1 00:00:22,457 --> 00:00:26,591 "I'’LL BE RIGHT HE-E-ERE." 2 00:00:26,591 --> 00:00:28,028 I LOVE THIS MOVIE. 3 00:00:30,595 --> 00:00:32,206 THIS WON THE OSCAR, DIDN'’T IT? GANDHI. 4 00:00:32,206 --> 00:00:33,729 SPIELBERG WAS ROBBED. 5 00:00:33,729 --> 00:00:35,644 THIS IS BEFORE HE OUTGREW HIS PETER PAN SYNDROME. 6 00:00:35,644 --> 00:00:37,211 BUT GANDHI? 7 00:00:37,211 --> 00:00:39,387 WHY GIVE AN OSCAR TO A MOVIE YOU CAN'’T EVEN SIT THROUGH? 8 00:00:39,387 --> 00:00:41,389 5:00 THIS MORNING 9 00:00:41,389 --> 00:00:43,739 ALL OF THE AIRLINE'’S SCHEDULED FLIGHTS WERE CANCELED... 10 00:00:43,739 --> 00:00:44,783 NEW DO? 11 00:00:44,783 --> 00:00:46,394 YEAH. SHE LIKES BIG HAIR. 12 00:00:46,394 --> 00:00:47,482 IT MUST WEIGH A LOT. 13 00:00:47,482 --> 00:00:48,918 HOW DOES SHE WALK UPRIGHT? 14 00:00:48,918 --> 00:00:50,137 HA HA. 15 00:00:50,137 --> 00:00:51,355 WHERE ARE YOU GOING? 16 00:00:51,355 --> 00:00:52,400 HOME. 17 00:00:52,400 --> 00:00:54,358 SPEND THE NIGHT. CAN'’T. 18 00:00:54,358 --> 00:00:55,794 COME ON, YOU ALWAYS SPEND THE NIGHT. 19 00:00:55,794 --> 00:00:57,492 NOT TONIGHT.WHY NOT? 20 00:00:57,492 --> 00:00:58,841 I JUST DON'’T THINK IT'’S A GOOD IDEA 21 00:00:58,841 --> 00:01:00,582 FOR ME TO SLEEP OVER ANYMORE, YOU KNOW? 22 00:01:00,582 --> 00:01:02,149 NO, I DON'’T KNOW. 23 00:01:02,149 --> 00:01:04,281 COME ON, YOU BEEN SLEEPING OVER SINCE YOU WERE 7. 24 00:01:04,281 --> 00:01:06,327 IT'’S SATURDAY NIGHT.THINGS CHANGE, DAWSON. 25 00:01:06,327 --> 00:01:07,328 EVOLVE. 26 00:01:07,328 --> 00:01:09,373 WHAT ARE YOU TALKING ABOUT? 27 00:01:09,373 --> 00:01:11,332 SLEEPING IN THE SAME BED WAS FINE WHEN WE WERE KIDS, 28 00:01:11,332 --> 00:01:13,508 BUT WE'’RE 15 NOW.YEAH... 29 00:01:13,508 --> 00:01:14,857 WE START HIGH SCHOOL MONDAY. YEAH... 30 00:01:14,857 --> 00:01:16,076 AND I HAVE BREASTS. 31 00:01:16,076 --> 00:01:17,077 WHAT? 32 00:01:17,077 --> 00:01:18,513 AND YOU HAVE GENITALIA. 33 00:01:18,513 --> 00:01:20,341 I'’VE ALWAYS HAD GENITALIA. 34 00:01:20,341 --> 00:01:21,342 BUT THERE'’S MORE OF IT. 35 00:01:22,430 --> 00:01:23,431 HOW DO YOU KNOW? 36 00:01:23,431 --> 00:01:25,650 LONG FINGERS. I GOT TO GO. 37 00:01:25,650 --> 00:01:27,783 NO, JO, DON'’T HIT AND RUN. COME ON. EXPLAIN YOURSELF. 38 00:01:29,785 --> 00:01:32,048 I JUST THINK OUR EMERGING HORMONES 39 00:01:32,048 --> 00:01:33,658 ARE DESTINED TO ALTER OUR RELATIONSHIP 40 00:01:33,658 --> 00:01:35,095 AND I'’M TRYING TO LIMIT THE FALLOUT. 41 00:01:35,095 --> 00:01:37,053 YOUR EMERGING HORMONES 42 00:01:37,053 --> 00:01:38,968 AREN'’T DEVELOPING A THANG FOR ME, ARE THEY? 43 00:01:38,968 --> 00:01:41,013 A THING? 44 00:01:41,013 --> 00:01:43,059 NO, I'’M NOT GETTING A THING FOR YOU, DAWSON. 45 00:01:43,059 --> 00:01:45,279 I'’VE KNOWN YOU TOO LONG. 46 00:01:45,279 --> 00:01:48,456 I'’VE SEEN YOU BURP, BARF, PICK YOUR NOSE, SCRATCH YOUR BUTT... 47 00:01:48,456 --> 00:01:50,197 I DON'’T THINK I'’M GETTING A THING FOR YOU. 48 00:01:50,197 --> 00:01:51,546 THEN WHAT'’S THE PROBLEM? 49 00:01:51,546 --> 00:01:53,461 WE'’RE CHANGING AND WE HAVE TO ADJUST 50 00:01:53,461 --> 00:01:56,028 OR ELSE THE MALE-FEMALE THING WILL GET IN THE WAY. 51 00:01:56,028 --> 00:01:58,988 WHAT IS WITH THIS WHEN-HARRY-MET- EIGHTIES CRAP? 52 00:01:58,988 --> 00:02:00,685 IT DOESN'’T APPLY TO US. WE TRANSCEND IT. 53 00:02:00,685 --> 00:02:01,991 AND HOW DO WE DO THAT? 54 00:02:01,991 --> 00:02:04,036 BY GOING TO SLEEP. 55 00:02:04,036 --> 00:02:05,342 I'’M TIRED. 56 00:02:05,342 --> 00:02:06,604 THAT'’S AVOIDANCE. 57 00:02:06,604 --> 00:02:08,258 NO, IT'’S PROOF... 58 00:02:08,258 --> 00:02:09,825 PROOF THAT WE CAN STILL REMAIN FRIENDS 59 00:02:09,825 --> 00:02:12,262 DESPITE ANY MOUNTING SEXUAL THEORETICS. 60 00:02:14,351 --> 00:02:16,136 I DON'’T THINK IT WORKS THAT WAY, DAWSON. 61 00:02:16,136 --> 00:02:18,399 COME ON, DON'’T GET FEMALE ON ME, JOEY. 62 00:02:18,399 --> 00:02:20,444 I DON'’T WANT TO HAVE TO START CALLING YOU JOSEPHINE. 63 00:02:20,444 --> 00:02:23,012 OH, JOSEPHINE THIS. 64 00:02:29,714 --> 00:02:31,673 OK. I GIVE. 65 00:02:31,673 --> 00:02:32,761 GIVE. 66 00:02:33,979 --> 00:02:36,721 WE'’RE FRIENDS, OK? 67 00:02:36,721 --> 00:02:39,289 NO MATTER HOW MUCH BODY HAIR WE ACQUIRE? 68 00:02:39,289 --> 00:02:40,899 DEAL? 69 00:02:40,899 --> 00:02:42,510 DEAL. 70 00:02:42,510 --> 00:02:45,643 AND WE DON'’T EVER TALK ABOUT THIS AGAIN? DEAL? 71 00:02:45,643 --> 00:02:46,862 YOU GOT IT. 72 00:02:46,862 --> 00:02:48,777 COOL. 73 00:02:48,777 --> 00:02:50,213 COOL. 74 00:02:53,695 --> 00:02:55,784 GOOD NIGHT, JOEY. 75 00:02:55,784 --> 00:02:57,307 G'’NIGHT, DAWSON. 76 00:03:18,937 --> 00:03:22,680 WHY'’D YOU HAVE TO BRING THIS UP, ANYWAY? 77 00:04:24,612 --> 00:04:26,875 BRING IT IN HARDER. PULL IT FLAT. 78 00:04:26,875 --> 00:04:30,270 ALL RIGHT. THIS GOOD? 79 00:04:42,282 --> 00:04:43,326 ARRRRGHH! AAH! 80 00:04:46,460 --> 00:04:50,812 NO, NO, NO! CUT, CUT, CUT. IT'’S 3 COUNTS YOU GOT TO WAIT! 81 00:04:50,812 --> 00:04:52,509 COME ON! 82 00:04:52,509 --> 00:04:53,902 PACEY, COME ON-- JOEY, PACE-- 83 00:04:53,902 --> 00:04:57,688 WHAT WAS THAT ALL ABOUT? 84 00:04:57,688 --> 00:04:59,734 IF YOU COME UP BEFORE SHE'’S ESTABLISHED ON THE DOCK, 85 00:04:59,734 --> 00:05:01,039 IT'’S NOT SCARY. 86 00:05:01,039 --> 00:05:03,651 HE DID IT AGAIN-- HE GRABBED MY ASS. 87 00:05:03,651 --> 00:05:04,782 LIKE YOU EVEN HAVE ONE. 88 00:05:04,782 --> 00:05:06,958 GUYS, WE ARE WAY BEHIND SCHEDULE, ALL RIGHT? 89 00:05:06,958 --> 00:05:09,047 WE'’VE GOT 2 WEEKS. I'’M NOT GOING TO MAKE THE FESTIVAL. 90 00:05:09,047 --> 00:05:11,049 IT'’S A LOAD OF COOPERATION. 91 00:05:11,049 --> 00:05:12,747 HEY, IT'’S MERYL STREEP'’S FAULT, OK? 92 00:05:12,747 --> 00:05:13,878 I'’M DOING THE BEST I CAN. 93 00:05:13,878 --> 00:05:14,879 BITE ME. 94 00:05:25,934 --> 00:05:28,937 WELL, WELL... MY MOUTH DROPS. 95 00:05:48,260 --> 00:05:49,697 HEY, THERE. 96 00:05:49,697 --> 00:05:51,742 HI. I'’M PACEY. NICE TO MEET YOU. 97 00:05:51,742 --> 00:05:53,353 HI. I'’M DAWSON. 98 00:05:53,353 --> 00:05:55,790 YOU'’RE DAWSON. DAWSON, YEAH, I KNOW. UM, WE MET BEFORE. 99 00:05:55,790 --> 00:05:57,139 I'’M JEN. 100 00:05:57,139 --> 00:05:59,663 OH, THE GRANDDAUGHTER FROM NEW YORK. OK. 101 00:05:59,663 --> 00:06:01,143 WOW. YOU LOOK... DIFFERENT. 102 00:06:01,143 --> 00:06:02,144 PUBERTY. 103 00:06:02,144 --> 00:06:04,015 HI. I'’M JOEY. 104 00:06:04,015 --> 00:06:05,887 I LIVE DOWN THE CREEK, AND WE'’VE NEVER MET. 105 00:06:05,887 --> 00:06:07,628 EVER. 106 00:06:07,628 --> 00:06:09,325 SO, JENNY, ARE YOU JUST VISITING? 107 00:06:09,325 --> 00:06:12,589 UH, YEAH, MY GRANDFATHER'’S AORTA COLLAPSED, 108 00:06:12,589 --> 00:06:14,939 AND SO THEY HAD TO REPLACE IT WITH THIS PLASTIC TUBE, 109 00:06:14,939 --> 00:06:16,898 AND MY PARENTS SENT ME TO HELP OUT FOR A WHILE. 110 00:06:16,898 --> 00:06:18,160 SO YOU'’LL BE GOING TO SCHOOL HERE THEN? 111 00:06:18,160 --> 00:06:20,249 YEAH. UH, 10th GRADE. 112 00:06:20,249 --> 00:06:21,859 HEY, COOL. US, TOO. 113 00:06:21,859 --> 00:06:24,296 OH, GOOD. UM... 114 00:06:24,296 --> 00:06:26,473 LOOK, MY GRAMS IS WAITING. I SHOULD GO, 115 00:06:26,473 --> 00:06:28,910 BUT IT WAS REALLY NICE TO MEET YOU GUYS 116 00:06:28,910 --> 00:06:30,433 AND, UM, I'’LL SEE YOU IN SCHOOL. 117 00:06:30,433 --> 00:06:32,261 IF NOT SOONER. YEAH. 118 00:06:33,305 --> 00:06:35,395 IF NOT SOONER. 119 00:06:35,395 --> 00:06:36,961 NICE. 120 00:06:36,961 --> 00:06:37,919 NOT BAD. 121 00:06:45,709 --> 00:06:47,668 YOU THINK SHE'’S A VIRGIN? YOU WANT TO NAIL HER? 122 00:06:47,668 --> 00:06:49,626 WE JUST MET.AND A WASTED MOMENT IT WAS. 123 00:06:49,626 --> 00:06:51,411 I MEAN, GREATER MEN WOULD BE NAILING RIGHT NOW. 124 00:06:51,411 --> 00:06:52,412 YOU KNOW WHAT I MEAN? 125 00:06:52,412 --> 00:06:53,848 TACT. LOOK IT UP. 126 00:06:55,197 --> 00:06:57,068 MM... 127 00:06:57,068 --> 00:06:58,418 OHH... 128 00:07:02,204 --> 00:07:03,553 OH, GOD--MOM... 129 00:07:03,553 --> 00:07:04,641 WHOOPS.OH, HI, SON. 130 00:07:04,641 --> 00:07:06,948 YOUR MOTHER AND I WERE-- 131 00:07:06,948 --> 00:07:09,951 UM, JUST DISCUSSING WHETHER OR NOT-- 132 00:07:09,951 --> 00:07:11,996 WE NEEDED A NEW COFFEE TABLE. 133 00:07:11,996 --> 00:07:13,302 HI, PACEY. 134 00:07:13,302 --> 00:07:16,044 HI, MR. LEERY, MRS. LEERY. 135 00:07:16,044 --> 00:07:17,393 HI, PACEY. 136 00:07:17,393 --> 00:07:18,481 OH, DON'’T LOOK SO RED, DAWSON. 137 00:07:18,481 --> 00:07:20,396 IT COULD BE WORSE. 138 00:07:20,396 --> 00:07:23,791 YOU KNOW, MRS. LEERY, I REALLY LOVE THAT NEW HAIRDO. 139 00:07:23,791 --> 00:07:25,532 OH, THANK YOU, PACEY. 140 00:07:25,532 --> 00:07:28,665 I THOUGHT YOU HAD TO WORK TODAY. 141 00:07:28,665 --> 00:07:30,362 WE'’RE RUNNING LATE.I SHOULD GET GOING. 142 00:07:30,362 --> 00:07:33,801 OK, MR. MAN MEAT, I'’LL SEE YOU LATER. 143 00:07:33,801 --> 00:07:36,673 MOM...MOM... 144 00:07:54,343 --> 00:07:56,258 JUST THE VICTIM I'’M LOOKING FOR. 145 00:07:56,258 --> 00:07:58,478 NO, BODIE, NOT AGAIN... 146 00:07:58,478 --> 00:08:00,131 BUT I'’M BEING TESTED ON THIS ONE. 147 00:08:00,131 --> 00:08:01,829 HERE, JUST A TASTE. 148 00:08:03,483 --> 00:08:04,701 ORGASMIC. 149 00:08:04,701 --> 00:08:05,702 WHERE'’S BESS? 150 00:08:05,702 --> 00:08:08,096 IF YOU WANT TO WEAR MY THINGS, FINE. 151 00:08:08,096 --> 00:08:10,141 THEY'’RE FAIRLY USELESS TO ME AT THIS POINT, 152 00:08:10,141 --> 00:08:12,579 BUT THAT MEANS YOU PUT THEM BACK WHERE YOU FOUND THEM. 153 00:08:12,579 --> 00:08:14,711 GOT IT? GOT IT. 154 00:08:14,711 --> 00:08:17,235 I'’M WAY TOO PREGNANT TO BE DIGGING UNDERNEATH YOUR BED. 155 00:08:17,235 --> 00:08:19,847 SO STAY OUT OF MY ROOM. GOT IT? 156 00:08:19,847 --> 00:08:21,718 I'’M GONNA KNOCK HER SILLY, I SWEAR IT. 157 00:08:21,718 --> 00:08:23,633 HERE, TRY THIS. 158 00:08:26,810 --> 00:08:27,811 MM... 159 00:08:27,811 --> 00:08:29,160 ORGASMIC. 160 00:08:29,160 --> 00:08:30,379 AH... 161 00:08:36,646 --> 00:08:37,778 THANK YOU. 162 00:08:37,778 --> 00:08:40,389 SO IF YOUR DAD IS MR. MAN MEAT, 163 00:08:40,389 --> 00:08:43,131 DOES THAT MAKE YOU MR. MAN MEAT, JR. OR MR. MAN MEAT II? 164 00:08:43,131 --> 00:08:45,612 THEY'’RE GONNA HAVE TO DRAG THE CREEK TO FIND YOUR BODY, PACE. 165 00:08:45,612 --> 00:08:49,050 DOES FORREST GUMP GO IN THE COMEDY OR DRAMA SECTION? 166 00:08:49,050 --> 00:08:51,052 HOW MANY TIMES ARE YOU GONNA ASK THAT? 167 00:08:51,052 --> 00:08:52,183 IT GOES IN THE DRAMA SECTION. 168 00:08:52,183 --> 00:08:53,968 THANK YOU, DAWSON. 169 00:08:55,535 --> 00:08:57,406 CAN YOU SAY WET BRAIN? 170 00:08:57,406 --> 00:09:00,235 I'’M SORRY. WHAT DID YOU SAY? 171 00:09:00,235 --> 00:09:02,542 DID YOU TOSS A NEGATIVE, 172 00:09:02,542 --> 00:09:05,066 DISPARAGING REMARK MY WAY? 173 00:09:05,066 --> 00:09:06,546 BECAUSE IF YOU DID-- 174 00:09:06,546 --> 00:09:08,069 AND CORRECT ME IF I'’M WRONG-- 175 00:09:08,069 --> 00:09:09,984 I'’D LIKE TO REMIND YOU WHO YOU ARE. 176 00:09:09,984 --> 00:09:11,551 I KNOW, I KNOW. YOUR DAD OWNS THE PLACE. 177 00:09:11,551 --> 00:09:13,596 NO. 178 00:09:13,596 --> 00:09:17,557 I'’M TALKING ABOUT IN THE HUGE, ROTATING WORLD OF LIFE. 179 00:09:17,557 --> 00:09:20,211 HEH. AND WHO AM I, NELLIE? 180 00:09:20,211 --> 00:09:21,386 NOBODY. 181 00:09:21,386 --> 00:09:23,127 THAT'’S THE POINT. 182 00:09:23,127 --> 00:09:24,215 YOU'’RE NOT THERE. 183 00:09:24,215 --> 00:09:26,391 YOU DON'’T EVEN EXIST... 184 00:09:26,391 --> 00:09:28,132 BECAUSE IF YOU DID, 185 00:09:28,132 --> 00:09:30,004 I MIGHT HAVE TO RESPOND 186 00:09:30,004 --> 00:09:31,919 TO YOUR PATHETIC, LITTLE, 187 00:09:31,919 --> 00:09:33,573 UNDER-THE-BREATH ONE-LINERS. 188 00:09:33,573 --> 00:09:36,663 BUT INSTEAD I TAKE COMFORT 189 00:09:36,663 --> 00:09:37,664 KNOWING YOU'’RE VAPOR. 190 00:09:37,664 --> 00:09:39,230 PFFFF... 191 00:09:39,230 --> 00:09:40,710 PFFFF... 192 00:09:40,710 --> 00:09:44,061 NONEXISTENT NOTHING. 193 00:09:46,847 --> 00:09:50,851 MY GOD, LOOK AT HER. 194 00:09:58,554 --> 00:09:59,555 SHOW SOME RESPECT, MAN. 195 00:09:59,555 --> 00:10:00,730 SHE'’S SOMEBODY'’S MOTHER. 196 00:10:00,730 --> 00:10:02,340 I HAVE IT ON PRETTY GOOD AUTHORITY 197 00:10:02,340 --> 00:10:05,213 THAT MOTHERS HAVE EXCELLENT SEX LIVES, ALL RIGHT? 198 00:10:07,911 --> 00:10:09,260 GOOD AFTERNOON. 199 00:10:09,260 --> 00:10:11,045 CAN WE HELP YOU? 200 00:10:11,045 --> 00:10:12,829 YES, YOU CAN. THIS IS MY FIRST TIME HERE, 201 00:10:12,829 --> 00:10:14,309 AND I'’D LIKE TO RENT A VIDEO. 202 00:10:14,309 --> 00:10:16,485 EXCELLENT. 203 00:10:16,485 --> 00:10:19,575 YOU JUST FILL THAT OUT AND YOU SHOOT US OVER A CREDIT CARD. 204 00:10:21,185 --> 00:10:23,013 THANKS. 205 00:10:23,013 --> 00:10:24,798 YOU NEW IN TOWN? 206 00:10:24,798 --> 00:10:26,495 '’CAUSE I HAVEN'’T SEEN YOU IN HERE BEFORE. 207 00:10:26,495 --> 00:10:28,062 YES, I AM. 208 00:10:28,062 --> 00:10:30,064 MY NAME'’S TAMARA. WHAT'’S YOURS? 209 00:10:30,064 --> 00:10:31,848 PACEY. NICE TO MEET YOU. 210 00:10:31,848 --> 00:10:34,590 WELL, THERE YOU GO, PACEY. 211 00:10:34,590 --> 00:10:36,766 OK, THANKS. 212 00:10:36,766 --> 00:10:41,205 UM, DO YOU THINK I COULD HELP YOU LOCATE A VIDEO THIS AFTERNOON? 213 00:10:41,205 --> 00:10:43,991 MAYBE. I'’M IN THE MOOD FOR ROMANCE. 214 00:10:43,991 --> 00:10:46,341 UH, WE KEEP THE NEW RELEASES AGAINST-- 215 00:10:46,341 --> 00:10:49,692 OH, NO. I'’M VINTAGE ALL THE WAY. 216 00:10:51,172 --> 00:10:53,348 THE CLASSICS ARE IN THE-- 217 00:10:53,348 --> 00:10:54,871 WHERE WOULD I FIND THE GRADUATE? 218 00:10:54,871 --> 00:10:58,135 THE GRADUATE IS THE ONE... 219 00:10:58,135 --> 00:11:00,007 WHERE THE OLDER WOMAN, ANNE BANCROFT, 220 00:11:00,007 --> 00:11:02,226 SEDUCES THE YOUNGER MAN, DUSTIN HOFFMAN. 221 00:11:02,226 --> 00:11:04,054 I'’LL CHECK IN-- 222 00:11:04,054 --> 00:11:05,403 IT'’S RIGHT THERE, ACTUALLY. 223 00:11:05,403 --> 00:11:06,840 THANKS.OHH... 224 00:11:06,840 --> 00:11:08,972 IS THERE ANYTHING ELSE WE CAN HELP YOU WITH? 225 00:11:08,972 --> 00:11:09,799 OH, NO. THAT SHOULD DO IT. 226 00:11:09,799 --> 00:11:10,931 HOW MUCH? 227 00:11:10,931 --> 00:11:12,062 PAY WHEN YOU RETURN. 228 00:11:12,062 --> 00:11:13,542 DON'’T FORGET YOUR CREDIT CARD. 229 00:11:13,542 --> 00:11:15,326 YEAH... RIGHT HERE. 230 00:11:15,326 --> 00:11:17,546 ENJOY THE FILM. 231 00:11:17,546 --> 00:11:19,635 I WILL. 232 00:11:19,635 --> 00:11:22,290 OH--IT WAS NICE TO MEET YOU, PACEY. 233 00:11:22,290 --> 00:11:23,900 OH, YEAH. 234 00:11:29,906 --> 00:11:31,821 WIPE THE DROOL, DUDE. 235 00:11:31,821 --> 00:11:33,736 DUDE, SHE WAS FLIRTING WITH ME. 236 00:11:33,736 --> 00:11:34,824 SHE WAS LAUGHING AT YOU. 237 00:11:34,824 --> 00:11:35,956 NO. SHE WANTED ME. 238 00:11:35,956 --> 00:11:37,914 SHE WANTED DUSTIN HOFFMAN. 239 00:11:37,914 --> 00:11:38,915 I-- 240 00:11:58,935 --> 00:11:59,849 HEY. 241 00:12:03,200 --> 00:12:05,246 HOW'’S YOUR GRANDDAD? 242 00:12:05,246 --> 00:12:08,423 OH, HE'’S BREATHING. GOOD SIGN. 243 00:12:08,423 --> 00:12:10,991 IT'’S JUST MY GRANDMA THAT PRESENTS THE CHALLENGE. 244 00:12:10,991 --> 00:12:12,862 SHE'’S GOT THIS PRAYING MENTALITY, 245 00:12:12,862 --> 00:12:15,691 WHICH IS REALLY AWKWARD, SINCE I DON'’T DO THE WHOLE GOD THING. 246 00:12:15,691 --> 00:12:17,345 UH, WHAT YOU GOT HERE? LET'’S SEE. 247 00:12:17,345 --> 00:12:19,173 CREATURE FROM THE BLACK LAGOON, 248 00:12:19,173 --> 00:12:22,480 HUMANOIDS FROM THE DEEP, SWAMP THING? 249 00:12:22,480 --> 00:12:23,786 IT'’S RESEARCH. 250 00:12:23,786 --> 00:12:24,787 I'’M MAKING A MOVIE. 251 00:12:24,787 --> 00:12:26,180 REALLY? YEAH. 252 00:12:26,180 --> 00:12:29,139 KINDA YOUNG TO BE SO AMBITIOUS. 15. 253 00:12:29,139 --> 00:12:31,272 SPIELBERG SHOT ON AN 8 MILLIMETER WHEN HE WAS 13. 254 00:12:31,272 --> 00:12:33,491 AND WHY MOVIES? WHAT'’S THE ATTRACTION THERE? 255 00:12:33,491 --> 00:12:35,450 I REJECT REALITY. 256 00:12:35,450 --> 00:12:37,017 OH. 257 00:12:37,017 --> 00:12:37,931 HEH. 258 00:12:39,628 --> 00:12:41,891 WOULD YOU LIKE TO SEE MY STUDIO? 259 00:12:51,248 --> 00:12:52,772 LONG SHOT HERE-- 260 00:12:52,772 --> 00:12:55,905 A SPIELBERG FAN? 261 00:12:55,905 --> 00:12:57,864 PRETTY MUCH WORSHIP THE MAN IN A GODLIKE WAY. YEAH. 262 00:12:57,864 --> 00:12:59,256 HOW REVEALING. 263 00:12:59,256 --> 00:13:00,997 I HAVE HIS CAREER CHRONICLED UP ON MY WALL. 264 00:13:00,997 --> 00:13:04,000 IF YOU NOTICE, EVERYTHING IS ARRANGED IN RECEDING BOX-OFFICE ORDER, 265 00:13:04,000 --> 00:13:05,610 STARTING WITH THE BLOCKBUSTERS, 266 00:13:05,610 --> 00:13:08,613 JURASSIC PARK, E.T., JAWS, INDIANA JONES SERIES, 267 00:13:08,613 --> 00:13:12,008 AND IF YOU FOLLOW IT TO MY CRITICALLY-ACCLAIMED WALL... 268 00:13:12,008 --> 00:13:14,968 I HAVE SCHINDLER'’S LIST AND THE COLOR PURPLE. 269 00:13:14,968 --> 00:13:18,449 ALSO FOR HUMILITY PURPOSES-- 270 00:13:18,449 --> 00:13:20,582 I ALSO KEEP HIS OTHERS-- 271 00:13:20,582 --> 00:13:21,801 1941AND ALWAYS, 272 00:13:21,801 --> 00:13:23,628 IN LIMITED BUT ACCESSIBLE VIEW. 273 00:13:23,628 --> 00:13:26,849 ARE YOU FAMILIAR WITH OBSESSIVE REALITY DISORDERS? 274 00:13:26,849 --> 00:13:28,633 IT'’S BEYOND THAT. 275 00:13:28,633 --> 00:13:31,158 SEE, I BELIEVE THAT ALL THE MYSTERIES OF THE UNIVERSE, 276 00:13:31,158 --> 00:13:32,899 ALL THE ANSWERS TO LIFE'’S QUESTIONS 277 00:13:32,899 --> 00:13:34,117 CAN BE FOUND IN A SPIELBERG FILM. 278 00:13:34,117 --> 00:13:35,858 IT'’S A THEORY I'’VE BEEN WORKING ON. 279 00:13:35,858 --> 00:13:37,773 YOU SEE, WHENEVER I HAVE A PROBLEM, 280 00:13:37,773 --> 00:13:40,776 ALL I HAVE TO DO IS LOOK TO THE RIGHT SPIELBERG MOVIE, 281 00:13:40,776 --> 00:13:42,691 AND THE ANSWER'’S REVEALED. 282 00:13:42,691 --> 00:13:44,606 HAVE YOU CONSIDERED A 12-STEP PROGRAM? 283 00:13:44,606 --> 00:13:46,608 WIT. 284 00:13:46,608 --> 00:13:47,609 WE LIKE THAT AROUND HERE. 285 00:13:53,136 --> 00:13:55,312 VICTIM? I DON'’T DO VICTIMS. 286 00:13:55,312 --> 00:13:58,402 NO. I ACTUALLY SEE YOU AS A VIBRANT, YET COMPLEX HEROINE 287 00:13:58,402 --> 00:14:00,013 WHO ENDS UP SAVING THE DAY. 288 00:14:00,013 --> 00:14:02,319 YOU ARE VERY SMOOTH. 289 00:14:02,319 --> 00:14:04,191 ACTUALLY, IN ALL SERIOUSNESS, 290 00:14:04,191 --> 00:14:06,715 THE BOSTON FILM CRITICS HAVE THIS PROGRAM FOR JUNIOR FILMMAKERS. 291 00:14:06,715 --> 00:14:08,673 HEAVY COMPETITION. 292 00:14:08,673 --> 00:14:10,501 THE DEADLINE'’S IN 2-- WE'’RE REALLY UNDER THE GUN. 293 00:14:10,501 --> 00:14:12,242 JENNIFER! 294 00:14:12,242 --> 00:14:13,504 OH... 295 00:14:25,429 --> 00:14:27,083 I BETTER GO. 296 00:14:27,083 --> 00:14:28,780 DON'’T WANT HER TO ERUPT. 297 00:14:28,780 --> 00:14:30,173 I'’LL SEE YOU AT SCHOOL. 298 00:14:30,173 --> 00:14:31,305 BYE. 299 00:14:31,305 --> 00:14:32,523 BYE. 300 00:14:41,793 --> 00:14:42,838 JOEY, HEY, WHERE YOU BEEN? 301 00:14:42,838 --> 00:14:44,622 COME ON, SIT DOWN. 302 00:14:44,622 --> 00:14:46,755 WATCH THIS. 303 00:14:46,755 --> 00:14:48,061 [TAPE REWINDS] 304 00:14:49,845 --> 00:14:52,456 772-5982. 305 00:14:52,456 --> 00:14:54,415 BACK TO YOU, BOB. 306 00:14:54,415 --> 00:14:56,373 DO YOU THINK MY MOM'’S SLEEPING WITH HER CO-ANCHOR? 307 00:14:56,373 --> 00:14:57,331 WHERE'’D THAT COME FROM? 308 00:14:57,331 --> 00:14:59,028 WATCH. 309 00:14:59,028 --> 00:15:02,118 ...982. BACK TO YOU, BOB. 310 00:15:02,118 --> 00:15:03,946 SOMETHING ABOUT HER Bs. 311 00:15:03,946 --> 00:15:05,556 THEY'’RE TOO SOFT. 312 00:15:05,556 --> 00:15:07,167 "BACK TO YOU, BOB." 313 00:15:07,167 --> 00:15:08,646 YOU'’RE REACHING. 314 00:15:08,646 --> 00:15:11,301 I MEAN, WHY WOULD YOUR MOM BE SLEEPING WITH HER CO-ANCHOR? 315 00:15:11,301 --> 00:15:13,521 YOUR DAD'’S THE PERFECT MALE SPECIMEN. 316 00:15:13,521 --> 00:15:14,826 I DON'’T KNOW, BUT I THINK THEY ARE. 317 00:15:14,826 --> 00:15:16,437 YOU'’RE JUST LOOKING FOR CONFLICT. 318 00:15:16,437 --> 00:15:18,874 EVERYTHING'’S A POTENTIAL SCRIPT TO YOU... 319 00:15:18,874 --> 00:15:20,745 ACCEPT YOUR PERFECT LIFE, DAWSON. 320 00:15:20,745 --> 00:15:23,792 IT'’S REALITY. 321 00:15:23,792 --> 00:15:24,836 BACK TO YOU, BOB. 322 00:15:24,836 --> 00:15:27,361 CLEANUP CONTINUES-- 323 00:15:27,361 --> 00:15:28,710 ...982. 324 00:15:28,710 --> 00:15:30,103 BACK TO YOU, BOB. 325 00:15:30,103 --> 00:15:32,018 [REWINDING] 326 00:15:59,610 --> 00:16:01,047 MORNIN'’, GRANDDADDY. 327 00:16:19,761 --> 00:16:21,458 WHAT ARE YOU DOING? 328 00:16:21,458 --> 00:16:24,157 I--I WAS--I WAS JUST SAYING GOOD MORNING. 329 00:16:26,072 --> 00:16:27,029 YOUR BREAKFAST IS READY. 330 00:16:30,728 --> 00:16:32,339 I'’M GLAD I'’M HERE, GRAMS. 331 00:16:32,339 --> 00:16:34,471 YOU BETTER HURRY. 332 00:16:34,471 --> 00:16:36,908 YOU DON'’T WANT TO BE LATE YOUR FIRST DAY. 333 00:16:44,177 --> 00:16:46,570 YOU KNOW, I DON'’T USUALLY EAT IN THE MORNING, GRAMS. 334 00:16:46,570 --> 00:16:48,703 I--I APPRECIATE THE FUSS AND ALL, 335 00:16:48,703 --> 00:16:51,271 BUT MY EYES BARELY OPEN BEFORE NOON. 336 00:16:51,271 --> 00:16:53,925 JUST A COFFEE FIX AND I'’M SET. 337 00:16:53,925 --> 00:16:58,408 WELL, I'’LL REMEMBER THAT IN THE FUTURE. 338 00:16:58,408 --> 00:17:00,062 SO TELL ME ABOUT THIS DAWSON GUY NEXT DOOR. 339 00:17:00,062 --> 00:17:01,716 HE LOOKS SO DIFFERENT. 340 00:17:01,716 --> 00:17:04,545 HE USED TO BE KIND OF SHORT AND COMPACT. 341 00:17:04,545 --> 00:17:07,200 YOU STAY AWAY. THAT BOY IS TROUBLE. 342 00:17:07,200 --> 00:17:10,159 AREN'’T THEY ALL? 343 00:17:10,159 --> 00:17:12,118 WELL, WHAT ABOUT THE GIRL WHO LIVES DOWN THE CREEK? 344 00:17:12,118 --> 00:17:15,295 UM...JOEY, I THINK HER NAME IS? 345 00:17:15,295 --> 00:17:17,036 THAT GIRL FROM DOWN THE CREEK 346 00:17:17,036 --> 00:17:18,776 HAS BEEN CRAWLING IN THE BEDROOM WINDOW 347 00:17:18,776 --> 00:17:20,387 OF THAT BOY FROM NEXT DOOR 348 00:17:20,387 --> 00:17:23,607 FOR THE PAST 10 YEARS. 349 00:17:23,607 --> 00:17:25,261 NEITHER GOES TO CHURCH. 350 00:17:25,261 --> 00:17:27,872 I BELIEVE THEY'’RE WHAT YOU CALL THE WRONG ELEMENT. 351 00:17:29,874 --> 00:17:31,920 RIGHT. 352 00:17:39,797 --> 00:17:40,929 SAY GRACE, DEAR. 353 00:17:43,323 --> 00:17:44,411 THAT'’S OK. YOU--YOU CAN DO IT. 354 00:17:44,411 --> 00:17:46,717 NOW, IT WOULD BE NICE IF YOU DID IT. 355 00:17:48,545 --> 00:17:50,330 I DON'’T THINK SO, GRAMS. THANKS, THOUGH. 356 00:17:51,853 --> 00:17:53,420 IS THERE SOME REASON 357 00:17:53,420 --> 00:17:55,117 YOU DON'’T WANT TO THANK OUR LORD THIS MORNING? 358 00:17:55,117 --> 00:17:56,858 UH... 359 00:17:56,858 --> 00:17:58,947 YOU KNOW, GRAMS, I REALLY DIDN'’T WANT TO GET INTO THIS 360 00:17:58,947 --> 00:18:00,470 SINCE I ONLY JUST GOT HERE 361 00:18:00,470 --> 00:18:02,646 AND I'’M KIND OF PRONE TO HEADACHES AND ALL, 362 00:18:02,646 --> 00:18:05,214 BUT, UM, YOU KNOW, I DON'’T DO REAL WELL 363 00:18:05,214 --> 00:18:08,130 WITH THE CHURCH AND THE BIBLE AND THIS PRAYER STUFF. 364 00:18:08,130 --> 00:18:09,697 I BEG YOUR PARDON? 365 00:18:12,265 --> 00:18:13,788 I DON'’T COVET A RELIGIOUS GOD. 366 00:18:13,788 --> 00:18:15,268 GRAMS, I'’M AN ATHEIST. 367 00:18:42,817 --> 00:18:45,167 HI. I'’M NELLIE OLESEN. 368 00:18:45,167 --> 00:18:46,734 NELLIE, AS IN LITTLE HOUSE-- 369 00:18:46,734 --> 00:18:48,257 I KNOW, I KNOW. 370 00:18:48,257 --> 00:18:49,737 LITTLE HOUSE ON THE PRAIRIE 371 00:18:49,737 --> 00:18:51,260 WAS, LIKE, MY MOM AND DAD'’S FAVORITE SHOW, 372 00:18:51,260 --> 00:18:52,609 BUT NO PRECONCEPTIONS, OK? 373 00:18:52,609 --> 00:18:54,176 I'’M NOT LIKE HER AT ALL. 374 00:18:54,176 --> 00:18:56,047 UH, I'’M JEN. 375 00:18:56,047 --> 00:18:57,440 FROM NEW YORK. 376 00:18:57,440 --> 00:18:58,659 I KNOW. 377 00:18:58,659 --> 00:18:59,790 HOW'’S YOUR GRANDFATHER? 378 00:18:59,790 --> 00:19:01,227 HE HAS US ALL WORRIED. 379 00:19:01,227 --> 00:19:02,924 HE'’S STILL ON THE PRAYER LIST AT CHURCH. 380 00:19:02,924 --> 00:19:04,143 YOU PARTY? 381 00:19:04,143 --> 00:19:05,796 EXCUSE ME? 382 00:19:05,796 --> 00:19:07,189 PAR-TY. 383 00:19:08,973 --> 00:19:11,498 UH...PARTY AS IN, DO I LIKE TO HAVE A GOOD TIME 384 00:19:11,498 --> 00:19:13,239 OR PARTY AS IN, DRINK AND USE DRUGS? 385 00:19:13,239 --> 00:19:15,241 IT'’S SUBJECTIVE. 386 00:19:16,851 --> 00:19:19,419 I LIKE TO HAVE A GOOD TIME... SUBSTANCE-FREE. 387 00:19:19,419 --> 00:19:21,421 MAYBE WE SHOULD CALL YOU NELLIE. 388 00:19:22,857 --> 00:19:24,554 SEE YA. 389 00:19:25,860 --> 00:19:27,122 HEY. 390 00:19:27,122 --> 00:19:28,384 HOW'’S IT GOING? 391 00:19:28,384 --> 00:19:29,864 I COULD REALLY USE A CIGARETTE. 392 00:19:29,864 --> 00:19:31,387 YOU SMOKE? 393 00:19:31,387 --> 00:19:33,650 OH, I QUIT. I'’M JUST A LITTLE TENSE. 394 00:19:33,650 --> 00:19:34,695 WELL, YOU'’RE HIDING IT WELL. 395 00:19:34,695 --> 00:19:36,044 I HAVE A GREAT DENIAL SYSTEM. 396 00:19:36,044 --> 00:19:37,350 AH, IT'’S THE FIRST DAY. 397 00:19:37,350 --> 00:19:39,787 IT'’LL GET EASIER.GOOD. 398 00:19:39,787 --> 00:19:41,571 HOW'’S YOUR SCHEDULE? THEY SCREWED UP MINE. 399 00:19:41,571 --> 00:19:43,182 WHO DO YOU HAVE FIRST PERIOD? 400 00:19:43,182 --> 00:19:44,922 UM, BRINSON, BIOLOGY. 401 00:19:44,922 --> 00:19:46,837 I WAS JUST HEADING THAT WAY. 402 00:19:46,837 --> 00:19:48,578 WERE YOU? 403 00:20:00,155 --> 00:20:02,505 TAMARA. 404 00:20:02,505 --> 00:20:03,637 HELLO, PACEY. 405 00:20:03,637 --> 00:20:05,073 I'’LL TELL YOU WHAT, 406 00:20:05,073 --> 00:20:07,293 WHY DON'’T YOU CALL ME MS. JACOBS DURING SCHOOL HOURS? 407 00:20:08,555 --> 00:20:09,512 RIGHT. OF COURSE. 408 00:20:28,705 --> 00:20:32,361 HEY...HI. 409 00:20:32,361 --> 00:20:34,233 I WAS HOPING WE'’D HAVE A CLASS TOGETHER. 410 00:20:34,842 --> 00:20:37,236 HERE WE ARE. 411 00:20:47,594 --> 00:20:50,161 MRS. BATES. 412 00:20:50,161 --> 00:20:51,859 PSYCHO. 413 00:20:54,122 --> 00:20:55,558 YOU KNOW THE FILM? 414 00:20:55,558 --> 00:20:57,995 ANTHONY PERKINS, JANET LEIGH, UNIVERSAL, 1960. 415 00:20:57,995 --> 00:21:00,650 LITTLE KNOWN FACT: DID YOU KNOW THAT HITCHCOCK SURPRISED 416 00:21:00,650 --> 00:21:02,130 JANET LEIGH WITH FREEZING COLD WATER 417 00:21:02,130 --> 00:21:03,827 TO GET HER TO SCREAM SO EFFECTIVELY? 418 00:21:03,827 --> 00:21:05,176 WHO ARE YOU? 419 00:21:05,176 --> 00:21:07,222 DAWSON LEERY. 420 00:21:07,222 --> 00:21:09,703 THEN I TAKE IT YOU'’LL BE IN MY FIFTH PERIOD FILM LAB. 421 00:21:09,703 --> 00:21:11,182 ACTUALLY, THAT'’S WHY I'’M HERE. 422 00:21:11,182 --> 00:21:13,315 THERE SEEMS TO BE SOME CONFUSION WITH MY SCHEDULE. 423 00:21:13,315 --> 00:21:15,622 I WAS DENIED ADMITTANCE TO YOUR FILM CLASS. 424 00:21:15,622 --> 00:21:17,537 THEN YOU MUST BE A SOPHOMORE. 425 00:21:17,537 --> 00:21:19,800 AND THAT'’S NOT A GOOD THING? 426 00:21:19,800 --> 00:21:21,584 THIS IS A VERY POPULAR CLASS, DAWSON. 427 00:21:21,584 --> 00:21:23,325 SEATING IS LIMITED. THERE'’S A WAITING LIST. 428 00:21:23,325 --> 00:21:25,196 PRIORITY GOES TO UPPERCLASSMEN. 429 00:21:25,196 --> 00:21:27,329 WELL, THAT'’S STUPID. 430 00:21:27,329 --> 00:21:28,896 EXCUSE ME?WHO MADE THAT RULE? 431 00:21:28,896 --> 00:21:30,158 I DID. 432 00:21:30,158 --> 00:21:32,291 OH. 433 00:21:34,554 --> 00:21:36,207 WHY ARE YOU SO ADAMANT? 434 00:21:36,207 --> 00:21:38,645 PASSION, MR. GOLD. 435 00:21:38,645 --> 00:21:39,863 PURE, MAD-DRIVEN PASSION. 436 00:21:39,863 --> 00:21:41,212 MOVIES ARE MY LIFE. 437 00:21:41,212 --> 00:21:44,041 OH, I SEE. 438 00:21:44,041 --> 00:21:45,608 I'’M SORRY. 439 00:21:45,608 --> 00:21:48,394 I'’M NOT COMING ACROSS WELL AT ALL HERE. 440 00:21:48,394 --> 00:21:50,396 THE POINT IS, I'’M GOING TO BE A FILMMAKER. 441 00:21:50,396 --> 00:21:51,484 IT'’S MY LIFE'’S AMBITION. 442 00:21:51,484 --> 00:21:52,659 IT ALWAYS HAS BEEN. 443 00:21:52,659 --> 00:21:54,008 HOW MANY STUDENTS 444 00:21:54,008 --> 00:21:56,445 DO YOU HAVE IN THIS CLASS THAT CAN SAY THAT? 445 00:21:56,445 --> 00:21:57,925 THIS IS A SMALL TOWN, MR. GOLD. 446 00:21:57,925 --> 00:22:00,057 THERE'’S NOT A LOT OF OPPORTUNITY FOR ME. 447 00:22:00,057 --> 00:22:02,233 YOU HAVE THE POWER. 448 00:22:02,233 --> 00:22:04,148 YOU COULD EASILY OVERRIDE 449 00:22:04,148 --> 00:22:06,847 THIS BIZARRE RULE THAT DENIES STUDENTS THEIR EDUCATION. 450 00:22:06,847 --> 00:22:09,980 YOU'’RE VERY CONVINCING, DAWSON LEERY. 451 00:22:09,980 --> 00:22:13,027 BUT I'’M AFRAID THE CLASS IS MAXED OUT. 452 00:22:13,027 --> 00:22:14,855 I WISH I COULD MAKE CASE BY CASE EXCEPTIONS, 453 00:22:14,855 --> 00:22:16,900 BUT THAT WOULD BE UNFAIR AND PROBLEMATIC. 454 00:22:16,900 --> 00:22:19,816 I'’M SORRY TO SAY NO IS MY DEFINITIVE ANSWER. 455 00:22:19,816 --> 00:22:22,123 BUT... 456 00:22:22,123 --> 00:22:23,429 NO, PERIOD. 457 00:22:23,429 --> 00:22:24,517 IT'’S A COMPLETE SENTENCE. 458 00:22:28,216 --> 00:22:30,392 HEY, JOEY. JOEY. 459 00:22:30,392 --> 00:22:32,655 UM, CAN I ASK YOU SOMETHING KINDA UP FRONT? 460 00:22:32,655 --> 00:22:35,005 SURE. 461 00:22:35,005 --> 00:22:37,530 ARE YOU AND DAWSON A THING? 462 00:22:37,530 --> 00:22:39,706 NO, WERE JUST FRIENDS. 463 00:22:39,706 --> 00:22:43,100 LIKE WE'’RE GOING TO BE, I HOPE. 464 00:22:43,100 --> 00:22:45,581 YOU KNOW, MY GRAMS WARNED ME ABOUT YOU. 465 00:22:45,581 --> 00:22:47,278 SHE SAYS YOU'’RE SEVERELY TROUBLED. 466 00:22:47,278 --> 00:22:49,629 WELL, NO OFFENSE, BUT YOUR GRAMS IS CRACKED. 467 00:22:49,629 --> 00:22:51,282 WHY DOES SHE RAG ON YOU? 468 00:22:51,282 --> 00:22:52,371 PICK A TOPIC. 469 00:22:52,371 --> 00:22:54,285 THERE'’S MY DAD, THE IMPRISONED CONVICT, 470 00:22:54,285 --> 00:22:56,549 OR MY SISTER, IMPREGNATED BY HER BLACK BOYFRIEND-- 471 00:22:56,549 --> 00:22:57,593 YOUR FATHER'’S IN PRISON? 472 00:22:57,593 --> 00:22:59,378 CONSPIRACY TO TRAFFIC MARIJUANA 473 00:22:59,378 --> 00:23:00,857 IN EXCESS OF 10,000 POUNDS. 474 00:23:00,857 --> 00:23:03,991 WOW, UM, SO THEN, WHERE'’S YOUR MOTHER? 475 00:23:03,991 --> 00:23:05,906 OH, SHE HAD THIS CANCER THING. 476 00:23:05,906 --> 00:23:07,864 IT GOT HER. 477 00:23:07,864 --> 00:23:09,475 SO THEN YOU LIVE WITH YOUR SISTER? 478 00:23:09,475 --> 00:23:12,391 AND THE BLACK BOYFRIEND. 479 00:23:12,391 --> 00:23:13,392 HE LIKES YOU, YOU KNOW. 480 00:23:13,392 --> 00:23:14,654 WHO, THE BLACK BOYFRIEND? 481 00:23:14,654 --> 00:23:17,134 DAWSON. 482 00:23:17,134 --> 00:23:18,832 DON'’T ABUSE HIS FEELINGS. 483 00:23:28,319 --> 00:23:30,147 OKAY, THE BALD MAN IS MR. HERMAN. 484 00:23:30,147 --> 00:23:31,497 HE TEACHES A TIMID CALCULUS CLASS 485 00:23:31,497 --> 00:23:33,237 AND PACKS A .45 MAGNUM. 486 00:23:33,237 --> 00:23:35,196 LAST YEAR OPENED FIRE-- TOOK OUT TWO STUDENTS 487 00:23:35,196 --> 00:23:37,198 AND A CUSTODIAN. PLED JUSTIFIABLE HOMICIDE. 488 00:23:37,198 --> 00:23:39,330 THEY DIDN'’T HAVE A HALL PASS. 489 00:23:39,330 --> 00:23:41,245 WOMAN IN THE FUNKY, BLACK DRESS. 490 00:23:41,245 --> 00:23:42,595 PERIODIC DRINKER. 491 00:23:42,595 --> 00:23:44,335 BLACKS OUT AFTER TWO GLASSES OF CHEAP WINE 492 00:23:44,335 --> 00:23:46,555 AND RUNS THROUGH TOWN WITH HER DRESS OVER HER HEAD. 493 00:23:46,555 --> 00:23:48,252 SINGING NEIL DIAMOND SONGS. 494 00:23:48,252 --> 00:23:50,211 YOU'’RE GOOD. 495 00:23:50,211 --> 00:23:53,127 I SHOULD BRING YOU IN TO PUNCH UP MY DIALOGUE. 496 00:23:53,127 --> 00:23:55,564 UM, WE'’RE SUPPOSED TO BE WORKING, DAWSON. 497 00:23:55,564 --> 00:23:57,653 YEAH, WOULD YOU MIND TAKING A LOOK AT ACT THREE? 498 00:23:57,653 --> 00:23:59,002 SURE. I'’M HAVING A CLIMAX ISSUE. 499 00:24:04,791 --> 00:24:07,446 TAMARA-- PARDON, MS. JACOBS. 500 00:24:07,446 --> 00:24:10,231 HOW WAS THE GRADUATE? 501 00:24:10,231 --> 00:24:11,754 JUST AS I REMEMBERED. 502 00:24:11,754 --> 00:24:13,974 ARE YOU LOOKING FOR ROMANCE TONIGHT? 503 00:24:15,802 --> 00:24:17,934 WHY, YOU GOT ANY SUGGESTIONS? 504 00:24:17,934 --> 00:24:21,285 UH, HAVE YOU EVER SEEN THE SUMMER OF '’42? 505 00:24:21,285 --> 00:24:24,724 REFRESH MY MEMORY. 506 00:24:24,724 --> 00:24:26,508 WELL, IT'’S ABOUT A BEAUTIFUL WOMAN 507 00:24:26,508 --> 00:24:30,120 WHO SEDUCES A YOUNG BOY ON THE VERGE OF MANHOOD. 508 00:24:30,120 --> 00:24:32,732 IT'’S A FAVORITE. 509 00:24:32,732 --> 00:24:35,952 I, UH, COULD RESERVE IT FOR YOU IF YOU LIKE. 510 00:24:35,952 --> 00:24:38,912 ACTUALLY, TONIGHT I'’M GOING TO SEE 511 00:24:38,912 --> 00:24:40,304 THAT NEW FILM PLAYING AT THE RIALTO. 512 00:24:40,304 --> 00:24:43,612 YEAH. 513 00:24:43,612 --> 00:24:44,657 IT'’S GETTING GREAT REVIEWS. 514 00:24:44,657 --> 00:24:47,050 OH, YEAH. 515 00:24:47,050 --> 00:24:50,750 WELL, UH, I GUESS I'’LL MAYBE CHECK IT OUT THEN. 516 00:24:53,535 --> 00:24:55,537 HEY, WATCH IT! 517 00:24:59,628 --> 00:25:02,849 MAN, VIDEO WOMAN IS MY NEW ENGLISH TEACHER. 518 00:25:02,849 --> 00:25:04,720 OKAY, YOU, ME, THE MOVIES TONIGHT. 519 00:25:04,720 --> 00:25:06,069 WE ARE STALKING A FACULTY MEMBER. 520 00:25:06,069 --> 00:25:07,462 NEGATIVE. WHAT? 521 00:25:07,462 --> 00:25:09,290 I ACTUALLY HAVE THE POSSIBILITY OF LOSING 522 00:25:09,290 --> 00:25:11,727 MY VIRGINITY IN A HIGH-LEVEL FANTASY FASHION. 523 00:25:11,727 --> 00:25:14,295 PACEY, GO HOME. WALK YOUR DOG. 524 00:25:14,295 --> 00:25:16,210 IT'’S NOT GOING TO HAPPEN WITH THE ENGLISH TEACHER. 525 00:25:16,210 --> 00:25:18,865 NOT TONIGHT-- THAT'’S NOT THE PLAN, MAN. 526 00:25:18,865 --> 00:25:22,085 I JUST WANT TO FAMILIARIZE HER WITH THE GAZE, 527 00:25:22,085 --> 00:25:24,087 THE SMILE, THE CHARMING FEATURES, YOU KNOW. 528 00:25:24,087 --> 00:25:26,873 DON'’T DO THIS TO YOURSELF.LISTEN, IT IS A FACT 529 00:25:26,873 --> 00:25:28,657 THAT A LARGE PERCENTAGE OF OLDER WOMEN ARE 530 00:25:28,657 --> 00:25:30,746 ATTRACTED TO YOUNG BOYS ON THE VERGE OF MANHOOD. OKAY? 531 00:25:30,746 --> 00:25:32,139 IT KEEPS THEM FEELING YOUNG. 532 00:25:32,139 --> 00:25:33,749 I READ THAT IN COSMOPOLITAN. 533 00:25:33,749 --> 00:25:36,056 WHAT ARE YOU DOING READING COSMOPOLITAN? 534 00:25:36,056 --> 00:25:38,362 LISTEN, I HAVE THREE MENSTRUALLY DIVERSE SISTERS, OKAY? 535 00:25:38,362 --> 00:25:39,625 COSMOIS MY SAVIOR. 536 00:25:39,625 --> 00:25:41,583 WHAT DO YOU NEED ME FOR? 537 00:25:41,583 --> 00:25:44,151 MORAL SUPPORT, OKAY. IT'’LL BE COOL. 538 00:25:44,151 --> 00:25:46,762 YOU CAN INVITE MISS TEEN NEW YORK. 539 00:25:49,809 --> 00:25:51,245 THAT SOUNDS GOOD. 540 00:25:51,245 --> 00:25:53,943 UNLESS SOMEBODY'’S BEATEN YOU TO IT. 541 00:25:56,555 --> 00:25:58,252 C'’MON, MAN, GET IN THERE. 542 00:25:58,252 --> 00:26:00,559 BE ASSERTIVE. TALK TO HER, ALL RIGHT? 543 00:26:00,559 --> 00:26:02,517 YOU KNOW, YOU SHOULD BE THE ONE READING COSMO. 544 00:26:02,517 --> 00:26:04,737 IT'’LL BUILD YOUR FEMALE ESTEEM. 545 00:26:04,737 --> 00:26:06,434 GO ON... 546 00:26:11,526 --> 00:26:13,267 DAWSON, HEY, HOW'’S IT GOING? 547 00:26:13,267 --> 00:26:14,921 PRETTY GOOD. 548 00:26:14,921 --> 00:26:16,879 I SEE YOU'’VE MET ROGER FULLFORD. 549 00:26:16,879 --> 00:26:18,838 YEAH, NICE GUY. 550 00:26:18,838 --> 00:26:20,927 YEAH, JOCK QUARTERBACK BY DAY, 551 00:26:20,927 --> 00:26:22,232 SCHIZOPHRENIC TRANSVESTITE BY NIGHT. 552 00:26:22,232 --> 00:26:23,669 OH, REALLY? 553 00:26:23,669 --> 00:26:25,453 HAS WHAT YOU CALL A TORI SPELLING COMPLEX. 554 00:26:25,453 --> 00:26:27,629 HE'’S PARTIAL TO VICTORIA'’S SECRET. 555 00:26:27,629 --> 00:26:28,935 JUST SO YOU KNOW. 556 00:26:28,935 --> 00:26:31,894 BUT CAN HE RUN IN PUMPS? 557 00:26:31,894 --> 00:26:34,462 HEY, UH, PACEY IS CREW DIRECTING A TRIP TO THE MOVIES TONIGHT. 558 00:26:34,462 --> 00:26:36,159 NOTHING BIG, JUST A FEW OF US. 559 00:26:36,159 --> 00:26:37,857 WOULD YOU LIKE TO COME? 560 00:26:43,993 --> 00:26:45,560 HEY, JOEY. 561 00:26:45,560 --> 00:26:47,867 I NEED A FAVOR. UH-OH. 562 00:26:47,867 --> 00:26:49,564 I HAVE A SEMI QUASI DATE WITH JEN TONIGHT. 563 00:26:49,564 --> 00:26:52,175 WE'’RE GOING TO THE MOVIES WITH PACEY AND I NEED YOU COME WITH US. 564 00:26:52,175 --> 00:26:53,960 I'’D RATHER GO DOWN IN A PLANE CRASH. 565 00:26:53,960 --> 00:26:56,005 C'’MON IT'’S GONNA REALLY WEIRD JUST TWO GUYS AND JEN. 566 00:26:56,005 --> 00:26:57,006 IT WOULD EVEN IT OUT. 567 00:26:57,006 --> 00:26:58,617 WELL, SO WOULD IT BE LIKE A DOUBLE DATE? 568 00:26:58,617 --> 00:26:59,835 SORTA, BUT NOT REALLY. 569 00:26:59,835 --> 00:27:01,576 PACEY'’S ON THIS HORMONAL MISSION-- 570 00:27:01,576 --> 00:27:03,317 ARE YOU HAVING AN ANEURYSM? NO WAY. 571 00:27:03,317 --> 00:27:05,362 IT'’S JUST SO THAT JEN WON'’T FEEL UNCOMFORTABLE. 572 00:27:05,362 --> 00:27:06,929 WELL, WE WOULDN'’T WANT THAT. 573 00:27:06,929 --> 00:27:08,670 C'’MON, JOEY, PLEASE? 574 00:27:08,670 --> 00:27:10,324 PLEASE! PLEASE! PLEASE! PLEASE! PLEASE! 575 00:27:10,324 --> 00:27:13,196 JOEY...PLEASE? 576 00:27:13,196 --> 00:27:15,851 WHATEVER. THANK YOU! 577 00:27:15,851 --> 00:27:17,070 YOU'’RE THE BEST. I MEAN IT. 578 00:27:17,070 --> 00:27:18,767 I KNOW YOU'’RE WORRIED ABOUT 579 00:27:18,767 --> 00:27:21,552 OUR RELATIONSHIP AND EVERYTHING, BUT I TOLD YOU NOTHING HAS TO CHANGE. 580 00:27:21,552 --> 00:27:22,902 WE CAN TALK ABOUT ANYTHING. 581 00:27:32,999 --> 00:27:34,348 WHERE EXACTLY ARE YOU GOING? 582 00:27:34,348 --> 00:27:36,393 WELL, DAWSON HAS A GUN. THOUGHT WE'’D GO KNOCK OVER 583 00:27:36,393 --> 00:27:38,613 A FEW LIQUOR STORES AND THEN GO FOR SOME TATTOOS. 584 00:27:38,613 --> 00:27:40,615 WHY DO YOU TALK LIKE THAT, DEAR? 585 00:27:40,615 --> 00:27:42,617 I AM SIMPLY TRYING TO ESTABLISH A RAPPORT 586 00:27:42,617 --> 00:27:44,184 WITH YOU THAT'’S BASED ON HUMOR. 587 00:27:44,184 --> 00:27:46,665 I'’M COMPLETELY HARMLESS, YOU'’LL SEE. 588 00:27:46,665 --> 00:27:48,754 WELL, JUST BE BACK BY 10:00. 589 00:27:48,754 --> 00:27:51,321 I CAN DO THAT. THANKS FOR BEING SO COOL ABOUT THIS. 590 00:27:51,321 --> 00:27:53,584 I THOUGHT YOU WERE GONNA CHAIN ME TO A CHAIR OR SOMETHING. 591 00:27:53,584 --> 00:27:55,064 NOT AT ALL. 592 00:27:55,064 --> 00:27:56,892 YOU WANT TO GO TO THE MOVIES, GO. 593 00:27:56,892 --> 00:27:58,981 HAVE FUN, JUST AS LONG AS YOU 594 00:27:58,981 --> 00:28:00,983 COME TO CHURCH WITH ME ON SUNDAY MORNING. 595 00:28:00,983 --> 00:28:04,421 I KNEW THERE WAS GOING TO BE CATCH. 596 00:28:04,421 --> 00:28:05,684 GRAMS, I'’M SORRY, 597 00:28:05,684 --> 00:28:07,598 BUT YOU'’RE GOING TO HAVE TO GIVE UP ON THIS ONE. 598 00:28:07,598 --> 00:28:09,688 I'’M AFRAID I INSIST. 599 00:28:11,733 --> 00:28:12,647 I'’M FIRM ABOUT MY BELIEFS. 600 00:28:12,647 --> 00:28:14,475 PLEASE RESPECT THEM. 601 00:28:14,475 --> 00:28:16,782 LOOK, I KNOW WHAT HAPPENED IN NEW YORK. 602 00:28:16,782 --> 00:28:17,870 CHURCH'’D DO YOU GOOD. 603 00:28:19,610 --> 00:28:21,612 LET ME DETERMINE THAT. 604 00:28:21,612 --> 00:28:24,224 CHURCH ISN'’T THE ANSWER. NOT FOR ME. 605 00:28:24,224 --> 00:28:26,661 BUT I PROMISE YOU, I WILL KEEP AN OPEN MIND 606 00:28:26,661 --> 00:28:28,707 AND HONOR AND RESPECT YOUR BELIEFS FOR AS LONG AS I'’M HERE. 607 00:28:28,707 --> 00:28:30,621 THE DECISION HAS BEEN MADE. 608 00:28:30,621 --> 00:28:31,840 YOU WILL DO AS I SAY. 609 00:28:31,840 --> 00:28:33,450 YOU ARE UNDER MY GUARD. 610 00:28:33,450 --> 00:28:36,366 AH, YOU KNOW, I AM TRYING REALLY HARD 611 00:28:36,366 --> 00:28:38,064 TO KEEP MY REBELLIOUS NATURE IN CHECK. 612 00:28:40,806 --> 00:28:42,329 I'’LL TELL YOU WHAT, GRAMS. 613 00:28:42,329 --> 00:28:44,287 I'’LL GO TO CHURCH WHEN YOU SAY THE WORD PENIS. 614 00:28:45,724 --> 00:28:47,421 YOU STOP THAT TALK. 615 00:28:47,421 --> 00:28:49,815 IT'’S JUST A WORD, GRAMS. 616 00:28:49,815 --> 00:28:51,991 CLINICAL AND TECHNICAL--PENIS. 617 00:28:54,210 --> 00:28:56,212 GRAMS, I REALLY LOVE YOU, 618 00:28:56,212 --> 00:28:57,605 BUT YOU'’RE GONNA HAVE TO LIGHTEN UP. 619 00:28:57,605 --> 00:28:59,128 MM. I'’LL SEE YOU LATER. 620 00:29:01,957 --> 00:29:03,089 ...CLEAN UP IMMEDIATELY. 621 00:29:03,089 --> 00:29:04,743 ON THE NORTH ATLANTIC, 622 00:29:04,743 --> 00:29:06,875 IT HAS BEEN THE CAUSE OF SEVERAL PREVIOUS SPILLS, 623 00:29:06,875 --> 00:29:10,574 IT STILL REMAINS ONE OF THE COUNTRY'’S LEADING OIL SUPPLIERS. 624 00:29:10,574 --> 00:29:11,793 ALL RIGHT. 625 00:29:11,793 --> 00:29:13,099 DAD, I'’M OUTTA HERE. 626 00:29:13,099 --> 00:29:15,101 WHAT DO YOU THINK? 627 00:29:17,059 --> 00:29:18,757 I THOUGHT ALL THE WAITRESSES 628 00:29:18,757 --> 00:29:21,020 COULD WEAR SCUBA GEAR. 629 00:29:21,020 --> 00:29:23,457 COMPLETELY IMPRACTICAL. 630 00:29:23,457 --> 00:29:25,372 DAD, THIS WHOLE AQUATIC-THEMED RESTAURANT IDEA 631 00:29:25,372 --> 00:29:27,287 GETS WORSE ON A DAILY BASIS. 632 00:29:27,287 --> 00:29:30,551 SHIFT. YOUR MOM'’S ON. 633 00:29:30,551 --> 00:29:34,685 WATCHING HER WORK IS THE BEST FOREPLAY. 634 00:29:34,685 --> 00:29:35,643 I'’M OUTTA HERE. 635 00:29:35,643 --> 00:29:38,907 HAVE FUN. PLAY SAFE. 636 00:29:38,907 --> 00:29:40,996 THE CONDOM CHAT IS PREMATURE. 637 00:29:40,996 --> 00:29:42,345 IT'’S NEVER TOO EARLY. 638 00:29:42,345 --> 00:29:45,087 WHAT IS UP WITH THE SEX? 639 00:29:45,087 --> 00:29:46,306 IT'’S ALL ANYBODY THINKS ABOUT. 640 00:29:46,306 --> 00:29:47,655 SEX, SEX, SEX! 641 00:29:47,655 --> 00:29:49,657 WHAT IS THE BIG DEAL? 642 00:29:49,657 --> 00:29:52,225 SEX IS A VERY BIG PART 643 00:29:52,225 --> 00:29:53,879 OF WHO WE ARE AS HUMAN BEINGS. 644 00:29:53,879 --> 00:29:56,229 DOES THAT MEAN WE HAVE TO GO HUMP THE COFFEE TABLE? 645 00:29:56,229 --> 00:29:59,188 IF SEX IS SO IMPORTANT, THEN HOW COME SPIELBERG HAS NEVER 646 00:29:59,188 --> 00:30:02,713 HAD A SEX SCENE IN ONE OF HIS MOVIES? HMM? 647 00:30:02,713 --> 00:30:04,498 HE KEEPS IT IN IT'’S PROPER PLACE IN FILM, 648 00:30:04,498 --> 00:30:06,282 AS SHOULD WE IN LIFE. 649 00:30:06,282 --> 00:30:09,155 [DOORBELL CHIMES] 650 00:30:09,155 --> 00:30:10,373 I'’LL BE HOME EARLY. 651 00:30:13,028 --> 00:30:14,638 BACK TO YOU, BOB. 652 00:30:23,865 --> 00:30:25,649 WHOA. HOLD ON A SEC. 653 00:30:25,649 --> 00:30:27,173 I'’M IN A HURRY! 654 00:30:27,173 --> 00:30:29,740 YOUR ATTITUDE'’S GOT TO GO. 655 00:30:42,536 --> 00:30:44,755 NOW, BLOT '’EM TOGETHER LIKE THIS. 656 00:30:47,758 --> 00:30:51,066 YOU HOLD ONTO THIS, AND EVERY HALF HOUR TO AN HOUR 657 00:30:51,066 --> 00:30:53,068 YOU EXCUSE YOURSELF TO GO TOUCH UP. 658 00:30:53,068 --> 00:30:54,026 GOT IT? 659 00:31:11,913 --> 00:31:14,002 SO DO YOU PLAN ON STAYING THE WHOLE SCHOOL YEAR? 660 00:31:14,002 --> 00:31:15,786 WELL, THAT DEPENDS ON MY GRAMS REALLY, 661 00:31:15,786 --> 00:31:17,223 AND MY MOM AND DAD. 662 00:31:18,572 --> 00:31:20,139 HEY, JOEY, I LOVE YOUR LIPSTICK. 663 00:31:20,139 --> 00:31:22,184 WHAT SHADE IS THAT?WICKED RED. 664 00:31:22,184 --> 00:31:24,273 I LOVE YOUR HAIR COLOR. WHAT NUMBER IS THAT? 665 00:31:24,273 --> 00:31:26,232 YOU'’LL HAVE TO EXCUSE JOEY. 666 00:31:26,232 --> 00:31:29,148 SHE WAS BORN IN A BARN. THAT'’S OKAY. 667 00:31:29,148 --> 00:31:30,149 JOEY, I JUST DO HIGHLIGHTS. 668 00:31:30,149 --> 00:31:32,760 SO, UH, JEN, YOU A VIRGIN? 669 00:31:32,760 --> 00:31:34,631 THAT'’S MATURE. 670 00:31:34,631 --> 00:31:36,285 DAWSON IS A VIRGIN, AND TWO VIRGINS 671 00:31:36,285 --> 00:31:38,374 MAKES FOR A CLUMSY FIRST ENCOUNTER, DON'’T YOU THINK? 672 00:31:38,374 --> 00:31:39,941 YOU'’RE GOING TO DIE. 673 00:31:39,941 --> 00:31:41,290 I JUST THOUGHT I'’D HELP. 674 00:31:41,290 --> 00:31:42,988 YOU KNOW, CUT TO THE CHASE. 675 00:31:42,988 --> 00:31:44,685 NO, IT'’S OKAY, DAWSON. 676 00:31:44,685 --> 00:31:46,643 YES, I AM A VIRGIN. 677 00:31:46,643 --> 00:31:48,123 HOW ABOUT YOU, JOEY? ARE YOU A VIRGIN? 678 00:31:48,123 --> 00:31:49,733 PLEASE, YEARS AGO. 679 00:31:49,733 --> 00:31:51,953 TRUCKER NAMED BUBBA. 680 00:31:51,953 --> 00:31:53,955 WHAT IS UP WITH YOU? 681 00:32:27,902 --> 00:32:29,121 BACK IN A BIT. 682 00:33:15,080 --> 00:33:18,213 SO, JEN...YOU A SIZE QUEEN? 683 00:33:18,213 --> 00:33:20,433 EXCUSE ME? 684 00:33:20,433 --> 00:33:21,825 WELL, HOW IMPORTANT IS THE SIZE TO YOU? 685 00:33:21,825 --> 00:33:23,131 JOEY. 686 00:33:23,131 --> 00:33:25,090 YOU KNOW, BEING A VIRGIN, 687 00:33:25,090 --> 00:33:27,570 I GUESS I HAVEN'’T GIVEN IT MUCH THOUGHT. HOW ABOUT YOURSELF, JO? 688 00:33:27,570 --> 00:33:28,789 I'’M TORN... 689 00:33:28,789 --> 00:33:30,660 YOU AND ME, OUTSIDE. NOW. 690 00:33:30,660 --> 00:33:31,922 WHAT DO YOU THINK, DAWSON? 691 00:33:31,922 --> 00:33:33,011 I'’M GOING TO KILL YOU. 692 00:33:33,011 --> 00:33:34,447 I'’M GOING TO KILL YOU. 693 00:33:34,447 --> 00:33:35,448 DID YOU NOTICE THE LONG FINGERS? 694 00:33:39,191 --> 00:33:43,064 A CONSTRUCTION WORKER OR ONE OF THOSE GUYS... 695 00:33:43,064 --> 00:33:44,457 HEY, TAMARA. 696 00:33:44,457 --> 00:33:47,764 HI. PACEY, WHAT ARE YOU DOING HERE? 697 00:33:47,764 --> 00:33:49,114 JUST CHECKING OUT THE MOVIE. 698 00:33:49,114 --> 00:33:50,898 I CAME WITH SOME FRIENDS. 699 00:33:50,898 --> 00:33:52,682 OH, GOOD. I'’M GLAD. 700 00:33:52,682 --> 00:33:54,380 BUT I CAN SIT HERE WITH YOU, YOU KNOW. 701 00:33:54,380 --> 00:33:55,772 YOU WANT A MILK DUD? 702 00:33:55,772 --> 00:33:57,905 NO. BUT-- 703 00:33:57,905 --> 00:33:59,385 OH, YEAH, BY THE WAY, THE SUMMER OF '’42 704 00:33:59,385 --> 00:34:01,735 IS OFFICIALLY RESERVED IN YOUR NAME. 705 00:34:01,735 --> 00:34:03,519 OH, PACEY, LOOK, I DON'’T THINK YOU UNDERSTAND-- 706 00:34:03,519 --> 00:34:05,086 NO, NO-- IT WAS NOTHING. 707 00:34:05,086 --> 00:34:07,001 I COULD EVEN COME OVER. 708 00:34:07,001 --> 00:34:09,351 WE COULD WATCH IT TOGETHER, MAYBE... 709 00:34:09,351 --> 00:34:10,483 HI. UH, PACEY, ARE YOU SURE 710 00:34:10,483 --> 00:34:12,572 YOU DON'’T WANNA GO SIT WITH YOUR FRIENDS? 711 00:34:12,572 --> 00:34:14,095 WHO'’S THIS GUY? 712 00:34:14,095 --> 00:34:15,749 A FRIEND.HEY, QUIET! 713 00:34:15,749 --> 00:34:17,446 SORRY. 714 00:34:17,446 --> 00:34:18,795 TAMMY, IS THIS KID BOTHERING YOU? 715 00:34:18,795 --> 00:34:20,188 NO, BENJI. 716 00:34:20,188 --> 00:34:21,885 BENJI? 717 00:34:21,885 --> 00:34:24,062 MS. JACOBS INVITED ME HERSELF. 718 00:34:24,062 --> 00:34:26,281 NOT EXACTLY. LOOK, PACEY, YOU HAVE GOT 719 00:34:26,281 --> 00:34:28,370 TO UNDERSTAND, I WAS ONLY RENTING A MOVIE. 720 00:34:28,370 --> 00:34:30,590 LOOK, WHY DON'’T I HELP YOU FIND YOUR SEAT. 721 00:34:30,590 --> 00:34:31,808 GET YOUR HANDS OFF! 722 00:34:31,808 --> 00:34:32,940 WHAT?! 723 00:34:36,639 --> 00:34:37,901 WHAT'’S YOUR PROBLEM? 724 00:34:37,901 --> 00:34:39,512 FROM THE MOMENT LITTLE MISS HIGHLIGHTS 725 00:34:39,512 --> 00:34:41,514 SHOWED UP YOU HAVEN'’T SAID ONE WORD TO ME! 726 00:34:41,514 --> 00:34:43,081 CRAP! THAT IS PURE CRAP AND YOU KNOW IT! 727 00:34:43,081 --> 00:34:45,561 ALL YOUR BLOOD IS RUSHING DOWNWARD AND YOU CAN'’T EVEN 728 00:34:45,561 --> 00:34:47,520 ACKNOWLEDGE ANOTHER HUMAN BEING IS EVEN PRESENT! 729 00:34:47,520 --> 00:34:49,304 I LIKE HER, OKAY?! 730 00:34:49,304 --> 00:34:50,740 SUE ME, I THOUGHT YOU WERE MY FRIEND! 731 00:34:50,740 --> 00:34:52,351 WHERE IS A LITTLE UNDERSTANDING? 732 00:34:52,351 --> 00:34:54,614 I UNDERSTAND EVERYTHING! I'’M TIRED OF UNDERSTANDING! 733 00:34:54,614 --> 00:34:56,355 ALL I DO IS UNDERSTAND! 734 00:34:57,791 --> 00:34:58,966 JOEY! 735 00:35:01,229 --> 00:35:02,970 NOTHING PENETRATES WITH YOU, DAWSON. 736 00:35:02,970 --> 00:35:04,711 YOU'’RE SO FAR REMOVED FROM REALITY, 737 00:35:04,711 --> 00:35:06,756 YOU CAN'’T EVEN SEE WHAT'’S RIGHT IN FRONT OF YOU. 738 00:35:06,756 --> 00:35:09,846 WHAT ARE YOU TALKING ABOUT?YOUR LIFE. 739 00:35:09,846 --> 00:35:11,892 IT'’S A FREAKING FAIRY TALE AND YOU DON'’T EVEN KNOW IT. 740 00:35:11,892 --> 00:35:14,503 YOU JUST WANT CONFLICT 741 00:35:14,503 --> 00:35:16,897 FOR THAT SCRIPT YOU'’RE WRITING. 742 00:35:16,897 --> 00:35:19,639 STOP LIVING IN THE MOVIES. 743 00:35:19,639 --> 00:35:21,380 GROW UP. 744 00:35:29,605 --> 00:35:30,911 I'’LL WALK YOU TO YOUR DOOR. 745 00:35:30,911 --> 00:35:34,480 UM, NOT WITH GRAMS WAITING TO POUNCE. 746 00:35:34,480 --> 00:35:36,046 OH, THAT'’S RIGHT.YEAH. 747 00:35:40,964 --> 00:35:45,491 SO...SO, UH... 748 00:35:45,491 --> 00:35:47,754 IT WAS A REALLY REPULSIVE EVENING. 749 00:35:53,063 --> 00:35:54,804 UM, YOU KNOW WHAT? 750 00:35:54,804 --> 00:35:58,025 THIS IS ALL MY FAULT. 751 00:35:58,025 --> 00:36:00,158 I KNOW I DON'’T POSSESS MUCH POWER IN THE UNIVERSE, 752 00:36:00,158 --> 00:36:02,899 BUT I FEEL COMPLETELY RESPONSIBLE FOR TONIGHT, DAWSON. 753 00:36:02,899 --> 00:36:04,074 NO, I... 754 00:36:04,074 --> 00:36:06,033 I PULLED THE PIN. I TOSSED THE GRENADE. 755 00:36:06,033 --> 00:36:09,254 I GOT A BIG, OLD L RIGHT-- 756 00:36:09,254 --> 00:36:12,518 NO, NO, YOU'’RE NOT A LOSER, DAWSON. 757 00:36:12,518 --> 00:36:15,956 YOU'’RE VERY SWEET...AND SMART. 758 00:36:15,956 --> 00:36:18,654 YOU'’VE GOT A GREAT SENSE OF HUMOR. 759 00:36:18,654 --> 00:36:20,569 YOU'’RE COOL WITHOUT BEING 760 00:36:20,569 --> 00:36:22,310 REALLY OBNOXIOUS ABOUT IT. 761 00:36:24,878 --> 00:36:27,185 YOU'’RE VERY, VERY TALENTED. 762 00:36:27,185 --> 00:36:28,969 YOU GOT CLEAR SKIN. 763 00:36:28,969 --> 00:36:29,970 BIG PLUS. 764 00:36:31,232 --> 00:36:33,103 THANK YOU. 765 00:36:33,103 --> 00:36:36,542 NO. THANK YOU. 766 00:36:36,542 --> 00:36:40,067 DAWSON, THINGS WERE NOT SO GREAT FOR ME IN NEW YORK, 767 00:36:40,067 --> 00:36:44,027 AND, WELL, THEY'’RE KINDA SCARY RIGHT NOW, SO... 768 00:36:44,027 --> 00:36:45,464 THANK YOU. 769 00:36:50,817 --> 00:36:53,036 OH, UM... 770 00:36:53,036 --> 00:36:55,387 I SHOULD GO. 771 00:36:55,387 --> 00:36:57,432 BUT THANKS 772 00:36:57,432 --> 00:36:58,912 FOR EVERYTHING, DAWSON. 773 00:36:58,912 --> 00:37:00,218 BUT, UM... 774 00:37:02,002 --> 00:37:04,613 I'’M JUST GONNA TO PRETEND WE KISSED, OKAY? 775 00:37:26,331 --> 00:37:28,507 WHAT ARE THE CHANCES? 776 00:37:32,075 --> 00:37:33,990 PACEY, ARE YOU OKAY? 777 00:37:33,990 --> 00:37:35,340 I'’LL LIVE. 778 00:37:35,340 --> 00:37:38,778 WAIT. TALK TO ME A SECOND. 779 00:37:38,778 --> 00:37:40,736 ABOUT WHAT? THE GRADUATE OR THE SUMMER OF '’42? 780 00:37:40,736 --> 00:37:42,956 WHICH WOULD YOU RATHER DISCUSS? 781 00:37:42,956 --> 00:37:46,089 I'’D LIKE TO CLEAR UP THIS MISUNDERSTANDING. 782 00:37:46,089 --> 00:37:49,310 I UNDERSTAND YOU PERFECTLY WELL, MS. JACOBS. 783 00:37:51,399 --> 00:37:53,662 I'’M SO SORRY. YOU SHOULD BE 784 00:37:53,662 --> 00:37:55,403 BECAUSE YOU'’RE A LIAR. 785 00:37:55,403 --> 00:37:57,884 HOW CAN YOU SAY YOU WERE JUST RENTING A MOVIE? 786 00:37:57,884 --> 00:37:58,885 BECAUSE IT'’S THE TRUTH. 787 00:37:58,885 --> 00:38:00,843 IT'’S A CROCK. 788 00:38:00,843 --> 00:38:03,542 THE TRUTH IS YOU'’RE A WELL PUT TOGETHER, KNOCKOUT OF A WOMAN 789 00:38:03,542 --> 00:38:06,022 WHO'’S FEELING A LITTLE INSECURE ABOUT HITTING 40. 790 00:38:06,022 --> 00:38:09,461 SO WHEN A YOUNG, VIRILE BOY SUCH AS MYSELF FLIRTS WITH YOU, 791 00:38:09,461 --> 00:38:11,114 YOU ENJOY IT. YOU ENTICE IT. 792 00:38:11,114 --> 00:38:12,812 YOU FANTASIZE ABOUT WHAT IT WOULD BE LIKE 793 00:38:12,812 --> 00:38:15,989 TO BE WITH THAT YOUNG BOY ON THE VERGE OF MANHOOD, 794 00:38:15,989 --> 00:38:19,471 '’CAUSE IT HELPS YOU STAY FEELING ATTRACTIVE. 795 00:38:19,471 --> 00:38:22,778 MAKES THE AGING PROCESS A LITTLE MORE BEARABLE. 796 00:38:22,778 --> 00:38:25,128 WELL, LET ME TELL YOU SOMETHING. 797 00:38:25,128 --> 00:38:26,913 YOU BLEW IT, LADY. 798 00:38:26,913 --> 00:38:29,785 '’CAUSE I'’M THE BEST SEX YOU'’LL NEVER HAVE. 799 00:38:34,747 --> 00:38:37,489 YOU'’RE WRONG ABOUT ONE THING, PACEY. 800 00:38:39,360 --> 00:38:41,710 YOU'’RE NOT A BOY. 801 00:38:48,804 --> 00:38:50,371 GOD... 802 00:38:50,371 --> 00:38:52,808 I'’M SORRY. 803 00:38:52,808 --> 00:38:55,071 OH, GOD... 804 00:39:01,469 --> 00:39:03,732 I'’LL SEE YOU IN SCHOOL, MS. JACOBS. 805 00:39:26,625 --> 00:39:29,367 WHOA. 806 00:39:29,367 --> 00:39:32,021 WHAT ARE YOU DOING IN THERE? 807 00:39:32,021 --> 00:39:33,458 HANGING WITH THE CLOTHES. 808 00:39:36,286 --> 00:39:38,550 WHAT HAPPENED TONIGHT, JOEY? 809 00:39:38,550 --> 00:39:40,552 I WIGGED OUT. 810 00:39:41,857 --> 00:39:44,686 WHAT IS GOING ON BETWEEN US? 811 00:39:44,686 --> 00:39:46,862 I HAVE NO IDEA. 812 00:39:49,082 --> 00:39:50,866 I KNOW I HAVE THIS INCREDIBLY PERFECT LIFE 813 00:39:50,866 --> 00:39:52,390 AND I COMPLETELY UNDER APPRECIATE IT. 814 00:39:52,390 --> 00:39:53,782 YEAH, YOU DO. 815 00:39:53,782 --> 00:39:56,481 I'’M SORRY I WAS SUCH AN INSENSITIVE MALE. 816 00:39:56,481 --> 00:39:58,265 THOUGHT I WAS ABOVE IT. 817 00:40:00,659 --> 00:40:02,400 I DON'’T WANNA LOSE YOU, JOEY. 818 00:40:04,184 --> 00:40:06,142 WHAT WE HAVE IS THE ONLY THING THAT MAKES SENSE TO ME. 819 00:40:12,975 --> 00:40:15,630 WHEN I SAW YOU AT THE MOVIE THEATER WITH THAT LIPSTICK ON, 820 00:40:15,630 --> 00:40:18,416 I REMEMBER THINKING HOW PRETTY YOU LOOKED. 821 00:40:18,416 --> 00:40:21,506 I MEAN, I IGNORED IT. 822 00:40:21,506 --> 00:40:23,682 BUT I THOUGHT IT. 823 00:40:23,682 --> 00:40:25,118 YEAH? 824 00:40:25,118 --> 00:40:26,815 BUT THAT WAS IT, JO. 825 00:40:29,601 --> 00:40:31,516 IT DIDN'’T GO ANY FURTHER THAN THAT. 826 00:40:33,126 --> 00:40:36,738 WHEN I...SAW YOU GOING FOR JEN'’S HAND, I... 827 00:40:38,348 --> 00:40:40,133 I MEAN, IT'’S NOT LIKE 828 00:40:40,133 --> 00:40:43,223 I WANTED TO BE THE ONE HOLDING YOUR HAND, I... 829 00:40:43,223 --> 00:40:45,834 I JUST DIDN'’T 830 00:40:45,834 --> 00:40:48,402 WANT HER HOLDING IT. 831 00:40:48,402 --> 00:40:50,448 SO WHERE DOES THAT LEAVE US? 832 00:40:54,887 --> 00:40:58,630 IT'’S ALL SO COMPLICATED. 833 00:40:58,630 --> 00:41:00,501 WE'’RE GROWING UP, DAWSON, THAT'’S ALL. 834 00:41:00,501 --> 00:41:03,199 I MEAN, EVEN SPIELBERG 835 00:41:03,199 --> 00:41:04,723 OUTGREW HIS PETER PAN SYNDROME. 836 00:41:11,425 --> 00:41:12,818 WHERE ARE YOU GOING? 837 00:41:15,342 --> 00:41:17,344 I CAN'’T SLEEP OVER ANYMORE. 838 00:41:17,344 --> 00:41:19,433 AND WE CAN'’T TALK TO EACH OTHER THE WAY WE USED TO. 839 00:41:19,433 --> 00:41:21,957 THERE'’S SOME THINGS WE JUST CAN'’T SAY. 840 00:41:21,957 --> 00:41:23,132 NO, THAT'’S JUST NOT TRUE. 841 00:41:23,132 --> 00:41:24,873 JOEY, I CAN TELL YOU ANYTHING.YEAH? 842 00:41:24,873 --> 00:41:27,136 HOW OFTEN DO YOU WALK YOUR DOG, HUH? 843 00:41:27,136 --> 00:41:28,529 WHAT? 844 00:41:28,529 --> 00:41:30,009 YOU KNOW WHAT I MEAN. WHAT TIME OF DAY? 845 00:41:30,009 --> 00:41:31,401 HOW MANY TIMES A WEEK? 846 00:41:48,244 --> 00:41:49,550 GOOD NIGHT. 847 00:41:59,778 --> 00:42:00,953 SEE YA, DAWSON. 848 00:42:03,042 --> 00:42:04,826 SEE YA, JOEY. 849 00:42:49,915 --> 00:42:52,178 JOEY! 850 00:42:52,178 --> 00:42:55,355 USUALLY IN THE MORNING WITH KATIE COURIC!