1 00:00:27,569 --> 00:00:29,028 THIS PRODUCT REALLY WORKS. 2 00:00:29,195 --> 00:00:31,530 NOT ONLY DOES IT CLEAN AND CONDITION THE HAIR, 3 00:00:31,698 --> 00:00:35,701 BUT IT SETS THE HAIR AS WELL BY GETTING DEEP DOWN INTO THE ROOT SYSTEM. 4 00:00:35,869 --> 00:00:37,202 EACH BLADE HAS BEEN AUTHENTICATED 5 00:00:37,370 --> 00:00:41,331 BY AN ACTUAL 1 3th-CENTURY JAPANESE WARLORD'S DIRECT DESCENDENT. 6 00:00:41,499 --> 00:00:44,668 WE ARE TALKING A 42-INCH RAZOR BLADE, FOLKS. 7 00:00:44,836 --> 00:00:47,629 I PERSONALLY HAVE CUT MYSELF NUMEROUS TIMES. 8 00:00:47,797 --> 00:00:48,797 [Yells] 9 00:00:48,965 --> 00:00:52,009 MONEY IS A LIVING, BREATHING THING, GERI. 10 00:00:52,177 --> 00:00:54,887 IF YOU DISRESPECT MONEY, ITS FEELINGS GET HURT, 11 00:00:55,055 --> 00:00:58,098 AND IT WILL LEAVE YOU JUST LIKE YOUR TWO HUSBANDS DID. 12 00:00:58,266 --> 00:01:01,268 WHEN YOU ARE DOWN, YOUR MONEY IS SAD. 13 00:01:01,436 --> 00:01:06,148 AND WHEN YOU ARE STRONG, YOUR MONEY IS VERY, VERY HAPPY. 14 00:01:07,734 --> 00:01:17,993 ♪♪♪ 15 00:01:18,161 --> 00:01:21,955 NO FEAR. NO PANIC. 16 00:01:22,123 --> 00:01:25,918 JUST BE MYSELF. JUST BE MYSELF. 17 00:01:26,086 --> 00:01:30,672 I'M READY. I'M PREPARED. 18 00:01:30,840 --> 00:01:32,299 THE NEW GUY'S GONNA LIKE ME 19 00:01:32,467 --> 00:01:36,053 'CAUSE I'M A SKILLED AND CONFIDENT PROFESSION-- 20 00:01:36,221 --> 00:01:37,846 [Knock At Door] MR. RICK, YOU-- 21 00:01:38,014 --> 00:01:40,891 THANK YOU. APPRECIATE IT. THANK YOU, HONEY. 22 00:01:43,394 --> 00:01:44,645 GOOD, BETTER, BEST. 23 00:01:44,813 --> 00:01:48,982 NEVER LET IT REST UNTIL YOUR GOOD IS BETTER AND YOUR BETTER IS BEST. 24 00:01:49,651 --> 00:02:15,092 ♪♪♪ 25 00:02:16,553 --> 00:02:19,263 AND THEN, YOU KNOW, WHEN CRUCIAL DECISIONS ARE MADE, 26 00:02:19,430 --> 00:02:21,348 PEOPLE GET LEFT BEHIND. WE'RE THE FUTURE. 27 00:02:21,516 --> 00:02:24,268 LISTEN. IT REMINDS ME OF A STORY IN MY PERSONAL LIFE. 28 00:02:24,435 --> 00:02:26,520 IN THE EARLY '60s, MY FATHER WAS IN THE EYEGLASS BUSINESS. 29 00:02:26,688 --> 00:02:30,983 AND ONE DAY, MY UNCLE, UH, COMES TO HIM AND HE SAYS, 30 00:02:31,151 --> 00:02:35,821 "LEO, WE GOTTA MAKE A CHANGE. THE FUTURE IS IN PLEXIGLAS." 31 00:02:35,989 --> 00:02:39,324 MY FATHER SAID, "PLEXIGLAS IS CRAP, AND I'M NOT GONNA SELL IT." 32 00:02:39,492 --> 00:02:43,287 AND HE DIDN'T, AND YOU KNOW WHAT HAPPENED? THE PUBLIC WANTED IT. 33 00:02:43,454 --> 00:02:45,789 MY UNCLE GOT INTO PLEXI, MADE A FORTUNE. 34 00:02:45,957 --> 00:02:49,668 MY DAD, HE HURLED HIMSELF OUT THE 1 7th-FLOOR WINDOW OF HIS OFFICE. 35 00:02:49,836 --> 00:02:53,005 IF IT'D BEEN PLEXIGLAS, HE'D STILL BE-- I'LL HOLD. 36 00:02:53,173 --> 00:02:55,340 HI, OF COURSE, I'M KIDDING. I'M PRETTY SURE MY DAD'S STILL ALIVE. 37 00:02:55,508 --> 00:02:57,885 THE POINT IS: DON'T BE LIKE HIM. DON'T MISS THE BOAT. 38 00:02:58,052 --> 00:02:59,511 COME ON, SELL YOUR PRODUCT ON OUR CHANNEL. 39 00:02:59,679 --> 00:03:02,681 IN 6 MONTHS, IF YOU STILL DON'T LIKE US, WE CALL IT QUITS AND NO HARD FEEL-- 40 00:03:02,849 --> 00:03:05,934 OF COURSE IT MAKES SENSE. I KNOW IT IS. 41 00:03:06,102 --> 00:03:09,438 GREAT, AND YOUR STOCKHOLDERS WON'T REGRET IT, IT'S BULLETPROOF. 42 00:03:11,024 --> 00:03:12,566 FIRE! 43 00:03:12,734 --> 00:03:14,985 [Screams] 44 00:03:15,904 --> 00:03:17,863 RICKY, THESE EYE MASSAGERS, WHAT DO YA THINK, HUH? 45 00:03:18,031 --> 00:03:21,366 WHAT IS THAT, THE WHITE MASK OF ZORRO? YOU'RE SPOOKIN' ME OUT. 46 00:03:21,534 --> 00:03:23,785 RICKY. RICKY. GREAT. HEY, AL! 47 00:03:23,953 --> 00:03:25,329 - HOW'VE YOU BEEN? - GOOD, GOOD, GOOD. 48 00:03:25,496 --> 00:03:26,663 LOOK, I WANTED TO SHOW YOU THESE MATS. 49 00:03:26,831 --> 00:03:28,040 I'VE SEEN THOSE. NO, THANK YOU. 50 00:03:28,208 --> 00:03:29,541 THESE ARE DIFFERENT. THEY'RE DOORMATS. I'VE SEEN THEM. 51 00:03:29,709 --> 00:03:30,959 THEY'RE MADE TO LOOK LIKE GRASS. 52 00:03:31,127 --> 00:03:32,628 GOT IT. DON'T WANT IT. THANK YOU. 53 00:03:32,795 --> 00:03:35,839 OKAY. TIM GEORGE HAS OFFERED ME A GOOD PRICE OVER AT QVC. 54 00:03:36,424 --> 00:03:38,884 OKAY, LEMME SEE, LEMME SEE. WHAT'S THE GIMMICK? GIVE ME THE THING. 55 00:03:39,052 --> 00:03:41,011 IT WORKS FOR ALL FOUR SEASONS. YEAH? 56 00:03:41,179 --> 00:03:45,015 THIS ONE IS SUMMER. AUTUMN. SPRING. 57 00:03:45,183 --> 00:03:46,642 LOOK LIKE KIDS DID THIS. 58 00:03:46,809 --> 00:03:48,435 WINTER. HUH? OH, LOOK AT THAT. 59 00:03:48,603 --> 00:03:50,771 WE CALL IT THE FOUR SEASONS PAD. IT'S EDUCATIONAL. 60 00:03:50,939 --> 00:03:53,232 EDUCATIONAL? THAT'S NOT GONNA GET ME TO BUY THEM. 61 00:03:53,399 --> 00:03:56,735 - TIM GEORGE WANTS 1 00,000. - THAT GETS ME TO BUY 'EM. 62 00:03:56,903 --> 00:03:58,820 OKAY, COME UP WITH A NAME OTHER THAN THE FOUR SEASONS PAD. 63 00:03:58,988 --> 00:04:00,405 THAT SOUNDS LIKE A SANITARY NAPKIN, OR I DON'T KNOW WHAT. 64 00:04:00,573 --> 00:04:02,032 AND CALL ME LATER AND WE'LL WORK OUT THE DETAILS. 65 00:04:02,200 --> 00:04:05,702 CAN WE WORK OUT THE DEAL NOW, IN CASE LATER YOU'RE IN, UM-- 66 00:04:05,870 --> 00:04:06,745 [Man] HEY, RICKY. 67 00:04:06,913 --> 00:04:08,247 I KNOW McBAINBRIDGE STARTS TODAY. WHAT, IT'S LIKE I'M GETTING FIRED? 68 00:04:08,414 --> 00:04:10,332 NO, NO! I DID NOT--I'LL GIVE YOU A CHOP. OKAY. HEY! 69 00:04:10,500 --> 00:04:12,125 LEAVE SOME HERE, AND WE'LL GET WHAT'S-HIS-NAME-- 70 00:04:12,293 --> 00:04:13,835 THE DOG FROM FRASIER-- EDDIE, GREAT. 71 00:04:14,003 --> 00:04:15,254 EDDIE TO SELL SOME ON HIS SHOW TONIGHT. TONIGHT. 72 00:04:15,421 --> 00:04:16,755 GREAT. THANK YOU. THANK YOU. CALL ME UP. THANK YOU. 73 00:04:16,923 --> 00:04:18,590 THANK YOU. OKAY. 74 00:04:18,758 --> 00:04:21,927 [Gasps] LADIES! HOW MANY LOVELY LADIES CAN THERE BE? 75 00:04:22,095 --> 00:04:25,222 HEY! HEY! FRESCA. MMM! HOW'S MY FAVORITE FOOT MODEL? 76 00:04:25,390 --> 00:04:27,349 - GREAT. - YOU LOOK SO BEAUTIFUL. 77 00:04:27,517 --> 00:04:28,684 LET ME SEE THAT FOOT. 78 00:04:28,851 --> 00:04:30,644 - WHAT ARE WE SELLING? - MOOD TOE RINGS. 79 00:04:30,812 --> 00:04:32,688 [Gasps] GIMME THE SHOE. TAKE THE SHOE. 80 00:04:32,855 --> 00:04:34,398 TAKE THAT. OH, LOOK AT THE-- 81 00:04:34,565 --> 00:04:37,109 OH! OH! THIS MAKES ME HAPPY. 82 00:04:37,277 --> 00:04:39,611 LOOK AT THE TOES. LIKE CANDIES, LIKE RED HOTS. 83 00:04:39,779 --> 00:04:44,366 SO SUCCULENT. EXCUSE ME. HELLO. WANT TO KNOW YOUR EMOTIONS? 84 00:04:44,534 --> 00:04:48,245 MAYBE SOME OTHER TIME. I KNOW HOW I'M FEELING TODAY. 85 00:04:48,413 --> 00:04:50,414 [Ladies] OOH! WAIT A MINUTE. 86 00:04:50,581 --> 00:04:53,292 I DON'T KNOW. HANG ON. WAIT. WAIT A SECOND. 87 00:04:53,459 --> 00:04:55,419 YOU CAN'T JUMP TO A CONCLUSION LIKE THAT. 88 00:04:55,586 --> 00:04:57,170 LET ME DO THIS. LET ME DO THIS. 89 00:04:57,338 --> 00:05:00,215 [Clears Throat] MM-HMM. MM-HMM. 90 00:05:00,383 --> 00:05:02,092 YOUR PULSE IS A LITTLE FAST. LET ME GUESS. 91 00:05:02,260 --> 00:05:04,011 YOU'RE FEELING LOST AND LIKE YOU COULD USE SOME HELP. 92 00:05:04,178 --> 00:05:05,345 COULD I PITCH IN? 93 00:05:05,513 --> 00:05:06,638 OH, THAT'S FUNNY. 94 00:05:06,806 --> 00:05:08,056 I WAS GOING TO SAY THE SAME THING ABOUT YOU. 95 00:05:08,224 --> 00:05:10,726 - WHAT, I LOOK LOST? - NO, THAT YOU NEED SOME HELP. 96 00:05:10,893 --> 00:05:12,477 WELL, LIKE MAYBE A LITTLE HELP WITH YOUR NAME. 97 00:05:12,645 --> 00:05:14,646 I'VE NEVER SEEN YOU HERE BEFORE. I'M SURE I'D REMEMBER. 98 00:05:14,814 --> 00:05:17,149 YOU'RE DEFINITELY NOT ONE OF THE MODELS. 99 00:05:17,317 --> 00:05:19,651 OH, THANK YOU. THAT'S ALWAYS NICE TO HEAR. 100 00:05:19,819 --> 00:05:21,320 OH, NO, NO, OF COURSE I MEANT YOU'RE VERY-- 101 00:05:21,487 --> 00:05:23,280 LATE. 102 00:05:23,448 --> 00:05:25,657 MY NAME'S RICKY, BY THE WAY. WHAT'S YOUR WHOLE NAME AGAIN? 103 00:05:25,825 --> 00:05:27,826 I DIDN'T GIVE IT TO YOU. 104 00:05:27,994 --> 00:05:30,287 MMM! 105 00:05:30,455 --> 00:05:32,664 [Chuckling] LAY IT ON ME. WHAT HAVE WE GOT? 106 00:05:32,832 --> 00:05:34,791 TELL ME EVERYTHING. JAMES BROWN IS DOING THE SHOW. 107 00:05:34,959 --> 00:05:36,335 HI, EVERYBODY. 108 00:05:36,502 --> 00:05:39,087 I'M CLARENCE REYNOLDS, HERE WITH THE GODFATHER OF SOUL, JAMES BROWN. 109 00:05:39,255 --> 00:05:42,507 WELCOME TO GBSN. WELCOME BACK. OW! I FEEL GOOD THIS MORNING. 110 00:05:42,675 --> 00:05:44,551 GOOD TO HAVE YOU WITH US. IT'S A GROOVE BEIN' BACK WITH YA. 111 00:05:44,719 --> 00:05:47,095 NOW, YOU BROUGHT THE SOUL SURVIVAL SYSTEM. 112 00:05:47,263 --> 00:05:48,722 THE ONLY WAY OUT. 113 00:05:48,890 --> 00:05:50,223 IT'S LIKE A PERSONAL SECURITY SYSTEM. 114 00:05:50,391 --> 00:05:52,476 NOW, HOW DOES IT WORK, JUST IN CASE, GOD FORBID, 115 00:05:52,643 --> 00:05:53,935 THERE IS A MEDICAL EMERGENCY? 116 00:05:54,103 --> 00:05:57,314 OKAY, IF YOU FALL DOWN, YOU MASH THE PANIC BUTTON. 117 00:05:57,482 --> 00:06:01,109 HELP ME! HELP ME! GOOD GOD! HELP ME! HELP ME! GOOD GOD! 118 00:06:01,277 --> 00:06:03,528 HELP ME! HELP ME! GOOD GOD! 119 00:06:03,696 --> 00:06:05,113 [Chatter, Laughter] 120 00:06:05,281 --> 00:06:07,282 IS IT JUST ME, BUT EVERYTHING HE SAYS IS NOT ENTIRELY CLEAR? 121 00:06:07,450 --> 00:06:09,534 THANK YOU VERY MUCH. PHONE, PLEASE. OKAY. 122 00:06:09,702 --> 00:06:11,203 [Phone Ringing] 123 00:06:11,371 --> 00:06:13,246 - NOW, IS THIS ALL WE'VE SOLD? - YEP. 124 00:06:13,414 --> 00:06:15,207 RICKY? RICKY. YEAH? 125 00:06:15,375 --> 00:06:17,417 JACK SPENCER ON THE PHONE FOR YOU. NO, TELL HIM I'M BUSY. 126 00:06:17,585 --> 00:06:19,920 HE SAYS IT'S IMPORTANT. 127 00:06:20,088 --> 00:06:22,005 [James Brown] HIT ME! OW! 128 00:06:22,173 --> 00:06:24,049 [Clarence] OH YEAH, THAT'LL GET YOU THE HELP YOU NEED. 129 00:06:24,217 --> 00:06:26,218 HERE HE COMES. THANK YOU. 130 00:06:26,386 --> 00:06:28,887 JACK, HI! WHAT A NICE SURPRI--HUH? WHAT--WHAT'S THE MATTER? 131 00:06:29,055 --> 00:06:30,555 WELL-- YEAH. 132 00:06:30,723 --> 00:06:36,520 WELL, THAT IS-- THAT'S AN OUTRAGE. 133 00:06:36,687 --> 00:06:38,563 THE BANK SAID EVERYTHING WAS FINE. 134 00:06:38,731 --> 00:06:41,316 THESE BASTARD PEOPLE WITH THEIR COMPUTER SCREW-UPS. 135 00:06:41,484 --> 00:06:45,028 I'M GONNA CALL 'EM RIGHT UP AND REALLY STRAIGHTEN THIS OUT. THANK YOU. BYE. 136 00:06:46,697 --> 00:06:50,033 UM, BARRY, YOU NEED TO MOVE SOME MONEY FROM MY SAVINGS TO CHECKING. 137 00:06:50,201 --> 00:06:51,576 THE CAR PAYMENT BOUNCED. 138 00:06:51,744 --> 00:06:54,329 AND DON'T TELL ME THERE'S NOTHING LEFT TO TRANSFER. 139 00:06:54,497 --> 00:06:56,540 [Teeth Click] 140 00:06:56,707 --> 00:06:58,417 IS THAT WHAT YOU WERE GOING TO TELL ME? 141 00:06:58,584 --> 00:07:02,796 IS THAT WHAT THAT MEANS? 142 00:07:04,132 --> 00:07:06,633 SELL SOME STOCK. WOW. 143 00:07:06,801 --> 00:07:08,677 I'M GONNA HAVE TO GET THE NEW GUY TO LIKE ME SO MUCH, 144 00:07:08,845 --> 00:07:10,220 HE'S GONNA WANT TO GIVE ME THE RAISE RIGHT AWAY. 145 00:07:10,388 --> 00:07:13,140 YOU THINK THAT'S OVERLY OPTIMISTIC? 146 00:07:13,683 --> 00:07:15,267 THIRTY SECONDS TO AIR! 147 00:07:15,435 --> 00:07:16,643 YOU ARE THE BEST! YEAH! 148 00:07:16,811 --> 00:07:18,437 YOUR STUFF IS THE BEST! I CAN DO IT! 149 00:07:18,604 --> 00:07:21,940 NOW GO IN THERE AND RAM IT DOWN THEIR THROATS! YEAH! YEAH! 150 00:07:22,108 --> 00:07:24,776 I'M 67 YEARS OLD. 151 00:07:24,944 --> 00:07:27,362 I'VE MADE LOVE TWICE TODAY. 152 00:07:27,530 --> 00:07:31,825 WHY? BECAUSE I'M WEARING NEW CLAM BY VONTE. 153 00:07:31,993 --> 00:07:35,620 CLAM IS THE MYSTERIOUS NEW FRAGRANCE FROM THE SEA. 154 00:07:35,788 --> 00:07:37,622 CLAM WORKS. 155 00:07:37,790 --> 00:07:41,877 IT CAN BE YOURS FOR JUST 22.72. 156 00:07:42,044 --> 00:07:43,545 [Woman] FOUR EASY PAYMENTS. 157 00:07:43,713 --> 00:07:45,630 OH! 158 00:07:45,798 --> 00:07:47,966 [Clears Throat] THREE TIMES! 159 00:07:48,134 --> 00:07:50,677 DANNY'S BEEN FASTENED TO THE STUDIO CEILING 160 00:07:50,845 --> 00:07:54,097 USING THE PATENTED COOL BOND NO-HEAT GLUE GUN. 161 00:07:54,265 --> 00:07:57,058 I WOULDN'T TRUST ANY OTHER GLUE GUN WITH MY GRANDSON'S LIFE. 162 00:07:57,226 --> 00:08:00,312 SHOULD YOU? UH-UH. 163 00:08:00,480 --> 00:08:01,938 ♪ MONEY ♪ 164 00:08:02,106 --> 00:08:03,773 BUT, YOU KNOW, BASED ON EVERYTHING I'VE JUST SAID, 165 00:08:03,941 --> 00:08:06,193 I THINK YOU CAN SEE THAT IT'S PRETTY OBVIOUS THAT A RAISE IS KIND OF, UH, 166 00:08:06,360 --> 00:08:08,987 UH, KIND OF IN ORDER. 167 00:08:09,155 --> 00:08:10,739 BASED ON WHAT YOU JUST SAID, 168 00:08:10,907 --> 00:08:14,576 I THINK IT'S PRETTY OBVIOUS THAT A BRAIN SCAN IS IN ORDER. 169 00:08:14,744 --> 00:08:17,120 HAYMAN, THINGS ARE NOT CLICKING FOR YOU HERE. 170 00:08:17,288 --> 00:08:20,123 YOUR SALES HAVE BEEN FLAT FOR 27 MONTHS. 171 00:08:20,291 --> 00:08:22,876 NO--WELL, I MEAN, THAT DEPENDS ON HOW YOU DEFINE "FLAT." 172 00:08:23,044 --> 00:08:25,420 STAGNANT, NO GROWTH, DEAD. 173 00:08:25,588 --> 00:08:27,714 OH, FLAT. FAIR ENOUGH, 174 00:08:27,882 --> 00:08:30,342 BUT I'M SURE YOU AGREE THAT THE PRODUCT THIS YEAR HAS BEEN-- 175 00:08:30,510 --> 00:08:33,345 IT'S NOT WHAT YOU SELL! IT'S THE SELLING ITSELF. 176 00:08:33,513 --> 00:08:35,889 IT'S ABOUT MAKING PEOPLE FEEL THEY HAVE TO HAVE IT 177 00:08:36,057 --> 00:08:39,059 WHEN THEY DON'T REALLY WANT IT. 178 00:08:39,227 --> 00:08:46,191 HAYMAN, I'M GIVING YOU TWO WEEKS TO GET THINGS MOVING, OR YOU'RE HISTORY. 179 00:08:46,859 --> 00:08:48,318 WAIT A SECOND. 180 00:08:48,486 --> 00:08:50,362 FIRST OF ALL, TWO WEEKS-- YOU GOTTA GIVE ME MORE TIME THAN THAT. 181 00:08:50,530 --> 00:08:53,198 HOLD IT! HOLD IT RIGHT THERE! YEP. YEP. 182 00:08:53,366 --> 00:08:55,867 RIGHT THERE. 183 00:08:56,035 --> 00:08:58,411 EVERY DAY ON MY WAY TO WORK, 184 00:08:58,579 --> 00:09:02,123 I PASS A DOZEN GUYS CARRYING SIGNS. 185 00:09:02,291 --> 00:09:04,084 "HOMELESS FAMILY." "WILL WORK FOR FOOD." 186 00:09:04,252 --> 00:09:06,211 "PATHETIC VET. GOD BLESS." 187 00:09:06,379 --> 00:09:08,338 [Chuckles] THERE'S NOTHING I CAN DO ABOUT THEM. 188 00:09:08,506 --> 00:09:10,674 THE ACLU SAYS THEY HAVE A RIGHT TO STAND THERE. 189 00:09:10,841 --> 00:09:12,676 SO, FINE, LET 'EM STAND THERE. 190 00:09:12,843 --> 00:09:16,638 BUT HERE, IN MY OFFICE, IN MY OWN GODDAMN OFFICE, 191 00:09:16,806 --> 00:09:19,766 I DON'T HAVE TO LIVE WITH ANYBODY BEGGING ME FOR ANYTHING! 192 00:09:19,934 --> 00:09:22,769 YOU GOT IT? 193 00:09:24,730 --> 00:09:26,523 THANKS FOR LISTENING. 194 00:09:26,691 --> 00:09:29,859 MY DOOR IS ALWAYS OPEN. 195 00:09:33,281 --> 00:09:35,323 WELL, I TOLD YOU 196 00:09:35,491 --> 00:09:37,951 THERE WAS A MEETING AT 3:00 ON THE DOT. 197 00:09:38,119 --> 00:09:40,328 AN HOUR LATE, THERE'S A REASON. 1 5 MINUTES LATE SHOWS 198 00:09:40,496 --> 00:09:43,748 CONTEMPT, DISORGANIZATION, LAZINESS. 199 00:09:43,916 --> 00:09:45,917 I HAD TO KILL THE ENTIRE MARKETING DEPARTMENT. 200 00:09:46,085 --> 00:09:48,503 TOOK A LITTLE LONGER THAN I EXPECTED. 201 00:09:48,671 --> 00:09:52,215 - HI. I'M KATE NEWELL. - OF COURSE YOU ARE. 202 00:09:52,383 --> 00:09:56,928 - THIS IS RICKY HAYMAN. - OH! I'VE BEEN READING ALL ABOUT YOU. 203 00:09:57,096 --> 00:09:59,681 - OH, YEAH? - TWENTY-SEVEN MONTHS OF FLATNESS. 204 00:09:59,849 --> 00:10:03,101 BOY, THAT'S SOME SORT OF RECORD. 205 00:10:03,269 --> 00:10:06,563 KATE IS A MEDIA ANALYST. SHE WENT TO AN IVY LEAGUE SCHOOL, 206 00:10:06,731 --> 00:10:10,108 LEARNED ALL SORTS OF FANCY WAYS TO SELL THINGS. 207 00:10:10,276 --> 00:10:13,153 I WANT HER TO WORK CLOSELY WITH YOU FOR THE NEXT TWO WEEKS 208 00:10:13,321 --> 00:10:15,530 AND SEE IF YOU CAN GET SALES UP 8% . 209 00:10:15,698 --> 00:10:18,867 EIGHT PERCENT? YEAH. 210 00:10:19,035 --> 00:10:20,660 WELL, WHY NOT SHOOT FOR 8% -- 211 00:10:20,828 --> 00:10:23,496 SIT DOWN. TELL HIM THE PROBLEMS. 212 00:10:23,664 --> 00:10:27,709 OKAY. THERE ARE TWO PROBLEMS. ONE: THE NETWORK HAS NO IDENTITY. 213 00:10:27,877 --> 00:10:29,961 IF YOU PUT ALL OF THE SHOPPING CHANNELS TOGETHER, 214 00:10:30,129 --> 00:10:32,130 THERE'S NO WAY YOU CAN TELL THEM APART. 215 00:10:32,298 --> 00:10:35,133 I KNOW THAT IF WE CAN CREATE A CLEAR, DYNAMIC IDENTITY, 216 00:10:35,301 --> 00:10:36,968 ALONG WITH BETTER SALES TECHNIQUES, 217 00:10:37,136 --> 00:10:38,970 WE WILL QUICKLY PULL AHEAD OF OUR COMPETITORS 218 00:10:39,138 --> 00:10:40,764 AND EASILY REACH OUR GROWTH TARGET. 219 00:10:40,931 --> 00:10:42,974 IDENTITY AND SALES TECHNIQUES. 220 00:10:43,142 --> 00:10:45,393 WE HAVE A MEETING IN AN HOUR WITH SCOTT HAWKES FROM NEW VISION 221 00:10:45,561 --> 00:10:47,646 TO COME UP WITH A MORE COMPLETE PLAN. 222 00:10:47,813 --> 00:10:49,356 WELL, GOOD. WELL, GOOD. 223 00:10:49,523 --> 00:10:51,316 VISION, UH, IS CERTAINLY GOOD. 224 00:10:51,484 --> 00:10:55,236 AND NEW VISION-- WOW. NEWER? 225 00:10:55,404 --> 00:11:10,377 ♪♪♪ 226 00:11:11,087 --> 00:11:12,420 [Phone Rings] 227 00:11:12,588 --> 00:11:13,838 [Ricky] HELLO. 228 00:11:14,006 --> 00:11:15,465 [Barry] THERESA CALLED TO CONFIRM DINNER AT HER PLACE, 229 00:11:15,633 --> 00:11:16,883 BUT CHARLENE ALSO CALLED-- 230 00:11:17,051 --> 00:11:18,301 BARRY. BARRY, ANY BUSINESS CALLS? 231 00:11:18,469 --> 00:11:19,678 OH, UM, NO. 232 00:11:19,845 --> 00:11:21,680 BUT TIM GEORGE IS SITTING IN McBAINBRIDGE'S OFFICE-- 233 00:11:21,847 --> 00:11:23,014 [Static] 234 00:11:23,182 --> 00:11:24,391 - LATER. LATER. 235 00:11:24,558 --> 00:11:25,975 [Pops] [Tire Squeals] 236 00:11:26,143 --> 00:11:27,352 WHAT'S HAPPENING? 237 00:11:27,520 --> 00:11:30,271 HANG ON. BLOWOUT? 238 00:11:35,027 --> 00:11:39,406 THIS IS JUST A GREAT DAY FOR ME, OKAY, SLOW DOWN. 239 00:11:39,573 --> 00:11:41,366 JUST A GREAT, GREAT DAY FOR ME. 240 00:11:41,534 --> 00:11:43,493 WHEN'S THE GIANT METEOR JUST GONNA TAKE ME OUT, HUH? 241 00:11:43,661 --> 00:11:45,161 [Touch Tone Dialing] 242 00:11:45,329 --> 00:11:46,705 I CANNOT-- 243 00:11:46,872 --> 00:11:48,248 [Busy Signal] 244 00:11:48,416 --> 00:11:50,041 WE'RE IN A DEAD SPOT. 245 00:11:50,209 --> 00:11:53,211 UH, THIS I KNOW. 246 00:12:00,886 --> 00:12:03,847 HEY, LOOK AT THIS. IDEAL. IDEAL. 247 00:12:04,014 --> 00:12:06,683 HERE, POP THE TRUNK, AND WE'LL CHANGE IT. 248 00:12:31,751 --> 00:12:34,919 WHOO! AAH! 249 00:12:35,087 --> 00:12:36,796 [Car Horn Honks] [Laughter] 250 00:12:36,964 --> 00:12:38,590 LOSER! 251 00:12:38,758 --> 00:12:40,759 [Shouts, Whoops] [Shouting, Laughing] 252 00:12:40,926 --> 00:12:43,845 THANKS FOR NOT USING A CAN! 253 00:12:44,013 --> 00:12:45,764 I LOVE CHERRY. 254 00:12:45,931 --> 00:12:47,682 [Ricky] OH, DON'T DO THAT, PLEASE. WHAT ARE YOU TALKING ABOUT? 255 00:12:47,850 --> 00:12:49,225 I GOT IT RIGHT DOWN TO A-- HEY, I SAID, DON'T DO THAT. 256 00:12:49,393 --> 00:12:50,435 I GOT IT RIGHT DOWN TO-- 257 00:12:50,603 --> 00:12:53,104 RICKY, YOU'RE SUPPOSED TO LOWER THE TIRE SO YOU CAN TIGHTEN THE LUG NUTS. 258 00:12:53,272 --> 00:12:55,106 KATIE, KATIE, KATIE, I SAID DON'T DO IT. 259 00:12:55,274 --> 00:12:56,858 I'VE GOT IT RIGHT TO THE LEVEL THAT I WANT IT. 260 00:12:57,026 --> 00:12:58,359 I'M TIGHTENING THE NUT. 261 00:12:58,527 --> 00:13:00,028 OKAY, MR. EXPERT. 262 00:13:00,196 --> 00:13:01,946 OKAY, CAR MECHANIC, OH, EXTRAORDINAIRE. 263 00:13:02,114 --> 00:13:05,909 I KNOW-- OH, MAN. OH, MAN. 264 00:13:06,076 --> 00:13:08,745 WHAT A GAL. [Grunts] 265 00:13:14,960 --> 00:13:17,670 RICKY. 266 00:13:18,506 --> 00:13:20,799 - RICKY. - WHAT? 267 00:13:20,966 --> 00:13:24,177 - SOMEBODY'S COMING. - WHAT, ROADSIDE ASSISTANCE? 268 00:13:24,345 --> 00:13:26,513 I DON'T THINK SO. 269 00:13:27,932 --> 00:13:30,683 WHAT? 270 00:13:31,393 --> 00:13:32,852 UH-OH. HE'S WAVING. DON'T WAVE BACK. 271 00:13:33,020 --> 00:13:34,854 HEY, HEY! I SAID, DON'T WAVE BACK. 272 00:13:35,022 --> 00:13:36,356 WHAT? HOW DO YOU NOT WAVE BACK? 273 00:13:36,524 --> 00:13:37,857 WHEN SOMEBODY WAVES TO YOU, YOU WAVE BACK. 274 00:13:38,025 --> 00:13:39,484 NOT IF YOU DON'T WANNA ACKNOWLEDGE THAT PERSON. 275 00:13:39,652 --> 00:13:40,860 WHAT ARE YOU TALKING ABOUT? 276 00:13:41,028 --> 00:13:42,570 WHAT'S HE GONNA DO? HE'S WEARING HIS PAJAMAS. 277 00:13:42,738 --> 00:13:44,197 - HE COULD BE DANGEROUS. - HOW DANGEROUS COULD HE BE? 278 00:13:44,365 --> 00:13:46,699 - HE KISSES THE GROUND, FOR GOD'S SAKE. - I REST MY CASE. 279 00:13:46,867 --> 00:13:49,994 NOTHING'S INTERESTING HERE. GO ABOUT YOUR BUSINESS. 280 00:13:50,162 --> 00:13:51,704 HELLO, TWO PEOPLE! 281 00:13:51,872 --> 00:13:53,832 HI! WHAT? KATE! HELLO? 282 00:13:53,999 --> 00:13:55,416 HE'S FRIENDLY? WHAT ARE YOU DOING? 283 00:13:55,584 --> 00:13:57,168 ARE YOU IN TROUBLE AND IN NEED OF MY HELP? 284 00:13:57,336 --> 00:13:58,962 OH, NO. THANK YOU. NO, NO. 285 00:13:59,129 --> 00:14:01,005 - OH, YES, YOU ARE. - NO, WE'RE NOT. 286 00:14:01,173 --> 00:14:02,507 STAY THERE. I'M COMING OVER THERE. 287 00:14:02,675 --> 00:14:03,675 - NO, THANK YOU. - STAY RIGHT THERE. 288 00:14:03,843 --> 00:14:05,552 - STAY THERE! STAY THERE! - YOU NEED MY HELP. 289 00:14:05,719 --> 00:14:07,595 NO, NO, NO, NO, NO. OH, MY GOD, NO, NO, NO. OH, MY GOODNESS. 290 00:14:07,763 --> 00:14:13,852 GO BACK! [Both Chattering] 291 00:14:14,019 --> 00:14:16,271 SEE, I WAS RIGHT. YOU DO NEED MY HELP. 292 00:14:16,438 --> 00:14:18,565 WHAT DO YOU THINK YOU'RE DOING? WHAT CAN I DO TO HELP YOU TWO? 293 00:14:18,732 --> 00:14:21,025 YOU'RE VERY KIND, SIR, REALLY, LOOK AT THIS. 294 00:14:21,193 --> 00:14:22,819 BUT EVERYTHING'S UNDER CONTROL, THANK YOU VERY MUCH. MY NAME'S "G." 295 00:14:22,987 --> 00:14:24,237 - I'M KATE. - HI. 296 00:14:24,405 --> 00:14:26,197 - AND THIS IS-- - HI. HOW ARE YOU? 297 00:14:26,365 --> 00:14:29,450 ROBERT. DIDN'T I SAY THAT? RICKY. 298 00:14:29,618 --> 00:14:31,828 - ROBERT RICKY. - HI, ROBERT RICKY. 299 00:14:31,996 --> 00:14:33,538 - NICE TO MEET YOU. - IT'S NICE TO MEET YOU. 300 00:14:33,706 --> 00:14:35,957 OH, IT'S SUCH A--SUCH A TREAT. 301 00:14:36,125 --> 00:14:37,458 TAKE CARE. [Chuckles] 302 00:14:37,626 --> 00:14:39,294 WOULD YOU MIND IF I ASK WHAT "G" STANDS FOR? 303 00:14:39,461 --> 00:14:42,297 JUST "G" WITH A PERIOD, THAT'S IT. THAT'S MY NAME, G. 304 00:14:42,464 --> 00:14:43,756 I LIKE THAT. OKAY. YES. 305 00:14:43,924 --> 00:14:46,384 YOU HAVE TO EXCUSE MY APPEARANCE. I KNOW I'M A LITTLE STICKY HERE. 306 00:14:46,552 --> 00:14:48,344 WHEN YOU WALK DOWN THE ROAD LOOKING LIKE THIS, 307 00:14:48,512 --> 00:14:49,929 SOMETIMES PEOPLE THROW THINGS AT YOU. 308 00:14:50,097 --> 00:14:51,306 YOU WOULDN'T HAPPEN TO HAVE A WET WIPE, WOULD YOU? 309 00:14:51,473 --> 00:14:53,558 ACTUALLY, I DO. 310 00:14:53,726 --> 00:14:56,185 I LOVE A WOMAN THAT CARRIES WET WIPES. 311 00:14:58,063 --> 00:15:00,565 MMM, PREMIUM MOIST TOWELETTES, MY FAVORITE. 312 00:15:00,733 --> 00:15:01,858 I CARRY THEM EVERYWHERE. 313 00:15:02,026 --> 00:15:03,234 YOU DO? 314 00:15:03,402 --> 00:15:04,903 THAT'S YOUR NEED TO BE PREPARED, PERFECTLY PREPARED. 315 00:15:05,070 --> 00:15:06,696 PROBABLY DROVE YOUR LAST BOYFRIEND CRAZY. 316 00:15:06,864 --> 00:15:08,448 WHAT HE DIDN'T UNDERSTAND IS THAT DEEP DOWN INSIDE 317 00:15:08,616 --> 00:15:09,908 YOU NEVER REALLY FEEL PREPARED. 318 00:15:10,075 --> 00:15:13,036 THAT'S WHY YOU'RE ALWAYS OVER-PREPARED. 319 00:15:13,621 --> 00:15:15,246 MY GOD. HOW DID YOU KNOW THAT? 320 00:15:15,414 --> 00:15:18,583 BECAUSE HE SEES ALL AND KNOWS ALL? 321 00:15:19,335 --> 00:15:20,835 [Laughs] THAT WAS A GOOD ONE. 322 00:15:21,003 --> 00:15:23,713 SO, THANK YOU SO MUCH, AND GOOD LUCK TO YOU. 323 00:15:23,881 --> 00:15:25,465 SORRY I COULDN'T BE OF MORE HELP TO YOU. 324 00:15:25,633 --> 00:15:27,175 OH, NO. OH, NO. YOU WERE WONDERFUL. 325 00:15:27,343 --> 00:15:28,676 AND IT WAS SO NICE MEETING YOU. 326 00:15:28,844 --> 00:15:32,805 OH, SAME HERE, KATE, WONDERFUL. PLEASURE WAS ALL MINE. YEAH. 327 00:15:32,973 --> 00:15:34,599 NICE MEETING YOU, TOO, ROBERT RICKY. MY PLEASURE. 328 00:15:34,767 --> 00:15:37,769 MAY WE GIVE YOU A LIFT? OH, NO. I HAVE TO GET BACK TO MY PILGRIMAGE. 329 00:15:37,937 --> 00:15:41,356 YOU SURE? YOU HEARD THE PILGRIM. 330 00:15:41,523 --> 00:15:43,149 VERY FUNNY. YEAH, THANKS. 331 00:15:43,317 --> 00:15:45,735 I REALLY LIKE YOU. YES. I LIKE YOU TOO. 332 00:15:45,903 --> 00:15:47,654 KATE. IT WAS SO NICE MEETING YOU. 333 00:15:47,821 --> 00:15:51,616 IT WAS VERY SPECIAL. YEAH. THANK YOU. THANKS AGAIN. 334 00:15:51,784 --> 00:15:53,701 - BYE-BYE. - BYE-BYE. 335 00:15:53,869 --> 00:15:56,371 - NOW, WATCH OUT FOR THE CARS THERE. - CAREFUL! 336 00:16:00,793 --> 00:16:03,294 [Clears Throat] 337 00:16:05,881 --> 00:16:07,548 - KATE? - WHAT? 338 00:16:07,716 --> 00:16:09,884 - ARE YOU INSANE? - WHAT? 339 00:16:10,052 --> 00:16:12,720 IS THAT WHAT YOU DO, OFFER GUYS YOU MEET ON THE HIGHWAY RIDES? 340 00:16:12,888 --> 00:16:14,305 HE OFFERED US HELP. 341 00:16:14,473 --> 00:16:16,641 OH, YOU'RE NEW TO THIS PLANET, AREN'T YOU? 342 00:16:16,809 --> 00:16:19,644 [Engine Starts] [Laughing] 343 00:16:19,812 --> 00:16:21,646 [Squeals] OH, MY GOD! 344 00:16:21,814 --> 00:16:23,606 [Screams] 345 00:16:29,363 --> 00:16:31,823 [Kate] OH MY GOD! 346 00:16:32,408 --> 00:16:33,866 AI-YI-YI. OH, MY GOD. 347 00:16:34,034 --> 00:16:37,328 OH, MY GOD. IS HE ALL RIGHT? GIVE HIM AIR. GIVE HIM AIR. 348 00:16:37,496 --> 00:16:39,455 HE'S NOT CONSCIOUS. MAYBE HE'S MEDITATING? 349 00:16:39,623 --> 00:16:43,001 FACE DOWN IN THE GRAVEL? HE WAS-- HE WAS KISSING THE GROUND BEFORE. 350 00:16:43,168 --> 00:16:45,545 RICKY, THIS IS REAL. WAIT A SECOND. I DIDN'T HIT HIM. 351 00:16:45,713 --> 00:16:49,048 I KNOW IT. I STOPPED. HE MUST'VE, UM, FAINTED. OH, GOD. 352 00:16:49,216 --> 00:16:51,801 - CALL 9-1 -1 . - OKAY. 353 00:16:53,470 --> 00:16:55,930 [Busy Signal] NOTHING. 354 00:16:56,098 --> 00:16:59,392 OKAY, OKAY, OKAY. LET'S NOT PANIC. LET'S--LET'S, UM-- 355 00:16:59,560 --> 00:17:02,270 LET'S GET HIM INTO THE CAR. OKAY. I'LL TAKE THE-- 356 00:17:02,438 --> 00:17:05,523 UNLESS--WAIT A MINUTE. MAYBE HE SHOULDN'T BE MOVED. 357 00:17:05,691 --> 00:17:07,567 AND WE JUST DRIVE TO A CALL BOX AND SEND SOMEBODY. OH! 358 00:17:07,735 --> 00:17:09,694 OH, GOD! NO! WHAT? WHAT? 359 00:17:09,862 --> 00:17:11,195 THAT'S NOT DISGUSTING. I'M THINKING THINGS OUT. 360 00:17:11,363 --> 00:17:12,613 LET'S GET HIM INTO THE CAR. 361 00:17:12,781 --> 00:17:15,033 THIS IS EXACTLY WHY YOU DON'T WAVE. THIS IS EXACTLY WHY YOU DON'T WAVE. 362 00:17:15,200 --> 00:17:16,451 OH, IT'S MY FAULT NOW? 363 00:17:16,618 --> 00:17:18,703 LET'S NOT ARGUE ABOUT IT. COME ON. 364 00:17:18,871 --> 00:17:21,873 [Woman On P.A.] DR. HOFFMAN, 308. DR. HOFFMAN, CALL 308. 365 00:17:22,041 --> 00:17:24,417 HOW WOULD YOU LIKE TO TAKE CARE OF PAYMENT? 366 00:17:24,585 --> 00:17:28,796 PAYMENT? WE JUST BROUGHT HIM IN. I DON'T KNOW HIM. 367 00:17:28,964 --> 00:17:30,798 WELL NEITHER DO I. 368 00:17:30,966 --> 00:17:32,258 HERE. I'LL TAKE CARE OF IT. 369 00:17:32,426 --> 00:17:35,511 WHAT ARE YOU DOING? WHAT ARE YOU DOING? NO, KATE. 370 00:17:35,679 --> 00:17:38,056 I'M BUCKS UP, I GUESS. SPONGE BATHS FOR EVERYBODY. 371 00:17:38,223 --> 00:17:39,307 THANK YOU. 372 00:17:39,475 --> 00:17:40,767 - HI. I'M DR. SIMON. - KATE NEWELL. 373 00:17:40,934 --> 00:17:42,935 OH, THE DOCTOR. GOOD, GOOD. KATE NEWELL. 374 00:17:43,103 --> 00:17:45,063 G IS SUFFERING FROM HEAT EXHAUSTION, 375 00:17:45,230 --> 00:17:47,565 BUT, MORE SERIOUSLY, HAS SOME ARRHYTHMIA, 376 00:17:47,733 --> 00:17:51,319 AN IRREGULAR HEARTBEAT WHICH MAY OR MAY NOT BE CHRONIC. 377 00:17:51,487 --> 00:17:54,405 I THINK WE SHOULD KEEP HIM OVERNIGHT AND MONITOR HIM. 378 00:17:54,573 --> 00:17:56,616 OVERNIGHT? WHAT DO YOU THINK BROUGHT THIS ON? 379 00:17:56,784 --> 00:17:58,910 - IT MAY BE CONGENITAL. - MY THOUGHT, MY THOUGHT. 380 00:17:59,078 --> 00:18:01,496 OR DUE TO SOME TRAUMATIC EVENT, A SHOCK TO THE SYSTEM. 381 00:18:01,663 --> 00:18:03,998 WE'D LIKE TO RUN A FEW MORE TESTS TO BE SURE. 382 00:18:04,166 --> 00:18:07,043 THANK YOU SO MUCH. APPRECIATE IT. APPRECIATE ALL YOUR TIME. 383 00:18:07,211 --> 00:18:09,420 THANK YOU, DOCTOR. DON'T GO CRAZY ON THOSE TESTS. 384 00:18:09,588 --> 00:18:12,131 KEEP THOSE TO A MINIMUM. THANK YOU SO MUCH. 385 00:18:12,299 --> 00:18:14,926 WHAT? NO, I HEARD, YEAH. I MIGHT'VE BEEN RESPONSIBLE. 386 00:18:15,094 --> 00:18:17,345 I FEEL TERRIBLE, BUT I THINK HE'S IN GOOD HANDS HERE, DON'T YOU? 387 00:18:17,513 --> 00:18:19,597 DON'T YOU FEEL GOOD ABOUT THIS PLACE? HE SEEMS SO STRONG. 388 00:18:19,765 --> 00:18:21,099 I THINK HE'S GONNA BE FINE. 389 00:18:21,266 --> 00:18:24,185 AND, YOU KNOW, OUT OF EVERY NEGATIVE COMES SOME GOOD. 390 00:18:24,353 --> 00:18:25,770 LIKE WHAT? 391 00:18:25,938 --> 00:18:29,023 WELL, I THINK THIS TRAGEDY HAS BROUGHT US CLOSER TOGETHER. 392 00:18:29,191 --> 00:18:30,441 OH, PLEASE. 393 00:18:30,609 --> 00:18:32,151 - WHAT? - NO. 394 00:18:32,319 --> 00:18:33,986 THIS IS GONNA MAKE A GREAT STORY FOR OUR KIDS. 395 00:18:34,154 --> 00:18:35,446 IN YOUR DREAMS. 396 00:18:35,614 --> 00:18:38,699 AND, OF COURSE, ONE'S A GIRL. I THINK WE SHOULD NAME HER Z. 397 00:18:38,867 --> 00:18:42,370 YOU KNOW, ANNIE, I WAS SITTING HOME ALONE ONE DAY, 398 00:18:42,538 --> 00:18:47,291 AND ALL OF A SUDDEN I WAS JUST THINKING, "BALLS." 399 00:18:47,459 --> 00:18:49,293 - BALLS? - YES. 400 00:18:49,461 --> 00:18:52,213 AND THAT IS WHEN I CAME UP WITH THE CONCEPT 401 00:18:52,381 --> 00:18:55,174 FOR THE LAUNDRY SOLUTION CLEANING BALL. 402 00:18:55,342 --> 00:18:58,594 THAT'S INGENIOUS-- BALLS THAT CLEAN. 403 00:18:58,762 --> 00:19:03,057 YES. AND YOU KNOW MY CARL. HE IS A HOMICIDE DETECTIVE. 404 00:19:03,225 --> 00:19:06,561 - MIAMI'S FINEST. - OH, WELL, WE LIKE TO THINK SO. 405 00:19:06,728 --> 00:19:09,772 AND YOU CAN IMAGINE THE STAINS THAT HE COMES HOME WITH. 406 00:19:09,940 --> 00:19:12,859 YOU SEE, YOU HAVE YOUR BLOOD; YOU HAVE YOUR GRASS. 407 00:19:13,026 --> 00:19:14,986 - YOU HAVE YOUR SWEAT. - VOMIT? 408 00:19:15,154 --> 00:19:17,155 OH, YES, ABSOLUTELY, THAT'S YOUR VOMIT. 409 00:19:17,322 --> 00:19:20,658 - I DON'T SEE ANY LIPSTICK THERE. - OH, YOU BAD GIRL! 410 00:19:20,826 --> 00:19:22,702 THESE GALS HAVE SOMETHING, DON'T THEY? 411 00:19:22,870 --> 00:19:25,288 YOU KNOW, I DON'T SEE A THING WRONG WITH THESE LADIES. 412 00:19:25,455 --> 00:19:31,669 WHO BETTER THAN THESE BOUNCY, HOMEGROWN-- 413 00:19:31,837 --> 00:19:35,339 HI. I WAS REVIEWING THE SALES FROM LAST NIGHT'S STUFF. 414 00:19:35,507 --> 00:19:36,966 WHAT THE DILLY--OH, LOOK. 415 00:19:37,134 --> 00:19:39,093 TELL ME. EDDIE THE DOG COULDN'T MOVE THE GRASS MATS, MAYBE SOLD TEN. 416 00:19:39,261 --> 00:19:41,929 NO. HE'S PHONING IT IN. I'M GONNA TALK TO HIS TRAINER. 417 00:19:42,097 --> 00:19:44,015 [Phone Rings] CONTROL. 418 00:19:44,183 --> 00:19:46,058 HEY, WHAT ARE YOU DOING TOMORROW AT NIGHT? 419 00:19:46,226 --> 00:19:49,187 'CAUSE I'M HAVING A BUNCH OF POTENTIAL DISTRIBUTORS OVER 420 00:19:49,354 --> 00:19:52,356 FOR COCKTAILS AT MY PLACE, INCLUDING NINO CERRUTI, 421 00:19:52,524 --> 00:19:54,525 WHO'S STARTING HIS NEW READY-TO-WEAR LINE WHICH I WOULD LOVE 422 00:19:54,693 --> 00:19:56,194 TO GET HERE ON GOOD BUY. 423 00:19:56,361 --> 00:19:58,112 SO IT'D BE SO GREAT IF YOU COULD POP OVER. 424 00:19:58,280 --> 00:19:59,405 [Barry] YEAH. HOLD ON. 425 00:19:59,573 --> 00:20:00,781 I'M SORRY. I HAVE PLANS. 426 00:20:00,949 --> 00:20:04,035 - RICKY. RICKY! - YOU DO? 427 00:20:04,203 --> 00:20:05,995 THERE'S A CONSONANT HERE TO SEE YOU. 428 00:20:06,163 --> 00:20:07,997 WHAT? SHH-SHH! A VISITOR? 429 00:20:08,165 --> 00:20:11,375 - A BIT. - HUH! NO KIDDING? 430 00:20:11,543 --> 00:20:13,419 YEAH, HE DOESN'T KNOW ANYTHING ABOUT IT. 431 00:20:13,587 --> 00:20:18,257 IT'S JUST IF YOU WERE THERE, YOU KNOW, IT'D SHOW SUPPORT AND TEAM SPIRIT, 432 00:20:18,425 --> 00:20:22,011 AND I THINK THAT IT'D WIN HIM OVER; I THINK YOU WOULD. 433 00:20:22,512 --> 00:20:25,181 STRICTLY BUSINESS? 434 00:20:25,849 --> 00:20:29,018 KATE, THIS IS ME. 435 00:20:29,603 --> 00:20:30,937 [Cleaning Ball Lady] IT WORKS SO EASILY. 436 00:20:31,104 --> 00:20:33,356 I'LL TRY. 437 00:20:33,523 --> 00:20:37,610 YOU SIMPLY APPLY LAUNDRY SOLUTION TO THE STAINS. 438 00:20:37,778 --> 00:20:41,739 YOU TOSS IT IN THE WASHER. THAT'S ALL. 439 00:20:41,907 --> 00:20:44,158 - THAT SIMPLE? - THAT SIMPLE. 440 00:20:44,326 --> 00:20:46,452 [Man] WHAT FANTASTIC BALLS. 441 00:20:46,620 --> 00:20:49,247 OH, JESUS! WHAT-- WHAT IS THIS? 442 00:20:49,414 --> 00:20:54,085 [Crew Chattering] 443 00:20:54,253 --> 00:20:57,755 NO! WAIT A MINUTE. BARRY, CALL SECURITY. 444 00:20:57,923 --> 00:20:59,382 GET THEM ON THE FLOOR IMMEDIATELY, PLEASE. 445 00:20:59,549 --> 00:21:02,802 [Woman] GO TO JAMES BROWN. HELLO, SECURITY? 446 00:21:02,970 --> 00:21:07,807 UH, THE, UH-- I CAN APPLY THIS WHILE IT'S ON YOU. 447 00:21:07,975 --> 00:21:10,101 [G] GREAT. THAT'S EVEN BETTER. 448 00:21:10,269 --> 00:21:11,519 [Woman] ALL RIGHT. 449 00:21:11,687 --> 00:21:12,937 STAY RIGHT HERE. 450 00:21:13,105 --> 00:21:14,438 WHEN I SAY GO, GET HIM OUT OF THERE. 451 00:21:14,606 --> 00:21:17,233 ALL RIGHT. HERE WE GO. RIGHT, RIGHT, RIGHT THERE. 452 00:21:17,401 --> 00:21:22,238 WAIT, WAIT, WAIT, WAIT, WAIT! 453 00:21:22,406 --> 00:21:24,448 I SEE A FACE ON THIS. COME LOOK AT THIS. 454 00:21:24,616 --> 00:21:25,992 DO YOU SEE A FACE HERE? 455 00:21:26,159 --> 00:21:28,244 DO YOU SEE THAT? I DON'T KNOW. 456 00:21:28,412 --> 00:21:30,371 CAN I HAVE YOUR HEADSET? THANK YOU. 457 00:21:30,539 --> 00:21:31,998 LOOK. LOOK. 458 00:21:32,165 --> 00:21:35,418 [Gasps] IT'S THE BABY JESUS. 459 00:21:36,086 --> 00:21:38,713 NO, THAT'S NOT JESUS. THAT'S MERV GRIFFIN. 460 00:21:38,880 --> 00:21:40,089 - NO? - WHAT? 461 00:21:40,257 --> 00:21:41,340 LOOK. UPSIDE-DOWN. YOU SEE? 462 00:21:41,508 --> 00:21:42,508 OH! 463 00:21:42,676 --> 00:21:44,051 OKAY, LISTEN UP. JIM, CAMERA THREE. 464 00:21:44,219 --> 00:21:46,345 GET A TIGHT SHOT OF THE SIGN. 465 00:21:46,513 --> 00:21:47,930 CUT TO CAMERA THREE ON RICKY'S WORD. 466 00:21:48,098 --> 00:21:50,308 SEE? LOOK. I'LL MAKE IT LOOK AT YOU. 467 00:21:50,475 --> 00:21:51,434 OH! 468 00:21:51,601 --> 00:21:53,311 SEE? AND HE'S LOOKING AT-- HE'S LOOKING AT YOU. 469 00:21:53,478 --> 00:21:55,062 HE'S LOOKING AT ME! 470 00:21:55,230 --> 00:21:56,689 SAM, WHEN I GIVE THE WORD, CUT TO CAMERA THREE 471 00:21:56,857 --> 00:21:58,482 AND GO TO THE TEASER FOR PEPPERTOWN. 472 00:21:58,650 --> 00:21:59,984 THREE, GET READY. READY? 473 00:22:00,152 --> 00:22:01,277 PEPPERTOWN TEASER. ON HIS WORD. 474 00:22:01,445 --> 00:22:02,486 IT'S AMAZING. 475 00:22:02,654 --> 00:22:04,613 ONE PERSON'S CHERRY STAIN IS ANOTHER PERSON'S TALK SHOW HOST. 476 00:22:04,781 --> 00:22:06,073 - NOW. - GO. 477 00:22:06,241 --> 00:22:08,326 IT'S ALL AROUND US, WE JUST HAVE TO LOOK FOR IT, YOU KNOW? 478 00:22:08,493 --> 00:22:10,494 GOOD. GOOD, GOOD, GOOD. 479 00:22:10,662 --> 00:22:12,496 COME ON. GET HIM OUT. 480 00:22:12,664 --> 00:22:13,998 [Chattering] 481 00:22:14,166 --> 00:22:15,458 OKAY. WE'RE OFF. TAKE HIM TO MY OFFICE. 482 00:22:15,625 --> 00:22:16,834 I'M RIGHT BEHIND YOU. 483 00:22:17,002 --> 00:22:18,210 ROBERT RICKY. LOOK AT THIS. 484 00:22:18,378 --> 00:22:19,837 THIS LOOKS EXACTLY LIKE MERV GRIFFIN. 485 00:22:20,005 --> 00:22:21,213 WE'RE GONNA HAVE A TALK. LET'S HAVE A TALK. 486 00:22:21,381 --> 00:22:22,506 OH, OKAY. 487 00:22:22,674 --> 00:22:23,924 SORRY, LADIES. WE'RE OFF. HANG WITH US. 488 00:22:24,092 --> 00:22:26,344 AND, YOU KNOW, DON'T--EVERYBODY'S SAYING "BALLS" WAY TOO MUCH. 489 00:22:26,511 --> 00:22:27,762 DON'T SAY "BALLS." DON'T SAY "BLUE BALLS." 490 00:22:27,929 --> 00:22:30,348 WE'RE SELLING LAUNDRY SOLUTION. THAT'S WHAT TO SAY. 491 00:22:30,515 --> 00:22:32,558 YOU'RE WAY TOO IN LOVE WITH "BALLS," AREN'T YA? 492 00:22:32,726 --> 00:22:35,353 THAT'S ALL I FEEL LIKE I'M HEARING, IS "BALLS, BALLS, BALLS, BALLS, BALLS." 493 00:22:35,520 --> 00:22:38,356 ROBERT RICKY! I'M RIGHT THERE. 494 00:22:38,982 --> 00:22:40,608 [Annie] WE'LL BE BACK ON SOON. 495 00:22:40,776 --> 00:22:42,735 I THOUGHT IT WAS JESUS. IT WAS MERV. 496 00:22:42,903 --> 00:22:44,862 I THOUGHT IT LOOKED LIKE KARL MALDEN. 497 00:22:45,030 --> 00:22:46,530 THANKS, GUYS. SURE. 498 00:22:46,698 --> 00:22:48,199 THANK YOU, CEDRIC. THANK YOU, TED. 499 00:22:48,367 --> 00:22:49,533 ON YOU GO. THANK YOU, CEDRIC AND TED. 500 00:22:49,701 --> 00:22:51,702 THANK YOU FOR BRINGING ME TO ROBERT RICKY. 501 00:22:51,870 --> 00:22:52,953 OKAY. 502 00:22:53,121 --> 00:22:55,039 WHAT A WONDERFUL PLACE YOU HAVE HERE. EXHILARATING. 503 00:22:55,207 --> 00:22:56,374 G? 504 00:22:56,541 --> 00:22:58,542 - I CAN FEEL YOUR ENERGY IN THIS ROOM. - YEAH. SIR. 505 00:22:58,710 --> 00:22:59,752 HEY, HEY, HEY, HEY! WHAT ARE YOU DOING? 506 00:22:59,920 --> 00:23:01,337 BAD IDEA? BAD IDEA? 507 00:23:01,505 --> 00:23:03,130 IT'S A BAD IDEA? LOOK AT THIS PLACE. NO, NO. LISTEN. LISTEN. 508 00:23:03,298 --> 00:23:04,507 HEY! WHAT'S HAPPENING? 509 00:23:04,674 --> 00:23:06,634 [Inhales] I CAN FEEL THE EXCITEMENT IN THIS PLACE. 510 00:23:06,802 --> 00:23:09,387 G? WHAT ARE YOU DOING? WHAT HAPPENED? 511 00:23:09,554 --> 00:23:10,805 YES? 512 00:23:10,972 --> 00:23:12,181 I'D LIKE TO GIVE YOU THE BENEFIT OF THE DOUBT HERE. 513 00:23:12,349 --> 00:23:13,724 YOU'RE OBVIOUSLY FROM OUT OF TOWN AND LOOK REAL UNFAMILIAR. G! 514 00:23:13,892 --> 00:23:15,309 OH, KATE! HOW ARE YOU? LOOK WHO'S UP AND AROUND. 515 00:23:15,477 --> 00:23:17,061 SO GOOD TO SEE YOU. YOU KNOW SOMETHING? 516 00:23:17,229 --> 00:23:18,437 LET ME TELL YOU. 517 00:23:18,605 --> 00:23:20,147 I DON'T KNOW IF IT'S YOU THAT MAKES THIS DRESS LOOK INCREDIBLE 518 00:23:20,315 --> 00:23:22,900 OR VICE-VERSA, BUT EITHER WAY IT'S A WINNING COMBINATION. 519 00:23:23,068 --> 00:23:24,693 OH, THANK YOU. BUT WHAT WERE YOU DOING? 520 00:23:24,861 --> 00:23:28,072 - YOU CAN'T JUST JUMP ON TV LIKE THAT. - I'M SORRY. I HAD A STAIN. 521 00:23:28,240 --> 00:23:30,658 - YEAH. DID McB SEE THAT? - NO, I DON'T THINK SO. 522 00:23:30,826 --> 00:23:32,993 OKAY, WELL, MAYBE HE DOESN'T HAVE TO HEAR ABOUT IT, BECAUSE-- 523 00:23:33,161 --> 00:23:36,372 BECAUSE, AFTER ALL, IF CERTAIN PEOPLE HADN'T WAVED TO CERTAIN PEOPLE, 524 00:23:36,540 --> 00:23:39,750 AS WELL-INTENTIONED AND KIND OF DOPEY AS IT WAS, 525 00:23:39,918 --> 00:23:41,627 I THINK WE SEE NOW THAT IT WAS VERY MISGUIDED. 526 00:23:41,795 --> 00:23:43,045 WE'LL TALK ABOUT THE WHOLE THING. 527 00:23:43,213 --> 00:23:44,422 LISTEN, WE'RE RIGHT IN THE MIDDLE OF OUR DAY HERE. 528 00:23:44,589 --> 00:23:45,714 DID YOU COME FOR A REASON? 529 00:23:45,882 --> 00:23:47,716 OH, YES, I DID. I CAME BECAUSE THE HOSPITAL JUST RELEASED ME, 530 00:23:47,884 --> 00:23:50,469 AND THEY INFORMED ME THAT YOU PAID MY DOCTOR'S BILL, YEAH. 531 00:23:50,637 --> 00:23:53,347 AND I JUST WANTED TO COME DOWN AND THANK YOU PERSONALLY, ROBERT RICKY. 532 00:23:53,515 --> 00:23:54,807 RICKY. JUST CALL ME RICKY. 533 00:23:54,975 --> 00:23:56,350 YOU'RE SHORTENING YOUR NAME, JUST LIKE ME. 534 00:23:56,518 --> 00:23:57,810 WAIT 'TIL YOU GET TO JUST "R." 535 00:23:57,978 --> 00:23:59,353 THE TIME YOU'LL SAVE WILL PUT HOURS ON YOUR LIFE, TRUST ME. 536 00:23:59,521 --> 00:24:00,729 ANYWAY, I JUST WANTED TO TELL YOU THANK YOU SO MUCH, 537 00:24:00,897 --> 00:24:03,274 AND IF THERE'S ANYTHING THAT I CAN DO TO REPAY YOU, JUST LET ME KNOW. 538 00:24:03,442 --> 00:24:05,443 AH, I GOTCHA! I GOTCHA! 539 00:24:05,610 --> 00:24:07,278 YOU KNOW WHAT WOULD MAKE ME THE HAPPIEST? 540 00:24:07,446 --> 00:24:08,737 WHAT'S THAT? 541 00:24:08,905 --> 00:24:10,448 KNOWING THAT YOU WERE BACK ON YOUR WAY, 542 00:24:10,615 --> 00:24:14,160 SEARCHING, HEALING, FOLLOWING THAT GOLDEN, GOLDEN PATH OF YOURS. 543 00:24:14,327 --> 00:24:16,829 AND MAY GOD, OR WHATEVER IT IS YOU BELIEVE IN, SMILE UPON YOUR JOURNEY. 544 00:24:16,997 --> 00:24:18,622 THERE'S A DOOR RIGHT AT THE BOTTOM OF THE STAIRS. 545 00:24:18,790 --> 00:24:20,791 WAIT, WHAT DID DR. SIMON SAY? 546 00:24:20,959 --> 00:24:23,377 WELL, THE DOCTOR TOLD ME I SHOULD STAY OUT OF THE SUN FOR A COUPLE OF WEEKS, 547 00:24:23,545 --> 00:24:25,504 AND THEN I SHOULD COME BACK AND SEE HIM, HAVE ANOTHER CHECKUP, 548 00:24:25,672 --> 00:24:28,466 AND IF EVERYTHING PANNED OUT, THEN I CAN RESUME MY PILGRIMAGE. 549 00:24:28,633 --> 00:24:30,134 WHERE WILL YOU STAY? 550 00:24:30,302 --> 00:24:32,303 DURING THE DAY, I CAN STAY IN A SHOPPING MALL OR SOMETHING. 551 00:24:32,471 --> 00:24:34,555 AND AT NIGHT, IT'S REALLY NOT THAT BAD. SHOPPING MALLS ARE GREAT HERE. 552 00:24:34,723 --> 00:24:37,099 - THAT'S GOOD. - NO! 553 00:24:37,267 --> 00:24:38,642 THAT'S NOT RIGHT. 554 00:24:38,810 --> 00:24:41,187 YOU WOULDN'T BE STUCK HERE IF IT WEREN'T FOR US. 555 00:24:41,855 --> 00:24:43,898 OKAY. OKAY. UM HERE. 556 00:24:44,065 --> 00:24:48,152 HERE'S, UM--HERE'S $1 80. 557 00:24:48,320 --> 00:24:50,905 FIND YOURSELF A MOTEL ROOM, REST UP AND CONSIDER US EVEN STEVEN. 558 00:24:51,072 --> 00:24:53,073 ABSOLUTELY NOT. THERE'S NO WAY I CAN ACCEPT MONEY. 559 00:24:53,241 --> 00:24:55,201 I'M SORRY, BUT THANK YOU. I DON'T WANT TO OFFEND. 560 00:24:55,368 --> 00:24:56,619 YOU'RE VERY GRATEFUL. 561 00:24:56,786 --> 00:24:57,953 WHY DON'T YOU COME STAY AT MY PLACE? 562 00:24:58,121 --> 00:24:59,455 [Both] WHAT? 563 00:24:59,623 --> 00:25:00,998 I MEAN IT. I COULDN'T LET YOU STAY OUT IN THIS HEAT. 564 00:25:01,166 --> 00:25:02,833 WHAT IF SOMETHING HAPPENED TO YOU? I'D NEVER FORGIVE MYSELF. 565 00:25:03,001 --> 00:25:05,294 I DON'T KNOW. I DON'T THINK I CAN DO THAT. 566 00:25:05,462 --> 00:25:07,087 HE CAN'T DO THAT. IT'S A RELIGIOUS THING, KATE. 567 00:25:07,255 --> 00:25:08,547 YOU'LL NEVER UNDERSTAND. 568 00:25:08,715 --> 00:25:11,050 NO, BELIEVE ME. IT WOULD BE MUCH WORSE FOR ME KNOWING YOU WERE 569 00:25:11,218 --> 00:25:12,635 OUT ON THE STREETS. 570 00:25:12,802 --> 00:25:14,845 IT'S AIR-CONDITIONED. GREAT POOL. 571 00:25:15,013 --> 00:25:16,138 REALLY? 572 00:25:16,306 --> 00:25:18,349 UH-HUH. I CAN'T COOK, BUT I ORDER A MEAN TAKEOUT. 573 00:25:18,517 --> 00:25:22,520 OH, MAN. WELL, I KNOW HOW TO EAT SOME MEAN TAKEOUT TOO. 574 00:25:22,687 --> 00:25:25,814 AND IF YOU SPILL ANYTHING, YOU'LL KNOW WHO'S GOT THE WET WIPES FOR IT. 575 00:25:25,982 --> 00:25:28,859 OR THE STAIN BALL. THAT'LL BE FUN. IT'LL BE LIKE A SLUMBER PARTY. 576 00:25:29,027 --> 00:25:32,196 WE COULD DANCE, WEAR OUR JAMMIES. THIS IS SO GREAT. 577 00:25:32,364 --> 00:25:34,031 I WISH I HAD MY CAMERA. 578 00:25:34,199 --> 00:25:35,533 [Imitates Camera Clicking] AH, THIS IS SO SWEET. 579 00:25:35,700 --> 00:25:38,077 BUT, KATE, I CANNOT IN GOOD CONSCIENCE LET G STAY WITH YOU. 580 00:25:38,245 --> 00:25:41,622 THIS IS MY FAULT, NOW THAT I'VE THOUGHT ABOUT IT. 581 00:25:41,790 --> 00:25:44,875 IT'S MY RESPONSIBILITY. G, PLEASE STAY WITH ME. 582 00:25:45,043 --> 00:25:48,295 I'D LIKE YOU TO STAY AT MY HOUSE. 583 00:25:52,634 --> 00:25:54,385 DO YOU HAVE A POOL? 584 00:25:54,553 --> 00:25:59,765 ♪♪♪ 585 00:26:07,732 --> 00:26:12,027 [People Chattering, Shouting] 586 00:26:15,782 --> 00:26:19,243 HAVING FUN THERE, HUH? OH, YES. I ALWAYS HAVE FUN. 587 00:26:19,411 --> 00:26:21,245 HOW ABOUT YOU? 588 00:26:21,413 --> 00:26:23,289 YOU'RE AFTER SOMETHING, AREN'T YOU, BUDDY? 589 00:26:23,456 --> 00:26:25,499 - DEFINITELY. - YEAH. 590 00:26:25,667 --> 00:26:29,169 THINK I'LL FIND IT? [Laughs] 591 00:26:37,429 --> 00:26:40,598 HEY, THIS THING WORKS REALLY GOOD. 592 00:26:40,765 --> 00:26:42,600 LOOK AT THAT. [Laughs] 593 00:26:42,767 --> 00:26:44,059 THANK YOU. 594 00:26:44,227 --> 00:26:45,936 MMM. OKAY. 595 00:26:46,104 --> 00:26:48,022 VERY NICE. WANT SOME SHEETS FOR THE BED? 596 00:26:48,189 --> 00:26:49,815 OH, NO THANK YOU. 597 00:26:49,983 --> 00:26:52,651 THAT WON'T BE NECESSARY. I DON'T SLEEP ON MATTRESSES. 598 00:26:52,819 --> 00:26:54,903 YOU KNOW, MATTRESSES ARE INHABITED BY FLESH-EATING MITES 599 00:26:55,071 --> 00:26:59,116 THAT LIVE OFF THE DEAD SKIN THAT FLAKES OFF YOUR BODY WHILE YOU'RE SLEEPING. 600 00:26:59,284 --> 00:27:01,118 I DON'T WANT TO GO THROUGH THAT. I LIKE THE FLOOR. 601 00:27:01,286 --> 00:27:04,788 IT'S NICE AND COMFORTABLE AND FIRM. YOU MIGHT WANT TO TRY IT SOMETIME. 602 00:27:04,956 --> 00:27:06,957 [Chuckles] NO. NO, THANK YOU. 603 00:27:07,125 --> 00:27:10,669 I'LL--I'LL STICK WITH THE OLD SKIN-EATING MITE PAD. 604 00:27:10,837 --> 00:27:13,339 YOU WANT TO BE A BUFFET, YOU GO RIGHT AHEAD. 605 00:27:13,506 --> 00:27:15,841 I'M SURE THE MITES WILL ENJOY. 606 00:27:16,009 --> 00:27:18,802 THEY'RE HAVING NERVOUS RICKY FLAKES TONIGHT. 607 00:27:18,970 --> 00:27:20,763 [Laughs] 608 00:27:20,930 --> 00:27:24,058 ABBONDANZA, MITES! [Chuckles] 609 00:27:46,498 --> 00:27:48,499 A VERY PLEASANT GOOD MORNING TO YOU, RICKY. 610 00:27:48,667 --> 00:27:50,417 GOOD MORNING. LOOK. 611 00:27:50,585 --> 00:27:53,045 I DON'T WANT TO HEAR OF ANY BEAUTY OF LIFE, OKAY? 612 00:27:53,213 --> 00:27:54,505 IT'S TOO EARLY. 613 00:27:54,673 --> 00:27:56,340 HOW CAN YOU BE GRUMPY IN A BEAUTIFUL SETTING LIKE THIS? 614 00:27:56,508 --> 00:27:58,008 LOOK AT THIS BEAUTIFUL PLACE. 615 00:27:58,176 --> 00:28:00,094 I'LL TELL YOU HOW, MR. G. 616 00:28:00,261 --> 00:28:03,430 'CAUSE IT'S ALL, UH IT'S ALL HANGING BY A THREAD. 617 00:28:03,598 --> 00:28:06,600 THE WHOLE HAYMAN EMPIRE. 618 00:28:06,768 --> 00:28:10,020 AND I'M THAT CLOSE TO JOINING YOU ON THE STREET. 619 00:28:10,188 --> 00:28:13,107 I'M SORRY. I TRAVEL ALONE. 620 00:28:13,274 --> 00:28:17,027 GREAT. EVEN YOU WON'T HIRE ME. 621 00:28:17,195 --> 00:28:19,697 [Groans] O.J.? 622 00:28:19,864 --> 00:28:22,741 OH, I THREW THE ORANGE JUICE OUT. IT WAS SMELLY. 623 00:28:22,909 --> 00:28:26,620 IT HAD A LITTLE SMELL TO IT. WHY DON'T YOU TRY THIS? 624 00:28:26,788 --> 00:28:29,498 I MADE IT FRESH. IT'S DELICIOUS. 625 00:28:31,376 --> 00:28:36,672 MMM. VERY PLEASANT, VERY REFRESHING. TRY IT. 626 00:28:40,009 --> 00:28:42,261 NOW, DON'T DRINK IT TOO FAST. DRINK IT VERY SLOWLY. 627 00:28:42,429 --> 00:28:47,015 TAKE IT IN. I'LL DRINK. ALL RIGHT. 628 00:28:47,934 --> 00:28:49,309 MMMM! 629 00:28:49,477 --> 00:28:51,061 YES. YOU LIKE THAT? 630 00:28:51,229 --> 00:28:52,730 IT'S NOT BAD. IT'S GOOD. 631 00:28:52,897 --> 00:28:54,064 NO, IT'S DELICIOUS. WHAT IS THAT? 632 00:28:54,232 --> 00:28:55,774 - WHAT DO YOU TASTE IN THAT? - WHAT IS IT, PEACH? 633 00:28:55,942 --> 00:28:57,651 - YES, PEACHES. - IT'S GOOD. 634 00:28:57,819 --> 00:29:01,071 - YES, AND WHAT ELSE? - I DON'T KNOW. 635 00:29:01,781 --> 00:29:04,366 - I DON'T KNOW. - MY URINE IS IN IT. 636 00:29:04,534 --> 00:29:09,455 PSYCH YOUR MIND. NO, NO, NO, PSYCH YOUR MIND. 637 00:29:09,622 --> 00:29:10,914 [Water Running] 638 00:29:11,082 --> 00:29:12,583 IT'S NOT MY URINE. I KID YOU. IT'S A JOKE. 639 00:29:12,751 --> 00:29:14,835 IT'S HERBAL TEA. 640 00:29:15,003 --> 00:29:16,253 I KNOW YOU LIKE JOKES. 641 00:29:16,421 --> 00:29:19,882 I WANTED TO START THE DAY OFF WITH A FUNNY JOKE. 642 00:29:20,049 --> 00:29:23,677 TRUST ME, MY URINE DOESN'T HAVE THAT TASTY ZING TO IT. I KNOW. 643 00:29:23,845 --> 00:29:26,680 LET'S GO OUT HERE AND LOOK AT THE SUNLIGHT AND STAND IN THE SUN. 644 00:29:26,848 --> 00:29:29,016 I DON'T WANT TO STAY IN THIS APARTMENT ALL DAY. 645 00:29:29,184 --> 00:29:32,978 YOU CAN SEE ALL THE WAY DOWN TO THE BEACH FROM HERE, YOU KNOW. 646 00:29:33,938 --> 00:29:37,107 LET'S SEE WHAT YOU GOT HERE. HERE YOU GO. 647 00:29:38,193 --> 00:29:39,777 WELL. 648 00:29:39,944 --> 00:29:42,321 YOU WERE CUM LAUDE. THAT'S GREAT. 649 00:29:42,489 --> 00:29:45,491 [Phone Ringing] 650 00:29:48,411 --> 00:29:50,913 - BARRY. BARRY. - YEAH? 651 00:29:51,080 --> 00:29:55,584 UH--DON'T TELL ME, SOMEBODY ELSE FOR MY JOB? 652 00:29:55,752 --> 00:29:57,294 NO, NO, NO! 653 00:29:57,462 --> 00:29:58,921 LARRY KING DOESN'T INTERVIEW THIS MANY PEOPLE. 654 00:29:59,088 --> 00:30:00,255 REALLY? 655 00:30:00,423 --> 00:30:01,799 DID YOU TAKE HIM THE FAX I SENT YOU, THE NEW IMAGE SUGGESTIONS? 656 00:30:01,966 --> 00:30:03,050 YEAH. IT'S DONE. 657 00:30:03,218 --> 00:30:06,470 - WHAT YOU THINK? - I THOUGHT THEY WERE GREAT IDEAS. 658 00:30:06,638 --> 00:30:08,639 [Phone Ringing] JUST GREAT? 659 00:30:08,807 --> 00:30:11,975 UH, UH, AMAZING? UH, INSPIRED? 660 00:30:12,143 --> 00:30:14,478 - EROTIC? - DON'T. 661 00:30:14,646 --> 00:30:16,605 HE'S GOTTA LIKE 'EM. I WAS UP ALL NIGHT. 662 00:30:16,773 --> 00:30:18,106 I WAS UP ALL NIGHT. 663 00:30:18,274 --> 00:30:19,399 WHAT ELSE? ANYTHING ELSE? 664 00:30:19,567 --> 00:30:20,901 ALSO, THE BANK CALLED. 665 00:30:21,069 --> 00:30:23,153 UH, CAR GUY OR MORTGAGE GUY? PLEASE DON'T SAY MORTGAGE GUY. 666 00:30:23,321 --> 00:30:24,613 MORTGAGE GUY. 667 00:30:24,781 --> 00:30:26,365 - HI. HI, BARRY. - HEY. 668 00:30:26,533 --> 00:30:28,408 MISS NEWELL. LOOK WHO IT IS. GOOD MORNING. 669 00:30:28,576 --> 00:30:30,202 - HOW'S G? - OH, HE'S IN THE CAR. 670 00:30:30,370 --> 00:30:33,330 I LEFT HIM THERE. I CRACKED THE WINDOW. 671 00:30:33,498 --> 00:30:36,834 NO, HE'S AT HOME. HE'S FINE. DON'T YOU WANT TO KNOW HOW I AM? 672 00:30:37,001 --> 00:30:41,129 JUDGING FROM McB'S REACTION TO YOUR NEW FAX, YOU'RE IN RARE FORM. 673 00:30:41,297 --> 00:30:43,340 REALLY? WHAT DO YOU MEAN? HE LIKED IT? 674 00:30:43,508 --> 00:30:44,800 NO. 675 00:30:44,968 --> 00:30:47,344 HE LIKED IT? OF COURSE HE LIKED IT. YOU KNOW WHY? YOU KNOW WHY? 676 00:30:47,512 --> 00:30:50,180 'CAUSE I'M A BORN GAME-ON-THE-LINE, FINAL SECONDS, GO-TO GUY. 677 00:30:50,348 --> 00:30:52,349 PRESSURE IS MY MISTRESS. WHAT'D HE SAY? WHAT'D HE SAY? 678 00:30:52,517 --> 00:30:54,560 - HE SAID THEY WERE HILARIOUS. - HILARIOUS? 679 00:30:54,727 --> 00:30:57,980 HE WAS WEEPING IN THERE THIS MORNING, AND IT TAKES A LOT TO MAKE HIM LAUGH. 680 00:30:58,147 --> 00:31:01,650 YEAH, I KNOW, I KNOW. HE SEEMED A LITTLE DOWN. 681 00:31:01,818 --> 00:31:04,027 HE SAYS HE CAN'T WAIT TO SEE YOUR REAL ONES. 682 00:31:04,195 --> 00:31:05,529 RIGHT. 683 00:31:05,697 --> 00:31:07,364 YOU KNOW, IT WAS REALLY SMART OF YOU TO GET HIM IN A GOOD MOOD. 684 00:31:07,532 --> 00:31:09,408 MAY MAKE IT EASIER FOR HIM TO TAKE LAST NIGHT'S NUMBERS. 685 00:31:09,576 --> 00:31:11,201 DOWN 2% . 686 00:31:11,369 --> 00:31:16,123 GRASS MATS WERE A CATASTROPHE. WE SOLD ONE. 687 00:31:16,791 --> 00:31:19,751 YOU I WILL SEE LATER. OKAY. 688 00:31:19,919 --> 00:31:22,296 SEE YOU LATER. 689 00:31:26,050 --> 00:31:30,512 ♪♪♪ 690 00:31:30,680 --> 00:31:33,891 OKAY, PLEASE, PLEASE LET THIS PARTY WORK FOR ME. 691 00:31:34,058 --> 00:31:36,977 YOU KNOW, I DON'T KNOW WHAT'S THE MATTER. 692 00:31:37,145 --> 00:31:39,396 I SEEM TO BE DOING EVERYTHING WRONG. 693 00:31:39,564 --> 00:31:41,607 OKAY. GOOD, BETTER, BEST. 694 00:31:41,774 --> 00:31:43,317 [Snapping Fingers] 695 00:31:43,484 --> 00:31:47,654 NEVER LET IT REST UNTIL YOUR GOOD IS BETTER AND YOUR BETTER IS BEST. 696 00:31:47,822 --> 00:31:51,408 [People Chattering] 697 00:31:54,787 --> 00:31:57,039 OH, HOPE I'M NOT INTERRUPTING. 698 00:31:57,206 --> 00:31:59,499 SAY, COULD WE HAVE A LITTLE CHAT FOR A SECOND? 699 00:31:59,667 --> 00:32:01,793 OH, YES. 700 00:32:01,961 --> 00:32:04,504 YOU MAY HAVE NOTICED SOME INCREASED ACTIVITY IN THE APARTMENT. 701 00:32:04,672 --> 00:32:07,215 YES, I DID NOTICE ALL THE FLOWERS. I THINK IT'S BEAUTIFUL. 702 00:32:07,383 --> 00:32:09,426 RIGHT. THAT'S BECAUSE I'M HAVING A LITTLE GET-TOGETHER HERE. 703 00:32:09,594 --> 00:32:12,721 - WONDERFUL. - OH. I KNOW. IT'S A BUSINESS FUNCTION. 704 00:32:12,889 --> 00:32:17,517 NOW, UH, I'M NOT GONNA LOCK YOU IN HERE, 705 00:32:17,685 --> 00:32:20,520 'CAUSE, WELL, FRANKLY, I THINK IT'S ILLEGAL. 706 00:32:20,688 --> 00:32:24,107 BUT, UM, AS A FAVOR TO ME, 707 00:32:24,275 --> 00:32:27,778 UH, THE GUY WHO PAID YOUR MEDICAL EXPENSES AND HAS GIVEN YOU SHELTER, 708 00:32:27,946 --> 00:32:32,658 WOULD YOU PLEASE STAY IN THE ROOM? 709 00:32:32,825 --> 00:32:34,618 I'LL BE RIGHT HERE, RICKY. 710 00:32:34,786 --> 00:32:36,954 GREAT. THANK YOU. 711 00:32:37,121 --> 00:32:39,247 THAT'S QUITE AN OUTFIT YOU HAVE ON THERE, RICKY. 712 00:32:39,415 --> 00:32:40,582 WHAT? 713 00:32:40,750 --> 00:32:43,460 QUITE AN OUTFIT YOU HAVE ON THERE. 714 00:32:43,628 --> 00:32:47,089 THANK YOU. GOOD NIGHT. 715 00:32:50,635 --> 00:32:52,177 THINK IT'S TOO MUCH? 716 00:32:52,345 --> 00:32:58,350 PERSONALLY, I WOULD, UM, I WOULD LOSE THE POCKET THING. 717 00:32:58,518 --> 00:33:00,477 OH, THE HANKY? 718 00:33:00,645 --> 00:33:03,480 - THE HANKY? YES. - I LIKE THE HANKY. 719 00:33:03,648 --> 00:33:05,941 IT'S JUST A TRADITIONAL, UH-- 720 00:33:06,109 --> 00:33:07,818 [Chuckling] I DON'T LIKE IT. 721 00:33:07,986 --> 00:33:11,029 [Chuckles] OKAY. 722 00:33:11,197 --> 00:33:14,408 UH, SO BEFORE WE START, DO YOU WANT ANYTHING? 723 00:33:14,575 --> 00:33:16,910 YOU KNOW, THERE'S FROZEN STUFF-- PIZZA OR WHATEVER. 724 00:33:17,078 --> 00:33:20,247 AND YOU'VE GOT A JAR OF THAT DELICIOUS "URINADE" IN THE FRIDGE. 725 00:33:20,415 --> 00:33:23,667 OH. I'M FINE. I HAVE EVERYTHING THAT I NEED. 726 00:33:23,835 --> 00:33:25,836 THANK YOU. THANK YOU. 727 00:33:26,004 --> 00:33:28,630 - HAVE FUN. - THANK YOU. YOU TOO. 728 00:33:29,507 --> 00:33:32,926 [Jazz music playing] [People Chattering, Laughing] 729 00:33:33,094 --> 00:33:37,222 [Woman] THAT'S WHAT HE SAID. 730 00:33:37,390 --> 00:33:39,725 YOU KNOW, OUR NUMBERS ARE COMPETITIVE WITH ALL THE OTHER CHANNELS, 731 00:33:39,892 --> 00:33:42,060 BUT OUR DEMOGRAPHICS ARE JUST THE BEST IN THE BUSINESS. 732 00:33:42,228 --> 00:33:44,479 I SAW ADS ON LAUNDRY BALLS. 733 00:33:44,647 --> 00:33:46,940 I SHOULD PUT MY PROGRAM NEXT TO A LAUNDRY BALL AD 734 00:33:47,108 --> 00:33:49,735 WHEN I'M ENTIRELY WORKING ON BEAUTY? 735 00:33:49,902 --> 00:33:53,196 HOW CAN I BE CLOSE TO THAT KIND OF-- IT'S TOO VULGAR. 736 00:33:53,364 --> 00:33:54,573 ABSOLUTELY. 737 00:33:54,741 --> 00:33:56,033 CAN I INTRODUCE YOU TO A BEAUTIFUL PERSON? 738 00:33:56,200 --> 00:33:59,494 I'LL BE RIGHT BACK. EXCUSE ME ONE SECOND. 739 00:34:00,163 --> 00:34:01,997 - THANK YOU SO MUCH. - YOU'RE WELCOME. 740 00:34:02,165 --> 00:34:04,875 YOU LOOK JUST GORGEOUS. AS GOOD AS A FOOT MODEL? 741 00:34:05,043 --> 00:34:07,252 [Laughs] BETTER. BETTER. 742 00:34:07,420 --> 00:34:09,254 RICKY, THIS IS SCOTT HAWKES. 743 00:34:09,422 --> 00:34:11,882 TRUST ME, THIS WOMAN HAS THE MOST ELEGANT TOES I'VE EVER SEEN. 744 00:34:12,050 --> 00:34:14,092 THAT'S FINE, SCOTT. 745 00:34:14,260 --> 00:34:18,096 CAN I TAKE YOU RIGHT OVER TO SEE-- NINO! CHE COSA? 746 00:34:18,264 --> 00:34:20,432 OH, SCOTT HAWKES. HOW NICE. 747 00:34:20,600 --> 00:34:23,143 YES, HE'S A JERK; NO, WE'RE NOT TOGETHER; 748 00:34:23,311 --> 00:34:26,772 AND TRUST ME, HE'S THE BEST AT WHAT HE DOES. 749 00:34:27,315 --> 00:34:31,151 - WHEN DID HE SEE YOUR TOES? - WHY DON'T YOU INTRODUCE ME? 750 00:34:32,737 --> 00:34:36,656 UH, SIGNORE NINO CERRUTI, KATE NEWELL. 751 00:34:36,824 --> 00:34:38,825 - SO NICE TO MEET YOU. - ENCHANTED. 752 00:34:38,993 --> 00:34:40,911 - HOW WAS YOUR FLIGHT? - FINE. GREAT. 753 00:34:41,079 --> 00:34:42,954 GREAT. ARE YOU HAVING A GOOD TIME HERE? 754 00:34:43,122 --> 00:34:44,706 YES, VERY NICE, THANK YOU. 755 00:34:44,874 --> 00:34:46,666 WONDERFUL, WELL, HOPEFULLY WE'LL BE ABLE TO SHOW YOU AROUND. 756 00:34:46,834 --> 00:34:48,919 GEE, I SEE A SLIGHT CATERING ISSUE. 757 00:34:49,087 --> 00:34:51,046 I'LL BE BACK IN A FLASH. 758 00:34:51,214 --> 00:34:54,049 NINO, KATE, WHATEVER YOUR NAME IS, EXCUSE ME ONE SECOND. 759 00:34:54,217 --> 00:34:55,926 KATE, TAKE OVER, PLEASE. 760 00:34:56,094 --> 00:34:59,221 OH, EXCUSE ME. HELLO. 761 00:34:59,388 --> 00:35:01,932 OH, G, G, WHAT ARE YOU DOING? BACK, BACK. 762 00:35:02,100 --> 00:35:05,519 - OH, I HAD TO GO STINKY. - OH, GO STINKY? 763 00:35:05,686 --> 00:35:07,979 AREN'T YOU LIKE A GURU, LIKE AN INDIAN FAKIR? 764 00:35:08,147 --> 00:35:10,774 YOU CONTROL YOUR BODILY FUNCTIONS. TRY THAT. TRY THAT. 765 00:35:10,942 --> 00:35:13,527 RICKY, EVERYTHING IS SO LOVELY, BUT IT'S SO SOMBER HERE. 766 00:35:13,694 --> 00:35:15,320 WHY DON'T YOU LET THE PEOPLE ENJOY SOME OF YOUR THINGS? 767 00:35:15,488 --> 00:35:16,822 WE TALKED ABOUT THIS. 768 00:35:16,989 --> 00:35:18,406 WAIT A MINUTE, G. 769 00:35:18,574 --> 00:35:20,450 I'M SURE A LITTLE MUSIC WILL LIVEN THIS PLACE UP. 770 00:35:20,618 --> 00:35:22,035 HELLO. HOW ARE YOU? 771 00:35:22,203 --> 00:35:24,746 I'M SURE THE MUSIC WILL LIGHTEN THIS WHOLE PLACE UP. 772 00:35:24,914 --> 00:35:27,874 WHAT DID YOU PUSH? G, PLEASE. 773 00:35:28,042 --> 00:35:29,459 AND THE NIGHT IN BARBADOS-- 774 00:35:29,627 --> 00:35:30,961 DON'T DO THAT. 775 00:35:31,129 --> 00:35:32,587 [Rock Instrumental music] 776 00:35:32,755 --> 00:35:34,381 - OKAY. OKAY. SORRY. - OH, RICKY. 777 00:35:34,549 --> 00:35:36,591 LIVEN THE ROOM UP. KATE! HELLO. 778 00:35:36,759 --> 00:35:38,885 - HI, G. I'M TERRIFIC. - HOW ARE YOU, KATE? 779 00:35:39,053 --> 00:35:41,221 IT'S SO WONDERFUL TO SEE YOU TOO. LOOK AT THIS WOMAN. 780 00:35:41,389 --> 00:35:43,932 EVERY TIME I SEE YOU, I FEEL LIKE I'VE CHOSEN THE WRONG PATH. 781 00:35:44,100 --> 00:35:45,600 AW! THANK YOU. 782 00:35:45,768 --> 00:35:47,644 SHE'S SPECTACULAR. OKAY, LET'S GO TALK. 783 00:35:47,812 --> 00:35:49,354 - WHO'S YOUR FRIEND, RICH? - I'M G. HOW ARE YOU? 784 00:35:49,522 --> 00:35:51,064 G, SCOTT HAWKES, HAWKEWIND PRODUCTIONS. 785 00:35:51,232 --> 00:35:52,732 HELLO. 786 00:35:52,900 --> 00:35:54,484 THIS IS, UH, G, MY YOGA INSTRUCTOR. 787 00:35:54,652 --> 00:35:58,071 YOU KNOW, SOMETIMES I FIND THAT A GOOD KUNDALINI THING, NINO, 788 00:35:58,239 --> 00:35:59,656 OPENS UP MY WHOLE-- 789 00:35:59,824 --> 00:36:01,491 [Whistles] YOU KNOW, I FIND. 790 00:36:01,659 --> 00:36:02,993 I MEDITATE TOO. 791 00:36:03,161 --> 00:36:04,452 DO YOU REALLY? THAT'S GOOD. 792 00:36:04,620 --> 00:36:06,163 I AM TRYING TO OVERCOME A FEAR OF FLYING, 793 00:36:06,330 --> 00:36:08,039 BUT FOR THE MOMENT WITH LITTLE RESULTS. 794 00:36:08,207 --> 00:36:11,501 WELL, NO--DID YOU EVER TRY HALCYON AND A DOUBLE CUBA LIBRE? 795 00:36:11,669 --> 00:36:14,754 I'M SERIOUS, JUST BOOM, KNOCKS YOU RIGHT OUT. 796 00:36:14,922 --> 00:36:16,882 YOU KNOW, I COULD CURE THAT FEAR OF FLYING OF YOURS 797 00:36:17,049 --> 00:36:19,134 WITHOUT ALCOHOL OR DRUGS. 798 00:36:19,302 --> 00:36:20,802 OH, BUT YOU DON'T HAVE TIME, DO YOU? 799 00:36:20,970 --> 00:36:22,637 AREN'T YOU DUE BACK AT THE ASHRAM-ISHA? 800 00:36:22,805 --> 00:36:24,848 WHAT'S THE NAME OF THE-- THE CHAKRA CONVENTION. 801 00:36:25,016 --> 00:36:26,766 COULD YOU DO SOMETHING, REALLY? I'M INTERESTED. 802 00:36:26,934 --> 00:36:28,768 OH! NO, NO! 803 00:36:28,936 --> 00:36:30,729 WELL, YOU KNOW, THERE ARE TWO THINGS THAT YOU CAN DO. 804 00:36:30,897 --> 00:36:34,649 THE FIRST THING IS: THE NEXT TIME YOU'RE IN AN AIRPLANE 805 00:36:34,817 --> 00:36:36,735 AND YOU START TO FEEL FEARFUL, YOU REACH DOWN 806 00:36:36,903 --> 00:36:38,403 AND YOU GRAB YOUR TESTICLES-- 807 00:36:38,571 --> 00:36:40,071 [Guests Laughing] TESTICLES? INTERESTING. 808 00:36:40,239 --> 00:36:43,491 AND THEN YOU POP THEM TOGETHER, AND THE FEAR LEAVES. 809 00:36:43,659 --> 00:36:45,035 WE'RE GONNA GO NOW. 810 00:36:45,203 --> 00:36:47,454 THERE MUST BE ANOTHER METHOD, AND PROBABLY LESS PAINFUL. 811 00:36:47,622 --> 00:36:50,874 [Laughs] YES, WELL, THE OTHER METHOD IS, I CAN HYPNOTIZE YOU RIGHT NOW, 812 00:36:51,042 --> 00:36:53,210 AND YOU'LL NEVER, EVER HAVE A FEAR OF FLYING AGAIN. 813 00:36:53,377 --> 00:36:55,462 YEAH. MAYBE LATER. CAN WE DO THAT LATER? 814 00:36:55,630 --> 00:36:57,797 NINO, HAVE YOU TRIED THE SQUID POMODORO? 815 00:36:57,965 --> 00:36:59,883 [Simultaneous Chatter] MMM! I THINK YOU'LL LIKE IT. 816 00:37:00,051 --> 00:37:02,052 FOR YOU--AREN'T YOU HUNGRY? 817 00:37:02,220 --> 00:37:06,014 NO, NO. REALLY, I'M INTERESTED. I'M CURIOUS. 818 00:37:06,182 --> 00:37:09,643 THE MAN'S CURIOUS. HAVE A SEAT, NINO. 819 00:37:09,810 --> 00:37:12,062 CURIOSITY IS A WONDERFUL THING, CURIOSITY. 820 00:37:12,230 --> 00:37:13,647 IT KILLED SOMEBODY. 821 00:37:13,814 --> 00:37:17,150 PUT YOUR HANDS PALM DOWN ON YOUR KNEES AND JUST RELAX. SIT STRAIGHT UP. 822 00:37:17,318 --> 00:37:20,111 AND I NEED A LIGHTER. I GOT A ZIPPO. 823 00:37:20,279 --> 00:37:23,448 YOU DO, SCOTT HAWKES? OKAY. PERFECT. 824 00:37:23,616 --> 00:37:26,326 EVERYBODY GATHER AROUND. HI, EVERYBODY! MY NAME IS G. 825 00:37:26,494 --> 00:37:28,536 [Guests Together] HI, G. 826 00:37:28,704 --> 00:37:30,205 HI. I'M GOING TO BE HYPNOTIZING NINO. 827 00:37:30,373 --> 00:37:32,374 HE'S HAVING A PROBLEM HERE WITH FEAR OF FLYING. 828 00:37:32,541 --> 00:37:34,292 WE'RE GOING TO TRY TO GET HIM OVER THAT FEAR. 829 00:37:34,460 --> 00:37:37,254 I'M GONNA HYPNOTIZE NINO AND TRY TO HELP HIM OUT HERE; 830 00:37:37,421 --> 00:37:39,631 KIND OF LIKE A PARTY TRICK. 831 00:37:39,799 --> 00:37:43,468 I WANT YOU TO JUST RELAX AND JUST WATCH THIS FLAME, YES? 832 00:37:43,636 --> 00:37:46,680 JUST WATCH THE FLAME. 833 00:37:46,847 --> 00:37:49,849 JUST RELAX, NINO. 834 00:37:50,017 --> 00:37:52,936 YOUR EYES ARE GETTING VERY HEAVY NOW. 835 00:37:53,104 --> 00:37:56,940 YOU'RE GETTING TIRED AND LOST IN THE FLAME. 836 00:37:57,108 --> 00:37:59,025 YOU'RE GOING TO SLEEP. 837 00:37:59,193 --> 00:38:02,487 YOU'RE COMPLETELY ASLEEP RIGHT NOW, NINO. 838 00:38:02,655 --> 00:38:04,781 NINO IS ASLEEP. 839 00:38:04,949 --> 00:38:09,744 SHH! SHH! 840 00:38:11,455 --> 00:38:13,540 HE'S ASLEEP NOW. 841 00:38:13,708 --> 00:38:17,961 NINO, YOUR LEFT HAND FEELS VERY, VERY LIGHT. 842 00:38:18,129 --> 00:38:22,007 IT'S GOING TO START TO RAISE UP VERY SLOWLY. 843 00:38:22,174 --> 00:38:24,342 IT'S STARTING TO FLOAT UP. 844 00:38:24,510 --> 00:38:28,388 ON ITS OWN IT'S FLOATING UP. 845 00:38:28,556 --> 00:38:32,726 YOU CAN LET IT HANG THERE, RIGHT THERE, NINO. 846 00:38:33,561 --> 00:38:36,271 YOU SEE? THIS IS A PARTY, YOU KNOW. 847 00:38:36,439 --> 00:38:38,481 MAYBE I SHOULD GET HIM TO BARK LIKE A DOG OR SOMETHING. 848 00:38:38,649 --> 00:38:40,150 OH, G, NO. 849 00:38:40,318 --> 00:38:43,361 GET OVER THERE OR I'LL KILL YA. 850 00:38:44,155 --> 00:38:47,240 OKAY. NINO, PUT YOUR ARM BACK DOWN NOW. 851 00:38:47,408 --> 00:38:50,410 PUT IT BACK, BACK DOWN. 852 00:38:50,578 --> 00:38:53,163 THE PLANE'S TAKING OFF. 853 00:38:53,331 --> 00:38:57,083 YOU'RE A LITTLE NERVOUS, LIKE YOU ALWAYS ARE WHEN A PLANE TAKES OFF. 854 00:38:57,251 --> 00:39:00,670 THIS TIME WHEN IT TAKES OFF, IT'S SMOOTHER THAN IT'S EVER TAKEN OFF. 855 00:39:00,838 --> 00:39:04,007 YOU DIDN'T EVEN FEEL THE PLANE LEAVE THE GROUND THAT TIME. 856 00:39:04,175 --> 00:39:08,136 YOU'RE UP IN THE SKY, AND IT'S SMOOTH SAILING, NINO. 857 00:39:08,304 --> 00:39:11,848 WOW! THIS FEELS GREAT. 858 00:39:12,016 --> 00:39:17,228 WHAT'S THAT UP AHEAD? LOOKS LIKE A STORM CLOUD. 859 00:39:17,396 --> 00:39:18,813 IT IS A STORM CLOUD. 860 00:39:18,981 --> 00:39:23,485 I CAN SEE THE PILOT'S TRYING TO AVOID IT. HE CAN'T. IT'S TOO LATE. 861 00:39:23,652 --> 00:39:25,779 NINO, WE'RE IN. 862 00:39:25,946 --> 00:39:28,365 WE'RE RIGHT IN THE MIDDLE OF THE STORM CLOUD. 863 00:39:28,532 --> 00:39:31,493 YOU START TO FEEL TURBULENCE. THE PLANE IS SHAKING. 864 00:39:31,660 --> 00:39:35,830 YOU START TO FEEL IT DIP AND SWAY. OH, SO MUCH TURBULENCE. 865 00:39:35,998 --> 00:39:38,750 HOW CAN THIS TINY METAL OBJECT STAY UP IN THIS SKY 866 00:39:38,918 --> 00:39:41,169 OF VAST DESTRUCTION, NINO? 867 00:39:41,337 --> 00:39:42,879 YOU'RE GETTING SCARED. 868 00:39:43,047 --> 00:39:45,924 THE STEWARDESS JUST PASSED OUT AT YOUR KNEES, NINO. 869 00:39:46,092 --> 00:39:48,510 YOU FELT THE PLANE DROP A THOUSAND FEET IN ELEVATION. 870 00:39:48,677 --> 00:39:51,054 YOU FELT YOUR STOMACH SHOOT UP RIGHT INTO YOUR NECK. 871 00:39:51,222 --> 00:39:53,348 [Breathing Quickens] 872 00:39:53,516 --> 00:39:56,226 THE CAPTAIN'S VOICE COMES OVER THE INTERCOM. 873 00:39:56,394 --> 00:40:00,772 "ATTENTION. THIS IS YOUR CAPTAIN SPEAKING. THIS IS YOUR CAPTAIN SPEAKING. 874 00:40:00,940 --> 00:40:04,901 "GOD HELP US! WE'RE GONNA CRASH! 875 00:40:05,069 --> 00:40:07,320 OH, MY GOD!" 876 00:40:07,488 --> 00:40:11,324 [Rapid Breathing] 877 00:40:14,954 --> 00:40:17,747 YOU'RE RIGHT THERE, NINO. 878 00:40:17,915 --> 00:40:24,879 THE LAST MOMENTS OF YOUR LIFE. RIGHT NOW, YOU'RE RIGHT THERE. 879 00:40:25,464 --> 00:40:28,675 BUT YOU'RE NOT THINKING ABOUT DYING. 880 00:40:28,843 --> 00:40:30,718 YOU'RE THINKING ABOUT YOUR LOVED ONES. 881 00:40:30,886 --> 00:40:32,512 [Breathing Slows] 882 00:40:32,680 --> 00:40:35,598 YOU'RE THINKING ABOUT YOUR FAMILY AND YOUR FRIENDS 883 00:40:35,766 --> 00:40:40,478 AND ALL THE SPECIAL MOMENTS THAT YOU SHARED WITH THOSE PEOPLE. 884 00:40:40,646 --> 00:40:44,357 YOU'RE FEELING BLESSED WITH THE GIFT OF LIFE THAT YOU RECEIVED. 885 00:40:44,525 --> 00:40:46,109 THAT'S WHAT YOU'RE THINKING ABOUT. 886 00:40:46,277 --> 00:40:48,945 YOU'RE NOT AFRAID RIGHT NOW AT ALL OF ANYTHING. 887 00:40:49,113 --> 00:40:54,576 YOU'RE AT ONE WITH GOD. YOU'VE LET GO. 888 00:40:55,744 --> 00:41:00,623 NOW, WHEN I TELL YOU TO, OPEN YOUR EYES. 889 00:41:00,791 --> 00:41:03,126 WHEN YOU OPEN YOUR EYES, YOU'LL BE COMPLETELY FEELING REFRESHED, 890 00:41:03,294 --> 00:41:06,713 AND YOU WON'T EVEN REMEMBER ANYTHING THAT'S HAPPENED. 891 00:41:06,881 --> 00:41:11,176 YOU'LL NEVER BE AFRAID OF FLYING IN A PLANE AGAIN. 892 00:41:11,343 --> 00:41:15,930 NOW OPEN YOUR EYES, NINO. 893 00:41:16,098 --> 00:41:18,641 - HOW DO YOU FEEL? - WONDERFUL. 894 00:41:18,809 --> 00:41:22,562 [Guests Laughing, Murmuring, Cheering] ALL RIGHT! 895 00:41:23,189 --> 00:41:25,356 A HYPNOTIZING SWAMI. 896 00:41:25,524 --> 00:41:27,650 YOU GOT ANY OTHER PARTY TRICKS? 897 00:41:27,818 --> 00:41:29,110 ACTUALLY, YES, I DO. 898 00:41:29,278 --> 00:41:30,904 I HAVE A TRICK CALLED THE DISAPPEARING ROLEX TRICK 899 00:41:31,071 --> 00:41:32,864 THAT'S QUITE A PARTY STOPPER. 900 00:41:33,032 --> 00:41:35,200 COOL. DO IT. 901 00:41:35,367 --> 00:41:37,285 CAN I BORROW YOUR ROLEX? NO, NO, NO, NO. 902 00:41:37,453 --> 00:41:39,579 COME ON, SCOTT. ARE YOU KIDDING ME? 903 00:41:39,747 --> 00:41:42,415 NO, NO. IT'S A GOOD TRICK. DO YOU HAVE ANY ID-- 904 00:41:42,583 --> 00:41:44,000 SCOTT, SCOTT, SCOTT, SCOTT! 905 00:41:44,168 --> 00:41:46,336 [All] SCOTT, SCOTT, SCOTT, SCOTT! 906 00:41:46,504 --> 00:41:48,046 ALL RIGHT, ALL RIGHT. OH, OKAY. 907 00:41:48,214 --> 00:41:50,089 I'M GONNA NEED A HANDKERCHIEF AS WELL. DOES ANYONE HAVE A HANDKERCHIEF? 908 00:41:50,257 --> 00:41:53,384 OH, NINO, THANK YOU. AND WE NEED A HAMMER. 909 00:41:53,552 --> 00:41:54,969 WAIT. WHOA. A HAMMER? 910 00:41:55,137 --> 00:41:56,763 DON'T WORRY. DON'T WORRY. 911 00:41:56,931 --> 00:41:58,056 HERE. TAKE MY SHOE. 912 00:41:58,224 --> 00:41:59,557 OH, THAT'LL WORK PERFECTLY. 913 00:41:59,725 --> 00:42:01,226 NOW FOR THE RICKY SHOE. WHAT SIZE IS THAT? 914 00:42:01,393 --> 00:42:04,395 - THIS IS A 1 2. - THAT'LL GET THE JOB DONE. 915 00:42:04,563 --> 00:42:05,855 DEFINITELY. 916 00:42:06,023 --> 00:42:08,316 OKAY, I WANT YOU TO SEE THAT I'M TAKING THE WATCH, 917 00:42:08,484 --> 00:42:11,736 AND I'M PLACING IT RIGHT IN THE MIDDLE OF THE HANDKERCHIEF. 918 00:42:11,904 --> 00:42:14,531 EVERYONE, SEE THE WATCH GOING INTO THE HANDKERCHIEF. 919 00:42:14,698 --> 00:42:16,157 [Watch Rattling] 920 00:42:16,325 --> 00:42:18,368 CLOSING THE WATCH UP IN THE HANDKERCHIEF, ALL RIGHT? 921 00:42:18,536 --> 00:42:20,328 THAT'S RIGHT. CAN YOU SEE THAT? YOU WANNA TOUCH THAT? 922 00:42:20,496 --> 00:42:21,538 IT'S IN THERE, RIGHT? 923 00:42:21,705 --> 00:42:23,039 OKAY. HERE WE GO. YEAH. 924 00:42:23,207 --> 00:42:24,874 WE PLACE THE WATCH ON THE TABLE. 925 00:42:25,042 --> 00:42:28,753 WE TAKE ROBERT RICKY'S TRUSTED SIZE 1 2 AND-- 926 00:42:28,921 --> 00:42:34,008 [Guests Gasping, Murmuring] 927 00:42:40,474 --> 00:42:43,184 WHEW! RICKY. 928 00:42:46,063 --> 00:42:48,898 [Rattling] THAT SOUNDS REALLY BROKEN, DOESN'T IT? 929 00:42:49,066 --> 00:42:52,777 DOESN'T IT? YEAH? 930 00:42:52,945 --> 00:42:56,614 [Guests Agreeing] [Gasping] 931 00:42:56,782 --> 00:43:00,368 WONDERFUL! 932 00:43:06,333 --> 00:43:07,625 THAT WAS GREAT. 933 00:43:07,793 --> 00:43:09,002 THAT WAS GOOD. OKAY, GIVE ME BACK THE WATCH NOW. 934 00:43:09,169 --> 00:43:10,461 I CAN'T. IT'S GONE. IT'S DISAPPEARED. 935 00:43:10,629 --> 00:43:12,922 NO, BUT SERIOUSLY, THAT'S A $1 0,000 WATCH. 936 00:43:13,090 --> 00:43:15,091 I AM SERIOUS. IT'S THE DISAPPEARING ROLEX TRICK. 937 00:43:15,259 --> 00:43:17,594 IT'S NOT THE REAPPEARING ROLEX TRICK. 938 00:43:17,761 --> 00:43:19,220 GOOD NIGHT, EVERYBODY! 939 00:43:19,388 --> 00:43:21,889 YO, GANDHI, GIVE ME BACK THE GODDAMN W-- 940 00:43:26,270 --> 00:43:27,604 [Guests Gasping] 941 00:43:27,771 --> 00:43:31,399 BE CAREFUL WHAT YOU WISH FOR. 942 00:43:33,485 --> 00:43:36,654 THAT'S NOT FUNNY. THAT WASN'T FUNNY. 943 00:43:37,948 --> 00:43:40,199 [Ricky] CHAMPAGNE FOR ANYONE? ANYONE FOR CHAMPAGNE? 944 00:43:41,952 --> 00:43:45,788 [Man Singing Reggae On Boom Box] ♪ YEAH ♪ 945 00:43:49,501 --> 00:43:52,128 ♪ YEAH, AH LA LA-LA LA ♪ ♪ 946 00:43:52,296 --> 00:43:54,464 MMM. AH, YOU'RE SURE? 947 00:43:54,632 --> 00:43:56,466 ABSOLUTELY. 948 00:43:56,634 --> 00:43:59,177 HE ASKED US TO WATCH HIS PJs FOR HIM. 949 00:43:59,345 --> 00:44:01,387 OH YEAH? 950 00:44:01,555 --> 00:44:03,473 I--YOU KNOW, I'M SORRY. 951 00:44:03,641 --> 00:44:05,850 I DON'T, UH-- I DON'T SEE HIM. 952 00:44:06,018 --> 00:44:08,811 AHH! RICKY! 953 00:44:08,979 --> 00:44:11,022 COME IN THE WATER WITH ME! 954 00:44:11,190 --> 00:44:15,151 OH, I'D LOVE TO REALLY, BUT SOMEBODY HAS TO PAY THE RENT. 955 00:44:15,319 --> 00:44:18,404 COME ON, RICKY, ONE SWIM, THEN GO SELL THINGS ON TELEVISION. 956 00:44:18,572 --> 00:44:21,282 YEAH, WELL, THAT'S KIND OF WHAT I WANTED TO TALK TO YOU ABOUT. 957 00:44:21,450 --> 00:44:23,785 CAN I JUST HAVE A WORD FOR A SECOND, G? 958 00:44:23,952 --> 00:44:25,495 WHAT'S THE MATTER? IS THERE A PROBLEM? 959 00:44:25,663 --> 00:44:27,455 NO, NO PROBLEM. 960 00:44:27,623 --> 00:44:29,999 I JUST WANTED TO PUT A LITTLE BEE IN YOUR BONNET FOR A SECOND. 961 00:44:30,167 --> 00:44:32,919 OH, HO, NO, NO, NO! OKAY, I SEE. 962 00:44:33,087 --> 00:44:36,172 HELLO. NO, NO, NO. FREE WILLY. I SEE. OH. 963 00:44:36,340 --> 00:44:38,758 NO, NO, NO. JUST--JUST-- VERY FUNNY. 964 00:44:38,926 --> 00:44:42,512 LISTEN. THE NINO CERRUTI, YOU KNOW, FROM THE PARTY, 965 00:44:42,680 --> 00:44:45,473 HIS LAWYER CALLED THIS MORNING AND SAID THAT THEY'RE INTERESTED 966 00:44:45,641 --> 00:44:48,685 IN A DEAL WITH US AND THAT HE HAD A GREAT FLIGHT BACK TO MILAN, 967 00:44:48,852 --> 00:44:50,812 AND IN FACT, HE'S BUYING A JET. 968 00:44:50,979 --> 00:44:53,064 OH, THAT'S WONDERFUL. DID IT MAKE HIM HAPPY? 969 00:44:53,232 --> 00:44:54,524 YES. 970 00:44:54,692 --> 00:44:57,193 YOU HAVE SUCH A--A SPECIAL QUALITY. 971 00:44:57,361 --> 00:45:00,238 I NOW REALIZE THAT BETWEEN YOU AND ME, 972 00:45:00,406 --> 00:45:04,242 WE COULD MAKE A DIFFERENCE WITH THE WORLD IN A VERY UNIQUE WAY. 973 00:45:04,410 --> 00:45:07,328 SO, HERE'S MY IDEA. LISTEN, G. G? 974 00:45:07,496 --> 00:45:09,455 G, HERE'S THE THING. 975 00:45:09,623 --> 00:45:12,333 WHAT IF YOU WENT ON MY NETWORK 976 00:45:12,501 --> 00:45:16,462 AND TALKED TO PEOPLE AND MADE 'EM FEEL GOOD? 977 00:45:16,630 --> 00:45:18,715 YOU WANT ME TO SELL THINGS FOR YOU ON TELEVISION? 978 00:45:18,882 --> 00:45:23,386 YEAH, WELL, UH--YOU'D BE TELLING PEOPLE ON THE AIR 979 00:45:23,554 --> 00:45:25,888 ABOUT HOW MATERIAL THINGS CAN REFRESH THE SPIRIT. 980 00:45:26,056 --> 00:45:27,557 ISN'T THAT YOUR IDEA? 981 00:45:27,725 --> 00:45:29,517 UNLESS THEY'RE USED TO REPLACE MORE IMPORTANT THINGS, 982 00:45:29,685 --> 00:45:31,561 WHICH THEY USUALLY ARE. 983 00:45:31,729 --> 00:45:34,772 WOW, WOW. I JUST GOT CHILLS. 984 00:45:34,940 --> 00:45:36,733 I JUST GOT CHILLS, AMEN. 985 00:45:36,900 --> 00:45:38,943 YOU HAVE AN IMPORTANT MESSAGE FOR THE WORLD. 986 00:45:39,111 --> 00:45:41,362 AND LISTEN, WHAT BETTER WAY TO GET IT ACROSS THAN ON TV? 987 00:45:41,530 --> 00:45:43,740 YOU COULD HELP THOUSANDS, MILLIONS OF PEOPLE 988 00:45:43,907 --> 00:45:45,825 FEEL BETTER ABOUT THEMSELVES, G. 989 00:45:45,993 --> 00:45:50,037 - WOW! - WHAT DO YOU THINK? 990 00:45:50,706 --> 00:45:52,790 HOW ABOUT YOU? WILL IT MAKE YOU FEEL BETTER? 991 00:45:52,958 --> 00:45:55,334 ME? I DON'T KNOW. 992 00:45:55,502 --> 00:45:57,420 THAT'S NOT THE POINT. ME, I FEEL GREAT. 993 00:45:57,588 --> 00:45:58,838 OH, NO. 994 00:45:59,006 --> 00:46:02,175 NO, YES, THAT'S EXACTLY THE POINT. WILL IT MAKE YOU FEEL BETTER? 995 00:46:02,342 --> 00:46:07,764 I'M GONNA LOSE MY JOB IF I DON'T DO SOMETHING SOON, SO YEAH. 996 00:46:07,931 --> 00:46:11,100 YEAH, IT COULD REALLY HELP ME. THAT'S THE TRUTH, LIKE THAT. 997 00:46:11,268 --> 00:46:13,936 WHAT DO YOU THINK? 998 00:46:14,605 --> 00:46:17,774 OKAY, I'LL DO IT, BUT ONLY ONE CONDITION. 999 00:46:17,941 --> 00:46:20,359 REALLY? WHAT? 1000 00:46:20,527 --> 00:46:22,779 - ONE CONDITION. - OKAY. 1001 00:46:22,946 --> 00:46:26,324 - IT'S NON-NEGOTIABLE. - WHAT? 1002 00:46:26,950 --> 00:46:29,869 AHH! OH! 1003 00:46:30,037 --> 00:46:31,996 AHH! AHH! 1004 00:46:32,164 --> 00:46:33,998 AHH! [Laughing] 1005 00:46:34,166 --> 00:46:35,792 SHARK, SHARK, SHARK, SHARK, SHARK! 1006 00:46:35,959 --> 00:46:38,377 IT'S A JOKE. IT'S A JOKE. THERE ARE NO SHARKS. 1007 00:46:38,545 --> 00:46:41,672 [G Laughing] 1008 00:46:43,717 --> 00:46:45,510 [Ricky] YES. THIS IS GOOD. 1009 00:46:45,677 --> 00:46:48,054 [Laughing] 1010 00:46:48,222 --> 00:46:50,681 BARS OUT. 1011 00:46:50,849 --> 00:46:52,809 [People Chattering] 1012 00:46:53,227 --> 00:47:01,651 ♪♪♪ 1013 00:47:01,819 --> 00:47:04,487 AND BRING HIM ON CAMERA-- 1014 00:47:04,655 --> 00:47:08,407 I'VE MADE YOU UP TO LOOK LIKE YOU HAVE ON NO MAKEUP AT ALL. 1015 00:47:08,575 --> 00:47:10,785 THAT'S A METAPHYSICS I DIDN'T EVEN KNOW EXISTED. 1016 00:47:10,953 --> 00:47:13,830 TWENTY SECONDS TO AIR. STAND BY. CLEAR THE SET. 1017 00:47:13,997 --> 00:47:16,541 LOCK IT UP ON THE STAGE. NICE AND QUIET ALL AROUND, PLEASE. 1018 00:47:16,708 --> 00:47:18,125 HERE WE GO. THANK YOU. 1019 00:47:18,293 --> 00:47:21,587 GO TO THE BOOTH AND MAKE SURE THE PRICE LISTS ARE TYPED IN CONTINUOUSLY. 1020 00:47:21,755 --> 00:47:25,007 GOT IT. HEY! AH, OH, OH! 1021 00:47:25,175 --> 00:47:27,510 G, ONE MORE THING. 1022 00:47:27,678 --> 00:47:29,679 THINK OF THE CAMERA AS YOUR BEST FRIEND, 1023 00:47:29,847 --> 00:47:33,349 YOUR BEST FRIEND THAT REALLY NEEDS MIXING BOWLS. 1024 00:47:35,018 --> 00:47:36,644 HERE WE GO. STAND BY, PLEASE. 1025 00:47:36,812 --> 00:47:39,605 IN FIVE, FOUR, THREE-- 1026 00:47:39,773 --> 00:47:42,275 FADE UP CAMERA ONE AND CUE THE CONSONANT. 1027 00:47:42,442 --> 00:47:45,528 [Snaps Fingers] 1028 00:47:51,493 --> 00:47:54,412 [Whispering] TALK. YOU'RE ON. YOU'RE ON. 1029 00:47:54,580 --> 00:47:57,999 YOU'RE ON. WE'RE ROLLING. LIVE TV. GO. 1030 00:48:00,919 --> 00:48:02,879 WHAT'S THE PLAN? 1031 00:48:03,046 --> 00:48:06,716 G, GO, GO. TALK NOW. 1032 00:48:06,884 --> 00:48:09,886 [Whispering] THE LITTLE RED LIGHT ON THE TOP IS ON. 1033 00:48:10,053 --> 00:48:11,721 [Sighs] 1034 00:48:11,889 --> 00:48:13,806 NO, NO, NO, IT'S NOT TRAFFIC. 1035 00:48:13,974 --> 00:48:16,434 NO, IT'S TV. TALK. TALK! 1036 00:48:16,602 --> 00:48:20,563 TALK. NOW. NOW. 1037 00:48:20,731 --> 00:48:24,859 TALKIE, TALKIE, TALK, TALK. GO. 1038 00:48:27,654 --> 00:48:29,530 I... 1039 00:48:29,698 --> 00:48:31,866 OH GOOD, HE BOUGHT A VOWEL. 1040 00:48:32,034 --> 00:48:34,660 "I"? 1041 00:48:34,828 --> 00:48:39,332 - I... - "I." 1042 00:48:39,833 --> 00:48:46,380 I WEPT WHEN I SAW A MAN WHO HAD NO SHOES, 1043 00:48:48,342 --> 00:48:51,093 - UNTIL I MET A MAN WHO HAD NO PENIS. - WHAT? 1044 00:48:51,261 --> 00:48:53,804 - CAN HE SAY THAT? - HE JUST DID. 1045 00:48:58,602 --> 00:49:03,230 NOW MY ONE SPECIAL FRIEND IS LISTENING. I THINK I HAVE YOUR ATTENTION NOW. 1046 00:49:03,982 --> 00:49:05,274 [Man] WHAT DO WE DO, RICKY? 1047 00:49:05,442 --> 00:49:06,817 STAY WITH HIM. STAY WITH HIM. 1048 00:49:06,985 --> 00:49:10,112 RICKY, HE JUST SAID "PENIS." WHY DID HE SAY "PENIS"? 1049 00:49:10,280 --> 00:49:11,364 - I DON'T KNOW. - THERE'S GOTTA BE A REASON. 1050 00:49:11,531 --> 00:49:13,199 HOWARD STERN SAYS "PENIS" ALL THE TIME. WHAT'S WRONG WITH THAT? 1051 00:49:13,367 --> 00:49:14,533 AND HE'S HUGE. 1052 00:49:14,701 --> 00:49:17,203 IT'S SHOCKING, WHICH IS GOOD. IT'S GOOD. 1053 00:49:17,371 --> 00:49:21,248 I HAVE A QUESTION FOR YOU: WHY? 1054 00:49:21,875 --> 00:49:26,295 - GOOD QUESTION. - WHY ARE WE HERE? 1055 00:49:26,463 --> 00:49:29,256 IS IT TO LIE IN BED ALONE AND CALL UP A TV STATION 1056 00:49:29,424 --> 00:49:32,551 SO YOU CAN BUY MORE THINGS? 1057 00:49:32,719 --> 00:49:34,470 SO YOU CAN COLLECT AS MANY THINGS AS POSSIBLE 1058 00:49:34,638 --> 00:49:37,306 IN THE LITTLE FINGER-SNAP OF TIME YOU HAVE ON THIS PLANET? 1059 00:49:37,474 --> 00:49:39,558 THAT'S WHY WE'RE HERE. THAT'S OUR CREDO, I THINK. 1060 00:49:39,726 --> 00:49:41,477 HE'S TALKING. HE'S LOOKING AT THE BOWLS. 1061 00:49:41,645 --> 00:49:45,314 HE WEAVES A MAGICAL WEB OF CHARISMA AND-- 1062 00:49:45,482 --> 00:49:47,066 MM-HMM? 1063 00:49:47,234 --> 00:49:50,069 I GUESS THAT'S A GOOD WAY TO GO. 1064 00:49:50,237 --> 00:49:52,363 HOW ABOUT THIS? 1065 00:49:52,531 --> 00:49:54,031 WHOA. WHERE'S HE GOING? 1066 00:49:54,199 --> 00:49:55,658 HE'S GONE. WHERE'D HE GO? 1067 00:49:55,826 --> 00:49:58,327 HE'S GOING ON THE MORGAN SET. SHE'S LIVE! 1068 00:49:58,495 --> 00:50:01,747 HI, I'M HERE TO TELL ALL OF YOU WONDERFUL HOME VIEWERS 1069 00:50:01,915 --> 00:50:04,041 ABOUT NEW INSTA-TUCK, 1070 00:50:04,209 --> 00:50:07,545 THE NONSURGICAL, DO-IT-YOURSELF FACIAL TONER. 1071 00:50:07,713 --> 00:50:12,675 OH! YOU HOOK YOUR FACE UP TO THIS CAR BATTERY? 1072 00:50:12,843 --> 00:50:14,885 WELL, WE DON'T CALL IT A CAR BATTERY. 1073 00:50:15,053 --> 00:50:16,595 IT'S OKAY. IT'S OKAY. HE'S ON MORGAN'S SET. 1074 00:50:16,763 --> 00:50:18,556 - AND WHY DID-- - IT'S OKAY. SHE'S A PRO. 1075 00:50:18,724 --> 00:50:22,351 THE INSTA-TUCK POWER SOURCE FITS RIGHT ON YOUR NIGHTSTAND. 1076 00:50:22,519 --> 00:50:23,686 OH! 1077 00:50:23,854 --> 00:50:25,688 THIS LOOKS A LOT LIKE A BATTERY. WHAT DO THESE THINGS DO? 1078 00:50:25,856 --> 00:50:27,023 WELL, IT DOES, BUT-- 1079 00:50:27,190 --> 00:50:29,567 NO, DON'T DO THAT. DON'T DO THAT! I'M WIRED. 1080 00:50:29,735 --> 00:50:30,943 [Imitates Static] 1081 00:50:31,111 --> 00:50:32,111 - NO-- 1082 00:50:32,279 --> 00:50:33,487 YEAH. NOT PRETTY. 1083 00:50:33,655 --> 00:50:34,905 SHE LOVES IMPROV. YOU KNOW THAT ABOUT HER. 1084 00:50:35,073 --> 00:50:36,198 WASN'T SHE, BEFORE THE SERIES, 1085 00:50:36,366 --> 00:50:37,450 A MEMBER OF THE GROUNDLINGS, OR LEMMINGS? 1086 00:50:37,617 --> 00:50:40,119 ALL YOU HAVE TO DO IS ATTACH THE INSTA-CLIPS 1087 00:50:40,287 --> 00:50:43,706 TO THE KEY LIFT POINTS ON YOUR SCALP. 1088 00:50:43,874 --> 00:50:45,916 KEY LIFT POINTS ON YOUR SCALP. YES. UH-HUH, RIGHT HERE. 1089 00:50:46,084 --> 00:50:47,543 HE'S ENGAGING HER. LOOK AT HIM. 1090 00:50:47,711 --> 00:50:51,547 HE'S LIKE A CHILD, AND NOT EVEN AWARE OF THE CAMERA; THAT'S WHAT I LOVE. 1091 00:50:51,715 --> 00:50:54,091 AND YOU JUST LET THE LITTLE ELECTRONIC ENERGY PULSARS DO 1092 00:50:54,259 --> 00:50:56,427 ALL THE WORK FOR YOU WHILE YOU SLEEP. 1093 00:50:56,595 --> 00:51:00,139 SO YOU GO FROM GRANDMA TO GRAND MAMA 1094 00:51:00,307 --> 00:51:02,308 IN ONE EASY PUSH OF THE BUTTON. 1095 00:51:02,476 --> 00:51:04,101 [Electronic Hum] 1096 00:51:04,269 --> 00:51:06,520 SHE'S NEVER BEEN SO ALIVE. SHE'S NEVER BEEN SO ALIVE. 1097 00:51:06,688 --> 00:51:08,898 OH! SEE? 1098 00:51:09,066 --> 00:51:11,317 SO THE LOOK OF SURPRISE IS THE YOUTHFUL LOOK. 1099 00:51:11,485 --> 00:51:12,985 WELL, HOPEFULLY, YES. 1100 00:51:13,153 --> 00:51:15,738 SO THE YEARS JUST MELT AWAY WITH INSTA-TUCK. 1101 00:51:15,906 --> 00:51:17,198 OH, THAT'S FASCINATING. 1102 00:51:17,365 --> 00:51:19,909 MAY I SEE THE REMOTE CONTROL UNIT THERE? 1103 00:51:20,077 --> 00:51:22,787 OOH, DON'T, DON'T HAND YOUR LIFE OVER TO HIM. 1104 00:51:22,954 --> 00:51:25,748 I THINK THIS WOULD BE FANTASTIC FOR A SURPRISE BIRTHDAY PARTY. 1105 00:51:25,916 --> 00:51:27,124 SURPRISE PARTIES-- 1106 00:51:27,292 --> 00:51:29,293 YOU COULD SAY, "SURPRISE!" 1107 00:51:29,461 --> 00:51:30,878 [Crew Laughing] 1108 00:51:31,046 --> 00:51:33,255 [G] IT'S YOUR BIRTHDAY! THAT'S KIND OF FUNNY, GUYS. 1109 00:51:33,423 --> 00:51:35,591 YOU LOOK SO YOUTHFUL AND SURPRISED. 1110 00:51:35,759 --> 00:51:37,259 YOU KNOW WHAT ELSE THIS'D BE GOOD FOR? 1111 00:51:37,427 --> 00:51:40,471 "MADAM, I THINK YOU'VE JUST WON THE ONE MILLION DOLLAR LOTTERY!" 1112 00:51:40,639 --> 00:51:43,599 OH, MY GOD. HE'S ELECTROCUTING MORGAN FAIRCHILD. 1113 00:51:43,767 --> 00:51:45,226 THAT'S NOT FUNNY. 1114 00:51:45,393 --> 00:51:48,437 EVEN BETTER STILL, THE MARTIANS HAVE LANDED AND THEY'RE TAKING YOU 1115 00:51:48,605 --> 00:51:50,272 BACK TO MARS WITH THEM. 1116 00:51:50,440 --> 00:51:52,066 NO, NO, NO, ST-- 1117 00:51:52,234 --> 00:51:53,901 [Whimpering] WHAT WE HAVE HERE, LADIES AND GENTLEMEN, 1118 00:51:54,069 --> 00:51:56,112 IS A BEAUTIFUL WOMAN WHO'S TRYING TO CONVINCE YOU THAT YOU'RE NOT ENOUGH. 1119 00:51:56,279 --> 00:51:57,613 THAT YOU'RE NOT BEAUTIFUL ENOUGH-- 1120 00:51:57,781 --> 00:51:59,323 OH MY GOD, HE'S LEAVING IT ON. 1121 00:51:59,491 --> 00:52:01,242 OH, LET HER GO. LET HER GO, MAN. LET HER GO! 1122 00:52:01,409 --> 00:52:03,953 YOU DON'T NEED INSTA-TUCK TO BE BEAUTIFUL. 1123 00:52:04,121 --> 00:52:05,538 YOU'RE ALREADY BEAUTIFUL. 1124 00:52:05,705 --> 00:52:09,208 DID HE SAY, "DON'T BUY THIS PRODUCT"? HE SAID, "DON'T BUY--" 1125 00:52:09,376 --> 00:52:10,876 THAT'S AN INTERESTING WAY TO SELL. 1126 00:52:11,044 --> 00:52:12,461 ALL YOU HAVE TO DO TO BE BEAUTIFUL IS JUST BE YOURSELF. 1127 00:52:12,629 --> 00:52:14,046 THIS WOMAN'S ALREADY BEAUTIFUL. 1128 00:52:14,214 --> 00:52:15,673 SHE DOESN'T NEED INSTA-TUCK. 1129 00:52:15,841 --> 00:52:17,216 EVEN-- I'M SORRY. 1130 00:52:17,384 --> 00:52:18,843 [Clicks Off] 1131 00:52:19,010 --> 00:52:20,553 THIS BEAUTIFUL WOMAN HERE, YOU DON'T NEED INSTA-TUCK. 1132 00:52:20,720 --> 00:52:21,887 OH, INTERESTING ANGLE. UH-HUH. 1133 00:52:22,055 --> 00:52:23,180 YOU KNOW WHAT? THIS IS PERSONAL. 1134 00:52:23,348 --> 00:52:24,431 I KNOW WHAT'S HAPPENING HERE. 1135 00:52:24,599 --> 00:52:26,475 HE KNOWS I'M TRYING TO SELL STUFF, AND THIS IS A PERSONAL ATTACK. 1136 00:52:26,643 --> 00:52:28,394 HE'S UNDERMINING ME. HE'S SABOTAGING ME. 1137 00:52:28,562 --> 00:52:30,312 I MADE A DEAL WITH HIM. I EXPLAINED IT TO HIM. 1138 00:52:30,480 --> 00:52:31,730 I WENT IN THE WATER WITH HIM. 1139 00:52:31,898 --> 00:52:33,190 I HAVE A QUESTION FOR YOU. 1140 00:52:33,358 --> 00:52:35,067 IF YOU COULD BE THE DALAI LAMA OR A BEAUTIFUL BAYWATCH BABE, 1141 00:52:35,235 --> 00:52:36,485 WHICH WOULD YOU CHOOSE? 1142 00:52:36,653 --> 00:52:38,028 BAYWATCH BABE. 1143 00:52:38,196 --> 00:52:39,321 NOW, THINK ABOUT IT. 1144 00:52:39,489 --> 00:52:41,240 I KNOW THE BAYWATCH BEAUTY IS SO DESIRABLE AND SHE HAS THE PERFECT BODY 1145 00:52:41,408 --> 00:52:43,659 AND SHE RUNS UP AND DOWN THE BEACH WITH A BIKINI ON. 1146 00:52:43,827 --> 00:52:45,828 THAT'S A REALLY HOT GIRL, THE BAYWATCH BEAUTY, RIGHT? 1147 00:52:45,996 --> 00:52:48,873 BUT THE DALAI LAMA HAS TOTAL INNER PEACE 1148 00:52:49,040 --> 00:52:51,542 AND SPIRITUAL ENLIGHTENMENT. 1149 00:52:51,710 --> 00:52:55,671 THERE'S NO COMPARISON. DON'T YOU AGREE? 1150 00:52:55,839 --> 00:53:00,301 SHE AGREES. HERE. OH! 1151 00:53:01,511 --> 00:53:03,095 [All Chattering] RICKY, WHAT DO YOU WANT TO DO? 1152 00:53:03,263 --> 00:53:06,640 I-I-I DON'T KNOW. I COULD GO BACK TO SCHOOL, I GUESS. 1153 00:53:06,808 --> 00:53:08,309 [Mickey] THE SIZE ON THIS ONE, FOLKS. 1154 00:53:08,476 --> 00:53:10,686 THIS IS THE SAW YOU WANT, BOYS. BUCKING, PRUNING, TRIMMING. 1155 00:53:10,854 --> 00:53:13,522 THE HOTEL/RESTAURANT BUSINESS ALWAYS HELD A REAL LURE FOR ME. 1156 00:53:13,690 --> 00:53:14,982 I'M A PEOPLE PERSON. WHAT? 1157 00:53:15,150 --> 00:53:16,442 HI. HI. 1158 00:53:16,610 --> 00:53:18,611 HELLO. NO. SO GIVE US A CALL, AND I'LL CARVE YOU A GREAT DEAL. 1159 00:53:18,778 --> 00:53:20,070 [G] NICE CHAIN SAW. 1160 00:53:20,238 --> 00:53:21,697 WHO ARE YOU? 1161 00:53:21,865 --> 00:53:23,157 OH, I'M NEW HERE. I'M A FRIEND OF RICKY HAYMAN'S. 1162 00:53:23,325 --> 00:53:24,742 HI, RICKY. 1163 00:53:24,910 --> 00:53:25,868 JUST CURIOUS ABOUT CHAIN SAWS. 1164 00:53:26,036 --> 00:53:28,078 INCOMING. MAYDAY. MAYDAY. THIS IS A DISASTER. THIS IS A MASSACRE. 1165 00:53:28,246 --> 00:53:29,622 YOU'VE GOT TO BE KIDDING. 1166 00:53:29,789 --> 00:53:31,207 CAN I HOLD IT? IT'S A DANDY. 1167 00:53:31,374 --> 00:53:32,958 CAN I HAVE THE WEIGHT IN MY HAND? 1168 00:53:33,126 --> 00:53:35,920 FEEL THE WEIGHT OF THAT CHAIN SAW. WOW! 1169 00:53:36,087 --> 00:53:37,379 IT'S A HEAVY ONE. BE CAREFUL. OH, YEAH. 1170 00:53:37,547 --> 00:53:39,965 [Ricky] HE'S STAYING AT MY HOME AND THIS IS HIS GRATITUDE? 1171 00:53:40,133 --> 00:53:41,550 HE GAVE HIM THE CHAIN SAW. 1172 00:53:41,718 --> 00:53:42,885 THIS IS GONNA BE GOOD. THIS IS NOT GOOD. 1173 00:53:43,053 --> 00:53:44,178 I HAVE A QUESTION. 1174 00:53:44,346 --> 00:53:48,057 IF I SAID TO YOU YOU COULD WATCH ME SCULPT THE VENUS DE MILO WITH MY HANDS, 1175 00:53:48,225 --> 00:53:50,726 OR CHAINSAW THIS ENTIRE STUDIO, 1176 00:53:50,894 --> 00:53:52,770 WHAT DO YOU THINK THEIR CALL-IN VOTE WOULD BE? 1177 00:53:52,938 --> 00:53:55,064 FOR CREATION OR DESTRUCTION? YOU GUYS CALL IN NOW. CALL. 1178 00:53:55,232 --> 00:53:58,234 HE'S HITTING EVERY SINGLE SET. HE'S CUTTING A--IT'S A CLEAN SWEEP! 1179 00:53:58,401 --> 00:54:01,070 HE'S MAKING A CLEAN SWATH FROM ONE SIDE OF THE STUDIO TO THE "NOTHER"! 1180 00:54:01,238 --> 00:54:03,072 I KNOW JUST WHAT THEY WANT. 1181 00:54:03,240 --> 00:54:04,907 [Saw Running] 1182 00:54:05,075 --> 00:54:06,408 WHOA! 1183 00:54:06,576 --> 00:54:07,993 NOW WOULD BE A GOOD TIME TO TALK ABOUT THE SAFETY FEATURES. 1184 00:54:08,161 --> 00:54:11,538 THIS IS GOOD. McBAINBRIDGE'LL LOVE THIS. 1185 00:54:13,625 --> 00:54:17,419 OH NO. YOU'VE GOTTA BE KIDDING. 1186 00:54:17,587 --> 00:54:22,049 HE'S CHAINSAWING OUR HAPPY-TIME REDWOOD PICNIC TABLE. 1187 00:54:25,804 --> 00:54:28,597 MORE? OF COURSE YOU WANT MORE. 1188 00:54:34,437 --> 00:54:37,398 AND BENCH. HE GOT THE WHOLE SET. 1189 00:54:37,983 --> 00:54:39,608 [Chain Saw Engine Stops] 1190 00:54:40,694 --> 00:54:44,363 NOW, I ADMIT THAT WAS FUN. BUT I ASK YOU. 1191 00:54:44,531 --> 00:54:48,242 WHY DO WE YAWN AT CREATION AND THRILL AT DESTRUCTION? 1192 00:54:48,410 --> 00:54:50,661 - WHY? - OKAY. OKAY. 1193 00:54:50,829 --> 00:54:51,870 ASK YOURSELF WHY. 1194 00:54:52,038 --> 00:54:53,330 HERE IT IS. HERE'S HIS AGENDA. 1195 00:54:53,498 --> 00:54:54,999 LET ME TELL YOU, I'VE BEEN WATCHING FOR A LONG, LONG TIME, 1196 00:54:55,166 --> 00:54:56,667 AND I DON'T LIKE WHAT I SEE. 1197 00:54:56,835 --> 00:54:59,795 I REALLY DON'T. EVERYBODY'S ANXIOUS AND SCARED. 1198 00:54:59,963 --> 00:55:03,007 EVERYBODY'S WORKING ALL THE TIME, BUT WHAT DO YOU REALLY GAIN? 1199 00:55:03,174 --> 00:55:06,468 AND OUR KIDS--OUR KIDS PLAY WITH COMPUTER PETS BECAUSE THEY'VE LEARNED 1200 00:55:06,636 --> 00:55:09,346 FROM US TO TRUST MACHINES MORE THAN THEY DO PEOPLE. 1201 00:55:09,514 --> 00:55:12,141 WE ACQUIRE, WE CONSUME, AND WE WASTE. 1202 00:55:12,309 --> 00:55:16,603 HE'S BARKING MAD. HE'S A LONE NUT. 1203 00:55:16,771 --> 00:55:19,356 AND THAT'S NOT HOW IT WAS SUPPOSED TO BE. 1204 00:55:19,524 --> 00:55:23,193 I PROMISE YOU THAT WAS NOT THE PLAN. 1205 00:55:23,361 --> 00:55:27,573 AND I THINK IT'S TIME SOME THINGS CHANGED AROUND HERE, DON'T YOU? 1206 00:55:27,741 --> 00:55:30,284 WHAT THE HELL IS GOING ON HERE? TURN YOUR SETS OFF. 1207 00:55:30,452 --> 00:55:32,745 - TV HISTORY? - OKAY, CUT HIM, CUT HIM. 1208 00:55:32,912 --> 00:55:35,748 HERE'S YOUR CHAIN SAW. 'NIGHT, RICKY. 1209 00:55:35,915 --> 00:55:38,417 HERE YOU GO. RIGHT THERE. 1210 00:55:39,711 --> 00:55:44,465 ♪♪♪ 1211 00:55:44,632 --> 00:55:46,717 WOULD YOU GUYS EXCUSE US, PLEASE? 1212 00:55:46,885 --> 00:55:49,428 I NEED TO TALK TO RICKY ALONE. 1213 00:55:49,596 --> 00:55:50,763 OKAY, GUYS. 1214 00:55:50,930 --> 00:55:53,891 BARRY, JUST FOR A MOMENT, PLEASE? 1215 00:56:04,652 --> 00:56:08,280 [Clears Throat] YEAH. I'M OUT. 1216 00:56:08,448 --> 00:56:12,910 WHAT WERE YOU THINKING? 1217 00:56:13,078 --> 00:56:15,746 I DON'T KNOW. 1218 00:56:15,914 --> 00:56:19,541 EVER SINCE YOU GUYS SHOWED UP, ALL I DO IS GO BACKWARDS. 1219 00:56:19,709 --> 00:56:22,044 YOU KNOW, IT SEEMS LIKE NO MATTER WHAT I'VE DONE YOU GET OFFENDED, 1220 00:56:22,212 --> 00:56:26,632 OR, YOU KNOW, I MAKE HIM MAD AND-- 1221 00:56:26,800 --> 00:56:29,259 I MEAN, I DIDN'T--I DON'T WANNA LOSE THIS JOB. 1222 00:56:29,427 --> 00:56:31,387 I--YOU KNOW, I LIKE WORKIN' HERE. 1223 00:56:31,554 --> 00:56:35,516 I LIKE SELLING. I'M GOOD AT IT, I THINK. 1224 00:56:35,683 --> 00:56:40,687 MY DAD WAS A SALESMAN. ON THE ROAD. YOU KNOW EVINRUDE MOTORS? 1225 00:56:43,024 --> 00:56:44,900 YEAH, OUTBOARD MOTORS. 1226 00:56:45,068 --> 00:56:50,572 HE DID THE WHOLE LAKE ERIE REGION, BOTH SIDES OF THE BORDER. 1227 00:56:51,574 --> 00:56:52,825 WOW. 1228 00:56:52,992 --> 00:56:56,787 I DROVE WITH HIM FOR A COUPLE OF-- FOR A COUPLE OF SUMMERS. 1229 00:56:56,955 --> 00:57:00,666 MAN, THIS CAPRICE HE HAD WAS LIKE HIS HOME. 1230 00:57:00,834 --> 00:57:04,169 THE STICK SHIFT HE WOULD MAKE HIS PLACE FOR RUBBER BANDS. 1231 00:57:04,337 --> 00:57:06,797 HE'D KEEP ALL HIS RUBBER BANDS ON THE STICK SHIFT. 1232 00:57:06,965 --> 00:57:09,800 AND THEN HE HAD HIS NOTES ALL ORGANIZED 1233 00:57:09,968 --> 00:57:12,052 WITH PAPER CLIPS IN A VERY PARTICULAR WAY. 1234 00:57:12,220 --> 00:57:16,765 AND RED LICORICE. BOXES OF RED LICORICE. 1235 00:57:16,933 --> 00:57:21,562 WE HAD A GOOD TIME FOR A WHILE. 1236 00:57:25,275 --> 00:57:28,735 WHAT HAPPENED? 1237 00:57:29,446 --> 00:57:32,614 OH, BAD LUCK, I GUESS. 1238 00:57:32,782 --> 00:57:35,117 NOBODY WATER SKIS ON A DEAD LAKE. 1239 00:57:35,285 --> 00:57:37,536 SO-- 1240 00:57:37,704 --> 00:57:39,746 YOU KNOW, HE TRIED ANYWAY, BUT, UH-- 1241 00:57:39,914 --> 00:57:43,167 YOU KNOW, YOU START TO PUSH AND GET SWEATY, AND THEY CAN SMELL IT. 1242 00:57:45,503 --> 00:57:49,214 - WOW, THIS IS SO WEIRD. - WHAT? 1243 00:57:49,382 --> 00:57:52,759 I'M STARTING TO THINK OF YOU AS A REAL PERSON. 1244 00:57:54,262 --> 00:57:56,472 WELL, YEAH. SURE. 1245 00:57:56,639 --> 00:57:59,391 THIS WHOLE BROKEN, PATHETIC HUSK THING IS JUST-- 1246 00:57:59,559 --> 00:58:01,768 YOU KNOW--I KNOW, IT'S VERY APPEALING. 1247 00:58:01,936 --> 00:58:06,106 [Laughs] WELL, IF YA GOT IT, FLAUNT IT. 1248 00:58:10,195 --> 00:58:12,779 I'LL SEE YOU TOMORROW. 1249 00:58:13,615 --> 00:58:15,824 YEAH. 1250 00:58:18,912 --> 00:58:19,995 IF I MAY SAY-- 1251 00:58:20,163 --> 00:58:22,331 YOU'RE THROUGH, HAYMAN! GET LOST! 1252 00:58:35,011 --> 00:58:37,054 HEY. HOW'D IT GO WITH McB? 1253 00:58:37,222 --> 00:58:39,431 - FINE, FINE. - WHAT HAPPENED? 1254 00:58:39,599 --> 00:58:42,142 OH, HE WAS VERY GRACIOUS. NO LEGAL ACTION. 1255 00:58:42,310 --> 00:58:45,312 AND HE GAVE ME A FULL 1 5 MINUTES TO LEAVE THE PREMISES. 1256 00:58:45,480 --> 00:58:47,606 COME ON. MOVE. HE'S FLYING TO D.C. 1257 00:58:47,774 --> 00:58:49,441 WE CAN STILL CATCH HIM IN THE PARKING LOT. 1258 00:58:49,609 --> 00:58:50,943 - WHO IS? - THE BOSS! 1259 00:58:51,110 --> 00:58:52,277 NO, KATE, IT'S OVER. 1260 00:58:52,445 --> 00:58:53,862 NOT WHEN HE SEES THESE. COME ON. 1261 00:58:54,030 --> 00:58:56,114 PUT THAT DOWN. 1262 00:58:56,741 --> 00:58:58,283 [Kate] THESE ARE THE NUMBERS FROM G's SHOW. 1263 00:58:58,451 --> 00:59:00,327 CALLER VOLUME SPIKED THE SECOND HE CAME ON. 1264 00:59:00,495 --> 00:59:01,620 SO WHAT? 1265 00:59:01,788 --> 00:59:03,497 THEY WERE PROBABLY CALLING TO GET THAT NUTCASE OFF THE AIR. 1266 00:59:03,665 --> 00:59:05,207 HE REACHED THEM. THEY LIKED HIM. 1267 00:59:05,375 --> 00:59:06,542 OH, GEEZ. 1268 00:59:06,709 --> 00:59:08,585 THEY WANTED TO BUY SOMETHING; THEY JUST DIDN'T KNOW WHAT. 1269 00:59:08,753 --> 00:59:11,380 JOHN, THIS IS A 30% JUMP. 1270 00:59:11,548 --> 00:59:13,549 MAJOR AUDIENCE CONNECTION WITH A SPOKESPERSON. 1271 00:59:13,716 --> 00:59:15,175 RICKY WAS RIGHT. 1272 00:59:15,343 --> 00:59:18,470 WHAT THE HELL ARE YOU SAYING? WE GIVE THIS MANIAC ANOTHER CHANCE? 1273 00:59:18,638 --> 00:59:20,681 AH! WHICH MANIAC WOULD THAT BE? 1274 00:59:20,848 --> 00:59:23,559 I THOUGHT ABOUT THIS ALL NIGHT. G SHOOK THEM UP. 1275 00:59:23,726 --> 00:59:27,896 HE'S DANGEROUS, BUT HE REPRESENTS AN HONESTY THAT PEOPLE ARE LONGING FOR. 1276 00:59:28,064 --> 00:59:29,147 TOTALLY. 1277 00:59:29,315 --> 00:59:30,607 AND HE REPRESENTS A SPIRITUALITY-- 1278 00:59:30,775 --> 00:59:32,234 SPIRITUALITY ON A HOME SHOPPING NETWORK? 1279 00:59:32,402 --> 00:59:35,862 I'M SORRY, DID I SAY SPIRITUALITY? I THINK I MEAN UNCONVENTIONALITY. 1280 00:59:36,030 --> 00:59:38,240 - UNIQUE, HEARTFELT, WISE. - PITHY. 1281 00:59:38,408 --> 00:59:40,242 PITHY? SURVEY AFTER SURVEY SHOWS 1282 00:59:40,410 --> 00:59:42,077 THAT AFTER PEOPLE BUY, THEY FEEL GUILTY. 1283 00:59:42,245 --> 00:59:43,954 EVEN IF THEY CAN AFFORD IT, THEY FEEL IT WAS WRONG 1284 00:59:44,122 --> 00:59:45,581 TO BUY SOMETHING FOR THEMSELVES. 1285 00:59:45,748 --> 00:59:47,666 WHY NOT PUT SOMEBODY ON THE AIR WHO MAKES THEM 1286 00:59:47,834 --> 00:59:49,585 FEEL GOOD ABOUT THEMSELVES FOR A CHANGE? 1287 00:59:49,752 --> 00:59:50,919 ABSOLUTELY. 1288 00:59:51,087 --> 00:59:54,089 AND, LISTEN, LET ME JUST WORK WITH THE GUY AND LET ME FOCUS HIS MESSAGE. 1289 00:59:54,257 --> 00:59:58,093 I THINK--WE THINK THAT G COULD GIVE US THAT UNIQUE IMAGE 1290 00:59:58,261 --> 00:59:59,344 THAT YOU'RE LOOKING FOR. 1291 00:59:59,512 --> 01:00:02,097 GIVE ME THE DEADEST HOUR OF THE DAY. 2:00 A.M.? 1292 01:00:02,265 --> 01:00:06,351 [Chuckling] ALL RIGHT. 1293 01:00:06,519 --> 01:00:08,520 BUT I KID YOU NOT, 1294 01:00:08,688 --> 01:00:10,981 IF I'M EMBARRASSED IN ANY WAY, SHAPE OR FORM, 1295 01:00:11,149 --> 01:00:14,192 IT IS GOING TO BE BOTH YOUR ASSES. 1296 01:00:14,360 --> 01:00:17,321 - MY ASS ENTIRELY. - MY ASS TOO, SIR. 1297 01:00:17,780 --> 01:00:42,387 ♪♪♪ 1298 01:00:42,555 --> 01:00:45,724 I MEAN, THAT'S ROUGH, YOU KNOW, BUT YOU GET THE IDEA. 1299 01:00:45,892 --> 01:00:48,602 YES. 1300 01:00:49,312 --> 01:00:51,772 YOU'RE A HUNGRY ONE, AREN'T YOU, SCOTT? 1301 01:00:51,939 --> 01:00:53,190 EXCUSE ME? 1302 01:00:53,358 --> 01:00:57,110 NO NEED FOR EXCUSES. I'M A HUNGRY ONE TOO. 1303 01:00:57,278 --> 01:01:02,658 BUT WHAT IS IT YOU REALLY WANT? IT ISN'T THIS. 1304 01:01:02,825 --> 01:01:05,911 I WANT ALL OF IT-- THE WHOLE THING. 1305 01:01:06,079 --> 01:01:07,829 GIVE ME THE NETWORK. LET ME RUN WITH IT. 1306 01:01:07,997 --> 01:01:13,377 I'LL GIVE YOU A REDESIGN THAT'LL DOUBLE SALES INSIDE OF 1 8 MONTHS. 1307 01:01:13,961 --> 01:01:17,047 WHAT ABOUT KATE AND HAYMAN? 1308 01:01:17,215 --> 01:01:18,757 KATE'S SMART. 1309 01:01:18,925 --> 01:01:21,677 SHE WANTS TO STAY ON AND WORK FOR ME, FINE. 1310 01:01:21,844 --> 01:01:25,180 HAYMAN CAN CALL IN AND BUY THINGS, 1311 01:01:25,348 --> 01:01:28,642 JUST LIKE EVERYBODY ELSE. 1312 01:01:34,023 --> 01:01:36,066 I CAN'T BELIEVE WE'RE DOIN' THIS AGAIN. 1313 01:01:36,234 --> 01:01:37,401 [Man] ONE MINUTE! 1314 01:01:37,568 --> 01:01:39,277 OKAY, A NICE, DEEP BREATH. THAT'S GOOD. 1315 01:01:39,445 --> 01:01:40,696 - ONE MINUTE! - WHAT DO YOU THINK? 1316 01:01:40,863 --> 01:01:41,905 ONE MINUTE! 1317 01:01:42,073 --> 01:01:43,573 ARE YOU WITH THE PROGRAM? YOU WITH US? 1318 01:01:43,741 --> 01:01:44,866 YOU'RE A NATURAL. ARE YOU WITH US? 1319 01:01:45,034 --> 01:01:46,076 OH, YEAH. 1320 01:01:46,244 --> 01:01:47,661 OKAY, OKAY. NOW REMEMBER, LET'S GO OVER THIS ONE MORE TIME. 1321 01:01:47,829 --> 01:01:49,037 HERE'S THE TELEPROMPTER. 1322 01:01:49,205 --> 01:01:50,372 OKAY. 1323 01:01:50,540 --> 01:01:52,833 AND WHEN THE RED LIGHT GOES ON, YOU'RE ON, START READING. 1324 01:01:53,000 --> 01:01:53,959 OKAY. 1325 01:01:54,127 --> 01:01:55,293 REMEMBER, HOLD THE PRODUCT UP. 1326 01:01:55,461 --> 01:01:56,378 FIFTY SECONDS! 1327 01:01:56,546 --> 01:01:58,088 OKAY, WE'RE GONNA BE IN THE BOOTH. 1328 01:01:58,256 --> 01:01:59,923 - OKAY. - YOU'RE A NATURAL. 1329 01:02:00,091 --> 01:02:01,466 THAT'S 'CAUSE I LOVE SHOW BUSINESS. 1330 01:02:01,634 --> 01:02:02,843 AND SHOW BUSINESS LOVES YOU. 1331 01:02:03,010 --> 01:02:04,720 SHOW BUSINESS. IT'S A BUSINESS. SHOW BUSINESS. 1332 01:02:04,887 --> 01:02:06,972 CAMERA ONE UP. CAMERA TWO STANDING BY. 1333 01:02:07,140 --> 01:02:08,890 [Men Chattering] AUDIO UP. 1334 01:02:09,058 --> 01:02:10,642 [Man #2] AUDIO, AND FIVE-- 1335 01:02:10,810 --> 01:02:11,935 AND COUNT IT OFF. 1336 01:02:12,103 --> 01:02:14,479 FOUR, THREE. 1337 01:02:17,775 --> 01:02:19,025 OH, PLEASE SPEAK. 1338 01:02:19,193 --> 01:02:20,861 MR. MUM, MR. HUSH. I CAN'T BELIEVE IT. 1339 01:02:21,028 --> 01:02:24,656 - HELLO. - OKAY. HOLD IT UP. 1340 01:02:24,824 --> 01:02:26,700 WONDERFUL NEW PRODUCT WE HAVE HERE. 1341 01:02:26,868 --> 01:02:29,411 IT'S CALLED THE STARFISH PENDANT. 1342 01:02:29,579 --> 01:02:31,288 HE'S HOLDING IT UP. HE'S GOOD. 1343 01:02:31,456 --> 01:02:35,250 IT'S MADE OUT OF TWO-KARAT GOLD, WONDERFUL TWO-KARAT GOLD, 1344 01:02:35,418 --> 01:02:36,835 WHICH MAKES IT VERY CHARMING. 1345 01:02:37,003 --> 01:02:39,379 BECAUSE IT'S SO VERY LIGHT, IT'S EASY TO WEAR. 1346 01:02:39,547 --> 01:02:42,466 AND KIDS LOVE IT. IT LOOKS GREAT AT PARTIES. 1347 01:02:42,633 --> 01:02:45,218 AND THE STARFISH PENDANT-- 1348 01:02:47,930 --> 01:02:49,765 TALK. KEEP READING. KEEP READING. 1349 01:02:49,932 --> 01:02:51,349 I HAVE SOMETHING BETTER FOR YOU THAN A NECKLACE. 1350 01:02:51,517 --> 01:02:53,435 OH, NO. 1351 01:02:53,603 --> 01:02:55,479 [Chuckles] THIS BROUGHT BACK A MEMORY. 1352 01:02:55,646 --> 01:02:57,522 SOMETHING THAT HAPPENED TO ME WHEN I WAS A LITTLE BOY. 1353 01:02:57,690 --> 01:03:01,234 MEMORIES ARE GOOD. THERE WAS A STORM. 1354 01:03:01,402 --> 01:03:05,739 AND THOUSANDS AND THOUSANDS OF STARFISH WERE WASHED UP ON THE SHORE. 1355 01:03:05,907 --> 01:03:07,741 ONLY FOUR DAYS AGO YOU WAVED HIM OVER. 1356 01:03:07,909 --> 01:03:09,326 LET'S JUST HOLD ON, HOLD ON. 1357 01:03:09,494 --> 01:03:11,286 AND THERE WAS THIS BEAUTIFUL LITTLE GIRL RUNNING DOWN THE BEACH 1358 01:03:11,454 --> 01:03:12,537 PICKING UP THE STARFISH. 1359 01:03:12,705 --> 01:03:14,206 SHE WAS FRANTICALLY THROWING THEM BACK INTO THE OCEAN. 1360 01:03:14,373 --> 01:03:16,958 WHEN I SAW HER DOING THIS, I SAID TO HER, "WHY ARE YOU DOING THAT? 1361 01:03:17,126 --> 01:03:20,837 YOU CAN ONLY SAVE A FEW BEFORE THEY DIE. WHAT DIFFERENCE DOES IT MAKE?" 1362 01:03:21,005 --> 01:03:27,093 AND SHE LOOKED AT ME AND SHE SAID, "TO THAT ONE, IT MAKES A DIFFERENCE." 1363 01:03:27,637 --> 01:03:31,848 "TO THAT ONE, IT MAKES A DIFFERENCE," THAT LITTLE GIRL SAID. 1364 01:03:32,016 --> 01:03:33,141 AND SHE WAS RIGHT. 1365 01:03:33,309 --> 01:03:35,185 AT THAT VERY MOMENT, SHE WAS MAKING A DIFFERENCE FOR THAT STARFISH, 1366 01:03:35,353 --> 01:03:37,646 AND SHE WAS MAKING A DIFFERENCE FOR HERSELF, TOO, BECAUSE SHE WAS 1367 01:03:37,814 --> 01:03:40,398 CONNECTED TO THAT STARFISH. 1368 01:03:40,566 --> 01:03:42,692 AND THAT'S WHAT LIFE IS ALL ABOUT-- CONNECTING. 1369 01:03:42,860 --> 01:03:44,778 IN FACT, THAT'S THE ONLY TIME YOU'RE EVER ALIVE, REALLY, 1370 01:03:44,946 --> 01:03:47,823 IS WHEN YOU'RE CONNECTING. 1371 01:03:47,990 --> 01:03:50,367 THAT'S KIND OF A NICE STORY. 1372 01:03:50,535 --> 01:03:52,452 THAT'S SWEET, THAT'S SWEET. 1373 01:03:52,620 --> 01:03:54,621 WELL, THANK YOU FOR TUNING IN. 1374 01:03:54,789 --> 01:03:56,540 AND REMEMBER, LET GO, 1375 01:03:56,707 --> 01:03:59,000 GIVE IN AND TAKE THE JOURNEY. 1376 01:03:59,168 --> 01:04:03,046 OH, WAIT! ONE OTHER THING. 1377 01:04:04,131 --> 01:04:06,424 I WORK HERE WITH MY FRIEND RICKY HAYMAN. 1378 01:04:06,592 --> 01:04:09,344 WHERE'D HE GET THAT? WHERE'D HE GET THAT PICTURE? 1379 01:04:09,512 --> 01:04:11,012 HE ASKED. I JUST-- 1380 01:04:11,180 --> 01:04:13,098 [Kate] OH, BARRY, YOU DIDN'T. 1381 01:04:13,266 --> 01:04:14,558 WHAT? I DIDN'T-- 1382 01:04:14,725 --> 01:04:16,184 RICKY DOESN'T LIKE HIMSELF BECAUSE HE DOESN'T THINK HE'S A GOOD PERSON 1383 01:04:16,352 --> 01:04:17,686 'CAUSE HE CAN'T SEE ALL OF HIS GOOD QUALITIES. 1384 01:04:17,854 --> 01:04:21,106 - SO--CAN YOU COME IN CLOSER? - SAM, FRAME OFF THE PICTURE. 1385 01:04:21,274 --> 01:04:22,691 - OH, THIS IS-- - SAM, SAM. 1386 01:04:22,859 --> 01:04:24,150 I DIDN'T--I DIDN'T KNOW HE WAS GONNA-- 1387 01:04:24,318 --> 01:04:26,027 - DON'T GO IN CLOSE. DON'T. - DON'T, DON'T. 1388 01:04:26,195 --> 01:04:27,404 GO IN CLOSE. 1389 01:04:27,572 --> 01:04:28,905 DON'T, DON'T GO IN CLOSE, SAM! 1390 01:04:29,073 --> 01:04:31,616 - TOO LATE. - OH, THIS IS EVERYBODY'S JOKE? 1391 01:04:31,784 --> 01:04:33,702 YES. I SEE. HA-HA-HA. 1392 01:04:33,870 --> 01:04:36,913 IT'S FUNNY DAY. HEY, CHEESY. 1393 01:04:37,081 --> 01:04:39,207 DON'T. NO. DON'T, DON'T, DON'T. 1394 01:04:39,375 --> 01:04:41,293 THERE'S TWO THINGS YOU CAN DO FOR ME FOR MY FRIEND RICKY HAYMAN. 1395 01:04:41,460 --> 01:04:44,212 IF YOU RUN INTO THIS MAN ANYWHERE, IF YOU SEE HIM ANYWHERE, 1396 01:04:44,380 --> 01:04:46,923 ONE THING IS, GO UP TO HIM AND TELL HIM SOMETHING NICE 1397 01:04:47,091 --> 01:04:49,301 ABOUT HIMSELF TO BUILD UP HIS CONFIDENCE. 1398 01:04:49,468 --> 01:04:51,261 COMPLIMENT HIS DRESS OR HIS HAIRSTYLE OR SOMETHING. 1399 01:04:51,429 --> 01:04:53,179 "YOU LOOK GREAT TODAY, RICKY." 1400 01:04:53,347 --> 01:04:54,973 SOMETHING, YOU KNOW, THAT'S REASSURING TO HIM 1401 01:04:55,141 --> 01:04:57,142 BECAUSE HE HAS A VERY, VERY LOW SELF-IMAGE. 1402 01:04:57,310 --> 01:04:58,935 THIS IS THE LOWEST MOMENT OF MY LIFE. 1403 01:04:59,103 --> 01:05:02,814 AND THE SECOND THING IS YOU-- HUG HIM. 1404 01:05:02,982 --> 01:05:04,733 NO, THIS IS THE LOWEST MOMENT OF MY LIFE. 1405 01:05:04,901 --> 01:05:06,651 [Kate Laughing] 1406 01:05:06,819 --> 01:05:09,237 IF YOU SEE THIS MAN, GIVE HIM A HUG. 1407 01:05:09,405 --> 01:05:11,740 HE REALLY, REALLY WANTS TO BE HUGGED, AND HE'S NOT USED TO IT. 1408 01:05:11,908 --> 01:05:13,199 NO! 1409 01:05:13,367 --> 01:05:14,743 HE REALLY NEEDS IT. 1410 01:05:14,911 --> 01:05:16,411 NO, NO. NO. 1411 01:05:16,579 --> 01:05:19,581 [Laughing] 1412 01:05:19,749 --> 01:05:22,626 I JUST WANTED TO TELL YOU I THINK YOU'RE REALLY-- 1413 01:05:22,793 --> 01:05:24,628 REALLY TALL. 1414 01:05:24,795 --> 01:05:27,422 VERY NICE. THANK YOU FOR THE NATIONAL HUMILIATION. THANK YOU. 1415 01:05:27,590 --> 01:05:29,132 WAIT, WAIT, WAIT. LOOK AT THIS. 1416 01:05:29,300 --> 01:05:30,800 HUMILIATED TODAY, HERO TOMORROW. 1417 01:05:30,968 --> 01:05:34,429 HEY, TAKE A LOOK AT THIS. LOOK AT THE NUMBERS. 1418 01:05:34,597 --> 01:05:36,014 UNBELIEVABLE. 1419 01:05:36,182 --> 01:05:38,058 - ARE THOSE THE ACTUAL NUMBERS? - THOSE ARE THE ACTUAL NUMBERS. 1420 01:05:38,225 --> 01:05:39,559 - THESE ARE THE PENDANTS? - HE DID IT. 1421 01:05:39,727 --> 01:05:40,769 [Man #1 ] LOOK AT THAT. 1422 01:05:40,937 --> 01:05:42,395 [Man #2] I CAN'T BELIEVE IT. IT'S AWESOME. 1423 01:05:42,563 --> 01:05:45,482 MY FRIENDS, DO YOU HAVE FOOD THAT GOES TO WASTE? 1424 01:05:45,650 --> 01:05:47,275 YOU EVER THOUGHT ABOUT USING YOUR DRIVE TIME 1425 01:05:47,443 --> 01:05:48,944 TO COOK A MEAL FOR YOUR FAMILY? 1426 01:05:49,111 --> 01:05:52,656 DO YOU FEEL THE NEED TO STORE YOUR VEGETABLES AND LUNCH MEATS FOREVER? 1427 01:05:52,823 --> 01:05:56,409 WE SAY WET IT AGAIN WITH FOGGY. 1428 01:05:56,577 --> 01:05:58,870 IT'S THE HOOD BUDDY-- THE AIR FILTER THAT USES THE HEAT 1429 01:05:59,038 --> 01:06:02,791 OF YOUR GAS-GUZZLING ENGINE TO COOK FABULOUS MEALS WHILE YOU DRIVE. 1430 01:06:02,959 --> 01:06:06,711 LIL SQUIRT...IT'S A FESTIVE FOUNTAIN THAT GIVES YOUR FANNY 1431 01:06:06,879 --> 01:06:09,673 "A KISS OF REFRESHING MIST." 1432 01:06:09,840 --> 01:06:13,093 BUT LOOK WHAT WE DID WITH FOGGY! 1433 01:06:13,260 --> 01:06:15,011 WE MADE BANANA MUSH. 1434 01:06:15,179 --> 01:06:19,808 SOOT GIVES IT A UNIQUE, UNRIVALED, RICH, HEARTY, ROBUST AROMA. 1435 01:06:19,976 --> 01:06:22,852 WHY WOULD YOU DRY THESE BANANAS OUT IN THE FIRST PLACE? 1436 01:06:23,020 --> 01:06:26,648 THEN I HAVE TWO WORDS FOR YOU, G: SUCK IT. 1437 01:06:26,816 --> 01:06:31,277 LIL SQUIRT, THIS IS PROBABLY THE NASTIEST PRODUCT ON THE ENTIRE NETWORK. 1438 01:06:31,445 --> 01:06:34,823 1 0-4, HOOD BUDDY. YUMMY. 1439 01:06:37,159 --> 01:06:41,371 [G] TODAY IS THE FIRST DAY OF THE REST OF YOUR LIFE. 1440 01:06:41,539 --> 01:06:44,082 BUT LET'S FACE IT, THE SEAT-WARMERS THAT YOU'RE SITTING ON 1441 01:06:44,250 --> 01:06:45,834 ARE GETTING MORE OUT OF LIFE THAN YOU ARE. 1442 01:06:46,002 --> 01:06:47,002 YES, THEY ARE. 1443 01:06:47,169 --> 01:06:48,753 AND IF I WERE YOU-- AND I AM YOU-- 1444 01:06:48,921 --> 01:06:50,714 IF I WERE YOU, WHAT I WOULD DO IS 1445 01:06:50,881 --> 01:06:55,844 I WOULD EMBRACE EACH AND EVERY NEW DAY LIKE IT WAS A LONG-LOST LOVER, 1446 01:06:56,012 --> 01:06:59,055 AND SQUEEZE ALL THE LIFE JUICE I POSSIBLY COULD. 1447 01:06:59,223 --> 01:07:01,224 THE JUICER, THE JUICER. SAM, GET A SHOT OF THE JUICER. 1448 01:07:01,392 --> 01:07:03,018 JUICERS, JUICERS. 1449 01:07:03,185 --> 01:07:05,228 OKAY, TIGHT SHOT. KITCHEN-AID, 79.95. 1450 01:07:05,396 --> 01:07:07,147 KITCHEN-AID JUICER, 79.95. 1451 01:07:07,314 --> 01:07:09,899 - FABULOUS. - GO, GO, GO. 1452 01:07:10,067 --> 01:07:12,318 [Woman] HOME SHOPPERS HAVE FOUND A NEW GURU. 1453 01:07:12,486 --> 01:07:16,948 HIS NAME IS G, AND HE'S A MIXTURE OF HIGHER THINKING AND LOWER PRICES. 1454 01:07:17,116 --> 01:07:20,326 OKAY, GET OFF THE PHONE. YOU HAVE TO LOOK AT THESE. 1455 01:07:20,494 --> 01:07:26,332 [Ricky] I'LL CALL YOU LATER. TV GUIDE, TIME, FORBES. 1456 01:07:29,754 --> 01:07:31,880 CORRECT ME IF I'M WRONG, SIR-- 1457 01:07:32,048 --> 01:07:34,549 [Chuckles] I DON'T WANNA PUT WORDS IN YOUR MOUTH. 1458 01:07:34,717 --> 01:07:37,052 IT FELT TO ME AS IF WE HAD A DEAL. 1459 01:07:37,219 --> 01:07:38,720 WELL, YOU FELT WRONG. 1460 01:07:38,888 --> 01:07:41,890 I SAID IF HAYMAN SCREWED UP, YOU WERE IN. 1461 01:07:42,058 --> 01:07:43,683 HE DIDN'T. 1462 01:07:43,851 --> 01:07:47,562 THIS G GOOF OF HIS IS THE BIGGEST THING TO HIT HOME SHOPPING 1463 01:07:47,730 --> 01:07:51,024 SINCE THE CUBIC ZIRCONIA. 1464 01:07:51,609 --> 01:07:54,319 THAT DOESN'T PIQUE YOUR SHERLOCK HOLMES BRAIN CELLS? 1465 01:07:54,487 --> 01:07:56,571 MY GOD, THE MAN HAS NO HISTORY, 1466 01:07:56,739 --> 01:07:59,032 NO SOCIAL SECURITY NUMBER, NO DRIVER'S LICENSE, 1467 01:07:59,200 --> 01:08:02,410 VOTER'S REGISTRATION, BIRTH CERTIFICATE, NOTHING. 1468 01:08:02,578 --> 01:08:04,662 G ISN'T EVEN A NAME, FOR CRYING OUT LOUD. 1469 01:08:04,830 --> 01:08:06,247 YOU DON'T FIND THAT CURIOUS? 1470 01:08:06,415 --> 01:08:10,251 YES, I DO. I JUST DON'T FIND IT ILLEGAL. 1471 01:08:10,419 --> 01:08:13,171 THERE IS A DEFINITE TALMUDIC WISDOM TO G's PHILOSOPHY. 1472 01:08:13,339 --> 01:08:14,756 HE IS CLEARLY A STUDENT OF THE-- 1473 01:08:14,924 --> 01:08:17,884 KORAN FIGURES PROMINENTLY IN G's APHORISMS. 1474 01:08:18,052 --> 01:08:19,552 AND I'M SURE HE WILL TELL YOU HE'S-- 1475 01:08:19,720 --> 01:08:21,429 A STUDENT OF THE NEW TESTAMENT. 1476 01:08:21,597 --> 01:08:23,389 G's ESSENTIAL RELIGIOUS FOUNDATION 1477 01:08:23,557 --> 01:08:26,351 SO CLEARLY ECHOES THE TEACHINGS OF JESUS CHRIST, 1478 01:08:26,519 --> 01:08:28,603 THAT I WONDER IF HE MIGHT NOT HAVE SPENT SOME TIME 1479 01:08:28,771 --> 01:08:30,438 IN THE SEMINARY HIMSELF. 1480 01:08:30,606 --> 01:08:32,315 NO, DON'T CHANGE ANYTHING. I WANNA KEEP IT SIMPLE. 1481 01:08:32,483 --> 01:08:34,776 WHAT? WHAT DID I TELL YOU? EVERY MARKET. 1482 01:08:34,944 --> 01:08:36,653 RIGHT! EVERY MARKET. 1483 01:08:36,821 --> 01:08:38,404 LET'S RUN IT EVERYWHERE. FULL PAGE. 1484 01:08:38,572 --> 01:08:40,782 I DON'T CARE HOW MUCH IT COSTS. SAVE ME THIS STUFF IN THE--RIGHT. 1485 01:08:40,950 --> 01:08:43,159 WHAT? A WEEK. LET'S RUN IT FOR A WEEK, SEE WHAT HAPPENS. 1486 01:08:43,327 --> 01:08:45,578 NO, MAN. THANK YOU. 1487 01:08:45,746 --> 01:08:47,789 [Beeps] 1488 01:08:52,336 --> 01:08:55,213 HI, NICE TO SEE YOU-- TALK TO YOU. HI, HEY! 1489 01:08:55,381 --> 01:08:56,464 HEY. HEY. 1490 01:08:56,632 --> 01:08:57,632 [Kate] HEY! 1491 01:08:57,800 --> 01:08:58,967 THE, UH--WE'RE GLAD TO GET YOU. 1492 01:08:59,135 --> 01:09:02,011 LISTEN, WE'RE JUST SITTIN' AROUND HERE-- I KNOW IT'S SORT OF LAST MINUTE. 1493 01:09:02,179 --> 01:09:03,263 WE WERE-- 1494 01:09:03,430 --> 01:09:06,182 WONDERING IF I WANTED TO GO OUT FOR A DRINK? 1495 01:09:06,350 --> 01:09:07,600 EXACTLY RIGHT. 1496 01:09:07,768 --> 01:09:09,811 THE, UH--I DON'T KNOW WHAT YOU HAVE A TASTE FOR, BUT-- 1497 01:09:09,979 --> 01:09:11,980 - HOW ABOUT THE BREAKWATER? - I LOVE THE BREAKWATER. 1498 01:09:12,148 --> 01:09:13,398 IT'S, UM-- 1499 01:09:13,566 --> 01:09:14,607 WHAT TIME IS IT? 7:00? 1500 01:09:14,775 --> 01:09:15,817 CAN YOU PICK ME UP IN HALF AN HOUR? 1501 01:09:15,985 --> 01:09:18,444 WE WILL SEE YOU IN ONE HALF HOUR. GREAT. 1502 01:09:21,657 --> 01:10:34,187 ♪♪♪ 1503 01:10:37,107 --> 01:10:40,443 [Thunder Rumbling] 1504 01:10:40,611 --> 01:10:44,197 [Car Door Closes] [Ricky, Kate Laughing] 1505 01:10:44,365 --> 01:10:47,742 OH. OH. 1506 01:10:47,910 --> 01:10:50,870 OH. 1507 01:10:54,333 --> 01:10:57,418 [Chuckling] - I'M WET. - YOU'RE SO WET. 1508 01:10:57,586 --> 01:11:00,255 LOOK AT THAT. WELL, SCOTT WAS CERTAINLY RIGHT ABOUT ONE THING. 1509 01:11:00,422 --> 01:11:02,131 ABOUT WHAT? 1510 01:11:02,299 --> 01:11:04,384 YOU DO HAVE ELEGANT TOES. 1511 01:11:04,551 --> 01:11:07,220 [Laughs] 1512 01:11:08,180 --> 01:11:11,349 SCOTT WAS, UM-- 1513 01:11:11,517 --> 01:11:13,935 WHAT? YOU TWO DATED? 1514 01:11:14,103 --> 01:11:16,104 A WHILE AGO. 1515 01:11:16,272 --> 01:11:18,898 FOR ABOUT A MINUTE. 1516 01:11:19,984 --> 01:11:23,736 WELL, YOU KNOW, HE SEEMS LIKE A-- 1517 01:11:24,822 --> 01:11:28,700 [Laughing] LIKE A DETERMINED GUY. YEAH. 1518 01:11:28,867 --> 01:11:33,538 SCOTT WAS VERY INTERESTED IN ME-- IN OUR RELATIONSHIP-- 1519 01:11:33,706 --> 01:11:37,417 UNTIL HE GOT HIS INTRODUCTION TO McBAINBRIDGE. 1520 01:11:38,711 --> 01:11:42,797 WHAT? FEEL LIKE HE USED YOU? 1521 01:11:42,965 --> 01:11:45,967 HE DID SOME WORK FOR US. MADE ME LOOK GOOD. 1522 01:11:46,135 --> 01:11:49,345 SO I GUESS WE USED EACH OTHER. 1523 01:11:51,056 --> 01:11:54,100 ALL'S FAIR, RIGHT? 1524 01:11:58,063 --> 01:12:00,857 I HAD A REALLY NICE TIME. 1525 01:12:01,025 --> 01:12:04,444 I HAD A NICE TIME TOO. 1526 01:12:04,987 --> 01:12:08,156 I'LL SEE YOU TOMORROW. 1527 01:12:11,535 --> 01:12:14,537 SEE YOU LATER. 1528 01:12:18,042 --> 01:12:20,209 RICKY! 1529 01:12:21,670 --> 01:12:24,797 I LOVED OUR DANCE. 1530 01:12:36,852 --> 01:12:45,693 ♪♪♪ 1531 01:12:45,861 --> 01:12:52,241 DAMN. 1532 01:12:54,536 --> 01:12:58,498 [Car Door Closes, Footsteps Approaching] 1533 01:12:59,875 --> 01:13:12,553 ♪♪♪ 1534 01:13:16,558 --> 01:13:22,146 [Shouting, Chattering] 1535 01:13:22,314 --> 01:13:23,898 IT'S G. WHAT'S HAPPENING? 1536 01:13:24,066 --> 01:13:27,026 SOMEBODY CAME FORWARD, SOME WOMAN. SHE SAYS G's HER HUSBAND. 1537 01:13:27,194 --> 01:13:29,445 SAYS HE HAS A WHOLE FAMILY-- SIX KIDS--IN CHICAGO. 1538 01:13:29,613 --> 01:13:32,115 - JUST WALKED OUT, ABANDONED THEM. - OH, I DON'T BELIEVE THAT. 1539 01:13:32,282 --> 01:13:33,741 SHE'S HOLDING A PRESS CONFERENCE IN AN HOUR. 1540 01:13:33,909 --> 01:13:35,326 WHERE? 1541 01:13:35,494 --> 01:13:37,453 IT WAS TIME FOR THIS CHARADE TO END. 1542 01:13:37,621 --> 01:13:41,416 THIS MAN, G, HAD ALREADY HURT ME AND MY KIDS. 1543 01:13:41,583 --> 01:13:46,963 AND, WELL, WHEN I SAW THIS, 1544 01:13:47,965 --> 01:13:50,216 I KNEW I COULDN'T LET HIM HURT ANY OTHER INNOCENT PEOPLE. 1545 01:13:50,384 --> 01:13:52,385 WELL, ISN'T THIS JUST LOVELY. 1546 01:13:52,553 --> 01:13:55,054 SCOTT, GET US OUT OF THIS. 1547 01:13:55,222 --> 01:13:57,932 OKAY, PEOPLE. HERE'S THE BITTER TRUTH. 1548 01:13:58,100 --> 01:14:00,852 THE ONLY WAY WE'RE GONNA GET OUT OF THIS IN ONE PIECE IS TO FACE IT. 1549 01:14:01,019 --> 01:14:04,480 SO, I'M SORRY, BUT, RICKY, KATE, YOU'RE GONNA HAVE TO RESIGN. 1550 01:14:04,648 --> 01:14:06,482 G HASN'T SAID IF SHE'S TELLING THE TRUTH. 1551 01:14:06,650 --> 01:14:08,234 G, DO YOU KNOW THIS WOMAN? 1552 01:14:08,402 --> 01:14:10,236 YES, THAT'S GRACE FROM CHICAGO. 1553 01:14:10,404 --> 01:14:13,990 SHE'S HOLDING LITTLE IRIS AND THAT'S MICHAEL AND LLOYD WITH HER. 1554 01:14:14,575 --> 01:14:16,200 EXCUSE ME A SECOND. 1555 01:14:16,368 --> 01:14:19,203 - WHERE ARE YOU GOING? - GOING TO SAY HELLO. 1556 01:14:20,998 --> 01:14:25,501 [Reporters Clamoring] 1557 01:14:25,669 --> 01:14:27,753 [Woman] G, DO YOU KNOW THIS WOMAN? 1558 01:14:27,921 --> 01:14:32,300 KIDS, HI! IT'S SO GOOD TO--EVERYBODY'S GOTTEN SO BIG. 1559 01:14:32,468 --> 01:14:33,968 [Man] G, HOW LONG WERE YOU MARRIED 1560 01:14:34,136 --> 01:14:36,512 BEFORE YOU DESERTED GRACE AND THE KIDS? 1561 01:14:37,473 --> 01:14:38,681 WHAT? 1562 01:14:38,849 --> 01:14:40,475 G, WHY DID YOU MARRY GRACE, FATHER SIX CHILDREN 1563 01:14:40,642 --> 01:14:43,144 AND JUST RUN OFF IN THE MIDDLE OF THE NIGHT? 1564 01:14:43,312 --> 01:14:45,480 YOU, YOU KNOW WHAT YOU DID. YOU LEFT. 1565 01:14:46,231 --> 01:14:48,149 NOW, THAT'S TRUE. I DID LEAVE. 1566 01:14:48,317 --> 01:14:49,734 WHY DID YOU LIE TO AMERICA? 1567 01:14:49,902 --> 01:14:51,319 WE TRUSTED YOU. 1568 01:14:51,487 --> 01:14:53,196 HOW MANY OTHER FAMILIES HAVE YOU DESTROYED? 1569 01:14:53,363 --> 01:14:55,490 GIVE US THE REAL STORY. 1570 01:14:55,657 --> 01:14:56,991 [Man] WHAT IS THE TRUTH HERE? 1571 01:14:57,159 --> 01:14:58,576 [Shouting Questions] 1572 01:14:58,744 --> 01:15:01,954 ARE YOU CONCERNED ABOUT POSSIBLE JAIL TIME? 1573 01:15:02,581 --> 01:15:05,500 WAIT A MINUTE, WAIT A MINUTE. PLEASE, WAIT A MINUTE. 1574 01:15:05,667 --> 01:15:08,044 [Shouting Questions] 1575 01:15:08,212 --> 01:15:11,547 STOP, STOP. I LIED. I LIED! 1576 01:15:12,132 --> 01:15:14,300 [Shouting Stops] 1577 01:15:14,760 --> 01:15:16,844 I LIED FOR THE MONEY. 1578 01:15:17,012 --> 01:15:20,473 G--G's A SAINT. 1579 01:15:21,642 --> 01:15:25,311 HE'S NOT MY HUSBAND OR THEIR DAD. 1580 01:15:26,396 --> 01:15:28,272 I WISH-- 1581 01:15:28,440 --> 01:15:32,527 HE STAYED WITH US A FEW WINTERS AGO AS A FRIEND. 1582 01:15:32,694 --> 01:15:38,533 HE HELPED US. I AM SO SORRY. 1583 01:15:39,701 --> 01:15:44,121 I THOUGHT-- YOU KNOW, I JUST-- 1584 01:15:47,417 --> 01:15:49,377 IT'S ALL RIGHT. 1585 01:15:49,545 --> 01:15:52,630 OKAY? YOU ALL RIGHT? 1586 01:15:57,719 --> 01:15:59,428 THAT MAN. 1587 01:15:59,596 --> 01:16:02,765 I CALLED HIM, AND I TOLD HIM THAT I KNEW G. 1588 01:16:02,933 --> 01:16:04,225 WHO'S SHE TALKING ABOUT? 1589 01:16:04,393 --> 01:16:05,643 HE OFFERED ME MONEY, FIVE GRAND. 1590 01:16:05,811 --> 01:16:09,021 $5,000 TO GET UP HERE AND SAY A FEW WORDS, TO GET UP HERE AND LIE. 1591 01:16:09,189 --> 01:16:12,275 HE PAID ME TO LIE ABOUT G. 1592 01:16:12,442 --> 01:16:15,653 I'M SORRY. I MAY BE POOR, BUT THERE'S YOUR BAD MAN RIGHT THERE! 1593 01:16:15,821 --> 01:16:17,321 THERE HE IS. 1594 01:16:17,489 --> 01:16:19,073 WHERE? SCOTT HAWKES! 1595 01:16:19,241 --> 01:16:21,993 [Crowd Chattering] 1596 01:16:22,160 --> 01:16:25,288 [Shouting Questions] 1597 01:16:27,583 --> 01:16:30,293 [Man] IS THIS A CONSPIRACY, SCOTT? OR WERE YOU BY YOURSELF? 1598 01:16:30,460 --> 01:16:32,169 [Keys Jingle On Ground] 1599 01:16:32,337 --> 01:16:34,547 NO, I HAVE NO COMMENT. 1600 01:16:34,715 --> 01:16:40,595 [Ricky] NO MORE QUESTIONS. 1601 01:16:40,762 --> 01:16:43,347 [Shouting] PRIVACY. JUST A LITTLE PRIVACY. 1602 01:16:43,974 --> 01:16:48,311 I ONLY HAVE A COMMENT AT THIS POINT. TELL US THE TRUTH. 1603 01:16:48,478 --> 01:16:50,229 DON'T, DON'T, DON'T--LET HIM ALONE. LET HIM HAVE A LITTLE PRIVACY. 1604 01:16:50,397 --> 01:16:51,856 AND, UH--NO, I WANNA TAKE CARE OF THAT. 1605 01:16:52,024 --> 01:16:53,608 LISTEN, I'VE BEEN EMPOWERED BY MR. JOHN McBAINBRIDGE 1606 01:16:53,775 --> 01:16:55,109 TO OFFER GRACE $5,000 1607 01:16:55,277 --> 01:16:57,695 ON BEHALF OF G AND THE GOOD BUY NETWORK, 1608 01:16:57,863 --> 01:17:00,990 UH, AS WELL AS $5,000 WORTH OF GOOD BUY PRODUCTS, 1609 01:17:01,158 --> 01:17:06,454 INCLUDING THE, UH, NEW GEORGE FOREMAN LEAN MEAN FAT REDUCER GRILL MACHINE 1610 01:17:06,622 --> 01:17:08,539 THAT'S AVAILABLE ONLY ON WEDNESDAY NIGHTS ON GEORGE'S SHOW 1611 01:17:08,707 --> 01:17:10,124 HERE ON OUR SHOW. 1612 01:17:10,292 --> 01:17:11,876 - THIS SOUNDS LIKE A PUBLICITY STUNT. - CERTAINLY IS NOT, TANYA. 1613 01:17:12,044 --> 01:17:14,712 IT WAS WHAT IT WAS, AND LET'S ALL CONTINUE ON OUR JOURNEY. 1614 01:17:14,880 --> 01:17:16,797 THANKS SO MUCH. 1615 01:17:16,965 --> 01:17:19,925 [Tune: "Beethoven's Fifth Symphony"] ♪ G, G, G, G ♪ 1616 01:17:20,093 --> 01:17:23,679 ♪ G, G, G, G ♪ 1617 01:17:23,847 --> 01:17:25,973 OH, DON'T YOU THINK WE'RE GOING A LITTLE FAR? 1618 01:17:26,141 --> 01:17:27,767 WITH WHAT? THE ANNOUNCER? 1619 01:17:27,934 --> 01:17:29,268 IT'S THE TOP OF THE SHOW. PIZAZZ. 1620 01:17:29,436 --> 01:17:31,395 WE'RE JUST KIDDING AROUND WITH THAT, BUT I WANT TO MAKE IT AN EVENT. 1621 01:17:31,563 --> 01:17:34,732 [Announcer] HERE'S G! 1622 01:17:34,900 --> 01:17:37,818 WOULD YOUR LIFE BE BETTER WITH A BIGGER TV SET? 1623 01:17:37,986 --> 01:17:39,779 YEAH, SURE. ON SUNDAYS, YEAH. 1624 01:17:39,946 --> 01:17:43,991 - OR A V.C.R.? - TV SET, V.C.R. 1625 01:17:44,159 --> 01:17:46,827 [Gasps] OR A LASER DISC, YES? 1626 01:17:46,995 --> 01:17:48,913 HE'S ESPECIALLY EXCITED ABOUT LASER DISCS. 1627 01:17:49,081 --> 01:17:50,289 GREAT. LOOK UP THE NUMBERS. GET READY TO TYPE. 1628 01:17:50,457 --> 01:17:51,666 NO. 1629 01:17:51,833 --> 01:17:52,833 [Together] NO? 1630 01:17:53,001 --> 01:17:54,168 NO. 1631 01:17:54,336 --> 01:17:55,670 [Chuckling] NO, NO. CAN'T YOU SEE? 1632 01:17:55,837 --> 01:17:57,380 THIS--THIS DOESN'T MEAN ANYTHING. 1633 01:17:57,547 --> 01:17:58,923 MY CLOTHES DON'T MEAN ANYTHING. 1634 01:17:59,091 --> 01:18:02,218 I JUST WISH HE WEREN'T SO ANTI-EVERYTHING. 1635 01:18:02,386 --> 01:18:03,886 YOU KNOW WHAT'S REALLY IMPORTANT? 1636 01:18:04,054 --> 01:18:05,638 I'LL SHOW YOU. COME ON. 1637 01:18:05,806 --> 01:18:07,181 OOP, HERE WE GO. FASTEN YOUR SEAT BELTS. 1638 01:18:07,349 --> 01:18:08,933 - COME WITH ME? - COME WITH ME. 1639 01:18:09,101 --> 01:18:11,060 LET ME SHOW YOU. 1640 01:18:19,611 --> 01:18:25,866 THIS IS IMPORTANT. THIS IS CRUCIAL. 1641 01:18:27,119 --> 01:18:29,995 THIS IS SOMETHING THAT EVERY PERSON SHOULD HAVE IN THEIR LIFE. 1642 01:18:30,163 --> 01:18:32,206 THIS IS A GIFT YOU WILL NEVER GET TIRED OF. 1643 01:18:32,374 --> 01:18:35,292 HER NAME IS KATE, AND SHE IS AS WONDERFUL AS YOU POSSIBLY CAN GET. 1644 01:18:35,460 --> 01:18:36,711 AND YOU KNOW WHY? 1645 01:18:36,878 --> 01:18:40,381 BECAUSE WHEN YOU TALK TO KATE, SHE LISTENS TO WHAT YOU SAY. 1646 01:18:40,549 --> 01:18:43,551 AND THAT'S MORE IMPORTANT THAN ANY V.C.R. AND ANY TELEVISION. 1647 01:18:43,719 --> 01:18:45,928 ISN'T THAT RIGHT, KATE? 1648 01:18:46,096 --> 01:18:49,557 I'M SORRY. I WASN'T LISTENING. WHAT'D YOU SAY? 1649 01:18:49,725 --> 01:18:52,476 HOW COULD YOU NOT LOVE THIS WOMAN? HOW CHARMING IS SHE? 1650 01:18:52,644 --> 01:18:55,730 HOW WONDERFUL IS SHE? LET ME TELL YOU. 1651 01:18:55,897 --> 01:18:57,898 LET ME TELL YOU WHAT EVERYBODY OUT THERE NEEDS TO FIND... 1652 01:18:58,066 --> 01:19:00,234 ULTIMATE AND TRUE HAPPINESS. 1653 01:19:00,402 --> 01:19:03,028 COME BACK, BRUTUS. 1654 01:19:07,951 --> 01:19:09,452 SEVENTY-FIVE YEARS. 1655 01:19:09,619 --> 01:19:11,036 THAT'S HOW MUCH TIME YOU GET IF YOU'RE LUCKY. 1656 01:19:11,204 --> 01:19:13,122 SEVENTY-FIVE YEARS. SEVENTY-FIVE WINTERS, 1657 01:19:13,290 --> 01:19:15,750 SEVENTY-FIVE SPRINGTIMES, SEVENTY-FIVE SUMMERS 1658 01:19:15,917 --> 01:19:17,460 AND SEVENTY-FIVE AUTUMNS. 1659 01:19:17,627 --> 01:19:19,754 WHEN YOU LOOK AT IT LIKE THAT, IT'S NOT A LOT OF TIME, IS IT? 1660 01:19:19,921 --> 01:19:21,046 DON'T WASTE THEM. 1661 01:19:21,214 --> 01:19:23,632 GET YOUR HEAD OUT OF THE RAT RACE AND FORGET ABOUT 1662 01:19:23,800 --> 01:19:25,926 THE SUPERFICIAL THINGS THAT PREOCCUPY YOUR EXISTENCE, 1663 01:19:26,094 --> 01:19:29,889 AND GET BACK TO WHAT'S IMPORTANT NOW. RIGHT NOW, THIS VERY SECOND. 1664 01:19:30,056 --> 01:19:32,099 AND I'M NOT SAYING DROP EVERYTHING AND LET THE WORLD COME 1665 01:19:32,267 --> 01:19:33,559 TO A GRINDING HALT. 1666 01:19:33,727 --> 01:19:36,312 I'M SAYING THAT YOU CAN BECOME A SEEKER. YOU CAN BE LOVING MORE. 1667 01:19:36,480 --> 01:19:38,439 YOU COULD BE TAKING SOME CHANCES. YOU COULD BE LIVING MORE. 1668 01:19:38,607 --> 01:19:40,191 YOU CAN BE SPENDING MORE TIME WITH YOUR FAMILY. 1669 01:19:40,358 --> 01:19:41,984 YOU CAN BE GETTING IN TOUCH WITH THE PART OF YOU THAT LIVES 1670 01:19:42,152 --> 01:19:45,321 INSTEAD OF FEARS, THE PART OF YOU THAT LOVES INSTEAD OF HATES, 1671 01:19:45,489 --> 01:19:48,532 THE PART OF YOU THAT RECOGNIZES THE HUMANITY IN ALL OF US. 1672 01:19:48,700 --> 01:19:50,743 AND I TELL YOU, THAT'S WHERE YOUR FORTUNE-- 1673 01:19:50,911 --> 01:19:52,745 OH, THERE IT IS. IT WAS A MOMENTARY BOBBLE. 1674 01:19:52,913 --> 01:19:54,455 WE'RE BACK, WE'RE BACK. 1675 01:19:54,623 --> 01:19:57,917 CAREFUL, BRUTUS, DON'T FALL DOWN. I WANT YOU TO SEE SOMETHING. 1676 01:19:59,461 --> 01:20:02,004 SOMETHING VERY, VERY IMPORTANT. 1677 01:20:02,172 --> 01:20:04,173 OKAY, RIGHT HERE. 1678 01:20:04,633 --> 01:20:09,428 CAN YOU FILL THE SCREEN UP WITH THIS GRASS HERE FOR ME, BRUTUS? 1679 01:20:10,680 --> 01:20:12,765 THAT'S THE ANSWER RIGHT THERE. 1680 01:20:12,933 --> 01:20:15,476 THAT'S WHAT IT'S ALL ABOUT, RIGHT THERE. 1681 01:20:16,353 --> 01:20:31,325 ♪♪♪ 1682 01:20:36,164 --> 01:20:39,667 JUST TAKE A LITTLE BREAK JUST FOR A SECOND. 1683 01:20:39,835 --> 01:20:43,754 JUST, JUST LOOK AT THIS, THIS BEAUTIFUL, 1684 01:20:43,922 --> 01:20:48,050 PEACEFUL PARCEL OF EARTH AROUND US. 1685 01:20:48,218 --> 01:20:49,510 GO AHEAD, WHEREVER YOU ARE. 1686 01:20:49,678 --> 01:20:53,305 JUST--JUST GO LOOK AT SOME GRASS. GO AHEAD. 1687 01:20:53,473 --> 01:20:57,977 JUST GO LOOK AT SOME GRASS. 1688 01:21:10,532 --> 01:21:13,492 SPEEDY, COME ON OVER HERE. TAKE A LOOK AT THIS GRASS. 1689 01:21:15,245 --> 01:21:16,871 [Ricky] BARRY. BARRY! BARRY. BARRY. 1690 01:21:17,038 --> 01:21:19,540 GENTLEMEN, BATTLE STATIONS, BATTLE STATIONS. 1691 01:21:19,708 --> 01:21:22,376 J.P., WE'RE JUST ABOUT TO GET READY TO SHOOT HERE LIVE. 1692 01:21:22,544 --> 01:21:24,378 OKAY, GO, GO. BARRY, BARRY! 1693 01:21:24,546 --> 01:21:25,838 WHERE IS HE? WHERE IS HE? 1694 01:21:26,006 --> 01:21:28,757 COME ON, COME ON, COME ON! WE'RE JUST ABOUT TO CUT TO YOU. 1695 01:21:28,925 --> 01:21:32,011 HOLD UP THE MAT. YEAH. I WANT YOU TO TALK ABOUT THE MAT. 1696 01:21:32,178 --> 01:21:33,762 OKAY? I DON'T WANNA. I'M NOT ON-AIR. 1697 01:21:33,930 --> 01:21:36,348 LET'S CALL IT A PEACEFUL PARCEL. PEACEFUL PAR--WHAT? 1698 01:21:36,516 --> 01:21:38,058 DO YOU UNDERSTAND? I'M NOT--I'M NOT ON-AIR-- 1699 01:21:38,226 --> 01:21:39,643 GO, GO! 1700 01:21:39,811 --> 01:21:42,396 CAN WE--ARE WE--WE'RE GONNA GO IN TIGHT, RIGHT? 1701 01:21:42,564 --> 01:21:45,608 'CAUSE I DON'T-- OH. OH, MAN. 1702 01:21:45,775 --> 01:21:47,151 OKAY, SAM, WHAT'S UP? 1703 01:21:47,319 --> 01:21:49,069 BARRY, HE'S ON THE FLOOR WITH ONE OF HIS MATS. 1704 01:21:49,237 --> 01:21:50,571 THE GRASS MATS. 1705 01:21:50,739 --> 01:21:52,239 GET READY TO GO TO A SHOT OF HIM OR A CLOSE ONE ON THE MAT. 1706 01:21:52,407 --> 01:21:54,199 RIGHT. ONE, ON BARRY. TWO, TIGHT ON MAT. 1707 01:21:54,367 --> 01:21:57,077 HERE WE GO. RICKY, I AM NOT ON-AIR TALENT! 1708 01:21:57,245 --> 01:21:59,663 ALSO, GET READY TO GO TO THE GRAPHICS. READY! 1709 01:21:59,831 --> 01:22:05,502 - OKAY, GRAPHICS PREPPED AND READY. - YOU HAVE TO LET GO OF YOUR WORRIES. 1710 01:22:05,670 --> 01:22:08,088 - GO TO GRAPHICS. - GO TO GRAPHICS. 1711 01:22:08,256 --> 01:22:10,049 - GO TO G. - G. 1712 01:22:10,216 --> 01:22:12,718 - G UP. - GIVE IN. 1713 01:22:12,886 --> 01:22:15,262 TO YOUR DESIRES. 1714 01:22:15,430 --> 01:22:17,598 - GO TO GRAPHICS. - GRAPHICS. 1715 01:22:17,766 --> 01:22:19,600 GO TO G. ON G. 1716 01:22:19,768 --> 01:22:23,312 - AND TAKE THE JOURNEY. - TO YOUR TELEPHONE 1717 01:22:23,480 --> 01:22:25,105 AND CALL THE GOOD BUY CHANNEL 1718 01:22:25,273 --> 01:22:27,107 WHERE THE GOOD BUYS ARE AVAILABLE 24-HOURS A DAY. 1719 01:22:27,275 --> 01:22:29,109 - GO TO GRAPHICS. - GRAPHICS. 1720 01:22:29,277 --> 01:22:31,195 - GO TO BARRY. - AND TO BARRY. 1721 01:22:31,363 --> 01:22:33,948 CUE BARRY. 1722 01:22:34,115 --> 01:22:38,369 [Stammering] OKAY. 1723 01:22:38,912 --> 01:22:40,496 THANKS, G. 1724 01:22:40,664 --> 01:22:42,414 [Chuckles] UM-- 1725 01:22:42,582 --> 01:22:43,874 [Ricky] GOOD. 1726 01:22:44,042 --> 01:22:45,876 YOU'RE WATCHING THE, UH, THE GOOD BUY SHOPPING NETWORK, 1727 01:22:46,044 --> 01:22:51,048 WHERE THE GRASS IS ALWAYS JUST A LITTLE BIT GREENER. 1728 01:22:52,008 --> 01:22:54,093 [Phone Ringing] LOOK AT HIM GO. 1729 01:22:54,260 --> 01:22:57,805 THIS IS KATE. HI, MARY. 1730 01:22:57,973 --> 01:23:00,182 GREAT. I'LL TELL HIM. 1731 01:23:01,142 --> 01:23:03,644 WELL, WE DON'T HAVE TO WORRY ABOUT WHAT TO DO WITH THE GRASS MATS. 1732 01:23:03,812 --> 01:23:07,564 - THEY'RE SELLING OUT. - ALREADY? 1733 01:23:08,400 --> 01:23:11,151 NOW, THAT'S WHAT I LIKE TO HEAR. THE GRASS MATS ARE SELLING OUT. 1734 01:23:11,319 --> 01:23:14,655 ALL RIGHT! 1735 01:23:14,823 --> 01:23:18,033 [Laughing] THANK YOU SO MUCH. GOOD JOB. 1736 01:23:18,201 --> 01:23:22,663 [Barry] IF YOU'RE FEELING BAD, AND YOU WANT A LITTLE SPRING IN YOUR WINTER-- 1737 01:23:27,043 --> 01:23:32,381 [Crowd Shouting] 1738 01:24:23,767 --> 01:24:28,103 WELL, THAT WAS JUST THE BEST MACARONI AND CHEESE DINNER I THINK I EVER HAD. 1739 01:24:28,271 --> 01:24:30,064 KRAFT IN THE BOX IS, OF COURSE, THE CLASSIC, 1740 01:24:30,231 --> 01:24:33,150 - BUT YOU HAVE A TOUCH. - MY PLEASURE. 1741 01:24:35,153 --> 01:24:38,947 - ARE YOU OKAY? - I'M FINE. 1742 01:24:39,574 --> 01:24:40,949 WAIT A MINUTE. 1743 01:24:41,117 --> 01:24:43,535 THE WAY YOU SAY "I'M FINE--" 1744 01:24:43,703 --> 01:24:46,246 WHAT'S THE MATTER? 1745 01:24:47,123 --> 01:24:51,085 I'M WORRIED ABOUT G. REMEMBER WHEN WE FIRST MET HIM? 1746 01:24:51,252 --> 01:24:54,254 HE WAS SO HAPPY. AND THAT SMILE. 1747 01:24:54,422 --> 01:24:57,257 AND NOW HE JUST SEEMS DRAINED. 1748 01:24:57,425 --> 01:24:59,593 WELL, LIKE US. YOU KNOW, IT'S ALL THE WORK. 1749 01:24:59,761 --> 01:25:01,762 RIGHT, IT IS ALL THE WORK. 1750 01:25:01,930 --> 01:25:04,723 AND NOW THAT HE'S CAUGHT ON, IT'LL ONLY GET WORSE. 1751 01:25:04,891 --> 01:25:09,061 IT STARTED SO SIMPLY, AND NOW IT'S BECOME THIS WHOLE, BIG PRODUCTION. 1752 01:25:09,229 --> 01:25:12,397 IT'S THE HAYMAN AND NEWELL CIRCUS WITH THE G CHANTS 1753 01:25:12,565 --> 01:25:14,775 AND THE ORCHESTRAS AND THE ANNOUNCERS. 1754 01:25:14,943 --> 01:25:16,110 KINDA FUN, HUH? 1755 01:25:16,277 --> 01:25:17,778 KITSCH. OH. YEAH? 1756 01:25:17,946 --> 01:25:20,948 TODAY, AT THE STATION, THEY WERE PITCHING ME THINGS THAT GO 1757 01:25:21,116 --> 01:25:23,117 WAY BEYOND THE G T-SHIRTS. 1758 01:25:23,284 --> 01:25:24,701 WHAT DID THEY SHOW YOU? 1759 01:25:24,869 --> 01:25:29,331 THEY HAVE GOT THIS CHEESE SPREAD NAMED AFTER HIM, CALLED G WHIZ. 1760 01:25:29,499 --> 01:25:31,792 [Chuckling] WHAT? IS THAT TERRIBLE? OH. 1761 01:25:31,960 --> 01:25:33,752 - YOU KNEW ABOUT THIS? - I HELPED COME UP WITH IT. 1762 01:25:33,920 --> 01:25:35,295 - I THOUGHT IT WAS FUNNY. - OH, RICKY. 1763 01:25:35,463 --> 01:25:36,755 WHAT? 1764 01:25:36,923 --> 01:25:38,590 WHAT ABOUT THAT WRAPPING RIBBON CALLED THE-- 1765 01:25:38,758 --> 01:25:40,342 THE G STRING. 1766 01:25:40,510 --> 01:25:42,344 [Snickering] 1767 01:25:42,512 --> 01:25:44,429 LOOK, I MEAN, WHO ARE WE HURTING ANYWAY? 1768 01:25:44,597 --> 01:25:48,142 YOU KNOW, THE PEOPLE WHO ARE GETTING THIS AMAZING MESSAGE? 1769 01:25:48,309 --> 01:25:49,643 I DON'T THINK SO. YOU KNOW. 1770 01:25:49,811 --> 01:25:51,311 CERTAINLY-- ARE WE HURTING G? 1771 01:25:51,479 --> 01:25:54,314 YOU KNOW, INSTEAD OF GETTING STUFF TOSSED AT HIM ON SOME LONELY HIGHWAY, 1772 01:25:54,482 --> 01:25:57,568 HE'S REACHING AMERICA, HE'S REACHING THE COUNTRY. 1773 01:25:57,735 --> 01:25:59,444 WHO'S LOSING OUT? IT'S ALL GOOD. 1774 01:25:59,612 --> 01:26:01,822 YES, BUT WE ARE MAKING MONEY OFF OF THAT IMAGE. 1775 01:26:01,990 --> 01:26:04,616 BUT--NO--BUT SO DOES EVERY RELIGION THAT SELLS A CRUCIFIX 1776 01:26:04,784 --> 01:26:07,578 OR A STAR OF DAVID OR A STICK OF INCENSE IS MAKING MONEY. 1777 01:26:07,745 --> 01:26:09,538 AND, YOU KNOW, EVERYTHING THAT WE SELL, 1778 01:26:09,706 --> 01:26:13,083 PEOPLE ARE BUYING, I THINK, 'CAUSE THEY FEEL CLOSER TO G. 1779 01:26:13,251 --> 01:26:16,503 AND IF THEY WEAR A G T-SHIRT, PEOPLE THINK, OH, YOU KNOW, 1780 01:26:16,671 --> 01:26:19,047 WHAT HE'S ALL ABOUT, WHAT HE'S TALKING ABOUT, AND THEY BECOME BETTER PEOPLE. 1781 01:26:19,215 --> 01:26:21,466 DON'T YOU THINK SO? I THINK SO. 1782 01:26:21,634 --> 01:26:24,178 - THE DIFFERENCE IS? - WHAT? 1783 01:26:24,345 --> 01:26:27,306 G WOULD DO THIS FOR FREE. 1784 01:26:30,518 --> 01:26:33,645 I THINK WE SHOULD LET HIM GO. 1785 01:26:34,272 --> 01:26:35,564 WHAT? 1786 01:26:35,732 --> 01:26:36,940 [Stammering] 1787 01:26:37,108 --> 01:26:38,525 I MEAN, HE'S NOT CHAINED IN MY BASEMENT, YOU KNOW. 1788 01:26:38,693 --> 01:26:39,818 HE'S A FREE MAN. 1789 01:26:39,986 --> 01:26:43,989 - BUT WHAT ARE YOU TALKING ABOUT? - IT'S THE RIGHT THING TO DO. 1790 01:26:47,035 --> 01:26:49,536 I'VE DECIDED TO TAKE G PRIME TIME. 1791 01:26:49,704 --> 01:26:52,164 I'M GONNA GIVE HIM HIS OWN HALF-HOUR SHOW. 1792 01:26:52,332 --> 01:26:53,373 WHAT'S THE MATTER? 1793 01:26:53,541 --> 01:26:55,167 SURELY YOU DON'T THINK THIS IS A BAD IDEA. 1794 01:26:55,335 --> 01:26:56,585 NO, NO. 1795 01:26:56,753 --> 01:26:58,545 HE HAS THE BROADEST APPEAL OF ANY ON-AIR PERSONALITY WE'VE EVER HAD. 1796 01:26:58,713 --> 01:27:00,422 YEAH, THAT'S RIGHT, THAT'S RIGHT, BUT, UH-- 1797 01:27:00,590 --> 01:27:03,592 AND I LOVE THE IDEA OF A NEW G SHOW. I WAS THINKING THE SAME THING. 1798 01:27:03,760 --> 01:27:04,968 THIS IS SO FUNNY. 1799 01:27:05,136 --> 01:27:06,428 THAT'S WHY I WANTED TO TALK TO YOU. LISTEN TO THIS. 1800 01:27:06,596 --> 01:27:10,265 I THINK IT'S A GREAT IDEA. WHAT IF, UH, WE START A SHOW--WHATEVER TIME SLOT-- 1801 01:27:10,433 --> 01:27:14,603 WITH G AND OTHER HOSTS? 1802 01:27:14,771 --> 01:27:15,979 WAIT A MINUTE. 1803 01:27:16,147 --> 01:27:19,316 AN ENSEMBLE SHOW, WHERE G DOESN'T HAVE TO, YOU KNOW, 1804 01:27:19,484 --> 01:27:20,692 CARRY THE WHOLE THING. 1805 01:27:20,860 --> 01:27:21,944 WE COULD EVEN PHASE HIM OUT AT SOME POINT-- 1806 01:27:22,111 --> 01:27:23,320 ARE YOU NUTS? 1807 01:27:23,488 --> 01:27:26,740 HE'S THE GUY THEY'RE INTERESTED IN. I DON'T UNDERSTAND YOUR HESITATION. 1808 01:27:26,908 --> 01:27:29,743 OH, WAIT A SECOND. WAIT. I KNOW. 1809 01:27:29,911 --> 01:27:31,745 YEAH. I KNOW, AND I UNDERSTAND. 1810 01:27:31,913 --> 01:27:33,330 YEAH! 1811 01:27:33,498 --> 01:27:38,418 YOU'RE UPSET BECAUSE I PROMISED I'D TAKE CARE OF YOU IF THIS TOOK OFF AND I HAVEN'T. 1812 01:27:38,586 --> 01:27:40,254 - YET. - OH. 1813 01:27:40,421 --> 01:27:46,760 BUT IF YOU LAUNCH THIS, AND IF YOU MAKE IT WORK, 1814 01:27:46,928 --> 01:27:50,430 THEN EVERYTHING YOU'VE WANTED, 1815 01:27:50,598 --> 01:27:55,269 EVERYTHING THAT YOU HAVE EVER DREAMED ABOUT WILL BE YOURS-- 1816 01:27:55,436 --> 01:27:58,730 AN OFFICE NEXT TO MINE, 1817 01:27:58,898 --> 01:28:05,862 A VIEW OF THE STUDIO, A CAR, THE PERKS, THE BONUSES-- 1818 01:28:06,114 --> 01:28:10,450 EVERYTHING WILL BE YOURS. 1819 01:28:12,287 --> 01:28:15,664 - AND KATE? - TO HELL WITH KATE. 1820 01:28:15,832 --> 01:28:19,376 DO YOU WANNA PRODUCE THE SHOW OR DON'T YOU? 1821 01:28:19,544 --> 01:28:22,296 LOOK, AS FAR AS I'M CONCERNED, KATE IS INDISPENSABLE. 1822 01:28:22,463 --> 01:28:25,299 WE COULDN'T HAVE GOTTEN HERE WITHOUT KATE, AND MY DEAL 1823 01:28:25,466 --> 01:28:27,968 WOULD HAVE TO BE IN PLACE, 'CAUSE, THAT'S RIGHT, 1824 01:28:28,136 --> 01:28:30,137 YOU SAID THE LAST SHOW, IF I MADE THAT WORK-- 1825 01:28:30,305 --> 01:28:35,225 I ALSO SAID TO GET G SIGNED UP, AND HAVE YOU DONE THAT, MR. ON-THE-BALL? 1826 01:28:35,393 --> 01:28:38,520 - YEAH, HE'S BEEN HERE. - I DON'T SEE ANY PAPER. 1827 01:28:38,688 --> 01:28:40,564 OH, WELL, THAT'S JUST A MATTER OF SIGNING. 1828 01:28:40,732 --> 01:28:44,192 WHY? HE DOESN'T HAVE A PEN? YOU GET HIM SIGNED UP. 1829 01:28:45,862 --> 01:28:49,489 AND THEN WE'LL TALK YOUR DEAL. 1830 01:28:54,954 --> 01:28:57,956 WHETHER YOU'RE A LOVER OF JAZZ, GOSPEL, CLASSIC OR ROCK, 1831 01:28:58,124 --> 01:29:01,335 YOU'LL BE ABLE TO SELECT THE KIND OF SOUND THAT IS GOING TO FIT 1832 01:29:01,502 --> 01:29:03,253 WHATEVER KIND OF MUSIC YOU ENJOY. 1833 01:29:03,421 --> 01:29:07,257 THIS IS THE STEREO THAT REALLY DOES GIVE YOU ALL KINDS OF FEATURES, 1834 01:29:07,425 --> 01:29:09,301 BUT IT DOES IT IN A COMPACT SIZE. 1835 01:29:09,469 --> 01:29:12,512 SO IF IT'S GONNA GO ON A BOOKSHELF, IF IT'S GONNA GO-- 1836 01:29:38,706 --> 01:29:41,583 [Clears Throat] AM I BOTHERING YOU? 1837 01:29:41,751 --> 01:29:44,878 NO. HOW COULD YOU EVER BOTHER ME? I LOVE TALKING TO YOU. 1838 01:29:45,046 --> 01:29:47,381 THAT'S WHAT I WANTED TO DO-- TALK WITH YOU. 1839 01:29:47,548 --> 01:29:49,049 RICKY AND I WERE THINKING-- 1840 01:29:49,217 --> 01:29:53,428 [Phone Ringing] EXCUSE ME ONE SECOND. HELLO? 1841 01:29:54,222 --> 01:29:56,848 YES, DR. SIMON. 1842 01:29:57,517 --> 01:30:00,519 [Chuckles] SO TELL ME, HOW LONG BEFORE I CAN CONTINUE MY JOURNEY? 1843 01:30:07,902 --> 01:30:09,403 HOW COULD IT BE CHRONIC? 1844 01:30:09,570 --> 01:30:14,449 UH, HOW CAN IT BE CHRONIC? WELL, IT'S CHRONIC BECAUSE-- 1845 01:30:14,617 --> 01:30:18,036 [WHISPERING] 1846 01:30:18,204 --> 01:30:23,041 IT'S CHRONIC BECAUSE OF THE DECREASE THAT WE REGISTERED IN YOUR-- 1847 01:30:29,841 --> 01:30:32,426 [Coughing] I'M SORRY, I GOT-- 1848 01:30:32,593 --> 01:30:35,220 I GOT A LITTLE PHLEGM THERE. AND-- 1849 01:30:35,388 --> 01:30:41,518 [Coughing] YEAH, THE, UM, THE DECREASE WE REGISTERED IN YOUR "N--" 1850 01:30:41,686 --> 01:30:43,854 DOLPHINS. ENDORPHINS! 1851 01:30:44,021 --> 01:30:45,897 I'M SORRY, I COULDN'T READ MY OWN WRITING. 1852 01:30:46,065 --> 01:30:48,608 YOU KNOW, DOCTOR'S HANDWRITING. YES. 1853 01:30:48,776 --> 01:30:55,740 UH, THAT NUMBER WAS SUFFICIENTLY LOW, SO ASS TWO-- 1854 01:31:01,956 --> 01:31:08,920 AS TO DEMONSTRATE THAT YOU HAVE A POOR HEART. 1855 01:31:12,258 --> 01:31:19,222 AT THIS TIME, I'M--I'M, UH-- 1856 01:31:19,390 --> 01:31:21,808 I'M AFRAID, UH, THAT YOU, 1857 01:31:21,976 --> 01:31:23,935 UH, NEED TO-- 1858 01:31:32,987 --> 01:31:34,321 STAY ON THE FLOOR! 1859 01:31:34,489 --> 01:31:35,989 UH, NO, I'M SORRY. I'M SORRY. 1860 01:31:36,157 --> 01:31:39,326 I WAS, UH, GIVING INSTRUCTIONS TO MY DOG. 1861 01:31:39,494 --> 01:31:42,829 YEAH, I'M-I'M AFRAID THAT THIS TIME YOU NEED TO, 1862 01:31:42,997 --> 01:31:49,961 UH, STICK AROUND FOR SEVERAL MONTHS, OR PERHAPS UNTIL THE END OF TIME. 1863 01:31:53,049 --> 01:31:54,299 [Toy Squeaking] 1864 01:31:54,467 --> 01:31:56,176 UH, JUST A LITTLE DOCTOR JOKE THERE, G. 1865 01:31:56,344 --> 01:31:57,844 [Squeaks] 1866 01:31:58,012 --> 01:31:59,429 [Chuckling] YEAH. 1867 01:31:59,597 --> 01:32:01,348 NO, I'M JUST CALLING TO MAKE SURE THAT YOU'RE OKAY. 1868 01:32:01,516 --> 01:32:05,227 YEAH, I KNOW THAT YOU'RE DISAPPOINTED. 1869 01:32:05,394 --> 01:32:10,273 NO, AS SOON AS THE HEAT BREAKS, I'LL-- I'LL CALL TO MAKE ANOTHER APPOINTMENT. 1870 01:32:10,942 --> 01:32:14,402 YEAH, I'M SORRY. THANKS. BYE-BYE. 1871 01:32:14,570 --> 01:32:16,571 [Sighing] 1872 01:32:16,739 --> 01:32:18,406 [Sighing] DID HE BUY THAT? 1873 01:32:18,574 --> 01:32:20,492 I THINK SO. 1874 01:32:20,660 --> 01:32:24,287 HE SOUNDED AWFULLY SAD, THOUGH. 1875 01:32:24,455 --> 01:32:26,373 HE DID? 1876 01:32:26,541 --> 01:32:29,376 OKAY, NOW I CAN GET HIM TO SIGN THE CONTRACT. 1877 01:32:30,044 --> 01:32:32,671 OH MY GOD. KATE! KATE! 1878 01:32:32,838 --> 01:32:34,214 WHAT, WHAT, WHAT, WHAT? 1879 01:32:34,382 --> 01:32:35,715 NO, WHAT? WHERE ARE YOU GOING? 1880 01:32:35,883 --> 01:32:38,301 RICKY, HOW? G TRUSTED YOU. I TRUSTED YOU. 1881 01:32:38,469 --> 01:32:39,844 YOU CAN TRUST ME. OH, PLEASE! 1882 01:32:40,012 --> 01:32:42,847 OKAY, HONEY, THAT WAS WRONG. THAT WAS WRONG. 1883 01:32:43,015 --> 01:32:44,099 LISTEN, SWEETIE, DON'T BE UPSET WITH ME. 1884 01:32:44,267 --> 01:32:45,559 I NEED--NEED MORE TIME. 1885 01:32:45,726 --> 01:32:48,103 BUT DON'T BE UPSET, NOT WHEN EVERYTHING'S GOIN' GOOD FOR US. 1886 01:32:48,271 --> 01:32:49,229 GOING GOOD? 1887 01:32:49,397 --> 01:32:50,689 I JUST WATCHED YOU LIE TO OUR FRIEND. 1888 01:32:50,856 --> 01:32:51,815 NO, BUT THAT WAS ISOLATED. 1889 01:32:51,983 --> 01:32:53,233 I DIDN'T WANNA DO IT. I'LL TELL YOU ALL ABOUT IT. 1890 01:32:53,401 --> 01:32:54,568 I HAD A MEETING WITH McBAINBRIDGE THIS MORNING. 1891 01:32:54,735 --> 01:32:57,737 I HAD THIS IDEA, WHICH I ALLUDED TO LAST NIGHT, ABOUT PHASING HIM OUT EVENTUALLY, 1892 01:32:57,905 --> 01:33:00,031 BUT HE SAID MY JOB DEPENDS ON GETTING HIM TO SIGN THIS CONTRACT. 1893 01:33:00,199 --> 01:33:02,993 OH, SO ALL'S FAIR, NEVER MIND WHAT'S GOOD OR RIGHT FOR ANYBODY ELSE. 1894 01:33:03,160 --> 01:33:04,494 NO, NO, I THINK YOU'RE BEING IRRATIONAL. 1895 01:33:04,662 --> 01:33:06,246 TRYING TO PERSUADE ME I'M STUPID IS NOT A GOOD WAY TO WIN THE ARGUMENT. 1896 01:33:06,414 --> 01:33:07,455 OKAY, OKAY. 1897 01:33:07,623 --> 01:33:09,416 JUST TELL ME WHAT YOU WANT ME TO DO TO MAKE IT RIGHT. PLEASE. 1898 01:33:09,584 --> 01:33:12,002 OKAY. OKAY. 1899 01:33:14,422 --> 01:33:15,589 NO, KATE. 1900 01:33:15,756 --> 01:33:18,091 JOHN, I WANTED TO TALK TO YOU ABOUT RICKY'S CONTRACT. 1901 01:33:18,259 --> 01:33:19,926 SPEAKING OF CONTRACTS, IS IT SETTLED? 1902 01:33:20,094 --> 01:33:23,221 IS WHAT SETTLED? I'M PUTTING G ON PRIME TIME. 1903 01:33:23,389 --> 01:33:24,431 HIS OWN SHOW. 1904 01:33:24,599 --> 01:33:27,267 HAYMAN'S GONNA PRODUCE, IF HE DOESN'T SCREW UP. 1905 01:33:27,435 --> 01:33:28,935 OH, HE WON'T SCREW UP. 1906 01:33:29,103 --> 01:33:31,271 RICKY'S A GO-TO, GAME-ON-THE-LINE GUY. 1907 01:33:31,439 --> 01:33:33,398 IN FACT, THAT'S WHAT I WANTED TO TALK TO YOU ABOUT, JOHN. 1908 01:33:33,566 --> 01:33:35,483 I WANTED TO RECOMMEND THAT YOU RENEW RICKY'S CONTRACT. 1909 01:33:35,651 --> 01:33:37,485 I THINK THE TWO OF YOU MAKE AN EXCELLENT TEAM. 1910 01:33:37,653 --> 01:33:39,112 WHAT THE HELL IS THAT SUPPOSED TO MEAN? 1911 01:33:39,280 --> 01:33:41,114 YOU TWO ARE CUT FROM THE SAME CLOTH. ANYTHING FOR A BUCK. 1912 01:33:41,282 --> 01:33:42,490 DESTROYING G-- 1913 01:33:42,658 --> 01:33:43,658 HOLD IT A SECOND! 1914 01:33:43,826 --> 01:33:45,785 IF I RECALL, YOU'RE THE ONE WHO TALKED ME INTO USING G 1915 01:33:45,953 --> 01:33:47,746 WITH YOUR 30% RISE IN CALLS. 1916 01:33:47,913 --> 01:33:49,789 WELL, I WAS WRONG. I WISH I NEVER HAD. 1917 01:33:49,957 --> 01:33:53,001 WELL, IF YOU DON'T LIKE IT, FINE! NOW YOU'VE SAID YOUR PEACE. 1918 01:33:53,169 --> 01:33:55,128 BUT IT'S NOT YOUR NETWORK. IT'S MY NETWORK. 1919 01:33:55,296 --> 01:33:57,797 AND NOBODY TELLS ME HOW TO RUN MY NETWORK. 1920 01:33:57,965 --> 01:33:59,257 I CREATED YOU. 1921 01:33:59,425 --> 01:34:01,593 YOU WALK WHEN I TELL YOU TO WALK. YOU RUN WHEN I TELL YOU TO RUN. 1922 01:34:01,761 --> 01:34:05,472 AND YOU SELL WHAT I TELL YOU TO SELL! 1923 01:34:06,307 --> 01:34:08,767 I WILL NOT SELL MY SOUL. 1924 01:34:12,271 --> 01:34:14,856 KATE, WAIT A MINUTE. WAIT A MINUTE. 1925 01:34:15,024 --> 01:34:16,232 [Phone Ringing] 1926 01:34:16,400 --> 01:34:17,942 KATE, KATE, KATE, KATE, KATE! 1927 01:34:18,110 --> 01:34:19,527 I JUST CAN'T BELIEVE I WAS RIGHT ABOUT YOU AFTER ALL. 1928 01:34:19,695 --> 01:34:22,197 I NEVER WANTED TO BE WRONG SO MUCH IN MY LIFE. 1929 01:34:36,087 --> 01:34:39,297 - RICKY HAYMAN? - YEAH. 1930 01:34:43,928 --> 01:34:48,807 [Phone Beeps, Dialing] 1931 01:34:48,974 --> 01:34:52,519 [Ringing] 1932 01:34:52,687 --> 01:34:54,354 - HELLO? - KATE, HI, IT'S RICKY. 1933 01:34:54,522 --> 01:34:57,148 [Clicks] HELLO? 1934 01:35:05,866 --> 01:35:07,158 [G] A CONTRACT? 1935 01:35:07,326 --> 01:35:11,371 YEAH, IT'S, UH, IT'S FOR SIX MONTHS WITH PROVISIONS FOR EXTENDING IT 1936 01:35:11,539 --> 01:35:16,793 IF THINGS ARE GOING WELL, AND YOU'RE GONNA BE PAID VERY WELL, OF COURSE. 1937 01:35:16,961 --> 01:35:18,878 BUT, YOU KNOW, YOU CAN PUT SOME ASIDE FOR YOUR FUTURE, 1938 01:35:19,046 --> 01:35:22,674 OR--OR, UH, GIVE IT TO A CHARITY. 1939 01:35:25,553 --> 01:35:28,304 IS THIS WHAT YOU WANT? 1940 01:35:28,472 --> 01:35:33,184 BECAUSE IF THIS IS WHAT YOU WANT, ALL YOU HAVE TO DO IS ASK AND I'LL DO IT. 1941 01:35:47,408 --> 01:35:50,702 [Sighing] YEAH. WOULD YOU SIGN? 1942 01:36:01,297 --> 01:36:11,264 ♪♪♪ 1943 01:36:12,975 --> 01:36:17,103 WELL, MR. HAYMAN, WHAT HAVE WE HERE? 1944 01:36:17,271 --> 01:36:19,063 AH, IS THIS WHAT I THINK IT IS? 1945 01:36:19,231 --> 01:36:22,442 WELL, I'LL BE DIPPED IN SHIT. YOU HAVE DONE IT, MY BOY. 1946 01:36:22,610 --> 01:36:23,943 I CAN'T BELIEVE IT! 1947 01:36:24,111 --> 01:36:25,278 [Laughing] 1948 01:36:25,446 --> 01:36:28,239 ♪ I LIKE SPAGHETTI I LOVE MEATBALLS VIVA LA COMPAGNIE ♪ 1949 01:36:28,407 --> 01:36:30,241 [Laughing] 1950 01:36:30,409 --> 01:36:32,202 PROUD OF YOU, PROUD OF YOU! COME ON. 1951 01:36:32,369 --> 01:36:34,496 LET ME USHER YOU TO YOUR NEW DIGS. 1952 01:36:34,663 --> 01:36:37,624 FOLLOW ME, FOLLOW ME. 1953 01:36:39,210 --> 01:36:50,470 ♪♪♪ 1954 01:36:50,638 --> 01:36:54,641 WELL, HERE YOU ARE, HAYMAN. THE COMMAND MODULE. 1955 01:36:54,809 --> 01:36:56,643 ALL SYSTEMS GO. 1956 01:36:56,811 --> 01:36:58,645 [Chuckles] 1957 01:36:58,813 --> 01:37:04,692 AND I WANT YOU TO SCREW YOUR COURAGE TO THE STICKING POST AND BLAST OFF! 1958 01:37:04,860 --> 01:37:07,403 [Chuckles] PROUD OF YOU, MY BOY. PROUD OF YOU. 1959 01:37:07,571 --> 01:37:11,699 ♪ I LIKE SPAGHETTI I LOVE MEATBALLS VIVA LA COMPAGNIE ♪ 1960 01:37:11,867 --> 01:37:13,326 [Laughing] 1961 01:37:13,494 --> 01:37:16,955 ♪ VIVA LA, VIVA LA VIVA L'AMORE ♪ 1962 01:37:17,122 --> 01:37:20,208 ♪ VIVA L'AMORE VIVA L'AMORE ♪ ♪ 1963 01:37:21,126 --> 01:37:33,888 ♪♪♪ 1964 01:37:34,056 --> 01:37:36,349 - HELLO? - PLEASE DON'T HANG-- 1965 01:37:41,438 --> 01:37:43,773 I JUST WANT YOU TO KNOW THAT G's IN THE STUDIO AND WE'RE ALMOST READY, 1966 01:37:43,941 --> 01:37:45,859 SO YOU SHOULD GET DOWN TO THE CONTROL BOOTH. 1967 01:37:46,026 --> 01:37:48,653 OKAY, BE THERE IN A SEC. 1968 01:37:49,321 --> 01:37:52,323 - OKAY. - THANK YOU. 1969 01:38:05,045 --> 01:38:06,713 HERE WE GO. CAMERA ONE, YOU ARE WIDE SHOT. 1970 01:38:06,881 --> 01:38:08,464 CAMERA TWO, YOU'RE TIGHT ON G. 1971 01:38:08,632 --> 01:38:10,550 CAMERA THREE, YOU ARE ROAMING ON PRODUCT. 1972 01:38:10,718 --> 01:38:12,218 CAMERA FOUR, YOU'RE READY. STAND BY. 1973 01:38:12,386 --> 01:38:13,887 CAMERA THREE, ARE YOU READY? 1974 01:38:14,054 --> 01:38:16,848 COME ON. BACK IT UP. G's READY. HE'S OUT OF MAKEUP. 1975 01:38:17,474 --> 01:38:32,447 ♪♪♪ 1976 01:38:38,704 --> 01:38:41,581 - OH, THERE YOU ARE. - HERE I AM. 1977 01:38:41,749 --> 01:38:43,458 - READY? - VERY MUCH SO. 1978 01:38:43,626 --> 01:38:44,709 OKAY. 1979 01:38:44,877 --> 01:38:46,085 [Man] ONE MINUTE! 1980 01:38:46,253 --> 01:38:47,211 SHOW TIME. 1981 01:38:47,379 --> 01:38:48,421 YEAH-- 1982 01:38:48,589 --> 01:38:53,426 WAIT, WAIT. UH, YOU KNOW WHAT? 1983 01:38:53,594 --> 01:38:55,803 DON'T DO IT. DON'T--DON'T DO THE SHOW. 1984 01:38:55,971 --> 01:39:00,600 DON'T DO THE SHOW. LEAVE THE STUDIO RIGHT NOW. 1985 01:39:00,768 --> 01:39:03,144 - CONTINUE YOUR JOURNEY. - WHAT? 1986 01:39:03,312 --> 01:39:05,772 YEAH. YOU KNOW, IT'S NOT YOU. 1987 01:39:05,940 --> 01:39:08,858 THE SHOW'S--IF YOU DO IT, YOU'RE GONNA BE BIG, BIG. 1988 01:39:09,026 --> 01:39:11,152 EVERYBODY'S GONNA BE CRAZY ABOUT YOU, BUT, UH-- 1989 01:39:11,320 --> 01:39:13,863 JUST GO AND-- 1990 01:39:14,448 --> 01:39:15,823 [Sighing] YOU HAD A CALL TWO DAYS AGO FROM DR. SIMON... 1991 01:39:15,991 --> 01:39:18,368 THAT WAS BARRY PRETENDING TO BE DR. SIMON. 1992 01:39:18,535 --> 01:39:22,413 I PUT HIM UP TO IT, AND YOUR HEART IS FINE. 1993 01:39:23,832 --> 01:39:25,959 - WHAT? - I KNOW MY HEART'S FINE. 1994 01:39:26,126 --> 01:39:29,170 SO IS YOURS, RICKY. SO IS YOURS. 1995 01:39:32,091 --> 01:39:33,800 WHAT DO YOU MEAN? YOU KNEW? 1996 01:39:33,968 --> 01:39:36,552 OH, YES, I'VE KNOWN ALL ALONG. 1997 01:39:37,513 --> 01:39:39,973 WELL, SO WHY'D YOU STAY? 1998 01:39:40,140 --> 01:39:43,267 I STAYED 'CAUSE I WANTED TO HELP YOU, AND BECAUSE I LIKE YOU. 1999 01:39:43,435 --> 01:39:45,853 BUT MOST OF ALL, YOU REALLY MAKE ME LAUGH. 2000 01:39:46,021 --> 01:39:48,106 YOU'RE A VERY FUNNY MAN. 2001 01:39:50,442 --> 01:39:53,111 YEAH, WELL, I'VE GOTTEN-- I'VE GOTTEN 2002 01:39:53,278 --> 01:39:56,280 SO THAT I DON'T WANNA STRANGLE YOU SO MUCH AS I USED TO. 2003 01:39:56,448 --> 01:39:58,825 BUT--BUT, UH--YOU KNOW, REALLY, 2004 01:39:58,993 --> 01:40:02,328 TAKE OFF, 'CAUSE, YOU KNOW, I'M GONNA, YOU KNOW-- 2005 01:40:02,496 --> 01:40:06,040 I DON'T WANNA CHANGE MY MIND, YOU KNOW-- 2006 01:40:08,877 --> 01:40:11,587 BEAUTIFUL MAN, RICKY. 2007 01:40:13,257 --> 01:40:16,009 I'M A DEAD MAN. 2008 01:40:19,179 --> 01:40:22,640 ALL RIGHT. 2009 01:40:31,942 --> 01:40:35,278 [Choir] ♪ G, G, G, G ♪ 2010 01:40:35,446 --> 01:40:38,031 ♪ G, G, G, G ♪ ♪ 2011 01:40:38,198 --> 01:40:41,409 - AND CUE ANNOUNCER. - IT'S THE G SPOT! 2012 01:40:41,577 --> 01:40:44,370 PHILOSOPHY, A HIGHER STATE OF CONSCIOUSNESS 2013 01:40:44,538 --> 01:40:47,248 AND NON-STOP SHOPPING! 2014 01:40:47,416 --> 01:40:51,419 - HERE'S G! - FADE UP, CAMERA ONE. CUE G. 2015 01:40:51,587 --> 01:40:54,714 [Applause] 2016 01:40:54,882 --> 01:40:59,427 [Chanting] G! G! G! G! 2017 01:41:03,015 --> 01:41:04,891 HE'S ALWAYS FULL OF SURPRISES. 2018 01:41:05,059 --> 01:41:08,311 SURPRISE, SURPRISE, SURPRISE. HANG IN THERE, GUYS. 2019 01:41:11,732 --> 01:41:13,649 HI, I'M RICKY HAYMAN. 2020 01:41:13,817 --> 01:41:17,070 [Scattered Applause] 2021 01:41:20,699 --> 01:41:21,991 WHAT IS HE DOING? 2022 01:41:22,159 --> 01:41:27,205 THANK YOU. AND G, UM, IS MY FRIEND. 2023 01:41:27,372 --> 01:41:30,750 AND HE'S A SPECIAL FELLOW. 2024 01:41:30,918 --> 01:41:32,794 [Applause] 2025 01:41:32,961 --> 01:41:34,462 - I KNOW-- - YEAH, I KNOW YOU GUYS KNOW THAT. 2026 01:41:34,630 --> 01:41:35,797 THAT'S WHY YOU'RE HERE OR WHY YOU'RE WATCHING. 2027 01:41:35,964 --> 01:41:40,760 BUT THAT'S ALSO THE REASON THAT, UM, I COULDN'T LET HIM DO THIS TONIGHT. 2028 01:41:40,928 --> 01:41:45,431 SO--YEAH. I'M HERE TO APOLOGIZE TO YOU AND TO OUR VIEWERS 2029 01:41:45,599 --> 01:41:48,142 'CAUSE G AGREED TO CONTINUE DOIN' THIS SHOW IF I ASKED HIM TO, 2030 01:41:48,310 --> 01:41:51,771 BUT I HAD TO, UH, LET HIM GO. 2031 01:41:51,939 --> 01:41:53,856 [Together] LET HIM GO? 2032 01:41:54,024 --> 01:41:55,483 [All Chattering] 2033 01:41:55,651 --> 01:42:02,281 BECAUSE I KNEW THAT HE WOULD BE HAPPIER IN HIS HEART 2034 01:42:02,449 --> 01:42:06,661 IF HE CONTINUED ON HIS JOURNEY. 2035 01:42:06,829 --> 01:42:09,330 AND IT WOULDN'T HAVE BEEN RIGHT OF ME TO KEEP HIM HERE. 2036 01:42:09,498 --> 01:42:11,958 I MEAN, YOU DON'T KNOW ME, BUT THIS IS-- FOR ONCE IN MY LIFE, 2037 01:42:12,126 --> 01:42:15,336 I WANTED TO DO THE RIGHT-- THE RIGHT THING. 2038 01:42:15,504 --> 01:42:18,047 I MEAN, HE DOESN'T CARE ABOUT WORLDWIDE AUDIENCES, CERTAINLY, 2039 01:42:18,215 --> 01:42:21,425 OR FAME OR MONEY, FOR THAT MATTER, THAT'S ME. 2040 01:42:22,052 --> 01:42:23,594 [Ricky] I'M, I'M GUILTY-- 2041 01:42:23,762 --> 01:42:26,848 GET ME SECURITY! I WANT HAYMAN OUT OF HERE! NOW! 2042 01:42:27,015 --> 01:42:30,184 ALL G CARES ABOUT IS FOR US TO SEE LIFE 2043 01:42:30,352 --> 01:42:32,103 [Ringing] 2044 01:42:32,271 --> 01:42:33,688 AS THE GIFT THAT IT IS. 2045 01:42:33,856 --> 01:42:35,815 KILL THIS! YANK THAT SON OF A BITCH! 2046 01:42:35,983 --> 01:42:37,483 [Applause] 2047 01:42:37,651 --> 01:42:39,193 OKAY. SURE. WHAT WOULD YOU LIKE ME TO GO TO? 2048 01:42:39,361 --> 01:42:40,486 ANYTHING! 2049 01:42:40,654 --> 01:42:42,488 OKAY, SURE. LET ME FIND-- 2050 01:42:42,656 --> 01:42:46,409 OH, FOR CHRIST'S SAKE. I'LL DO IT MYSELF, ASS-HOLES! 2051 01:42:47,202 --> 01:42:48,828 REAL, REAL HARD. 2052 01:42:48,996 --> 01:42:50,663 OF COURSE, I'M NOT G. 2053 01:42:50,831 --> 01:42:57,795 I'M JUST A, A REGULAR, A REGULAR TYPE, BUT, UM, I THINK I'M FINALLY GETTIN' IT. 2054 01:43:00,716 --> 01:43:07,597 THAT YOU NEVER FEEL MORE WHOLE AND RIGHT 2055 01:43:07,764 --> 01:43:11,851 THAN WHEN YOU LOVE ANOTHER PERSON 2056 01:43:12,019 --> 01:43:15,438 AND WHEN YOU KNOW THAT THAT OTHER PERSON LOVES YOU BACK. 2057 01:43:16,231 --> 01:43:19,066 AND I HAD THAT. 2058 01:43:19,234 --> 01:43:23,988 BUT I MIGHT HAVE MESSED IT UP JUST A-- JUST A LITTLE BIT AGO. 2059 01:43:25,324 --> 01:43:31,162 HER NAME'S KATE, AND, UH, SHE MADE ME WANNA DO BETTER-- 2060 01:43:32,789 --> 01:43:36,250 TO DO WHAT WAS RIGHT. 2061 01:43:36,418 --> 01:43:37,960 AND I DIDN'T LISTEN. 2062 01:43:38,128 --> 01:43:44,300 AND I'M REAL, REAL SORRY THAT I DIDN'T DO THIS BEFORE. 2063 01:43:47,137 --> 01:43:49,013 [Sighing] NOT THAT DOIN' THE RIGHT THING HASN'T COST ME. 2064 01:43:49,181 --> 01:43:52,058 YOU KNOW, I'VE LOST MY JOB. 2065 01:43:52,226 --> 01:43:54,060 [Sympathetic Murmurs] YEAH, THE-- 2066 01:43:54,228 --> 01:43:56,437 [TV Clicks Off] 2067 01:44:02,444 --> 01:44:06,405 THE SECOND G WAS OUT, SO WAS I, BUT, UM-- 2068 01:44:06,573 --> 01:44:09,575 YOU KNOW--HEY! 2069 01:44:09,743 --> 01:44:11,410 LOOK, LOOK WHO'S THERE. YOU KNOW WHO THAT IS? 2070 01:44:11,578 --> 01:44:12,745 THAT'S, UH, MR. McBAINBRIDGE. 2071 01:44:12,913 --> 01:44:14,205 CAN YOU GET A SHOT OF MR. McBAINBRIDGE? 2072 01:44:14,373 --> 01:44:15,414 TURN AROUND. 2073 01:44:15,582 --> 01:44:16,916 WILL, CAN YOU PLEASE GET A SHOT OF MR. McBAINBRIDGE? 2074 01:44:17,084 --> 01:44:18,376 THIS IS MY BOSS, OR MY EX-BOSS. 2075 01:44:18,543 --> 01:44:19,919 [Audience Booing] 2076 01:44:20,087 --> 01:44:23,089 NO, NO, NO. NO, NO, WAIT A SECOND. 2077 01:44:23,257 --> 01:44:24,423 WAIT A SECOND. 2078 01:44:24,591 --> 01:44:26,759 NO, NO, NO, DON'T BOO. DON'T BOO. HE'S NOT EVIL. 2079 01:44:26,927 --> 01:44:29,428 HE'S JUST, UH, ALONE, I THINK. 2080 01:44:29,596 --> 01:44:33,140 YOU KNOW WHAT HE NEEDS IS-- [Stammering] A HUG. 2081 01:44:33,308 --> 01:44:35,142 IF YOU SEE THIS GUY ON THE STREET, GIVE HIM A HUG. 2082 01:44:35,310 --> 01:44:36,644 OR, NO, BETTER YET, GIVE HIM A KISS. 2083 01:44:36,812 --> 01:44:38,771 GIVE HIM A BIG KISS ON THE CHEEK. 2084 01:44:38,939 --> 01:44:40,106 [Applauding, Laughing] 2085 01:44:40,274 --> 01:44:41,607 IT'LL HELP HIM. 2086 01:44:41,775 --> 01:44:42,942 [Laughing] 2087 01:44:43,110 --> 01:44:45,778 DON'T FIGHT HIM, MR. McBAINBRIDGE. AH, THEY'RE FIGHTING LIKE TWO BEARS. 2088 01:44:45,946 --> 01:44:48,447 MR. McBAINBRIDGE. MR. McBAINBRIDGE. 2089 01:44:48,615 --> 01:44:50,449 WE LOVE YOU, MR. McBAINBRIDGE. YES. 2090 01:44:50,617 --> 01:44:53,119 OH, I LIKE YOU TOO. YOU TOO. 2091 01:44:53,287 --> 01:44:57,039 YOU TOO. WHAT? 2092 01:44:57,207 --> 01:44:59,166 [Ricky] SAY IT. YOU'RE ON TV. SAY. 2093 01:44:59,334 --> 01:45:00,751 [Phone Ringing] 2094 01:45:00,919 --> 01:45:02,044 BARRY, THERE'S A CALL FOR RICKY. 2095 01:45:02,212 --> 01:45:06,048 [Chuckling] PUT IT THROUGH TO THE FLOOR. RICKY, YOU'VE GOT A PHONE CALL. 2096 01:45:06,216 --> 01:45:08,426 I DO? 2097 01:45:08,593 --> 01:45:10,177 SHOULD I TAKE A CALL? I-- 2098 01:45:10,345 --> 01:45:12,305 [Audience] YES! 2099 01:45:12,472 --> 01:45:13,848 OKAY. HELLO. 2100 01:45:14,016 --> 01:45:15,308 [Kate] THIS ISN'T FAIR. 2101 01:45:15,475 --> 01:45:17,059 I SHOULD HAVE MY OWN SHOW TO ANSWER YOU ON. 2102 01:45:17,227 --> 01:45:18,978 - KATE? - IT'S KATE! 2103 01:45:19,146 --> 01:45:20,479 [Cheering] YEAH! 2104 01:45:20,647 --> 01:45:24,483 IT'S KATE. THAT'S NICE. 2105 01:45:24,651 --> 01:45:28,404 YOU'VE BEEN SO PUBLIC ABOUT YOUR FEELINGS. I WISH I COULD DO THE SAME. 2106 01:45:28,572 --> 01:45:30,698 WELL, MAYBE QVC'll GIVE YOU A SHOW. WHERE ARE YOU? 2107 01:45:30,866 --> 01:45:33,159 I'M IN THE CAR RACING TO GET TO YOU. I WOULD HAVE CALLED-- 2108 01:45:33,327 --> 01:45:35,119 [Static] 2109 01:45:35,287 --> 01:45:36,787 WE LOST HER. HELLO? HELLO? 2110 01:45:36,955 --> 01:45:38,289 HI, HI, THERE YOU ARE. WHERE ARE YOU NOW? 2111 01:45:38,457 --> 01:45:40,166 I'M SO CLOSE. I'M AT THE STUDIO. I'LL SEE YOU AT THE FRONT. 2112 01:45:40,334 --> 01:45:42,460 I'LL SEE YOU AT THE FRONT DOOR. 2113 01:45:42,627 --> 01:45:43,836 [Applause] 2114 01:45:44,004 --> 01:45:45,129 WHAT DO I DO? 2115 01:45:45,297 --> 01:45:46,714 - WHAT DO WE DO? I DON'T KNOW. - STAY WITH HIM. STAY WITH HIM. 2116 01:45:46,882 --> 01:45:49,091 I'M ON IT. 2117 01:45:51,386 --> 01:45:53,679 BRUTUS, BRUTUS, YOU'RE MISSING ALL THE GOOD STUFF, BRUTUS. 2118 01:45:53,847 --> 01:45:56,557 MOVE IT, MOVE IT! 2119 01:45:58,018 --> 01:46:00,394 KATE! 2120 01:46:01,980 --> 01:46:04,065 [Cheering] 2121 01:46:06,276 --> 01:46:08,402 [Crying] 2122 01:46:08,570 --> 01:46:11,030 THEY'RE SO SWEET TOGETHER. YEAH. 2123 01:46:11,198 --> 01:46:13,991 YEAH, OKAY. NOW MOVE AROUND. 2124 01:46:14,701 --> 01:46:17,453 MOVE TO THE LEFT. MOVE TO THE LEFT. COME AROUND. COME AROUND LEFT. 2125 01:46:17,621 --> 01:46:21,123 YEAH. OH, THAT'S BEAUTIFUL. OH, THAT'S GREAT. THAT'S GREAT, GUYS. 2126 01:46:21,291 --> 01:46:24,502 OH, THIS IS GREAT STUFF. THIS IS GREAT STUFF. 2127 01:46:24,669 --> 01:46:26,879 [Chuckling] COME HERE. 2128 01:46:27,047 --> 01:46:28,255 [Barry] OH, THEY'RE TAKING OFF. 2129 01:46:28,423 --> 01:46:30,049 GO WITH THEM AGAIN. FOLLOW THEM AGAIN. 2130 01:46:30,217 --> 01:46:31,842 KEEP GOIN', KEEP GOIN'. OH, THAT'S BEAUTIFUL. 2131 01:46:32,010 --> 01:46:34,553 STAY WITH THEM. DON'T DO THAT! 2132 01:46:34,721 --> 01:46:37,515 WAY TO GO, RICKY. WAY TO GO. 2133 01:46:38,141 --> 01:46:39,475 I'M SORRY. IT DOESN'T MATTER. 2134 01:46:39,643 --> 01:46:41,268 I'M SO SORRY. IT DOESN'T MATTER. 2135 01:46:41,436 --> 01:46:44,271 I LOVE YOU. 2136 01:46:44,439 --> 01:46:46,982 [Whispering] I LOVE YOU, KATE. 2137 01:46:59,746 --> 01:47:02,498 [Kate] GOOD-BYES ARE SO SAD. 2138 01:47:02,666 --> 01:47:06,043 YES, SOME GOOD-BYES ARE VERY SAD. 2139 01:47:06,211 --> 01:47:08,796 AND OTHER GOOD-BYES ARE LIKE, "HALLELUJAH, THAT PAJAMA-WEARING, 2140 01:47:08,964 --> 01:47:13,342 URINE-SIPPING, FLOOR-SLEEPING FREAK HAS LEFT MY HOUSE FOREVER." 2141 01:47:13,510 --> 01:47:15,803 [Laughing] THAT REALLY WAS HERBAL TEA, RIGHT? 2142 01:47:15,971 --> 01:47:17,304 I DON'T KNOW, ROBERT. 2143 01:47:17,472 --> 01:47:19,098 [Laughing] 2144 01:47:19,266 --> 01:47:20,766 MAYBE YOU'LL COME BACK. 2145 01:47:20,934 --> 01:47:23,936 YOU KNOW, WINTERS ARE REALLY GREAT DOWN HERE. 2146 01:47:25,605 --> 01:47:28,983 WE'RE GONNA BE TOGETHER WHENEVER WE THINK ABOUT EACH OTHER. 2147 01:47:29,151 --> 01:47:32,069 FOR ME, I PROMISE THAT'LL BE EVERY NIGHT. 2148 01:47:32,904 --> 01:47:34,697 GOOD-BYES ARE SAD. ESPECIALLY THIS GOOD-BYE. 2149 01:47:34,865 --> 01:47:37,658 I REALLY DON'T WANNA SAY GOOD-BYE. UH-UH. 2150 01:47:40,454 --> 01:47:43,664 KATE. 2151 01:47:54,092 --> 01:47:57,094 ROBERT RICKY. 2152 01:48:01,641 --> 01:48:05,769 YOUR GOOD IS BETTER. YOUR BETTER IS BLESSED. 2153 01:48:07,606 --> 01:48:57,029 ♪♪♪ 2154 01:48:57,197 --> 01:49:00,449 ♪ EE-EE ♪ 2155 01:49:01,701 --> 01:49:05,287 ♪ EVERYBODY'S GOT A THING ♪ 2156 01:49:05,455 --> 01:49:09,583 ♪ BUT SOME DON'T KNOW HOW TO HANDLE IT ♪ 2157 01:49:09,751 --> 01:49:13,087 ♪ ALWAYS REACHIN' OUT IN VAIN ♪ 2158 01:49:13,255 --> 01:49:17,716 ♪ JUST TAKING THE THINGS NOT WORTH HAVING ♪ 2159 01:49:17,884 --> 01:49:21,554 ♪ BUT DON'T YOU WORRY 'BOUT A THING ♪ 2160 01:49:21,721 --> 01:49:26,141 ♪ DON'T YOU WORRY 'BOUT A THING, MAMA ♪ 2161 01:49:26,309 --> 01:49:29,061 ♪ 'CAUSE I'LL BE STANDING ON THE SIDE ♪ 2162 01:49:29,229 --> 01:49:34,316 ♪ WHEN YOU CHECK IT OUT ♪ 2163 01:49:34,484 --> 01:49:38,112 ♪ YOU SAY YOUR STYLE OF LIFE'S A DRAG ♪ 2164 01:49:38,280 --> 01:49:41,907 ♪ AND THAT YOU MUST GO OTHER PLACES ♪ 2165 01:49:42,075 --> 01:49:45,703 ♪ BUT JUST DON'T YOU FEEL TOO BAD ♪ 2166 01:49:45,870 --> 01:49:50,249 ♪ WHEN YOU GET FOOLED BY SMILING FACES ♪ 2167 01:49:50,417 --> 01:49:53,669 ♪ BUT DON'T YOU WORRY 'BOUT A THING ♪ 2168 01:49:54,504 --> 01:49:58,340 ♪ DON'T YOU WORRY 'BOUT A THING, MAMA ♪ 2169 01:49:58,508 --> 01:50:02,595 ♪ 'CAUSE I'LL BE STANDING ON THE SIDE WHEN YOU CHECK IT ♪ 2170 01:50:02,762 --> 01:50:09,143 ♪ OUT ♪ 2171 01:50:10,270 --> 01:50:15,941 ♪ WHEN YOU GET OFF ♪ 2172 01:50:16,109 --> 01:50:18,027 ♪ YOUR TRIP DON'T YOU WORRY ♪ 2173 01:50:18,194 --> 01:50:24,742 ♪ 'BOUT A THING ♪ 2174 01:50:24,909 --> 01:50:31,874 ♪ DON'T YOU WORRY 'BOUT A THING ♪ 2175 01:50:32,917 --> 01:50:37,296 ♪ YEAH, EVERYBODY NEEDS A CHANGE ♪ 2176 01:50:37,464 --> 01:50:41,091 ♪ A CHANCE TO CHECK OUT THE NEW ♪ 2177 01:50:41,259 --> 01:50:44,970 ♪ BUT YOU'RE THE ONLY ONE WHO'S SEEN ♪ 2178 01:50:45,138 --> 01:50:49,642 ♪ THE CHANGES YOU TAKE YOURSELF THROUGH ♪ 2179 01:50:49,809 --> 01:50:53,479 ♪ BUT DON'T YOU WORRY 'BOUT A THING ♪ 2180 01:50:53,647 --> 01:50:57,983 ♪ DON'T YOU WORRY 'BOUT A THING, PRETTY MAMA ♪ 2181 01:50:58,151 --> 01:51:03,656 ♪ 'CAUSE I'LL BE STANDING IN THE WINGS WHEN YOU CHECK IT OUT ♪ 2182 01:51:03,823 --> 01:51:05,407 ♪ OH ♪ 2183 01:51:05,575 --> 01:51:35,479 ♪ DON'T YOU WORRY 'BOUT A THING ♪ 2184 01:51:35,689 --> 01:51:37,690 ♪ YEAH ♪ 2185 01:51:38,942 --> 01:51:45,531 ♪♪♪ 2186 01:51:45,699 --> 01:51:47,825 ♪ YEAH, 'BOUT A THING, BABY ♪ 2187 01:51:47,992 --> 01:51:51,370 ♪ DON'T YOU WORRY 'BOUT A THING ♪ 2188 01:51:51,538 --> 01:51:55,040 ♪ DON'T YOU WORRY 'BOUT A THING, SUGAR ♪ 2189 01:51:55,208 --> 01:51:58,961 ♪ DON'T YOU WORRY 'BOUT A THING, MAMA ♪ 2190 01:51:59,129 --> 01:52:02,965 ♪ DON'T YOU WORRY 'BOUT A THING ♪ ♪ 2191 01:52:03,925 --> 01:52:06,885 ♪♪♪