1
00:00:23,682 --> 00:00:25,184
[ HORSE WHINNIES ]

2
00:00:45,347 --> 00:00:47,324
[ RUSTLING ]

3
00:00:47,348 --> 00:00:48,585
HELLO?

4
00:00:48,609 --> 00:00:50,582
IS SOMEONE THERE?

5
00:00:55,857 --> 00:01:00,723
[ DOG HOWLS ]

6
00:01:10,603 --> 00:01:12,977
[ DOG HOWLS ]

7
00:01:14,808 --> 00:01:17,587
[ RUSTLING ]

8
00:01:17,611 --> 00:01:18,914
[ PANTING ]

9
00:01:29,995 --> 00:01:32,228
[ DOG BARKING ]

10
00:01:35,231 --> 00:01:37,764
[ GUNSHOT ]

11
00:01:46,274 --> 00:01:48,692
DAMN IT, BOY, WHAT
WERE YOU THINKING?

12
00:01:48,716 --> 00:01:51,626
I'M SORRY, FATHER. I PROMISE,
IT WON'T HAPPEN AGAIN.

13
00:01:51,650 --> 00:01:54,959
WHAT IS THE ONE RULE
WE LIVE BY IN THIS HOUSE?

14
00:01:54,983 --> 00:01:57,632
BYRON STAYS IN THE CELLAR.

15
00:01:57,656 --> 00:01:59,905
AND WHY IS THAT?

16
00:01:59,929 --> 00:02:02,567
BECAUSE FATHER KNOWS
WHAT'S BEST FOR BYRON.

17
00:02:02,591 --> 00:02:05,771
HOW THE HELL DID YOU GET OUT?

18
00:02:05,795 --> 00:02:09,514
I SWEAR, YOU BETTER GIVE
ME AN ANSWER RIGHT NOW

19
00:02:09,538 --> 00:02:13,804
OR I'M GOING TO... I
PRIED OPEN THE LOCK.

20
00:02:15,746 --> 00:02:17,653
GET OUT AGAIN, BOY,

21
00:02:17,677 --> 00:02:21,913
THERE WILL BE MORE THAN
A TRANQUILIZER IN THAT GUN.

22
00:02:37,069 --> 00:02:44,614
♫ SOMEBODY SAVE ME ♫

23
00:02:44,638 --> 00:02:48,557
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

24
00:02:48,581 --> 00:02:54,824
♫ SOMEBODY SAVE ME ♫

25
00:02:54,848 --> 00:02:58,668
♫ I DON'T CARE HOW YOU DO IT ♫

26
00:02:58,692 --> 00:02:59,729
♫ JUST STAY ♫

27
00:02:59,753 --> 00:03:01,633
♫ STAY WITH ME ♫

28
00:03:01,657 --> 00:03:03,634
♫ STAY ♫

29
00:03:03,658 --> 00:03:05,507
♫ COME ON ♫

30
00:03:05,531 --> 00:03:08,780
♫ I'VE BEEN WAITING FOR YOU ♫

31
00:03:08,804 --> 00:03:14,646
♫ JUST STAY WITH ME ♫

32
00:03:14,670 --> 00:03:19,521
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

33
00:03:19,545 --> 00:03:21,054
♫ JUST STAY ♫

34
00:03:21,078 --> 00:03:23,627
♫ STAY ♫

35
00:03:23,651 --> 00:03:26,623
♫ COME ON ♫

36
00:03:36,534 --> 00:03:38,513
Chloe: AH, THE SENTIMENT'S NICE,

37
00:03:38,537 --> 00:03:40,514
BUT THE FACT THAT YOU
FOUND THIS IN A GRAVEYARD

38
00:03:40,538 --> 00:03:42,076
SEEMS A LITTLE AMITYVILLE.

39
00:03:42,100 --> 00:03:44,079
I THINK IT'S KIND OF ROMANTIC.

40
00:03:44,103 --> 00:03:45,980
I HAVEN'T HAD A LOVE
LETTER SINCE THIRD GRADE.

41
00:03:46,004 --> 00:03:47,723
IT SEEMS LIKE A LOST ART.

42
00:03:47,747 --> 00:03:49,585
NOT TRUE, NOT TRUE.
THIS MORNING IN TRIG,

43
00:03:49,609 --> 00:03:51,656
I INTERCEPTED A NOTE FROM A
WRESTLER TO A CHEERLEADER.

44
00:03:51,680 --> 00:03:55,031
IT WASN'T EXACTLY POETIC, BUT HE
DEFINITELY GOT HIS POINT ACROSS.

45
00:03:55,055 --> 00:03:57,033
WHO DO YOU THINK WROTE IT?

46
00:03:57,057 --> 00:03:58,564
I HAVE NO IDEA.

47
00:03:58,588 --> 00:04:01,098
HEY, GUYS.

48
00:04:01,122 --> 00:04:03,439
SO, WHAT'S GOING ON?

49
00:04:03,463 --> 00:04:05,926
LANA HAS A SECRET ADMIRER.

50
00:04:07,468 --> 00:04:08,945
IT'S NOTHING.

51
00:04:08,969 --> 00:04:12,681
WHAT DO YOU MEAN, NOTHING?
WHAT HAPPENED TO "ROMANTIC"?

52
00:04:12,705 --> 00:04:16,038
JUST LET THE BOY READ IT.

53
00:04:22,946 --> 00:04:25,064
IT'S A LITTLE MUSHY.

54
00:04:25,088 --> 00:04:28,451
I ALMOST FORGOT. CLARK
KENT... THE MAN OF STEEL.

55
00:04:34,057 --> 00:04:35,776
I'll SEE YOU GUYS LATER.

56
00:04:35,800 --> 00:04:38,533
BYE.

57
00:04:40,534 --> 00:04:42,644
IF YOU ASK ME, IT SOUNDS
MORE LIKE A STALKER

58
00:04:42,668 --> 00:04:44,540
THAN A SECRET ADMIRER.

59
00:04:48,213 --> 00:04:51,216
[ POWER DRILL
WHIRRING, DOG BARKING ]

60
00:05:28,987 --> 00:05:31,968
OH, THANKS.

61
00:05:31,992 --> 00:05:33,492
NO PROBLEM.

62
00:05:36,196 --> 00:05:38,798
IT'S KIND OF PERSONAL.

63
00:05:40,630 --> 00:05:42,608
GO AHEAD AND READ IT.

64
00:05:42,632 --> 00:05:45,677
YOU'LL PROBABLY AGREE
WITH CLARK THAT IT'S SAPPY.

65
00:05:48,139 --> 00:05:51,019
THE, UH, IMAGERY
IS A LITTLE NAIVE,

66
00:05:51,043 --> 00:05:53,221
BUT THE METER'S ACTUALLY
QUITE SOPHISTICATED.

67
00:05:53,245 --> 00:05:54,762
WHO WROTE THIS?

68
00:05:54,786 --> 00:05:56,795
EITHER AN ADMIRER
OR A PSYCHOPATH,

69
00:05:56,819 --> 00:05:58,697
DEPENDING ON WHO YOU ASK.

70
00:05:58,721 --> 00:06:01,500
THAT HAD A LITTLE EDGE TO
IT. IS EVERYTHING ALL RIGHT?

71
00:06:01,524 --> 00:06:03,773
EVERYONE'S GIVING ME A
HARD TIME ABOUT THE POEM.

72
00:06:03,797 --> 00:06:07,175
I GUESS I'M JUST A
LITTLE DEFENSIVE.

73
00:06:07,199 --> 00:06:12,541
"TAKE ME TO YOU..." IMPRISON ME,

74
00:06:12,565 --> 00:06:14,144
"FOR I NEVER SHALL BE FREE"

75
00:06:14,168 --> 00:06:17,687
"NOR EVER CHASTE,
EXCEPT YOU RAVISH ME."

76
00:06:17,711 --> 00:06:20,790
JOHN DONNE.

77
00:06:20,814 --> 00:06:23,653
HE'S ONE OF MY FAVORITES.

78
00:06:23,677 --> 00:06:27,298
IF I DIDN'T KNOW BETTER, I'D
SAY I FOUND YOUR ACHILLES' HEEL.

79
00:06:27,322 --> 00:06:30,000
I DIDN'T REALIZE YOU
WERE SO INTO POETRY.

80
00:06:30,024 --> 00:06:33,805
ANYONE WHO DOESN'T APPRECIATE
POETRY DOESN'T UNDERSTAND

81
00:06:33,829 --> 00:06:37,810
THAT IT'S ALL ABOUT SEDUCTION.

82
00:06:37,834 --> 00:06:40,237
[ FOOTSTEPS APPROACHING ]

83
00:06:44,071 --> 00:06:46,574
IT'S NICE SOME PEOPLE
APPRECIATE ARTISTIC EXPRESSION.

84
00:06:49,576 --> 00:06:52,125
KIND OF, UH, RAISES THE BAR
FOR ANY OTHER CONTENDERS,

85
00:06:52,149 --> 00:06:54,853
DOESN'T IT, CLARK?

86
00:07:00,189 --> 00:07:02,237
LANA, I KNOW THINGS AREN'T SO
GREAT BETWEEN US RIGHT NOW...

87
00:07:02,261 --> 00:07:04,023
I'M FINE, CLARK.

88
00:07:08,026 --> 00:07:10,805
LANA, I WANT TO APOLOGIZE
FOR RAGGING ON THE POEM.

89
00:07:10,829 --> 00:07:13,209
GUESS POETRY'S
NOT FOR EVERYBODY.

90
00:07:13,233 --> 00:07:16,012
I GUESS I WAS JUST SURPRISED
THAT YOU WOULD SHOW

91
00:07:16,036 --> 00:07:18,053
PETE AND CHLOE AND
NOT SHOW IT TO ME.

92
00:07:18,077 --> 00:07:21,018
YOU CAN'T EXPECT ME TO SHARE
EVERYTHING WITH YOU, CLARK,

93
00:07:21,042 --> 00:07:24,620
IF YOU'RE NOT GOING
TO BE OPEN WITH ME.

94
00:07:24,644 --> 00:07:27,293
DON'T YOU THINK IT'S WEIRD?

95
00:07:27,317 --> 00:07:29,326
THIS GUY'S SNEAKING
AROUND, WATCHING YOU.

96
00:07:29,350 --> 00:07:31,298
COME ON, CLARK.

97
00:07:31,322 --> 00:07:34,896
TELL ME YOU'VE NEVER
WATCHED SOMEBODY FROM AFAR.

98
00:07:42,665 --> 00:07:45,343
SO, AS YOU CAN SEE, SIR,

99
00:07:45,367 --> 00:07:47,887
OR MAYBE NOT ACTUALLY
"SEE" IN YOUR CASE,

100
00:07:47,911 --> 00:07:50,649
IT WAS AN HONEST MISTAKE,

101
00:07:50,673 --> 00:07:52,792
AND ONE THAT I PROMISE
WON'T EVER HAPPEN AGAIN

102
00:07:52,816 --> 00:07:55,826
AS LONG AS I'M WORKING FOR YOU.

103
00:07:55,850 --> 00:08:00,161
THANK YOU, TAD. THAT
WAS A VERY HEARTFELT,

104
00:08:00,185 --> 00:08:04,064
IF NOT INTERMINABLY
LONG-WINDED, APOLOGY.

105
00:08:04,088 --> 00:08:09,670
AND I'M GOING TO HELP YOU
KEEP THAT PROMISE, TAD.

106
00:08:09,694 --> 00:08:13,375
YOUR THINGS WILL
BE MAILED TO YOU.

107
00:08:13,399 --> 00:08:15,677
ARE YOU LETTING ME GO?

108
00:08:15,701 --> 00:08:18,380
NEVER LOSE THAT GRASP
OF THE OBVIOUS, TAD.

109
00:08:18,404 --> 00:08:20,776
IT'S ONE OF YOUR
STRONGEST ATTRIBUTES.

110
00:08:26,913 --> 00:08:29,393
THAT'S THE FOURTH ONE
YOU'VE DEVOURED THIS MONTH.

111
00:08:29,417 --> 00:08:32,265
[ Chuckles ] WHERE ARE YOU
FINDING THESE PEOPLE, LEX?

112
00:08:32,289 --> 00:08:34,839
LITTLE SCHOOLS LIKE
HARVARD AND YALE...

113
00:08:34,863 --> 00:08:37,140
I SPENT HOURS
GOING OVER RéSUMéS.

114
00:08:37,164 --> 00:08:39,173
LOOKING FOR THE PERFECT FIT.

115
00:08:39,197 --> 00:08:41,346
YOU MUSTN'T BE
FOOLED BY A RèSUMé, LEX.

116
00:08:41,370 --> 00:08:44,349
YOU HAVE TO LOOK INTO
THEIR EYES TO SEE IF THEY'RE UP

117
00:08:44,373 --> 00:08:45,910
TO THE CHALLENGE.

118
00:08:45,934 --> 00:08:48,783
I NEED YOUR EYES
TO LOOK FOR ME, SON.

119
00:08:48,807 --> 00:08:52,817
I SEE. SO SOMEHOW THE FAILURE
OF YOUR ASSISTANTS IS MY FAULT.

120
00:08:52,841 --> 00:08:55,822
FORGET THE SELF-PITY,
LEX. I WASN'T CRITICIZING.

121
00:08:55,846 --> 00:08:57,293
I WAS CRITIQUING.

122
00:08:57,317 --> 00:09:00,125
THERE'S A DIFFERENCE.

123
00:09:00,149 --> 00:09:04,171
AND IF I RECALL, I
DIDN'T ASK FOR HELP.

124
00:09:04,195 --> 00:09:05,432
YOU OFFERED.

125
00:09:05,456 --> 00:09:07,234
WELL, I'M GLAD TO
SEE YOUR CONDITION

126
00:09:07,258 --> 00:09:08,775
HASN'T SOFTENED
YOUR PATERNAL SIDE.

127
00:09:08,799 --> 00:09:11,077
MY CONDITION HAS
NOTHING TO DO WITH IT.

128
00:09:11,101 --> 00:09:13,181
YOU'RE NOT THE MASTER
OF YOUR UNIVERSE ANYMORE.

129
00:09:13,205 --> 00:09:14,842
IT'S KILLING YOU, ISN'T IT?

130
00:09:14,866 --> 00:09:17,284
JUST GET ME AN ASSISTANT
WHO MEETS MY CRITERIA!

131
00:09:17,308 --> 00:09:19,447
I DON'T THINK I WOULD
FIT YOUR CRITERIA.

132
00:09:19,471 --> 00:09:21,919
PROBABLY NOT, BUT
NOBODY'S PERFECT.

133
00:09:21,943 --> 00:09:24,417
[ SIGHS ]

134
00:09:29,182 --> 00:09:31,160
Computer: AT THE SOUND
OF THE OPENING BELL.

135
00:09:31,184 --> 00:09:33,403
ON THE STOCK EXCHANGE
FLOOR MONDAY MORNING,

136
00:09:33,427 --> 00:09:37,167
LUTHOR CORPORATION'S
STOCK ADJUSTED DRAMATICALLY

137
00:09:37,191 --> 00:09:39,470
AFTER WEEKS OF
SPECULATION AS TO...

138
00:09:39,494 --> 00:09:41,871
[ GRUNTS ]

139
00:09:41,895 --> 00:09:45,346
I COULDN'T LISTEN TO ANOTHER
WORD OF THAT DRONING, EITHER.

140
00:09:45,370 --> 00:09:47,118
WHO IS THAT?

141
00:09:47,142 --> 00:09:49,120
IT'S MARTHA KENT.

142
00:09:49,144 --> 00:09:52,484
I HOPE I'M NOT DISTURBING YOU.

143
00:09:52,508 --> 00:09:56,128
NO, NO. A WELCOME INTERRUPTION.

144
00:09:56,152 --> 00:09:58,129
I CAME BY TO PICK UP THE
MONTHLY PRODUCE CHECK FROM LEX.

145
00:09:58,153 --> 00:10:00,231
HE USUALLY LEAVES IT OUT FOR ME.

146
00:10:00,255 --> 00:10:02,835
I'M AFRAID MY PRESENCE HERE

147
00:10:02,859 --> 00:10:07,539
HAS THROWN LEX'S REGIMENTED
ROUTINE INTO A MILD CHAOS.

148
00:10:07,563 --> 00:10:10,303
I'M SURE HE'S HAPPY
TO HAVE YOU HERE,

149
00:10:10,327 --> 00:10:12,505
EVEN IF HE DOESN'T
KNOW HOW TO SAY IT.

150
00:10:12,529 --> 00:10:15,803
YOUR ASSUMPTIONS
ARE VERY GENEROUS.

151
00:10:30,919 --> 00:10:33,568
"THE PLUMMETING
STOCKS SENT A RIPPLE

152
00:10:33,592 --> 00:10:35,071
"THROUGH INVESTMENT HOUSES.

153
00:10:35,095 --> 00:10:37,072
"CEO LIONEL LUTHOR
ATTRIBUTED THE DROP

154
00:10:37,096 --> 00:10:39,075
TO THIS QUARTER'S
ANTICIPATED DEFICIT."

155
00:10:39,099 --> 00:10:40,876
IT'S ALL A
SMOKESCREEN, ISN'T IT?

156
00:10:40,900 --> 00:10:42,839
YOU'RE TRYING TO MAKE
INVESTORS NERVOUS

157
00:10:42,863 --> 00:10:45,341
SO WHEN LUTHORCORP POSTS
LESS THAN IMPRESSIVE GAINS,

158
00:10:45,365 --> 00:10:47,043
THE STOCK WILL HAVE
ALREADY ADJUSTED.

159
00:10:47,067 --> 00:10:49,346
I HAD NO IDEA MARTHA KENT

160
00:10:49,370 --> 00:10:51,489
HAD SUCH KEEN BUSINESS ACUMEN.

161
00:10:51,513 --> 00:10:55,592
I WONDER IF YOUR TALENTS
AREN'T BEING WASTED

162
00:10:55,616 --> 00:10:57,595
ON ORGANIC PRODUCE.

163
00:10:57,619 --> 00:11:01,099
I'M GOING TO TAKE
THAT AS A COMPLIMENT.

164
00:11:01,123 --> 00:11:05,057
YOU SHOULD.

165
00:11:25,649 --> 00:11:27,913
[ CLATTERING ]

166
00:11:39,995 --> 00:11:43,929
I BOUGHT YOU THIS AT
THE USED BOOKSTORE.

167
00:11:46,602 --> 00:11:49,152
EDGAR ALLEN POE.

168
00:11:49,176 --> 00:11:51,554
YOU REALLY KNOW HOW
TO PICK THEM, MOTHER.

169
00:11:51,578 --> 00:11:54,087
WELL, I READ A COUPLE PAGES.

170
00:11:54,111 --> 00:11:56,514
I COULDN'T MAKE HEADS OR TAILS.

171
00:11:58,515 --> 00:12:01,666
I'M SURPRISED.

172
00:12:01,690 --> 00:12:05,129
HE WRITES ABOUT
PAIN AND SUFFERING

173
00:12:05,153 --> 00:12:07,672
AND PEOPLE BEING BURIED ALIVE.

174
00:12:07,696 --> 00:12:13,032
BYRON, I KNOW YOU'RE UPSET,
BUT THINGS ARE BETTER THIS WAY.

175
00:12:14,604 --> 00:12:17,342
HOW CAN YOU LET
HIM DO THIS TO ME?

176
00:12:17,366 --> 00:12:20,115
YOU HAVE PUT YOUR
FATHER THROUGH ENOUGH.

177
00:12:20,139 --> 00:12:22,389
JUST BE GLAD THAT THINGS
ARE BACK TO NORMAL.

178
00:12:22,413 --> 00:12:25,121
NORMAL KIDS AREN'T
HUNTED BY THEIR FATHERS.

179
00:12:25,145 --> 00:12:27,394
I DON'T WANT TO
HEAR ANOTHER WORD.

180
00:12:27,418 --> 00:12:31,599
YOU JUST STICK TO YOUR BOOKS
AND KEEP YOUR MOUTH SHUT.

181
00:12:31,623 --> 00:12:35,057
EVERYTHING WILL BE FINE.

182
00:12:48,471 --> 00:12:50,472
[ DOOR CLOSES ]

183
00:13:54,413 --> 00:13:56,391
WHAT AM I DOING?

184
00:13:56,415 --> 00:13:57,746
THIS IS CRAZY.

185
00:13:59,548 --> 00:14:02,057
WAIT! I GOT YOUR OTHER POEM.

186
00:14:02,081 --> 00:14:04,301
IT WAS BEAUTIFUL.

187
00:14:04,325 --> 00:14:07,128
YOU REALLY THINK SO?

188
00:14:14,235 --> 00:14:16,313
WHAT'S YOUR NAME?

189
00:14:16,337 --> 00:14:19,677
BYRON.

190
00:14:19,701 --> 00:14:21,119
LIKE THE POET?

191
00:14:21,143 --> 00:14:23,621
LIKE MY GREAT-UNCLE.

192
00:14:23,645 --> 00:14:26,085
BUT THERE'S NOTHING
POETIC ABOUT HIM.

193
00:14:26,109 --> 00:14:29,357
WHY DO YOU LEAVE ME THESE POEMS?

194
00:14:29,381 --> 00:14:32,686
BECAUSE YOU INSPIRE ME.

195
00:14:36,490 --> 00:14:39,168
NO, DON'T!

196
00:14:39,192 --> 00:14:41,301
Clark: GET AWAY FROM HER!

197
00:14:41,325 --> 00:14:43,498
CLARK!

198
00:14:45,700 --> 00:14:48,249
[ GROANS ]

199
00:14:48,273 --> 00:14:50,181
ARE YOU OKAY?

200
00:14:50,205 --> 00:14:52,477
YES. I'M FINE.

201
00:15:11,258 --> 00:15:13,677
I CAN'T BELIEVE I PASSED OUT.

202
00:15:13,701 --> 00:15:17,280
I'M SORRY I SCARED YOU.

203
00:15:17,304 --> 00:15:18,883
IT'S OKAY, CLARK.

204
00:15:18,907 --> 00:15:22,216
YOU WERE PROTECTING
A BEAUTIFUL YOUNG LADY.

205
00:15:22,240 --> 00:15:24,743
IT WAS CHIVALROUS.

206
00:15:28,576 --> 00:15:30,976
YOU'RE LUCKY TO HAVE A BOYFRIEND
WHO CARES SO MUCH ABOUT YOU.

207
00:15:33,623 --> 00:15:36,802
CLARK... CLARK'S
JUST A FRIEND...

208
00:15:36,826 --> 00:15:39,605
UH, AN OVERPROTECTIVE ONE.

209
00:15:39,629 --> 00:15:42,908
"IF I COULD WRITE THE
BEAUTY OF YOUR EYES

210
00:15:42,932 --> 00:15:46,212
"AND NUMBER ALL YOUR GRACES,

211
00:15:46,236 --> 00:15:51,248
"THE AGE TO COME WOULD
SAY, 'THIS POET LIES...

212
00:15:51,272 --> 00:15:54,676
SUCH HEAVEN TOUCHES NE'ER
TOUCHED EARTHLY FACES.'"

213
00:15:57,649 --> 00:15:59,311
THAT WAS BEAUTIFUL.

214
00:16:00,913 --> 00:16:03,792
WHICH POET WROTE THAT?

215
00:16:03,816 --> 00:16:05,258
SHAKESPEARE.

216
00:16:09,261 --> 00:16:11,240
I CAN'T IMAGINE
BEING HOMESCHOOLED

217
00:16:11,264 --> 00:16:12,902
AND NEVER SEEING ANYBODY.

218
00:16:12,926 --> 00:16:15,668
YOU DON'T MISS
WHAT YOU NEVER HAD.

219
00:16:22,536 --> 00:16:24,514
SEEMS LIKE YOU
DON'T GET OUT MUCH.

220
00:16:24,538 --> 00:16:25,785
YOUR PARENTS PRETTY STRICT?

221
00:16:25,809 --> 00:16:28,919
THEY ONLY WANT
WHAT'S BEST FOR ME.

222
00:16:28,943 --> 00:16:31,663
[ VEHICLE APPROACHING ]

223
00:16:31,687 --> 00:16:33,524
OH, MY GOD, THAT'S
OUR MILK DELIVERY.

224
00:16:33,548 --> 00:16:35,527
WHAT TIME IS IT?

225
00:16:35,551 --> 00:16:36,927
QUARTER TO 5:00.

226
00:16:36,951 --> 00:16:40,225
IF MY PARENTS WAKE UP...

227
00:16:48,966 --> 00:16:51,614
YOU WANT US TO COME
IN AND TELL YOUR PARENTS

228
00:16:51,638 --> 00:16:52,686
WHAT HAPPENED?

229
00:16:52,710 --> 00:16:54,572
NO. I'll BE FINE.

230
00:16:57,815 --> 00:17:01,595
BYRON, HURRY!

231
00:17:01,619 --> 00:17:03,621
I WARNED YOU NOT TO LEAVE, BOY.

232
00:17:06,825 --> 00:17:09,803
NO, NO.

233
00:17:09,827 --> 00:17:11,466
BYRON!

234
00:17:11,490 --> 00:17:13,308
GO AWAY!

235
00:17:13,332 --> 00:17:19,245
I BETTER NOT CATCH YOU
AROUND MY SON AGAIN!

236
00:17:19,269 --> 00:17:21,848
NOW GET OUT BEFORE I
SHOOT YOU FOR TRESPASSING!

237
00:17:21,872 --> 00:17:24,444
[ DOG BARKING ]

238
00:17:33,954 --> 00:17:36,533
LIONEL LUTHOR OFFERED YOU A JOB?

239
00:17:36,557 --> 00:17:39,337
I WAS JUST AS
SURPRISED AS YOU ARE.

240
00:17:39,361 --> 00:17:41,339
WHAT DID YOU TELL HIM?

241
00:17:41,363 --> 00:17:44,826
THAT I WANTED TO
DISCUSS IT WITH YOU.

242
00:17:49,432 --> 00:17:52,410
YOU KNOW, I-I'VE BEEN THINKING
ABOUT GOING BACK TO WORK

243
00:17:52,434 --> 00:17:53,882
FOR A WHILE.

244
00:17:53,906 --> 00:17:55,885
WHY WOULD YOU DO IT WITH HIM?

245
00:17:55,909 --> 00:17:57,986
YOU KNOW HE'S GOT AN ULTERIOR
MOTIVE FOR EVERYTHING HE DOES.

246
00:17:58,010 --> 00:17:59,518
I KNOW ALL ABOUT LIONEL LUTHOR,

247
00:17:59,542 --> 00:18:01,521
BUT WE COULD USE THE MONEY,

248
00:18:01,545 --> 00:18:04,424
AND I COULD USE A BIGGER
CHALLENGE IN MY LIFE.

249
00:18:04,448 --> 00:18:05,966
OH, I UNDERSTAND.

250
00:18:05,990 --> 00:18:07,997
FARM LIFE'S GOTTEN JUST A
LITTLE TOO BORING FOR YOU, HAS IT?

251
00:18:08,021 --> 00:18:10,001
I DIDN'T MEAN IT LIKE THAT.

252
00:18:10,025 --> 00:18:13,834
THIS IS A CHANCE FOR ME
TO PUT MY EDUCATION TO USE.

253
00:18:13,858 --> 00:18:16,437
EVEN AT THE RISK OF
LOSING OUR PRIVACY HERE?

254
00:18:16,461 --> 00:18:19,511
YOU DON'T TRUST ME
TO MAKE THAT CALL?

255
00:18:19,535 --> 00:18:21,883
I WANT TO DO THIS.

256
00:18:21,907 --> 00:18:23,038
MARTHA...

257
00:18:27,344 --> 00:18:28,521
CLARK...

258
00:18:28,545 --> 00:18:31,794
LANA, YOU TWO
BEEN OUT ALL NIGHT?

259
00:18:31,818 --> 00:18:34,456
NO, IT'S NOT WHAT YOU THINK.

260
00:18:34,480 --> 00:18:37,400
UM, WE MET THIS KID, AND
WE THINK THAT HIS PARENTS

261
00:18:37,424 --> 00:18:39,026
ARE ABUSING HIM.

262
00:18:42,390 --> 00:18:44,392
[ DOG BARKING ]

263
00:19:06,386 --> 00:19:09,466
[ KNOCK ON DOOR ]

264
00:19:09,490 --> 00:19:11,368
MRS. MOORE?

265
00:19:11,392 --> 00:19:13,100
OH.

266
00:19:13,124 --> 00:19:15,042
I'M SORRY TO DISTURB YOU,

267
00:19:15,066 --> 00:19:17,043
BUT I'D LIKE TO
SPEAK TO YOUR SON.

268
00:19:17,067 --> 00:19:18,976
I'M AFRAID THAT'S
NOT POSSIBLE, SHERIFF.

269
00:19:19,000 --> 00:19:21,549
WHERE IS HE?

270
00:19:21,573 --> 00:19:23,450
CLARK, LET THE SHERIFF
HANDLE THIS, PLEASE.

271
00:19:23,474 --> 00:19:25,013
HE'S NOT IN ANY TROUBLE.

272
00:19:25,037 --> 00:19:27,114
LOOK, I DON'T KNOW WHAT
THE HELL'S GOING ON HERE,

273
00:19:27,138 --> 00:19:30,712
SHERIFF, BUT OUR SON IS DEAD.

274
00:19:32,484 --> 00:19:36,064
HE DROWNED OUT IN CRATER
LAKE EIGHT YEARS AGO.

275
00:19:36,088 --> 00:19:38,967
WE JUST MET HIM LAST NIGHT.

276
00:19:38,991 --> 00:19:41,170
MY SON SAYS THAT
YOU THREATENED HIM.

277
00:19:41,194 --> 00:19:44,073
I'VE NEVER SEEN THESE
KIDS BEFORE IN LIFE.

278
00:19:44,097 --> 00:19:47,677
LOOK, IT'S TAKEN ALL THESE
YEARS TO GET PAST THIS,

279
00:19:47,701 --> 00:19:50,081
AND THEN YOU SHOW UP
AND PULL A PRANK LIKE THIS.

280
00:19:50,105 --> 00:19:53,945
WHAT KIND OF PARENT
WOULD RAISE A CHILD

281
00:19:53,969 --> 00:19:56,117
TO DO A WICKED THING LIKE THAT?

282
00:19:56,141 --> 00:19:57,589
WE'RE AWFULLY SORRY.

283
00:19:57,613 --> 00:19:59,974
LOOK, JONATHAN, I
THINK WE SHOULD GO.

284
00:20:01,978 --> 00:20:04,156
THEY'RE LYING.

285
00:20:04,180 --> 00:20:06,158
WE SAW HIM GO IN THAT HOUSE.

286
00:20:06,182 --> 00:20:08,561
THIS IS A VERY AWKWARD
SITUATION, JONATHAN.

287
00:20:08,585 --> 00:20:10,562
I KNOW IT IS, ETHAN, BUT
IF THERE'S EVEN A CHANCE

288
00:20:10,586 --> 00:20:12,465
THAT YOUNG MAN'S IN TROUBLE,

289
00:20:12,489 --> 00:20:14,566
WE WOULDN'T WANT
THAT ON OUR CONSCIENCE.

290
00:20:14,590 --> 00:20:17,734
I'll GET A WARRANT.

291
00:20:37,185 --> 00:20:40,565
IT LOOKS LIKE YOUR TORTURED
ARTIST IS AN UNFORTUNATE MEMBER

292
00:20:40,589 --> 00:20:42,497
OF THE DEAD POETS SOCIETY.

293
00:20:42,521 --> 00:20:45,001
THE CERTIFICATE OF DEATH
WAS SIGNED BY DR. EMIL JENKINS.

294
00:20:45,025 --> 00:20:46,743
IT'S GOT TO BE FAKE.

295
00:20:46,767 --> 00:20:48,475
NOT THAT I DON'T
TRUST YOUR JUDGMENT,

296
00:20:48,499 --> 00:20:51,048
BUT COULD IT BE POSSIBLE
THAT GOTH BOY MAYBE IS A...

297
00:20:51,072 --> 00:20:52,748
I DON'T THINK A GHOST
COULD POLISH OFF

298
00:20:52,772 --> 00:20:55,753
THREE PIECES OF CHOCOLATE
CAKE AND TWO CAPPUCCINOS.

299
00:20:55,777 --> 00:20:58,656
I WAS JUST CHECKING. I
MEAN, THIS IS SMALLVILLE.

300
00:20:58,680 --> 00:21:00,658
WELL, I RAN DR. JENKINS'
NAME THROUGH THE COMPUTER

301
00:21:00,682 --> 00:21:03,190
AND FOUND OUT SOMETHING
VERY INTERESTING.

302
00:21:03,214 --> 00:21:05,563
EIGHT YEARS AGO, HE
SUPERVISED A MEDICAL TRIAL

303
00:21:05,587 --> 00:21:07,666
OVER AT METRON PHARMACEUTICALS.

304
00:21:07,690 --> 00:21:09,697
LET ME GUESS... BYRON
WAS A PARTICIPANT?

305
00:21:09,721 --> 00:21:11,770
YEAH, THEY WERE ALL
KIDS WHO HAD EXHIBITED

306
00:21:11,794 --> 00:21:13,532
ANTISOCIAL BEHAVIOR.

307
00:21:13,556 --> 00:21:16,074
BUT IT DOESN'T SOUND
LIKE BYRON. HE'S SO GENTLE.

308
00:21:16,098 --> 00:21:18,177
COULD IT BE THAT
OUR NEW SHAKESPEARE

309
00:21:18,201 --> 00:21:20,510
HAS A-STIRRED THE HEART
OF OUR YOUNG JULIET?

310
00:21:20,534 --> 00:21:22,641
IT'S JUST NICE TO MEET
SOMEONE WHO'S SO HONEST

311
00:21:22,665 --> 00:21:24,113
WITH THEIR FEELINGS.

312
00:21:24,137 --> 00:21:26,216
I DON'T HAVE TO GUESS
WHAT THEY'RE THINKING.

313
00:21:26,240 --> 00:21:28,047
WE HAVE TO START
LOOKING FOR BYRON.

314
00:21:28,071 --> 00:21:30,591
NO, WE SHOULD WAIT TO
SEE WHAT THE SHERIFF FINDS.

315
00:21:30,615 --> 00:21:32,717
[ PIANO PLAYING ]

316
00:21:36,221 --> 00:21:38,729
Lex: CHOPIN?

317
00:21:38,753 --> 00:21:42,103
I ALWAYS THOUGHT YOU FOUND
HIM TO BE TOO SENTIMENTAL.

318
00:21:42,127 --> 00:21:45,638
NO, LEX, I FIND THAT
HE SOMETIMES LACKS

319
00:21:45,662 --> 00:21:50,612
SUBTLETY... SOMETIMES.

320
00:21:50,636 --> 00:21:53,075
I TAKE IT FROM YOUR TONE

321
00:21:53,099 --> 00:21:55,078
YOU'RE ANGRY WITH ME.

322
00:21:55,102 --> 00:21:57,219
WHAT TRANSGRESSION
HAVE I COMMITTED NOW?

323
00:21:57,243 --> 00:21:59,652
I WASTED YESTERDAY
INTERVIEWING MORE PROSPECTS,

324
00:21:59,676 --> 00:22:02,085
ONLY TO FIND YOU'VE
HIRED MRS. KENT.

325
00:22:02,109 --> 00:22:03,627
[ CHUCKLES ]

326
00:22:03,651 --> 00:22:05,158
WHAT'S YOUR ANGLE, DAD?

327
00:22:05,182 --> 00:22:09,263
ANGLE? MARTHA KENT IS A VERY...

328
00:22:09,287 --> 00:22:11,064
CAPABLE WOMAN.

329
00:22:11,088 --> 00:22:15,700
UNSHAKABLE HONESTY LIKE
HERS IS HARD TO COME BY.

330
00:22:15,724 --> 00:22:18,573
SHE JUST HAPPENS TO BE
ONE OF THE FEW PILLARS

331
00:22:18,597 --> 00:22:21,045
OF THIS COMMUNITY
WHO COULD INGRATIATE

332
00:22:21,069 --> 00:22:24,781
A DESPISED TYCOON TO
THE CITIZENS OF SMALLVILLE.

333
00:22:24,805 --> 00:22:27,312
I HADN'T THOUGHT
OF IT IN THOSE TERMS.

334
00:22:27,336 --> 00:22:30,986
I SUPPOSE THAT IS AN
UNEXPECTED BENEFIT.

335
00:22:31,010 --> 00:22:33,620
I DON'T KNOW WHAT YOUR
SUDDEN INTEREST IS IN THE KENTS,

336
00:22:33,644 --> 00:22:35,662
BUT I WANT YOU TO
STAY AWAY FROM THEM.

337
00:22:35,686 --> 00:22:37,725
THEY MEAN A LOT TO ME.

338
00:22:37,749 --> 00:22:40,097
AND I WONDER WHAT
THEY WOULD THINK

339
00:22:40,121 --> 00:22:42,600
OF YOUR TRYING TO
MEDDLE IN THEIR AFFAIRS?

340
00:22:42,624 --> 00:22:44,671
YOU THINK IF YOU'RE
A VERY GOOD BOY,

341
00:22:44,695 --> 00:22:48,035
THEY'LL WELCOME
YOU INTO THEIR FAMILY?

342
00:22:48,059 --> 00:22:51,610
WELL, IT WOULD
CERTAINLY BE A STEP UP.

343
00:22:51,634 --> 00:22:53,681
[ CHUCKLES ]

344
00:22:53,705 --> 00:22:57,045
YOU KNOW, LEX, ZEUS HAD A SON...

345
00:22:57,069 --> 00:22:58,648
AN ADOPTED SON...

346
00:22:58,672 --> 00:23:01,020
WHO THOUGHT HE COULD FIND A HOME

347
00:23:01,044 --> 00:23:03,052
AMONG MORTALS.

348
00:23:03,076 --> 00:23:06,156
YOU KNOW WHAT HAPPENED TO
THE WELL-INTENTIONED PROMETHEUS?

349
00:23:06,180 --> 00:23:08,158
HIS DAD HAD HIM
CHAINED TO A ROCK

350
00:23:08,182 --> 00:23:10,159
AND HIS LIVER WAS
EATEN BY VULTURES.

351
00:23:10,183 --> 00:23:11,302
WHY?

352
00:23:11,326 --> 00:23:14,205
PROMETHEUS WAS IMMORTAL, LEX.

353
00:23:14,229 --> 00:23:16,236
NO MATTER HOW MUCH
HE WANTED TO ESCAPE

354
00:23:16,260 --> 00:23:18,639
THE WORLD HE WAS BORN IN
TO... THE WORLD OF THE GODS...

355
00:23:18,663 --> 00:23:21,172
HE NEVER COULD.
IT WASN'T POSSIBLE.

356
00:23:21,196 --> 00:23:22,714
IF I FIND OUT THAT
YOU HAVE ANY AGENDA

357
00:23:22,738 --> 00:23:24,315
THAT COULD HURT THE KENTS,

358
00:23:24,339 --> 00:23:27,272
THIS AMIABLE FATHER-SON DéTENTE
WILL COME TO AN ABRUPT END.

359
00:23:33,680 --> 00:23:36,282
[ PLAYING PIANO ]

360
00:23:55,173 --> 00:23:57,252
WHAT HAPPENED TO
WAITING FOR THE SHERIFF?

361
00:23:57,276 --> 00:24:00,038
I NEED TO KNOW
IF BYRON'S IN HERE.

362
00:24:07,086 --> 00:24:10,427
[ DOG WHIMPERING ]

363
00:24:10,451 --> 00:24:13,723
YOU'RE A REGULAR DR. DOLITTLE.

364
00:24:24,135 --> 00:24:28,509
THIS PLACE IS LIKE
AN NRA PETTING ZOO.

365
00:24:42,326 --> 00:24:44,363
LOOKS LIKE THERE'S
SOMETHING UNDER THIS RUG.

366
00:24:44,387 --> 00:24:46,766
IT'S MADE OF LEAD. THAT'S
WHY I COULDN'T SEE THROUGH IT.

367
00:24:46,790 --> 00:24:48,768
THAT'S GOOD TO KNOW.
MAYBE YOU OUGHT TO THINK

368
00:24:48,792 --> 00:24:50,741
ABOUT PUBLISHING AN
INSTRUCTION MANUAL.

369
00:24:50,765 --> 00:24:52,866
WATCH THE DOOR.

370
00:25:08,084 --> 00:25:10,062
BYRON.

371
00:25:10,086 --> 00:25:12,794
WHAT DID THEY DO TO YOU?

372
00:25:12,818 --> 00:25:14,466
IT'S NOT WHAT YOU THINK.

373
00:25:14,490 --> 00:25:16,993
I HAVE TO GET YOU OUT OF HERE.

374
00:25:20,067 --> 00:25:21,874
HOW DID YOU DO THAT?

375
00:25:21,898 --> 00:25:23,447
RUSTY LOCK. COME ON.

376
00:25:23,471 --> 00:25:25,109
DON'T! LAST TIME I WENT
OUT DURING THE DAY,

377
00:25:25,133 --> 00:25:26,550
I HURT MY DAD!

378
00:25:26,574 --> 00:25:28,812
BYRON, NO ONE DESERVES
TO BE LOCKED UP LIKE THIS.

379
00:25:28,836 --> 00:25:30,184
YOU DON'T UNDERSTAND!

380
00:25:30,208 --> 00:25:33,912
TRUST ME, BYRON, I UNDERSTAND
MORE THAN YOU KNOW.

381
00:25:36,085 --> 00:25:41,796
LEAVE ME ALONE! AAH!

382
00:25:41,820 --> 00:25:44,894
[ GROANING ]

383
00:25:48,528 --> 00:25:51,137
BYRON, ARE YOU OKAY?

384
00:25:51,161 --> 00:25:53,032
YOU SHOULD'VE LISTENED TO ME!

385
00:26:02,143 --> 00:26:05,253
WHAT ARE YOU LOOKING AT?

386
00:26:05,277 --> 00:26:06,454
BYRON, IT'S OKAY.

387
00:26:06,478 --> 00:26:08,119
GET AWAY FROM ME!

388
00:26:20,594 --> 00:26:23,066
PETE?

389
00:26:26,400 --> 00:26:28,172
PETE.

390
00:26:36,510 --> 00:26:38,089
PETE? I SAW YOUR MOM DOWNSTAIRS.

391
00:26:38,113 --> 00:26:40,031
ARE YOU ALL RIGHT?

392
00:26:40,055 --> 00:26:43,194
YEAH, THE DOCTORS SAY
IT'S A HAIRLINE FRACTURE...

393
00:26:43,218 --> 00:26:45,036
WHICH IS IRONIC,

394
00:26:45,060 --> 00:26:47,969
BECAUSE IT HURTS EVERYWHERE
ELSE EXCEPT MY HAIRLINE.

395
00:26:47,993 --> 00:26:49,065
MM, SWEETIE.

396
00:26:50,395 --> 00:26:53,575
BEING PART OF THIS FAMILY

397
00:26:53,599 --> 00:26:55,878
SHOULD COME WITH ITS OWN
GROUP HEALTH INSURANCE.

398
00:26:55,902 --> 00:26:58,481
I THOUGHT WE AGREED YOU WERE
GOING TO WAIT FOR SHERIFF ETHAN.

399
00:26:58,505 --> 00:27:00,914
DAD, THEY HAD BYRON
LOCKED IN THE BASEMENT,

400
00:27:00,938 --> 00:27:03,486
CHAINED TO THE WALL.

401
00:27:03,510 --> 00:27:06,320
HE KIND OF WENT
JEKYLL AND HYDE ON US.

402
00:27:06,344 --> 00:27:07,561
I TRIED TO STOP HIM.

403
00:27:07,585 --> 00:27:10,564
YOU TRIED?

404
00:27:10,588 --> 00:27:13,497
HOW BIG OF A CHANGE ARE
WE TALKING ABOUT HERE?

405
00:27:13,521 --> 00:27:15,969
YOU REALLY SHOULDN'T BE HERE.

406
00:27:15,993 --> 00:27:18,572
MY HUSBAND IS OUT
LOOKING FOR BYRON,

407
00:27:18,596 --> 00:27:21,305
BUT HE'LL BE BACK SOON.

408
00:27:21,329 --> 00:27:24,310
MY SON FEELS RESPONSIBLE.

409
00:27:24,334 --> 00:27:26,542
WE WANT TO HELP.

410
00:27:26,566 --> 00:27:29,946
YOU JUST... YOU CAN'T
IMAGINE HOW HARD IT WAS

411
00:27:29,970 --> 00:27:31,648
FOR BOTH OF US.

412
00:27:31,672 --> 00:27:35,115
YOU PROBABLY THINK
WE'RE HORRIBLE PARENTS.

413
00:27:40,020 --> 00:27:42,329
WHEN I TOOK BYRON
OUT INTO THE LIGHT,

414
00:27:42,353 --> 00:27:44,361
WHY DID HE CHANGE?

415
00:27:44,385 --> 00:27:48,106
IT WAS ONE OF THE SIDE
EFFECTS OF THE DRUG.

416
00:27:48,130 --> 00:27:50,537
HE CAN'T BE OUT IN THE SUN.

417
00:27:50,561 --> 00:27:53,671
I WISH WE'D NEVER GOTTEN
INVOLVED IN THAT MESS.

418
00:27:53,695 --> 00:27:56,074
THEY PROMISED

419
00:27:56,098 --> 00:27:59,618
THAT THE DRUG WOULD
MAKE HIM BETTER.

420
00:27:59,642 --> 00:28:01,350
IT WOULD MAKE HIM NORMAL.

421
00:28:01,374 --> 00:28:03,121
THERE'S GOT TO BE
SOMEBODY SOMEWHERE THAT...

422
00:28:03,145 --> 00:28:05,155
THAT CAN HELP YOUR SON.

423
00:28:05,179 --> 00:28:07,087
WE TRIED EVERYTHING.

424
00:28:07,111 --> 00:28:10,489
DR. JENKINS WATCHED
SIX OTHER BOYS DIE

425
00:28:10,513 --> 00:28:13,033
TRYING TO REVERSE
THE SIDE EFFECTS.

426
00:28:13,057 --> 00:28:16,967
THEY HAD BYRON HOOKED
UP TO ALL THOSE MACHINES,

427
00:28:16,991 --> 00:28:19,724
LIKE HE WAS SOME SORT OF ALIEN.

428
00:28:22,067 --> 00:28:24,305
IS THAT WHY YOU FAKED
HIS DEATH CERTIFICATE?

429
00:28:24,329 --> 00:28:27,109
WE DIDN'T KNOW WHAT TO DO.

430
00:28:27,133 --> 00:28:29,551
FINALLY, WE... WE
LOCKED HIM IN THE CELLAR.

431
00:28:29,575 --> 00:28:32,414
HE CRIED FOR DAYS.

432
00:28:32,438 --> 00:28:34,417
HE DIDN'T... DIDN'T UNDERSTAND

433
00:28:34,441 --> 00:28:37,360
WHY WE HAD TO
KEEP HIM DOWN HERE.

434
00:28:37,384 --> 00:28:41,424
WE FELT LIKE THE MONSTERS.

435
00:28:41,448 --> 00:28:43,667
IF I GET BYRON OUT OF THE SUN,

436
00:28:43,691 --> 00:28:45,998
WILL HE CHANGE BACK?

437
00:28:46,022 --> 00:28:48,131
YEAH.

438
00:28:48,155 --> 00:28:50,004
HE'S SO STRONG NOW.

439
00:28:50,028 --> 00:28:52,400
I DON'T KNOW HOW
ANYBODY COULD DO THAT.

440
00:29:02,541 --> 00:29:05,149
I JUST GOT BACK
FROM SEEING PETE.

441
00:29:05,173 --> 00:29:07,023
HE TOLD ME WHAT HAPPENED.

442
00:29:07,047 --> 00:29:08,593
THANKS FOR THE CALL.

443
00:29:08,617 --> 00:29:09,795
LOOK, LANA, I...

444
00:29:09,819 --> 00:29:11,556
WHY DID YOU LIE TO ME, CLARK?

445
00:29:11,580 --> 00:29:13,129
BYRON'S MY FRIEND,
AND I WANTED TO HELP.

446
00:29:13,153 --> 00:29:14,430
YOU CUT ME OUT.

447
00:29:14,454 --> 00:29:16,032
I DIDN'T WANT YOU TO GET HURT.

448
00:29:16,056 --> 00:29:19,559
IS THAT IT, OR DON'T
YOU TRUST ME?

449
00:29:21,332 --> 00:29:23,511
YOU HAVEN'T SEEN
BYRON, HAVE YOU?

450
00:29:23,535 --> 00:29:25,072
NO.

451
00:29:25,096 --> 00:29:26,774
BUT IF I HAD, YOU'D
KNOW ALREADY,

452
00:29:26,798 --> 00:29:28,815
BECAUSE I WOULD'VE
BEEN HONEST WITH YOU.

453
00:29:28,839 --> 00:29:31,119
OKAY, SO I THINK I FIGURED OUT
WHY OUR WOULD-BE SHAKESPEARE

454
00:29:31,143 --> 00:29:32,605
WENT ALL PRO WRESTLER ON YOU.

455
00:29:34,507 --> 00:29:38,111
JEEZ, IS IT JUST ME, OR
DID IT GET COLD IN HERE?

456
00:29:39,853 --> 00:29:41,260
WHAT DID YOU FIND?

457
00:29:41,284 --> 00:29:43,493
UM, WELL, THE DRUG
THAT BYRON WAS GIVEN

458
00:29:43,517 --> 00:29:46,436
DURING THE MEDICAL TRIALS
TARGETED HIS ADRENAL SYSTEM.

459
00:29:46,460 --> 00:29:48,267
IT SAYS HERE THEY WERE
LOOKING FOR A CURE.

460
00:29:48,291 --> 00:29:50,169
WE NEED TO TRACK
DOWN THE COMPANY.

461
00:29:50,193 --> 00:29:52,101
IT'S TOO LATE. METRON
PHARMACEUTICALS WAS SHUT DOWN

462
00:29:52,125 --> 00:29:53,573
BEFORE THEY EVEN
FINISHED THEIR RESEARCH.

463
00:29:53,597 --> 00:29:55,476
WHY WOULD THEY DO THAT?

464
00:29:55,500 --> 00:29:59,350
I DON'T KNOW, BUT MAYBE CLARK
SHOULD ASK HIS MOM'S NEW BOSS.

465
00:29:59,374 --> 00:30:01,381
LIONEL LUTHOR OWNS METRON.

466
00:30:01,405 --> 00:30:03,854
JUST ONE OF THE MANY
LUTHORCORP SUBSIDIARIES

467
00:30:03,878 --> 00:30:05,857
THAT PROMISE US
A BRIGHTER FUTURE.

468
00:30:05,881 --> 00:30:07,518
I'll TALK TO LEX.

469
00:30:07,542 --> 00:30:09,491
UM, I'D LOVE TO HELP YOU,
BUT PETE JUST SENT OUT

470
00:30:09,515 --> 00:30:12,093
AN S.O.S. FOR HIS
PLAYSTATION 2, SO...

471
00:30:12,117 --> 00:30:13,148
GOOD LUCK.

472
00:30:15,892 --> 00:30:17,629
WHERE ARE YOU GOING?

473
00:30:17,653 --> 00:30:19,272
TO LOOK FOR BYRON.

474
00:30:19,296 --> 00:30:20,873
WAIT, LANA, MY DAD, MR. MOORE,

475
00:30:20,897 --> 00:30:22,636
AND HALF THE SHERIFF'S
DEPARTMENT ARE OUT SEARCHING.

476
00:30:22,660 --> 00:30:24,838
ARE YOU TELLING ME I SHOULD
STAY HERE AND POUR COFFEE?

477
00:30:24,862 --> 00:30:26,409
NO, I'M SAYING YOU
SHOULD BE CAREFUL.

478
00:30:26,433 --> 00:30:28,141
BYRON'S NOT THE SAME GUY.

479
00:30:28,165 --> 00:30:30,313
IF YOU SEE HIM,
DON'T GET TOO CLOSE.

480
00:30:30,337 --> 00:30:32,671
CALL SOMEONE.

481
00:30:54,934 --> 00:30:56,497
BYRON.

482
00:30:58,538 --> 00:31:01,442
IT'S ME... LANA. I, UH,
I WANT TO HELP YOU.

483
00:31:05,446 --> 00:31:08,226
I WAS DOWN THERE
FOR EIGHT YEARS.

484
00:31:08,250 --> 00:31:10,187
I'M NOT GOING BACK.

485
00:31:10,211 --> 00:31:12,290
YOU COULD HURT PEOPLE LIKE THIS.

486
00:31:12,314 --> 00:31:14,262
THE BYRON I MET
WOULDN'T WANT THAT.

487
00:31:14,286 --> 00:31:16,334
I KNOW WHO DID THIS TO YOU.

488
00:31:16,358 --> 00:31:19,197
IT WAS LUTHORCORP. CLARK'S
TALKING TO LIONEL LUTHOR'S SON.

489
00:31:19,221 --> 00:31:22,470
THEY CAN FIND A CURE.
THERE IS NO CURE!

490
00:31:22,494 --> 00:31:25,198
BYRON, NO! I WANT YOU!

491
00:31:27,931 --> 00:31:31,335
THEY MADE ME INTO
SOMEONE NO ONE CAN LOVE...

492
00:31:32,635 --> 00:31:34,608
NOT EVEN YOU!

493
00:31:38,682 --> 00:31:42,586
AAAAAAAAH!

494
00:31:46,250 --> 00:31:50,302
Lex: ANOTHER MARK
ON THE LUTHOR NAME.

495
00:31:50,326 --> 00:31:54,206
MY FATHER'S LEAVING
ME QUITE A LEGACY.

496
00:31:54,230 --> 00:31:55,977
YOU MIGHT GIVE
YOUR MOM A HEADS-UP.

497
00:31:56,001 --> 00:31:57,879
IF SHE'S GOING TO
WORK FOR MY FATHER,

498
00:31:57,903 --> 00:31:59,482
THIS IS WHAT SHE'S
GETTING HERSELF INTO.

499
00:31:59,506 --> 00:32:01,543
MY MOTHER CAN TAKE
CARE OF HERSELF, LEX.

500
00:32:01,567 --> 00:32:04,947
BESIDES, I HAVEN'T SEEN HER
THIS EXCITED IN A LONG TIME.

501
00:32:04,971 --> 00:32:07,251
TO TELL YOU THE TRUTH, CLARK,

502
00:32:07,275 --> 00:32:09,223
I WAS A LITTLE SURPRISED.

503
00:32:09,247 --> 00:32:11,225
CONSIDERING ALL
MY OFFERS TO EASE

504
00:32:11,249 --> 00:32:12,626
YOUR FAMILY'S
FINANCIAL SITUATION

505
00:32:12,650 --> 00:32:14,829
HAVE BEEN MET WITH
A RESOUNDING NO,

506
00:32:14,853 --> 00:32:17,562
IT STUNG A LITTLE TO SEE HER
NAME ON MY FATHER'S PAYROLL.

507
00:32:17,586 --> 00:32:20,564
WELL, TO BE HONEST, IT WASN'T
EXACTLY A UNANIMOUS DECISION

508
00:32:20,588 --> 00:32:22,637
AT THE KENT HOUSEHOLD.

509
00:32:22,661 --> 00:32:25,541
MY FATHER'S THE POSTER
BOY FOR FAMILY STRIFE.

510
00:32:25,565 --> 00:32:27,412
I'M SORRY IT'S SPREADING.

511
00:32:27,436 --> 00:32:28,944
LOOK AT IT THIS WAY, LEX.

512
00:32:28,968 --> 00:32:31,848
AT LEAST MY FATHER'S NOT
UPSET WITH YOU THIS TIME.

513
00:32:31,872 --> 00:32:33,850
I'll LOOK INTO METRON, CLARK,

514
00:32:33,874 --> 00:32:35,952
SEE WHERE MY FATHER'S BEEN
HIDING THE PROVERBIAL BODIES.

515
00:32:35,976 --> 00:32:38,254
NOW, I HAVE TO HEAD
OVER TO THE PLANT.

516
00:32:38,278 --> 00:32:40,711
SOME LUTHORS ACTUALLY
HAVE TO WORK FOR A LIVING.

517
00:32:45,957 --> 00:32:47,435
WOW.

518
00:32:47,459 --> 00:32:49,296
I DIDN'T REALIZE THE
TRAFFIC IN SMALLVILLE

519
00:32:49,320 --> 00:32:50,638
HAD GOTTEN SO BAD.

520
00:32:50,662 --> 00:32:52,340
IT'S MY FATHER.

521
00:32:52,364 --> 00:32:53,972
I HOPE YOUR MOM
LIKES HELICOPTERS.

522
00:32:53,996 --> 00:32:55,573
MY FAMILY DOESN'T FLY MUCH.

523
00:32:55,597 --> 00:32:58,877
TRUST ME. THAT'S
ABOUT TO CHANGE.

524
00:32:58,901 --> 00:33:01,003
I'll TALK TO YOU LATER, CLARK.

525
00:33:11,384 --> 00:33:13,487
WATCH YOUR HEAD!

526
00:33:14,488 --> 00:33:15,950
ALL RIGHT!

527
00:33:19,354 --> 00:33:21,371
UH, IT'S... IT'S THIS WAY.

528
00:33:21,395 --> 00:33:22,433
WHAT?

529
00:33:22,457 --> 00:33:24,435
IT'S THIS WAY.

530
00:33:24,459 --> 00:33:26,477
FIRST TIME IN A
HELICOPTER, MARTHA?

531
00:33:26,501 --> 00:33:29,541
I WASN'T EXPECTING A TRIP TO
METROPOLIS ON MY FIRST DAY.

532
00:33:29,565 --> 00:33:32,343
HA HA HA! ALL RIGHT,
BOB, WE'RE OFF!

533
00:33:32,367 --> 00:33:33,608
YES, SIR.

534
00:33:43,079 --> 00:33:44,526
WHAT'S HAPPENING, BOB?

535
00:33:44,550 --> 00:33:47,424
I DON'T KNOW!

536
00:33:51,659 --> 00:33:53,607
Martha: WH-WHAT'S HAPPENING?!

537
00:33:53,631 --> 00:33:54,732
BOB?!

538
00:34:11,650 --> 00:34:14,715
OH, MY GOD! WHAT IS
IT? WHAT'S HAPPENING?

539
00:34:23,965 --> 00:34:26,166
OH!

540
00:34:30,001 --> 00:34:32,550
WHAT IS IT? WE HAVE TO
GET OUT OF HERE! COME ON!

541
00:34:32,574 --> 00:34:34,106
MARTHA?

542
00:34:36,739 --> 00:34:38,756
Lionel: MARTHA?

543
00:34:38,780 --> 00:34:40,017
LUTHOR!

544
00:34:40,041 --> 00:34:42,514
WHO THE HELL ARE YOU?!

545
00:34:45,588 --> 00:34:47,690
YOU DID THIS TO ME!

546
00:34:53,056 --> 00:34:56,075
DID WHAT?

547
00:34:56,099 --> 00:34:57,661
WHAT ARE YOU TALKING ABOUT?

548
00:35:05,641 --> 00:35:09,189
I DON'T WANT TO HAVE
TO HURT YOU, BYRON!

549
00:35:09,213 --> 00:35:10,952
WE GOT TO GET YOU
OUT OF THE LIGHT!

550
00:35:10,976 --> 00:35:13,449
NO! YOU CAN'T STOP ME!

551
00:35:16,623 --> 00:35:17,784
CLARK!

552
00:35:57,498 --> 00:35:59,075
CLARK?

553
00:35:59,099 --> 00:36:01,977
IT'S OKAY, BYRON.

554
00:36:02,001 --> 00:36:04,505
YOU'RE GOING TO BE ALL RIGHT.

555
00:36:21,594 --> 00:36:24,273
CLARK.

556
00:36:24,297 --> 00:36:27,977
HEY, I BROUGHT YOU
SOME LIGHT READING.

557
00:36:28,001 --> 00:36:30,264
THEY'RE A LOST ART FORM.

558
00:36:32,166 --> 00:36:34,985
I DON'T REMEMBER OUR FIGHT,

559
00:36:35,009 --> 00:36:39,148
BUT I CANNOT BELIEVE
I DIDN'T HURT YOU.

560
00:36:39,172 --> 00:36:42,293
SOME PEOPLE ARE JUST LUCKY.

561
00:36:42,317 --> 00:36:44,695
HEY, HOW'S THE WRIST?

562
00:36:44,719 --> 00:36:47,157
UH, IT'LL BE BETTER
IN A COUPLE OF DAYS.

563
00:36:47,181 --> 00:36:50,302
I CAN'T BELIEVE I...

564
00:36:50,326 --> 00:36:52,564
HEY, DON'T WORRY ABOUT IT.

565
00:36:52,588 --> 00:36:55,566
I KNOW IT WASN'T YOU.

566
00:36:55,590 --> 00:36:57,669
YOU WERE BRAVE
TO COME AND FIND ME.

567
00:36:57,693 --> 00:37:00,543
A FRIEND WARNED
ME TO BE CAREFUL.

568
00:37:00,567 --> 00:37:03,570
I SHOULD'VE LISTENED TO HIM.

569
00:37:06,302 --> 00:37:08,905
LET ME SEE YOUR HAND.

570
00:37:35,806 --> 00:37:37,883
DAD, I HEARD WHAT
HAPPENED. ARE YOU OKAY?

571
00:37:37,907 --> 00:37:40,155
I'M RELATIVELY UNSCATHED,

572
00:37:40,179 --> 00:37:43,090
THANKS TO MARTHA AND CLARK.

573
00:37:43,114 --> 00:37:44,892
CLARK?

574
00:37:44,916 --> 00:37:47,925
HE'S A RATHER
EXTRAORDINARY YOUNG MAN,

575
00:37:47,949 --> 00:37:49,697
DON'T YOU THINK?

576
00:37:49,721 --> 00:37:52,700
[ SIGHS ] HI, LEX.

577
00:37:52,724 --> 00:37:55,003
I, UH, SPOKE TO THE FOUNDATION,

578
00:37:55,027 --> 00:37:57,876
AND THEY CAN TRANSFER THE FUNDS
DIRECTLY INTO THE NEW ACCOUNT.

579
00:37:57,900 --> 00:37:59,907
SEVEN HOURS ON THE CLOCK,

580
00:37:59,931 --> 00:38:02,941
AND YOU'RE ALREADY LAUNDERING
MONEY FOR MY FATHER?

581
00:38:02,965 --> 00:38:05,713
I'M CONVINCING HIM
TO FUND NEW RESEARCH

582
00:38:05,737 --> 00:38:07,186
INTO BYRON MOORE'S CONDITION.

583
00:38:07,210 --> 00:38:09,017
YOU OKAY?

584
00:38:09,041 --> 00:38:10,849
I'M SURE MY FATHER
HAS INFORMED YOU

585
00:38:10,873 --> 00:38:12,751
THAT LUTHORCORP IS NOT
IN THE CHARITY BUSINESS.

586
00:38:12,775 --> 00:38:14,894
I DID, I DID...

587
00:38:14,918 --> 00:38:16,856
THEN I EXPLAINED
THAT HE'LL SPEND LESS

588
00:38:16,880 --> 00:38:19,800
HELPING THIS BOY
LIVE A NORMAL LIFE

589
00:38:19,824 --> 00:38:22,633
THAN HE WOULD ON ADVERTISING
TO RESTORE CONSUMER CONFIDENCE

590
00:38:22,657 --> 00:38:24,004
IN LUTHORCORP.

591
00:38:24,028 --> 00:38:25,966
THE PAPERS WILL BE HERE
TOMORROW FOR YOU TO SIGN.

592
00:38:25,990 --> 00:38:27,769
I'll SEE YOU IN THE MORNING.

593
00:38:27,793 --> 00:38:28,793
ALL RIGHT.

594
00:38:36,302 --> 00:38:41,282
LEX, I CAN FEEL YOUR
SMIRK FROM HERE.

595
00:38:41,306 --> 00:38:44,186
YOU BETTER WATCH IT, DAD,

596
00:38:44,210 --> 00:38:46,658
OR YOUR NEW EXECUTIVE
ASSISTANT MIGHT START REARRANGING

597
00:38:46,682 --> 00:38:48,791
ALL YOUR PRIORITIES.

598
00:38:48,815 --> 00:38:51,288
[ CHUCKLES ]

599
00:38:55,422 --> 00:38:58,972
YOU PULLED ONE OF YOUR TRADEMARK
DISAPPEARING ACTS LAST NIGHT.

600
00:38:58,996 --> 00:39:01,345
WELL, I FIGURED, UH,

601
00:39:01,369 --> 00:39:04,072
YOU COULD USE SOME
TIME ALONE WITH BYRON.

602
00:39:10,079 --> 00:39:12,086
SONNETS?

603
00:39:12,110 --> 00:39:14,059
NOT EXACTLY YOUR USUAL READING.

604
00:39:14,083 --> 00:39:15,820
BYRON WAS REALLY INTO THEM.

605
00:39:15,844 --> 00:39:17,404
I THOUGHT MAYBE I
COULD LEARN SOMETHING.

606
00:39:21,090 --> 00:39:24,231
WHAT DID YOU THINK?

607
00:39:24,255 --> 00:39:27,273
THEY REALLY WEREN'T FOR ME.

608
00:39:27,297 --> 00:39:31,378
AN HONEST ANSWER. I LIKE THAT.

609
00:39:31,402 --> 00:39:34,341
LANA, I'M SORRY FOR NOT
BEING STRAIGHT WITH YOU

610
00:39:34,365 --> 00:39:36,283
FROM THE BEGINNING.

611
00:39:36,307 --> 00:39:39,117
IT'S OKAY.

612
00:39:39,141 --> 00:39:42,090
WHEN I CONFRONTED
BYRON, I GOT SO SCARED.

613
00:39:42,114 --> 00:39:45,193
THE FIRST PERSON I
THOUGHT OF WAS YOU.

614
00:39:45,217 --> 00:39:47,095
REALLY?

615
00:39:47,119 --> 00:39:51,129
I THOUGHT, IF CLARK WAS
HERE, HE'D KNOW WHAT TO DO.

616
00:39:51,153 --> 00:39:54,863
I THOUGHT I COULD SAVE HIM.

617
00:39:54,887 --> 00:39:57,937
I JUST ENDED UP
MAKING THINGS WORSE.

618
00:39:57,961 --> 00:40:02,012
YOU TRIED TO HELP A FRIEND.
THERE'S NO HARM IN THAT.

619
00:40:02,036 --> 00:40:05,170
I HOPE BYRON'S GOING TO BE OKAY.

620
00:40:08,143 --> 00:40:10,320
IT DOESN'T BOTHER
YOU THAT HE'S SO...

621
00:40:10,344 --> 00:40:12,246
DIFFERENT?

622
00:40:14,150 --> 00:40:16,428
IF YOU REALLY LIKE SOMEONE,

623
00:40:16,452 --> 00:40:19,030
YOU ACCEPT EVERY PART OF THEM,

624
00:40:19,054 --> 00:40:21,934
BUT YOU CAN'T DO THAT UNTIL
THEY'RE WILLING TO SHARE

625
00:40:21,958 --> 00:40:24,090
EVERY PART WITH YOU.

626
00:40:27,264 --> 00:40:30,043
I THINK PEOPLE LIKE BYRON

627
00:40:30,067 --> 00:40:34,347
KEEPS A PART OF HIMSELF HIDDEN
SO HE DOESN'T SCARE PEOPLE AWAY.

628
00:40:34,371 --> 00:40:37,981
IF YOU WANT TO GET
CLOSE TO SOMEONE,

629
00:40:38,005 --> 00:40:40,454
YOU HAVE TO TAKE THAT RISK.

630
00:40:40,478 --> 00:40:43,988
WHAT IF THE RISK
IS TOO BIG TO TAKE?

631
00:40:44,012 --> 00:40:46,921
THEN YOU MIGHT MISS
OUT ON SOMETHING

632
00:40:46,945 --> 00:40:49,487
THAT COULD BE PRETTY AMAZING.

633
00:41:28,992 --> 00:41:31,439
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634
00:41:31,463 --> 00:41:34,467
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