1 00:00:02,813 --> 00:00:04,688 [ Giles ] PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 2 00:00:04,688 --> 00:00:07,146 - GET AWAY FROM ME. - JONATHAN, YOU WANNA POINT THAT SOMEWHERE ELSE? 3 00:00:07,146 --> 00:00:11,104 YOU ALL THINK I'M AN IDIOT. A SHORT IDIOT. 4 00:00:11,104 --> 00:00:12,729 FAITH SWITCHED. 5 00:00:12,729 --> 00:00:15,688 SHE HAD SOME DEVICE. SHE SWITCHED OUR BODIES. 6 00:00:15,688 --> 00:00:19,729 - HI, BABY. YOU MISS ME? - I DID ACTUALLY. 7 00:00:19,729 --> 00:00:21,688 I LOVE YOU. 8 00:00:27,271 --> 00:00:28,479 YOU SLEPT WITH HER. 9 00:00:29,855 --> 00:00:32,646 I WAS CREATED TO KILL, 10 00:00:32,646 --> 00:00:35,438 TO EXTINGUISH LIFE WHEREVER I FIND IT. 11 00:00:35,438 --> 00:00:37,062 TELL US WHAT TO DO. 12 00:00:48,187 --> 00:00:49,980 XANDER! ANYA! 13 00:00:49,980 --> 00:00:51,187 BUFFY, ANOTHER ONE! 14 00:00:56,187 --> 00:00:57,646 BUFFY! 15 00:01:02,021 --> 00:01:03,229 WHERE'S THE OTHER ONE? 16 00:01:03,229 --> 00:01:05,104 SCAMPERED LIKE A BIG BUMPY BUNNY. 17 00:01:05,104 --> 00:01:06,104 IN THERE. 18 00:01:22,813 --> 00:01:24,771 I DON'T CARE IF IT IS AN ORGY OF DEATH, 19 00:01:24,771 --> 00:01:27,104 THERE'S STILL SUCH A THING AS A NAPKIN. 20 00:01:27,104 --> 00:01:28,104 A NEST. NO BIGGIE. 21 00:01:28,104 --> 00:01:29,354 I BET I COULD DO IT. 22 00:01:29,354 --> 00:01:30,563 I MEAN, I KNOW I COULD TAKE AT LEAST TWO. 23 00:01:30,563 --> 00:01:32,229 YES. AND THEN WE COULD RUN FOR HELP 24 00:01:32,229 --> 00:01:35,104 WHILE THE OTHER 3 SUCK YOUR HEART OUT THROUGH YOUR NECK. 25 00:01:35,104 --> 00:01:37,312 YOU'RE RIGHT. IT'S TOO MANY FOR JUST US. 26 00:01:37,312 --> 00:01:38,855 YOU KNOW WHO WE NEED. 27 00:01:44,229 --> 00:01:46,229 UH, HI. 28 00:01:48,187 --> 00:01:49,980 WE HAVE A PROBLEM. 29 00:01:53,271 --> 00:01:55,271 SOUNDS LIKE YOU COULD USE MY HELP. 30 00:02:58,354 --> 00:03:00,813 THE QUICK DRAW IS ABOUT MORE THAN SPEED. 31 00:03:00,813 --> 00:03:03,729 IT'S ALSO ABOUT POINTING THE STAKE THE RIGHT WAY. 32 00:03:03,729 --> 00:03:05,938 AND THERE CAN BE SPLINTER ISSUES. 33 00:03:05,938 --> 00:03:08,146 IT IS A TRUE TEST OF DEXTERITY. 34 00:03:08,146 --> 00:03:09,855 CAN YOU OPEN THIS? 35 00:03:09,855 --> 00:03:12,229 NO. I TEAR IT AND IT GETS ALL SLUSHY. 36 00:03:14,521 --> 00:03:16,354 THANKS FOR DOING THIS, JONATHAN. 37 00:03:16,354 --> 00:03:17,438 I WOULDN'T ASK, BUT-- 38 00:03:17,438 --> 00:03:19,187 HEY, DON'T WORRY ABOUT IT. 39 00:03:19,187 --> 00:03:21,688 NEST FULL OF VAMPIRES, YOU COME GET ME. 40 00:03:21,688 --> 00:03:22,604 OKAY. 41 00:03:22,604 --> 00:03:23,938 BOX FULL OF PUPPIES, 42 00:03:23,938 --> 00:03:25,855 THAT'S MORE OF A JUDGMENT CALL. 43 00:03:25,855 --> 00:03:27,896 HIT ME! 44 00:03:27,896 --> 00:03:29,646 YOU GOT ME. 45 00:03:29,646 --> 00:03:31,646 IT WAS VERY PUNCHY. 46 00:03:31,646 --> 00:03:33,438 WATCH OUT FOR SOUTHPAWS, BUFF. 47 00:03:33,438 --> 00:03:35,021 DON'T LET THEM SURPRISE YOU. 48 00:03:35,021 --> 00:03:37,229 I CAN'T FIND A REFERENCE TO ANY RITUALS. 49 00:03:37,229 --> 00:03:39,229 SEEMS MORE LIKE A... 50 00:03:39,229 --> 00:03:40,688 FAMILY MEAL, IF YOU WILL. 51 00:03:40,688 --> 00:03:41,896 AND THEY SAY NO ONE EATS 52 00:03:41,896 --> 00:03:44,271 WITHOUT THE TV ON ANYMORE. 53 00:03:44,271 --> 00:03:46,479 THANKS, RUPERT. 54 00:03:46,479 --> 00:03:48,229 WELL, IT'S GOOD TO KNOW WE'RE NOT WALKING 55 00:03:48,229 --> 00:03:49,771 INTO THE UNHOLY FEAST OF SOMETHING OR OTHER. 56 00:03:49,771 --> 00:03:52,980 [ Willow ] OH, JONATHAN, I'M IN. 57 00:03:52,980 --> 00:03:55,396 SCHEMATICS FOR THE CRYPT. 58 00:03:55,396 --> 00:03:58,062 PART OF THE ORIGINAL PLAN FOR THE CEMETERY. 59 00:03:58,062 --> 00:04:00,062 SOMETIMES THERE'S A-- 60 00:04:00,062 --> 00:04:01,896 OH, NO BACK WAY IN. 61 00:04:01,896 --> 00:04:03,771 JUST THE ONE ENTRANCE. 62 00:04:03,771 --> 00:04:05,312 WELL, MAYBE WE CAN MAKE IT WORK FOR US. 63 00:04:05,312 --> 00:04:07,104 WE COULD STAKE OUT THE ENTRANCE. 64 00:04:07,104 --> 00:04:08,229 YOU KNOW, UH, MAYBE USE A DECOY? 65 00:04:08,229 --> 00:04:09,312 LURE THEM OUT. 66 00:04:09,312 --> 00:04:10,438 OR I BET... 67 00:04:12,229 --> 00:04:13,312 THERE. 68 00:04:13,312 --> 00:04:14,229 I CAN GET IN THAT WAY. 69 00:04:14,229 --> 00:04:16,229 OH, OF COURSE. 70 00:04:16,229 --> 00:04:18,312 WHY DIDN'T I THINK OF THAT? 71 00:04:18,312 --> 00:04:21,312 I'M SURE YOU WOULD HAVE. 72 00:04:21,312 --> 00:04:23,312 I THINK WE HAVE A PLAN. 73 00:04:24,229 --> 00:04:25,271 BUFFY, 74 00:04:25,271 --> 00:04:26,688 YOU GO IN FIRST. 75 00:04:26,688 --> 00:04:28,062 LET 'EM GET A LOOK AT THE SLAYER. 76 00:04:28,062 --> 00:04:29,813 XANDER-- 77 00:04:29,813 --> 00:04:31,312 THE NIMZOWITSCH DEFENSE. 78 00:04:31,312 --> 00:04:32,980 LET'S SEE IF I REMEMBER. 79 00:04:35,521 --> 00:04:37,688 MM-HMM. MATE IN FOUR. 80 00:04:37,688 --> 00:04:39,688 YOU ALMOST GOT ME THAT TIME, RUPERT. 81 00:04:39,688 --> 00:04:43,396 XANDER, WILLOW, AND ANYA, YOU BACK UP BUFFY. 82 00:04:43,396 --> 00:04:45,563 I'LL BE THE SURPRISE GUEST. 83 00:04:45,563 --> 00:04:48,312 EVERYONE, LET'S SHOW THESE FIENDS 84 00:04:48,312 --> 00:04:50,396 THAT THEY CAME TO THE WRONG TOWN. 85 00:05:07,604 --> 00:05:09,646 BUFFY, HE'S GETTING AWAY. 86 00:05:19,438 --> 00:05:22,230 I SHOULD HAVE GOTTEN THAT ONE. 87 00:05:22,230 --> 00:05:23,312 YOU GOT TWO OF THEM. 88 00:05:23,312 --> 00:05:25,563 AND THAT SECOND ONE WAS READY FOR YOU. 89 00:05:25,563 --> 00:05:26,563 YOU SHOULD FEEL PRETTY GOOD. 90 00:05:26,563 --> 00:05:28,104 BUT I LET ONE GET BY ME. 91 00:05:28,104 --> 00:05:29,396 HEY, DON'T WORRY. 92 00:05:29,396 --> 00:05:31,521 YOU KNOW IT ONLY MATTERS THAT YOU DO YOUR BEST. 93 00:05:34,021 --> 00:05:35,604 BUT THAT'S JUST IT. 94 00:05:35,604 --> 00:05:37,396 I DON'T THINK IT WAS MY BEST. 95 00:05:37,396 --> 00:05:39,438 HEY JONATHAN! OVER HERE. QUICK PHOTO, PLEASE. 96 00:05:40,354 --> 00:05:42,438 ONE MORE? COUPLE MORE? 97 00:05:42,438 --> 00:05:44,312 RIGHT HERE! OKAY GUYS, THAT'S ENOUGH. 98 00:05:44,312 --> 00:05:45,813 WELL, I THINK WE DID GREAT. 99 00:05:45,813 --> 00:05:47,438 WE KNOCKED 'EM DEAD, 100 00:05:47,438 --> 00:05:49,312 WHICH THEY ALREADY WERE. 101 00:05:49,312 --> 00:05:50,563 WE KNOCKED 'EM DEADER. 102 00:05:50,563 --> 00:05:52,479 WELL, THEY WEREN'T VERY WELL ORGANIZED. 103 00:05:52,479 --> 00:05:53,896 IF THEY HAD ALL RUSHED AT BUFFY, 104 00:05:53,896 --> 00:05:55,104 THEY COULD HAVE KILLED HER RIGHT AWAY. 105 00:05:55,104 --> 00:05:56,271 THANKS, ANYA. 106 00:05:56,271 --> 00:05:57,896 THAT WON'T KEEP ME AWAKE ALL NIGHT. 107 00:05:57,896 --> 00:06:00,438 VAMPIRES ONLY FORM NESTS TO MAKE HUNTING EASIER. 108 00:06:00,438 --> 00:06:02,438 THEY'RE NOT BIG ON THE COOPERATION. 109 00:06:02,438 --> 00:06:04,188 THEY MOSTLY LIKE TO HANG OUT 110 00:06:04,188 --> 00:06:06,396 ALL CREEPY AND ALONE IN THE SHADOWS. 111 00:06:06,396 --> 00:06:08,438 DON'T YOU AGREE, SPIKE? 112 00:06:13,312 --> 00:06:15,813 WELL, WELL. 113 00:06:15,813 --> 00:06:17,229 THE MAN HIMSELF. 114 00:06:20,354 --> 00:06:21,646 WHAT ARE YOU DOING HERE? 115 00:06:21,646 --> 00:06:23,396 I LIVE HERE. 116 00:06:23,396 --> 00:06:24,563 I WASN'T EXACTLY 117 00:06:24,563 --> 00:06:26,187 PINING FOR A NOISY VISIT 118 00:06:26,187 --> 00:06:27,396 FROM WONDER JONATHAN 119 00:06:27,396 --> 00:06:29,187 AND HIS FLUFFY BATTLE KITTENS. 120 00:06:29,187 --> 00:06:30,312 YEAH? 121 00:06:30,312 --> 00:06:31,354 YOU THINK THAT ONE UP 122 00:06:31,354 --> 00:06:32,396 WITH ALL THE TIME YOU SPEND 123 00:06:32,396 --> 00:06:33,312 NOT BEING ABLE TO BITE PEOPLE? 124 00:06:33,312 --> 00:06:34,479 CAREFUL. 125 00:06:34,479 --> 00:06:36,104 HE'S STILL PRETTY DANGEROUS. 126 00:06:36,104 --> 00:06:37,187 BACK OFF, BETTY. 127 00:06:37,187 --> 00:06:39,396 IT'S BUFFY, 128 00:06:39,396 --> 00:06:42,187 YOU BIG, BLEACHED... 129 00:06:42,187 --> 00:06:44,187 STUPID GUY. 130 00:06:44,187 --> 00:06:46,479 SPIKE? 131 00:06:46,479 --> 00:06:48,271 YOU'RE THE WORST TYPE OF SCUM. 132 00:06:48,271 --> 00:06:50,271 THE SECOND YOU'RE BACK 133 00:06:50,271 --> 00:06:51,855 TO YOUR OLD TRICKS, WELL... 134 00:06:51,855 --> 00:06:53,229 LET'S JUST SAY 135 00:06:53,229 --> 00:06:54,771 BEFORE YOU EVEN SNIFF OUT YOUR FIRST VICTIM, 136 00:06:54,771 --> 00:06:56,771 YOU'LL BE PRETTY INDISTINGUISHABLE FROM-- 137 00:06:56,771 --> 00:06:59,062 OH, WHAT SHOULD WE SAY? 138 00:06:59,062 --> 00:07:00,438 INSTANT SOUP MIX. 139 00:07:04,354 --> 00:07:05,813 NEXT THING I KNOW, 140 00:07:05,813 --> 00:07:08,855 THIS CRAZED VAMP IS LIKE RUNNING RIGHT AT ME. 141 00:07:08,855 --> 00:07:10,646 AND I KNOW THAT IF IT GETS PAST ME, 142 00:07:10,646 --> 00:07:14,354 THERE'S NO TELLING WHO'S IN DANGER NEXT. 143 00:07:14,354 --> 00:07:15,479 COME ON. YOU HAVE FUN. 144 00:07:15,479 --> 00:07:17,729 ADMIT IT. LIVING THE SCOOBY LIFE. 145 00:07:17,729 --> 00:07:20,438 I WAS GOING FOR A KIND OF STOIC BRAVERY. 146 00:07:20,438 --> 00:07:21,771 BUT, YEAH. 147 00:07:21,771 --> 00:07:23,396 AND IT WAS EXCITING 148 00:07:23,396 --> 00:07:24,521 WITH THE CEILING COMING IN 149 00:07:24,521 --> 00:07:25,646 AND EVERYTHING. 150 00:07:25,646 --> 00:07:28,688 OH, THAT'S A CUTE ONE! 151 00:07:28,688 --> 00:07:30,938 AND BUFFY? SHE WAS OKAY? 152 00:07:30,938 --> 00:07:32,146 OH, SHE WAS GREAT! 153 00:07:32,146 --> 00:07:34,938 TWANG. POOF! 154 00:07:34,938 --> 00:07:35,938 THAT WAS THE SOUND. 155 00:07:35,938 --> 00:07:39,479 UH, CROSSBOW AND VAMPIRE DUSTING. 156 00:07:39,479 --> 00:07:40,438 I MEAN SHE WAS A LITTLE CRANKY 157 00:07:40,438 --> 00:07:42,396 THAT SHE MISSED THAT ONE VAMP. 158 00:07:42,396 --> 00:07:44,312 I KIND OF MEANT PERSONALLY. 159 00:07:44,312 --> 00:07:45,813 THAT WHOLE THING WITH FAITH, 160 00:07:45,813 --> 00:07:47,187 THAT PRETTY MUCH FREAKED ME OUT, 161 00:07:47,187 --> 00:07:49,438 AND I WAS JUST SENSING IT FROM A DISTANCE. 162 00:07:49,438 --> 00:07:50,479 OH, WELL, YEAH. 163 00:07:50,479 --> 00:07:51,771 I KNOW SHE'S NOT OVER THE WHOLE 164 00:07:51,771 --> 00:07:53,688 RILEY SLEEPING WITH FAITH THING-- 165 00:07:53,688 --> 00:07:55,479 YOU KNOW WHAT I MEAN. 166 00:07:55,479 --> 00:07:57,813 FAITH'S INSIDES IN BUFFY'S OUTSIDES, 167 00:07:57,813 --> 00:07:59,563 WHEN HER INSIDES WERE OUT. 168 00:08:00,646 --> 00:08:03,312 I HOPE THEY'LL BE OKAY. 169 00:08:03,312 --> 00:08:05,563 I'M SURE IT'LL BLOW OVER. 170 00:08:05,563 --> 00:08:08,021 THEY'RE PROBABLY ALL WITH THE SMOOCHIES RIGHT NOW. 171 00:08:09,729 --> 00:08:11,855 YOU MUST BE FEELING BETTER. 172 00:08:11,855 --> 00:08:13,855 YEAH. YEAH. 173 00:08:13,855 --> 00:08:16,521 YOU KNOW, A LOT STRONGER. 174 00:08:16,521 --> 00:08:18,521 I MEAN, NO JONATHAN, BUT... 175 00:08:18,521 --> 00:08:20,230 I'M DOING OKAY. 176 00:08:20,230 --> 00:08:21,062 ARE YOU? 177 00:08:21,062 --> 00:08:23,230 I MEAN, YOU'RE NOT-- 178 00:08:23,230 --> 00:08:24,563 WHAT? 179 00:08:24,563 --> 00:08:26,896 EATING THE INITIATIVE'S 180 00:08:26,896 --> 00:08:29,021 TECHNICOLOR FOOD OF STRONGNESS? 181 00:08:29,021 --> 00:08:31,438 NO, UH-UH. 182 00:08:31,438 --> 00:08:33,563 THEY, UH, THEY SWEAR THEY STOPPED TREATING THE FOOD, 183 00:08:33,563 --> 00:08:34,938 BUT I'M NOT TAKING THE CHANCE. 184 00:08:34,938 --> 00:08:38,312 YOU KNOW, I, UH, I DON'T KNOW IF THAT MEANS 185 00:08:38,312 --> 00:08:40,563 I'LL GET WEAKER OR DUMBER OR-- 186 00:08:40,563 --> 00:08:42,479 OR SMARTER. 187 00:08:42,479 --> 00:08:44,813 THEY'RE NOT BIG WITH THE DISCLOSURE, HUH? 188 00:08:44,813 --> 00:08:47,062 THEY STILL HAVEN'T RELEASED A FULL PROFILE ON ADAM. 189 00:08:47,062 --> 00:08:48,813 AND WE'RE HAVING ZERO LUCK TRACKING HIM. 190 00:08:48,813 --> 00:08:49,896 I JUST-- 191 00:08:52,604 --> 00:08:53,729 IF THEY JUST PUT A LITTLE TRUST IN ME, 192 00:08:53,729 --> 00:08:55,813 I KNOW I COULD GET THE JOB DONE. 193 00:08:55,813 --> 00:08:58,479 I'VE FELT THAT WAY MY ENTIRE LIFE. 194 00:09:16,604 --> 00:09:19,062 YOU'D THINK I COULD DO THAT. 195 00:09:19,062 --> 00:09:20,479 I GUESS IT TAKES DIFFERENT MUSCLES 196 00:09:20,479 --> 00:09:21,855 THAN DEMON BEHEADING. 197 00:09:21,855 --> 00:09:23,646 YOU JUST NEED A FEW POINTERS. 198 00:09:29,563 --> 00:09:30,855 NOW, IF SLAYING WAS A COMPETITIVE SPORT, 199 00:09:30,855 --> 00:09:32,646 THEN I'D HAVE A CHANCE. 200 00:09:32,646 --> 00:09:33,563 YOU KNOW, WE COULD HAVE 201 00:09:33,563 --> 00:09:35,396 FIGURE STAKING 202 00:09:35,396 --> 00:09:37,230 AND SPEED STAKING. 203 00:09:37,230 --> 00:09:38,396 OW! 204 00:09:38,396 --> 00:09:40,438 SORRY. I-- 205 00:09:40,438 --> 00:09:42,187 THIS JUST ISN'T MY GAME. 206 00:09:42,187 --> 00:09:43,187 I GOTTA-- 207 00:09:50,354 --> 00:09:51,271 IT'S ALL FAITH'S FAULT. 208 00:09:51,271 --> 00:09:53,396 SHE'S LIKE POISON. 209 00:09:53,396 --> 00:09:57,062 NO, WORSE. SHE'S LIKE ACID THAT EATS THROUGH EVERYTHING. 210 00:09:58,312 --> 00:09:59,563 MAYBE SHE'S A BOMB. 211 00:09:59,563 --> 00:10:01,271 THE POINT IS 212 00:10:01,271 --> 00:10:04,479 EVERYTHING WAS GOING ALONG GREAT WITH RILEY, 213 00:10:04,479 --> 00:10:07,855 AND THEN SHE COMES ALONG AND MESSES EVERYTHING UP. 214 00:10:07,855 --> 00:10:10,229 BUFFY, YOU KNOW WHAT I THINK? 215 00:10:10,229 --> 00:10:12,855 I DON'T THINK THIS IS ABOUT YOU BEING ANGRY WITH FAITH. 216 00:10:12,855 --> 00:10:15,604 I THINK YOU'RE ANGRY WITH RILEY. 217 00:10:15,604 --> 00:10:17,521 HI. COULD YOU PLEASE? RILEY? 218 00:10:18,688 --> 00:10:21,729 SURE. I MEAN, 219 00:10:21,729 --> 00:10:23,938 YOU HAVE THIS AMAZING CONNECTION WITH HIM. 220 00:10:23,938 --> 00:10:27,813 AND THEN AT THE ONE MOMENT WHEN IT MATTERS THE MOST, 221 00:10:27,813 --> 00:10:29,646 HE LOOKS INTO YOUR EYES, 222 00:10:29,646 --> 00:10:30,896 AND HE DOESN'T EVEN SEE 223 00:10:30,896 --> 00:10:32,479 THAT IT'S NOT YOU LOOKING BACK AT HIM. 224 00:10:36,688 --> 00:10:39,021 UH, THERE'S NO WAY HE COULD KNOW. 225 00:10:39,021 --> 00:10:41,729 I MEAN, YOU DON'T JUST LOOK AT SOMEONE AND SAY, 226 00:10:41,729 --> 00:10:45,563 "HEY, THAT'S NOT YOUR BODY. GET OUT OF THAT BODY WITH YOUR HANDS UP!" 227 00:10:45,563 --> 00:10:46,729 I KNOW YOU KNOW THAT. 228 00:10:46,729 --> 00:10:49,312 BUT YOU HAVE TO BELIEVE IT. 229 00:10:49,312 --> 00:10:51,813 BUFFY, IF THERE'S ANY PART OF YOU THAT'S BLAMING RILEY 230 00:10:51,813 --> 00:10:53,813 FOR WHAT HAPPENED, WELL, THEN, 231 00:10:53,813 --> 00:10:55,771 IT SEEMS LIKE THERE'S A PART OF YOU THAT NEEDS TO FORGIVE HIM. 232 00:10:57,021 --> 00:10:59,104 [ Karen ] YOU'RE JONATHAN LEVINSON. 233 00:10:59,104 --> 00:11:00,229 OH, MY GOD! 234 00:11:00,229 --> 00:11:02,062 OH, MY GOD! 235 00:11:02,062 --> 00:11:05,396 MY NAME IS KAREN, AND I THINK YOU'RE-- YOU'RE WONDERFUL! 236 00:11:05,396 --> 00:11:07,646 HI, KAREN. THANK YOU. 237 00:11:07,646 --> 00:11:09,062 OH, IS THAT MY BOOK? 238 00:11:09,062 --> 00:11:10,396 WELL, I COULD-- 239 00:11:10,396 --> 00:11:11,688 YEAH, PLEASE. I DIDN'T WANT TO BOTHER YOU. 240 00:11:11,688 --> 00:11:13,855 IT'S KAREN WITH A "K." 241 00:11:21,229 --> 00:11:22,688 THANK YOU... 242 00:11:22,688 --> 00:11:24,104 SO MUCH! 243 00:11:24,104 --> 00:11:25,271 THANKS! 244 00:11:25,271 --> 00:11:26,771 SURE. 245 00:11:26,771 --> 00:11:28,813 SO WHAT DO YOU THINK, BUFFY? 246 00:11:28,813 --> 00:11:30,813 I MEAN, IF I'M WRONG, SMACK ME. 247 00:11:30,813 --> 00:11:32,855 KAREN WITH A "K" WILL LEND YOU A BOOK, 248 00:11:32,855 --> 00:11:34,479 AND IT'S PRETTY HEAVY. 249 00:11:37,771 --> 00:11:39,479 MAYBE I HAVE BEEN BLAMING HIM. 250 00:11:39,479 --> 00:11:42,104 BUT HOW DO I GET PAST IT? 251 00:11:42,104 --> 00:11:45,146 I MEAN, WHAT IF IT'S TOO LATE? 252 00:11:45,146 --> 00:11:47,438 WHAT IF AFTER ALL THIS, HE DOESN'T WANT ME ANYMORE? 253 00:11:47,438 --> 00:11:48,771 HE DOES. 254 00:11:48,771 --> 00:11:50,855 IT'S NOT GOING TO BE EASY, BUFFY, 255 00:11:50,855 --> 00:11:52,729 BUT YOU GUYS ARE VERY SPECIAL TOGETHER. 256 00:11:52,729 --> 00:11:55,855 THAT'S WORTH A LITTLE HARD WORK. 257 00:11:57,354 --> 00:11:58,855 BUT I'M NOT EVEN SURE 258 00:11:58,855 --> 00:12:01,771 IF I KNOW HOW TO TALK TO HIM ANYMORE. 259 00:12:01,771 --> 00:12:04,271 HOW DO I MAKE IT OKAY AGAIN? 260 00:12:04,271 --> 00:12:06,062 IF YOU REALLY WANT IT, 261 00:12:06,062 --> 00:12:08,938 YOU CAN MAKE ANYTHING HAPPEN. 262 00:12:08,938 --> 00:12:11,229 FOR THOSE OF YOU WHO DON'T ALREADY KNOW, 263 00:12:11,229 --> 00:12:14,771 MY NAME IS COLONEL GEORGE HAVILAND. 264 00:12:14,771 --> 00:12:16,688 I'M COMMANDING OFFICER HERE 265 00:12:16,688 --> 00:12:19,938 UNTIL SUCH TIME AS THE FACILITY REVIEW IS COMPLETED. 266 00:12:19,938 --> 00:12:22,271 THIS REVIEW DOES NOT MEAN 267 00:12:22,271 --> 00:12:25,771 OUR PRIMARY MISSION IS CHANGED IN ANY WAY. 268 00:12:25,771 --> 00:12:27,855 RECOVERY OF THE HOSTILE KNOWN AS ADAM 269 00:12:27,855 --> 00:12:30,771 IS OUR FIRST AND MOST IMPORTANT JOB. 270 00:12:30,771 --> 00:12:33,813 TO THIS END, 271 00:12:33,813 --> 00:12:36,312 I'VE ASKED OUR TACTICAL CONSULTANT HERE 272 00:12:36,312 --> 00:12:37,396 TO ADDRESS US TODAY. 273 00:12:37,396 --> 00:12:39,062 MR. LEVINSON. 274 00:12:42,855 --> 00:12:44,438 THANK YOU, COLONEL. 275 00:12:44,438 --> 00:12:47,688 IT'S ABOUT TIME WE BROUGHT OUT THE BIG GUNS. 276 00:12:50,771 --> 00:12:53,271 MEN, BEFORE WE CAN LOCATE ADAM, 277 00:12:53,271 --> 00:12:55,187 WE NEED TO UNDERSTAND HIM BETTER, 278 00:12:55,187 --> 00:12:58,813 AND THERE'S SOMETHING THAT'S BOTHERED ME ALMOST FROM THE START. 279 00:12:58,813 --> 00:13:00,729 HE DOESN'T EAT. 280 00:13:00,729 --> 00:13:02,646 WE'VE KNOWN HIM TO KILL, 281 00:13:02,646 --> 00:13:04,729 BUT NEVER TO EAT THE KILL. 282 00:13:04,729 --> 00:13:08,563 SO I PULLED SOME OF PROFESSOR WALSH'S ORIGINAL DESIGN SCHEMATICS, 283 00:13:08,563 --> 00:13:10,021 AND I FOUND SOMETHING. 284 00:13:10,021 --> 00:13:14,146 HIS POWER SOURCE IS NOT BIOLOGICAL AT ALL. 285 00:13:14,146 --> 00:13:17,312 IT'S HERE. THE DESIGN ATTEMPTS TO HIDE IT, 286 00:13:17,312 --> 00:13:21,896 BUT I BELIEVE THAT THERE'S A SMALL RESERVOIR OF URANIUM 235. 287 00:13:21,896 --> 00:13:24,479 SIR, HOW LONG WILL IT LAST? 288 00:13:24,479 --> 00:13:26,146 ESSENTIALLY FOREVER. 289 00:13:26,146 --> 00:13:28,896 IT ALSO MEANS THAT CUTTING OFF HIS HEAD IS USELESS. 290 00:13:28,896 --> 00:13:34,855 KILLING ADAM MEANS ANNIHILATING HIM COMPLETELY. 291 00:13:34,855 --> 00:13:37,146 BUT FIRST WE HAVE TO FIND HIM. 292 00:13:38,813 --> 00:13:41,688 [ Karen ] WHERE ARE YOU JONATHAN? 293 00:13:41,688 --> 00:13:43,229 ARE YOU, LIKE, NEVER HOME? 294 00:13:45,646 --> 00:13:48,104 AAH! 295 00:14:06,604 --> 00:14:07,896 I FEEL TERRIBLE. 296 00:14:07,896 --> 00:14:09,813 SHE'S READY TO FORGET IT. 297 00:14:09,813 --> 00:14:11,688 YOU BETTER BE READY, TOO. 298 00:14:11,688 --> 00:14:13,479 I DON'T KNOW, JONATHAN. 299 00:14:13,479 --> 00:14:17,062 I MEAN, I DON'T KNOW IF SHE'LL REALLY EVER FORGET IT. 300 00:14:17,062 --> 00:14:19,938 EVERY TIME I TRY TO TOUCH HER-- 301 00:14:19,938 --> 00:14:21,813 SHE'S SCARED. 302 00:14:21,813 --> 00:14:23,021 SCARED OF ME? 303 00:14:23,021 --> 00:14:25,396 SCARED OF WHAT YOU'RE THINKING ABOUT. 304 00:14:25,396 --> 00:14:26,855 WHAT DO YOU MEAN? 305 00:14:26,855 --> 00:14:30,563 SHE KNOWS THAT FAITH IS... EXPERIENCED. 306 00:14:30,563 --> 00:14:32,896 WHAT ARE YOU SAYING? 307 00:14:32,896 --> 00:14:34,646 EXPERIENCED? 308 00:14:34,646 --> 00:14:35,980 OH, GOD. 309 00:14:35,980 --> 00:14:37,312 DOES SHE THINK THAT... 310 00:14:37,312 --> 00:14:38,980 WHAT, THAT I'D BE COMPARING? 311 00:14:40,813 --> 00:14:42,563 SHE KNOWS SHE'S THE ONE I-- 312 00:14:42,563 --> 00:14:43,896 I CARE ABOUT. 313 00:14:43,896 --> 00:14:45,479 HAVE YOU LET HER KNOW THAT? 314 00:14:45,479 --> 00:14:46,479 I THINK I-- 315 00:14:46,479 --> 00:14:47,813 HAVEN'T I? 316 00:14:47,813 --> 00:14:49,771 SHE HAS TO KNOW. 317 00:14:49,771 --> 00:14:53,271 PEOPLE CAN'T ALWAYS SEE WHAT'S RIGHT IN FRONT OF THEM. 318 00:14:57,688 --> 00:15:00,062 [ Band Playing ] 319 00:15:00,062 --> 00:15:02,896 ♪ I love the big witch doctor ♪ 320 00:15:02,896 --> 00:15:05,021 ♪ Who stirred the brew for me ♪ 321 00:15:05,021 --> 00:15:07,563 ♪ I took sips from your sweet lips ♪ 322 00:15:07,563 --> 00:15:09,855 ♪ And now I can't get free ♪ 323 00:15:09,855 --> 00:15:12,062 ♪ Trapped in the web of love ♪ 324 00:15:12,062 --> 00:15:13,521 ♪ Trapped in the web of love ♪ 325 00:15:13,521 --> 00:15:15,479 I DID NOT. 326 00:15:15,479 --> 00:15:18,896 LAST NIGHT, WITH ME, YOU SAID "JONATHAN." 327 00:15:18,896 --> 00:15:21,104 IT WAS A MOAN. 328 00:15:21,104 --> 00:15:23,438 FINE, YOU MOANED JONATHAN. 329 00:15:23,438 --> 00:15:24,813 UH-UH. 330 00:15:24,813 --> 00:15:27,146 IT WAS LIKE, "A-A-A-AHH." 331 00:15:27,146 --> 00:15:30,021 MAYBE IT WAS "A-A-ANATHAN." 332 00:15:30,021 --> 00:15:31,896 STILL NOT FLUFFING UP THE OLD EGO. 333 00:15:31,896 --> 00:15:34,896 QUITE THE COUPLE, AREN'T THEY? 334 00:15:34,896 --> 00:15:37,646 THEY GET INTO A FISTFIGHT, I'VE GOT A 50 ON ANYA. 335 00:15:37,646 --> 00:15:39,771 WONDER IF THEY'LL MAKE IT. 336 00:15:49,646 --> 00:15:51,146 [ Crowd Cheering ] 337 00:15:51,146 --> 00:15:54,187 [ Jonathan ] OKAY, OKAY. 338 00:15:54,187 --> 00:15:56,438 GOOD EVENING, EVERYONE. 339 00:15:56,438 --> 00:15:59,688 I'D LIKE TO DEDICATE THIS SONG TO SOME FRIENDS OF MINE, 340 00:15:59,688 --> 00:16:02,354 A VERY SPECIAL COUPLE WHO'VE BEEN GOING THROUGH A TOUGH TIME. 341 00:16:03,646 --> 00:16:05,188 [ Band Playing Ballad ] 342 00:16:05,188 --> 00:16:10,938 ♪ When I hear that serenade in blue ♪ 343 00:16:10,938 --> 00:16:16,604 ♪ I'm someone in another world alone with you ♪ 344 00:16:18,062 --> 00:16:23,521 ♪ Sharing all the joys we used to know ♪ 345 00:16:23,521 --> 00:16:28,604 ♪ Many moons ago ♪ 346 00:16:30,229 --> 00:16:36,229 ♪ Once again, your face comes back to me ♪ 347 00:16:36,229 --> 00:16:41,230 ♪ Just like the theme of some forgotten ♪ 348 00:16:41,230 --> 00:16:43,688 ♪ Melody ♪ 349 00:16:43,688 --> 00:16:49,229 ♪ In the album of my memory ♪ 350 00:16:49,229 --> 00:16:52,271 ♪ Serenade ♪ 351 00:16:52,271 --> 00:16:56,187 ♪ In blue ♪ 352 00:16:56,187 --> 00:16:59,438 ♪ Seems like only yesterday ♪ 353 00:16:59,438 --> 00:17:02,187 ♪ A small cafe, a crowded floor ♪ 354 00:17:02,187 --> 00:17:05,563 ♪ And as we danced the night away ♪ 355 00:17:05,563 --> 00:17:08,438 ♪ I hear you say forever more ♪ 356 00:17:08,438 --> 00:17:12,230 ♪ And then the song became a sign ♪ 357 00:17:12,230 --> 00:17:15,396 ♪ Forever more became goodbye ♪ 358 00:17:15,396 --> 00:17:20,521 ♪ Cause you remained in my heart ♪ 359 00:17:20,521 --> 00:17:24,938 ♪ Tell me, darling, is there still a spark? ♪ 360 00:17:24,938 --> 00:17:27,104 BUFFY, I WANT YOU TO KNOW-- 361 00:17:27,104 --> 00:17:29,604 DO WE HAVE TO HAVE THE TALK? 362 00:17:29,604 --> 00:17:31,062 NO TALK. 363 00:17:31,062 --> 00:17:32,187 MORE DANCE. 364 00:17:32,187 --> 00:17:35,229 I JUST WANT TO SAY I'M SORRY-- 365 00:17:35,229 --> 00:17:37,104 THAT IT'S ONLY YOU THAT I WANT. 366 00:17:37,104 --> 00:17:38,479 I KNOW. 367 00:17:38,479 --> 00:17:41,104 I KNOW ALL OF THAT. 368 00:17:41,104 --> 00:17:42,855 YOU DO? 369 00:17:45,230 --> 00:17:46,146 SINCE WHEN? 370 00:17:49,146 --> 00:17:51,771 SINCE YOU PUT YOUR ARMS AROUND ME. 371 00:18:04,021 --> 00:18:07,688 OH, MY GOD. HE'S GOING TO DO SOMETHING OFF THE NEW ALBUM. 372 00:18:16,021 --> 00:18:17,479 XANDER? 373 00:18:17,479 --> 00:18:19,479 YEAH? 374 00:18:19,479 --> 00:18:21,104 LET'S GO HAVE SEX NOW. 375 00:18:21,104 --> 00:18:23,271 YEAH. 376 00:18:23,271 --> 00:18:24,563 OKAY. 377 00:18:44,187 --> 00:18:46,896 OH! WHAT IS IT? YOU OKAY? 378 00:18:49,104 --> 00:18:50,104 [ Band Stops Playing ] 379 00:18:50,104 --> 00:18:51,354 KAREN. 380 00:18:51,354 --> 00:18:53,187 THAT'S YOUR NAME ISN'T IT? 381 00:18:53,187 --> 00:18:55,271 I SIGNED MY BOOK FOR YOU. 382 00:18:56,521 --> 00:18:58,855 TELL ME WHAT HURT YOU, KAREN. 383 00:18:58,855 --> 00:19:00,062 I CAN HELP. 384 00:19:00,062 --> 00:19:03,187 LET'S GET YOU WARMED UP. 385 00:19:04,438 --> 00:19:06,563 WHAT'S GOING ON? WHY ARE YOU HERE? 386 00:19:06,563 --> 00:19:08,229 MR. LEVINSON. 387 00:19:08,229 --> 00:19:11,104 SOMEONE ON YOUR STAFF REPORTED A DISTURBANCE. 388 00:19:11,104 --> 00:19:12,604 WHEN I REALIZED IT WAS ON YOUR PROPERTY, 389 00:19:12,604 --> 00:19:14,521 I THOUGHT I'D BETTER COME DOWN IN PERSON. 390 00:19:14,521 --> 00:19:16,855 THAT'S ALL RIGHT, SERGEANT. I HAVE IT UNDER CONTROL. 391 00:19:16,855 --> 00:19:18,438 OF COURSE, SIR. GLAD TO SEE YOU'RE ALL RIGHT. 392 00:19:20,771 --> 00:19:23,771 KAREN, I KNOW YOU'RE SCARED, 393 00:19:23,771 --> 00:19:26,187 BUT I NEED TO HEAR YOUR DESCRIPTION AGAIN. 394 00:19:26,187 --> 00:19:30,604 I-IT WAS UGLY. BIG UGLY. 395 00:19:30,604 --> 00:19:33,938 ALL BENT OVER SORT OF, WITH THESE HUGE ARMS, 396 00:19:33,938 --> 00:19:36,479 AND, LIKE, SCABS AND STUFF. 397 00:19:36,479 --> 00:19:37,938 THAT MUST HAVE BEEN VERY FRIGHTENING. 398 00:19:37,938 --> 00:19:39,146 I'M SO SORRY-- 399 00:19:39,146 --> 00:19:41,230 OH! OH, I FORGOT! IT HAD A MARK. 400 00:19:41,230 --> 00:19:42,146 A MARK? 401 00:19:42,146 --> 00:19:44,479 ON ITS FOREHEAD, LIKE A SYMBOL. 402 00:19:55,938 --> 00:19:59,271 WELL... THIS IS A CLUE. 403 00:19:59,271 --> 00:20:00,396 JONATHAN? 404 00:20:00,396 --> 00:20:01,604 I'VE HEARD OF THIS. 405 00:20:01,604 --> 00:20:03,563 IT'S NOT A DEMON, JUST A MONSTER. 406 00:20:03,563 --> 00:20:05,229 NOT MUCH MORE THAN AN ANIMAL. 407 00:20:05,229 --> 00:20:07,146 STICKS TO THE WOODS, 408 00:20:07,146 --> 00:20:09,604 DOESN'T COME NEAR POPULATED AREAS. 409 00:20:09,604 --> 00:20:11,271 BUT IT DID THIS TIME. IT MIGHT AGAIN. 410 00:20:11,271 --> 00:20:12,479 MAYBE WE SHOULD PATROL. 411 00:20:12,479 --> 00:20:14,312 IF YOU WANT ME TO MOBILIZE A SQUAD-- 412 00:20:14,312 --> 00:20:16,271 ACTUALLY, I THINK KAREN SIMPLY STARTLED IT. 413 00:20:16,271 --> 00:20:18,813 PROBABLY MORE AFRAID OF YOU THAN YOU WERE OF IT. 414 00:20:18,813 --> 00:20:20,021 I'LL PATROL, BUT YOU DON'T NEED TO WORRY ABOUT IT. 415 00:20:20,021 --> 00:20:21,604 I CAN HANDLE IT ON MY OWN. 416 00:20:21,604 --> 00:20:24,563 NOW, LET'S SEE ABOUT GETTING KAREN A RIDE HOME. 417 00:20:39,396 --> 00:20:40,688 I WISH YOU'D GET RID OF THAT BODY. 418 00:20:40,688 --> 00:20:42,896 THE SMELL'S MAKING ME HUNGRY. 419 00:20:42,896 --> 00:20:43,896 YOU WOULDN'T WANT IT. 420 00:20:43,896 --> 00:20:45,855 IT HAD A BLOOD DISEASE. 421 00:20:45,855 --> 00:20:48,646 IT DIDN'T KNOW IT, BUT IT WOULD'VE BEEN DEAD WITHIN THE YEAR. 422 00:20:48,646 --> 00:20:52,396 HUMANS SENSE SO LITTLE OF WHAT THEY CARRY INSIDE. 423 00:20:52,396 --> 00:20:54,563 HUH. ALL RIGHT. 424 00:20:54,563 --> 00:20:56,604 WELL, YOU'RE THE EVIL MESSIAH GUY, SO... 425 00:20:56,604 --> 00:20:59,563 OH, HEY, THERE'S SOMETHING NEW IN TOWN. 426 00:20:59,563 --> 00:21:02,938 YEAH, ATTACKED A GIRL, CAUSED A LITTLE FUSS. 427 00:21:02,938 --> 00:21:05,396 OH, HE WAS THERE. 428 00:21:08,604 --> 00:21:10,354 JONATHAN. 429 00:21:10,354 --> 00:21:11,438 JONATHAN. 430 00:21:11,438 --> 00:21:13,354 TELL ME, WHO IS HE? 431 00:21:13,354 --> 00:21:14,980 HAH. YOU'RE JOKING, RIGHT? 432 00:21:16,187 --> 00:21:17,688 JONATHAN IS JONATHAN. 433 00:21:17,688 --> 00:21:19,146 LOOK. 434 00:21:20,980 --> 00:21:22,438 THESE ARE LIES. 435 00:21:22,438 --> 00:21:24,396 NONE OF THIS IS REAL. 436 00:21:24,396 --> 00:21:27,396 THE WORLD HAS BEEN CHANGED. 437 00:21:27,396 --> 00:21:30,396 IT'S INTRIGUING, BUT IT'S WRONG. 438 00:21:32,229 --> 00:21:33,688 FEELS OKAY TO ME. 439 00:21:33,688 --> 00:21:36,312 YOU'RE UNDER HIS SPELL, JUST LIKE THE OTHERS. 440 00:21:36,312 --> 00:21:38,396 I SEEM TO BE THE ONLY ONE WHO'S NOT. 441 00:21:38,396 --> 00:21:41,104 REALLY? WELL, WHAT MAKES YOU SO SPECIAL? 442 00:21:41,104 --> 00:21:42,688 I'M AWARE. 443 00:21:42,688 --> 00:21:45,062 I KNOW EVERY MOLECULE OF MYSELF 444 00:21:45,062 --> 00:21:46,438 AND EVERYTHING AROUND ME. 445 00:21:46,438 --> 00:21:49,896 NO ONE-- NO HUMAN, NO DEMON-- 446 00:21:49,896 --> 00:21:53,479 HAS EVER BEEN AS AWAKE AND ALIVE AS I AM. 447 00:21:53,479 --> 00:21:56,062 YOU ARE ALL JUST SHADOWS. 448 00:21:56,062 --> 00:21:58,229 OH. 449 00:21:59,938 --> 00:22:01,230 SO-- 450 00:22:02,062 --> 00:22:03,563 WH-WHAT DO YOU DO NOW? 451 00:22:05,312 --> 00:22:07,021 HEY, YOU COULD KILL JONATHAN! 452 00:22:08,104 --> 00:22:10,312 WELL, ER, YOU COULD TRY. 453 00:22:10,312 --> 00:22:12,312 THE GUY'S LIKE A DYNAMO OF ACTION. 454 00:22:12,312 --> 00:22:14,479 I DON'T NEED TO DO ANYTHING. 455 00:22:14,479 --> 00:22:17,354 THESE MAGICS ARE UNSTABLE, CORROSIVE. 456 00:22:17,354 --> 00:22:20,187 THEY WILL INEVITABLY LEAD TO CHAOS. 457 00:22:21,354 --> 00:22:23,521 AND I'M INTERESTED IN CHAOS. 458 00:22:44,396 --> 00:22:47,271 JONATHAN, AREN'T YOU COMING TO BED? 459 00:22:48,354 --> 00:22:50,312 IT'S GETTING LATE. 460 00:22:51,438 --> 00:22:52,980 I'LL BE RIGHT THERE. 461 00:23:02,938 --> 00:23:04,688 I'M GLAD YOU'RE OKAY. 462 00:23:04,688 --> 00:23:08,062 EVERYONE IN THE BRONZE WAS PRETTY FREAKED OUT AFTER YOU LEFT. 463 00:23:08,062 --> 00:23:11,271 SO, I GUESS YOU HAVE TO GO FIGHT THIS THING, HUH? 464 00:23:11,271 --> 00:23:13,354 ALL THE WEAPONS ARE AT GILES'S. 465 00:23:13,354 --> 00:23:15,354 IT SHOULDN'T TAKE TOO LONG. 466 00:23:15,354 --> 00:23:16,438 NO GO. 467 00:23:16,438 --> 00:23:18,938 DID YOU JUST GO, NO GO? 468 00:23:18,938 --> 00:23:20,396 JONATHAN DID. 469 00:23:20,396 --> 00:23:22,312 HE SAID IT WAS SOME BRAINLESS BEASTIE 470 00:23:22,312 --> 00:23:23,521 AND HE WOULD TAKE CARE OF IT HIMSELF. 471 00:23:23,521 --> 00:23:24,938 OH, COOL. 472 00:23:25,604 --> 00:23:27,146 I GUESS. 473 00:23:27,146 --> 00:23:30,771 I DON'T KNOW, IT JUST-- HE SEEMED A LITTLE... 474 00:23:30,771 --> 00:23:32,521 SCARED. 475 00:23:32,521 --> 00:23:35,479 UH, BUFFY, THIS IS JONATHAN. 476 00:23:35,479 --> 00:23:36,980 YOU KNOW HE DOESN'T GET SCARED. 477 00:23:36,980 --> 00:23:38,438 YOU TALKED ABOUT IT WHEN YOU GAVE HIM 478 00:23:38,438 --> 00:23:40,521 THE CLASS- PROTECTOR AWARD AT THE PROM. 479 00:23:40,521 --> 00:23:42,438 YOU'RE RIGHT. 480 00:23:42,438 --> 00:23:43,813 [ Tara ] UM... 481 00:23:46,146 --> 00:23:47,354 MY EXIT. 482 00:23:47,354 --> 00:23:49,312 WILLOW, I'LL SEE YOU TOMORROW? 483 00:23:51,438 --> 00:23:52,521 OKAY. 484 00:23:55,855 --> 00:23:59,688 SO, I SAW YOU AND RILEY, WITH THE DANCING. 485 00:24:01,563 --> 00:24:03,187 IT WAS A GREAT DANCE. 486 00:24:03,187 --> 00:24:07,563 FOR THE FIRST TIME I FELT LIKE FAITH WASN'T THERE-- 487 00:24:07,563 --> 00:24:10,938 LIKE NO ONE WAS THERE BUT US. 488 00:24:17,521 --> 00:24:18,604 [ Clank ] 489 00:24:27,813 --> 00:24:29,021 [ Growls ] 490 00:24:29,021 --> 00:24:30,104 AAH! 491 00:24:43,479 --> 00:24:49,479 SENSUS CONFUNDANTUR ET AER OPPLEATUR. 492 00:24:49,479 --> 00:24:50,980 OBSCURATAM. 493 00:24:52,896 --> 00:24:55,021 [ Growling ] 494 00:25:04,438 --> 00:25:06,229 [ Rapid Knocking On Door ] 495 00:25:06,229 --> 00:25:09,563 WHAT'S GOING ON? 496 00:25:09,563 --> 00:25:10,563 OH, MY GOD. 497 00:25:10,563 --> 00:25:12,354 [ Trembling ] 498 00:25:12,354 --> 00:25:14,438 SHE'S GOING TO BE OKAY. 499 00:25:14,438 --> 00:25:16,729 BUT SHE'S TERRIFIED. 500 00:25:16,729 --> 00:25:19,438 WHAT HAPPENED? WHAT DID THIS? 501 00:25:19,438 --> 00:25:23,312 SOMEONE FOUND HER IN THE JANITOR'S CLOSET ABOUT AN HOUR AGO. 502 00:25:23,312 --> 00:25:27,354 I THINK SHE WAS THERE ALL NIGHT. SHE WAS ALL ALONE. 503 00:25:27,354 --> 00:25:28,896 TARA... 504 00:25:31,104 --> 00:25:32,354 WHAT DID THIS? 505 00:25:34,521 --> 00:25:37,104 BIG...LUMPY... 506 00:25:37,104 --> 00:25:40,938 AND IT HAD SOMETHING ON ITS HEAD-- 507 00:25:40,938 --> 00:25:44,688 LIKE A GREEK LETTER, ONLY NOT. 508 00:25:56,187 --> 00:25:57,396 THIS? 509 00:25:58,396 --> 00:25:59,771 WAS IT THIS? 510 00:26:01,604 --> 00:26:04,646 BUFFY, JONATHAN SAID WE WERE ALL SAFE. 511 00:26:04,646 --> 00:26:07,771 JONATHAN SAID IT. 512 00:26:23,187 --> 00:26:24,396 XANDER'S NOT HERE. 513 00:26:24,396 --> 00:26:25,438 OH. 514 00:26:28,021 --> 00:26:30,688 YOU'RE NOT GOING AWAY. 515 00:26:30,688 --> 00:26:31,855 WHY AREN'T YOU GOING AWAY? 516 00:26:31,855 --> 00:26:34,230 WELL, I WAS KIND OF HOPING 517 00:26:34,230 --> 00:26:37,312 TO LOOK AT SOME OF XANDER'S STUFF. 518 00:26:37,312 --> 00:26:40,146 OH. 519 00:26:40,146 --> 00:26:42,396 SURE. 520 00:26:42,396 --> 00:26:44,646 COME ON IN. MAKE YOURSELF AT HOME... 521 00:26:44,646 --> 00:26:47,438 AND SO ON. 522 00:27:08,688 --> 00:27:10,563 OH, YOU'RE STILL HERE? 523 00:27:10,563 --> 00:27:13,896 THAT'S NICE. 524 00:27:15,771 --> 00:27:17,896 MAY I ASK YOU SOMETHING? 525 00:27:19,688 --> 00:27:22,229 DOES IT EVER SEEM JUST A LITTLE STRANGE 526 00:27:22,229 --> 00:27:25,479 THAT JONATHAN IS SO GOOD AT EVERYTHING? 527 00:27:25,479 --> 00:27:28,729 HE'S JONATHAN. 528 00:27:29,646 --> 00:27:30,729 HEY. 529 00:27:30,729 --> 00:27:31,938 I WAS JUST AT THE PART 530 00:27:31,938 --> 00:27:33,479 WHERE HE INVENTS THE INTERNET. 531 00:27:33,479 --> 00:27:35,938 ANYA, HE FIGHTS BETTER THAN I DO, 532 00:27:35,938 --> 00:27:37,771 AND I'M THE SLAYER. 533 00:27:37,771 --> 00:27:39,729 THE SLAYER. 534 00:27:39,729 --> 00:27:42,729 I MEAN, THAT'S SUPPOSED TO MEAN SOMETHING, RIGHT? 535 00:27:42,729 --> 00:27:46,021 OH... 536 00:27:46,021 --> 00:27:48,438 BUCK UP, YOU. 537 00:27:48,438 --> 00:27:50,771 YOU KILL THE BEST. GO YOU. 538 00:27:50,771 --> 00:27:52,396 KILL, KILL. 539 00:27:52,396 --> 00:27:55,021 ACTUALLY NOT NEEDING VALIDATION RIGHT NOW, BUT THANK YOU. 540 00:27:58,855 --> 00:28:02,688 HE JUST SEEMS TOO PERFECT. 541 00:28:02,688 --> 00:28:03,646 I DON'T KNOW. 542 00:28:03,646 --> 00:28:05,771 SO, I CAN HAVE MY BOOK BACK? 543 00:28:05,771 --> 00:28:08,646 ANYA, WHEN YOU WERE A DEMON, 544 00:28:08,646 --> 00:28:10,438 YOU GRANTED WISHES, RIGHT? 545 00:28:10,438 --> 00:28:12,729 VENGEANCE WISHES ON EX-BOYFRIENDS. 546 00:28:12,729 --> 00:28:15,604 I'D WISH HE WAS A DOG OR UGLY 547 00:28:15,604 --> 00:28:19,271 OR IN LOVE WITH PRESIDENT McKINLEY OR SOMETHING. 548 00:28:19,271 --> 00:28:22,188 BUT SOMEONE COULD WISH THE WHOLE WORLD TO BE DIFFERENT, RIGHT? 549 00:28:22,188 --> 00:28:23,729 THAT'S POSSIBLE? 550 00:28:23,729 --> 00:28:26,479 SURE, ALTERNATE REALITIES. 551 00:28:26,479 --> 00:28:28,688 YOU COULD HAVE, LIKE, A WORLD WITHOUT SHRIMP 552 00:28:28,688 --> 00:28:30,896 OR WITH, YOU KNOW... 553 00:28:30,896 --> 00:28:32,688 NOTHING BUT SHRIMP. 554 00:28:32,688 --> 00:28:34,604 YOU COULD EVEN MAKE, LIKE, A FREAKY WORLD WHERE JONATHAN'S, 555 00:28:34,604 --> 00:28:36,521 LIKE, SOME KIND OF NOT-PERFECT MOUTH-BREATHER, 556 00:28:36,521 --> 00:28:38,688 IF THAT'S WHAT'S BLOWING UP YOUR SKIRT THESE DAYS. 557 00:28:38,688 --> 00:28:40,855 JUST DON'T ASK ME TO LIVE THERE. 558 00:28:40,855 --> 00:28:42,062 OH. 559 00:28:42,062 --> 00:28:43,354 NOW, IF, UH... 560 00:28:43,354 --> 00:28:45,771 I CAN JUST HAVE MY BOOK BACK, 561 00:28:45,771 --> 00:28:47,646 YOU'LL BE ON YOUR WAY SOMEPLACE ELSE. 562 00:28:47,646 --> 00:28:50,563 HERE. 563 00:28:52,396 --> 00:28:54,813 [ Buffy ] I'M JUST SAYING IT DOESN'T MAKE ANY SENSE. 564 00:28:54,813 --> 00:28:55,729 HE STARRED IN THE MATRIX, 565 00:28:55,729 --> 00:28:57,771 BUT HE NEVER LEFT TOWN. 566 00:28:57,771 --> 00:28:59,688 AND HOW DID HE GRADUATE FROM MED SCHOOL? 567 00:28:59,688 --> 00:29:00,813 HE'S ONLY 18 YEARS OLD. 568 00:29:00,813 --> 00:29:02,771 EFFECTIVE TIME MANAGEMENT? 569 00:29:02,771 --> 00:29:05,104 I'M SORRY, BUFFY, 570 00:29:05,104 --> 00:29:07,771 BUT I JUST DON'T UNDERSTAND WHAT YOU'RE TRYING TO SAY. 571 00:29:07,771 --> 00:29:10,312 YEAH, AND WHEN IS JONATHAN GONNA GET HERE 572 00:29:10,312 --> 00:29:11,312 AND START THE MEETING? 573 00:29:11,312 --> 00:29:13,312 THIS IS THE MEETING. 574 00:29:13,312 --> 00:29:15,021 THIS IS THE MEETING? 575 00:29:15,021 --> 00:29:17,521 WELL, I WAS JUST KIND OF... 576 00:29:17,521 --> 00:29:21,646 WONDERING IF MAYBE ANYONE ELSE THOUGHT THAT... 577 00:29:21,646 --> 00:29:25,396 JONATHAN WAS KIND OF TOO PERFECT? 578 00:29:26,771 --> 00:29:28,604 NO, HE'S NOT. 579 00:29:28,604 --> 00:29:30,604 HE'S JUST PERFECT ENOUGH. 580 00:29:30,604 --> 00:29:32,104 HE CRUSHED THE BONES OF THE MASTER, 581 00:29:32,104 --> 00:29:34,230 HE BLEW UP A BIG SNAKE MADE OUT OF MAYOR, 582 00:29:34,230 --> 00:29:35,771 AND HE COACHED THE U.S. WOMEN'S SOCCER TEAM 583 00:29:35,771 --> 00:29:37,771 TO A STUNNING WORLD CUP VICTORY. 584 00:29:37,771 --> 00:29:39,104 WE SAW HIM DOING THOSE THINGS. 585 00:29:39,104 --> 00:29:40,771 BUT THAT'S JUST IT. 586 00:29:40,771 --> 00:29:44,813 I'M NOT ENTIRELY SURE THAT WE CAN TRUST OUR MEMORIES. 587 00:29:44,813 --> 00:29:47,271 ANYA, TELL THEM ABOUT THE ALTERNATE UNIVERSES. 588 00:29:47,271 --> 00:29:49,729 OH, OKAY, UM... 589 00:29:49,729 --> 00:29:51,604 SAY YOU REALLY LIKE SHRIMP A LOT, 590 00:29:51,604 --> 00:29:53,563 OR WE COULD SAY YOU DON'T LIKE SHRIMP AT ALL. 591 00:29:53,563 --> 00:29:55,938 "BLAH, I WISH THERE WEREN'T ANY SHRIMP," YOU'D SAY TO YOURSELF. 592 00:29:55,938 --> 00:29:57,438 STOP. YOU'RE SAYING IT WRONG. 593 00:30:00,230 --> 00:30:02,980 I THINK THAT JONATHAN MAY BE DOING SOMETHING 594 00:30:02,980 --> 00:30:05,062 SO THAT HE'S MANIPULATING THE WORLD, 595 00:30:05,062 --> 00:30:07,938 AND WE'RE ALL, LIKE, HIS PAWNS. 596 00:30:07,938 --> 00:30:08,938 OR PRAWNS. 597 00:30:08,938 --> 00:30:11,771 STOP WITH THE SHRIMP. 598 00:30:11,771 --> 00:30:13,354 I AM TRYING TO DO SOMETHING HERE. 599 00:30:13,354 --> 00:30:16,187 OF COURSE, BUT, UM, 600 00:30:16,187 --> 00:30:18,438 I THINK YOU MAY BE A LITTLE OUT OF YOUR DEPTH. 601 00:30:18,438 --> 00:30:20,479 I'M NOT. 602 00:30:20,479 --> 00:30:21,729 IT SOUNDS LIKE NONSENSE. 603 00:30:23,396 --> 00:30:28,938 BUT I'M STARTING TO KNOW THIS GIRL PRETTY WELL, 604 00:30:28,938 --> 00:30:30,521 AND I THINK SHE SEES THINGS 605 00:30:30,521 --> 00:30:31,855 THAT THE REST OF US DON'T. 606 00:30:31,855 --> 00:30:35,938 I THINK, FOR ONCE, WE SHOULD FOLLOW HER LEAD. 607 00:30:41,980 --> 00:30:44,896 OKAY. 608 00:30:44,896 --> 00:30:48,896 I THINK JONATHAN MIGHT BE IGNORING EVIDENCE. 609 00:30:48,896 --> 00:30:51,563 I THINK HE MIGHT HAVE LET TARA GET HURT. 610 00:30:51,563 --> 00:30:53,062 ON PURPOSE? 611 00:30:53,062 --> 00:30:55,104 NO. 612 00:30:55,104 --> 00:30:56,771 NO. 613 00:30:56,771 --> 00:30:59,438 HOW DID HE IGNORE EVIDENCE? 614 00:30:59,438 --> 00:31:01,396 THE MONSTER HAD A MARK ON IT. 615 00:31:01,396 --> 00:31:05,271 JONATHAN SAW IT, AND HE KIND OF... 616 00:31:05,271 --> 00:31:07,271 BLINKED. 617 00:31:07,271 --> 00:31:08,688 HE BLINKED. 618 00:31:08,688 --> 00:31:10,146 THE MAN MOISTENS HIS EYEBALLS, 619 00:31:10,146 --> 00:31:11,354 AND WE'RE HAVING A MEETING ABOUT IT. 620 00:31:11,354 --> 00:31:14,563 HE KNOWS SOMETHING ABOUT THE MONSTER. 621 00:31:14,563 --> 00:31:16,271 HE WAS REACTING TO THE MARK. 622 00:31:16,271 --> 00:31:17,229 OH! WAIT. 623 00:31:17,229 --> 00:31:18,729 I REMEMBER SOMETHING. 624 00:31:18,729 --> 00:31:21,062 GILES, DO YOU HAVE A JONATHAN SWIMSUIT CALENDAR? 625 00:31:21,062 --> 00:31:22,980 NO. 626 00:31:24,021 --> 00:31:25,896 YES. 627 00:31:25,896 --> 00:31:27,980 IT WAS A GIFT. 628 00:31:33,688 --> 00:31:35,146 NO. 629 00:31:35,146 --> 00:31:37,604 NO. 630 00:31:37,604 --> 00:31:38,938 WHOA. 631 00:31:38,938 --> 00:31:41,271 NO. 632 00:31:41,271 --> 00:31:42,479 [ Gasps ] 633 00:31:42,479 --> 00:31:43,563 THERE. 634 00:31:45,062 --> 00:31:45,980 OH. 635 00:31:45,980 --> 00:31:49,146 YEAH, PRETTY DARN LICKABLE. 636 00:31:49,146 --> 00:31:51,146 THE OTHER KIND OF OH. 637 00:31:51,146 --> 00:31:53,271 THAT'S IT. THAT'S WHAT TARA SAW. 638 00:31:53,271 --> 00:31:56,688 WHY WOULD JONATHAN HAVE THE SAME MARK AS THE MONSTER? 639 00:31:56,688 --> 00:31:58,146 I DON'T KNOW, 640 00:31:58,146 --> 00:31:59,646 BUT HE'S DEFINITELY KEEPING THIS-- 641 00:31:59,646 --> 00:32:01,146 [ Jonathan ] IS THIS A PRIVATE CONVERSATION? 642 00:32:01,146 --> 00:32:03,729 OR CAN MR. JULY SIT IN? 643 00:32:03,729 --> 00:32:04,855 JONATHAN. 644 00:32:04,855 --> 00:32:07,021 HI. BUFFY WAS JUST SAYING 645 00:32:07,021 --> 00:32:09,229 HOW YOU HAD A MONSTER CUT UP WILLOW'S FRIEND, AND-- 646 00:32:10,479 --> 00:32:13,230 BUFFY? 647 00:32:13,230 --> 00:32:14,396 NO. 648 00:32:20,813 --> 00:32:22,438 IT'S JUST-- 649 00:32:22,438 --> 00:32:24,104 THE MARK. 650 00:32:24,104 --> 00:32:28,187 YOU SAID IT WAS SAFE AND IT WASN'T. 651 00:32:30,062 --> 00:32:33,146 I'M SORRY. I JUST DON'T UNDERSTAND. 652 00:32:34,980 --> 00:32:36,688 THEN I'LL EXPLAIN. 653 00:32:42,062 --> 00:32:43,187 BUFFY IS RIGHT. 654 00:32:46,771 --> 00:32:47,896 NO. 655 00:32:47,896 --> 00:32:49,980 I DO HAVE A HISTORY WITH THE CREATURE. 656 00:32:49,980 --> 00:32:52,104 THE MONSTER. 657 00:32:52,104 --> 00:32:53,563 THE PROBLEM IS EVERY TIME I FACE IT, 658 00:32:53,563 --> 00:32:56,021 MY MIND BECOMES SORT OF CONFUSED. 659 00:32:56,021 --> 00:32:58,938 THERE'S SOME KIND OF POWER IT POSSESSES. 660 00:32:58,938 --> 00:33:01,646 OH, OH! HE'S LIKE YOUR KRYPTONITE. 661 00:33:01,646 --> 00:33:03,479 MAYBE. 662 00:33:03,479 --> 00:33:05,688 I JUST KNOW THAT IT TAKES ALL MY ENERGY 663 00:33:05,688 --> 00:33:07,312 TO TRY AND FIGHT THE CONFUSION. 664 00:33:07,312 --> 00:33:09,729 THAT'S WHY I HAD HIS MARK TATTOOED ON ME, 665 00:33:09,729 --> 00:33:12,062 SO THAT I WOULDN'T UNDERESTIMATE IT NEXT TIME. 666 00:33:14,146 --> 00:33:16,604 THIS DOES EXPLAIN EVERYTHING. 667 00:33:16,604 --> 00:33:18,146 I KNEW HE WOULDN'T DO ANYTHING ON PURPOSE. 668 00:33:18,146 --> 00:33:19,855 ME, TOO, 669 00:33:19,855 --> 00:33:23,187 AND THAT WHOLE ALTERNATE UNIVERSE THING WAS TOO FREAKY. 670 00:33:24,604 --> 00:33:26,146 JONATHAN... 671 00:33:26,146 --> 00:33:27,729 LET'S GO AFTER THE MONSTER. 672 00:33:27,729 --> 00:33:29,021 RIGHT NOW. YOU AND ME. 673 00:33:29,021 --> 00:33:30,521 WELL, I'M SURE IT'S LEFT TOWN BY NOW. 674 00:33:30,521 --> 00:33:32,104 THAT'S BEEN ITS PATTERN. 675 00:33:32,104 --> 00:33:34,062 WE CAN TRY. 676 00:33:34,062 --> 00:33:36,938 SURE. 677 00:33:36,938 --> 00:33:39,271 LET'S DO THAT. 678 00:33:42,187 --> 00:33:44,312 GOOD-BYE, JONATHAN. GOOD-BYE. 679 00:33:51,604 --> 00:33:53,312 OH, LOOK. 680 00:33:53,312 --> 00:33:54,771 JONATHAN. 681 00:33:54,771 --> 00:33:58,855 TAKING THE LITTLE SIDEKICK OUT FOR A WALK, ARE WE? 682 00:33:58,855 --> 00:34:00,062 SHUT UP, SPIKE. 683 00:34:00,062 --> 00:34:02,354 OOH, SEMI-HARSH LANGUAGE FROM BETTY. 684 00:34:04,062 --> 00:34:07,104 YOU'RE FEISTY WHEN THE BIG GUY'S STANDING BESIDE YOU. 685 00:34:09,771 --> 00:34:10,938 SOMEDAY... 686 00:34:10,938 --> 00:34:14,104 SWEET SLAYER... 687 00:34:14,104 --> 00:34:18,021 I WOULD LOVE TO TAKE YOU ON, 688 00:34:18,021 --> 00:34:21,521 SEE YOU FACE THE EVIL ALONE FOR ONCE. 689 00:34:24,855 --> 00:34:27,062 THAT'S ENOUGH OF THE CREEPY SMALL TALK. 690 00:34:27,062 --> 00:34:28,855 WE'RE LOOKING FOR A MONSTER. 691 00:34:28,855 --> 00:34:30,896 WHY WOULD I KNOW ABOUT THAT? 692 00:34:30,896 --> 00:34:31,896 EVERY DEMON IN THIS TOWN 693 00:34:31,896 --> 00:34:33,062 IS GUNNING FOR YOU RIGHT NOW, 694 00:34:33,062 --> 00:34:34,104 SO I FIGURE YOU'RE PROBABLY 695 00:34:34,104 --> 00:34:35,396 KEEPING PRETTY GOOD TRACK OF THEM. 696 00:34:35,396 --> 00:34:38,146 BIG ARMS, MARK ON ITS HEAD. 697 00:34:38,146 --> 00:34:39,479 HAVE YOU SEEN IT? 698 00:34:39,479 --> 00:34:42,896 NO, BUT THEN AGAIN, I'M PROBABLY LYING. 699 00:34:47,104 --> 00:34:49,938 WE'RE NOT GETTING ANYTHING OUT OF HIM. 700 00:34:51,271 --> 00:34:53,771 UNH! HEY, WHAT ARE YOU DOING? 701 00:34:53,771 --> 00:34:55,729 YOU'RE NOT SUPPOSED TO DO THAT. 702 00:34:55,729 --> 00:34:58,187 YOU'RE PRETTY MUCH RELYING ON BUTCHER'S BLOOD THESE DAYS, 703 00:34:58,187 --> 00:34:59,104 RIGHT, SPIKE? 704 00:34:59,104 --> 00:35:01,021 WHAT ARE YOU SAYING? 705 00:35:01,021 --> 00:35:02,146 JUST THAT THE BUTCHERS IN THIS TOWN 706 00:35:02,146 --> 00:35:04,521 RESPECT JONATHAN. 707 00:35:04,521 --> 00:35:07,688 THEY DO HIM A FAVOR, AND YOU MIGHT FIND YOURSELF 708 00:35:07,688 --> 00:35:09,312 GETTING KIND OF THIRSTY. 709 00:35:16,438 --> 00:35:20,312 WELL, LOOK, I DON'T KNOW MUCH, OKAY? 710 00:35:20,312 --> 00:35:22,563 SOME VAMPIRES GOT KICKED OUT OF A CAVE IN THE HILLS 711 00:35:22,563 --> 00:35:23,938 BEHIND BROOKSIDE PARK. 712 00:35:25,271 --> 00:35:26,938 I DON'T KNOW WHAT DID THE KICKING OUT, 713 00:35:26,938 --> 00:35:28,688 BUT IT WAS PROBABLY PRETTY BIG. 714 00:35:31,021 --> 00:35:33,104 THAT WAS VERY GOOD. 715 00:35:33,104 --> 00:35:34,813 VERY GOOD. 716 00:35:37,187 --> 00:35:38,187 THESE SPELLS. 717 00:35:38,187 --> 00:35:39,896 THESE REALLY WORK? 718 00:35:39,896 --> 00:35:44,187 I MEAN, CAN YOU REALLY TURN YOUR ENEMIES INSIDE OUT 719 00:35:44,187 --> 00:35:47,896 OR LEARN TO EXCRETE GOLD COINS? 720 00:35:47,896 --> 00:35:49,438 THAT ONE'S NOT SO MUCH FUN. 721 00:35:49,438 --> 00:35:52,229 THEY WORK, RILEY, BUT THEY TAKE CONCENTRATION, 722 00:35:52,229 --> 00:35:55,104 BEING ATTUNED WITH THE FORCES OF THE UNIVERSE. 723 00:35:55,104 --> 00:35:56,646 RIGHT, YOU CAN'T JUST GO 724 00:35:56,646 --> 00:36:00,271 "LIBRUM INCENDERE" AND EXPECT-- 725 00:36:03,104 --> 00:36:05,688 XANDER, DON'T SPEAK LATIN IN FRONT OF THE BOOKS. 726 00:36:07,187 --> 00:36:09,146 HEY! I FOUND THE MARK. 727 00:36:09,146 --> 00:36:12,646 IT'S PART OF AN AUGMENTATION SPELL. 728 00:36:12,646 --> 00:36:15,312 JONATHAN DID AN AUGMENTATION SPELL. 729 00:36:17,229 --> 00:36:20,479 WHAT, UM, DID HE HAVE-- UH, YOU KNOW. 730 00:36:20,479 --> 00:36:23,521 HIM AND HOW WE SEE HIM. 731 00:36:23,521 --> 00:36:26,938 THIS SPELL TURNS THE SORCERER INTO A SORT OF PARAGON-- 732 00:36:26,938 --> 00:36:28,271 THE BEST OF EVERYTHING, 733 00:36:28,271 --> 00:36:30,229 EVERYONE'S IDEAL. 734 00:36:30,229 --> 00:36:32,229 BUT THERE'S A DRAWBACK. 735 00:36:32,229 --> 00:36:33,354 A DRAWBACK? 736 00:36:33,354 --> 00:36:35,187 THAT HAPPENS A LOT. 737 00:36:35,187 --> 00:36:37,229 IN ORDER TO BALANCE THE NEW FORCE OF GOOD, 738 00:36:37,229 --> 00:36:40,271 THE SPELL HAS TO CREATE THE OPPOSING FORCE OF EVIL-- 739 00:36:40,271 --> 00:36:42,396 THE WORST OF EVERYTHING, EVERYONE'S NIGHTMARE. 740 00:36:42,396 --> 00:36:45,062 HE CREATED THE MONSTER. 741 00:36:45,062 --> 00:36:46,521 SO WE'RE SAYING HE DID A SPELL 742 00:36:46,521 --> 00:36:48,729 JUST TO MAKE US THINK HE WAS COOL? 743 00:36:48,729 --> 00:36:50,229 YES. 744 00:36:50,229 --> 00:36:53,604 THAT IS SO COOL. 745 00:36:53,604 --> 00:36:56,229 GILES, BUFFY AND JONATHAN ARE GOING AFTER THIS NIGHTMARE THING. 746 00:36:56,229 --> 00:36:58,438 ARE THEY GOING TO BE OKAY? 747 00:36:58,438 --> 00:37:00,146 WELL, IT SEEMS THAT THE WELL-BEING OF THIS CREATURE 748 00:37:00,146 --> 00:37:01,146 IS LINKED TO JONATHAN. 749 00:37:01,146 --> 00:37:03,229 IT DIES, THE SPELL IS BROKEN, 750 00:37:03,229 --> 00:37:06,396 JONATHAN REVERTS TO WHATEVER HE WAS BEFORE. 751 00:37:08,062 --> 00:37:12,230 JONATHAN ISN'T GOING TO WANT BUFFY TO GET VERY FAR. 752 00:37:28,604 --> 00:37:30,229 WOW. 753 00:37:30,229 --> 00:37:32,604 FALL DOWN THERE AND BE DEAD FOR A WHILE. 754 00:37:32,604 --> 00:37:34,438 YEAH. 755 00:37:36,021 --> 00:37:38,104 DON'T WANT THAT TO HAPPEN. 756 00:37:45,813 --> 00:37:48,021 COME ON. 757 00:37:48,021 --> 00:37:49,146 WE'VE GOT A MONSTER TO-- 758 00:37:58,354 --> 00:38:00,271 BUFFY WAS RIGHT. 759 00:38:00,271 --> 00:38:03,188 BUFFY WAS RIGHT. 760 00:38:03,188 --> 00:38:04,771 DOESN'T SOUND VERY LIKELY, DOES IT? 761 00:38:04,771 --> 00:38:06,855 [ Riley ] SO IF THIS IS THE WORLD HE CREATED, 762 00:38:06,855 --> 00:38:08,146 WHAT'S THE REAL WORLD LIKE? 763 00:38:08,146 --> 00:38:09,312 I'M SCARED. 764 00:38:09,312 --> 00:38:11,312 EVERYTHING'S GONNA CHANGE. 765 00:38:11,312 --> 00:38:14,563 WELL, ACTUALLY, IT'LL REMAIN PRETTY MUCH THE SAME, 766 00:38:14,563 --> 00:38:17,104 EXCEPT THAT JONATHAN WON'T BE JONATHAN. 767 00:38:17,104 --> 00:38:19,062 WELL, NOT OUR JONATHAN, ANYWAY. 768 00:38:19,062 --> 00:38:20,563 [ Xander ] NO, NO, NO. 769 00:38:20,563 --> 00:38:22,229 WORLD WITHOUT SUNSHINE. 770 00:38:22,229 --> 00:38:23,604 WORLD WITHOUT JOY. 771 00:38:23,604 --> 00:38:25,312 [ Riley ] BUT WAIT. 772 00:38:25,312 --> 00:38:27,354 IT ONLY CHANGES BACK IF BUFFY KILLS THIS THING. 773 00:38:27,354 --> 00:38:28,813 I MEAN, IF SHE LOSES, 774 00:38:28,813 --> 00:38:31,688 THEN WE COULD BE STUCK IN THIS WRONG WORLD FOREVER. 775 00:38:31,688 --> 00:38:33,146 THINGS LOOKING UP. 776 00:38:33,146 --> 00:38:36,438 I MEAN, WE'RE ALL HAPPY HERE, RIGHT? 777 00:38:36,438 --> 00:38:38,855 YOU KNOW, IF SHE DOESN'T GET KILLED. 778 00:38:38,855 --> 00:38:41,396 GILES, CAN BUFFY DO IT? 779 00:38:41,396 --> 00:38:44,021 I HONESTLY DON'T KNOW. 780 00:38:44,021 --> 00:38:47,396 SHE'S NEVER STOOD ALONE AGAINST SOMETHING LIKE THIS BEFORE. 781 00:38:48,396 --> 00:38:50,688 [ Monster ] AAARGH! 782 00:39:03,021 --> 00:39:04,688 JONATHAN, WHAT DO I DO? 783 00:39:04,688 --> 00:39:05,604 I THINK YOU'RE GOING TO HAVE TO HANDLE THIS ONE SOLO. 784 00:39:05,604 --> 00:39:07,354 WHAT? BUT HOW? 785 00:39:07,354 --> 00:39:09,229 YOU'LL KNOW. YOU USED TO. 786 00:39:09,229 --> 00:39:12,729 AND THE MORE YOU HURT IT, THE MORE I'LL LOSE MY-- 787 00:39:12,729 --> 00:39:14,188 WHAT? LOSE YOUR-- 788 00:39:28,312 --> 00:39:30,646 I REMEMBER THIS. 789 00:39:30,646 --> 00:39:32,187 THIS IS GOOD. 790 00:40:14,354 --> 00:40:16,688 [ Willow ] I CAN'T BELIEVE WE BELIEVED IT. 791 00:40:16,688 --> 00:40:18,104 IT SEEMED SO REAL. 792 00:40:18,104 --> 00:40:20,521 WELL, IN THAT WORLD, IT WAS REAL. 793 00:40:20,521 --> 00:40:22,896 ALTERNATE REALITIES ARE NEAT. 794 00:40:22,896 --> 00:40:24,521 YOU KNOW WHAT I'LL ALWAYS REMEMBER? 795 00:40:24,521 --> 00:40:27,396 WELL, THE SWIMSUIT CALENDAR'S STICKING IN MY MIND. 796 00:40:27,396 --> 00:40:30,062 NOT IN A GOOD WAY. 797 00:40:30,062 --> 00:40:33,771 I'LL ALWAYS REMEMBER THE WAY HE MADE ME FEEL ABOUT ME-- 798 00:40:33,771 --> 00:40:35,729 VALUED AND RESPECTED, 799 00:40:35,729 --> 00:40:37,604 SORT OF TINGLY, 800 00:40:37,604 --> 00:40:40,271 AND NOW I'M JUST... 801 00:40:40,271 --> 00:40:41,396 EMPTY. 802 00:40:41,396 --> 00:40:43,354 POOR XANDER. 803 00:40:43,354 --> 00:40:45,146 I GUESS JONATHAN HURT YOU MOST OF ALL. 804 00:40:45,146 --> 00:40:46,312 UM... 805 00:40:46,312 --> 00:40:48,104 EXCEPT, OF COURSE, AFTER TARA. 806 00:40:48,104 --> 00:40:51,479 DID ANYONE ELSE FEEL WAY TOO TALL? 807 00:40:51,479 --> 00:40:53,146 I FELT WAY TOO TALL. 808 00:40:53,146 --> 00:40:54,271 [ Xander ] I LIKED HIS CLOTHES. 809 00:40:54,271 --> 00:40:56,980 HE HAD REALLY COOL CLOTHES. 810 00:40:56,980 --> 00:40:58,729 [ Willow ] I STILL DON'T UNDERSTAND 811 00:40:58,729 --> 00:41:00,187 HOW HE GOT THE HOUSE AND EVERYTHING. 812 00:41:00,187 --> 00:41:02,146 [ Anya ] AND WHO REALLY DID STAR IN THE MATRIX? 813 00:41:02,146 --> 00:41:05,146 [ Riley ] WAIT, THAT WASN'T REAL EITHER? 814 00:41:06,771 --> 00:41:10,146 I WASN'T SURE YOU'D COME OVER. 815 00:41:10,146 --> 00:41:12,438 EVERYONE'S MOSTLY FORGETTING, 816 00:41:12,438 --> 00:41:16,146 BUT I THINK SOME PEOPLE ARE KIND OF ANGRY. 817 00:41:16,146 --> 00:41:19,271 YEAH. 818 00:41:19,271 --> 00:41:21,521 NOBODY'S EVEN TALKING TO ME, 819 00:41:21,521 --> 00:41:24,521 AND THE TWINS MOVED OUT. 820 00:41:24,521 --> 00:41:26,396 WHY DID YOU DO IT, ANYWAY? 821 00:41:26,396 --> 00:41:29,521 NO, I GET WHY. HOW? 822 00:41:29,521 --> 00:41:32,604 AFTER THE THING WITH THE BELL TOWER AND THE GUN, 823 00:41:32,604 --> 00:41:33,980 I WENT TO COUNSELING. 824 00:41:33,980 --> 00:41:35,688 YOU KNOW, OTHER KIDS WITH PROBLEMS, 825 00:41:35,688 --> 00:41:38,604 AND ONE OF THEM HAD THIS SPELL. 826 00:41:38,604 --> 00:41:40,521 HE GLOSSED RIGHT OVER THE MONSTER. 827 00:41:40,521 --> 00:41:44,646 WELL, ANYWAY, I JUST-- 828 00:41:44,646 --> 00:41:46,896 I JUST WANTED TO APOLOGIZE. 829 00:41:46,896 --> 00:41:48,563 NOBODY WAS SUPPOSED TO GET HURT. 830 00:41:48,563 --> 00:41:52,646 JONATHAN, YOU GET WHY EVERYONE IS ANGRY, THOUGH, RIGHT? 831 00:41:52,646 --> 00:41:54,396 IT'S NOT JUST THE MONSTER. 832 00:41:54,396 --> 00:41:57,855 PEOPLE DIDN'T LIKE BEING THE LITTLE ACTORS 833 00:41:57,855 --> 00:41:59,187 IN YOUR SOCK PUPPET THEATER. 834 00:41:59,187 --> 00:42:01,271 YOU WEREN'T. 835 00:42:01,271 --> 00:42:02,896 YOU WEREN'T SOCKS. 836 00:42:02,896 --> 00:42:04,855 WE WERE FRIENDS. 837 00:42:04,855 --> 00:42:08,187 JONATHAN, YOU CAN'T KEEP TRYING TO MAKE EVERYTHING WORK OUT 838 00:42:08,187 --> 00:42:11,021 WITH SOME BIG GESTURE ALL AT ONCE. 839 00:42:11,021 --> 00:42:12,855 THINGS ARE COMPLICATED. 840 00:42:12,855 --> 00:42:15,230 THEY TAKE TIME AND WORK. 841 00:42:16,771 --> 00:42:18,563 YEAH. 842 00:42:18,563 --> 00:42:21,229 RIGHT. 843 00:42:22,813 --> 00:42:25,146 HEY, BUFFY. 844 00:42:25,146 --> 00:42:27,563 YOU REMEMBER I GAVE YOU SOME ADVICE? 845 00:42:27,563 --> 00:42:29,396 WATCH OUT FOR SOUTHPAWS? 846 00:42:29,396 --> 00:42:31,563 NO. ABOUT YOU AND RILEY. 847 00:42:31,563 --> 00:42:35,271 I MEAN, THINGS ARE KIND OF STARTING TO BLUR, 848 00:42:35,271 --> 00:42:37,354 BUT THIS COOL THING I SAID, 849 00:42:37,354 --> 00:42:40,521 UM, THAT I DON'T REALLY REMEMBER, 850 00:42:40,521 --> 00:42:43,396 I THINK IT'S RIGHT. 851 00:42:43,396 --> 00:42:45,438 I THINK IT'S KIND OF THE SAME THING 852 00:42:45,438 --> 00:42:46,521 YOU JUST SAID TO ME. 853 00:42:50,396 --> 00:42:51,729 ABOUT THINGS TAKING WORK. 854 00:42:53,771 --> 00:42:55,604 YEAH. 855 00:42:55,604 --> 00:42:56,604 I REMEMBER. 856 00:42:56,604 --> 00:42:58,646 GOOD. 857 00:42:58,646 --> 00:43:01,062 BECAUSE IT'S TRUE. 858 00:43:01,062 --> 00:43:03,312 WHAT YOU HAVE IS REALLY COMPLICATED, 859 00:43:03,312 --> 00:43:05,479 BUT IT'S WORTH IT. 860 00:43:07,896 --> 00:43:10,646 I THINK THAT'S WHAT I SAID. 861 00:43:26,396 --> 00:43:29,062 I'M GLAD WE TALKED THIS ALL OUT. 862 00:43:30,646 --> 00:43:33,813 WE HAVEN'T TALKED AT ALL. 863 00:43:33,813 --> 00:43:35,729 OH. 864 00:43:35,729 --> 00:43:39,187 WELL, WHATEVER WE'RE DOING, WE'RE DOING IT GREAT. 865 00:43:44,980 --> 00:43:48,021 MMM, JONATHAN. 866 00:44:25,187 --> 00:44:27,104 GRR! ARRGH!