1 00:00:01,729 --> 00:00:04,021 [ Giles ] PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER ... 2 00:00:04,021 --> 00:00:05,688 PLEASE REMOVE YOUR CLOTHING NOW. 3 00:00:05,688 --> 00:00:08,187 [ Anya ] RELATIONSHIP. WHAT KIND DO WE HAVE, 4 00:00:08,187 --> 00:00:09,771 AND WHAT IS IT PROGRESSING TOWARD? 5 00:00:09,771 --> 00:00:11,896 THEY DON'T EVEN KNOW I EXIST, RIGHT? 6 00:00:11,896 --> 00:00:14,104 I JUST LIKE HAVING SOMETHING 7 00:00:14,104 --> 00:00:18,021 THAT'S JUST, YOU KNOW, MINE. 8 00:00:18,021 --> 00:00:20,980 [ Tara ] I AM, YOU KNOW. 9 00:00:20,980 --> 00:00:22,688 [ Willow ] WHAT? 10 00:00:24,062 --> 00:00:26,021 YOURS. 11 00:00:34,896 --> 00:00:36,479 AHH! 12 00:00:36,479 --> 00:00:37,479 UGH! 13 00:00:40,479 --> 00:00:41,521 AAARGH! 14 00:00:57,563 --> 00:00:58,980 AAARGH! 15 00:01:08,980 --> 00:01:11,813 OKAY. YOU GET FANG. I'LL GET HORNY. 16 00:01:11,813 --> 00:01:12,980 I MEAN... 17 00:01:19,563 --> 00:01:20,563 AAAAH! 18 00:01:28,479 --> 00:01:30,062 [ Growling ] 19 00:01:33,354 --> 00:01:34,646 AAAH! 20 00:01:38,896 --> 00:01:40,938 OOH. 21 00:01:40,938 --> 00:01:43,729 VAMPIRE-DEMON TAG TEAM. 22 00:01:43,729 --> 00:01:45,396 WHO SAYS WE CAN'T ALL GET ALONG? 23 00:01:45,396 --> 00:01:46,980 DON'T RECALL EVER SEEING THAT BEFORE. 24 00:01:46,980 --> 00:01:52,104 IT NEVER HAPPENS. VAMPS HATE DEMONS. 25 00:01:52,104 --> 00:01:54,062 IT'S LIKE STRIPES AND POLKA DOTS. 26 00:01:54,062 --> 00:01:56,688 MAJOR CLASHING. 27 00:01:56,688 --> 00:02:00,938 SO, UH, I GUESS WE SHOULD TELL GILES ABOUT THIS. 28 00:02:00,938 --> 00:02:02,146 RIGHT. 29 00:02:02,146 --> 00:02:04,230 I MEAN, IT'S THE KIND OF THING 30 00:02:04,230 --> 00:02:06,230 HE'D WANNA KNOW ABOUT. 31 00:02:06,230 --> 00:02:06,896 UH-HUH. 32 00:02:06,896 --> 00:02:08,813 LIKE, AS SOON AS POSSIBLE. 33 00:02:08,813 --> 00:02:10,104 SOON AS POSSIBLE. 34 00:02:11,771 --> 00:02:13,396 [ Buffy ] I MEAN IT NOW. 35 00:02:13,396 --> 00:02:17,021 FIRST THING... IN THE MORNING... WE GO TELL GILES. 36 00:02:17,021 --> 00:02:18,771 FIRST THING. GOOD PLAN. 37 00:04:27,896 --> 00:04:29,146 [ Rustling ] 38 00:04:38,396 --> 00:04:40,271 [ Rustling And Moving ] 39 00:05:02,855 --> 00:05:04,813 [ Water Splashing ] 40 00:05:35,563 --> 00:05:38,771 AW, COME ON. BIG PARTY AT RILEY'S HOUSE. 41 00:05:38,771 --> 00:05:41,855 IT'S GONNA BE FUN. WHY DON'T YOU WANT TO GO? 42 00:05:41,855 --> 00:05:47,521 YOU KNOW WHY NOT. THOSE INITIATIVE MEN MAKE ME NOT COMFORTABLE. 43 00:05:47,521 --> 00:05:49,354 AND YOU DON'T CARE. 44 00:05:49,354 --> 00:05:51,354 THEY DON'T EVEN KNOW THAT YOU'RE AN EX-DEMON. 45 00:05:51,354 --> 00:05:54,271 AND WE DON'T KNOW THAT THEY'D CARE EVEN IF THEY DID KNOW. 46 00:05:54,271 --> 00:05:56,146 WHICH, BY THE WAY, THEY'RE NOT GONNA FIND OUT. 47 00:05:56,146 --> 00:05:58,104 ANYWAYS, THEY'LL PROBABLY BE TOO BUSY FLIRTING 48 00:05:58,104 --> 00:06:00,187 WITH EVERY OTHER GIRL AT THE PARTY TO EVEN NOTICE YOU. 49 00:06:00,187 --> 00:06:04,187 SO YOU DON'T THINK I'M DESIRABLE ENOUGH TO BE FLIRTED WITH? 50 00:06:04,187 --> 00:06:05,813 IS THAT IT? 51 00:06:05,813 --> 00:06:07,813 I'M JUST NOT GONNA WIN HERE, AM I? 52 00:06:07,813 --> 00:06:09,813 YOU DON'T FIND ME ATTRACTIVE ANYMORE. 53 00:06:09,813 --> 00:06:12,896 WHAT ARE YOU TALKING ABOUT? I THINK YOU'RE GORGEOUS. 54 00:06:12,896 --> 00:06:17,521 OH, REALLY? WELL, THEN, WHY DIDN'T WE HAVE SEX LAST NIGHT? 55 00:06:17,521 --> 00:06:19,729 IS THAT WHAT THIS IS ABOUT? 56 00:06:19,729 --> 00:06:21,438 WE'VE GONE OTHER NIGHTS WITHOUT SEX. 57 00:06:21,438 --> 00:06:24,354 I KNOW. TWICE! 58 00:06:24,354 --> 00:06:26,104 CAN'T BELIEVE WE'RE BREAKING UP! 59 00:06:26,104 --> 00:06:29,563 BREAKING-- WE'RE NOT. ARE WE? 60 00:06:29,563 --> 00:06:33,646 OF COURSE WE ARE. YOU'VE OBVIOUSLY GROWN TIRED OF ME. 61 00:06:33,646 --> 00:06:36,146 I'VE SEEN IT HAPPEN TO THOUSANDS OF WOMEN OVER THE CENTURIES. 62 00:06:36,146 --> 00:06:38,312 I JUST NEVER THOUGHT IT WOULD HAPPEN TO ME. 63 00:06:38,312 --> 00:06:42,438 ANYA, THERE'S A LOT MORE TO YOU AND ME THAN THE SEX. 64 00:06:42,438 --> 00:06:44,646 WELL, THERE SHOULD BE. 65 00:06:44,646 --> 00:06:46,855 A RELATIONSHIP IS SOMETHING THAT YOU WORK AT, 66 00:06:46,855 --> 00:06:49,438 WORK THROUGH, TOGETHER. 67 00:06:49,438 --> 00:06:53,479 I DON'T UNDERSTAND. I'M PRETTY. I'M YOUNG. 68 00:06:53,479 --> 00:06:55,521 WHY DIDN'T YOU TAKE ADVANTAGE OF ME? 69 00:06:55,521 --> 00:06:57,396 IS SOMETHING WRONG WITH YOUR BODY? 70 00:06:57,396 --> 00:06:59,855 THERE'S NOTHING WRONG WITH MY BODY. 71 00:06:59,855 --> 00:07:01,563 W-WELL THERE MUST BE. 72 00:07:01,563 --> 00:07:06,563 I SAW THAT WRINKLED MAN ON TV TALKING ABOUT ERECTILE DYSFUNCTION-- 73 00:07:06,563 --> 00:07:12,646 WHOA! HEY! HA HA. ALL SYSTEMS GO HERE. NO FUNCTION PROBLEM, OKAY? 74 00:07:14,146 --> 00:07:17,312 YOU WANT SEX? LET'S HAVE SEX. 75 00:07:17,312 --> 00:07:19,855 RIGHT HERE. HOT, SWEATY, BIG SEX! 76 00:07:26,729 --> 00:07:30,271 [ Giles ] THERE'S ALWAYS BEEN GREAT DISCORD BETWEEN THEM. 77 00:07:30,271 --> 00:07:33,187 AND YET YOU SAY THAT THE VAMPIRE WENT TO THE DEMON'S AID? 78 00:07:33,187 --> 00:07:35,479 THE TWO OF THEM WERE WORKING AS A TEAM? 79 00:07:35,479 --> 00:07:37,312 EVERYTHING EXCEPT GIVING EACH OTHER 80 00:07:37,312 --> 00:07:38,646 LITTLE PATS ON THE BEHIND. 81 00:07:38,646 --> 00:07:40,646 EXTRAORDINARILY ODD. 82 00:07:40,646 --> 00:07:42,771 AS A RULE, 83 00:07:42,771 --> 00:07:44,729 DEMONS...HAVE NO EMPATHY 84 00:07:44,729 --> 00:07:46,771 FOR ANY OTHER SPECIES OTHER THAN THEIR OWN. 85 00:07:46,771 --> 00:07:49,813 IN FACT, MOST THINK OF-- 86 00:07:49,813 --> 00:07:52,688 [ Lowers Voice ] VAMPIRES AS... ABOMINATIONS, 87 00:07:52,688 --> 00:07:54,855 MIXING WITH HUMAN BLOOD AND ALL. 88 00:07:54,855 --> 00:07:57,563 SO WHAT BROUGHT THESE TWO TOGETHER? 89 00:07:57,563 --> 00:07:59,354 NOT WHAT. WHO. 90 00:07:59,354 --> 00:08:00,688 ADAM. 91 00:08:00,688 --> 00:08:02,271 THINK ABOUT IT. 92 00:08:02,271 --> 00:08:05,312 WHO BETTER TO BRING TOGETHER A BUNCH OF DEMON TYPES 93 00:08:05,312 --> 00:08:07,646 THAN SOMEONE WHO'S MADE OUT OF A BUNCH OF DEMON TYPES. 94 00:08:07,646 --> 00:08:10,604 SO HE'S, UH... BRIDGING THE GAP BETWEEN THE RACES. 95 00:08:10,604 --> 00:08:12,188 HUH. LIKE MARTIN LUTHER KING. 96 00:08:13,062 --> 00:08:15,188 UM...AHEM... 97 00:08:15,188 --> 00:08:17,187 I--I SUGGEST THAT, UH, 98 00:08:17,187 --> 00:08:19,354 OVER THE NEXT SEVERAL NIGHTS, 99 00:08:19,354 --> 00:08:21,771 YOU TWO CONCENTRATE YOUR PATROL IN THAT SAME AREA. 100 00:08:21,771 --> 00:08:23,438 IF THERE'S ANY OTHER PECULIAR PAIRINGS OR GROUPINGS, 101 00:08:23,438 --> 00:08:25,771 YOU LET ME KNOW. 102 00:08:25,771 --> 00:08:27,729 I'LL LET THE SQUAD KNOW AS WELL. THEY'RE PATROLLING. 103 00:08:27,729 --> 00:08:29,521 WE'LL HAVE A RESERVE UNIT OUT DURING THE PARTY. 104 00:08:29,521 --> 00:08:30,896 PARTY? 105 00:08:30,896 --> 00:08:32,354 TOMORROW NIGHT. WE'RE HAVING A THING. 106 00:08:32,354 --> 00:08:34,688 AT A TIME LIKE THIS? WHOSE IDEA WAS THAT? 107 00:08:34,688 --> 00:08:37,771 MINE. BOYS ARE PRETTY RAGGED. NEED TO LET OFF STEAM. 108 00:08:39,312 --> 00:08:40,688 POINT TAKEN. 109 00:08:40,688 --> 00:08:42,354 YOU'RE WELCOME TO COME. 110 00:08:42,354 --> 00:08:45,688 AS MUCH AS I, UH... 111 00:08:45,688 --> 00:08:47,479 LONG FOR A GOOD KEGGER, 112 00:08:47,479 --> 00:08:50,271 I HAVE OTHER PLANS. THE...ESPRESSO PUMP. 113 00:08:50,271 --> 00:08:52,229 [ Tara ] WHAT ARE YOU DOING THERE? 114 00:08:52,229 --> 00:08:54,104 I'M, UH... 115 00:08:54,104 --> 00:08:55,855 IT--IT'S A-- A MEETING 116 00:08:55,855 --> 00:08:57,646 OF--OF GROWN-UPS. 117 00:08:57,646 --> 00:09:00,563 IT COULDN'T POSSIBLY BE OF ANY INTEREST TO YOU LOT. 118 00:09:00,563 --> 00:09:03,396 BUFFY, HEY, LOOK AT THE TIME. DON'T YOU HAVE A CLASS? 119 00:09:03,396 --> 00:09:04,729 IN ABOUT 20 MINUTES. 120 00:09:04,729 --> 00:09:08,521 YEAH, BUT... I HAVE THAT THING... 121 00:09:08,521 --> 00:09:11,604 RIGHT. THAT THING... WE COULD SQUEEZE IN 122 00:09:11,604 --> 00:09:12,563 BEFORE. 123 00:09:12,563 --> 00:09:13,563 BYE! 124 00:09:13,563 --> 00:09:14,604 GOTTA RUN. 125 00:09:14,604 --> 00:09:16,438 THEY-- 126 00:09:16,438 --> 00:09:17,729 THEY'RE PROBABLY GOIN' TO-- 127 00:09:17,729 --> 00:09:19,146 YES, THANK YOU, WILLOW. 128 00:09:19,146 --> 00:09:22,104 I DID ATTEND UNIVERSITY IN THE MESOZOIC ERA. 129 00:09:22,104 --> 00:09:24,062 I DO REMEMBER WHAT IT'S LIKE. 130 00:09:30,855 --> 00:09:32,771 DIDN'T WE JUST GET THE FURNACE FIXED? IT'S FREEZING! 131 00:09:32,771 --> 00:09:34,855 I'LL CALL IN THE AM, GET SOMEBODY TO COME-- 132 00:09:34,855 --> 00:09:37,312 [ Moaning ] 133 00:09:38,729 --> 00:09:40,646 OH, YOU GOTTA BE KIDDING ME. 134 00:09:40,646 --> 00:09:42,729 WHEN DO THESE TWO COME UP FOR AIR? 135 00:09:42,729 --> 00:09:44,230 SLAVES TO THE RHYTHM. 136 00:10:02,479 --> 00:10:05,604 ROOM SHOULDA WARMED UP BY NOW. 137 00:10:05,604 --> 00:10:07,021 I'VE BEEN BUILDING THIS THING FOR AN HOUR. 138 00:10:07,021 --> 00:10:09,229 IT'S STILL AN ICEBOX IN HERE. 139 00:10:09,229 --> 00:10:11,855 DON'T BOTHER, MASON. WE GOT A COUPLE OF HEAT GENERATORS 140 00:10:11,855 --> 00:10:13,604 PUMPING AWAY UPSTAIRS. 141 00:10:50,563 --> 00:10:51,479 GEEZ! 142 00:10:56,187 --> 00:10:57,646 CALL A MEDIC! 143 00:10:57,646 --> 00:10:59,146 GET HELP! 144 00:11:15,021 --> 00:11:17,104 AAH! 145 00:11:17,104 --> 00:11:19,312 OH. IT'S YOU. 146 00:11:20,563 --> 00:11:22,062 SPIKE! WHAT ARE YOU DOING? 147 00:11:22,062 --> 00:11:23,729 YOU MADE ME YELL REALLY HIGH! 148 00:11:23,729 --> 00:11:27,104 HEY, YEAH, I DID. I SCARED YOU. 149 00:11:29,271 --> 00:11:30,771 GIMME MONEY. 150 00:11:30,771 --> 00:11:33,729 I'M NOT PAYING YOU FOR SCARING ME. 151 00:11:33,729 --> 00:11:36,604 YOU'RE NOT PAYING ME. I'M ROBBING YOU. 152 00:11:36,604 --> 00:11:38,604 WELL, THAT'S JUST LUDICROUS. 153 00:11:38,604 --> 00:11:40,688 YOU CAN'T HURT ME, BECAUSE YOU'VE GOT THAT CHIP IN YOUR BRAIN. 154 00:11:40,688 --> 00:11:43,688 ALSO, I LIKE MY MONEY THE WAY IT IS... WHEN IT'S MINE. 155 00:11:43,688 --> 00:11:45,396 [ Growls ] 156 00:11:45,396 --> 00:11:47,396 OH, NOW, COME ON! 157 00:11:47,396 --> 00:11:50,021 YOU'RE NOT EVEN BUMPY ANYMORE! 158 00:11:50,021 --> 00:11:51,396 OH. 159 00:11:51,396 --> 00:11:53,438 I WAS JUST A MINUTE AGO. 160 00:11:53,438 --> 00:11:55,521 HANG ON. GET ME MAD AGAIN. 161 00:11:55,521 --> 00:11:57,312 DOES THIS REALLY WORK? 162 00:11:57,312 --> 00:11:59,229 SCARING PEOPLE INTO GIVING YOU THEIR MONEY? 163 00:11:59,229 --> 00:12:02,230 YEAH, IT WORKS. KEEPS ME IN BLOOD AND BEERS. 164 00:12:02,230 --> 00:12:04,729 PLUS, YOU KNOW, FUNNY... WATCHING THE LITTLE HUMANS QUAIL. 165 00:12:04,729 --> 00:12:07,187 I'M BEGINNING TO UNDERSTAND WHY YOU'RE SO FRIENDLESS. 166 00:12:07,187 --> 00:12:08,771 LOOK WHO'S TALKING. 167 00:12:08,771 --> 00:12:12,021 I DON'T SEE DROOPY BOY ON YOUR ARM. 168 00:12:12,021 --> 00:12:15,104 DID HE HAVE BETTER THINGS TO DO? 169 00:12:17,146 --> 00:12:20,271 [ Loud Music Plays ] 170 00:12:31,479 --> 00:12:32,855 YOU'RE KIDDING. 171 00:12:32,855 --> 00:12:34,938 MASON REQUESTED TO GO ON PATROL? 172 00:12:34,938 --> 00:12:36,729 HE JUST DIDN'T WANT THE GIRLS TO SEE HIM 173 00:12:36,729 --> 00:12:38,062 WITH HIS EYEBROWS ALL BURNT OFF. 174 00:12:38,062 --> 00:12:40,479 HE'S LUCKY THAT'S ALL HE LOST. 175 00:12:40,479 --> 00:12:43,688 YOU SHOULD HAVE SEEN IT, RI. IT WAS WEIRD AS HELL. 176 00:12:43,688 --> 00:12:45,354 [ Riley ] MM-HMM. 177 00:12:46,980 --> 00:12:48,938 HOW MANY KIDS? 178 00:12:48,938 --> 00:12:50,354 I DON'T KNOW. A WHOLE HERD OF THEM. 179 00:12:50,354 --> 00:12:52,479 AND SOME PARENTS TO BOOT. 180 00:12:52,479 --> 00:12:54,896 IT'S KIND OF EMBARRASSING, WHICH, WELCOME TO THE LIFE WITH ANYA. 181 00:12:54,896 --> 00:12:57,771 SO YOU DON'T EVEN KNOW IF SHE'S COMING TONIGHT. 182 00:12:57,771 --> 00:12:58,855 I'M THINKING NO. 183 00:12:58,855 --> 00:13:00,729 SHE WAS... PRETTY UPSET. 184 00:13:00,729 --> 00:13:02,563 WHICH MAKES ME WONDER. 185 00:13:02,563 --> 00:13:04,646 IS IT ME? AM I THE CRAZY ONE? 186 00:13:04,646 --> 00:13:06,062 UH-HUH. 187 00:13:06,062 --> 00:13:07,146 ABSOLUTELY. 188 00:13:09,229 --> 00:13:10,813 HEY, BUFFY, 189 00:13:10,813 --> 00:13:13,230 THIS MIGHT BE A GOOD TIME TO MENTION 190 00:13:13,230 --> 00:13:16,354 THAT SOMEONE SO NOT ME SPILLED SOMETHING PURPLY ON YOUR NEW PEASANT TOP, 191 00:13:16,354 --> 00:13:19,271 WHICH I WOULD NEVER BORROW WITHOUT ASKING. 192 00:13:19,271 --> 00:13:20,563 STILL LOVE ME? 193 00:13:20,563 --> 00:13:22,021 UH-HUH. 194 00:13:23,479 --> 00:13:26,271 HUH? WHAT ABOUT MY PEASANT TOP? 195 00:13:26,271 --> 00:13:27,604 NOTHING. 196 00:13:27,604 --> 00:13:29,771 XANDER WAS JUST TALKING ABOUT ANYA. 197 00:13:29,771 --> 00:13:31,729 OH, IT'S NOTHING MUCH. 198 00:13:31,729 --> 00:13:34,271 I'M JUST FEELING PRETTY GLAD RIGHT NOW 199 00:13:34,271 --> 00:13:37,062 THAT A CERTAIN EX-DEMON DOESN'T HAVE ANY POWERS. 200 00:13:37,062 --> 00:13:39,146 [ Anya ] BOY, I MISS THOSE POWERS. 201 00:13:39,146 --> 00:13:41,438 YEAH. 202 00:13:41,438 --> 00:13:43,312 TELL ME ABOUT IT. 203 00:13:43,312 --> 00:13:45,479 A YEAR AND A HALF AGO, 204 00:13:45,479 --> 00:13:48,062 I COULD HAVE EVISCERATED HIM WITH MY THOUGHTS. 205 00:13:48,062 --> 00:13:50,187 NOW I CAN BARELY HURT HIS FEELINGS. 206 00:13:50,187 --> 00:13:53,021 THINGS USED TO BE SO MUCH SIMPLER. 207 00:13:53,021 --> 00:13:54,729 YOU KNOW... 208 00:13:54,729 --> 00:13:57,021 YOU TAKE THE KILLING FOR GRANTED... 209 00:13:57,021 --> 00:13:59,938 AND THEN IT'S GONE, AND YOU'RE LIKE... 210 00:14:01,855 --> 00:14:04,146 I WISH I'D APPRECIATED IT MORE. 211 00:14:04,146 --> 00:14:07,563 STOPPED AND SMELLED THE CORPSES, YOU KNOW? 212 00:14:07,563 --> 00:14:10,062 YEAH. NOW EVERYTHING'S COMPLICATED. 213 00:14:10,062 --> 00:14:11,771 IT'S A TERRIBLE THING, LOVE IS. 214 00:14:11,771 --> 00:14:13,604 I BEEN THERE MYSELF. 215 00:14:13,604 --> 00:14:15,271 ENDED BADLY. 216 00:14:15,271 --> 00:14:18,230 OF COURSE IT DID. IT ALWAYS DOES. 217 00:14:18,230 --> 00:14:20,771 SEEN A THOUSAND RELATIONSHIPS. 218 00:14:20,771 --> 00:14:24,062 FIRST THERE'S THE LOVE AND SEX, 219 00:14:24,062 --> 00:14:26,396 THEN THERE'S NOTHING LEFT BUT THE VENGEANCE. 220 00:14:26,396 --> 00:14:28,104 THAT'S HOW IT WORKS. 221 00:14:28,104 --> 00:14:29,646 HEY... 222 00:14:29,646 --> 00:14:33,062 YOU AND I SHOULD JUST GO DO THE VENGEANCE. 223 00:14:33,062 --> 00:14:34,729 BOTH OF US. 224 00:14:34,729 --> 00:14:37,729 YOU EVISCERATE XANDER, AND I'LL STAKE DRU. 225 00:14:37,729 --> 00:14:39,187 LIKE A PROJECT. 226 00:14:42,187 --> 00:14:44,521 I DON'T KNOW. I JUST CAN'T. 227 00:14:47,146 --> 00:14:49,229 BUT YOU CAN GO DO DRU, THOUGH. 228 00:14:49,229 --> 00:14:51,646 YEAH. I WILL. 229 00:14:53,104 --> 00:14:55,187 MAYBE LATER. 230 00:14:59,146 --> 00:15:02,021 YOU SEE, THE THING THAT THEY'RE AFRAID TO TEACH US ABOUT 231 00:15:02,021 --> 00:15:04,855 IS THE INHERENT SENSUALITY OF LANGUAGE. 232 00:15:04,855 --> 00:15:06,104 YOU LEARN FRENCH, 233 00:15:06,104 --> 00:15:08,187 AND THEY MAKE IT ALL ABOUT CONJUGATIONS 234 00:15:08,187 --> 00:15:09,896 AND FRONTED VOWELS, 235 00:15:09,896 --> 00:15:12,187 BUT NOBODY EVER REALLY TALKS ABOUT... 236 00:15:12,187 --> 00:15:13,896 YOU KNOW... 237 00:15:13,896 --> 00:15:16,312 THE WAY LANGUAGE TASTES...YOU KNOW? 238 00:15:16,312 --> 00:15:19,521 THE WAY IT FEELS ROLLING OVER YOUR TONGUE. 239 00:15:19,521 --> 00:15:25,146 I MEAN... JUST THINK ABOUT CAR VERSUS VOITURE. 240 00:15:25,146 --> 00:15:27,396 OH...OH! 241 00:15:29,729 --> 00:15:30,604 WOW! [ Laughs ] 242 00:15:30,604 --> 00:15:32,230 A-ARE YOU ALL RIGHT? 243 00:15:32,230 --> 00:15:34,230 FINE. I-- 244 00:15:34,230 --> 00:15:36,688 OH...[ Shudders ] OH, MY GOD. 245 00:15:36,688 --> 00:15:37,980 WOW. 246 00:15:37,980 --> 00:15:39,646 WOW. [ Laughs ] 247 00:15:39,646 --> 00:15:41,729 YOU REALLY LIKE FRENCH. 248 00:15:41,729 --> 00:15:43,021 YEAH, WELL-- 249 00:15:43,021 --> 00:15:46,396 AHH... 250 00:15:51,563 --> 00:15:53,771 "LOWELL HOUSE. 251 00:15:53,771 --> 00:15:55,563 1962." 252 00:15:55,563 --> 00:15:57,021 YES. 253 00:15:57,021 --> 00:15:58,855 UM...JUST, 254 00:15:58,855 --> 00:16:00,604 YOU KNOW... 255 00:16:00,604 --> 00:16:04,479 IMPRESSING YOU WITH MY KNOWLEDGE OF LOCAL HISTORY. 256 00:16:04,479 --> 00:16:06,563 OR MY KNOWLEDGE OF READING. 257 00:16:06,563 --> 00:16:09,354 AND YOU DIDN'T EVEN HAVE TO SOUND ANYTHING OUT! 258 00:16:09,354 --> 00:16:12,563 YOU SHOULD SEE ME ADD SHORT COLUMNS OF SMALL NUMBERS. 259 00:16:14,604 --> 00:16:16,938 YOU'RE FUNNY. 260 00:16:16,938 --> 00:16:18,521 THANKS. 261 00:16:18,521 --> 00:16:20,771 THAT IS... 262 00:16:20,771 --> 00:16:25,229 FUNNY "HOW AMUSING" OR FUNNY "BACK AWAY AND AVOID EYE CONTACT"? 263 00:16:25,229 --> 00:16:26,646 MM... 264 00:16:26,646 --> 00:16:28,062 KINDA BOTH. 265 00:16:29,729 --> 00:16:31,438 WHO ARE YOU HERE WITH? 266 00:16:32,813 --> 00:16:35,354 RIGHT NOW, I SEEM TO BE HERE WITH YOU. 267 00:16:39,646 --> 00:16:41,688 HI. UH...CAN WE-- 268 00:16:41,688 --> 00:16:45,146 I, UM...NEED YOU TO TAKE A LOOK AT AN... 269 00:16:45,146 --> 00:16:46,813 ESSAY FOR CLASS. 270 00:16:46,813 --> 00:16:48,438 THAT ESSAY. RIGHT. 271 00:16:48,438 --> 00:16:49,604 HERE. 272 00:16:49,604 --> 00:16:51,354 I'LL CATCH YOU GUYS IN A MINUTE. 273 00:16:51,354 --> 00:16:53,312 THERE'S AN ESSAY... I GOTTA LOOK AT. 274 00:16:54,855 --> 00:16:57,729 AND I'M THE ONE WHO GOT A "D" IN COVERT OPS. 275 00:17:00,646 --> 00:17:04,229 HEY, EVAN, COME HERE. YOU GOTTA SEE THIS. 276 00:17:04,229 --> 00:17:06,104 I'M GETTIN' A BEER. 277 00:17:06,104 --> 00:17:08,230 NO, NO, NO. FIRST JUST... 278 00:17:08,230 --> 00:17:10,604 PUT YOUR HAND... RIGHT HERE. 279 00:17:10,604 --> 00:17:12,896 OKAY. SOMEHOW THIS IS A TRICK. I KNOW IT. 280 00:17:12,896 --> 00:17:14,646 HERE. 281 00:17:14,646 --> 00:17:16,438 NOW STAY. 282 00:17:16,438 --> 00:17:18,855 DON'T MOVE. 283 00:17:18,855 --> 00:17:20,896 WHOA! 284 00:17:20,896 --> 00:17:23,688 [ Heavy Breathing ] WHAT IS THAT? 285 00:17:25,813 --> 00:17:27,938 I KINDA FEEL... 286 00:17:27,938 --> 00:17:30,855 [ Shudders ] OH, MY GOD! 287 00:17:30,855 --> 00:17:33,438 OH, GOD! 288 00:17:33,438 --> 00:17:35,146 [ Heavy Breathing ] 289 00:17:35,146 --> 00:17:36,479 HORSES? 290 00:17:36,479 --> 00:17:38,563 LIKE BIG...TALL... 291 00:17:38,563 --> 00:17:40,688 TEETH-THAT-CAN-TAKE- YOUR-ARM-OFF HORSES? 292 00:17:40,688 --> 00:17:42,729 WELL, SURE. I LEARNED TO RIDE WHEN I WAS A KID. 293 00:17:42,729 --> 00:17:44,938 IT'S FUN. 294 00:17:44,938 --> 00:17:48,563 AND BY THE WAY, MOST HORSES DON'T LIKE ARM VERY MUCH. 295 00:17:48,563 --> 00:17:51,438 I HAD A BAD BIRTHDAY PARTY PONY THING 296 00:17:51,438 --> 00:17:53,312 WHEN I WAS 4. 297 00:17:53,312 --> 00:17:56,646 I LOOK AT HORSES AND I SEE REALLY BIG PONIES. 298 00:17:56,646 --> 00:17:58,646 YOU SHOULD RIDE WITH ME SOMETIME. 299 00:17:58,646 --> 00:18:01,438 I GUARANTEE SAFETY AND FUN. 300 00:18:01,438 --> 00:18:04,646 WELL...IF YOU PROMISE YOU'LL LOOK AFTER ME. 301 00:18:04,646 --> 00:18:06,146 DON'T TOUCH ME! 302 00:18:06,146 --> 00:18:08,896 THAT'S DIS-- DISGUSTING! 303 00:18:08,896 --> 00:18:11,021 TARA... 304 00:18:11,021 --> 00:18:13,688 WH-WHAT'S THE MATTER? 305 00:18:13,688 --> 00:18:16,688 I DON'T-- I DON'T KNOW. 306 00:18:16,688 --> 00:18:18,855 I'M SORRY. I--I DIDN'T MEAN TO-- 307 00:18:18,855 --> 00:18:20,771 A-ARE YOU FEELING OKAY? 308 00:18:20,771 --> 00:18:22,062 I'M F-FINE. 309 00:18:22,062 --> 00:18:24,646 I JUST WANNA... GO TO THE BATHROOM. 310 00:18:32,521 --> 00:18:34,312 HEY... 311 00:18:34,312 --> 00:18:36,312 I KNOW THESE GUYS FROM SOMEWHERE. 312 00:18:36,312 --> 00:18:37,813 INITIATIVE SOLDIERS. THEY LIVE HERE. 313 00:18:37,813 --> 00:18:41,104 THE EXPERIMENTS HAPPEN IN THE LAB UNDER THE HOUSE. 314 00:18:41,104 --> 00:18:44,062 IT'S WHERE THEY KEPT YOU AND PUT IN YOUR CHIP. LET'S HAVE FUN! 315 00:18:44,062 --> 00:18:46,062 WHAT ARE YOU DOING? YOU BROUGHT ME HERE? 316 00:18:46,062 --> 00:18:47,479 ANYA? WHAT ARE YOU DOING? 317 00:18:47,479 --> 00:18:49,312 YOU BROUGHT HIM HERE? 318 00:18:49,312 --> 00:18:50,688 THAT'S WHAT I SAID. 319 00:18:50,688 --> 00:18:52,229 ONLY I HIT THE HERE PART. 320 00:18:52,229 --> 00:18:54,771 ANYA, THIS IS CRAZY. 321 00:18:54,771 --> 00:18:56,813 WE HAD A LITTLE FIGHT. 322 00:18:56,813 --> 00:19:00,312 THAT JUST MEANS WE HAVE TO WORK OUR WAY THROUGH SOME STUFF. 323 00:19:00,312 --> 00:19:02,187 IT DOESN'T MEAN THAT WE REBOUND WITH THE EVIL UNDEAD. 324 00:19:02,187 --> 00:19:05,354 AND WHAT HAVE WE BEEN DOING WITH HIM ANYWAY? 325 00:19:05,354 --> 00:19:08,230 OH...WHO'S THE PUFFED UP MANLY MAN, 326 00:19:08,230 --> 00:19:10,688 ALL SPLOTCHY AND POSSESSIVE? 327 00:19:10,688 --> 00:19:12,604 IT'S NOT VERY CONVINCING, IS IT? 328 00:19:12,604 --> 00:19:15,813 YEAH. I SEE NOW WHAT YOU SAID ABOUT HIM EARLIER. 329 00:19:15,813 --> 00:19:17,521 NO FOLLOW-THROUGH. 330 00:19:17,521 --> 00:19:19,896 HEY, WHAT A SURPRISE! HOSTILE 17! 331 00:19:19,896 --> 00:19:22,813 CAN I GET YOU A DRINK, HOSTILE 17?! 332 00:19:22,813 --> 00:19:24,187 [ Anya ] XANDER, STOP! 333 00:19:31,230 --> 00:19:32,521 TUH. 334 00:19:32,521 --> 00:19:35,312 WELL...MAY BE SOME FUN TO BE HAD 335 00:19:35,312 --> 00:19:37,896 IN THE LION'S DEN AFTER ALL. YOU TWO KEEP SCRAPING. 336 00:19:37,896 --> 00:19:39,938 I'LL FIND THE LIQUOR. 337 00:19:39,938 --> 00:19:42,729 ANYA...WHAT ARE YOU DOING WITH HIM? 338 00:19:42,729 --> 00:19:45,479 WE DIDN'T HAVE SEX, IF THAT'S WHAT YOU MEAN. 339 00:19:45,479 --> 00:19:47,396 THAT'S ALL I DO NOW, NOT HAVE SEX. 340 00:19:47,396 --> 00:19:49,062 YOU'RE OVERREACTING. 341 00:19:49,062 --> 00:19:51,021 WE HAD A FIGHT... 342 00:19:51,021 --> 00:19:53,230 BUT, SEE, IT'S OKAY. IT'S NORMAL. 343 00:19:53,230 --> 00:19:55,855 YES. IT'S THE NORMAL PART OF ENDING A RELATIONSHIP 344 00:19:55,855 --> 00:19:58,396 RIGHT BEFORE THE VENGEANCE BEGINS. 345 00:19:58,396 --> 00:20:00,855 RIGHT. NO. VENGEANCE? 346 00:20:00,855 --> 00:20:02,771 RELAX. I'M NOT GOING TO DO IT. 347 00:20:02,771 --> 00:20:04,229 I'M JUST TRYING TO TELL YOU THAT WE HAVE NOTHING IN COMMON 348 00:20:04,229 --> 00:20:06,187 BESIDES BOTH OF US LIKING YOUR PENIS, 349 00:20:06,187 --> 00:20:08,438 AND NOW I DON'T EVEN HAVE THAT! 350 00:20:08,438 --> 00:20:11,438 SO I GET TO SAY WHEN IT'S DONE... AND IT'S DONE! 351 00:20:11,438 --> 00:20:13,271 OKAY. YOU KNOW WHAT? 352 00:20:13,271 --> 00:20:15,312 YOU DON'T DESERVE TO BE THE ONE TO WALK AWAY FROM THIS. 353 00:20:15,312 --> 00:20:17,229 I'VE PUT UP WITH A HELL OF A LOT FROM YOU, 354 00:20:17,229 --> 00:20:19,229 MUCH OF THAT IN THE LAST MINUTE. 355 00:20:19,229 --> 00:20:22,354 AND IF ANYONE GETS TO BE THE ONE TO LEAVE--IT'S ME. 356 00:20:22,354 --> 00:20:23,729 YOU'RE LEAVING ME? 357 00:20:23,729 --> 00:20:24,813 YES, I AM! 358 00:20:24,813 --> 00:20:25,896 WHERE ARE YOU GOING? 359 00:20:25,896 --> 00:20:27,438 TO ENJOY THE PARTY. 360 00:20:29,271 --> 00:20:30,938 WELL, THEN I'M STAYING TO... 361 00:20:30,938 --> 00:20:34,813 TO SHOW YOU HOW MUCH I'M NOT BOTHERED BY YOU HAVING FUN! 362 00:20:34,813 --> 00:20:36,980 BECAUSE I'LL BE HAVING MORE FUN! 363 00:20:36,980 --> 00:20:38,396 I'M HAVING FUN ALREADY! 364 00:20:38,396 --> 00:20:39,563 ME, TOO! 365 00:20:39,563 --> 00:20:41,146 WHOO HOO! 366 00:20:43,896 --> 00:20:48,312 [ Group ] WHOO HOO! [ Cheering ] 367 00:20:53,521 --> 00:20:57,271 SOMETIMES I JUST DON'T GET THE SOPHISTICATED COLLEGE LIFESTYLE. 368 00:20:57,271 --> 00:20:59,271 WHOO! WHOO! 369 00:20:59,271 --> 00:21:00,438 YEAH! 370 00:21:00,438 --> 00:21:01,813 ALL RIGHT! 371 00:21:11,229 --> 00:21:12,354 [ Guy ] THERE IT GOES. 372 00:21:12,354 --> 00:21:13,354 [ Girl ] OH... 373 00:21:13,354 --> 00:21:14,771 OH...OH! 374 00:21:14,771 --> 00:21:16,855 [ Excited Chatter ] 375 00:21:20,479 --> 00:21:23,980 GEE, IT'S A GOOD THING MOM'S OUT. WE'D BE IN TROUBLE. 376 00:21:30,563 --> 00:21:31,813 HEY, BUDDY. 377 00:21:31,813 --> 00:21:33,688 YOU LOOK FAMILIAR. 378 00:21:33,688 --> 00:21:35,938 YEAH. I GET THAT A LOT. 379 00:21:46,521 --> 00:21:48,312 HEY, XANDER. 380 00:21:49,396 --> 00:21:51,312 JULIE! 381 00:21:51,312 --> 00:21:53,771 OKAY! 382 00:21:53,771 --> 00:21:56,146 THIS, THEN, WOULD BE THE KISSING. 383 00:22:00,438 --> 00:22:02,604 VERY SMOOTH CHEEK YOU HAVE THERE. 384 00:22:02,604 --> 00:22:04,146 DO YOU EXFOLIATE? 385 00:22:09,230 --> 00:22:09,938 WHOA! 386 00:22:13,479 --> 00:22:15,354 JULIE! WHAT? 387 00:22:16,938 --> 00:22:18,187 I'M SORRY. 388 00:22:18,187 --> 00:22:20,312 I DIDN'T-- 389 00:22:20,312 --> 00:22:22,021 I'M SORRY! 390 00:22:34,896 --> 00:22:37,980 [ Girl ] OH...MY.. GOD! 391 00:22:37,980 --> 00:22:40,062 [ Laughter ] 392 00:22:40,062 --> 00:22:41,980 [ Excited Chatter ] 393 00:22:53,646 --> 00:22:56,855 [ Sobbing ] 394 00:22:56,855 --> 00:22:58,688 HI. UM... 395 00:22:58,688 --> 00:23:00,479 YOU OKAY? 396 00:23:00,479 --> 00:23:02,479 [ Sobbing ] 397 00:23:02,479 --> 00:23:03,771 JULIE? 398 00:23:05,938 --> 00:23:08,062 I'M BAD. 399 00:23:08,062 --> 00:23:09,938 [ Sobbing ] I'M BAD. 400 00:23:09,938 --> 00:23:11,729 [ Xander Trying Knob ] 401 00:23:11,729 --> 00:23:13,813 I'M BAD. I'M BAD. 402 00:23:13,813 --> 00:23:15,855 [ Crying ] 403 00:23:15,855 --> 00:23:18,604 I'M BAD. 404 00:23:19,646 --> 00:23:21,062 TARA? 405 00:23:21,062 --> 00:23:22,104 IT'S ME. 406 00:23:25,479 --> 00:23:26,980 TARA? 407 00:23:30,771 --> 00:23:31,813 TARA? 408 00:23:59,146 --> 00:24:01,688 [ Water Splashes ] 409 00:24:08,604 --> 00:24:11,021 [ Splashing Sounds ] 410 00:24:28,896 --> 00:24:31,646 AAH! 411 00:24:32,646 --> 00:24:34,729 WAS THAT WILLOW? 412 00:24:34,729 --> 00:24:36,729 I DON'T KNOW. 413 00:24:36,729 --> 00:24:38,729 DOESN'T MATTER. 414 00:24:41,021 --> 00:24:43,646 WHOO! WHOO! 415 00:24:46,771 --> 00:24:49,312 HEY, GUYS, THE GIRL JULIE, SHE'S FREAKIN' OUT. 416 00:24:49,312 --> 00:24:50,896 UH-OH! 417 00:24:50,896 --> 00:24:52,980 IS ANYONE FRIENDS WITH JULIE? 418 00:24:52,980 --> 00:24:54,896 [ Laughter ] 419 00:24:54,896 --> 00:24:56,021 YEAH! 420 00:24:56,021 --> 00:24:57,813 XANDER! 421 00:24:57,813 --> 00:25:00,021 TARA? 422 00:25:02,188 --> 00:25:03,438 XANDER! 423 00:25:03,438 --> 00:25:05,563 GHOST BOY. DROWNING IN A TUB. 424 00:25:05,563 --> 00:25:07,479 I--I TRIED TO SAVE HIM, BUT... 425 00:25:07,479 --> 00:25:10,438 BEING A GHOST ALREADY, WELL... I WAS WAY TOO LATE. 426 00:25:10,438 --> 00:25:12,104 A GHOST? 427 00:25:12,104 --> 00:25:13,729 WHAT'S THE DEAL? 428 00:25:13,729 --> 00:25:15,729 IS EVERY FRAT ON THIS CAMPUS HAUNTED? 429 00:25:15,729 --> 00:25:19,729 AND IF SO, WHY DO PEOPLE KEEP COMING TO THESE PARTIES? 430 00:25:19,729 --> 00:25:21,521 'CAUSE IT'S NOT THE SNACKS. 431 00:25:21,521 --> 00:25:23,062 TARA. 432 00:25:23,062 --> 00:25:24,688 HOW ARE YOU? 433 00:25:24,688 --> 00:25:27,521 I'M OKAY, BUT I--I DON'T LIKE IT HERE. 434 00:25:27,521 --> 00:25:30,230 THIS HOUSE. I THINK WE SHOULD GO. 435 00:25:30,230 --> 00:25:32,479 [ Laughter ] 436 00:25:39,521 --> 00:25:40,813 WE NEED BUFFY. 437 00:25:46,271 --> 00:25:47,855 BUFFY? 438 00:25:47,855 --> 00:25:49,604 BUFFY? RILEY? 439 00:25:56,146 --> 00:25:57,813 BUFFY! 440 00:26:00,646 --> 00:26:02,646 [ Pounding On Door ] 441 00:26:02,646 --> 00:26:04,563 BUFFY! 442 00:26:04,563 --> 00:26:07,521 [ Pounding ] 443 00:26:07,521 --> 00:26:09,062 BUFFY! 444 00:26:09,062 --> 00:26:10,187 [ Pounding ] 445 00:26:30,729 --> 00:26:32,729 [ Riley ] DO YOU WANT TO GO BACK? 446 00:26:32,729 --> 00:26:34,646 NEVER. 447 00:26:34,646 --> 00:26:37,230 BUFFY! RILEY! 448 00:26:37,230 --> 00:26:38,938 BUFFY! 449 00:26:38,938 --> 00:26:41,104 WE GOTTA GET THEM OUTTA THERE. 450 00:27:13,146 --> 00:27:16,146 WELL, THIS PARTY'S STARTING TO LIVEN UP AFTER ALL. 451 00:27:25,271 --> 00:27:27,146 GRAHAM! QUIT STANDING AROUND! 452 00:27:27,146 --> 00:27:28,855 HELP GET THESE PEOPLE TO SAFETY! 453 00:27:28,855 --> 00:27:30,771 TOUCH NOT THE IMPURE THING... WHAT? 454 00:27:30,771 --> 00:27:32,229 OR YE SHALL PERISH. 455 00:27:32,229 --> 00:27:35,187 FIND SALVATION IN THE CROSS OF OUR LORD AND SAVIOR. 456 00:27:35,187 --> 00:27:36,312 RIGHT. 457 00:27:39,771 --> 00:27:43,146 RETINAL SCAN ACCEPTED. 458 00:28:05,187 --> 00:28:07,271 AAH! 459 00:28:21,312 --> 00:28:23,938 ANYA, WE GOTTA GET OUT OF HERE. COME ON. 460 00:28:34,230 --> 00:28:35,521 HELP ME! 461 00:28:35,521 --> 00:28:39,230 PLEASE, GOD, HELP ME! 462 00:28:45,354 --> 00:28:47,230 WE'VE GOT TROUBLE UPSTAIRS. 463 00:28:47,230 --> 00:28:48,521 NOW. 464 00:28:48,521 --> 00:28:50,396 SOME SORT OF DISEMBODIED PRESENCE IN THE HOUSE. 465 00:28:50,396 --> 00:28:52,688 WE'VE BEEN PAGING YOU. 466 00:28:52,688 --> 00:28:55,729 WHATEVER THIS THING'S OUTPUTTING, IT MUST BE SCRAMBLING ALL THE FREQUENCIES. 467 00:28:55,729 --> 00:28:57,729 GUARD SECTION 2. LEVEL 5 PRECAUTIONS. 468 00:28:57,729 --> 00:28:59,813 IF THE CELL DOOR LOCKING MECHANISMS MALFUNCTION, 469 00:28:59,813 --> 00:29:01,521 YOU KNOW WHAT TO DO. 470 00:29:01,521 --> 00:29:02,521 GOT IT. 471 00:29:02,521 --> 00:29:04,354 YOU WITH ME? 472 00:29:04,354 --> 00:29:05,354 I'M GOOD. 473 00:29:05,354 --> 00:29:06,855 LET'S LOCK IT DOWN. 474 00:29:11,396 --> 00:29:13,312 WE HAVE TO GO BACK IN THERE. 475 00:29:13,312 --> 00:29:14,646 WHY? 476 00:29:14,646 --> 00:29:16,563 BECAUSE BUFFY AND RILEY ARE TRAPPED. 477 00:29:16,563 --> 00:29:18,021 SO? 478 00:29:18,021 --> 00:29:20,188 SHE'S A SLAYER. HE'S A BIG SOLDIER BOY. 479 00:29:20,188 --> 00:29:22,104 WHAT DO THEY NEED YOU FOR? 480 00:29:22,104 --> 00:29:25,271 ANYA, LOOK AROUND. THERE'S GHOSTS AND SHAKING 481 00:29:25,271 --> 00:29:27,646 AND PEOPLE ARE GOING ALL FELICITY WITH THEIR HAIR. 482 00:29:27,646 --> 00:29:29,896 WE'RE FRESH OUTTA SUPERPEOPLE, 483 00:29:29,896 --> 00:29:32,855 AND SOMEBODY'S GOTTA GO BACK IN THERE. NOW, WHO'S WITH ME? 484 00:29:32,855 --> 00:29:35,104 I AM. 485 00:29:35,104 --> 00:29:38,104 I KNOW I'M NOT THE FIRST CHOICE FOR HEROICS, 486 00:29:38,104 --> 00:29:41,438 AND BUFFY'S TRIED TO KILL ME MORE THAN ONCE. 487 00:29:41,438 --> 00:29:44,354 AND I DON'T FANCY A SINGLE ONE OF YOU AT ALL. 488 00:29:44,354 --> 00:29:47,521 BUT... 489 00:29:47,521 --> 00:29:50,729 ACTUALLY, ALL THAT SOUNDS PRETTY CONVINCING. 490 00:29:53,021 --> 00:29:54,646 I WONDER IF ASIAN HOUSE IS OPEN? 491 00:29:54,646 --> 00:29:56,813 XANDER, LET'S GET OUT OF HERE. 492 00:29:56,813 --> 00:29:59,729 YOU WANNA BAIL? FINE. I'M GOING BACK IN THERE, 493 00:29:59,729 --> 00:30:03,021 AND I'M NOT COMING OUT TILL I BRING MY FRIEND WITH ME. 494 00:30:14,479 --> 00:30:15,980 OR...IT... 495 00:30:15,980 --> 00:30:17,813 COULD BE WATCHER TIME. 496 00:30:17,813 --> 00:30:19,521 WE'LL GO TO GILES. 497 00:30:19,521 --> 00:30:20,896 NO, WAIT. HE ISN'T THERE. 498 00:30:20,896 --> 00:30:22,479 HE WAS GOING TO THE ESPRESSO PUMP. 499 00:30:22,479 --> 00:30:24,438 RIGHT. HE TOLD US NOT TO COME. 500 00:30:24,438 --> 00:30:26,521 HE NEEDED SOME GROWN-UP TIME. 501 00:30:29,438 --> 00:30:32,729 ♪ NO ONE KNOWS WHAT IT'S LIKE ♪ 502 00:30:32,729 --> 00:30:34,896 ♪ TO BE THE BAD MAN ♪ 503 00:30:36,688 --> 00:30:38,938 ♪ TO BE THE SAD MAN ♪ 504 00:30:41,229 --> 00:30:43,855 ♪ BEHIND BLUE EYES ♪ 505 00:30:45,646 --> 00:30:49,312 ♪ NO ONE KNOWS WHAT IT'S LIKE ♪ 506 00:30:49,312 --> 00:30:51,312 ♪ TO BE HATED ♪ 507 00:30:51,312 --> 00:30:52,271 WOW. 508 00:30:52,271 --> 00:30:54,813 ♪ TO BE FATED ♪ 509 00:30:54,813 --> 00:30:57,187 COULD WE GO BACK TO THE HAUNTED HOUSE? 510 00:30:57,187 --> 00:30:58,980 BECAUSE THIS IS CREEPING ME OUT. 511 00:30:58,980 --> 00:31:00,855 DOES HE DO THIS A LOT? 512 00:31:00,855 --> 00:31:05,312 SURE. EVERY DAY THE EARTH ROTATES BACKWARD AND THE SKIES TURN ORANGE. 513 00:31:05,312 --> 00:31:07,104 ♪ ...AS EMPTY ♪ 514 00:31:09,229 --> 00:31:11,980 ♪ AS MY CONSCIENCE ♪ 515 00:31:11,980 --> 00:31:15,146 ♪ SEEMS TO BE ♪ 516 00:31:16,855 --> 00:31:20,855 ♪ I HAVE HOURS ♪ 517 00:31:20,855 --> 00:31:22,813 ♪ ONLY LONELY ♪ 518 00:31:22,813 --> 00:31:26,896 NOW I REMEMBER WHY I USED TO HAVE SUCH A CRUSH ON HIM. 519 00:31:26,896 --> 00:31:29,271 WELL, HE IS PRETTY GOOD. 520 00:31:29,271 --> 00:31:32,062 ♪ THAT'S NEVER FRE-EE ♪ 521 00:31:32,062 --> 00:31:34,521 HIS VOICE IS PLEASANT. 522 00:31:34,521 --> 00:31:36,062 WHAT? 523 00:31:36,062 --> 00:31:38,771 COME ON. IT IS KINDA SEXY. 524 00:31:38,771 --> 00:31:42,479 I'M FIGHTING TOTAL MENTAL BREAKDOWN HERE, WIL. 525 00:31:42,479 --> 00:31:44,813 NO MORE FUEL ON THE FIRE, PLEASE. 526 00:31:44,813 --> 00:31:46,980 ♪ AND I BLAME YOU ♪ 527 00:32:11,062 --> 00:32:14,146 YOU'RE...YOU'RE TOO FAR AWAY FROM ME. 528 00:32:14,146 --> 00:32:15,563 I'M RIGHT HERE. 529 00:32:17,479 --> 00:32:19,688 YOU...HAVE TO... 530 00:32:19,688 --> 00:32:21,563 KEEP TOUCHING ME. 531 00:32:21,563 --> 00:32:24,146 WHEN YOU CALLED TO BUFFY AND RILEY, 532 00:32:24,146 --> 00:32:27,312 THEY DIDN'T CRY OUT OR RESPOND IN ANY WAY? 533 00:32:27,312 --> 00:32:29,563 NO. THEY'RE PROBABLY DEAD. 534 00:32:29,563 --> 00:32:32,563 UNLESS THEY'RE TOO BUSY DOIN' IT TO ANSWER. 535 00:32:32,563 --> 00:32:34,396 DOING WHAT? 536 00:32:34,396 --> 00:32:36,396 YOU KNOW, FOR A GOD OF ACOUSTIC ROCK, 537 00:32:36,396 --> 00:32:38,938 YOU'RE... KIND OF NAIVE. 538 00:32:38,938 --> 00:32:41,563 I DIDN'T THINK YOU MEANT-- 539 00:32:41,563 --> 00:32:43,563 IN THE MIDST OF ALL THAT, 540 00:32:43,563 --> 00:32:46,396 DO YOU REALLY THINK THEY WERE KEEPING IT UP? 541 00:32:47,646 --> 00:32:50,146 OH, FOR A DIFFERENT PHRASING. 542 00:32:50,146 --> 00:32:52,021 YOU SEE, THAT'S THE THING. 543 00:32:52,021 --> 00:32:54,104 PEOPLE ALL OVER THE PARTY WERE STARTING TO ACT... 544 00:32:54,104 --> 00:32:55,271 WEIRD SEXUALLY. 545 00:32:55,271 --> 00:32:57,146 IN WHAT WAY? 546 00:32:57,146 --> 00:32:58,688 YOU KNOW. 547 00:32:58,688 --> 00:33:00,312 WAYS. 548 00:33:00,312 --> 00:33:02,813 WELL, IT COULD BE SOME FORM OF, UH, SUCCUBI, 549 00:33:02,813 --> 00:33:05,438 OR A SATYR'S PRANK. 550 00:33:05,438 --> 00:33:09,604 COULD EVEN BE ENERGY COMING FROM THE LAB BENEATH LOWELL FRATERNITY. 551 00:33:09,604 --> 00:33:12,855 IT WASN'T ALWAYS A FRATERNITY. LOOK. 552 00:33:12,855 --> 00:33:15,813 "BETWEEN 1949 AND 1960, 553 00:33:15,813 --> 00:33:17,855 "THE LOWELL HOME FOR CHILDREN 554 00:33:17,855 --> 00:33:20,146 "HOUSED UPWARDS OF 40 ADOLESCENTS: 555 00:33:20,146 --> 00:33:22,062 "RUNAWAYS, JUVENILE DELINQUENTS, 556 00:33:22,062 --> 00:33:25,396 AND EMOTIONALLY DISTURBED TEENAGERS FROM THE SUNNYDALE AREA." 557 00:33:25,396 --> 00:33:26,438 CHILDREN? 558 00:33:26,438 --> 00:33:28,104 DID ANY OF THEM... 559 00:33:28,104 --> 00:33:30,604 UM...DIE IN THERE? 560 00:33:30,604 --> 00:33:32,771 IF THERE WERE DEATHS, THEN... 561 00:33:32,771 --> 00:33:35,521 PERHAPS WE'RE DEALING WITH A FAIRLY STANDARD HAUNTING. 562 00:33:35,521 --> 00:33:37,312 IT DOESN'T SAY. 563 00:33:37,312 --> 00:33:40,855 IT'S MOSTLY ABOUT THE OLD HOUSE DIRECTOR, GENEVIEVE HOLT. 564 00:33:40,855 --> 00:33:43,312 "SUNNYDALE CHILDREN'S AID... 565 00:33:43,312 --> 00:33:45,312 "30 YEARS OF COMMUNITY SERVICE. 566 00:33:45,312 --> 00:33:48,646 GIVING DISADVANTAGED KIDS THE LOVING CARE THEY DESERVE." 567 00:33:48,646 --> 00:33:50,938 WHEN DID SHE DIE? 568 00:33:50,938 --> 00:33:53,187 SHE DIDN'T. 569 00:33:53,187 --> 00:33:55,813 NO, NO. I DON'T MIND AT ALL. 570 00:33:55,813 --> 00:33:57,187 I WAS UP. 571 00:33:57,187 --> 00:33:59,688 EARLY MORNING PRAYER, OF COURSE. 572 00:33:59,688 --> 00:34:01,604 AND I LIKE TALKING ABOUT MY KIDS. 573 00:34:01,604 --> 00:34:03,604 I STILL CALL THEM THAT: MY KIDS. 574 00:34:03,604 --> 00:34:06,521 I SUPPOSE YOU WERE JUST LIKE A MOTHER TO THEM. 575 00:34:06,521 --> 00:34:09,021 YOU DID EVERYTHING FOR THEM? 576 00:34:09,021 --> 00:34:10,771 OH, YES. I FED THEM AND CLOTHED THEM, 577 00:34:10,771 --> 00:34:13,354 EDUCATED THEM IN THE WAY OF THE LORD. 578 00:34:13,354 --> 00:34:15,187 I WAS GIVEN A MEDAL. 579 00:34:15,187 --> 00:34:16,187 YES, WONDERFUL. 580 00:34:16,187 --> 00:34:18,062 UM, CONGRATULATIONS. 581 00:34:18,062 --> 00:34:19,896 UM...THIS'LL SOUND A LITTLE STRANGE, 582 00:34:19,896 --> 00:34:23,021 BUT, UH...DID YOU NOTICE ANY ODD DISTURBANCES 583 00:34:23,021 --> 00:34:25,438 IN--IN THE HOUSE? 584 00:34:25,438 --> 00:34:27,729 I DON'T UNDERSTAND. 585 00:34:27,729 --> 00:34:31,855 WE-WELL, UM... LIKE FURNITURE MOVING OF ITS OWN ACCORD 586 00:34:31,855 --> 00:34:34,771 OR OBJECTS APPEARING OUT OF NOWHERE, 587 00:34:34,771 --> 00:34:38,187 OR PERHAPS YOU SAW SOMEONE APPEAR ONE MOMENT, 588 00:34:38,187 --> 00:34:41,187 AND THEN THEY WERE GONE THE NEXT INEXPLICABLY. 589 00:34:41,187 --> 00:34:43,563 WHY, THAT SOUNDS LIKE CRAZY TALK. 590 00:34:44,688 --> 00:34:46,688 YES, IT DOES, DOESN'T IT? YES... 591 00:34:46,688 --> 00:34:50,271 UM...FORGIVE ME FOR ASKING THIS, 592 00:34:50,271 --> 00:34:52,604 BUT THE CHILDREN IN YOUR CARE-- 593 00:34:52,604 --> 00:34:54,604 WERE ANY OF THEM EVER...ILL, 594 00:34:54,604 --> 00:34:56,563 OR DID ANYTHING EVER HAPPEN TO ANY OF THEM? 595 00:34:56,563 --> 00:34:59,021 WELL, SOME HAD THE FLU AND SUCH. 596 00:34:59,021 --> 00:35:01,604 NO ONE DIED, IF THAT'S WHAT YOU MEAN. 597 00:35:01,604 --> 00:35:03,271 THE ENGRAVING ON THE MEDAL 598 00:35:03,271 --> 00:35:05,688 SAYS HOW GOOD I WAS WITH THE CHILDREN. 599 00:35:05,688 --> 00:35:07,438 OH, YES. 600 00:35:07,438 --> 00:35:10,479 I TREATED THEM AS I WOULD MY OWN FLESH AND BLOOD... 601 00:35:10,479 --> 00:35:13,396 GAVE THEM HUGS AND PRAISE WHEN THEY WERE GOOD 602 00:35:13,396 --> 00:35:16,021 AND PUNISHED THEM WHEN THEY WERE DIRTY. 603 00:35:16,021 --> 00:35:18,229 WELL, CHILDREN WILL BE CHILDREN. 604 00:35:18,229 --> 00:35:21,312 YOU KNOW, THEY DO LIKE TO PLAY IN THE, UH, THE MUCK. 605 00:35:23,688 --> 00:35:26,104 YOU DIDN'T MEAN MUDDY DIRTY. 606 00:35:26,104 --> 00:35:28,688 MY KIDS DIDN'T THINK I KNEW. BUT I DID. 607 00:35:28,688 --> 00:35:32,146 VERY, UH... PERCEPTIVE OF YOU. 608 00:35:32,146 --> 00:35:37,312 WITHOUT ME, THEY WOULD HAVE BEEN SHUT OUT OF THE KINGDOM. 609 00:35:37,312 --> 00:35:39,479 LOST TO LUST. 610 00:35:40,938 --> 00:35:43,062 BUT YOU... HELPED THEM. 611 00:35:43,062 --> 00:35:46,729 THE GIRLS FELT THE VANITY MORE THAN THE BOYS. 612 00:35:46,729 --> 00:35:49,396 I'D SEE THEM PREENING LIKE JEZEBEL, 613 00:35:49,396 --> 00:35:51,563 DOTING OVER THEIR PRETTY HAIR. 614 00:35:51,563 --> 00:35:53,896 SO YOU'D HACK IT OFF. 615 00:35:53,896 --> 00:35:57,521 I'D REMOVE THE TEMPTATION TO ADMIRE THEMSELVES. 616 00:35:57,521 --> 00:35:59,938 THEY WERE BETTER FOR IT. 617 00:35:59,938 --> 00:36:01,771 WHAT ABOUT THE BATHTUB? SOMETHING HAPPENED THERE. 618 00:36:01,771 --> 00:36:05,146 I PERFORMED BAPTISMS ON THE MOST UNCLEAN-- 619 00:36:05,146 --> 00:36:09,104 THOSE WHO WERE TAINTED WITH IMPURE THOUGHT AND DEED. 620 00:36:09,104 --> 00:36:11,104 YOU HELD THEM UNDER? 621 00:36:11,104 --> 00:36:13,938 THEY NEEDED TO BE REBORN. 622 00:36:15,187 --> 00:36:18,187 YOU CHOOSE TO PASS JUDGMENT ON ME? 623 00:36:18,187 --> 00:36:20,187 WELL, SOMEONE OUGHT TO! 624 00:36:20,187 --> 00:36:23,354 YOU TRAUMATIZED AND ABUSED THESE CHILDREN! 625 00:36:23,354 --> 00:36:27,354 CHILDREN WHO HAVE NO DOUBT BECOME EXTREMELY DISTURBED ADULTS! 626 00:36:27,354 --> 00:36:29,813 YOU HAVE RUINED LIVES, MRS. HOLT! 627 00:36:29,813 --> 00:36:33,021 FURTHERMORE, WHAT YOU DID HAS NOW MANIFESTED ITSELF 628 00:36:33,021 --> 00:36:35,855 AS A MALEVOLENT PRESENCE WHICH THREATENS STILL MORE LIVES. 629 00:36:35,855 --> 00:36:37,896 YOU HAVE A GREAT DEAL TO ANSWER FOR! 630 00:36:37,896 --> 00:36:40,813 I REFUSE TO LISTEN TO THIS WHEN I CAN SMELL THE SIN 631 00:36:40,813 --> 00:36:42,813 ON EACH AND EVERY ONE OF YOU! 632 00:36:42,813 --> 00:36:44,521 YEAH? YOU SMELL SIN? 633 00:36:44,521 --> 00:36:46,563 LET ME TELL YOU SOMETHING, LADY. 634 00:36:46,563 --> 00:36:48,062 SHE WHO SMELT IT DEALT IT! 635 00:36:48,062 --> 00:36:50,521 IT'S LIKE WHAT YOU SAID, BUT FASTER. 636 00:36:50,521 --> 00:36:53,896 SO THIS TOTALLY ADDS TO MY OLD PEOPLE ARE CRAZY THEOREM. 637 00:36:53,896 --> 00:36:55,604 I DON'T GET IT. 638 00:36:55,604 --> 00:36:58,271 I MEAN, THOSE KIDS WERE TORTURED, BUT THEY WEREN'T KILLED. 639 00:36:58,271 --> 00:37:00,813 SO WHERE ARE THOSE GHOSTS COMING FROM? 640 00:37:00,813 --> 00:37:02,604 I DON'T BELIEVE THERE ARE ANY GHOSTS. 641 00:37:02,604 --> 00:37:05,271 ONE RAN RIGHT THROUGH ME. 642 00:37:05,271 --> 00:37:07,187 NOT A GHOST. AN APPARITION. 643 00:37:07,187 --> 00:37:09,729 A BELIEVE WE'RE DEALING WITH A KIND OF POLTERGEIST, 644 00:37:09,729 --> 00:37:11,688 A WHOLE CLUSTER OF THEM, IN FACT, 645 00:37:11,688 --> 00:37:14,729 BORN OUT OF INTENSE ADOLESCENT EMOTION AND SEXUAL ENERGY. 646 00:37:14,729 --> 00:37:17,438 BOTH OF WHICH WERE TOTALLY PENT-UP 647 00:37:17,438 --> 00:37:20,271 DURING MRS. HOLT'S REIGN OF REPRESSION. 648 00:37:20,271 --> 00:37:22,187 SO, WITH BUFFY AND RILEY HAVING... 649 00:37:22,187 --> 00:37:25,271 YOU KNOW, ACTS OF NAKEDNESS AROUND THE CLOCK LATELY, 650 00:37:25,271 --> 00:37:27,271 MAYBE THEY SET SOMETHING FREE... 651 00:37:27,271 --> 00:37:30,062 LIKE A BIG, BURSTING POLTERGASM. 652 00:37:30,062 --> 00:37:32,104 YES. AND NOW THE POLTERGEISTS 653 00:37:32,104 --> 00:37:34,062 ARE DRAWING MORE AND MORE ENERGY OUT OF THEM, 654 00:37:34,062 --> 00:37:35,646 FEEDING ON THEM, IN FACT. 655 00:37:35,646 --> 00:37:38,646 BUFFY AND RILEY ARE POWERING THIS WHOLE THING. 656 00:37:38,646 --> 00:37:40,855 OKAY. THEY'RE THE BATTERY IN THE BOO FACTORY. 657 00:37:40,855 --> 00:37:44,855 SO WHAT HAPPENS WHEN THE BATTERY'S DRAINED? 658 00:37:44,855 --> 00:37:47,146 THEY DIE. 659 00:37:59,563 --> 00:38:01,187 DON'T STOP. 660 00:38:01,187 --> 00:38:03,688 NEVER STOP TOUCHING ME. 661 00:38:12,479 --> 00:38:17,230 WHAT GOOD ARE WEAPONS AGAINST DISEMBODIED SPIRITS, XANDER? 662 00:38:17,230 --> 00:38:18,646 THEY HAVE NO ASS TO KICK. 663 00:38:18,646 --> 00:38:21,438 SHE'S RIGHT. YOU SHOULD JUST STAY OUTSIDE. 664 00:38:21,438 --> 00:38:24,771 WE'LL BIND THE SPIRITS LONG ENOUGH FOR YOU TO GET RILEY AND BUFFY OUT. 665 00:38:24,771 --> 00:38:26,646 HOW MUCH TIME YOU BUYING US? 666 00:38:26,646 --> 00:38:28,855 COULD BE TRICKY. WE'RE CALLING UPON THE COMMUNAL SPIRIT 667 00:38:28,855 --> 00:38:31,271 OF A CERTAIN TIME AND PLACE. 668 00:38:33,479 --> 00:38:34,646 LET'S GO. 669 00:38:38,688 --> 00:38:40,312 WHAT DO YOU FEEL? 670 00:38:40,312 --> 00:38:44,021 UPSET, AFRAID OF BEING WITHOUT YOU, AND A LITTLE HUNGRY. 671 00:38:44,021 --> 00:38:46,229 I MEANT ABOUT THE HOUSE. 672 00:38:46,229 --> 00:38:47,813 OH. 673 00:38:47,813 --> 00:38:49,021 STILL HAUNTED. 674 00:38:49,021 --> 00:38:51,646 [ Tara ] GIVE ME YOUR HANDS. 675 00:38:51,646 --> 00:38:53,396 FORM A CIRCLE. 676 00:38:56,104 --> 00:38:58,938 CHILDREN OF THE PAST... 677 00:38:58,938 --> 00:39:01,438 SPIRITS OF LOWELL... 678 00:39:03,396 --> 00:39:06,855 BE GUIDED BY OUR LIGHT. 679 00:39:06,855 --> 00:39:09,188 COME FORTH 680 00:39:09,188 --> 00:39:11,104 AND BE KNOWN TO US. 681 00:39:13,896 --> 00:39:16,062 HO-HOW WILL WE KNOW WHEN IT WORKS? 682 00:39:22,855 --> 00:39:24,604 WE'LL KNOW. 683 00:39:38,021 --> 00:39:40,521 HOUSE IS CLEAN. 684 00:39:40,521 --> 00:39:41,938 LET'S GO. 685 00:39:41,938 --> 00:39:44,021 YOU FIRST. 686 00:39:56,021 --> 00:39:57,604 WE NEED TO WORK FAST. 687 00:39:57,604 --> 00:40:00,438 NEVER KNOW HOW LONG BEFORE THE MUNCHKINS GET HOMESICK. 688 00:40:00,438 --> 00:40:02,771 OR TILL THE HUMAN BATTERY CONKS OUT. 689 00:40:02,771 --> 00:40:04,688 WATCH YOUR FINGERS. 690 00:40:07,229 --> 00:40:09,104 WE IMPLORE YOU... 691 00:40:09,104 --> 00:40:11,021 BE STILL. 692 00:40:11,021 --> 00:40:13,271 FIND IT IN YOUR HEARTS 693 00:40:13,271 --> 00:40:15,438 TO LEAVE OUR FRIENDS PASSAGE. 694 00:40:15,438 --> 00:40:17,771 TRANSFORM YOUR PAIN. 695 00:40:17,771 --> 00:40:19,896 RELEASE YOUR PAST... 696 00:40:19,896 --> 00:40:21,938 AND... 697 00:40:21,938 --> 00:40:23,855 UH...GET OVER IT. 698 00:40:27,604 --> 00:40:28,980 YOU OKAY? 699 00:40:45,146 --> 00:40:48,396 FIND HERE THE SERENITY YOU SEEK, THE PEACE YOU-- 700 00:40:52,104 --> 00:40:54,271 WHAT'S HAPPENED? 701 00:40:54,271 --> 00:40:56,187 WE LOST THEM. 702 00:40:56,187 --> 00:40:57,229 XANDER! 703 00:40:58,604 --> 00:40:59,521 XANDER! 704 00:41:02,521 --> 00:41:03,438 XANDER! 705 00:41:35,521 --> 00:41:38,729 SHUT UP, REPRESSED CRYBABIES! 706 00:41:40,855 --> 00:41:42,021 AAH! 707 00:41:53,271 --> 00:41:55,229 IT'S OKAY. 708 00:42:06,729 --> 00:42:08,354 COME ON. WE'VE JUST GOTTA-- 709 00:42:09,396 --> 00:42:11,230 XANDER! 710 00:42:17,938 --> 00:42:19,563 WE CAN MAKE IT THROUGH THIS. 711 00:42:28,938 --> 00:42:31,146 XANDER, GET IT OFF! ANYA! 712 00:42:38,229 --> 00:42:39,354 PUSH. 713 00:42:44,771 --> 00:42:47,646 XANDER, DON'T YOU KNOCK? 714 00:42:52,312 --> 00:42:54,896 [ Riley ] I CAN'T BELIEVE IT REALLY HAPPENED. 715 00:42:54,896 --> 00:42:57,229 I JUST HAD NO IDEA. 716 00:42:57,229 --> 00:42:59,229 IT'S SO CREEPY. 717 00:42:59,229 --> 00:43:01,229 HE WAS REALLY SINGING? 718 00:43:01,229 --> 00:43:03,521 I'D SAY IT WAS MORE LIKE CROONING. 719 00:43:03,521 --> 00:43:06,021 IF WE GROW OLD TOGETHER, 720 00:43:06,021 --> 00:43:08,229 REMIND ME TO SKIP THE MIDLIFE CRISIS. 721 00:43:08,229 --> 00:43:09,646 OKAY. 722 00:43:09,646 --> 00:43:12,146 COME ON. YOU HAVE TO ADMIT, IT WAS KIND OF SEXY. 723 00:43:12,146 --> 00:43:15,104 PLEASE STOP SAYING THAT I'M WILLING TO OFFER CASH INCENTIVES. 724 00:43:15,104 --> 00:43:16,729 WE'RE JUST LUCKY NO ONE GOT INJURED. 725 00:43:16,729 --> 00:43:18,896 NO THANKS TO US. 726 00:43:18,896 --> 00:43:20,354 DON'T BE TOO HARD ON YOURSELF. 727 00:43:20,354 --> 00:43:21,771 HE'S RIGHT, WIL. 728 00:43:21,771 --> 00:43:24,229 IF RILEY AND I HADN'T... GOTTEN SO WRAPPED UP 729 00:43:24,229 --> 00:43:26,312 IN EACH OTHER, NONE OF THIS WOULD HAVE HAPPENED. 730 00:43:26,312 --> 00:43:28,187 TRUE. FEEL SHAME. 731 00:43:28,187 --> 00:43:30,146 MY GIRLFRIEND, 732 00:43:30,146 --> 00:43:32,312 MISTRESS OF THE LEARNING PLATEAU. 733 00:43:32,312 --> 00:43:34,312 REALLY, IT WASN'T YOUR FAULT. 734 00:43:34,312 --> 00:43:36,646 YOU WERE UNDER THE INFLUENCE OF POWERFUL MAGICS. 735 00:43:36,646 --> 00:43:38,312 WE WERE LIKE ZOMBIES. 736 00:43:38,312 --> 00:43:40,813 I HAD NO CONTROL OVER MYSELF AT ALL. 737 00:43:40,813 --> 00:43:42,938 IT MUST HAVE BEEN HORRIBLE. 738 00:43:45,771 --> 00:43:47,813 YEAH. HORRIBLE. 739 00:43:47,813 --> 00:43:49,688 MM-HMM. UH-HUH. IT WAS BAD. 740 00:44:26,271 --> 00:44:28,104 GRR! ARRGH!