1 00:00:11,446 --> 00:00:13,622 OH, GOD, SHE'S PERFECT. 2 00:00:13,665 --> 00:00:15,189 PERFECT? 3 00:00:15,232 --> 00:00:16,407 DAWSON, YOU DISAPPOINT ME. 4 00:00:16,451 --> 00:00:19,976 COME ON, LOOK AT HER. THOSE EYES, THAT HAIR. 5 00:00:20,020 --> 00:00:24,067 I GRANT YOU THAT THE GIRL HAS CERTAIN PHYSICAL ATTRIBUTES, 6 00:00:24,111 --> 00:00:26,591 BUT NOTHING SO ORIGINAL OR MYSTERIOUS TO WARRANT PERFECTION. 7 00:00:26,635 --> 00:00:28,245 OK, EASY. 8 00:00:28,289 --> 00:00:30,943 A FACE LIKE THAT LEAVES NOTHING TO THE IMAGINATION. 9 00:00:30,987 --> 00:00:32,075 THE WELL-MAINTAINED GOOD LOOKS 10 00:00:32,119 --> 00:00:33,946 OF AN UPPER-MIDDLE CLASS NEW YORKER-- 11 00:00:33,990 --> 00:00:35,165 THERE'S NO MYSTERY THERE. 12 00:00:35,209 --> 00:00:36,384 I CAN SEE HER ENTIRE FUTURE IN THAT FACE. 13 00:00:36,427 --> 00:00:37,602 REALLY? 14 00:00:37,646 --> 00:00:39,082 YEAH. 15 00:00:39,126 --> 00:00:41,215 IN 3 YEARS, HER ABOVE-AVERAGE S.A.T. SCORES 16 00:00:41,258 --> 00:00:42,216 WILL GRANT HER ADMISSION 17 00:00:42,259 --> 00:00:43,826 INTO A SMALL LIBERAL ARTS COLLEGE, 18 00:00:43,869 --> 00:00:45,088 SOMEWHERE IN NEW ENGLAND 19 00:00:45,132 --> 00:00:48,091 WHERE SHE'LL MAJOR IN...ART HISTORY, 20 00:00:48,135 --> 00:00:50,876 BEFORE RETURNING TO MANHATTAN TO MARRY A BOND TRADER 21 00:00:50,920 --> 00:00:52,530 SHE MEETS SOME SATURDAY AFTERNOON 22 00:00:52,574 --> 00:00:54,532 AT AN AMERICA'S CUP WATCHING PARTY. 23 00:00:54,576 --> 00:00:56,969 WITHIN A YEAR, THEY MOVE TO SUBURBAN CONNECTICUT, 24 00:00:57,013 --> 00:00:59,189 REFURBISH AN OLD FARM HOUSE, 25 00:00:59,233 --> 00:01:01,452 AND RAISE 3 NEUROTICALLY PERFECT CHILDREN. 26 00:01:01,496 --> 00:01:04,455 YOU'VE PUT QUITE A BIT OF THOUGHT INTO THIS. 27 00:01:04,499 --> 00:01:07,110 NOT REALLY. IT'S JUST SO OBVIOUS. 28 00:01:07,154 --> 00:01:09,069 WELL, NOSTRADAMUS, I THINK I'D PREFER 29 00:01:09,112 --> 00:01:10,896 TO LET JEN SURPRISE ME, OK? 30 00:01:10,940 --> 00:01:13,377 SUIT YOURSELF. JUST TRYING TO SAVE YOU SOME TIME. 31 00:01:13,421 --> 00:01:15,814 CAN YOU HAND ME THAT "B" ROLL OVER THERE? 32 00:01:15,858 --> 00:01:17,642 BY THE WAY, I'M TAKING SUGGESTIONS 33 00:01:17,686 --> 00:01:19,383 ON WHAT TO GET MY PARENTS FOR A SUITABLE ANNIVERSARY GIFT. 34 00:01:19,427 --> 00:01:21,907 I'M AT A TOTAL LOSS. WHAT DO YOU GET 2 PEOPLE 35 00:01:21,951 --> 00:01:24,519 WHO'VE SPENT EVERY DAY TOGETHER FOR THE PAST 20 YEARS? 36 00:01:24,562 --> 00:01:27,478 OFFHAND, I'D SAY SEPARATE VACATIONS. 37 00:01:27,522 --> 00:01:30,699 UH, DAWSON, I KNOW YOUR CINEMATIC INFLUENCES 38 00:01:30,742 --> 00:01:32,092 ARE STILL EVOLVING, 39 00:01:32,135 --> 00:01:34,659 BUT I NEVER ANTICIPATED A RUSS MEYER PHASE. 40 00:01:34,703 --> 00:01:36,139 I DIDN'T SHOOT THIS. 41 00:01:36,183 --> 00:01:39,273 I THINK WE FOUND THE PERFECT ANNIVERSARY GIFT, DAWSON. 42 00:01:39,316 --> 00:01:40,709 WHAT IS THIS? 43 00:01:40,752 --> 00:01:43,929 I DON'T KNOW. I SWEAR, I DIDN'T SHOOT IT. I-- 44 00:01:43,973 --> 00:01:45,931 I MUST'VE LEFT THE CAMERA RUNNING 45 00:01:45,975 --> 00:01:47,716 WHEN WE RAN OUT OF THE RUINS. 46 00:01:47,759 --> 00:01:50,893 YOU KNOW, IT'S NOT WITHOUT A CERTAIN QUALITY. 47 00:01:50,936 --> 00:01:53,287 VERY WATCHABLE. 48 00:01:53,330 --> 00:01:55,245 YEAH. 49 00:01:56,768 --> 00:01:59,728 IT'S FUNNY. THAT WOMAN LOOKS FAMILIAR. 50 00:01:59,771 --> 00:02:01,730 I KNOW WHAT YOU MEAN. 51 00:02:01,773 --> 00:02:05,299 IF YOU BRUSHED HER HAIR OUT OF HER EYES A LITTLE... 52 00:02:05,342 --> 00:02:08,911 AND MAYBE SAT HER BEHIND A BIG SCHOOL DESK... 53 00:02:08,954 --> 00:02:11,522 IT COULD ALMOST BE... 54 00:02:11,566 --> 00:02:13,220 MS. JACOBS. MS. JACOBS. 55 00:03:22,332 --> 00:03:24,465 SO THERE SHE IS, ON TAPE, 56 00:03:24,508 --> 00:03:26,336 DOING IT WITH SOME GUY. 57 00:03:26,380 --> 00:03:28,991 MS. JACOBS, AS IN SIXTH PERIOD ENGLISH MS. JACOBS? 58 00:03:29,034 --> 00:03:30,297 THE VERY SAME. 59 00:03:30,340 --> 00:03:31,994 WAIT A MINUTE. WHAT ARE YOU TALKING ABOUT? 60 00:03:32,037 --> 00:03:33,387 YOU HAVE A TAPE OF TAMARA? 61 00:03:33,430 --> 00:03:35,258 I'M SORRY, PACEY. I KNOW YOU THOUGHT 62 00:03:35,302 --> 00:03:37,869 SHE WAS SAVING HERSELF FOR YOU, BUT... 63 00:03:37,913 --> 00:03:40,307 I WAS SHOOTING SOME PICKUPS AT THE RUINS WITH JEN, 64 00:03:40,350 --> 00:03:42,961 AND WE ACCIDENTALLY LEFT THE CAMERA RUNNING WHEN WE RAN OUT, 65 00:03:43,005 --> 00:03:44,920 AND THE REST IS PORNOGRAPHIC HISTORY. 66 00:03:44,963 --> 00:03:48,576 GOD, THAT'S REALLY STRANGE. 67 00:03:48,619 --> 00:03:52,232 UM, YOU CAN'T TELL WHO THE GUY IS OR ANYTHING, CAN YOU? 68 00:03:52,275 --> 00:03:53,972 IT'S A STANDARD OVER-THE-SHOULDER SHOT. 69 00:03:54,016 --> 00:03:56,018 WE CAN'T SEE THE GUY'S FACE. 70 00:03:56,061 --> 00:03:58,455 YEAH. SO IF YOU'RE THINKING OF TRACKING HIM DOWN, 71 00:03:58,499 --> 00:04:02,285 JUST LOOK FOR THE GUY WITH THE BROWN HAIR AND THROBBING NECK MUSCLES. 72 00:04:02,329 --> 00:04:05,984 HEY, DAWSON, I THINK I SHOULD GET TO TAKE A LOOK AT THAT TAPE. 73 00:04:06,028 --> 00:04:08,465 SURE. WE'LL ARRANGE A PRIVATE SCREENING FOR YOU. 74 00:04:08,509 --> 00:04:10,946 YEAH, SO YOU CAN FLOG THE BISHOP IN PRIVACY. 75 00:04:10,989 --> 00:04:12,600 THAT'S REALLY CLEVER 76 00:04:12,643 --> 00:04:15,472 HOW YOU TURN ALL THAT SEXUAL REPRESSION INTO HUMOR. 77 00:04:15,516 --> 00:04:16,908 YOU KNOW WHAT? I'M LATE. 78 00:04:16,952 --> 00:04:19,998 I SHOULD GET GOING BEFORE GRAMS PUTS OUT AN A.P.B. 79 00:04:20,042 --> 00:04:22,000 I'LL WALK WITH YOU. LATER, KIDS. 80 00:04:22,044 --> 00:04:24,786 DAWSON, DON'T FORGET, MAN. I WANNA SEE THAT TAPE. 81 00:04:24,829 --> 00:04:25,526 PERVERT. 82 00:04:25,569 --> 00:04:26,962 PRUDE. 83 00:04:29,051 --> 00:04:31,967 PACEY TALKS A LOT, LIKE HE'S GOT ALL THIS EXPERIENCE. 84 00:04:32,010 --> 00:04:33,795 IT'S A LOT OF BLUSTER. 85 00:04:33,838 --> 00:04:37,015 SOMEONE ONCE SAID THAT THE MORE A PERSON TALKS ABOUT IT, 86 00:04:37,059 --> 00:04:38,800 THE WORSE THEY ARE AT IT. 87 00:04:38,843 --> 00:04:40,584 I HARDLY EVER TALK ABOUT IT. 88 00:04:40,628 --> 00:04:43,413 I KNOW. THAT'S WHY I KEEP STICKING AROUND. 89 00:04:45,633 --> 00:04:48,375 UH, YOU KNOW WHAT, DAWSON? 90 00:04:48,418 --> 00:04:51,160 NOW MAY NOT BE THE BEST TIME FOR THIS. 91 00:04:51,203 --> 00:04:53,249 I TAKE IT WE'RE NOT ALONE. 92 00:04:53,293 --> 00:04:55,338 PRACTICALLY A MENAGE á TROIS. 93 00:04:55,382 --> 00:04:57,558 JUST LOOK AT IT THIS WAY, DAWSON-- 94 00:04:57,601 --> 00:05:00,604 REPRESSING DESIRE CAN ONLY MAKE IT MORE POWERFUL. 95 00:05:00,648 --> 00:05:02,824 SO I FIGURE THE NEXT TIME I SEE YOU, 96 00:05:02,867 --> 00:05:05,043 WE ARE IN FOR ONE TITANIC KISS. 97 00:05:05,087 --> 00:05:06,828 IF I CAN SURVIVE THE WAIT. 98 00:05:06,871 --> 00:05:09,526 IT'S NOT WAITING, DAWSON. IT'S ANTICIPATION. 99 00:05:13,051 --> 00:05:14,357 SCREW IT. 100 00:05:25,673 --> 00:05:28,632 DO YOU DO THESE THINGS TO UPSET ME, JENNIFER? 101 00:05:28,676 --> 00:05:30,634 IT WAS ONLY A KISS, GRAMS. 102 00:05:30,678 --> 00:05:32,288 OH, ONLY A KISS. 103 00:05:32,332 --> 00:05:35,639 I SEEM TO REMEMBER A LOT OF TROUBLE BACK IN NEW YORK 104 00:05:35,683 --> 00:05:37,685 STARTING AFTER ONLY A KISS. 105 00:05:37,728 --> 00:05:40,078 YOUR DEFINITION OF TROUBLE IS BROADER THAN ANYONE'S I KNOW. 106 00:05:40,122 --> 00:05:41,689 THEN WHY DON'T YOU TELL ME 107 00:05:41,732 --> 00:05:43,778 WHY YOU THINK YOUR PARENTS SENT YOU HERE? 108 00:05:43,821 --> 00:05:45,606 WHY DON'T YOU REMIND ME AGAIN? 109 00:05:45,649 --> 00:05:49,392 I HAVEN'T HEARD A RECITATION OF MY SINS FOR 15 MINUTES NOW. 110 00:05:49,436 --> 00:05:51,002 I DON'T DO THIS TO TORTURE YOU. 111 00:05:51,046 --> 00:05:54,092 I DO IT SO YOU WON'T STRAY DOWN THE SAME PATH TWICE. 112 00:05:54,136 --> 00:05:56,268 YOU KNOW WHAT, GRAMS? I'M BORED OF THIS-- 113 00:05:56,312 --> 00:05:58,488 OF THE WAY WE TALK TO EACH OTHER, 114 00:05:58,532 --> 00:06:01,448 OF THESE CONVERSATIONS WE HAVE THAT GO ROUND AND ROUND 115 00:06:01,491 --> 00:06:03,711 IN THESE INCREDIBLY PEDESTRIAN CIRCLES, 116 00:06:03,754 --> 00:06:06,017 AND WE SAY THE SAME THINGS OVER AND OVER AGAIN. 117 00:06:06,061 --> 00:06:08,324 SO LET'S JUST END THIS RIGHT NOW. 118 00:06:08,368 --> 00:06:12,502 WHAT YOU SAW OUTSIDE WITH ME AND DAWSON, GRAMS, WAS ONLY A KISS. 119 00:06:13,895 --> 00:06:16,027 "ONLY A KISS." 120 00:06:17,638 --> 00:06:19,901 HOW COULD YOU HAVE NEVER SEEN THAT BEFORE? 121 00:06:19,944 --> 00:06:22,773 I HAVE NEVER SEEN IT BEFORE. I SWEAR TO GOD. 122 00:06:22,817 --> 00:06:25,994 YOU'RE KIDDING. AFTER 20 YEARS OF MARRIAGE-- 123 00:06:26,037 --> 00:06:27,996 NOT 20 YET. NOT UNTIL MONDAY. 124 00:06:28,039 --> 00:06:29,563 HEY, DAWSON, LISTEN TO THIS. 125 00:06:29,606 --> 00:06:31,347 YOUR MOTHER JUST TOLD ME ONLY MOMENTS AGO 126 00:06:31,391 --> 00:06:32,653 THAT SHE HAS NEVER BEFORE 127 00:06:32,696 --> 00:06:34,524 SEEN THIS SCAR UNDERNEATH MY CHIN. 128 00:06:34,568 --> 00:06:36,352 THE ONE YOU GOT FROM THAT MOPED ACCIDENT 129 00:06:36,396 --> 00:06:37,919 10 YEARS AGO UP AT THE CAPE? 130 00:06:37,962 --> 00:06:39,964 YES. THANK YOU, DAWSON. THANK YOU VERY MUCH. 131 00:06:40,008 --> 00:06:43,577 YOU SEE THERE? MY SON KNOWS MY FACE BETTER THAN YOU DO. 132 00:06:43,620 --> 00:06:46,449 MAYBE YOU SHOULD START COMING HOME EARLY, 133 00:06:46,493 --> 00:06:49,496 SEE MY FACE IN THE DAYLIGHT FOR A CHANGE. 134 00:06:54,109 --> 00:06:56,459 DON'T BOTHER. I'LL SHOW MYSELF OUT. 135 00:07:02,465 --> 00:07:03,553 PACEY. 136 00:07:04,554 --> 00:07:06,382 PACEY...PACEY, WHAT ARE YOU DOING? 137 00:07:06,426 --> 00:07:07,383 THE TAPE. 138 00:07:07,427 --> 00:07:08,776 WHAT TAPE? MS. JACOBS? 139 00:07:08,819 --> 00:07:10,734 YES, THE MS. JACOBS TAPE! 140 00:07:10,778 --> 00:07:13,128 STOP! DUDE, YOU'RE MESSING UP MY DAILIES. 141 00:07:13,171 --> 00:07:14,825 I TOLD YOU I'D SHOW YOU THE TAPE. 142 00:07:14,869 --> 00:07:16,914 YOU COULDN'T WAIT? 143 00:07:16,958 --> 00:07:18,481 NO, I GUESS NOT. 144 00:07:20,222 --> 00:07:23,530 DUDE, I KNEW YOU HAD IT BAD FOR HER, BUT CALM DOWN. 145 00:07:23,573 --> 00:07:25,445 IT'S NOT SUCH A BIG DEAL. 146 00:07:27,011 --> 00:07:29,449 THERE YOU GO... MAD DOG. 147 00:07:33,975 --> 00:07:34,932 DAWSON. 148 00:07:34,976 --> 00:07:36,194 YEAH? 149 00:07:36,238 --> 00:07:38,849 YOU KNOW, MAYBE I HAVEN'T BEEN 150 00:07:38,893 --> 00:07:42,418 ENTIRELY HONEST WITH YOU LATELY. 151 00:07:42,462 --> 00:07:44,768 NOT THAT I'VE LIED TO YOU OR ANYTHING 152 00:07:44,812 --> 00:07:46,727 I'VE JUST WITHHELD SOME DETAILS. 153 00:07:46,770 --> 00:07:48,555 OK. 154 00:07:50,208 --> 00:07:52,210 WELL...I'M NOT... 155 00:07:52,254 --> 00:07:54,778 CURSED WITH SELF-AWARENESS LIKE YOU ARE, DAWSON, 156 00:07:54,822 --> 00:07:57,999 BUT I KNOW ENOUGH TO KNOW HOW PEOPLE SEE ME. 157 00:07:58,042 --> 00:08:01,219 I MEAN, I'M NOT THE GUY WHO GETS THE GIRL. 158 00:08:01,263 --> 00:08:02,786 THE GUY WHO TALKS ABOUT GETTING THE GIRL, 159 00:08:02,830 --> 00:08:04,222 BUT NOT THE GUY WHO GETS HER. 160 00:08:04,266 --> 00:08:06,616 ENOUGH PEOPLE SAY THAT STUFF ABOUT YOU, 161 00:08:06,660 --> 00:08:09,401 AND YOU START TO BELIEVE IT YOURSELF. 162 00:08:09,445 --> 00:08:13,318 I'M NOT QUITE FOLLOWING YOU HERE, PACEY. 163 00:08:13,362 --> 00:08:16,321 I GOT THE GIRL THIS TIME, DAWSON. 164 00:08:16,365 --> 00:08:18,106 WHAT? 165 00:08:18,149 --> 00:08:19,934 YEAH. CALL IT THE LAW OF AVERAGES, 166 00:08:19,977 --> 00:08:21,936 CALL IT AN ACT OF GOD, CALL IT WHATEVER YOU WANT, 167 00:08:21,979 --> 00:08:23,590 BUT I GOT HER. 168 00:08:23,633 --> 00:08:28,029 WHO? WHO? WHO'D YOU GET, PACEY? 169 00:08:28,072 --> 00:08:30,727 OH, MAN...UH... 170 00:08:30,771 --> 00:08:35,340 DAWSON, I DON'T KNOW HOW TO TELL YOU THIS, BUT... 171 00:08:35,384 --> 00:08:37,734 THE GUY WITH THE BROWN HAIR 172 00:08:37,778 --> 00:08:40,258 AND THE THROBBING NECK MUSCLES... 173 00:08:40,302 --> 00:08:43,697 THE GUY WITH TAMARA JACOBS, UH... 174 00:08:43,740 --> 00:08:45,133 THAT'S--THAT'S ME. 175 00:08:45,176 --> 00:08:46,874 NO. YEAH. 176 00:08:46,917 --> 00:08:48,702 I'M NOT JUST TALKING THIS TIME, DAWSON, 177 00:08:48,745 --> 00:08:51,487 THOUGH I WISH I WAS 'CAUSE OFF THE TOP OF MY HEAD, 178 00:08:51,531 --> 00:08:53,315 I CAN THINK OF ABOUT 40 REASONS 179 00:08:53,358 --> 00:08:54,925 WHY THIS TAPE COULD RUIN MY LIFE, 180 00:08:54,969 --> 00:08:58,146 NOT THE LEAST OF WHICH IS THE EMBARRASSMENT FACTOR. 181 00:08:58,189 --> 00:09:01,410 I MEAN, NO GUY'S FIRST TIME SHOULD BE CAPTURED ON VIDEO. 182 00:09:01,453 --> 00:09:06,154 ARE YOU CRAZY? 183 00:09:06,197 --> 00:09:09,636 I DON'T THINK THERE CURRENTLY EXISTS A WORD TO DESCRIBE MY REACTION. 184 00:09:09,679 --> 00:09:12,421 BUT I LIKE HER, DAWSON. I REALLY DO, 185 00:09:12,464 --> 00:09:13,988 AND IT'S NOT JUST THE SEX, MAN. 186 00:09:14,031 --> 00:09:17,165 I DON'T KNOW. MAYBE THIS IS TOO IMPROBABLE OR BIZARRE 187 00:09:17,208 --> 00:09:18,993 TO EVER WORK OUT. 188 00:09:19,036 --> 00:09:22,649 BIZARRE MIGHT BE A WORD, YEAH. 189 00:09:22,692 --> 00:09:23,563 YEAH. 190 00:09:26,914 --> 00:09:29,003 UH...THIS... 191 00:09:30,744 --> 00:09:34,095 THIS IS GONNA SOUND A LITTLE STRANGE, BUT... 192 00:09:34,138 --> 00:09:35,487 ON THE TAPE, WAS-- 193 00:09:35,531 --> 00:09:39,622 I MEAN...DID I LOOK ALL RIGHT? 194 00:09:39,666 --> 00:09:44,192 PERFORMANCE-WISE, DID I CUT IT, MAN? 195 00:09:46,368 --> 00:09:47,978 YEAH. YOU DID FINE, MAN. 196 00:09:50,154 --> 00:09:53,027 FROM WHAT I COULD TELL, YEAH... 197 00:09:53,070 --> 00:09:55,377 YOU DID FINE. 198 00:09:55,420 --> 00:09:58,075 COOL MAN. 199 00:09:58,119 --> 00:10:00,121 THANKS. 200 00:10:00,164 --> 00:10:03,298 AND, UH... DON'T TELL ANYBODY... 201 00:10:03,341 --> 00:10:04,647 ALL RIGHT. 202 00:10:24,667 --> 00:10:26,843 YOU COULD GET THEM SOME CANDLESTICKS, 203 00:10:26,887 --> 00:10:29,672 A NICE PICTURE FRAME, MAYBE A PIECE OF FOLK ART. 204 00:10:29,716 --> 00:10:32,240 DO YOU REALLY THINK THEY'D LIKE SOMETHING LIKE THAT? 205 00:10:32,283 --> 00:10:35,025 DAWSON, YOUR PARENTS ARE MIDDLE-AGED, WHITE SUBURBANITES. 206 00:10:35,069 --> 00:10:38,028 THEY LIVE FOR FOLK ART. 207 00:10:38,072 --> 00:10:40,683 YOU SHOULD SEE MY PARENTS LATELY. IT'S DISGUSTING. 208 00:10:40,727 --> 00:10:42,685 HALF THE TIME, THEY'RE MAKING OUT 209 00:10:42,729 --> 00:10:45,079 OR DRY HUMPING IN THE LIVING ROOM. 210 00:10:45,122 --> 00:10:49,083 YOU KNOW, IT'S SAD. I'M ACTUALLY JEALOUS OF MY PARENTS' SEX LIFE. 211 00:10:49,126 --> 00:10:51,781 WHAT DO YOU MEAN? BLONDIE ISN'T GIVING YOU ANY? 212 00:10:51,825 --> 00:10:54,131 I THOUGHT BY NOW YOU WOULD'VE, UH... 213 00:10:54,175 --> 00:10:56,960 YOU'RE A REAL ROMANTIC, AREN'T YOU, JOEY? 214 00:10:57,004 --> 00:10:59,441 PERSONALLY, I DON'T THINK YOU'LL GET ANYWHERE 215 00:10:59,484 --> 00:11:01,748 UNLESS YOU OFF THE WICKED GRANDMOTHER, BUT... 216 00:11:03,271 --> 00:11:04,707 MOM? 217 00:11:07,101 --> 00:11:08,668 MOM? 218 00:11:08,711 --> 00:11:11,061 DAWSON! HELLO. 219 00:11:11,105 --> 00:11:13,194 JOEY. UM... 220 00:11:13,237 --> 00:11:16,066 WHAT ARE YOU DO-- WELL, THIS IS A SURPRISE. 221 00:11:16,110 --> 00:11:17,677 WHAT BRINGS YOU OUT HERE? 222 00:11:17,720 --> 00:11:19,635 WE'RE JUST DOING SOME SHOPPING. 223 00:11:19,679 --> 00:11:22,377 OH. OH, I'M SORRY. DAWSON, THIS IS-- 224 00:11:22,420 --> 00:11:23,987 BOB COLLINSWORTH. 225 00:11:24,031 --> 00:11:25,772 6:00 AND 11:00, RIGHT? RIGHT. 226 00:11:25,815 --> 00:11:26,903 AND JOEY. 227 00:11:26,947 --> 00:11:28,035 HI.REAL THRILL. 228 00:11:28,078 --> 00:11:30,298 LISTEN, YOUR MOM WAS JUST HELPING ME OUT 229 00:11:30,341 --> 00:11:32,213 WITH A LITTLE WARDROBE PROBLEM. 230 00:11:32,256 --> 00:11:33,997 IT SEEMS THE STATION RESEARCH HAS INDICATED 231 00:11:34,041 --> 00:11:36,086 THAT WHILE VIEWERS LIKE ME, 232 00:11:36,130 --> 00:11:39,220 THEY HATE MY SPORT COATS. 233 00:11:39,263 --> 00:11:41,788 ANYWAY, IT'S WONDERFUL TO FINALLY MEET YOU, DAWSON. 234 00:11:41,831 --> 00:11:43,920 YOUR MOTHER'S TOLD ME ALL ABOUT YOUR FILM. 235 00:11:43,964 --> 00:11:46,357 BEING A BIT OF AN INDIE FAN MYSELF, 236 00:11:46,401 --> 00:11:49,404 I'D LOVE TO TAKE A LOOK AT IT WHENEVER IT'S DONE. 237 00:11:49,447 --> 00:11:51,362 SURE. OK, YEAH. 238 00:11:51,406 --> 00:11:53,843 BOB, WE REALLY SHOULD GET BACK TO THE PREP SESSION. 239 00:11:53,887 --> 00:11:55,715 SHE'S RIGHT. TAKE CARE. 240 00:11:55,758 --> 00:11:57,586 PLEASURE TO MEET YOU BOTH. 241 00:11:57,629 --> 00:11:59,327 SEE YOU AT HOME, HONEY. 242 00:11:59,370 --> 00:12:01,155 BYE, MOM. GOOD-BYE, JOEY. 243 00:12:04,071 --> 00:12:06,464 IT'S FUNNY. WHEN I FIRST SAW BOB ON TELEVISION, 244 00:12:06,508 --> 00:12:08,075 I THOUGHT HE WAS A REAL TOOL, 245 00:12:08,118 --> 00:12:10,686 BUT I DON'T KNOW. NOW THAT I'VE MET HIM IN PERSON, 246 00:12:10,730 --> 00:12:13,080 HE DOESN'T SEEM SO BAD. WHAT DO YOU THINK? 247 00:12:13,123 --> 00:12:15,604 I THINK YOU HAD IT RIGHT THE FIRST TIME. 248 00:12:18,781 --> 00:12:19,782 DARE I ASK? 249 00:12:19,826 --> 00:12:21,915 YOUR WORST FEARS ARE FOUNDED, GRAMS. 250 00:12:21,958 --> 00:12:24,047 I'M GOING TO SEE DAWSON. 251 00:12:24,091 --> 00:12:27,181 AND, YOU KNOW, MAYBE I'M JUST ASKING FOR IT RIGHT NOW, 252 00:12:27,224 --> 00:12:30,184 BUT I WOULD RATHER YOU SAY WHATEVER IT IS YOU'RE THINKING 253 00:12:30,227 --> 00:12:33,317 THAN CONTINUE TO LOOK AT ME THE WAY YOU ARE RIGHT NOW. 254 00:12:33,361 --> 00:12:35,755 THAT BOY ONLY WANTS ONE THING FROM YOU. 255 00:12:35,798 --> 00:12:37,757 NO. THAT'S NOT DAWSON AT ALL. 256 00:12:37,800 --> 00:12:39,933 HE'S COMPLETELY SWEET AND HONEST AND ROMANTIC-- 257 00:12:39,976 --> 00:12:42,196 AND HIM AND THAT POTTER GIRL-- 258 00:12:42,239 --> 00:12:44,589 THE WAY SHE CLIMBS IN AND OUT OF HIS BEDROOM WINDOW. 259 00:12:44,633 --> 00:12:46,374 I DON'T EVEN WANT TO HAZARD A GUESS. 260 00:12:46,417 --> 00:12:48,115 DAWSON AND JOEY ARE JUST FRIENDS. 261 00:12:48,158 --> 00:12:50,639 SURE, MAYBE THERE'S SOME OF THAT SEXUAL TENSION THING 262 00:12:50,682 --> 00:12:53,816 THAT HAPPENS WHEN A GUY AND A GIRL HAVE BEEN FRIENDS FOR SO LONG, 263 00:12:53,860 --> 00:12:55,818 BUT THAT'S AS FAR AS IT GOES. 264 00:12:55,862 --> 00:12:57,820 AND AS FAR AS DAWSON AND ME, GRAMS, 265 00:12:57,864 --> 00:13:00,649 YOU SAW THE ENTIRE HIGHLIGHT REEL YESTERDAY AFTERNOON. 266 00:13:00,692 --> 00:13:02,825 SO I'D BE CORRECT IN ASSUMING 267 00:13:02,869 --> 00:13:04,784 YOU HAVE CERTAIN FEELINGS FOR HIM? 268 00:13:04,827 --> 00:13:06,611 YEAH, YOU WOULD. 269 00:13:06,655 --> 00:13:09,223 WELL, NOTHING CAN BE DONE ABOUT THAT. 270 00:13:09,266 --> 00:13:12,269 I ONLY HOPE YOU CAN AVOID MAKING THE MISTAKES 271 00:13:12,313 --> 00:13:16,012 THAT YOU AND I BOTH KNOW GIRLS YOUR AGE OFTEN MAKE. 272 00:13:16,056 --> 00:13:21,583 YOU KNOW, YOU ALWAYS FIND A WAY TO GET THAT LAST DIG IN, DON'T YOU? 273 00:13:21,626 --> 00:13:22,976 JENNIFER, YOU EXASPERATE ME. 274 00:13:23,019 --> 00:13:25,108 EVERYTHING I SAY ISN'T MEANT AS CRITICISM. 275 00:13:25,152 --> 00:13:28,242 OH, NO. I KNOW. SOME OF IT'S MEANT AS JUDGMENT. 276 00:13:40,863 --> 00:13:41,995 HEY, TAMARA. 277 00:13:42,038 --> 00:13:43,866 HI! THIS IS A SURPRISE. 278 00:13:43,910 --> 00:13:45,868 WELL, YEAH. I SAW YOU SITTING HERE. 279 00:13:45,912 --> 00:13:47,609 I JUST THOUGHT I'D COME ON OVER. 280 00:13:47,652 --> 00:13:49,611 I'M GLAD YOU DID. 281 00:13:49,654 --> 00:13:51,265 WELL, WHAT YOU READING? 282 00:13:51,308 --> 00:13:53,441 OH, JUST THE APPROVED 10th-GRADE READING CURRICULUM. 283 00:13:53,484 --> 00:13:55,356 I'M TRYING TO CHOOSE THE NEXT BOOK FOR OUR CLASS. 284 00:13:55,399 --> 00:13:56,618 ANY SUGGESTIONS? 285 00:13:56,661 --> 00:13:58,011 YEAH. HOW ABOUT SOMETHING 286 00:13:58,054 --> 00:13:59,795 WITH A LITTLE ACTION IN IT THIS TIME? 287 00:13:59,839 --> 00:14:00,796 ACTION? 288 00:14:00,840 --> 00:14:02,754 YEAH. SEX. 289 00:14:02,798 --> 00:14:04,931 I MEAN, WHAT IS OUR SCHOOL BOARD SO AFRAID OF? 290 00:14:04,974 --> 00:14:07,542 WE'RE PRACTICALLY ADULTS NOW. WE CAN HANDLE THIS STUFF. 291 00:14:07,585 --> 00:14:10,545 A FEW BLUE NOVELS ARE NOT GONNA KILL US. 292 00:14:10,588 --> 00:14:13,330 PACEY, EVERY PIECE OF LITERATURE YOU'LL READ THIS YEAR 293 00:14:13,374 --> 00:14:15,158 WILL HAVE SEX IN IT. 294 00:14:15,202 --> 00:14:17,682 EVERYTHING YOU READ LAST YEAR PROBABLY AS WELL. 295 00:14:17,726 --> 00:14:19,510 YEAH, BUT IT'S NOT REAL SEX. 296 00:14:19,554 --> 00:14:22,035 I MEAN, IT'S SEX AS CAUTIONARY TALE, SEX AS A WARNING. 297 00:14:22,078 --> 00:14:23,471 I'M NOT KIDDING ABOUT THIS. 298 00:14:23,514 --> 00:14:25,908 EVERY TIME SOMEBODY IN ONE OF THOSE BOOKS HAS SEX, 299 00:14:25,952 --> 00:14:27,388 SOMETHING BAD HAS TO HAPPEN TO THEM. 300 00:14:27,431 --> 00:14:28,998 ROMEO AND JULIET-- THEY HAVE SEX, 301 00:14:29,042 --> 00:14:31,261 NEXT THING YOU KNOW, THEY KILL THEMSELVES. 302 00:14:31,305 --> 00:14:33,394 THE SCARLET LETTER? HESTER PRYNNE HAS SEX, 303 00:14:33,437 --> 00:14:36,223 AND NEXT THING YOU KNOW, SHE'S AN OUTCAST FOR LIFE. 304 00:14:36,266 --> 00:14:37,746 THE GREEK ONE. THE... 305 00:14:37,789 --> 00:14:39,313 OEDIPUS? 306 00:14:39,356 --> 00:14:41,271 YES. THAT ONE. THAT GUY SLEEPS WITH SOME CHICK-- 307 00:14:41,315 --> 00:14:42,925 WHO, GRANTED, IS HIS MOTHER. 308 00:14:42,969 --> 00:14:45,797 HE'S SO FREAKED OUT BY IT, HE POKES OUT HIS OWN EYES. 309 00:14:45,841 --> 00:14:47,277 OK? THAT'S NOT REAL LIFE. 310 00:14:47,321 --> 00:14:51,020 CORRECT ME IF I'M WRONG, BUT IT HAS BEEN KNOWN TO HAPPEN 311 00:14:51,064 --> 00:14:54,241 THAT EVERY ONCE IN A WHILE, TWO PEOPLE SLEEP TOGETHER, 312 00:14:54,284 --> 00:14:57,722 THEY ENJOY IT, AND AFTERWARD, EVERYTHING WORKS OUT FINE. 313 00:14:57,766 --> 00:15:01,117 YOU REALLY THINK THAT IS POSSIBLE? 314 00:15:16,350 --> 00:15:18,439 STEVEN? 315 00:15:18,482 --> 00:15:19,396 RAHHRRR! 316 00:15:19,440 --> 00:15:21,572 AAH! 317 00:15:24,358 --> 00:15:28,101 ALL RIGHT? REACTION. I WANT COMPLETE HONESTY. 318 00:15:28,144 --> 00:15:29,102 WELL, IF-- 319 00:15:29,145 --> 00:15:30,973 BUT BEFORE YOU SAY ANYTHING, 320 00:15:31,017 --> 00:15:34,107 JUST KNOW THAT YOUR OPINION MEANS A LOT TO ME, 321 00:15:34,150 --> 00:15:35,760 AND IF YOU HATE IT, I CAN'T EVEN ANTICIPATE 322 00:15:35,804 --> 00:15:37,762 THE DOWNWARD SPIRAL IT MIGHT SEND ME ON. 323 00:15:37,806 --> 00:15:39,329 WELL, MY PATHETIC SHRIEK ASIDE, 324 00:15:39,373 --> 00:15:40,940 I THINK IT'S REALLY GOOD. 325 00:15:40,983 --> 00:15:44,552 VERY PROMISING, AND I'M SURE IT'S GONNA TURN OUT GREAT. 326 00:15:44,595 --> 00:15:46,554 GREAT? REALLY GREAT. 327 00:15:46,597 --> 00:15:50,123 UM, I STILL HAVE A LOT OF PRE-DUBBING TO DO TOMORROW. 328 00:15:50,166 --> 00:15:52,603 I'M DOING IT AT MY MOM'S STATION. 329 00:15:52,647 --> 00:15:56,346 THEY LET ME USE THE EQUIPMENT DOWN THERE WITHOUT TOO MUCH HASSLE. 330 00:15:56,390 --> 00:15:58,566 WOULD YOU LIKE TO COME ALONG? 331 00:15:58,609 --> 00:15:59,741 YEAH. THAT SOUNDS COOL. 332 00:15:59,784 --> 00:16:02,178 YEAH? REALLY? 333 00:16:02,222 --> 00:16:04,006 WHY ARE YOU SO SURPRISED 334 00:16:04,050 --> 00:16:07,357 EVERY TIME I JUMP AT THE CHANCE TO SPEND TIME WITH YOU? 335 00:16:07,401 --> 00:16:10,360 I DON'T KNOW. NATURAL SKEPTICISM PERHAPS? 336 00:16:10,404 --> 00:16:11,840 WELL, GET OVER IT. 337 00:16:11,883 --> 00:16:15,235 NOT EVERYTHING IN LIFE HAS TO BE SO COMPLICATED. 338 00:16:21,197 --> 00:16:23,199 YOU KNOW, IN THE OLD MOVIES, 339 00:16:23,243 --> 00:16:25,419 WHENEVER 2 CHARACTERS WERE IN BED TOGETHER, 340 00:16:25,462 --> 00:16:29,031 THE CENSORS ALWAYS MADE ONE OF THEM KEEP ONE FOOT ON THE FLOOR. 341 00:16:29,075 --> 00:16:30,641 WHICH I NEVER REALLY UNDERSTOOD 342 00:16:30,685 --> 00:16:33,122 BECAUSE I FIGURED IF THE CHARACTERS WERE CLEVER ENOUGH, 343 00:16:33,166 --> 00:16:35,037 THEY COULD STILL DO ALMOST ANYTHING. 344 00:16:52,837 --> 00:16:55,057 DAWSON...DAWSON... 345 00:16:55,101 --> 00:16:58,060 WE'VE GOT PLENTY OF TIME TO PROVE OUR CENSORS WRONG. 346 00:16:58,104 --> 00:17:01,020 WE DON'T HAVE TO MAKE OUR CASE TODAY. ALL RIGHT? 347 00:17:02,412 --> 00:17:03,761 OK. 348 00:17:06,764 --> 00:17:08,027 AAH! 349 00:17:08,070 --> 00:17:09,332 ALL RIGHT. THAT WAS GREAT. 350 00:17:09,376 --> 00:17:10,725 COULD WE SEE THAT WITH PICTURE? 351 00:17:10,768 --> 00:17:12,205 SURE. YEAH. 352 00:17:12,248 --> 00:17:15,077 SEEN YOUR MOM THIS MORNING YET, DAWSON? 353 00:17:15,121 --> 00:17:19,038 NO. I'LL TRACK HER DOWN LATER. 354 00:17:19,081 --> 00:17:20,604 OK, HERE WE GO. 355 00:17:21,649 --> 00:17:23,781 Recording: AAH! 356 00:17:23,825 --> 00:17:27,046 WE'LL GO AGAIN. THIS TIME, MORE SHOCK, LESS ANGER. 357 00:17:27,089 --> 00:17:29,091 ALL RIGHT. MORE SHOCK, LESS ANGER. OK. 358 00:17:35,010 --> 00:17:38,448 AA--I'M SORRY, DAWSON. I... 359 00:17:38,492 --> 00:17:40,189 OK. WE'LL TAKE A BREAK. 360 00:17:43,279 --> 00:17:45,238 I'M SORRY IF I WAS BEING 361 00:17:45,281 --> 00:17:47,457 A BIT OF A PERFECTIONIST IN THERE. 362 00:17:47,501 --> 00:17:49,111 I GET LIKE THAT SOMETIMES. 363 00:17:49,155 --> 00:17:51,853 NO. I LIKE A MAN WHO KNOWS WHAT HE WANTS. 364 00:17:51,896 --> 00:17:54,464 REALLY? SORTA LIKE ME? 365 00:17:54,508 --> 00:17:55,596 SORTA. 366 00:17:57,511 --> 00:17:59,774 OH, DAWSON, LOOK. THERE'S YOUR MOM. 367 00:18:04,474 --> 00:18:06,389 COME ON. 368 00:18:26,757 --> 00:18:31,327 LOOK, I KNOW YOUR HEAD MUST BE SPINNING RIGHT NOW, AND... 369 00:18:31,371 --> 00:18:34,287 I DON'T KNOW. MAYBE ONE OF THE THINGS YOU'RE THINKING 370 00:18:34,330 --> 00:18:36,724 IS HOW UNFAIR IT IS THAT RIGHT NOW, 371 00:18:36,767 --> 00:18:39,335 WHEN YOU NEED TO TALK TO SOMEONE MOST, 372 00:18:39,379 --> 00:18:43,165 YOU'RE KIND OF STUCK HERE WITH LITTLE MORE THAN A SEMI-STRANGER. 373 00:18:43,209 --> 00:18:47,169 BUT WE ALWAYS SEEM TO HAVE SOMETHING TO SAY TO EACH OTHER, 374 00:18:47,213 --> 00:18:50,564 EVEN IF OUR CONVERSATIONS ARE MORE BANTER THAN REAL TALK. 375 00:18:50,607 --> 00:18:55,308 YOU KNOW, FUN AND SWEET AND EVERYTHING, BUT KIND OF ON THE SURFACE. 376 00:18:55,351 --> 00:18:57,571 WHAT I'M TRYING TO SAY IS... 377 00:18:57,614 --> 00:19:01,183 IS THAT IF YOU WANT TO TALK TO SOMEBODY ABOUT THIS, 378 00:19:01,227 --> 00:19:05,187 I MEAN REALLY TALK-- EVEN THOUGH I KNOW WE'VE NEVER DONE THAT BEFORE-- 379 00:19:05,231 --> 00:19:08,234 WELL, I'D REALLY LIKE TO BE THAT PERSON. 380 00:19:18,592 --> 00:19:20,333 I NEED TO TALK TO YOU. 381 00:19:22,422 --> 00:19:24,337 WHAT I SHOULD REALLY DO IS TELL MY DAD. 382 00:19:24,380 --> 00:19:26,339 "DAD, THE WOMAN YOU'RE ABOUT TO CELEBRATE 383 00:19:26,382 --> 00:19:28,210 "20 BLISSFUL YEARS OF MARRIAGE WITH, 384 00:19:28,254 --> 00:19:29,994 "WELL, SHE'S SLEEPING WITH BOB NOW. 385 00:19:30,038 --> 00:19:32,562 "APPARENTLY, THE SCENT OF HIS ICE-BLUE AQUA VELVA 386 00:19:32,606 --> 00:19:34,390 WAS TOO MUCH TO RESIST." 387 00:19:34,434 --> 00:19:38,177 I THINK WE BOTH KNOW THAT'S NOT THE BEST IDEA, DAWSON. 388 00:19:38,220 --> 00:19:40,179 I JOKED ABOUT THEM HAVING AN AFFAIR, 389 00:19:40,222 --> 00:19:41,702 BUT I WAS NEVER SERIOUS. 390 00:19:41,745 --> 00:19:43,094 YOU EVER WONDERED 391 00:19:43,138 --> 00:19:45,053 WHAT THE RATE OF ADULTERY IS IN THIS TOWN? 392 00:19:45,096 --> 00:19:46,663 YOUR PARENTS, MY PARENTS. 393 00:19:46,707 --> 00:19:49,623 WE LIVE IN THIS NORMAN ROCKWELL, PICTURE POSTCARD TOWN 394 00:19:49,666 --> 00:19:52,191 WITH WHITEWASHED FENCES AND BEACHFRONT HOUSES, AND UNDERNEATH, IT'S... 395 00:19:55,150 --> 00:19:56,673 DO YOU THINK PEOPLE KNOW? 396 00:19:56,717 --> 00:19:58,936 PEOPLE ALWAYS KNOW. 397 00:19:58,980 --> 00:20:01,200 WELL, WE DIDN'T. 398 00:20:03,419 --> 00:20:05,769 RIGHT? 399 00:20:05,813 --> 00:20:07,075 JOEY? 400 00:20:07,118 --> 00:20:09,512 JOEY, I DIDN'T KNOW. 401 00:20:11,297 --> 00:20:12,385 DID YOU? 402 00:20:14,648 --> 00:20:16,345 YOU KNEW. 403 00:20:16,389 --> 00:20:19,522 YOU--HOW COULD YOU NOT SAY ANYTHING? 404 00:20:19,566 --> 00:20:22,221 WHY? SO YOU COULD HATE ME FOR TELLING YOU? 405 00:20:22,264 --> 00:20:25,136 BECAUSE YOU KNOW THAT'S WHAT WOULD'VE HAPPENED. 406 00:20:25,180 --> 00:20:28,227 BESIDES, I THOUGHT YOU WOULD'VE SEEN IT BY NOW. 407 00:20:28,270 --> 00:20:29,358 WHAT? 408 00:20:29,402 --> 00:20:31,665 YOU'RE A PRETTY PERCEPTIVE GUY, USUALLY, 409 00:20:31,708 --> 00:20:35,234 BUT I THINK WE CAN AGREE THAT YOU'VE BEEN A LITTLE PREOCCUPIED LATELY. 410 00:20:35,277 --> 00:20:36,713 WHAT ARE YOU TALKING ABOUT? 411 00:20:36,757 --> 00:20:38,933 BLONDE HAIR, ABOUT THE LAST STAGES OF A "B" CUP. 412 00:20:38,976 --> 00:20:41,240 DON'T TURN THIS INTO A DISCUSSION ABOUT JEN. 413 00:20:41,283 --> 00:20:42,676 JOEY, YOU LIED TO ME. 414 00:20:42,719 --> 00:20:43,851 I DIDN'T KNOW HOW TO... 415 00:20:43,894 --> 00:20:46,288 WHAT, ARE YOU THREATENED BY JEN? 416 00:20:46,332 --> 00:20:48,203 NO, I'M NOT THREATENED. I'M BORED. 417 00:20:48,247 --> 00:20:50,118 SO YOU LIE TO ME TO CURB YOUR OWN BOREDOM. 418 00:20:50,161 --> 00:20:53,426 I WAS TRYING TO BE YOUR FRIEND. 419 00:20:53,469 --> 00:20:55,819 NO. WHAT YOU DID WAS NOT THE ACTION OF A FRIEND. 420 00:20:55,863 --> 00:20:57,560 WHAT YOU DID-- AND LET ME MAKE THIS PERFECTLY CLEAR-- 421 00:20:57,604 --> 00:20:59,214 IS DISENGAGE THIS FRIENDSHIP. 422 00:20:59,258 --> 00:21:01,216 NO, DAWSON. I WAS TRYING, AND-- 423 00:21:01,260 --> 00:21:02,913 AND I DIDN'T KNOW HOW TO... 424 00:21:02,957 --> 00:21:05,089 STRUGGLING FOR SOMETHING TO SAY, JOEY? 425 00:21:05,133 --> 00:21:07,004 AT A LOSS FOR WORDS? DON'T WORRY. 426 00:21:07,048 --> 00:21:09,311 YOUR ACTIONS ARE FAR MORE ARTICULATE. 427 00:21:11,052 --> 00:21:14,447 BYE! SEE YOU LATER. 428 00:21:14,490 --> 00:21:16,362 HAVE A NICE LIFE. 429 00:21:58,186 --> 00:21:59,622 OH, HI, DAWSON. 430 00:21:59,666 --> 00:22:01,929 HEY, I DIDN'T SEE YOU AT THE STATION YESTERDAY. 431 00:22:01,972 --> 00:22:04,366 I THOUGHT YOU WERE GONNA STOP BY AND SAY HI. 432 00:22:04,410 --> 00:22:05,933 THINGS GOT A LITTLE CRAZY, YOU KNOW. 433 00:22:05,976 --> 00:22:08,152 SORRY I MISSED YOU. 434 00:22:08,196 --> 00:22:09,980 HONEY, IS SOMETHING BOTHERING YOU? 435 00:22:10,024 --> 00:22:13,375 NO. I'M FINE. 436 00:22:13,419 --> 00:22:15,116 UH-HUH. WELL, I DON'T BELIEVE YOU. 437 00:22:15,159 --> 00:22:16,726 YOU'VE NEVER BEEN VERY GOOD 438 00:22:16,770 --> 00:22:18,728 AT DISGUISING THAT LOOK OF PREOCCUPATION YOU GET 439 00:22:18,772 --> 00:22:20,904 WHEN SOMETHING IS BOTHERING YOU. 440 00:22:20,948 --> 00:22:22,950 OK, LET ME GUESS. 441 00:22:22,993 --> 00:22:26,910 UH, ONE OF THE MANY WOMEN IN YOUR LIFE HAS GOT YOUR HEAD SPINNING. 442 00:22:26,954 --> 00:22:28,869 YEAH, SOMETHING LIKE THAT. 443 00:22:28,912 --> 00:22:31,045 DAWSON? 444 00:22:31,088 --> 00:22:32,351 [KNOCKING ON DOOR] 445 00:22:33,743 --> 00:22:36,137 YES, WHAT CAN I HELP YOU WITH? 446 00:22:36,180 --> 00:22:37,704 2 THINGS, ACTUALLY. 447 00:22:37,747 --> 00:22:40,707 FIRST OF ALL, I KNOW YOU DON'T LIKE ME, 448 00:22:40,750 --> 00:22:42,448 AND THAT YOU LOOK AT ME AS SOME SEX-CRAZED TEENAGER 449 00:22:42,491 --> 00:22:44,319 LOOKING TO CORRUPT YOUR GRANDDAUGHTER, 450 00:22:44,363 --> 00:22:48,236 BUT I WANNA ASSURE YOU THAT'S NOT THE CASE. NOT AT ALL. 451 00:22:48,279 --> 00:22:50,238 WHAT'S THE SECOND THING? 452 00:22:50,281 --> 00:22:53,067 I'M HERE TO PICK UP JEN. 453 00:22:53,110 --> 00:22:54,721 JENNIFER! 454 00:22:54,764 --> 00:22:56,723 MAYBE IT'S ME. MAYBE I HAVE 455 00:22:56,766 --> 00:22:59,029 THESE OLD-FASHIONED IDEAS ABOUT FIDELITY, 456 00:22:59,073 --> 00:23:00,422 WHICH I OBVIOUSLY INHERITED 457 00:23:00,466 --> 00:23:02,381 FROM MY FATHER'S SIDE OF THE FAMILY. 458 00:23:02,424 --> 00:23:04,644 OH, I'M SORRY. AM I STARTING TO BORE YOU? 459 00:23:04,687 --> 00:23:05,993 NO. 460 00:23:06,036 --> 00:23:07,951 'CAUSE I THINK I'M STARTING TO BORE MYSELF. 461 00:23:07,995 --> 00:23:09,344 NO, NOT AT ALL, DAWSON. 462 00:23:09,388 --> 00:23:11,564 I'M GLAD WE CAN TALK ABOUT THIS. 463 00:23:11,607 --> 00:23:14,958 I WAS A LITTLE HURT EARLIER WHEN YOU WOULDN'T SAY A WORD TO ME, 464 00:23:15,002 --> 00:23:17,570 AND I WAS SURE YOU RAN TO POUR YOUR HEART OUT TO JOEY. 465 00:23:17,613 --> 00:23:19,746 WELL, I WON'T MAKE THAT MISTAKE AGAIN. 466 00:23:19,789 --> 00:23:21,791 DO ME A FAVOR, JEN? 467 00:23:21,835 --> 00:23:24,141 PROMISE YOU'LL ALWAYS BE UP FRONT AND HONEST WITH ME. 468 00:23:24,185 --> 00:23:25,404 OK. 469 00:23:25,447 --> 00:23:26,970 THAT'S NOT JUST A PASSING REMARK. 470 00:23:27,014 --> 00:23:29,190 I FIRMLY BELIEVE THAT SECRETS DESTROY. 471 00:23:29,233 --> 00:23:33,977 THEY WOUND AND HURT AND KILL AND... 472 00:23:34,021 --> 00:23:36,545 I REALLY WANT US TO HAVE A CHANCE. 473 00:23:36,589 --> 00:23:41,550 OK? NO SECRETS BETWEEN US EVER. 474 00:23:41,594 --> 00:23:44,423 YEAH, YEAH, I MEAN, BUT... 475 00:23:44,466 --> 00:23:46,816 DON'T YOU THINK THAT IN CERTAIN SITUATIONS, 476 00:23:46,860 --> 00:23:49,471 THERE ARE THINGS THAT PEOPLE JUST DON'T WANNA KNOW? 477 00:23:49,515 --> 00:23:51,778 NO, 'CAUSE EVEN IF MY MOM HAD FALLEN 478 00:23:51,821 --> 00:23:53,780 COMPLETELY OUT OF LOVE WITH MY DAD, 479 00:23:53,823 --> 00:23:56,609 THEN SHE SHOULD'VE BEEN HONEST WITH HIM INSTEAD OF-- 480 00:23:56,652 --> 00:23:58,262 I'M NOT TALKING ABOUT YOUR PARENTS. 481 00:23:58,306 --> 00:24:03,006 I MEAN, COME ON. DON'T YOU EVER WONDER WHY 2 MONTHS AGO, 482 00:24:03,050 --> 00:24:05,922 WHY I SUDDENLY COME TO LIVE UP HERE? 483 00:24:05,966 --> 00:24:08,490 YOU TOLD ME IT'S BECAUSE YOUR GRANDFATHER'S SICK, 484 00:24:08,534 --> 00:24:10,797 AND YOUR GRANDMOTHER NEEDED YOUR HELP. 485 00:24:10,840 --> 00:24:14,061 MY GRANDMOTHER'S BEEN AN R.N. FOR THE PAST 40 YEARS. 486 00:24:14,104 --> 00:24:19,240 THE ONLY THING I CAN HELP HER WITH IS STAYING OUT OF HER WAY. 487 00:24:19,283 --> 00:24:21,895 OK. SO WHY ARE YOU HERE? 488 00:24:26,073 --> 00:24:27,204 HONESTY, RIGHT? 489 00:24:27,248 --> 00:24:29,468 YEAH. 490 00:24:29,511 --> 00:24:33,254 MY PARENTS DIDN'T EXACTLY SEND ME UP HERE TO HELP OUT GRAMS. 491 00:24:33,297 --> 00:24:34,908 THEY SENT ME UP HERE 492 00:24:34,951 --> 00:24:39,086 BECAUSE THE CLICHEÉS ABOUT TEENAGERS IN THE BIG CITY ARE TRUE. 493 00:24:39,129 --> 00:24:40,261 WHAT CLICHEÉS? 494 00:24:40,304 --> 00:24:41,610 COME ON, YOU'VE HEARD THEM. 495 00:24:41,654 --> 00:24:44,483 THEY GROW UP TOO FAST, STAY OUT TOO LATE, 496 00:24:44,526 --> 00:24:48,051 HANG OUT WITH THE WRONG KIND OF PEOPLE, HAVE SEX TOO YOUNG. 497 00:24:48,095 --> 00:24:51,794 AND YOUR PARENTS WANTED TO GET YOU AWAY FROM KIDS LIKE THAT? 498 00:24:51,838 --> 00:24:54,493 NO, DAWSON. I WASKIDS LIKE THAT. 499 00:25:00,673 --> 00:25:01,935 THE SEX PART? 500 00:25:01,978 --> 00:25:03,110 YEAH. 501 00:25:05,895 --> 00:25:08,245 BOYFRIEND, RIGHT? 502 00:25:08,289 --> 00:25:11,422 YEAH, BUT NOT JUST HIM. 503 00:25:14,077 --> 00:25:16,123 OK, HEH. 504 00:25:16,166 --> 00:25:19,648 SO, ALL THAT STUFF YOU SAID ABOUT BEING A VIRGIN BEFORE, 505 00:25:19,692 --> 00:25:21,607 I SHOULD PROBABLY DISREGARD THAT. 506 00:25:21,650 --> 00:25:23,086 YOU KNOW WHAT? 507 00:25:23,130 --> 00:25:25,654 MAYBE I'M JUST BEING COMPLETELY SELF-DESTRUCTIVE HERE 508 00:25:25,698 --> 00:25:27,090 BECAUSE I LIKE YOU, 509 00:25:27,134 --> 00:25:29,876 AND I KNOW THE TIMING IS OFF AND EVERYTHING, 510 00:25:29,919 --> 00:25:31,878 BUT THIS IS AT YOUR REQUEST. 511 00:25:31,921 --> 00:25:34,533 AND YOU'RE RIGHT. WE SHOULD BE HONEST, 512 00:25:34,576 --> 00:25:38,537 AND YOU SHOULD KNOW WHO YOU'RE DATING. 513 00:25:38,580 --> 00:25:40,669 YOU'RE OK WITH THIS, RIGHT? 514 00:25:40,713 --> 00:25:42,671 YEAH. 515 00:25:42,715 --> 00:25:45,108 I MEAN, THE WAY YOU WERE TALKING, 516 00:25:45,152 --> 00:25:47,589 I THOUGHT IT WAS GONNA BE MUCH WORSE. 517 00:25:49,939 --> 00:25:51,898 DAWSON? 518 00:25:51,941 --> 00:25:53,682 WHAT? 519 00:25:53,726 --> 00:25:55,292 WOULD YOU HOLD MY HAND? 520 00:25:55,336 --> 00:25:57,599 YEAH. SURE. 521 00:26:15,008 --> 00:26:18,272 [BELL RINGS] 522 00:26:24,974 --> 00:26:26,976 I'LL SEE YOU LATER. 523 00:26:36,769 --> 00:26:38,509 HEY...YOU KNOW, I MISSED YOU THIS MORNING. 524 00:26:38,553 --> 00:26:40,642 UH...CAME IN EARLY. MOVIE STUFF, YOU KNOW. 525 00:26:40,686 --> 00:26:42,601 WELL, ANYWAY, AS I'M KIND OF FEELING 526 00:26:42,644 --> 00:26:43,950 LIKE BLOWING OFF MY LAB REPORT, 527 00:26:43,993 --> 00:26:45,604 IF YOU WANT TO GO TO A MOVIE OR SOMETHING? 528 00:26:45,647 --> 00:26:47,301 THAT SOUNDS GREAT, BUT, YOU KNOW, 529 00:26:47,344 --> 00:26:48,650 I'M SO BEHIND IN MY HOMEWORK 530 00:26:48,694 --> 00:26:50,696 I DON'T THINK MY GPA CAN AFFORD IT. 531 00:26:50,739 --> 00:26:53,437 OK, WELL, MAYBE JUST A QUICK STUDY BREAK THEN. 532 00:26:53,481 --> 00:26:55,091 OK. YEAH, I'LL CALL YOU. 533 00:26:55,135 --> 00:26:57,093 YEAH? DEFINITELY. YEAH. 534 00:26:57,137 --> 00:26:58,834 DAWSON, LOOK, ABOUT WHAT WE TALKED ABOUT LAST NIGHT-- 535 00:26:58,878 --> 00:27:00,444 JEN, I'VE... REALLY GOT TO GO, OK? 536 00:27:00,488 --> 00:27:03,273 BUT I'LL...TALK TO YOU LATER. 537 00:27:03,317 --> 00:27:05,188 YEAH. LATER. 538 00:27:16,939 --> 00:27:19,376 QUESTION OF THE DAY: 539 00:27:19,420 --> 00:27:22,118 DO YOU THINK IF SOMEONE IS HAVING AN AFFAIR WITH MULTIPLE PARTNERS, 540 00:27:22,162 --> 00:27:25,469 THEY SHOULD TELL BOTH PARTNERS OF THE ARRANGEMENT? 541 00:27:25,513 --> 00:27:27,167 AN INFORMAL SURVEY, PACEY? 542 00:27:27,210 --> 00:27:28,690 OH, NO, I THINK YOU'LL AGREE THAT THIS IS RELEVANT 543 00:27:28,734 --> 00:27:30,866 WHAT WITH STDs AND AIDS RUNNING RAMPANT, 544 00:27:30,910 --> 00:27:32,694 NOT TO MENTION THE MORAL IMPLICATIONS. 545 00:27:32,738 --> 00:27:34,087 NO. I AGREE. 546 00:27:34,130 --> 00:27:35,305 IF YOU WERE INTIMATELY INVOLVED WITH SOMEONE ELSE, 547 00:27:35,349 --> 00:27:36,655 I'D WANT TO KNOW. 548 00:27:36,698 --> 00:27:37,830 ME! 549 00:27:37,873 --> 00:27:39,527 OH, NO, NO. DON'T TURN THIS AROUND ON ME. 550 00:27:39,570 --> 00:27:41,224 DON'T TURN WHAT AROUND? 551 00:27:41,268 --> 00:27:42,269 THE ISSUE. 552 00:27:42,312 --> 00:27:44,010 OF, UH... AND WHAT IS THAT? 553 00:27:44,053 --> 00:27:45,925 WELL, DO YOU LIKE HIM, OR DO YOU LIKE ME? 554 00:27:45,968 --> 00:27:47,927 HA HA! YOU KNOW, YOU'RE VERY DISARMING 555 00:27:47,970 --> 00:27:49,580 WHEN YOU START SOUNDING YOUR AGE. 556 00:27:49,624 --> 00:27:51,887 I SAW YOU TWO AT LUNCH YESTERDAY AND TODAY AGAIN IN THE HALLWAY 557 00:27:51,931 --> 00:27:54,020 LAUGHING TOGETHER. THE WAY YOU BRUSH HIS ARM. 558 00:27:54,063 --> 00:27:55,456 WHO'S IT GONNA BE, TAMARA, 559 00:27:55,499 --> 00:27:57,110 ME OR MR. GOLD? 560 00:27:57,153 --> 00:27:59,155 YOU KNOW, 561 00:27:59,199 --> 00:28:01,244 I NEVER KNEW YOU WERE SO BOTHERED BY THIS, PACEY, 562 00:28:01,288 --> 00:28:03,246 BECAUSE I'D HATE TO THINK I HAVE TO CHOOSE. 563 00:28:03,290 --> 00:28:07,207 I MEAN... BENJIE AND I HAVE SO MUCH IN COMMON. 564 00:28:07,250 --> 00:28:10,123 WE LOVE TO TALK ABOUT BOOKS AND AUTHORS AND... 565 00:28:10,166 --> 00:28:11,994 WE'RE BOTH BIG OPERA FANS... 566 00:28:12,038 --> 00:28:14,431 NOT TO MENTION OUR LEGENDARY MAN TROUBLES. 567 00:28:14,475 --> 00:28:15,824 MAN TROUBLES? 568 00:28:15,868 --> 00:28:19,654 YES. APPARENTLY, IN YOUR EXTENSIVE RESEARCH, 569 00:28:19,698 --> 00:28:22,352 YOU FAILED TO DETECT THAT 570 00:28:22,396 --> 00:28:25,442 [WHISPERING] I'm not exactly Benjie's type. 571 00:28:25,486 --> 00:28:27,183 NO? 572 00:28:27,227 --> 00:28:29,011 NOT UNLESS YOU THINK I BEAR SOME RESEMBLANCE 573 00:28:29,055 --> 00:28:30,186 TO MEL GIBSON. 574 00:28:30,230 --> 00:28:32,449 MR. GOLD IS GAY? 575 00:28:32,493 --> 00:28:34,625 SHH! 576 00:28:34,669 --> 00:28:36,758 THAT'S NOT TO BE REPEATED. 577 00:28:36,802 --> 00:28:39,500 OH, SO, UH, I DON'T UNDERSTAND. 578 00:28:39,543 --> 00:28:42,503 YESTERDAY AT THE CAFE, WHEN I TRIED TO HOLD YOUR HAND... 579 00:28:42,546 --> 00:28:44,548 AND BECAUSE WE WERE IN A PUBLIC PLACE 580 00:28:44,592 --> 00:28:46,855 WHERE ANY NUMBER OF STUDENTS OR TEACHERS OR PARENTS 581 00:28:46,899 --> 00:28:50,032 COULD SEE US, I DIDN'T LET YOU? 582 00:28:50,076 --> 00:28:51,817 OHH... 583 00:28:51,860 --> 00:28:54,254 MM-HMM... 584 00:28:54,297 --> 00:28:55,734 PACEY... 585 00:28:57,953 --> 00:28:59,650 IF YOU'RE CONFUSED ABOUT US, 586 00:28:59,694 --> 00:29:01,304 IF YOU'RE TRYING TO MAKE SENSE 587 00:29:01,348 --> 00:29:03,698 OUT OF WHAT'S HAPPENING BETWEEN US... 588 00:29:03,742 --> 00:29:06,353 THE BEST I CAN TELL YOU IS SO AM I. 589 00:29:09,051 --> 00:29:12,185 YEAH? REALLY? 590 00:29:12,228 --> 00:29:14,491 YES. REALLY. 591 00:29:24,414 --> 00:29:26,329 HEY. 592 00:29:26,373 --> 00:29:29,071 I THINK YOU OWE ME ABOUT SEVEN-EIGHTHS OF A CONVERSATION. 593 00:29:29,115 --> 00:29:31,247 YEAH, I GUESS I DO. 594 00:29:31,291 --> 00:29:33,510 I MEAN, IT--IT'S PROBABLY JUST MY OWN PATHETIC INSECURITY, 595 00:29:33,554 --> 00:29:36,122 BUT I...WANTED A QUICK POSTMORTEM ON LAST NIGHT, 596 00:29:36,165 --> 00:29:37,688 MAKE SURE YOU'RE OK ON WHAT WE TALKED ABOUT. 597 00:29:37,732 --> 00:29:40,039 YEAH, I'M FINE WITH IT. 598 00:29:40,082 --> 00:29:41,910 REALLY? 599 00:29:41,954 --> 00:29:44,826 YEAH, I MEAN, BESIDES, JEN, IT'S IN THE PAST. IT'S OVER AND DONE WITH. 600 00:29:44,870 --> 00:29:46,393 EVEN IF I REALLY DID HAVE A PROBLEM, 601 00:29:46,436 --> 00:29:47,786 WHAT CAN I DO ABOUT IT, RIGHT? 602 00:29:47,829 --> 00:29:49,526 YOU CAN TELL ME. 603 00:29:49,570 --> 00:29:51,485 TELL YOU WHAT, JEN? 604 00:29:51,528 --> 00:29:52,921 I REALLY FEEL YOU WANT ME TO SAY SOMETHING, I DON'T KNOW WHAT IT IS. 605 00:29:52,965 --> 00:29:54,444 WELL, THEN LET ME HELP YOU OUT. 606 00:29:54,488 --> 00:29:56,490 YOU COULD TELL ME WHY YOU'VE BEEN AVOIDING ME ALL DAY, 607 00:29:56,533 --> 00:29:58,318 OR WHAT'S BEHIND THAT LOOK IN YOUR EYES, 608 00:29:58,361 --> 00:30:00,059 WHETHER IT'S REPULSION OR JEALOUSY OR COMPLETE DISAPPROVAL 609 00:30:00,102 --> 00:30:02,235 'CAUSE I KNOW I'VE NEVER SEEN IT FROM YOU BEFORE. 610 00:30:02,278 --> 00:30:04,628 YOU COULD TELL ME THAT YOU SUDDENLY FEEL STRANGE ABOUT US, 611 00:30:04,672 --> 00:30:07,327 THAT MAYBE WE NEED A LITTLE BREAK 'CAUSE YOU DON'T SEEM TO KNOW ME 612 00:30:07,370 --> 00:30:08,850 AND--AND MAYBE YOU NEVER REALLY DID. 613 00:30:08,894 --> 00:30:10,199 OR-- 614 00:30:10,243 --> 00:30:12,985 AND NOW I'LL MAKE IT REALLY EASY FOR YOU, DAWSON-- 615 00:30:13,028 --> 00:30:15,422 YOU COULD JUST TELL ME IF I'VE LEFT ANYTHING OUT. 616 00:30:20,079 --> 00:30:22,124 I DIDN'T THINK SO. 617 00:30:28,000 --> 00:30:29,305 Dawson: SO IT WOULDN'T BOTHER YOU? 618 00:30:29,349 --> 00:30:30,698 Pacey: WHY WOULD IT BOTHER ME? 619 00:30:30,741 --> 00:30:32,439 BECAUSE SHE'S NOT A VIRGIN. 620 00:30:32,482 --> 00:30:34,267 BECAUSE SHE'S HAD SEX WITH OTHER GUYS! 621 00:30:34,310 --> 00:30:36,878 SEE, THIS IS WHAT I DON'T UNDERSTAND ABOUT YOU, DAWSON. 622 00:30:36,922 --> 00:30:38,445 IF THE WOMAN THAT I WAS HOT FOR 623 00:30:38,488 --> 00:30:40,229 CAME UP TO ME AND IN SOME CONFESSIONAL WAY 624 00:30:40,273 --> 00:30:41,883 TOLD ME SHE WASN'T A VIRGIN... 625 00:30:41,927 --> 00:30:43,667 DON'T YOU SEE WHAT SHE'S DOING FOR YOU? 626 00:30:43,711 --> 00:30:44,668 NO. 627 00:30:44,712 --> 00:30:45,974 YOU DON'T SEE IT? 628 00:30:46,018 --> 00:30:48,150 I DON'T. 629 00:30:48,194 --> 00:30:50,849 SHE'S GIVING YOU AN "IN," DAWSON. 630 00:30:50,892 --> 00:30:52,372 SHE'S SAYING, "LOOK, I UNDERSTAND, 631 00:30:52,415 --> 00:30:54,765 "YOU'RE A LITTLE NERVOUS ABOUT MAKING THE FIRST MOVE ON ME 632 00:30:54,809 --> 00:30:56,419 "BECAUSE YOU'RE SOME ROMANTIC 633 00:30:56,463 --> 00:30:58,421 "WHO PUTS WOMEN LIKE ME UP ON A PEDESTAL, SO HERE, 634 00:30:58,465 --> 00:31:00,467 "I'M GONNA GIVE YOU THE GREATEST GIFT 635 00:31:00,510 --> 00:31:01,990 "ANY DESIRABLE WOMAN CAN GIVE 636 00:31:02,034 --> 00:31:03,426 TO A SEXUALLY INEXPERIENCED GUY." 637 00:31:03,470 --> 00:31:05,211 "IN"? EXACTLY! 638 00:31:05,254 --> 00:31:07,909 SHE'S SAYING SHE WANTS IT JUST AS BAD AS YOU DO, MAN. 639 00:31:07,953 --> 00:31:09,389 YOUR CARNAL NEEDS ARE RECIPROCAL. 640 00:31:09,432 --> 00:31:12,435 THIS IS NOT ABOUT SEX, PACEY, IT'S ABOUT ROMANCE. 641 00:31:12,479 --> 00:31:14,350 GOD, YOU'VE NO IDEA WHAT I'M TALKING ABOUT, DO YOU? 642 00:31:14,394 --> 00:31:15,961 YEAH, I DO. 643 00:31:16,004 --> 00:31:17,963 NO, YOU DON'T, BECAUSE WHAT I WAS GONNA SAY 644 00:31:18,006 --> 00:31:19,921 BEFORE THIS WHOLE WORLD-ACCORDING-TO-PACEY SPEECH 645 00:31:19,965 --> 00:31:22,532 IS THAT THIS HAS NOTHING TO DO WITH SOME STUPID "IN" 646 00:31:22,576 --> 00:31:24,926 OR EVEN GETTING JEN IN THE SACK. IT HAS TO DO WITH ONE THING. 647 00:31:24,970 --> 00:31:27,276 RIGHT. THE FACT THAT YOU'RE SCARED. 648 00:31:29,365 --> 00:31:31,759 LISTEN, DAWSON, 649 00:31:31,802 --> 00:31:33,282 THE JEN LINDLEY 650 00:31:33,326 --> 00:31:35,328 THAT YOU HAVE BUILT UP IN YOUR MIND 651 00:31:35,371 --> 00:31:38,853 DOES NOT ENTIRELY EXIST, OK? 652 00:31:38,897 --> 00:31:41,290 IN YOUR MOVIES, SHE CAN BE WHATEVER YOU WANT, 653 00:31:41,334 --> 00:31:43,336 BUT IN REAL LIFE, THE SCRIPT'S GOT THROWN OUT. 654 00:31:43,379 --> 00:31:44,728 SO IT SEEMS. 655 00:31:44,772 --> 00:31:45,860 LISTEN... 656 00:31:45,904 --> 00:31:48,471 ALL I CAN SAY IS ENJOY IT, MAN. 657 00:31:48,515 --> 00:31:50,299 LIFE HAS SOME PRETTY UNEXPECTED BENEFITS. 658 00:31:50,343 --> 00:31:51,953 YEAH. 659 00:31:51,997 --> 00:31:55,565 I COULD DO WITHOUT ALL THE UNEXPECTED PLOT TWISTS, THOUGH. 660 00:31:55,609 --> 00:31:56,827 THE VIRGINAL GIRLFRIEND... 661 00:31:56,871 --> 00:31:58,264 WHO'S NOT EXACTLY A VIRGIN. 662 00:31:58,307 --> 00:32:00,179 AND THE HIGH SCHOOL STRIKE OUT ARTIST... 663 00:32:00,222 --> 00:32:03,791 WHO'S NOW HAVING AN AFFAIR WITH HIS ENGLISH TEACHER. 664 00:32:03,834 --> 00:32:05,880 THEN THERE'S ALSO THE HAPPILY MARRIED COUPLE 665 00:32:05,924 --> 00:32:07,751 WHO'S CELEBRATING THEIR 20th WEDDING ANNIVERSARY TONIGHT 666 00:32:07,795 --> 00:32:09,275 WHO'S REALLY NOT AS HAPPY AS WE THOUGHT. 667 00:32:09,318 --> 00:32:11,059 YEAH. 668 00:32:11,103 --> 00:32:12,887 THAT SUCKS, MAN. 669 00:32:12,931 --> 00:32:14,497 [SIGHS] 670 00:32:14,541 --> 00:32:15,846 SO, DID YOU TALK TO YOUR MOM? 671 00:32:15,890 --> 00:32:18,066 NOPE. CHANGE OF PLAN. 672 00:32:18,110 --> 00:32:20,982 DAWSON, I THOUGHT YOU SAID YOU WERE GONNA TELL HER. 673 00:32:24,681 --> 00:32:26,292 I'M GONNA TELL MY DAD. 674 00:32:31,210 --> 00:32:34,082 [MUSIC PLAYING] 675 00:32:40,349 --> 00:32:41,307 HEY. 676 00:32:41,350 --> 00:32:42,308 [LOUDER] HEY. 677 00:32:42,351 --> 00:32:43,439 HEY. I DIDN'T HEAR YOU COME IN. 678 00:32:43,483 --> 00:32:44,701 [MUSIC DOWN] 679 00:32:44,745 --> 00:32:45,702 I'M NOT SURPRISED. 680 00:32:45,746 --> 00:32:47,356 SO TONIGHT'S THE BIG NIGHT, HUH? 681 00:32:47,400 --> 00:32:50,011 DO YOU HAVE ANY IDEA HOW LONG 20 YEARS IS? 682 00:32:50,055 --> 00:32:52,318 AND THAT DOESN'T EVEN INCLUDE THE 4 YEARS YOUR MOTHER AND I DATED. 683 00:32:52,361 --> 00:32:53,841 THERE'S SOMETHING I GOT TO TALK TO YOU ABOUT-- 684 00:32:53,884 --> 00:32:55,408 MOST OF OUR COLLEGE FRIENDS 685 00:32:55,451 --> 00:32:57,976 ARE ALREADY ON THEIR SECOND MARRIAGES BY NOW. 686 00:32:58,019 --> 00:33:00,021 WE ALL GOT MARRIED AT THE SAME TIME, EARLY 20s, 687 00:33:00,065 --> 00:33:01,980 WHICH IS A LITTLE YOUNG BY TODAY'S-- 688 00:33:02,023 --> 00:33:03,155 I ADMIT THERE'S A STRONG POSSIBILITY 689 00:33:03,198 --> 00:33:04,808 THIS IS NOT THE RIGHT TIME FOR THIS-- 690 00:33:04,852 --> 00:33:06,201 BUT YOU KNOW, AFTER 20 YEARS, 691 00:33:06,245 --> 00:33:08,943 I CAN STILL SAY THE SAME THING I DID THEN. 692 00:33:08,987 --> 00:33:10,640 I CAN'T IMAGINE MY LIFE WITHOUT HER. 693 00:33:10,684 --> 00:33:11,641 DAD... 694 00:33:11,685 --> 00:33:12,903 WHAT? 695 00:33:12,947 --> 00:33:14,340 THERE'S SOMETHING I GOT TO TELL YOU. 696 00:33:14,383 --> 00:33:16,037 SOUND SERIOUS. WHAT IS IT? 697 00:33:16,081 --> 00:33:18,126 IT IS, AND I KNOW THIS IS THE WRONG TIME TO TALK ABOUT IT, BUT-- 698 00:33:18,170 --> 00:33:20,172 HI, DAWSON. 699 00:33:20,215 --> 00:33:21,390 I'LL BE READY IN A SECOND, HONEY. 700 00:33:21,434 --> 00:33:23,436 OK, FINE. 701 00:33:30,530 --> 00:33:32,836 UH...DAWSON, I'M LISTENING. 702 00:33:34,403 --> 00:33:35,926 HAPPY ANNIVERSARY, DAD. 703 00:33:37,798 --> 00:33:39,104 HAVE A GREAT TIME. 704 00:33:39,147 --> 00:33:40,627 OH... 705 00:33:40,670 --> 00:33:42,150 THAT I WILL. 706 00:33:50,071 --> 00:33:51,942 HI. 707 00:33:51,986 --> 00:33:54,032 SORRY, THE KITCHEN'S CLOSED. 708 00:33:54,075 --> 00:33:55,424 WELL, IF YOU CAN SURVIVE THE SHOCK, 709 00:33:55,468 --> 00:33:57,774 I ACTUALLY CAME TO SEE YOU. 710 00:33:57,818 --> 00:34:00,125 I NEED SOME ADVICE. 711 00:34:00,168 --> 00:34:02,866 ON WHAT FIELD DO YOU CONSIDER ME AN EXPERT IN? 712 00:34:02,910 --> 00:34:04,520 DAWSON LEERY. 713 00:34:06,131 --> 00:34:07,915 YOU KNOW, I'M SORT OF BUSY HERE 714 00:34:07,958 --> 00:34:09,351 WITH THESE RECEIPTS AND LOCKING UP. 715 00:34:09,395 --> 00:34:10,961 MAYBE WE COULD DO THIS ANOTHER TIME? 716 00:34:11,005 --> 00:34:14,008 I TOLD HIM I WASN'T A VIRGIN. 717 00:34:14,052 --> 00:34:16,141 I THINK I HAVE A MINUTE. 718 00:34:16,184 --> 00:34:18,360 IT'S JUST THAT HE SEEMED SO DISAPPOINTED IN ME 719 00:34:18,404 --> 00:34:20,536 WHICH OF COURSE MADE ME ANGRY AND, UH... 720 00:34:20,580 --> 00:34:23,670 NOW I DON'T KNOW WHERE WE ARE. 721 00:34:23,713 --> 00:34:25,628 WELL... 722 00:34:25,672 --> 00:34:27,239 LET ME TELL YOU ABOUT DAWSON. 723 00:34:27,282 --> 00:34:29,676 GRANTED HE'S ARTICULATE FOR HIS AGE, 724 00:34:29,719 --> 00:34:31,460 BUT HE'S NOT EXACTLY MATURE. 725 00:34:31,504 --> 00:34:33,114 I MEAN, HE'S THE CLASSIC ONLY CHILD. 726 00:34:33,158 --> 00:34:34,985 HE POUTS WHEN THINGS DON'T GO HIS WAY, 727 00:34:35,029 --> 00:34:37,205 AND HE ONLY SEES THINGS IN BLACK AND WHITE. 728 00:34:37,249 --> 00:34:38,641 ANYTHING ELSE CONFUSES HIM. 729 00:34:38,685 --> 00:34:39,903 YEAH. 730 00:34:39,947 --> 00:34:41,514 AND WHEN IT COMES TO WOMEN, 731 00:34:41,557 --> 00:34:43,429 THERE ARE POPES WHO'VE HAD MORE EXPERIENCE. 732 00:34:43,472 --> 00:34:46,040 I MEAN, THE GUY WAS A SHRIMP UNTIL LAST SUMMER. 733 00:34:46,084 --> 00:34:47,737 TO SAY HIS SEX LIFE IS LIMITED 734 00:34:47,781 --> 00:34:49,130 IS THE UNDERSTATEMENT OF THE DECADE. 735 00:34:49,174 --> 00:34:50,740 IT'S BARREN. 736 00:34:50,784 --> 00:34:52,438 A DESERT. 737 00:34:52,481 --> 00:34:54,092 I DON'T ENVY YOU 738 00:34:54,135 --> 00:34:56,181 WHAT YOU HAVE TO DEAL WITH, BELIEVE ME. 739 00:34:56,224 --> 00:34:58,270 YOU'RE NOT TRYING TO SCARE ME OFF, ARE YOU? 740 00:34:58,313 --> 00:35:00,185 NO. 741 00:35:00,228 --> 00:35:02,317 I'M JUST TRYING TO TELL YOU THAT EVERY GUY 742 00:35:02,361 --> 00:35:04,711 WHO GROWS UP TO BE ONE OF THE GOOD ONES 743 00:35:04,754 --> 00:35:08,106 WAS PROBABLY A DWEEB WITH GIRLS WHEN HE WAS 15, TOO. 744 00:35:08,149 --> 00:35:10,630 SO WHAT WOULD YOU DO? 745 00:35:10,673 --> 00:35:13,328 HMM...SAME AS YOU. 746 00:35:13,372 --> 00:35:14,677 I'D GET HURT. 747 00:35:14,721 --> 00:35:15,678 MAD. 748 00:35:15,722 --> 00:35:17,941 CONFUSED. 749 00:35:17,985 --> 00:35:19,987 ASK PEOPLE FOR ADVICE. 750 00:35:20,030 --> 00:35:21,641 MAYBE THE WRONG PEOPLE, 751 00:35:21,684 --> 00:35:23,033 AND THEN I'D WAIT. 752 00:35:23,077 --> 00:35:24,165 FOR WHAT? 753 00:35:24,209 --> 00:35:27,429 FOR HIM TO GROW UP, COME AROUND... 754 00:35:27,473 --> 00:35:29,388 EVERYTHING. 755 00:35:29,431 --> 00:35:31,129 AND HOW LONG DOES THAT TAKE? 756 00:35:31,172 --> 00:35:34,436 OH, DON'T GO BY ME. 757 00:35:34,480 --> 00:35:37,178 I'D PROBABLY BE STUPID ENOUGH TO WAIT FOREVER. 758 00:35:39,659 --> 00:35:42,357 MIND A LITTLE COMPANY? 759 00:35:46,056 --> 00:35:48,233 PACEY: CAN I ASK YOU A QUESTION? 760 00:35:48,276 --> 00:35:51,323 HOW OLD ARE YOU, TAMARA, LIKE, 35? 761 00:35:51,366 --> 00:35:52,976 SOMETHING LIKE THAT. 762 00:35:53,020 --> 00:35:55,631 MM. YOU'VE BEEN WITH OTHER GUYS, RIGHT? 763 00:35:55,675 --> 00:35:58,547 SOME, YES. 764 00:35:58,591 --> 00:36:00,419 A LOT? 765 00:36:00,462 --> 00:36:02,160 WELL, NOT A LOT THAT MATTERED. 766 00:36:04,162 --> 00:36:07,077 AND HOW MANY WAS THAT? 767 00:36:07,121 --> 00:36:10,559 THAT MATTERED? YOU WANT NUMBERS? 768 00:36:10,603 --> 00:36:12,474 WELL, LET'S SEE. 769 00:36:14,389 --> 00:36:16,913 THERE WAS ONE IN HIGH SCHOOL, 770 00:36:16,957 --> 00:36:19,568 AND... ONE IN COLLEGE... 771 00:36:19,612 --> 00:36:23,442 AND SINCE THEN, I'D SAY, UH... 772 00:36:23,485 --> 00:36:26,227 THERE'VE BEEN 3. 773 00:36:26,271 --> 00:36:29,230 BUT NO ONE FOR A FEW YEARS. 774 00:36:32,451 --> 00:36:33,930 OH. 775 00:36:36,933 --> 00:36:39,849 GREAT. UM, THANKS. 776 00:36:39,893 --> 00:36:41,547 PACEY. 777 00:36:41,590 --> 00:36:43,113 YEAH? 778 00:36:43,157 --> 00:36:45,246 ABOUT THE ONE IN HIGH SCHOOL? 779 00:36:45,290 --> 00:36:46,421 HMM? 780 00:36:46,465 --> 00:36:48,989 I DIDN'T MEAN MYHIGH SCHOOL. 781 00:36:54,734 --> 00:36:56,126 [JEN SIGHS] 782 00:36:56,170 --> 00:36:58,651 WELL, IT'S BEEN ANOTHER BUSY WEEK HERE IN CAPESIDE. 783 00:36:58,694 --> 00:36:59,913 LAST 2 PEOPLE 784 00:36:59,956 --> 00:37:01,741 I EVER THOUGHT WOULD AGREE ON ANYTHING 785 00:37:01,784 --> 00:37:02,872 NOW DO. 786 00:37:02,916 --> 00:37:05,658 BOTH GRAMS AND DAWSON OFFICIALLY THINK 787 00:37:05,701 --> 00:37:09,096 I'M A SLUT. 788 00:37:09,139 --> 00:37:10,619 YOU KNOW, BETWEEN YOU AND ME, 789 00:37:10,663 --> 00:37:12,665 I DON'T EVEN KNOW WHAT THE BIG DEAL IS. 790 00:37:12,708 --> 00:37:14,275 I MEAN, IN 2 YEARS, 791 00:37:14,319 --> 00:37:16,799 NEARLY 55% OF MY PEERS WILL HAVE HAD SEX, 792 00:37:16,843 --> 00:37:19,367 AND IN 5 YEARS, IT'LL BE ALMOST 100, 793 00:37:19,411 --> 00:37:22,457 AND NOBODY WILL CARE WHEN I DID IT. 794 00:37:22,501 --> 00:37:24,111 BUT AS FOR NOW, 795 00:37:24,154 --> 00:37:27,767 IT'S AN UNFORTUNATE AND MAJOR DEAL. 796 00:37:27,810 --> 00:37:29,203 WHO KNOWS? 797 00:37:29,247 --> 00:37:30,726 MAYBE BY THE TIME YOU WAKE UP, 798 00:37:30,770 --> 00:37:33,207 A 15-YEAR-OLD GIRL WITH A SHADY PAST 799 00:37:33,251 --> 00:37:34,643 WON'T BE SUCH A BAD THING. 800 00:38:05,370 --> 00:38:08,111 HANGING OUT WITH ALL YOUR FRIENDS? 801 00:38:08,155 --> 00:38:11,941 YEAH. THAT'S WHY YOU WEREN'T INVITED. 802 00:38:11,985 --> 00:38:14,379 PHASERS ON STUN. I COME IN PEACE. 803 00:38:17,643 --> 00:38:19,601 YOU'RE GONNA SCREW IT UP, YOU KNOW. 804 00:38:19,645 --> 00:38:20,602 WHAT? 805 00:38:20,646 --> 00:38:23,388 JEN. SHE CAME AND TALKED TO ME. 806 00:38:23,431 --> 00:38:25,694 I TOLD HER, SIT TIGHT. HE'LL BE BACK. 807 00:38:25,738 --> 00:38:28,349 YEAH, THANKS. I APPRECIATE IT, JOEY. 808 00:38:28,393 --> 00:38:31,570 I EXPLAINED THAT IT'S JUST DISPLACED ANGER, 809 00:38:31,613 --> 00:38:32,919 AND YOU'RE MAD AT YOUR MOM AND DAD. 810 00:38:32,962 --> 00:38:34,747 I'M MAD AT THE WORLD, JOEY. 811 00:38:34,790 --> 00:38:36,357 I'M A TEENAGER. 812 00:38:36,401 --> 00:38:38,838 OH, AND BY THE WAY, WE'RE OLD PALS NOW, BLONDIE AND I, 813 00:38:38,881 --> 00:38:41,667 SO, UH, YOU HAVE ANY MESSAGES YOU WANT TO GET BACK TO HER, 814 00:38:41,710 --> 00:38:42,798 JUST LET ME KNOW-- 815 00:38:42,842 --> 00:38:44,234 LOOK, JOEY, WHATEVER YOU'VE DONE, THANKS, 816 00:38:44,278 --> 00:38:46,454 BUT I JUST DON'T WANT TO TALK ABOUT IT RIGHT NOW. 817 00:38:46,498 --> 00:38:48,238 WITH YOU. 818 00:38:48,282 --> 00:38:49,239 COME ON. 819 00:38:49,283 --> 00:38:50,850 PASSING UP A CHANCE 820 00:38:50,893 --> 00:38:54,070 TO DISH ABOUT THE GIRL OF YOUR DREAMS? 821 00:38:54,114 --> 00:38:56,508 I THOUGHT THAT'S WHAT YOU DID WITH YOUR FRIENDS. 822 00:38:56,551 --> 00:38:59,337 IT IS, EXCEPT I'M NOT SURE THAT WE ARE. 823 00:39:01,643 --> 00:39:02,775 OH. 824 00:39:03,950 --> 00:39:05,604 HOW DROLL. 825 00:39:05,647 --> 00:39:07,475 THE TABLES HAVE BEEN TURNED. 826 00:39:07,519 --> 00:39:09,390 THIS ISN'T JUST ABOUT YESTERDAY, JOEY. 827 00:39:09,434 --> 00:39:11,436 IT'S LAST WEEK, LAST MONTH. 828 00:39:11,479 --> 00:39:13,786 IT...EVERYTHING BETWEEN US RECENTLY. 829 00:39:13,829 --> 00:39:15,483 WE JUST... 830 00:39:15,527 --> 00:39:18,007 WE'RE NOT GETTING ALONG THE SAME WAY WE USED TO. 831 00:39:18,051 --> 00:39:19,531 SO THE FRIENDSHIP, 832 00:39:19,574 --> 00:39:22,795 YOU DON'T THINK WE'RE FRIENDS ANYMORE? 833 00:39:22,838 --> 00:39:24,579 OH, I DON'T... 834 00:39:24,623 --> 00:39:27,016 I DON'T KNOW. ARE WE MORE? ARE WE LESS? 835 00:39:27,060 --> 00:39:31,934 I...ALL I KNOW IS, IT'S JUST NOT THE WAY IT USED TO BE. 836 00:39:31,978 --> 00:39:34,459 NOTHING IS ANYMORE. 837 00:39:34,502 --> 00:39:37,200 IT'S CALLED SOCIAL EVOLUTION, DAWSON. 838 00:39:37,244 --> 00:39:39,028 WHAT'S STRONG ENOUGH FLOURISHES, 839 00:39:39,072 --> 00:39:42,858 AND WHAT DOESN'T WE LOOK AT BEHIND GLASS CASES IN SCIENCE MUSEUMS. 840 00:39:44,469 --> 00:39:45,948 YOU AND I? 841 00:39:47,515 --> 00:39:50,257 ARE WE MUSEUM-BOUND? 842 00:39:51,911 --> 00:39:53,608 I DON'T KNOW ABOUT THAT. 843 00:39:59,005 --> 00:40:01,007 YOU GET ANGRY AT ME TOO EASILY. 844 00:40:01,050 --> 00:40:02,922 YOU'RE WAY TOO CRITICAL OF ME. 845 00:40:07,666 --> 00:40:08,797 YOU KNOW, IN SOME ALTERNATE UNIVERSE, 846 00:40:08,841 --> 00:40:10,538 WE MUST HAVE BEEN MARRIED, LIKE, 50 YEARS. 847 00:40:10,582 --> 00:40:12,888 YEAH, AND I'M SURE IT WAS A WONDERFUL WEDDING. 848 00:40:12,932 --> 00:40:13,889 OH, THE BEST. 849 00:40:13,933 --> 00:40:15,543 WE EACH BROUGHT DATES, I ASSUME. 850 00:40:15,587 --> 00:40:18,938 YEAH, JEN WAS BY MY SIDE THROUGHOUT. 851 00:40:18,981 --> 00:40:21,636 AND AT THE END OF THE EVENING, THE INEVITABLE QUESTION. 852 00:40:21,680 --> 00:40:23,290 WHO DO YOU TAKE HOME? 853 00:40:23,333 --> 00:40:25,074 THE DATE OR THE WIFE? 854 00:40:25,118 --> 00:40:26,685 MMM. A DILEMMA. 855 00:40:26,728 --> 00:40:28,208 BUT FASCINATING. 856 00:40:28,251 --> 00:40:32,038 FACED WITH THE CHOICE, YOU STOOD, SURVEYING YOUR OPTIONS. 857 00:40:32,081 --> 00:40:37,304 YOUR EYES DRIFTED SLOWLY... FROM HER...TO ME... 858 00:40:39,175 --> 00:40:40,568 THEN BACK TO HER... 859 00:40:42,440 --> 00:40:44,572 THEN BACK TO YOU? 860 00:40:44,616 --> 00:40:48,054 YEAH, BUT I WAS OFF HAVING A DRINK WITH THE RICH GUY AT THE BAR. 861 00:40:48,097 --> 00:40:49,664 UNTIL MONEYBAGS GOT FRESH, 862 00:40:49,708 --> 00:40:51,710 AND YOU NEEDED SOMEBODY TO BAIL YOU OUT. 863 00:40:51,753 --> 00:40:52,711 REALLY? 864 00:40:52,754 --> 00:40:53,755 MM-HMM. 865 00:40:53,799 --> 00:40:55,278 I DON'T REMEMBER THAT PART. 866 00:40:55,322 --> 00:40:56,932 OH, I DO, CLEAR AS DAY, ABSOLUTELY. 867 00:40:56,976 --> 00:41:01,067 YOU...WERE DEFINITELY IN NEED OF A RESCUE. 868 00:41:01,110 --> 00:41:03,330 AND WERE YOU MAN ENOUGH? 869 00:41:03,373 --> 00:41:07,987 DID YOU SET ASIDE YOUR CLEARHEADED ANALYSIS OF THE SITUATION AND ACT? 870 00:41:12,774 --> 00:41:16,430 DID WE, UH, DID WE SAVE EACH OTHER THAT NIGHT, DAWSON? 871 00:41:23,611 --> 00:41:26,701 I--YOU KNOW, IT GETS SO HAZY AT THIS POINT, 872 00:41:26,745 --> 00:41:28,877 I--I REALLY CAN'T REMEMBER. 873 00:41:28,921 --> 00:41:31,532 COULDN'T TELL YA. 874 00:41:31,576 --> 00:41:33,969 WELL, WHEN IT COMES BACK TO YOU, 875 00:41:34,013 --> 00:41:38,408 I'D CERTAINLY BE CURIOUS TO HEAR HOW IT ALL ENDED. 876 00:41:38,452 --> 00:41:40,193 YOU'LL BE MY FIRST CALL. 877 00:41:49,202 --> 00:41:51,552 WELL...GOOD NIGHT, DAWSON. 878 00:41:51,596 --> 00:41:54,642 ALL THIS SUBTEXT IS MAKING ME TIRED. 879 00:42:00,735 --> 00:42:02,128 DAWSON? 880 00:42:02,171 --> 00:42:04,565 YEAH? 881 00:42:07,568 --> 00:42:09,788 NO MATTER HOW THE WEDDING TURNED OUT... 882 00:42:12,486 --> 00:42:16,882 I'M PRETTY SURE I HAD A WONDERFUL TIME UP UNTIL THE END. 883 00:42:16,925 --> 00:42:17,926 YEAH. 884 00:42:22,061 --> 00:42:23,541 ME, TOO. 885 00:42:40,166 --> 00:42:41,515 NO DOUBT ABOUT IT. 886 00:42:43,648 --> 00:42:45,084 STRAIGHT TO THE SMITHSONIAN.