1
00:00:10,654 --> 00:00:12,562
SO, HOW DID YOU GET
OUT OF GYM CLASS?

2
00:00:12,586 --> 00:00:14,995
I'M SPARED THE SWEATS
FOR A COUPLE OF DAYS...

3
00:00:15,019 --> 00:00:16,898
PERK OF CHAIRING
THE BLOOD DRIVE.

4
00:00:16,922 --> 00:00:19,971
AREN'T YOU THE GIRL WHO
SKINNED HER KNEE IN SEVENTH GRADE

5
00:00:19,995 --> 00:00:22,073
AND PASSED OUT WHEN
SHE SAW THE BLOOD?

6
00:00:22,097 --> 00:00:24,706
I WAS HOPING I'D LIVE
THAT ONE DOWN, BUT YEAH.

7
00:00:24,730 --> 00:00:28,003
CLARK! WE GOTTA HIT THE SHOWERS.

8
00:00:31,135 --> 00:00:32,613
BYE, LANA.

9
00:00:32,637 --> 00:00:33,639
BYE.

10
00:00:35,640 --> 00:00:37,612
[ BELL RINGS ]

11
00:00:39,784 --> 00:00:40,821
TROY, GIVE IT BACK!

12
00:00:40,845 --> 00:00:42,192
WHOA, AMY. JUST HANG ON.

13
00:00:42,216 --> 00:00:44,866
I JUST WANT TO SEE IF YOU
WROTE ANYTHING ABOUT ME.

14
00:00:44,890 --> 00:00:47,628
OH, JEFF, DID YOU
KNOW THAT YOUR SISTER

15
00:00:47,652 --> 00:00:50,030
IS WRITING PSYCHO LOVE
LETTERS TO LEX LUTHOR?

16
00:00:50,054 --> 00:00:51,802
IT'S ALWAYS THE QUIET ONES.

17
00:00:51,826 --> 00:00:53,174
GIVE IT BACK TO HER.

18
00:00:53,198 --> 00:00:55,976
IT'S NOT MY FAULT YOU'VE
GOT A WEIRDO FOR A SISTER.

19
00:00:56,000 --> 00:00:57,638
YOU'RE A CHILD, TROY.

20
00:00:57,662 --> 00:00:59,640
IT'S BECAUSE OF BOYS LIKE YOU

21
00:00:59,664 --> 00:01:01,882
THAT GIRLS WANT A
MAN LIKE LEX LUTHOR.

22
00:01:01,906 --> 00:01:02,985
KEEP DREAMING, AMY.

23
00:01:03,009 --> 00:01:04,986
YOUR PARENTS
CLEAN HIS BATHROOMS.

24
00:01:05,010 --> 00:01:06,587
YOU MAY LIVE THERE,

25
00:01:06,611 --> 00:01:08,851
BUT LUTHOR'S NOT GONNA
SLUM WITH THE HELP.

26
00:01:08,875 --> 00:01:10,021
JUST LEAVE HER ALONE.

27
00:01:10,045 --> 00:01:12,778
WHAT ARE YOU GONNA DO ABOUT IT?

28
00:01:23,789 --> 00:01:26,037
SO WHEN ARE YOU DONATING BLOOD?

29
00:01:26,061 --> 00:01:27,108
I DON'T KNOW.

30
00:01:27,132 --> 00:01:28,771
COME ON, CLARK.

31
00:01:28,795 --> 00:01:31,843
SELFLESSLY GIVING OF
YOURSELF TO SAVE OTHERS...

32
00:01:31,867 --> 00:01:33,069
GIRLS LOVE THAT.

33
00:01:35,100 --> 00:01:37,049
[ GROANS ]

34
00:01:37,073 --> 00:01:38,920
YOU OKAY?

35
00:01:38,944 --> 00:01:41,677
YEAH, I'M FINE.

36
00:02:02,368 --> 00:02:04,700
YOU'RE VERY FUNNY, GUYS.

37
00:02:08,836 --> 00:02:10,777
AAH!

38
00:02:17,044 --> 00:02:19,122
OHH!

39
00:02:19,146 --> 00:02:21,625
UHH!

40
00:02:21,649 --> 00:02:23,189
AAH! STOP IT!

41
00:02:30,658 --> 00:02:32,376
WHAT HAPPENED?

42
00:02:32,400 --> 00:02:34,377
IT ATTACKED ME.

43
00:02:34,401 --> 00:02:37,704
IT WAS LIKE A GHOST.

44
00:02:49,917 --> 00:02:56,400
♫ SOMEBODY SAVE ME ♫

45
00:02:56,424 --> 00:03:00,663
♫ LET YOUR WARM HANDS
BREAK RIGHT THROUGH ♫

46
00:03:00,687 --> 00:03:06,139
♫ SOMEBODY SAVE ME ♫

47
00:03:06,163 --> 00:03:10,775
♫ I DON'T CARE HOW YOU DO IT ♫

48
00:03:10,799 --> 00:03:11,816
♫ JUST STAY ♫

49
00:03:11,840 --> 00:03:13,747
♫ STAY WITH ME ♫

50
00:03:13,771 --> 00:03:15,819
♫ STAY ♫

51
00:03:15,843 --> 00:03:17,421
♫ COME ON ♫

52
00:03:17,445 --> 00:03:20,954
♫ I'VE BEEN WAITING FOR YOU ♫

53
00:03:20,978 --> 00:03:26,990
♫ JUST STAY WITH ME ♫

54
00:03:27,014 --> 00:03:31,436
♫ I'VE MADE THIS WHOLE
WORLD SHINE FOR YOU ♫

55
00:03:31,460 --> 00:03:35,840
♫ STAY ♫

56
00:03:35,864 --> 00:03:38,466
♫ COME ON ♫

57
00:03:41,099 --> 00:03:42,447
SO YOU DIDN'T SEE ANYTHING?

58
00:03:42,471 --> 00:03:44,408
BY THE TIME I GOT
AROUND THE CORNER,

59
00:03:44,432 --> 00:03:46,180
TROY WAS ALREADY ON THE FLOOR.

60
00:03:46,204 --> 00:03:47,853
WHAT ABOUT THE VOICE HE HEARD?

61
00:03:47,877 --> 00:03:50,314
WHAT ARE YOU THINKING?
THE LOCKER ROOM'S HAUNTED?

62
00:03:50,338 --> 00:03:53,217
NOT UNLESS THE METEOR ROCKS
CAN CONJURE UP THE GHOSTS

63
00:03:53,241 --> 00:03:56,191
OF DEARLY DEPARTED JOCKSTRAPS,
WHICH I SERIOUSLY DOUBT.

64
00:03:56,215 --> 00:03:57,823
THANK YOU.

65
00:03:57,847 --> 00:04:00,064
IT'S NICE TO SEE YOU STILL
HAVE YOUR STANDARDS.

66
00:04:00,088 --> 00:04:03,268
Whitney: I DON'T HAVE
TIME RIGHT NOW.

67
00:04:03,292 --> 00:04:07,032
IF YOU DON'T WANT TO HELP ME
WITH THIS BLOOD DRIVE, SAY SO.

68
00:04:07,056 --> 00:04:09,003
THAT DOESN'T LOOK PRETTY.

69
00:04:09,027 --> 00:04:10,836
THEN WHAT IS IT?

70
00:04:10,860 --> 00:04:12,907
I REALLY DON'T WANT TO TALK
ABOUT THIS RIGHT NOW, OKAY?

71
00:04:12,931 --> 00:04:15,841
NO, IT'S NOT OKAY! YOU HAVE
BEEN AVOIDING ME FOR A WEEK!

72
00:04:15,865 --> 00:04:20,084
EVERY TIME I ASK YOU WHAT'S
WRONG, YOU PUSH ME AWAY.

73
00:04:20,108 --> 00:04:22,848
I'M WORRIED ABOUT YOU.

74
00:04:22,872 --> 00:04:24,120
DON'T BE.

75
00:04:24,144 --> 00:04:26,951
I JUST NEED SOME SPACE.

76
00:04:26,975 --> 00:04:28,824
IF THAT'S WHAT YOU WANT, FINE.

77
00:04:28,848 --> 00:04:30,855
BUT IF YOU CAN'T
EVEN CONFIDE IN ME,

78
00:04:30,879 --> 00:04:33,882
I DON'T EVEN KNOW WHY WE'RE
GOING OUT IN THE FIRST PLACE.

79
00:04:37,057 --> 00:04:39,329
OH, QUICK! PRETEND
WE WEREN'T WATCHING.

80
00:04:42,893 --> 00:04:44,810
HEY, LANA. HOW'S IT GOIN'?

81
00:04:44,834 --> 00:04:47,874
NOT GREAT, BUT THANKS
FOR THE COURTESY CLUELESS.

82
00:04:47,898 --> 00:04:50,747
WOULD IT CHEER YOU UP IF WE
VOLUNTEER A PINT FOR TOMORROW?

83
00:04:50,771 --> 00:04:52,447
LET'S FIND OUT.

84
00:04:52,471 --> 00:04:54,420
CHLOE, 9:45.

85
00:04:54,444 --> 00:04:56,882
THERE, BETTER ALREADY. CLARK?

86
00:04:56,906 --> 00:04:59,786
WHAT TIME DO YOU
WANT TO GIVE BLOOD?

87
00:04:59,810 --> 00:05:01,927
WE DIDN'T PICK A
TIME FOR YOU YET.

88
00:05:01,951 --> 00:05:03,358
WHEN CAN I PUT YOU DOWN?

89
00:05:03,382 --> 00:05:05,786
ACTUALLY, I'M NOT SURE.

90
00:05:07,487 --> 00:05:09,896
CAN I GET BACK TO YOU?

91
00:05:09,920 --> 00:05:12,369
SURE. NOT A PROBLEM.

92
00:05:12,393 --> 00:05:14,240
I FIGURE I COULD HELP OUT.

93
00:05:14,264 --> 00:05:17,144
SIGN PEOPLE UP,
PASS OUT COOKIES.

94
00:05:17,168 --> 00:05:20,807
THAT'D BE GREAT. THANKS.

95
00:05:20,831 --> 00:05:22,273
BYE.

96
00:05:25,505 --> 00:05:26,954
OKAY, NICE RECOVERY...

97
00:05:26,978 --> 00:05:29,555
BUT AM I TO ASSUME
THAT YOUR OFFER TO HELP

98
00:05:29,579 --> 00:05:32,288
ISN'T COMPLETELY WITHOUT
AN ULTERIOR MOTIVE?

99
00:05:32,312 --> 00:05:34,792
I'M JUST BEING A GOOD FRIEND.

100
00:05:34,816 --> 00:05:37,964
OKAY.

101
00:05:37,988 --> 00:05:40,798
YES, DADDY, WE'RE ON SCHEDULE.

102
00:05:40,822 --> 00:05:43,230
LEX IS PLAYING HARD TO GET...

103
00:05:43,254 --> 00:05:46,933
BUT I'M SURE I CAN
MAKE HIM COME AROUND.

104
00:05:46,957 --> 00:05:48,404
BYE, DADDY.

105
00:05:48,428 --> 00:05:51,108
HE WANTS TO KNOW IF
YOU'RE SELLING THIS CASTLE...

106
00:05:51,132 --> 00:05:53,209
AFTER WE SELL OUT YOUR FATHER.

107
00:05:53,233 --> 00:05:56,867
WHY? DOES HE WANT TO SHIP
IT BACK OVER TO SCOTLAND?

108
00:06:06,877 --> 00:06:08,826
AMY. WHERE'S YOUR MOM?

109
00:06:08,850 --> 00:06:13,000
UH, FLU, I THINK. SHE ASKED ME
TO COVER FOR THE AFTERNOON.

110
00:06:13,024 --> 00:06:14,601
HAVE YOU MET VICTORIA?

111
00:06:14,625 --> 00:06:16,204
NO, NOT OFFICIALLY.

112
00:06:16,228 --> 00:06:19,060
SHE'S GONNA BE STAYING WITH US.

113
00:06:20,632 --> 00:06:22,540
[ CLATTERING ]

114
00:06:22,564 --> 00:06:24,896
I AM SO SORRY!

115
00:06:28,569 --> 00:06:31,178
I'll GO GET SOMETHING
TO CLEAN THIS UP.

116
00:06:31,202 --> 00:06:34,481
SHE SPILLED THAT ON PURPOSE!

117
00:06:34,505 --> 00:06:38,255
IT WAS A MISTAKE...
WASN'T IT, AMY?

118
00:06:38,279 --> 00:06:40,052
SURE.

119
00:06:42,113 --> 00:06:44,863
SHE'S CLEARLY GOT
A THING FOR YOU, LEX.

120
00:06:44,887 --> 00:06:47,189
NEVER TOOK YOU
FOR THE JEALOUS TYPE.

121
00:06:50,122 --> 00:06:51,569
HER PARENTS ARE A FIXTURE.

122
00:06:51,593 --> 00:06:53,901
I BROUGHT THEM HERE
FROM METROPOLIS.

123
00:06:53,925 --> 00:06:55,968
THEN SEND THEM BACK.

124
00:07:04,237 --> 00:07:06,579
WERE YOU JUST IN THE HOUSE?

125
00:07:08,641 --> 00:07:10,083
AMY!

126
00:07:13,586 --> 00:07:17,565
AMY... I ASKED YOU A QUESTION.

127
00:07:17,589 --> 00:07:18,997
WHAT'S GOING ON?

128
00:07:19,021 --> 00:07:21,100
YOUR SISTER WAS
BOTHERING MR. LUTHOR.

129
00:07:21,124 --> 00:07:23,471
IF ANYONE IS BOTHERING
HIM, IT'S THAT TRAMP.

130
00:07:23,495 --> 00:07:26,105
SHE'S RUINING EVERYTHING.
SHE WANTS HIM ALL TO HERSELF.

131
00:07:26,129 --> 00:07:28,677
WE MAY LIVE ON
THE LUTHOR ESTATE,

132
00:07:28,701 --> 00:07:31,279
BUT WE'RE NOT
PART OF THAT WORLD.

133
00:07:31,303 --> 00:07:34,283
YOU HAVE TO KNOW YOUR PLACE...

134
00:07:34,307 --> 00:07:36,045
BOTH OF YOU.

135
00:07:36,069 --> 00:07:39,612
DON'T WORRY, MOM. WE KNOW
EXACTLY WHAT OUR PLACE IS.

136
00:07:49,223 --> 00:07:51,161
THANKS, JEFF.

137
00:07:51,185 --> 00:07:53,487
JUST BE CAREFUL.

138
00:08:16,750 --> 00:08:18,187
CLARK, WHAT'S THIS?

139
00:08:18,211 --> 00:08:20,529
BLOOD DRIVE AT SCHOOL.
LANA'S RUNNING IT.

140
00:08:20,553 --> 00:08:23,163
CLARK, YOU KNOW
YOU CAN'T DONATE.

141
00:08:23,187 --> 00:08:26,036
I KNOW, DAD. BUT WHAT
AM I SUPPOSED TO TELL HER?

142
00:08:26,060 --> 00:08:28,038
THAT YOU HAVE A
PROBLEM WITH NEEDLES,

143
00:08:28,062 --> 00:08:29,600
WHICH YOU TECHNICALLY DO.

144
00:08:29,624 --> 00:08:34,975
OH, GREAT. NOT ONLY DO I
LIE, BUT I LOOK LIKE A WUSS.

145
00:08:34,999 --> 00:08:37,000
CLARK, UH...

146
00:08:39,274 --> 00:08:42,653
I CAN'T BELIEVE I'M
ACTUALLY GONNA SAY THIS,

147
00:08:42,677 --> 00:08:46,657
BUT I... I GUESS YOU CAN'T
ALWAYS BE HONEST WITH PEOPLE.

148
00:08:46,681 --> 00:08:50,561
IT'S... ONE OF THE PRICES
YOU PAY FOR YOUR ABILITIES.

149
00:08:50,585 --> 00:08:52,293
THAT'S WHY I VOLUNTEERED.

150
00:08:52,317 --> 00:08:55,125
I'M SURE IT HAD NOTHING
TO DO WITH LANA RUNNING IT.

151
00:08:55,149 --> 00:08:57,128
WHITNEY DROPPED OUT.

152
00:08:57,152 --> 00:08:59,600
SO YOU THOUGHT YOU'D MOVE IN.

153
00:08:59,624 --> 00:09:02,697
IF HE DOESN'T SEE HOW GREAT SHE
IS, THEN HE DOESN'T DESERVE HER.

154
00:09:25,681 --> 00:09:29,029
LOSE SOMETHING LETHAL?

155
00:09:29,053 --> 00:09:30,302
MY WATCH.

156
00:09:30,326 --> 00:09:33,134
THE TULIPS LOOK GREAT.

157
00:09:33,158 --> 00:09:34,706
YEAH, YOU CLEANED US OUT.

158
00:09:34,730 --> 00:09:37,568
MOM SAID IF YOU WANT SOME
MORE, YOU HAVE TO CALL HOLLAND.

159
00:09:37,592 --> 00:09:39,664
THEY'RE VICTORIA'S FAVORITE.

160
00:10:04,090 --> 00:10:07,239
YOU AND VICTORIA MUST
BE GETTING PRETTY CLOSE.

161
00:10:07,263 --> 00:10:10,072
YOU SEEM SURPRISED.

162
00:10:10,096 --> 00:10:12,203
SHE JUST DOESN'T
SEEM LIKE YOUR TYPE.

163
00:10:12,227 --> 00:10:13,745
[ CHUCKLES ]

164
00:10:13,769 --> 00:10:16,708
RELATIONSHIPS AREN'T
ALWAYS ABOUT LOVE, CLARK.

165
00:10:16,732 --> 00:10:19,611
SOMETIMES THEY'RE
ABOUT MUTUAL GOALS.

166
00:10:19,635 --> 00:10:23,615
NOT EVERY GIRL IS LANA LANG.

167
00:10:23,639 --> 00:10:27,519
YEAH, SORRY. IT'S NONE
OF MY BUSINESS, REALLY.

168
00:10:27,543 --> 00:10:30,523
IT'S OKAY. I ADMIRE
YOUR STANDARDS.

169
00:10:30,547 --> 00:10:31,888
DON'T LOSE THAT.

170
00:10:36,852 --> 00:10:41,303
YOU KNOW, I DECIDED
TO FIGHT FOR LANA.

171
00:10:41,327 --> 00:10:44,376
GOOD FOR YOU. WHY
THE NEW ATTITUDE?

172
00:10:44,400 --> 00:10:47,865
I DECIDED TO TAKE
THE ADVICE OF A FRIEND.

173
00:10:50,837 --> 00:10:54,648
DON'T YOU HAVE ANOTHER WATCH?

174
00:10:54,672 --> 00:10:57,320
I'VE GOT HUNDREDS.
THIS ONE'S SPECIAL.

175
00:10:57,344 --> 00:11:00,618
MY MOTHER GAVE IT TO
ME RIGHT BEFORE SHE DIED.

176
00:11:09,726 --> 00:11:11,804
I DON'T SEE IT.

177
00:11:11,828 --> 00:11:16,240
WHAT ARE YOU, PART BLOODHOUND?

178
00:11:16,264 --> 00:11:19,273
NO, I-I LIVE ON A FARM.

179
00:11:19,297 --> 00:11:21,568
I'M PRETTY GOOD AT FINDING
NEEDLES IN HAYSTACKS.

180
00:11:23,270 --> 00:11:26,744
HOW ABOUT I GO
CHECK THE LIBRARY?

181
00:11:29,307 --> 00:11:31,578
[ DOOR OPENS ]

182
00:11:40,587 --> 00:11:42,590
[ POUNDING ]

183
00:11:52,370 --> 00:11:54,402
[ POUNDING CONTINUES ]

184
00:12:00,879 --> 00:12:02,356
WHAT'S GOING ON?

185
00:12:02,380 --> 00:12:03,380
WAIT HERE.

186
00:12:21,960 --> 00:12:24,263
OH, GOD!

187
00:13:03,743 --> 00:13:06,522
DOESN'T LEAVE MUCH
ROOM FOR INTERPRETATION.

188
00:13:06,546 --> 00:13:09,684
IT WAS PRETTY WEIRD. I
MEAN, THE DOOR WAS SHAKING.

189
00:13:09,708 --> 00:13:11,927
WHEN WE GOT CLOSE, IT BLEW OPEN

190
00:13:11,951 --> 00:13:15,260
AND LEX SAID HE FELT
SOMETHING BRUSH PAST HIM.

191
00:13:15,284 --> 00:13:17,562
MAYBE HIS SCOTTISH CASTLE CAME
COMPLETE WITH A POLTERGEIST.

192
00:13:17,586 --> 00:13:19,294
THE POLICE SAY IT'S VANDALS.

193
00:13:19,318 --> 00:13:21,567
THEY DON'T KNOW MANY GHOSTS
WHO WRITE IN SPRAY PAINT

194
00:13:21,591 --> 00:13:22,591
AND OWN A BLACK LIGHT.

195
00:13:26,525 --> 00:13:28,303
SO, HOW'S THE BLOOD DRIVE?

196
00:13:28,327 --> 00:13:31,476
ACTUALLY, LANA AND I ARE
GETTING TOGETHER TONIGHT.

197
00:13:31,500 --> 00:13:33,379
AT HER PLACE? YEAH.

198
00:13:33,403 --> 00:13:34,934
THAT'S VERY ROMANTIC.

199
00:13:37,476 --> 00:13:39,755
JUST REMEMBER, CLARK...
ONCE YOU CROSS THAT LINE,

200
00:13:39,779 --> 00:13:42,582
YOU CAN'T HIDE BEHIND THE
CLOAK OF FRIENDSHIP ANYMORE.

201
00:13:44,585 --> 00:13:46,716
PROCEED WITH CAUTION.

202
00:13:54,053 --> 00:13:55,831
[ DOOR OPENS ]

203
00:13:55,855 --> 00:14:02,038
LEX... YOU HAVE DISAPPOINTED ME.

204
00:14:02,062 --> 00:14:04,610
HI, DAD. IT'S GOOD
TO SEE YOU, TOO.

205
00:14:04,634 --> 00:14:07,644
WOULD YOU MIND TELLING
ME WHAT SHE'S DOING HERE?

206
00:14:07,668 --> 00:14:09,816
RIGHT NOW? WORKING ON MY NECK.

207
00:14:09,840 --> 00:14:12,919
BUT KNOWING HER, I
THINK THAT'S JUST A START.

208
00:14:12,943 --> 00:14:14,551
[ LAUGHS ]

209
00:14:14,575 --> 00:14:18,796
COULD THIS BE... A PLOY
TO GET MY ATTENTION?

210
00:14:18,820 --> 00:14:20,927
WELL DONE. IT WORKED.

211
00:14:20,951 --> 00:14:22,899
I KNOW THIS IS GONNA
COME AS A SHOCK,

212
00:14:22,923 --> 00:14:25,501
BUT NOT EVERYTHING IN MY
LIFE REVOLVES AROUND YOU.

213
00:14:25,525 --> 00:14:26,703
I UNDERSTAND.

214
00:14:26,727 --> 00:14:28,789
SO YOU'RE SIMPLY...
BEING SWINDLED.

215
00:14:31,533 --> 00:14:34,041
WOULD YOU EXCUSE
US, MISS HARDWICK?

216
00:14:34,065 --> 00:14:37,615
MY SON AND I ARE
GONNA HAVE A LITTLE CHAT

217
00:14:37,639 --> 00:14:39,046
ABOUT FAMILY LOYALTY.

218
00:14:39,070 --> 00:14:43,745
IT'S ALL RIGHT.
I'll RUN US A BATH.

219
00:14:48,109 --> 00:14:51,528
I'll BE THERE SHORTLY.

220
00:14:51,552 --> 00:14:54,662
I'll SEND SIR HARRY
YOUR REGARDS.

221
00:14:54,686 --> 00:14:55,886
SWELL.

222
00:14:59,591 --> 00:15:01,568
THIS IS HARDLY BUSINESS.

223
00:15:01,592 --> 00:15:04,903
GENERATIONS OF LUTHORS
WOULD BEG TO DIFFER.

224
00:15:04,927 --> 00:15:06,744
IT'S ALWAYS BUSINESS,

225
00:15:06,768 --> 00:15:10,548
ESPECIALLY WHERE THE
HARDWICKS ARE CONCERNED.

226
00:15:10,572 --> 00:15:14,011
LEX, CAN'T YOU SEE SHE
WAS SENT TO DISTRACT YOU?

227
00:15:14,035 --> 00:15:18,556
SIR HARRY HAS BEEN NIPPING
AWAY AT LUTHORCORP FOR MONTHS!

228
00:15:18,580 --> 00:15:20,518
LUTHORCORP IS YOUR COMPANY.

229
00:15:20,542 --> 00:15:21,889
[ CHUCKLES ]

230
00:15:21,913 --> 00:15:23,991
I'M JUST ONE OF ITS MANY
EXPENDABLE EMPLOYEES,

231
00:15:24,015 --> 00:15:26,965
AS YOU MADE ABUNDANTLY
CLEAR WHEN YOU EXILED ME

232
00:15:26,989 --> 00:15:28,826
TO THIS CHARMING COW TOWN.

233
00:15:28,850 --> 00:15:32,500
EMPIRES ARE NOT BROUGHT
DOWN BY OUTSIDE FORCES.

234
00:15:32,524 --> 00:15:35,827
THEY ARE DESTROYED BY
WEAKNESSES FROM WITHIN!

235
00:15:38,000 --> 00:15:39,977
LEX, I'VE TOLD YOU THIS.

236
00:15:40,001 --> 00:15:44,081
SMALLVILLE IS YOUR TEST.
RIGHT NOW, YOU'RE FAILING.

237
00:15:44,105 --> 00:15:47,586
THANKS FOR THE UPDATE, BUT I
KNOW EXACTLY WHAT I'M DOING.

238
00:15:47,610 --> 00:15:48,746
NO, YOU DON'T.

239
00:15:48,770 --> 00:15:50,749
SHE IS PLAYING THE
ONLY CARD SHE'S GOT,

240
00:15:50,773 --> 00:15:53,721
AND YOU ARE FALLING FOR
IT, HOOK, LINE, AND SINKER.

241
00:15:53,745 --> 00:15:55,924
MY PERSONAL LIFE IS MY BUSINESS.

242
00:15:55,948 --> 00:15:59,859
NOT WHEN IT AFFECTS MY COMPANY!

243
00:15:59,883 --> 00:16:02,601
THEN IT'S MY BUSINESS.

244
00:16:02,625 --> 00:16:04,734
LEX, LISTEN TO THIS...

245
00:16:04,758 --> 00:16:07,807
IF YOU SELL OUT YOUR FAMILY,

246
00:16:07,831 --> 00:16:12,034
THEN YOU WILL TRULY
BE ALONE IN THE WORLD.

247
00:16:15,498 --> 00:16:16,716
EXCUSE ME?

248
00:16:16,740 --> 00:16:19,042
OH, I'M SORRY. I
DIDN'T MEAN TO...

249
00:16:30,614 --> 00:16:33,663
AMY... HEY, WHAT'S WRONG?

250
00:16:33,687 --> 00:16:35,794
HER! WHAT DO YOU THINK?

251
00:16:35,818 --> 00:16:37,537
AMY?

252
00:16:37,561 --> 00:16:40,663
AMY!

253
00:16:43,096 --> 00:16:45,504
Clark: I'VE GOT AN
OPENING AT 5:00.

254
00:16:45,528 --> 00:16:47,777
Lana: I CAN SHIFT MINE
TO 4:30 AT STATION B,

255
00:16:47,801 --> 00:16:50,779
WHICH MAKES US... DONE.

256
00:16:50,803 --> 00:16:54,083
YOU'RE KIDDING. EVERYTHING?

257
00:16:54,107 --> 00:16:56,615
WE OWN THIS TOWN.

258
00:16:56,639 --> 00:17:01,662
WE NEVER FOUND A
TIME FOR YOU TO DONATE.

259
00:17:01,686 --> 00:17:06,927
ACTUALLY... LANA, I HAVE
A CONFESSION TO MAKE.

260
00:17:06,951 --> 00:17:09,629
I'VE GOT THIS THING
ABOUT NEEDLES...

261
00:17:09,653 --> 00:17:11,130
IT'S KIND OF EMBARRASSING.

262
00:17:11,154 --> 00:17:14,097
DON'T WORRY ABOUT IT.
YOUR SECRET'S SAFE WITH ME.

263
00:17:17,000 --> 00:17:21,282
OH, YOU ARE SUCH
A LIFESAVER, CLARK.

264
00:17:21,306 --> 00:17:24,043
IT'S AMAZING YOU DO ALL
THESE DIFFERENT THINGS.

265
00:17:24,067 --> 00:17:27,547
JUST TRYING TO FIND
MY PLACE IN THE WORLD.

266
00:17:27,571 --> 00:17:30,720
I CAN'T THANK YOU ENOUGH.

267
00:17:30,744 --> 00:17:34,524
IT'S A GREAT CAUSE.
HOW COULD I NOT HELP?

268
00:17:34,548 --> 00:17:36,827
ASK WHITNEY. HE'S, UH...

269
00:17:36,851 --> 00:17:40,031
I DON'T KNOW WHERE
HE'S BEEN LATELY.

270
00:17:40,055 --> 00:17:43,834
YOU KNOW, LANA, IF YOU
REALLY WANT TO THANK ME...

271
00:17:43,858 --> 00:17:48,708
DON'T TALK ABOUT WHITNEY.

272
00:17:48,732 --> 00:17:50,664
FAIR ENOUGH.

273
00:17:54,670 --> 00:17:57,619
DO YOU EVER THINK
IT'S STRANGE THAT...

274
00:17:57,643 --> 00:17:59,981
MY DAD AND YOUR
AUNT USED TO DATE?

275
00:18:00,005 --> 00:18:01,922
NELL DOESN'T REALLY
TALK ABOUT IT MUCH.

276
00:18:01,946 --> 00:18:04,656
WHATEVER HAPPENED, I GUESS
SHE TOOK IT KIND OF HARD.

277
00:18:04,680 --> 00:18:07,958
I'M JUST GLAD THAT
YOU AND I ARE SO CLOSE.

278
00:18:07,982 --> 00:18:09,585
ME TOO.

279
00:18:12,217 --> 00:18:14,265
THAT'S THE THING
ABOUT CLARK KENT.

280
00:18:14,289 --> 00:18:17,268
HE'S NOT ALWAYS THERE
WHEN YOU WANT HIM...

281
00:18:17,292 --> 00:18:20,025
BUT HE'S ALWAYS THERE
WHEN YOU NEED HIM.

282
00:18:22,027 --> 00:18:23,705
IT'S A FINE DISTINCTION.

283
00:18:23,729 --> 00:18:27,779
YOU'RE THE ONE WHO'S HELPING
ME WITH THE BLOOD DRIVE.

284
00:18:27,803 --> 00:18:30,705
I AM.

285
00:18:32,738 --> 00:18:36,658
YOU'RE THE ONE WHO LISTENS.

286
00:18:36,682 --> 00:18:39,220
I DO.

287
00:18:39,244 --> 00:18:42,824
YOU'RE THE ONE WHO'S HERE.

288
00:18:42,848 --> 00:18:46,298
YEAH.

289
00:18:46,322 --> 00:18:47,600
[ DOOR OPENS ]

290
00:18:47,624 --> 00:18:51,302
LANA, ARE YOU STILL OUT...

291
00:18:51,326 --> 00:18:53,976
CLARK. DO YOU HAVE THE TIME?

292
00:18:54,000 --> 00:18:58,040
NO... BUT I'M
GUESSING IT'S LATE.

293
00:18:58,064 --> 00:19:00,336
SMART KID.

294
00:19:04,971 --> 00:19:07,389
[ CLEARS THROAT ]

295
00:19:07,413 --> 00:19:11,994
UH, I'll SEE YOU TOMORROW.

296
00:19:12,018 --> 00:19:13,726
TOMORROW.

297
00:19:13,750 --> 00:19:15,997
LANA...

298
00:19:16,021 --> 00:19:19,631
UM, HAVE YOU EVER SEEN
THE SUNSET FROM MY LOFT?

299
00:19:19,655 --> 00:19:21,258
YES.

300
00:19:23,890 --> 00:19:28,812
BUT THAT'S THE GREAT THING
ABOUT SUNSETS... THEY'RE UNIQUE.

301
00:19:28,836 --> 00:19:32,976
YOU ALWAYS SEE THINGS
YOU'VE NEVER NOTICED BEFORE.

302
00:19:33,000 --> 00:19:36,418
UH... YOU WANT TO
COME OVER TOMORROW?

303
00:19:36,442 --> 00:19:38,045
I'D LOVE TO.

304
00:19:41,048 --> 00:19:43,410
GOOD NIGHT, CLARK.

305
00:19:49,185 --> 00:19:51,794
"HAVE YOU SEEN THE
SUNSET FROM MY LOFT?"

306
00:19:51,818 --> 00:19:53,867
YOU ACTUALLY SAID THAT? YEP.

307
00:19:53,891 --> 00:19:56,300
AND I BET YOUR STOMACH
WAS IN KNOTS THE WHOLE TIME.

308
00:19:56,324 --> 00:19:59,141
IF I WERE YOU, I'D START
SCRIPTING WHAT I WAS GONNA SAY.

309
00:19:59,165 --> 00:20:00,774
NO, I THINK I'll PLAY IT BY EAR.

310
00:20:00,798 --> 00:20:02,775
YOU KNOW, FLY BY
THE SEAT OF MY PANTS.

311
00:20:02,799 --> 00:20:04,447
CLARK, YOU'RE NOT
THE FLYING TYPE.

312
00:20:04,471 --> 00:20:05,779
I'll MAKE YOU SOME NOTES.

313
00:20:05,803 --> 00:20:07,275
YEAH.

314
00:20:12,910 --> 00:20:15,883
WHITNEY, YOUR MOM
CALLED AND SHE FILLED ME IN.

315
00:20:17,744 --> 00:20:19,362
SHE SHOULDN'T HAVE.

316
00:20:19,386 --> 00:20:22,726
WELL, WHITNEY, SHE'S
JUST CONCERNED.

317
00:20:22,750 --> 00:20:25,299
LOOK, I'M NOT HERE TO PUSH.

318
00:20:25,323 --> 00:20:29,473
IF YOU NEED ANYTHING, MY
OFFICE IS JUST DOWN THE HALL.

319
00:20:29,497 --> 00:20:30,474
OKAY?

320
00:20:30,498 --> 00:20:32,359
[ SIGHS ] OKAY.

321
00:20:48,977 --> 00:20:50,824
I'M SORRY.

322
00:20:50,848 --> 00:20:53,322
YOU'RE WELCOME.

323
00:21:15,805 --> 00:21:17,322
HI, CLARK.

324
00:21:17,346 --> 00:21:21,325
HI, AMY. IS EVERYTHING OKAY?

325
00:21:21,349 --> 00:21:23,758
YEAH, JUST, UM...

326
00:21:23,782 --> 00:21:26,460
YOU KNOW. ALL THE
WEIRDNESS AT THE MANSION.

327
00:21:26,484 --> 00:21:29,458
EVERYTHING WAS FINE
UNTIL VICTORIA GOT THERE.

328
00:21:31,520 --> 00:21:34,268
OH, WELL, YOU'RE LEX'S FRIEND.

329
00:21:34,292 --> 00:21:36,271
WHAT DO YOU THINK OF HER?

330
00:21:36,295 --> 00:21:38,273
I REALLY DON'T
KNOW HER THAT WELL.

331
00:21:38,297 --> 00:21:39,905
MMM.

332
00:21:39,929 --> 00:21:42,977
WELL, I THINK I FIGURED OUT
WHY SHE'S STICKING AROUND.

333
00:21:43,001 --> 00:21:47,312
I SAW HER IN LEX'S BEDROOM
GOING THROUGH HIS THINGS.

334
00:21:47,336 --> 00:21:50,456
WHAT WERE YOU DOING
IN LEX'S BEDROOM?

335
00:21:50,480 --> 00:21:51,887
HELPING MY MOM.

336
00:21:51,911 --> 00:21:54,459
AND VICTORIA DIDN'T SEE YOU?

337
00:21:54,483 --> 00:21:56,062
NO.

338
00:21:56,086 --> 00:22:01,466
SEE, LEX IS THE ONLY ONE
WHO EVER TREATED ME LIKE...

339
00:22:01,490 --> 00:22:03,522
I WAS THERE.

340
00:22:36,957 --> 00:22:39,230
[ WATER STOPS RUNNING ]

341
00:23:01,982 --> 00:23:05,355
[ FOOTSTEPS APPROACHING ]

342
00:23:24,275 --> 00:23:29,216
CLARK... WHAT BRINGS
YOU OVER SO LATE?

343
00:23:29,240 --> 00:23:30,588
DOING A LITTLE GHOST HUNTING?

344
00:23:30,612 --> 00:23:34,562
NO. I CAME HERE TO TALK
TO YOU ABOUT VICTORIA.

345
00:23:34,586 --> 00:23:36,293
WHERE IS SHE?

346
00:23:36,317 --> 00:23:38,065
SHE'S TAKING A BATH.

347
00:23:38,089 --> 00:23:40,068
WHY? IS THERE A PROBLEM?

348
00:23:40,092 --> 00:23:42,300
LAST NIGHT, WHEN I WAS IN HERE,

349
00:23:42,324 --> 00:23:44,072
I SAW HER...

350
00:23:44,096 --> 00:23:47,175
I... DON'T REALLY
KNOW HOW TO SAY THIS.

351
00:23:47,199 --> 00:23:49,937
SHE WAS GOING THROUGH
THE FILES ON MY COMPUTER?

352
00:23:49,961 --> 00:23:52,110
YEAH, HOW'D YOU KNOW?

353
00:23:52,134 --> 00:23:55,642
VERY LITTLE HAPPENS IN THIS
HOUSE WITHOUT MY KNOWLEDGE.

354
00:23:55,666 --> 00:23:57,916
YOU DON'T SEEM VERY
UPSET ABOUT THIS.

355
00:23:57,940 --> 00:24:00,318
WE'RE PLAYING CHESS,
CLARK. IT'S A GAME.

356
00:24:00,342 --> 00:24:03,551
LIKE I SAID, WE'VE KNOWN
EACH OTHER A LONG TIME.

357
00:24:03,575 --> 00:24:06,624
BUT YOU DON'T LOVE HER.
SHE GOES BEHIND YOUR BACK.

358
00:24:06,648 --> 00:24:09,097
WHY DO YOU WANT
TO KEEP HER AROUND?

359
00:24:09,121 --> 00:24:10,928
IT'S COMPLICATED.

360
00:24:10,952 --> 00:24:13,160
THANKS FOR THE HEADS UP.

361
00:24:13,184 --> 00:24:15,233
THAT'S WHAT FRIENDS ARE FOR.

362
00:24:15,257 --> 00:24:18,065
I GUESS I SHOULDN'T
EVEN BRING UP

363
00:24:18,089 --> 00:24:21,069
THAT AMY'S GOT AN
OBSESSION WITH YOU.

364
00:24:21,093 --> 00:24:24,072
IT'S A TEENAGE
CRUSH, NOTHING MORE.

365
00:24:24,096 --> 00:24:27,216
HEY, HOW GOES YOUR
NEW LANA INITIATIVE?

366
00:24:27,240 --> 00:24:30,279
I FOUND SOMETHING
OUT ABOUT WHITNEY.

367
00:24:30,303 --> 00:24:33,121
I SAW A PRESCRIPTION IN HIS BAG.

368
00:24:33,145 --> 00:24:35,985
IT'S FOR AMLODIPINE. IT'S A...

369
00:24:36,009 --> 00:24:37,309
HEART MEDICATION.

370
00:24:39,152 --> 00:24:42,962
MY MOTHER WAS ON IT
BEFORE SHE HAD HER SURGERY.

371
00:24:42,986 --> 00:24:47,736
IS THAT WHAT... SORRY.

372
00:24:47,760 --> 00:24:51,070
SHE WAS SICK FOR
A LONG TIME, CLARK.

373
00:24:51,094 --> 00:24:52,671
THE WATCH I LOST...

374
00:24:52,695 --> 00:24:57,299
MY MOM GAVE IT TO ME WHEN
SHE KNEW IT WAS GETTING CLOSE.

375
00:24:59,603 --> 00:25:03,081
SHE FOUND A NAPOLEON
FRANC FROM 1806

376
00:25:03,105 --> 00:25:05,514
AND HAD IT MADE INTO THE FACE.

377
00:25:05,538 --> 00:25:08,256
WHY NAPOLEON?

378
00:25:08,280 --> 00:25:10,059
YOU EVER SEE THE PAINTING

379
00:25:10,083 --> 00:25:12,322
OF NAPOLEON'S
CORONATION BY DAVID?

380
00:25:12,346 --> 00:25:14,122
NO.

381
00:25:14,146 --> 00:25:15,725
OH.

382
00:25:15,749 --> 00:25:19,299
NAPOLEON'S MOTHER COULDN'T
MAKE IT TO HIS CORONATION,

383
00:25:19,323 --> 00:25:21,370
BUT WHEN HE COMMISSIONED IT,

384
00:25:21,394 --> 00:25:24,103
NAPOLEON TOLD
DAVID TO PAINT HER IN

385
00:25:24,127 --> 00:25:27,077
AS IF SHE WERE THERE,
RIGHT IN THE CENTER.

386
00:25:27,101 --> 00:25:30,010
EVEN THOUGH SHE COULDN'T
BE THERE PHYSICALLY,

387
00:25:30,034 --> 00:25:33,342
HE BROUGHT HER INTO HIS LIFE
THROUGH SHEER FORCE OF WILL,

388
00:25:33,366 --> 00:25:35,485
THERE TO SHARE IN HIS GREATNESS.

389
00:25:35,509 --> 00:25:39,289
THAT'S A GOOD STORY.

390
00:25:39,313 --> 00:25:43,217
IT'S A GOOD WATCH.

391
00:25:46,279 --> 00:25:48,782
[ FOOTSTEPS APPROACHING ]

392
00:26:00,263 --> 00:26:03,498
LEX?

393
00:26:07,701 --> 00:26:09,143
[ GASPING ]

394
00:26:36,832 --> 00:26:39,835
[ COUGHING ]

395
00:26:43,709 --> 00:26:45,840
YOU'RE GONNA BE OKAY.

396
00:27:13,739 --> 00:27:15,847
[ BELL RINGS ]

397
00:27:15,871 --> 00:27:17,718
IT'S DEFINITELY BLOOD.

398
00:27:17,742 --> 00:27:20,121
DOESN'T EXACTLY FIT
THE CASPER PARADIGM,

399
00:27:20,145 --> 00:27:21,723
WHICH MEANS THAT

400
00:27:21,747 --> 00:27:24,396
WHOEVER ATTACKED YOU AND
VICTORIA IN THE BATHROOM...

401
00:27:24,420 --> 00:27:26,782
WAS INVISIBLE?

402
00:27:33,159 --> 00:27:36,408
WHAT'S THIS GREEN STUFF?

403
00:27:36,432 --> 00:27:37,810
[ SNIFFS ]

404
00:27:37,834 --> 00:27:39,836
IT SMELLS LIKE ROSES.

405
00:27:42,838 --> 00:27:45,618
UHH... CLARK?

406
00:27:45,642 --> 00:27:48,620
WHAT HAPPENED?

407
00:27:48,644 --> 00:27:49,905
I JUST TOUCHED IT.

408
00:27:51,677 --> 00:27:55,457
OKAY, I'M NOW OFFICIALLY
WEIRDED OUT. WHAT IS THIS?

409
00:27:55,481 --> 00:27:57,159
I DON'T KNOW,

410
00:27:57,183 --> 00:27:59,492
BUT IF YOU RUB THAT ALL
OVER YOUR BODY, YOU'D BE...

411
00:27:59,516 --> 00:28:01,264
NAKED?

412
00:28:01,288 --> 00:28:02,858
YOU'D BE INVISIBLE.

413
00:28:12,269 --> 00:28:15,408
OKAY, SO WHAT'S OUR NEXT
MOVE? SHOULD WE CALL THE POLICE?

414
00:28:15,432 --> 00:28:17,610
AND REPORT AN INVISIBLE PERSON?

415
00:28:17,634 --> 00:28:19,181
WE NEED A VIABLE SUSPECT.

416
00:28:19,205 --> 00:28:20,954
WELL, WHO'S GOT A PROBLEM
WITH LEX'S BRITISH FLAME?

417
00:28:20,978 --> 00:28:22,686
AMY PALMER.

418
00:28:22,710 --> 00:28:25,318
HER PARENTS ARE ON THE
MANSION'S HOUSE STAFF, RIGHT?

419
00:28:25,342 --> 00:28:28,220
AMY SAID SHE SAW VICTORIA
SNOOPING IN LEX'S BEDROOM.

420
00:28:28,244 --> 00:28:30,223
SHE SAID VICTORIA
DIDN'T SEE HER.

421
00:28:30,247 --> 00:28:32,426
NO WONDER. WAIT...
DIDN'T AMY GIVE BLOOD?

422
00:28:32,450 --> 00:28:34,226
3:45, STATION B.

423
00:28:34,250 --> 00:28:36,993
YOU'VE GOT A
FREAKISHLY GOOD MEMORY.

424
00:28:38,695 --> 00:28:40,873
OKAY, I'll GET THE BLOOD TYPE
ON THE BROKEN PIECE OF GLASS.

425
00:28:40,897 --> 00:28:42,436
AND CHECK IT AGAINST AMY'S.

426
00:28:42,460 --> 00:28:45,339
GREAT. CALL ME LATER?

427
00:28:45,363 --> 00:28:46,804
TOP OF MY SPEED DIAL.

428
00:29:03,852 --> 00:29:06,831
WHITNEY...

429
00:29:06,855 --> 00:29:09,302
WHATEVER IT IS,
I'M NOT INTERESTED.

430
00:29:09,326 --> 00:29:11,364
WHAT ABOUT LANA?

431
00:29:11,388 --> 00:29:14,007
YOU INTERESTED IN HER?

432
00:29:14,031 --> 00:29:17,370
WHAT IS IT WITH YOU
AND MY GIRLFRIEND, KENT?

433
00:29:17,394 --> 00:29:20,945
NOTHING... WE'RE JUST FRIENDS.

434
00:29:20,969 --> 00:29:23,717
YOU THINK I DON'T SEE
THE WAY YOU LOOK AT HER?

435
00:29:23,741 --> 00:29:25,773
WELL, AT LEAST I PAY ATTENTION.

436
00:29:26,674 --> 00:29:29,323
YOU'VE GOT THE MOST UNBELIEVABLE
GIRLFRIEND IN THE WORLD,

437
00:29:29,347 --> 00:29:30,584
AND YOU DON'T EVEN KNOW IT.

438
00:29:30,608 --> 00:29:32,387
WHAT'S YOUR PROBLEM?

439
00:29:32,411 --> 00:29:34,512
HOW I DEAL WITH MY GIRLFRIEND
IS MY BUSINESS, OKAY?!

440
00:29:37,615 --> 00:29:39,617
I SAW THE HEART
MEDICATION IN YOUR BAG.

441
00:29:41,759 --> 00:29:44,339
WHAT'S GOING ON, WHITNEY?

442
00:29:44,363 --> 00:29:46,394
[ EXHALES ]

443
00:29:49,827 --> 00:29:51,606
IT'S MY DAD.

444
00:29:51,630 --> 00:29:54,478
HE'S BEEN IN METROPOLIS ALL
WEEK, YOU KNOW, FOR TESTS.

445
00:29:54,502 --> 00:29:56,551
IS HE GONNA BE OKAY?

446
00:29:56,575 --> 00:29:59,438
THE DOCTORS DON'T KNOW.

447
00:30:03,511 --> 00:30:05,620
YOU HAVEN'T TOLD
LANA YET, HAVE YOU?

448
00:30:05,644 --> 00:30:08,623
I FIGURED SHE'S BEEN THOUGH
ENOUGH PAIN IN HER LIFE

449
00:30:08,647 --> 00:30:10,364
WITH HER PARENTS.

450
00:30:10,388 --> 00:30:13,553
I DIDN'T WANT HER TO HAVE
TO GO THROUGH IT WITH ME.

451
00:30:22,402 --> 00:30:25,541
I DON'T THINK YOU GIVE
HER ENOUGH CREDIT.

452
00:30:25,565 --> 00:30:27,382
SHE'S STRONG.

453
00:30:27,406 --> 00:30:30,640
SHE'D PROBABLY UNDERSTAND
BETTER THAN ANYONE.

454
00:30:38,718 --> 00:30:42,451
[ "DISASTER PIECE" BY
SUGAR RAY PLAYING ]

455
00:30:46,486 --> 00:30:49,735
HEY, HOW'S VICTORIA?

456
00:30:49,759 --> 00:30:52,809
SHE'S RESTING UP IN
METROPOLIS FOR A FEW DAYS

457
00:30:52,833 --> 00:30:54,934
UNTIL I CAN GET SOME ANSWERS.

458
00:30:57,768 --> 00:30:59,676
EVERYTHING OKAY?

459
00:30:59,700 --> 00:31:01,878
YOU EVER GOTTEN INFORMATION
YOU WISH YOU HADN'T?

460
00:31:01,902 --> 00:31:03,620
IN MY EXPERIENCE,

461
00:31:03,644 --> 00:31:05,921
THERE'S NO SUCH THING
AS TOO MUCH INFORMATION.

462
00:31:05,945 --> 00:31:08,824
I ASSUME YOU'RE TALKING
ABOUT THE QUARTERBACK?

463
00:31:08,848 --> 00:31:10,827
HIS FATHER'S SICK.

464
00:31:10,851 --> 00:31:13,784
THAT'S TOO BAD.

465
00:31:15,816 --> 00:31:18,564
I WANTED TO TAKE MY
SHOT WITH LANA, BUT NOW...

466
00:31:18,588 --> 00:31:20,667
YOU FEEL LIKE YOU'D
BE TAKING ADVANTAGE.

467
00:31:20,691 --> 00:31:22,839
WHAT WOULD YOU DO?

468
00:31:22,863 --> 00:31:25,101
WHO, ME? I'D GO FOR IT.

469
00:31:25,125 --> 00:31:28,604
SEE, BUT THAT'S WHAT I
LIKE ABOUT YOU, CLARK...

470
00:31:28,628 --> 00:31:30,131
YOU WOULDN'T.

471
00:31:31,872 --> 00:31:35,581
HI, LEX.

472
00:31:35,605 --> 00:31:38,554
AMY, THIS IS A SURPRISE.

473
00:31:38,578 --> 00:31:41,158
OH, WELL, I JUST SAW
YOUR CAR OUTSIDE,

474
00:31:41,182 --> 00:31:43,761
SO I THOUGHT I'D
COME IN AND SAY HI.

475
00:31:43,785 --> 00:31:47,464
WELL, I APPRECIATE THE GESTURE.

476
00:31:47,488 --> 00:31:49,827
SO, NOW THAT MISS
HARDWICK'S GONE,

477
00:31:49,851 --> 00:31:51,928
HOPEFULLY, THINGS
WILL BE BACK TO NORMAL.

478
00:31:51,952 --> 00:31:54,001
VICTORIA WILL BE
BACK IN A FEW DAYS.

479
00:31:54,025 --> 00:31:56,803
OH.

480
00:31:56,827 --> 00:31:59,577
SHE'S REALLY NOT AS
BAD AS YOU THINK, AMY.

481
00:31:59,601 --> 00:32:02,139
OH, I-I NEVER THOUGHT THAT.

482
00:32:02,163 --> 00:32:03,835
[ CHUCKLES ]

483
00:32:05,165 --> 00:32:06,968
WELL, BYE.

484
00:32:14,174 --> 00:32:17,524
WHAT IS IT?

485
00:32:17,548 --> 00:32:19,556
I DON'T KNOW WHAT
TO SAY, MR. LUTHOR.

486
00:32:19,580 --> 00:32:21,698
AMY'S BEEN HAVING
SOME TROUBLE IN SCHOOL,

487
00:32:21,722 --> 00:32:24,101
BUT I CAN'T IMAGINE

488
00:32:24,125 --> 00:32:27,088
SHE WOULD ACTUALLY TRY
TO HURT MISS HARDWICK.

489
00:32:35,867 --> 00:32:37,598
I HOPE I'M WRONG.

490
00:32:46,208 --> 00:32:48,250
LOOKS LIKE SHE'S
BEEN COLLECTING YOU.

491
00:32:55,518 --> 00:32:58,496
WE HAD NO IDEA, MR. LUTHOR.

492
00:32:58,520 --> 00:33:02,139
PLEASE, DON'T CALL THE POLICE.

493
00:33:02,163 --> 00:33:06,004
I'M NOT INTERESTED IN
RETRIBUTION OR PUBLICITY,

494
00:33:06,028 --> 00:33:07,706
BUT AMY NEEDS HELP...

495
00:33:07,730 --> 00:33:11,049
COUNSELING, MEDICAL
TREATMENT, WHATEVER IT TAKES,

496
00:33:11,073 --> 00:33:13,512
JUST SEND ME THE BILL.

497
00:33:13,536 --> 00:33:15,714
EVEN SO, I THINK IT'D
BE BEST FOR EVERYONE

498
00:33:15,738 --> 00:33:17,716
IF YOU LEFT THE MANSION TONIGHT.

499
00:33:17,740 --> 00:33:19,682
YES, OF COURSE.

500
00:33:46,910 --> 00:33:48,987
YOU MADE IT.

501
00:33:49,011 --> 00:33:51,551
SORRY I'M LATE.

502
00:33:51,575 --> 00:33:53,646
IT'S JUST GETTING
TO THE GOOD PART.

503
00:34:03,586 --> 00:34:05,064
WHAT DO YOU THINK?

504
00:34:05,088 --> 00:34:09,862
I THINK IT'S THE MOST
BEAUTIFUL THING I'VE EVER SEEN.

505
00:34:13,766 --> 00:34:15,976
THE OTHER NIGHT ON THE PORCH,

506
00:34:16,000 --> 00:34:19,278
I FELT YOU WERE TRYING
TO TELL ME SOMETHING.

507
00:34:19,302 --> 00:34:22,182
I WAS...

508
00:34:22,206 --> 00:34:25,278
BUT NELL'S TIMING WAS
IMPECCABLE, AS ALWAYS.

509
00:34:28,612 --> 00:34:30,990
SHE'S NOT HERE NOW.

510
00:34:31,014 --> 00:34:36,360
WHAT I WANTED TO TELL YOU WAS...

511
00:34:38,963 --> 00:34:42,827
WHAT I WANTED TO SAY WAS...

512
00:34:45,369 --> 00:34:46,977
[ SIGHS ]

513
00:34:47,001 --> 00:34:49,309
I WOULD NEVER DO
ANYTHING TO HURT YOU.

514
00:34:49,333 --> 00:34:51,751
I KNOW THAT.

515
00:34:51,775 --> 00:34:55,015
BUT IF I SAID WHAT I REALLY
WANTED TO SAY RIGHT NOW,

516
00:34:55,039 --> 00:34:57,687
THAT'S WHAT I'D
DO... I'D HURT YOU.

517
00:34:57,711 --> 00:35:01,222
WHY DON'T YOU TAKE A SHOT?

518
00:35:01,246 --> 00:35:02,963
I'M PRETTY STRONG.

519
00:35:02,987 --> 00:35:06,367
I KNOW, BUT I THINK WHITNEY
NEEDS TO KNOW THAT, TOO.

520
00:35:06,391 --> 00:35:09,994
I THOUGHT YOU DIDN'T WANT
TO TALK ABOUT WHITNEY.

521
00:35:13,929 --> 00:35:17,231
I-I DON'T.

522
00:35:19,264 --> 00:35:22,783
BUT IF YOU WERE MY GIRLFRIEND,
STANDING IN WHITNEY'S LOFT,

523
00:35:22,807 --> 00:35:24,969
I'D HOPE HE'D SAY
THE SAME THING.

524
00:35:27,913 --> 00:35:29,890
I UNDERSTAND THAT
YOU'RE MAD AT HIM,

525
00:35:29,914 --> 00:35:31,892
BUT YOU NEED TO
TALK TO HIM, LANA.

526
00:35:31,916 --> 00:35:34,380
HE NEEDS YOU RIGHT NOW.
HE JUST DOESN'T KNOW IT.

527
00:35:36,882 --> 00:35:38,923
CLARK, WHY ARE YOU DOING THIS?

528
00:35:44,829 --> 00:35:47,809
BECAUSE AFTER ALL THIS TIME,
YOU AND I ARE FINALLY FRIENDS,

529
00:35:47,833 --> 00:35:49,434
AND I DON'T WANT TO LOSE THAT.

530
00:36:00,876 --> 00:36:01,907
LOOK.

531
00:36:04,010 --> 00:36:05,782
WE MISSED IT.

532
00:36:34,010 --> 00:36:36,041
[ SIGHS ]

533
00:36:40,286 --> 00:36:41,788
[ SIGHS ]

534
00:36:44,451 --> 00:36:48,795
I JUST WANTED TO...
FEEL CLOSE TO YOU.

535
00:37:03,940 --> 00:37:06,249
JEFF IS GONNA PACK
EVERYTHING ELSE.

536
00:37:06,273 --> 00:37:09,122
MY HUSBAND WILL BE BACK
IN THE MORNING TO PICK IT UP.

537
00:37:09,146 --> 00:37:11,394
AGAIN, MR. LUTHOR, I...

538
00:37:11,418 --> 00:37:13,756
IT'S OKAY. IT'S OKAY.

539
00:37:13,780 --> 00:37:15,152
DRIVE SAFELY.

540
00:37:23,331 --> 00:37:27,034
[ CAR DOOR CLOSES ]

541
00:37:32,039 --> 00:37:34,802
[ ENGINE TURNS OVER ]

542
00:37:38,445 --> 00:37:41,956
YES, I'D LIKE TO LEAVE A
MESSAGE FOR VICTORIA HARDWICK.

543
00:37:41,980 --> 00:37:43,911
[ CELLPHONE CLATTERS ]

544
00:37:46,454 --> 00:37:49,894
WHO'S THERE?

545
00:37:49,918 --> 00:37:52,436
COME OUT AND SHOW YOURSELF.

546
00:37:52,460 --> 00:37:53,961
UGH!

547
00:38:07,976 --> 00:38:10,785
HOW DID IT GO WITH LANA?

548
00:38:10,809 --> 00:38:13,787
WE'RE STILL FRIENDS.

549
00:38:13,811 --> 00:38:15,320
ARE YOU OKAY WITH THAT?

550
00:38:15,344 --> 00:38:17,521
NO...

551
00:38:17,545 --> 00:38:20,018
BUT I THINK IT'S THE
RIGHT CALL FOR NOW.

552
00:38:22,351 --> 00:38:24,369
Chloe: HELLO!

553
00:38:24,393 --> 00:38:25,930
HEY, MRS. KENT.

554
00:38:25,954 --> 00:38:29,803
HI, CHLOE. WELL,
I'll SEE YOU LATER.

555
00:38:29,827 --> 00:38:32,436
OKAY, SO, BAD NEWS
ON THE DRACULA FRONT...

556
00:38:32,460 --> 00:38:35,910
THE DROP OF BLOOD FOUND
ON THE MIRROR WAS TYPE "A."

557
00:38:35,934 --> 00:38:37,811
AMY PALMER WAS TYPE "O."

558
00:38:37,835 --> 00:38:40,515
BUT SHE HAD A SHRINE
TO LEX IN HER ROOM.

559
00:38:40,539 --> 00:38:42,517
SHE MAY BE A
LITTLE LEX OBSESSED,

560
00:38:42,541 --> 00:38:45,119
BUT SHE'S NOT THE ONE
THAT TRIED TO OFF VICTORIA.

561
00:38:45,143 --> 00:38:47,852
CHECK THE PAPER.

562
00:38:47,876 --> 00:38:51,396
WELL, AMY'S BLOOD TYPE
DOESN'T MATCH, BUT LOOK AT JEFF'S.

563
00:38:51,420 --> 00:38:54,099
HER BROTHER? HE'S
ALWAYS BEEN SO QUIET.

564
00:38:54,123 --> 00:38:56,054
PRACTICALLY INVISIBLE.

565
00:38:57,186 --> 00:38:58,958
I'll CATCH UP WITH YOU LATER.

566
00:39:01,030 --> 00:39:02,492
[ FOOTSTEPS DEPARTING ]

567
00:39:07,996 --> 00:39:11,947
Jeff: DON'T YOU
UNDERSTAND? SHE LOVED YOU.

568
00:39:11,971 --> 00:39:14,579
HOW COULD YOU SEND HER AWAY?!

569
00:39:14,603 --> 00:39:16,081
WHO ARE YOU?

570
00:39:16,105 --> 00:39:17,883
SUDDENLY, YOU CARE?

571
00:39:17,907 --> 00:39:20,086
MASTER LEX WITH HIS CASTLE,

572
00:39:20,110 --> 00:39:23,028
HIS PLANT, HIS EXPENSIVE CARS...

573
00:39:23,052 --> 00:39:26,091
WHEN DID PEOPLE
EVER MATTER TO YOU?

574
00:39:26,115 --> 00:39:28,434
JEFF?

575
00:39:28,458 --> 00:39:29,965
WHERE ARE YOU?

576
00:39:29,989 --> 00:39:31,968
I'M SURPRISED YOU
EVEN KNOW MY NAME.

577
00:39:31,992 --> 00:39:33,970
DID YOU FORGET
THE UNSPOKEN RULE...

578
00:39:33,994 --> 00:39:36,142
SERVANTS ARE SUPPOSED
TO BE INVISIBLE...

579
00:39:36,166 --> 00:39:38,974
SEEN, BUT NOT HEARD?

580
00:39:38,998 --> 00:39:41,546
WE TRIED TO HIDE, FADE
INTO THE WOODWORK.

581
00:39:41,570 --> 00:39:43,910
MY PARENTS LEARNED
TO LIVE WITH IT,

582
00:39:43,934 --> 00:39:45,510
PRETENDED IT DIDN'T MATTER,

583
00:39:45,534 --> 00:39:46,983
BUT AMY WANTED MORE.

584
00:39:47,007 --> 00:39:48,885
AND I'M THROUGH PRETENDING!

585
00:39:48,909 --> 00:39:50,010
UGH!

586
00:39:54,083 --> 00:39:56,392
WHAT HAVE I EVER DONE TO YOU?

587
00:39:56,416 --> 00:39:58,093
NOT TO ME... TO AMY.

588
00:39:58,117 --> 00:40:01,898
SHE LOVED YOU, AND YOU THREW
HER OUT LIKE SHE WAS NOTHING.

589
00:40:01,922 --> 00:40:04,430
I THOUGHT SHE WAS
ATTACKING VICTORIA.

590
00:40:04,454 --> 00:40:05,901
THAT WAS ME.

591
00:40:05,925 --> 00:40:08,405
I WANTED TO SCARE
HER, MAKE HER LEAVE.

592
00:40:08,429 --> 00:40:10,907
I WANTED EVERYTHING BACK
THE WAY IT WAS... FOR AMY.

593
00:40:10,931 --> 00:40:12,908
BUT YOU'RE NOT
INTERESTED IN LOVE.

594
00:40:12,932 --> 00:40:16,113
THAT KIND OF LOVE
COULD GET ME ARRESTED.

595
00:40:16,137 --> 00:40:19,046
SHE'S A LITTLE
YOUNG FOR ME, JEFF.

596
00:40:19,070 --> 00:40:22,974
YOU RUINED HER
LIFE... OUR LIVES!

597
00:40:24,644 --> 00:40:28,048
I'M NOT LETTING
YOU HURT HER AGAIN!

598
00:40:30,420 --> 00:40:33,153
[ PANTING ]

599
00:40:37,128 --> 00:40:39,066
LEX!

600
00:40:39,090 --> 00:40:41,008
IT'S ME! OPEN UP!

601
00:40:41,032 --> 00:40:42,032
CLARK!

602
00:40:49,501 --> 00:40:53,574
Jeff: STAY AWAY FROM HIM, KENT!

603
00:40:56,547 --> 00:40:58,048
THIS IS YOUR FAULT, TOO.

604
00:41:00,152 --> 00:41:03,160
JEFF... WHAT HAPPENED?

605
00:41:03,184 --> 00:41:04,561
CHEMISTRY, KENT...

606
00:41:04,585 --> 00:41:07,064
SOME PLANTS DON'T
ABSORB LIGHT...

607
00:41:07,088 --> 00:41:08,495
THEY REFRACT IT.

608
00:41:08,519 --> 00:41:11,439
I FOUND A WEIRD GREEN
ROSE IN THE GROUNDS,

609
00:41:11,463 --> 00:41:13,601
STUDIED IT,

610
00:41:13,625 --> 00:41:16,104
THEN USED THE OILS TO
BECOME WHAT I'VE ALWAYS BEEN...

611
00:41:16,128 --> 00:41:20,202
TO LEX, THE PEOPLE
AT SCHOOL... EVERYONE.

612
00:41:25,177 --> 00:41:26,655
THAT'S RIGHT.

613
00:41:26,679 --> 00:41:30,117
I'VE HEARD LUTHOR
TALK ABOUT YOU,

614
00:41:30,141 --> 00:41:33,061
LIKE YOU'RE SOMETHING SPECIAL.

615
00:41:33,085 --> 00:41:35,547
BUT I'M SPECIAL, TOO!

616
00:42:03,175 --> 00:42:06,454
WHAT DO YOU THINK'S
GONNA HAPPEN TO JEFF?

617
00:42:06,478 --> 00:42:08,396
A LOT OF SERIOUS THERAPY.

618
00:42:08,420 --> 00:42:12,501
CLEARER QUESTION IS HOW
HE MADE HIMSELF INVISIBLE.

619
00:42:12,525 --> 00:42:15,604
I DON'T KNOW. GUESS THE
SECRET'S GONNA STAY WITH HIM.

620
00:42:15,628 --> 00:42:17,135
HOW'S YOUR HEAD?

621
00:42:17,159 --> 00:42:18,668
I'VE SURVIVED WORSE.

622
00:42:18,692 --> 00:42:22,410
CAN'T SAY THE SAME ABOUT MY
FATHER'S ANTIQUE COLLECTION.

623
00:42:22,434 --> 00:42:23,742
SORRY.

624
00:42:23,766 --> 00:42:26,546
DON'T BE. MY MOTHER
ALWAYS HATED THAT ROOM.

625
00:42:26,570 --> 00:42:28,718
"WAR IS IN OUR
NATURE," SHE SAID.

626
00:42:28,742 --> 00:42:31,474
"WE DON'T NEED TO
PUT IT ON DISPLAY."

627
00:42:38,851 --> 00:42:41,590
♫ YOU'RE MY DISTANCE ♫

628
00:42:41,614 --> 00:42:48,492
♫ DESTINATION OF CHOICE ♫

629
00:42:50,664 --> 00:42:55,075
♫ I'D GIVE ANYTHING ♫

630
00:42:55,099 --> 00:43:00,233
♫ JUST TO HEAR YOUR VOICE ♫

631
00:43:03,137 --> 00:43:05,856
♫ I COULD HAVE PASSED
YOU ON THE STREET ♫

632
00:43:05,880 --> 00:43:12,622
♫ WITHOUT SAYING A WORD ♫

633
00:43:12,646 --> 00:43:15,526
♫ MOST TIMES ♫

634
00:43:15,550 --> 00:43:23,550
♫ I MISS THE VOICE
THAT GOES UNHEARD ♫

635
00:43:26,900 --> 00:43:29,709
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636
00:43:29,733 --> 00:43:32,737
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