1 00:00:01,175 --> 00:00:02,785 I KNOW WHAT I SAW. 2 00:00:02,828 --> 00:00:04,787 IT WAS BIG, IT WAS UGLY, AND IT ATTACKED ME, 3 00:00:04,830 --> 00:00:06,136 AND IT'S STILL OUT THERE, JUST WAITING. 4 00:00:06,180 --> 00:00:08,573 I MAY NOT BELIEVE YOU, STEPHANIE, 5 00:00:08,617 --> 00:00:10,314 BUT I BELIEVE IN YOU. 6 00:00:13,361 --> 00:00:14,318 OHH! UHH! 7 00:00:14,362 --> 00:00:15,972 WHAT? WHAT? COME ON! 8 00:00:16,016 --> 00:00:16,973 I'M SORRY. 9 00:00:17,017 --> 00:00:18,192 [COUGHING] 10 00:00:18,235 --> 00:00:20,150 I'M SORRY, DAWSON. HE IS JUST TOO REPELLING. 11 00:00:20,194 --> 00:00:22,935 JOEY, YOU'RE GONNA HAVE TO KISS HIM. 12 00:00:22,979 --> 00:00:25,068 I CANNOT AND WILL NOT KISS THAT CRETIN. 13 00:00:25,112 --> 00:00:27,070 IT'S A MOVIE. YOU'RE PLAYING A CHARACTER. 14 00:00:27,114 --> 00:00:28,854 IT'S NOT PACEY YOU'RE KISSING. 15 00:00:28,898 --> 00:00:30,769 SO HE'S A SEA SERPENT FROM THE DEEP. CITE THE DIFFERENCE. 16 00:00:30,813 --> 00:00:33,598 BUT YOU'RE NOT AWARE OF HIS EVIL ALTER EGO. YOU'RE IN LOVE. 17 00:00:33,642 --> 00:00:35,644 FORGET IT. 18 00:00:35,687 --> 00:00:37,254 THE MOVIE DOESN'T WORK WITHOUT THE KISS, JOEY. IT'S A LOVE STORY. 19 00:00:37,298 --> 00:00:38,995 IT'S A HORROR MOVIE. 20 00:00:39,039 --> 00:00:41,606 IT'S AN HOMAGE, WITH A HEAVY ALLEGORICAL SLANT. 21 00:00:43,652 --> 00:00:45,697 BUT HE'S SO... 22 00:00:45,741 --> 00:00:48,222 UNKISS-WORTHY. 23 00:00:48,265 --> 00:00:50,920 DO IT FOR ME? 24 00:00:50,963 --> 00:00:52,661 I DON'T WANT TO REGURGITATE ON CAMERA. 25 00:00:52,704 --> 00:00:54,184 WHY DON'T YOU KISS HIM? 26 00:00:54,228 --> 00:00:58,145 BECAUSE MY LIPS ARE RESERVED FOR SOMEONE ELSE. 27 00:00:58,188 --> 00:01:00,930 HAVE YOU KISSED LITTLE "MISS-SOMEONE-ELSE" YET? 28 00:01:00,973 --> 00:01:02,932 THERE'S NO NEED TO RUSH FATE. 29 00:01:02,975 --> 00:01:05,152 WELL, DON'T WAIT AN ETERNITY, DAWSON. 30 00:01:05,195 --> 00:01:08,155 I MEAN, SHE'S FROM NEW YORK, WHERE THINGS TEND TO MOVE FASTER. 31 00:01:08,198 --> 00:01:10,548 WELL, THEN SO HOW ENCHANTING TO MEET A STRAPPING YOUNG MAN 32 00:01:10,592 --> 00:01:12,637 WHO DOESN'T HAVE SEX ON THE BRAIN. 33 00:01:12,681 --> 00:01:15,031 HELPS YOU SLEEP AT NIGHT. 34 00:01:15,075 --> 00:01:16,989 JOEY, YOU HEARD HER FOR HERSELF, 35 00:01:17,033 --> 00:01:19,514 THROUGH HER OWN ADMITTANCE, SHE'S A SELF-PROCLAIMED VIRGIN. 36 00:01:19,557 --> 00:01:21,124 FOR ANOTHER SECOND. 37 00:01:21,168 --> 00:01:23,735 JEN HAPPENS TO BE A BRIGHT, INTELLIGENT YOUNG WOMAN 38 00:01:23,779 --> 00:01:25,868 WHO IS CLEARLY IN CHARGE OF HER OWN BODY. 39 00:01:25,911 --> 00:01:28,305 I'M NOT SUGGESTING LEATHER STRAPS AND CRISCO, 40 00:01:28,349 --> 00:01:29,828 JUST A KISS. 41 00:01:29,872 --> 00:01:33,180 JEN AND I WILL DEFINITELY KISS, DON'T YOU WORRY. 42 00:01:33,223 --> 00:01:35,834 THE QUESTION IS, WILL YOUR LIPS EVER FIND PACEY'S? 43 00:01:35,878 --> 00:01:37,488 I VOTE FOR AN EXTENSIVE REWRITE. 44 00:01:37,532 --> 00:01:39,708 WELL, THAT'S TOO BAD, 45 00:01:39,751 --> 00:01:42,624 BECAUSE YOU DEFINITELY HAVE KISSING LIPS. 46 00:01:42,667 --> 00:01:44,321 WHAT? 47 00:01:44,365 --> 00:01:45,801 CHECK THAT OUT. 48 00:01:47,411 --> 00:01:49,239 YOU GIVE GOOD LIP. 49 00:01:50,501 --> 00:01:52,286 YOU KNOW, JOEY, 50 00:01:52,329 --> 00:01:54,766 YOU COULD ALWAYS JUST CLOSE YOUR EYES AND THINK OF SOMEONE ELSE. 51 00:01:54,810 --> 00:01:55,985 [SIGHS] 52 00:01:58,814 --> 00:02:00,772 EXPLAIN TO ME THE CRISCO. 53 00:02:56,654 --> 00:02:58,221 AHEM. 54 00:02:58,265 --> 00:03:01,529 DON'T FORGET ABOUT THE BIG DANCE ON SATURDAY 55 00:03:01,572 --> 00:03:04,532 TO CELEBRATE OUR VICTORY AT THE BIG GAME ON FRIDAY, 56 00:03:04,575 --> 00:03:06,751 EVEN IF WE DON'T KNOW YET IF WE'LL EVEN WIN THE BIG GAME, 57 00:03:06,795 --> 00:03:09,711 BUT THE PLANNING COMMITTEE IS REALLY OPTIMISTIC, 58 00:03:09,754 --> 00:03:11,713 SO GET YOUR TICKETS NOW! 59 00:03:11,756 --> 00:03:12,844 MR. GOLD, 60 00:03:12,888 --> 00:03:14,455 YOU GOT A SEC? 61 00:03:14,498 --> 00:03:15,804 WHAT IS IT, DAWSON? 62 00:03:17,501 --> 00:03:21,288 UM, WELL, I'VE BEEN THINKING ABOUT WHAT YOU SAID, 63 00:03:21,331 --> 00:03:24,073 AND YOU WERE RIGHT NOT TO LET ME INTO YOUR CLASS. 64 00:03:26,162 --> 00:03:28,730 I'M GLAD YOU GAVE IT SOME THOUGHT. 65 00:03:28,773 --> 00:03:31,472 I AM, HOWEVER, IN A BIT OF A JAM. 66 00:03:31,515 --> 00:03:33,474 SEE, I HAVE STUDY HALL FIFTH PERIOD IN THE LIBRARY, 67 00:03:33,517 --> 00:03:35,476 AND IT'S--IT'S REALLY CROWDED IN THERE. 68 00:03:35,519 --> 00:03:37,739 IT'S A MAJOR OVERLOAD. IT'S REALLY UNPLEASANT, 69 00:03:37,782 --> 00:03:39,654 YOU KNOW. 70 00:03:39,697 --> 00:03:41,046 AND I TALKED TO MR. GIBBONS ABOUT SWITCHING STUDY HALL, 71 00:03:41,090 --> 00:03:42,483 AND HE SEEMED TO THINK THAT, WITH YOUR PERMISSION, 72 00:03:42,526 --> 00:03:44,659 I COULD JUST SPEND STUDY HALL WITH YOU. 73 00:03:44,702 --> 00:03:47,488 HMM. FIFTH PERIOD. 74 00:03:47,531 --> 00:03:50,969 THAT'S EXACTLY WHEN FILM CLASS IS. 75 00:03:51,013 --> 00:03:53,450 NOW, THAT'S AN UNCANNY COINCIDENCE. 76 00:03:55,017 --> 00:03:56,453 YOU WILL NOT BE PART OF THE CLASS, 77 00:03:56,497 --> 00:03:58,107 YOU WILL SIT IN THE BACK AND BE QUIET, 78 00:03:58,150 --> 00:04:00,109 YOU WILL NOT PARTICIPATE OR INVOLVE YOURSELF IN ANY WAY. 79 00:04:00,152 --> 00:04:01,676 GREAT. GREAT. THANK YOU, MR. GOLD. THANK YOU. 80 00:04:01,719 --> 00:04:04,244 I...I REALLY-- THIS IS--THIS IS A BIG DEAL. 81 00:04:20,521 --> 00:04:21,870 GOOD MORNING, MISS JACOBS. 82 00:04:21,913 --> 00:04:23,393 GOOD MORNING, PACEY. 83 00:04:24,916 --> 00:04:26,483 CAN WE TALK? 84 00:04:26,527 --> 00:04:28,485 UH, YOU KNOW, THIS ISN'T YOUR CLASS. 85 00:04:28,529 --> 00:04:30,922 SO, UM, I'LL SEE YOU LATER. 86 00:04:30,966 --> 00:04:34,317 NO. WE REALLY NEED TO TALK. 87 00:04:34,361 --> 00:04:37,146 WELL, WE HAVE NOTHING TO DISCUSS, 88 00:04:37,189 --> 00:04:38,887 EXCEPT HOMEWORK, OF WHICH THERE IS NONE. 89 00:04:38,930 --> 00:04:41,890 SO...YOU CAN RUN ALONG. 90 00:04:41,933 --> 00:04:44,719 THERE'S A LOT TO DISCUSS. 91 00:04:44,762 --> 00:04:48,505 WE COULD START WITH THE OPEN-MOUTH KISS, IF YOU LIKE. 92 00:04:48,549 --> 00:04:50,507 I DON'T KNOW WHAT YOU'RE TALKING ABOUT, 93 00:04:50,551 --> 00:04:52,161 AND I'M GOING TO HAVE TO INSIST 94 00:04:52,204 --> 00:04:53,510 THAT YOU LEAVE THIS CLASSROOM IMMEDIATELY. 95 00:04:53,554 --> 00:04:56,078 LISTEN, I'M JUST AS CONFUSED ABOUT THIS AS YOU ARE. 96 00:04:56,121 --> 00:04:58,080 PACEY, PLEASE. 97 00:04:58,123 --> 00:05:00,082 NOTHING HAPPENED. 98 00:05:00,125 --> 00:05:02,693 THERE WAS NO KISS. 99 00:05:02,737 --> 00:05:04,260 PLEASE, DON'T. 100 00:05:06,958 --> 00:05:09,918 YOUR TONGUE WAS IN MY MOUTH. 101 00:05:13,008 --> 00:05:14,879 YOU'RE NOT BEING FAIR. 102 00:05:22,583 --> 00:05:24,498 GOOD MORNING, EVERYONE. 103 00:05:24,541 --> 00:05:26,195 OK, I'M NOT GONNA BE ABLE TO COUNT ON THE FILM CLASS FOR SUPPORT 104 00:05:26,238 --> 00:05:27,718 LIKE I WAS HOPING. 105 00:05:27,762 --> 00:05:29,372 WHICH MEANS WE'RE GONNA HAVE TO WORK OVERTIME 106 00:05:29,416 --> 00:05:31,069 IF WE WANT TO MEET THE FESTIVAL DEADLINE. 107 00:05:31,113 --> 00:05:32,419 WE'RE GONNA HAVE TO SHOOT ALL WEEKEND. 108 00:05:32,462 --> 00:05:35,073 JOEY, THIS MEANS NO LIP ABOUT GIVING PACEY LIP. 109 00:05:35,117 --> 00:05:37,467 I'M REACHING A BREAKING POINT WITH THIS WHOLE KISS THING. 110 00:05:37,511 --> 00:05:39,251 LISTEN, I'M NOT ENGORGED WITH THIS EITHER, OK? 111 00:05:39,295 --> 00:05:40,601 IT GOES BOTH WAYS. 112 00:05:40,644 --> 00:05:42,690 JOEY... 113 00:05:42,733 --> 00:05:44,082 MAJOR REVELATION. 114 00:05:44,126 --> 00:05:45,562 ALL RIGHT, I THINK I KNOW A WAY 115 00:05:45,606 --> 00:05:47,303 TO MAKE YOU THE HAPPIEST ACTRESS IN THE WORLD. 116 00:05:47,347 --> 00:05:49,610 YOU KNOW HOW YOU DIE AT THE END OF THE MOVIE? 117 00:05:49,653 --> 00:05:52,656 HOW WOULD YOU LIKE TO DIE SOONER, LIKE TOMORROW? 118 00:05:52,700 --> 00:05:54,310 WHAT DO YOU MEAN? 119 00:05:54,354 --> 00:05:56,704 OK, YOUR CHARACTER, IN A SURPRISE ATTACK, IS KILLED VIOLENTLY, 120 00:05:56,747 --> 00:05:59,489 BUT YOUR BEAUTIFUL, BUT BRIGHT COUSIN FROM NEW YORK 121 00:05:59,533 --> 00:06:02,536 ARRIVES JUST IN TIME TO FIND YOUR MUTILATED BODY. 122 00:06:02,579 --> 00:06:04,973 YOU KNOW, DUDE, I THINK YOU'RE ONTO SOMETHING HERE. 123 00:06:05,016 --> 00:06:06,366 WAIT, WAIT, WAIT A MINUTE. IF IT MEANS I'M GONNA BE PLAYING-- 124 00:06:06,409 --> 00:06:07,541 NO, NO, IT'S PERFECT. 125 00:06:07,584 --> 00:06:09,804 SEE, THIS NULLIFIES THE KISS ISSUE 126 00:06:09,847 --> 00:06:11,762 AND PUTS YOU BACK BEHIND THE CAMERA WITH ME WHERE YOU BELONG. 127 00:06:11,806 --> 00:06:13,764 WELL, BUT, I MEAN, HAVEN'T YOU ALREADY SHOT A LOT OF STUFF 128 00:06:13,808 --> 00:06:15,897 WITH JOEY'S CHARACTER? 129 00:06:15,940 --> 00:06:17,899 IT'S AN EASY COVER. IT'S BETTER THIS WAY. 130 00:06:17,942 --> 00:06:20,423 IT'S SO UNPREDICTABLE. THE AUDIENCE IS NEVER GOING TO SEE IT COMING. 131 00:06:20,467 --> 00:06:22,294 IT'S LIKE JANET LEE IN PSYCHO. 132 00:06:22,338 --> 00:06:23,470 DREW BARRYMORE IN SCREAM. 133 00:06:23,513 --> 00:06:25,123 OH, A RIP-OFF OF A RIP-OFF. 134 00:06:25,167 --> 00:06:26,473 YEAH, I REALLY THINK IT FITS RIGHT IN LINE 135 00:06:26,516 --> 00:06:27,996 WITH THE WHOLE TONE OF THE PIECE, DON'T YOU THINK? 136 00:06:28,039 --> 00:06:29,476 YOU'RE RIGHT, DAWSON. 137 00:06:29,519 --> 00:06:31,303 IT'S PERFECT. 138 00:06:31,347 --> 00:06:35,046 OK, SOMEONE EXPLAIN TO ME THE STATE OF CATHERINE'S MIND 139 00:06:35,090 --> 00:06:37,222 AS SHE DROVE HEATHCLIFF AWAY. 140 00:06:37,266 --> 00:06:40,617 OH! IT WAS HER TRAGIC AND DYSFUNCTIONAL WAY 141 00:06:40,661 --> 00:06:42,663 OF LETTING HIM KNOW SHE LOVED HIM. 142 00:06:42,706 --> 00:06:46,580 YES, THAT'S THE OBVIOUS INTERPRETATION OF THE MOMENT. 143 00:06:46,623 --> 00:06:49,496 HOWEVER, I THINK IT GOES DEEPER THAN THAT. 144 00:06:49,539 --> 00:06:53,456 FOR SOME REASON, THIS STORY IS REGARDED AS SOME GREAT LOVE STORY. 145 00:06:53,500 --> 00:06:55,806 BUT THE REALITY IS, 146 00:06:55,850 --> 00:06:58,418 THAT HEATHCLIFF AND CATHERINE NEVER BELONGED TOGETHER. 147 00:06:58,461 --> 00:07:00,158 THEY NEVER SHOULD HAVE BEEN TOGETHER. 148 00:07:00,202 --> 00:07:02,378 CATHERINE WAS ESSENTIALLY A MESS, 149 00:07:02,422 --> 00:07:04,380 HEATHCLIFF WAS BASICALLY A DECENT GUY 150 00:07:04,424 --> 00:07:06,991 WHO HAD A LOT TO LEARN ABOUT LIFE, 151 00:07:07,035 --> 00:07:10,038 AND HE WAS INHERENTLY BETTER OFF WITHOUT SOME WHIMPERING, 152 00:07:10,081 --> 00:07:12,301 MENTALLY UNSTABLE WET RAG FOLLOWING HIM AROUND. 153 00:07:12,344 --> 00:07:14,129 THE WHOLE THING WAS WRONG. 154 00:07:14,172 --> 00:07:16,087 NEVER SHOULD HAVE HAPPENED. 155 00:07:16,131 --> 00:07:19,177 BRONTE SHOULD HAVE SAVED HER INK. 156 00:07:22,050 --> 00:07:26,010 SO, WE'LL HAVE TO MOVE FAST IF WE WANT TO ENTER THE FILM FESTIVAL. 157 00:07:26,054 --> 00:07:27,403 Student: WE CAN MAKE IT. THE SCRIPT IS DONE, 158 00:07:27,447 --> 00:07:28,926 THE MOVIE'S BOARDED, 159 00:07:28,970 --> 00:07:30,450 AND WE DID A LOT OF THE WORK OVER THE SUMMER. 160 00:07:30,493 --> 00:07:32,060 THEN LET'S MOVE ON TO STORY. 161 00:07:32,103 --> 00:07:33,453 HAVE YOU SOLVED YOUR THIRD ACT PROBLEM? 162 00:07:33,496 --> 00:07:35,280 MR. GOLD?YES, DAWSON? 163 00:07:35,324 --> 00:07:37,021 WOULD THAT BE THE BOSTON FILM FESTIVAL? 164 00:07:37,065 --> 00:07:40,198 YES, THAT WOULD BE. THEY HAVE A JUNIOR VIDEO LEVEL COMPETITION. 165 00:07:40,242 --> 00:07:43,027 OK, THE THIRD ACT. 166 00:07:43,071 --> 00:07:45,029 I'VE JUST BEEN INJURED IN THE BIG GAME WITH TYLER, 167 00:07:45,073 --> 00:07:46,030 MY THROWING ARM CRUSHED, 168 00:07:46,074 --> 00:07:48,032 THE BONE BROKEN IN 3 PLACES. 169 00:07:48,076 --> 00:07:50,034 BUT I REFUSE TO TELL THE COACH 170 00:07:50,078 --> 00:07:52,167 BECAUSE HE WON'T LET ME PLAY AT HOMECOMING IF I DO. 171 00:07:52,210 --> 00:07:54,256 NOW, REMEMBER, WE WANT THE AUDIENCE ASKING, 172 00:07:54,299 --> 00:07:55,866 "CAN HE DO IT? 173 00:07:55,910 --> 00:07:58,521 WILL THE TEAM WIN THE BIG GAME?" 174 00:07:58,565 --> 00:08:00,218 REMEMBER, THIS IS AUTOBIOGRAPHICAL, 175 00:08:00,262 --> 00:08:02,438 SO IF ANYBODY HAS ANY QUESTIONS, I WAS THERE, I LIVED IT. 176 00:08:02,482 --> 00:08:04,745 COME TALK TO ME, ALL RIGHT? 177 00:08:05,963 --> 00:08:07,661 HELMETS OF GLORY. 178 00:08:07,704 --> 00:08:10,054 CHRONICLES LAST YEAR'S FOOTBALL SEASON. 179 00:08:10,098 --> 00:08:12,448 AND GET THIS. MR. CLIFF QUARTERBACK HIMSELF 180 00:08:12,492 --> 00:08:14,798 IS WRITING, DIRECTING, AND STARRING IN THIS. 181 00:08:14,842 --> 00:08:16,452 OH, A STREISAND. 182 00:08:16,496 --> 00:08:18,280 THIS IS SERIOUS, JOE. 183 00:08:18,323 --> 00:08:20,021 THEY'RE ENTERING IT IN THE FILM FESTIVAL. 184 00:08:20,064 --> 00:08:21,457 MY FILM FESTIVAL. 185 00:08:21,501 --> 00:08:22,980 THIS IS MY IMMEDIATE COMPETITION. 186 00:08:23,024 --> 00:08:24,460 AND IT'S A SPORTS FILM? 187 00:08:24,504 --> 00:08:26,723 A THIN AND PEDESTRIAN SPORTS FILM. 188 00:08:26,767 --> 00:08:29,987 OH, THE EPITOME OF EVERYTHING YOU'RE AGAINST. 189 00:08:30,031 --> 00:08:32,512 COULD LIFE BE MORE CRUEL? 190 00:08:32,555 --> 00:08:34,383 HI, I'M CLIFF. 191 00:08:34,426 --> 00:08:36,080 HI, I'M JEN. 192 00:08:36,124 --> 00:08:39,431 THIS ISN'T HAPPENING. 193 00:08:39,475 --> 00:08:41,433 I KNOW THAT BEING THE NEW KID CAN BE KIND OF TRAUMATIC. 194 00:08:41,477 --> 00:08:42,783 SO IF THERE'S ANYTHING I CAN DO, YOU KNOW, 195 00:08:42,826 --> 00:08:44,088 TO TAKE THE EDGE OFF, 196 00:08:44,132 --> 00:08:45,742 UH, INTRODUCE YOU AROUND, 197 00:08:45,786 --> 00:08:47,309 TAKE YOU OUT... 198 00:08:47,352 --> 00:08:49,616 THAT'S--THAT'S REALLY SWEET OF YOU. 199 00:08:49,659 --> 00:08:52,401 UM, CAN I LET YOU KNOW? I MEAN, I'M STILL GETTING SETTLED AND STUFF. 200 00:08:52,444 --> 00:08:54,403 SURE. SURE, ABSOLUTELY. 201 00:08:54,446 --> 00:08:56,405 AND IT WAS NICE TO MEET YOU, JEN, 202 00:08:56,448 --> 00:08:58,015 SHORT FOR JENNIFER. 203 00:08:58,059 --> 00:09:00,540 YOU, TOO, CLIFF. SHORT FOR CLIFFORD. 204 00:09:08,678 --> 00:09:11,420 I TOLD YOU, DAWSON. THEY MOVE FAST IN NEW YORK. 205 00:09:17,774 --> 00:09:18,819 Dawson: DAD. 206 00:09:18,862 --> 00:09:20,211 HEY, DAD, 207 00:09:20,255 --> 00:09:22,387 HAVE YOU SEEN MY CAMCORDER? 208 00:09:22,431 --> 00:09:23,606 FILMING TODAY? 209 00:09:23,650 --> 00:09:25,913 YEAH. JOEY GETS DECAPITATED. 210 00:09:25,956 --> 00:09:28,655 IT'S, UH, IN MY BEDROOM ON THE NIGHT TABLE, YOUR MOTHER'S SIDE. 211 00:09:28,698 --> 00:09:31,919 YOU MIGHT WANT TO TAKE THE TAPE OUT. 212 00:09:31,962 --> 00:09:34,574 YOU CAN GET ARRESTED FOR THAT IN SOME STATES. 213 00:09:37,446 --> 00:09:39,970 UM, I HAVE A QUESTION. 214 00:09:41,842 --> 00:09:45,236 IT'S KIND OF A GIRL/RELATIONSHIP QUESTION, 215 00:09:45,280 --> 00:09:46,847 AND I DON'T WANT IT TO GO TO YOUR HEAD 216 00:09:46,890 --> 00:09:49,501 THAT I'M SOLICITING FATHERLY ADVICE OR ANYTHING. 217 00:09:49,545 --> 00:09:53,244 BUT--'CAUSE I CLEARLY DON'T CONDONE YOURS AND MOM'S PERVERSE SEX LIFE. 218 00:09:53,288 --> 00:09:56,639 BUT I'M NOT TOO PROUD TO ADMIT THAT MY OWN INEXPERIENCE 219 00:09:56,683 --> 00:09:59,337 IS HINDERING MY CURRENT FEMALE RELATIONS. 220 00:09:59,381 --> 00:10:00,730 WELL, WHAT'S THE QUESTION? 221 00:10:00,774 --> 00:10:02,471 MECHANICS OF KISSING. 222 00:10:02,514 --> 00:10:04,386 HOW CAN I HELP? 223 00:10:05,953 --> 00:10:07,432 WELL... 224 00:10:09,260 --> 00:10:11,523 I'M INTERESTED IN TECHNIQUE. 225 00:10:11,567 --> 00:10:13,525 WELL, THERE IS NO TECHNIQUE, DAWSON. 226 00:10:13,569 --> 00:10:16,137 YOU JUST PUT YOUR LIPS TOGETHER AND GO. 227 00:10:16,180 --> 00:10:18,530 YEAH, BUT WHAT MAKES A GOOD KISS? 228 00:10:18,574 --> 00:10:20,968 THE FIRST TIME I KISSED YOUR MOTHER-- 229 00:10:21,011 --> 00:10:22,622 AND DON'T GET TOO DETAILED. 230 00:10:33,023 --> 00:10:34,590 AND WE WERE OUT ON A BOAT, 231 00:10:34,634 --> 00:10:36,592 AND YOUR MOTHER'S LIPS WERE CHAPPED FROM THE SUN, 232 00:10:36,636 --> 00:10:38,333 AND SHE ASKED ME IF SHE COULD BORROW MY CHAPSTICK. 233 00:10:38,376 --> 00:10:40,944 SO I TOOK IT OUT, 234 00:10:40,988 --> 00:10:43,947 AND I PUT SOME ON MY LIPS. 235 00:10:43,991 --> 00:10:46,863 AND THEN I LEANED OVER AND KISSED HER. 236 00:10:48,343 --> 00:10:50,954 THE CHAPSTICK WAS REALLY SMOOTH 237 00:10:50,998 --> 00:10:53,348 AND JUST SLID ONTO HER LIPS. 238 00:10:53,391 --> 00:10:55,785 THE SENSATION WAS AMAZING. 239 00:10:58,353 --> 00:11:00,311 I MEAN, THE CHEMISTRY WAS ALREADY THERE, YOU KNOW, 240 00:11:00,355 --> 00:11:05,708 BUT THIS WAS JUST ONE OF THOSE THINGS THAT CEMENTED IT, YOU KNOW. 241 00:11:05,752 --> 00:11:07,884 IT WAS UNFORGETTABLE. 242 00:11:07,928 --> 00:11:11,453 AND MOST IMPORTANTLY, ROMANTIC. 243 00:11:13,107 --> 00:11:16,458 SEE, AND HERE I THOUGHT YOU WERE ALL ABOUT SEX. 244 00:11:16,501 --> 00:11:18,155 WELL, WE STILL JUMPED EACH OTHER. 245 00:11:18,199 --> 00:11:21,158 HA HA. BUT YOU GOTTA HAVE ROMANCE. 246 00:11:21,202 --> 00:11:23,595 IT'S ALL ABOUT ROMANCE... 247 00:11:23,639 --> 00:11:25,859 AND CHAPSTICK. 248 00:11:27,382 --> 00:11:29,166 OK. 249 00:11:29,210 --> 00:11:31,778 BUT THE KISS ITSELF? 250 00:11:31,821 --> 00:11:33,605 WHAT DID YOU DO? 251 00:11:35,390 --> 00:11:37,348 WELL, HERE... 252 00:11:37,392 --> 00:11:39,307 GIVE IT A TRY. 253 00:11:39,350 --> 00:11:41,483 NO. 254 00:11:41,526 --> 00:11:45,182 WELL, COME ON. THIS IS A BIG FATHER/SON MOMENT HERE. 255 00:11:45,226 --> 00:11:46,706 YOU ASKED FOR IT. 256 00:11:50,884 --> 00:11:52,146 ALL RIGHT. 257 00:11:52,189 --> 00:11:53,756 ALL RIGHT. 258 00:11:53,800 --> 00:11:56,454 NOW, MOISTEN YOUR LIPS... 259 00:11:56,498 --> 00:11:59,066 AND GO FOR IT. 260 00:11:59,109 --> 00:12:00,284 HA HA. I DON'T-- 261 00:12:00,328 --> 00:12:02,243 WAIT, THE TRICK IS, 262 00:12:02,286 --> 00:12:04,114 IT'S YOUR BOTTOM LIP. YOU GOT TO KEEP IT RELAXED, ALL RIGHT? 263 00:12:04,158 --> 00:12:08,118 YOU--YOU WANT TO LET IT HAVE A MIND OF ITS OWN. 264 00:12:08,162 --> 00:12:10,468 YOU WANT IT TO DANCE 265 00:12:10,512 --> 00:12:12,819 WITH HERS. 266 00:12:12,862 --> 00:12:14,385 GO ON. 267 00:12:22,872 --> 00:12:24,395 CLOSE YOUR EYES. 268 00:12:38,322 --> 00:12:39,846 THAT WAS GOOD. 269 00:12:39,889 --> 00:12:41,630 YEAH?YEAH. 270 00:12:44,328 --> 00:12:45,460 COOL. 271 00:12:51,945 --> 00:12:55,165 UM...FORGET THIS EVER HAPPENED? 272 00:12:56,819 --> 00:12:58,125 ALL RIGHT. 273 00:12:58,168 --> 00:13:00,214 THANKS. 274 00:13:05,959 --> 00:13:08,526 Woman: YES, I'LL SEE YOU TONIGHT. 275 00:13:08,570 --> 00:13:12,487 NO, NO, NO, NO, I CAN'T. HE'S DOWNSTAIRS. 276 00:13:15,185 --> 00:13:18,145 OK, BUT THEN I'M HANGING UP. 277 00:13:18,188 --> 00:13:19,320 [KISSING SOUNDS] 278 00:13:19,363 --> 00:13:20,930 HA HA HA HA HA. 279 00:13:20,974 --> 00:13:23,324 OK, I PROMISE. I PROMISE. 280 00:13:23,367 --> 00:13:25,935 LATER. OK, BYE. 281 00:13:25,979 --> 00:13:28,285 [TELEPHONE HANGS UP] 282 00:13:28,329 --> 00:13:30,287 [GASPS] 283 00:13:30,331 --> 00:13:33,421 JOEY, WHAT ARE YOU DOING? 284 00:13:33,464 --> 00:13:35,162 UH, I WAS JUST LOOKING FOR DAWSON. 285 00:13:35,205 --> 00:13:36,816 WE'RE FILMING TODAY. 286 00:13:36,859 --> 00:13:39,166 OH, THAT'S NICE. 287 00:13:39,209 --> 00:13:40,471 YEAH, 288 00:13:40,515 --> 00:13:42,560 I'M GONNA GET KILLED TODAY. 289 00:13:42,604 --> 00:13:43,953 [TELEPHONE FALLS] 290 00:13:43,997 --> 00:13:46,608 OH, THAT'S NICE. 291 00:13:46,651 --> 00:13:49,350 WELL, BE CAREFUL OUT IN THE SUN. IT'S HOT TODAY. 292 00:13:49,393 --> 00:13:52,048 WEAR SUNBLOCK. 293 00:13:54,007 --> 00:13:55,965 WELL, SEE YOU LATER, MRS. LEERY. 294 00:13:56,009 --> 00:13:57,575 YOU, TOO, JOEY. 295 00:14:00,013 --> 00:14:01,710 MRS. LEERY? 296 00:14:01,753 --> 00:14:03,146 HMM? 297 00:14:04,234 --> 00:14:06,802 I KNOW. 298 00:14:17,595 --> 00:14:19,771 STEVEN? 299 00:14:22,296 --> 00:14:23,993 STEVEN? 300 00:14:31,305 --> 00:14:32,741 AAH! 301 00:14:45,319 --> 00:14:46,581 AND, CUT! 302 00:14:46,624 --> 00:14:47,843 BEAUTIFUL. 303 00:14:47,887 --> 00:14:49,453 Jen: GUYS, THAT LOOKED REALLY GOOD. 304 00:14:51,238 --> 00:14:53,196 PERFECT. THAT COULD NOT HAVE GONE ANY BETTER. 305 00:14:53,240 --> 00:14:55,851 OHH! JOEY, YOU DIE SO WELL. 306 00:14:55,895 --> 00:14:57,200 DAWSON, COULD WE GET ANOTHER ONE OF THOSE, 307 00:14:57,244 --> 00:14:59,202 'CAUSE I SO LOVE THAT IMAGE. 308 00:14:59,246 --> 00:15:01,683 NO, WE'RE BEHIND SCHEDULE. MOVING ON. 309 00:15:20,180 --> 00:15:22,573 HEY, JOEY, LET ME HELP YOU GET THAT BLOOD OFF. 310 00:15:22,617 --> 00:15:24,575 OH, IT'S OK. I THINK I CAN-- 311 00:15:24,619 --> 00:15:25,881 NO, COME ON. I DON'T MIND AT ALL. 312 00:15:29,232 --> 00:15:31,800 OOH, LOOKS LIKE IT'S REALLY STUCK ON THERE, DOESN'T IT? 313 00:15:31,843 --> 00:15:33,802 I--I CAN GET IT. 314 00:15:33,845 --> 00:15:34,803 OK. 315 00:15:37,545 --> 00:15:40,243 HERE, LET'S COVER YOU UP. 316 00:15:40,287 --> 00:15:41,984 HERE, GO AHEAD. 317 00:15:44,944 --> 00:15:47,294 YOU HAVE NICE BREASTS. 318 00:15:47,337 --> 00:15:50,297 I MEAN, DON'T GET THE WRONG IDEA. I'M COMPLETELY HETERO. 319 00:15:50,340 --> 00:15:52,603 I'M JUST COMMENTING GIRL TO GIRL. 320 00:15:52,647 --> 00:15:54,301 YOU HAVE A REALLY NICE BODY. 321 00:15:56,956 --> 00:15:58,522 I'M TOO TALL. 322 00:15:58,566 --> 00:16:01,351 NO, YOU'RE NOT AT ALL. YOU'RE COMMANDING. 323 00:16:01,395 --> 00:16:04,224 I MEAN, COME ON, I WISH I HAD YOUR STATURE AND YOUR LONG LEGS. 324 00:16:04,267 --> 00:16:05,877 MY BODY'S A MESS. 325 00:16:05,921 --> 00:16:09,229 I MEAN, I'M TOO SHORT, MY HIPS DO THIS WEIRD THING, 326 00:16:09,272 --> 00:16:11,535 AND MY FACE IS SHAPED LIKE A DUCK. 327 00:16:11,579 --> 00:16:13,233 OH, AND I HATE MY BREASTS. 328 00:16:13,276 --> 00:16:15,148 ARE YOU SERIOUS? 329 00:16:15,191 --> 00:16:18,368 YEAH, I MEAN, IT'S COMPLETELY NORMAL TO HATE THE WAY YOU LOOK. 330 00:16:24,505 --> 00:16:26,768 YOU DON'T LOOK LIKE A DUCK. 331 00:16:26,811 --> 00:16:30,859 YOU KNOW, THAT'S THE NICEST THING YOU'VE SAID TO ME SINCE WE MET. 332 00:16:34,254 --> 00:16:35,690 [SIGHS] 333 00:16:35,733 --> 00:16:39,302 I'LL TAKE THESE WET THINGS INSIDE. 334 00:16:39,346 --> 00:16:42,001 JOEY, I PLAN TO MAKE IT REALLY HARD FOR YOU NOT TO LIKE ME. 335 00:16:48,485 --> 00:16:51,749 Pacey: DON'T WORRY. I HOPE YOU FIND YOUR COUSIN. 336 00:16:51,793 --> 00:16:55,014 THAT'S SO SWEET OF YOU. I CAN NEVER THANK YOU ENOUGH. 337 00:16:58,191 --> 00:16:59,409 MMM... 338 00:16:59,453 --> 00:17:01,237 WHOA. WHOA. CUT! 339 00:17:01,281 --> 00:17:03,587 WHOA, CUT! CUT! 340 00:17:03,631 --> 00:17:05,937 CUT! PACEY, WHAT THE HELL ARE YOU DOING? 341 00:17:05,981 --> 00:17:08,201 I'M KISSING, MAN. WHAT DOES IT LOOK LIKE I'M DOING? 342 00:17:08,244 --> 00:17:09,593 SNORKELING. THAT'S NOT THE WAY IT'S SCRIPTED. 343 00:17:09,637 --> 00:17:11,291 ARE YOU OK? DID HE HURT YOU? 344 00:17:11,334 --> 00:17:12,770 NO, NO, NO, I'M FINE. 345 00:17:12,814 --> 00:17:14,772 IT WAS JUST A KISS, DAWSON. 346 00:17:14,816 --> 00:17:16,383 YEAH, AND YOU KNOW WHAT? 347 00:17:16,426 --> 00:17:18,080 HONESTLY, I THINK WE SHOULD HAVE ANOTHER, YEAH? 348 00:17:18,124 --> 00:17:20,387 NO! NO, KISS. I'M CUTTING THE KISS. IT'S OUT. 349 00:17:20,430 --> 00:17:21,823 WAIT A SECOND, YOU CAN'T CUT THE KISS. 350 00:17:21,866 --> 00:17:23,042 YES, I CAN. I JUST DID, ALL RIGHT? 351 00:17:23,085 --> 00:17:24,521 IT'S NOT WORKING. 352 00:17:24,565 --> 00:17:26,567 IT DOESN'T MAKE SENSE FOR OUR NEW CHARACTER 353 00:17:26,610 --> 00:17:28,830 TO BE KISSING HER DEAD COUSIN'S BOYFRIEND, RIGHT? 354 00:17:28,873 --> 00:17:30,179 THE KISS IS OFFICIALLY CUT. 355 00:17:30,223 --> 00:17:31,441 ALL RIGHT, SO THEN IS THAT A WRAP? 356 00:17:31,485 --> 00:17:32,573 'CAUSE I GOT PLANS TONIGHT, YOU KNOW? 357 00:17:32,616 --> 00:17:34,096 YEAH, IT'S A WRAP. 358 00:17:34,140 --> 00:17:35,228 YEAH, ACTUALLY, I SHOULD GET GOING, TOO. 359 00:17:35,271 --> 00:17:37,230 BYE, YOU GUYS. 360 00:17:37,273 --> 00:17:39,101 [SIGHS] 361 00:17:39,145 --> 00:17:42,104 AND, UH, WHAT ARE YOU UP TO THIS EVENING? 362 00:17:42,148 --> 00:17:44,889 WELL, IT JUST SO HAPPENS THAT THE WOMAN OF MY DREAMS 363 00:17:44,933 --> 00:17:46,630 IS GONNA BE AT THE SCHOOL DANCE TONIGHT, 364 00:17:46,674 --> 00:17:48,850 AND I PLAN ON ATTENDING. 365 00:17:48,893 --> 00:17:51,157 LUCKY HER. 366 00:17:51,200 --> 00:17:52,941 SO, IN HONOR OF THE SCHOOL DANCE TONIGHT, 367 00:17:52,984 --> 00:17:54,290 I'VE RENTED SATURDAY NIGHT FEVER, 368 00:17:54,334 --> 00:17:55,552 STAYIN' ALIVE, AND GREASE. 369 00:17:55,596 --> 00:17:57,467 IN LIEU OF GOING? 370 00:17:57,511 --> 00:18:00,731 YEAH. IT'LL BE A JOHN TRAVOLTA NIGHT OF INTERPRETIVE EXPRESSION. 371 00:18:00,775 --> 00:18:04,126 SEE, THIS WAY, WE CAN DANCE AND OUR FEET NEVER HAVE TO MOVE. 372 00:18:04,170 --> 00:18:06,128 I CAN'T, DAWSON. I'M SORRY. 373 00:18:06,172 --> 00:18:08,130 YOU HAVE MORE ENTICING PLANS? 374 00:18:08,174 --> 00:18:09,871 UH, ACTUALLY, I'M GOING TO GO TO THE DANCE. 375 00:18:09,914 --> 00:18:11,742 OH. 376 00:18:11,786 --> 00:18:13,875 I'M SORRY. I DIDN'T KNOW YOU WANTED TO DO THE WHOLE MOVIE NIGHT THING. 377 00:18:13,918 --> 00:18:15,485 NO, IT'S OK. 378 00:18:15,529 --> 00:18:17,705 ARE YOU GOING-- ARE YOU GOING ALONE? 379 00:18:17,748 --> 00:18:20,621 NO. ACTUALLY, UH, CLIFF ELLIOT ASKED ME. 380 00:18:20,664 --> 00:18:23,232 HE THOUGHT IT WOULD BE A GOOD WAY FOR ME TO MEET SOME NEW PEOPLE. 381 00:18:23,276 --> 00:18:25,234 ALL RIGHT. 382 00:18:25,278 --> 00:18:27,149 COME ON, DON'T LOOK SO DOWN. IT'S NOT LIKE A DATE OR ANYTHING. 383 00:18:27,193 --> 00:18:30,892 HE JUST ASKED ME IF I WANTED TO GO AND I SAID YES. 384 00:18:30,935 --> 00:18:34,156 OK, WELL, CALL ME CONFUSED, 385 00:18:34,200 --> 00:18:36,506 BUT THAT'S THE DEFINITION OF A DATE, JEN, ISN'T IT? 386 00:18:36,550 --> 00:18:38,029 I KNOW. YOU'RE RIGHT. 387 00:18:38,073 --> 00:18:40,031 UM, I JUST WANTED TO GO, YOU KNOW. 388 00:18:40,075 --> 00:18:42,033 I MEAN--I MEAN, I'M NEW HERE, 389 00:18:42,077 --> 00:18:45,036 AND IT JUST SOUNDED LIKE FUN. 390 00:18:45,080 --> 00:18:48,518 WHY DON'T YOU DROP BY? WE--WE COULD DANCE. 391 00:18:48,562 --> 00:18:50,520 NO. I GOT A DATE WITH TRAVOLTA. 392 00:18:50,564 --> 00:18:52,522 I WOULDN'T WANT TO DISAPPOINT HIM. 393 00:18:52,566 --> 00:18:53,915 WELL, SEE YOU LATER. 394 00:18:53,958 --> 00:18:55,134 OK. 395 00:18:56,744 --> 00:18:57,919 SEE YA. 396 00:18:57,962 --> 00:18:59,050 BYE. 397 00:19:00,313 --> 00:19:01,879 CLIFF. 398 00:19:01,923 --> 00:19:03,490 CLIFF ELLIOT! 399 00:19:03,533 --> 00:19:05,492 WHAT'S THAT ABOUT? I DON'T GET IT. 400 00:19:05,535 --> 00:19:07,711 HOW COULD SHE BE ATTRACTED TO HIM? WHAT'S HE GOT? 401 00:19:07,755 --> 00:19:09,278 WELL, WE COULD START WITH HIS CHEST MEASUREMENT AND WORK DOWN. 402 00:19:09,322 --> 00:19:10,279 NO, NO! 403 00:19:10,323 --> 00:19:12,455 NO, NO, BEYOND THE EXTERNAL? 404 00:19:12,499 --> 00:19:15,110 THERE'S NOTHING GOING ON UP HERE. IT'S HEAD FUMES. 405 00:19:15,154 --> 00:19:17,460 THE GUY'S A LIGHTWEIGHT. HIS SCRIPT'S LUDICROUS. 406 00:19:17,504 --> 00:19:19,419 HIS STORY SENSE IS EVEN WORSE. 407 00:19:19,462 --> 00:19:21,421 I DON'T THINK HIS CINEMATIC PROWESS IS THE ATTRACTION, DAWSON. 408 00:19:21,464 --> 00:19:23,292 WHAT KILLS ME IS SHE WAS SO OPEN ABOUT IT, YOU KNOW. 409 00:19:23,336 --> 00:19:24,685 LIKE, "WELL, I'M GOING TO THE DANCE WITH CLIFF." 410 00:19:24,728 --> 00:19:26,948 LIKE IT WOULDN'T BOTHER ME. 411 00:19:26,991 --> 00:19:29,559 I RESPECT HER CANDOR AND ALL, BUT IT'S A LITTLE ON THE THOUGHTLESS SIDE. 412 00:19:29,603 --> 00:19:31,605 COMPLETELY THOUGHTLESS. 413 00:19:31,648 --> 00:19:34,999 AT THIS VERY MOMENT, THEY'RE SLOW DANCING. 414 00:19:35,043 --> 00:19:36,610 HER ARMS ARE WRAPPED AROUND HIS WAIST, 415 00:19:36,653 --> 00:19:38,612 AND THEY'RE MOVING TO SOME STUPID, CHEESY EIGHTIES SONG, 416 00:19:38,655 --> 00:19:40,353 AND HE'S WHISPERING THINGS INTO HER EAR 417 00:19:40,396 --> 00:19:42,703 AND IT KIND OF MAKES HER GIGGLE AND TOSS HER HAIR OFF TO THE SIDE. 418 00:19:42,746 --> 00:19:45,923 EVERY ONCE IN A WHILE, THEIR EYES MEET AND THEY SHIFT AWKWARDLY, 419 00:19:45,967 --> 00:19:47,490 BECAUSE THEY KNOW 420 00:19:47,534 --> 00:19:49,100 IT'S COMING DOWN TO THAT ONE MOMENT AT THE END OF THE NIGHT 421 00:19:49,144 --> 00:19:50,928 WHERE HE LEANS OVER AND TELLS HER WHAT A GREAT TIME HE'S HAD. 422 00:19:50,972 --> 00:19:52,495 HE ASKS HER IF THEY CAN DO IT AGAIN, 423 00:19:52,539 --> 00:19:54,497 AND SHE JUST SMILES IN THAT SEXY, TEASING WAY THAT SHE HAS-- 424 00:19:54,541 --> 00:19:56,499 IT'S NOT REALLY TEASING, BUT JUST SEXY-- 425 00:19:56,543 --> 00:19:57,805 AND SAYS, "I'D LIKE THAT." 426 00:19:57,848 --> 00:19:59,807 AND THEN THEIR LIPS MEET, 427 00:19:59,850 --> 00:20:02,375 THEIR MOUTHS COME TOGETHER, 428 00:20:02,418 --> 00:20:05,552 THEIR TONGUES FIND EACH OTHER-- AAH! I CAN'T TAKE IT! 429 00:20:05,595 --> 00:20:07,249 YOU'RE SO DRAMATIC. 430 00:20:07,293 --> 00:20:09,251 I DON'T GET IT. 431 00:20:09,295 --> 00:20:11,210 I DON'T GET IT. 432 00:20:11,253 --> 00:20:12,907 WHAT DID HE DO THAT I DIDN'T DO? 433 00:20:12,950 --> 00:20:15,344 HE ASKED HER OUT? 434 00:20:16,737 --> 00:20:18,434 I'M GOING TO THE DANCE. 435 00:20:18,478 --> 00:20:19,696 WHAT? 436 00:20:19,740 --> 00:20:20,828 I'M GOING TO THE DANCE. 437 00:20:20,871 --> 00:20:21,829 WHAT? 438 00:20:21,872 --> 00:20:22,873 IT'S MY ONLY RECOURSE. 439 00:20:22,917 --> 00:20:23,874 WHY? 440 00:20:23,918 --> 00:20:25,093 BECAUSE JEN IS THERE. 441 00:20:25,136 --> 00:20:26,703 IN THE ARMS OF ANOTHER MAN. 442 00:20:26,747 --> 00:20:28,096 I MEAN, WHY TORTURE YOURSELF? 443 00:20:28,139 --> 00:20:29,706 I'M AN ARTIST. TORTURE IS A PREREQUISITE. 444 00:20:29,750 --> 00:20:31,447 ARE YOU COMING OR NOT? 445 00:20:31,491 --> 00:20:33,319 THINK IT THROUGH, DAWSON. 446 00:20:33,362 --> 00:20:35,799 THIS LITTLE MOVIE PLAY YOU'VE GOT GOING MAY NOT END THE WAY YOU WANT IT TO. 447 00:20:35,843 --> 00:20:37,323 I'M THE ONE WHO SHOULD BE KISSING HER, JOEY, 448 00:20:37,366 --> 00:20:39,760 NOT SOME J. CREW AD. 449 00:20:39,803 --> 00:20:41,762 I CAN DO IT. I CAN MAKE MY BOTTOM LIP DANCE. 450 00:20:41,805 --> 00:20:42,850 TONIGHT, IT'S GONNA HAPPEN. 451 00:20:42,893 --> 00:20:44,112 I AM GONNA KISS THE GIRL. 452 00:20:44,155 --> 00:20:47,333 THIS IS SO PATHETIC, DAWSON. 453 00:20:47,376 --> 00:20:51,032 BUT I'M NOT ABOVE WITNESSING YOUR HORMONAL SUICIDE, 454 00:20:51,075 --> 00:20:52,773 SO COUNT ME IN. 455 00:20:52,816 --> 00:20:55,036 GIVE ME 2 SECONDS. I GOT TO CHECK MY HAIR. 456 00:21:00,171 --> 00:21:03,610 Mom: OH, WE PROBABLY WON'T DISCUSS THE TELEPHONE UNTIL AFTER DINNER, SO... 457 00:21:05,829 --> 00:21:07,614 I MIGHT BE LATE. 458 00:21:13,750 --> 00:21:16,100 I'LL SHOOT FOR MIDNIGHT. 459 00:21:16,144 --> 00:21:17,101 BYE. 460 00:21:17,145 --> 00:21:18,102 [KISSING] 461 00:21:18,146 --> 00:21:19,234 WHOA. 462 00:21:23,412 --> 00:21:24,457 GOOD NIGHT, MRS. LEERY. 463 00:21:24,500 --> 00:21:25,719 [GASPS] 464 00:21:25,762 --> 00:21:27,764 JOEY, YOU SCARED ME. 465 00:21:27,808 --> 00:21:29,375 UH... 466 00:21:29,418 --> 00:21:32,029 LOOK, WE NEED TO TALK. 467 00:21:32,073 --> 00:21:33,640 DO YOU REMEMBER MY MOM, MRS. LEERY? 468 00:21:33,683 --> 00:21:35,032 I JUST WANT TO CLEAR UP THIS MORNING. 469 00:21:35,076 --> 00:21:36,251 MY MOM WAS THE BEST. 470 00:21:36,295 --> 00:21:39,254 SHE WAS AN INCREDIBLE WOMAN. 471 00:21:39,298 --> 00:21:43,084 MY DAD, HOWEVER, DIDN'T ALWAYS SEE THAT. 472 00:21:43,127 --> 00:21:44,825 HE CHEATED ON HER FOR AS LONG AS I CAN REMEMBER, 473 00:21:44,868 --> 00:21:46,783 AND IT TORE HER APART. 474 00:21:46,827 --> 00:21:49,438 CRIPPLING THEIR RELATIONSHIP AND NEARLY DESTROYING THE ENTIRE FAMILY. 475 00:21:49,482 --> 00:21:51,440 WHY ARE YOU TELLING ME THIS, JOEY? 476 00:21:51,484 --> 00:21:53,442 BECAUSE YOUR ACTIONS AFFECT OTHERS. 477 00:21:53,486 --> 00:21:56,184 THEY BLEED INTO THE LIVES OF THOSE AROUND YOU AND-- 478 00:21:56,227 --> 00:21:57,533 YOU DON'T UNDERSTAND-- 479 00:21:57,577 --> 00:21:58,882 NO, YOU DON'T UNDERSTAND. 480 00:21:58,926 --> 00:22:02,233 MY MOM GOT CANCER AND DIED. SO YOU DO THE MATH. 481 00:22:02,277 --> 00:22:04,148 YOU KNOW YOUR-- 482 00:22:04,192 --> 00:22:06,412 YOUR REASONS FOR DOING WHAT YOU'RE DOING? 483 00:22:08,675 --> 00:22:12,113 THEY CAN'T POSSIBLY OUTWEIGH THE EVERLASTING DAMAGE THAT YOU'RE CREATING. 484 00:22:13,810 --> 00:22:15,377 [SIGHS] 485 00:22:15,421 --> 00:22:17,379 DOES DAWSON KNOW? 486 00:22:17,423 --> 00:22:19,860 Dawson: KNOW WHAT? 487 00:22:25,431 --> 00:22:26,954 HOW TO DANCE? 488 00:22:26,997 --> 00:22:29,391 I TOLD HER WE WERE GOING. 489 00:22:29,435 --> 00:22:31,393 I KNOW HOW TO DANCE. 490 00:22:31,437 --> 00:22:32,655 YEAH, RIGHT. 491 00:22:32,699 --> 00:22:34,222 LET'S GO. 492 00:22:37,443 --> 00:22:40,359 HAVE FUN TONIGHT, MRS. LEERY. 493 00:22:50,325 --> 00:22:52,196 [MUSIC PLAYS] 494 00:23:04,339 --> 00:23:06,297 FORTUNATELY, THIS IS A VICTORY DANCE. 495 00:23:06,341 --> 00:23:08,299 OH, AND DID YOU MAKE THE WINNING PLAY? 496 00:23:08,343 --> 00:23:09,910 WELL, YOU'RE HERE, AREN'T YOU? 497 00:23:09,953 --> 00:23:12,347 HA HA HA HA. 498 00:23:12,391 --> 00:23:14,088 YOU KNOW, THAT COULD HAVE BEEN MY EXIT CUE, 499 00:23:14,131 --> 00:23:16,090 BUT SOMEHOW YOU PULLED IT OFF. 500 00:23:16,133 --> 00:23:17,396 I SOLD IT? 501 00:23:17,439 --> 00:23:19,093 YES. YOU'RE SMOOTH, YET UNASSUMING. 502 00:23:19,136 --> 00:23:20,703 IT'S VERY ENDEARING. 503 00:23:20,747 --> 00:23:23,010 IS THERE ANYTHING THAT YOU'RE NOT GOOD AT? 504 00:23:23,053 --> 00:23:24,098 YEAH, DANCING. 505 00:23:24,141 --> 00:23:26,579 I'M RHYTHMICALLY CHALLENGED. 506 00:23:26,622 --> 00:23:28,537 PROVE IT. 507 00:24:01,178 --> 00:24:03,180 EVENING, MISS JACOBS. 508 00:24:04,791 --> 00:24:06,140 HELLO, PACEY. 509 00:24:06,183 --> 00:24:07,924 HOW ARE YOU THIS EVENING? 510 00:24:07,968 --> 00:24:11,972 WHEW! CONFUSED, PERPLEXED, BEWILDERED, MYSTIFIED. 511 00:24:12,015 --> 00:24:14,017 A THESAURUS OF EMOTION. 512 00:24:16,585 --> 00:24:21,242 YOU KNOW, I'M THE CHAPERON, AND I SHOULD MAKE THE ROUNDS. 513 00:24:21,285 --> 00:24:23,331 WOULD YOU LIKE TO DANCE TOMORROW? 514 00:24:26,203 --> 00:24:29,206 UH, THAT'S NOT A GOOD IDEA, PACEY. 515 00:24:29,250 --> 00:24:31,165 YEAH. 516 00:24:31,208 --> 00:24:34,037 OF COURSE IT'S NOT A GOOD IDEA. 517 00:24:34,081 --> 00:24:36,431 BUT IF THINGS WERE DIFFERENT, 518 00:24:36,475 --> 00:24:37,737 WOULD YOU? 519 00:24:40,000 --> 00:24:42,568 I--I HAVE TO GO. 520 00:24:42,611 --> 00:24:44,004 [SIGHS] 521 00:24:52,273 --> 00:24:54,536 OH, THEY MAKE SUCH A CUTE COUPLE. 522 00:24:59,628 --> 00:25:01,717 WHAT, EXACTLY, IS YOUR PLAN? 523 00:25:01,761 --> 00:25:04,067 I DIDN'T GET THAT FAR. 524 00:25:04,111 --> 00:25:06,069 WELL, YOU BETTER WRITE SOMETHING QUICK 525 00:25:06,113 --> 00:25:07,462 BECAUSE IN SOME MORAL SECTORS, 526 00:25:07,506 --> 00:25:08,985 WHAT THEY'RE DOING IS KNOWN AS FOREPLAY. 527 00:25:15,862 --> 00:25:17,167 DO YOU DANCE? 528 00:25:17,211 --> 00:25:18,691 NO. 529 00:25:18,734 --> 00:25:20,040 NOW YOU DO. 530 00:25:20,083 --> 00:25:21,302 COME ON. 531 00:25:21,345 --> 00:25:22,259 DAWSON, THIS IS CERTIFIABLE. 532 00:25:22,303 --> 00:25:24,305 IT'S EASY. YOU JUST MOVE AROUND, 533 00:25:24,348 --> 00:25:27,351 SHAKE YOUR ASS BACK AND FORTH. 534 00:25:50,853 --> 00:25:52,594 WE LOST HER. 535 00:25:52,638 --> 00:25:55,249 MAYBE SHE'S WITH YOUR BRAIN. 536 00:26:05,302 --> 00:26:07,435 YOU'RE PRETTY GOOD AT THIS. 537 00:26:10,699 --> 00:26:12,571 HEY, YOU GUYS. 538 00:26:12,614 --> 00:26:14,616 HI. 539 00:26:14,660 --> 00:26:15,617 YOU MADE IT. 540 00:26:15,661 --> 00:26:16,662 YEAH. 541 00:26:16,705 --> 00:26:17,619 GUYS, DO YOU KNOW CLIFF? 542 00:26:17,663 --> 00:26:18,620 HI. 543 00:26:18,664 --> 00:26:20,361 HI. 544 00:26:20,404 --> 00:26:22,363 WE HAVE FILM CLASS TOGETHER, RIGHT? 545 00:26:22,406 --> 00:26:25,235 NOT EXACTLY. IT'S MY STUDY HALL BASE. 546 00:26:25,279 --> 00:26:27,194 BUT DAWSON IS A VERY TALENTED FILMMAKER. 547 00:26:27,237 --> 00:26:28,195 MM-HMM.OH, YEAH? 548 00:26:28,238 --> 00:26:29,326 YOU INTO MOVIES? 549 00:26:29,370 --> 00:26:31,024 I DAB. 550 00:26:31,067 --> 00:26:32,721 COOL. 551 00:26:33,896 --> 00:26:35,855 I'LL SEE YA. 552 00:26:37,247 --> 00:26:38,814 THAT WENT BRILLIANTLY. 553 00:27:03,491 --> 00:27:04,448 HEY. 554 00:27:04,492 --> 00:27:06,276 HEY, DAWSON, WHERE YOU BEEN? 555 00:27:06,320 --> 00:27:07,451 I'VE BEEN LOOKIN' ALL OVER FOR YOU. 556 00:27:07,495 --> 00:27:09,453 WELL, YOU KNOW, HERE AND THERE. 557 00:27:09,497 --> 00:27:11,020 I WAS HOPING WE COULD DANCE. 558 00:27:11,064 --> 00:27:13,501 WELL, WHAT ABOUT CLIFF? 559 00:27:13,544 --> 00:27:15,242 WELL, IF YOU'D RATHER DANCE WITH HIM... 560 00:27:15,285 --> 00:27:17,244 YOU KNOW WHAT I MEAN. 561 00:27:17,287 --> 00:27:18,680 IT'S A SONG, DAWSON. 562 00:27:18,724 --> 00:27:20,290 IT'S A 3-MINUTE DISTRACTION FROM LIFE. COME ON. 563 00:27:20,334 --> 00:27:23,032 BUT HE MIGHT GET UPSET, YOU BEING HIS DATE AND ALL. 564 00:27:23,076 --> 00:27:25,252 FORGET I ASKED. 565 00:27:25,295 --> 00:27:26,993 JEN... 566 00:27:27,036 --> 00:27:28,516 OOP! SORRY. 567 00:27:30,431 --> 00:27:33,782 THIS IS EMBARRASSING. LET'S BLOW. 568 00:27:33,826 --> 00:27:36,655 NO. I'M ENJOYING MY MISERY. 569 00:27:38,831 --> 00:27:41,485 WHILE YOU STAND HERE ON THE DOCK PONTIFICATING, 570 00:27:41,529 --> 00:27:45,402 THE U.S.S. JENNY IS SAILING FARTHER AND FARTHER OUT TO SEA. 571 00:27:45,446 --> 00:27:47,013 HAVEN'T YOU HAD ENOUGH? 572 00:27:47,056 --> 00:27:48,492 NO. I'M STILL BREATHING. 573 00:27:48,536 --> 00:27:50,625 DAWSON, YOU HARDLY EVEN KNOW THIS GIRL. 574 00:27:50,669 --> 00:27:51,670 I KNOW. 575 00:27:51,713 --> 00:27:53,802 THAT'S THE MAGIC OF IT, JOEY. 576 00:27:53,846 --> 00:27:55,804 I MEAN... 577 00:27:55,848 --> 00:27:58,285 TRUE, JEN STEPPED INTO MY LIFE NOT MORE THAN 2 SECONDS AGO, 578 00:27:58,328 --> 00:28:01,854 BUT, ALREADY, I FEEL THAT CONNECTION, 579 00:28:01,897 --> 00:28:06,641 THAT BOND THAT SAYS WE'RE MEANT TO BE TOGETHER. 580 00:28:06,685 --> 00:28:08,077 YOU CALL IT WISH FULFILLMENT 581 00:28:08,121 --> 00:28:10,079 A DELUSION OF THE HIGHEST ADOLESCENT ORDER, 582 00:28:10,123 --> 00:28:11,472 BUT, JOEY, I'M TELLING YOU, 583 00:28:11,515 --> 00:28:13,953 SOMETHING PRIMAL EXISTS BETWEEN US. 584 00:28:13,996 --> 00:28:15,606 YOU'RE SCARING ME, DAWSON. 585 00:28:15,650 --> 00:28:17,478 YOU'RE DOING THIS FRANKENSTEIN/HYDE THING. 586 00:28:17,521 --> 00:28:19,088 I MEAN, ONE MINUTE YOU'RE DAWSON. 587 00:28:19,132 --> 00:28:21,090 THE NEXT, YOUR PSYCHO ALTER EGO. 588 00:28:21,134 --> 00:28:23,223 I MEAN, YOU'RE THE SEA CREATURE FROM YOUR OWN MOVIE. 589 00:28:23,266 --> 00:28:24,485 SO BE IT, JOE. 590 00:28:24,528 --> 00:28:26,487 I CAN'T EXPLAIN IT ANY BETTER, JOE. 591 00:28:26,530 --> 00:28:27,880 THE GIRL'S A MYSTERY TO ME, 592 00:28:27,923 --> 00:28:31,013 BUT I FEEL LIKE I'VE KNOWN HER MY WHOLE LIFE. 593 00:28:32,928 --> 00:28:34,103 I MEAN... 594 00:28:34,147 --> 00:28:36,976 IT'S LIKE THE WAY I FEEL ABOUT YOU. 595 00:28:37,019 --> 00:28:42,372 I MEAN, SHE CHALLENGES ME THE WAY YOU DO. 596 00:28:42,416 --> 00:28:44,766 SHE COULD BE YOU, 597 00:28:44,810 --> 00:28:46,768 EXCEPT... 598 00:28:46,812 --> 00:28:48,509 SHE'S JEN. 599 00:28:52,469 --> 00:28:55,037 WELL, LET ME JUST REMIND YOU 600 00:28:55,081 --> 00:28:58,214 HOW YOUR LITTLE ALLEGORICAL HORROR MOVIE/ LOVE STORY ENDS. 601 00:28:58,258 --> 00:29:00,434 THE CREATURE DOESN'T GET THE GIRL. 602 00:29:00,477 --> 00:29:04,307 HE DIES A VIOLENT, BLOODY, HORRIBLE DEATH. 603 00:29:04,351 --> 00:29:06,396 REST IN PEACE, DAWSON. 604 00:29:06,440 --> 00:29:08,007 IT WAS NICE KNOWING YOU. 605 00:29:08,050 --> 00:29:09,399 WHERE YOU GOING? 606 00:29:09,443 --> 00:29:10,923 I'M ALREADY DEAD, REMEMBER? 607 00:29:27,678 --> 00:29:29,506 IT'S TIME FOR A REWRITE. 608 00:29:33,684 --> 00:29:35,338 EXCUSE ME. 609 00:29:35,382 --> 00:29:36,818 I'D LIKE TO CUT IN. 610 00:29:36,862 --> 00:29:39,168 WHAT ARE YOU DOING, DAWSON? 611 00:29:39,212 --> 00:29:40,126 ACTUALLY, I DON'T WANT TO CUT IN. 612 00:29:40,169 --> 00:29:41,388 I'D LIKE TO TAKE OVER. 613 00:29:41,431 --> 00:29:42,998 I'D LIKE TO THANK YOU, CLIFF, 614 00:29:43,042 --> 00:29:44,391 FOR SHOWING JEN SUCH A GREAT TIME 615 00:29:44,434 --> 00:29:46,045 FOR THE EARLIER PART OF THE EVENING, 616 00:29:46,088 --> 00:29:47,568 BUT I'M HERE NOW IN SOUND MIND AND BODY, 617 00:29:47,611 --> 00:29:49,352 AND I CAN TAKE IT FROM HERE. 618 00:29:49,396 --> 00:29:51,267 WHAT ARE YOU TALKING ABOUT? 619 00:29:51,311 --> 00:29:53,574 YEAH. DAWSON, WHAT ARE YOU TALKING ABOUT? 620 00:29:53,617 --> 00:29:55,402 YOU AND ME, ME AND HER. 621 00:29:55,445 --> 00:29:57,404 CLIFF, I KNOW IT'S A LITTLE CONFUSING RIGHT NOW, 622 00:29:57,447 --> 00:29:58,797 BUT ALL YOU REALLY NEED TO KNOW 623 00:29:58,840 --> 00:30:00,842 IS THAT JEN AND I HAVE SOMETHING GOING ON, 624 00:30:00,886 --> 00:30:02,801 AND IT'S A LITTLE BIT RAW AND UNDEFINED RIGHT NOW, 625 00:30:02,844 --> 00:30:04,715 BUT THIS IS MY ATTEMPT TO CLARIFY THE SITUATION. 626 00:30:04,759 --> 00:30:07,718 SO I'D LIKE TO ASK YOU TO MANLY STEP ASIDE 627 00:30:07,762 --> 00:30:09,938 SO THAT I MIGHT HAVE A MOMENT WITH THE OBJECT OF MY DESIRE. 628 00:30:09,982 --> 00:30:11,548 JEN, WHO IS THIS GUY? 629 00:30:11,592 --> 00:30:13,159 DAWSON, WHAT ARE YOU DOING? 630 00:30:13,202 --> 00:30:15,204 HEY, YOU'RE GONNA HAVE TO LEAVE, NOW. 631 00:30:15,248 --> 00:30:16,379 OK, THIS IS TOO WEIRD. 632 00:30:16,423 --> 00:30:18,338 NO. I THINK YOU NEED TO GO. 633 00:30:18,381 --> 00:30:19,426 I'M STAYING. 634 00:30:19,469 --> 00:30:21,036 WHAT'S GOING ON, JEN? 635 00:30:21,080 --> 00:30:22,821 YOU WANNA BE WITH THIS GUY? 636 00:30:22,864 --> 00:30:24,866 [SIGHS]WHY DON'T YOU JUST GO? 637 00:30:24,910 --> 00:30:26,781 WHY DON'T YOU GO?AND IF I DON'T? 638 00:30:26,825 --> 00:30:27,782 I HAVEN'T THOUGHT IT THROUGH THAT FAR. 639 00:30:27,826 --> 00:30:28,870 I'LL TELL YOU WHAT. 640 00:30:28,914 --> 00:30:29,871 I'LL MAKE IT EASY FOR BOTH OF YOU. 641 00:30:29,915 --> 00:30:31,568 I'LL GO. 642 00:30:35,964 --> 00:30:40,055 THIS COULD EASILY BE THE SINGLE MOST HORRIFIC NIGHT OF MY LIFE. 643 00:30:40,099 --> 00:30:41,665 I'M A SIMP. 644 00:30:41,709 --> 00:30:44,886 JOEY, HOW COULD YOU LET ME DO THAT? 645 00:30:44,930 --> 00:30:47,628 SEE, I KNEW THIS WOULD TURN AGAINST ME SOMEHOW, 646 00:30:47,671 --> 00:30:49,543 IT WOULD ALL BE MYFAULT. 647 00:30:49,586 --> 00:30:52,067 AND, PACEY, MY NONEXISTENT FRIEND. 648 00:30:52,111 --> 00:30:54,983 I'M SORRY, MAN. I WAS OTHERWISE ENGAGED. 649 00:30:55,027 --> 00:30:56,855 AT LEAST I DIDN'T DESERT YOU. 650 00:30:56,898 --> 00:30:58,726 I CAME BACK. 651 00:30:58,769 --> 00:31:00,946 WHO IS THIS MYSTERY WOMAN YOU KEEP ALLUDING TO? 652 00:31:00,989 --> 00:31:03,209 UNFORTUNATELY, THE MYSTERY WOMAN 653 00:31:03,252 --> 00:31:05,341 REMAINS A MYSTERY EVEN TO ME. 654 00:31:07,953 --> 00:31:09,911 YOU KNOW, AT THIS MOMENT, 655 00:31:09,955 --> 00:31:12,958 JEN'S LIPS ARE PROBABLY PRESSING AGAINST CLIFF'S. 656 00:31:13,001 --> 00:31:14,524 DON'T GO THERE. 657 00:31:15,743 --> 00:31:18,137 YOU KNOW WHAT? THIS IS MY STOP, KIDS. 658 00:31:18,180 --> 00:31:19,486 MAÑANA. 659 00:31:20,966 --> 00:31:22,315 HI. 660 00:31:22,358 --> 00:31:24,012 HEY, HON, HOW'D IT GO? 661 00:31:24,056 --> 00:31:25,274 OK. 662 00:31:25,318 --> 00:31:27,015 BROUGHT YOU A DOGGY BAG. 663 00:31:27,059 --> 00:31:28,277 [SIGHS] 664 00:31:28,321 --> 00:31:31,324 SO, IS DAWSON HOME YET? 665 00:31:31,367 --> 00:31:34,718 NO. I THINK OUR SON IS BUSY KISSING THE GIRL NEXT DOOR 666 00:31:34,762 --> 00:31:36,329 FOR THE FIRST TIME TONIGHT. 667 00:31:36,372 --> 00:31:38,418 OH, SOUNDS ROMANTIC. 668 00:31:38,461 --> 00:31:40,768 YOU REMEMBER OUR FIRST KISS? 669 00:31:40,811 --> 00:31:43,336 OF COURSE I DO. IT WAS OUR FIRST DATE. 670 00:31:43,379 --> 00:31:44,728 YOU TOOK ME TO THE MOVIES, 671 00:31:44,772 --> 00:31:46,339 THE ONE WHERE MARY TYLER MOORE 672 00:31:46,382 --> 00:31:47,470 WAS JUST THIS HORRENDOUS MOTHER. 673 00:31:47,514 --> 00:31:48,907 ORDINARY PEOPLE. 674 00:31:48,950 --> 00:31:50,343 THAT WAS IT. 675 00:31:50,386 --> 00:31:51,518 NO, THAT WASN'T IT. 676 00:31:51,561 --> 00:31:54,129 THAT WAS OUR SECOND DATE. 677 00:31:54,173 --> 00:31:56,740 WAIT. IT WAS IN YOUR CAR AT A STOPLIGHT. 678 00:31:56,784 --> 00:31:58,829 I REMEMBER YOU LEANED OVER, AND YOU KISSED ME. 679 00:31:58,873 --> 00:31:59,830 NO. 680 00:31:59,874 --> 00:32:01,528 YES, IT WAS. 681 00:32:01,571 --> 00:32:03,660 I CAN'T BELIEVE YOU DON'T REMEMBER OUR FIRST KISS. 682 00:32:03,704 --> 00:32:04,748 I REMEMBER. 683 00:32:04,792 --> 00:32:06,446 I DON'T THINK YOU REMEMBER. 684 00:32:06,489 --> 00:32:09,144 I REMEMBER EVERY MOMENT. 685 00:32:09,188 --> 00:32:12,582 IT IS THE SINGLE MOST VIVID MEMORY OF MY LIFE THUS FAR. 686 00:32:12,626 --> 00:32:14,410 HONEY, I'M SORRY. IT'S LATE. 687 00:32:14,454 --> 00:32:16,282 I'VE HAD A LONG NIGHT. 688 00:32:16,325 --> 00:32:18,153 AND THERE I WAS GIVING OUR SON ADVICE 689 00:32:18,197 --> 00:32:20,895 ON HOW TO DELIVER THE MOST MEMORABLE KISS, 690 00:32:20,939 --> 00:32:24,116 ONLY TO DISCOVER THAT I'M AN UTTER FAILURE. 691 00:32:24,159 --> 00:32:25,073 MMM! 692 00:32:25,117 --> 00:32:26,335 I KNOW. 693 00:32:26,379 --> 00:32:27,728 WE WENT FOR PIZZA. 694 00:32:27,771 --> 00:32:29,121 IT WAS THAT TERRIBLE RESTAURANT 695 00:32:29,164 --> 00:32:31,514 WHERE YOU RUBBED THE RED PEPPER IN YOUR EYE. 696 00:32:31,558 --> 00:32:32,776 THIRD DATE. 697 00:32:32,820 --> 00:32:34,082 YOU KNOW, YOU JUST NEED TO QUIT. 698 00:32:34,126 --> 00:32:35,257 MMM. 699 00:32:45,572 --> 00:32:47,356 HOW ARE THOSE LIPS? 700 00:32:47,400 --> 00:32:49,358 STILL CHAPPED? 701 00:32:49,402 --> 00:32:52,274 I THINK I NEED A LITTLE MORE. 702 00:33:13,600 --> 00:33:14,818 [SIGHS] 703 00:33:16,733 --> 00:33:19,084 THIS CANNOT BE HAPPENING. 704 00:33:24,306 --> 00:33:25,525 MS. JACOBS? 705 00:33:27,744 --> 00:33:29,659 HI, PACEY. 706 00:33:29,703 --> 00:33:34,360 YOU KNOW, I FEEL THIS STRANGE FAMILIARITY CREEPING OVER ME. 707 00:33:34,403 --> 00:33:36,753 I THOUGHT IT MIGHT BE APPROPRIATE. 708 00:33:41,236 --> 00:33:43,586 GIVE US A CHANCE TO DO IT ALL OVER? 709 00:33:43,630 --> 00:33:46,633 ONLY CHANGE THE ENDING. 710 00:33:46,676 --> 00:33:49,244 I'M SORRY, PACEY, ABOUT MY BEHAVIOR. 711 00:33:49,288 --> 00:33:52,378 I MEAN, THIS IS, WITHOUT QUESTION, 712 00:33:52,421 --> 00:33:56,251 THE MOST ABSURD THING I HAVE EVER DONE, 713 00:33:56,295 --> 00:34:00,038 NOT TO MENTION PUNISHABLE IN A COURT OF LAW. 714 00:34:00,081 --> 00:34:02,170 IT WAS JUST A KISS. 715 00:34:02,214 --> 00:34:03,954 NO. IT WAS MORE THAN THAT. 716 00:34:07,306 --> 00:34:10,396 LOOK, WHAT I DID WAS DEADLY WRONG, 717 00:34:10,439 --> 00:34:12,224 AND I COULD STAND HERE 718 00:34:12,267 --> 00:34:15,879 AND TRY TO EXPLAIN TO YOU MY HOPELESSLY TROUBLED STATE OF MIND, 719 00:34:15,923 --> 00:34:18,926 BECAUSE YOU DO DESERVE AN EXPLANATION FOR MY BEHAVIOR. 720 00:34:18,969 --> 00:34:22,538 BUT, INSTEAD OF FEEDING YOU 10 YEARS OF THERAPY, 721 00:34:22,582 --> 00:34:26,281 I WAS HOPING THAT MAYBE I COULD GET BY WITH A SIMPLE APOLOGY 722 00:34:26,325 --> 00:34:31,373 AND HOPE THAT I HAVEN'T LEFT ANY PERMANENT SCARS. 723 00:34:31,417 --> 00:34:32,853 I AM SORRY, PACEY. 724 00:34:32,896 --> 00:34:36,030 WHAT I DID WAS WRONG, AND I AM SORRY. 725 00:34:36,074 --> 00:34:40,774 NOW, WHERE DO YOU GET OFF TAKING ALL THE RESPONSIBILITY FOR THIS? 726 00:34:40,817 --> 00:34:43,081 I MAY JUST BE 15, 727 00:34:43,124 --> 00:34:46,127 BUT I'M WELL BEYOND THE AGE OF ACCOUNTABILITY, 728 00:34:46,171 --> 00:34:49,609 MAYBE NOT WITHIN THE CONFINES OF THE JUDICIAL SYSTEM, 729 00:34:49,652 --> 00:34:51,132 BUT, FOR ME. 730 00:34:53,656 --> 00:34:57,573 MY LIPS KISSED BACK... 731 00:34:57,617 --> 00:34:58,574 RIGHT? 732 00:34:58,618 --> 00:35:01,403 I KISSED YOU BACK. 733 00:35:01,447 --> 00:35:02,665 FAIR ENOUGH. 734 00:35:02,709 --> 00:35:04,276 AND, YOU KNOW WHAT? 735 00:35:04,319 --> 00:35:06,669 I DON'T REGRET THAT AT ALL. 736 00:35:06,713 --> 00:35:08,410 YOU SHOULDN'T EITHER. 737 00:35:12,110 --> 00:35:14,503 BUT THIS CAN'T HAPPEN AGAIN. 738 00:35:14,547 --> 00:35:17,637 FROM NOW ON, OUR RELATIONSHIP IS STRICTLY TEACHER/STUDENT. 739 00:35:17,680 --> 00:35:19,639 I-- 740 00:35:19,682 --> 00:35:21,684 I WANT THAT CLEAR. 741 00:35:21,728 --> 00:35:23,817 AND IF I WERE TO OBJECT? 742 00:35:23,860 --> 00:35:26,428 WELL, IT'S NOT UP FOR DISCUSSION. 743 00:35:26,472 --> 00:35:30,084 YOU KNOW IT HAS TO BE THIS WAY, PACEY, 744 00:35:30,128 --> 00:35:32,086 FOR ALL THE OBVIOUS AND NOT SO OBVIOUS REASONS. 745 00:35:32,130 --> 00:35:35,002 THIS IS SO UNFAIR, UM... 746 00:35:36,699 --> 00:35:39,224 I'M NOT GOOD WITH GIRLS, 747 00:35:39,267 --> 00:35:42,140 AND--AND I FINALLY MEET SOMEONE... 748 00:35:48,407 --> 00:35:49,712 [SIGHS] 749 00:35:51,061 --> 00:35:54,413 DON'T WORRY, PACEY, THAT'LL CHANGE. 750 00:35:54,456 --> 00:35:56,154 TRUST ME. 751 00:35:58,939 --> 00:36:00,549 GOOD NIGHT. 752 00:36:04,466 --> 00:36:05,772 WELL... 753 00:36:13,040 --> 00:36:15,608 JOE, LET'S ASSESS. 754 00:36:15,651 --> 00:36:17,871 WHAT DID WE LEARN FROM TONIGHT'S 90210EVENING? 755 00:36:19,916 --> 00:36:21,614 THAT WE SHOULD ALWAYS STAY HOME ON A SATURDAY NIGHT 756 00:36:21,657 --> 00:36:23,093 AND WATCH MOVIES 757 00:36:23,137 --> 00:36:24,617 BECAUSE THE REMOTE ON THE REWIND OF LIFE 758 00:36:24,660 --> 00:36:26,836 DOES NOT WORK. 759 00:36:26,880 --> 00:36:28,882 NO, IT DOESN'T. 760 00:36:28,925 --> 00:36:32,190 THAT WON'T BE ANY PROBLEM NOW THAT I'VE OFFICIALLY RUINED IT WITH JEN. 761 00:36:33,669 --> 00:36:35,889 IT'S OFFICIALLY OVER. 762 00:36:35,932 --> 00:36:38,021 IT NEVER BEGAN, DAWSON. 763 00:36:40,720 --> 00:36:43,897 YOU KNOW, I DO FEEL LIKE THE MONSTER FROM MY MOVIE. 764 00:36:43,940 --> 00:36:46,900 THERE'S SOMETHING INSIDE ME THAT I CAN'T CONTROL. 765 00:36:46,943 --> 00:36:49,468 IT'S LIKE I HAVE NO BALANCE ANYMORE. 766 00:36:49,511 --> 00:36:52,688 EVERYTHING'S EITHER HIGH OR LOW, HOT AND COLD, BLACK OR WHITE. 767 00:36:52,732 --> 00:36:55,474 THERE'S NO... MIDDLE GROUND ANYMORE. 768 00:36:55,517 --> 00:36:58,259 I MEAN, NOTHING'S JUST OK. 769 00:36:58,303 --> 00:37:00,653 I'M TOO TIRED TO PHILOSOPHIZE, DAWSON. 770 00:37:00,696 --> 00:37:02,655 DO ME A FAVOR? 771 00:37:02,698 --> 00:37:04,700 IF I GET LIKE THIS AGAIN-- 772 00:37:04,744 --> 00:37:08,922 AND I'M SURE I WILL BEFORE THIS ADOLESCENT GROWTH PROCESS IS OVER-- 773 00:37:08,965 --> 00:37:11,620 NEXT TIME, JUST CHAIN ME TO MY BED 774 00:37:11,664 --> 00:37:14,493 AND WAIT FOR MY MOMENT OF CLARITY TO COME. 775 00:37:14,536 --> 00:37:16,146 CAN I USE LEATHER STRAPS? 776 00:37:17,757 --> 00:37:19,237 NOT UNTIL YOU EXPLAIN THE CRISCO. 777 00:37:20,977 --> 00:37:22,892 YOU ARE SUCH A SPHINCTER. 778 00:37:22,936 --> 00:37:24,285 YOU REALLY ARE. 779 00:37:24,329 --> 00:37:27,680 I CAN'T UNDERSTAND HOW SOMEONE SO SELF-AWARE 780 00:37:27,723 --> 00:37:29,072 CAN BE UTTERLY CLUELESS. 781 00:37:32,337 --> 00:37:33,425 OHH. 782 00:37:35,557 --> 00:37:36,645 OH, MAN. 783 00:37:44,349 --> 00:37:45,872 WHAT DO I DO? 784 00:37:48,353 --> 00:37:49,441 IT'S YOUR CALL. 785 00:37:53,401 --> 00:37:55,316 WELL, I'VE PRETTY MUCH BASTARDIZED THE EVENING. 786 00:37:55,360 --> 00:37:56,578 I MAY AS WELL COMPLETE IT. 787 00:37:58,232 --> 00:37:59,799 TILL NO ONE IS LEFT STANDING? 788 00:38:01,844 --> 00:38:03,150 CAN I BAG ON YOU, JOE? 789 00:38:04,586 --> 00:38:06,066 YEAH, YOU CAN BAG. 790 00:38:11,419 --> 00:38:12,202 WISH ME LUCK. 791 00:38:16,032 --> 00:38:17,295 GOOD LUCK, DAWSON. 792 00:38:18,818 --> 00:38:20,950 I HOPE YOU GET YOUR KISS. 793 00:38:49,283 --> 00:38:52,199 I'M BEGINNING TO FEEL LIKE YOUR TV SET. 794 00:38:54,680 --> 00:38:56,159 I DIDN'T KNOW WHAT TO SAY. 795 00:38:58,423 --> 00:38:59,554 A FIRST? 796 00:39:07,301 --> 00:39:09,521 I AM REALLY ANGRY, DAWSON. 797 00:39:09,564 --> 00:39:10,783 I KNOW. 798 00:39:14,874 --> 00:39:17,224 WHAT DO YOU WANT FROM ME? 799 00:39:20,923 --> 00:39:23,491 I WANT TO KNOW WHAT'S GOING ON BETWEEN US. 800 00:39:23,535 --> 00:39:26,842 AND DOES THAT QUESTION HAVE TO BE ANSWERED TONIGHT? 801 00:39:29,149 --> 00:39:30,455 I'M SORRY ABOUT TONIGHT, JEN. 802 00:39:30,498 --> 00:39:32,282 I... 803 00:39:32,326 --> 00:39:33,501 I GOT SCARED. 804 00:39:33,545 --> 00:39:36,896 SCARED I WAS BECOMING THE FRIEND. 805 00:39:36,939 --> 00:39:38,288 OHH, GOD, THE FRIEND. 806 00:39:38,332 --> 00:39:39,507 HOW AWFUL. 807 00:39:39,551 --> 00:39:40,900 IT IS AWFUL. 808 00:39:40,943 --> 00:39:42,684 I FEEL LIKE I'M BECOMING THAT FRIEND 809 00:39:42,728 --> 00:39:45,295 WHO YOU COME OVER AND TELL ALL YOUR BOY ADVENTURES TO. 810 00:39:45,339 --> 00:39:48,386 I DON'T WANT THAT TO BE THE CASE. 811 00:39:48,429 --> 00:39:51,737 I WANT TO BE YOUR... BOY ADVENTURE. 812 00:40:01,790 --> 00:40:03,183 CAN'T YOU BE BOTH? 813 00:40:07,622 --> 00:40:08,797 NO. 814 00:40:08,841 --> 00:40:10,538 NOT AT 15, YOU CAN'T. 815 00:40:12,279 --> 00:40:13,541 IT'S TOO COMPLICATED. 816 00:40:16,501 --> 00:40:17,763 OK. 817 00:40:25,901 --> 00:40:28,426 SO I'M INTERESTED. 818 00:40:28,469 --> 00:40:30,819 IN WHAT? 819 00:40:30,863 --> 00:40:32,168 AN ADVENTURE. 820 00:40:34,301 --> 00:40:37,130 WHAT DO I HAVE TO DO? 821 00:40:41,308 --> 00:40:42,744 YOU COULD KISS ME. 822 00:40:52,711 --> 00:40:55,191 YOU KNOW, I REALLY AM A CLICHé, DAWSON. 823 00:40:57,106 --> 00:40:59,108 IN NEW YORK, I WAS MOVING FAST. 824 00:40:59,152 --> 00:41:01,110 I WAS MOVING REALLY, REALLY FAST. 825 00:41:01,154 --> 00:41:04,287 SO FAST I KEPT STUMBLING... 826 00:41:04,331 --> 00:41:05,593 AND FALLING. 827 00:41:07,116 --> 00:41:08,901 BUT H-- 828 00:41:08,944 --> 00:41:12,513 HERE I FEEL LIKE, FOR THE FIRST TIME IN A LONG TIME, 829 00:41:12,557 --> 00:41:14,689 I'M WALKING AT A STEADY PACE, 830 00:41:14,733 --> 00:41:17,300 AND I'M AFRAID THAT, IF I KISS YOU, 831 00:41:17,344 --> 00:41:19,477 MY KNEES MAY BUCKLE AND I MAY STUMBLE, 832 00:41:19,520 --> 00:41:22,958 AND I--I DON'T KNOW IF I CAN HANDLE IT NOW. 833 00:41:25,265 --> 00:41:28,268 [MUSIC PLAYS] 834 00:41:40,062 --> 00:41:42,195 WOULD YOU LIKE TO DANCE? 835 00:41:43,849 --> 00:41:45,633 HERE? 836 00:41:45,677 --> 00:41:46,416 RIGHT NOW? 837 00:41:48,723 --> 00:41:51,552 I'VE BEEN WANTING TO DANCE WITH YOU ALL NIGHT, DAWSON. 838 00:42:01,083 --> 00:42:02,868 SEE... 839 00:42:02,911 --> 00:42:06,262 THE KISS IS JUST THE END RESULT. 840 00:42:06,306 --> 00:42:08,308 IT'S NOT WHAT'S IMPORTANT. 841 00:42:08,351 --> 00:42:11,485 IT'S ALL ABOUT DESIRE AND... 842 00:42:11,529 --> 00:42:12,791 AND WANTING. 843 00:42:14,880 --> 00:42:16,490 AND ROMANCE. 844 00:42:16,534 --> 00:42:17,839 [SIGHING LAUGH] 845 00:42:17,883 --> 00:42:20,494 YEAH. 846 00:42:20,538 --> 00:42:22,017 AND ROMANCE.