1 00:00:01,229 --> 00:00:03,729 [ Man ] PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 2 00:00:03,729 --> 00:00:06,396 [ Thinking ] NOBODY KNOWS WHO I AM. NOT THE REAL ME. 3 00:00:06,396 --> 00:00:08,688 NO ONE UNDERSTANDS. 4 00:00:08,688 --> 00:00:11,563 NO ONE HAS AN OLDER SISTER WHO'S A SLAYER. 5 00:00:11,563 --> 00:00:16,021 I KNOW IT'S ALWAYS BEEN THIS WAY. SHE'S THE BABY. 6 00:00:16,021 --> 00:00:19,646 BUT FOR SOME REASON LATELY IT'S JUST REALLY GETTING TO ME. 7 00:00:19,646 --> 00:00:22,271 WELL, YEAH. YOU'RE LIKE HER IDOL, BUFFY. 8 00:00:22,271 --> 00:00:24,312 WHAT DO YOU THINK YOU'RE DOING? 9 00:00:24,312 --> 00:00:26,062 LEAVE ME ALONE. 10 00:00:26,062 --> 00:00:29,187 I WILL, AFTER YOU COME BACK INSIDE THE HOUSE. LET GO OF ME! 11 00:00:29,187 --> 00:00:31,771 NO, IT'S NOT SAFE OUT HERE. [ Gasps ] 12 00:00:31,771 --> 00:00:33,771 [ Screams ] 13 00:00:33,771 --> 00:00:35,813 ANYA! 14 00:00:38,771 --> 00:00:41,938 THIS HEAD WOUND LOOKS BAD. I'M GONNA GET HER TO A HOSPITAL. 15 00:00:43,146 --> 00:00:44,980 [ TV: Indistinct ] 16 00:00:44,980 --> 00:00:47,062 I WISH I HAD SOMETHING FOOD-LIKE TO OFFER YOU GUYS, 17 00:00:47,062 --> 00:00:50,896 BUT THE HOT PLATE'S OUT OF COMMISSION. WE THINK THE CAT PEED ON IT. 18 00:00:50,896 --> 00:00:54,354 AAH! OH! [ Xander ] I DO HAVE SPAGHETTIOS. 19 00:00:54,354 --> 00:00:58,062 SET 'EM ON TOP OF THE DRYER, AND YOU'RE A FLUFF CYCLE AWAY FROM LUKEWARM GOODNESS. 20 00:00:58,062 --> 00:01:00,396 YEAH. I HAD DRYER FOOD FOR LUNCH. 21 00:01:00,396 --> 00:01:04,646 [ Door Slams ] HUH. GUESS THE FOLKS ARE BACK. 22 00:01:04,646 --> 00:01:07,438 [ Man, Woman Arguing ] [ Crashing ] 23 00:01:07,438 --> 00:01:11,146 NO, NO. I WAS WRONG. JUST INCOMPETENT BURGLARS. 24 00:01:11,146 --> 00:01:14,312 [ Man ] LIKE-- LIKE I'M GONNA LISTEN TO YOUR FRIENDS SOBER? 25 00:01:14,312 --> 00:01:16,563 [ Woman ] YOU ARE SUCH A PIG! [ Thudding ] 26 00:01:16,563 --> 00:01:19,896 [ Man ] OH, ALL RIGHT WITH ME. YEAH, THAT'S GREAT. 27 00:01:19,896 --> 00:01:22,604 YEAH, MAYBE IT'S DEFINITELY TIME TO START LOOKING FOR A NEW PLACE. 28 00:01:22,604 --> 00:01:25,980 SOMETHING A LITTLE NICER. BUFFY, YOU'VE BEEN TO HELL. 29 00:01:25,980 --> 00:01:28,896 THEY HAD ONE-BEDROOMS, RIGHT? 30 00:01:28,896 --> 00:01:32,980 HEY, BUFFY, HOW'S THAT BOOK? FULL OF ZIPPY DATES AND ZESTY NAMES? 31 00:01:32,980 --> 00:01:36,479 I'M FINE. 32 00:01:36,479 --> 00:01:41,354 HEY! I'M ENJOYING THE STUDYING. WHO ARE YOU LATELY? 33 00:01:41,354 --> 00:01:43,855 GIVE IT UP AND WATCH THE MOVIE. 34 00:01:43,855 --> 00:01:46,980 I GUESS IT HAS BEEN A LONG DAY WITH THE CRUSADES. 35 00:01:46,980 --> 00:01:50,062 I COULD TAKE A LITTLE BREAK FROM THE VIOLENCE FOR SOME-- OH, FIGHTING. 36 00:01:53,604 --> 00:01:57,062 IF YOU REALLY WANT, WE CAN FIGHT YOU AS WELL. 37 00:01:57,062 --> 00:02:00,938 INCOMPETENTLY DUBBED KUNG FU. OUR MOST VALUABLE CHINESE IMPORT. 38 00:02:00,938 --> 00:02:02,771 MUCH MORE DURABLE THAN THEIR HOT PLATES. 39 00:02:02,771 --> 00:02:05,521 HERE. 40 00:02:05,521 --> 00:02:09,271 JUST RELAX. MMM. 41 00:02:09,271 --> 00:02:13,354 MMM, THAT FEELS GOOD. 42 00:02:13,354 --> 00:02:16,896 [ Cracks Knuckles ] OW! 43 00:02:16,896 --> 00:02:20,813 WHAT ARE YOU DOING? I HAVE A DISLOCATED SHOULDER! 44 00:02:20,813 --> 00:02:24,271 I'M TRYING TO CONCENTRATE ON THE KICKING MOVIE. 45 00:02:24,271 --> 00:02:26,771 HEY. RUBBING WENT AWAY. 46 00:02:26,771 --> 00:02:30,688 OH. SORRY, I... GOT CAUGHT UP IN THE ACTION. 47 00:02:30,688 --> 00:02:32,771 YEAH. IT'S PRETTY GOOD. 48 00:02:34,938 --> 00:02:37,104 OH, GIVE ME A BREAK! UH! 49 00:02:37,104 --> 00:02:39,521 THIS IS ALL WRONG. SEE, FIRST YOU WOULD GET THE BIG GUY, 50 00:02:39,521 --> 00:02:42,396 LIKE, A FLYING KICK, THEN YOU WOULD TAKE OUT ALL THE LITTLE ONES-- BAM, BAM. 51 00:02:42,396 --> 00:02:47,896 SEE? NOW WITH THE FLYING KICK. FROM A DEAD STOP. WHAT'S POWERING IT? RAW ENTHUSIASM? 52 00:02:47,896 --> 00:02:50,604 HEY, BUFF, MAYBE YOU OUGHTA LEAVE THE WORK BEHIND SOMETIMES. 53 00:02:50,604 --> 00:02:52,604 YOU'RE NOT ALWAYS ON SLAYER DUTY, YOU KNOW? 54 00:02:52,604 --> 00:02:56,354 IT WOULD DRIVE YOU CRAZY IF WE WERE WATCHING AN ARMY MOVIE... 55 00:02:56,354 --> 00:02:58,688 AND THEY WERE ALL SALUTING BACKWARDS... 56 00:02:58,688 --> 00:03:01,021 AND INVADING ALL WILLY-NILLY. 57 00:03:01,021 --> 00:03:05,187 [ Woman ] GONNA RUN AWAY, HUH? YEAH, 'CAUSE THAT'S WHAT YOU DO BEST! 58 00:03:05,187 --> 00:03:08,312 [ Coughing ] 59 00:03:08,312 --> 00:03:12,438 ANYWAY, I MEAN, YOU KNOW, YOU CAN'T BLAME ME FOR BEING CRITICAL. 60 00:03:12,438 --> 00:03:15,604 WILLOW'S THE SAME WAY WHEN WE WATCH A MOVIE ABOUT WITCHES, RIGHT, XANDER? 61 00:03:15,604 --> 00:03:17,563 WHAT? 62 00:03:17,563 --> 00:03:20,771 OH, YEAH. SHE'S ALL, LIKE, "WHAT'S THAT? A CAULDRON? 63 00:03:20,771 --> 00:03:23,021 WHO USES A CAULDRON ANYMORE?" 64 00:03:26,229 --> 00:03:29,604 THE LAST STEP OF MY FORGING IS MY PAIN-- 65 00:03:29,604 --> 00:03:31,938 THE PRICE WITH WHICH I PURCHASE, 66 00:03:31,938 --> 00:03:34,187 THE DEATH OF THE SLAYER. 67 00:03:35,229 --> 00:03:37,438 AAH! 68 00:04:36,604 --> 00:04:39,229 IF YOU GET THE APARTMENT, THIS'LL BE YOUR HALLWAY. 69 00:04:39,229 --> 00:04:42,813 WE'LL WALK DOWN THIS HALL, AND WE'LL SAY, "LA, LA, I'M ON MY WAY TO XANDER'S." 70 00:04:42,813 --> 00:04:46,479 JUST WARNING YOU, XANDER. I PROBABLY WON'T BE DOING THAT. [ Riley ] REALLY? I WILL. 71 00:04:46,479 --> 00:04:50,438 HEY, WE'RE JUST LOOKING. RENT'S WAY HIGH, SO DON'T GET YOUR HOPES ALL CARBONATED. 72 00:04:50,438 --> 00:04:52,688 BUT YOU HAVE REFERENCES. 73 00:04:52,688 --> 00:04:55,229 NO, I HAVE ALBERT, WHICH IS ME DOING AN IMPORTANT VOICE. 74 00:04:55,229 --> 00:04:57,521 [ Clipped Tones ] XANDER HARRIS? AN EXCELLENT TENANT... 75 00:04:57,521 --> 00:04:59,813 AND A VERY NICE-LOOKING FELLOW. 76 00:05:01,354 --> 00:05:04,021 OH... BIG! 77 00:05:04,021 --> 00:05:06,646 [ Buffy ] IT'S NICE... AND NOT SUBTERRANEAN. 78 00:05:06,646 --> 00:05:10,021 IT'S VERY ABOVE-TERRANEAN. 79 00:05:10,021 --> 00:05:13,646 I WANT IT. PAY ANYTHING. 80 00:05:13,646 --> 00:05:17,563 XANDER HARRIS? UH, NO. RILEY FINN. 81 00:05:17,563 --> 00:05:20,104 THIS IS XANDER. 82 00:05:20,104 --> 00:05:22,354 HEY. AH. 83 00:05:22,354 --> 00:05:25,813 I BROUGHT MY FRIENDS. I SEE. 84 00:05:25,813 --> 00:05:30,354 THEY WOULDN'T ALWAYS BE AROUND. BUT WE'RE CLEAN AND QUIET. 85 00:05:30,354 --> 00:05:32,855 [ Anya ] WE CAN HAVE THE SCOOBY MEETINGS IN THE LIVING ROOM, 86 00:05:32,855 --> 00:05:35,438 AND GILES CAN EXPLAIN THE BORING THINGS OVER THERE. 87 00:05:35,438 --> 00:05:37,729 OH! THERE'S A MICROWAVE! 88 00:05:37,729 --> 00:05:40,604 IT WOULD BE LIKE HAVING HOT AND COLD RUNNING POPCORN. 89 00:05:40,604 --> 00:05:43,062 PHONE AND ELECTRICITY ARE HOOKED UP. 90 00:05:43,062 --> 00:05:46,396 THERE'S A PRIVATE BALCONY, CEILING FAN, CLOSET SPACE... 91 00:05:46,396 --> 00:05:48,187 AND THAT'S THE BEDROOM. 92 00:05:50,896 --> 00:05:53,187 GUYS, YOU CAN'T SAVE IT FOR THE BEDROOM? 93 00:05:56,312 --> 00:05:58,896 OKAY. GOOD POINT. 94 00:06:00,479 --> 00:06:03,688 I BROUGHT AN APPLICATION FOR YOU TO FILL OUT. 95 00:06:03,688 --> 00:06:07,521 AN APPLICATION? I CAN'T JUST... TELL YOU MY REFERENCES? 96 00:06:07,521 --> 00:06:11,230 BECAUSE THERE'S ALBERT. WE RUN YOUR CREDIT CHECK BASED ON THE APPLICATION. 97 00:06:11,230 --> 00:06:13,354 OH! CREDIT CHECK. 98 00:06:13,354 --> 00:06:19,021 LITTLE CHECK ON THE CREDIT. SEE HOW CREDIBLE MY CHECKS ARE. [ All Giggle ] 99 00:06:19,021 --> 00:06:22,646 AND WE'LL BE ASKING FOR FIRST, LAST, SECURITY AND A SMALL CLEANING DEPOSIT. 100 00:06:22,646 --> 00:06:25,396 THE TOTAL'S AT THE BOTTOM OF THE SHEET THERE. 101 00:06:25,396 --> 00:06:28,855 HE'LL TAKE IT. XANDER, GO GET THE FURNITURE. I'LL WAIT HERE. 102 00:06:28,855 --> 00:06:31,563 HE'S BEEN LIVING IN HIS DRUNKEN PARENTS' BASEMENT, 103 00:06:31,563 --> 00:06:34,146 WHERE SOMETHING URINATED ON THE HOT PLATE. 104 00:06:34,146 --> 00:06:36,187 UH... CAN WE... 105 00:06:36,187 --> 00:06:38,271 TALK QUIETLY OVER THERE? 106 00:06:38,271 --> 00:06:40,229 [ Whispers ] EXCUSE US. 107 00:06:44,312 --> 00:06:46,312 UH, WE, UM-- 108 00:06:46,312 --> 00:06:49,021 UH, WE LIKE THE CEILING FAN. YES. 109 00:06:49,021 --> 00:06:51,646 [ Willow ] IT'S VERY, YOU KNOW, KIND OF "OLD SOUTH." 110 00:06:51,646 --> 00:06:54,896 BUT WITHOUT THE UNPLEASANT SLAVERY ASSOCIATIONS. 111 00:06:54,896 --> 00:06:57,479 [ Anya ] BUT WHY CAN'T WE HAVE IT? I TOLD YOU. 112 00:06:57,479 --> 00:07:01,062 MY CONSTRUCTION JOB IS ENDING, AND I WON'T HAVE ANY MORE MONEY COMING IN. 113 00:07:01,062 --> 00:07:03,438 AND BY THE WAY, YOU DO HAVE YOUR OWN PLACE. 114 00:07:03,438 --> 00:07:06,396 SO WHEN I WANNA VISIT YOU, I HAVE TO BE IN THAT AWFUL BASEMENT? 115 00:07:06,396 --> 00:07:10,729 NOT FOREVER. JUST UNTIL THINGS COME TOGETHER. WHICH IS WHEN, XANDER? 116 00:07:10,729 --> 00:07:13,187 'CAUSE RIGHT NOW, THINGS ARE LOOKING PRETTY UN-TOGETHER, 117 00:07:13,187 --> 00:07:15,855 AND YOU CAN'T EXPECT ME JUST TO WAIT AROUND FOR-- 118 00:07:15,855 --> 00:07:18,271 QUIET, PLEASE. ANYA, WHAT IS THIS? 119 00:07:18,271 --> 00:07:21,646 WHAT'S GOING ON WITH YOU? WHAT'S GOING ON WITH ME... 120 00:07:21,646 --> 00:07:26,646 IS MY ARM HURTS, AND I'M TIRED, AND I DON'T REALLY FEEL LIKE... 121 00:07:26,646 --> 00:07:29,938 TAKING A TOUR OF BEAUTIFUL THINGS THAT I CAN'T HAVE. 122 00:07:35,563 --> 00:07:37,896 I GUESS I'LL JUST START ON THAT APPLICATION. 123 00:07:37,896 --> 00:07:41,855 I THINK YOU'LL LIKE IT. I'VE BEEN TOLD I HAVE LOVELY PENMANSHIP. 124 00:07:48,896 --> 00:07:52,104 "MISCELLANEOUS CURSES." [ Chuckles ] 125 00:07:52,104 --> 00:07:54,187 BRILLIANT. 126 00:07:54,187 --> 00:07:56,855 BE LUCKY IF I DON'T CURSE MY HANDS OFF AT THE WRIST. OH! 127 00:07:58,479 --> 00:08:00,688 THE SLAYER IS NOT HERE. 128 00:08:00,688 --> 00:08:02,813 [ Gasps ] RABBIT'S FOOT. NO, WAIT. 129 00:08:05,396 --> 00:08:09,688 [ Grunts ] THAT IS A FERTILITY GOD. 130 00:08:09,688 --> 00:08:12,813 FEEBLE MAN. YOU ARE NOT LIKELY TO STRIKE-- UHH! 131 00:08:19,271 --> 00:08:22,146 YOU ARE NOT THE SLAYER. 132 00:08:23,479 --> 00:08:25,688 YOU DO NOT CONCERN ME. 133 00:08:25,688 --> 00:08:28,187 [ Growls ] 134 00:08:30,938 --> 00:08:32,938 OHH. 135 00:08:34,479 --> 00:08:38,729 LIKE THIS... AND THIS... AND THIS. THAT THING'S PRETTY HEAVY. 136 00:08:38,729 --> 00:08:41,104 [ Willow ] THAT'S OOFDAR. 137 00:08:41,104 --> 00:08:44,688 GODDESS OF CHILDBIRTH. SHE'S GOT SOME NICE HEFT TO HER. 138 00:08:44,688 --> 00:08:48,229 YEAH. HOW BADLY DID YOU HURT HIM? 139 00:08:48,229 --> 00:08:50,729 WELL, HURT, UM-- MAYBE NOT HURT. 140 00:08:50,729 --> 00:08:53,354 WELL, I-I'M SURE HE WAS STARTLED. 141 00:08:53,354 --> 00:08:56,896 UH, YES, YES. I'D IMAGINE IT GAVE HIM RATHER A TURN. 142 00:08:56,896 --> 00:09:00,646 HE RAN AWAY, HUH? UM... SORT OF MORE, UH... 143 00:09:00,646 --> 00:09:03,521 TURNED AND SWEPT OUT MAJESTICALLY, I SUPPOSE. 144 00:09:03,521 --> 00:09:06,146 HE SAID I DIDN'T CONCERN HIM. 145 00:09:06,146 --> 00:09:09,062 SO A MYTHIC TRIUMPH OVER A COMPLETELY INDIFFERENT FOE. 146 00:09:09,062 --> 00:09:13,230 WELL, I'M NOT DEAD OR UNCONSCIOUS, SO I SAY BRAVO FOR ME. 147 00:09:13,230 --> 00:09:15,688 SOME GOOD DEMONS IN THIS ONE. SEE IF YOUR GUY'S IN HERE. 148 00:09:17,521 --> 00:09:23,187 SO YOU BOUGHT THE MAGIC SHOP, AND YOU WERE ATTACKED BEFORE IT OPENED. 149 00:09:23,187 --> 00:09:26,188 WHO'S UP FOR A SWINGIN' CHORUS OF THE "WE TOLD YOU SO" SYMPHONY? 150 00:09:26,188 --> 00:09:28,646 OWNING THIS PLACE DOES SEEM KIND OF DANGEROUS. 151 00:09:28,646 --> 00:09:31,438 TOTH. WHAT? 152 00:09:31,438 --> 00:09:35,146 HE CALLED YOU A TOTH. IT'S A BRITISH EXPRESSION. IT MEANS, LIKE, MORON. 153 00:09:35,146 --> 00:09:38,855 NO. TOTH IS THE NAME OF THE DEMON. 154 00:09:40,438 --> 00:09:43,062 BE CAREFUL WITH THAT. 155 00:09:43,062 --> 00:09:47,938 ANCIENT DEMON. VERY STRONG. LAST SURVIVOR OF THE TOTHRIC CLAN. 156 00:09:47,938 --> 00:09:50,896 IT ALSO SAYS THAT FOR A DEMON, HE'S UNUSUALLY SOPHISTICATED. 157 00:09:50,896 --> 00:09:55,271 SOPHISTICATED. SO I SHOULD DISCUSS MEN'S FASHIONS WITH HIM BEFORE I CHOP HIS HEAD OFF? 158 00:09:55,271 --> 00:09:59,688 THEY'RE REFERRING TO THE FACT THAT HE DOES NOT FIGHT BAREHANDED. 159 00:09:59,688 --> 00:10:05,438 HE USES TOOLS, DEVICES. OH, HE'S ALSO SUPPOSED TO BE VERY FOCUSED. 160 00:10:05,438 --> 00:10:09,479 AND SINCE HE MENTIONED THE SLAYER, I THINK WE KNOW WHAT THE FOCUS IS. 161 00:10:09,479 --> 00:10:13,021 HE MENTIONED BUFFY? WHERE DO WE FIND HIM, AND HOW HARD CAN I KILL HIM? 162 00:10:13,021 --> 00:10:18,438 WELL, THERE'S NO MENTION OF THE TYPES OF PLACES HE MIGHT FREQUENT, BUT... 163 00:10:18,438 --> 00:10:21,396 I HAVE AN IDEA. 164 00:10:21,396 --> 00:10:25,354 HE HAD A VERY SPECIFIC OLFACTORY PRESENCE. 165 00:10:25,354 --> 00:10:29,688 WELL, I GUESS WE'RE OFF TO THE OLD FACTORY. I HATE THAT PLACE. 166 00:10:29,688 --> 00:10:35,062 I'M JOKING. I KNOW WHAT IT MEANS. HE SMELLED. RIGHT? 167 00:10:35,062 --> 00:10:39,521 SOME DEMON RITUALS INVOLVE ANOINTING WITH OILS. 168 00:10:39,521 --> 00:10:42,354 WAS IT SORT OF SANDALWOODY? 169 00:10:42,354 --> 00:10:46,479 UM... NOT EVEN REMOTELY. BUT HE WAS VERY, UM... 170 00:10:46,479 --> 00:10:48,438 DISTINCTIVE. 171 00:10:53,521 --> 00:10:58,229 THE CITY DUMP, WHERE SMELLS GO TO RELAX AND BE THEMSELVES. 172 00:10:58,229 --> 00:11:02,187 PEOPLE SAY THEY'RE RECYCLING. THEY'RE NOT RECYCLING. 173 00:11:02,187 --> 00:11:04,354 I FOUND A SPELL SO YOU CAN'T SMELL ANYTHING, 174 00:11:04,354 --> 00:11:07,855 BUT IT DOES IT BY TAKING YOUR NOSE OFF, SO, NO. 175 00:11:07,855 --> 00:11:10,021 [ Clattering ] 176 00:11:13,021 --> 00:11:15,438 WHAT ARE YOU DOING HERE, SPIKE? 177 00:11:15,438 --> 00:11:19,938 OH, THERE'S A NICE LADY VAMPIRE WHO SET UP A CHARMING TEAROOM... 178 00:11:19,938 --> 00:11:22,187 OVER THE NEXT PILE OF CRAP. 179 00:11:22,187 --> 00:11:25,896 WHAT DO YOU THINK I'M DOING? I'M SCAVENGING, AIN'T I? 180 00:11:25,896 --> 00:11:29,896 VERY PRETTY. [ Giles ] SPIKE, UM, 181 00:11:29,896 --> 00:11:33,479 WE'RE LOOKING FOR A DEMON, UM... TALL, ROBED, 182 00:11:33,479 --> 00:11:36,896 SKIN SORT OF HANGING OFF, DEEP VOICE. 183 00:11:36,896 --> 00:11:39,563 YOU MEAN A GREAT, TALL ROBEY THING LIKE THAT ONE? 184 00:11:44,771 --> 00:11:47,479 TAKE COVER! BIG GUY! KICK HER ASS! 185 00:11:50,479 --> 00:11:54,688 OH, VERY NICE! I WAS ON YOUR SIDE! 186 00:11:54,688 --> 00:11:56,271 WATCH OUT! [ Buffy ] UHH! 187 00:11:59,563 --> 00:12:03,229 HEY, YOU OKAY? 188 00:12:03,229 --> 00:12:05,646 [ Willow ] BUFFY, HE'S GONE. 189 00:12:05,646 --> 00:12:07,604 I'M FINE. EASY. EASY. 190 00:12:07,604 --> 00:12:09,938 [ Groaning ] 191 00:12:09,938 --> 00:12:12,062 [ Riley ] HE DISAPPEARED. 192 00:12:15,729 --> 00:12:17,938 THAT HAD TO HURT. YEAH, YEAH. 193 00:12:17,938 --> 00:12:20,021 [ Giles ] TAKE IT SLOWLY. 194 00:12:53,563 --> 00:12:57,604 ANYA... ARE YOU TRYING TO USE THE HOT PLATE AGAIN? 195 00:12:57,604 --> 00:12:59,646 [ Insects Buzzing ] 196 00:13:06,896 --> 00:13:09,104 UH-OH. 197 00:13:24,271 --> 00:13:28,146 [ Knocking ] ANYA? AN? 198 00:13:28,146 --> 00:13:31,146 OH! [ Groaning ] 199 00:13:43,604 --> 00:13:46,062 OH, MY GOD! 200 00:13:48,062 --> 00:13:53,312 WHAT? NO WAY! WHO IS-- 201 00:13:53,312 --> 00:13:57,980 ME? WHAT AM I DOIN' IN THERE? BUFFY. 202 00:13:57,980 --> 00:14:02,146 NEED BUFFY. HUH! 203 00:14:02,146 --> 00:14:06,271 NO, IT ATE MY QUARTER. UH-HUH. 204 00:14:06,271 --> 00:14:08,896 BUT, SEE, I'M SORT OF HAVING THIS AGGRESSIVELY BAD DAY. 205 00:14:08,896 --> 00:14:12,479 OOH! I FOUND A QUARTER. I FOUND A QUARTER. 206 00:14:12,479 --> 00:14:15,604 WELL, MA'AM, FOR ME, IT IS WORTH GETTING EXCITED ABOUT. 207 00:14:17,521 --> 00:14:20,146 [ Punching Keypad ] 208 00:14:20,146 --> 00:14:24,521 [ Line Ringing ] COME ON, BUFFY. 209 00:14:28,980 --> 00:14:31,146 [ Buffy ] HELLO? 210 00:14:34,229 --> 00:14:36,855 THEY HUNG UP. 211 00:14:36,855 --> 00:14:40,604 [ Sighs ] WELL, IF THIS GUY WANTS TO FIGHT WITH WEAPONS, 212 00:14:40,604 --> 00:14:44,729 I'VE GOT IT COVERED FROM "A" TO "Z"-- FROM AX TO... 213 00:14:44,729 --> 00:14:46,688 ZEE OTHER AX. 214 00:14:48,938 --> 00:14:51,354 RELAX. 215 00:14:51,354 --> 00:14:53,813 ANOTHER DAY, ANOTHER DEMON. 216 00:14:53,813 --> 00:14:56,396 RIGHT. IT'LL BE GOOD. 217 00:14:56,396 --> 00:14:58,479 HEY... 218 00:15:01,729 --> 00:15:03,896 [ Gagging Sounds ] 219 00:15:03,896 --> 00:15:06,438 [ Coughing ] 220 00:15:09,396 --> 00:15:11,729 MY FRIEND SHARON'S OLDER BROTHER KNOWS A GIRL WHO DIED... 221 00:15:11,729 --> 00:15:14,396 'CAUSE SHE CHOKED ON HER BOYFRIEND'S TONGUE. 222 00:15:14,396 --> 00:15:17,896 GO AWAY, DAWN. I'M NOT IN YOUR ROOM. 223 00:15:17,896 --> 00:15:20,021 I'M IN THE HALLWAY. THE HALLWAY DOESN'T BELONG TO YOU. 224 00:15:20,021 --> 00:15:22,271 GET OUT OF HERE. 225 00:15:22,271 --> 00:15:25,438 MOM, I CAN STAND IN THE HALLWAY, RIGHT? 226 00:15:25,438 --> 00:15:27,479 SHE'S WATCHING US LIKE A BIG FREAK! 227 00:15:27,479 --> 00:15:30,312 UH! THIS MUST BE MY "TWO TEENAGE GIRLS IN THE HOUSE" HEADACHE. 228 00:15:30,312 --> 00:15:32,396 I THOUGHT IT FELT FAMILIAR. 229 00:15:32,396 --> 00:15:35,021 GOOD WORK, DAWN. YOU GAVE HER A HEADACHE. 230 00:15:35,021 --> 00:15:37,688 I DID NOT. DID I GIVE YOU A HEADACHE, MOM? 231 00:15:37,688 --> 00:15:41,438 I'M SURE PART OF IT IS BUFFY'S. BUT PART OF IT IS DAWN'S. 232 00:15:41,438 --> 00:15:43,646 IT'S SO NICE YOU'VE LEARNED TO SHARE. 233 00:15:43,646 --> 00:15:46,271 YOU GIRLS SORT THIS OUT YOURSELVES. IT'S GOOD FOR YOU. 234 00:15:48,646 --> 00:15:51,479 SHE DIDN'T SAY I COULDN'T STAND HERE. HMM! 235 00:15:51,479 --> 00:15:52,563 OW! 236 00:16:14,896 --> 00:16:17,771 VERY POSH. 237 00:16:28,187 --> 00:16:30,896 OH, SLAYER. 238 00:16:30,896 --> 00:16:33,312 ONE OF THESE DAYS. 239 00:16:58,354 --> 00:17:01,312 HEY, HARRIS. HARRIS! 240 00:17:01,312 --> 00:17:04,229 HARRIS. SORRY. YEAH. 241 00:17:04,229 --> 00:17:07,813 IN MY TRAILER, OKAY? I'M TALKING TO ALL THE GUYS TODAY. THE JOB'S WINDING DOWN. 242 00:17:07,813 --> 00:17:10,271 RIGHT. I'LL BE RIGHT THERE. 243 00:17:17,729 --> 00:17:21,396 WELCOME TO PAYBACK, MR. EVIL-PLAN FACE-STEALER. 244 00:17:22,938 --> 00:17:26,688 YOU TAKE MY LIFE? YOU GET MY BEING FIRED ABSOLUTELY FREE! 245 00:17:32,229 --> 00:17:36,230 HARRIS. WHERE'S YOUR HARD HAT? 246 00:17:38,104 --> 00:17:40,438 SIT DOWN. 247 00:17:48,980 --> 00:17:53,521 HOW LONG YOU WORK HERE, HARRIS? HUH? I'M NOT SURE. 248 00:17:53,521 --> 00:17:56,062 ABOUT THREE MONTHS? I GUESS. YEAH. 249 00:18:05,396 --> 00:18:09,146 AND YOU HAVEN'T DONE MUCH CONSTRUCTION WORK BEFORE THIS. IS THAT RIGHT? 250 00:18:09,146 --> 00:18:11,855 I KNEW THEY WERE GONNA NOTICE THAT! 251 00:18:11,855 --> 00:18:14,604 I HAVE TO TELL YOU, THAT'S SURPRISING, 252 00:18:14,604 --> 00:18:17,021 'CAUSE YOUR WORK HERE HAS BEEN FIRST-RATE. 253 00:18:17,021 --> 00:18:20,062 WE HAVE ANOTHER JOB LINED UP IN CARLTON WHEN YOU FINISH HERE. 254 00:18:20,062 --> 00:18:22,729 YOU EVER THINK ABOUT STAYING ON FULL-TIME? 255 00:18:22,729 --> 00:18:27,146 WHAT? WHY ISN'T HE FIRING ME-- HIM? 256 00:18:27,146 --> 00:18:31,021 I WAS THINKING THAT I'D HAVE YOU HEAD UP OUR INTERIOR CARPENTRY CREW. 257 00:18:31,021 --> 00:18:36,271 SEE HOW IT GOES. IT'S MORE RESPONSIBILITY, BUT THE PAY IS BETTER. 258 00:18:36,271 --> 00:18:40,563 THAT WOULD BE GREAT. A PROMOTION? BUT I-- 259 00:18:40,563 --> 00:18:43,230 I MEAN, HE DIDN'T-- DOESN'T HE SEE THE SHINY THING? 260 00:18:45,688 --> 00:18:50,230 CONGRATULATIONS, HARRIS. YOU AND YOUR GIRL SHOULD GO OUT AND CELEBRATE. 261 00:18:50,230 --> 00:18:52,062 I ALREADY HAVE AN IDEA HOW. 262 00:18:54,604 --> 00:18:56,938 I WAS GOING TO CALL YOU, MR. HARRIS, 263 00:18:56,938 --> 00:18:59,354 LET YOU KNOW YOUR CREDIT CHECKED OUT FINE, 264 00:18:59,354 --> 00:19:01,521 BUT I REALLY DIDN'T THINK YOU'D BE BACK. 265 00:19:01,521 --> 00:19:04,187 "MR. HARRIS"? YEAH, RIGHT. 266 00:19:04,187 --> 00:19:06,855 I'M SURE YOU'LL LIKE THE BUILDING. 267 00:19:06,855 --> 00:19:09,604 I THINK SOMEONE SAID YOU'RE CURRENTLY IN YOUR PARENTS' BASEMENT? 268 00:19:09,604 --> 00:19:13,438 RIGHT. THERE COMES A POINT WHERE YOU EITHER HAVE TO MOVE ON, 269 00:19:13,438 --> 00:19:16,771 OR JUST BUY YOURSELF A KLINGON COSTUME AND GO WITH IT. 270 00:19:16,771 --> 00:19:19,229 [ Laughing ] 271 00:19:19,229 --> 00:19:21,479 WELL... 272 00:19:21,479 --> 00:19:23,688 I HOPE YOU'LL BE HAPPY HERE, MR. HARRIS. 273 00:19:23,688 --> 00:19:27,312 WE'RE CERTAINLY HAPPY TO HAVE YOU. THANK YOU. 274 00:19:27,312 --> 00:19:30,062 AND IF YOU NEED ANYTHING, 275 00:19:30,062 --> 00:19:33,563 DAY OR NIGHT, PLEASE CALL ME. 276 00:19:34,855 --> 00:19:38,021 I, UM-- I'M LEAVING MY HOME NUMBER HERE. 277 00:19:38,021 --> 00:19:41,021 SHE'S COMING ON TO HIM-- ME. 278 00:19:41,021 --> 00:19:43,187 CALL ME... 279 00:19:43,187 --> 00:19:46,187 EVEN FOR, YOU KNOW, 280 00:19:46,187 --> 00:19:48,646 NON-BUSINESS STUFF. 281 00:19:48,646 --> 00:19:52,354 MAYBE WE COULD, UH, DO SOMETHING? 282 00:19:52,354 --> 00:19:54,396 PLEASE, LADY. THAT IS SO NOT ME. 283 00:19:54,396 --> 00:19:58,062 HE'S TOO CLEAN FOR ONE THING, AND HIS SOCKS ARE ALL MATCHY, AND-- 284 00:20:00,021 --> 00:20:02,771 REMEMBER... ANYTIME. 285 00:20:11,354 --> 00:20:14,521 ANYA, YOU THERE? 286 00:20:14,521 --> 00:20:18,021 LOOK, I KNOW YOU'RE STILL MAD, BUT I FIGURE YOU'RE PROBABLY SITTIN' THERE... 287 00:20:18,021 --> 00:20:21,062 PRETENDING YOU'RE NOT HOME BUT LISTENING ANYWAY. AM NOT. 288 00:20:21,062 --> 00:20:25,229 LOOK, I HAVE SOMETHING TO SHOW YOU. MEET ME AT THE APARTMENT. 289 00:20:25,229 --> 00:20:27,938 YOU KNOW THE ONE. 9:00. 290 00:20:27,938 --> 00:20:29,980 [ Clicks, Beeps ] 291 00:20:39,980 --> 00:20:41,855 YAAAH! 292 00:20:48,563 --> 00:20:52,146 WON'T LET YOU DO THIS! [ Woman ] WHAT'S GOING ON OUT THERE? 293 00:20:52,146 --> 00:20:54,604 YOU CAN'T DO THIS TO ME! 294 00:20:57,354 --> 00:20:59,563 OH, MAN. I NEED BUFFY. 295 00:21:05,771 --> 00:21:09,354 [ Xander Double ] NO, NO. HE LOOKED EXACTLY LIKE ME. 296 00:21:09,354 --> 00:21:13,688 IT STOLE MY FACE. WE HAVE TO FIND IT, AND WE HAVE TO KILL IT. 297 00:21:13,688 --> 00:21:18,271 [ Panting ] SHE SEES IT'S NOT ME. 298 00:21:18,271 --> 00:21:21,104 PLEASE, BUFFY. RESIST HIS SPELL. 299 00:21:21,104 --> 00:21:23,855 DO THIS FOR ME. 300 00:21:25,479 --> 00:21:28,855 DON'T WORRY, XANDER. WHATEVER STOLE YOUR FACE, 301 00:21:28,855 --> 00:21:31,813 IT HAS TO DEAL WITH THE SLAYER NOW. 302 00:21:54,104 --> 00:21:58,813 DON'T BE SCARED, WIL. JUST LISTEN. IT'S ME, XANDER. 303 00:21:58,813 --> 00:22:03,021 AND I CAN PROVE IT. UM... OKAY. 304 00:22:04,062 --> 00:22:08,146 LET'S SEE. STUFF ONLY YOU AND ME KNOW. 305 00:22:08,146 --> 00:22:11,855 OKAY! ON MY SEVENTH BIRTHDAY, I WANTED A TOY FIRE TRUCK, 306 00:22:11,855 --> 00:22:14,521 AND I DIDN'T GET IT, AND YOU WERE REAL NICE ABOUT IT, 307 00:22:14,521 --> 00:22:17,104 AND THEN THE HOUSE NEXT DOOR BURNT DOWN, AND THEN REAL FIRE TRUCKS CAME, 308 00:22:17,104 --> 00:22:19,563 AND FOR YEARS I THOUGHT YOU SET THE FIRE FOR ME. 309 00:22:19,563 --> 00:22:22,021 AND IF YOU DID, YOU CAN TELL ME. 310 00:22:23,688 --> 00:22:26,688 FOR A WHILE LAST YEAR, I THOUGHT I WAS LACTOSE INTOLERANT, 311 00:22:26,688 --> 00:22:29,771 BUT IT WAS JUST SOME BAD BRIE. 312 00:22:29,771 --> 00:22:32,688 OH! EVERY CHRISTMAS WE WATCH CHARLIE BROWN TOGETHER, 313 00:22:32,688 --> 00:22:35,146 AND I DO THE SNOOPY DANCE. 314 00:22:41,396 --> 00:22:43,729 XANDER, STOP DANCING. 315 00:22:43,729 --> 00:22:47,604 AHA! YOU CALLED ME XANDER! 316 00:22:47,604 --> 00:22:51,271 XANDER, SHUT UP. WHY WOULDN'T I THINK YOU WERE XANDER? 317 00:22:51,271 --> 00:22:53,604 OH. HUH. 318 00:22:53,604 --> 00:22:56,062 WHAT'S GOIN' ON? [ Panting ] 319 00:22:57,521 --> 00:23:00,563 OKAY. I WOKE UP IN THE DUMP THIS MORNING. 320 00:23:00,563 --> 00:23:02,729 XANDER, THE BASEMENT ISN'T A DUMP. 321 00:23:02,729 --> 00:23:05,479 IT-IT'S MORE LIKE A REALLY NICE HOVEL. 322 00:23:05,479 --> 00:23:09,229 NO. THE DUMP. THE CITY DUMP. 323 00:23:09,229 --> 00:23:14,104 I GOT HIT LAST NIGHT. FALL DOWN, BOOM. WOKE UP THIS MORNING. 324 00:23:14,104 --> 00:23:19,146 UH-UH. WE WALKED YOU HOME LAST NIGHT, REMEMBER? 325 00:23:19,146 --> 00:23:21,312 YOU WALKED? 326 00:23:21,312 --> 00:23:24,354 WIL... DID I DO ANYTHING WEIRD? 327 00:23:24,354 --> 00:23:26,646 DID I WAVE ANY SHINY THINGS AROUND? 328 00:23:26,646 --> 00:23:28,980 SHINY THINGS. WHAT ARE YOU TALKING ABOUT? 329 00:23:28,980 --> 00:23:31,729 LAST NIGHT. THAT WASN'T ME. 330 00:23:31,729 --> 00:23:34,062 THERE'S A DOUBLE OUT THERE. 331 00:23:34,062 --> 00:23:37,146 SOME... THING HAS STOLEN MY FACE, 332 00:23:37,146 --> 00:23:39,980 AND IT'S GOING AROUND PRETENDING TO BE ME, AND IT'S HYPNOTIZING PEOPLE. 333 00:23:39,980 --> 00:23:43,271 IT EVEN GOT TO BUFFY AND GILES AND RILEY. 334 00:23:43,271 --> 00:23:45,813 IT'S OVER THERE RIGHT NOW, AND THEY HAVE NO IDEA. 335 00:23:45,813 --> 00:23:49,646 WHAT'S INTRIGUING ME IS THAT THERE ARE A NUMBER OF DEMONS... 336 00:23:49,646 --> 00:23:51,771 WITH THE ABILITY TO MIMIC A SIMPLE FORM, 337 00:23:51,771 --> 00:23:54,855 BUT, UH... THIS SOUNDS LIKE MORE THAN THAT. 338 00:23:54,855 --> 00:23:57,688 HOLD UP. DO WE REALLY HAVE TO FIGURE OUT WHAT IT IS? 339 00:23:57,688 --> 00:24:01,104 LET'S JUST GO KILL IT. [ Riley ] YEAH. WHEN THE IMPOSTER'S KILLED, 340 00:24:01,104 --> 00:24:05,938 THE BODY'LL PROBABLY TURN BACK INTO WHATEVER IT REALLY IS, AND THEN WE'LL KNOW. 341 00:24:05,938 --> 00:24:09,230 TOTH. THE DEMON WITH THE CREEPY STICK THING. 342 00:24:10,813 --> 00:24:12,771 TOTH. IT'S GOTTA BE. 343 00:24:12,771 --> 00:24:16,604 HE HIT XANDER WITH THAT BLAST, AND SOMEHOW IT ALLOWED HIM TO TAKE XANDER'S FORM. 344 00:24:16,604 --> 00:24:19,021 COULDN'T THAT BE WHAT THE CREEPY STICK THING DID? 345 00:24:19,021 --> 00:24:22,396 YES. I SUPPOSE. YES. YES, IT MAKES SENSE. 346 00:24:22,396 --> 00:24:27,187 A SHAPE-SHIFTING DEVICE. IT DOES MAKE SENSE. IT MUST BE TOTH. 347 00:24:27,187 --> 00:24:30,604 IT'S A ROBOT. IT'S AN EVIL ROBOT CONSTRUCTED FROM EVIL PARTS... 348 00:24:30,604 --> 00:24:33,646 THAT LOOK LIKE ME, DESIGNED TO DO EVIL. 349 00:24:33,646 --> 00:24:35,813 UH-HUH. OR IT'S TOTH. 350 00:24:35,813 --> 00:24:38,104 OR... IT'S TOTH! 351 00:24:38,104 --> 00:24:40,771 I WAS GONNA LOOK FOR TOTH ANYWAY. 352 00:24:40,771 --> 00:24:43,563 GUESS NOW I START LOOKING FOR YOU. 353 00:24:43,563 --> 00:24:47,354 SHOULD I GO WITH YOU? I TOLD ANYA TO MEET ME AT MY NEW PLACE. 354 00:24:47,354 --> 00:24:50,396 I'D FEEL A WHOLE LOT BETTER KNOWING SHE'S SAFE FROM THIS CREEP. 355 00:24:50,396 --> 00:24:54,438 GO BE WITH HER. I MEAN, IF YOU WERE OUT THERE LOOKING FOR THE DOUBLE TOO-- 356 00:24:54,438 --> 00:24:58,604 LET'S JUST SAY THAT I WOULDN'T WANNA RUN INTO YOU AND KILL THE WRONG ONE. 357 00:24:58,604 --> 00:25:01,479 GOOD THINKING. WHEN YOU KILL THIS THING, YOU'D BETTER MAKE SURE... 358 00:25:01,479 --> 00:25:04,521 YOU GOT THE ONE WHO'S ACTUALLY-- A DEMON. 359 00:25:04,521 --> 00:25:07,646 A DEMON HAS TAKEN MY LIFE FROM ME, 360 00:25:07,646 --> 00:25:09,813 AND HE'S LIVING IT BETTER THAN I DO. 361 00:25:09,813 --> 00:25:13,062 UH... WELL, WE'RE WORKING ON IT. 362 00:25:13,062 --> 00:25:17,104 THERE HAS TO BE A WAY TO GET TO BUFFY TO UN-HYPNOTIZE HER. 363 00:25:17,104 --> 00:25:19,688 I'LL FIND A SPELL TO SNAP HER OUT OF IT. 364 00:25:19,688 --> 00:25:22,104 RIGHT. WHATEVER. 365 00:25:23,563 --> 00:25:26,021 XANDER, YOU SOUND A LITTLE-- 366 00:25:26,021 --> 00:25:28,563 YOU HAVE TO HELP ME FIGURE THIS OUT, YOU KNOW. 367 00:25:28,563 --> 00:25:32,104 BUT I NEVER HELP. I GET IN TROUBLE, AND BUFFY SAVES ME. 368 00:25:32,104 --> 00:25:35,813 THAT'S NOT TRUE. SOMETIMES WE ALL HELP TO SAVE YOU. 369 00:25:37,479 --> 00:25:39,855 AND SOMETIMES YOU'RE NOT IN TROUBLE. 370 00:25:42,896 --> 00:25:46,396 I'M JUST... ANOTHER GREAT HUMILIATION. 371 00:25:46,396 --> 00:25:49,771 AND THIS TIME, IT'S EVEN WORSE. 372 00:25:49,771 --> 00:25:53,563 THIS DEMON, HE'S, LIKE, TAKING MY LIFE, AND EVERYONE'S TREATING HIM-- 373 00:25:53,563 --> 00:25:56,062 EVERYONE'S TREATING HIM LIKE A GROWN-UP. 374 00:25:56,062 --> 00:26:00,563 WIL, I'M STARTING TO FEEL LIKE-- LIKE WHAT? 375 00:26:00,563 --> 00:26:03,855 LIKE... HE'S DOING EVERYTHING BETTER. 376 00:26:03,855 --> 00:26:07,187 HE'S SMARTER, AND-- 377 00:26:07,187 --> 00:26:09,729 I DON'T KNOW. MAYBE I SHOULD JUST LET HIM HAVE IT. 378 00:26:09,729 --> 00:26:12,729 TAKE MY LIFE, PLEASE. XANDER, NO! 379 00:26:12,729 --> 00:26:16,896 YOU'RE JUST TIRED AND ALL SOGGY. 380 00:26:16,896 --> 00:26:22,062 THAT'S WHY IT SEEMS SO HARD, BUT YOU CAN'T LET HIM JUST TAKE YOUR WHOLE EXISTENCE. 381 00:26:22,062 --> 00:26:25,479 WHY NOT? IT'S NOT LIKE I WAS DOING ANYTHING SO GREAT WITH IT. 382 00:26:25,479 --> 00:26:28,062 HEN I GET TO HE PEARLY GATES, 'M SURE THE GUY'S NOT GONNA GO, 383 00:26:28,062 --> 00:26:31,146 "HEY, WHAT A KICK-ASS COMIC BOOK COLLECTION. COME ON IN!" 384 00:26:31,146 --> 00:26:34,312 WHAT HAVE I GOT THAT'S EVEN WORTH-- 385 00:26:34,312 --> 00:26:36,271 ANYA. 386 00:26:36,271 --> 00:26:40,521 YOU THINK HE'S AFTER HER? SHE WON'T KNOW. HE CAN JUST-- 387 00:26:40,521 --> 00:26:42,646 NO. NO WAY! 388 00:26:42,646 --> 00:26:45,771 NO WAY. HE CAN TAKE ANYTHING, BUT HE CAN'T HAVE HER! I NEED HER! 389 00:26:45,771 --> 00:26:49,104 REALLY? HE COULD BE WITH HER RIGHT NOW. 390 00:26:49,104 --> 00:26:51,563 FIGURE OUT A SPELL, SOMETHING... "REVEALY." 391 00:26:51,563 --> 00:26:54,271 I GOTTA FIND HER. XANDER, 392 00:26:54,271 --> 00:26:57,187 YOU ALREADY KNEW HE WAS TAKING OVER YOUR LIFE, 393 00:26:57,187 --> 00:26:59,771 AND YOU DIDN'T THINK ABOUT ANYA TILL JUST NOW? 394 00:26:59,771 --> 00:27:03,438 HEY, WAIT TILL YOU HAVE AN EVIL TWIN. SEE HOW YOU HANDLE IT. 395 00:27:05,521 --> 00:27:09,479 [ Door Shuts ] I HANDLED IT FINE. 396 00:27:11,771 --> 00:27:15,104 ANYA? AN? 397 00:27:20,813 --> 00:27:25,312 [ Beeps, Xander Double ] MEET ME AT THE APARTMENT. YOU KNOW THE ONE. 9:00. 398 00:27:25,312 --> 00:27:27,312 [ Clicks Off, Beeps ] 399 00:27:33,521 --> 00:27:37,104 IT'S GOTTA BE HERE. WHERE IS IT? 400 00:27:37,104 --> 00:27:40,855 YOU'RE LYING. IT'S A TRICK. 401 00:27:40,855 --> 00:27:43,521 NO. TRUST ME. 402 00:27:45,396 --> 00:27:49,771 YOU REALLY GOT THIS APARTMENT? I REALLY DID. 403 00:27:49,771 --> 00:27:52,062 AND DO YOU KNOW WHY? 404 00:27:52,062 --> 00:27:55,062 THE CEILING FANS? THEY'RE VERY ATTRACTIVE. 405 00:27:55,062 --> 00:27:59,563 NO. IT'S BECAUSE I KNEW YOU WANTED IT. 406 00:27:59,563 --> 00:28:01,563 IT'S ALL FOR YOU. 407 00:28:07,438 --> 00:28:12,646 ANYA, YOU DIDN'T SEE ME TODAY, DID YOU? I MEAN, WE DIDN'T TALK? 408 00:28:12,646 --> 00:28:17,354 WHAT DO YOU MEAN? I JUST GOT YOUR PHONE MESSAGE. THAT'S ALL. 409 00:28:17,354 --> 00:28:19,855 GOOD. 410 00:28:23,688 --> 00:28:25,896 SO-- 411 00:28:27,729 --> 00:28:30,729 [ Sighs ] WHAT HAPPENS NEXT? 412 00:28:30,729 --> 00:28:34,396 WELL, AT SOME POINT, WE TAKE OFF OUR CLOTHES. 413 00:28:34,396 --> 00:28:38,021 I MEAN, WHAT HAPPENS NEXT IN OUR LIVES? 414 00:28:39,187 --> 00:28:42,271 WHEN DO WE GET A CAR? A CAR? 415 00:28:42,271 --> 00:28:45,021 AND A BOAT. NO, WAIT. I DON'T MEAN A BOAT. 416 00:28:45,021 --> 00:28:48,521 I MEAN, A PUPPY OR A CHILD. I HAVE A LIST SOMEWHERE. 417 00:28:48,521 --> 00:28:52,021 WHAT ARE YOU TALKING ABOUT? JUST, WE HAVE TO GET GOING. 418 00:28:52,021 --> 00:28:54,312 I DON'T HAVE TIME JUST TO LET THESE THINGS HAPPEN. 419 00:28:54,312 --> 00:28:57,479 THERE'S NO HURRY. YES, THERE IS! 420 00:28:57,479 --> 00:29:00,896 THERE'S A HURRY, XANDER. 421 00:29:00,896 --> 00:29:03,271 I'M DYING. 422 00:29:03,271 --> 00:29:05,896 I MAY HAVE AS FEW AS 50 YEARS LEFT. 423 00:29:05,896 --> 00:29:09,146 FIFTY YEARS? WHAT IS THIS? 424 00:29:10,229 --> 00:29:14,563 OH, WAIT A MINUTE. THIS IS ABOUT THIS. 425 00:29:15,479 --> 00:29:18,229 WHAT ABOUT THE SLING? 426 00:29:18,229 --> 00:29:21,646 YOU HAVEN'T BEEN HURT LIKE THIS SINCE YOU BECAME HUMAN. 427 00:29:23,563 --> 00:29:26,062 MAYBE IT'S FINALLY HITTING YOU WHAT BEING HUMAN MEANS. 428 00:29:28,354 --> 00:29:33,104 NO. THAT'S NOT IT. YES. I THINK IT IS. 429 00:29:33,104 --> 00:29:36,271 YOU WERE GONNA LIVE FOR THOUSANDS OF YEARS. 430 00:29:36,271 --> 00:29:38,563 AND NOW YOU'RE GONNA AGE AND DIE. 431 00:29:41,438 --> 00:29:43,813 THAT MUST BE TERRIFYING. 432 00:29:43,813 --> 00:29:46,021 YOU DON'T UNDERSTAND WHAT IT'S LIKE. 433 00:29:46,021 --> 00:29:48,521 BEING SUDDENLY HUMAN? 434 00:29:48,521 --> 00:29:51,021 I THINK I CAN GET WHAT THAT WOULD BE LIKE. 435 00:29:52,396 --> 00:29:55,312 AND WE CAN GET THROUGH IT TOGETHER. 436 00:29:55,312 --> 00:29:59,771 YOU CAN'T MAKE IT ANY DIFFERENT. I'M GOING TO GET OLD. 437 00:29:59,771 --> 00:30:05,104 AND YOU CAN'T PROMISE YOU'LL BE WITH ME WHEN I'M WRINKLY AND MY TEETH ARE ARTIFICIAL... 438 00:30:05,104 --> 00:30:07,896 AND STUCK INTO MY WRINKLY MOUTH WITH AN ADHESIVE. 439 00:30:07,896 --> 00:30:10,479 NO, I CAN'T PROMISE THAT. 440 00:30:10,479 --> 00:30:13,563 BUT IT DOESN'T SOUND TERRIBLE, AND THAT'S SAYING SOMETHING. 441 00:30:15,521 --> 00:30:17,521 I PROMISE YOU, ANYA. 442 00:30:17,521 --> 00:30:20,729 VERY SOON, YOU WON'T BE THINKING ABOUT GETTING OLDER. 443 00:30:27,104 --> 00:30:30,771 GET AWAY FROM HER! XANDER! 444 00:30:30,771 --> 00:30:33,062 XANDER? GET OUT. 445 00:30:34,187 --> 00:30:37,604 YOU DON'T BELONG HERE. ANYA, IT'S ME. 446 00:30:39,104 --> 00:30:42,187 IT'S A DEMON. 447 00:30:42,187 --> 00:30:45,563 HE STOLE MY FACE. HE'S TRYING TO TRICK YOU. 448 00:30:48,104 --> 00:30:50,438 ANYA, YOU KNOW I'M ME, RIGHT? NO! 449 00:30:53,896 --> 00:30:57,021 WHAT IS IT? MAKE IT GO AWAY. 450 00:30:57,021 --> 00:30:59,604 SO YOU'RE THINKING WE SPLIT UP? YEAH. 451 00:30:59,604 --> 00:31:02,062 YOU CHECK THE PLACES WHERE HE MIGHT TRY AND GO AND BLEND IN AS XANDER. 452 00:31:02,062 --> 00:31:04,521 I'LL CHECK THE PLACES WHERE TOTH MIGHT HANG OUT. 453 00:31:04,521 --> 00:31:07,062 I SWEAR, THIS TIME I KNOW I HAD THAT LOCKED. 454 00:31:07,062 --> 00:31:10,479 BUFFY, TOTH LOOKS LIKE XANDER. WE ALREADY KNOW. WE'RE ON OUR WAY. 455 00:31:10,479 --> 00:31:13,062 WAIT A SECOND. HOW DID YOU KNOW ABOUT THIS? 456 00:31:13,062 --> 00:31:15,438 HE CAME TO ME. I MEAN, XANDER DID. 457 00:31:15,438 --> 00:31:17,855 AND HE'S IN TERRIBLE SHAPE. WE NEED TO HELP HIM. 458 00:31:17,855 --> 00:31:19,938 [ Riley ] HE CAME TO US TOO. 459 00:31:19,938 --> 00:31:23,104 NO. WE EACH HAD A XANDER. I MEAN, YOU DIDN'T HAVE A XANDER. 460 00:31:23,104 --> 00:31:25,688 YOU HAD A DEMON IN A XANDER SUIT. 461 00:31:25,688 --> 00:31:29,021 WHAT MAKES YOU SO SURE THAT YOURS IS THE RIGHT ONE? 462 00:31:29,021 --> 00:31:33,146 HE KNEW STUFF. HE DID THE SNOOPY DANCE. BUFFY, IT WAS XANDER, AND HE NEEDS US. 463 00:31:33,146 --> 00:31:35,396 OH, DEAR LORD. [ Riley ] BUFFY, 464 00:31:35,396 --> 00:31:38,062 OUR XANDER-- DID HE SEEM A LITTLE-- 465 00:31:38,062 --> 00:31:41,104 HE SEEMED KIND OF FORCEFUL AND CONFIDENT. THAT'S NOT XANDER. 466 00:31:41,104 --> 00:31:44,146 I SAID, "OH, DEAR LORD." YOU ALWAYS SAY THAT. 467 00:31:44,146 --> 00:31:46,980 WELL, IT'S ALWAYS IMPORTANT. 468 00:31:46,980 --> 00:31:50,312 NEITHER XANDER IS A DEMON. 469 00:31:50,312 --> 00:31:53,646 UM... IS ONE OF THEM A ROBOT? WHAT? NO. 470 00:31:53,646 --> 00:31:57,396 UM, THE ROD DEVICE, IT'S CALLED A FERULA GEMINA. 471 00:31:57,396 --> 00:32:01,938 IT SPLITS ONE PERSON INTO HALF, DISTILLING PERSONALITY TRAITS INTO TWO SEPARATE BODIES. 472 00:32:01,938 --> 00:32:07,062 AS NEAR AS I CAN TELL, TOTH WAS ATTEMPTING TO SPLIT THE SLAYER INTO TWO DIFFERENT ENTITIES. 473 00:32:07,062 --> 00:32:09,646 TWO BUFFIES? 474 00:32:09,646 --> 00:32:12,563 YES. ONE WITH ALL THE QUALITIES INHERENT IN BUFFY SUMMERS. 475 00:32:12,563 --> 00:32:16,396 THE OTHER WITH EVERYTHING THAT BELONGS TO THE SLAYER ALONE-- 476 00:32:16,396 --> 00:32:21,938 THE STRENGTH, THE SPEED, THE HERITAGE-- AND WHEN IT HIT XANDER, 477 00:32:21,938 --> 00:32:25,813 I THINK IT SEPARATED HIM INTO HIS STRONGEST POINTS AND HIS WEAKEST. 478 00:32:25,813 --> 00:32:28,646 BUT WHICH ONE'S THE REAL ONE? THEY'RE BOTH REAL. THEY'RE BOTH XANDER. 479 00:32:28,646 --> 00:32:31,771 NEITHER ONE OF THEM IS EVIL. THERE'S NOTHING IN EITHER OF THEM... 480 00:32:31,771 --> 00:32:33,980 THAT OUR XANDER DIDN'T ALREADY POSSESS. 481 00:32:33,980 --> 00:32:37,062 I STILL DON'T GET THE ORIGINAL PLAN. I MEAN, WHY DO IT? 482 00:32:37,062 --> 00:32:40,021 THE SLAYER HALF WOULD BE LIKE SLAYER CONCENTRATE-- PRETTY UN-KILLABLE. 483 00:32:40,021 --> 00:32:42,563 [ Giles ] BUT THE TWO HALVES CAN'T EXIST WITHOUT EACH OTHER. 484 00:32:42,563 --> 00:32:46,521 KILL THE WEAKER BUFFY HALF, AND THE SLAYER HALF DIES. 485 00:32:46,521 --> 00:32:49,104 SO THE SAME GOES FOR THE XANDERS. 486 00:32:49,104 --> 00:32:51,479 WE LOSE ONE. WE LOSE THEM BOTH. 487 00:32:51,479 --> 00:32:56,104 HE'S THE DEMON! OR POSSIBLY A ROBOT. LOOK AT ME. 488 00:32:56,104 --> 00:32:59,729 LOOK IN MY EYES. CAN'T YOU SEE IT'S ME? 489 00:33:02,646 --> 00:33:04,479 I-I DON'T KNOW. 490 00:33:04,479 --> 00:33:07,230 PLEASE... LOOK AT HIM! LISTEN TO HIM! 491 00:33:07,230 --> 00:33:09,521 HE'S ALL SMOOTH. 492 00:33:09,521 --> 00:33:13,813 YOU HAVE TO KNOW IT'S ME! DON'T WORRY, ANYA. 493 00:33:13,813 --> 00:33:15,855 I'LL GET RID OF THIS THING. 494 00:33:15,855 --> 00:33:18,521 I'M THINKING THIS IS GONNA LAST ABOUT 15 SECONDS. 495 00:33:20,312 --> 00:33:22,271 I'M THINKING LESS. 496 00:33:29,855 --> 00:33:32,729 [ Anya ] NO, DON'T SHOOT HIM! 497 00:33:37,104 --> 00:33:39,396 CAN'T THIS THING GO ANY FASTER? 498 00:33:39,396 --> 00:33:41,813 ULTIMATE DRIVING MACHINE, MY ASS. 499 00:33:41,813 --> 00:33:43,771 WE'RE PUSHING 70. 500 00:33:47,354 --> 00:33:50,021 RILEY, DO YOU WISH-- NO. 501 00:33:52,229 --> 00:33:55,771 NO? YOU DON'T EVEN KNOW WHAT I WAS GONNA SAY. 502 00:33:55,771 --> 00:33:59,646 YES, I DO. UM... YOU WANTED TO KNOW IF I WISHED YOU GOT HIT... 503 00:33:59,646 --> 00:34:02,771 BY THE FERULA GEMINA, GOT SPLIT IN TWO. 504 00:34:04,438 --> 00:34:08,563 WELL, YOU HAVE BEEN KIND OF RANKLY ABOUT THE WHOLE SLAYER GIG. 505 00:34:08,563 --> 00:34:11,438 INSTEAD OF HAVING SLAYER-BUFFY, YOU COULD HAVE BUFFY-BUFFY. 506 00:34:11,438 --> 00:34:14,062 I HAVE BUFFY-BUFFY. 507 00:34:14,062 --> 00:34:18,354 BEING THE SLAYER'S PART OF WHO YOU ARE. YOU KEEP THINKING I DON'T GET THAT, BUT-- 508 00:34:18,354 --> 00:34:23,187 IT'S JUST... I KNOW HOW UN-FUN IT CAN BE-- 509 00:34:23,187 --> 00:34:26,521 THE BAD HOURS, FREQUENT BRUISING, CRANKY MONSTERS. 510 00:34:26,521 --> 00:34:28,646 BUFFY... 511 00:34:28,646 --> 00:34:30,813 IF YOU LED A PERFECTLY NORMAL LIFE, 512 00:34:30,813 --> 00:34:33,104 YOU WOULDN'T BE HALF AS CRAZY AS YOU ARE. 513 00:34:33,104 --> 00:34:36,980 I GOTTA HAVE THAT. I GOTTA HAVE IT ALL. WE'RE TALKIN' TOES, ELBOWS, 514 00:34:36,980 --> 00:34:40,646 THE WHOLE "BAD ICE-SKATING MOVIE" OBSESSION, EVERYTHING. 515 00:34:40,646 --> 00:34:44,021 THERE'S NO PART OF YOU I'M NOT IN LOVE WITH. 516 00:34:50,980 --> 00:34:53,563 OH, WE BETTER GET THERE SOON. 517 00:34:53,563 --> 00:34:56,271 IF XANDER KILLS HIMSELF, HE'S DEAD. 518 00:34:56,271 --> 00:34:58,479 YOU KNOW WHAT I MEAN. 519 00:35:01,230 --> 00:35:04,938 LET GO! I HAVE TO KILL THE DEMON-BOT! 520 00:35:04,938 --> 00:35:07,146 [ Anya ] OW! 521 00:35:07,146 --> 00:35:10,396 ANYA... GET OUT OF THE WAY. 522 00:35:10,396 --> 00:35:13,521 XANDER! IT'S ALL RIGHT, BUFFY. I HAVE HIM. 523 00:35:13,521 --> 00:35:16,438 NO, BUFFY! I'M ME! HELP ME! 524 00:35:16,438 --> 00:35:18,396 [ Anya ] MY GUN. HE'S GOT MY GUN. 525 00:35:18,396 --> 00:35:20,855 YOU OWN A GUN? 526 00:35:20,855 --> 00:35:23,521 XANDER-- GUN-HOLDING XANDER-- GIVE IT TO ME. 527 00:35:34,230 --> 00:35:37,896 BUFFY, WHICH ONE'S REAL? I AM. 528 00:35:37,896 --> 00:35:39,771 NO, I AM. 529 00:35:39,771 --> 00:35:41,938 [ Grunting ] 530 00:35:41,938 --> 00:35:44,855 THANK YOU. 531 00:35:44,855 --> 00:35:46,813 UH! OW! 532 00:35:48,896 --> 00:35:50,896 WILD. YEAH. 533 00:35:51,813 --> 00:35:54,896 OKAY, XANDER... SES. [ Sighs ] 534 00:35:54,896 --> 00:35:59,438 YOU'VE BEEN SPLIT IN TWO. BUT YOU'RE BOTH XANDER, AND YOU CAN'T KILL EACH OTHER. 535 00:35:59,438 --> 00:36:01,813 I MEAN, WELL, YOU COULD, BUT IT WOULD BE REALLY BAD. 536 00:36:05,104 --> 00:36:07,312 NO WAY. HE CAN'T BE ME. 537 00:36:07,312 --> 00:36:09,855 HE'S ALL FANCY. 538 00:36:09,855 --> 00:36:12,729 WE CAN PROVE YOU'RE BOTH XANDER. YEAH! HOW? 539 00:36:14,271 --> 00:36:17,729 [ Buffy ] UM-- ELL, THERE HAS TO BE A WAY. 540 00:36:17,729 --> 00:36:20,354 WHAT NUMBER AM I THINKING OF? I DON'T THINK THAT'S GONNA DO IT. 541 00:36:20,354 --> 00:36:23,563 [ Both ] ELEVEN AND A HALF. WRONG. OH! BUT SEE? 542 00:36:25,396 --> 00:36:29,146 NO. WE'RE NOT THE SAME. WE'RE ALL DIFFERENT. 543 00:36:29,146 --> 00:36:32,479 DIFFERENT PROPERTIES WENT INTO EACH OF YOU, BUT YOU'RE BOTH XANDER. 544 00:36:32,479 --> 00:36:35,104 DIFFERENT PROPERTIES? WHAT DIFFERENT PROPERTIES? 545 00:36:35,104 --> 00:36:37,729 UH... UH, YOU KNOW. 546 00:36:37,729 --> 00:36:42,646 UH... SENSE OF DIRECTION. GOOD NIGHT-VISION. STUFF LIKE THAT. 547 00:36:42,646 --> 00:36:45,896 OH, BUT HE HAS A THING IN HIS POCKET. 548 00:36:45,896 --> 00:36:49,396 A SHINY DISK THAT STUNS AND DISORIENTS. WHAT DISK? 549 00:36:49,396 --> 00:36:51,396 COVER YOUR EYES! THIS? 550 00:36:51,396 --> 00:36:53,604 IT'LL MELT YOUR BRAIN! 551 00:36:56,771 --> 00:36:58,855 LOOK. 552 00:36:58,855 --> 00:37:01,062 IT'S A NICKEL SOMEONE FLATTENED ON THE RAILROAD TRACK. 553 00:37:01,062 --> 00:37:04,396 I FOUND IT ON THE CONSTRUCTION SITE. I THOUGHT IT WAS COOL. 554 00:37:04,396 --> 00:37:08,104 IT'S NOT MAGIC. NO, I-- 555 00:37:08,104 --> 00:37:10,729 HUH. 556 00:37:10,729 --> 00:37:14,855 IT IS KINDA COOL. WASHINGTON'S STILL THERE, BUT HE'S ALL SMUSHY. 557 00:37:14,855 --> 00:37:17,521 AND HE MAY BE JEFFERSON. [ Anya ] OKAY. 558 00:37:17,521 --> 00:37:19,938 ISN'T ANYONE GONNA TELL ME WHY THERE ARE TWO XANDERS? 559 00:37:19,938 --> 00:37:22,688 I WILL ON THE WAY TO GILES'S. LET'S GO. 560 00:37:28,229 --> 00:37:30,604 OH, GREAT. ROD BOY. 561 00:37:30,604 --> 00:37:32,604 I WILL NOT MISS AGAIN, SLAYER. 562 00:37:32,604 --> 00:37:34,938 THE GUN! PICK UP THE LITTLE GUN PIECES! 563 00:37:37,855 --> 00:37:40,563 HEY, I JUST MADE A SMALL CLEANING DEPOSIT! 564 00:37:40,563 --> 00:37:44,230 [ Grunting, Groaning ] 565 00:38:08,062 --> 00:38:09,896 SWORD. 566 00:38:13,604 --> 00:38:16,062 AAH! 567 00:38:22,604 --> 00:38:26,146 OH, YEAH. [ Smacks Lips ] THAT CLEANING DEPOSIT'S GONE. 568 00:38:26,146 --> 00:38:28,438 I WAS THINKING THE SAME THING! 569 00:38:28,438 --> 00:38:30,646 HEY, DO YOU SUPPOSE WE'RE BOTH XANDER? 570 00:38:31,479 --> 00:38:34,312 LOOK AND ADMIRE, LADIES. 571 00:38:34,312 --> 00:38:39,187 LOOK, THERE'S A SCAR THERE, AND THERE'S THE SAME ONE RIGHT THERE. 572 00:38:39,187 --> 00:38:41,813 [ Willow ] IT'S ALL DOUBLED. 573 00:38:41,813 --> 00:38:47,521 THIS ZIT, AND THIS... KINDA FUNNY DIPPY THING. 574 00:38:47,521 --> 00:38:50,479 AND THIS WEIRD LITTLE HAIR THAT GROWS IN THE WRONG WAY. 575 00:38:50,479 --> 00:38:53,479 OKAY! BACK OFF, LADIES. 576 00:38:53,479 --> 00:38:56,229 PSYCHOLOGICALLY, THIS IS FASCINATING. 577 00:38:56,229 --> 00:39:00,479 DOESN'T IT MAKE EVERYONE WANT TO LOCK THEM IN SEPARATE ROOMS AND DO EXPERIMENTS ON THEM? 578 00:39:00,479 --> 00:39:02,729 JUST ME THEN. 579 00:39:04,521 --> 00:39:09,021 SO, UM, YOU XANDERS REALLY DO HAVE ALL THE SAME MEMORIES, ALL THE SAME-- 580 00:39:09,021 --> 00:39:12,146 [ Clicks Tongue ] PHYSICAL ATTRIBUTES? [ Chuckles ] 581 00:39:12,146 --> 00:39:14,188 WE'RE COMPLETELY IDENTICAL. 582 00:39:14,188 --> 00:39:19,188 YEAH. WE CHECKED OUT SOME STUFF IN THE CAR ON THE WAY OVER. 583 00:39:19,188 --> 00:39:20,479 FINGERPRINTS. 584 00:39:20,479 --> 00:39:25,312 WELL, MAYBE WE SHOULDN'T DO THIS REINTEGRATION THING RIGHT AWAY. 585 00:39:25,312 --> 00:39:28,855 SEE, I CAN TAKE THE BOYS HOME, AND, YOU KNOW, WE CAN ALL HAVE SEX TOGETHER, 586 00:39:28,855 --> 00:39:32,771 AND THEN, YOU KNOW, JUST SLAP 'EM BACK TOGETHER IN THE MORNING. 587 00:39:32,771 --> 00:39:35,563 [ Xander Double ] SHE'S JOKING. NO, SHE'S NOT! 588 00:39:35,563 --> 00:39:40,396 SHE ENTIRELY WANTS TO HAVE SEX WITH US TOGETHER, WHICH IS... WRONG, 589 00:39:40,396 --> 00:39:43,479 AND-- AND IT WOULD BE VERY CONFUSING. 590 00:39:43,479 --> 00:39:46,062 WE JUST NEED TO ARRANGE THE CANDLES. 591 00:39:46,062 --> 00:39:50,896 ALSO, WE SHOULD CONTINUE TO PRETEND WE HEARD NONE OF THE DISTURBING SEX TALK. 592 00:39:50,896 --> 00:39:54,479 [ Willow ] CHECK. CANDLES AND PRETENSE. 593 00:39:54,479 --> 00:39:58,563 IT'S NOT LIKE IT'D BE CHEATING. THEY'RE BOTH XANDER. NOW, HOLD ON A SEC. 594 00:39:58,563 --> 00:40:02,938 IF YOU WEREN'T PUTTING A WHAMMY ON PEOPLE WITH THE SHINY THING, HOW'D YOU DO IT? 595 00:40:02,938 --> 00:40:05,563 HOW'D YOU GET THE PROMOTION? WELL, I'M GOOD AT THAT STUFF. 596 00:40:05,563 --> 00:40:07,896 I AM? YEAH. 597 00:40:07,896 --> 00:40:10,855 AND, HEY, HOW 'BOUT THAT LADY, HUH? THE APARTMENT MANAGER. 598 00:40:10,855 --> 00:40:13,938 HOW WEIRD WAS IT WHEN SHE CALLED ME "MR."? YEAH! 599 00:40:13,938 --> 00:40:17,312 WE'RE READY. WE SHOULD DO IT NOW. 600 00:40:17,312 --> 00:40:21,021 [ Anya ] WELL, WHAT DO WE DO IF IT DOESN'T WORK? [ Both ] KILL US BOTH, SPOCK! 601 00:40:21,021 --> 00:40:23,980 [ Laughing ] 602 00:40:23,980 --> 00:40:27,104 THEY'RE KINDA THE SAME NOW. 603 00:40:27,104 --> 00:40:29,479 YES, HE'S CLEARLY A BAD INFLUENCE ON HIMSELF. 604 00:40:29,479 --> 00:40:33,104 HEY, SUMMON THE GODDESS. CHANT THE CHANT. LET'S DO IT. 605 00:40:33,104 --> 00:40:37,021 ACTUALLY, IT'S NOT THAT HARD. YOUR NATURAL STATE IS TO BE TOGETHER. 606 00:40:37,021 --> 00:40:39,938 TOTH'S SPELL IS DOING ALL THE WORK OF KEEPING YOU APART. 607 00:40:39,938 --> 00:40:43,229 I JUST HAVE TO BREAK IT. SO YOU TWO... 608 00:40:43,229 --> 00:40:46,187 STAND RIGHT HERE. 609 00:40:46,187 --> 00:40:51,521 SIDE BY SIDE. WE DON'T WANT YOU TO END UP WITH TWO FRONTS, NOW DO WE? 610 00:40:51,521 --> 00:40:54,896 ARE YOU SURE YOU KNOW HOW TO DO THIS? 611 00:40:54,896 --> 00:40:59,104 [ Exhales ] HERE WE GO. BRACE YOURSELVES. 612 00:41:00,438 --> 00:41:02,729 LET THE SPELL BE ENDED. 613 00:41:02,729 --> 00:41:04,896 YOU GOTTA BE KIDDING. 614 00:41:04,896 --> 00:41:07,312 "LET THE SPELL BE ENDED." THAT'S NOT GONNA WORK. 615 00:41:08,813 --> 00:41:10,855 OH. 616 00:41:13,646 --> 00:41:17,021 I LIKED IT THE OTHER WAY. PUT HIM BACK. 617 00:41:29,396 --> 00:41:31,729 GETTING NOSTALGIC? 618 00:41:31,729 --> 00:41:35,896 I DON'T KNOW. AT FIRST, IT'S JUST A PLACE. 619 00:41:35,896 --> 00:41:38,271 THEN YOU START TO MAKE MEMORIES, 620 00:41:38,271 --> 00:41:41,021 AND THEN YOU'RE LIKE, THAT'S WHERE SPIKE SLEPT, 621 00:41:41,021 --> 00:41:45,438 AND THERE, THAT'S WHERE ANYA AND I DROWNED THE SEPAVRO DEMON. 622 00:41:45,438 --> 00:41:50,771 OH! AND RIGHT THERE, THAT'S WHERE I GOT MY HEART ALL RIPPED OUT. 623 00:41:50,771 --> 00:41:52,771 I REALLY HATE THIS PLACE. 624 00:41:54,312 --> 00:41:58,688 ANYA. OHH! I SEE YOU'VE JOINED THE NOT-SLING-WEARING CROWD. 625 00:41:58,688 --> 00:42:02,521 YES. I'M FEELING BETTER. AND I ANTICIPATE MANY YEARS BEFORE MY DEATH-- 626 00:42:02,521 --> 00:42:05,229 EXCEPTING DISEASE OR AIR-BAG FAILURE. 627 00:42:05,229 --> 00:42:07,855 THAT SOUNDS NICE. 628 00:42:10,146 --> 00:42:12,438 OH! PRESENTS? 629 00:42:12,438 --> 00:42:14,896 NOT UNLESS YOU WANT MY COLLECTION OF BABYLON 5 COMMEMORATIVE PLATES, 630 00:42:14,896 --> 00:42:17,396 WHICH YOU CANNOT HAVE. 631 00:42:17,396 --> 00:42:19,938 I JUST THOUGHT YOU COULD HELP CARRY A LITTLE. 632 00:42:19,938 --> 00:42:23,479 ME? BUFFY HAS SUPER STRENGTH. 633 00:42:23,479 --> 00:42:26,438 WHY DON'T WE JUST LOAD HER UP LIKE ONE OF THOSE LITTLE HORSES? 634 00:42:26,438 --> 00:42:29,604 ANYA. PLEASE. 635 00:42:29,604 --> 00:42:34,021 FINE. I'M JUST YOUR SLAVE. 636 00:42:35,938 --> 00:42:40,396 HOW IS IT THAT SHE CAN ALWAYS MAKE ME FEEL SUAVE XANDER'S LEFT THE BUILDING? 637 00:42:40,396 --> 00:42:44,271 YOU TWO HAVE YOUR FRICTION, BUT SHE DIGS THE WHOLE PACKAGE. 638 00:42:44,271 --> 00:42:47,021 IT'S OBVIOUS. STILL, I DO ENVY YOU SOMETIMES. 639 00:42:47,021 --> 00:42:49,271 I MEAN, FOR THE SANITY. 640 00:42:49,271 --> 00:42:52,229 NOT THAT I'M STILL INTO BUFFY. NOT THAT I EVER WAS. 641 00:42:52,229 --> 00:42:54,813 HEY, I'M WELL AWARE OF HOW LUCKY I AM-- 642 00:42:54,813 --> 00:42:57,146 LIKE, LOTTERY LUCKY. 643 00:42:59,062 --> 00:43:01,938 BUFFY'S LIKE NOBODY ELSE IN THE WORLD. 644 00:43:01,938 --> 00:43:04,646 WHEN I'M WITH HER, IT'S LIKE-- IT'S LIKE I'M SPLIT IN TWO. 645 00:43:04,646 --> 00:43:07,604 HALF OF ME IS JUST ON FIRE, 646 00:43:07,604 --> 00:43:09,771 GOING CRAZY IF I'M NOT TOUCHING HER. 647 00:43:09,771 --> 00:43:14,271 THE OTHER HALF IS SO STILL AND PEACEFUL, 648 00:43:14,271 --> 00:43:16,729 JUST PERFECTLY CONTENT. 649 00:43:16,729 --> 00:43:20,813 JUST KNOWS, THIS IS THE ONE. 650 00:43:24,563 --> 00:43:26,855 BUT SHE DOESN'T LOVE ME. 651 00:43:34,021 --> 00:43:36,354 YOU GOT SOMETHING ELSE FOR ME TO CARRY? 652 00:43:36,354 --> 00:43:39,146 UH, YOU CAN HELP ME PACK THIS. SURE. 653 00:43:40,312 --> 00:43:43,855 MMM. SURE. 654 00:44:25,855 --> 00:44:28,104 GRR! ARRGH!