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[Miles] Music has always been
like a curse with me.

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I've always felt driven to play it.

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It's the first thing in my life,

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go to bed thinking about it
and wake up thinking about it.

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It's always there.

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It comes before everything.

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[music: "Milestones"]

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[music fades]

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Living is an adventure and a challenge.

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It wasn't about standing still
and becoming safe.

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But I've always been the way I am.
Been like this all my life.

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If anybody wants to keep creating,
they have to be about change.

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[music: "Paraphernalia"]

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[distant cheering]

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I was born in Alton, Illinois,

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a little river town
up on the Mississippi River.

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My father moved the family
to East St. Louis.

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East St. Louis and St. Louis were
country towns full of country people...

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especially the white people
from around there,

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really country... and racist to the bone.

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[Petty] Miles grew up
in a wealthy situation.

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His father was a dentist.

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He also had a farm and raised cattle
and hogs and all of this.

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[Troupe] They were the cream
of the crop in the city.

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He was the second richest guy
in the state of Illinois.

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Black man.

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But during the period that he grew up in,
it's still Jim Crow America.

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And, so, his wealth, his father's wealth
would not have protected him

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from segregation and racism
in a place like East St. Louis.

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[Miles] On my 13th birthday,
my father bought me a new trumpet.

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My mother wanted me to have a violin,
but my father overruled her.

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This caused a big argument between them.

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They had been at each other's throats
since I was a little kid.

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He would hear his mother
and father talking and fussing

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and so I guess that's
what got in his mind as a young boy.

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Miles absorbed that.
He absorbed all of that...

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the anger,
that kind of attitude toward women.

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[Miles] I remember my mother
picking up things

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and throwing them at my father.

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He got so mad with her he punched her.

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He knocked a couple of teeth
right out of her mouth.

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It had to affect us somehow...

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although I don't really know how.

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[Petty] Miles was considered a genius...

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but he was also considered,
I guess, weird.

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Miles would go into the woods,

47
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listening to the animals
or listening to the birds,

48
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and play what he was hearing.

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He always had his own way of doing things.

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[Khan] Miles started very early
as a member of the trumpet section,

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in Eddie Randle's Blue Devils.

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Miles is young and small

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and can barely fill the suit
that he had to wear for these gigs.

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While the other guys in Eddie Randle's
band were working their day jobs,

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this teenager Miles Davis quickly becomes
the musical director

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for this popular dance band.

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♪ I love the rhythm in a riff
When the music jumps I get a lift ♪

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♪ Body a-do-do do-lo-do
Do-lo-do do-lo-do do-lo-do ♪

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So, the real pivot point
for Miles is when,

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during his summer after high school,

61
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he is invited to sit in
with the Billy Eckstine band.

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♪ When that rhythm's in ya
The blues don't have a chance ♪

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[Khan] Both Charlie Parker
and Dizzy Gillespie are in that band.

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I mean, you've got the laboratory,

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the future of modern jazz
right there in this big band.

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[music continues]

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[Miles] The greatest feeling I ever had
in my life, with my clothes on,

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was when I first met Diz and Bird.

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I was 18 years old.

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I decided right then and there
I had to be in New York,

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on 52nd Street, where the action was.

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[music: "Paraphernalia"]

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Walter Cronkite reporting. War years
always bring on new fads and tastes

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and the strangest taste around

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is the excitement generated by
the musical noise called jazz.

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This strange music has been accused
of everything,

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including the bad weather
and the present decay in morality.

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[music: "Donna Lee" by Charlie Parker]

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52nd Street was a mecca of jazz clubs.

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They had jazz clubs
on both sides of the street.

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[Miles] I had never heard no shit
like they was playing on 52nd Street.

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We would go down there
and listen in amazement.

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That shit was so good it was scary.

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Each little place had a speaker outside

85
00:07:04,090 --> 00:07:06,384
where you could hear
what was going on inside.

86
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You could stand outside and hear the music
until a doorman...

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the clubs had doormen,
they would chase you away. [chuckles]

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Miles enrolled at Juilliard
'cause he wanted to learn music

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and because his mother wanted him
to be a trained musician and all that.

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[Griffin] He is serious about Juilliard.
He's seriously committed to it

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and he values
what Juilliard might have to offer.

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[Miles] A lot of the old guys
thought that if you went to school,

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it would make you play like
you were white.

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If you learned something from theory,

95
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you would lose
the feeling in your playing.

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I would go to the library
and borrow scores

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by all those great composers.

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I wanted to see
what was going on in all of music.

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And yet he knows
that there's something else going on.

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It's not happening at Juilliard.

101
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[Heath] So, he was to go
at Juilliard in the daytime

102
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and at night, he'd be on 52nd Street.

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[Miles] I spent my first week in New York
looking for Bird and Dizzy.

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Spent all my money and didn't find them.

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Then, one night, I heard this voice
from behind me say:

106
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"Hey, Miles,
I heard you been looking for me."

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I turned around and there was Bird.

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[Tate] Bebop musicians
were rocket scientists.

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You can compare bebop
to the Manhattan Project.

110
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And it was developed
by some serious sound physicists...

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blowing their brains out
to push this music as far as they could.

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So, Miles stepped into kind of a hotbed
of musical research and development.

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[Early] Bebop was a black music.

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00:09:12,134 --> 00:09:14,929
It was a music by black musicians,

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who wanted to get away
from any kind of hint of minstrelsy.

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[Jones] No smiling and laughing
and grinning and dancing and shit.

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No entertaining, man.

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They wanted to be an artist
just like Stravinsky...

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just like Stravinsky
who was just a pure artist.

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[Tate] Miles saw
these very elegantly-dressed characters.

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The dignity that came with that
and the nobility that came with that

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and the swagger.

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Very soon after Miles starts
his Juilliard studies...

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Irene arrives, his high school sweetheart,

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with their child
and with another baby on the way.

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00:10:04,687 --> 00:10:09,567
[Miles] All of a sudden, there she was,
knocking on my motherfucking door.

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My mother had told her to come.

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[Griffin] I mean,
it seems almost impossible,

129
00:10:14,447 --> 00:10:17,283
what he would have been trying
to do at that age.

130
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There's the domestic situation
with children.

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There's the kind of time
required of anyone

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00:10:24,749 --> 00:10:26,542
who's a serious student at Juilliard,

133
00:10:26,626 --> 00:10:31,130
but there's also the kind of time
and commitment that this music will take.

134
00:10:31,213 --> 00:10:34,050
And, at some point, something has to give.

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[Troupe] Music was everything.

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00:10:37,928 --> 00:10:39,138
It was everything.

137
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It was sexual, sensuous.

138
00:10:41,682 --> 00:10:45,144
Everything, power. Everything, humor.

139
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And then... he could not share that.

140
00:10:48,481 --> 00:10:51,150
And, so, somebody had to play
second fiddle to that.

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00:10:54,487 --> 00:10:56,864
[Shorter] One day, the teacher said:

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00:10:56,947 --> 00:11:03,829
"The blues grew out of the downtrodden
suffering of the slaves, of slavery,

143
00:11:03,913 --> 00:11:07,917
and the crying and wailing and all that,

144
00:11:08,000 --> 00:11:11,170
this became the blues
of the people in chains."

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00:11:11,253 --> 00:11:13,631
Miles was in the back in the room
somewhere

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He raises his hand while she's talking.

147
00:11:17,176 --> 00:11:18,386
And she says: "Yes?"

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00:11:19,011 --> 00:11:19,970
He said:

149
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"You're a goddamn liar."

150
00:11:24,266 --> 00:11:26,060
[music: "Dewey Square" by Charlie Parker]

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And walked out of the room.

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[Khan] Miles, within months,
is hanging with Bird.

153
00:11:34,110 --> 00:11:36,320
He's recording with Bird.

154
00:11:36,404 --> 00:11:39,615
He really arrives, like, right away.

155
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Every night,
he'd get on the stand with Bird.

156
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Bird would play the head of the tune
and just leave him on stage by himself.

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He said he threw up every night...

158
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'cause he was just so stressed out
and humiliated.

159
00:11:53,212 --> 00:11:56,382
I mean, those cats could wear him out
on the horn any night.

160
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But he figured something else out.

161
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[music: "Boplicity"]

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00:12:11,814 --> 00:12:16,318
[Kernodle] He comes up with a style
that is truly reflective of who he is,

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straight tone, lyricism.

164
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It is him.
It is uniquely, organically him.

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[music continues]

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[Khan] Miles meets Gil Evans
and there's this level of mutual respect

167
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and mutual dedication
to the music that will last a lifetime.

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[Miles] I liked the way Gil wrote music
and he liked the way I played.

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00:12:48,976 --> 00:12:50,978
We heard sound in the same way.

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00:12:52,396 --> 00:12:55,357
[Khan] By the end of the '40s
they're working on a project together.

171
00:12:55,441 --> 00:12:58,903
It's called Birth of the Cool, a nonet,

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00:12:58,986 --> 00:13:05,326
that would create a kind of melding
of modern classical ideas with jazz.

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00:13:05,409 --> 00:13:07,286
[music: "Moon Dreams"]

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00:13:12,958 --> 00:13:14,752
[Symphony Sid]
Right now, ladies and gentlemen,

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00:13:14,835 --> 00:13:16,712
we bring you something new
in modern music.

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00:13:16,795 --> 00:13:18,756
"Impressions in Modern Music"

177
00:13:18,839 --> 00:13:21,467
with the great Miles Davis
and his wonderful new organization.

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00:13:25,095 --> 00:13:29,517
[Tate] I think the intention was to create
a listening music, concert music,

179
00:13:29,600 --> 00:13:33,437
that very deliberately,
did not have the drive...

180
00:13:34,063 --> 00:13:37,024
and the funk of 52nd Street on it.

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00:13:37,107 --> 00:13:39,318
[music continues]

182
00:13:45,991 --> 00:13:49,203
Well, it's mainly about trying
to create new colors,

183
00:13:49,286 --> 00:13:51,956
in a way,
where you widen the palette of jazz.

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00:13:52,039 --> 00:13:53,541
[music continues]

185
00:13:58,671 --> 00:14:03,092
And I think he was conscious of the fact
that to move the music forward,

186
00:14:03,175 --> 00:14:06,345
you've got to go someplace
it hasn't gone before.

187
00:14:06,428 --> 00:14:08,514
[music: "Move"]

188
00:14:13,060 --> 00:14:16,689
[newscaster] The heart of European
civilization is beating strong again.

189
00:14:17,189 --> 00:14:18,357
Paris is free.

190
00:14:19,233 --> 00:14:22,111
This is the end of four years
of Nazi rule in Paris.

191
00:14:23,070 --> 00:14:24,905
Once more, it is The City of Light.

192
00:14:25,698 --> 00:14:27,283
[crowds cheering]

193
00:14:34,790 --> 00:14:40,546
It was a very unique time
in France's life. Very.

194
00:14:40,629 --> 00:14:41,714
[crowds cheering]

195
00:14:42,006 --> 00:14:45,718
Because there was this euphoria,
this post-war euphoria,

196
00:14:49,680 --> 00:14:53,058
There were two bombs,
the atomic bomb and the Liberation.

197
00:14:55,728 --> 00:14:59,732
After the war, France was different,
Europe was different

198
00:14:59,815 --> 00:15:03,277
and they needed a new sound to that era.

199
00:15:03,903 --> 00:15:05,195
And that was jazz.

200
00:15:05,279 --> 00:15:09,283
You're now listening to the Tadd Dameron
and Miles Davis Quintet.

201
00:15:10,409 --> 00:15:11,493
Here's Miles Davis.

202
00:15:11,577 --> 00:15:13,412
[music: "Rifftide"]

203
00:15:14,413 --> 00:15:16,874
[Miles] This was my first trip
out of the country.

204
00:15:17,374 --> 00:15:21,503
I loved being in Paris
and loved the way I was treated.

205
00:15:22,504 --> 00:15:26,300
[Troupe] He said that the food
even tasted better in France.

206
00:15:26,675 --> 00:15:32,014
The smell in the air
was even more beautiful in Paris.

207
00:15:33,057 --> 00:15:36,518
That moment, for him,
was something that was galvanizing.

208
00:15:38,520 --> 00:15:40,731
[Miles] Music had been my total life.

209
00:15:40,814 --> 00:15:43,192
I was always so into the music.

210
00:15:43,275 --> 00:15:48,739
I never had time for any kind of romance
until I met Juliette Gréco.

211
00:15:50,282 --> 00:15:54,912
♪ Sous le ciel de Paris
Marchent des amoureux ♪

212
00:15:54,995 --> 00:15:57,581
♪ Mm-mm ♪

213
00:15:57,665 --> 00:16:01,710
The first concert I saw Miles in,
I saw him from the side.

214
00:16:04,672 --> 00:16:06,632
And it was extraordinary.

215
00:16:06,715 --> 00:16:09,718
It was really beautiful,
aesthetically beautiful. He was beautiful.

216
00:16:11,971 --> 00:16:17,142
My English was bad. It still is, but
at this time, it was really, really bad.

217
00:16:17,977 --> 00:16:20,270
But we managed to understand each other.

218
00:16:21,438 --> 00:16:23,774
It was a miracle.

219
00:16:23,857 --> 00:16:26,151
It was what you call a miracle of love.

220
00:16:26,402 --> 00:16:32,241
♪ L'hymne d'un peuple épris
De sa vieille cité ♪

221
00:16:32,324 --> 00:16:35,619
[Miles] Juliette and I used to walk down
by the Seine River together,

222
00:16:35,703 --> 00:16:37,496
holding hands and kissing,

223
00:16:37,579 --> 00:16:40,416
looking into each other's eyes
and kissing some more.

224
00:16:41,917 --> 00:16:43,919
I cared a lot for Irene,

225
00:16:44,003 --> 00:16:47,172
but I had never felt like this
before in my life.

226
00:16:48,382 --> 00:16:50,968
[Griffin] She brings him into a circle

227
00:16:51,051 --> 00:16:54,096
of other artists, of intellectuals,
of philosophers,

228
00:16:54,179 --> 00:16:57,850
of, you know,
the sort of greatest minds of that time.

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00:16:58,142 --> 00:17:02,646
Jazz was really seen as
the height of artistry at that time

230
00:17:02,730 --> 00:17:06,358
inside of French intellectual
and creative circles.

231
00:17:07,359 --> 00:17:11,196
[Khan] He meets Pablo Picasso,
Jean-Paul Sartre.

232
00:17:11,822 --> 00:17:15,743
He's treated as an equal by some
of the most creative giants of the day.

233
00:17:17,453 --> 00:17:23,417
[Griffin] Paris for Miles is kind of
opening up of possibility and potential,

234
00:17:23,500 --> 00:17:27,629
the sense that one can be fully oneself

235
00:17:27,713 --> 00:17:31,050
beyond the boundaries of race.

236
00:17:31,133 --> 00:17:33,886
That it isn't something to hold you back.

237
00:17:33,969 --> 00:17:37,890
And, in fact, it might be something that
contributes to your ability to ascend.

238
00:17:38,724 --> 00:17:42,853
[Miles] Paris was where I understood
that all white people weren't the same...

239
00:17:43,645 --> 00:17:46,023
that some weren't prejudiced
and others were.

240
00:17:47,524 --> 00:17:49,568
It had only been a couple of weeks...

241
00:17:50,277 --> 00:17:52,905
but I was living in
an illusion of possibility.

242
00:17:53,447 --> 00:17:55,240
Maybe a miracle had happened.

243
00:17:56,325 --> 00:18:00,621
Sartre asked Miles:
"Why don't you marry Gréco?"

244
00:18:00,704 --> 00:18:02,539
[music: "Romance" by Juliette Gréco]

245
00:18:02,623 --> 00:18:06,627
And Miles answered: "Because I'm in love
with her. I love her."

246
00:18:06,710 --> 00:18:11,882
♪ Dans le printemps de Paris ♪

247
00:18:17,638 --> 00:18:21,141
[Miles] I was so depressed coming back
to this country on the airplane

248
00:18:21,225 --> 00:18:24,353
that I couldn't say nothing
all the way back.

249
00:18:25,104 --> 00:18:27,773
I didn't know that shit
was going to hit me like that.

250
00:18:29,441 --> 00:18:34,738
♪ Dans le printemps de Paris ♪

251
00:18:34,822 --> 00:18:38,951
[Griffin] Every African-American artist
who has spent time abroad

252
00:18:39,034 --> 00:18:42,496
talks about the profound disappointment
in coming back to the United States.

253
00:18:42,579 --> 00:18:47,793
You see your country as you knew
it but in an even starker light

254
00:18:47,876 --> 00:18:49,878
because you've experienced
something different.

255
00:18:53,132 --> 00:18:55,092
[Miles] It was hard for me to come back

256
00:18:55,175 --> 00:18:59,179
to the bullshit white people put
a black person through in this country.

257
00:18:59,972 --> 00:19:02,558
I lost my sense of discipline,

258
00:19:02,641 --> 00:19:06,520
lost my sense of control over my life
and started to drift.

259
00:19:07,938 --> 00:19:11,150
Before I knew it, I had a heroin habit...

260
00:19:12,067 --> 00:19:16,738
which meant getting and shooting heroin
all the time, all day and all night.

261
00:19:17,948 --> 00:19:19,408
That's all I lived for.

262
00:19:19,491 --> 00:19:21,285
[music: "Paraphernalia"]

263
00:19:23,912 --> 00:19:26,498
[Kernodle]
His career is spiraling out of control.

264
00:19:27,749 --> 00:19:30,669
There's no expectation
that Miles is going to survive,

265
00:19:30,752 --> 00:19:35,340
let alone is he really going to be
a successful musician again.

266
00:19:40,762 --> 00:19:44,808
[Wein] I had a little club in...
I think it was Hartford.

267
00:19:44,892 --> 00:19:46,935
I booked the Symphony Sid All Stars.

268
00:19:48,020 --> 00:19:51,190
And Symphony Sid said:
"Don't give Miles any money."

269
00:19:52,816 --> 00:19:55,235
So, Miles came up to me
the first night and says:

270
00:19:55,319 --> 00:19:57,112
"George, give me five dollars."

271
00:19:57,196 --> 00:19:58,947
I said: "Miles, come on, man."

272
00:20:00,199 --> 00:20:02,159
"George, give me two dollars."

273
00:20:02,784 --> 00:20:05,162
And I... "Come on, Miles."

274
00:20:05,245 --> 00:20:07,372
"George, give me 50 cents."

275
00:20:07,456 --> 00:20:09,666
And I: "Hey, man, you know..."

276
00:20:10,459 --> 00:20:12,669
"George, give me a penny."

277
00:20:13,253 --> 00:20:15,297
That's my first meeting with Miles.

278
00:20:15,380 --> 00:20:16,840
[music: "Paraphernalia"]

279
00:20:18,967 --> 00:20:21,803
[Heath] We were playing
at a club in New York...

280
00:20:23,096 --> 00:20:25,474
and his father came from East St. Louis.

281
00:20:25,557 --> 00:20:28,727
And came to the club
and took him off the stage.

282
00:20:28,810 --> 00:20:30,229
He left his horn and everything.

283
00:20:30,312 --> 00:20:32,439
He said: "Come on.
You're going back home with me."

284
00:20:32,522 --> 00:20:34,149
[train klaxon blares]

285
00:20:36,276 --> 00:20:38,278
[music: "White"]

286
00:20:38,362 --> 00:20:41,365
[Miles] I felt like a little boy
going with his daddy.

287
00:20:42,616 --> 00:20:47,120
I had never felt like that before
and probably haven't felt like that since.

288
00:20:48,705 --> 00:20:51,875
On the way home, I told him
I was going to give up dope

289
00:20:51,959 --> 00:20:54,336
and that all I needed was a little rest.

290
00:20:55,671 --> 00:20:59,132
Before I knew it, I was shooting up again,

291
00:20:59,216 --> 00:21:02,261
borrowing money from my father
to support my habit.

292
00:21:06,098 --> 00:21:09,268
[Redmond] You could see him
moving through the night.

293
00:21:10,310 --> 00:21:13,981
You'd run into him somewhere,
didn't even know it was Miles.

294
00:21:14,064 --> 00:21:16,441
He might even have on clothes...

295
00:21:16,942 --> 00:21:20,779
that looked like...
made him look like he was homeless.

296
00:21:21,530 --> 00:21:23,323
We wanted him to be Superman...

297
00:21:25,867 --> 00:21:28,870
and it just doesn't work that way.

298
00:21:29,538 --> 00:21:31,290
[music continues]

299
00:21:34,209 --> 00:21:38,088
[Bonner] I really hated to see him
go down like that.

300
00:21:40,382 --> 00:21:43,552
But I... I don't want to talk about it.

301
00:21:48,473 --> 00:21:51,643
[Miles] I went out
to my father's farm in Millstadt.

302
00:21:52,728 --> 00:21:54,354
I was sick.

303
00:21:55,355 --> 00:21:58,525
If someone could've guaranteed
that I would die in two seconds,

304
00:21:58,608 --> 00:21:59,901
then I would've taken it.

305
00:22:02,404 --> 00:22:04,781
This went on for about
seven or eight days.

306
00:22:05,574 --> 00:22:06,700
I couldn't eat.

307
00:22:07,784 --> 00:22:10,662
Then, one day, it was over,
just like that.

308
00:22:10,746 --> 00:22:11,663
Over.

309
00:22:13,290 --> 00:22:16,752
I felt better, good, pure.

310
00:22:21,131 --> 00:22:26,011
This young white guy had started
a new jazz label called Prestige

311
00:22:26,094 --> 00:22:28,930
and he was looking for me
to make a record for him.

312
00:22:30,557 --> 00:22:32,976
I figured there was nowhere
for me to go but up.

313
00:22:33,727 --> 00:22:35,729
I was already on the bottom.

314
00:22:35,812 --> 00:22:37,314
[music: "Paraphernalia"]

315
00:22:37,397 --> 00:22:40,192
[Luther King] We, the Negro citizens,
had it not to rise...

316
00:22:40,275 --> 00:22:42,402
-Miss America Contest.
-Dodgers go wild.

317
00:22:42,486 --> 00:22:44,071
[newscaster] Emmett Till was taken by...

318
00:22:44,154 --> 00:22:46,531
[newscaster 2]
Amazing new Motoramic Chevrolet...

319
00:22:52,245 --> 00:22:56,333
[newscaster 3] This afternoon, Disneyland,
the world's most fabulous kingdom...

320
00:22:56,792 --> 00:22:58,877
[music: "Blue Moon" by Thelonious Monk]

321
00:23:12,849 --> 00:23:17,729
[Wein] I was in a club in New York
and Miles is at the back of the club.

322
00:23:19,189 --> 00:23:21,399
And Miles stopped me
coming out of the club.

323
00:23:21,483 --> 00:23:24,361
He said: "Are you going to have
a jazz festival up at Newport?"

324
00:23:24,444 --> 00:23:26,822
I said: "Yeah, Miles."

325
00:23:26,905 --> 00:23:29,741
He said:
"You can't have a festival without me."

326
00:23:30,617 --> 00:23:32,994
I said:
"Miles, you want to be in a festival?"

327
00:23:33,078 --> 00:23:35,789
He says:
"You can't have a festival without me."

328
00:23:35,872 --> 00:23:38,250
So, I said:
"All right, I'll call your agent."

329
00:23:38,333 --> 00:23:40,710
[music: "'Round Midnight"]

330
00:23:47,592 --> 00:23:49,636
[Cawthra] Newport was like an audition.

331
00:23:51,429 --> 00:23:55,725
Listening in the audience
were executives from Columbia Records.

332
00:23:55,809 --> 00:23:59,855
Columbia Records
was the Tiffany of labels at the time.

333
00:23:59,938 --> 00:24:01,773
[Troupe] He knew what this meant.

334
00:24:01,857 --> 00:24:04,067
He knew what this meant for him.

335
00:24:05,152 --> 00:24:08,321
So, if he had that opportunity,
as he had at Newport,

336
00:24:08,405 --> 00:24:10,532
he was going for it and with a vengeance.

337
00:24:10,615 --> 00:24:12,450
[music continues]

338
00:24:20,709 --> 00:24:26,131
Miles put the bell of his horn
right into the microphone...

339
00:24:27,591 --> 00:24:30,886
and changed
the whole world of jazz right there

340
00:24:30,969 --> 00:24:33,555
and changed his career right there,

341
00:24:33,638 --> 00:24:38,101
because the beauty of that song
and the beauty of Miles's trumpet...

342
00:24:38,768 --> 00:24:42,898
made bebop a music
that could be accepted by everybody.

343
00:24:42,981 --> 00:24:44,816
[music continues]

344
00:24:51,531 --> 00:24:55,785
They could now put on Miles's music
while they were making love.

345
00:24:55,869 --> 00:24:57,662
[music continues]

346
00:25:23,563 --> 00:25:26,733
[music fades to cheering]

347
00:25:28,652 --> 00:25:31,321
[Santana] It takes a lot of courage
to play a ballad.

348
00:25:31,821 --> 00:25:34,950
You know, it's easy to hide with
a bunch of notes all over the place.

349
00:25:35,033 --> 00:25:38,411
Look what I can do. [sings gibberish]
Look what I can do. [yawns]

350
00:25:38,495 --> 00:25:39,371
You know... okay.

351
00:25:39,454 --> 00:25:41,456
[music: "It Never Entered My Mind"]

352
00:25:47,128 --> 00:25:51,633
Most men are afraid to be vulnerable.

353
00:25:52,842 --> 00:25:55,053
That's what women love
the best about a man.

354
00:25:55,136 --> 00:25:57,180
[music continues]

355
00:26:08,692 --> 00:26:12,320
I think Miles, on one hand,
he comes out like this,

356
00:26:12,404 --> 00:26:16,241
you know, but then he starts playing
and people are like... oh...

357
00:26:16,866 --> 00:26:18,702
You know, he just disarms you.

358
00:26:19,619 --> 00:26:21,788
[music continues]

359
00:26:29,587 --> 00:26:34,467
[Griffin] Miles's sound
is unique from the first note.

360
00:26:36,052 --> 00:26:40,348
There's a sense of pleasure, beauty.

361
00:26:42,100 --> 00:26:44,311
There's something very romantic...

362
00:26:45,103 --> 00:26:47,480
but it's romantic
without being sentimental.

363
00:26:47,564 --> 00:26:49,190
[music continues]

364
00:27:04,914 --> 00:27:07,751
[Tate] He's spilling his guts to you...

365
00:27:08,335 --> 00:27:14,090
so directly, you know, to the heart,
to your... you know, to your vitals.

366
00:27:14,174 --> 00:27:15,925
[music continues]

367
00:27:24,851 --> 00:27:29,356
I want to feel the way Miles sounds.

368
00:27:40,617 --> 00:27:44,204
[Hancock] Miles had a way of playing

369
00:27:44,287 --> 00:27:48,792
that sounded like a stone
skipping across a pond.

370
00:27:53,254 --> 00:27:56,257
He just touched on the waves.

371
00:27:56,341 --> 00:27:59,094
[music continues]

372
00:28:09,896 --> 00:28:12,107
[Miller] Sometimes he leaves a note out

373
00:28:12,190 --> 00:28:14,192
and I've seen people
literally like this...

374
00:28:14,859 --> 00:28:16,111
waiting for that next note.

375
00:28:16,194 --> 00:28:17,862
[music continues]

376
00:28:26,955 --> 00:28:31,084
His sound was so pure and elegant...

377
00:28:32,168 --> 00:28:33,753
and tasty...

378
00:28:34,796 --> 00:28:36,381
musically tasty.

379
00:28:43,179 --> 00:28:47,684
Miles could play one note.
I've seen him play one note

380
00:28:47,767 --> 00:28:49,978
and some of these high rollers
that came to the club...

381
00:28:50,061 --> 00:28:52,188
these high rollers would come and say:

382
00:28:53,022 --> 00:28:56,025
"That did it for me! That did it for me.
I just got my money's worth!"

383
00:28:56,109 --> 00:28:58,486
And they're ready to leave. [chuckles]

384
00:28:58,570 --> 00:29:01,614
Miles would say: "Bam!"
They'd say: "Oh, that's it, man."

385
00:29:02,991 --> 00:29:04,993
[music out]

386
00:29:05,076 --> 00:29:07,454
[Miles] In February or March 1956,

387
00:29:07,537 --> 00:29:11,499
I had to have a non-cancerous growth
on my larynx removed.

388
00:29:12,333 --> 00:29:14,377
It had been bothering me for a while.

389
00:29:14,878 --> 00:29:17,922
I wasn't even supposed to talk
for at least ten days.

390
00:29:19,132 --> 00:29:21,968
One week went by,
he was in pretty good shape.

391
00:29:22,719 --> 00:29:26,848
The second week,
he couldn't keep his mouth shut.

392
00:29:28,433 --> 00:29:30,643
Everybody was
"a sack full of motherfuckers".

393
00:29:33,104 --> 00:29:34,272
And that was it.

394
00:29:34,773 --> 00:29:38,651
He got that rasp and it never healed.

395
00:29:39,778 --> 00:29:43,907
At that time, nobody knew
that Miles had had an operation

396
00:29:43,990 --> 00:29:46,201
and that his voice had suffered from it.

397
00:29:46,284 --> 00:29:48,870
He came on the stage
and began to announce,

398
00:29:48,953 --> 00:29:51,998
in that gravelly voice,
what he was going to play for that evening

399
00:29:52,081 --> 00:29:54,959
and I think he got
two or three sentences out,

400
00:29:55,043 --> 00:29:58,213
and the audience, a large number of them,
began to laugh at him.

401
00:29:59,130 --> 00:30:02,300
Miles turned around
and looked at the audience.

402
00:30:02,383 --> 00:30:06,888
He had this very strange look
on his face and he left.

403
00:30:08,723 --> 00:30:10,725
[music: "Stella By Starlight"]

404
00:30:15,313 --> 00:30:19,150
[Miles] I could communicate with the band
just by giving them a certain look.

405
00:30:20,068 --> 00:30:23,530
That's what I'm doing when I have
my back turned to the audience.

406
00:30:24,322 --> 00:30:27,784
I can't be concerned with talking
and bullshitting while I'm playing...

407
00:30:28,910 --> 00:30:31,955
because the music is talking to them
when everything's right.

408
00:30:32,038 --> 00:30:33,665
[music continues]

409
00:30:43,550 --> 00:30:47,387
George Avakian, the jazz producer
for Columbia Records,

410
00:30:47,470 --> 00:30:49,597
wanted to sign me
to an exclusive contract.

411
00:30:50,515 --> 00:30:52,725
I told him that I wanted
to go with Columbia

412
00:30:52,809 --> 00:30:54,936
because of all the shit
that he offered me.

413
00:30:57,522 --> 00:30:58,940
[Khan] George Avakian says:

414
00:30:59,023 --> 00:31:02,110
"Here's a list of demands
that I would like you to meet.

415
00:31:03,027 --> 00:31:06,614
You got to be clean
and you got to have a consistent band."

416
00:31:07,740 --> 00:31:11,202
And the last thing is, he's got
to get free of his Prestige contract.

417
00:31:11,286 --> 00:31:13,663
[Miles] I'll play it
and tell you what it is later.

418
00:31:13,746 --> 00:31:16,124
[music: "If I Were A Bell"]

419
00:31:26,384 --> 00:31:27,969
[Chambers] He had a new quintet

420
00:31:28,052 --> 00:31:31,514
with John Coltrane
as the tenor saxophone player.

421
00:31:31,598 --> 00:31:36,895
And he took that quintet
into the studios of Rudy Van Gelder...

422
00:31:37,520 --> 00:31:41,190
and he called tune,
after tune, after tune,

423
00:31:41,274 --> 00:31:44,903
and recorded enough music
in a couple of days...

424
00:31:45,486 --> 00:31:48,072
to get rid of his obligation to Prestige.

425
00:31:48,156 --> 00:31:50,617
[music continues]

426
00:31:57,123 --> 00:32:01,085
He basically took the handcuffs
off the musicians and said:

427
00:32:01,169 --> 00:32:05,048
"Here, do you. Be you.

428
00:32:05,924 --> 00:32:09,552
I'm just going to let the music live,
let it breathe

429
00:32:09,636 --> 00:32:12,221
and let it develop as we feel it."

430
00:32:12,305 --> 00:32:14,891
[music continues]

431
00:32:20,355 --> 00:32:23,524
[Chambers] Miles thought he was just
dispatching his obligation

432
00:32:23,608 --> 00:32:28,988
as fast as he could, but in fact
they are gems of spontaneous jazz music.

433
00:32:29,072 --> 00:32:31,074
[music continues]

434
00:32:33,242 --> 00:32:37,830
Two marathon sessions,
three hours or more of recorded music.

435
00:32:39,832 --> 00:32:42,794
One of the great feats, really,
of jazz history.

436
00:32:43,461 --> 00:32:45,672
[music continues]

437
00:33:03,606 --> 00:33:08,111
I first met Miles Davis, I was performing
with the Katherine Dunham Company.

438
00:33:10,822 --> 00:33:13,408
It was the introduction
to so many different people

439
00:33:13,491 --> 00:33:16,327
that I met at that time
in the show business world.

440
00:33:18,621 --> 00:33:21,791
I mean, I was in Paris.
I was in Berlin. I was everywhere.

441
00:33:23,292 --> 00:33:25,712
I was told I had the best legs
in the business.

442
00:33:29,507 --> 00:33:31,175
Hugh O'Brian wanted to date me.

443
00:33:32,510 --> 00:33:35,471
Rory Calhoun wanted to take me
to Las Vegas.

444
00:33:37,098 --> 00:33:41,436
Oh, God, trying to think
of all the different gentlemen.

445
00:33:44,063 --> 00:33:47,692
Well, as a dancer, I mean,
I was spectacular on that stage

446
00:33:47,775 --> 00:33:50,945
and I guess they just wanted
to find out more about me.

447
00:33:53,156 --> 00:33:55,992
I didn't know that much about jazz.

448
00:33:56,909 --> 00:34:00,079
Who I did know about was Johnny Mathis.

449
00:34:00,371 --> 00:34:06,794
♪ Chances are 'cause I wear a silly grin ♪

450
00:34:07,503 --> 00:34:13,926
♪ Chances are you think
That I'm in love with you ♪

451
00:34:14,010 --> 00:34:19,557
[Taylor Davis] I was performing at Ciro's
and Miles saw the performance.

452
00:34:20,058 --> 00:34:24,562
And he was smitten right away,
but so was everybody else.

453
00:34:24,645 --> 00:34:28,066
♪ Chances are... ♪

454
00:34:28,149 --> 00:34:30,276
[Taylor Davis]
This was just another chapter

455
00:34:30,359 --> 00:34:33,362
of gentlemen wanting to be with Frances.

456
00:34:33,863 --> 00:34:39,160
♪ Awfully good ♪

457
00:34:39,243 --> 00:34:43,748
[Taylor Davis] Sammy Davis Jr.
asked me to join this new play

458
00:34:43,831 --> 00:34:46,042
that he was doing called Mr. Wonderful.

459
00:34:47,293 --> 00:34:52,381
On my way to rehearsal one day,
Miles is coming down the street...

460
00:34:52,924 --> 00:34:56,511
and we looked at each other
and he looked at me and he said:

461
00:34:56,594 --> 00:34:59,180
"Now that I found you,
I'll never let you go."

462
00:35:00,890 --> 00:35:04,727
And what happened was,
I moved in with him.

463
00:35:04,811 --> 00:35:06,604
[music: "You're My Everything"]

464
00:35:17,365 --> 00:35:21,994
[Cawthra] Frances Taylor
was really a muse, an inspiration.

465
00:35:22,829 --> 00:35:27,708
She was the most inspirational person
he had partnered with,

466
00:35:27,792 --> 00:35:29,710
the one he was with the longest.

467
00:35:30,378 --> 00:35:34,507
She was someone who gave him stability
and love at a time when he produced

468
00:35:34,590 --> 00:35:37,718
some of his most groundbreaking
and popular work.

469
00:35:42,515 --> 00:35:47,395
[Taylor Davis] He had to go off to Paris
and he left me the music.

470
00:35:49,939 --> 00:35:53,776
I fell in love with his sound.
It got to me.

471
00:35:56,654 --> 00:35:58,739
And I just played it over and over.

472
00:36:00,283 --> 00:36:03,119
And that was my introduction to his music.

473
00:36:03,202 --> 00:36:05,121
[music continues]

474
00:36:12,128 --> 00:36:18,301
In 1956, when Miles arrived in Europe,
we were supposed to have a rehearsal

475
00:36:18,384 --> 00:36:21,679
He had never played
with a European rhythm section.

476
00:36:22,889 --> 00:36:27,685
And he didn't say: "Hello."
He was not smiling at all.

477
00:36:28,352 --> 00:36:31,939
And without saying one word,
he just started to play.

478
00:36:32,023 --> 00:36:35,193
[plays piano solo]

479
00:36:38,821 --> 00:36:40,489
[music: "Tune Up"]

480
00:36:42,575 --> 00:36:46,913
And I follow immediately
because we knew his music.

481
00:36:46,996 --> 00:36:49,207
We were fans of his music.

482
00:36:49,707 --> 00:36:53,920
I always asked myself the question
of if we had said:

483
00:36:54,003 --> 00:36:57,089
"Excuse me. What are you playing there?
We don't know that."

484
00:36:58,883 --> 00:37:01,260
I don't think he would have liked that.

485
00:37:01,344 --> 00:37:02,762
But we played it.

486
00:37:02,845 --> 00:37:06,766
And he said: "All right."
And then he... That's all.

487
00:37:06,849 --> 00:37:09,602
That's it. We were engaged.

488
00:37:12,688 --> 00:37:14,398
I love you.

489
00:37:15,900 --> 00:37:17,777
I won't leave you, Julien.

490
00:37:18,361 --> 00:37:19,987
I love you.

491
00:37:20,529 --> 00:37:23,866
Without your voice,
I'd be lost in a land of silence.

492
00:37:24,992 --> 00:37:26,452
That's not very daring.

493
00:37:26,535 --> 00:37:29,413
[Bessieres] Miles happened to be in Paris
at the time when

494
00:37:29,497 --> 00:37:31,707
Louis Malle had finished his movie...

495
00:37:32,333 --> 00:37:35,336
Ascenseur pour L'Echafaud,
Elevator To The Gallows.

496
00:37:41,008 --> 00:37:45,638
Malle was very young
and was at the beginning of his career.

497
00:37:46,973 --> 00:37:50,601
He wanted also to make different cinema

498
00:37:50,685 --> 00:37:53,271
and change the way of doing films

499
00:37:53,354 --> 00:37:58,442
like having real people in a real setting.

500
00:37:59,151 --> 00:38:01,279
[music: "Chez Le Photographe Du Motel"]

501
00:38:02,738 --> 00:38:05,324
And he approached Miles with the idea:

502
00:38:05,408 --> 00:38:08,452
"Would you be willing
to create a jazz soundtrack?"

503
00:38:14,875 --> 00:38:17,712
Before, a musician, for a film,

504
00:38:17,795 --> 00:38:20,172
he come, he ask...

505
00:38:20,256 --> 00:38:22,049
30 person to come

506
00:38:22,133 --> 00:38:26,387
violin... percussion... brass, etcetera,

507
00:38:26,470 --> 00:38:29,432
and: "Three, four. Gentlemen,
are you ready? Three, four..."

508
00:38:29,515 --> 00:38:31,142
[hums a tune]

509
00:38:31,767 --> 00:38:36,397
the man who wrote the music knows
exactly how long each sequence takes

510
00:38:36,480 --> 00:38:39,108
two minutes 40... etcetera, etcetera.

511
00:38:39,692 --> 00:38:40,818
Not with Miles.

512
00:38:41,736 --> 00:38:44,113
[music continues]

513
00:38:51,787 --> 00:38:54,457
[Bessieres] Miles didn't write any music.

514
00:38:56,500 --> 00:39:02,340
He played the entire music directly along
to the screening of the movie.

515
00:39:13,142 --> 00:39:19,482
Just improvising and creating the sound
in reaction to the images of the film.

516
00:39:19,565 --> 00:39:22,151
[music continues]

517
00:39:32,328 --> 00:39:36,332
Looking at the image at the same moment
as we were playing

518
00:39:36,415 --> 00:39:40,044
was very important
because he's Jeanne Moreau.

519
00:39:41,879 --> 00:39:43,464
His music but...

520
00:39:43,547 --> 00:39:45,508
It's Jeanne Moreau suffering.

521
00:39:52,348 --> 00:39:55,684
Very fast we realized
that it was something...

522
00:39:55,768 --> 00:39:58,229
I mean,
something outstanding we were doing.

523
00:39:58,312 --> 00:40:00,147
[music: "Au Bar Du Petit Bac"]

524
00:40:03,734 --> 00:40:06,487
[Bessieres] That soundtrack
made the film famous.

525
00:40:07,988 --> 00:40:11,325
A lot of people,
they heard the record first

526
00:40:11,409 --> 00:40:13,994
and then they wanted
to see the movie second.

527
00:40:15,871 --> 00:40:17,248
[applause]

528
00:40:19,834 --> 00:40:22,503
During the recording
of Elevator To The Gallows,

529
00:40:22,586 --> 00:40:26,215
Miles experienced a new way
of approaching improvisation.

530
00:40:27,007 --> 00:40:30,469
That's something he would develop
in the next following years.

531
00:40:31,720 --> 00:40:35,307
So, something started
in the recording studio

532
00:40:35,391 --> 00:40:37,810
of Elevator To The Gallows.

533
00:40:38,185 --> 00:40:40,187
[music: "So What (Session)"]

534
00:40:41,897 --> 00:40:43,566
[Teo Macero] Start again, please.

535
00:40:45,192 --> 00:40:49,321
Here we go.
300622981, number two, take one.

536
00:40:49,405 --> 00:40:50,656
[Miles] Wait, one minute!

537
00:40:51,907 --> 00:40:55,286
[Cobb] I was probably the first one there
'cause I had to set up the drums.

538
00:40:56,537 --> 00:41:01,041
So, I had my drums, set 'em up
and waited till everybody else filed in.

539
00:41:04,670 --> 00:41:07,339
He just came in with little notes
that he had.

540
00:41:07,423 --> 00:41:09,091
He didn't even have sheet music for that.

541
00:41:10,885 --> 00:41:16,307
And the only thing he'd tell me was, like:
"Just swing, you know, just swing."

542
00:41:19,768 --> 00:41:24,190
[Miles] I didn't write out the music
for Kind of Blue, but brought in sketches,

543
00:41:24,273 --> 00:41:26,942
because I wanted a lot of spontaneity
in the playing.

544
00:41:28,819 --> 00:41:31,447
I knew that if you've got
some great musicians,

545
00:41:31,530 --> 00:41:35,534
they would deal with the situation
and play beyond what is there

546
00:41:35,618 --> 00:41:37,620
and above where they think they can.

547
00:41:39,371 --> 00:41:41,123
[Cobb] The first part of "So What"...

548
00:41:41,207 --> 00:41:46,086
[sings melody]

549
00:41:46,462 --> 00:41:48,297
[sings melody]

550
00:41:48,380 --> 00:41:50,758
Then, Paul would go into the
bass saying...

551
00:41:50,841 --> 00:41:52,885
[sings bass part]

552
00:41:52,968 --> 00:41:55,554
[sings bass melody]

553
00:41:56,639 --> 00:41:59,391
Man, that was the first thing
I ever heard from Miles.

554
00:41:59,892 --> 00:42:03,020
Grabbed the record out
of my father's collection, put it on.

555
00:42:03,103 --> 00:42:04,897
[music: "So What"]

556
00:42:04,980 --> 00:42:08,859
First thing that catches your ear
is Paul Chambers playing that bass line.

557
00:42:08,943 --> 00:42:10,528
[music continues]

558
00:42:16,659 --> 00:42:19,328
We can't even question
the sacred texts that we have,

559
00:42:19,411 --> 00:42:22,039
like, you know,
I mean, why is the Bible the Bible?

560
00:42:22,122 --> 00:42:23,415
It's the Bible, you know.

561
00:42:23,499 --> 00:42:26,460
I mean, why is Kind of Blue Kind of Blue?
It's Kind of Blue.

562
00:42:26,544 --> 00:42:30,673
Like, it just is
and it changed the sound of jazz.

563
00:42:30,756 --> 00:42:33,092
[music continues]

564
00:42:38,639 --> 00:42:42,601
[Cobb] The cymbal crash at the start
of "So What", I thought I had overdone it.

565
00:42:42,685 --> 00:42:45,437
It sounded louder
than it should've been to me.

566
00:42:45,521 --> 00:42:46,897
[cymbals crash]

567
00:42:48,315 --> 00:42:53,195
And it seems to ring forever,
but it brings you right into the tune.

568
00:42:54,071 --> 00:42:58,951
It's like you've hit the highway
and the rest of the tune just takes off.

569
00:43:12,423 --> 00:43:17,636
On Kind of Blue, what he asked them to do
was to think deeper

570
00:43:17,720 --> 00:43:20,598
about what kind of sound can you create.

571
00:43:24,602 --> 00:43:28,272
He said: "I have these few ideas.
Let's go."

572
00:43:31,066 --> 00:43:34,903
And this is something
that Miles does for the rest of his life.

573
00:43:47,416 --> 00:43:51,045
[Tate] Kind of Blue doesn't really
give away his passion so easily,

574
00:43:51,128 --> 00:43:53,756
but at the same time,
once those musicians open up...

575
00:43:54,882 --> 00:43:59,762
they show you how inventive
and ingenious they can be

576
00:43:59,845 --> 00:44:01,639
and how incendiary.

577
00:44:03,265 --> 00:44:06,101
[Coltrane plays solo]

578
00:44:25,329 --> 00:44:27,581
[Kernodle] Kind of Blue really signified

579
00:44:27,665 --> 00:44:29,541
a different way of thinking
about your music

580
00:44:29,625 --> 00:44:33,337
and a different way of playing the music
and approaching the music.

581
00:44:33,420 --> 00:44:39,259
And, for Coltrane, that was the door
he needed to find his own identity.

582
00:44:39,343 --> 00:44:41,261
[solo continues]

583
00:44:45,349 --> 00:44:48,977
Few people hear the potential
in the young John Coltrane...

584
00:44:49,853 --> 00:44:54,274
but Miles brought him along
and provided Coltrane the space

585
00:44:54,358 --> 00:44:58,570
to become the artist
who we would later love and revere.

586
00:44:58,654 --> 00:45:01,156
[solo continues]

587
00:45:18,006 --> 00:45:20,592
[Cobb] People that don't even
like jazz like that album.

588
00:45:21,385 --> 00:45:25,514
Every decade, there's something. There's
new people talking about Kind of Blue.

589
00:45:25,597 --> 00:45:28,517
"That's what started me
to listening to jazz music."

590
00:45:33,313 --> 00:45:38,193
[Khan] You can listen hundreds of times,
it always has something new to say.

591
00:45:39,445 --> 00:45:43,449
And that, for me,
is the definition of a masterpiece.

592
00:45:57,588 --> 00:46:01,133
[Cobb] I don't think Miles knew
that that was gonna be a record

593
00:46:01,216 --> 00:46:03,594
that would sell more records
than any record

594
00:46:03,677 --> 00:46:06,221
in the history of the jazz music,
you know?

595
00:46:06,847 --> 00:46:09,516
If Miles thought that
that was gonna be like that,

596
00:46:09,600 --> 00:46:11,477
he would've asked for the building...

597
00:46:12,478 --> 00:46:16,106
and he would've asked
for two Ferraris outside right now.

598
00:46:16,190 --> 00:46:18,192
You know, he would've really went crazy.

599
00:46:19,026 --> 00:46:21,403
If he thought anything
like that was happening,

600
00:46:21,487 --> 00:46:23,947
he would've went out of Harlem. [chuckles]

601
00:46:24,031 --> 00:46:25,824
[music: "On Green Dolphin Street"]

602
00:46:40,547 --> 00:46:43,550
[Khan] Kind of Blue
becomes successful immediately.

603
00:46:44,259 --> 00:46:47,888
He's becoming a popular, mainstream star.

604
00:46:49,431 --> 00:46:55,270
The Columbia deal gets his music
into mainstream America like never before.

605
00:46:59,441 --> 00:47:03,862
He elevates himself
into music maestro land.

606
00:47:10,786 --> 00:47:15,290
[Miles] All I ever wanted to do was
communicate what I felt through music.

607
00:47:16,416 --> 00:47:19,169
Going with Columbia did mean more money,

608
00:47:19,253 --> 00:47:22,923
but what's wrong with getting paid
for what you do and getting paid well?

609
00:47:24,341 --> 00:47:26,301
[music continues]

610
00:47:33,308 --> 00:47:35,894
[Heath] It was the black man's era

611
00:47:35,978 --> 00:47:42,442
when he wanted to show his pride
of what he was and Miles was Exhibit A.

612
00:47:42,943 --> 00:47:46,113
And he would look clean as he could, man.

613
00:47:57,666 --> 00:48:00,586
[Kernodle] Miles Davis
was the personification of cool...

614
00:48:01,503 --> 00:48:03,630
that mythological hero.

615
00:48:08,135 --> 00:48:10,304
He becomes our black Superman.

616
00:48:14,683 --> 00:48:19,980
When a new Miles album came out, man,
we would walk around with the album, man.

617
00:48:21,106 --> 00:48:26,528
See, being into Miles was,
in itself, a definition of being hip.

618
00:48:32,909 --> 00:48:36,913
[White] Miles Davis wore slick clothes
and drove fast cars

619
00:48:36,997 --> 00:48:39,082
and all the women and everything.

620
00:48:39,625 --> 00:48:43,670
We didn't just want to play with
Miles Davis. We wanted to be Miles Davis.

621
00:48:43,754 --> 00:48:45,964
[music continues]

622
00:48:49,926 --> 00:48:53,180
[Heath] I'd say: "Miles,
what are you doing with your children

623
00:48:53,263 --> 00:48:55,849
when you want to take them out with you?"

624
00:48:55,932 --> 00:48:58,518
He said: "I tell 'em to get a taxi."

625
00:48:59,311 --> 00:49:01,355
[music continues]

626
00:49:08,195 --> 00:49:11,823
[Griffin] Miles becomes representative
of a kind of cool,

627
00:49:11,907 --> 00:49:16,036
a kind of sophistication,
a kind of masculinity.

628
00:49:17,537 --> 00:49:21,124
A kind of black man who takes no shit.

629
00:49:28,715 --> 00:49:33,595
[Miles] Being cool and hip and angry
and sophisticated and ultra clean...

630
00:49:34,179 --> 00:49:36,640
I was all those things and more.

631
00:49:37,182 --> 00:49:40,686
But I was playing the fuck out
of my horn and had a great group

632
00:49:40,769 --> 00:49:44,356
so, I didn't get recognition
based only on a rebel image.

633
00:49:45,732 --> 00:49:49,361
People were starting to talk
about the Miles Davis mystique.

634
00:49:55,492 --> 00:49:59,079
[Kernodle] I think the darkness
of Miles Davis' skin,

635
00:49:59,162 --> 00:50:03,875
instead of seeing that as a liability,
he saw that as an asset.

636
00:50:06,962 --> 00:50:10,132
It was very different
from anything that was projected

637
00:50:10,215 --> 00:50:12,592
on television or in movies at that time.

638
00:50:13,593 --> 00:50:18,432
Miles turned that into something cool,
something desirable.

639
00:50:19,933 --> 00:50:22,978
[Miles] I was sharp as a tack
every time I went out in public

640
00:50:23,061 --> 00:50:24,646
and so was Frances.

641
00:50:25,522 --> 00:50:30,819
A real black motherfucker like me,
with this stunningly beautiful woman.

642
00:50:30,902 --> 00:50:32,821
Man, it was something.

643
00:50:32,904 --> 00:50:35,866
People stopping and looking
with their mouths hanging open.

644
00:50:35,949 --> 00:50:38,118
[music continues]

645
00:50:43,248 --> 00:50:46,001
Miles would buy clothes for me,

646
00:50:46,084 --> 00:50:50,046
because I have... everybody knows
I had the great legs.

647
00:50:52,174 --> 00:50:54,384
He was chic. I was chic.

648
00:50:56,553 --> 00:50:59,556
And then, of course,
getting in and out of a Ferrari.

649
00:50:59,639 --> 00:51:02,809
I mean, we were a hot couple,
there's no two ways about it.

650
00:51:03,602 --> 00:51:07,314
Miles and Frances on fire. [chuckles]

651
00:51:37,928 --> 00:51:42,432
As a kid, when I would see them together,
it was just like wow.

652
00:51:42,516 --> 00:51:47,020
You know, they dressed to the nines...
just clean.

653
00:51:48,146 --> 00:51:49,189
And in love.

654
00:51:50,690 --> 00:51:52,901
It was like a prince and a princess.

655
00:51:59,574 --> 00:52:02,744
I had a friend who was a writer.
His name was George Frazier...

656
00:52:03,620 --> 00:52:08,041
and he picked up on a word,
which he applied to Miles.

657
00:52:10,627 --> 00:52:15,507
It had to do with the Spanish matadors,
the bull fighters.

658
00:52:17,968 --> 00:52:20,011
A lot of guys could kill the bulls.

659
00:52:20,095 --> 00:52:22,305
Some of them were very exciting fighters.

660
00:52:22,889 --> 00:52:24,891
But others would just walk in the ring

661
00:52:24,975 --> 00:52:29,104
and stand there, hold the cape
and the bull would charge...

662
00:52:29,771 --> 00:52:32,691
and the audience
would just gasp their breath.

663
00:52:35,235 --> 00:52:37,821
That fighter had duende.

664
00:52:40,282 --> 00:52:43,702
And Miles had duende.

665
00:52:47,497 --> 00:52:50,959
[Cobb] Miles was the kind of guy,
he had things that he liked.

666
00:52:51,042 --> 00:52:54,212
If he liked you, he liked you.
If he didn't like you, he didn't like you.

667
00:52:54,296 --> 00:52:56,965
So, he was just that kind of guy.

668
00:52:57,048 --> 00:53:01,553
You know, if you were on his right side,
that's where you were, you know.

669
00:53:01,636 --> 00:53:03,013
And if you were on his wrong side,

670
00:53:03,096 --> 00:53:06,433
that's probably where you stayed,
you know? [chuckles]

671
00:53:09,477 --> 00:53:12,147
[Miles] I was just cold
to mostly everyone.

672
00:53:12,898 --> 00:53:15,233
That was the way I protected myself,

673
00:53:15,317 --> 00:53:18,778
by not letting anyone inside
of my feelings and emotions.

674
00:53:19,571 --> 00:53:21,781
And, for a long time, it worked for me.

675
00:53:24,117 --> 00:53:29,414
I went to the Village Vanguard
where Miles was performing...

676
00:53:30,165 --> 00:53:35,587
and I said:
"Mr. Davis, my name is Archie Shepp

677
00:53:35,670 --> 00:53:38,715
and I wonder if you'd let me sit in."

678
00:53:39,299 --> 00:53:41,885
And he said: "Archie who?"

679
00:53:43,428 --> 00:53:46,598
And I said: "Archie Shepp."

680
00:53:46,681 --> 00:53:51,770
He said: "Fuck you.
You can't sit in with me."

681
00:53:51,853 --> 00:53:53,313
Miles didn't care.

682
00:53:54,481 --> 00:53:58,735
Miles didn't have to please anybody
but Miles.

683
00:54:02,989 --> 00:54:06,159
Miles was not interested.

684
00:54:08,119 --> 00:54:11,164
You know what I mean?
He wasn't interested in people...

685
00:54:11,915 --> 00:54:13,917
because he was Miles Davis.

686
00:54:16,878 --> 00:54:19,756
[Kernodle] There were
all these personality quirks that he had.

687
00:54:20,757 --> 00:54:23,426
He was angry, antisocial...

688
00:54:24,761 --> 00:54:28,598
but oftentimes those insecurities
and those demons

689
00:54:28,682 --> 00:54:31,601
are the very things
that are the basis of arts,

690
00:54:31,685 --> 00:54:34,854
so, that art becomes a way of healing.

691
00:54:36,815 --> 00:54:40,235
It gave him an opportunity
to show a vulnerability

692
00:54:40,318 --> 00:54:44,447
and to show a side of him that,
in the real world, he could not show.

693
00:54:46,574 --> 00:54:48,410
[music: "Agitation"]

694
00:54:54,791 --> 00:54:56,918
[Cobb] We were working at Birdland and...

695
00:54:57,752 --> 00:55:01,881
we got through a set
and Miles came upstairs to smoke.

696
00:55:05,343 --> 00:55:08,596
[Miles] I'm standing there,
in front of Birdland, wringing wet,

697
00:55:08,680 --> 00:55:11,433
because it's a hot,
steaming, muggy night in August.

698
00:55:12,767 --> 00:55:16,604
I had just walked this pretty white girl
named Judy out to get a cab.

699
00:55:18,148 --> 00:55:21,985
This white policeman comes up to me
and tells me to move on.

700
00:55:24,362 --> 00:55:27,115
[Cobb] Miles said:
"Why? I'm smoking a cigarette.

701
00:55:27,198 --> 00:55:29,784
I'm working downstairs
and I'm smoking a cigarette."

702
00:55:29,868 --> 00:55:32,120
And he was standing right by the sign
with his name on it.

703
00:55:32,203 --> 00:55:36,332
"M-I-L-E-S... M-I-L-E-S. Miles."

704
00:55:36,416 --> 00:55:38,918
That's me. Who are you?"

705
00:55:39,002 --> 00:55:43,298
Kind of Blue has just come out.
He is the talk of the town.

706
00:55:43,381 --> 00:55:48,261
And he is at the top of the marquee,
top of his popularity.

707
00:55:50,305 --> 00:55:52,891
[Cobb] The guy said: "I don't care.
You just can't stand there."

708
00:55:52,974 --> 00:55:54,809
Miles said: "Well, I'm not moving."

709
00:55:55,393 --> 00:56:00,273
[Miles] I just looked at his face
real straight and hard and I didn't move.

710
00:56:01,816 --> 00:56:05,278
Miles, at that point,
was in such good shape

711
00:56:05,361 --> 00:56:07,947
that it was hard for them
to actually get a hand on him.

712
00:56:09,741 --> 00:56:12,327
[Miles] From out of nowhere,
this white detective runs in

713
00:56:12,410 --> 00:56:14,996
and, bam, hits me on the head.

714
00:56:15,663 --> 00:56:17,332
I never saw him coming.

715
00:56:18,541 --> 00:56:20,668
[Taylor Davis] I received a telephone call

716
00:56:20,752 --> 00:56:23,129
that I should come down
to the police station.

717
00:56:24,339 --> 00:56:26,132
And I saw his face.

718
00:56:28,510 --> 00:56:30,428
It was just terrifying.

719
00:56:31,262 --> 00:56:32,555
I was in tears.

720
00:56:39,771 --> 00:56:43,900
[Miles] I would've expected this kind
of bullshit back in East St. Louis,

721
00:56:43,983 --> 00:56:45,985
but not here in New York City,

722
00:56:46,069 --> 00:56:50,073
which is supposed to be
the slickest, hippest city in the world.

723
00:56:52,450 --> 00:56:55,620
It was racial. The whole thing was racial.

724
00:56:55,703 --> 00:56:59,290
The whole city was racist,
the whole world, I guess, you know,

725
00:56:59,374 --> 00:57:02,043
so, what is it, you know?

726
00:57:03,253 --> 00:57:05,463
I can't see it being nothing else
but that.

727
00:57:09,008 --> 00:57:13,138
[Griffin] It is a reminder
that no level of accomplishment,

728
00:57:13,221 --> 00:57:16,224
no level of achievement,
no level of financial success,

729
00:57:16,307 --> 00:57:22,147
or recognition, even, for that,
actually protects you

730
00:57:22,230 --> 00:57:25,859
from the racial hostilities
of the United States.

731
00:57:26,860 --> 00:57:31,364
Damn, you know, like,
there is no way out of this thing.

732
00:57:34,784 --> 00:57:37,162
[Miles] That incident
changed me forever...

733
00:57:38,163 --> 00:57:41,624
made me much more bitter
and cynical than I might have been.

734
00:57:48,047 --> 00:57:51,217
[Miller] He used to flash back.
We'd be talking and randomly he'd just go:

735
00:57:51,301 --> 00:57:53,094
"Those f... cops, man."

736
00:57:53,178 --> 00:57:56,264
Right? Just out of nowhere,
it'd be completely random.

737
00:57:56,347 --> 00:57:57,974
He'd flash back to that, man.

738
00:57:59,350 --> 00:58:00,935
Man, that stuff don't go away,

739
00:58:01,019 --> 00:58:03,229
just because all of a sudden
you got a little success.

740
00:58:03,313 --> 00:58:05,523
That stuff that happens to you
when you're young,

741
00:58:05,607 --> 00:58:07,984
that stays with you
for the rest of your life.

742
00:58:21,789 --> 00:58:24,626
[Khan] Miles Ahead
was the first collaboration

743
00:58:24,709 --> 00:58:29,214
between Miles Davis and Gil Evans
after Miles signs with Columbia Records.

744
00:58:29,297 --> 00:58:32,467
It's one of the reasons why Miles
even went over to Columbia Records

745
00:58:32,550 --> 00:58:34,594
because Columbia had the budget

746
00:58:34,677 --> 00:58:38,139
and the wherewithal
to make a project like this possible.

747
00:58:50,151 --> 00:58:53,321
[Miles] Gil and I were something
special together musically.

748
00:58:54,155 --> 00:58:58,284
I loved working with Gil because
he was so meticulous and creative...

749
00:58:59,285 --> 00:59:02,038
and I trusted
his musical arrangements completely.

750
00:59:07,252 --> 00:59:09,254
We worked together at the piano
always saying:

751
00:59:09,337 --> 00:59:10,922
"How about this? How about that?"

752
00:59:12,048 --> 00:59:16,177
I was just crazy about his interpretations
of the songs, you know.

753
00:59:16,261 --> 00:59:18,054
They just fit in so naturally.

754
00:59:28,815 --> 00:59:33,987
[Khan] When Miles Ahead comes out,
there's this young white female model

755
00:59:34,070 --> 00:59:39,158
on the deck of a sailing ship
as the original cover.

756
00:59:42,245 --> 00:59:47,250
This was, I think, meant to evoke
the high life, the good life,

757
00:59:47,333 --> 00:59:49,711
and it would allow
the album to be marketed

758
00:59:49,794 --> 00:59:52,463
to a broad, that is white audience.

759
00:59:53,590 --> 00:59:57,427
Miles goes up to George Avakian
and he says:

760
00:59:58,052 --> 01:00:01,764
"What's that white bitch doing
on the cover of my album?"

761
01:00:01,848 --> 01:00:03,683
[music continues]

762
01:00:05,226 --> 01:00:07,270
[Griffin] He becomes aware of his power

763
01:00:07,353 --> 01:00:10,648
as an artist who is generating
a tremendous amount of income

764
01:00:10,732 --> 01:00:14,736
for his record label as well,
that he has some say in these decisions.

765
01:00:15,695 --> 01:00:19,324
[Khan] And the next pressing
of the same music comes out

766
01:00:19,407 --> 01:00:24,621
under another title, with another cover
and Miles Davis himself is on the cover.

767
01:00:31,044 --> 01:00:35,381
Miles Ahead was the first
of three wonderful collaborations

768
01:00:35,465 --> 01:00:38,134
with Gil Evans and a 19-piece orchestra.

769
01:00:38,635 --> 01:00:41,679
Two years after Miles Ahead
came Porgy and Bess.

770
01:00:41,763 --> 01:00:43,598
[music: "Saeta"]

771
01:00:43,681 --> 01:00:45,892
And then, two years after that...

772
01:00:53,524 --> 01:00:57,028
[Taylor Davis]
I had spent time in Barcelona.

773
01:00:59,405 --> 01:01:02,075
After we would finish our shows,

774
01:01:02,158 --> 01:01:05,495
we'd watch and listen to flamenco music
and dance

775
01:01:05,578 --> 01:01:07,163
and I was just taken with that.

776
01:01:10,625 --> 01:01:14,003
I said to Miles:
"I want you to really see what I see

777
01:01:14,087 --> 01:01:16,506
and feel what I feel with flamenco music."

778
01:01:16,589 --> 01:01:20,051
He didn't want to go. He didn't want
to go, but finally he gave in.

779
01:01:20,134 --> 01:01:23,721
And we'd go to see flamenco music
and dance.

780
01:01:23,805 --> 01:01:26,599
[music continues]

781
01:01:28,893 --> 01:01:30,395
When we left the theater...

782
01:01:31,646 --> 01:01:36,150
we went right to the Colony record shop...

783
01:01:37,318 --> 01:01:40,196
and he bought
every flamenco album he could.

784
01:01:40,279 --> 01:01:42,031
[music: "The Pan Piper"]

785
01:02:00,967 --> 01:02:04,887
[Miles] That was the hardest thing
for me to do on Sketches of Spain...

786
01:02:05,388 --> 01:02:09,600
to play the parts on the trumpet where
someone was supposed to be singing,

787
01:02:09,684 --> 01:02:11,561
especially when it was ad-libbed.

788
01:02:13,438 --> 01:02:16,899
My voice had to be both joyous
and sad in this song

789
01:02:16,983 --> 01:02:19,110
and that was very hard, too.

790
01:02:20,194 --> 01:02:22,905
If you do a song like that
three or four times,

791
01:02:22,989 --> 01:02:25,283
you lose that feeling
you want to get there.

792
01:02:30,872 --> 01:02:34,584
It seemed to work out all right.
Everyone loved that record.

793
01:02:36,586 --> 01:02:38,379
[music out]

794
01:02:38,463 --> 01:02:40,131
Once there was a princess...

795
01:02:40,214 --> 01:02:42,175
Was the princess you?

796
01:02:42,258 --> 01:02:43,593
And she fell in love.

797
01:02:43,676 --> 01:02:45,595
Was it hard to do?

798
01:02:45,678 --> 01:02:47,472
Oh, it was very easy.

799
01:02:47,972 --> 01:02:51,142
Anyone could see
that the prince was charming.

800
01:02:51,893 --> 01:02:53,436
The only one for me.

801
01:02:54,103 --> 01:02:59,942
♪ Someday my prince will come ♪

802
01:03:00,026 --> 01:03:02,904
[music: "Someday My Prince
Will Come" by Miles Davis]

803
01:03:07,784 --> 01:03:09,911
[Tate] Miles always loved a strong melody.

804
01:03:12,789 --> 01:03:17,960
He really felt like those melodies
would allow him to speak...

805
01:03:18,044 --> 01:03:20,463
saying here's something
that you're familiar with.

806
01:03:21,214 --> 01:03:24,634
I'm going to show you
how beautiful it can really be.

807
01:03:24,717 --> 01:03:26,844
[music continues]

808
01:03:28,304 --> 01:03:30,431
[Chambers]
So, he could take something like

809
01:03:30,515 --> 01:03:33,476
"Someday My Prince Will Come"
from a Walt Disney movie...

810
01:03:34,060 --> 01:03:38,940
and he could invest that
with amazing feeling and depth.

811
01:03:39,023 --> 01:03:42,276
He said:
"I'm playing it for my wife Frances."

812
01:03:43,027 --> 01:03:48,449
And you can feel the love and care
in his playing.

813
01:03:56,582 --> 01:03:58,501
[Taylor Davis]
"Someday My Prince Will Come"

814
01:03:58,584 --> 01:04:01,170
was the first album cover
I was on for Miles.

815
01:04:02,255 --> 01:04:07,260
And he was out of town
and I remember going to the shooting

816
01:04:07,343 --> 01:04:10,096
and he was calling every two minutes

817
01:04:10,179 --> 01:04:12,849
to see what I was wearing, how do I look.

818
01:04:12,932 --> 01:04:17,186
He wanted to make sure
that I looked perfect...

819
01:04:18,104 --> 01:04:20,857
and, of course, I thought I did.

820
01:04:26,487 --> 01:04:31,951
I put the mole on my little cheek
'cause I thought it had flair.

821
01:04:37,456 --> 01:04:39,834
[Miles] It was on
"Someday My Prince Will Come"

822
01:04:39,917 --> 01:04:44,797
that I started demanding that Columbia
use black women on my album covers.

823
01:04:46,340 --> 01:04:49,969
I mean, it was my album
and I was Frances's prince.

824
01:04:50,052 --> 01:04:52,638
So, I was able to put Frances
on the cover.

825
01:04:54,473 --> 01:04:57,643
He was standing up
for the beauty of black women,

826
01:04:57,727 --> 01:05:02,398
you know, and saying: "This beauty here
is the beauty that I'm projecting

827
01:05:02,481 --> 01:05:04,859
you know, through this music,
through this song."

828
01:05:04,942 --> 01:05:06,569
A major statement to make.

829
01:05:07,445 --> 01:05:11,073
And I'm sure it was just because
he thought his wife was hot and fine, too.

830
01:05:11,949 --> 01:05:14,368
[music: West Side Story's
"A Boy Like That"]

831
01:05:20,583 --> 01:05:23,419
[Taylor Davis]
Everybody wanted to be in West Side Story.

832
01:05:23,502 --> 01:05:28,007
Jerome Robbins, Stephen Sondheim,
you know, it was, like, the one.

833
01:05:33,346 --> 01:05:37,183
There were at least, I'd say,
300 girls auditioning.

834
01:05:39,060 --> 01:05:43,147
I got on stage and I stood up there
and I snapped my fingers and I went...

835
01:05:43,230 --> 01:05:47,568
[sings Fitzgerald scat]

836
01:05:47,652 --> 01:05:49,987
I did an Ella Fitzgerald scat.

837
01:05:50,071 --> 01:05:53,074
And Jerome Robbins...
they all freaked out.

838
01:05:53,157 --> 01:05:54,992
I was in. I was in.

839
01:05:55,076 --> 01:05:57,161
[music continues]

840
01:06:05,127 --> 01:06:06,545
[music out]

841
01:06:07,421 --> 01:06:11,300
[Miles] Around this time,
I was drinking more than I had in the past

842
01:06:11,384 --> 01:06:13,594
and I was snorting a lot of cocaine.

843
01:06:14,595 --> 01:06:17,473
That combination
can make you real irritable.

844
01:06:19,642 --> 01:06:22,812
Frances was the only woman
that I had ever been jealous of.

845
01:06:24,313 --> 01:06:27,191
And being jealous
and using drugs and drinking,

846
01:06:27,274 --> 01:06:31,779
she just looked at me like I was crazy,
which I was, at the time.

847
01:06:31,862 --> 01:06:33,489
[music: "Blue In Green"]

848
01:06:33,572 --> 01:06:36,450
I thought I was sane
and on top of the world.

849
01:06:38,828 --> 01:06:41,205
[Taylor Davis] He was a jealous person
when it came to me.

850
01:06:41,956 --> 01:06:45,584
He just couldn't handle me being
with these people

851
01:06:45,668 --> 01:06:47,128
and getting, you know...

852
01:06:48,671 --> 01:06:49,839
all of this attention.

853
01:06:51,298 --> 01:06:56,012
And that's when he came to the theater
and picked me up in his Ferrari and said:

854
01:06:56,095 --> 01:06:58,305
"I want you out of West Side Story.

855
01:06:58,806 --> 01:07:00,891
A woman should be with her man."

856
01:07:00,975 --> 01:07:02,685
[music continues]

857
01:07:04,895 --> 01:07:06,313
I froze.

858
01:07:11,527 --> 01:07:15,114
But I was in love with him
and I did as he said.

859
01:07:16,240 --> 01:07:17,366
I quit the show.

860
01:07:20,619 --> 01:07:22,204
He sent for his children

861
01:07:22,747 --> 01:07:25,750
Cheryl and Gregory and little Miles.

862
01:07:28,085 --> 01:07:31,797
What I ended up doing
was performing in the kitchen.

863
01:07:34,717 --> 01:07:38,637
I came to New York
and Frances got us enrolled in schools

864
01:07:38,721 --> 01:07:43,225
and we started going to school,
coming home, doing our homework.

865
01:07:44,101 --> 01:07:45,895
So, it was a big change for her.

866
01:07:48,397 --> 01:07:52,068
I didn't know how to cook or anything.
I'd been on the road. I didn't know.

867
01:07:54,070 --> 01:08:00,868
He said to me: "Look, listen.
Watch what I'm doing and do it."

868
01:08:03,079 --> 01:08:04,538
So, I learned to cook.

869
01:08:06,582 --> 01:08:08,542
She would be downstairs cooking

870
01:08:08,626 --> 01:08:11,629
and every now and then she would
go upstairs and disappear.

871
01:08:11,712 --> 01:08:13,047
And later on, she told me:

872
01:08:13,130 --> 01:08:15,800
"You remember when I used
to disappear, go upstairs?"

873
01:08:15,883 --> 01:08:17,051
I said, "Yeah."

874
01:08:17,134 --> 01:08:20,304
She said: "I went upstairs
to look at my ballet slippers."

875
01:08:20,387 --> 01:08:22,181
[music continues]

876
01:08:25,601 --> 01:08:31,732
She always seemed
to be holding in, uh, certain feelings

877
01:08:31,816 --> 01:08:35,277
about what she could've been doing.

878
01:08:40,324 --> 01:08:44,203
[Miles] My hip was operated on
in April 1965,

879
01:08:44,286 --> 01:08:47,289
and they replaced the hip ball
with some bone from my shin...

880
01:08:47,957 --> 01:08:51,544
but it didn't work and so
they had to do it again that August.

881
01:08:52,545 --> 01:08:54,922
I was in a lot of pain all the time.

882
01:08:55,756 --> 01:08:58,342
I was starting to drink
more than I had in the past

883
01:08:58,425 --> 01:09:00,261
and I was taking pain medication.

884
01:09:01,095 --> 01:09:03,305
And I was starting to use more coke...

885
01:09:04,265 --> 01:09:06,267
I guess, because of the depression.

886
01:09:08,144 --> 01:09:12,565
[Taylor Davis] It was a combination
of jealousy, cocaine...

887
01:09:13,524 --> 01:09:16,360
Percodan, Scotch and milk,

888
01:09:16,443 --> 01:09:20,281
that's the combination...
that I found out later.

889
01:09:21,740 --> 01:09:22,658
And...

890
01:09:23,450 --> 01:09:27,454
this combination causes you to snap...

891
01:09:29,123 --> 01:09:30,583
which he did.

892
01:09:31,625 --> 01:09:33,210
[music: "Agitation"]

893
01:09:38,007 --> 01:09:41,594
I was with Miles
at Birdland one evening...

894
01:09:49,935 --> 01:09:53,397
and Quincy Jones was there.

895
01:10:06,035 --> 01:10:07,661
When we got home that night...

896
01:10:08,204 --> 01:10:13,083
I just mentioned to Miles
that Quincy Jones is handsome.

897
01:10:19,048 --> 01:10:21,717
And before I knew it, I...

898
01:10:22,509 --> 01:10:23,677
It was so fast.

899
01:10:25,804 --> 01:10:28,182
And I saw stars. I was on the floor.

900
01:10:30,726 --> 01:10:33,896
It was the most unbelievable thing
that ever happened to me

901
01:10:33,979 --> 01:10:35,981
because I'd never been hit in my life.

902
01:10:38,943 --> 01:10:40,444
That was the first...

903
01:10:41,487 --> 01:10:45,324
and it wasn't going
to be the last, unfortunately.

904
01:10:50,621 --> 01:10:53,499
I didn't know at the time
that I was close to leaving...

905
01:10:54,583 --> 01:10:58,170
but... that's when it happened.

906
01:10:58,254 --> 01:11:00,089
[music: "It Never Entered My Mind"]

907
01:11:05,427 --> 01:11:07,263
[Miles] I can say this right now...

908
01:11:08,138 --> 01:11:11,141
Frances was the best wife that I ever had.

909
01:11:13,352 --> 01:11:17,189
I realized how badly I'd treated her
and that it was over.

910
01:11:18,732 --> 01:11:22,861
I know that now
and I wish I had known that then.

911
01:11:25,614 --> 01:11:27,533
[McCoy] He was always talking about her.

912
01:11:28,200 --> 01:11:32,705
Even after it was all over,
four or five years later...

913
01:11:33,330 --> 01:11:36,792
he would say:
"See that suit that girl's wearing?

914
01:11:37,293 --> 01:11:39,670
I bought Frances a suit like that once."

915
01:11:43,215 --> 01:11:48,095
After I left, I heard Miles say
that he really screwed up.

916
01:11:49,013 --> 01:11:54,601
He also said: "Whoever gets her
is a lucky motherfucker."

917
01:11:59,273 --> 01:12:01,108
That's what I heard he said.

918
01:12:03,277 --> 01:12:05,946
Well, he was right. [chuckles]

919
01:12:31,180 --> 01:12:33,932
[Miles] In the last years
that Trane was with my group,

920
01:12:34,016 --> 01:12:36,101
he started playing for himself.

921
01:12:37,269 --> 01:12:40,230
When that happens,
the magic is gone out of a band

922
01:12:40,314 --> 01:12:44,360
and people who used to love to play
together start not caring any more.

923
01:12:45,110 --> 01:12:47,321
And that's when a band falls apart.

924
01:12:48,614 --> 01:12:51,283
I'd be lying if I said
that it didn't make me sad,

925
01:12:51,367 --> 01:12:53,744
because I really loved playing
with this band.

926
01:12:55,162 --> 01:12:57,831
And I think it was the best small band
of all time...

927
01:12:59,750 --> 01:13:02,127
or at least the best I had heard
up until then.

928
01:13:03,754 --> 01:13:06,673
I had always been looking for
new things to play,

929
01:13:06,757 --> 01:13:09,343
new challenges for my musical ideas.

930
01:13:10,677 --> 01:13:13,055
Now it was time for something different.

931
01:13:13,138 --> 01:13:15,140
[music: "Agitation"]

932
01:13:20,604 --> 01:13:23,190
[Carter] I was working
at a place called The Half Note.

933
01:13:23,690 --> 01:13:25,442
Miles had come in
during the course of the set

934
01:13:25,526 --> 01:13:29,279
with his black cape and his black hat,
looking mysterious.

935
01:13:29,780 --> 01:13:33,409
And he said: "I'm looking for
a bass player. Are you interested?"

936
01:13:33,951 --> 01:13:38,288
Well, at the time, the only thing hotter
than Miles Davis was the pancake. [laughs]

937
01:13:40,124 --> 01:13:46,547
My phone rang and I hear this guitar,
plung, somebody strumming a guitar.

938
01:13:47,423 --> 01:13:51,677
Then this voice said:
"The guitar is a motherfucker, ain't it?"

939
01:13:51,760 --> 01:13:52,761
[laughs]

940
01:13:53,470 --> 01:13:57,307
"Come to my house tomorrow at 1:30."
Click.

941
01:13:58,392 --> 01:14:00,018
He never said his name.

942
01:14:00,561 --> 01:14:04,022
He never gave me his address,
phone number, nothing.

943
01:14:04,106 --> 01:14:05,607
But Miles called me.

944
01:14:06,650 --> 01:14:07,901
[music: "Footprints"]

945
01:14:09,528 --> 01:14:11,822
[Shorter] And he sent me
a first-class ticket

946
01:14:11,905 --> 01:14:14,825
and sent me to his tailor
to get a tuxedo made.

947
01:14:15,742 --> 01:14:17,953
And I flew to California.

948
01:14:18,370 --> 01:14:20,205
Miles, what are you going to play
this time?

949
01:14:21,582 --> 01:14:24,168
Somebody else tell me
'cause Miles has laryngitis.

950
01:14:24,251 --> 01:14:25,878
[indistinct voice]

951
01:14:26,962 --> 01:14:28,380
Blues of some kind or other.

952
01:14:28,464 --> 01:14:31,049
All right, once again,
the Miles Davis Quintet. Here he is.

953
01:14:31,133 --> 01:14:32,634
[music: "Walkin'"]

954
01:14:36,722 --> 01:14:39,641
[Khan] Miles's great quintet of the 1960s

955
01:14:39,725 --> 01:14:43,145
created a way
of improvising that was totally new,

956
01:14:43,228 --> 01:14:49,067
that allowed this incredible level
of democracy to enter into the music.

957
01:14:49,151 --> 01:14:52,738
And anyone could take the music
where they wanted to.

958
01:14:52,821 --> 01:14:54,948
[music continues]

959
01:15:03,999 --> 01:15:06,877
[Kernodle]
He consistently surrounded himself

960
01:15:06,960 --> 01:15:10,506
with young, emerging, unknown voices.

961
01:15:11,006 --> 01:15:15,260
He allowed them to develop
their musical identity in that band.

962
01:15:15,594 --> 01:15:18,764
And he continued to just keep regenerating

963
01:15:18,847 --> 01:15:21,225
over and over
for the remainder of his career.

964
01:15:25,145 --> 01:15:28,315
At the time I joined Miles's band,
I was 23 years old.

965
01:15:28,398 --> 01:15:30,901
Tony Williams, the drummer,
was 17 years old.

966
01:15:32,736 --> 01:15:35,030
We were kids... just kids.

967
01:15:48,752 --> 01:15:52,881
[Miles] Creativity and genius
in any kind of artistic expression

968
01:15:52,965 --> 01:15:54,758
don't know nothing about age.

969
01:15:54,841 --> 01:15:56,885
Either you got it or you don't.

970
01:15:58,303 --> 01:16:00,722
And being old is not going
to help you get it.

971
01:16:03,267 --> 01:16:06,144
We were looking at it,
like every night going to a laboratory.

972
01:16:07,229 --> 01:16:08,730
Miles was the head chemist.

973
01:16:09,356 --> 01:16:15,195
Our job was to mix these components,
these changes, this tempo,

974
01:16:15,279 --> 01:16:19,408
into something that explodes safely
every night with a bit of danger.

975
01:16:20,784 --> 01:16:22,119
And it happened every night.

976
01:16:22,202 --> 01:16:24,162
[music continues]

977
01:16:34,464 --> 01:16:39,761
Miles wanted us to live on the stage
in front of the people,

978
01:16:39,845 --> 01:16:41,638
creating in front of the people.

979
01:16:42,514 --> 01:16:45,976
In other words,
don't lean on what you know.

980
01:16:46,685 --> 01:16:49,229
What he was looking for
is the stuff that you don't know.

981
01:16:49,313 --> 01:16:51,982
[music: "I Fall In Love Too Easily"]

982
01:16:56,987 --> 01:16:59,114
I liked that idea, man.
I hate to rehearse.

983
01:16:59,489 --> 01:17:00,949
All the good ideas get shot.

984
01:17:01,033 --> 01:17:03,702
I want to make mistakes on the bandstand
and fix them there.

985
01:17:05,454 --> 01:17:07,039
[Hancock] Miles even told us:

986
01:17:07,122 --> 01:17:12,753
"I pay you to practice on the bandstand
in front of the people."

987
01:17:12,836 --> 01:17:15,130
I said:
"Well, public's not gonna like that."

988
01:17:15,213 --> 01:17:18,050
He said: "I'll take care of the public.

989
01:17:19,593 --> 01:17:20,969
You just play."

990
01:17:21,053 --> 01:17:23,013
[music continues]

991
01:17:28,685 --> 01:17:30,187
[music out]

992
01:17:30,604 --> 01:17:32,731
[Miles] Teo, you know
I can't play this shit, man.

993
01:17:32,814 --> 01:17:33,857
[Teo Macero] Yes, you can.

994
01:17:34,858 --> 01:17:36,693
-[hums melody]
-You're getting there.

995
01:17:36,777 --> 01:17:39,780
[Miles] You know what I mean?
Herbie, can we do it like that?

996
01:17:39,863 --> 01:17:41,323
[hums melody]

997
01:17:41,406 --> 01:17:44,034
-We gonna divide it up.
-Yeah, that's a good idea.

998
01:17:45,118 --> 01:17:46,203
[Macero] Six!

999
01:17:46,870 --> 01:17:50,082
[Miles] Wait a minute, Teo,
I don't even know what to play there.

1000
01:17:50,165 --> 01:17:52,542
-Don't play that first beat.
- [Miles] Play that, Teo.

1001
01:17:53,502 --> 01:18:00,342
Once, he does a take where
the horn players all play the melody...

1002
01:18:01,051 --> 01:18:04,638
correctly, without any major kind of flub.

1003
01:18:04,721 --> 01:18:06,807
That take's going on the record.

1004
01:18:06,890 --> 01:18:08,850
[music: "Footprints"]

1005
01:18:21,905 --> 01:18:24,116
[Shorter] I had this book I have with me

1006
01:18:24,199 --> 01:18:26,410
that I'd been using
when I was in the Army.

1007
01:18:26,910 --> 01:18:30,789
I'd wrote stuff down a little bit
and he said: "You got any music?"

1008
01:18:31,456 --> 01:18:33,750
I said: "Yeah. I got some stuff
in this book."

1009
01:18:33,834 --> 01:18:36,253
He opened the book and he said:
"Let's try this."

1010
01:18:36,336 --> 01:18:38,380
-[Macero] What's this called?
-[Shorter] "Footprints"!

1011
01:18:38,463 --> 01:18:39,589
[Macero] "Footprints"?

1012
01:18:43,176 --> 01:18:45,303
[Shorter] And then we just...
no rehearsal,

1013
01:18:45,387 --> 01:18:48,557
just looked at the music, went over it
a little bit and then recorded.

1014
01:18:54,479 --> 01:18:56,857
And the next time we went
to the recording studio,

1015
01:18:56,940 --> 01:19:00,777
he would say: "We're gonna record
next Wednesday. Bring the book!"

1016
01:19:00,861 --> 01:19:01,820
[he chuckles]

1017
01:19:01,903 --> 01:19:03,405
[music: "Paraphernalia"]

1018
01:19:24,551 --> 01:19:29,139
In 1969, historically,
a man had walked on the moon...

1019
01:19:30,140 --> 01:19:36,813
and the United States
is still in this bloody... Vietnam War.

1020
01:19:36,897 --> 01:19:41,193
I think Miles sensed the importance
of the younger generation,

1021
01:19:41,276 --> 01:19:43,361
'cause Miles was always looking forward.

1022
01:19:46,573 --> 01:19:51,161
[Miles] 1969 was the year
rock and funk were selling like hotcakes.

1023
01:19:51,703 --> 01:19:55,832
People were packing stadiums
to hear and see stars in person,

1024
01:19:55,916 --> 01:19:58,710
and jazz music seemed to be
withering on the vine.

1025
01:19:59,377 --> 01:20:03,006
We played to a lot
of half-empty clubs in 1969.

1026
01:20:04,299 --> 01:20:05,759
That told me something.

1027
01:20:05,842 --> 01:20:07,969
[music: "Coldblooded" by The Bar-Kays]

1028
01:20:13,600 --> 01:20:17,229
The music of Jimi Hendrix,
Sly Stone and James Brown...

1029
01:20:17,729 --> 01:20:23,109
it made Miles aware that you could play
one concert and hit a lot of people.

1030
01:20:25,779 --> 01:20:29,908
You could make more money
playing one concert for 45 minutes

1031
01:20:29,991 --> 01:20:33,453
than you might make playing a week
in a club, three sets a night.

1032
01:20:35,121 --> 01:20:36,998
[Cobb] One reason he got the electric band

1033
01:20:37,082 --> 01:20:40,544
because he had hung out
with Sly & the Family Stone.

1034
01:20:42,212 --> 01:20:46,341
Sly was telling him how much money
he made. Miles said: "What? What?"

1035
01:20:46,424 --> 01:20:47,801
[he laughs]

1036
01:20:47,884 --> 01:20:51,680
So, after that,
Miles kind of changed his stuff up.

1037
01:20:51,763 --> 01:20:53,723
[upbeat rock music]

1038
01:20:53,807 --> 01:20:55,642
[Miles] I started realizing

1039
01:20:55,725 --> 01:20:58,228
that most rock musicians
didn't know anything about music.

1040
01:20:59,437 --> 01:21:01,481
I figured if they could do it,

1041
01:21:01,565 --> 01:21:03,525
reach all those people
and sell all those records

1042
01:21:03,608 --> 01:21:05,694
without really knowing
what they were doing,

1043
01:21:05,777 --> 01:21:09,155
then I could do it, too, only better.

1044
01:21:11,491 --> 01:21:18,039
Miles asked to see me
and it was a very, very tense meeting.

1045
01:21:19,291 --> 01:21:22,210
And he said
these fucking long-haired, white kids

1046
01:21:22,294 --> 01:21:26,882
were stealing his music, his riffs.

1047
01:21:27,382 --> 01:21:31,011
He was irate and asked to be released
from the label.

1048
01:21:32,178 --> 01:21:35,432
I said: "Look, I can get you dates

1049
01:21:35,515 --> 01:21:40,604
playing with musical artists
of a different generation,

1050
01:21:40,687 --> 01:21:43,315
playing a different kind of music.

1051
01:21:43,398 --> 01:21:49,195
I just know that if you play those dates,
something will happen."

1052
01:21:57,954 --> 01:22:01,416
[Miles] Around this time,
I had met a beautiful young singer

1053
01:22:01,499 --> 01:22:04,127
and songwriter named Betty Mabry.

1054
01:22:04,210 --> 01:22:09,174
She was full of new things and surprises
and helped point the way I was to go.

1055
01:22:09,925 --> 01:22:15,347
Betty Davis
was just a very fierce, dynamic sister

1056
01:22:15,430 --> 01:22:19,059
who was a part of that whole New York
and California rock scene.

1057
01:22:20,769 --> 01:22:24,898
She totally changes his sense
of what's happening in music.

1058
01:22:30,528 --> 01:22:32,322
[Miles] Betty was a big influence

1059
01:22:32,405 --> 01:22:35,450
on my personal life,
as well as my musical life.

1060
01:22:35,533 --> 01:22:38,203
She also helped me change
the way I was dressing.

1061
01:22:39,621 --> 01:22:42,582
I went by his house,
he had a bunch of funny-looking suits,

1062
01:22:42,666 --> 01:22:47,170
and things hanging in his closet,
funny-looking shoes, hats and all of that.

1063
01:22:47,253 --> 01:22:48,838
I said: "What's going on, man?"

1064
01:22:49,798 --> 01:22:52,175
So, he changed up.
He went from that to that.

1065
01:22:52,258 --> 01:22:54,386
[funky jazz music]

1066
01:23:04,771 --> 01:23:06,189
[Miles] I wanted to change course,

1067
01:23:06,523 --> 01:23:10,568
had to change course for me to continue
to believe in and love what I was playing.

1068
01:23:13,571 --> 01:23:17,075
My interest
was in an electronic bass player.

1069
01:23:17,158 --> 01:23:20,787
It gave me what I wanted to hear
instead of the stand-up bass.

1070
01:23:25,291 --> 01:23:28,753
[Carter] He called me and said:
"I want to talk to you." I said okay.

1071
01:23:28,837 --> 01:23:31,506
He said: "All you got to do is play
like you're playing upright."

1072
01:23:31,589 --> 01:23:33,008
I said: "Man, it's not the same."

1073
01:23:33,717 --> 01:23:36,594
"The notes are different. The sound
is different. The impact is different.

1074
01:23:36,678 --> 01:23:38,972
The note length is different.
Their placement...

1075
01:23:39,055 --> 01:23:41,725
The only thing the same, Miles,
is the same fucking notes.

1076
01:23:44,644 --> 01:23:47,480
I'm hearing this since I was 18, man.

1077
01:23:47,981 --> 01:23:49,691
Why the fuck would I give it up?

1078
01:23:49,774 --> 01:23:52,152
To join you?
No, man, I'm not going to do that."

1079
01:23:53,111 --> 01:23:54,320
He said okay.

1080
01:23:57,949 --> 01:24:00,160
So, I put my hat on and got in the wind.

1081
01:24:01,327 --> 01:24:02,912
[music: "Spanish Key"]

1082
01:24:08,043 --> 01:24:10,670
[Miles] The group broke up
when Ron decided to leave for good,

1083
01:24:10,754 --> 01:24:13,006
because he didn't want to play
electric bass.

1084
01:24:13,757 --> 01:24:16,426
Now, I was starting to think
about other ways

1085
01:24:16,509 --> 01:24:18,094
I could approach the music.

1086
01:24:20,221 --> 01:24:23,725
I went into the studio in August of 1969.

1087
01:24:26,061 --> 01:24:30,065
[White] Miles had said to be
at Columbia Studios at ten o'clock.

1088
01:24:31,066 --> 01:24:34,235
I was there at 9:30.
The cleaning lady let me in.

1089
01:24:37,572 --> 01:24:41,201
[Miles] I brought in these musical
sketches that nobody had seen,

1090
01:24:41,284 --> 01:24:43,369
just like I did on Kind of Blue.

1091
01:24:44,746 --> 01:24:47,874
I told the musicians
that they could do anything they wanted...

1092
01:24:48,875 --> 01:24:52,921
play anything they heard,
so, that's what they did.

1093
01:24:57,926 --> 01:25:01,179
[White] There were four percussion players
playing at the same time,

1094
01:25:01,262 --> 01:25:03,598
two bassists playing at the same time,

1095
01:25:03,681 --> 01:25:07,852
two or three keyboard players
playing at the same time, a guitar.

1096
01:25:09,562 --> 01:25:13,024
It was a great, massive improvisation.

1097
01:25:18,613 --> 01:25:21,449
All he had me bring
was a cymbal and a snare drum.

1098
01:25:22,158 --> 01:25:27,038
And we went over the first part
of Bitches Brew.

1099
01:25:27,122 --> 01:25:29,874
[sings melody]

1100
01:25:30,583 --> 01:25:31,459
And then...

1101
01:25:31,543 --> 01:25:32,460
[cymbals crash]

1102
01:25:32,544 --> 01:25:33,419
[music in]

1103
01:25:33,503 --> 01:25:34,879
[sings melody]

1104
01:25:34,963 --> 01:25:36,381
[music: "Bitches Brew"]

1105
01:25:39,425 --> 01:25:45,265
[Santana] You hear Miles's trumpet
bouncing against the buildings

1106
01:25:45,348 --> 01:25:46,850
at night, three o'clock in the morning.

1107
01:25:46,933 --> 01:25:49,310
[sings trumpet melody]

1108
01:25:49,394 --> 01:25:53,022
You know? It sounds like New York
is a grand canyon of buildings.

1109
01:25:53,106 --> 01:25:54,816
[music continues]

1110
01:26:03,074 --> 01:26:05,076
[music: "Pharaoh's Dance"]

1111
01:26:05,160 --> 01:26:07,745
[White] It's this ominous thing.

1112
01:26:07,829 --> 01:26:10,874
You know, it's like something
getting ready to happen.

1113
01:26:11,291 --> 01:26:15,336
[sings melody]

1114
01:26:23,928 --> 01:26:28,391
Moving like an amoeba
that just moved along...

1115
01:26:29,142 --> 01:26:32,770
and it did like this and then, like,
you know, something would stick out.

1116
01:26:33,271 --> 01:26:38,902
But, like, it was like this whole thing
just moved like this, together.

1117
01:26:38,985 --> 01:26:40,570
[music: "Spanish Key"]

1118
01:26:56,169 --> 01:26:58,546
I had the jazz station on
and the guy was like:

1119
01:26:58,630 --> 01:27:01,674
"Oh, my God. The new Miles just came in."

1120
01:27:01,758 --> 01:27:03,551
[music continues]

1121
01:27:16,856 --> 01:27:18,358
And then he said the name of it.

1122
01:27:18,441 --> 01:27:20,818
I was like:
"Man, can you even say that on the air?"

1123
01:27:20,902 --> 01:27:24,739
He said: "Forget the music.
Y'all got to see this cover."

1124
01:27:28,368 --> 01:27:33,206
[Miles] Bitches Brew sold faster
than any other album I had ever done,

1125
01:27:33,289 --> 01:27:36,668
and sold more copies
than any other jazz album in history.

1126
01:27:39,712 --> 01:27:43,883
After he did Bitches Brew, he started at
the Fillmore East and all of that stuff.

1127
01:27:45,343 --> 01:27:48,763
We're in the dressing room
and Miles got the check.

1128
01:27:49,597 --> 01:27:55,186
He's looking at it and we heard him say:
"I feel like a thief."

1129
01:27:55,270 --> 01:27:56,771
[Shorter chuckles]

1130
01:28:00,400 --> 01:28:03,569
[Mtume] It was an Indian restaurant
on 125th Street.

1131
01:28:04,696 --> 01:28:07,991
And we're sitting there, we're eating
and we're talking for about two hours.

1132
01:28:08,074 --> 01:28:10,910
So, we get up, and as we're walking out...

1133
01:28:11,995 --> 01:28:13,913
he says: "So, what do you think?"

1134
01:28:14,539 --> 01:28:18,376
I'm like:
"First of all, think about what?"

1135
01:28:18,459 --> 01:28:21,212
I mean, I'm trying...
my brain is into the conversation.

1136
01:28:21,296 --> 01:28:23,673
He said: "What do you think
about the music?"

1137
01:28:25,341 --> 01:28:29,178
And I do this... because, you know,
they're playing Indian music.

1138
01:28:29,762 --> 01:28:34,350
And Miles, he said: "That's where we're
going on the new album, On the Corner."

1139
01:28:34,434 --> 01:28:40,273
He said, "I'm gonna mix tablas and sitar,
electric sitar with the funk."

1140
01:28:40,356 --> 01:28:41,774
[music: "Black Satin"]

1141
01:28:57,623 --> 01:29:00,501
The On the Corner album,
there's no ambiguity.

1142
01:29:00,585 --> 01:29:01,669
We're going for this.

1143
01:29:02,837 --> 01:29:04,505
Bap! Boom! Bap!

1144
01:29:04,589 --> 01:29:06,382
It just got more intense.

1145
01:29:06,466 --> 01:29:09,135
Four, one, two. That's what funk is.

1146
01:29:16,476 --> 01:29:19,395
[Tate] They were just taking off.
They were making the Big Bang,

1147
01:29:19,479 --> 01:29:21,397
kind of upping the ante every night,

1148
01:29:21,481 --> 01:29:25,651
just so gnarly and...
and dangerous with it,

1149
01:29:25,735 --> 01:29:29,697
in terms of the use of percussion
and the use of distortion.

1150
01:29:37,080 --> 01:29:38,706
This cosmic jungle music.

1151
01:29:41,709 --> 01:29:44,378
That's when we really locked in to Miles

1152
01:29:44,462 --> 01:29:48,299
as kind of our Hoodoo-voodoo priest
of music.

1153
01:29:52,512 --> 01:29:55,098
[Santana] This is acid music.

1154
01:29:56,390 --> 01:29:59,060
People who smoke weed
and they go there high

1155
01:29:59,143 --> 01:30:01,354
all of a sudden they're straight,
you know?

1156
01:30:01,437 --> 01:30:03,564
And people who are straight, they're high.

1157
01:30:04,440 --> 01:30:07,110
He totally changed everything
just by the way he was playing.

1158
01:30:14,700 --> 01:30:18,037
[Troupe] Miles's audience was changing
because his music was changing...

1159
01:30:18,538 --> 01:30:20,665
absorbing what was happening now.

1160
01:30:21,332 --> 01:30:25,461
What was happening now.
Not ten years ago... now.

1161
01:30:25,545 --> 01:30:27,755
[music continues]

1162
01:30:30,675 --> 01:30:34,971
I never understood what was
so appealing to so many people.

1163
01:30:37,849 --> 01:30:41,269
I was trying to figure out what
he heard in it. I didn't understand it.

1164
01:30:42,103 --> 01:30:43,938
Plus, it didn't sound good.

1165
01:30:48,109 --> 01:30:49,735
[Santana] People who say that,

1166
01:30:49,819 --> 01:30:52,780
I just always looked at 'em like:
"You're really ignorant

1167
01:30:52,864 --> 01:30:55,533
and what drove you to say that
is because you're jealous,

1168
01:30:55,616 --> 01:30:59,745
because you could never be,
or have, or even comprehend

1169
01:30:59,829 --> 01:31:04,709
something that is beyond
your limited, twisted, crooked mind."

1170
01:31:05,293 --> 01:31:07,295
"Damn, Carlos, that's a little harsh."

1171
01:31:07,378 --> 01:31:08,796
But it's accurate.

1172
01:31:08,880 --> 01:31:11,632
[music: "Spanish Key"]

1173
01:31:16,345 --> 01:31:20,349
When you listen to that slew of records

1174
01:31:20,433 --> 01:31:25,521
you know, he made in rapid succession
about '69 through '75,

1175
01:31:25,605 --> 01:31:28,858
I mean, you hear the template
for hip-hop, for house,

1176
01:31:28,941 --> 01:31:30,985
drum and bass, electronica.

1177
01:31:31,569 --> 01:31:34,572
Miles was doing all of that
in the early '70s.

1178
01:31:35,489 --> 01:31:39,619
He's creating new music
and kind of disturbing the fabric.

1179
01:31:39,702 --> 01:31:42,288
[music continues]

1180
01:31:51,923 --> 01:31:55,635
When I was with him he was pretty healthy.
He was doing very well...

1181
01:31:56,344 --> 01:31:59,513
eating a good healthy diet,
keeping his body clean.

1182
01:32:00,806 --> 01:32:03,976
Of course, he worked out in the gym
every day, pretty much, boxing.

1183
01:32:04,644 --> 01:32:08,731
And, so, those things were very important
at that time and that was really good.

1184
01:32:08,814 --> 01:32:11,108
[music continues]

1185
01:32:18,115 --> 01:32:20,743
I knew that Miles
was getting back into drugs...

1186
01:32:21,327 --> 01:32:23,913
even though he hadn't been
doing them around me,

1187
01:32:23,996 --> 01:32:25,998
because he was getting paranoid a lot.

1188
01:32:27,500 --> 01:32:30,169
He was violent. He was abusive.

1189
01:32:32,213 --> 01:32:34,715
I said: "You know,
I'm not going to live like this."

1190
01:32:39,637 --> 01:32:43,766
[Miles] In October 1972,
I fell asleep at the wheel

1191
01:32:43,849 --> 01:32:46,435
and ran my Lamborghini into a divider.

1192
01:32:47,645 --> 01:32:50,481
I was laid up for almost three months
and when I got home,

1193
01:32:50,564 --> 01:32:54,694
I had to walk on crutches for a while,
which further fucked up my bad hip.

1194
01:32:56,612 --> 01:33:00,074
[Rothbaum] That was probably
the most pivotal moment in his life.

1195
01:33:01,617 --> 01:33:05,454
The abject pain that he was in,
from awakening to going to sleep...

1196
01:33:06,038 --> 01:33:10,167
forced him, and I say "forced him" to use
prescription medicine,

1197
01:33:10,251 --> 01:33:13,713
cocaine, alcohol, cigarettes,

1198
01:33:13,796 --> 01:33:15,256
anything to dull the pain.

1199
01:33:16,424 --> 01:33:20,428
He started taking fewer
and fewer jobs and tours.

1200
01:33:21,721 --> 01:33:25,182
Eventually, there was no band.
There was no Miles Davis band.

1201
01:33:28,227 --> 01:33:32,231
[Miles] I was spiritually tired
of all the bullshit I'd been going through

1202
01:33:32,315 --> 01:33:33,899
all those long years.

1203
01:33:34,567 --> 01:33:36,569
I felt artistically drained.

1204
01:33:38,362 --> 01:33:40,948
I didn't have anything else to say,
musically.

1205
01:33:41,866 --> 01:33:45,036
I knew that I needed a rest
and so I took one.

1206
01:33:45,828 --> 01:33:49,290
I put down the thing
I love most in life, my music.

1207
01:33:50,541 --> 01:33:52,376
And the more I stayed away,

1208
01:33:52,460 --> 01:33:55,463
the deeper I sank into another dark world.

1209
01:33:57,840 --> 01:34:03,054
[Rothbaum] His apartment building
was his cave...

1210
01:34:03,804 --> 01:34:06,390
and he sequestered himself there.

1211
01:34:07,266 --> 01:34:10,644
And there were days,
weeks, he wouldn't go out.

1212
01:34:13,272 --> 01:34:14,940
[Wilburn] When I was 15 or 16,

1213
01:34:15,024 --> 01:34:18,611
I would go and stay in New York
during that dark period.

1214
01:34:19,904 --> 01:34:23,074
I remember it being dark,
always dark in the house.

1215
01:34:23,157 --> 01:34:28,746
I just remember... you know,
cigarettes, beer bottles and cocaine.

1216
01:34:32,291 --> 01:34:35,669
[Erin Davis] I remember
going to visit him a couple of times.

1217
01:34:36,170 --> 01:34:37,546
It was a dark time for him.

1218
01:34:38,923 --> 01:34:40,716
He was... Like, I wasn't...

1219
01:34:42,551 --> 01:34:43,886
I was a little bit scared of him.

1220
01:34:46,347 --> 01:34:50,267
He was in there by himself,
just dealing with pain and not playing.

1221
01:34:51,477 --> 01:34:56,941
I know, for him, not playing is...
is just like not having water anymore.

1222
01:35:00,027 --> 01:35:01,821
[Wilburn] I just wanted it to stop.

1223
01:35:01,904 --> 01:35:03,697
I wanted the darkness to stop.

1224
01:35:05,032 --> 01:35:06,826
It was like a person I never knew.

1225
01:35:07,326 --> 01:35:13,541
And I wanted him to get back to... to, uh,
you know, to my uncle, my superhero.

1226
01:35:20,840 --> 01:35:22,883
[Rothbaum] I remember going up to Harlem

1227
01:35:22,967 --> 01:35:25,261
and there would be a woman
in the car with us.

1228
01:35:26,470 --> 01:35:27,930
She'd be sitting next to me

1229
01:35:28,013 --> 01:35:31,517
and Miles would drive up there
and then just say: "Wait."

1230
01:35:34,395 --> 01:35:39,483
And he would come out of the building
that he was in... very high.

1231
01:35:41,694 --> 01:35:44,655
There would be cocaine smudges on his face

1232
01:35:44,738 --> 01:35:48,159
you know, and I'd want to say something,
but I was too afraid.

1233
01:35:50,578 --> 01:35:55,249
He would kind of nudge me over,
and he'd say: "You fucked her."

1234
01:35:56,208 --> 01:35:58,794
[chuckles] And I'd say:
"I didn't fuck her."

1235
01:35:58,878 --> 01:36:02,089
And he goes: "We're not leaving
till you tell me you fucked her."

1236
01:36:04,175 --> 01:36:05,468
He'd shut the car off.

1237
01:36:06,635 --> 01:36:09,013
I said: "All right. I fucked her
on the hood. Can we go?"

1238
01:36:09,096 --> 01:36:12,683
And he goes: "And I thought
we were friends." [chuckles]

1239
01:36:12,766 --> 01:36:15,853
This is... This is an evening with Miles.

1240
01:36:15,936 --> 01:36:17,229
[music continues]

1241
01:36:23,986 --> 01:36:26,947
[Wein] Miles would come around
during that time. We would...

1242
01:36:27,031 --> 01:36:29,617
He needed money
and we'd lend him some money,

1243
01:36:29,700 --> 01:36:32,870
which we figured was gone,
you know, and...

1244
01:36:34,121 --> 01:36:37,291
Whatever the case, we left there one day
and I said to Marie...

1245
01:36:37,958 --> 01:36:41,587
I said, "I think that's the end. There's
no way he can come back from this."

1246
01:36:42,713 --> 01:36:45,549
And I said: "But you never can tell."

1247
01:36:47,885 --> 01:36:49,678
[Miles] Around this same time,

1248
01:36:49,762 --> 01:36:52,765
Cicely Tyson started coming
to see me again.

1249
01:36:53,766 --> 01:36:56,352
She had been dropping by
throughout all of this,

1250
01:36:56,435 --> 01:36:59,021
but now she started coming by more often.

1251
01:37:00,856 --> 01:37:04,318
[Early] He was in terrifically bad health
in those years.

1252
01:37:05,069 --> 01:37:07,446
It was thought by many people,
he was in such bad shape

1253
01:37:07,530 --> 01:37:09,406
that he would never play music again.

1254
01:37:09,490 --> 01:37:11,575
He even thought
he might never play music again.

1255
01:37:12,785 --> 01:37:16,413
[Kernodle] Cicely inspires him
to see once again

1256
01:37:16,497 --> 01:37:18,290
that he has something to offer...

1257
01:37:18,874 --> 01:37:23,629
that his creativity... his creative voice,
he has not reached his creative peak.

1258
01:37:26,048 --> 01:37:28,717
[Miles] She helped run
all those people out of my house.

1259
01:37:28,801 --> 01:37:31,011
She kind of protected me
and started seeing

1260
01:37:31,095 --> 01:37:33,764
that I ate the right things
and didn't drink as much.

1261
01:37:33,847 --> 01:37:35,849
She helped get me off cocaine.

1262
01:37:36,934 --> 01:37:40,104
She would feed me health foods,
a lot of vegetables

1263
01:37:40,187 --> 01:37:41,981
and a whole lot of juices.

1264
01:37:43,524 --> 01:37:48,529
He was running up and down the beach
and trying to be a vegetarian... [laughs]

1265
01:37:48,612 --> 01:37:52,408
which was... which was amazing,
because he couldn't do it.

1266
01:37:53,951 --> 01:37:56,996
Miles would say:
"Come by the house. Pick me up, man.

1267
01:37:57,079 --> 01:37:59,123
Take me somewhere where they got meat.

1268
01:38:01,166 --> 01:38:06,755
Just let me smell the smells
and then get me a hot link sandwich."

1269
01:38:06,839 --> 01:38:08,173
[chuckles]

1270
01:38:10,384 --> 01:38:14,221
Miles needed those years
to summon up the strength...

1271
01:38:14,930 --> 01:38:21,645
to kick drugs,
to play again, to handle the public...

1272
01:38:22,187 --> 01:38:26,317
to handle the touring,
to handle the critics... to live.

1273
01:38:28,485 --> 01:38:33,115
[Miles] From 1975 until early 1980,
I didn't pick up my horn.

1274
01:38:33,949 --> 01:38:37,411
For over four years
I didn't pick it up... once.

1275
01:38:39,622 --> 01:38:42,291
In the end, it was almost six years.

1276
01:38:45,085 --> 01:38:47,921
[Wein] He kept bringing tapes to my office

1277
01:38:48,005 --> 01:38:51,175
of a different sounding band,
the electronic band.

1278
01:38:52,301 --> 01:38:57,931
I said: "I'll pay you $70,000
to do two concerts at Avery Fisher Hall."

1279
01:38:59,391 --> 01:39:02,353
He looked at me as if I was crazy.
Nobody did that.

1280
01:39:04,438 --> 01:39:10,569
And I wrote out a check for $35,000
and gave it to him.

1281
01:39:14,823 --> 01:39:16,158
I held my breath.

1282
01:39:18,118 --> 01:39:25,084
[Miles] I bought a brand-new, canary
yellow 308 GTSi Ferrari sports coupe,

1283
01:39:25,167 --> 01:39:26,585
with a targa top.

1284
01:39:26,669 --> 01:39:28,087
[distant cheering]

1285
01:39:28,170 --> 01:39:30,756
I was ready to go back to music.

1286
01:39:34,259 --> 01:39:37,888
He bought that car
just to show up at that gig.

1287
01:39:37,971 --> 01:39:42,476
And yeah, man, you know,
I bought a new shirt. [laughs]

1288
01:39:42,559 --> 01:39:43,644
He bought a Ferrari.

1289
01:39:47,147 --> 01:39:48,607
[Wein] Miles was back.

1290
01:39:55,614 --> 01:39:58,659
And he had this whole new sound
with all the young musicians.

1291
01:40:06,583 --> 01:40:09,753
[Stern] He was seven years out
and all of a sudden he came back.

1292
01:40:10,671 --> 01:40:13,257
This cat could've stopped completely
and said: "I've done enough."

1293
01:40:14,717 --> 01:40:16,927
And everybody would've said:
"You sure have."

1294
01:40:17,010 --> 01:40:18,470
But he wanted to keep going.

1295
01:40:22,933 --> 01:40:24,935
[music out]

1296
01:40:25,018 --> 01:40:26,437
[cheering]

1297
01:40:31,066 --> 01:40:35,696
[Rothbaum] It wasn't just
a comeback of an artist.

1298
01:40:35,779 --> 01:40:37,906
It was a comeback of a human being.

1299
01:40:41,034 --> 01:40:43,620
I never saw anybody do that like he did.

1300
01:40:46,874 --> 01:40:49,418
[reporter] Do you still enjoy playing
jazz festivals in Europe?

1301
01:40:49,501 --> 01:40:52,546
Yes. I love to play in Europe,
jazz festivals.

1302
01:40:52,629 --> 01:40:54,965
[reporter] What about Molde?
You're arriving late.

1303
01:40:55,466 --> 01:40:56,925
I was sick this morning.

1304
01:40:57,551 --> 01:41:00,971
Starting with the first tour,
we were in a different city,

1305
01:41:01,054 --> 01:41:03,474
or a different country, every single day.

1306
01:41:03,557 --> 01:41:05,267
[crowd cheers]

1307
01:41:06,351 --> 01:41:08,729
Say a show starts at eight o'clock...

1308
01:41:10,397 --> 01:41:13,567
we'd get back to the hotel by midnight.

1309
01:41:14,067 --> 01:41:15,861
After that, he wants to paint.

1310
01:41:18,197 --> 01:41:22,701
He would just pick up whatever
writing device he had and start to draw.

1311
01:41:22,785 --> 01:41:24,244
[music: "Time After Time"]

1312
01:41:26,079 --> 01:41:30,042
[Erin Davis] When we were on the road,
he drew on the plane, he drew in the car.

1313
01:41:30,125 --> 01:41:32,711
He drew in the lounge,
waiting for the plane.

1314
01:41:32,795 --> 01:41:36,340
We get to the gig.
He's drawing in the dressing room.

1315
01:41:36,423 --> 01:41:40,177
It was literally flowing through his arm,
into his hand, onto the paper.

1316
01:41:42,012 --> 01:41:44,014
[reporter] When you make a wrong line,

1317
01:41:44,097 --> 01:41:46,975
does it feel with you like
the same as in music?

1318
01:41:47,684 --> 01:41:54,066
The note next to the one that you think
is bad... corrects the one in front.

1319
01:42:02,866 --> 01:42:05,244
[Gelbard] It was early morning
and I was going running.

1320
01:42:05,536 --> 01:42:10,624
I was waiting by the elevator
and the elevator opened and there he was.

1321
01:42:11,375 --> 01:42:13,961
My heart was racing.
It was kind of like, um...

1322
01:42:15,379 --> 01:42:18,298
like in a movie
when you meet the vampire

1323
01:42:18,382 --> 01:42:20,592
and you know you're going to die
and you don't care.

1324
01:42:21,635 --> 01:42:23,637
I looked back and he said:
"You better run fast

1325
01:42:23,720 --> 01:42:25,639
'cause when I get back
I'm going to catch you."

1326
01:42:26,473 --> 01:42:29,351
And that was it.
We started painting together.

1327
01:42:36,441 --> 01:42:39,528
There was just all this interest
in everything he was doing,

1328
01:42:39,611 --> 01:42:40,988
coming from everywhere.

1329
01:42:41,071 --> 01:42:42,865
Miles, what got you into painting?

1330
01:42:42,948 --> 01:42:44,908
He was never more in demand.

1331
01:42:44,992 --> 01:42:46,076
Who are you guys?

1332
01:42:46,994 --> 01:42:49,746
It seems almost
as if he forgot who he had been.

1333
01:42:49,830 --> 01:42:51,331
It's like a brand-new start for me.

1334
01:42:51,415 --> 01:42:52,791
He was on talk shows.

1335
01:42:52,875 --> 01:42:55,544
Hello, good evening. This is Miles Davis.

1336
01:42:55,627 --> 01:42:56,879
On late night television.

1337
01:42:56,962 --> 01:42:58,380
-Miles Davis.
-Miles Davis.

1338
01:42:58,463 --> 01:43:00,132
-Miles Davis.
-Miles Davis.

1339
01:43:00,215 --> 01:43:02,342
-Miles Davis!
-[cheering]

1340
01:43:02,426 --> 01:43:06,471
[Chambers] He was accepting interviews
in every city he played in.

1341
01:43:07,180 --> 01:43:10,017
He was a totally different seeming person.

1342
01:43:14,855 --> 01:43:16,481
[trumpet solo]

1343
01:43:17,691 --> 01:43:20,944
[Erin Davis] And he was even going out
and sitting in with Prince.

1344
01:43:21,028 --> 01:43:25,324
He loved Prince. You know,
it was destiny that they worked together.

1345
01:43:25,407 --> 01:43:28,452
[trumpet solo]

1346
01:43:32,122 --> 01:43:34,791
I got a call from Tommy LiPuma,

1347
01:43:34,875 --> 01:43:38,337
who was an A&R vice president
at Warner Bros.

1348
01:43:38,420 --> 01:43:42,299
He said: "Miles Davis just left Columbia
and he's coming to Warner Bros."

1349
01:43:42,382 --> 01:43:45,719
And I said: "Really? Congratulations!"
He said: "Do you have any music?"

1350
01:43:45,802 --> 01:43:47,346
[music: "Tutu"]

1351
01:43:51,391 --> 01:43:55,020
As soon as I hung up the phone,
that bass line to "Tutu" hit me.

1352
01:43:55,729 --> 01:43:58,565
[beatboxes bassline]

1353
01:44:05,864 --> 01:44:08,325
I'm writing a song for somebody
if I can see them going...

1354
01:44:09,159 --> 01:44:11,745
like grooving to the song, I go,
"Okay, this is right for him."

1355
01:44:14,039 --> 01:44:15,999
[plays tune on piano]

1356
01:44:17,626 --> 01:44:20,295
I'm looking across the studio
and I'm looking at Miles.

1357
01:44:20,879 --> 01:44:23,548
And then he just started playing
stuff on the piano for me.

1358
01:44:25,717 --> 01:44:30,722
Looking back on it, I realize
this dude never recorded like that before,

1359
01:44:30,806 --> 01:44:35,894
with headphones, playing to a track
with drum machines and all that stuff.

1360
01:44:35,978 --> 01:44:37,813
[music: "Perfect Way"]

1361
01:44:39,064 --> 01:44:42,526
He was, like, into it. He wasn't
just like stepping gingerly into it.

1362
01:44:42,609 --> 01:44:43,527
He owned it.

1363
01:44:43,610 --> 01:44:44,611
Yeah!

1364
01:44:46,780 --> 01:44:49,825
[Miller] At the core,
he's just staying that young kid

1365
01:44:49,908 --> 01:44:51,576
who came to New York
to play the hip music.

1366
01:44:51,660 --> 01:44:53,745
You know,
he wanted to always have that feeling.

1367
01:44:53,829 --> 01:44:55,914
[music continues]

1368
01:44:57,833 --> 01:45:01,044
[Erin Davis] Miles never talked
about his old records.

1369
01:45:01,128 --> 01:45:03,505
He didn't keep 'em in the house.
He didn't have any of 'em.

1370
01:45:04,089 --> 01:45:07,009
You know, not one of them
and he didn't want them in there.

1371
01:45:07,092 --> 01:45:09,511
He wanted only the stuff
he was working on.

1372
01:45:19,730 --> 01:45:22,566
[Miller] When I first got in the band,
Miles seemed cool.

1373
01:45:22,649 --> 01:45:26,236
You know, he was alert and on top of it,

1374
01:45:26,319 --> 01:45:30,240
but soon after that,
he started looking not so good, you know?

1375
01:45:31,324 --> 01:45:34,077
And if you see a concert we did
on Saturday Night Live,

1376
01:45:34,161 --> 01:45:35,871
you'll see what I'm talking about.

1377
01:45:35,954 --> 01:45:39,583
He's just kind of moving
and his sound is very fragile, you know?

1378
01:45:40,959 --> 01:45:44,129
He was tormented, man,
'cause he couldn't get the tone.

1379
01:45:44,212 --> 01:45:45,464
He couldn't get the tone.

1380
01:45:47,299 --> 01:45:50,469
Sometimes he would hobble around
the stage, but... but...

1381
01:45:51,261 --> 01:45:52,345
he was still Miles.

1382
01:45:55,265 --> 01:45:56,975
-[music out]
-[crowd cheers]

1383
01:45:57,059 --> 01:46:00,937
It will be for the first time tonight
that Miles Davis and Quincy Jones

1384
01:46:01,021 --> 01:46:03,690
will be on the same stage,
playing together.

1385
01:46:04,608 --> 01:46:07,027
[Jones] I'd been trying for 15 years, man.

1386
01:46:07,611 --> 01:46:11,740
I kept bugging him about it...
you know, kept bugging him about it.

1387
01:46:11,823 --> 01:46:14,993
And he said: "Okay, motherfucker."
You know? [laughs]

1388
01:46:15,077 --> 01:46:17,370
If he never played another note,
he doesn't have to

1389
01:46:17,454 --> 01:46:22,334
because he has led the way
on the cutting edge for the last 50 years.

1390
01:46:22,417 --> 01:46:25,087
To see him at 65 years old

1391
01:46:25,170 --> 01:46:28,090
trying to recreate his 25-year-old self

1392
01:46:28,173 --> 01:46:29,591
was just amazing, man.

1393
01:46:30,008 --> 01:46:32,010
My love, my brother,

1394
01:46:32,094 --> 01:46:35,514
and one of my favorite musicians
and idols, Miles Davis!

1395
01:46:35,597 --> 01:46:37,015
[crowd cheers]

1396
01:46:37,099 --> 01:46:38,517
Yeah, I loved him, man.

1397
01:46:39,643 --> 01:46:42,896
It just makes my soul smile.

1398
01:46:42,979 --> 01:46:44,773
[cheering continues]

1399
01:46:47,859 --> 01:46:49,861
There was a tune called "The Pan Piper"...

1400
01:46:50,487 --> 01:46:54,908
and I knew that that was a hard piece

1401
01:46:54,991 --> 01:46:58,161
and I wasn't sure
that he would be able to play that one.

1402
01:47:00,372 --> 01:47:02,124
[music: "The Pan Piper"]

1403
01:47:04,459 --> 01:47:05,877
He would never say that.

1404
01:47:11,716 --> 01:47:15,762
So, when it was time for us to do it,
I remember jumping in.

1405
01:47:17,514 --> 01:47:19,141
[plays trumpet solo]

1406
01:47:29,860 --> 01:47:33,321
I remember him telling me: "Listen,
if I ever went back to that old stuff,

1407
01:47:33,405 --> 01:47:34,573
I'd die."

1408
01:47:36,533 --> 01:47:39,911
And I sat there in front of the TV
and I was like: "He's sick.

1409
01:47:41,037 --> 01:47:41,913
He's sick."

1410
01:47:53,633 --> 01:47:57,762
He said: "When God punishes you,
it's not that you..."

1411
01:47:59,890 --> 01:48:01,308
So sad.

1412
01:48:02,309 --> 01:48:04,686
"...it's not that you don't get
what you want.

1413
01:48:06,229 --> 01:48:10,358
You get everything that you want
and there's no time left."

1414
01:48:10,442 --> 01:48:12,652
[music continues]

1415
01:48:16,156 --> 01:48:18,575
-[music out]
-[crowd cheers]

1416
01:48:18,658 --> 01:48:19,868
[announcer] Miles Davis!

1417
01:48:20,827 --> 01:48:21,995
Quincy Jones!

1418
01:48:28,752 --> 01:48:32,839
[Gelbard] Miles went into the hospital,
Labor Day weekend of 1991.

1419
01:48:34,382 --> 01:48:36,593
We were talking and listening to music...

1420
01:48:37,093 --> 01:48:41,765
and I looked at him
and he looked funny, like, still.

1421
01:48:41,848 --> 01:48:45,310
And then I looked up
and a doctor came in to the door

1422
01:48:45,393 --> 01:48:48,939
and he walked over
and it was just a second.

1423
01:48:49,022 --> 01:48:51,399
And I was sitting
with his head in my lap...

1424
01:48:52,025 --> 01:48:54,027
and the doctor started pounding on him.

1425
01:48:54,110 --> 01:48:56,571
And then he beeped something
and then another doctor came in

1426
01:48:56,655 --> 01:48:59,241
and then a bunch of doctors
and nurses came in.

1427
01:48:59,324 --> 01:49:02,953
And I was still sitting on the bed
and he was blank.

1428
01:49:03,036 --> 01:49:06,498
I mean, he was breathing. I knew
he didn't die. I mean, I didn't know...

1429
01:49:06,581 --> 01:49:09,751
It was horrifying.
And they're working on him

1430
01:49:09,834 --> 01:49:12,212
and they're pounding him and injecting him

1431
01:49:12,295 --> 01:49:17,175
and then they roll us both out like that
into the elevator, into the hall.

1432
01:49:17,259 --> 01:49:19,844
And they didn't even notice
that I was on the bed,

1433
01:49:19,928 --> 01:49:22,138
when his head was still next to me.

1434
01:49:22,222 --> 01:49:25,183
And, you know,
we were surrounded by people.

1435
01:49:25,267 --> 01:49:31,356
We're in the elevator and... you know,
and they said: "He had a stroke."

1436
01:49:32,232 --> 01:49:33,775
[music: "Blues For Pablo"]

1437
01:49:46,621 --> 01:49:49,291
[Santana] Deborah, my ex-wife,
called me and she says:

1438
01:49:49,374 --> 01:49:52,043
"I think you'd better hold on
to something."

1439
01:49:52,127 --> 01:49:57,215
I said "What's going on?"
She says: "Miles Davis just passed."

1440
01:50:06,641 --> 01:50:09,019
And it just felt like, um...

1441
01:50:13,023 --> 01:50:14,441
someone hit me with a...

1442
01:50:16,443 --> 01:50:18,236
with a jackhammer over the head.

1443
01:50:22,574 --> 01:50:24,075
[music: "Flamenco Sketches"]

1444
01:50:30,040 --> 01:50:31,624
[Cantu] I think Miles was definitely,

1445
01:50:31,708 --> 01:50:34,377
without a doubt,
the most unique person I've ever known.

1446
01:50:39,924 --> 01:50:43,345
He did things totally in a different way
than everybody else.

1447
01:50:43,428 --> 01:50:46,348
He looked at things differently.
He saw things differently.

1448
01:50:48,933 --> 01:50:52,937
You have to be true to yourself.
I think a lot of that was his philosophy.

1449
01:51:00,820 --> 01:51:04,032
How can someone come up
with such beautiful music

1450
01:51:04,115 --> 01:51:05,950
when you can have that other side?

1451
01:51:07,118 --> 01:51:09,245
Sometimes I couldn't take it.

1452
01:51:09,329 --> 01:51:11,706
Sometimes it was just perfecto.

1453
01:51:16,086 --> 01:51:21,925
I don't regret,
I don't forget, but I still love.

1454
01:51:28,473 --> 01:51:30,100
[Rothbaum] I miss him, you know?

1455
01:51:30,183 --> 01:51:32,185
I miss him. I dream about him a lot.

1456
01:51:34,604 --> 01:51:36,189
He, uh...

1457
01:51:37,315 --> 01:51:38,525
What a big presence.

1458
01:51:49,494 --> 01:51:50,912
[McCoy] Of course I loved him.

1459
01:51:52,956 --> 01:51:54,374
He was like a brother...

1460
01:51:55,125 --> 01:51:58,294
who did dumb things and you accepted it.

1461
01:52:05,969 --> 01:52:07,053
He was real.

1462
01:52:11,558 --> 01:52:12,725
Very real.

1463
01:52:15,895 --> 01:52:18,773
There won't be many Mileses again.

1464
01:52:20,692 --> 01:52:21,860
That's enough.

1465
01:52:21,943 --> 01:52:22,944
I'm through.