1 00:00:02,045 --> 00:00:02,785 [SUSPENSEFUL MUSIC ON TELEVISION] 2 00:00:16,581 --> 00:00:18,670 ELSA, OPEN THE DOOR! PLEASE! PLEASE! 3 00:00:20,933 --> 00:00:23,284 [GASPS] 4 00:00:23,327 --> 00:00:25,677 YOU ARE SUCH A WUSS. 5 00:00:25,721 --> 00:00:27,592 YOU RAT. THAT'S IT. IT'S OVER. 6 00:00:27,636 --> 00:00:28,593 NO, YOU DON'T. 7 00:00:28,637 --> 00:00:29,638 GIVE IT TO ME. 8 00:00:29,681 --> 00:00:31,640 COME ON, GIVE IT TO ME. 9 00:00:33,163 --> 00:00:34,295 THAT MOVIE SUCKS. 10 00:00:34,338 --> 00:00:36,297 DON'T YOU DARE. THAT MOVIE RULES. 11 00:00:36,340 --> 00:00:38,473 YEAH, RIGHT. NEXT. 12 00:00:38,516 --> 00:00:41,084 I DON'T LIKE WATCHING THESE STUPID HORROR MOVIES 13 00:00:41,128 --> 00:00:42,825 THAT ARE LOADED WITH CHEESE WHIZ, OK? 14 00:00:42,868 --> 00:00:44,174 FORGIVE ME, ROGER EBERT, 15 00:00:44,218 --> 00:00:46,655 I FIGURED IN HONOR OF FRIDAY THE 13TH TOMORROW, 16 00:00:46,698 --> 00:00:48,265 A HORROR MARATHON WAS MANDATORY. 17 00:00:48,309 --> 00:00:50,180 IT'S TIRED, JUST LIKE THESE MOVIES. 18 00:00:50,224 --> 00:00:52,617 YOU HAVE THIS FASCINATION WITH THE DARK SIDE. 19 00:00:52,661 --> 00:00:54,924 YOU ENJOY SCARING PEOPLE-- IN PARTICULAR, ME. 20 00:00:54,967 --> 00:00:56,578 I LOVE THE ADRENALINE RUSH. 21 00:00:56,621 --> 00:00:58,928 BESIDES, HORROR FILMS PROVIDE EXAMPLES 22 00:00:58,971 --> 00:01:01,235 OF ORDINARY PEOPLE OVERCOMING THEIR WORST FEARS 23 00:01:01,278 --> 00:01:04,325 AND CONQUERING EVIL.SAVE IT FOR FILM CLASS, DAWSON. 24 00:01:04,368 --> 00:01:07,371 THESE MOVIES ARE UNNECESSARILY VIOLENT AND EXPLOITIVE 25 00:01:07,415 --> 00:01:09,286 AND COMPLETELY POINTLESS TO SOCIETY. 26 00:01:09,330 --> 00:01:10,679 PRUDE.HUMPH. 27 00:01:10,722 --> 00:01:12,724 ...LATER IN THIS NEWSCAST. 28 00:01:12,768 --> 00:01:14,683 THERE'S ENOUGH FEAR, DEATH, AND EVIL 29 00:01:14,726 --> 00:01:16,685 WITHOUT HAVING TO RECREATE IT ON FILM. 30 00:01:16,728 --> 00:01:20,297 I DON'T NEED TO WATCH SOME MAN IN A MASK SLICE UP GIRLS. 31 00:01:20,341 --> 00:01:22,908 THE WORLD'S ALREADY A SCARY PLACE. 32 00:01:22,952 --> 00:01:26,782 AUTHORITIES FEAR THE LADY KILLER HAS STRUCK AGAIN. 33 00:01:26,825 --> 00:01:28,740 THE BODY OF 18-YEAR-OLD AMANDA FERRIS 34 00:01:28,784 --> 00:01:30,786 WAS FOUND IN BOSTON THIS MORNING, 35 00:01:30,829 --> 00:01:33,832 BELIEVED TO BE NOW THE FIFTH VICTIM OF THE SERIAL KILLER... 36 00:01:33,876 --> 00:01:35,399 MM-HMM. SEE? 37 00:01:35,443 --> 00:01:38,098 SEE WHAT I MEAN? CASE IN POINT: 38 00:01:38,141 --> 00:01:40,404 WHY DO WE NEED TO HAVE THESE HORROR MOVIES 39 00:01:40,448 --> 00:01:43,755 TO REMIND US OF HOW SICK AND DEMENTED THE WORLD REALLY IS? 40 00:01:43,799 --> 00:01:46,497 YOU TALK BIG, JOEY, AND YOUR ARGUMENT IS SOLID, 41 00:01:46,541 --> 00:01:48,543 BUT IT'S MERELY DEFLECTING THE REAL ISSUE. 42 00:01:48,586 --> 00:01:50,153 WHICH IS? 43 00:01:50,197 --> 00:01:53,156 YOU ARE A GRADE-A, 100 PERCENT SCAREDY-CAT WUSS. 44 00:01:53,200 --> 00:01:54,853 CHEW ON IT. 45 00:01:54,897 --> 00:01:57,204 UP NEXT, WE CHECK INTO-- 46 00:01:57,247 --> 00:01:58,596 DOES THAT MAKE ME A BAD PERSON? 47 00:01:58,640 --> 00:02:00,468 HUH? 48 00:02:00,511 --> 00:02:03,732 HMM. BETTER. 49 00:02:03,775 --> 00:02:06,517 ...CHARMING, AND NOT SO NICE TO ME AND HE DIED. OK? 50 00:02:06,561 --> 00:02:08,345 SO WHY SHOULD I LET THIS GUY GO? 51 00:02:08,389 --> 00:02:10,565 WHY? WHEN EVERYTHING IN MY BODY 52 00:02:10,608 --> 00:02:14,438 SAYS THAT THIS ONE IS THE ONE. 53 00:02:14,482 --> 00:02:18,877 OK, DAWSON, WHERE ARE YOU? WHERE'D YOU GO? 54 00:02:18,921 --> 00:02:23,230 DAWSON? YOU'RE NOT SCARING ME HERE. YOU'RE NOT. 55 00:02:23,273 --> 00:02:24,622 DAWSON? 56 00:02:24,666 --> 00:02:27,451 DAWSON, YOU'RE SO PREDICTABLE, I SWEAR. 57 00:02:27,495 --> 00:02:29,061 YOU'RE JUST LIKE YOUR MOVIES. 58 00:02:29,105 --> 00:02:31,020 [GASPS] 59 00:02:31,063 --> 00:02:33,675 NO, JOEY. I THINK YOU'RE THE ONE WHO'S PREDICTABLE. 60 00:02:33,718 --> 00:02:35,285 DAWSON! 61 00:02:35,329 --> 00:02:36,417 HEY, DON'T--HA HA! 62 00:02:36,460 --> 00:02:37,809 COME ON! 63 00:02:37,853 --> 00:02:39,985 I'M LYING ON THE-- DON'T! STOP! 64 00:03:27,729 --> 00:03:30,253 [BELL RINGING] 65 00:03:30,297 --> 00:03:32,429 YOU CAN TELL ME, DAWSON. WHAT'S YOUR EVIL PLAN? 66 00:03:32,473 --> 00:03:33,952 WHAT ARE YOU TALKING ABOUT? 67 00:03:33,996 --> 00:03:36,303 FRIDAY THE 13TH, YOUR FAVORITE NIGHT OF THE YEAR, 68 00:03:36,346 --> 00:03:38,130 AND YOUR PARENTS ARE OUT OF TOWN. 69 00:03:38,174 --> 00:03:39,958 WHAT MOVIE VILLAIN YOU GOING AS, HUH? 70 00:03:40,002 --> 00:03:41,960 MICHAEL MYERS OR NORMAN BATES' MOTHER? 71 00:03:42,004 --> 00:03:43,179 IT'S NOT GONNA HAPPEN. 72 00:03:43,223 --> 00:03:45,137 NO MORE LIFE IMITATING MOVIES FOR ME. 73 00:03:45,181 --> 00:03:47,357 WAIT A MINUTE. WHAT'D I JUST HEAR? 74 00:03:47,401 --> 00:03:49,751 THAT'S RIGHT. I'M DONE TRYING TO TURN MY LIFE 75 00:03:49,794 --> 00:03:52,057 INTO SOME EXCITING MOVIE BECAUSE YOU KNOW WHAT? 76 00:03:52,101 --> 00:03:54,103 I'LL END UP GETTING DISAPPOINTED. 77 00:03:54,146 --> 00:03:57,541 LIKE WHEN I STARTED SEEING JEN. 78 00:03:57,585 --> 00:03:59,282 I THOUGHT, OK, FROM NOW ON, 79 00:03:59,326 --> 00:04:02,198 EVERYTHING'S GONNA BE SOME BIG EPIC ROMANCE-- 80 00:04:02,242 --> 00:04:04,113 TORTURED AND PASSIONATE AND ROMANTIC 81 00:04:04,156 --> 00:04:05,767 WITH SOME BIG HAPPY ENDING. 82 00:04:05,810 --> 00:04:08,683 WASN'T THAT AT ALL. 83 00:04:08,726 --> 00:04:10,989 THE CHARACTERS WERE FLAWED AND UNINSPIRED. 84 00:04:11,033 --> 00:04:15,951 THE LOVE SCENES WERE... AMATEURISH, TO SAY THE LEAST, 85 00:04:15,994 --> 00:04:18,301 AND THE ENDING WAS DEFINITELY NOT HAPPY. 86 00:04:18,345 --> 00:04:21,478 IT WASN'T EVEN TRAGIC. IT JUST ENDED. 87 00:04:21,522 --> 00:04:23,350 SO WHAT ARE YOU TRYING TO SAY, DAWSON? 88 00:04:23,393 --> 00:04:25,569 IT'S FRIDAY THE 13TH, WE GOT A SERIAL KILLER 89 00:04:25,613 --> 00:04:27,571 WITHIN STRIKING DISTANCE OF CAPESIDE. 90 00:04:27,615 --> 00:04:29,660 GONNA TREAT THIS LIKE EVERY OTHER NIGHT? 91 00:04:29,704 --> 00:04:32,272 YUP.COME ON. NO MIDNIGHT SEANCE? 92 00:04:32,315 --> 00:04:34,317 NO CORPSES FALLING OUT OF THE CUPBOARDS? 93 00:04:34,361 --> 00:04:35,884 NOPE. 94 00:04:35,927 --> 00:04:38,060 HUH. BUMMER, MAN. 95 00:04:38,103 --> 00:04:39,061 D-OHH! 96 00:04:39,104 --> 00:04:40,192 HA HA HA! 97 00:04:41,498 --> 00:04:43,457 SUCKER. 98 00:04:46,503 --> 00:04:48,200 HEY, JEN. 99 00:04:48,244 --> 00:04:50,072 HI, CLIFF. WHAT ARE YOU DOING HERE? 100 00:04:50,115 --> 00:04:51,247 THIS ISN'T YOUR CLASS. 101 00:04:51,291 --> 00:04:54,337 YEAH. UH, YOU WANT TO GO OUT TONIGHT? 102 00:04:54,381 --> 00:04:55,338 THAT'S ABRUPT. 103 00:04:55,382 --> 00:04:56,861 I'M KINDA UNDER THE BELL HERE. 104 00:04:56,905 --> 00:04:59,734 UH...LOOK... 105 00:04:59,777 --> 00:05:00,952 CLIFF, I DON'T KNOW. 106 00:05:00,996 --> 00:05:02,954 I'M KINDA DOWN ON THE WHOLE DATING THING 107 00:05:02,998 --> 00:05:04,739 AFTER WHAT HAPPENED LAST TIME, SO-- 108 00:05:04,782 --> 00:05:07,481 BECAUSE THE GUY YOU DATED WASN'T ANY FUN. 109 00:05:07,524 --> 00:05:09,744 WHAT ARE YOU TALKING ABOUT? DAWSON'S FUN. 110 00:05:09,787 --> 00:05:12,964 HE IS. HE'S PROBABLY THE MOST ORIGINAL AND IMAGINATIVE DATE 111 00:05:13,008 --> 00:05:14,183 ON THE PLANET. 112 00:05:14,226 --> 00:05:15,184 MM-HMM?MM-HMM. 113 00:05:15,227 --> 00:05:16,490 IF THAT'S HOW YOU FEEL, 114 00:05:16,533 --> 00:05:19,710 HOW COME YOU'RE NOT GOING OUT WITH HIM NOW? 115 00:05:19,754 --> 00:05:21,364 LONG STORY, CLIFF. 116 00:05:21,408 --> 00:05:24,324 ALL RIGHT, WHAT ABOUT TONIGHT? 117 00:05:24,367 --> 00:05:26,761 UH, WELL, UH... 118 00:05:26,804 --> 00:05:28,197 YEAH, WHY NOT? 119 00:05:28,240 --> 00:05:29,503 I MEAN, I GUESS MY SOCIAL LIFE 120 00:05:29,546 --> 00:05:31,592 HAS BEEN A LITTLE DEPLETED LATELY, SO... 121 00:05:31,635 --> 00:05:33,333 GOOD.UH, WHAT TIME? 122 00:05:33,376 --> 00:05:34,812 I'LL PICK YOU UP AT 7:00. 123 00:05:34,856 --> 00:05:36,074 OH, MY GOD! 124 00:05:37,902 --> 00:05:39,948 JEN: YEAH. LET ME GUESS. 125 00:05:39,991 --> 00:05:41,645 DAWSON, HUH? 126 00:05:42,907 --> 00:05:44,648 DEAD DAWSON. 127 00:05:44,692 --> 00:05:47,347 YOU GOTTA ADMIT, THOUGH, THE GUY DOES HAVE A SENSE OF HUMOR. 128 00:05:47,390 --> 00:05:49,871 I HAVE HUMOR. 129 00:05:49,914 --> 00:05:51,133 I-- I KNOW. 130 00:05:51,176 --> 00:05:53,004 I KNOW YOU DO.[BELL RINGS] 131 00:05:53,048 --> 00:05:54,266 UH-- I'M NEVER LATE-- 132 00:05:54,310 --> 00:05:56,007 UH, I'LL-- SORRY. 133 00:05:56,051 --> 00:05:57,357 I'LL SEE YOU LATER? 134 00:05:57,400 --> 00:05:58,749 TONIGHT, ALL RIGHT?YEAH, YEAH. 135 00:06:03,841 --> 00:06:07,018 MY BROTHER'S IN THE KNOW 'CAUSE HE'S A COP. 136 00:06:07,062 --> 00:06:10,239 HE SAYS THE VICTIMS ARE ALL YOUNG GIRLS AROUND YOUR AGE. 137 00:06:10,282 --> 00:06:12,720 LISTEN, THIS KILLER APPARENTLY STALKS HIS VICTIMS 138 00:06:12,763 --> 00:06:14,374 WITH LETTERS AND PHONE CALLS 139 00:06:14,417 --> 00:06:17,028 BEFORE HE TAKES A KNIFE TO THEIR THROAT AND CUTS OUT THEIR HEART. 140 00:06:17,072 --> 00:06:18,508 NO WAY. 141 00:06:18,552 --> 00:06:20,380 I'M NOT JOKIN'. THE KILLER COLLECTS HEARTS. 142 00:06:20,423 --> 00:06:21,903 THEY DON'T TALK ABOUT IT 143 00:06:21,946 --> 00:06:24,296 'CAUSE IT'S A LITTLE MORBID, BUT IT'S TRUE. 144 00:06:24,340 --> 00:06:26,995 IT'S SAD. I MEAN, THE GUY'S REALLY JUST LOOKIN' FOR LOVE. 145 00:06:27,038 --> 00:06:30,172 YEAH. I'M SURE THAT'LL BE HIS DEFENSE WHEN THEY FIND HIM, JEN. 146 00:06:30,215 --> 00:06:32,000 MM-MM. IF THEY FIND HIM, JOEY. 147 00:06:32,043 --> 00:06:34,916 DOUGIE SAYS THIS GUY ATTACKS IN HUNDRED-MILE INCREMENTS. 148 00:06:34,959 --> 00:06:37,222 THAT MAKES CAPESIDE THE NEXT LIKELY TARGET. 149 00:06:37,266 --> 00:06:39,137 YOU NEVER KNOW WHERE HE COULD BE, JOEY. 150 00:06:39,181 --> 00:06:40,704 HE COULD BE BEHIND YOU RIGHT NOW. 151 00:06:40,748 --> 00:06:42,184 BOO!HA HA HA HA! 152 00:06:42,227 --> 00:06:44,708 DAWSON! STOP IT! 153 00:06:44,752 --> 00:06:47,015 YOU'RE GONNA SEND ME TO THE RUBBER ROOM, I SWEAR. 154 00:06:47,058 --> 00:06:48,756 AH, YOU LOVE IT, AND YOU KNOW IT. 155 00:06:48,799 --> 00:06:51,498 OK. SEANCE TONIGHT AT MY HOUSE. 156 00:06:51,541 --> 00:06:53,935 THIS ONE IS GONNA BLOW YOUR MINDS. 157 00:06:53,978 --> 00:06:56,503 WHAT ABOUT NO MORE LIFE IMITATING MOVIES, DAWSON? 158 00:06:56,546 --> 00:06:59,331 WELL, LET'S JUST SAY THAT OLD HABITS DIE HARD. 159 00:06:59,375 --> 00:07:02,160 AND OLD FRIENDS DIE EVEN HARDER. 160 00:07:02,204 --> 00:07:03,640 SO WHAT HAVE YOU GOT PLANNED? 161 00:07:03,684 --> 00:07:06,513 AH, DON'T WORRY. I THINK YOUR HEART CAN HANDLE IT. 162 00:07:06,556 --> 00:07:08,123 HEY. 163 00:07:08,166 --> 00:07:09,733 SO IS EVERYBODY IN? 164 00:07:09,777 --> 00:07:12,606 ACTUALLY, I KINDA MADE PLANS WITH CLIFF TONIGHT. 165 00:07:12,649 --> 00:07:13,607 I CAN'T COME. 166 00:07:13,650 --> 00:07:15,304 OH, REALLY? 167 00:07:15,347 --> 00:07:17,480 UH, DOES THAT BOTHER YOU? 168 00:07:17,524 --> 00:07:18,742 SHOULD IT? 169 00:07:18,786 --> 00:07:21,484 I DON'T KNOW.NO, IT DOESN'T BOTHER ME. 170 00:07:21,528 --> 00:07:23,530 DOES IT BOTHER YOU THAT IT DOESN'T BOTHER ME? 171 00:07:23,573 --> 00:07:24,574 SHOULD IT? 172 00:07:24,618 --> 00:07:26,358 I DON'T KNOW. HAH. 173 00:07:26,402 --> 00:07:29,492 NO, NO, THAT DOESN'T BOTHER ME. 174 00:07:29,536 --> 00:07:32,364 WELL, I'M GLAD NOBODY'S BOTHERED. 175 00:07:33,714 --> 00:07:35,193 OH, GOD! 176 00:07:35,237 --> 00:07:36,673 [ALL LAUGHING] 177 00:07:36,717 --> 00:07:39,197 THANKS, DAWSON. THANKS FOR GIVING ME A BREAK. 178 00:07:39,241 --> 00:07:40,808 PACEY: OK. THAT WAS SLY. 179 00:07:40,851 --> 00:07:42,157 YOU DOG. 180 00:07:42,200 --> 00:07:44,464 WELL, WHAT, DON'T I GET A SCARE? 181 00:07:44,507 --> 00:07:45,508 WHAT DO YOU MEAN? 182 00:07:45,552 --> 00:07:47,684 I MEAN, YOU SCARED JOEY AND PACEY. 183 00:07:47,728 --> 00:07:49,381 WE'RE STILL FRIENDS, RIGHT? 184 00:07:49,425 --> 00:07:53,516 YEAH. I...I JUST FIGURED YOU WEREN'T INTO SCARY STUFF. 185 00:07:53,560 --> 00:07:56,519 WELL, I-I'M NOT, REALLY. IT'S JUST THAT I... 186 00:07:56,563 --> 00:07:58,303 WHAT? 187 00:07:58,347 --> 00:08:00,697 NOTHIN'. UM, HAVE FUN TONIGHT. 188 00:08:00,741 --> 00:08:02,133 WE WILL. 189 00:08:02,177 --> 00:08:03,395 SEE YA LATER. 190 00:08:10,446 --> 00:08:13,841 PACEY, YOU'RE SUCH A JERK! OH! YOU'RE SO GROSS! 191 00:08:15,625 --> 00:08:17,540 JOHN CARPENTER'S USE OF LIGHT AND DARK 192 00:08:17,584 --> 00:08:19,150 WAS VERY REMINISCENT OF EARLY... 193 00:08:19,194 --> 00:08:21,109 HITCHCOCK?HITCHCOCK. 194 00:08:21,152 --> 00:08:23,546 IN HALLOWEEN,HE WOULD ALWAYS FILL THE FRAME 195 00:08:23,590 --> 00:08:25,200 SO THAT YOU WERE ALWAYS ON GUARD. 196 00:08:25,243 --> 00:08:26,854 HE WOULD FRAME THE ACTORS 197 00:08:26,897 --> 00:08:29,421 SO THERE WAS ALWAYS SOMETHING IN THE FRAME WITH THEM. 198 00:08:29,465 --> 00:08:31,467 SOMETIMES IT WAS ONLY A TREE BRANCH. 199 00:08:31,511 --> 00:08:33,382 THEN AGAIN, THAT WAS THE MASTERY. 200 00:08:33,425 --> 00:08:35,558 [BELL RINGS] 201 00:08:35,602 --> 00:08:38,387 THAT CONCLUDES OUR SPECIAL FRIDAY THE 13TH DISCUSSION. 202 00:08:38,430 --> 00:08:40,694 WE RETURN TO DAVID LEAN ON MONDAY. 203 00:08:40,737 --> 00:08:42,173 UNTIL THEN... 204 00:08:43,784 --> 00:08:44,915 DAWSON. HEY, WAIT UP. 205 00:08:44,959 --> 00:08:46,700 WHAT'S UP? 206 00:08:46,743 --> 00:08:48,789 QUICK QUESTION. I HATE TO DO THIS, BUT I NEED A FAVOR. 207 00:08:48,832 --> 00:08:50,573 WHAT? 208 00:08:50,617 --> 00:08:52,967 I NEED SOME ADVICE. I'M TAKIN' JEN OUT TONIGHT. 209 00:08:53,010 --> 00:08:54,925 I KINDA FEEL LIKE THIS IS MY LAST SHOT, 210 00:08:54,969 --> 00:08:56,579 AND I REALLY WANNA GO FOR IT. 211 00:08:56,623 --> 00:08:58,799 WHERE DO YOU THINK I SHOULD TAKE HER? 212 00:08:58,842 --> 00:09:00,627 YOU KNOW? I'M GONNA STAY OUT OF THIS. 213 00:09:00,670 --> 00:09:01,976 NO. COME ON. HELP ME OUT. 214 00:09:02,019 --> 00:09:04,413 I MEAN, I WANT THE EVENING TO BE INCREDIBLE. 215 00:09:04,456 --> 00:09:06,241 YOU KNOW JEN. WHAT DOES SHE LIKE? 216 00:09:06,284 --> 00:09:09,157 I WANT IT TO BE IMAGINATIVE AND ORIGINAL. 217 00:09:09,200 --> 00:09:11,812 AND ACCORDING TO HER, UH, YOU'RE THE EXPERT ON ALL THAT JUNK. 218 00:09:11,855 --> 00:09:13,422 SHE SAID THAT? 219 00:09:13,465 --> 00:09:15,206 WHAT-- WHAT EXACTLY DID SHE SAY? 220 00:09:15,250 --> 00:09:17,600 COME ON, DUDE. I NEED YOUR HELP. WHAT DOES SHE WANT? 221 00:09:17,644 --> 00:09:19,471 WHAT DOES ANYBODY WANT, CLIFF? 222 00:09:19,515 --> 00:09:22,431 I MEAN, SHE WANTS TO HAVE A GOOD TIME. SHE WANTS TO HAVE FUN. 223 00:09:22,474 --> 00:09:25,216 NO, THAT'S TOO BROAD. I MEAN, I KNOW MY DEFINITION OF FUN, 224 00:09:25,260 --> 00:09:28,219 BUT I'M NOT SO SURE OF JEN'S. 225 00:09:28,263 --> 00:09:29,743 LET ME THINK. 226 00:09:29,786 --> 00:09:32,267 THINK. WE LIKE THINK. THINK IS GOOD. 227 00:09:45,802 --> 00:09:47,064 HEY. 228 00:09:47,108 --> 00:09:49,850 OH, GOD! GOD, YOU SCARED ME! 229 00:09:49,893 --> 00:09:52,679 HEY, LOOK AT THIS. 230 00:09:52,722 --> 00:09:54,028 WHERE'D YOU GET THAT? 231 00:09:54,071 --> 00:09:55,682 I DON'T KNOW. I THINK... 232 00:09:55,725 --> 00:09:58,902 YOU KNOW, I BET THAT DAWSON PUT THIS IN MY LOCKER. 233 00:09:58,946 --> 00:10:01,252 WELL, HOW DO YOU KNOW IT WAS DAWSON? 234 00:10:01,296 --> 00:10:03,472 OH, COME ON. I MEAN, THIS REEKS OF DAWSON. 235 00:10:03,515 --> 00:10:06,475 DON'T WORRY. I'LL PROTECT YOU, ALL RIGHT? I'LL SEE YOU LATER? 236 00:10:06,518 --> 00:10:07,911 YEAH-- WHERE ARE WE GOING TONIGHT? 237 00:10:07,955 --> 00:10:09,652 IT'S A SURPRISE, 238 00:10:09,696 --> 00:10:11,219 BUT I PROMISE IT'S GONNA BE ORIGINAL 239 00:10:11,262 --> 00:10:13,221 AND UNPREDICTABLE. 240 00:10:22,578 --> 00:10:24,624 [PHONE RINGS] 241 00:10:30,064 --> 00:10:31,152 HELLO. 242 00:10:31,195 --> 00:10:32,893 MAN: HELLO? 243 00:10:32,936 --> 00:10:34,895 WHO IS THIS? 244 00:10:34,938 --> 00:10:37,767 YOU TELL ME YOUR NAME, AND I'LL TELL YOU MINE. 245 00:10:40,509 --> 00:10:44,513 OK, DAWSON, I GOT YOUR NOTE. I FEEL VERY PART OF. 246 00:10:44,556 --> 00:10:47,124 THANK YOU VERY MUCH. NOW YOU CAN STOP. 247 00:10:47,168 --> 00:10:48,517 WHO'S DAWSON? 248 00:10:49,649 --> 00:10:52,129 ALL RIGHT, YEAH, I SAW THIS MOVIE. 249 00:10:52,173 --> 00:10:54,349 SO TELL ME YOUR NAME. 250 00:10:54,392 --> 00:10:56,133 DREW BARRYMORE. 251 00:10:56,177 --> 00:10:57,700 LOOK, YOU WANT TO PLAY THIS GAME? 252 00:10:57,744 --> 00:10:59,310 LET'S CUT RIGHT TO THE CHASE. 253 00:10:59,354 --> 00:11:01,095 WHAT'S YOUR FAVORITE SCARY MOVIE? 254 00:11:01,138 --> 00:11:03,793 FRIDAY THE 13TH. WHAT'S YOURS? 255 00:11:03,837 --> 00:11:06,535 THE TEN COMMANDMENTS. DON'T ASK. 256 00:11:06,578 --> 00:11:09,146 SO, ARE YOU THE FAMED LADY KILLER? 257 00:11:09,190 --> 00:11:12,715 ARE YOU WAITING OUTSIDE ON A CELLULAR TO CUT MY HEART OUT? 258 00:11:12,759 --> 00:11:14,499 MAYBE. 259 00:11:16,632 --> 00:11:18,112 YEAH, WELL, FREE ADVICE, ALL RIGHT? 260 00:11:18,155 --> 00:11:19,504 FIND A BETTER HEART. 261 00:11:19,548 --> 00:11:21,245 MINE'S A LITTLE DENTED. 262 00:11:21,289 --> 00:11:24,205 AW. DID SOMEBODY HURT YOU? 263 00:11:24,248 --> 00:11:27,338 NO. IT'S COMPLETELY SELF-INFLICTED. 264 00:11:27,382 --> 00:11:29,297 I'M SORRY. 265 00:11:29,340 --> 00:11:30,472 ME TOO. 266 00:11:30,515 --> 00:11:32,996 WELL, MAYBE I CAN HELP. 267 00:11:33,040 --> 00:11:34,302 ALL RIGHT, DAWSON, 268 00:11:34,345 --> 00:11:36,521 THIS IS AS FAR AS WE NEED TO GO WITH THIS ONE. 269 00:11:36,565 --> 00:11:39,742 ONCE AGAIN, WHO'S DAWSON? 270 00:11:39,786 --> 00:11:42,963 ALL RIGHT, WHERE ARE YA, OUTSIDE? 271 00:11:43,006 --> 00:11:44,486 THAT WOULD BE TOO PREDICTABLE. 272 00:11:44,529 --> 00:11:47,619 I'M FAR CLOSER THAN THAT. 273 00:11:47,663 --> 00:11:50,884 THAT'S ENOUGH. WHY DON'T YOU SEARCH THE HOUSE? 274 00:11:50,927 --> 00:11:53,495 DAWSON, YOU DIDN'T SNEAK INTO THE HOUSE, DID YOU? 275 00:11:53,538 --> 00:11:55,889 'CAUSE-- 'CAUSE YOU ARE LUCKY MY GRAMS ISN'T HERE. 276 00:11:55,932 --> 00:11:59,022 THIS DAWSON SOUNDS LIKE A REAL LOSER. 277 00:11:59,066 --> 00:12:01,198 YEAH, WELL, HE'S NOT, ALL RIGHT? 278 00:12:01,242 --> 00:12:03,287 JUST A LITTLE OUT THERE, BUT IN A GOOD WAY. 279 00:12:03,331 --> 00:12:05,420 HOW'S YOUR GRANDFATHER? 280 00:12:06,943 --> 00:12:09,467 YOU KNOW, DAWSON... 281 00:12:09,511 --> 00:12:12,906 DAWSON, HIDING IN MY GRAMPS' BEDROOM IS REALLY, REALLY LOW. 282 00:12:16,910 --> 00:12:19,303 OK. ALL RIGHT, YOU GOT ME NOW. 283 00:12:19,347 --> 00:12:21,741 OK, DAWSON? I'M OFFICIALLY SCARED. YOU CAN COME OUT. 284 00:12:21,784 --> 00:12:22,916 OH, GOD! 285 00:12:28,095 --> 00:12:29,966 WHERE ARE YOU?! 286 00:12:30,010 --> 00:12:34,188 WHATEVER YOU DO, DON'T LOOK UNDER THE BED. 287 00:12:34,231 --> 00:12:35,755 GRAMPS! 288 00:12:41,282 --> 00:12:42,849 AAH! 289 00:12:42,892 --> 00:12:45,460 OK. ALL RIGHT. YOU KNOW WHAT, DAWSON? 290 00:12:45,503 --> 00:12:47,854 THIS IS-- THIS IS NO LONGER FUNNY, OK? 291 00:12:47,897 --> 00:12:50,291 STOP CALLING ME DAWSON. 292 00:12:50,334 --> 00:12:51,814 WHO ARE YOU?! 293 00:12:51,858 --> 00:12:53,294 GUESS. 294 00:12:53,337 --> 00:12:55,557 [FRONT DOORKNOB RATTLING] 295 00:12:57,994 --> 00:13:00,301 WHO'S THERE? 296 00:13:00,344 --> 00:13:02,694 I SAID, WHO'S THERE?! 297 00:13:06,089 --> 00:13:07,612 [DOOR OPENS] 298 00:13:12,139 --> 00:13:13,531 AAH! 299 00:13:13,575 --> 00:13:16,796 OH, GOD!JENNIFER! IT'S ONLY ME. 300 00:13:16,839 --> 00:13:18,667 COULDN'T FIND MY FRONT DOOR KEY. 301 00:13:18,710 --> 00:13:21,757 WHO'S ON THE PHONE, DEAR? 302 00:13:21,801 --> 00:13:23,498 WHO IS THIS?! 303 00:13:23,541 --> 00:13:26,893 SOON, JENNIFER. SOON. 304 00:13:46,173 --> 00:13:47,522 TOO LATE. SAW IT. 305 00:13:47,565 --> 00:13:48,784 SAW WHAT? 306 00:13:48,828 --> 00:13:50,177 ONE OF YOUR SHADY PRANKS 307 00:13:50,220 --> 00:13:51,700 YOU HAVE IN STORE FOR US TONIGHT. 308 00:13:51,743 --> 00:13:53,745 I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 309 00:13:53,789 --> 00:13:56,792 IF YOU'RE REFERRING TO MY CHILDHOOD FASCINATION WITH FEAR, 310 00:13:56,836 --> 00:13:58,750 YOU'LL BE HAPPY TO KNOW THAT I'VE MATURED. 311 00:13:58,794 --> 00:13:59,882 RIGHT. SO WHAT'S BEHIND THE COUCH? 312 00:13:59,926 --> 00:14:01,405 NOTHING! 313 00:14:01,449 --> 00:14:02,929 HUH? COME ON. LET ME SEE. 314 00:14:02,972 --> 00:14:06,584 NO! THERE'S NOTHING.DON'T PUSH ME! 315 00:14:06,628 --> 00:14:08,499 AND DON'T THINK FOR ONE SECOND YOU FOOLED ME 316 00:14:08,543 --> 00:14:11,067 WITH YOUR INNOCENT, "WHO, ME? I'M RICHIE CUNNINGHAM" ACT. 317 00:14:11,111 --> 00:14:13,504 I KNOW IT'S A CON, DAWSON. I'M ON TO YOU. 318 00:14:13,548 --> 00:14:14,897 THEN YOU HAVE NOTHING TO FEAR. 319 00:14:14,941 --> 00:14:16,812 [CAR HORN HONKS] 320 00:14:16,856 --> 00:14:18,118 HERE'S PACEY. LET'S GO. 321 00:14:18,161 --> 00:14:19,336 WHERE? 322 00:14:19,380 --> 00:14:20,947 THE STORE. WE HAVE TO CATER THE EVENING. 323 00:14:20,990 --> 00:14:22,078 [GROANS] 324 00:14:22,122 --> 00:14:23,819 YEEEE! 325 00:14:23,863 --> 00:14:26,213 I DON'T LIKE RIDING WITH HIM. HE'S A MENACE ON THE ROAD. 326 00:14:26,256 --> 00:14:28,606 NAH, YOU AIN'T HALLUCINATING. PACEY'S GOT THE JEEP. 327 00:14:28,650 --> 00:14:30,434 CAN I HEAR YA SAY "YEAH"? 328 00:14:30,478 --> 00:14:32,872 CAN I HEAR YA SAY, "OH, YEAH"? 329 00:14:32,915 --> 00:14:34,699 I AM SO AGAINST THIS. 330 00:14:34,743 --> 00:14:36,353 SERIOUSLY, I'M A GOOD DRIVER. 331 00:14:36,397 --> 00:14:37,572 YOU GOT NOTHIN' TO WORRY ABOUT. 332 00:14:37,615 --> 00:14:39,139 JUST GET IN THE BUS, GUS. 333 00:14:39,182 --> 00:14:40,923 [STARTS ENGINE] 334 00:14:40,967 --> 00:14:41,968 YEEE! 335 00:14:59,724 --> 00:15:01,944 CONGRATULATIONS. YOU ARE THE WORLD'S WORST DRIVER. 336 00:15:01,988 --> 00:15:03,641 I'M NOT HEARIN' THAT, DAWSON. 337 00:15:03,685 --> 00:15:05,121 CAN YOU WATCH THE CAR, JOE?WHY? 338 00:15:05,165 --> 00:15:08,995 WELL...I CAN'T REALLY TURN IT OFF. 339 00:15:09,038 --> 00:15:10,822 I MEAN, I CAN, BUT IT'S A HASSLE, 340 00:15:10,866 --> 00:15:11,911 'CAUSE I DON'T HAVE THE KEYS. 341 00:15:11,954 --> 00:15:13,782 OH, YEAH. I FORGET. YOU STEAL IT. 342 00:15:13,825 --> 00:15:15,871 HEY, YOU BORROW FROM FAMILY. 343 00:15:15,915 --> 00:15:18,439 YOU NEVER STEAL. 344 00:15:20,006 --> 00:15:22,312 WOMAN: WHO DO YOU THINK YOU ARE?! 345 00:15:22,356 --> 00:15:23,792 MAN: SHUT UP! SHUT UP! 346 00:15:23,835 --> 00:15:25,098 YOU DO NOT OWN ME!DON'T TOUCH ME! 347 00:15:25,141 --> 00:15:26,621 DON'T TOUCH ME. 348 00:15:26,664 --> 00:15:28,579 YOU'RE CRAZY, YOU KNOW THAT?! YOU'RE CRAZY! 349 00:15:28,623 --> 00:15:29,711 GET OUT OF MY FACE, WENCH! 350 00:15:29,754 --> 00:15:31,539 OH, I GOT YOUR FACE, WENCH! 351 00:15:31,582 --> 00:15:32,888 SHOULD WE DO SOMETHING?STOP IT! 352 00:15:32,932 --> 00:15:35,064 IT'S A DOMESTIC SQUABBLE. BACK OFF. 353 00:15:35,108 --> 00:15:37,371 HEY! LET GO--STOP IT! 354 00:15:37,414 --> 00:15:38,415 LET GO OF ME! 355 00:15:38,459 --> 00:15:39,939 HEY! 356 00:15:39,982 --> 00:15:42,419 HEY! HEY! HEY! WHERE DO YOU THINK YOU'RE GOING?! 357 00:15:42,463 --> 00:15:44,421 NONE OF YOUR DAMN BUSINESS! 358 00:15:44,465 --> 00:15:45,683 I'M GONE. 359 00:15:45,727 --> 00:15:47,859 YOU'RE PUKE, YOU KNOW THAT?! 360 00:15:47,903 --> 00:15:50,601 YOU 2-CENT LOWLIFE! I HATE YOU! 361 00:15:50,645 --> 00:15:51,602 JERK! 362 00:15:56,564 --> 00:15:57,695 HI, BOYS. 363 00:16:00,829 --> 00:16:02,396 HAVING A PARTY? 364 00:16:02,439 --> 00:16:05,007 UH...YEAH, WE ARE. 365 00:16:05,051 --> 00:16:08,619 IS IT A MILK AND COOKIES KIND OF A PARTY? 366 00:16:08,663 --> 00:16:10,056 IT DOESN'T HAVE TO BE. 367 00:16:10,099 --> 00:16:12,406 OH, DON'T TELL ME. YOU'RE NOT 21. 368 00:16:12,449 --> 00:16:15,452 ALMOST, YOU KNOW? JUST ANOTHER COUPLE OF WEEKS. 369 00:16:15,496 --> 00:16:18,499 YOU WANT ME TO SCORE YOU A BOTTLE OF WINE? 370 00:16:18,542 --> 00:16:21,284 UH, YEAH, THAT WOULD BE GREAT. 371 00:16:26,855 --> 00:16:29,771 NOT GONNA PAY FOR THAT FIRST? 372 00:16:29,814 --> 00:16:32,426 AND TAKE ALL THE FUN OUT OF IT? 373 00:16:32,469 --> 00:16:33,731 I'LL SEE YA OUTSIDE. 374 00:16:39,868 --> 00:16:41,130 [SIGHS] 375 00:16:47,310 --> 00:16:48,094 [GASP] 376 00:16:48,137 --> 00:16:50,444 OH, GOD. 377 00:16:54,100 --> 00:16:55,057 HI THERE. 378 00:16:55,101 --> 00:16:56,232 HI. 379 00:16:56,276 --> 00:16:57,668 WHAT'S YOUR NAME? 380 00:16:57,712 --> 00:16:58,669 JOEY. 381 00:16:58,713 --> 00:17:00,410 HI, JOEY. I'M DAVID. 382 00:17:00,454 --> 00:17:02,064 I'M A LITTLE LOST. 383 00:17:02,108 --> 00:17:03,979 I WAS ON MY WAY TO PROVIDENCE, 384 00:17:04,023 --> 00:17:05,763 AND I THINK I TOOK A WRONG TURN SOMEWHERE. 385 00:17:05,807 --> 00:17:08,462 PROVIDENCE? YOU'RE MORE THAN A LITTLE LOST. 386 00:17:08,505 --> 00:17:11,508 MAYBE YOU CAN POINT ME IN THE RIGHT DIRECTION. 387 00:17:11,552 --> 00:17:15,295 SURE. UM, YOU JUST TAKE ELM STREET, WHICH IS THIS STREET RIGHT HERE, 388 00:17:15,338 --> 00:17:19,386 AND YOU TAKE IT A FEW MILES UNTIL YOU HIT THE HIGHWAY... 389 00:17:19,429 --> 00:17:21,083 OH, I'M SORRY. 390 00:17:21,127 --> 00:17:23,390 WAS I STARING? 391 00:17:23,433 --> 00:17:26,175 IT'S JUST THAT YOU HAVE THE MOST INTENSE EYES. 392 00:17:26,219 --> 00:17:27,655 HAS ANYONE EVER TOLD YOU THAT? 393 00:17:27,698 --> 00:17:30,571 THEY'RE REALLY PIERCING. 394 00:17:30,614 --> 00:17:32,660 THANKS. 395 00:17:32,703 --> 00:17:34,053 GOD, I'M SO TIRED. 396 00:17:34,096 --> 00:17:35,706 I'VE BEEN ON THE ROAD ALL DAY. 397 00:17:35,750 --> 00:17:37,317 IS THERE A HOTEL AROUND HERE? 398 00:17:37,360 --> 00:17:39,971 UM, YEAH. ACTUALLY, NOT TOO FAR. 399 00:17:40,015 --> 00:17:42,365 WELL, I DON'T KNOW THIS AREA AT ALL. 400 00:17:42,409 --> 00:17:44,019 HOW ABOUT YOU? 401 00:17:44,063 --> 00:17:45,890 DO YOU LIVE NEARBY? 402 00:17:45,934 --> 00:17:48,197 WHAT'S GOIN' ON? 403 00:17:48,241 --> 00:17:51,113 YOU NEED SOMETHING? 404 00:17:51,157 --> 00:17:53,942 NO, SPORT...I DON'T. 405 00:17:55,726 --> 00:17:57,815 THANKS FOR YOUR HELP, JOEY. 406 00:17:57,859 --> 00:17:59,948 GOOD LUCK. 407 00:18:07,651 --> 00:18:09,740 DIDN'T YOUR MOTHER EVER TELL YOU NOT TO TALK TO STRANGERS? 408 00:18:09,784 --> 00:18:12,439 THAT GUY COULD BE THE LADY KILLER. 409 00:18:12,482 --> 00:18:14,789 HE WAS LOST. HE NEEDED DIRECTIONS. 410 00:18:14,832 --> 00:18:17,052 OH, PLEASE, JOEY. THAT'S THE OLDEST TRICK IN THE BOOK. 411 00:18:17,096 --> 00:18:18,923 NEXT THING YOU KNOW, YOU'RE IN THE WOODS 412 00:18:18,967 --> 00:18:20,925 WITH TAPE ON YOUR MOUTH AND A ROPE AROUND YOUR NECK. 413 00:18:20,969 --> 00:18:22,623 YOU ARE SO PARANOID. 414 00:18:22,666 --> 00:18:26,540 BUT SERIAL KILLERS ARE TYPICALLY WHITE MALES IN THEIR 20S. 415 00:18:26,583 --> 00:18:29,543 HELLO. IT'S THE NINETIES. YOU GOTTA BE CAREFUL. 416 00:18:29,586 --> 00:18:31,675 WHATEVER. 417 00:18:34,461 --> 00:18:35,723 HERE YA GO, SWEETIE. 418 00:18:35,766 --> 00:18:37,333 EXCELLENT. 419 00:18:37,377 --> 00:18:39,770 CABERNET SAUVIGNON. MY FAVORITE. 420 00:18:39,814 --> 00:18:43,557 YOU KNOW, MY BUDDY'S HAVING A SEANCE OVER AT HIS HOUSE, 421 00:18:43,600 --> 00:18:47,735 AND I WAS JUST WONDERING IF YOU'D LIKE TO COME ALONG. 422 00:18:47,778 --> 00:18:48,779 MAN: URSULA! 423 00:18:48,823 --> 00:18:49,867 I'D LOVE TO! 424 00:18:49,911 --> 00:18:51,260 GET IN THE CAR, URSULA! 425 00:18:51,304 --> 00:18:52,740 WHERE ARE YOUR WHEELS? 426 00:18:52,783 --> 00:18:54,002 OVER THERE. 427 00:18:59,399 --> 00:19:01,096 WHERE DO YA THINK YOU'RE GOING?! 428 00:19:01,140 --> 00:19:03,142 AWAY FROM YOU! PACEY, LOCK THE DOORS! 429 00:19:03,185 --> 00:19:04,752 GO, PACEY!OPEN THIS DOOR! 430 00:19:04,795 --> 00:19:06,275 NOW! 431 00:19:06,319 --> 00:19:09,060 GET OUT HERE! 432 00:19:09,104 --> 00:19:10,149 LOSER! 433 00:19:10,192 --> 00:19:11,628 [KNOCK ON DOOR] 434 00:19:15,328 --> 00:19:17,286 CLIFF. 7:00, RIGHT ON THE DOT. 435 00:19:17,330 --> 00:19:18,548 I NEVER KEEP A LADY WAITING. 436 00:19:18,592 --> 00:19:20,202 ARE YOU CLIFFORD ELLIOT? 437 00:19:20,246 --> 00:19:22,204 HELLO, MA'AM. I FOUND THIS MAIL ON YOUR PORCH. 438 00:19:22,248 --> 00:19:24,206 OH, THANK YOU, CLIFFORD. 439 00:19:24,250 --> 00:19:25,729 OH, I'VE HEARD A LOT ABOUT YOU-- 440 00:19:25,773 --> 00:19:28,036 QUARTERBACK, TOP OF THE HONOR ROLL-- 441 00:19:28,079 --> 00:19:30,560 AND I SEE YOU EVERY WEEK AT THE FIRST CHURCH OF THE NAZARENE. 442 00:19:30,604 --> 00:19:32,214 GRAMS, YOU'RE DROOLING. 443 00:19:32,258 --> 00:19:34,434 AND DOESN'T OUR LITTLE JENNIFER LOOK PRETTY TONIGHT? 444 00:19:34,477 --> 00:19:35,391 YES, MA'AM, SHE DOES. 445 00:19:35,435 --> 00:19:37,045 GOOD-BYE, GRAMS. 446 00:19:37,088 --> 00:19:39,569 OH. YOU TWO KIDS HAVE FUN NOW, 447 00:19:39,613 --> 00:19:41,180 AND HAVE HER HOME BY MIDNIGHT, 448 00:19:41,223 --> 00:19:42,833 OR SHE'LL TURN INTO A PUMPKIN. 449 00:19:42,877 --> 00:19:44,748 OK, I WILL, I PROMISE. 450 00:19:44,792 --> 00:19:46,968 I'LL TAKE GOOD CARE OF HER. 451 00:19:48,665 --> 00:19:50,580 SHE LIKES YOU. 452 00:19:50,624 --> 00:19:52,365 NOT-- NOT A GOOD SIGN. 453 00:19:52,408 --> 00:19:54,236 OH, REALLY? 454 00:19:54,280 --> 00:19:56,499 I-- YOU KNOW, UM, IT'S KINDA CHILLY. 455 00:19:56,543 --> 00:19:58,371 MAYBE I SHOULD GO GET MY JACKET. 456 00:19:58,414 --> 00:20:01,200 WELL, ACTUALLY, WE'RE NOT GOING THAT FAR-- JUST ABOUT A HUNDRED FEET. 457 00:20:01,243 --> 00:20:02,810 REALLY? WHERE ARE WE GOING? 458 00:20:02,853 --> 00:20:05,856 DAWSON'S. HE'S HAVING A SEANCE. WON'T THAT BE KILLER? 459 00:20:08,772 --> 00:20:11,645 HMM. IT'S A NICE HOUSE. 460 00:20:13,081 --> 00:20:14,256 OH! CARAMEL CORN. 461 00:20:14,300 --> 00:20:15,431 AAH! 462 00:20:15,475 --> 00:20:18,782 OH, MY GOD! 463 00:20:21,002 --> 00:20:22,438 WHO DID THAT?! 464 00:20:22,482 --> 00:20:24,092 DAWSON! 465 00:20:24,135 --> 00:20:25,441 TOO EASY. 466 00:20:25,485 --> 00:20:27,269 OH, IT'S ALL RIGHT. I LOVE TO BE SCARED. 467 00:20:27,313 --> 00:20:29,532 MY BOYFRIEND, EDDIE, SCARES THE GOOP OUTTA ME. 468 00:20:29,576 --> 00:20:31,447 I CAN IMAGINE. 469 00:20:31,491 --> 00:20:33,667 I NEED A DRINK. 470 00:20:33,710 --> 00:20:35,190 EVERYBODY HELP YOURSELF. 471 00:20:39,238 --> 00:20:40,848 SO, UH, THANKS FOR THE PHONE CALL. 472 00:20:40,891 --> 00:20:42,153 WHAT PHONE CALL? 473 00:20:42,197 --> 00:20:43,459 OH, UH, WAS I SUPPOSED TO CALL YOU? 474 00:20:43,503 --> 00:20:46,332 YEAH. AND THE NOTE IN MY LOCKER. NICE TOUCH. 475 00:20:46,375 --> 00:20:49,073 YOU KNOW, IT WAS A BIT HARSH, BUT YOU DO STRIVE FOR REALISM. 476 00:20:49,117 --> 00:20:51,293 WHAT NOTE? WHAT PHONE CALL? 477 00:20:51,337 --> 00:20:52,729 OH, COME ON, DON'T PLAY DUMB WITH ME. 478 00:20:52,773 --> 00:20:54,253 I KNOW YOU'RE TRYING TO SCARE ME. 479 00:20:54,296 --> 00:20:56,124 NO, I'M NOT. WHY WOULD I DO THAT? 480 00:20:56,167 --> 00:20:57,734 BECAUSE IT'S--IT'S WHAT YOU DO. 481 00:20:57,778 --> 00:20:59,301 IT'S FRIDAY THE 13TH. 482 00:20:59,345 --> 00:21:02,304 YEAH, BUT, JEN, THIS IS IT-- FAKE SNAKES. 483 00:21:02,348 --> 00:21:04,828 I'M SORRY I DIDN'T PLAN ANYTHING SPECIFIC FOR YOU. 484 00:21:04,872 --> 00:21:06,830 I DIDN'T THINK YOU'D GET INTO IT. 485 00:21:09,572 --> 00:21:12,314 HMM. OK. 486 00:21:12,358 --> 00:21:13,446 NOTHING HERE. 487 00:21:13,489 --> 00:21:15,099 GOT A CORKSCREW? 488 00:21:15,143 --> 00:21:17,101 IT'S NOT COLD, SO WE'LL HAVE TO ADD SOME ICE. 489 00:21:17,145 --> 00:21:19,843 AAH! 490 00:21:24,848 --> 00:21:27,808 IT'S LIKE A FUN HOUSE IN HERE. 491 00:21:30,724 --> 00:21:32,856 THANKS. UH, JOEY, COULD YOU GET THE SEANCE BOOK? 492 00:21:32,900 --> 00:21:35,119 IT'S IN THE HALL CLOSET. 493 00:21:39,689 --> 00:21:42,431 HEY, MAN, THANKS FOR HAVING ME OVER. THIS IS PERFECT. 494 00:21:42,475 --> 00:21:43,650 YOU THINK? 495 00:21:43,693 --> 00:21:45,434 THE MOST ORIGINAL FIRST DATE I CAN THINK OF. 496 00:21:45,478 --> 00:21:46,914 HOW MANY GUYS WOULD BRING A GIRL 497 00:21:46,957 --> 00:21:48,829 TO THEIR EX-BOYFRIEND'S HOUSE? 498 00:21:48,872 --> 00:21:50,265 IT'S CLASSIC. 499 00:21:50,309 --> 00:21:53,312 I THINK SHE'S REALLY WARMIN' UP TO ME, MAN. 500 00:21:53,355 --> 00:21:55,836 CONGRATULATIONS. 501 00:21:55,879 --> 00:21:58,708 JOEY, IS IT JUST ME, OR IS THIS TOO WEIRD FOR WORDS? 502 00:21:58,752 --> 00:22:01,276 I MEAN, I'M ON A DATE, AND I END UP HERE? 503 00:22:01,320 --> 00:22:02,843 COME ON. WHOSE IDEA WAS THIS? 504 00:22:02,886 --> 00:22:04,148 CLIFF'S? 505 00:22:04,192 --> 00:22:06,368 NO, NO. HE'S NOT THAT INVENTIVE. 506 00:22:06,412 --> 00:22:08,501 THIS IS DEFINITELY THE WORK OF DAWSON. 507 00:22:08,544 --> 00:22:10,590 YA THINK? 508 00:22:10,633 --> 00:22:13,244 AAH! AAH! 509 00:22:22,950 --> 00:22:26,736 SPIRITS...ARE YOU WITH US? 510 00:22:26,780 --> 00:22:31,393 WHOOOAAHH...SPIRITS, COME TO US. WHOOO. 511 00:22:31,437 --> 00:22:33,090 URSULA, ARE YOU, LIKE, A SPIRIT GODDESS? 512 00:22:33,134 --> 00:22:34,875 WELL, I CHANNEL FROM TIME TO TIME. 513 00:22:34,918 --> 00:22:37,747 I HAVE A COUPLE OF SISTER SPIRITS THAT OCCUPY MY BODY OCCASIONALLY. 514 00:22:37,791 --> 00:22:39,270 DIONNE AND LATOYA? 515 00:22:39,314 --> 00:22:41,708 PACEY: YOU KNOW WHAT WE SHOULD DO? 516 00:22:41,751 --> 00:22:43,753 WE SHOULD CHANNEL THE VICTIM OF THE LADY KILLER. 517 00:22:43,797 --> 00:22:45,276 MAYBE THEY'D I.D. THE GUY. 518 00:22:45,320 --> 00:22:47,627 WE COULD GET THAT REWARD MONEY. THAT'D BE SWEET. 519 00:22:47,670 --> 00:22:49,803 DID YOU GUYS KNOW HE LIKES TO STALK HIS VICTIMS? 520 00:22:49,846 --> 00:22:52,501 USUALLY COMING IN CONTACT FIRST THROUGH NOTES AND PHONE CALLS. 521 00:22:52,545 --> 00:22:54,416 REALLY?YEAH. 522 00:22:54,460 --> 00:22:56,636 THAT'S HOW HE GOT THAT GIRL DOWN IN NORTH CAROLINA. 523 00:22:56,679 --> 00:22:59,421 HE SENT HER NOTES AND THEN FOLLOWED HER HOME FROM SCHOOL ONE DAY. 524 00:22:59,465 --> 00:23:01,641 THEN HE PEEKED THROUGH HER WINDOW. 525 00:23:01,684 --> 00:23:04,078 AND THEN HE CALLED, PRETENDING TO BE SOMEBODY ELSE. 526 00:23:04,121 --> 00:23:07,037 THAT'S CREEPY. YOU GOT A CALL, DIDN'T YOU? 527 00:23:07,081 --> 00:23:08,430 SOMEBODY CALLED YOU? 528 00:23:08,474 --> 00:23:10,389 YES, AND HIS NAME IS DAWSON. 529 00:23:10,432 --> 00:23:12,347 JEN, I SWEAR I DIDN'T CALL YOU. 530 00:23:12,391 --> 00:23:14,828 YOU KNOW, WHY DON'T YOU FINISH THE STORY? 531 00:23:14,871 --> 00:23:16,307 BUT YOU DON'T LIKE SCARY STUFF. 532 00:23:16,351 --> 00:23:18,788 I HAVE A CONTRADICTING PERSONALITY. 533 00:23:19,963 --> 00:23:21,008 PLEASE CONTINUE. 534 00:23:21,051 --> 00:23:22,009 OK. 535 00:23:22,052 --> 00:23:24,838 SO ANYWAY, SO HE CALLED HER 536 00:23:24,881 --> 00:23:26,927 AND LEARNED THAT SHE WAS GOING TO BE HOME THAT NIGHT. 537 00:23:26,970 --> 00:23:29,625 NOW, SHE LIVED IN A TOWN WHERE NOBODY LOCKED THEIR DOORS. 538 00:23:29,669 --> 00:23:32,889 HE DISCONNECTED HER ELECTRICITY, CUT OFF HER PHONE, 539 00:23:32,933 --> 00:23:35,414 WALKED RIGHT THROUGH THE FRONT DOOR, UP HER STAIRS, 540 00:23:35,457 --> 00:23:37,372 INTO HER BEDROOM WHILE SHE WAS SLEEPING, 541 00:23:37,416 --> 00:23:40,375 AND CUT OUT HER HEART IN ONE, CLEAN SWEEP. 542 00:23:40,419 --> 00:23:41,637 UGH. 543 00:23:41,681 --> 00:23:43,465 HE USES A LONG, LACERATING SCALPEL, 544 00:23:43,509 --> 00:23:45,467 SO THEY THINK HE MIGHT BE A DOCTOR OR SOMETHING. 545 00:23:45,511 --> 00:23:46,816 YOU KNOW WHAT MAKES THAT STORY SO SCARY? 546 00:23:46,860 --> 00:23:48,514 IT'S TRUE. 547 00:23:48,557 --> 00:23:50,298 YOU THINK STUFF LIKE THAT NEVER HAPPENS, 548 00:23:50,341 --> 00:23:52,126 BUT THEN IT ALWAYS DOES. 549 00:23:52,169 --> 00:23:54,084 I'VE GOT A STORY. 550 00:23:54,128 --> 00:23:56,217 IT'S TRUE, TOO. 551 00:23:56,260 --> 00:23:59,263 A WOMAN WITH A NEWBORN GOES OUT TO THE COUNTRY TO PICK BLUEBERRIES. 552 00:23:59,307 --> 00:24:02,005 AND SHE LEAVES THE BABY IN THE BACK IN HIS LITTLE CAR SEAT, 553 00:24:02,049 --> 00:24:04,573 WITH THE DOOR OPEN SO SHE CAN HEAR HIM IF HE CRIES. 554 00:24:04,617 --> 00:24:06,488 SHE GOES OUT PICKING IN THE BLUEBERRY PATCH, 555 00:24:06,532 --> 00:24:08,011 AND AFTER ABOUT A HALF AN HOUR, 556 00:24:08,055 --> 00:24:10,274 SHE REALIZES SHE HASN'T HEARD A PEEP FROM THE BABY. 557 00:24:10,318 --> 00:24:12,363 UH-OH. 558 00:24:12,407 --> 00:24:15,018 SHE RUNS BACK TO THE CAR, LOOKS IN THE BACK. 559 00:24:15,062 --> 00:24:17,804 A HUGE SNAKE HAS CRAWLED DOWN THE THROAT OF THE BABY, 560 00:24:17,847 --> 00:24:21,547 ITS TAIL WAGGING OUT. 561 00:24:21,590 --> 00:24:24,158 SO IN MAJOR SHOCK, SHE REACHES IN, 562 00:24:24,201 --> 00:24:26,465 YANKS THE SNAKE OUT, AND ALONG WITH IT, 563 00:24:26,508 --> 00:24:29,206 COMES ALL THE BABY'S INSIDES. 564 00:24:29,250 --> 00:24:31,513 THAT'S NOT SCARY. THAT'S DISGUSTING. 565 00:24:31,557 --> 00:24:32,906 IT'S NASTY. 566 00:24:32,949 --> 00:24:34,081 POOR BABY. 567 00:24:35,996 --> 00:24:39,478 I HAVE A SCARY STORY. 568 00:24:39,521 --> 00:24:41,958 THERE'S THIS YOUNG KID, THIS BOY, 569 00:24:42,002 --> 00:24:44,613 WHO GOES TO THIS CONVENIENCE STORE AND PICKS UP THIS WOMAN. 570 00:24:44,657 --> 00:24:46,789 SHE'S WILD, YOU KNOW, A LITTLE CRAZY. 571 00:24:46,833 --> 00:24:49,052 BUT PRETTY. 572 00:24:49,096 --> 00:24:51,402 AND HE TAKES HER BACK TO HIS FRIEND'S HOUSE, 573 00:24:51,446 --> 00:24:53,622 WHERE THEY'RE HAVING ALL THESE, LIKE, FUN AND GAMES. 574 00:24:53,666 --> 00:24:56,886 AND WHAT NONE OF THEM KNOW IS THAT THIS WOMAN 575 00:24:56,930 --> 00:24:58,453 IS A LITTLE ILL-- 576 00:24:58,497 --> 00:25:00,281 YOU KNOW, LIKE, IN THE HEAD, 577 00:25:00,324 --> 00:25:03,589 THE RESULT OF YEARS OF ABUSE-- 578 00:25:03,632 --> 00:25:06,069 AND THAT, IN HER PURSE, 579 00:25:06,113 --> 00:25:10,334 SHE CARRIES THIS GREAT, BIG KNIFE... 580 00:25:10,378 --> 00:25:11,422 BECAUSE SOMETIMES, 581 00:25:11,466 --> 00:25:13,555 JUST FOR FUN, 582 00:25:13,599 --> 00:25:15,601 SHE LIKES TO SLICE OPEN THROATS 583 00:25:15,644 --> 00:25:18,908 AND SEE HOW FAR THE BLOOD WILL SPURT. 584 00:25:20,693 --> 00:25:21,911 HEH... 585 00:25:27,830 --> 00:25:30,354 [ALL SCREAMING] 586 00:25:33,357 --> 00:25:35,925 WHAT THE HELL?! THIS FREAKS ME OUT. 587 00:25:35,969 --> 00:25:37,623 DAWSON, TURN THE LIGHTS BACK ON. 588 00:25:37,666 --> 00:25:39,407 IT WASN'T ME. IT MUST BE A BLACKOUT. 589 00:25:39,450 --> 00:25:41,235 REALLY? A BLACKOUT DURING OUR SEANCE. 590 00:25:41,278 --> 00:25:42,628 HOW COINCIDENTAL, DAWSON. 591 00:25:42,671 --> 00:25:45,848 YEAH. I THINK I'LL CALL THE ELECTRICAL COMPANY. 592 00:25:50,287 --> 00:25:52,202 WELL, IMAGINE THAT. THE PHONE'S DEAD. 593 00:25:52,246 --> 00:25:53,464 DON'T LOOK AT ME. I-- 594 00:25:53,508 --> 00:25:55,118 GREAT! NO PHONES, NO ELECTRICITY. 595 00:25:55,162 --> 00:25:56,119 MAYBE IT'S THE LADY KILLER. 596 00:25:56,163 --> 00:25:58,426 MAYBE IT'S DOOFUS DAWSON! 597 00:25:58,469 --> 00:26:00,994 THE JOKE'S OVER, 'CAUSE I'M GETTIN' A LITTLE SPOOKED HERE. 598 00:26:01,037 --> 00:26:01,995 ARE THE DOORS LOCKED? 599 00:26:02,038 --> 00:26:03,474 YEAH, WE SHOULD CHECK. 600 00:26:03,518 --> 00:26:04,954 JOEY AND PACEY, CHECK THE FRONT DOOR. 601 00:26:04,998 --> 00:26:06,695 JEN AND CLIFF, UH, GET SOME FLASHLIGHTS 602 00:26:06,739 --> 00:26:08,871 FROM THE UPSTAIRS CLOSET. 603 00:26:08,915 --> 00:26:11,352 HEY, WHERE ARE YOU GOING? 604 00:26:11,395 --> 00:26:12,919 I'M GONNA CHECK THE FUSE BOX. YOU STAY. 605 00:26:12,962 --> 00:26:14,311 NO, NO, NO, NO. I'M COMING WITH YOU. 606 00:26:14,355 --> 00:26:16,009 OK. 607 00:26:16,052 --> 00:26:18,925 HE'S GOT YA. YOU'RE SO SCARED. 608 00:26:18,968 --> 00:26:20,317 NO, I'M NOT. 609 00:26:20,361 --> 00:26:22,276 PLEASE. QUIT TRIPPIN' OUT. 610 00:26:22,319 --> 00:26:24,626 THIS IS JUST DAWSON UP TO HIS OLD, TIRED TRICKS. 611 00:26:24,670 --> 00:26:26,367 THERE'S NO PSYCHOPATH IN THIS HOUSE. 612 00:26:26,410 --> 00:26:27,890 YES, THERE IS, AND YOU BROUGHT HER. 613 00:26:27,934 --> 00:26:30,284 PACEY, DON'T YOU REMEMBER WHAT HAPPENED WITH TAMARA? 614 00:26:30,327 --> 00:26:31,590 THIS COULD END UP EVEN WORSE. 615 00:26:31,633 --> 00:26:33,287 YOUR BIZARRE MOTHER COMPLEX 616 00:26:33,330 --> 00:26:34,636 IS GONNA GET US ALL KILLED. 617 00:26:34,680 --> 00:26:36,203 I DON'T KNOW. I THINK SHE'S KINDA SEXY. 618 00:26:36,246 --> 00:26:37,987 SHE'S INTO ME, DON'T YA THINK? HUH? 619 00:26:38,031 --> 00:26:40,686 SHE'S A NUT CASE. I MEAN, THE STORY ABOUT THE KNIFE IN HER PURSE?! 620 00:26:40,729 --> 00:26:43,645 FACE IT, PACEY. YOU HAVE THE WORST TASTE IN WOMEN. 621 00:26:43,689 --> 00:26:46,866 OH, AND COMING FROM YOU, THAT REALLY HURTS. 622 00:26:46,909 --> 00:26:48,432 WHAT'S THAT SUPPOSED TO MEAN? 623 00:26:48,476 --> 00:26:50,043 WELL, WHAT ABOUT YOUR TASTE, JOEY? 624 00:26:50,086 --> 00:26:51,566 YOU'RE GONNA GO TO YOUR GRAVE 625 00:26:51,610 --> 00:26:53,263 PINING AWAY FOR YOUR BEST FRIEND, 626 00:26:53,307 --> 00:26:54,134 A GUY WHO'S SO OBLIVIOUS, 627 00:26:54,177 --> 00:26:55,657 HE DOESN'T HAVE A CLUE 628 00:26:55,701 --> 00:26:57,485 THAT YOU LUST AFTER HIM MORNING, NOON AND NIGHT. 629 00:26:57,528 --> 00:26:59,008 I DON'T LUST AFTER HIM. 630 00:26:59,052 --> 00:27:00,836 RIGHT. DENIAL, DENIAL. 631 00:27:00,880 --> 00:27:02,621 [NOISE UPSTAIRS] 632 00:27:04,318 --> 00:27:06,189 UM... 633 00:27:06,233 --> 00:27:08,801 SHOULD WE CHECK IT OUT? 634 00:27:08,844 --> 00:27:10,324 YEAH. GO FOR IT. 635 00:27:22,249 --> 00:27:23,772 YOU'RE NOT SCARED, ARE YA? 636 00:27:26,122 --> 00:27:29,082 [NERVOUSLY] HAH. NO. 637 00:27:29,125 --> 00:27:30,518 OOH! GOD! 638 00:27:34,870 --> 00:27:36,306 CLIFF? 639 00:27:39,701 --> 00:27:41,529 CLIFF. 640 00:27:41,572 --> 00:27:42,878 AAH! 641 00:27:42,922 --> 00:27:44,314 GOD, YOU SCARED ME. OH! 642 00:27:44,358 --> 00:27:45,576 I'M SORRY. 643 00:27:45,620 --> 00:27:47,840 OH, MAN! 644 00:27:47,883 --> 00:27:50,625 FOR A SECOND THERE, I THOUGHT YOU WERE THAT PSYCHO WOMAN. 645 00:27:50,669 --> 00:27:52,409 OH! SHE'S A TRIP, ISN'T SHE? 646 00:27:52,453 --> 00:27:54,063 [SHUDDERS] 647 00:27:54,107 --> 00:27:55,630 YOU KNOW, I THINK WE'RE BEING SET UP. 648 00:27:55,674 --> 00:27:56,805 WHAT DO YOU MEAN? 649 00:27:56,849 --> 00:27:58,372 OH, COME ON. 650 00:27:58,415 --> 00:28:00,374 SOMETHING'S GONNA COME FLYING OUT OF THE CLOSET-- 651 00:28:00,417 --> 00:28:02,506 UH, SNAKES, A BLOODY CORPSE. 652 00:28:15,302 --> 00:28:17,521 SO MUCH FOR YOUR THEORY. 653 00:28:21,700 --> 00:28:23,832 SEE? WHAT DID I TELL YA? 654 00:28:23,876 --> 00:28:25,747 I MEAN, DAWSON HAS BEEN DOING THIS TO ME ALL DAY. 655 00:28:25,791 --> 00:28:26,748 FIRST--FIRST, 656 00:28:26,792 --> 00:28:28,010 THAT NOTE IN MY LOCKER, 657 00:28:28,054 --> 00:28:29,664 THE PHONE CALLS AT MY HOUSE... 658 00:28:29,708 --> 00:28:31,144 HOW DO YOU KNOW IT WAS HIM? 659 00:28:31,187 --> 00:28:32,623 WHO ELSE? 660 00:28:32,667 --> 00:28:34,843 WELL, WHAT IF DAWSON HAD NOTHING TO DO WITH IT? 661 00:28:34,887 --> 00:28:36,715 I MEAN, WHAT IF... 662 00:28:36,758 --> 00:28:38,499 WHAT IF THERE REALLY IS SOME PSYCHOPATH 663 00:28:38,542 --> 00:28:39,979 FOLLOWING YOU AROUND TRYING TO KILL YOU? 664 00:28:43,634 --> 00:28:45,114 [SHIVERING] IT'S COLD IN HERE. 665 00:28:45,158 --> 00:28:46,725 HERE. TAKE THIS. 666 00:28:55,168 --> 00:28:56,560 MM-HMM. 667 00:29:04,177 --> 00:29:05,874 WHAT, DID YA THINK 668 00:29:05,918 --> 00:29:07,397 I WAS GONNA PULL A KNIFE ON YA? 669 00:29:07,441 --> 00:29:09,225 NO. 670 00:29:09,269 --> 00:29:11,053 OF COURSE NOT. 671 00:29:11,097 --> 00:29:12,794 I DON'T STAB PEOPLE. 672 00:29:12,838 --> 00:29:15,710 I TAKE A PISTOL AND I SHOOT 'EM IN THE HEAD. 673 00:29:15,754 --> 00:29:18,757 I'M JUST PLAYING WITH YOU, SWEETIE. 674 00:29:21,281 --> 00:29:22,586 YOU'RE A GOOD ACTRESS. 675 00:29:22,630 --> 00:29:24,110 THAT'S FUNNY YOU SAY THAT. 676 00:29:24,153 --> 00:29:26,242 FOR A WHILE, I THOUGHT I MIGHT GO OUT TO HOLLYWOOD, 677 00:29:26,286 --> 00:29:27,635 BUT THEN, I DON'T KNOW. 678 00:29:27,678 --> 00:29:29,419 I MET EDDIE. 679 00:29:31,030 --> 00:29:32,771 THE GUY FROM THE PARKING LOT? 680 00:29:32,814 --> 00:29:35,425 YEAH, HE'S A LUNATIC, THAT GUY. 681 00:29:35,469 --> 00:29:36,818 HE'S BEEN IN THE PEN. 682 00:29:36,862 --> 00:29:37,993 WHAT FOR? 683 00:29:38,037 --> 00:29:39,081 ASSAULT AND BATTERY. 684 00:29:39,125 --> 00:29:40,517 HE TOOK THIS GUY'S HEAD 685 00:29:40,561 --> 00:29:42,606 AND SHOVED IT INTO A WALL. 686 00:29:42,650 --> 00:29:44,870 THE GUY'S EYEBALL WAS DANGLING FROM ITS SOCKET. 687 00:29:44,913 --> 00:29:46,828 HE'S A MONSTER. 688 00:29:46,872 --> 00:29:48,308 BUT HE-- 689 00:29:48,351 --> 00:29:50,527 HE'S MY MONSTER. 690 00:29:50,571 --> 00:29:52,834 YOU KNOW, LOVE IS A REALLY COMPLICATED BITCH. 691 00:29:52,878 --> 00:29:55,619 YOU CAN SAY THAT AGAIN. 692 00:29:55,663 --> 00:29:57,447 SEE? I KNEW YOU HAD AN ISSUE. 693 00:29:57,491 --> 00:30:01,277 I HAVE THIS... EXTRA-CIRCULAR... SENSORY THING. 694 00:30:01,321 --> 00:30:04,411 LIKE, YOU JUST BROKE UP WITH A CERTAIN GIRL THAT'S INSIDE-- 695 00:30:04,454 --> 00:30:06,195 I FELT THE EMOTION-- 696 00:30:06,239 --> 00:30:08,502 BUT DON'T YOU WORRY. SHE LOVES YOU BACK. 697 00:30:08,545 --> 00:30:10,504 WHAT DO YOU KNOW ABOUT IT? 698 00:30:10,547 --> 00:30:12,898 I KNOW THAT SHE WANTS YOU. 699 00:30:12,941 --> 00:30:14,551 AND YOU HAVE BEEN SCARING HER ALL NIGHT, 700 00:30:14,595 --> 00:30:16,336 SO IT'S OBVIOUS YOU WANT HER. 701 00:30:16,379 --> 00:30:18,860 I HAVEN'T SCARED HER ONCE TONIGHT. I'VE BEEN SCARING JOEY. 702 00:30:18,904 --> 00:30:20,688 YEAH, THE BRUNETTE-- CUTE, FEISTY. 703 00:30:20,731 --> 00:30:22,908 THE TWO OF YOU WILL WORK OUT. 704 00:30:22,951 --> 00:30:24,823 LOOK, JEN'S MY EX-GIRLFRIEND, NOT JOEY. 705 00:30:24,866 --> 00:30:26,868 THERE'S YOUR PROBLEM. YOU'RE DATING THE WRONG GIRL. 706 00:30:26,912 --> 00:30:29,871 NO! JOEY AND I HAVE THIS INTENSE FRIENDSHIP. 707 00:30:29,915 --> 00:30:31,655 NOTHING MORE. 708 00:30:31,699 --> 00:30:35,572 WE'VE GOT THAT EXTRASENSORY CANAL THING YOU WERE TALKING ABOUT. 709 00:30:38,749 --> 00:30:40,186 YOU KNOW, I DON'T GET THIS. 710 00:30:40,229 --> 00:30:42,275 IT SAID ON THE TIMER IT WOULD GO OFF RIGHT AT 11:00-- 711 00:30:42,318 --> 00:30:44,668 SO THE BLACKOUT WAS ALL A BIG STUNT? 712 00:30:44,712 --> 00:30:47,758 YEAH, BUT THE FUSE BOX, IT'S LIKE SOMEBODY'S COME ALONG AND JAMMED IT. 713 00:30:47,802 --> 00:30:49,848 [NOISE] 714 00:30:49,891 --> 00:30:51,545 WHAT WAS THAT? 715 00:30:53,025 --> 00:30:54,983 LET'S GET BACK INSIDE. 716 00:30:57,159 --> 00:30:59,205 WHERE HAVE YOU BEEN? 717 00:30:59,248 --> 00:31:01,294 TRYING TO GET THE LIGHTS ON. WHERE'S JOEY? 718 00:31:01,337 --> 00:31:02,686 SHE WENT THAT WAY TO LOOK FOR YOU. 719 00:31:02,730 --> 00:31:05,211 YOU LET HER GO BY HERSELF? 720 00:31:05,254 --> 00:31:06,516 HEY, JOEY! 721 00:31:08,083 --> 00:31:09,650 JOEY! 722 00:31:10,912 --> 00:31:11,957 JO-- [THUD] 723 00:31:12,000 --> 00:31:13,697 JOEY? 724 00:31:19,399 --> 00:31:21,270 JOEY! 725 00:31:21,314 --> 00:31:23,882 OH, MY GOD! JOEY! 726 00:31:23,925 --> 00:31:26,014 JOEY! TALK TO ME. 727 00:31:26,058 --> 00:31:28,190 AAH! 728 00:31:32,412 --> 00:31:35,676 AAH! 729 00:31:35,719 --> 00:31:37,199 [GIRLS LAUGHING] 730 00:31:37,243 --> 00:31:39,027 JOEY. 731 00:31:39,071 --> 00:31:40,420 DAWSON: FUNNY. 732 00:31:40,463 --> 00:31:42,335 VERY FUNNY.I GOTCHA, DAWSON. 733 00:31:42,378 --> 00:31:44,467 THAT WAS LAME. 734 00:31:44,511 --> 00:31:47,079 THAT WAS REALLY LAME.[LAUGHING] 735 00:31:47,122 --> 00:31:49,037 COME ON. YOU CAN DISH IT OUT, BUT YOU CAN'T TAKE IT? 736 00:31:49,081 --> 00:31:50,821 THE LEVEL OF SCARE HERE IS DIFFERENT. 737 00:31:50,865 --> 00:31:52,606 I GIVE YOU RUBBER SNAKES, NOT JOEY DEAD. 738 00:31:52,649 --> 00:31:53,607 THERE'S A DIFFERENCE. 739 00:31:53,650 --> 00:31:55,478 BOO HOO. 740 00:31:55,522 --> 00:31:57,350 IT WAS JEN'S IDEA AND, QUITE FRANKLY, A GOOD ONE. 741 00:31:57,393 --> 00:31:58,917 JEN, IT WAS YOUR IDEA? 742 00:31:58,960 --> 00:32:00,396 HEY, YOUR NOTES AND PHONE CALLS 743 00:32:00,440 --> 00:32:02,398 WERE A LITTLE MORE THAN RUBBER APPLIANCES. 744 00:32:02,442 --> 00:32:05,053 THEY WERE VERY REAL AND VERY SCARY, I MIGHT ADD. 745 00:32:05,097 --> 00:32:06,968 JEN, I DON'T KNOW WHAT YOU'RE TALKING ABOUT. 746 00:32:07,012 --> 00:32:08,709 I DIDN'T SEND YOU ANY NOTES. I DIDN'T CALL YOU. 747 00:32:08,752 --> 00:32:10,189 ARE YOU SERIOUS? 748 00:32:17,544 --> 00:32:19,763 ALL RIGHT. YOU LOOK ME STRAIGHT IN THE FACE 749 00:32:19,807 --> 00:32:21,591 AND TELL ME THAT YOU DIDN'T TRY TO SPOOK ME. 750 00:32:21,635 --> 00:32:23,419 I DIDN'T TRY TO SPOOK YOU. 751 00:32:23,463 --> 00:32:24,855 SAY HONEST TO GOD. 752 00:32:24,899 --> 00:32:27,597 JEN, YOU DON'T BELIEVE IN GOD. 753 00:32:27,641 --> 00:32:29,948 WELL, THEN, WHO DID? 754 00:32:29,991 --> 00:32:31,993 THE LADY KILLER-- I DON'T KNOW, JEN! 755 00:32:32,037 --> 00:32:33,734 AND WHY DIDN'T YOU? 756 00:32:33,777 --> 00:32:34,735 WHAT?! 757 00:32:34,778 --> 00:32:36,258 WHY DIDN'T YOU TRY TO SCARE ME? 758 00:32:36,302 --> 00:32:39,348 I MEAN, WHAT, DON'T I RANK WITH YOU ANYMORE? 759 00:32:39,392 --> 00:32:40,480 JEN, YOU BROKE UP WITH ME. 760 00:32:40,523 --> 00:32:41,698 YOU CLEARLY DON'T WANT ME 761 00:32:41,742 --> 00:32:43,526 OR ANYTHING THAT HAS TO DO WITH ME, SO, YEAH, 762 00:32:43,570 --> 00:32:45,441 I KIND OF CROSSED YOU OFF THE LIST. 763 00:32:45,485 --> 00:32:49,489 WELL, THEN, WHY DID YOU EVEN INVITE US TO YOUR HOUSE? 764 00:32:49,532 --> 00:32:51,665 I DON'T KNOW. 765 00:32:51,708 --> 00:32:53,275 HELP CLIFF OUT. 766 00:32:55,669 --> 00:32:58,802 MAYBE AN ATTEMPT TO GET OVER YOU. 767 00:32:58,846 --> 00:33:00,500 OR WATCH OVER ME? 768 00:33:04,983 --> 00:33:07,637 I REALLY DON'T LIKE THE WAY THINGS ARE, JEN. 769 00:33:18,431 --> 00:33:20,128 NOT A GOOD IDEA! NO. 770 00:33:20,172 --> 00:33:21,390 NO, NO. 771 00:33:21,434 --> 00:33:22,783 NO. I SHOULD GO. 772 00:33:22,826 --> 00:33:24,393 OK. 773 00:33:24,437 --> 00:33:27,396 BUT, YOU KNOW, DAWSON, WHATEVER'S GOING ON BETWEEN US, 774 00:33:27,440 --> 00:33:29,094 I DON'T WANT YOU 775 00:33:29,137 --> 00:33:32,836 CROSSING ME OFF ANY MORE OF YOUR LISTS, OK? 776 00:33:32,880 --> 00:33:35,013 CONSIDER YOURSELF UNCROSSED. 777 00:33:35,056 --> 00:33:36,840 SO THEN, SCARE ME NEXT TIME, ALL RIGHT? 778 00:33:36,884 --> 00:33:39,800 DON'T WORRY. I GOT YA COVERED. 779 00:33:51,290 --> 00:33:53,118 SO ARE YOU SCARED? 780 00:33:53,161 --> 00:33:56,643 I AM PEEING IN MY PANTS. 781 00:33:58,732 --> 00:34:00,864 YOU KNOW, I MAY LOOK YOUNG, 782 00:34:00,908 --> 00:34:03,389 BUT I HAVE BEEN WITH OLDER WOMEN BEFORE. 783 00:34:03,432 --> 00:34:05,608 [BUSHES RUSTLE] 784 00:34:05,652 --> 00:34:08,133 DID YOU HEAR THAT? 785 00:34:08,176 --> 00:34:09,917 THERE'S SOMEONE IN THOSE BUSHES. 786 00:34:13,486 --> 00:34:15,488 YOU BITCH, YOU! 787 00:34:15,531 --> 00:34:16,793 STAY AWAY FROM ME! 788 00:34:16,837 --> 00:34:18,578 PACEY, GET HIM! GET HIM, PACEY! COME ON, PACEY! 789 00:34:18,621 --> 00:34:19,883 I'M GONNA KILL YOU! 790 00:34:19,927 --> 00:34:21,972 HAS ANYBODY SEEN JEN--GET! GET! 791 00:34:24,279 --> 00:34:25,498 I'LL KILL THE BOTH OF YOU! 792 00:34:25,541 --> 00:34:26,847 PROMISES! PROMISES! 793 00:34:26,890 --> 00:34:28,501 PACEY WILL TEAR YOU APART! 794 00:34:28,544 --> 00:34:30,285 HE'S MY NEW MAN, AND HE'LL PROTECT ME! 795 00:34:30,329 --> 00:34:31,591 DON'T TELL HIM THAT. 796 00:34:31,634 --> 00:34:33,462 WHAT'S GOING ON?HER BOYFRIEND'S OUTSIDE. 797 00:34:33,506 --> 00:34:35,595 HE'S REALLY PISSED! 798 00:34:35,638 --> 00:34:37,684 I'M GONNA CALL THE POLICE, EDDIE! 799 00:34:37,727 --> 00:34:40,643 YES, I WILL! I'M GONNA CALL 'EM RIGHT NOW! 800 00:34:40,687 --> 00:34:44,908 NO CAN DO. I DISCONNECTED THE PHONE LINE OUT BACK. 801 00:34:44,952 --> 00:34:48,260 YAAH! 802 00:34:48,303 --> 00:34:50,218 HE'S LOST IT. I'M GETTING OUTTA HERE. 803 00:34:52,090 --> 00:34:53,700 HE'S LOOKIN' FOR A WAY IN. 804 00:34:53,743 --> 00:34:55,441 THE DOORS! 805 00:34:57,486 --> 00:34:58,444 [YELLING] 806 00:34:58,487 --> 00:35:00,576 AAH! AAH! 807 00:35:00,620 --> 00:35:03,144 [BANGING ON WALL] 808 00:35:03,188 --> 00:35:05,146 WHAT'S HE DOING, CLIMBING THE WALLS? 809 00:35:05,190 --> 00:35:06,800 EDDIE'S STRONG BUT HE'S NO SPIDER-MAN. 810 00:35:06,843 --> 00:35:08,236 HE'S CLIMBING THE LADDER. 811 00:35:08,280 --> 00:35:10,151 JOEY: HE'S GONNA CLIMB THROUGH YOUR WINDOW. 812 00:35:10,195 --> 00:35:12,022 GO TO JEN'S. CALL DOUG. GET HELP. 813 00:35:16,462 --> 00:35:18,464 THE WINDOW'S OPEN. 814 00:35:18,507 --> 00:35:20,074 HE'S IN. 815 00:35:23,382 --> 00:35:24,557 D-OOH! 816 00:35:24,600 --> 00:35:26,080 ARE YOU TRYING TO TAKE AWAY MY WOMAN?! 817 00:35:26,124 --> 00:35:27,429 [CHOKING] NO, SIR, NOT AT ALL. 818 00:35:27,473 --> 00:35:29,344 SAY GOOD-BYE! 819 00:35:29,388 --> 00:35:30,563 D-OOH! 820 00:35:31,651 --> 00:35:33,000 YOU'RE DEAD. 821 00:35:35,437 --> 00:35:37,265 STOP IT! 822 00:35:37,309 --> 00:35:38,440 STOP IT! 823 00:35:38,484 --> 00:35:39,920 GET--HEY! GET OFF OF HIM! 824 00:35:39,963 --> 00:35:41,095 GET OFF OF HIM! 825 00:35:41,139 --> 00:35:42,140 EDDIE? 826 00:35:42,183 --> 00:35:43,706 TALK TO ME, SWEETIE. 827 00:35:43,750 --> 00:35:45,186 I'M SORRY, BABY. 828 00:35:45,230 --> 00:35:46,666 EDDIE, ARE YOU OK? 829 00:35:46,709 --> 00:35:49,582 I'M GONNA TAKE YA HOME, SWEETIE. 830 00:35:49,625 --> 00:35:51,061 I LOVE YOU, URSULA. 831 00:35:51,105 --> 00:35:52,802 I LOVE YOU. 832 00:35:52,846 --> 00:35:55,414 I'M GONNA GET US THE HELL OUT OF HERE. 833 00:35:57,198 --> 00:36:00,549 THESE KIDS ARE WEIRD! 834 00:36:00,593 --> 00:36:02,812 OH. SORRY ABOUT THE DAMAGE. 835 00:36:02,856 --> 00:36:04,684 I WORK DOWN AT THE BOWLING ALLEY IN DALEMAN. 836 00:36:04,727 --> 00:36:08,253 IF YOU COME DOWN, I'LL GIVE YA A DISCOUNT ON YOUR SHOES. 837 00:36:08,296 --> 00:36:10,690 THANKS. 838 00:36:13,258 --> 00:36:15,825 WELL, THAT WAS A COMPLETE NIGHTMARE. 839 00:36:15,869 --> 00:36:18,306 I THOUGHT YOU LIKED TO BE SCARED, THOUGH. 840 00:36:18,350 --> 00:36:21,004 WRONG. THERE IS NOTHING I LIKE LESS. 841 00:36:21,048 --> 00:36:22,789 ARE YOU SURE? 842 00:36:22,832 --> 00:36:24,834 I MEAN, IT'S JUST NOT WHAT DAWSON SAID. 843 00:36:24,878 --> 00:36:27,010 WHAT DO YOU MEAN? 844 00:36:27,054 --> 00:36:29,274 YOU KNOW HOW I FEEL ABOUT YOU, RIGHT, JEN? 845 00:36:29,317 --> 00:36:32,320 I MEAN, DO YOU KNOW HOW I FEEL ABOUT YOU? 846 00:36:32,364 --> 00:36:33,843 UH... 847 00:36:33,887 --> 00:36:36,672 I LIKE YOU. I THINK... I THINK YOU'RE GREAT. 848 00:36:36,716 --> 00:36:40,502 THANKS, CLIFF. UM... I THINK YOU'RE GREAT, TOO. 849 00:36:40,546 --> 00:36:42,156 NO, YOU DON'T. 850 00:36:42,200 --> 00:36:44,985 NO. I--I DO. I--I THINK YOU'RE A REALLY SWEET GUY. 851 00:36:45,028 --> 00:36:46,421 I JUST KINDA GOT THE FEELING 852 00:36:46,465 --> 00:36:48,641 THAT YOU LIKE DAWSON BECAUSE HE'S SO CREATIVE, 853 00:36:48,684 --> 00:36:50,208 AND MAYBE YOU THINK I'M TOO STIFF 854 00:36:50,251 --> 00:36:52,253 OR UNIMAGINATIVE OR NOT UNIQUE ENOUGH. 855 00:36:52,297 --> 00:36:54,299 NO...NO. I DON'T THINK THAT AT ALL. 856 00:36:54,342 --> 00:36:57,693 WELL, SO I WENT TO DAWSON, AND I ASKED HIS ADVICE. 857 00:36:57,737 --> 00:36:59,565 NO. YOU ASKED DAWSON'S ADVICE? 858 00:36:59,608 --> 00:37:01,610 AND HE TOLD ME YOU REALLY LIKE TO BE SCARED, 859 00:37:01,654 --> 00:37:04,178 AND IF I GOT YOU ALL WORKED UP, THAT I-- 860 00:37:04,222 --> 00:37:05,527 I DON'T KNOW-- YOU'D BE IMPRESSED. 861 00:37:05,571 --> 00:37:07,225 WAIT A MINUTE. 862 00:37:07,268 --> 00:37:09,618 YOU-YOU'RE THE ONE THAT CALLED ME THIS AFTERNOON AND-- 863 00:37:09,662 --> 00:37:13,056 AND THE NOTES, YOU'RE THE ONE THAT SENT THE NOTES. 864 00:37:13,100 --> 00:37:15,842 OK, AND DAWSON TOLD YOU TO DO THIS. 865 00:37:15,885 --> 00:37:17,887 NO, NO. I CAME UP WITH THAT ALL ON MY OWN. 866 00:37:17,931 --> 00:37:19,759 IT'S PRETTY COOL, HUH? 867 00:37:19,802 --> 00:37:22,327 CLIFF, UM... 868 00:37:22,370 --> 00:37:23,980 YOU KNOW WHAT? 869 00:37:24,024 --> 00:37:25,721 TO BE HONEST WITH YOU, CLIFF, 870 00:37:25,765 --> 00:37:28,724 I'M NOT REALLY IN THE MARKET FOR A BOYFRIEND RIGHT NOW. 871 00:37:28,768 --> 00:37:31,292 I MEAN, MY LOVE LIFE HAS KIND OF CRASHED AND BURNED, 872 00:37:31,336 --> 00:37:34,208 AND I'M JUST PICKING UP THE PIECES. 873 00:37:34,252 --> 00:37:36,776 BUT I WERE, I'D WANT YOU TO BE YOURSELF, OK? 874 00:37:36,819 --> 00:37:39,300 NOT SOME DAWSON KNOCKOFF. 875 00:37:39,344 --> 00:37:41,041 YEAH, I GUESS THAT'S PRETTY STUPID, HUH? 876 00:37:41,084 --> 00:37:44,262 ME TRYING TO BE ORIGINAL BY COPYING SOMEBODY ELSE. 877 00:37:45,654 --> 00:37:47,787 YEAH. 878 00:38:09,069 --> 00:38:11,332 WELL, LOOKS LIKE WE'RE HERE. 879 00:38:14,553 --> 00:38:18,078 YOU THINK I COULD GIVE YOU A GOOD-NIGHT KISS? 880 00:38:18,121 --> 00:38:21,516 UH, UM, YOU KNOW-- 881 00:38:21,560 --> 00:38:23,213 OH! I'M SORRY. 882 00:38:23,257 --> 00:38:25,477 OH! UH--UH, THAT'S OK. THAT'S OK, GRAMS. 883 00:38:25,520 --> 00:38:27,000 NO, NO, NO, NO, NO. 884 00:38:27,043 --> 00:38:28,784 GO RIGHT AHEAD. DIDN'T MEAN TO INTERRUPT. 885 00:38:28,828 --> 00:38:29,872 HELLO, CLIFFORD. 886 00:38:29,916 --> 00:38:31,352 HELLO, MA'AM. 887 00:38:31,396 --> 00:38:32,614 I-I'LL BE RIGHT IN. 888 00:38:32,658 --> 00:38:33,659 NO, NO. DON'T HURRY. 889 00:38:33,702 --> 00:38:35,704 TAKE YOUR TIME. 890 00:38:38,620 --> 00:38:41,057 YOU KNOW, I THINK MY GRAMS HAS THE HOTS FOR YOU. 891 00:38:41,101 --> 00:38:42,668 ARE YOU INTERESTED? 892 00:38:42,711 --> 00:38:45,714 WELL, I KINDA HAVE A CRUSH ON SOMEBODY ELSE. 893 00:38:48,369 --> 00:38:49,979 GOOD NIGHT, CLIFF. 894 00:39:00,076 --> 00:39:02,209 GOOD NIGHT, GRAMS. 895 00:39:02,252 --> 00:39:04,298 I REALLY LIKE THAT CLIFFORD ELLIOT. 896 00:39:04,342 --> 00:39:05,386 GOOD STOCK. 897 00:39:05,430 --> 00:39:07,954 YEAH, HE'S...VERY NICE. 898 00:39:07,997 --> 00:39:09,303 UM, I'M JUST GONNA GO HIT THE SACK. 899 00:39:09,347 --> 00:39:12,001 OH, YOU HAVE SOME MAIL, DEAR. 900 00:39:17,703 --> 00:39:19,357 [SNAP]OH! 901 00:39:25,275 --> 00:39:27,887 WHAT IS IT, DEAR? 902 00:39:27,930 --> 00:39:31,325 OH, UM... 903 00:39:31,369 --> 00:39:33,719 ACTUALLY, GRAMS, IT'S FOR YOU. 904 00:39:33,762 --> 00:39:35,373 GOOD NIGHT. 905 00:39:39,028 --> 00:39:41,770 GRAMS: OOH! 906 00:39:41,814 --> 00:39:44,730 HA HA. I SCARED YOU PRETTY BAD WITH THIS BABY. 907 00:39:44,773 --> 00:39:48,081 YEAH, BUT NOT AS BAD AS I SCARED YOU. 908 00:39:48,124 --> 00:39:49,212 I WASN'T SCARED. 909 00:39:49,256 --> 00:39:50,823 I SAW THE LOOK ON YOUR FACE 910 00:39:50,866 --> 00:39:54,870 WHEN YOU SAW ME TUMBLE OUT OF THE CLOSET. 911 00:39:54,914 --> 00:39:57,482 I DON'T KNOW. 912 00:39:57,525 --> 00:39:59,266 I THOUGHT MAYBE FOR A SECOND 913 00:39:59,309 --> 00:40:02,443 YOU MIGHT EVEN... BE SAD IF I DIED. 914 00:40:05,054 --> 00:40:07,100 JOEY, THAT'S RIDICULOUS. 915 00:40:07,143 --> 00:40:09,450 YOU WOULDN'T BE SAD? 916 00:40:09,494 --> 00:40:12,410 THANKS. 917 00:40:12,453 --> 00:40:15,064 ARE YOU KIDDING? GOD, I WOULD BE INCONSOLABLE. 918 00:40:16,718 --> 00:40:18,111 JOEY... 919 00:40:18,154 --> 00:40:21,680 IF YOU DIED, GOD, I... 920 00:40:21,723 --> 00:40:25,727 I DON'T KNOW WHAT I WOULD DO. 921 00:40:25,771 --> 00:40:28,948 THAT'S THE WORST POSSIBLE THING I COULD IMAGINE. 922 00:40:35,737 --> 00:40:37,478 WHAT ABOUT ME? 923 00:40:41,264 --> 00:40:43,005 WOULD YOU SHED ANY TEARS IF I DIED? 924 00:40:52,928 --> 00:40:55,017 SO YA SLEEPIN' OVER? 925 00:40:57,106 --> 00:40:59,065 DO YA MIND? 926 00:40:59,108 --> 00:41:01,546 I DON'T KNOW. ALL THIS MAYHEM HAS REALLY SPOOKED ME OUT. 927 00:41:01,589 --> 00:41:03,765 IT WAS FUN, THOUGH, WASN'T IT? 928 00:41:03,809 --> 00:41:06,246 YEAH, BUT FRIDAY THE 13TH'S OVER, 929 00:41:06,289 --> 00:41:09,162 SO NO MORE BRUSHES WITH DEATH, OK? 930 00:41:09,205 --> 00:41:11,425 CAN WE JUST GO TO SLEEP 931 00:41:11,469 --> 00:41:14,689 AND PRETEND THE WORLD'S A SAFE AND HAPPY PLACE TO LIVE? 932 00:41:14,733 --> 00:41:16,212 OK, JOEY. 933 00:41:19,651 --> 00:41:21,566 CUTE. 934 00:41:28,616 --> 00:41:30,966 AUTHORITIES BELIEVE THEY HAVE ARRESTED 935 00:41:31,010 --> 00:41:33,012 THE MULTIPLE MURDERER KNOWN AS THE LADY KILLER. 936 00:41:33,055 --> 00:41:35,318 IDENTIFIED AS DAVID BLANCHER, 937 00:41:35,362 --> 00:41:38,713 THE SUSPECT WAS FOUND PROWLING A RESIDENTIAL NEIGHBORHOOD IN CAPESIDE. 938 00:41:38,757 --> 00:41:40,715 WHEN OFFICERS INSPECTED HIS CAR, 939 00:41:40,759 --> 00:41:43,413 THEY FOUND EVIDENCE LINKING HIM WITH THE MURDERS 940 00:41:43,457 --> 00:41:46,373 THAT HAVE TERRORIZED THE EASTERN SEABOARD FOR THE PAST FEW MONTHS. 941 00:41:46,416 --> 00:41:49,376 WE'LL BRING YOU MORE INFORMATION ON THE LADY KILLER ARREST 942 00:41:49,419 --> 00:41:51,204 IN OUR FULL REPORT, COMING UP. BOB? 943 00:41:51,247 --> 00:41:52,771 AND NOW IN OTHER LOCAL NEWS.