1
00:00:07,370 --> 00:00:08,976
GOOD NIGHT, BOYS.

2
00:00:09,000 --> 00:00:10,546
GOOD NIGHT.

3
00:00:10,570 --> 00:00:12,106
GOOD JOB.

4
00:00:12,130 --> 00:00:14,446
THANKS. SEE YOU TOMORROW.

5
00:00:14,470 --> 00:00:16,469
SEE YOU TOMORROW.

6
00:00:34,030 --> 00:00:35,606
DAMN IT, OLD MAN,
I TOLD YOU BEFORE,

7
00:00:35,630 --> 00:00:36,705
YOU'RE TRESPASSING!

8
00:00:36,729 --> 00:00:38,606
HOW CAN I BE TRESPASSING

9
00:00:38,630 --> 00:00:41,205
ON LAND MY PEOPLE OWNED
FOR THOUSANDS OF YEARS?

10
00:00:41,229 --> 00:00:43,705
OUT OF MY WAY, CHIEF.
I'VE GOT A JOB TO GET DONE.

11
00:00:43,729 --> 00:00:47,345
YOU DON'T UNDERSTAND
THE CONSEQUENCES

12
00:00:47,369 --> 00:00:48,476
OF WHAT YOU'RE DOING.

13
00:00:48,500 --> 00:00:50,205
ARE YOU THREATENING ME?

14
00:00:50,229 --> 00:00:54,445
HOW CAN I BE THREATENING
YOU? I'M JUST AN OLD MAN.

15
00:00:54,469 --> 00:00:56,246
YOU GOT A PROBLEM?

16
00:00:56,270 --> 00:00:58,500
TAKE IT UP WITH THE BIG GUY.

17
00:01:01,399 --> 00:01:04,569
GET THE HELL OUT OF HERE.

18
00:01:39,170 --> 00:01:40,700
[ RUSTLING ]

19
00:01:48,370 --> 00:01:52,229
[ THUNDER RUMBLES ]

20
00:01:55,629 --> 00:01:57,629
[ RUSTLING ]

21
00:02:13,729 --> 00:02:15,175
[ SNARLING ]

22
00:02:15,199 --> 00:02:17,500
[ SCREAMING ]

23
00:02:30,629 --> 00:02:31,699
[ WHIMPERING ]

24
00:02:35,469 --> 00:02:36,469
OH, SH...

25
00:03:01,699 --> 00:03:05,346
[ WOLF HOWLS ]

26
00:03:05,370 --> 00:03:12,476
♫ SOMEBODY SAVE ME ♫

27
00:03:12,500 --> 00:03:16,406
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

28
00:03:16,430 --> 00:03:22,675
♫ SOMEBODY SAVE ME ♫

29
00:03:22,699 --> 00:03:26,506
♫ I DON'T CARE HOW YOU DO IT ♫

30
00:03:26,530 --> 00:03:29,506
♫ JUST STAY ♫

31
00:03:29,530 --> 00:03:31,506
♫ STAY ♫

32
00:03:31,530 --> 00:03:33,376
♫ COME ON ♫

33
00:03:33,400 --> 00:03:36,675
♫ I'VE BEEN WAITING FOR YOU ♫

34
00:03:36,699 --> 00:03:42,506
♫ JUST STAY WITH ME ♫

35
00:03:42,530 --> 00:03:47,376
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

36
00:03:47,400 --> 00:03:49,276
♫ JUST STAY ♫

37
00:03:49,300 --> 00:03:51,575
♫ STAY ♫

38
00:03:51,599 --> 00:03:55,170
♫ COME ON ♫

39
00:04:32,129 --> 00:04:34,576
WHAT ARE THE POLICE DOING HERE?

40
00:04:34,600 --> 00:04:37,276
SOME SORT OF AN ACCIDENT
LAST NIGHT... AN EXPLOSION.

41
00:04:37,300 --> 00:04:39,646
WELL, MAYBE THIS WILL
CONVINCE LUTHORCORP TO FINALLY

42
00:04:39,670 --> 00:04:41,605
GET THE HELL OUT OF SMALLVILLE.

43
00:04:41,629 --> 00:04:44,276
IT'S AN OFFICE PARK, PETE,
NOT A TOXIC WASTE DUMP.

44
00:04:44,300 --> 00:04:46,045
WHAT'S THE HARM IN THAT?

45
00:04:46,069 --> 00:04:47,829
COME ON, I'll RACE YOU
BACK TO MILLER'S BEND.

46
00:04:53,129 --> 00:04:55,199
HEY, KID, WATCH YOURSELF.

47
00:05:24,170 --> 00:05:25,269
UGH!

48
00:05:27,569 --> 00:05:28,600
UHH.

49
00:05:32,170 --> 00:05:33,269
UHH.

50
00:05:38,600 --> 00:05:40,305
LANA?

51
00:05:40,329 --> 00:05:42,476
DON'T MOVE.

52
00:05:42,500 --> 00:05:43,407
I'M FINE.

53
00:05:43,431 --> 00:05:44,646
YOU'RE IN SHOCK.

54
00:05:44,670 --> 00:05:47,470
YOU FELL OVER 100 FEET.

55
00:05:50,399 --> 00:05:51,745
YOU DON'T HAVE A SCRATCH ON YOU.

56
00:05:51,769 --> 00:05:54,646
JUST LUCKY, I GUESS.

57
00:05:54,670 --> 00:05:56,305
THAT'S SOME INCREDIBLE
LUCK YOU HAVE.

58
00:05:56,329 --> 00:05:57,576
WHERE'D YOU COME FROM?

59
00:05:57,600 --> 00:05:59,476
I WAS JUST OVER
THERE DOING RESEARCH

60
00:05:59,500 --> 00:06:01,545
FOR MY GRANDFATHER.

61
00:06:01,569 --> 00:06:03,245
THE LANDSLIDE MUST'VE
OPENED UP THAT WALL.

62
00:06:03,269 --> 00:06:05,346
I DIDN'T EVEN KNOW THERE
WERE CAVES DOWN HERE.

63
00:06:05,370 --> 00:06:09,175
IF LUTHORCORP HAS ITS WAY,
THEN THERE WON'T BE ANYMORE.

64
00:06:09,199 --> 00:06:11,375
I'M KYLA, BY THE WAY.

65
00:06:11,399 --> 00:06:14,300
UH...

66
00:06:17,170 --> 00:06:19,476
CLARK. CLARK KENT.

67
00:06:19,500 --> 00:06:23,245
THE INVINCIBLE CLARK
KENT, APPARENTLY.

68
00:06:23,269 --> 00:06:25,276
Pete: CLARK!

69
00:06:25,300 --> 00:06:27,545
CLARK! YOU DOWN THERE?

70
00:06:27,569 --> 00:06:29,646
YEAH, PETE, I'M ALL RIGHT.

71
00:06:29,670 --> 00:06:31,675
HEY, MAN, ARE YOU
GOING TO NEED SOME HELP,

72
00:06:31,699 --> 00:06:34,245
OR CAN YOU JUMP YOUR WAY OUT?

73
00:06:34,269 --> 00:06:36,706
I'VE GOT SOME COMPANY
DOWN HERE. FUNNY GUY, HUH?

74
00:06:36,730 --> 00:06:39,605
ALL RIGHT, MAN, AS LONG
AS YOU'RE ALL RIGHT.

75
00:06:39,629 --> 00:06:41,675
OH, MY GOD.

76
00:06:41,699 --> 00:06:44,206
WHAT IS IT?

77
00:06:44,230 --> 00:06:48,206
IT'S THE LEGEND OF NUMAN.

78
00:06:48,230 --> 00:06:51,476
MY ANCESTORS HAVE PASSED
DOWN THIS STORY FOR GENERATIONS.

79
00:06:51,500 --> 00:06:55,146
THEY SAID IT HAD BEEN
WRITTEN IN THE EARTH LONG AGO,

80
00:06:55,170 --> 00:06:58,245
BUT NOBODY EVER
KNEW WHERE IT WAS

81
00:06:58,269 --> 00:07:01,346
UNTIL NOW.

82
00:07:01,370 --> 00:07:03,545
THANK YOU.

83
00:07:03,569 --> 00:07:06,175
SURE. NO PROBLEM.

84
00:07:06,199 --> 00:07:08,476
YOU DON'T UNDERSTAND.

85
00:07:08,500 --> 00:07:10,206
MY GRANDFATHER'S BEEN SEARCHING

86
00:07:10,230 --> 00:07:12,206
FOR THIS WALL HIS WHOLE LIFE,

87
00:07:12,230 --> 00:07:14,605
AND IT WAS PROPHESIED THAT
NUMAN WOULD FALL FROM THE SKIES

88
00:07:14,629 --> 00:07:16,346
IN A RAIN OF FIRE.

89
00:07:16,370 --> 00:07:18,706
THEY SAY THAT NUMAN WILL
HAVE THE STRENGTH OF 10 MEN

90
00:07:18,730 --> 00:07:22,545
AND WILL BE ABLE TO
START FIRES WITH HIS EYES.

91
00:07:22,569 --> 00:07:24,206
PROBABLY SOUNDS SILLY.

92
00:07:24,230 --> 00:07:26,406
NOT TO ME.

93
00:07:26,430 --> 00:07:28,576
I'VE GOT TO TELL MY
GRANDFATHER ABOUT THIS.

94
00:07:28,600 --> 00:07:30,646
COME ON, I'll SHOW
YOU THE WAY OUT.

95
00:07:30,670 --> 00:07:32,399
TRY AND KEEP UP.

96
00:07:56,769 --> 00:07:59,545
IT'S AN OCTAGON. IT'S A
VERY COMMON SHAPE, CLARK.

97
00:07:59,569 --> 00:08:01,446
OKAY, BUT WHAT ABOUT THE STORY?

98
00:08:01,470 --> 00:08:03,375
HOW MANY PEOPLE FALL TO
EARTH IN A METEOR SHOWER

99
00:08:03,399 --> 00:08:05,375
AND CAN SHOOT FIRE
FROM THEIR EYES?

100
00:08:05,399 --> 00:08:07,245
CLARK, I UNDERSTAND HOW
IMPORTANT IT IS FOR YOU

101
00:08:07,269 --> 00:08:09,305
TO FIGURE OUT
WHERE YOU CAME FROM,

102
00:08:09,329 --> 00:08:12,105
BUT THOSE DRAWINGS COULD HAVE
100 DIFFERENT INTERPRETATIONS.

103
00:08:12,129 --> 00:08:14,375
YOU PULLED THIS
FROM THE SPACESHIP

104
00:08:14,399 --> 00:08:16,276
JUST BEFORE IT CLOSED.

105
00:08:16,300 --> 00:08:17,745
I DON'T SEE WHAT THAT HAS...

106
00:08:17,769 --> 00:08:19,446
THESE ARE THE SAME
SYMBOLS THAT ARE IN THE CAVES.

107
00:08:19,470 --> 00:08:21,375
KYLA'S GRANDFATHER'S BEEN
STUDYING THE STORY OF NUMAN.

108
00:08:21,399 --> 00:08:23,576
MAYBE HE CAN READ THIS.

109
00:08:23,600 --> 00:08:27,505
I WANT YOU TO BE CAREFUL WHAT
YOU TELL THOSE PEOPLE, CLARK.

110
00:08:27,529 --> 00:08:29,545
DAD, IF THEY CAN TELL
ME WHO OR WHAT I AM,

111
00:08:29,569 --> 00:08:31,545
IT'S WORTH THE RISK.

112
00:08:31,569 --> 00:08:33,405
SON, WE DON'T KNOW
ANYTHING ABOUT KYLA

113
00:08:33,429 --> 00:08:35,405
OR HER GRANDFATHER,
FOR THAT MATTER.

114
00:08:35,429 --> 00:08:39,105
I KNOW. THAT'S WHY I INVITED
THEM OVER FOR DINNER.

115
00:08:39,129 --> 00:08:42,306
ACCORDING TO THE LEGEND,
A MAN CAME FROM THE STARS

116
00:08:42,330 --> 00:08:45,505
AND FELL IN LOVE WITH
THE MOTHER OF OUR PEOPLE.

117
00:08:45,529 --> 00:08:49,245
OUT OF THAT FORBIDDEN AFFAIR,

118
00:08:49,269 --> 00:08:51,505
THE COWACHI PEOPLE WERE BORN.

119
00:08:51,529 --> 00:08:53,375
DO YOU KNOW WHICH
STAR HE CAME FROM?

120
00:08:53,399 --> 00:08:56,375
THE LEGEND ONLY TELLS
US THAT HE LEFT ONE DAY

121
00:08:56,399 --> 00:08:58,375
AND FLEW BACK INTO THE SKY,

122
00:08:58,399 --> 00:09:01,275
PROMISING HE WOULD SEND ANOTHER.

123
00:09:01,299 --> 00:09:03,346
AND THAT WOULD BE
THIS NUMAN PERSON

124
00:09:03,370 --> 00:09:05,546
YOU'VE BEEN TALKING
ABOUT, RIGHT?

125
00:09:05,570 --> 00:09:07,375
YES, OF COURSE, THAT
WAS 500 YEARS AGO.

126
00:09:07,399 --> 00:09:10,529
HE'S A LITTLE LATE.

127
00:09:13,169 --> 00:09:15,500
YOU'RE NOT FROM AROUND
HERE, ARE YOU, CLARK?

128
00:09:17,500 --> 00:09:20,129
UM, ACTUALLY, CLARK IS ADOPTED.

129
00:09:22,399 --> 00:09:24,245
THESE, UH, THESE
SYMBOLS SEEM TO MAKE UP

130
00:09:24,269 --> 00:09:25,476
SOME SORT OF ALPHABET.

131
00:09:25,500 --> 00:09:27,245
THAT'S THE REALLY WEIRD PART.

132
00:09:27,269 --> 00:09:30,076
OUR PEOPLE DON'T HAVE
A WRITTEN LANGUAGE.

133
00:09:30,100 --> 00:09:33,346
I'VE SEEN A SYMBOL HERE
OR THERE ON ARTIFACTS,

134
00:09:33,370 --> 00:09:35,576
BUT NEVER IN A PATTERN BEFORE.

135
00:09:35,600 --> 00:09:37,476
SO YOU DON'T KNOW
WHAT THEY MEAN?

136
00:09:37,500 --> 00:09:39,375
GRANDPA'S STUDIED A LOT
OF ANCIENT LANGUAGES.

137
00:09:39,399 --> 00:09:41,245
I'M SURE WITH SOME
TIME HE CAN DECIPHER

138
00:09:41,269 --> 00:09:43,245
WHAT THE SYMBOLS ARE.

139
00:09:43,269 --> 00:09:46,346
IF LUTHOR DOESN'T GET
AT THEM BEFORE WE DO.

140
00:09:46,370 --> 00:09:50,546
MOM, MAYBE YOU CAN
TALK TO MR. LUTHOR.

141
00:09:50,570 --> 00:09:53,105
YOU KNOW LIONEL LUTHOR?

142
00:09:53,129 --> 00:09:56,005
KNOW HIM? MOM IS HIS
EXECUTIVE ASSISTANT.

143
00:09:56,029 --> 00:09:59,105
CLARK, I'll DO WHAT I CAN,
BUT IT ISN'T THAT EASY.

144
00:09:59,129 --> 00:10:01,145
THE SITUATION ISN'T
THAT BLACK AND WHITE.

145
00:10:01,169 --> 00:10:05,476
THAT COMPLEX WILL CREATE
1,000 DESPERATELY NEEDED JOBS.

146
00:10:05,500 --> 00:10:08,470
AND YOU THINK THAT'S MORE
IMPORTANT THAN THESE CAVES?

147
00:10:12,169 --> 00:10:15,375
SO, UM...

148
00:10:15,399 --> 00:10:18,070
DOES ANYONE WANT
COFFEE WITH THEIR PIE?

149
00:10:26,629 --> 00:10:29,275
YOU WANT TO HAVE A LOOK?

150
00:10:29,299 --> 00:10:32,070
I KIND OF LIKE SEEING
IT WITH MY OWN EYES.

151
00:10:38,200 --> 00:10:40,375
SO THESE LEGENDS...

152
00:10:40,399 --> 00:10:42,605
YOU DON'T THINK THEY'RE
LIKE VENUS AND APOLLO

153
00:10:42,629 --> 00:10:45,546
AND ALL THE OTHER MYTHS?

154
00:10:45,570 --> 00:10:47,546
JUST BECAUSE SOMETHING'S A MYTH

155
00:10:47,570 --> 00:10:49,605
DOESN'T MAKE IT NOT TRUE.

156
00:10:49,629 --> 00:10:51,370
HERE.

157
00:10:53,570 --> 00:10:56,645
DO YOU SEE THE BRIGHT
ONE RIGHT THERE?

158
00:10:56,669 --> 00:10:59,076
IF YOU FOLLOW THE
STARS AROUND IT,

159
00:10:59,100 --> 00:11:01,546
IT MAKES THE SHAPE
OF A WOLF'S HEAD.

160
00:11:01,570 --> 00:11:05,076
SEE HOW ONE OF
THE EYES IS MISSING?

161
00:11:05,100 --> 00:11:09,446
OUR ANCESTORS SAY THAT
THERE USED TO BE A STAR THERE.

162
00:11:09,470 --> 00:11:12,375
THAT'S WHERE NUMAN CAME FROM.

163
00:11:12,399 --> 00:11:14,706
I WONDER WHAT HAPPENED TO IT.

164
00:11:14,730 --> 00:11:17,645
YOU TELL ME.

165
00:11:17,669 --> 00:11:20,570
YOU'RE THE ONE THAT
FELL FROM THE SKY.

166
00:11:32,470 --> 00:11:34,046
LANA.

167
00:11:34,070 --> 00:11:36,245
YOUR MESSAGE SOUNDED
URGENT, SO I JUST CAME OVER.

168
00:11:36,269 --> 00:11:38,206
I DIDN'T REALIZE
YOU HAD COMPANY.

169
00:11:38,230 --> 00:11:41,306
THANKS. LANA, THIS IS KYLA.

170
00:11:41,330 --> 00:11:43,505
HI. I DON'T THINK I'VE SEEN
YOU AT SCHOOL BEFORE.

171
00:11:43,529 --> 00:11:45,505
OH, I GO TO GRANDVILLE.

172
00:11:45,529 --> 00:11:47,706
I'M JUST HERE DOING
RESEARCH FOR MY GRANDFATHER

173
00:11:47,730 --> 00:11:51,706
AND RESCUING ANY GUYS THAT
HAPPEN TO FALL INTO MY LIFE.

174
00:11:51,730 --> 00:11:54,446
HOW'D YOU TWO MEET?

175
00:11:54,470 --> 00:11:56,645
IN THESE CAVES UNDER
THE NEW LUTHORCORP SITE.

176
00:11:56,669 --> 00:11:58,645
THAT'S ACTUALLY
WHY I CALLED YOU.

177
00:11:58,669 --> 00:12:01,206
IF THIS NEW LUTHORCORP
COMPLEX GOES AHEAD,

178
00:12:01,230 --> 00:12:03,275
THE CAVES WILL BE DESTROYED,
ALONG WITH ANCIENT PAINTINGS

179
00:12:03,299 --> 00:12:05,105
THAT KYLA'S ANCESTORS DREW.

180
00:12:05,129 --> 00:12:07,076
THEY'RE OUR ONLY
LINK TO THE PAST.

181
00:12:07,100 --> 00:12:09,076
DEFENDING A GOOD CAUSE SOUNDS
LIKE SOMETHING HENRY SMALL

182
00:12:09,100 --> 00:12:10,346
MIGHT BE INTO.

183
00:12:10,370 --> 00:12:11,645
WE'RE NOT EXACTLY

184
00:12:11,669 --> 00:12:14,446
AT THE FATHER-DAUGHTER
FAVOR STAGE YET.

185
00:12:14,470 --> 00:12:17,645
BUT I'll ASK HIM ANYWAY.

186
00:12:17,669 --> 00:12:19,570
THANK YOU, LANA.

187
00:12:21,200 --> 00:12:24,629
NO PROBLEM.

188
00:12:27,269 --> 00:12:30,076
SO, IT'S NOT THE FIRST
TIME HE'S BEEN INVOLVED.

189
00:12:30,100 --> 00:12:32,076
THANK YOU, SHERIFF,
I'M GLAD YOU TOLD ME.

190
00:12:32,100 --> 00:12:33,576
THAT'S VERY ENLIGHTENING.

191
00:12:33,600 --> 00:12:35,375
WE'LL KEEP YOU
POSTED, MR. LUTHOR.

192
00:12:35,399 --> 00:12:37,245
HI, ETHAN.

193
00:12:37,269 --> 00:12:39,176
LIONEL, WHAT'S GOING
ON? I THOUGHT THE POLICE

194
00:12:39,200 --> 00:12:40,576
WERE DONE WITH
THEIR INVESTIGATION.

195
00:12:40,600 --> 00:12:42,645
NO, THE SHERIFF'S NOT
READY TO CALL IT AN ACCIDENT.

196
00:12:42,669 --> 00:12:45,076
APPARENTLY, JOSEPH
WILLOWBROOK, THE NATIVE AMERICAN

197
00:12:45,100 --> 00:12:47,046
WHO'S SPEARHEADING THE PROTESTS,

198
00:12:47,070 --> 00:12:49,275
HAS A HISTORY OF
CIVIL DISOBEDIENCE.

199
00:12:49,299 --> 00:12:51,275
THEY THINK IT WAS SABOTAGE?

200
00:12:51,299 --> 00:12:53,476
UH, LET'S JUST SAY
THEY'RE NOT RULING IT OUT.

201
00:12:53,500 --> 00:12:56,576
MAYBE I SHOULD'VE
DONE THIS PROJECT

202
00:12:56,600 --> 00:12:58,375
IN GRANDVILLE.

203
00:12:58,399 --> 00:13:00,375
SMALLVILLE NEEDS THOSE JOBS.

204
00:13:00,399 --> 00:13:01,676
YEAH.

205
00:13:01,700 --> 00:13:05,206
UM, I SENT FLOWERS TO
THE FOREMAN'S FAMILY,

206
00:13:05,230 --> 00:13:07,176
AND I ARRANGED FOR YOU

207
00:13:07,200 --> 00:13:10,275
TO, UH, DO A CONDOLENCE
CALL TOMORROW AFTERNOON.

208
00:13:10,299 --> 00:13:11,476
GOOD THINKING.

209
00:13:11,500 --> 00:13:14,976
I DON'T WANT TO BE
PERCEIVED AS UNCARING.

210
00:13:15,000 --> 00:13:17,505
I DIDN'T DO IT FOR THAT
REASON. I DID IT BECAUSE

211
00:13:17,529 --> 00:13:19,546
IT'S THE RIGHT THING TO DO.

212
00:13:19,570 --> 00:13:22,346
YOU KNOW, THERE ARE
TIMES WHEN I'M WITH YOU

213
00:13:22,370 --> 00:13:24,976
THAT I'D SWEAR I WAS
TALKING TO MY WIFE.

214
00:13:25,000 --> 00:13:27,505
SHE WAS A LOT LIKE YOU, MARTHA.

215
00:13:27,529 --> 00:13:29,375
THE SAME UNFLINCHING HONESTY.

216
00:13:29,399 --> 00:13:31,505
I MISS THAT.

217
00:13:31,529 --> 00:13:33,046
HOPE I'M NOT INTERRUPTING.

218
00:13:33,070 --> 00:13:34,245
HI, LEX.

219
00:13:34,269 --> 00:13:37,005
LEX, ALWAYS GOOD TO
HEAR YOUR VOICE, SON.

220
00:13:37,029 --> 00:13:39,046
WELL, I-I NEED TO GET
HOME EARLY TODAY,

221
00:13:39,070 --> 00:13:40,476
SO I'll SEE YOU TOMORROW.

222
00:13:40,500 --> 00:13:42,375
ALL RIGHT.

223
00:13:42,399 --> 00:13:45,676
BELIEVE ME, LEX, I KNOW HOW HARD

224
00:13:45,700 --> 00:13:47,346
YOU'VE BEEN WORKING.

225
00:13:47,370 --> 00:13:49,706
YOU ENGINEERED
AN EMPLOYEE BUYOUT

226
00:13:49,730 --> 00:13:51,706
OF THE SMALLVILLE PLANT.

227
00:13:51,730 --> 00:13:55,145
NOW LOOK AT YOU.

228
00:13:55,169 --> 00:13:57,476
YOU'RE BUILDING AN
EMPIRE OF YOUR OWN

229
00:13:57,500 --> 00:13:59,375
WITHOUT MY HELP.

230
00:13:59,399 --> 00:14:01,375
BUT YOUR SUCCESS
SHOULDN'T PREVENT US

231
00:14:01,399 --> 00:14:03,206
FROM JOINING FORCES

232
00:14:03,230 --> 00:14:04,645
WHEN A LUCRATIVE
VENTURE COMES ALONG.

233
00:14:04,669 --> 00:14:07,105
COME ON, DAD,

234
00:14:07,129 --> 00:14:09,346
YOU DON'T NEED ME AS AN INVESTOR

235
00:14:09,370 --> 00:14:11,105
IN SOME RANDOM OFFICE PARK.

236
00:14:11,129 --> 00:14:14,446
NO, NOT AS AN INVESTOR, LEX.
I WANT YOU AS MY PARTNER.

237
00:14:14,470 --> 00:14:18,306
BLAME IT ON A BRIEF
BOUT OF SENTIMENTALITY.

238
00:14:18,330 --> 00:14:22,346
SENTIMENTALITY IS
SYNONYMOUS WITH VULNERABILITY.

239
00:14:22,370 --> 00:14:24,076
YOU TAUGHT ME THAT.

240
00:14:24,100 --> 00:14:26,629
YOU'RE ON YOUR OWN.

241
00:14:34,230 --> 00:14:37,446
THE PICTOGRAPHS ARE A
LOT MORE DETAILED UP HERE.

242
00:14:37,470 --> 00:14:39,546
WHAT DO THEY SAY?

243
00:14:39,570 --> 00:14:43,346
IT PROMISES THAT ONE DAY

244
00:14:43,370 --> 00:14:45,505
NUMAN WILL PROTECT
THE ENTIRE WORLD.

245
00:14:45,529 --> 00:14:49,206
[ RUMBLING ]

246
00:14:49,230 --> 00:14:51,176
LUTHOR'S BULLDOZERS.

247
00:14:51,200 --> 00:14:53,206
IT'S BEEN HAPPENING ALL WEEK.

248
00:14:53,230 --> 00:14:55,206
I DON'T KNOW IF IT'S VERY SAFE
FOR US TO BE HERE RIGHT NOW.

249
00:14:55,230 --> 00:14:58,100
OH, CLARK, GET UP HERE.
YOU HAVE TO SEE THIS.

250
00:15:04,629 --> 00:15:06,105
WHAT IS IT?

251
00:15:06,129 --> 00:15:08,145
IT'S ZIGET. HE'S LIKE
A BROTHER TO NUMAN.

252
00:15:08,169 --> 00:15:10,476
LEGEND HAS IT ONE DAY
HE'LL TURN AGAINST NUMAN,

253
00:15:10,500 --> 00:15:12,505
AND TOGETHER
THEY'LL BE THE BALANCE

254
00:15:12,529 --> 00:15:15,505
BETWEEN GOOD AND EVIL.

255
00:15:15,529 --> 00:15:18,145
[ CAMERA SHUTTER CLICKS ]

256
00:15:18,169 --> 00:15:20,046
WHO'S THAT?

257
00:15:20,070 --> 00:15:25,230
IT'S THE WOMAN HE'S
DESTINED TO BE WITH.

258
00:15:31,299 --> 00:15:34,076
THAT WAS HANDED DOWN

259
00:15:34,100 --> 00:15:36,346
THROUGH THE WOMEN IN MY FAMILY.

260
00:15:36,370 --> 00:15:39,046
I DON'T EVEN KNOW HOW OLD IT IS.

261
00:15:39,070 --> 00:15:42,176
[ RUMBLING ]

262
00:15:42,200 --> 00:15:44,370
KYLA!

263
00:16:08,029 --> 00:16:10,005
HOW'D YOU DO THAT?

264
00:16:10,029 --> 00:16:11,505
JUST ADRENALINE, I GUESS.

265
00:16:11,529 --> 00:16:14,005
NO, YESTERDAY, YOU DIDN'T
HAVE A SCRATCH ON YOU AND...

266
00:16:14,029 --> 00:16:16,769
WHAT, YOU SHOOT FIRE
OUT YOUR EYES, TOO?

267
00:16:20,470 --> 00:16:22,976
OH, MY GOD.

268
00:16:23,000 --> 00:16:25,105
I WAS JUST JOKING.

269
00:16:25,129 --> 00:16:29,405
YOU... YOU REALLY ARE NUMAN.

270
00:16:29,429 --> 00:16:32,100
I DON'T KNOW WHAT I AM.

271
00:16:35,029 --> 00:16:37,206
YOU DON'T SEEM VERY FREAKED OUT.

272
00:16:37,230 --> 00:16:40,370
BECAUSE I KNOW WHAT
IT'S LIKE TO BE DIFFERENT.

273
00:16:43,669 --> 00:16:46,206
CLARK, IT'S OKAY.

274
00:16:46,230 --> 00:16:48,446
MAYBE THIS COULD EXPLAIN
EVERYTHING I'VE BEEN FEELING

275
00:16:48,470 --> 00:16:51,245
THE LAST FEW DAYS.

276
00:16:51,269 --> 00:16:53,576
THERE ARE A LOT OF THINGS
ABOUT ME THAT I CAN'T EXPLAIN.

277
00:16:53,600 --> 00:16:56,105
CLARK, YOU DON'T HAVE TO.

278
00:16:56,129 --> 00:16:58,505
I GREW UP AROUND A LOT OF
THINGS THAT SEEMED UNEXPLAINABLE.

279
00:16:58,529 --> 00:17:00,505
YEAH, BUT I'M...

280
00:17:00,529 --> 00:17:04,345
YOU TRY AND USE LOGIC AND REASON

281
00:17:04,369 --> 00:17:06,345
TO TRY AND MAKE
SENSE OF IT, BUT...

282
00:17:06,369 --> 00:17:09,099
YOU JUST HAVE TO GIVE IN.

283
00:17:20,569 --> 00:17:22,575
THANKS FOR YOUR HELP, MR. SMALL.

284
00:17:22,599 --> 00:17:25,176
IT'S REALLY GREAT
OF YOU TO DO THIS.

285
00:17:25,200 --> 00:17:27,106
YEAH.

286
00:17:27,130 --> 00:17:30,269
TO BE HONEST, I'M
GLAD YOU CALLED.

287
00:17:33,470 --> 00:17:36,275
THERE'S SOMETHING I
WANT TO TALK TO YOU ABOUT.

288
00:17:36,299 --> 00:17:38,630
LANA, I GOT THE
TEST RESULTS BACK.

289
00:17:42,269 --> 00:17:45,670
IT LOOKS LIKE WE
SHARE THE SAME DNA.

290
00:17:50,529 --> 00:17:56,476
SO YOU REALLY ARE...
YOU'RE MY FATHER.

291
00:17:56,500 --> 00:18:01,176
I DON'T THINK I'VE EARNED
THAT PLACE IN YOUR LIFE YET.

292
00:18:01,200 --> 00:18:03,505
BUT I WANT TO.

293
00:18:03,529 --> 00:18:05,529
IF IT'S NOT TOO LATE.

294
00:18:09,299 --> 00:18:13,299
[ PEOPLE SHOUTING ]

295
00:18:22,400 --> 00:18:25,275
MRS. KENT, IF YOU'RE
LOOKING FOR CLARK,

296
00:18:25,299 --> 00:18:27,376
HE AND KYLA ARE DOWN
DOCUMENTING THE CAVES.

297
00:18:27,400 --> 00:18:30,606
ACTUALLY, I'M HERE IN A
MORE OFFICIAL CAPACITY.

298
00:18:30,630 --> 00:18:33,305
UH, MR. LUTHOR WOULD
LIKE TO SIT DOWN WITH YOU

299
00:18:33,329 --> 00:18:35,305
AND DISCUSS YOUR CONCERNS.

300
00:18:35,329 --> 00:18:37,406
I'M USUALLY BETTER
AT SPOTTING A WOLF

301
00:18:37,430 --> 00:18:40,376
IN SHEEP'S CLOTHING.

302
00:18:40,400 --> 00:18:42,505
MR. WILLOWBROOK,

303
00:18:42,529 --> 00:18:44,606
I UNDERSTAND THE
IMPORTANCE OF THESE CAVES

304
00:18:44,630 --> 00:18:46,376
BETTER THAN ANYONE,

305
00:18:46,400 --> 00:18:48,505
BUT THERE MUST BE A WAY
FOR YOU AND LUTHORCORP

306
00:18:48,529 --> 00:18:50,106
TO COEXIST PEACEFULLY.

307
00:18:50,130 --> 00:18:52,245
YOU HAVE TO FORGIVE
MY SKEPTICISM,

308
00:18:52,269 --> 00:18:55,045
BUT EVERY TIME THE NATIVE
AMERICANS ARE ASKED

309
00:18:55,069 --> 00:18:56,606
TO PEACEFULLY COEXIST,
WE'VE BEEN KILLED

310
00:18:56,630 --> 00:18:59,245
OR FORCED ONTO RESERVATIONS.

311
00:18:59,269 --> 00:19:01,005
PLEASE, MR. WILLOWBROOK...

312
00:19:01,029 --> 00:19:02,745
YOU MAY GET YOUR DAY
IN COURT YET, JOSEPH.

313
00:19:02,769 --> 00:19:05,106
BASED ON DISCOVERIES
IN THE CAVE,

314
00:19:05,130 --> 00:19:08,976
THIS CEASE AND DESIST ORDER
IS EFFECTIVE IMMEDIATELY.

315
00:19:09,000 --> 00:19:10,345
THE HEARING IS SET
FOR A WEEK FROM TODAY.

316
00:19:10,369 --> 00:19:12,345
TELL YOUR BOSS IF
HE WANTS TO TALK,

317
00:19:12,369 --> 00:19:14,075
I'll SEE HIM IN COURT.

318
00:19:14,099 --> 00:19:16,275
SHERIFF, IF YOU'RE
HERE TO HARASS ME

319
00:19:16,299 --> 00:19:18,545
ABOUT MY PERMIT TO PROTEST...

320
00:19:18,569 --> 00:19:20,745
JOSEPH WILLOWBROOK, I'M
PLACING YOU UNDER ARREST

321
00:19:20,769 --> 00:19:22,245
FOR THE MURDER OF DAN HAMMOND,

322
00:19:22,269 --> 00:19:24,176
THE FOREMAN AT THIS
CONSTRUCTION SITE.

323
00:19:24,200 --> 00:19:25,505
WAIT... MURDER? THERE
HAS TO BE A MISTAKE.

324
00:19:25,529 --> 00:19:27,406
I FOUND A TOWEL IN
MR. WILLOWBROOK'S TRASH,

325
00:19:27,430 --> 00:19:30,075
WITH BLOOD ON IT THAT
MATCHED THE VICTIM'S.

326
00:19:30,099 --> 00:19:33,345
IS THIS LUTHORCORP'S IDEA
OF PEACEFUL COEXISTENCE?

327
00:19:33,369 --> 00:19:35,545
FRAMING AN INNOCENT MAN.

328
00:19:35,569 --> 00:19:37,369
COME WITH ME, SIR.

329
00:19:47,329 --> 00:19:49,146
LEX.

330
00:19:49,170 --> 00:19:51,005
I'M GOING TO HAVE
TO CALL YOU BACK.

331
00:19:51,029 --> 00:19:53,106
CLARK, IS EVERYTHING ALL RIGHT?

332
00:19:53,130 --> 00:19:55,446
I NEED TO RAISE BAIL MONEY
FOR JOSEPH WILLOWBROOK.

333
00:19:55,470 --> 00:19:58,976
HE'S BEING SET UP, I
THINK BY LUTHORCORP.

334
00:19:59,000 --> 00:20:02,505
THAT'S A PRETTY SERIOUS
ACCUSATION, CLARK.

335
00:20:02,529 --> 00:20:04,206
DON'T GET ME WRONG.

336
00:20:04,230 --> 00:20:05,976
I'M IMPRESSED BY
YOUR CONVICTION,

337
00:20:06,000 --> 00:20:08,305
BUT GOING HEAD TO
HEAD WITH MY FATHER?

338
00:20:08,329 --> 00:20:11,206
YOU'RE A LITTLE LIKE DAVID
TRYING TO SLAY GOLIATH.

339
00:20:11,230 --> 00:20:12,745
WHERE DO YOU STAND?

340
00:20:12,769 --> 00:20:15,505
ANY CULTURE THAT'S LEFT A
LEGACY TO ENDURE FOR CENTURIES

341
00:20:15,529 --> 00:20:17,976
HAS EARNED MY RESPECT.

342
00:20:18,000 --> 00:20:20,476
I'M AFRAID IT'S A LOSING BATTLE.

343
00:20:20,500 --> 00:20:22,245
DIDN'T DAVID BEAT GOLIATH?

344
00:20:22,269 --> 00:20:25,976
YOUR NEWFOUND ADVOCACY
WOULDN'T HAVE ANYTHING TO DO

345
00:20:26,000 --> 00:20:30,075
WITH A BEAUTIFUL DOE-EYED
CRUSADER, WOULD IT?

346
00:20:30,099 --> 00:20:33,075
YOUR MOTHER TOLD ME ABOUT KYLA.

347
00:20:33,099 --> 00:20:36,075
LEX, HAVE YOU EVER
WONDERED IF YOU WERE DESTINED

348
00:20:36,099 --> 00:20:37,505
TO BE WITH SOMEONE?

349
00:20:37,529 --> 00:20:40,305
YOU'RE ASKING SOMEONE
WHO'S BEEN FIGHTING HIS DESTINY

350
00:20:40,329 --> 00:20:43,176
HIS ENTIRE LIFE.

351
00:20:43,200 --> 00:20:48,176
A LITTLE SURPRISED TO SEE
YOU'VE MOVED ON SO QUICKLY.

352
00:20:48,200 --> 00:20:50,345
WHAT HAPPENED TO LANA?

353
00:20:50,369 --> 00:20:53,505
IT'S A COMPLETELY
DIFFERENT FEELING

354
00:20:53,529 --> 00:20:56,470
WHEN THE PERSON LIKES YOU BACK.

355
00:20:58,430 --> 00:21:01,376
LEX, PLEASE, CAN YOU HELP
ME WITH THE BAIL MONEY?

356
00:21:01,400 --> 00:21:03,245
I'M SORRY, CLARK,

357
00:21:03,269 --> 00:21:06,430
BUT I DON'T MAKE IT A PRACTICE
TO BAIL OUT ALLEGED MURDERERS.

358
00:21:08,769 --> 00:21:13,345
MAYBE I CAN GET YOU
TO CHANGE YOUR MIND.

359
00:21:13,369 --> 00:21:15,245
IT'S A REALLY GREAT CAUSE.

360
00:21:15,269 --> 00:21:17,069
THANK YOU.

361
00:21:19,170 --> 00:21:21,305
HEY, SO IT LOOKS
LIKE CLARK PULLED YOU

362
00:21:21,329 --> 00:21:23,176
INTO HIS ACTIVIST PHASE.

363
00:21:23,200 --> 00:21:25,345
BETWEEN HIM AND HENRY, I
DIDN'T REALLY HAVE A CHOICE.

364
00:21:25,369 --> 00:21:28,146
BUT THEY ARE FIGHTING FOR
SOMETHING REALLY IMPORTANT.

365
00:21:28,170 --> 00:21:30,245
THANK YOU. YOU'RE WELCOME.

366
00:21:30,269 --> 00:21:32,376
I'VE NEVER SEEN CLARK THIS
PASSIONATE ABOUT A CAUSE BEFORE.

367
00:21:32,400 --> 00:21:34,376
I DON'T THINK THE
CAUSE IS THE ONLY THING

368
00:21:34,400 --> 00:21:36,106
HE'S PASSIONATE ABOUT.

369
00:21:36,130 --> 00:21:38,075
YEAH, SO WHAT IS IT ABOUT
KYLA THAT BREAKS THROUGH

370
00:21:38,099 --> 00:21:39,446
CLARK'S SHINING ARMOR?

371
00:21:39,470 --> 00:21:41,176
I DON'T KNOW.

372
00:21:41,200 --> 00:21:43,176
I ALWAYS THOUGHT CLARK
HAD TROUBLE LETTING PEOPLE IN.

373
00:21:43,200 --> 00:21:45,206
I GUESS HE WAS JUST
WAITING FOR THE RIGHT ONE.

374
00:21:45,230 --> 00:21:47,206
YOU KNOW, CLARK'S
SUDDEN INTEREST IN KYLA

375
00:21:47,230 --> 00:21:50,045
WOULDN'T HAVE ANYTHING... HELLO.

376
00:21:50,069 --> 00:21:52,176
WOULDN'T HAVE ANYTHING
TO DO WITH THE LETTER

377
00:21:52,200 --> 00:21:54,245
THAT YOU WROTE
WHITNEY, WOULD IT?

378
00:21:54,269 --> 00:21:56,505
SORRY. I SAW IT ON THE
COUNTER THIS MORNING.

379
00:21:56,529 --> 00:21:59,305
IT'S ONE OF THE PITFALLS
OF HAVING A ROOMMATE.

380
00:21:59,329 --> 00:22:01,376
WHITNEY AND I HAVE BEEN
WRITING TO EACH OTHER

381
00:22:01,400 --> 00:22:03,646
EVERY WEEK SINCE HE LEFT.

382
00:22:03,670 --> 00:22:05,376
ACTUALLY, I'VE BEEN WRITING HIM.

383
00:22:05,400 --> 00:22:08,146
HE HASN'T REALLY
RESPONDED MUCH LATELY.

384
00:22:08,170 --> 00:22:10,146
AM I BEING REALLY
EVIL IF I SUGGEST

385
00:22:10,170 --> 00:22:12,106
THAT MAYBE HE'S
TRYING TO MOVE ON?

386
00:22:12,130 --> 00:22:13,706
I DON'T KNOW.

387
00:22:13,730 --> 00:22:15,345
WHITNEY'S SHARED MORE
WITH ME SINCE WE BROKE UP

388
00:22:15,369 --> 00:22:17,676
THAN WHEN WE WERE TOGETHER.

389
00:22:17,700 --> 00:22:19,146
WHAT IS IT WITH GUYS
AND THEIR EMOTIONS?

390
00:22:19,170 --> 00:22:20,745
THE CLOSER YOU GET TO THEM,

391
00:22:20,769 --> 00:22:23,005
THE MORE THEY
KEEP EVERYTHING IN.

392
00:22:23,029 --> 00:22:24,545
IT MUST BE SOME SORT
OF PROTECTIVE INSTINCTS.

393
00:22:24,569 --> 00:22:26,406
YOU KNOW, MAYBE WE SHOULD
JUST STOP FALLING FOR GUYS

394
00:22:26,430 --> 00:22:28,430
WHO ARE TRYING
TO SAVE THE WORLD.

395
00:22:32,000 --> 00:22:34,676
NOT THAT I DON'T FIND THE DANK
STENCH OF A CAVE INVIGORATING,

396
00:22:34,700 --> 00:22:36,676
BUT WHAT DOES THIS HAVE TO
DO WITH JOSEPH WILLOWBROOK?

397
00:22:36,700 --> 00:22:38,676
I WANTED YOU TO SEE
THEM FOR THEMSELVES.

398
00:22:38,700 --> 00:22:41,646
THIS IS WHAT HE
WANTS TO PROTECT.

399
00:22:41,670 --> 00:22:43,305
INCREDIBLE.

400
00:22:43,329 --> 00:22:46,446
THESE MAY BE MORE IMPRESSIVE
THAN THE CAVES AT LA SCALLE.

401
00:22:46,470 --> 00:22:49,075
JOSEPH AND KYLA ARE
TRYING TO GET A TEAM DOWN

402
00:22:49,099 --> 00:22:50,646
TO AUTHENTICATE THEM.

403
00:22:50,670 --> 00:22:53,305
SO YOU'RE DOING ALL OF THIS
FOR SOME CAVE PAINTINGS?

404
00:22:53,329 --> 00:22:55,305
I'M DOING THIS BECAUSE I THINK
IT'S IMPORTANT FOR PEOPLE

405
00:22:55,329 --> 00:22:58,045
TO UNDERSTAND
THEIR PAST, DON'T YOU?

406
00:22:58,069 --> 00:23:00,045
IT LOOKS LIKE A
FASCINATING STORY.

407
00:23:00,069 --> 00:23:02,575
MAKES YOU WONDER IF THE
PEOPLE WHO DREW THESE PAINTINGS

408
00:23:02,599 --> 00:23:06,245
THOUGHT THAT WE'D BE HERE
100 YEARS LATER LOOKING AT THEM.

409
00:23:06,269 --> 00:23:09,245
SOMEHOW I THINK THEY DID.

410
00:23:09,269 --> 00:23:12,245
LEX, THESE CAVES ARE
PART OF OUR HISTORY.

411
00:23:12,269 --> 00:23:14,275
SAVING THESE PAINTINGS MIGHT
BE THE MOST IMPORTANT THING

412
00:23:14,299 --> 00:23:15,376
YOU'LL EVER DO.

413
00:23:15,400 --> 00:23:17,646
WHAT DO YOU THINK, LEX?

414
00:23:17,670 --> 00:23:22,400
MAYBE EVEN MORE IMPORTANT
THAN ANYTHING WE CAN IMAGINE.

415
00:23:27,670 --> 00:23:30,670
I CAN'T BELIEVE YOU GOT
GRANDPA OUT SO QUICKLY.

416
00:23:32,670 --> 00:23:34,706
THANK YOU, CLARK.

417
00:23:34,730 --> 00:23:36,745
ALTHOUGH I DON'T KNOW HOW I FEEL

418
00:23:36,769 --> 00:23:38,745
ABOUT THE FACT THAT
IT WAS LUTHOR MONEY

419
00:23:38,769 --> 00:23:40,245
THAT BAILED ME OUT.

420
00:23:40,269 --> 00:23:41,646
NOT ALL THE LUTHORS
ARE THE SAME.

421
00:23:41,670 --> 00:23:44,269
WHY ARE YOU DOING ALL THIS?

422
00:23:46,000 --> 00:23:48,299
IT'S FOR A GOOD CAUSE.

423
00:23:52,170 --> 00:23:54,146
MOM? I THOUGHT YOU'D BE AT WORK.

424
00:23:54,170 --> 00:23:57,646
I WAS, UH, RUNNING AN ERRAND,
AND I WANTED TO COME BY.

425
00:23:57,670 --> 00:24:01,106
MR. WILLOWBROOK, I'M
SORRY YOU GOT TANGLED UP

426
00:24:01,130 --> 00:24:02,976
IN THE MURDER INVESTIGATION.

427
00:24:03,000 --> 00:24:05,106
PEOPLE DON'T GET TANGLED UP
IN THINGS LIKE THIS, MRS. KENT.

428
00:24:05,130 --> 00:24:08,176
THEY GET SET UP.

429
00:24:08,200 --> 00:24:10,176
I DON'T THINK MORE
FALSE ACCUSATIONS

430
00:24:10,200 --> 00:24:12,045
ARE GOING TO HELP
ANYONE'S SITUATION.

431
00:24:12,069 --> 00:24:13,676
BUT, MOM, SOMEONE
FROM LUTHORCORP

432
00:24:13,700 --> 00:24:15,745
PUT THE BLOODY TOWEL
IN JOSEPH'S TRASH.

433
00:24:15,769 --> 00:24:18,505
YOU MAY HAVE COME HERE
WITH GOOD INTENTIONS,

434
00:24:18,529 --> 00:24:20,606
BUT IT'S CLEAR WHERE
YOUR ALLEGIANCES LIE.

435
00:24:20,630 --> 00:24:24,269
KYLA, I THINK WE NEED TO GO.

436
00:24:36,400 --> 00:24:38,045
THANK YOU.

437
00:24:38,069 --> 00:24:40,245
ANYTHING NEW IN JOSEPH'S CASE?

438
00:24:40,269 --> 00:24:42,275
YOU KNOW, CLARK, A
SIMPLE "HELLO, CHLOE"

439
00:24:42,299 --> 00:24:44,305
GOES A LONG AWAY.

440
00:24:44,329 --> 00:24:45,505
I KNOW, I'M SORRY.

441
00:24:45,529 --> 00:24:47,245
I'M JUST A LITTLE...

442
00:24:47,269 --> 00:24:48,745
OBSESSED? I'VE NOTICED.

443
00:24:48,769 --> 00:24:50,406
I JUST GOT OFF THE PHONE
WITH THE CORONER'S OFFICE.

444
00:24:50,430 --> 00:24:52,976
THEY FINISHED THE AUTOPSY,
AND THERE'S A NEW DEVELOPMENT.

445
00:24:53,000 --> 00:24:55,176
I GUESS THEY FOUND TEETH MARKS

446
00:24:55,200 --> 00:24:57,045
IN THE FOREMAN'S BONES.

447
00:24:57,069 --> 00:24:58,505
WHAT KIND OF TEETH MARKS?

448
00:24:58,529 --> 00:25:00,176
CANIS LUPUS. WOLF.

449
00:25:00,200 --> 00:25:02,206
TAKES JOSEPH OFF THE HOOK.

450
00:25:02,230 --> 00:25:04,676
IT'S STILL A FEW NOTCHES
THIS SIDE OF NORMAL.

451
00:25:04,700 --> 00:25:07,176
I MEAN, WOLVES HAVE
BEEN EXTINCT IN SMALLVILLE

452
00:25:07,200 --> 00:25:09,005
FOR 90 YEARS.

453
00:25:09,029 --> 00:25:11,005
THE LOOK ON YOUR FACE TELLS ME

454
00:25:11,029 --> 00:25:12,706
YOU HAVE A WALL OF
WEIRD EXPLANATION.

455
00:25:12,730 --> 00:25:15,045
DON'T KILL THE MESSENGER,

456
00:25:15,069 --> 00:25:17,106
BUT I FOUND OUT
THAT KYLA'S TRIBE NAME

457
00:25:17,130 --> 00:25:19,176
TRANSLATES INTO SKINWALKERS.

458
00:25:19,200 --> 00:25:24,005
WHAT IS THIS, SOME
SORT OF TRIBAL RITUAL?

459
00:25:24,029 --> 00:25:26,075
IT'S A NATIVE AMERICAN MYTH

460
00:25:26,099 --> 00:25:28,406
WHERE THE HUMANS
TRANSFORM INTO ANIMALS.

461
00:25:28,430 --> 00:25:30,146
IT'S JUST A LEGEND.

462
00:25:30,170 --> 00:25:32,176
CLARK, SOMETIMES
LEGENDS ARE TRUE.

463
00:25:32,200 --> 00:25:34,146
YOU KNOW, THIS
ISN'T THE FIRST TIME

464
00:25:34,170 --> 00:25:36,146
THAT JOSEPH'S BEEN ARRESTED
FOR HIS RADICAL TACTICS.

465
00:25:36,170 --> 00:25:38,269
CHLOE, JOSEPH'S NOT A MURDERER.

466
00:25:41,069 --> 00:25:44,069
[ THUNDER RUMBLES ]

467
00:26:20,029 --> 00:26:21,406
AAH!

468
00:26:21,430 --> 00:26:25,200
[ SNARLING ]

469
00:26:41,730 --> 00:26:44,630
[ ENGINE STARTS ]

470
00:27:01,230 --> 00:27:04,146
WELL, WHAT DO YOU KNOW?
YOU DO STILL LIVE HERE.

471
00:27:04,170 --> 00:27:07,745
OH, UH, KYLA CALLED FOR YOU.

472
00:27:07,769 --> 00:27:10,146
TWICE.

473
00:27:10,170 --> 00:27:12,745
YOU TWO CERTAINLY SEEM TO
BE GETTING PRETTY SERIOUS.

474
00:27:12,769 --> 00:27:16,005
YEAH, I CAN BE MYSELF WITH HER.

475
00:27:16,029 --> 00:27:18,305
FOR THE FIRST TIME IN MY LIFE,
I FEEL LIKE EVERYTHING FITS,

476
00:27:18,329 --> 00:27:21,745
LIKE WE'RE DESTINED
TO BE TOGETHER.

477
00:27:21,769 --> 00:27:26,176
BUT STILL THERE'S
SOMETHING WRONG.

478
00:27:26,200 --> 00:27:31,630
WHY DON'T YOU HAVE A SEAT, SON?

479
00:27:33,730 --> 00:27:35,369
WHAT'S UP?

480
00:27:37,730 --> 00:27:40,176
I HAVE THESE FEELINGS FOR KYLA,

481
00:27:40,200 --> 00:27:43,075
AND I DON'T WANT TO DOUBT HER,

482
00:27:43,099 --> 00:27:45,606
BUT I'M NOT SURE SHE'S
BEING HONEST WITH ME.

483
00:27:45,630 --> 00:27:49,345
WELL, CLARK, NOT EVERYBODY'S
EXACTLY WHAT THEY SEEM.

484
00:27:49,369 --> 00:27:53,075
I MEAN, WE SHOULD KNOW
THAT BETTER THAN ANYBODY.

485
00:27:53,099 --> 00:27:56,305
DAD, I THINK SHE KNOWS MORE
ABOUT THE FOREMAN'S DEATH

486
00:27:56,329 --> 00:27:58,329
THAN SHE'S TELLING ME.

487
00:28:00,230 --> 00:28:03,446
MOM?

488
00:28:03,470 --> 00:28:04,447
MOM, WHAT'S WRONG?

489
00:28:04,471 --> 00:28:07,569
A WOLF TRIED TO ATTACK ME.

490
00:28:15,299 --> 00:28:18,075
Lionel: LEX...

491
00:28:18,099 --> 00:28:21,045
HAVE I DONE SOMETHING
IN THE RECENT PAST

492
00:28:21,069 --> 00:28:23,045
TO OFFEND YOU?

493
00:28:23,069 --> 00:28:25,976
THERE ARE SO MANY WAYS I
CAN ANSWER THAT QUESTION, DAD.

494
00:28:26,000 --> 00:28:28,245
I'M REFERRING TO THE FACT
THAT YOU HAVE POSTED BAIL

495
00:28:28,269 --> 00:28:32,146
FOR A MAN WHO ALLEGEDLY
MURDERED MY FOREMAN.

496
00:28:32,170 --> 00:28:35,575
DON'T TELL ME YOU'RE
AFRAID OF AN OLD MAN.

497
00:28:35,599 --> 00:28:38,376
I'M SURE YOU KNOW
THAT THIS PROJECT

498
00:28:38,400 --> 00:28:41,245
HAS BECOME A PUBLIC
RELATIONS DISASTER,

499
00:28:41,269 --> 00:28:44,976
BUT NOW YOU HAVE ADDED
AN ENTIRELY NEW ANGLE

500
00:28:45,000 --> 00:28:47,406
FOR THOSE DAMN
TREEHUGGERS TO EXPLOIT.

501
00:28:47,430 --> 00:28:50,176
YOU'RE RIGHT ABOUT
THE P.R. NIGHTMARE,

502
00:28:50,200 --> 00:28:53,345
BUT PERHAPS WE CAN
GIVE IT A POSITIVE SPIN.

503
00:28:53,369 --> 00:28:56,976
IS THAT YOUR CRYPTIC WAY OF
SAYING YOU'VE RECONSIDERED

504
00:28:57,000 --> 00:28:58,575
MY PROPOSITION, LEX?

505
00:28:58,599 --> 00:29:02,446
NO.

506
00:29:02,470 --> 00:29:06,706
I'M OFFERING TO TAKE THIS
PROJECT OFF YOUR HANDS.

507
00:29:06,730 --> 00:29:09,446
I'll MATCH DOLLAR FOR
DOLLAR WHAT YOU'VE SUNK.

508
00:29:09,470 --> 00:29:11,146
INTO THE COMPLEX.

509
00:29:11,170 --> 00:29:13,245
BUY ME OUT? WHAT
ADVANTAGE WOULD YOU GET OUT

510
00:29:13,269 --> 00:29:15,345
OUT OF SUCH AN IMPULSIVE ACT?

511
00:29:15,369 --> 00:29:17,476
THE SATISFACTION OF
SEEING A LOCAL TREASURE

512
00:29:17,500 --> 00:29:19,275
PRESERVED FOREVER.

513
00:29:19,299 --> 00:29:20,446
NO.

514
00:29:20,470 --> 00:29:22,446
NO, I KNOW YOU
TOO WELL TO BELIEVE

515
00:29:22,470 --> 00:29:25,245
YOU'VE BECOME AN ACTIVIST, LEX.

516
00:29:25,269 --> 00:29:28,146
THERE IS SOMETHING
ABOUT THAT LAND

517
00:29:28,170 --> 00:29:31,575
THAT IS EXTREMELY VALUABLE.

518
00:29:31,599 --> 00:29:34,670
AND YOU KNOW WHAT IT IS.

519
00:29:53,299 --> 00:29:55,146
HI.

520
00:29:55,170 --> 00:29:57,146
I THOUGHT I WAS SUPPOSED
TO MEET YOU LATER

521
00:29:57,170 --> 00:29:58,446
AT THE TALON.

522
00:29:58,470 --> 00:30:00,206
I NEEDED TO TALK TO YOU.

523
00:30:00,230 --> 00:30:02,305
OH, IS EVERYTHING OKAY?

524
00:30:02,329 --> 00:30:04,505
KYLA, I'VE BEEN
MORE OPEN WITH YOU

525
00:30:04,529 --> 00:30:06,446
THAN ALMOST ANYONE EVER.

526
00:30:06,470 --> 00:30:08,245
IT'S OKAY, CLARK.

527
00:30:08,269 --> 00:30:10,446
I'M NOT GOING TO TELL
ANYONE YOUR SECRET.

528
00:30:10,470 --> 00:30:12,176
I KNOW, I TRUST YOU.

529
00:30:12,200 --> 00:30:15,376
THAT'S WHAT MAKES IT
SO MUCH MORE WEIRD.

530
00:30:15,400 --> 00:30:19,329
WHAT DO YOU KNOW
ABOUT SKINWALKERS?

531
00:30:24,470 --> 00:30:27,146
HAVE YOU BEEN STUDYING UP ON ME?

532
00:30:27,170 --> 00:30:29,406
THE STORIES SAY THAT
PEOPLE CAN TURN INTO ANIMALS.

533
00:30:29,430 --> 00:30:31,599
ARE THEY TRUE?

534
00:30:35,269 --> 00:30:37,245
THE VISITOR FROM THE
STARS SUPPOSEDLY BROUGHT

535
00:30:37,269 --> 00:30:39,305
SPECIAL GREEN STONES, AND
THEY HAD REALLY STRANGE EFFECTS

536
00:30:39,329 --> 00:30:41,075
ON THE PEOPLE.

537
00:30:41,099 --> 00:30:43,206
THAT'S WHEN THEY SAID THE
FIRST SKINWALKERS APPEARED.

538
00:30:43,230 --> 00:30:45,005
SO THEY'RE REAL?

539
00:30:45,029 --> 00:30:47,606
IT'S LIKE YOU SAID, CLARK,
THEY'RE JUST STORIES.

540
00:30:47,630 --> 00:30:50,470
LIKE THE LEGEND OF
NUMAN IS JUST A STORY?

541
00:30:52,529 --> 00:30:55,446
I KNOW HOW IMPORTANT
YOUR GRANDFATHER IS TO YOU,

542
00:30:55,470 --> 00:30:57,505
BUT I NEED TO
KNOW IS IT POSSIBLE

543
00:30:57,529 --> 00:30:59,545
HE'S A SKINWALKER?

544
00:30:59,569 --> 00:31:01,345
I CAN'T BELIEVE
YOU'RE DOING THIS.

545
00:31:01,369 --> 00:31:03,245
KYLA, MY MOTHER WAS
ATTACKED BY A WOLF

546
00:31:03,269 --> 00:31:05,345
AFTER SHE GOT IN AN ARGUMENT
WITH YOUR GRANDFATHER,

547
00:31:05,369 --> 00:31:08,275
AND THEY FOUND OUT THAT THE
FOREMAN WAS MAULED BY A WOLF.

548
00:31:08,299 --> 00:31:10,075
YOU CAN'T ACTUALLY
THINK HE'S A MURDERER.

549
00:31:10,099 --> 00:31:11,376
JOSEPH WOULD DO ANYTHING
TO SAVE THOSE CAVES.

550
00:31:11,400 --> 00:31:13,045
I THOUGHT YOU WERE ON OUR SIDE.

551
00:31:13,069 --> 00:31:14,305
THOSE PAINTINGS
ARE VERY IMPORTANT,

552
00:31:14,329 --> 00:31:15,476
BUT NOT ENOUGH TO KILL
INNOCENT PEOPLE OVER.

553
00:31:15,500 --> 00:31:17,275
IF THIS IS HOW YOU THINK OF US,

554
00:31:17,299 --> 00:31:19,206
THEN MAYBE WE WEREN'T
MEANT TO BE TOGETHER AFTER ALL.

555
00:31:19,230 --> 00:31:20,976
MY GRANDFATHER'S RIGHT.

556
00:31:21,000 --> 00:31:23,769
LIONEL LUTHOR CONTROLS YOU ALL.

557
00:32:34,170 --> 00:32:35,400
[ RUSTLING ]

558
00:32:39,470 --> 00:32:44,706
[ THUMPING ]

559
00:32:44,730 --> 00:32:47,000
[ SCRATCHING ]

560
00:32:49,329 --> 00:32:50,406
LEX?

561
00:32:50,430 --> 00:32:52,700
WHO'S THERE?

562
00:32:54,369 --> 00:32:56,745
[ WOLF WHINING ]

563
00:32:56,769 --> 00:33:00,730
[ HOWLING ]

564
00:33:12,000 --> 00:33:15,099
[ SNARLING ]

565
00:33:31,099 --> 00:33:32,430
AAH!

566
00:33:36,329 --> 00:33:40,245
[ SNARLING ]

567
00:33:40,269 --> 00:33:43,069
JOSEPH!

568
00:33:49,299 --> 00:33:50,400
[ WHINING ]

569
00:33:53,230 --> 00:33:54,345
DON'T MOVE!

570
00:33:54,369 --> 00:33:55,745
NO, NO, DON'T SHOOT.

571
00:33:55,769 --> 00:33:57,400
JOSEPH.

572
00:33:58,369 --> 00:34:01,400
[ WOLF CRIES ]

573
00:34:09,699 --> 00:34:12,706
JOSEPH!

574
00:34:12,730 --> 00:34:14,369
JOSEPH.

575
00:34:32,000 --> 00:34:34,646
KYLA?

576
00:34:34,670 --> 00:34:38,106
NO. NO.

577
00:34:38,130 --> 00:34:40,706
KYLA.

578
00:34:40,730 --> 00:34:42,646
COME HERE. COME HERE.

579
00:34:42,670 --> 00:34:44,276
YOU'RE OKAY.

580
00:34:44,300 --> 00:34:46,106
COME HERE.

581
00:34:46,130 --> 00:34:48,376
YOU ALL RIGHT?

582
00:34:48,400 --> 00:34:51,245
I DIDN'T WANT TO
HURT THE FOREMAN

583
00:34:51,269 --> 00:34:53,175
OR YOUR MOTHER, CLARK.

584
00:34:53,199 --> 00:34:55,675
WHY DIDN'T YOU
TELL ME IT WAS YOU?

585
00:34:55,699 --> 00:34:58,245
I DIDN'T WANT TO LIE, BUT I
SAW THE LOOK IN YOUR EYE

586
00:34:58,269 --> 00:35:00,575
WHEN YOU THOUGHT IT
WAS MY GRANDFATHER.

587
00:35:00,599 --> 00:35:02,606
I'M SORRY, KYLA.

588
00:35:02,630 --> 00:35:07,175
YOU'RE THE FIRST PERSON
I THOUGHT I COULD TRUST.

589
00:35:07,199 --> 00:35:10,046
I KNEW THAT YOU
KNEW WHAT IT FELT LIKE

590
00:35:10,070 --> 00:35:12,245
TO CARRY SUCH A BIG SECRET.

591
00:35:12,269 --> 00:35:15,506
I HAVE TO GET YOU
TO THE HOSPITAL.

592
00:35:15,530 --> 00:35:18,130
CLARK, STAY WITH ME.

593
00:35:20,599 --> 00:35:23,405
I'M SORRY.

594
00:35:23,429 --> 00:35:27,175
I'M SORRY I CAN'T BE
THE ONE FOR YOU...

595
00:35:27,199 --> 00:35:29,199
NUMAN.

596
00:35:32,269 --> 00:35:35,269
KYLA.

597
00:36:13,769 --> 00:36:15,745
Man: MR. LUTHOR, WE'RE
ALL SHUT DOWN, SIR.

598
00:36:15,769 --> 00:36:17,376
WHAT'S THE PROBLEM HERE?

599
00:36:17,400 --> 00:36:19,245
SOME KID THINKS HE'S A HERO.

600
00:36:19,269 --> 00:36:21,106
CLARK?

601
00:36:21,130 --> 00:36:23,376
MARTHA, I'M INDEBTED TO YOUR SON

602
00:36:23,400 --> 00:36:25,976
FOR HIS COURAGE
YESTERDAY, BUT I THOUGHT

603
00:36:26,000 --> 00:36:27,976
YOU HAD A TALK WITH
HIM ABOUT THIS BUSINESS.

604
00:36:28,000 --> 00:36:29,976
I DID, AND I AGREE WITH HIM.

605
00:36:30,000 --> 00:36:32,175
ARE YOU WILLING TO
LOSE YOUR JOB OVER THIS?

606
00:36:32,199 --> 00:36:36,146
THAT'S UP TO YOU.

607
00:36:36,170 --> 00:36:42,976
MARTHA.

608
00:36:43,000 --> 00:36:45,006
HI.

609
00:36:45,030 --> 00:36:48,000
[ HORNS HONKING ]

610
00:37:00,500 --> 00:37:03,006
THANK YOU, CLARK.

611
00:37:03,030 --> 00:37:05,469
KYLA WAS RIGHT
TO BELIEVE IN YOU.

612
00:37:07,530 --> 00:37:09,506
I DIDN'T SAVE HER.

613
00:37:09,530 --> 00:37:13,245
YOU DID WHAT YOU COULD.

614
00:37:13,269 --> 00:37:15,206
KNOW THIS.

615
00:37:15,230 --> 00:37:19,506
KYLA HAD FAITH IN
YOU, AND SO DO I.

616
00:37:19,530 --> 00:37:23,405
WHATEVER YOUR DESTINY,

617
00:37:23,429 --> 00:37:27,369
FOR THE TRUE ONE IN YOUR LIFE.

618
00:37:46,530 --> 00:37:50,006
DAD, YOU ALWAYS TOLD ME
TO CHOOSE MY BATTLES WISELY.

619
00:37:50,030 --> 00:37:53,245
I HOPE I DIDN'T USE
SUCH AN OBVIOUS CLICHé.

620
00:37:53,269 --> 00:37:55,376
YOU SHOULD'VE TAKEN MY OFFER

621
00:37:55,400 --> 00:37:57,106
ON THIS LAND.

622
00:37:57,130 --> 00:37:58,345
WHAT IS THIS?

623
00:37:58,369 --> 00:38:00,106
IN LIGHT OF THE PETITION DRIVE,

624
00:38:00,130 --> 00:38:01,445
THE STATE HAS
DECIDED TO EXERCISE

625
00:38:01,469 --> 00:38:03,106
THE HISTORIC ARTIFACTS AMENDMENT

626
00:38:03,130 --> 00:38:05,405
AND BUY YOU OUT AT
30 CENTS ON THE DOLLAR.

627
00:38:05,429 --> 00:38:08,075
I'M SURE YOU'LL BE HAPPY TO
HEAR THAT LEXCORP HAS SECURED

628
00:38:08,099 --> 00:38:10,405
THE CONTRACT FOR
THE PRESERVATION

629
00:38:10,429 --> 00:38:12,245
OF THIS ENTIRE AREA.

630
00:38:12,269 --> 00:38:14,345
ALTRUISM IS NOT
IN YOUR BLOOD, LEX.

631
00:38:14,369 --> 00:38:16,276
BELIEVE ME.

632
00:38:16,300 --> 00:38:19,206
I DON'T KNOW WHAT YOU'RE UP TO,

633
00:38:19,230 --> 00:38:21,075
BUT YOU FOUND SOMETHING VALUABLE

634
00:38:21,099 --> 00:38:23,106
IN THOSE CAVES,
AND WHATEVER IT IS,

635
00:38:23,130 --> 00:38:25,230
I'll FIND IT.

636
00:39:24,670 --> 00:39:26,276
LANA.

637
00:39:26,300 --> 00:39:29,369
I WANTED TO TELL YOU
HOW SORRY I AM ABOUT KYLA.

638
00:39:32,269 --> 00:39:35,675
I'M SORRY YOU DIDN'T GET A
CHANCE TO KNOW HER BETTER.

639
00:39:35,699 --> 00:39:38,445
YOU HAD A LOT IN COMMON.

640
00:39:38,469 --> 00:39:40,706
THAT MEANS A LOT,

641
00:39:40,730 --> 00:39:44,030
KNOWING HOW IMPORTANT
SHE WAS TO YOU.

642
00:39:48,699 --> 00:39:51,445
KYLA TOLD ME THERE
USED TO BE A STAR

643
00:39:51,469 --> 00:39:54,675
RIGHT OUT THERE
BY THE BRIGHT ONE.

644
00:39:54,699 --> 00:39:58,675
BUT IT DISAPPEARED.

645
00:39:58,699 --> 00:40:04,269
IT'S AMAZING HOW QUICKLY
A LIGHT CAN GO OUT.

646
00:40:09,769 --> 00:40:14,000
WHY ARE YOU
SHAKING? ARE YOU OKAY?

647
00:40:17,730 --> 00:40:20,429
NO. NO, I DON'T THINK SO.

648
00:40:22,130 --> 00:40:25,646
I GUESS IT HASN'T SUNK IN YET.

649
00:40:25,670 --> 00:40:32,675
LANA... WHITNEY'S
MOM JUST CALLED.

650
00:40:32,699 --> 00:40:35,769
HE'S MISSING IN ACTION.

651
00:40:40,300 --> 00:40:44,099
[ CRYING ]

652
00:40:53,429 --> 00:40:55,429
[ SOBBING ]

653
00:41:15,099 --> 00:41:18,075
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654
00:41:18,099 --> 00:41:21,099
CAPTIONS PAID FOR BY
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