1 00:00:23,066 --> 00:00:24,241 THIS IS THE JEN MOMENT. 2 00:00:24,285 --> 00:00:25,416 THIS IS MY FUTURE WE'RE WATCHING. 3 00:00:25,460 --> 00:00:27,766 ME AND JEN. JEN AND I. 4 00:00:27,810 --> 00:00:29,899 MM. BLACK AND WHITE FUTURE. HOW RETRO. 5 00:00:29,942 --> 00:00:31,379 I'M TALKING ABOUT THE ROMANTIC APOTHEOSIS. 6 00:00:31,422 --> 00:00:33,816 MY FIRST KISS WITH JEN IS GOING TO BE JUST LIKE THAT. 7 00:00:33,859 --> 00:00:35,818 WHOA, WAIT A MINUTE. WE'RE BACK TO THAT? 8 00:00:35,861 --> 00:00:37,559 YOU MEAN YOU HAVEN'T EVEN KISSED THAT GIRL? 9 00:00:37,602 --> 00:00:38,821 IT'S NOT ABOUT THE KISS, JOEY. 10 00:00:38,864 --> 00:00:40,040 IT'S ABOUT THE JOURNEY. 11 00:00:40,083 --> 00:00:42,172 IT'S ABOUT CREATING AND SUSTAINING MAGIC. 12 00:00:42,216 --> 00:00:44,566 DOES JEN FALL FOR THIS WARPED MOVIE LOGIC? 13 00:00:44,609 --> 00:00:46,089 IT'S NOT WARPED. IT'S ROMANCE. 14 00:00:46,133 --> 00:00:47,090 IT'S OLD, DAWSON. 15 00:00:47,134 --> 00:00:48,787 JUST KISS HER, WILL YOU? 16 00:00:48,831 --> 00:00:51,355 TAKE THE ELEVATOR TO THE NEXT FLOOR AND GET OFF. IT'S TIME. 17 00:00:51,399 --> 00:00:52,835 OKAY, IT'S NOT THAT SIMPLE, JOEY. 18 00:00:52,878 --> 00:00:55,185 IT'S ABOUT CREATING THE PERFECT MOMENT. 19 00:00:55,229 --> 00:00:57,579 IT HAS TO BE PLANNED WITH THE RIGHT... 20 00:00:57,622 --> 00:00:59,668 MUSIC AND LIGHTING AND DIALOGUE. 21 00:00:59,711 --> 00:01:01,104 YOU CAN'T STORYBOARD A KISS. 22 00:01:01,148 --> 00:01:02,584 SURE YOU CAN. 23 00:01:02,627 --> 00:01:03,715 IT'S NOT REALITY, DAWSON. 24 00:01:03,759 --> 00:01:04,803 THESE MOVIES THAT YOU'RE WATCHING, 25 00:01:04,847 --> 00:01:06,109 THEY'RE FALSE IMAGES THAT DON'T EXIST 26 00:01:06,153 --> 00:01:07,676 OUTSIDE THE CITY LIMITS OF HOLLYWOOD. 27 00:01:07,719 --> 00:01:09,504 NOT TRUE. THEY'RE IMAGES 28 00:01:09,547 --> 00:01:11,593 GROUNDED IN THE REALITY OF IMAGINATION. 29 00:01:11,636 --> 00:01:14,161 DID YOU JUST PULL THAT ONE OUT OF YOUR BUTT OR WHAT? 30 00:01:14,204 --> 00:01:16,119 EVERYBODY THINKS THAT MOVIES ARE FANTASY, 31 00:01:16,163 --> 00:01:18,121 BUT THEY DON'T HAVE TO BE. 32 00:01:18,165 --> 00:01:19,731 FROM HERE TO ETERNITY. YOU CAN HAVE THAT. 33 00:01:19,775 --> 00:01:21,168 YOU JUST HAVE TO CREATE IT. 34 00:01:21,211 --> 00:01:23,083 THAT MOMENT ON THE BEACH CAN BE YOURS. 35 00:01:23,126 --> 00:01:24,519 YOU COULD BE DEBORAH KERR. 36 00:01:24,562 --> 00:01:26,608 HM. SAND IN MY CROTCH. HEAVEN. 37 00:01:26,651 --> 00:01:27,696 [SIGHS] 38 00:01:27,739 --> 00:01:30,133 YOU KNOW, IT'S ATTITUDES LIKE YOURS 39 00:01:30,177 --> 00:01:33,093 THAT PREVENT STORYBOOK ROMANCES FROM HAPPENING. 40 00:01:33,136 --> 00:01:34,094 YOU'RE WAY TOO CYNICAL. 41 00:01:34,137 --> 00:01:35,704 RIGHT. 42 00:01:35,747 --> 00:01:36,966 FAR TOO JADED FOR THIS CONVERSATION. 43 00:01:37,009 --> 00:01:39,099 I'M SORRY, DAWSON, 44 00:01:39,142 --> 00:01:41,405 BUT ROMANCE DOESN'T COME WITH A JOHN WILLIAMS SCORE. 45 00:01:41,449 --> 00:01:42,928 IT'S CALLED A STEREO. 46 00:01:42,972 --> 00:01:44,408 AND IT DOESN'T COME WITH A SUNSET 47 00:01:44,452 --> 00:01:46,193 OR STARLIT SUMMER NIGHT, EITHER. 48 00:01:46,236 --> 00:01:47,716 AND I'M PERSONALLY OFFENDED BY THIS MOVIE MENTALITY 49 00:01:47,759 --> 00:01:48,760 THAT WOULD HAVE US BELIEVE 50 00:01:48,804 --> 00:01:49,979 THAT BRAD PITT AND SANDRA BULLOCK 51 00:01:50,022 --> 00:01:51,415 ARE GOING TO MAGICALLY DROP FROM THE SKY 52 00:01:51,459 --> 00:01:53,025 AND SWEEP US OFF OUR FEET. 53 00:01:53,069 --> 00:01:54,505 I DIDN'T KNOW YOU HAD A THING FOR BRAD PITT. 54 00:01:54,549 --> 00:01:56,551 I DON'T. IT'S AN ANALOGY.SANDRA BULLOCK? 55 00:01:56,594 --> 00:01:58,161 DAWSON! 56 00:01:58,205 --> 00:01:59,815 THESE MOVIES AREN'T REAL. 57 00:01:59,858 --> 00:02:01,730 THEY'RE NOT KISSING WITH THEIR TONGUES. 58 00:02:01,773 --> 00:02:03,993 IT'S TAKE 22. THE GIRL'S BORED. THE GUY'S GAY. 59 00:02:04,036 --> 00:02:04,994 IT'S CELLULOID PROPAGANDA. 60 00:02:05,037 --> 00:02:07,127 JOEY. JOEY. JOEY... 61 00:02:07,170 --> 00:02:10,130 YOU BITTER, CYNICAL, JADED... 62 00:02:10,173 --> 00:02:11,261 THING. 63 00:02:11,305 --> 00:02:14,134 YOU USED TO BE BITTER AND CYNICAL TOO. 64 00:02:14,177 --> 00:02:16,353 YOU WERE FAR MORE INTERESTING. 65 00:02:16,397 --> 00:02:19,139 BUT NOW I CHOOSE MAGIC. 66 00:02:19,182 --> 00:02:20,270 YOU KNOW, THIS PETER PAN 67 00:02:20,314 --> 00:02:23,752 FANTASY FILM LAND YOU'RE LIVING IN, 68 00:02:23,795 --> 00:02:25,101 IT WILL BE YOUR DOWNFALL. 69 00:02:25,145 --> 00:02:27,408 ONE DAY YOU'LL UNDERSTAND, JOEY. 70 00:02:27,451 --> 00:02:29,192 YOU'LL KNOW WHAT IT'S LIKE TO LONG FOR SOMEONE, 71 00:02:29,236 --> 00:02:31,020 TO DESIRE THEM AND WANT TO KISS THEM, 72 00:02:31,063 --> 00:02:32,761 AND THEN YOU'RE GOING TO COME TO ME 73 00:02:32,804 --> 00:02:34,589 AND YOU'RE GOING TO SAY, "DAWSON, YOU WERE RIGHT." 74 00:02:36,243 --> 00:02:37,766 SEE, JOEY? 75 00:02:37,809 --> 00:02:40,508 ALL YOU HAVE TO DO IS BELIEVE. 76 00:02:45,382 --> 00:02:47,036 CLAP HARD, DAWSON. 77 00:02:47,079 --> 00:02:48,646 YOU MAY BE TINKERBELL'S LAST HOPE. 78 00:04:10,424 --> 00:04:14,166 MR. GOLD: ALL RIGHT, KIDS, SO LET'S HEAR SOME IDEAS. 79 00:04:14,210 --> 00:04:16,386 WHAT ABOUT A BIG PRODUCTION NUMBER AT THE VICTORY DANCE, 80 00:04:16,430 --> 00:04:18,301 RIGHT AT THE END OF THE SECOND ACT? 81 00:04:18,345 --> 00:04:21,435 COULD SOMEONE PLEASE TELL TOMMY TUNE BACK THERE 82 00:04:21,478 --> 00:04:24,568 THAT THE DISCUSSION IS LIMITED TO NON-ASININE IDEAS? 83 00:04:24,612 --> 00:04:26,091 LET'S TRY TO KEEP THIS STORY MEETING 84 00:04:26,135 --> 00:04:28,311 A LITTLE MORE UPBEAT AND POLITICALLY CORRECT, NELLIE. 85 00:04:28,355 --> 00:04:29,573 HEY, I GOT IT. 86 00:04:29,617 --> 00:04:31,227 THE COACH HAS A HEART ATTACK 87 00:04:31,271 --> 00:04:33,098 AND DROPS RIGHT BEFORE THE GAME. 88 00:04:33,142 --> 00:04:34,665 CLIFF: NO, IT'S THE COACH. NOBODY CARES. 89 00:04:34,709 --> 00:04:35,840 IT HAS BE SOMETHING BIGGER. 90 00:04:35,884 --> 00:04:37,189 WE START SHOOTING TONIGHT. 91 00:04:37,233 --> 00:04:38,930 I MEAN, SHOULDN'T THE SCRIPT BE LOCKED? 92 00:04:38,974 --> 00:04:40,671 YES, BUT WE NEED TO SOLVE THE ENDING. 93 00:04:40,715 --> 00:04:42,934 I MEAN, THERE'S SOMETHING MISSING AT THE TOP OF THE ACT. 94 00:04:42,978 --> 00:04:45,589 WHAT IF WE GIVE THE SPLIT END SOME KIND OF A PROBLEM? 95 00:04:45,633 --> 00:04:49,376 LIKE DRUGS, DRINKING... HIS GIRLFRIEND GOT KNOCKED UP. 96 00:04:49,419 --> 00:04:50,768 KILL SOMEONE! 97 00:04:50,812 --> 00:04:52,988 AN UNEXPECTED DEATH ALWAYS WORKS. 98 00:04:53,031 --> 00:04:57,384 GUYS, GUYS, YOU NEED TO CREATE SOME DRAMATIC TENSION. 99 00:04:57,427 --> 00:04:58,950 THERE'S A FORMULA TO IT, THAT'S ALL. 100 00:04:58,994 --> 00:05:01,605 ANYBODY EVER SEE ROCKY OR THE KARATE KID? 101 00:05:01,649 --> 00:05:04,391 THIS FILM NEEDS TO BE ABOUT THE UNDERDOG, NOT THE GOLDEN BOY. 102 00:05:04,434 --> 00:05:06,349 HE NEEDS TO OVERCOME SOME KIND OF INTERNAL CONFLICT 103 00:05:06,393 --> 00:05:08,438 WITHIN HIMSELF. WE, THE AUDIENCE, 104 00:05:08,482 --> 00:05:10,875 NEED TO KNOW WHY THIS GAME IS SO IMPORTANT TO HIM. 105 00:05:10,919 --> 00:05:12,877 WHAT'S HE GOING TO PROVE TO HIMSELF IF HE WINS IT? 106 00:05:12,921 --> 00:05:14,314 WE NEED TO CARE ABOUT HIM. 107 00:05:15,445 --> 00:05:17,578 [LAUGHING] 108 00:05:17,621 --> 00:05:18,883 PATHETIC! 109 00:05:18,927 --> 00:05:21,321 MR. GOLD, AS PRODUCER, 110 00:05:21,364 --> 00:05:24,585 I'M GOING TO HAVE TO INSIST YOU SHUT HIM UP. 111 00:05:24,628 --> 00:05:25,847 [SCHOOL BELL RINGS] 112 00:05:32,375 --> 00:05:35,335 I NOTICED YOU DIDN'T HAND ME BACK MY TEST. 113 00:05:35,378 --> 00:05:38,555 DOES THAT MEAN YOU NEED TO SEE ME AFTER CLASS? 114 00:05:38,599 --> 00:05:40,688 IT MEANS YOU RACKED UP ANOTHER PRIME NUMBER ON A QUIZ. 115 00:05:40,731 --> 00:05:43,212 PRIME LIKE QUALITY STEAK IS PRIME? 116 00:05:43,255 --> 00:05:46,520 PRIME LIKE 23 IS PRIME. 117 00:05:46,563 --> 00:05:49,261 DO YOU KNOW ANYTHING ABOUT ETHAN FROME? 118 00:05:49,305 --> 00:05:52,961 UH...I KNOW HE HAS A FARM. 119 00:05:53,004 --> 00:05:55,224 ♪ AND ON THAT FARM HE HAS A-- ♪ 120 00:05:55,267 --> 00:05:56,660 STOP, PACEY. 121 00:05:56,704 --> 00:05:59,315 THIS IS SERIOUS. 122 00:05:59,359 --> 00:06:01,361 I HEARD THE OTHER TEACHERS TALKING ABOUT YOUR WORK. 123 00:06:01,404 --> 00:06:03,363 OR LACK THEREOF. 124 00:06:03,406 --> 00:06:06,061 THIS IS ACROSS THE BOARD. YOU'RE FAILING. 125 00:06:06,104 --> 00:06:09,281 DO YOU KNOW HOW DIFFICULT IT IS TO FAIL? 126 00:06:09,325 --> 00:06:10,500 OKAY, THIS HAS TAKEN A CONSIDERABLE AMOUNT 127 00:06:10,544 --> 00:06:11,501 OF WORK AND ENERGY. 128 00:06:11,545 --> 00:06:13,634 THIS IS DELIBERATE? 129 00:06:13,677 --> 00:06:14,983 OF COURSE. 130 00:06:15,026 --> 00:06:16,898 THIS IS A PREMEDITATED EFFORT. 131 00:06:16,941 --> 00:06:18,639 YOU SEE, IT WAS MY HOPE THAT A CERTAIN TEACHER 132 00:06:18,682 --> 00:06:19,901 WAS GOING TO BAIL ME OUT 133 00:06:19,944 --> 00:06:22,512 WITH SOME PRIVATE TUTORIAL ENCOUNTERS. 134 00:06:22,556 --> 00:06:24,035 THIS ISN'T A QUESTION OF YOUR INTELLIGENCE, PACEY. 135 00:06:24,079 --> 00:06:26,298 OF COURSE IT'S NOT. 136 00:06:26,342 --> 00:06:29,650 YOU SEE, MY PROBLEM IS I HAVE A FOCUS ISSUE. 137 00:06:29,693 --> 00:06:31,913 I NEED A SLAVE DRIVER. 138 00:06:31,956 --> 00:06:33,654 SOMEBODY WITH A WHIP, MAYBE? 139 00:06:33,697 --> 00:06:35,046 [WHISPERS]PACEY! 140 00:06:35,090 --> 00:06:36,657 WE CAN'T INTERACT LIKE THIS. 141 00:06:36,700 --> 00:06:37,919 OH, NO. OF COURSE NOT. 142 00:06:37,962 --> 00:06:39,616 THIS IS DEADLY WRONG. TABOO. 143 00:06:39,660 --> 00:06:41,052 HOWEVER, YOU CAN TUTOR ME. 144 00:06:41,096 --> 00:06:42,271 THAT'S COMPLETELY ACCEPTABLE 145 00:06:42,314 --> 00:06:45,100 WITHIN OUR STUDENT/TEACHER RELATIONSHIP. 146 00:06:45,143 --> 00:06:47,015 [SIGHS] 147 00:06:50,975 --> 00:06:53,325 I HAVE A TEACHERS' MEETING AFTER CLASS, 148 00:06:53,369 --> 00:06:55,763 BUT I'LL BE WORKING LATE. MEET ME HERE LATER. 149 00:06:55,806 --> 00:06:57,025 SIXISH? 150 00:06:59,375 --> 00:07:00,071 YEAH. 151 00:07:03,510 --> 00:07:05,207 [PACEY HUMMING] 152 00:07:23,138 --> 00:07:26,271 IT FEELS LIKE THIS BABY IS TANGLED IN MY RIB CAGE. 153 00:07:26,315 --> 00:07:27,882 GOD, YOU'RE HUGE. 154 00:07:27,925 --> 00:07:29,884 WHY DON'T YOU JUST GO HOME? 155 00:07:29,927 --> 00:07:32,887 NEVER TELL A PREGNANT WOMAN SHE'S FAT. 156 00:07:32,930 --> 00:07:34,279 SORRY. YOU'RE NOT FAT, BESSIE. 157 00:07:34,323 --> 00:07:36,325 YOU'RE JUST... MONUMENTALLY GARGANTUAN. 158 00:07:36,368 --> 00:07:39,546 YOUR SISTER REMINDS ME OF A BEACHED WHALE. 159 00:07:39,589 --> 00:07:42,636 YOU'RE JOKING, RIGHT? 160 00:07:42,679 --> 00:07:43,680 THAT WAS A JOKE. 161 00:07:43,724 --> 00:07:45,465 THIS IS MY BIG BREAK. 162 00:07:45,508 --> 00:07:47,205 GOLD'S GOING TO LET ME IN THE CLASS OFFICIALLY, 163 00:07:47,249 --> 00:07:48,555 PROVIDED I PROVE MYSELF THIS WEEKEND. 164 00:07:48,598 --> 00:07:50,034 HOW? 165 00:07:50,078 --> 00:07:52,297 I'M ON THE CREW FOR HELMETS OF GLORY. 166 00:07:52,341 --> 00:07:53,734 I'M A P.A. FOR NELLIE. 167 00:07:53,777 --> 00:07:56,214 IT'S A TEST.YEAH, OF PURE HUMILIATION. 168 00:07:56,258 --> 00:07:58,216 SEE, THAT'S THE POINT. BUT IF I CAN TAKE HER ABUSE 169 00:07:58,260 --> 00:08:00,131 WITH A WINNING ATTITUDE-- 170 00:08:00,175 --> 00:08:02,220 OUR SERVING WENCH IS HERE. 171 00:08:02,264 --> 00:08:03,700 OF COURSE THIS COMPLETELY RUINS 172 00:08:03,744 --> 00:08:05,223 MY ROMANTIC PLANS WITH JEN THIS WEEKEND. 173 00:08:05,267 --> 00:08:06,573 FORGET WONDERBRA FOR A MOMENT. 174 00:08:06,616 --> 00:08:08,357 DON'T YOU HAVE TO WORK ON YOUR OWN MOVIE? 175 00:08:08,400 --> 00:08:09,445 WHAT'S UP WITH THAT? 176 00:08:09,489 --> 00:08:11,491 ORIGINALLY, I WAS GOING TO DO BOTH. 177 00:08:11,534 --> 00:08:13,710 THAT WAS THE PLAN. I WAS GOING TO BRIDGE FANTASY WITH REALITY 178 00:08:13,754 --> 00:08:15,756 AND PROVE THAT, YES, ROMANCE CAN BE CREATED. 179 00:08:15,799 --> 00:08:17,105 GET OFF OF THAT. 180 00:08:17,148 --> 00:08:18,367 WHAT ARE YOU TALKING ABOUT, MAN? 181 00:08:18,410 --> 00:08:19,803 IT'S THE LAST SCENE IN THE MOVIE, RIGHT? 182 00:08:19,847 --> 00:08:21,283 THE MONSTER'S DEAD. 183 00:08:21,326 --> 00:08:22,980 IT'S THE BEAUTY THAT KILLED THE BEAST, ET CETERA. 184 00:08:23,024 --> 00:08:25,853 PENELOPE, OUR HEROINE, SAYS HER FINAL GOODBYES TO THE BEAST. 185 00:08:25,896 --> 00:08:27,942 I WAS GOING TO SHOOT IT UP AT THE RUINS. 186 00:08:27,985 --> 00:08:30,335 UH, THAT'S TRESPASSING. DON'T GET CAUGHT. 187 00:08:30,379 --> 00:08:33,121 BUT IT'S A PERFECT MONSTER'S HAVEN... LUSH AND ROMANTIC. 188 00:08:33,164 --> 00:08:34,644 AND THE PERFECT PLACE TO SEDUCE 189 00:08:34,688 --> 00:08:37,168 THE YOUNG AND BEAUTIFUL ACTRESS PLAYING PENELOPE. 190 00:08:37,212 --> 00:08:39,301 YOU DOG! YOU ARE SLY! 191 00:08:39,344 --> 00:08:41,042 YOU MAKE IT SOUND SO CHEAP. 192 00:08:41,085 --> 00:08:43,566 DO YOU WANT ANYTHING, OR DID YOU JUST COME TO INFECT THE PLACE? 193 00:08:43,610 --> 00:08:44,828 I'M PICKING UP A TO-GO ORDER: 194 00:08:44,872 --> 00:08:47,004 10 FISH AND CHIPS, FIVE FAMILY FRIES, 195 00:08:47,048 --> 00:08:47,744 AND A DOZEN SHRIMP BURGERS. 196 00:08:47,788 --> 00:08:50,965 AND WHAT DO YOU WANT? 197 00:08:51,008 --> 00:08:54,229 ACTUALLY, SOMETHING A LITTLE SEXY WOULD BE GOOD. 198 00:08:54,272 --> 00:08:56,840 I GOT A MAYBE-KIND-OF-SORT-OF DATE THIS EVENING. 199 00:08:56,884 --> 00:08:58,929 MM. WHO'S THE LUCKY FARM ANIMAL TONIGHT? 200 00:08:58,973 --> 00:09:01,323 UH, WHAT MAKES A WOMAN HORNY? 201 00:09:01,366 --> 00:09:02,585 YOUR POLAR OPPOSITE? 202 00:09:02,629 --> 00:09:04,021 YOU MEAN OYSTERS. 203 00:09:04,065 --> 00:09:07,198 RIGHT, OYSTERS. A DOZEN OYSTERS, JOEY. PACK THEM UP. 204 00:09:07,242 --> 00:09:09,592 AND YOU COULD PACK THEM UP NOW, JOEY. 205 00:09:09,636 --> 00:09:10,724 HELLO! JOEY? 206 00:09:12,987 --> 00:09:16,033 PACEY: HELLO? ANYBODY HOME? 207 00:09:16,077 --> 00:09:18,122 WHO IS THAT GUY? 208 00:09:18,166 --> 00:09:19,210 WHO'S WHO? 209 00:09:20,647 --> 00:09:22,649 UH, THE GUY WHO WAS BREAKING YOUR NECK. 210 00:09:22,692 --> 00:09:24,085 DO YOU KNOW HIM? 211 00:09:24,128 --> 00:09:26,217 I'VE NEVER SEEN HIM BEFORE. 212 00:09:26,261 --> 00:09:28,480 HE'S PROBABLY JUST SOME RICH KID 213 00:09:28,524 --> 00:09:30,526 WHO JUST STEPPED OFF HIS MOMMY AND DADDY'S YACHT OR SOMETHING. 214 00:09:30,570 --> 00:09:31,875 COULD IT BE? 215 00:09:31,919 --> 00:09:34,399 JOEY IS FINALLY NOTICING THE OPPOSITE SEX? 216 00:09:34,443 --> 00:09:35,705 SHUT UP. 217 00:09:35,749 --> 00:09:37,533 UH, EXCUSE ME, YOUNG MAN! 218 00:09:37,577 --> 00:09:38,752 THIS WOMAN HERE THINKS YOU'RE VERY-- 219 00:09:38,795 --> 00:09:42,843 YOU BUTT PLUG! 220 00:09:42,886 --> 00:09:47,238 FORGET IT, JOEY, GUYS OFF YACHTS DON'T GO FOR WAITRESSES. 221 00:09:47,282 --> 00:09:49,153 PACEY: HM? 222 00:09:49,197 --> 00:09:50,720 I'M GOING TO KILL YOU. 223 00:09:50,764 --> 00:09:52,200 ONE NIGHT IN YOUR SLEEP... 224 00:09:52,243 --> 00:09:54,724 A SLIT THROAT, MAYBE, OR A SCREWDRIVER TO YOUR TEMPLE. 225 00:09:54,768 --> 00:09:56,987 BE READY. 226 00:10:15,571 --> 00:10:17,138 HEY, DAWSON. 227 00:10:17,181 --> 00:10:19,619 HEY. WHAT ARE YOU DOING HERE? 228 00:10:19,662 --> 00:10:21,751 OH, JUST LIVING A FANTASY. 229 00:10:21,795 --> 00:10:23,623 NO, SERIOUSLY. 230 00:10:23,666 --> 00:10:25,146 CLIFF GAVE ME A PART. 231 00:10:25,189 --> 00:10:26,713 AT NO POINT WAS THERE A COUCH INVOLVED, RIGHT? 232 00:10:26,756 --> 00:10:29,150 NO. CLIFF'S A VERY NICE GUY. 233 00:10:29,193 --> 00:10:30,760 AND I'VE GOT TWO LINES: 234 00:10:30,804 --> 00:10:33,458 "WAY TO GO" AND "THOSE WHALERS SURE DO LOOK BIG." 235 00:10:33,502 --> 00:10:35,156 BUT, JEN, YOU'RE SUPPOSED TO BE IN MY MOVIE, 236 00:10:35,199 --> 00:10:37,158 NOT THIS HOMAGE TO HEADGEAR. 237 00:10:37,201 --> 00:10:39,595 HEY! GLAD YOU MADE IT. 238 00:10:39,639 --> 00:10:40,770 HI. 239 00:10:40,814 --> 00:10:43,164 JUST IN TIME. WE WERE JUST ABOUT TO START. 240 00:10:43,207 --> 00:10:44,078 NELLIE: REHEARSAL'S UP! 241 00:10:48,822 --> 00:10:49,779 THANKS, DAVID. 242 00:10:49,823 --> 00:10:50,519 IT'S DAWSON. 243 00:11:08,493 --> 00:11:10,191 HAS ETHAN MADE IT TO THE COUNTY FAIR YET? 244 00:11:10,234 --> 00:11:12,715 UH, YEAH. YEAH, HE HAS. 245 00:11:12,759 --> 00:11:14,108 YES, HE HAS. 246 00:11:14,151 --> 00:11:16,023 AMAZING. 247 00:11:16,066 --> 00:11:18,765 THERE WAS NO COUNTY FAIR WHEN I READ IT. 248 00:11:25,162 --> 00:11:26,947 WHAT WERE YOU IN HIGH SCHOOL? 249 00:11:26,990 --> 00:11:29,123 WHAT DO YOU MEAN? 250 00:11:29,166 --> 00:11:31,125 A JOCK? A BRAIN? A CHEERLEADER? 251 00:11:31,168 --> 00:11:32,430 WHY? 252 00:11:32,474 --> 00:11:34,432 JUST CURIOUS. 253 00:11:34,476 --> 00:11:36,130 WELL, I WAS CAPTAIN OF THE DANCE TEAM 254 00:11:36,173 --> 00:11:37,740 AND CLASS TREASURER. 255 00:11:37,784 --> 00:11:39,786 AND I STUDIED A LOT. 256 00:11:39,829 --> 00:11:41,135 BOYFRIEND? 257 00:11:41,178 --> 00:11:43,137 YES. 258 00:11:43,180 --> 00:11:44,878 A JOCK. 259 00:11:44,921 --> 00:11:47,968 CENTER FIELDER. WHY ARE YOU ASKING? 260 00:11:48,011 --> 00:11:50,057 WOULD YOU HAVE DATED ME? 261 00:11:50,100 --> 00:11:51,754 SH-- 262 00:11:51,798 --> 00:11:53,756 PACEY! 263 00:11:53,800 --> 00:11:56,411 WE'RE IN SCHOOL. WE ARE NOT ALONE. 264 00:11:56,454 --> 00:11:57,934 THERE ARE PEOPLE IN THIS BUILDING. 265 00:11:57,978 --> 00:11:59,719 AND IT'S JUST A QUESTION. 266 00:11:59,762 --> 00:12:01,721 IF YOU AND I HAD GONE TO SCHOOL TOGETHER 267 00:12:01,764 --> 00:12:04,027 AND WE WERE THE SAME AGE, WOULD YOU HAVE DATED ME? 268 00:12:04,071 --> 00:12:06,464 PROBABLY NOT. 269 00:12:09,380 --> 00:12:11,731 BUT THAT WAS A LONG TIME AGO, 270 00:12:11,774 --> 00:12:13,733 AND I'VE LEARNED A LOT. 271 00:12:13,776 --> 00:12:15,299 I'M SMARTER NOW. 272 00:12:15,343 --> 00:12:18,215 AT LEAST I WAS UNTIL A FEW WEEKS AGO. 273 00:12:21,610 --> 00:12:22,785 WHAT'S THIS? 274 00:12:22,829 --> 00:12:25,745 SUMMARY QUESTIONS FOR THE FIRST TWO CHAPTERS. 275 00:12:25,788 --> 00:12:27,094 I'LL TELL YOU WHAT. 276 00:12:27,137 --> 00:12:28,748 YOU ANSWER ALL OF THEM, 277 00:12:28,791 --> 00:12:31,011 AND PERHAPS I'LL GIVE YOU SOME POSITIVE REINFORCEMENT. 278 00:12:32,142 --> 00:12:33,274 YEAH? 279 00:12:33,317 --> 00:12:34,579 YEAH. 280 00:12:49,159 --> 00:12:51,466 [VIOLIN PLAYING] 281 00:13:31,898 --> 00:13:33,116 NO APPLAUSE. 282 00:13:33,160 --> 00:13:36,119 JUST SEND MONEY. 283 00:13:36,163 --> 00:13:37,860 WAIT, WAIT. DON'T GO. 284 00:13:41,168 --> 00:13:42,734 YOU KNOW, YOU WERE SPYING ON ME. 285 00:13:42,778 --> 00:13:44,040 IT'S A PUBLIC DOCK. 286 00:13:44,084 --> 00:13:46,086 NO, I MEAN, IT'S OKAY. 287 00:13:46,129 --> 00:13:47,739 MY NAME'S ANDERSON. 288 00:13:47,783 --> 00:13:48,828 ANDERSON CRAWFORD. 289 00:13:48,871 --> 00:13:50,568 CONGRATULATIONS. 290 00:13:50,612 --> 00:13:55,573 SO DO YOU COME WITH A NAME OR JUST AN ATTITUDE? 291 00:13:55,617 --> 00:13:57,575 JUST AN ATTITUDE. 292 00:13:57,619 --> 00:13:59,839 AND PEOPLE FIND THIS CHARMING? 293 00:13:59,882 --> 00:14:00,970 I HAVEN'T ASKED. 294 00:14:04,887 --> 00:14:07,498 SO, UM... 295 00:14:07,542 --> 00:14:08,848 WHAT BRINGS YOU TO CAPESIDE? 296 00:14:11,154 --> 00:14:12,112 TOUGH QUESTION? 297 00:14:12,155 --> 00:14:13,374 YEAH, I KNOW. 298 00:14:13,417 --> 00:14:14,897 YOU CAN GET BACK TO ME. 299 00:14:17,813 --> 00:14:20,163 WELL, WHAT BRINGS YOU TO CAPESIDE? 300 00:14:20,207 --> 00:14:21,686 OH, MY PARENTS. 301 00:14:21,730 --> 00:14:24,298 THEY'RE, UH, ANTIQUE HOUNDS. 302 00:14:24,341 --> 00:14:26,300 THEY'RE ON THE HUNT FOR SOME CHAIR. 303 00:14:26,343 --> 00:14:28,606 APPARENTLY, PAUL REVERE ONCE PARKED IN IT. 304 00:14:28,650 --> 00:14:30,086 WELL, THAT EXPLAINS YOUR PARENTS, 305 00:14:30,130 --> 00:14:31,218 BUT WHAT ABOUT YOU? 306 00:14:31,261 --> 00:14:32,436 I'M THE CREW. 307 00:14:32,480 --> 00:14:34,699 BEATS GOING TO BOARDING SCHOOL. 308 00:14:34,743 --> 00:14:38,051 YOU CAN ONLY TAKE THAT ALL-MALE ENVIRONMENT FOR SO LONG. 309 00:14:38,094 --> 00:14:40,314 BUT, YOU KNOW, I'M DOING ALL THE SHARING HERE, 310 00:14:40,357 --> 00:14:42,316 SO TELL ME SOMETHING ABOUT YOU. 311 00:14:42,359 --> 00:14:43,926 WELL, I'M A PISCES. 312 00:14:43,970 --> 00:14:47,451 I'M INTO HARLEYS, BODY PIERCING AND MEN WITH TATTOOS. 313 00:14:47,495 --> 00:14:50,019 HM. ARE YOU HERE WITH YOUR PARENTS? 314 00:14:50,063 --> 00:14:51,891 YOU GUYS OWN A BOAT? 315 00:14:53,066 --> 00:14:54,328 UM... 316 00:14:54,371 --> 00:14:56,721 ACTUALLY, WE BROUGHT THE CHAUFFEUR. 317 00:14:56,765 --> 00:14:58,941 MOTHER HATES TO SAIL. 318 00:14:58,985 --> 00:14:59,986 SHE DOESN'T LIKE THE SUN. 319 00:15:00,029 --> 00:15:02,640 SHE BURNS EASY. 320 00:15:02,684 --> 00:15:04,120 WHAT ABOUT YOU? 321 00:15:04,164 --> 00:15:06,166 I WEAR LOTION. 322 00:15:06,209 --> 00:15:07,950 NO, I MEAN DO YOU LIKE TO SAIL? 323 00:15:07,994 --> 00:15:09,647 WHY DO YOU ASK? 324 00:15:09,691 --> 00:15:10,953 I'M TAKING A SURVEY. 325 00:15:12,520 --> 00:15:16,002 BECAUSE I...WANT YOU TO COME SAILING WITH ME. 326 00:15:16,045 --> 00:15:17,960 TOMORROW. 327 00:15:18,004 --> 00:15:19,309 I CAN'T. 328 00:15:19,353 --> 00:15:20,963 COME ON. I'LL SHOW YOU MY TATTOO. 329 00:15:21,007 --> 00:15:23,531 GAP AD HAS A TATTOO? 330 00:15:23,574 --> 00:15:27,274 IF YOU COME SAILING, YOU'LL FIND OUT. 331 00:15:27,317 --> 00:15:28,797 NOON? 332 00:15:32,409 --> 00:15:33,671 OKAY. 333 00:15:33,715 --> 00:15:35,064 MAYBE. 334 00:15:35,108 --> 00:15:36,587 I CAN LIVE WITH MAYBE, 335 00:15:36,631 --> 00:15:38,502 IF AT LEAST YOU TELL ME YOUR NAME. 336 00:15:42,028 --> 00:15:43,681 DEBORAH KERR... 337 00:15:43,725 --> 00:15:45,683 SON. 338 00:15:45,727 --> 00:15:46,989 DEBORAH CARSON. 339 00:15:50,079 --> 00:15:51,037 DONE. 340 00:15:51,080 --> 00:15:51,994 QUIZ ME. 341 00:15:53,735 --> 00:15:56,303 OKAY. LET'S START EASY. 342 00:15:56,346 --> 00:15:58,696 WHAT WAS THE NAME OF ETHAN'S WIFE? 343 00:15:58,740 --> 00:15:59,959 WHO IS ZEENA? 344 00:16:00,002 --> 00:16:01,177 CORRECT. 345 00:16:01,221 --> 00:16:02,613 SO WHAT DO I WIN? 346 00:16:02,657 --> 00:16:04,615 NOT SO FAST. THERE'S MORE. 347 00:16:04,659 --> 00:16:06,617 WHAT WAS THE NAME OF THE TOWN IN WHICH THEY LIVED? 348 00:16:06,661 --> 00:16:08,315 WHAT IS STARKFIELD? 349 00:16:08,358 --> 00:16:09,490 VERY GOOD. 350 00:16:09,533 --> 00:16:11,013 RIGHT. 351 00:16:11,057 --> 00:16:12,623 I'M READY. 352 00:16:12,667 --> 00:16:14,886 ONE MORE. 353 00:16:14,930 --> 00:16:19,152 WHY DO YOU THINK ETHAN HAD SUCH A STRONG SENSE OF DUTY? 354 00:16:19,195 --> 00:16:20,805 UH... 355 00:16:20,849 --> 00:16:22,633 YOU MUST CITE SOME EXAMPLES FROM YOUR TEXT 356 00:16:22,677 --> 00:16:24,331 WHEN CONSTRUCTING YOUR RESPONSE. 357 00:16:27,899 --> 00:16:30,076 THAT'S WHY WE GOT TO GIVE IT 110%. 358 00:16:30,119 --> 00:16:31,294 DAWSON: 8 DAYS A WEEK. 359 00:16:31,338 --> 00:16:33,253 REMEMBER HOW HARD WE WORKED THIS SUMMER? 360 00:16:33,296 --> 00:16:34,254 NOW'S WHEN IT PAYS OFF. 361 00:16:34,297 --> 00:16:35,255 WITH COMMUNAL SHOWERS. 362 00:16:35,298 --> 00:16:36,256 LET'S DO IT FOR THE COACH. 363 00:16:36,299 --> 00:16:37,866 HE LIKES TO WATCH. 364 00:16:37,909 --> 00:16:40,042 LET'S GO OUT THERE AND SHOW 'EM WHAT WE'RE MADE OF. 365 00:16:40,086 --> 00:16:41,043 INSERT CLICHEÉ HERE. 366 00:16:41,087 --> 00:16:42,262 LET'S LAY IT ON THE LINE. 367 00:16:42,305 --> 00:16:43,263 MAY I HAVE ANOTHER? 368 00:16:43,306 --> 00:16:45,395 WELL, WELL, WELL. 369 00:16:45,439 --> 00:16:48,746 DOES SOMEONE NEED TO HAVE A TALK WITH MR. GOLD 370 00:16:48,790 --> 00:16:50,661 CUT!ABOUT SOMEONE'S ATTITUDE? 371 00:16:50,705 --> 00:16:51,662 HM? 372 00:16:51,706 --> 00:16:52,663 GO FOR IT, NELLIE. 373 00:16:52,707 --> 00:16:54,535 OH, I WILL, BELIEVE ME. 374 00:16:54,578 --> 00:16:57,016 AS PRODUCER, 375 00:16:57,059 --> 00:16:59,844 I WILL TELL HIM EXACTLY HOW YOU DISRUPTED FILMING 376 00:16:59,888 --> 00:17:02,325 AND DELAYED THE ENTIRE PRODUCTION. 377 00:17:02,369 --> 00:17:03,587 WHEN DID YOU START TO HATE ME? 378 00:17:03,631 --> 00:17:05,154 I MISSED IT. WHAT DID I DO? 379 00:17:05,198 --> 00:17:06,851 IT'S WHAT YOU DIDN'T DO. 380 00:17:06,895 --> 00:17:09,202 YOU HAVEN'T EARNED YOUR PLACE HERE, DAWSON. 381 00:17:09,245 --> 00:17:11,204 I WORKED ALL SUMMER ON THE SCRIPT, 382 00:17:11,247 --> 00:17:14,207 AND I DON'T APPRECIATE YOU WALKING IN HERE 383 00:17:14,250 --> 00:17:16,078 AND TRASHING IT. 384 00:17:16,122 --> 00:17:17,514 I DON'T HATE YOU, DAWSON, 385 00:17:17,558 --> 00:17:19,125 BUT THIS IS BUSINESS. 386 00:17:19,168 --> 00:17:20,213 STRICTLY PROFESSIONAL. 387 00:17:20,256 --> 00:17:22,954 YOU NEED TO SHOW A LITTLE GRATITUDE. 388 00:17:22,998 --> 00:17:24,478 NOW, YOU SHAPE UP, 389 00:17:24,521 --> 00:17:26,175 OR YOU'RE GOING TO BE SHIPPED OUT. 390 00:17:26,219 --> 00:17:27,394 UNDERSTAND? 391 00:17:27,437 --> 00:17:29,570 CLIFF: LET'S GO AGAIN! 392 00:17:34,009 --> 00:17:36,925 MAN: ALL RIGHT, EVERYBODY. BACK TO ONE. 393 00:17:36,968 --> 00:17:39,406 PACEY: WHICH EXPLAINS HER MOTIVATION OR DESIRE 394 00:17:39,449 --> 00:17:40,885 TO KEEP ETHAN FROM SEEING 395 00:17:40,929 --> 00:17:41,799 BEYOND THE SOMEWHAT LIMITED SCOPE 396 00:17:41,843 --> 00:17:44,628 OF LIFE WITH HER ON THE FARM. 397 00:17:44,672 --> 00:17:46,021 HM? 398 00:17:46,065 --> 00:17:47,631 WELL... 399 00:17:47,675 --> 00:17:49,590 WELL, WELL, WELL. 400 00:17:52,288 --> 00:17:54,247 AND MY REWARD IS? 401 00:17:54,290 --> 00:17:56,249 AH! YOU GOT ME, PACEY. 402 00:17:56,292 --> 00:17:58,077 I NEVER EXPECTED YOU TO GET THIS FAR. 403 00:17:58,120 --> 00:18:01,341 SO MS. JACOBS WAS BLUFFING? 404 00:18:01,384 --> 00:18:04,083 YOUR REWARD IS YOUR EDUCATION. 405 00:18:04,126 --> 00:18:06,737 NO, NO, NO, NO. 406 00:18:06,781 --> 00:18:09,349 I'LL TELL YOU WHAT. I'LL OWE YOU. 407 00:18:09,392 --> 00:18:11,133 IT'S OKAY, TAMARA. 408 00:18:11,177 --> 00:18:12,569 NO, IT'S NOT. 409 00:18:12,613 --> 00:18:14,571 PACEY, NOT HERE, NOT NOW. 410 00:18:14,615 --> 00:18:16,182 THIS IS MY PLACE OF EMPLOYMENT. 411 00:18:16,225 --> 00:18:17,574 IT'S LATE. 412 00:18:17,618 --> 00:18:19,576 THERE'S NO JANITOR, NO FILM CREW. 413 00:18:19,620 --> 00:18:21,187 EVERYBODY'S GONE HOME FOR THE NIGHT. 414 00:18:21,230 --> 00:18:22,797 IT'S JUST YOU AND ME. 415 00:18:22,840 --> 00:18:23,798 PACEY! 416 00:18:23,841 --> 00:18:26,583 WHAT? WHAT'S THE MATTER? 417 00:18:28,107 --> 00:18:29,543 YOU KNOW, YOU'RE RIGHT. 418 00:18:31,632 --> 00:18:34,939 LET'S DO IT. 419 00:18:34,983 --> 00:18:37,246 BUT WHERE SHOULD WE DO IT? OH, I KNOW. 420 00:18:37,290 --> 00:18:40,075 MY DESK. OUR FIRST TIME SHOULD BE ON MY DESK. 421 00:18:40,119 --> 00:18:42,860 STRIP. 422 00:18:42,904 --> 00:18:45,080 HURRY UP. WE DON'T HAVE MUCH TIME. 423 00:18:45,124 --> 00:18:46,386 BETTER DROP THEM. 424 00:18:46,429 --> 00:18:47,952 I KNOW WHAT YOU'RE DOING. 425 00:18:47,996 --> 00:18:50,041 YOU'RE CALLING MY BLUFF TO SEE HOW FAR I'LL TAKE IT. 426 00:18:50,085 --> 00:18:52,609 NO, NO, NO. I'M DEADLY SERIOUS. 427 00:18:52,653 --> 00:18:53,784 TAKE THEM OFF. 428 00:18:56,657 --> 00:18:59,181 I'M ON TO YOU, TAMARA. I...I... 429 00:18:59,225 --> 00:19:00,791 YOU THINK I'M GOING TO CAVE, 430 00:19:00,835 --> 00:19:02,489 THAT I WOULDN'T GO THROUGH WITH IT. 431 00:19:02,532 --> 00:19:03,794 DO YOU HAVE CONDOMS, PACEY? 432 00:19:03,838 --> 00:19:06,188 BECAUSE WE ARE GOING TO NEED CONDOMS. 433 00:19:06,232 --> 00:19:08,190 IT IS A HIGH SCHOOL. 434 00:19:08,234 --> 00:19:10,540 I'M SURE YOU CAN ROUND SOME UP. 435 00:19:10,584 --> 00:19:12,020 I, UH... 436 00:19:12,063 --> 00:19:13,761 WHAT'S WRONG? 437 00:19:13,804 --> 00:19:16,894 WELL...THIS JUST ISN'T THE MOST 438 00:19:16,938 --> 00:19:18,940 ROMANTIC PLACE ON EARTH, YOU KNOW. 439 00:19:18,983 --> 00:19:21,508 WHAT, IS THIS YOUR FIRST TIME, PACEY? 440 00:19:25,599 --> 00:19:27,296 YOU KNOW THAT IT IS. 441 00:19:30,647 --> 00:19:33,955 GO HOME, PACEY. 442 00:19:33,998 --> 00:19:35,826 YOU NEED TO FIND A GIRL YOUR OWN AGE, 443 00:19:35,870 --> 00:19:39,221 NOT SOME INSANE MIDDLE-AGED WOMAN. 444 00:19:39,265 --> 00:19:40,222 NO, BUT-- 445 00:19:40,266 --> 00:19:41,832 NO BUTS, PLEASE. 446 00:19:41,876 --> 00:19:43,573 LOOK, THIS CAN'T GO ONE SECOND FURTHER. 447 00:19:43,617 --> 00:19:44,574 THIS IS BEYOND WRONG. 448 00:19:44,618 --> 00:19:46,272 I HOPE YOU UNDERSTAND THAT. 449 00:19:46,315 --> 00:19:48,796 LOOK AT ME. 450 00:19:48,839 --> 00:19:50,232 YOU KEEP SAYING HOW THIS IS WRONG, 451 00:19:50,276 --> 00:19:52,278 AND MAYBE TONIGHT IT IS, 452 00:19:52,321 --> 00:19:54,236 BUT JUST TO SET THE RECORD STRAIGHT, 453 00:19:54,280 --> 00:19:56,020 I'M A FIRM BELIEVER THAT SOMETIMES 454 00:19:56,064 --> 00:19:59,894 IT'S RIGHT TO DO THE WRONG THING. 455 00:20:12,298 --> 00:20:13,603 GOOD NIGHT... 456 00:20:13,647 --> 00:20:14,561 TAMMY. 457 00:20:55,689 --> 00:20:57,299 DEBORAH. 458 00:20:57,343 --> 00:20:59,214 DEBORAH CARSON. 459 00:20:59,258 --> 00:21:00,563 ANDERSON. 460 00:21:00,607 --> 00:21:03,218 ANDERSON CRAWFORD. 461 00:21:03,262 --> 00:21:05,002 WOW. 462 00:21:05,046 --> 00:21:07,962 YOU LOOK AMAZING. 463 00:21:09,616 --> 00:21:10,704 YEAH? 464 00:21:12,053 --> 00:21:13,010 YEAH. 465 00:21:13,054 --> 00:21:15,361 YOU WANT TO COME ABOARD? 466 00:21:15,404 --> 00:21:17,841 HERE. I'LL HELP YOU. 467 00:21:17,885 --> 00:21:20,583 MY PARENTS KNOW SOME CARSONS WHO WINTER IN PALM BEACH. 468 00:21:20,627 --> 00:21:21,671 ANY RELATION? 469 00:21:23,282 --> 00:21:25,240 NO. WE'RE PRETTY MUCH MANHATTAN-BOUND. 470 00:21:25,284 --> 00:21:26,589 WHERE'D YOU GO TO SCHOOL? 471 00:21:26,633 --> 00:21:27,764 CHOATE. 472 00:21:27,808 --> 00:21:29,766 IT'S A DRAG, ISN'T IT? 473 00:21:29,810 --> 00:21:30,767 WHAT? 474 00:21:30,811 --> 00:21:32,595 BOARDING SCHOOL. 475 00:21:32,639 --> 00:21:33,988 WELL, I DON'T THINK SO. 476 00:21:34,031 --> 00:21:35,337 I KIND OF LIKE IT. 477 00:21:35,381 --> 00:21:37,296 WHAT'S THERE TO LIKE ABOUT IT? 478 00:21:37,339 --> 00:21:39,123 WELL, IT'S A PRIVILEGED EXISTENCE. 479 00:21:39,167 --> 00:21:41,125 I MEAN, THINK OF THE OPTION. 480 00:21:41,169 --> 00:21:43,737 YOU COULD BE STUCK IN A SMALL TOWN LIKE THIS, 481 00:21:43,780 --> 00:21:47,088 WHERE...NOTHING EXCITING EVER HAPPENS. 482 00:21:47,131 --> 00:21:49,743 IT'S NOT THE EDUCATION I'M TALKING ABOUT. 483 00:21:49,786 --> 00:21:51,135 IT'S MORE THE BOARDING PART. 484 00:21:51,179 --> 00:21:52,659 SEEMS KIND OF UNNATURAL. 485 00:21:52,702 --> 00:21:54,748 TAKEN AWAY WHEN YOU'RE 12, 486 00:21:54,791 --> 00:21:56,140 SEPARATED FROM YOUR FAMILY. 487 00:21:56,184 --> 00:21:58,012 JUST DOESN'T SEEM FAIR. 488 00:21:58,055 --> 00:21:59,100 YEAH. 489 00:21:59,143 --> 00:22:02,059 I KEEP THINKING I'LL GET USED TO IT, 490 00:22:02,103 --> 00:22:04,366 BUT...I NEVER DO. 491 00:22:07,717 --> 00:22:10,067 I DIDN'T KNOW YOU SAILED. 492 00:22:10,111 --> 00:22:12,548 WELL, I'M A WOMAN OF MANY TALENTS. 493 00:23:07,211 --> 00:23:09,039 ANDERSON: MY DAD'S INTO INVESTMENTS, PRIMARILY. 494 00:23:09,083 --> 00:23:11,564 HE DOESN'T REALLY WORK. HE JUST MAKES MONEY. 495 00:23:11,607 --> 00:23:13,304 WHAT ABOUT YOURS? 496 00:23:13,348 --> 00:23:16,351 OH, HE'S A CEO OF A HUGE CONGLOMERATE. 497 00:23:16,395 --> 00:23:18,658 REALLY? WHICH ONE? 498 00:23:18,701 --> 00:23:21,225 ONE OF THE NATION'S BEST-SELLING TAMPONS. 499 00:23:21,269 --> 00:23:23,053 OH. 500 00:23:23,097 --> 00:23:25,360 SO WHAT'S YOUR BOYFRIEND LIKE? 501 00:23:27,362 --> 00:23:31,148 IS THIS YOUR BACKWARDS WAY OF ASKING IF I HAVE ONE? 502 00:23:31,192 --> 00:23:35,414 WELL, I JUST ASSUMED THAT YOU DID. 503 00:23:35,457 --> 00:23:37,459 AND WHAT MAKES YOU THINK THAT? 504 00:23:37,503 --> 00:23:39,679 THE WAY YOU CARRY YOURSELF. 505 00:23:39,722 --> 00:23:41,681 YOU'RE REALLY HANDS-OFF. 506 00:23:41,724 --> 00:23:44,074 IT'S LIKE A CLEAR RADIO SIGNAL, YOU KNOW? 507 00:23:44,118 --> 00:23:45,685 I GUESS IF I WERE SEEING SOMEBODY, 508 00:23:45,728 --> 00:23:50,211 I'D WANT THEM TO GIVE OFF THE SAME VIBE. 509 00:23:50,254 --> 00:23:52,692 AND HOW WOULD YOU FEEL IF SHE SAILED TO A DESERTED BEACH 510 00:23:52,735 --> 00:23:56,347 WITH SOME MYSTERY MAN? 511 00:23:56,391 --> 00:23:58,437 WELL, AS LONG AS SHE DIDN'T KEEP IT SECRET, 512 00:23:58,480 --> 00:24:00,613 YOU KNOW, DIDN'T LIE ABOUT IT, 513 00:24:00,656 --> 00:24:03,006 TRUTH CAN'T HURT YOU. 514 00:24:03,050 --> 00:24:04,443 IT'S THE LIES THAT KILL. 515 00:24:06,619 --> 00:24:08,142 HONESTY IS STILL THE PRIMARY QUALITY 516 00:24:08,185 --> 00:24:09,578 I'M LOOKING FOR IN A GIRL. 517 00:24:12,668 --> 00:24:13,669 CLIFF: ALL RIGHT, EVERYBODY! 518 00:24:13,713 --> 00:24:15,323 WE CAN DO THIS! 519 00:24:15,366 --> 00:24:17,717 AND...ACTION! 520 00:24:17,760 --> 00:24:20,197 JOHN, DON'T THINK OF IT AS A FOOTBALL TEAM. 521 00:24:20,241 --> 00:24:21,547 THINK OF IT AS A FAMILY. 522 00:24:21,590 --> 00:24:22,635 HOW SO, TIM? 523 00:24:22,678 --> 00:24:24,114 WELL, IF WE PLAY LIKE A FAMILY, 524 00:24:24,158 --> 00:24:26,465 WE MIGHT BE JUST ABLE TO BEAT BRISTER. 525 00:24:26,508 --> 00:24:28,641 NOW YOU'RE TALKING. THAT'S WHAT I CALL MINUTEMAN PRIDE-- 526 00:24:28,684 --> 00:24:29,380 CLIFF: CUT! 527 00:24:31,034 --> 00:24:32,427 OH! 528 00:24:32,471 --> 00:24:35,343 DO YOU THINK WE CAN GET SOMEBODY WHO'S NOT EPILEPTIC 529 00:24:35,386 --> 00:24:36,475 TO RUN THE CAMERA? 530 00:24:36,518 --> 00:24:37,824 YOU TRY IT. 531 00:24:37,867 --> 00:24:39,303 YOU RUN BACKWARDS WITH A HAND-HELD 532 00:24:39,347 --> 00:24:41,044 AND SEE IF YOU CAN DO IT ANY BETTER. 533 00:24:41,088 --> 00:24:42,785 THERE'S ACTUALLY A TECHNIQUE. IF YOU BRACE YOUR ARMS-- 534 00:24:42,829 --> 00:24:45,527 DID YOU SAY SOMETHING? 535 00:24:45,571 --> 00:24:46,920 LOOKING GOOD. 536 00:24:49,357 --> 00:24:52,665 WE NEED MORE TAPE FROM THE FILM LAB. 537 00:24:52,708 --> 00:24:54,971 GO FETCH, DOGGIE DAWSON. 538 00:24:56,582 --> 00:24:57,757 HEY. HEY. 539 00:24:57,800 --> 00:24:59,323 HOW'S IT GOING BACK THERE? 540 00:24:59,367 --> 00:25:01,238 ARE THEY READY FOR THE ALL-IMPORTANT CHEERLEADERS YET? 541 00:25:01,282 --> 00:25:02,718 HARDLY. THEY HAVEN'T EVEN GOT A USEABLE TAKE 542 00:25:02,762 --> 00:25:04,024 OF THE FIRST SCENE. 543 00:25:04,067 --> 00:25:06,200 LET'S JUST SAY THAT AS A DIRECTOR, 544 00:25:06,243 --> 00:25:08,115 YOUR FRIEND CLIFF IS A GREAT QUARTERBACK. 545 00:25:08,158 --> 00:25:10,683 WELL, WE CAN'T ALL BE PRODIGIES. 546 00:25:10,726 --> 00:25:12,598 AND HELMETS OF GLORY? 547 00:25:12,641 --> 00:25:14,513 CAN YOU EVEN SAY IT WITH A STRAIGHT FACE? 548 00:25:14,556 --> 00:25:16,819 BARELY. 549 00:25:16,863 --> 00:25:18,517 WHY ARE YOU HERE? 550 00:25:18,560 --> 00:25:20,170 I DON'T GET IT. 551 00:25:20,214 --> 00:25:21,911 EXCEPT TO WATCH ME GET HUMILIATED. 552 00:25:21,955 --> 00:25:25,393 BECAUSE I KNEW YOU'D BE HERE. HELLO? 553 00:25:25,436 --> 00:25:28,657 HEY, IF WE FINISH EARLY, YOU WANT TO HELP ME GET THAT MAGIC-HOUR SHOT? 554 00:25:28,701 --> 00:25:31,442 ABSOLUTELY. I'D LOVE THE CHANCE TO WORK WITH A REAL DIRECTOR. 555 00:25:31,486 --> 00:25:32,879 LATER... 556 00:25:32,922 --> 00:25:34,533 IF WE EVER GET OUT OF HERE. 557 00:25:34,576 --> 00:25:35,969 YOU GOT IT. 558 00:25:40,321 --> 00:25:42,628 HERE'S THE GRASSY KNOLL HERE, AND THIS IS ELM. 559 00:25:42,671 --> 00:25:44,281 NOW, IF OSWALD WAS HERE-- 560 00:25:44,325 --> 00:25:45,935 YOU ACTUALLY BUY INTO THAT MAGIC BULLET THEORY? 561 00:25:45,979 --> 00:25:47,763 WHAT ARE YOU SAYING? 562 00:25:47,807 --> 00:25:50,592 ARE YOU SAYING THAT EVERY ONE ON THE WARREN COMMISSION LIED? 563 00:25:50,636 --> 00:25:52,638 I'M JUST SAYING THAT KEVIN COSTNER 564 00:25:52,681 --> 00:25:54,640 WAS PRETTY CONVINCING IN JFK. 565 00:25:54,683 --> 00:25:57,643 I MEAN, I CAN'T BELIEVE YOU'VE ACTUALLY READ THE REPORT. 566 00:25:57,686 --> 00:25:58,905 ISN'T IT LIKE A MILLION PAGES? 567 00:25:58,948 --> 00:26:01,516 CURIOUS. 568 00:26:01,560 --> 00:26:02,604 THERE'S CURIOUS, 569 00:26:02,648 --> 00:26:06,129 AND THEN THERE'S SAND MODELS OF DALLAS. 570 00:26:06,173 --> 00:26:08,175 HAVE I TOLD YOU ABOUT MY UFO THEORIES? 571 00:26:08,218 --> 00:26:09,611 YOUR WHAT? 572 00:26:09,655 --> 00:26:11,613 MY UFO THEORIES-- 573 00:26:11,657 --> 00:26:13,963 HOW THEY SWOOP DOWN SOMETIMES, 574 00:26:14,007 --> 00:26:16,313 DESTROYING ENTIRE CITIES. 575 00:26:18,664 --> 00:26:20,840 NO, YOU DON'T. 576 00:26:22,668 --> 00:26:26,019 IT'S JUST DALLAS, HOME OF ROSS PEROT AND THE COWBOYS. 577 00:26:26,062 --> 00:26:28,021 NO ONE'S GOING TO MISS IT. 578 00:26:33,679 --> 00:26:35,985 LOOK AT THE TIME. I-- I'VE GOT TO GO. 579 00:26:36,029 --> 00:26:37,944 MY PARENTS ARE EXPECTING ME. 580 00:26:40,033 --> 00:26:41,861 IS THAT THE TRUTH, 581 00:26:41,904 --> 00:26:45,342 OR ARE YOU JUST TRYING TO WIGGLE OUT OF A ROMANTIC SITUATION? 582 00:26:48,041 --> 00:26:49,651 I'M SORRY. 583 00:26:49,695 --> 00:26:51,348 LET'S GET CINDERELLA HOME. 584 00:27:04,405 --> 00:27:07,277 TODAY WAS A LOT OF FUN, ANDERSON, BUT... 585 00:27:09,628 --> 00:27:11,847 YOU NEED TO KNOW THE TRUTH. 586 00:27:11,891 --> 00:27:13,675 AND THAT WOULD BE...? 587 00:27:16,635 --> 00:27:18,941 I'M NOT CINDERELLA. 588 00:27:18,985 --> 00:27:20,900 NOT EVEN CLOSE. 589 00:27:28,124 --> 00:27:28,951 NELLIE: BACKGROUND ACTION! 590 00:27:28,995 --> 00:27:29,909 IN SLATE GIRL. 591 00:27:31,606 --> 00:27:33,608 ALL RIGHT, EVERYBODY. THIS IS IT. 592 00:27:33,652 --> 00:27:35,349 THIS IS THE SHOT. I CAN FEEL IT. 593 00:27:35,392 --> 00:27:36,742 AND... 594 00:27:36,785 --> 00:27:38,265 ACTION! 595 00:27:38,308 --> 00:27:40,049 JOHN, DON'T THINK OF IT AS A FOOTBALL TEAM. 596 00:27:40,093 --> 00:27:41,790 YOU HAVE TO THINK OF IT AS A FAMILY. 597 00:27:41,834 --> 00:27:42,835 WELL, HOW SO, TIM? 598 00:27:42,878 --> 00:27:43,879 CUT! 599 00:27:43,923 --> 00:27:45,315 SORRY. 600 00:27:45,359 --> 00:27:46,360 SORRY. LET'S GO AGAIN. 601 00:27:46,403 --> 00:27:47,927 AH, THE MAGIC OF FILMMAKING. 602 00:27:47,970 --> 00:27:49,276 PACEY. 603 00:27:49,319 --> 00:27:50,625 NELLIE: WHAT'S LOSER FRIEND DOING HERE? 604 00:27:50,669 --> 00:27:51,626 GET OUT OF THAT THING. 605 00:27:51,670 --> 00:27:54,194 I WAS JUST KEEPING IT WARM. 606 00:27:54,237 --> 00:27:57,240 CLIFF, SWEETIE, IT'S NOT WORKING. 607 00:27:57,284 --> 00:27:59,895 I KNOW YOU WANT THIS MOVING TRACKING THING, 608 00:27:59,939 --> 00:28:02,245 BUT CAN'T WE JUST USE THE TRIPOD FOR THIS ONE? 609 00:28:02,289 --> 00:28:04,204 HEY, GUYS, JUST LET ME DO IT. 610 00:28:04,247 --> 00:28:06,554 LOOK, DAWSON, I'VE HAD IT WITH YOU! 611 00:28:06,597 --> 00:28:08,164 WHOA! WAIT A SECOND. 612 00:28:08,208 --> 00:28:10,906 YOU GOT AN IDEA, LET'S HEAR IT. 613 00:28:10,950 --> 00:28:12,473 I'M OPEN. 614 00:28:12,516 --> 00:28:14,562 CLIFF: AND...ACTION! 615 00:28:14,605 --> 00:28:17,043 JOHN, YOU CAN'T THINK OF IT AS A FOOTBALL TEAM. 616 00:28:17,086 --> 00:28:18,871 YOU HAVE TO THINK OF IT AS A FAMILY. 617 00:28:18,914 --> 00:28:20,524 NOW YOU'RE TALKING. 618 00:28:20,568 --> 00:28:22,178 THAT'S WHAT I CALL MINUTEMAN PRIDE. 619 00:28:22,222 --> 00:28:22,918 LET'S GO GET THEM, BROTHER. 620 00:28:22,962 --> 00:28:25,094 YEAH! YEAH! 621 00:28:25,138 --> 00:28:27,140 CUT! CUT! GREAT! PERFECT! 622 00:28:27,183 --> 00:28:28,750 PERFECT! 623 00:28:28,794 --> 00:28:32,319 [APPLAUSE] 624 00:28:38,629 --> 00:28:40,153 YOU WERE BRILLIANT TODAY. 625 00:28:40,196 --> 00:28:42,590 YOU REALLY PUT THAT NELLIE OLSON RIGHT IN HER PLACE. 626 00:28:42,633 --> 00:28:44,766 THANK YOU. THE REAL FILMING IS YET TO COME. 627 00:28:44,810 --> 00:28:46,289 HELLO. 628 00:28:46,333 --> 00:28:47,769 WHAT CAN I GET YOU GUYS THIS EVENING? 629 00:28:47,813 --> 00:28:49,728 WE'LL HAVE TWO TURKEY CLUBS AND TWO COKES. 630 00:28:49,771 --> 00:28:51,817 NO MAYO ON MINE. 631 00:28:51,860 --> 00:28:53,644 CAN I SUGGEST BODIE'S OWN FAT-FREE HERB SAUCE? 632 00:28:53,688 --> 00:28:54,645 IT'S GREAT WITH THE CLUB. 633 00:28:54,689 --> 00:28:56,647 SOLD. 634 00:28:56,691 --> 00:28:58,519 UH, SANDWICHES TO GO, COKES WHILE WE WAIT. 635 00:28:58,562 --> 00:28:59,563 WE'RE CATCHING MAGIC HOUR TONIGHT. 636 00:28:59,607 --> 00:29:00,913 THE RUINS, REMEMBER? 637 00:29:00,956 --> 00:29:03,654 OH, YEAH. I'LL PUT A RUSH ON IT. 638 00:29:03,698 --> 00:29:05,526 WHAT HAS GOTTEN INTO JOEY? 639 00:29:05,569 --> 00:29:07,484 I DON'T KNOW. IT'S BIZARRE. 640 00:29:07,528 --> 00:29:09,791 YOU WERE LATE. 641 00:29:09,835 --> 00:29:13,099 LOOK, I'M IN CHARGE UNTIL YOU'RE 18 OR DAD GETS PAROLED, 642 00:29:13,142 --> 00:29:15,144 WHATEVER COMES FIRST. 643 00:29:15,188 --> 00:29:17,538 AND WE HAVE TO HELP EACH OTHER OUT, JOEY. 644 00:29:17,581 --> 00:29:19,279 THAT'S JUST THE WAY IT HAS TO BE. 645 00:29:19,322 --> 00:29:21,803 I'M SORRY. RUIN MY GOOD MOOD. 646 00:29:21,847 --> 00:29:23,544 I WAS JUST TRYING TO HAVE A MOMENT OF HAPPINESS 647 00:29:23,587 --> 00:29:26,547 IN AN OTHERWISE PATHETIC EXISTENCE. 648 00:29:26,590 --> 00:29:28,244 YOU CAN RELATE, CAN'T YOU? 649 00:29:34,947 --> 00:29:36,252 WHAT IS IT? 650 00:29:37,950 --> 00:29:39,255 UH, NOTHING. 651 00:29:41,214 --> 00:29:43,172 MIND IF I JOIN YOU? I'M ON BREAK. 652 00:29:43,216 --> 00:29:45,261 SURE. SURE. 653 00:29:50,614 --> 00:29:52,225 WHO'S THAT? NOBODY. 654 00:29:52,268 --> 00:29:53,617 WELL, HE'S KIND OF A CUTE NOBODY. 655 00:29:53,661 --> 00:29:55,315 WHO? 656 00:29:55,358 --> 00:29:57,230 HEY, DEBORAH.HI. 657 00:29:57,273 --> 00:29:59,928 WHAT ARE YOU DOING HERE? I THOUGHT YOU HAD TO MEET YOUR PARENTS. 658 00:29:59,972 --> 00:30:00,886 WHO'S DEBORAH? 659 00:30:00,929 --> 00:30:01,974 SHE'S DEBORAH. 660 00:30:02,017 --> 00:30:04,846 NO, SHE'S NOT. 661 00:30:04,890 --> 00:30:06,282 OH...SHE'S NOT? 662 00:30:06,326 --> 00:30:09,503 WELL, THEN WHO DID I SPEND THE AFTERNOON WITH? 663 00:30:09,546 --> 00:30:11,635 AN IMPOSTOR? 664 00:30:11,679 --> 00:30:14,073 IT'S JUST THAT, UH, WE DON'T CALL HER DEBORAH. 665 00:30:14,116 --> 00:30:15,857 SHE'S JUST "DEB" TO US. 666 00:30:15,901 --> 00:30:18,773 OH. ARE YOU GUYS FROM NEW YORK, AS WELL? 667 00:30:18,817 --> 00:30:20,601 WAIT A MINUTE. WHAT'S GOING ON HERE? 668 00:30:20,644 --> 00:30:22,951 JEN: UH, YEAH. WE'RE JUST PASSING THROUGH, THOUGH. 669 00:30:22,995 --> 00:30:24,344 DEB AND I GO TO SCHOOL TOGETHER. 670 00:30:24,387 --> 00:30:25,693 AND YOU ARE? 671 00:30:25,736 --> 00:30:26,694 ANDERSON. 672 00:30:26,737 --> 00:30:27,913 DEBORAH AND I WENT SAILING TODAY. 673 00:30:27,956 --> 00:30:30,263 AH.OH. 674 00:30:30,306 --> 00:30:31,742 WOULD YOU LIKE TO JOIN US, 675 00:30:31,786 --> 00:30:33,788 DEB'S FRIEND WHO WE'VE NEVER MET, EVER? 676 00:30:33,832 --> 00:30:35,790 UH, I'M GOING TO GET A TAKEOUT. 677 00:30:35,834 --> 00:30:37,270 SANDWICHES UP. 678 00:30:41,840 --> 00:30:43,885 YOU KNOW, ANDERSON, THE FOOD'S GOOD HERE, 679 00:30:43,929 --> 00:30:46,105 BUT THE SERVICE IS A LITTLE IFFY. 680 00:30:46,148 --> 00:30:48,759 YOU THINK YOUR PARENTS MIGHT FREE YOU UP TONIGHT? 681 00:30:48,803 --> 00:30:50,936 I DON'T KNOW...BIG FAMILY SCRABBLE TOURNAMENT TONIGHT. 682 00:30:50,979 --> 00:30:52,763 HEY, JOEY. 683 00:30:52,807 --> 00:30:54,591 I MIGHT BE ABLE TO SNEAK AWAY LATER. 684 00:30:54,635 --> 00:30:56,245 OKAY. WELL, YOU KNOW WHERE I'LL BE. 685 00:30:56,289 --> 00:30:58,987 PLANET EARTH TO JOEY! 686 00:30:59,031 --> 00:31:00,597 I'LL COME BY AFTER THE GAME. 687 00:31:00,641 --> 00:31:02,861 HEY, "CHARADE" IS A GOOD SEVEN-LETTER WORD 688 00:31:02,904 --> 00:31:05,037 YOU CAN USE IN THAT SCRABBLE GAME. 689 00:31:07,343 --> 00:31:10,912 MUST'VE COME RIGHT IN THE MIDDLE OF SOMETHING. 690 00:31:10,956 --> 00:31:12,958 HERE YOU GO. 691 00:31:13,001 --> 00:31:14,176 THAT'S 7.50. 692 00:31:16,744 --> 00:31:20,095 MISS, WOULD YOU, UH, WOULD YOU LIKE ANYTHING? 693 00:31:20,139 --> 00:31:22,228 NO, BUT THANK YOU. 694 00:31:22,271 --> 00:31:23,925 ANYTIME. 695 00:31:23,969 --> 00:31:24,970 I CALLED IN A TAKEOUT. 696 00:31:25,013 --> 00:31:27,015 RIGHT THIS WAY. 697 00:31:27,059 --> 00:31:28,843 IT WAS REALLY NICE TO MEET YOU. 698 00:31:28,887 --> 00:31:29,888 YEAH. SEE YOU GUYS LATER. 699 00:31:29,931 --> 00:31:32,325 SEE YOU. 700 00:31:36,895 --> 00:31:39,941 WELL... 701 00:31:39,985 --> 00:31:43,031 MR. GOLD: ARE YOU KIDDING? THAT'S MY FAVORITE. 702 00:31:43,075 --> 00:31:44,119 ISN'T THAT YOURS? 703 00:31:44,163 --> 00:31:45,729 NO. MY FAVORITE SCENE 704 00:31:45,773 --> 00:31:46,948 IS WHEN STREISAND MEETS UP WITH REDFORD 705 00:31:46,992 --> 00:31:49,081 YEARS LATER IN THE STREET, 706 00:31:49,124 --> 00:31:50,865 AND THEY SPEAK PLEASANTLY... 707 00:31:50,909 --> 00:31:52,867 AND CORDIALLY, 708 00:31:52,911 --> 00:31:54,913 AND THEN SHE BRUSHES HIS HAIR OFF HIS FOREHEAD 709 00:31:54,956 --> 00:31:57,263 THE WAY SHE DID WHEN THEY FIRST MET YEARS EARLIER. 710 00:31:57,306 --> 00:31:58,829 OH! IT KILLS ME. 711 00:31:58,873 --> 00:32:01,441 IT'S SO BITTERSWEET. THEY BELONGED TOGETHER. 712 00:32:01,484 --> 00:32:04,270 BUT THEY COULD NEVER GO BACK TO THE WAY THEY WERE. 713 00:32:04,313 --> 00:32:06,446 OH, STOP! I'M GOING TO CRY RIGHT NOW. 714 00:32:06,489 --> 00:32:08,535 OKAY. LET'S GET OUT OF HERE. 715 00:32:08,578 --> 00:32:10,885 I'LL WALK YOU HOME. WE'LL TAKE THE SCENIC ROUTE. 716 00:32:10,929 --> 00:32:12,365 WILL YOU HOLD MY HAND LIKE KATIE AND HUBBELL? 717 00:32:12,408 --> 00:32:13,366 MAYBE MORE. 718 00:32:13,409 --> 00:32:14,541 OOH. 719 00:32:14,584 --> 00:32:16,369 I'LL GET MY THINGS. 720 00:32:22,070 --> 00:32:23,376 HELLO, TAMARA. 721 00:32:24,855 --> 00:32:26,683 [SIGHS] 722 00:32:26,727 --> 00:32:28,685 MR. GOLD IS RIGHT AROUND THE CORNER. 723 00:32:28,729 --> 00:32:31,036 I KNOW. I HEARD. HE'S WALKING YOU HOME. 724 00:32:31,079 --> 00:32:33,038 WELL, MR. GOLD IS A FRIEND OF MINE. 725 00:32:33,081 --> 00:32:34,474 OH, CLEARLY. 726 00:32:34,517 --> 00:32:36,519 WE'RE FRIENDS, PACEY. 727 00:32:36,563 --> 00:32:38,695 I KNOW WHAT YOU DO WITH YOUR STUDENTS, 728 00:32:38,739 --> 00:32:41,046 SO I GUESS HE'S IN FOR ONE HECK OF A RIDE. 729 00:32:41,089 --> 00:32:43,439 LOOK, YOU HAVE GOT TO STOP WITH THIS 730 00:32:43,483 --> 00:32:45,093 BEFORE IT GETS OUT OF HAND. 731 00:32:45,137 --> 00:32:46,921 OH, THIS IS ALREADY OUT OF HAND. 732 00:32:46,965 --> 00:32:48,009 I HAVE TO GO. 733 00:32:48,053 --> 00:32:49,793 WAIT, WAIT. 734 00:32:49,837 --> 00:32:52,971 WHAT DO YOU WANT FROM ME? 735 00:32:53,014 --> 00:32:54,798 YOU. 736 00:32:56,496 --> 00:32:57,976 I WANT YOU. 737 00:33:11,206 --> 00:33:13,556 DAWSON: WE'RE ACTUALLY NOT SUPPOSED TO BE HERE. 738 00:33:13,600 --> 00:33:15,036 THE GUY'S DEAD. THE SON'S A REAL ASS. 739 00:33:15,080 --> 00:33:16,559 SO IF YOU SEE SOMEBODY, RUN. 740 00:33:16,603 --> 00:33:18,083 OH, NOW WE'RE TRESPASSING, ARE WE? 741 00:33:18,126 --> 00:33:19,736 YES, WE ARE. 742 00:33:19,780 --> 00:33:21,390 SO, WHAT IS THIS PLACE? 743 00:33:21,434 --> 00:33:22,957 THE MONSTER'S SECRET HAVEN. 744 00:33:23,001 --> 00:33:24,698 NO, NO, FOR REAL. WHAT IS IT? IT'S INCREDIBLE. 745 00:33:24,741 --> 00:33:26,308 IT'S PART OF SOME GUY'S ESTATE. 746 00:33:26,352 --> 00:33:29,311 HE BUILT IT FOR HIS DEAD WIFE-- BEFORE SHE DIED. 747 00:33:29,355 --> 00:33:31,313 SHE LOVED GREECE. IT WAS HER FAVORITE SPOT. 748 00:33:31,357 --> 00:33:33,707 AND THEN SHE GOT SICK AND COULDN'T TRAVEL ANYMORE, 749 00:33:33,750 --> 00:33:36,014 SO HE BROUGHT GREECE TO HER. 750 00:33:36,057 --> 00:33:37,363 THAT IS SO ROMANTIC. 751 00:33:37,406 --> 00:33:38,494 YEAH? 752 00:33:38,538 --> 00:33:39,800 I THINK SO. 753 00:33:49,157 --> 00:33:51,899 THIS IS ABSOLUTELY BEAUTIFUL. 754 00:33:51,942 --> 00:33:53,596 WELL, WE GOT TO HURRY OR WE'RE GOING TO LOSE THE SUN. 755 00:33:55,381 --> 00:33:57,252 SO, UH, WHAT DO YOU WANT ME TO DO HERE? 756 00:33:57,296 --> 00:33:59,254 WELL...JUST GIVE ME THAT. 757 00:33:59,298 --> 00:34:00,647 JUST SIT RIGHT THERE... 758 00:34:00,690 --> 00:34:05,043 AND WATCH ME AS I CREATE THE MOMENT. 759 00:34:10,961 --> 00:34:13,921 ["ALL I WANT" BY TOAD THE WET SPROCKET PLAYING] 760 00:34:13,964 --> 00:34:18,273 I WAS THINKING OF USING THIS FOR THE CLOSING SEQUENCE. 761 00:34:18,317 --> 00:34:19,448 WHAT DO YOU THINK? 762 00:34:19,492 --> 00:34:21,276 WELL, IT'S A LITTLE SCHMALTZY, 763 00:34:21,320 --> 00:34:23,191 CONSIDERING IT'S A HORROR FILM. 764 00:34:23,235 --> 00:34:27,021 YEAH, BUT I WAS GOING FOR THE TRAGIC ENDING. 765 00:34:28,718 --> 00:34:30,285 SEE, THE MONSTER'S DEAD, 766 00:34:30,329 --> 00:34:33,071 BUT IN HIS DEATH, PENELOPE FINDS UNDERSTANDING. 767 00:34:33,114 --> 00:34:35,160 SHE COMES HERE TO HIS SECRET PLACE TO SAY GOODBYE. 768 00:34:35,203 --> 00:34:38,685 IT'S THEMATIC. 769 00:34:38,728 --> 00:34:41,122 IT KIND OF BALANCES OUT ALL THE BLOOD. 770 00:34:41,166 --> 00:34:43,037 I SEE IT. 771 00:34:43,081 --> 00:34:44,038 YOU DO? 772 00:34:44,082 --> 00:34:46,519 YEAH. 773 00:34:46,562 --> 00:34:47,868 READY? 774 00:34:47,911 --> 00:34:48,825 YEAH. 775 00:34:50,349 --> 00:34:53,134 OKAY, UM, SO, SO WHAT'S MY... 776 00:34:53,178 --> 00:34:54,701 WHAT'S MY DIRECTION? 777 00:34:54,744 --> 00:34:56,137 THAT OF LONGING. 778 00:34:56,181 --> 00:34:58,531 INCREDIBLE SADNESS. 779 00:35:00,272 --> 00:35:03,188 THINK ABOUT WHAT'S JUST HAPPENED. 780 00:35:03,231 --> 00:35:04,624 YOU'VE JUST DISCOVERED THAT THE MONSTER YOU KILLED 781 00:35:04,667 --> 00:35:07,235 WAS REALLY THE MAN YOU LOVED, 782 00:35:07,279 --> 00:35:11,152 THE VICTIM OF AN EXPERIMENT GONE TERRIBLY WRONG. 783 00:35:11,196 --> 00:35:11,892 ACTION. 784 00:35:27,125 --> 00:35:28,126 CUT. 785 00:35:30,345 --> 00:35:31,781 AND PRINT. 786 00:35:31,825 --> 00:35:33,870 WAS THAT OKAY? BECAUSE, I MEAN, I CAN DO IT-- 787 00:35:33,914 --> 00:35:36,264 THAT WAS-- YOU ARE AMAZING! 788 00:35:36,308 --> 00:35:39,049 OH. SADNESS IS MY SPECIALTY. 789 00:35:39,093 --> 00:35:40,660 SHOULD WE DO IT AGAIN? I'M NOT SURE-- 790 00:35:40,703 --> 00:35:43,271 IT WAS PERFECT. 791 00:35:43,315 --> 00:35:44,707 WELL, I HAD A GOOD DIRECTOR. 792 00:35:44,751 --> 00:35:46,405 AND I HAD A GOOD ACTRESS. 793 00:35:49,712 --> 00:35:51,061 SO... 794 00:35:51,105 --> 00:35:53,586 SO, UH... 795 00:35:53,629 --> 00:35:56,197 IT SEEMS A SHAME TO WASTE ALL THIS GOOD PRODUCTION DESIGN: 796 00:35:56,241 --> 00:35:59,200 THE SUNSET... 797 00:35:59,244 --> 00:36:00,810 THE MUSIC... 798 00:36:00,854 --> 00:36:02,551 THE SOFT CANDLELIGHT. 799 00:36:09,254 --> 00:36:11,212 WAIT A MINUTE. 800 00:36:11,256 --> 00:36:12,518 WAIT. WHAT ARE YOU DOING? 801 00:36:13,649 --> 00:36:15,347 UM... 802 00:36:17,349 --> 00:36:20,308 [VIOLIN PLAYING] 803 00:36:32,059 --> 00:36:33,321 PRETTY GOOD AT THAT THING. 804 00:36:35,062 --> 00:36:37,151 HEY. 805 00:36:37,195 --> 00:36:38,848 I WAS HOPING YOU'D SHOW UP. 806 00:36:43,070 --> 00:36:44,027 LISTEN, UM... 807 00:36:45,768 --> 00:36:48,162 WE LEAVE TOMORROW. 808 00:36:48,206 --> 00:36:51,339 BUT, UH, I COME TO NEW YORK ALL THE TIME. 809 00:36:51,383 --> 00:36:53,211 I'LL TAKE YOU OUT TO DINNER, THE RAINBOW ROOM. 810 00:36:53,254 --> 00:36:55,082 WE CAN DANCE THE NIGHT AWAY. 811 00:36:58,303 --> 00:37:01,697 I'M NOT A VERY GOOD DANCER, ANDERSON, 812 00:37:01,741 --> 00:37:03,308 AND I PREFER BOULEY. 813 00:37:03,351 --> 00:37:05,223 IT'S MY HAUNT. I'M AN EAST SIDE GIRL. 814 00:37:06,441 --> 00:37:09,357 BUT...BOULEY ISN'T... 815 00:37:11,925 --> 00:37:13,143 LET ME GET YOU MY NUMBER. 816 00:37:13,187 --> 00:37:15,058 OKAY. 817 00:37:33,990 --> 00:37:34,991 CALL ME... 818 00:37:35,035 --> 00:37:37,516 WOULD YOU? 819 00:37:40,780 --> 00:37:41,911 YEAH. 820 00:38:15,989 --> 00:38:17,512 CAN I WALK YOU SOMEWHERE? 821 00:38:22,952 --> 00:38:25,041 NO. 822 00:38:25,085 --> 00:38:25,999 NO. 823 00:38:28,088 --> 00:38:30,046 YOU, UH... 824 00:38:30,090 --> 00:38:32,832 YOU NEED TO STAY RIGHT HERE... 825 00:38:32,875 --> 00:38:34,660 IN THE MOONLIGHT. 826 00:38:37,358 --> 00:38:39,752 THAT'S WHERE YOU BELONG. 827 00:38:47,325 --> 00:38:47,977 BYE. 828 00:38:55,245 --> 00:38:57,335 [SIGHS] 829 00:39:04,037 --> 00:39:06,735 DAWSON, YOU WERE VIDEOTAPING A REALLY PRIVATE MOMENT. 830 00:39:06,779 --> 00:39:09,521 OKAY, JUST LET ME EXPLAIN, ALL RIGHT? LET ME EXPLAIN. 831 00:39:09,564 --> 00:39:11,784 I-- I WANTED... 832 00:39:11,827 --> 00:39:13,916 I WANTED THE MOMENT TO BE PERFECT BETWEEN US. 833 00:39:13,960 --> 00:39:15,265 I WANTED TO CREATE SOMETHING SPECIAL, 834 00:39:15,309 --> 00:39:17,224 SOMETHING WORTHY OF HOW SPECIAL I THINK YOU ARE. 835 00:39:17,267 --> 00:39:20,836 DAWSON, YOU JUST TRY TOO HARD. YOU'RE OVERZEALOUS. 836 00:39:20,880 --> 00:39:24,449 THAT'S MY DOWNFALL. 837 00:39:24,492 --> 00:39:27,234 I MEAN, WHY CAN'T YOU JUST LET THE MOMENT EXIST? 838 00:39:27,277 --> 00:39:29,454 WHY DO YOU ALWAYS FEEL THE NEED TO MAKE IT HAPPEN? 839 00:39:29,497 --> 00:39:32,370 I DON'T KNOW, I DON'T KNOW. I JUST-- I DO. 840 00:39:32,413 --> 00:39:34,546 I... 841 00:39:34,589 --> 00:39:37,636 I DON'T KNOW WHAT ELSE TO SAY, JEN, 842 00:39:37,679 --> 00:39:39,812 EXCEPT THAT MY INTENTIONS ARE NOTHING SHORT OF HONORABLE. 843 00:39:41,727 --> 00:39:44,643 I'VE NEVER MET ANYONE LIKE YOU BEFORE, JEN. YOU SCARE ME. 844 00:39:44,686 --> 00:39:46,079 I SCARE YOU? 845 00:39:46,122 --> 00:39:47,559 AND I LOVE THE WAY YOU SCARE ME, 846 00:39:47,602 --> 00:39:48,734 BUT IT MAKES ME NERVOUS, 847 00:39:48,777 --> 00:39:50,344 AND THEN I DO OR SAY SOMETHING STUPID, 848 00:39:50,388 --> 00:39:52,477 AND THEN I SPEND ALL THIS ENERGY 849 00:39:52,520 --> 00:39:54,174 COMING UP WITH IDEAS TO BE SMART 850 00:39:54,217 --> 00:39:55,436 SO THAT YOU WON'T THINK I'M STUPID, 851 00:39:55,480 --> 00:39:56,655 BUT THEN THOSE IDEAS ULTIMATELY BACKFIRE, 852 00:39:56,698 --> 00:39:58,134 MAKING ME LOOK EVEN MORE STUPID, 853 00:39:58,178 --> 00:39:59,614 AND IT'S JUST A VICIOUS CYCLE, 854 00:39:59,658 --> 00:40:02,095 AND I'M REALLY AT THE END OF MY ROPE RIGHT NOW, JEN, 855 00:40:02,138 --> 00:40:04,358 BECAUSE ALL I WANT TO DO IS KISS YOU, AND I'M AFRAID 856 00:40:04,402 --> 00:40:06,360 IF I DON'T KISS YOU SOON, I'M GOING TO EXPLODE. 857 00:40:06,404 --> 00:40:08,188 HUH. 858 00:40:08,231 --> 00:40:09,668 YOU KNOW... 859 00:40:09,711 --> 00:40:11,670 DAWSON, THIS REALLY SUCKS. 860 00:40:11,713 --> 00:40:15,674 WHY? 861 00:40:15,717 --> 00:40:17,153 NOW I'M SCARED. 862 00:40:17,197 --> 00:40:19,068 WHY? 863 00:40:19,112 --> 00:40:21,462 THE KISS, THE KISS. I MEAN... 864 00:40:21,506 --> 00:40:24,509 YOU'VE BUILT THIS KISS UP TO BE SUCH A BIG DEAL. 865 00:40:24,552 --> 00:40:26,598 WHAT HAPPENS IF I'M A DISAPPOINTMENT? 866 00:40:28,643 --> 00:40:29,601 NEVER HAPPEN. 867 00:40:38,958 --> 00:40:40,350 WHERE WERE YOU? 868 00:40:40,394 --> 00:40:44,442 NOWHERE. 869 00:40:44,485 --> 00:40:46,835 HEY, THANKS FOR HELPING ME OUT TODAY. 870 00:40:46,879 --> 00:40:49,359 SHE'S BEING NICE, BODIE. WHAT DOES THIS MEAN? 871 00:40:49,403 --> 00:40:51,361 UH... 872 00:40:51,405 --> 00:40:52,885 TREAD LIGHTLY. 873 00:40:54,060 --> 00:40:56,149 OKAY. 874 00:40:56,192 --> 00:40:59,718 UM, BOULEY, THAT RESTAURANT IN NEW YORK, 875 00:40:59,761 --> 00:41:01,502 IT'S ON THE EAST SIDE, ISN'T IT? 876 00:41:01,546 --> 00:41:03,896 NO, NO, NO. IT'S IN TRIBECA, 877 00:41:03,939 --> 00:41:06,072 AND IT CLOSED DOWN A COUPLE OF YEARS AGO. 878 00:41:06,115 --> 00:41:08,988 THEY HAD A GREAT CHEF, THOUGH. WHY? 879 00:41:09,031 --> 00:41:11,077 NO REASON. 880 00:41:22,523 --> 00:41:25,091 PERCENTAGE OF DUMB THINGS I DO IS RISING AROUND YOU. 881 00:41:25,134 --> 00:41:26,745 WHAT DO YOU THINK THAT MEANS 882 00:41:26,788 --> 00:41:29,356 WHEN YOU KEEP ON DOING DUMB THINGS AROUND THE SAME GIRL? 883 00:41:29,399 --> 00:41:31,706 WELL, I'M SURE SOMETHING EXTREMELY FREUDIAN. 884 00:41:31,750 --> 00:41:34,448 [CAR APPROACHING] 885 00:41:34,492 --> 00:41:35,667 OH, NO. 886 00:41:35,710 --> 00:41:37,582 WHAT? WHAT? WHAT? 887 00:41:37,625 --> 00:41:40,454 WE GOT TO HIDE. 888 00:41:40,498 --> 00:41:44,893 [CAR DOORS OPEN AND SHUT] 889 00:41:44,937 --> 00:41:46,242 LET'S GO. 890 00:41:46,286 --> 00:41:48,549 WHERE ARE WE GOING?I DON'T KNOW, HURRY. 891 00:41:48,593 --> 00:41:49,768 WHO'S COMING? 892 00:41:54,599 --> 00:41:56,905 OKAY, SO...WHAT DO WE DO? 893 00:41:56,949 --> 00:41:57,863 WE'RE GOING TO HIDE. 894 00:41:59,691 --> 00:42:02,432 [LAUGHING] 895 00:42:09,788 --> 00:42:12,007 THIS IS REALLY GROSS. IT SMELLS. 896 00:42:12,051 --> 00:42:14,009 I KNOW, I KNOW. SH. SH. 897 00:42:14,053 --> 00:42:15,141 OH, GOD, THERE'S, LIKE, STUFF-- 898 00:42:15,184 --> 00:42:16,795 SH, SH. IT'S... 899 00:42:16,838 --> 00:42:18,710 JUST LIKE A COBWEB OR SOMETHING. 900 00:42:18,753 --> 00:42:19,711 JUST A--? 901 00:42:19,754 --> 00:42:20,668 SH, SH.