST DIDN'T KNOW WHO SHE WAS ANYMORE. 420 00:23:00,189 --> 00:23:02,237 SHE COULDN'T TAKE IT. 421 00:23:02,261 --> 00:23:04,263 DID THEY I.D. HER DENTAL RECORDS? 422 00:23:10,170 --> 00:23:13,879 THERE'S SOMETHING ELSE ABOUT TINA. 423 00:23:13,903 --> 00:23:16,322 I THINK SHE MAY KNOW ABOUT MY ABILITIES. 424 00:23:16,346 --> 00:23:17,883 YOU THINK? 425 00:23:17,907 --> 00:23:19,255 WELL, I HAD TO USE THEM TO STOP HER. 426 00:23:19,279 --> 00:23:20,786 WHEN SHE WAS DECLARED INSANE, 427 00:23:20,810 --> 00:23:22,228 I FIGURED I DIDN'T HAVE TO WORRY. 428 00:23:22,252 --> 00:23:23,890 WELL, YOU GOT TO WORRY NOW. 429 00:23:23,914 --> 00:23:25,993 WHAT ABOUT THE METEOR ROCKS? DOES SHE KNOW? 430 00:23:26,017 --> 00:23:28,294 YEAH, SHE USED LANA'S NECKLACE AGAINST ME. 431 00:23:28,318 --> 00:23:30,167 YOU BETTER BE CAREFUL, MAN. 432 00:23:30,191 --> 00:23:32,099 I'M GOING TO GO FIND TINA. YOU WARN LANA. 433 00:23:32,123 --> 00:23:35,342 WARN ME ABOUT WHAT? 434 00:23:35,366 --> 00:23:39,276 LANA, THIS MAY BE HARD FOR YOU TO UNDERSTAND, BUT... 435 00:23:39,300 --> 00:23:41,349 WE THINK THAT WHITNEY'S ACTUALLY TINA GREER. 436 00:23:41,373 --> 00:23:44,151 WHY WOULD YOU SAY THAT? 437 00:23:44,175 --> 00:23:47,155 YOU JUST HAVE TO BELIEVE ME. 438 00:23:47,179 --> 00:23:48,917 THIS IS JUST INSANE. 439 00:23:48,941 --> 00:23:50,988 I KNOW IT'S A LOT TO PROCESS, 440 00:23:51,012 --> 00:23:52,291 BUT IT'S TRUE. 441 00:23:52,315 --> 00:23:55,093 I'M GOING TO THE FORDMANS'. 442 00:23:55,117 --> 00:23:57,790 YOU STAY HERE WITH PETE UNTIL I GET BACK. 443 00:24:02,255 --> 00:24:04,172 I NEED SOME TIME ALONE. 444 00:24:04,196 --> 00:24:07,907 I UNDERSTAND, LANA, BUT THAT FREAK IS DANGEROUS. 445 00:24:07,931 --> 00:24:09,202 I KNOW. 446 00:24:20,315 --> 00:24:23,077 YOU'RE TINA. 447 00:24:39,394 --> 00:24:42,945 WHO ARE YOU CALLING A FREAK? 448 00:24:42,969 --> 00:24:44,176 [ DOORBELL RINGS ] 449 00:24:44,200 --> 00:24:46,172 MRS. FORDMAN? 450 00:24:56,452 --> 00:24:59,832 MRS. FORDMAN? 451 00:24:59,856 --> 00:25:02,294 [ MUFFLED SCREAMING ] 452 00:25:02,318 --> 00:25:03,436 MRS. FORDMAN. 453 00:25:03,460 --> 00:25:05,369 ARE YOU OKAY? 454 00:25:05,393 --> 00:25:06,870 WHERE'S WHITNEY? 455 00:25:06,894 --> 00:25:08,841 I DON'T KNOW. 456 00:25:08,865 --> 00:25:11,304 WHEREVER IT IS, IT IS NOT MY SON. 457 00:25:11,328 --> 00:25:15,109 THAT GIRL... SHE'S SOME KIND OF MONSTER. 458 00:25:15,133 --> 00:25:16,110 OKAY. 459 00:25:16,134 --> 00:25:17,881 [ SOBBING ] 460 00:25:17,905 --> 00:25:20,254 LANA, WE HAVE TO TALK. 461 00:25:20,278 --> 00:25:21,916 UH, COULD YOU GIVE ME A SECOND? 462 00:25:21,940 --> 00:25:26,860 IT'S KIND OF... IT CAN'T WAIT. SIT DOWN. 463 00:25:26,884 --> 00:25:27,885 LANA... 464 00:25:31,921 --> 00:25:33,869 WILL YOU MARRY ME? 465 00:25:33,893 --> 00:25:35,870 I-I UNDERSTOOD 466 00:25:35,894 --> 00:25:38,173 WHY YOU DIDN'T WANT TO MOVE IN TOGETHER, 467 00:25:38,197 --> 00:25:40,976 BUT NOW IT'LL BE LEGAL, AND WE CAN ELOPE. 468 00:25:41,000 --> 00:25:42,277 WE CAN GET OUT OF SMALLVILLE. 469 00:25:42,301 --> 00:25:44,310 WHITNEY, THIS... THIS IS CRAZY, YOU KNOW? 470 00:25:44,334 --> 00:25:45,982 I'M STILL IN HIGH SCHOOL. 471 00:25:46,006 --> 00:25:48,043 MY MOM WAS ONLY 16 WHEN SHE MARRIED MY DAD. 472 00:25:48,067 --> 00:25:49,308 THIS IS HER RING. 473 00:25:53,173 --> 00:25:54,345 I'M SORRY. 474 00:25:55,476 --> 00:25:57,093 I CAN'T ACCEPT IT. 475 00:25:57,117 --> 00:25:58,980 WHY NOT? 476 00:26:02,182 --> 00:26:04,160 WHITNEY, THAT... 477 00:26:04,184 --> 00:26:06,263 THAT VIDEO LETTER I SENT YOU... 478 00:26:06,287 --> 00:26:09,466 THERE WERE SOME THINGS THAT I SAID THAT... 479 00:26:09,490 --> 00:26:11,438 THAT I CAN'T KEEP FROM YOU ANYMORE. 480 00:26:11,462 --> 00:26:13,041 LIKE WHAT? 481 00:26:13,065 --> 00:26:16,067 I SAID THAT I... 482 00:26:20,102 --> 00:26:23,180 I TOLD YOU I THOUGHT WE SHOULD GO OUR SEPARATE WAYS. 483 00:26:23,204 --> 00:26:24,953 I DIDN'T WANT TO SAY ANYTHING 484 00:26:24,977 --> 00:26:26,385 WHEN YOU SAID YOU COULDN'T REMEMBER. 485 00:26:26,409 --> 00:26:28,927 YOU JUST... YOU HAD BEEN THROUGH SO MUCH, 486 00:26:28,951 --> 00:26:31,189 AND I DIDN'T WANT TO HURT YOU LIKE THAT. 487 00:26:31,213 --> 00:26:35,494 I WILL ALWAYS CARE ABOUT YOU, WHITNEY. 488 00:26:35,518 --> 00:26:37,235 BUT YOU CARE MORE ABOUT CLARK. 489 00:26:37,259 --> 00:26:39,138 THIS HAS NOTHING TO DO WITH CLARK. 490 00:26:39,162 --> 00:26:41,124 DON'T LIE TO ME. 491 00:26:42,496 --> 00:26:44,204 LOOK ME IN THE EYE AND TELL ME 492 00:26:44,228 --> 00:26:45,970 YOU DON'T HAVE FEELINGS FOR HIM. 493 00:26:48,332 --> 00:26:51,005 I HAVE TO GET BACK TO WORK. 494 00:26:53,436 --> 00:26:57,216 IT'S OKAY. IT'S OKAY. 495 00:26:57,240 --> 00:27:01,161 ONE THING COMBAT TAUGHT ME IS HOW TO, UH... 496 00:27:01,185 --> 00:27:04,118 DEAL WITH LOSS AND MOVE ON. 497 00:27:06,020 --> 00:27:07,491 I'M SORRY. 498 00:27:09,555 --> 00:27:12,504 IF I COULD JUST ASK YOU FOR ONE THING... 499 00:27:12,528 --> 00:27:15,506 OF COURSE. 500 00:27:15,530 --> 00:27:18,209 YOUR NECKLACE. 501 00:27:18,233 --> 00:27:20,111 DO YOU THINK I COULD HAVE IT? 502 00:27:20,135 --> 00:27:23,014 JUST AS SOMETHING TO REMEMBER YOU BY. 503 00:27:23,038 --> 00:27:25,016 I KNOW IT MEANS A LOT TO YOU. 504 00:27:25,040 --> 00:27:28,044 IT DOES. 505 00:27:32,419 --> 00:27:35,082 THAT'S WHY I WANT YOU TO HAVE IT. 506 00:27:48,635 --> 00:27:51,175 HEY, DAD. 507 00:27:51,199 --> 00:27:53,147 OH, HI, CLARK. 508 00:27:53,171 --> 00:27:55,580 SAY, HOW'S MRS. FORDMAN DOING? 509 00:27:55,604 --> 00:27:58,483 WELL, THEY NEED TO KEEP HER OVERNIGHT. 510 00:27:58,507 --> 00:28:00,425 SHE'S PRETTY FREAKED OUT BY THIS WHOLE THING. 511 00:28:00,449 --> 00:28:02,526 WELL, WHO COULD BLAME HER, RIGHT? 512 00:28:02,550 --> 00:28:07,191 OH, UH... ANY IDEA WHERE TINA IS NOW? 513 00:28:07,215 --> 00:28:09,264 NO. 514 00:28:09,288 --> 00:28:11,095 SHE COULD BE ANYONE. 515 00:28:11,119 --> 00:28:14,168 YEAH. 516 00:28:14,192 --> 00:28:16,095 YOU'RE RIGHT ABOUT THAT. 517 00:28:26,375 --> 00:28:29,485 I ALWAYS WONDERED HOW YOU BEAT ME, CLARK. 518 00:28:29,509 --> 00:28:33,389 SHOULD BE DEAD, BUT YOU'RE NOT. 519 00:28:33,413 --> 00:28:36,487 THE METEOR SHOWER MUST HAVE DONE SOMETHING TO YOU, TOO. 520 00:28:38,689 --> 00:28:40,490 LOOKS PAINFUL. 521 00:28:44,194 --> 00:28:47,174 TINA, DON'T DO THIS. 522 00:28:47,198 --> 00:28:49,736 IF I WANT TO BE WITH LANA, 523 00:28:49,760 --> 00:28:53,180 I DON'T HAVE A CHOICE. 524 00:28:53,204 --> 00:28:57,044 LAST YEAR, YOU TRIED TO KILL HER. 525 00:28:57,068 --> 00:28:58,386 YEAH. 526 00:28:58,410 --> 00:29:00,649 IT WAS THE WORST MISTAKE OF MY LIFE. 527 00:29:00,673 --> 00:29:02,149 SHE REJECTED ME, 528 00:29:02,173 --> 00:29:04,121 AND I ACTED WITHOUT THINKING. 529 00:29:04,145 --> 00:29:07,795 BUT I LOVE HER, 530 00:29:07,819 --> 00:29:11,629 AND I'll DO ANYTHING TO BE WITH HER. 531 00:29:11,653 --> 00:29:15,428 I FINALLY FIGURED OUT WHO LANA WANTS TO BE WITH. 532 00:29:17,530 --> 00:29:19,668 IT'S GOING TO BE EASY TO BECOME YOU, CLARK. 533 00:29:19,692 --> 00:29:20,810 NO! 534 00:29:20,834 --> 00:29:22,472 STAY AWAY FROM HER! 535 00:29:22,496 --> 00:29:24,514 YOU HAVE THE PERFECT LIFE... 536 00:29:24,538 --> 00:29:27,818 GREAT PARENTS, GOOD FRIENDS, 537 00:29:27,842 --> 00:29:30,449 AND MOST IMPORTANTLY, THE GIRL OF OUR DREAMS 538 00:29:30,473 --> 00:29:33,106 WAITING FOR YOU TO FINALLY MAKE A MOVE. 539 00:29:39,854 --> 00:29:43,488 NO! 540 00:29:51,567 --> 00:29:54,569 I'M NOT USED TO PEOPLE IGNORING MY CALLS. 541 00:29:57,202 --> 00:29:58,610 I HAVE TO GET TO WORK. 542 00:29:58,634 --> 00:30:00,212 LOOK, YOU CAN AT LEAST OFFER ME 543 00:30:00,236 --> 00:30:01,754 SOME KIND OF EXPLANATION. 544 00:30:01,778 --> 00:30:04,556 YOUR FATHER DID APPROACH ME, LEX. 545 00:30:04,580 --> 00:30:07,159 HE DID OFFER ME MONEY, BUT NOT TO SPY ON YOU. 546 00:30:07,183 --> 00:30:08,660 THEN WHAT DID HE WANT? 547 00:30:08,684 --> 00:30:10,562 HE WANTED ME TO DUMP YOU. 548 00:30:10,586 --> 00:30:12,725 EVEN AFTER I TOLD HIM TO GO TO HELL, 549 00:30:12,749 --> 00:30:14,727 HE WIRED THE MONEY ANYWAY. 550 00:30:14,751 --> 00:30:16,468 SO I GUESS HE SUCCEEDED 551 00:30:16,492 --> 00:30:18,130 IN EXACTLY WHAT HE SET OUT TO DO... 552 00:30:18,154 --> 00:30:19,733 BREAK US UP. 553 00:30:19,757 --> 00:30:21,735 YOU'RE TELLING ME MY FATHER OFFERED YOU $100,000 554 00:30:21,759 --> 00:30:23,476 AGAINST YOUR WILL? 555 00:30:23,500 --> 00:30:24,838 WHY WOULD HE DO THAT? 556 00:30:24,862 --> 00:30:26,880 I CAN'T EVEN BEGIN TO FATHOM THE DEPTHS 557 00:30:26,904 --> 00:30:28,611 OF THE LUTHOR FAMILY PATHOLOGY. 558 00:30:28,635 --> 00:30:29,843 YOU COULD HAVE BEEN HONEST. YOU COULD HAVE TOLD ME. 559 00:30:29,867 --> 00:30:31,284 I WAS ABOUT TO, 560 00:30:31,308 --> 00:30:32,847 BUT BEFORE I COULD SAY A WORD, 561 00:30:32,871 --> 00:30:35,143 I REALIZED I WAS IN THE MIDDLE OF AN INTERROGATION. 562 00:30:38,277 --> 00:30:40,519 HELEN... 563 00:30:42,550 --> 00:30:44,258 IF I HAD KNOWN... 564 00:30:44,282 --> 00:30:46,531 NO, NO, NO, NO. I'M GLAD THAT THIS HAPPENED. 565 00:30:46,555 --> 00:30:48,627 IT SHOWED ME WHO I WAS REALLY DEALING WITH. 566 00:30:49,828 --> 00:30:52,236 YOU KNOW, I-I'VE DONE SOME PRETTY STUPID THINGS 567 00:30:52,260 --> 00:30:54,239 IN MY LIFE, BUT THIS COULD POSSIBLY 568 00:30:54,263 --> 00:30:56,212 WIN THE NOBEL PRIZE FOR STUPIDITY. 569 00:30:56,236 --> 00:30:59,568 I FELL FOR SOMEONE WHO NEVER REALLY EXISTED. 570 00:32:30,695 --> 00:32:32,898 [ DOOR OPENS ] 571 00:32:35,040 --> 00:32:36,348 HEY. 572 00:32:36,372 --> 00:32:38,020 I'M SORRY. I-I HOPE YOU DON'T MIND. 573 00:32:38,044 --> 00:32:41,684 I, UM, I NEED... I'M SOCK-DEPRIVED. 574 00:32:41,708 --> 00:32:43,755 ALL MY CLOTHES ARE STUCK ON SPIN. 575 00:32:43,779 --> 00:32:45,658 WELL, GO AHEAD. 576 00:32:45,682 --> 00:32:47,713 I GOT TO GO TO THE TALON AND CLOSE OUT. 577 00:32:50,917 --> 00:32:52,696 I BUMPED INTO WHITNEY. 578 00:32:52,720 --> 00:32:54,997 HE TOLD ME WHAT HAPPENED. 579 00:32:55,021 --> 00:32:57,841 IS HE OKAY? 580 00:32:57,865 --> 00:33:00,404 WELL, HE SAID YOU'RE NOT AN EASY GIRL TO GET OVER, 581 00:33:00,428 --> 00:33:02,775 BUT HE KNOWS YOU'LL BE HAPPY WITH CLARK. 582 00:33:02,799 --> 00:33:05,678 I TOLD HIM THIS HAS NOTHING TO DO WITH CLARK. 583 00:33:05,702 --> 00:33:06,950 COME ON, LANA. 584 00:33:06,974 --> 00:33:08,912 IT'S OBVIOUS YOU TWO BELONG TOGETHER. 585 00:33:08,936 --> 00:33:11,054 OKAY. 586 00:33:11,078 --> 00:33:13,682 NOW YOU'RE STARTING TO ACT STRANGE. 587 00:33:15,683 --> 00:33:16,920 WHY? 588 00:33:16,944 --> 00:33:18,924 WELL, GIVEN YOUR PAST HISTORY WITH CLARK, 589 00:33:18,948 --> 00:33:21,720 I'M SURPRISED YOU'RE SO EAGER TO PLAY MATCHMAKER. 590 00:33:27,727 --> 00:33:31,377 DON'T THINK IT'S EASY FOR ME, LANA. 591 00:33:31,401 --> 00:33:33,738 I JUST DON'T WANT TO STAND IN THE WAY 592 00:33:33,762 --> 00:33:35,765 OF WHAT'S MEANT TO BE. 593 00:33:40,810 --> 00:33:42,011 SORRY. 594 00:33:47,978 --> 00:33:51,958 CLARK? 595 00:33:51,982 --> 00:33:54,061 HE'S DOWN HERE! 596 00:33:54,085 --> 00:33:55,462 CLARK. 597 00:33:55,486 --> 00:33:57,363 SON. 598 00:33:57,387 --> 00:33:58,936 ARE YOU ALL RIGHT? WHAT HAPPENED? 599 00:33:58,960 --> 00:34:00,107 THE SHIP SAVED ME. 600 00:34:00,131 --> 00:34:01,708 HOW'D IT DO THAT? 601 00:34:01,732 --> 00:34:02,939 I DON'T KNOW, 602 00:34:02,963 --> 00:34:05,096 BUT LOOK WHAT IT DID TO THE NECKLACE. 603 00:34:07,769 --> 00:34:09,847 I HAVE TO SAVE LANA. 604 00:34:09,871 --> 00:34:11,103 WAIT A MINUTE. CLARK... 605 00:34:33,065 --> 00:34:34,443 HEY. 606 00:34:34,467 --> 00:34:36,745 SORRY. DID I SCARE YOU? 607 00:34:36,769 --> 00:34:40,103 NO, I JUST... I WASN'T EXPECTING TO SEE ANYONE THIS LATE. 608 00:34:42,505 --> 00:34:44,814 HEY, LANA, THERE'S SOMETHING I SHOULD TELL YOU. 609 00:34:44,838 --> 00:34:46,816 WHEN I SAW YOU WITH WHITNEY, 610 00:34:46,840 --> 00:34:48,519 I REALIZED THAT IF I DIDN'T ACT 611 00:34:48,543 --> 00:34:50,914 ON MY TRUE FEELINGS, I COULD LOSE YOU FOREVER. 612 00:34:52,786 --> 00:34:54,995 DID SOMEONE PUT SOMETHING IN THE SMALLVILLE WATER SUPPLY? 613 00:34:55,019 --> 00:34:57,869 'CAUSE EVERYONE'S ACTING REALLY STRANGE TODAY. 614 00:34:57,893 --> 00:35:00,171 I'M ACTING THE WAY I SHOULD HAVE ACTED 615 00:35:00,195 --> 00:35:02,073 THE FIRST TIME I MET YOU. 616 00:35:02,097 --> 00:35:04,159 LANA, I LOVE YOU. 617 00:35:15,010 --> 00:35:17,443 CLARK. 618 00:35:31,889 --> 00:35:33,035 GET AWAY FROM HER! 619 00:35:33,059 --> 00:35:35,209 WHAT'S GOING ON? 620 00:35:35,233 --> 00:35:36,939 NOTHING. I'll EXPLAIN EVERYTHING WHEN I GET YOU AWAY FROM TINA. 621 00:35:36,963 --> 00:35:39,043 NO, LANA, THAT'S TINA. 622 00:35:39,067 --> 00:35:41,644 LANA, IT'S ME... CLARK. DON'T LISTEN TO HIM. HE'S LYING. 623 00:35:41,668 --> 00:35:43,902 THE GUY WHO FIXED THE LEAKY DRAINPIPE. 624 00:35:45,043 --> 00:35:47,120 NO. 625 00:35:47,144 --> 00:35:48,923 WE'RE SUPPOSED TO BE TOGETHER. 626 00:35:48,947 --> 00:35:50,909 STAY AWAY FROM ME, YOU FREAK! 627 00:35:56,815 --> 00:35:58,217 YOU RUINED EVERYTHING! 628 00:36:09,699 --> 00:36:12,678 I'M GOING TO KICK YOUR ASS, KENT! 629 00:36:12,702 --> 00:36:14,173 BRING IT ON. 630 00:36:50,012 --> 00:36:51,919 TINA! 631 00:36:51,943 --> 00:36:54,091 LISTEN TO ME. 632 00:36:54,115 --> 00:36:55,994 YOU DON'T HAVE TO DO THIS. YOU CAN STOP. 633 00:36:56,018 --> 00:36:57,079 I CAN HELP YOU. 634 00:37:01,023 --> 00:37:04,226 WHY DON'T YOU JUST DIE?! 635 00:37:13,567 --> 00:37:14,898 TINA. 636 00:37:21,976 --> 00:37:25,055 TAKE CARE OF LANA. 637 00:37:25,079 --> 00:37:26,311 [ GASPS ] 638 00:37:31,856 --> 00:37:34,219 [ COWS MOOING ] 639 00:37:43,898 --> 00:37:46,778 HOW IS MRS. FORDMAN? 640 00:37:46,802 --> 00:37:49,311 UH... 641 00:37:49,335 --> 00:37:52,084 THE MILITARY OFFICER THAT TINA MURDERED 642 00:37:52,108 --> 00:37:53,785 WAS COMING TO TELL MRS. FORDMAN 643 00:37:53,809 --> 00:37:57,820 THAT THEY HAD FOUND WHITNEY'S BODY. 644 00:37:57,844 --> 00:37:59,322 WHITNEY DIED IN COMBAT, SWEETIE. 645 00:37:59,346 --> 00:38:01,294 OH, MY GOD. 646 00:38:01,318 --> 00:38:03,095 OH, THAT'S HORRIBLE. 647 00:38:03,119 --> 00:38:04,351 YEAH. 648 00:38:07,353 --> 00:38:10,303 CLARK? 649 00:38:10,327 --> 00:38:13,807 HAVE YOU SEEN LANA? 650 00:38:13,831 --> 00:38:16,110 CHLOE SAID SHE'S NOT READY TO SEE ANYONE YET. 651 00:38:16,134 --> 00:38:18,381 SWEETHEART, ARE... ARE YOU ALL RIGHT? 652 00:38:18,405 --> 00:38:22,215 I JUST CAN'T HELP THINKING THAT... 653 00:38:22,239 --> 00:38:25,148 WHITNEY'S SKIN WASN'T BULLETPROOF. 654 00:38:25,172 --> 00:38:26,851 HIS BONES WEREN'T UNBREAKABLE, 655 00:38:26,875 --> 00:38:28,352 BUT HE STILL PUT HIMSELF IN HARM'S WAY 656 00:38:28,376 --> 00:38:31,226 SO THE WORLD COULD BE SAFER. 657 00:38:31,250 --> 00:38:33,028 I WONDER IF I DIDN'T HAVE MY ABILITIES, 658 00:38:33,052 --> 00:38:34,652 IF I'D HAVE THAT SAME KIND OF COURAGE. 659 00:38:44,994 --> 00:38:49,314 SON, THERE IS NO DOUBT IN OUR MINDS 660 00:38:49,338 --> 00:38:51,340 THAT YOU WOULD. 661 00:39:18,469 --> 00:39:20,077 LEX. 662 00:39:20,101 --> 00:39:22,249 WHAT I DID WAS INEXCUSABLE. 663 00:39:22,273 --> 00:39:25,282 I VIOLATED YOUR PRIVACY. I SHOULD HAVE TRUSTED YOU. 664 00:39:25,306 --> 00:39:28,186 IT'S A LITTLE LATE FOR APOLOGIES. 665 00:39:28,210 --> 00:39:30,057 FROM THE TIME I WAS BORN, 666 00:39:30,081 --> 00:39:33,291 I WAS RAISED IN AN ENVIRONMENT OF SUSPICION AND DISTRUST. 667 00:39:33,315 --> 00:39:35,193 MY FATHER TAUGHT ME TO REGARD EVERYONE 668 00:39:35,217 --> 00:39:37,365 AS AN ADVERSARY NO MATTER WHO THEY ARE. 669 00:39:37,389 --> 00:39:40,169 I'M REALLY SORRY YOU HAD TO GROW UP LIKE THAT, LEX, I AM. 670 00:39:40,193 --> 00:39:42,171 WHEN MY MOTHER DIED, 671 00:39:42,195 --> 00:39:46,035 I BEGAN TO BUILD A WALL AROUND MY HEART. 672 00:39:46,059 --> 00:39:47,907 EVERY YEAR, THAT WALL GREW TALLER, 673 00:39:47,931 --> 00:39:49,709 MORE FORTIFIED, 674 00:39:49,733 --> 00:39:53,282 TILL EVENTUALLY, IT BECAME IMPENETRABLE. 675 00:39:53,306 --> 00:39:55,144 I WANT TO TEAR THE WALL DOWN, HELEN, I DO. 676 00:39:55,168 --> 00:39:57,017 I JUST... 677 00:39:57,041 --> 00:39:59,373 I DON'T HAVE THE SLIGHTEST CLUE HOW TO DO IT. 678 00:40:05,420 --> 00:40:07,327 LEX... 679 00:40:07,351 --> 00:40:10,061 I NEVER ONCE ASKED ANYONE FOR HELP, 680 00:40:10,085 --> 00:40:12,934 BUT I'M ASKING YOU NOW. 681 00:40:12,958 --> 00:40:14,358 HELP ME, HELEN. 682 00:40:16,532 --> 00:40:20,396 I DON'T WANT TO BECOME MY FATHER. 683 00:40:41,518 --> 00:40:46,439 ♫ ALL AROUND ME ARE FAMILIAR FACES ♫ 684 00:40:46,463 --> 00:40:49,242 ♫ WORN-OUT PLACES ♫ 685 00:40:49,266 --> 00:40:52,977 ♫ WORN-OUT FACES ♫ 686 00:40:53,001 --> 00:40:57,450 ♫ BRIGHT AND EARLY FOR THE DAILY RACES ♫ 687 00:40:57,474 --> 00:41:04,187 ♫ GOING NOWHERE ♫ 688 00:41:04,211 --> 00:41:06,521 ♫ THE TEARS ARE FILLING UP... ♫ 689 00:41:06,545 --> 00:41:08,062 LANA. 690 00:41:08,086 --> 00:41:11,425 UM... I CALLED YOUR HOUSE. 691 00:41:11,449 --> 00:41:13,227 YOUR MOM SAID YOU WERE DOWN HERE. 692 00:41:13,251 --> 00:41:17,072 I'M SO SORRY. 693 00:41:17,096 --> 00:41:21,075 I NEVER SHOULD HAVE SENT THAT VIDEO. 694 00:41:21,099 --> 00:41:24,180 DON'T DO THAT TO YOURSELF. 695 00:41:24,204 --> 00:41:26,541 HE WAS MISSING IN ACTION, 696 00:41:26,565 --> 00:41:30,115 FIGHTING FOR HIS LIFE, THINKING THAT I WASN'T THERE, 697 00:41:30,139 --> 00:41:32,148 THAT I DIDN'T CARE. 698 00:41:32,172 --> 00:41:33,574 IT'S NOT YOUR FAULT. 699 00:41:37,077 --> 00:41:39,055 IT SEEMS LIKE 700 00:41:39,079 --> 00:41:41,157 EVERY PERSON THAT I'VE EVER GOTTEN CLOSE TO 701 00:41:41,181 --> 00:41:44,200 JUST LEAVES. 702 00:41:44,224 --> 00:41:46,303 THAT'S NOT TRUE. 703 00:41:46,327 --> 00:41:49,407 YEAH, IT IS. 704 00:41:49,431 --> 00:41:53,635 MY PARENTS, NELL, NOW WHITNEY. 705 00:41:59,440 --> 00:42:05,053 I KNOW I HAVEN'T BEEN A GOOD FRIEND. 706 00:42:05,077 --> 00:42:06,854 YOU'VE BEEN A GREAT FRIEND. 707 00:42:06,878 --> 00:42:08,557 NO, I HAVE DOUBTED YOU, 708 00:42:08,581 --> 00:42:10,258 ACCUSED YOU OF THINGS, 709 00:42:10,282 --> 00:42:13,315 AND STILL YOU'RE HERE PROTECTING ME. 710 00:42:17,289 --> 00:42:19,869 I DON'T CARE IF YOU HAVE SECRETS, CLARK. 711 00:42:19,893 --> 00:42:23,872 YOU ARE THE ONE GOOD CONSTANT THING IN MY LIFE, 712 00:42:23,896 --> 00:42:26,199 AND I DON'T WANT TO LOSE YOU, TOO. 713 00:42:30,204 --> 00:42:32,637 I'M NOT GOING ANYWHERE. 714 00:43:04,710 --> 00:43:08,490 Captions by VITAC... www.vitac.com 715 00:43:08,514 --> 00:43:12,478 CAPTIONS PAID FOR BY WARNER BROS. 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