1 00:00:03,354 --> 00:00:05,688 [ Man ] PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 2 00:00:05,688 --> 00:00:08,021 [ Spike ] I CAN'T BITE ANYTHING. I CAN'T EVEN HIT PEOPLE. 3 00:00:08,021 --> 00:00:10,104 [ Willow ] HOW'S WITH YOU AND RILEY? 4 00:00:10,104 --> 00:00:11,771 EVERY TIME WE TALK, I HAVE TO LIE. 5 00:00:11,771 --> 00:00:14,396 I WISH I COULD JUST COME CLEAN. 6 00:00:14,396 --> 00:00:16,104 [ Forrest ] WELL, YOU CAN'T. 7 00:00:16,104 --> 00:00:18,729 [ Riley ] I KNOW I CAN'T. BUT BUFFY'S SPECIAL. 8 00:00:27,396 --> 00:00:28,896 I GUESS WE HAVE TO TALK. 9 00:00:29,938 --> 00:00:31,521 I GUESS WE DO. 10 00:00:51,104 --> 00:00:53,813 SOMEBODY SHOULD SPEAK BEFORE ONE OF US GRADUATES. 11 00:01:11,312 --> 00:01:13,688 WHAT ARE YOU? 12 00:01:13,688 --> 00:01:17,855 CAPRICORN. ON THE CUSP OF AQUARIUS. YOU? 13 00:01:17,855 --> 00:01:22,771 SORRY. CAME OUT A LITTLE BLUNTER THAN I INTENDED. 14 00:01:22,771 --> 00:01:25,438 IT'S JUST... 15 00:01:25,438 --> 00:01:27,813 YOU'RE AMAZING... YOUR SPEED, YOUR STRENGTH-- 16 00:01:27,813 --> 00:01:30,021 ALSO PASSIONATE, ARTISTIC, AND INQUISITIVE. 17 00:01:32,187 --> 00:01:33,896 WHO ARE YOU? 18 00:01:33,896 --> 00:01:35,980 YOU KNOW WHO I AM. 19 00:01:35,980 --> 00:01:39,354 THE REST...WHAT I DO... 20 00:01:39,354 --> 00:01:41,312 I CAN'T TELL YOU. 21 00:01:45,229 --> 00:01:46,604 WELL, THEN LET ME. 22 00:01:46,604 --> 00:01:50,938 YOU'RE PART OF SOME MILITARY MONSTER SQUAD 23 00:01:50,938 --> 00:01:53,563 THAT CAPTURES DEMONS, VAMPIRES. 24 00:01:53,563 --> 00:01:57,021 PROBABLY HAVE SOME OFFICIAL-SOUNDING EUPHEMISMS FOR THEM 25 00:01:57,021 --> 00:02:00,521 LIKE...UNFRIENDLIES OR NON-SAPIENS. 26 00:02:00,521 --> 00:02:02,104 HOSTILE SUBTERRESTRIALS. 27 00:02:02,104 --> 00:02:03,896 SO YOU DELIVER THESE... 28 00:02:03,896 --> 00:02:07,438 HSTs TO A BUNCH OF LAB COATS 29 00:02:07,438 --> 00:02:10,312 WHO PERFORM EXPERIMENTS ON THEM, WHICH, AMONG OTHER THINGS, 30 00:02:10,312 --> 00:02:12,229 TURNS SOME INTO HARMLESS LITTLE BUNNIES. 31 00:02:12,229 --> 00:02:14,062 HOW AM I DOING SO FAR? 32 00:02:14,062 --> 00:02:15,771 A LITTLE TOO WELL. 33 00:02:15,771 --> 00:02:20,021 MEANWHILE...BY DAY, YOU PRETEND TO BE RILEY FINN, 34 00:02:20,021 --> 00:02:21,771 CORN-FED IOWA BOY. 35 00:02:23,813 --> 00:02:25,604 EVER BEEN TO IOWA, RILEY? 36 00:02:25,604 --> 00:02:27,479 GOD, IF THAT'S EVEN YOUR NAME. 37 00:02:27,479 --> 00:02:29,980 IT IS. BORN AND RAISED. 38 00:02:29,980 --> 00:02:32,062 AND, HEY, BULLETIN: 39 00:02:32,062 --> 00:02:34,271 I'M NOT THE ONLY ONE WHO'S BEEN A LITTLE LESS THAN HONEST HERE. 40 00:02:39,271 --> 00:02:41,229 I THOUGHT A PROFESSIONAL DEMON CHASER LIKE YOURSELF 41 00:02:41,229 --> 00:02:43,604 WOULD HAVE FIGURED IT OUT BY NOW. 42 00:02:44,938 --> 00:02:46,771 I'M THE SLAYER. 43 00:02:49,229 --> 00:02:50,604 SLAY-ER. 44 00:02:50,604 --> 00:02:52,187 CHOSEN ONE. 45 00:02:53,938 --> 00:02:57,396 SHE WHO HANGS OUT A LOT IN CEMETERIES. 46 00:02:57,396 --> 00:02:58,479 YOU'RE KIDDING. 47 00:03:01,146 --> 00:03:03,729 ASK AROUND. LOOK IT UP: 48 00:03:03,729 --> 00:03:07,521 SLAYER COMMA THE. 49 00:03:07,521 --> 00:03:09,187 AND YOU FIGHT DEMONS? 50 00:03:10,813 --> 00:03:12,729 I MEAN, YOU WAILED ON THOSE GUYS. 51 00:03:12,729 --> 00:03:14,646 YOU DID PRETTY WELL YOURSELF. 52 00:03:14,646 --> 00:03:17,396 YEAH, BUT I'M A WALKING BRUISE TODAY. 53 00:03:17,396 --> 00:03:19,521 YOU SEE ME WITH MY CLOTHES OFF, I LOOK LIKE A-- 54 00:03:22,729 --> 00:03:25,104 I MEAN, I HAVE BRUISES... 55 00:03:25,104 --> 00:03:27,312 I DON'T SEE A SCRATCH ON YOU. 56 00:03:27,312 --> 00:03:29,104 YOU'RE NOT LOOKING HARD ENOUGH. 57 00:03:29,104 --> 00:03:30,855 I'M LOOKIN' PRETTY HARD. 58 00:03:39,521 --> 00:03:41,187 SO, THEN... 59 00:03:43,396 --> 00:03:45,604 WHAT DO WE DO? 60 00:03:45,604 --> 00:03:47,271 I DON'T KNOW. 61 00:03:50,438 --> 00:03:52,563 I JUST... 62 00:03:52,563 --> 00:03:57,146 I REALLY THOUGHT THAT YOU WERE A NICE, NORMAL GUY. 63 00:03:57,146 --> 00:03:58,729 I AM A NICE, NORMAL GUY. 64 00:03:58,729 --> 00:04:00,062 MAYBE BY THIS TOWN'S STANDARDS, 65 00:04:00,062 --> 00:04:03,563 BUT I'M NOT GRADING ON A CURVE. 66 00:04:03,563 --> 00:04:09,271 I THINK WE BOTH NEED A LITTLE TIME TO... PROCESS EVERYTHING. 67 00:04:11,604 --> 00:04:13,396 MAYBE THEN-- 68 00:04:13,396 --> 00:04:16,896 YEAH. YEAH, I THINK THAT'S A GOOD IDEA. 69 00:04:25,229 --> 00:04:28,438 OH...I DON'T THINK I NEED TO TELL YOU... 70 00:04:28,438 --> 00:04:29,396 I WON'T SAY A WORD. 71 00:04:29,396 --> 00:04:31,021 GOOD. 72 00:04:31,021 --> 00:04:32,479 IT'LL BE SAFER FOR ALL-- 73 00:04:32,479 --> 00:04:34,604 [ Squealing ] 74 00:04:43,021 --> 00:04:45,146 OVER HERE. 75 00:04:54,855 --> 00:04:57,062 WOW. THAT WAS SOME RIDE. 76 00:05:03,354 --> 00:05:05,646 SORRY I'M...SO EXCITED. 77 00:05:05,646 --> 00:05:07,604 IT'S MY FIRST EARTHQUAKE. 78 00:05:09,604 --> 00:05:11,438 IT'S NOT MINE. 79 00:06:11,187 --> 00:06:15,479 MY SODDEN SLEEPING CHAIR'S BLOODY...SODDEN! 80 00:06:15,479 --> 00:06:18,813 THE QUAKE JUST KNOCKED A COUPLE OF PIPES LOOSE. 81 00:06:18,813 --> 00:06:20,604 THERE'S A WRENCH HANGING UP OVER THERE BY THE WORKBENCH. 82 00:06:20,604 --> 00:06:22,104 TRY TIGHTENING THE COUPLING. 83 00:06:22,104 --> 00:06:23,771 I LOOK LIKE A PLUMBER TO YOU? 84 00:06:23,771 --> 00:06:26,062 NO. YOU LOOK LIKE A BIG MOOCH WHO DOESN'T LIFT A FINGER AROUND HERE. 85 00:06:26,062 --> 00:06:28,021 BUT I HAVE TO GET TO WORK. 86 00:06:28,021 --> 00:06:31,187 YEAH. DELIVERING MELTED CHEESE ON BREAD. 87 00:06:31,187 --> 00:06:34,146 DOING YOUR PART TO KEEP AMERICA CONSTIPATED. 88 00:06:34,146 --> 00:06:37,104 MOCK NOT. REMEMBER WHO PAYS FOR THE PLASMA AROUND HERE, PAL. 89 00:06:37,104 --> 00:06:40,021 YOU EARN YOUR KEEP, OR YOU DON'T GET KEPT. 90 00:06:43,271 --> 00:06:44,938 WHEN YOU'RE DONE FIXING THAT LEAK, 91 00:06:44,938 --> 00:06:46,980 TRY CLEANING UP THIS MESS. 92 00:06:46,980 --> 00:06:49,229 AND DOING A LITTLE LAUNDRY FOR ONCE WOULDN'T KILL YOU. 93 00:06:49,229 --> 00:06:51,271 UNFORTUNATELY. 94 00:06:59,521 --> 00:07:02,688 HEY. I WAS IN THE LIBRARY DURING THE QUAKE. 95 00:07:02,688 --> 00:07:05,438 ALMOST GOT BURIED IN SOME 19th-CENTURY LITERATURE. 96 00:07:05,438 --> 00:07:07,729 AND I DON'T HAVE TO TELL YOU 97 00:07:07,729 --> 00:07:09,646 HOW HARD IT IS TO DIG THROUGH SOME OF THAT STUFF. 98 00:07:09,646 --> 00:07:11,771 YOU OKAY? 99 00:07:11,771 --> 00:07:14,646 YEAH. UH, A COUPLE OF BROKEN KNICKKNACKS, 100 00:07:14,646 --> 00:07:16,021 BUT NO BIGGIES. 101 00:07:16,021 --> 00:07:18,229 WELL, PORTER DORM IS COMPLETELY BLACKED OUT, 102 00:07:18,229 --> 00:07:21,521 SO NATURALLY THEY'RE DEALING WITH THE CRISIS THE ONLY WAY THEY KNOW HOW: 103 00:07:21,521 --> 00:07:23,062 "AFTERSHOCK PARTY." 104 00:07:23,062 --> 00:07:25,146 AH, THIS FROM THE DORM THAT BROUGHT US 105 00:07:25,146 --> 00:07:28,229 THE "SOMEBODY SNEEZED PARTY" AND THE "DAY THAT ENDS IN "Y" PARTY." 106 00:07:28,229 --> 00:07:31,187 THEY DO SEEM TO BE PRETTY GENEROUS WITH THE MILESTONES. 107 00:07:31,187 --> 00:07:33,396 YOU SHOULD ASK RILEY TO COME. 108 00:07:33,396 --> 00:07:36,062 MUCH CAROUSING BY FLATTERING CANDLELIGHT. 109 00:07:36,062 --> 00:07:40,396 UH...RILEY'S, UM... BUSY, I'M PRETTY SURE. 110 00:07:40,396 --> 00:07:42,729 BUT YOU KNOW, YOU GO ON AHEAD, 111 00:07:42,729 --> 00:07:44,229 AND I'LL CATCH UP WITH YOU THERE. 112 00:07:44,229 --> 00:07:46,229 I'M ON MY WAY FOR A LITTLE GILES ONE-ON-ONE. 113 00:07:46,229 --> 00:07:47,729 ANYTHING WRONG? 114 00:07:47,729 --> 00:07:51,187 WRONG? NO. MM-MMM. 115 00:07:51,187 --> 00:07:52,354 NOT AT ALL. 116 00:07:57,771 --> 00:07:59,729 SOMETHING HORRIBLE'S GOING TO HAPPEN, GILES. 117 00:07:59,729 --> 00:08:01,312 IT WAS AN EARTHQUAKE, BUFFY. 118 00:08:01,312 --> 00:08:03,646 A NOT UNCOMMON OCCURRENCE IN SOUTHERN CALIFORNIA. 119 00:08:03,646 --> 00:08:05,479 NO REASON TO THINK IT WAS ANYTHING MORE. 120 00:08:05,479 --> 00:08:08,104 OH, I SO HAVE A REASON. A DARN GOOD REASON. 121 00:08:08,104 --> 00:08:10,855 THE LAST TIME WE HAD AN EARTHQUAKE, I DIED. 122 00:08:10,855 --> 00:08:15,062 YES, I KNOW THAT, AND THEREFORE, I COMPLETELY UNDERSTAND YOUR ANXIETY. 123 00:08:15,062 --> 00:08:17,312 OH, GOOD. 124 00:08:17,312 --> 00:08:21,188 'CAUSE I'D HATE FOR MY LITTLE UNTIMELY, HORRIBLE DEATH CONCERN TO BE AMBIGUOUS. 125 00:08:21,188 --> 00:08:23,062 BUT UNLESS EVIDENCE SUGGESTS OTHERWISE, 126 00:08:23,062 --> 00:08:25,896 I THINK WE CAN ASSUME THAT IT'S SHIFTING LAND MASSES 127 00:08:25,896 --> 00:08:28,646 AND NOT A PORTENT OF SOME IMMINENT DOOM. 128 00:08:28,646 --> 00:08:31,479 IN THE MEANTIME, I'VE GOT A FEW THEORIES 129 00:08:31,479 --> 00:08:34,021 ABOUT OUR MYSTERIOUS COMMANDO FRIENDS. 130 00:08:34,021 --> 00:08:36,813 OH. REALLY? 131 00:08:36,813 --> 00:08:39,938 YES. NOW, BASED ON THE LOCATIONS OF OUR VARIOUS SIGHTINGS 132 00:08:39,938 --> 00:08:41,688 AND SPIKE'S RELUCTANT DESCRIPTION 133 00:08:41,688 --> 00:08:44,229 OF THEIR UNDERGROUND INSTALLATION-- 134 00:08:44,229 --> 00:08:47,521 WHAT IF THE QUAKE WAS A SIGN--A BAD OMEN-- AND WE JUST IGNORE IT? 135 00:08:47,521 --> 00:08:51,062 THERE'S GONNA BE A LOT OF RED FACES WHEN THE WORLD COMES TO AN END. 136 00:08:51,062 --> 00:08:53,896 BUFFY, IF THE QUAKE HERALDED SOME SUCH CATASTROPHE, 137 00:08:53,896 --> 00:08:56,146 THEN I AM SURE THERE WILL BE OTHER SIGNS TO FOLLOW, 138 00:08:56,146 --> 00:08:58,187 WHICH WILL AFFORD US PLENTY OF TIME TO AVERT IT. 139 00:08:58,187 --> 00:09:01,855 NOW, I BELIEVE THE COMMANDO INSTALLATION 140 00:09:01,855 --> 00:09:04,438 IS EITHER VERY CLOSE TO OR DIRECTLY UNDERNEATH YOUR SCHOOL. 141 00:09:04,438 --> 00:09:06,563 NOW, IF THAT IS THE CASE, I'M CONVINCED THAT ONE OR MORE OF THEM 142 00:09:06,563 --> 00:09:08,230 MAY BE IN YOUR VERY MIDST. 143 00:09:08,230 --> 00:09:09,855 PLAGUE! WHAT? 144 00:09:09,855 --> 00:09:12,813 WHAT IF THE END OF THE WORLD IS COMING IN THE FORM OF A PLAGUE? 145 00:09:12,813 --> 00:09:15,230 THEN TOO MANY PEOPLE MAY BECOME INFECTED BY THE TIME WE-- 146 00:09:15,230 --> 00:09:17,563 BUFFY, WILL YOU STOP WORRYING ABOUT WHAT MAY BE 147 00:09:17,563 --> 00:09:19,271 AND CONCENTRATE ON WHAT IS? 148 00:09:19,271 --> 00:09:22,230 VIGILANCE IS ALL VERY WELL AND GOOD, 149 00:09:22,230 --> 00:09:23,604 BUT AS I FEEL WE'RE GETTING CLOSE, 150 00:09:23,604 --> 00:09:25,187 THERE IS A MUCH MORE PRESSING QUESTION. 151 00:09:25,187 --> 00:09:27,021 WHAT'S A SLAYER? 152 00:09:27,021 --> 00:09:28,688 SLAYER? A THRASH BAND. 153 00:09:28,688 --> 00:09:31,855 ANVIL-HEAVY GUITAR ROCK WITH DELUSIONS OF BLACK SABBATH. 154 00:09:31,855 --> 00:09:33,604 NO. A GIRL. WITH POWERS. 155 00:09:33,604 --> 00:09:35,187 OH. THE SLAYER. 156 00:09:35,187 --> 00:09:37,062 OH, YEAH. I'VE HEARD OF THE SLAYER. 157 00:09:37,062 --> 00:09:38,396 FILL ME IN. 158 00:09:38,396 --> 00:09:40,271 WELL, THE WAY I GOT IT FIGURED, 159 00:09:40,271 --> 00:09:42,604 SLAYER'S LIKE SOME KIND OF BOGEYMAN FOR THE SUBTERRESTRIALS-- 160 00:09:42,604 --> 00:09:44,771 SOMETHING THEY TELL THEIR LITTLE SPAWN 161 00:09:44,771 --> 00:09:46,771 TO MAKE THEM EAT THEIR VEGETABLES AND CLEAN UP THEIR SLIME PITS. 162 00:09:46,771 --> 00:09:48,438 YOU'RE TELLING ME SHE DOESN'T EXIST. 163 00:09:48,438 --> 00:09:52,021 OH, WAIT A SEC. AM I BURSTING SOMEBODY'S BUBBLE HERE? 164 00:09:52,021 --> 00:09:55,813 MAYBE THIS IS A BAD TIME TO TELL YOU ABOUT THE EASTER BUNNY. 165 00:09:55,813 --> 00:09:57,813 [ Laughing ] 166 00:09:57,813 --> 00:10:00,646 SORRY. SORRY. IT'S A MYTH, RYE. 167 00:10:00,646 --> 00:10:02,646 ALL PART OF THAT MEDIEVAL FOLKLORE GARBAGE 168 00:10:02,646 --> 00:10:05,396 KOOKS DREAM UP TO EXPLAIN THINGS WE DEAL WITH EVERY DAY. 169 00:10:07,271 --> 00:10:10,479 HOW DO YOU EXPLAIN THE THINGS WE DEAL WITH, FORREST? 170 00:10:10,479 --> 00:10:12,771 THEY'RE JUST ANIMALS, MAN. PLAIN AND SIMPLE. 171 00:10:12,771 --> 00:10:15,187 GRANTED, A LITTLE RARER THAN THE ONES YOU GREW UP WITH 172 00:10:15,187 --> 00:10:17,229 ON THAT LITTLE FARM IN SMALLVILLE, BUT-- 173 00:10:17,229 --> 00:10:18,813 [ Demon Roars ] 174 00:10:22,062 --> 00:10:25,354 [ Woman On P.A. ] ATTENTION, ALL PERSONNEL. SECURITY BREACH. 175 00:10:32,229 --> 00:10:33,438 WHERE'S THAT HYPO? 176 00:10:44,855 --> 00:10:46,396 NEVER MIND. 177 00:10:48,312 --> 00:10:50,229 LIKE I SAID... 178 00:10:50,229 --> 00:10:51,729 ANIMALS. 179 00:10:51,729 --> 00:10:52,938 [ Banging ] 180 00:10:52,938 --> 00:10:54,521 WHAT'S THAT RACKET? 181 00:10:54,521 --> 00:10:56,521 THE ANIMALS RATTLING IN THEIR CAGES. 182 00:10:56,521 --> 00:10:58,271 DOING IT ALL DAY. 183 00:10:58,271 --> 00:11:00,479 WONDER WHAT'S GOT THEM ALL WORKED UP? 184 00:11:00,479 --> 00:11:01,771 EARTHQUAKES, MAN. 185 00:11:01,771 --> 00:11:03,438 THEY MAKE EVERYBODY CRAZY. 186 00:11:03,438 --> 00:11:06,479 [ Rock Music Playing ] 187 00:11:16,021 --> 00:11:18,855 ♪ YOU SAY YOU WANNA HELP ME OUT ♪ 188 00:11:18,855 --> 00:11:21,729 ♪ BUT YOU'RE DISCOVERING EVERY DOUBT ♪ 189 00:11:21,729 --> 00:11:23,146 ♪ YEAH, I GOT MY OWN REALITY ♪ 190 00:11:23,146 --> 00:11:25,021 ♪ IT SURE AIN'T VIRTUAL ♪ 191 00:11:27,396 --> 00:11:30,187 ♪ IT'S MY HIGHWAY I CHOOSE ♪ 192 00:11:30,187 --> 00:11:32,271 ♪ BUT, HEY, I CONTROL THE CRUISE ♪ 193 00:11:38,938 --> 00:11:40,146 PERCY! HI! 194 00:11:40,146 --> 00:11:42,771 HEY, WILLOW. WHAT'S GOIN' ON? 195 00:11:42,771 --> 00:11:44,729 STUFF. 196 00:11:44,729 --> 00:11:46,938 I THOUGHT YOU GOT THAT FOOTBALL SCHOLARSHIP TO USC. 197 00:11:46,938 --> 00:11:49,354 I DID. LAURIE GOES HERE. 198 00:11:49,354 --> 00:11:50,438 HEY. 199 00:11:50,438 --> 00:11:52,938 HI. 200 00:11:52,938 --> 00:11:54,479 SOME PARTY, HUH? 201 00:11:54,479 --> 00:11:56,312 IT'S OKAY. 202 00:12:02,312 --> 00:12:03,771 HOW'S OZ? 203 00:12:03,771 --> 00:12:05,938 OH. ACTUALLY, OZ... 204 00:12:11,604 --> 00:12:13,438 UM, LISTEN... 205 00:12:13,438 --> 00:12:14,896 WE'RE GONNA GO GET SOME DRINKS. 206 00:12:14,896 --> 00:12:16,396 COOL TO SEE YOU. 207 00:12:16,396 --> 00:12:17,938 BYE. 208 00:12:17,938 --> 00:12:20,563 YEAH, CATCH YOU LATER. 209 00:12:47,396 --> 00:12:49,813 HEY, YOU GUYS SERIOUS ABOUT NAKED LIMBO? 210 00:12:49,813 --> 00:12:50,813 I'M IN! 211 00:13:19,104 --> 00:13:21,563 BUFFY, WHERE ARE YOU? 212 00:13:21,563 --> 00:13:24,146 [ Laurie ] WHY? SO I CAN WATCH YOU FLIRT WITH THAT REDHEAD? 213 00:13:24,146 --> 00:13:27,021 [ Percy ] WHAT, ROSENBERG? YEAH, RIGHT. 214 00:13:27,021 --> 00:13:29,229 SHE'S JUST SOME EGGHEAD WHO TUTORED ME A LITTLE IN HIGH SCHOOL. 215 00:13:29,229 --> 00:13:31,855 I MEAN, SHE'S NICE, BUT COME ON. CAPTAIN OF THE NERD SQUAD. 216 00:13:31,855 --> 00:13:35,980 [ Laurie ] WELL, I DON'T KNOW. MAYBE YOU HAVE A THING FOR GEEKS. 217 00:13:35,980 --> 00:13:38,896 UH, NO. I LIKE MY WOMEN HOT. 218 00:13:38,896 --> 00:13:40,896 CALL ME OLD-FASHIONED. 219 00:13:51,521 --> 00:13:53,646 HELLO? 220 00:13:53,646 --> 00:13:56,354 ANYONE IN HERE? 221 00:14:33,229 --> 00:14:34,855 AAH! 222 00:14:40,729 --> 00:14:43,479 OH, NO! SPIKE, THE PLACE LOOKS WORSE THAN WHEN I LEFT. 223 00:14:43,479 --> 00:14:45,896 YOU DIDN'T EVEN FIX THE DRIP. 224 00:14:45,896 --> 00:14:47,938 [ Spike ] DON'T TURN AROUND. 225 00:14:47,938 --> 00:14:49,771 SPIKE, WHAT IS IT? WHAT HAPPENED? 226 00:14:49,771 --> 00:14:51,146 DON'T LOOK AT ME. 227 00:15:01,354 --> 00:15:03,813 I SHRUNK THEM. 228 00:15:03,813 --> 00:15:07,896 BLEEDING SHIRT, TROUSERS. I HATE THIS PLACE. 229 00:15:07,896 --> 00:15:10,896 YOU KNOW, I'M NOT ANY HAPPIER ABOUT YOU WEARING MY STUFF THAN YOU ARE. 230 00:15:10,896 --> 00:15:13,688 GO OUT. GET ME SOME DECENT STUFF, AND I WANT MORE BLOOD. 231 00:15:13,688 --> 00:15:16,271 NO. YOU'RE NOT A GUEST. 232 00:15:16,271 --> 00:15:18,187 YOU WANT ME TO TEAR THIS PLACE APART 233 00:15:18,187 --> 00:15:19,729 YOU BLOODY POOF? 234 00:15:19,729 --> 00:15:22,521 THAT'S IT! I AM WAY PAST THROUGH WITH YOU. 235 00:15:24,604 --> 00:15:26,312 I HATE TO BREAK IT TO YOU, O IMPOTENT ONE, 236 00:15:26,312 --> 00:15:28,230 BUT YOU'RE NOT THE "BIG BAD" ANYMORE. 237 00:15:28,230 --> 00:15:30,354 YOU'RE NOT EVEN THE "KIND OF NAUGHTY." 238 00:15:30,354 --> 00:15:33,230 YOU'RE NOTHING BUT A WASTE OF SPACE-- MY SPACE. 239 00:15:33,230 --> 00:15:35,021 AND AS MUCH AS I ALWAYS GOT A BIG LAUGH 240 00:15:35,021 --> 00:15:37,104 WATCHING BUFFY KICK YOUR SHINY WHITE BUM, 241 00:15:37,104 --> 00:15:38,855 AND AS MUCH AS I KNOW I COULD GIVE YOU 242 00:15:38,855 --> 00:15:40,771 A LITTLE BUM-KICKING MYSELF RIGHT NOW, 243 00:15:40,771 --> 00:15:42,229 I'M HERE TO TELL YOU SOMETHING. 244 00:15:42,229 --> 00:15:45,521 YOU'RE NOT EVEN WORTH IT. 245 00:15:47,980 --> 00:15:50,396 I'M OUT OF HERE. 246 00:15:58,646 --> 00:15:59,688 BUFFY. 247 00:15:59,688 --> 00:16:03,354 OVER HERE. 248 00:16:03,354 --> 00:16:07,021 WOW. I WASN'T SURE WHERE THE PARTY WAS, AND... 249 00:16:07,021 --> 00:16:09,021 THEN I SAW THE FLASHING LIGHTS AND THE AMBULANCE, 250 00:16:09,021 --> 00:16:12,688 AND I WAS, LIKE, "RIGHT, OF COURSE. DEATH, CARNAGE-- 251 00:16:12,688 --> 00:16:14,312 IT'S A BUFFY PARTY." 252 00:16:14,312 --> 00:16:16,146 I'M SO GLAD YOU'RE HERE. 253 00:16:16,146 --> 00:16:18,354 WHAT HAPPENED? 254 00:16:18,354 --> 00:16:23,312 I FOUND HIM--THIS GUY ON THE BED WITH ME, DEAD. 255 00:16:23,312 --> 00:16:25,146 NOT ME DEAD, HE DEAD. 256 00:16:25,146 --> 00:16:27,771 GOD, ARE YOU OKAY? 257 00:16:27,771 --> 00:16:29,646 [ Whispering ] Vampire? 258 00:16:29,646 --> 00:16:32,187 SO MUCH BLOOD... 259 00:16:32,187 --> 00:16:34,104 AND THERE-- THERE WAS A SYMBOL, 260 00:16:34,104 --> 00:16:35,438 AND PERCY SAID I WAS A NERD. 261 00:16:35,438 --> 00:16:37,271 PERCY CALLED YOU A NERD? 262 00:16:39,230 --> 00:16:41,438 I GUESS WE SHOULD REPORT TO GILES, 263 00:16:41,438 --> 00:16:42,938 GET WITH THE DEMON-TRACKING. 264 00:16:48,062 --> 00:16:50,604 DOES PERCY EVEN GO HERE? 265 00:16:52,438 --> 00:16:56,062 OKAY. THAT'S MAKES 0-FOR-A-BILLION. 266 00:16:56,062 --> 00:16:57,938 YOU DON'T GOT GAME, SON. 267 00:16:57,938 --> 00:16:59,688 WHAT'S GOING ON IN THAT HEAD OF YOURS? 268 00:16:59,688 --> 00:17:02,396 I'M JUST TRYING TO MAKE UP MY MIND ABOUT SOMETHING. 269 00:17:04,396 --> 00:17:07,563 BUFFY--SHE'S PRETTY COOL, ISN'T SHE? 270 00:17:07,563 --> 00:17:10,104 YES, ALREADY. SHE'S COOL. SHE'S HOT. 271 00:17:10,104 --> 00:17:12,146 SHE'S TEPID. SHE'S ALL-TEMPERATURE BUFFY. 272 00:17:12,146 --> 00:17:14,855 NOW, CAN WE CONCENTRATE ON THE GAME HERE? 273 00:17:19,563 --> 00:17:21,771 GOOD BLOCK. YOU SHOULD USE YOUR FACE MORE OFTEN. 274 00:17:21,771 --> 00:17:23,479 WE HAVE AN ALPHA CODE-BLUE SITUATION. 275 00:17:23,479 --> 00:17:25,230 ONE OF OURS? 276 00:17:25,230 --> 00:17:27,229 NEGATIVE. CIVILIAN AT THE PORTER HALL PARTY. 277 00:17:27,229 --> 00:17:28,229 HST ATTACK? 278 00:17:28,229 --> 00:17:30,396 CANNOT CONFIRM THAT. 279 00:17:30,396 --> 00:17:32,271 I COULDN'T GET CLOSE WITHOUT DRAWING ATTENTION TO MYSELF. 280 00:17:32,271 --> 00:17:34,646 SHOULD WE MOBILIZE? 281 00:17:34,646 --> 00:17:36,771 NO. I'LL GO, DO A LITTLE RECON, 282 00:17:36,771 --> 00:17:38,938 SEE IF IT FALLS IN OUR DOMAIN. 283 00:17:38,938 --> 00:17:43,187 YOU ALERT PROFESSOR WALSH. TELL HER WE HAVE A CASUALTY OF AN INDETERMINATE NATURE. 284 00:17:43,187 --> 00:17:46,771 LET'S NOT MAKE A MOVE UNTIL WE GET THE WHOLE STORY. 285 00:17:46,771 --> 00:17:50,187 IT JUST MADE ME FEEL LIKE I WAS RIGHT BACK IN HIGH SCHOOL. 286 00:17:50,187 --> 00:17:52,896 DUMB JOCK. IF IT WASN'T FOR YOU, HE STILL WOULD BE. 287 00:17:52,896 --> 00:17:57,855 YEAH. I MEAN, I KNOW THE PERCY THING ISN'T REALLY IMPORTANT. 288 00:17:57,855 --> 00:17:59,938 IT'S THE DEAD GUY ON THE BED. 289 00:17:59,938 --> 00:18:01,187 YEAH. THAT'S BAD, TOO. 290 00:18:01,187 --> 00:18:03,563 OOH, AND SOMETHING ELSE. 291 00:18:03,563 --> 00:18:06,771 HE, THE DEAD GUY, WAS--WAS PROPPED UP, 292 00:18:06,771 --> 00:18:10,187 LIKE WHATEVER KILLED HIM WANTED TO DRAIN THE BLOOD OUT OF HIM. 293 00:18:10,187 --> 00:18:15,521 SO I'M THINKING, THE WHATEVER TOOK A BUNCH OF THE GUY'S BLOOD WITH HIM. 294 00:18:15,521 --> 00:18:18,604 AND I HAVEN'T BEEN A NERD FOR A VERY LONG TIME. 295 00:18:18,604 --> 00:18:20,855 HELLO. DATING A GUITARIST. 296 00:18:20,855 --> 00:18:23,312 OR I WAS. 297 00:18:23,312 --> 00:18:24,479 TELL THEM ABOUT THE SYMBOL. 298 00:18:24,479 --> 00:18:28,146 RIGHT. UM, IT WAS CARVED INTO HIS CHEST 299 00:18:28,146 --> 00:18:30,271 LIKE A BIG, CREEPY EYE. 300 00:18:30,271 --> 00:18:32,563 [ Xander ] IT'S KIND OF THE CBS LOGO. 301 00:18:32,563 --> 00:18:36,938 HEY, COULD THIS BE THE HANDIWORK OF ONE MR. MORLEY SAFER? 302 00:18:36,938 --> 00:18:39,354 I'M TELLING YOU, I'VE SEEN THIS SOMEWHERE BEFORE. 303 00:18:39,354 --> 00:18:42,021 I JUST CAN'T REMEMBER WHERE. I MEAN, IT'S LIKE... 304 00:18:42,021 --> 00:18:43,396 IT'S THE END OF THE WORLD. 305 00:18:43,396 --> 00:18:46,104 [ All 3 ] AGAIN? 306 00:18:46,104 --> 00:18:49,396 UH, THE EARTHQUAKE-- THAT SYMBOL, YES. 307 00:18:49,396 --> 00:18:52,230 I TOLD YOU. I SAID END OF THE WORLD, 308 00:18:52,230 --> 00:18:55,062 AND YOU'RE LIKE, "POOH-POOH, SOUTHERN CALIFORNIA, POOH-POOH." 309 00:18:55,062 --> 00:18:56,980 I'M SO VERY SORRY. 310 00:18:56,980 --> 00:18:59,855 MY CONTRITION COMPLETELY DWARFS THE IMPENDING APOCALYPSE. 311 00:18:59,855 --> 00:19:02,396 NO. I-IT CAN'T BE. 312 00:19:02,396 --> 00:19:04,312 WE-WE'VE DONE THIS ALREADY. 313 00:19:04,312 --> 00:19:07,229 IT'S THE END OF THE WORLD. EVERYONE DIES. 314 00:19:07,229 --> 00:19:08,563 IT'S RATHER IMPORTANT, REALLY. 315 00:19:08,563 --> 00:19:10,688 SO WHAT DO WE DO? 316 00:19:10,688 --> 00:19:12,146 I STOP IT. 317 00:19:20,230 --> 00:19:23,062 I WONDER WHERE I'VE SEEN THIS BEFORE. 318 00:19:23,062 --> 00:19:26,438 WHERE ELSE? THE PLACE I SPEND MOST OF MY WAKING HOURS 319 00:19:26,438 --> 00:19:29,771 MEMORIZING STUFF OFF THE SIDES OF MAUSOLEUMS. 320 00:19:29,771 --> 00:19:33,062 BIG, FREAKY CEREAL BOXES OF DEATH. 321 00:19:33,062 --> 00:19:35,021 [ Stone Scraping ] 322 00:19:44,479 --> 00:19:45,855 DOOR WAS OPEN. 323 00:20:05,229 --> 00:20:06,146 [ Creature Groans ] 324 00:20:14,479 --> 00:20:16,312 ARGH. 325 00:20:34,104 --> 00:20:36,604 [ Breathes Heavily ] 326 00:20:44,229 --> 00:20:46,980 WOW, THAT FLIPPY-THING THAT YOU DID-- 327 00:20:46,980 --> 00:20:48,396 WHERE DID IT GO? 328 00:20:48,396 --> 00:20:50,438 IT'S GONE. I SAW IT TAKE OFF TOWARD THE WOODS. 329 00:20:50,438 --> 00:20:52,312 AND YOU DIDN'T FOLLOW IT? 330 00:20:52,312 --> 00:20:54,604 NO WEAPONS, NO BACKUP. 331 00:20:54,604 --> 00:20:56,563 YOU DON'T GO AFTER A DEMON THAT SIZE BY YOURSELF. 332 00:20:56,563 --> 00:20:59,146 I DO. 333 00:20:59,146 --> 00:21:02,771 YEAH, WELL, I'M NO SLAYER. 334 00:21:02,771 --> 00:21:05,479 BASE ONE, THIS IS LILAC ONE. 335 00:21:05,479 --> 00:21:07,062 LILAC? 336 00:21:07,062 --> 00:21:10,980 CONFIRMED SIGHTING OF AN UNIDENTIFIED SUB-T. 337 00:21:10,980 --> 00:21:13,521 MOBILIZE PATROL TEAM FOR DEBRIEFING AT 0800 HOURS. 338 00:21:13,521 --> 00:21:15,396 [ Radio ] COPY THAT. 339 00:21:18,271 --> 00:21:20,312 VERY COMMANDERY. 340 00:21:20,312 --> 00:21:21,855 LILAC NOTWITHSTANDING. 341 00:21:25,479 --> 00:21:27,604 WHAT ARE YOU DOING HERE? 342 00:21:27,604 --> 00:21:29,187 LOOKING FOR YOU, 343 00:21:29,187 --> 00:21:31,354 SHE WHO HANGS OUT IN CEMETERIES. 344 00:21:35,062 --> 00:21:38,479 WELL, I HAVE TO GET THE DEMON. 345 00:21:38,479 --> 00:21:40,146 DON'T SWEAT IT. WE'LL BAG IT. 346 00:21:40,146 --> 00:21:43,062 IT'S NOT THAT SIMPLE. 347 00:21:43,062 --> 00:21:44,604 YEAH, BUT... 348 00:21:44,604 --> 00:21:45,729 LOOK, I REALLY THINK-- 349 00:21:45,729 --> 00:21:49,104 RILEY, I JUST... 350 00:21:49,104 --> 00:21:50,521 I CAN'T. 351 00:21:50,521 --> 00:21:52,229 CAN'T TALK? 352 00:21:52,229 --> 00:21:54,479 CAN'T ANY OF IT. 353 00:21:56,021 --> 00:21:57,521 I CAN'T BE WITH YOU. 354 00:21:57,521 --> 00:22:00,896 IT'S A HUGE BLACK PIT OF A MISTAKE, 355 00:22:00,896 --> 00:22:02,646 AND I CAN'T GO THERE AGAIN. 356 00:22:02,646 --> 00:22:05,146 AGAIN? YOU DATED ME BEFORE? 357 00:22:05,146 --> 00:22:08,855 NO. LOOK, I WAS INVOLVED... 358 00:22:10,104 --> 00:22:12,771 YOU DON'T KNOW WHAT MY LIFE IS LIKE. 359 00:22:12,771 --> 00:22:14,396 AND I'M DYING TO FIND OUT. 360 00:22:14,396 --> 00:22:16,521 DYING BEING THE OPERATIVE WORD HERE. 361 00:22:16,521 --> 00:22:18,396 OKAY, THERE'S TOO MUCH RISK. 362 00:22:18,396 --> 00:22:20,729 THERE'S TOO MUCH... 363 00:22:20,729 --> 00:22:22,688 IT'S JUST DOOMED, 364 00:22:22,688 --> 00:22:26,771 AND I CAN'T DO DOOMED AGAIN RIGHT NOW. SORRY. 365 00:22:26,771 --> 00:22:29,563 I DON'T UNDERSTAND WHERE THIS IS COMING FROM. 366 00:22:29,563 --> 00:22:31,104 I KNOW YOU LIKE ME. 367 00:22:31,104 --> 00:22:32,938 AND IT'S NOT LIKE WE DON'T HAVE ANYTHING IN COMMON. 368 00:22:32,938 --> 00:22:34,646 BUT THAT'S NOT ENOUGH. 369 00:22:34,646 --> 00:22:37,062 BUFFY, I'M THROWN BY THIS. 370 00:22:37,062 --> 00:22:40,062 I'M CONFUSED... 371 00:22:40,062 --> 00:22:43,396 BUT I CAN FEEL MY SKIN HUMMING, 372 00:22:43,396 --> 00:22:46,855 MY HANDS, MY EVERY INCH OF ME. 373 00:22:46,855 --> 00:22:50,896 I'VE NEVER BEEN THIS EXCITED ABOUT ANYBODY BEFORE. 374 00:22:50,896 --> 00:22:54,479 I'M NOT TRYING TO SCARE YOU, AND I'M NOT GONNA FORCE MYSELF ON YOU, 375 00:22:54,479 --> 00:22:57,771 BUT I AM, BY GOD, NOT GONNA WALK AWAY BECAUSE I THINK IT MIGHT NOT WORK. 376 00:22:59,813 --> 00:23:02,104 I DON'T KNOW WHAT'S HAPPENED IN YOUR PAST. 377 00:23:02,104 --> 00:23:06,479 PAIN, DEATH, APOCALYPSE. 378 00:23:07,813 --> 00:23:10,229 NONE OF IT FUN. 379 00:23:10,229 --> 00:23:11,938 DO YOU KNOW WHAT A HELLMOUTH IS? 380 00:23:11,938 --> 00:23:15,146 DO YOU HAVE A FANCY TERM FOR IT? 381 00:23:15,146 --> 00:23:17,146 BECAUSE I WENT TO HIGH SCHOOL ON IT 382 00:23:17,146 --> 00:23:19,938 FOR 3 YEARS. 383 00:23:19,938 --> 00:23:23,062 WE DO NOT HAVE THAT MUCH IN COMMON. 384 00:23:23,062 --> 00:23:24,229 THIS IS A JOB TO YOU. 385 00:23:24,229 --> 00:23:25,354 IT'S NOT JUST A JOB. 386 00:23:25,354 --> 00:23:27,604 IT'S AN ADVENTURE, GREAT. 387 00:23:27,604 --> 00:23:30,563 BUT FOR ME, IT'S DESTINY. 388 00:23:30,563 --> 00:23:32,438 IT IS SOMETHING THAT I CAN'T CHANGE, 389 00:23:32,438 --> 00:23:34,146 SOMETHING THAT I CAN'T ESCAPE. I'M STUCK. 390 00:23:34,146 --> 00:23:36,146 YOU DON'T HAVE TO BE. 391 00:23:36,146 --> 00:23:38,479 YOU'RE NOT IN HIGH SCHOOL ANYMORE. 392 00:23:38,479 --> 00:23:40,104 YOU CAN CHANGE THINGS. 393 00:23:40,104 --> 00:23:41,479 RILEY, NO. 394 00:23:41,479 --> 00:23:42,438 I KNOW IT MAY SEEM-- 395 00:23:42,438 --> 00:23:43,479 RILEY... 396 00:23:43,479 --> 00:23:47,521 MY ANSWER IS NO. 397 00:24:07,062 --> 00:24:08,604 A VAHRALL DEMON. 398 00:24:08,604 --> 00:24:10,021 EWWW. 399 00:24:10,021 --> 00:24:12,062 I SECOND THAT REVULSION. 400 00:24:12,062 --> 00:24:14,855 YES. "SLICK LIKE GOLD AND GIRD IN MOONLIGHT, 401 00:24:14,855 --> 00:24:18,563 FATHER OF PORTENTS AND BROTHER TO BLIGHT." 402 00:24:18,563 --> 00:24:20,896 "LIMBS WITH TALONS, EYES LIKE KNIVES; 403 00:24:20,896 --> 00:24:23,896 BANE TO THE BLAMELESS, THIEF OF LIVES." 404 00:24:23,896 --> 00:24:25,104 3 METERS TALL, 405 00:24:25,104 --> 00:24:28,146 APPROXIMATELY 100-120 KILOGRAMS, 406 00:24:28,146 --> 00:24:30,229 BASED ON MY VISUAL ANALYSIS. 407 00:24:30,229 --> 00:24:31,187 SPECIAL HAZARDS? 408 00:24:31,187 --> 00:24:32,438 UNKNOWN. 409 00:24:32,438 --> 00:24:34,479 PROBABLY NOTHING WE HAVEN'T HANDLED BEFORE. 410 00:24:34,479 --> 00:24:37,813 THERE'S NO PATTERN THAT WE CAN DISCERN YET, 411 00:24:37,813 --> 00:24:41,062 SO WE GOTTA ASSUME IT'S ON A BASIC KILL-CRUSH-DESTROY. 412 00:24:41,062 --> 00:24:43,688 THE THING ISN'T DIGGING UP THE BONES OF A CHILD FOR FUN. 413 00:24:43,688 --> 00:24:46,813 WELL, A DEMON'S GOT SOME PRETTY HILARIOUS IDEAS ABOUT FUN. 414 00:24:46,813 --> 00:24:48,563 THE BONES OF A CHILD, THOUGH. 415 00:24:48,563 --> 00:24:51,271 I SAW THAT. 416 00:24:55,855 --> 00:24:58,104 AN ANCIENT RITUAL-- 417 00:24:58,104 --> 00:25:01,646 IT USES THE BLOOD OF A MAN, THE BONES OF A CHILD, 418 00:25:01,646 --> 00:25:04,438 AND SOMETHING CALLED THE WORD OF VALIOS. 419 00:25:04,438 --> 00:25:08,271 IT'S ALL PART OF A SACRIFICE-- 420 00:25:08,271 --> 00:25:09,813 THE SACRIFICE OF 3. 421 00:25:09,813 --> 00:25:13,062 LET ME GUESS. ENDS THE WORLD. 422 00:25:13,062 --> 00:25:16,354 WELL, YEAH. IT'S NOT BIG WITH THE DETAILS, THOUGH. 423 00:25:16,354 --> 00:25:18,771 IT DOESN'T SAY HOW THE WORLD ENDS 424 00:25:18,771 --> 00:25:22,187 OR WHAT THE RITUAL ENTAILS EXACTLY. 425 00:25:22,187 --> 00:25:23,438 A SACRIFICE OF 3. 426 00:25:23,438 --> 00:25:26,688 3 PEOPLE ARE GOING TO DIE? 427 00:25:26,688 --> 00:25:28,604 NO, THEY WON'T, 428 00:25:28,604 --> 00:25:31,354 BECAUSE CLAW BOY'S NOT GETTING ALL OF HIS INGREDIENTS. 429 00:25:31,354 --> 00:25:33,021 WE HAVE TO FIND THAT THIRD ONE, THE WORD OF VALIOS. 430 00:25:33,021 --> 00:25:34,271 KEEP HIM FROM GETTING IT. 431 00:25:34,271 --> 00:25:36,604 IF HE DOESN'T ALREADY HAVE IT. 432 00:25:36,604 --> 00:25:39,354 I MEAN, WHO KNOWS WHERE HE'S BEEN? 433 00:25:39,354 --> 00:25:40,729 HERE'S ONE FOR THE GOOD GUYS. 434 00:25:40,729 --> 00:25:43,104 THIS THING'S GOT A PHEROMONE SIGNATURE A MILE WIDE. 435 00:25:43,104 --> 00:25:46,354 AGENT GATES HAS BEEN WORKING WITH THE DETECTION SYSTEM THE LAB'S DEVELOPING. 436 00:25:46,354 --> 00:25:47,771 CAN'T TELL WHERE IT'S GOING, 437 00:25:47,771 --> 00:25:49,646 BUT I'VE GOT A BEAD ON WHERE IT'S BEEN. 438 00:25:49,646 --> 00:25:51,521 RESIDUAL TRACES SHOWING UP IN POPULATED AREAS. 439 00:25:51,521 --> 00:25:53,271 THING'S NOT SHY. 440 00:25:53,271 --> 00:25:56,187 WE'RE GOING OUT IN CIVVIES-- DAY CLOTHES ONLY, GUYS. 441 00:25:56,187 --> 00:25:57,855 WEAPONS STOWED IN PACKS. 442 00:25:57,855 --> 00:25:59,187 KEEP 'EM OUT OF SIGHT TILL NIGHTFALL. 443 00:25:59,187 --> 00:26:00,438 REMEMBER-- THIS ISN'T A CAPTURE. 444 00:26:00,438 --> 00:26:01,688 IT'S A KILL. 445 00:26:01,688 --> 00:26:04,146 PICK UP QUADRANT ASSIGNMENTS FROM ME. 446 00:26:04,146 --> 00:26:05,855 WE'LL BLANKET THE TOWN. 447 00:26:05,855 --> 00:26:07,396 I'LL CHECK THE MAGIC SHOP, 448 00:26:07,396 --> 00:26:09,229 SEE IF THEY'VE HEARD OF A BOOK CALLED THE WORD OF VALIOS. 449 00:26:09,229 --> 00:26:11,521 WIL, XANDER, HOW ABOUT THE BOOK ARCHIVES AT THE MUSEUM? 450 00:26:11,521 --> 00:26:13,396 WE'LL STOP BY MY HOUSE ON THE WAY, GET SOME WEAPONS, 451 00:26:13,396 --> 00:26:15,396 AND I'LL CHANGE INTO SOMETHING 452 00:26:15,396 --> 00:26:17,021 THAT ISN'T QUITE AS ANCHOVY-SCENTED. 453 00:26:17,021 --> 00:26:18,813 YOU GUYS, THIS THING TAKES WICKED VERY SERIOUSLY. 454 00:26:18,813 --> 00:26:20,229 BE CAREFUL. 455 00:26:20,229 --> 00:26:22,229 I COULDN'T STAND ANYBODY GETTING HURT. 456 00:26:22,229 --> 00:26:24,021 GOOD-BYE, DRU. 457 00:26:24,021 --> 00:26:25,479 SEE YOU IN HELL. 458 00:26:29,396 --> 00:26:31,563 WHAT ARE YOU DOING? 459 00:26:31,563 --> 00:26:35,146 BLOODY ROT! CAN'T A PERSON KNOCK? 460 00:26:35,146 --> 00:26:36,396 [ Willow ] WHAT ARE YOU DOING? 461 00:26:36,396 --> 00:26:39,312 YOU WERE TRYING TO STAKE YOURSELF. 462 00:26:39,312 --> 00:26:42,980 FAG OFF. IT'S NO CONCERN OF YOURS. 463 00:26:42,980 --> 00:26:44,771 IS TOO. FOR ONE THING, 464 00:26:44,771 --> 00:26:46,438 THAT'S MY SHIRT YOU'RE ABOUT TO DUST. 465 00:26:46,438 --> 00:26:48,312 AND FOR ANOTHER, WE'VE SHARED A LOT HERE. 466 00:26:48,312 --> 00:26:51,021 YOU SHOULD HAVE TRUSTED ME ENOUGH TO DO IT FOR YOU. 467 00:26:51,021 --> 00:26:52,146 XANDER. 468 00:26:52,146 --> 00:26:54,438 WHAT? HE WANTS TO DIE. I WANT TO HELP. 469 00:26:54,438 --> 00:26:55,896 [ Willow ] IT'S OOKY. WE KNOW HIM. 470 00:26:55,896 --> 00:26:57,062 WE CAN'T JUST LET HIM POOF HIMSELF. 471 00:26:57,062 --> 00:26:59,396 OH, BUT YOU CAN. 472 00:26:59,396 --> 00:27:01,354 YOU KNOW I'D DRAIN YOU DRIER THAN THE SAHARA 473 00:27:01,354 --> 00:27:03,104 IF I HAD HALF A CHANCE. 474 00:27:03,104 --> 00:27:04,646 AND BESIDES, I'M BEYOND PATHETIC. 475 00:27:04,646 --> 00:27:06,104 STUCK IN THIS BASEMENT, 476 00:27:06,104 --> 00:27:07,688 WASHING SKIVVIES FOR A BLIGHTER 477 00:27:07,688 --> 00:27:09,354 I WOULDN'T HAVE BOTHERED TO BITE A FEW MONTHS AGO. 478 00:27:09,354 --> 00:27:10,813 HEY. 479 00:27:10,813 --> 00:27:13,479 I MEAN, AM I EVEN REMOTELY SCARY ANYMORE? 480 00:27:13,479 --> 00:27:15,479 TELL ME THE TRUTH. 481 00:27:19,646 --> 00:27:22,396 WELL, THE SHIRT IS KINDA... 482 00:27:22,396 --> 00:27:24,354 NOT VERY THREATENING... 483 00:27:24,354 --> 00:27:25,896 AND THE SHORT PANTS. 484 00:27:25,896 --> 00:27:27,563 IT COULD ALSO BE 485 00:27:27,563 --> 00:27:30,271 BECAUSE I KNOW YOU CAN'T BITE. 486 00:27:30,271 --> 00:27:31,855 STOP. LOOK, JUST CLEAR OUT. 487 00:27:31,855 --> 00:27:33,563 FINE. 488 00:27:33,563 --> 00:27:35,230 BUT YOU BREAK ANYTHING ELSE WHILE WE'RE GONE, 489 00:27:35,230 --> 00:27:36,521 AND YOU'LL BE SLEEPING IN THE GARAGE, BUSTER. 490 00:27:36,521 --> 00:27:38,646 WE CAN'T LEAVE HIM HERE LIKE THIS. 491 00:27:38,646 --> 00:27:40,771 WE'LL HAVE TO TAKE HIM WITH US TO THE MUSEUM. 492 00:27:40,771 --> 00:27:42,271 OH, YOU GO ON. 493 00:27:42,271 --> 00:27:43,813 I WON'T DO ANYTHING. 494 00:27:43,813 --> 00:27:46,229 I FEEL BETTER NOW. PROMISE. 495 00:27:48,187 --> 00:27:49,479 THINK OF THE HAPPY. 496 00:27:49,479 --> 00:27:51,354 IF WE DON'T FIND WHAT WE'RE LOOKING FOR, 497 00:27:51,354 --> 00:27:52,688 WE'RE FACING AN APOCALYPSE. 498 00:27:52,688 --> 00:27:54,896 REALLY? YOU'RE NOT JUST SAYING THAT? 499 00:28:13,521 --> 00:28:15,521 BUFFY. 500 00:28:15,521 --> 00:28:18,230 IS THIS REALLY THE TIME FOR DONKEY KONG? 501 00:28:18,230 --> 00:28:19,188 WHAT? 502 00:28:21,187 --> 00:28:23,855 OH. 503 00:28:23,855 --> 00:28:27,896 IT TAKES TRACE READINGS OF THE CREATURE'S PHEROMONES. 504 00:28:27,896 --> 00:28:29,563 AND? 505 00:28:29,563 --> 00:28:32,229 AND IT'S EITHER MATING SEASON FOR THIS THING, 506 00:28:32,229 --> 00:28:34,271 OR IT'S MOVING ALL OVER TOWN. 507 00:28:34,271 --> 00:28:38,021 YOU KNOW, BUFFY-- ACTUALLY, I NEED TO GO. 508 00:28:38,021 --> 00:28:40,271 BIG BAD NEEDS TO BE SQUISHED. 509 00:28:40,271 --> 00:28:42,396 RIGHT. I'M ON IT, TOO. 510 00:28:42,396 --> 00:28:43,521 IT'S JUST-- 511 00:28:43,521 --> 00:28:45,104 THIS THING, THIS YOU-AND-ME THING, 512 00:28:45,104 --> 00:28:46,438 IT'S STUPID. 513 00:28:46,438 --> 00:28:50,104 I KNOW. WHICH IS WHY WE CAN'T DO IT, 514 00:28:50,104 --> 00:28:52,438 THE YOU-AND-ME THING. 515 00:28:52,438 --> 00:28:54,938 NO. I MEAN, YOU'RE STUPID. 516 00:28:54,938 --> 00:28:58,104 I MEAN... I DON'T MEAN THAT. 517 00:28:58,104 --> 00:29:00,229 NO. I THINK MAYBE I DO. 518 00:29:00,229 --> 00:29:02,479 WOW. WITH SWEET TALK LIKE THAT, 519 00:29:02,479 --> 00:29:04,396 YOU'LL DEFINITELY MELT MY RESERVATIONS. 520 00:29:04,396 --> 00:29:05,896 I'M SERIOUS. 521 00:29:05,896 --> 00:29:08,104 YOU HAVE THIS TWISTED WAY OF LOOKING AT THINGS, 522 00:29:08,104 --> 00:29:09,604 THIS DOOM-AND-GLOOM MENTALITY. 523 00:29:09,604 --> 00:29:11,146 YOU KEEP THINKING LIKE THAT, 524 00:29:11,146 --> 00:29:12,896 AND THINGS ARE PROBABLY GONNA TURN OUT 525 00:29:12,896 --> 00:29:14,312 JUST THE WAY YOU EXPECT. 526 00:29:14,312 --> 00:29:16,271 THERE'S NOTHING MORE DANGEROUS 527 00:29:16,271 --> 00:29:18,479 THAN A PSYCH GRAD STUDENT. 528 00:29:18,479 --> 00:29:21,479 BUFFY, WHERE IS THE BAD HERE? 529 00:29:21,479 --> 00:29:24,062 IT JUST TURNS OUT THAT WE'RE EVEN MORE WELL MATCHED 530 00:29:24,062 --> 00:29:26,146 THAN WE THOUGHT WE WERE. 531 00:29:26,146 --> 00:29:27,688 I MEAN, YOU'RE A-- 532 00:29:27,688 --> 00:29:30,312 FRY COOK, AND SO AM I. 533 00:29:30,312 --> 00:29:32,187 YES, BUT YOU'RE AN AMATEUR... 534 00:29:32,187 --> 00:29:33,479 FRY COOK. 535 00:29:33,479 --> 00:29:35,813 AND I COME FROM A LONG LINE OF FRY COOKS 536 00:29:35,813 --> 00:29:37,187 THAT DON'T LIVE PAST 25. 537 00:29:37,187 --> 00:29:39,187 WHICH IS EXACTLY THE ATTITUDE I'M TALKING ABOUT. 538 00:29:39,187 --> 00:29:41,688 I KNOW THE RISKS OF WHAT WE DO. 539 00:29:41,688 --> 00:29:43,813 I ALSO KNOW IT'S MORE REWARDING 540 00:29:43,813 --> 00:29:45,771 THAN ANY OTHER JOB ON THE PLANET... AND FUN. 541 00:29:45,771 --> 00:29:47,146 FUN? 542 00:29:47,146 --> 00:29:49,396 THE LAST PERSON I KNOW THAT BELIEVED THAT 543 00:29:49,396 --> 00:29:51,062 IS IN A COMA RIGHT NOW 544 00:29:51,062 --> 00:29:52,813 BECAUSE SHE HAD SO MUCH FUN ON THE JOB. 545 00:29:52,813 --> 00:29:56,354 I'M NOT SAYING YOU SHOULDN'T TAKE YOUR WORK SERIOUSLY. 546 00:29:56,354 --> 00:29:58,479 THAT I SHOULD JUST TURN MY FROWN UPSIDE DOWN? 547 00:29:58,479 --> 00:29:59,604 IS THAT IT? 548 00:29:59,604 --> 00:30:01,187 I WISH I COULD, 549 00:30:01,187 --> 00:30:02,563 BUT THIS ISN'T THE KIND OF GIG 550 00:30:02,563 --> 00:30:04,271 WHERE YOU CAN JUST HANG IT UP AT THE END OF THE NIGHT 551 00:30:04,271 --> 00:30:05,771 AND SNUGGLE WITH YOUR HONEY. 552 00:30:05,771 --> 00:30:07,855 BUT WHY? WHY CAN'T IT BE? 553 00:30:07,855 --> 00:30:09,021 BECAUSE I TRIED IT, OKAY? 554 00:30:09,021 --> 00:30:11,521 AND EVERY TIME, IT JUST FELL APART. 555 00:30:11,521 --> 00:30:14,563 AND THEN I GET SUCKED RIGHT BACK INTO THE UBER EVIL. 556 00:30:14,563 --> 00:30:16,563 WELCOME TO THE STORY OF THE WORLD. 557 00:30:16,563 --> 00:30:20,229 THINGS FALL APART, BUFFY. AND EVIL--IT COMES AND GOES. 558 00:30:20,229 --> 00:30:22,521 BUT THE WAY PEOPLE MANAGE IS, 559 00:30:22,521 --> 00:30:25,813 THEY DON'T DO IT ALONE. THEY PULL EACH OTHER THROUGH. 560 00:30:25,813 --> 00:30:27,938 IF YOU WEREN'T SO SELF-INVOLVED, YOU'D SEE THAT. 561 00:30:29,604 --> 00:30:32,980 YOU HAVE NO IDEA WHAT YOU'RE TALKING ABOUT. 562 00:30:32,980 --> 00:30:35,563 YOU BARELY KNOW ME. 563 00:30:35,563 --> 00:30:38,855 I KNOW THAT IT'S NOT JUST THE JOB THING. 564 00:30:38,855 --> 00:30:41,021 I'M SURE THAT THERE'S SOME GOOD-LOOKING GUY 565 00:30:41,021 --> 00:30:42,855 WHO DONE YOU WRONG IN THERE, TOO. 566 00:30:42,855 --> 00:30:45,479 BUT MOSTLY, I THINK YOU WANT TO STAY DOWN IN THE DARK PLACE. 567 00:30:45,479 --> 00:30:47,312 'CAUSE MAYBE IT'S SAFER DOWN THERE. 568 00:30:47,312 --> 00:30:49,021 YOU ARE SO OUT OF LINE. 569 00:30:49,021 --> 00:30:52,062 NO. SEE, I DON'T THINK SO. 570 00:30:52,062 --> 00:30:55,771 WE HAVE AN OPPORTUNITY HERE, YOU AND ME. 571 00:30:55,771 --> 00:30:58,396 AND THE FACT THAT YOU'RE TOO SCARED TO EVEN GIVE IT A TRY... 572 00:30:58,396 --> 00:31:00,896 IS MY BUSINESS. 573 00:31:00,896 --> 00:31:03,104 SO WHY DON'T YOU JUST LEAVE ME ALONE? 574 00:31:06,813 --> 00:31:08,438 FAIR ENOUGH. 575 00:31:20,771 --> 00:31:22,813 GREAT. NO WORD OF VALIOS. 576 00:31:22,813 --> 00:31:25,146 NOT EVEN A SYLLABLE OF VALIOS. 577 00:31:25,146 --> 00:31:26,312 WHICH MEANS I'M ONE STEP CLOSER 578 00:31:26,312 --> 00:31:28,187 TO MELTING IN A SEA OF MOLTEN HELL FIRE, YEAH? 579 00:31:28,187 --> 00:31:30,187 YOU SHOULDN'T TALK LIKE THAT. 580 00:31:30,187 --> 00:31:32,146 YEAH, OKAY, SO YOU CAN'T KILL ANYMORE, 581 00:31:32,146 --> 00:31:33,688 BUT THERE ARE OTHER FUN THINGS YOU CAN DO. 582 00:31:33,688 --> 00:31:34,938 YOU'LL ADJUST. 583 00:31:34,938 --> 00:31:37,146 "ADJUST." 584 00:31:37,146 --> 00:31:39,980 AND WHAT, END UP LIKE THE TWO OF YOU? 585 00:31:39,980 --> 00:31:41,938 NO, THANK YOU. HERE IT GOES. 586 00:31:41,938 --> 00:31:43,396 "WE JUST CAN'T LEAVE HIM HERE TO STAKE HIMSELF. 587 00:31:43,396 --> 00:31:44,729 IT'S NOT RIGHT." 588 00:31:44,729 --> 00:31:46,021 I SHOULD THINK YOU WOULD BE GLAD 589 00:31:46,021 --> 00:31:47,479 TO GREET THE END OF DAYS. 590 00:31:47,479 --> 00:31:50,563 NEITHER ONE OF YOU IS MAKING MUCH OF A GO AT IT. 591 00:31:50,563 --> 00:31:54,896 YOU. KIDS YOUR AGE ARE GOING OFF TO UNIVERSITY. 592 00:31:54,896 --> 00:31:56,563 YOU'VE MADE IT AS FAR AS THE BASEMENT. 593 00:31:56,563 --> 00:31:59,146 AND RED HERE, 594 00:31:59,146 --> 00:32:00,938 YOU COULDN'T EVEN KEEP DOG BOY HAPPY. 595 00:32:00,938 --> 00:32:03,104 YOU CAN TAKE THE LOSER OUT OF HIGH SCHOOL, BUT... 596 00:32:03,104 --> 00:32:06,729 I SEE WHAT YOU'RE DOING. YOU'RE TRYING TO GET US TO DUST YOU. 597 00:32:06,729 --> 00:32:10,104 AM NOT. I JUST DON'T WANT PITY FROM GEEKS 598 00:32:10,104 --> 00:32:12,146 MORE USELESS THAN I AM. 599 00:32:12,146 --> 00:32:15,563 WE'RE NOT USELESS. WE--WE HELP PEOPLE. 600 00:32:15,563 --> 00:32:17,312 WE FIGHT THE FORCES OF EVIL. 601 00:32:17,312 --> 00:32:19,938 BUFFY FIGHTS THE FORCES OF EVIL. 602 00:32:19,938 --> 00:32:21,855 YOU'RE HER GROUPIES. 603 00:32:21,855 --> 00:32:24,563 SHE'D DO JUST AS WELL WITHOUT YOU. 604 00:32:24,563 --> 00:32:25,813 BETTER, I'D WAGER, 605 00:32:25,813 --> 00:32:27,354 SINCE SHE WOULDN'T HAVE TO GO ABOUT 606 00:32:27,354 --> 00:32:28,646 SAVING YOUR HIDES ALL THE TIME. 607 00:32:28,646 --> 00:32:30,104 THAT IS SO NOT TRUE. 608 00:32:30,104 --> 00:32:32,688 WE'RE PART OF THE TEAM. SHE NEEDS US. 609 00:32:32,688 --> 00:32:34,980 OR...YOU'RE JUST THE SAME TENTH-GRADE LOSERS 610 00:32:34,980 --> 00:32:36,604 YOU'VE ALWAYS BEEN, 611 00:32:36,604 --> 00:32:39,563 AND SHE'S TOO MUCH OF A SOFTY TO CUT YOU LOOSE. 612 00:32:54,813 --> 00:32:58,855 OH, AS USUAL. 613 00:32:58,855 --> 00:32:59,813 DEAR. 614 00:33:41,312 --> 00:33:43,021 WHAT HAPPENED? 615 00:33:43,021 --> 00:33:44,563 IT'S MY FAULT. 616 00:33:44,563 --> 00:33:45,604 I SHOULD HAVE KNOWN. 617 00:33:45,604 --> 00:33:47,604 GILES... 618 00:33:47,604 --> 00:33:50,813 THE WORD OF VALIOS... IS THE NAME OF A TALISMAN, 619 00:33:50,813 --> 00:33:52,855 NOT A BOOK. 620 00:33:52,855 --> 00:33:54,938 I BLAME MYSELF ENTIRELY. I HAD IT HERE. 621 00:33:54,938 --> 00:33:56,813 YOU HAD IT HERE? 622 00:33:56,813 --> 00:33:58,896 OKAY, FIRST I THOUGHT YOU WERE BEING TOO HARD ON YOURSELF, BUT-- 623 00:33:58,896 --> 00:34:00,062 THANK YOU. 624 00:34:00,062 --> 00:34:03,021 I BOUGHT IT AT A SORCERER'S ESTATE SALE. 625 00:34:03,021 --> 00:34:05,146 I REALLY ONLY GLANCED AT IT ONCE. 626 00:34:05,146 --> 00:34:06,771 I THOUGHT IT WAS A KNOCKOFF. 627 00:34:06,771 --> 00:34:08,062 WELL, THEY HAVE IT, 628 00:34:08,062 --> 00:34:09,771 AND THEY PROBABLY HAVE THEIR SACRIFICES BY NOW, TOO. 629 00:34:09,771 --> 00:34:12,271 THEY'RE ON THEIR WAY TO PERFORM THE SACRIFICE NOW. 630 00:34:12,271 --> 00:34:13,855 ON THEIR WAY WHERE? 631 00:34:13,855 --> 00:34:15,521 YOU FOUND OUT WHAT THE RITUAL IS FOR? 632 00:34:15,521 --> 00:34:17,813 THE HELLMOUTH. 633 00:34:17,813 --> 00:34:22,312 THEY'RE GONNA OPEN THE HELLMOUTH... THE ONE IN THE LIBRARY. 634 00:34:29,813 --> 00:34:32,604 LOOKS LIKE WE'RE GOING BACK TO HIGH SCHOOL. 635 00:34:47,187 --> 00:34:49,312 BE CAREFUL, YOU GUYS. 636 00:34:49,312 --> 00:34:52,229 THE PLACE DOESN'T LOOK TOO STABLE. 637 00:34:52,229 --> 00:34:54,146 FINE BY ME. 638 00:34:54,146 --> 00:34:55,896 I HOPE WE ALL GO UNDER. 639 00:34:55,896 --> 00:34:57,354 WHY IS HE EVEN HERE? 640 00:34:57,354 --> 00:34:58,688 IT'S NOT LIKE HE CAN FIGHT. 641 00:34:58,688 --> 00:35:01,229 IF WE LEAVE HIM ALONE, HE'LL STAKE HIMSELF. 642 00:35:01,229 --> 00:35:04,230 AND THAT'S BAD BECAUSE... 643 00:35:04,230 --> 00:35:06,438 FINE. WHATEVER. 644 00:35:06,438 --> 00:35:08,271 JUST KEEP HIM OUT OF THE WAY. 645 00:35:08,271 --> 00:35:10,271 I DO NOT HAVE TIME FOR THIS. 646 00:35:10,271 --> 00:35:12,604 OKAY, WHEN WE GET TO THE LIBRARY, 647 00:35:12,604 --> 00:35:14,438 KEEP A LOOKOUT FOR VICTIMS 648 00:35:14,438 --> 00:35:15,771 THEY'RE KEEPING ALIVE FOR THE SACRIFICE. 649 00:35:15,771 --> 00:35:17,729 GETTING THEM OUT IS THE FIRST PRIORITY. 650 00:35:17,729 --> 00:35:18,729 WILL DO. 651 00:35:19,646 --> 00:35:22,271 OKAY...YOU GUYS READY? 652 00:35:22,271 --> 00:35:24,271 LET'S ROCK 'N' ROLL. 653 00:35:25,479 --> 00:35:27,604 "LET'S ROCK 'N' ROLL." 654 00:35:33,230 --> 00:35:35,479 SUNNYDALE HIGH. 655 00:35:35,479 --> 00:35:37,855 IF THESE WALLS... WERE STILL WALLS, 656 00:35:37,855 --> 00:35:40,354 WHAT STORIES THEY COULD TELL. 657 00:35:40,354 --> 00:35:42,396 EWW. 658 00:35:44,813 --> 00:35:47,438 MAYOR MEAT-- EXTRA CRISPY. 659 00:35:54,646 --> 00:35:57,354 I THINK WE'RE NEAR THE LIBRARY. 660 00:35:57,354 --> 00:36:01,188 [ Chanting ] 661 00:36:06,729 --> 00:36:09,646 WHOA. CHECK OUT THE NEW FLOOR PLAN. 662 00:36:11,146 --> 00:36:12,479 THREE OF THEM. 663 00:36:16,479 --> 00:36:18,771 I DON'T SEE ANY SACRIFICE PEOPLE. 664 00:36:18,771 --> 00:36:21,396 THEY MUST BE AROUND HERE SOMEWHERE. 665 00:36:21,396 --> 00:36:23,104 RITUAL'S NOT FINISHED. 666 00:36:24,354 --> 00:36:25,646 AND IT'S NOT GONNA BE. 667 00:36:41,479 --> 00:36:43,980 THE BLOOD! 668 00:36:45,354 --> 00:36:47,104 GET THE TALISMAN! THEY CAN'T DO THE RITUAL. 669 00:36:52,021 --> 00:36:53,563 I'VE GOT THE BONES! 670 00:36:56,855 --> 00:36:58,646 HERE! 671 00:37:03,229 --> 00:37:05,230 YOU'RE PICKING ON THE WRONG GUY, DUDE! 672 00:37:05,230 --> 00:37:07,062 I HAD A LOT OF PRACTICE WITH MY LUNCH MONEY. 673 00:37:08,104 --> 00:37:10,146 SPIKE! 674 00:37:10,146 --> 00:37:11,521 RIGHT. PERFECT. 675 00:37:25,688 --> 00:37:27,438 OKAY, I GUESS I WON. 676 00:37:27,438 --> 00:37:29,229 [ Rumbling ] 677 00:37:31,479 --> 00:37:33,521 THE DEMONS--THEY ARE THE SACRIFICE! 678 00:37:40,729 --> 00:37:43,062 AAAHHH! 679 00:37:45,230 --> 00:37:46,396 NO PAIN. 680 00:37:48,896 --> 00:37:51,604 I CAN HURT A DEMON. 681 00:38:00,521 --> 00:38:02,271 THAT'S RIGHT! 682 00:38:02,271 --> 00:38:04,855 I'M BACK, AND I'M A BLOODY ANIMAL! 683 00:38:04,855 --> 00:38:06,229 YEAH! 684 00:38:10,729 --> 00:38:12,187 NO! SPIKE! NOT IN THE HOLE! 685 00:38:15,271 --> 00:38:16,855 [ Rumbling ] 686 00:38:19,354 --> 00:38:21,563 WHAT? I WAS HELPING. 687 00:38:27,771 --> 00:38:29,438 GET OUT OF HERE! 688 00:38:29,438 --> 00:38:30,729 THE BUILDING'S GONNA COME DOWN! 689 00:38:58,980 --> 00:39:00,146 DON'T LET HIM JUMP IN THE HELLMOUTH! 690 00:39:00,146 --> 00:39:02,188 IF HE DOES, WE'RE FINISHED. 691 00:39:21,813 --> 00:39:22,771 I'M GOING IN. 692 00:39:26,563 --> 00:39:28,396 YOU'RE COMING BACK OUT. 693 00:40:19,062 --> 00:40:21,229 BUFFY. 694 00:40:34,187 --> 00:40:39,312 WELL, HEY! WILLOW. AND XANDER, RIGHT? 695 00:40:39,312 --> 00:40:41,271 JEEZ, WHAT ARE THE CHANCES, HUH? 696 00:40:41,271 --> 00:40:43,062 YEAH, I WAS JUST PASSING BY, 697 00:40:43,062 --> 00:40:44,729 AND I THOUGHT I HEARD PEOPLE INSIDE. 698 00:40:44,729 --> 00:40:48,855 YOU WERE JUST PASSING BY IN YOUR G.I. JOE OUTFIT? 699 00:40:52,312 --> 00:40:55,104 NO OFFENSE, BUT YOU DO LOOK WICKED CONSPICUOUS. 700 00:40:55,104 --> 00:40:57,771 I DO? BUT IT'S... 701 00:40:57,771 --> 00:40:59,312 PAINT BALL. 702 00:40:59,312 --> 00:41:00,354 YEAH. I WAS PLAYING PAINT BALL, 703 00:41:00,354 --> 00:41:01,813 AND THEN THE AFTERSHOCK, AND I CAME-- 704 00:41:01,813 --> 00:41:03,855 SO YOU'RE ONE OF THE COMMANDO GUYS, HUH? 705 00:41:03,855 --> 00:41:05,813 OH, NO, NO, NO, NO. COMMANDO? NO. 706 00:41:05,813 --> 00:41:09,312 I MEAN... DON'T I KNOW YOU? 707 00:41:09,312 --> 00:41:13,062 [ American Accent ] ME? NO. NO, SIR. 708 00:41:13,062 --> 00:41:15,229 I'M JUST AN OLD PAL OF XANDER'S HERE. 709 00:41:15,229 --> 00:41:17,396 OH, THAT'S NICE. 710 00:41:23,855 --> 00:41:26,062 IT'S KINDA WEIRD BEING BACK, ISN'T IT? 711 00:41:26,062 --> 00:41:29,396 YEAH. EVERYTHING SEEMS SO SMALL... 712 00:41:29,396 --> 00:41:32,479 AND MORE CHARRED AND RUINY. 713 00:41:51,146 --> 00:41:53,771 [ Knock On Door ] 714 00:41:53,771 --> 00:41:55,187 COME IN. 715 00:42:02,021 --> 00:42:04,855 YOU NEVER CALLED, SO I DIDN'T KNOW... 716 00:42:04,855 --> 00:42:06,521 OH. HEY... I'M SORRY. 717 00:42:06,521 --> 00:42:09,813 I'M JUST... I'M A DEAD MAN. 718 00:42:09,813 --> 00:42:12,104 SECRET. HIGHLY. 719 00:42:12,104 --> 00:42:14,396 OR IT'S SUPPOSED TO BE. 720 00:42:14,396 --> 00:42:16,146 AND THEN YOU FIND OUT. 721 00:42:16,146 --> 00:42:18,563 I CAN DEAL. YOU'RE SPECIAL. 722 00:42:18,563 --> 00:42:21,312 BUT LAST NIGHT WITH YOUR FRIENDS WAS A DISASTER. 723 00:42:21,312 --> 00:42:23,479 COULD I HAVE BEEN LESS CONVINCING? 724 00:42:23,479 --> 00:42:24,896 I WAS TRAINED TO BE SNEAKY AND STUFF, 725 00:42:24,896 --> 00:42:26,062 AND I'M, LIKE... 726 00:42:26,062 --> 00:42:27,563 "HI. PAINT BALL, JUST PASSING BY." 727 00:42:27,563 --> 00:42:30,563 I SHOULD HAVE JUST GIVEN THEM MY SECURITY CODE AND RANK. 728 00:42:30,563 --> 00:42:32,604 YOU HAVE A SECURITY CODE AND RANK? 729 00:42:32,604 --> 00:42:33,813 NO. 730 00:42:33,813 --> 00:42:36,146 DID I JUST SAY... 731 00:42:36,146 --> 00:42:37,729 THIS IS SO NOT GOOD. 732 00:42:40,896 --> 00:42:42,938 EVERYBODY KNOWS ABOUT ME. 733 00:42:42,938 --> 00:42:44,604 I'M FINISHED. 734 00:42:44,604 --> 00:42:46,312 IT'S THE END OF THE WORLD. 735 00:42:51,729 --> 00:42:56,021 NO, IT'S NOT. 736 00:43:09,688 --> 00:43:11,396 WHAT'S THIS? 737 00:43:11,396 --> 00:43:12,646 SITTING AROUND AND WATCHING THE TELLY 738 00:43:12,646 --> 00:43:14,021 WHILE THERE'S EVIL STILL AFOOT. 739 00:43:14,021 --> 00:43:15,729 IT'S NOT VERY INDUSTRIOUS OF YOU. 740 00:43:15,729 --> 00:43:21,146 I SAY WE GO OUT THERE AND KICK A LITTLE DEMON ASS. 741 00:43:21,146 --> 00:43:24,980 CAN'T GO WITHOUT YOUR BUFFY, IS THAT IT? 742 00:43:24,980 --> 00:43:26,563 TOO CHICKEN? 743 00:43:26,563 --> 00:43:27,896 LET'S FIND HER. 744 00:43:27,896 --> 00:43:29,312 SHE IS THE CHOSEN ONE, AFTER ALL. 745 00:43:29,312 --> 00:43:34,062 COME ON! VAMPIRES. GRRR! NASTY. 746 00:43:34,062 --> 00:43:36,146 LET'S ANNIHILATE THEM. 747 00:43:36,146 --> 00:43:38,062 FOR JUSTICE AND FOR... 748 00:43:38,062 --> 00:43:39,479 THE SAFETY OF PUPPIES... 749 00:43:39,479 --> 00:43:41,062 AND CHRISTMAS. RIGHT? 750 00:43:41,062 --> 00:43:43,521 LET'S FIGHT THAT EVIL. 751 00:43:43,521 --> 00:43:45,646 LET'S KILL SOMETHING. 752 00:43:47,729 --> 00:43:49,771 [ Spike ] OH, COME ON! 753 00:44:24,230 --> 00:44:26,146 GRR! ARRGH!