1 00:00:01,271 --> 00:00:03,354 [ Buffy ] PARKER'S PROBLEM WITH INTIMACY TURNED OUT TO BE... 2 00:00:03,354 --> 00:00:05,980 THAT HE CAN'T GET ENOUGH OF IT. 3 00:00:05,980 --> 00:00:08,646 [ Man ] PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 4 00:00:08,646 --> 00:00:11,021 - OH! - [ Groans ] 5 00:00:11,021 --> 00:00:13,354 I'M SORRY. I FORGOT MY MANNERS IN ALL THE CONCUSSION. 6 00:00:13,354 --> 00:00:14,813 I'M RILEY. I'M A T.A. 7 00:00:14,813 --> 00:00:16,396 I'LL BE HELPING THE PROFESSOR OUT. 8 00:00:16,396 --> 00:00:19,771 I'M PROFESSOR WALSH, THE EVIL BITCH MONSTER OF DEATH. 9 00:00:19,771 --> 00:00:23,062 'CAUSE THE BIG BAD IS BACK, AND THIS TIME-- 10 00:00:23,062 --> 00:00:25,771 - [ Electrical Crackling ] - [ Groaning ] 11 00:00:27,229 --> 00:00:29,938 [ Groaning ] 12 00:00:34,438 --> 00:00:38,688 [ Forrest ] WOMEN. YOUNG, NUBILE, EXCITING. 13 00:00:38,688 --> 00:00:42,396 EACH ONE A MYSTERY, WAITING TO BE UNLOCKED. 14 00:00:42,396 --> 00:00:44,021 THINK ANY OF THEM ARE GONNA SHOW? 15 00:00:44,021 --> 00:00:47,896 'CAUSE THE PARTY WILL BE LAME IF WE LACK FOR HOTTIES. 16 00:00:47,896 --> 00:00:50,229 PROFESSOR? YOU WITH ME? 17 00:00:50,229 --> 00:00:52,479 NO. I'M WITH THIS LARGE PILE 18 00:00:52,479 --> 00:00:54,729 OF UNGRADED PAPERS, DUE AT 3:00. 19 00:00:54,729 --> 00:00:56,563 HOW ARE YOU GONNA LEARN ANYTHING 20 00:00:56,563 --> 00:00:58,479 IF YOU KEEP DOING SCHOOLWORK? 21 00:00:58,479 --> 00:01:01,021 OH...CHECK HER OUT. 22 00:01:01,021 --> 00:01:03,354 IS SHE HOT, OR IS SHE HOT? 23 00:01:05,521 --> 00:01:07,271 SHE'S BUFFY. 24 00:01:07,271 --> 00:01:08,563 [ Gasps ] 25 00:01:08,563 --> 00:01:11,729 BUFFY? I LIKE THAT. 26 00:01:11,729 --> 00:01:15,312 THAT GIRL'S SO HOT, SHE'S BUFFY. 27 00:01:15,312 --> 00:01:16,980 IT'S HER NAME, FORREST. 28 00:01:16,980 --> 00:01:20,312 YOU'VE ESTABLISHED FIRST CONTACT? EXCELLENT. 29 00:01:20,312 --> 00:01:21,729 WHAT DO YOU THINK OF HER? 30 00:01:21,729 --> 00:01:24,438 I NEVER REALLY THOUGHT ABOUT WHAT I THINK ABOUT HER. 31 00:01:24,438 --> 00:01:25,563 A GIRL THAT CUTE IN THE FACE, 32 00:01:25,563 --> 00:01:26,604 AND YOU FORM NO OPINION? 33 00:01:26,604 --> 00:01:29,062 NO, I MEAN, 34 00:01:29,062 --> 00:01:30,938 SHE'S ALL RIGHT, I GUESS. 35 00:01:30,938 --> 00:01:32,896 SHE'S JUST KIND OF... I DON'T KNOW. 36 00:01:32,896 --> 00:01:34,896 PECULIAR. 37 00:01:34,896 --> 00:01:35,771 PECULIAR? 38 00:01:35,771 --> 00:01:38,021 YEAH. 39 00:01:40,688 --> 00:01:42,563 HEY, GRAHAM, 40 00:01:42,563 --> 00:01:44,229 WHAT DO YOU THINK OF THE BLONDE CHICK? 41 00:01:44,229 --> 00:01:46,646 MATTRESSABLE, N'EST-CE PAS? 42 00:01:46,646 --> 00:01:48,980 RILEY'S NOT DOWN. DOESN'T LIKE HER. 43 00:01:48,980 --> 00:01:50,438 I DON'T DISLIKE HER. 44 00:01:50,438 --> 00:01:52,312 SHE JUST-- SHE NEVER FEELS 45 00:01:52,312 --> 00:01:54,104 LIKE SHE'S REALLY THERE WHEN YOU TALK TO HER. 46 00:01:54,104 --> 00:01:55,729 I LIKE GIRLS I CAN GET A GRIP ON. 47 00:01:55,729 --> 00:01:57,729 I BET YOU DO. 48 00:01:57,729 --> 00:01:59,479 NOT THAT WAY. 49 00:01:59,479 --> 00:02:02,230 JUST A LITTLE LESS READY FOR TAKEOFF ALL THE TIME. 50 00:02:02,230 --> 00:02:04,521 THERE'S DEFINITELY SOMETHING OFF ABOUT HER. 51 00:02:04,521 --> 00:02:06,229 MAYBE SHE'S CANADIAN. 52 00:02:06,229 --> 00:02:08,479 [ Forrest ] DIDN'T SHE GO WITH PARKER ABRAMS 53 00:02:08,479 --> 00:02:10,563 FOR ABOUT 30 SECONDS? 54 00:02:10,563 --> 00:02:12,146 YEAH, THERE'S A SIGN OF GOOD TASTE. 55 00:02:12,146 --> 00:02:15,271 OKAY, BUT YOU'VE GOT TO ADMIT 56 00:02:15,271 --> 00:02:17,187 SHE'S A MAJOR LEAGUE HOTTIE. 57 00:02:17,187 --> 00:02:19,229 WELL, I'M NOT DENYING SHE'S EASY ON THE EYES. 58 00:02:19,229 --> 00:02:20,271 I'M JUST SAYING... 59 00:02:23,396 --> 00:02:25,104 WOULD YOU REALLY WANT TO GO OUT WITH HER? 60 00:02:25,104 --> 00:02:26,354 HELL, YES. 61 00:02:27,563 --> 00:02:28,938 I BET A LOT OF GUYS WOULD LIKE 62 00:02:28,938 --> 00:02:30,229 TO GET THEIR HANDS ON HER. 63 00:02:30,229 --> 00:02:35,146 SLAYER... I'LL KILL YOU. 64 00:02:38,104 --> 00:02:41,479 NOT SO TOUGH. I... 65 00:02:41,479 --> 00:02:43,604 KILL SLAYER. 66 00:03:15,521 --> 00:03:16,479 [ Bzzz ] 67 00:04:27,604 --> 00:04:30,438 WELL, BASED ON BUFFY'S DESCRIPTION, 68 00:04:30,438 --> 00:04:32,354 I BELIEVE THE MEN THAT WE'RE AFTER 69 00:04:32,354 --> 00:04:34,980 LOOK SOMETHING LIKE, UM... 70 00:04:34,980 --> 00:04:37,271 LIKE THIS. 71 00:04:39,271 --> 00:04:40,938 THE LATEST IN FALL FASCISM. 72 00:04:40,938 --> 00:04:42,521 I LIKE IT. 73 00:04:42,521 --> 00:04:44,563 A BIT FULL IN THE HIPS FOR MY TASTE, BUT-- 74 00:04:44,563 --> 00:04:46,729 I THINK WE CAN SAFELY ASSUME THEY'RE HUMAN, 75 00:04:46,729 --> 00:04:49,646 SO, UM, NO RESEARCH NEEDED. 76 00:04:49,646 --> 00:04:52,354 NO STUDYING? DAMN! 77 00:04:52,354 --> 00:04:53,521 NEXT THING YOU'LL TELL ME 78 00:04:53,521 --> 00:04:54,813 IS I'LL HAVE TO EAT JELLY DOUGHNUTS 79 00:04:54,813 --> 00:04:55,855 OR SLEEP WITH A SUPERMODEL 80 00:04:55,855 --> 00:04:57,104 TO GET THINGS DONE AROUND HERE. 81 00:04:57,104 --> 00:04:59,438 I ASK YOU, HOW MUCH CAN ONE MAN GIVE? 82 00:04:59,438 --> 00:05:01,438 NOT TOO MUCH, I'M AFRAID. UM... 83 00:05:01,438 --> 00:05:03,021 ONCE AGAIN I'D SAY THAT YOU AND I 84 00:05:03,021 --> 00:05:05,646 WILL NOT BE NEEDED TO HELP BUFFY. 85 00:05:05,646 --> 00:05:07,354 REALLY? 86 00:05:07,354 --> 00:05:08,563 REALLY. 87 00:05:08,563 --> 00:05:09,938 WELL, HOW ABOUT THIS? 88 00:05:09,938 --> 00:05:11,312 WE WHIP OUT THE OUIJA BOARD, 89 00:05:11,312 --> 00:05:12,604 LIGHT A FEW CANDLES, 90 00:05:12,604 --> 00:05:14,479 SUMMON SOME ANCIENT, UNSTOPPABLE EVIL. 91 00:05:14,479 --> 00:05:15,729 MAYHEM, MAYHEM, MAYHEM. 92 00:05:15,729 --> 00:05:18,187 WE SHOW UP AND KICK ITS ASS. 93 00:05:23,354 --> 00:05:25,021 WEE BIT UNETHICAL. 94 00:05:25,021 --> 00:05:27,229 HELLO, PEOPLE. HEY. 95 00:05:27,229 --> 00:05:29,521 MMM. 96 00:05:29,521 --> 00:05:32,230 IT'S MY LATE NIGHT STORM TROOPER PAL. 97 00:05:32,230 --> 00:05:33,521 IT'S--IT'S JUST FOR REFERENCE, YOU KNOW, 98 00:05:33,521 --> 00:05:34,688 BUT FAIRLY ACCURATE YOU'D SAY? 99 00:05:34,688 --> 00:05:36,104 THAT'S YOUR MAN. 100 00:05:36,104 --> 00:05:37,271 YOUR MAN, ACTUALLY. 101 00:05:37,271 --> 00:05:39,646 UH...YOU ARE PATROLLING TONIGHT? 102 00:05:39,646 --> 00:05:42,062 NOPE, I AM GOING TO A PARTY TONIGHT. 103 00:05:42,062 --> 00:05:44,729 HOPEFULLY, A "NO FIGHTING, NO BITING" KIND OF DEAL. 104 00:05:44,729 --> 00:05:46,312 BUFFY, SOMEBODY'S GOT 105 00:05:46,312 --> 00:05:47,521 TO FIND OUT WHO THESE PEOPLE ARE. 106 00:05:47,521 --> 00:05:50,438 GILES, I LIVE IN A DORM NOW. 107 00:05:50,438 --> 00:05:52,646 THE GIRLS IN MY HALL WANT TO PARTY, 108 00:05:52,646 --> 00:05:53,855 WILLOW NEEDS SOME CHEERING UP. 109 00:05:53,855 --> 00:05:55,104 I'M GOING TO TAKE HER. 110 00:05:56,312 --> 00:05:57,604 HOW'S WIL DEALING-- 111 00:05:57,604 --> 00:05:59,146 WITH THE BLACK HOLE OF DESPAIR 112 00:05:59,146 --> 00:06:01,104 SHE'S BEEN LIVING IN SINCE OZ LEFT? 113 00:06:01,104 --> 00:06:03,771 SHE'S DEALING. I'M HELPING. 114 00:06:03,771 --> 00:06:06,230 IT'S HARD. ERGO, PARTY. 115 00:06:06,230 --> 00:06:07,729 YOU TWO CAN TAKE PATROL. 116 00:06:07,729 --> 00:06:09,229 NOW, IF YOU'LL EXCUSE ME, 117 00:06:09,229 --> 00:06:11,604 I NEED TO GO FIND SOMETHING SLUTTY TO WEAR TONIGHT. 118 00:06:30,688 --> 00:06:32,271 [ Buzzing ] 119 00:06:43,021 --> 00:06:44,646 [ Male Voice ] DON'T DRINK IT. 120 00:06:44,646 --> 00:06:46,521 IT'S DRUGGED. 121 00:06:51,021 --> 00:06:52,104 UH-HUH. 122 00:06:54,021 --> 00:06:55,980 AND WHO ARE YOU, MATE? 123 00:06:55,980 --> 00:06:57,646 I'M A RAT. 124 00:06:57,646 --> 00:07:00,312 I'M A LAB RAT, JUST LIKE THE OTHERS. 125 00:07:01,646 --> 00:07:04,563 THEY'RE GONNA KILL US, YOU KNOW. 126 00:07:04,563 --> 00:07:06,187 AND HOW ARE THEY GONNA DO THAT? 127 00:07:06,187 --> 00:07:07,729 THEY STARVE YOU. 128 00:07:07,729 --> 00:07:09,104 WHEN YOU'RE READY TO BITE YOUR OWN ARM, 129 00:07:09,104 --> 00:07:12,188 THEY SHOOT OUT ONE OF THOSE PACKETS. 130 00:07:12,188 --> 00:07:16,271 YOU DRINK, AND THE NEXT THING, YOU'RE GONE. 131 00:07:19,563 --> 00:07:21,813 AND THAT'S WHEN THEY DO THE EXPERIMENTS. 132 00:07:21,813 --> 00:07:23,896 AND, UH, THEY ARE? 133 00:07:23,896 --> 00:07:28,479 THE GOVERNMENT? NAZIS? A MAJOR COSMETICS COMPANY? 134 00:07:28,479 --> 00:07:30,104 WHO CARES? 135 00:07:30,104 --> 00:07:31,521 ALL I KNOW IS, ONE MINUTE 136 00:07:31,521 --> 00:07:32,604 I'M RUNNING FROM THE SLAYER, 137 00:07:32,604 --> 00:07:34,771 AND THE NEXT THING, I'M HERE. 138 00:07:34,771 --> 00:07:36,855 THE SLAYER! 139 00:07:36,855 --> 00:07:38,729 I KNEW IT! I KNEW IT! 140 00:07:38,729 --> 00:07:40,229 YEAH, SHE TOOK APART MY CREW, 141 00:07:40,229 --> 00:07:41,896 AND LED ME STRAIGHT TO THESE GUYS. 142 00:07:41,896 --> 00:07:43,312 SHE SET ME UP, TOO. 143 00:07:45,312 --> 00:07:47,604 I ALWAYS WORRIED WHAT WOULD HAPPEN 144 00:07:47,604 --> 00:07:49,312 WHEN THAT BITCH GOT SOME FUNDING. 145 00:07:49,312 --> 00:07:52,396 SHE'S WISED UP A BIT. FINE! 146 00:07:52,396 --> 00:07:54,354 I'LL TAKE HER APART. 147 00:07:57,479 --> 00:07:59,563 I DON'T CARE HOW BRILLIANT SHE IS. 148 00:07:59,563 --> 00:08:01,688 STUPID PEN. 149 00:08:03,729 --> 00:08:05,646 MY NOTES! 150 00:08:05,646 --> 00:08:08,187 BALLPOINTS CAN BE TRICKY. 151 00:08:08,187 --> 00:08:09,729 [ Walsh ] CONTROVERSIAL RESULTS AS WELL. 152 00:08:09,729 --> 00:08:11,021 THAT'S ALL FOR TODAY. 153 00:08:11,021 --> 00:08:13,187 DON'T FORGET CHAPTERS 8 TO 11 FOR TOMORROW. 154 00:08:13,187 --> 00:08:15,146 RILEY. 155 00:08:15,146 --> 00:08:18,604 I NOTICE YOU LEFT OFF A NAME TODAY IN ROLL CALL. 156 00:08:18,604 --> 00:08:21,312 OSBORNE, DANIEL OSBORNE, OZ? 157 00:08:21,312 --> 00:08:23,187 HE'S NOT IN THIS CLASS ANYMORE. 158 00:08:23,187 --> 00:08:24,187 I HEAR HE DROPPED OUT. 159 00:08:24,187 --> 00:08:26,729 OH, WELL YOU HEARD WAY WRONG THEN. 160 00:08:26,729 --> 00:08:28,438 I MEAN, HE'S NOT GONE. 161 00:08:28,438 --> 00:08:32,604 HE--HE LEFT TEMPORARILY TO WORK OUT A FEW THINGS. 162 00:08:32,604 --> 00:08:35,688 I KNOW THAT SOUNDS LAME IN ITS VAGUENESS, 163 00:08:35,688 --> 00:08:38,688 BUT I ASSURE YOU, OZ WILL BE BACK. 164 00:08:38,688 --> 00:08:42,813 [ Walsh ] NOT TO MY CLASS, HE WON'T. 165 00:08:42,813 --> 00:08:45,855 AN EDUCATED GUESS. YOU KNOW THE RULES, 166 00:08:45,855 --> 00:08:47,646 YOU KNOW I HATE EXCEPTIONS, 167 00:08:47,646 --> 00:08:50,896 AND YET SOMEHOW YOU FEEL YOUR EXCEPTION IS EXCEPTIONAL. 168 00:08:50,896 --> 00:08:51,896 OH, BUT-- 169 00:08:51,896 --> 00:08:54,062 IT IS. TO YOU. 170 00:08:54,062 --> 00:08:55,312 BUT SINCE I'M NEITHER 171 00:08:55,312 --> 00:08:57,187 A FRESHMAN NOR A NARCISSIST, 172 00:08:57,187 --> 00:08:59,729 I HAVE TO CONSIDER THE WHOLE CLASS. 173 00:08:59,729 --> 00:09:01,521 IF YOUR FRIEND CAN'T RESPECT MY SCHEDULE, 174 00:09:01,521 --> 00:09:03,729 I THINK IT'S BEST HE NOT COME BACK. 175 00:09:12,187 --> 00:09:14,729 YOU KNOW, FOR SOMEONE WHO TEACHES HUMAN BEHAVIOR, 176 00:09:14,729 --> 00:09:17,813 YOU MIGHT TRY SHOWING SOME. 177 00:09:17,813 --> 00:09:20,729 IT'S NOT MY JOB TO CODDLE MY STUDENTS. 178 00:09:20,729 --> 00:09:23,604 YOU'RE RIGHT. A HUMAN BEING IN PAIN 179 00:09:23,604 --> 00:09:25,855 HAS NOTHING TO DO WITH YOUR JOB. 180 00:09:33,771 --> 00:09:35,813 I LIKE HER. 181 00:09:35,813 --> 00:09:37,896 REALLY? 182 00:09:39,896 --> 00:09:43,229 YOU DON'T THINK SHE'S A LITTLE PECULIAR? 183 00:09:45,396 --> 00:09:48,062 HERE WE GO. GEAR FOR TONIGHT. 184 00:09:48,062 --> 00:09:50,479 IF SOME COMMANDO SQUADS ARE OUT THERE, FULLY LOADED, 185 00:09:50,479 --> 00:09:53,896 THESE BABIES MIGHT GIVE US THE EDGE WE'LL NEED. 186 00:09:53,896 --> 00:09:55,521 THAT'S A VERY IMPRESSIVE ARRAY. 187 00:09:55,521 --> 00:09:57,604 WHERE'D IT ALL COME FROM? 188 00:09:57,604 --> 00:09:59,062 UH, REQUISITIONED IT. 189 00:09:59,062 --> 00:10:01,813 BACK WHEN I WAS MILITARY GUY. 190 00:10:01,813 --> 00:10:06,563 THAT WAS 2 YEARS AGO. YOU STILL 100%? 191 00:10:06,563 --> 00:10:10,479 ARE YOU KIDDING? I PUT THE SEMPER IN SEMPER FI. 192 00:10:10,479 --> 00:10:12,771 I MIGHT NOT BE ABLE TO ASSEMBLE 193 00:10:12,771 --> 00:10:14,855 AN M-16 BLINDFOLDED LIKE I USED TO 194 00:10:14,855 --> 00:10:17,521 OR PASS WEAPONS DRILL FOR THE MOBILE INFANTRY... 195 00:10:20,396 --> 00:10:22,563 MIGHT AS WELL FACE IT. RIGHT NOW, 196 00:10:22,563 --> 00:10:23,896 I DON'T HAVE THE TECHNICAL SKILLS 197 00:10:23,896 --> 00:10:26,104 TO JOIN THE SWISS ARMY. 198 00:10:26,104 --> 00:10:28,354 AND ALL THOSE GUYS ASK YOU TO DO 199 00:10:28,354 --> 00:10:30,354 IS UNCORK A COUPLE OF SASSY CABERNETS. 200 00:10:30,354 --> 00:10:32,646 WELL, I'M SURE YOU'LL BE READY WHEN THE TIME COMES. 201 00:10:32,646 --> 00:10:36,396 OH, FEAR NOT. HAND TO HAND? I'M STILL THE MAN. 202 00:10:36,396 --> 00:10:38,521 WHOEVER THESE GUYS TRAINED WITH, 203 00:10:38,521 --> 00:10:40,521 I'M SURE THEY'RE NOT READY TO DEAL WITH-- 204 00:10:40,521 --> 00:10:41,563 [ Woman ] XANDER! 205 00:10:41,563 --> 00:10:43,688 YES, MOM! 206 00:10:43,688 --> 00:10:46,938 I MADE A NICE FRUIT PUNCH FOR YOU AND YOUR FRIEND. 207 00:10:46,938 --> 00:10:50,104 WOULD YOU BOYS LIKE SOME? 208 00:10:50,104 --> 00:10:53,104 IS IT, UH, RASPBERRY FRUIT PUNCH? 209 00:10:53,104 --> 00:10:55,646 SO SHE SAYS, "YOU TEACH HUMAN BEHAVIOR. 210 00:10:55,646 --> 00:10:57,813 MAYBE YOU OUGHT TO SHOW SOME." 211 00:10:57,813 --> 00:11:00,062 OH, YOU'RE LYING. SHE SAYS THAT TO WALSH? 212 00:11:00,062 --> 00:11:01,438 HOPE TO DIE. 213 00:11:01,438 --> 00:11:02,729 DOESN'T LACK FOR GUTS. 214 00:11:02,729 --> 00:11:03,646 YOU'VE GOT TO GIVE HER THAT. 215 00:11:03,646 --> 00:11:05,771 YEAH, BUT SHE'S NUTS. 216 00:11:05,771 --> 00:11:07,230 OH, COME ON. LIKE YOU NEVER WANTED 217 00:11:07,230 --> 00:11:09,187 TO TELL THE PROFESSOR OFF? HEY, PARKER! 218 00:11:09,187 --> 00:11:10,479 FORREST. WHAT'S UP, MAN? 219 00:11:10,479 --> 00:11:13,855 WHAT'S THE SCOOP ON BUFFY SUMMERS? IS SHE COOL? 220 00:11:13,855 --> 00:11:16,729 BUFFY? YEAH, SHE'S ALL RIGHT, I GUESS. 221 00:11:16,729 --> 00:11:17,938 I MEAN, KIND OF WHINY. 222 00:11:17,938 --> 00:11:18,980 HOW'S THAT? 223 00:11:18,980 --> 00:11:21,271 WELL, YOU KNOW, CLINGY. 224 00:11:21,271 --> 00:11:23,104 I MEAN, WE GOT A LITTLE PHYSICAL-- 225 00:11:23,104 --> 00:11:26,354 UH, WELL, FULLY PHYSICAL, 226 00:11:26,354 --> 00:11:28,062 AND THEN SHE'S ALL OVER ME, YOU KNOW, 227 00:11:28,062 --> 00:11:29,646 LIKE WE'RE BETROTHED OR SOMETHING. 228 00:11:29,646 --> 00:11:31,479 NO, BUT FUN WAS HAD, YEAH? 229 00:11:31,479 --> 00:11:34,146 [ Laughs ] OH, YEAH. 230 00:11:34,146 --> 00:11:36,354 THE WORD IS STAMINA. 231 00:11:36,354 --> 00:11:39,146 I MEAN, DEFINITELY A BUNNY IN THE SACK, 232 00:11:39,146 --> 00:11:41,646 BUT LATER ON, WELL. 233 00:11:41,646 --> 00:11:42,729 YOU KNOW THE DIFFERENCE BETWEEN 234 00:11:42,729 --> 00:11:44,896 A FRESHMAN GIRL AND A TOILET SEAT? 235 00:11:44,896 --> 00:11:47,938 A TOILET SEAT DOESN'T FOLLOW YOU AROUND AFTER YOU USE IT. 236 00:11:51,229 --> 00:11:52,479 I CAN'T BELIEVE THAT I DID THAT. 237 00:11:52,479 --> 00:11:53,813 WELCOME TO THE CLUB. 238 00:11:53,813 --> 00:11:55,062 DO YOU HAVE ANY IDEA HOW MUCH TROUBLE 239 00:11:55,062 --> 00:11:56,312 YOU COULD HAVE GOTTEN INTO? 240 00:11:56,312 --> 00:11:57,729 IF PARKER REPORTED YOU-- 241 00:11:57,729 --> 00:11:59,062 HE WON'T. HE'S TOO EMBARRASSED. 242 00:11:59,062 --> 00:12:00,312 I HIT HIM. 243 00:12:00,312 --> 00:12:01,479 WHAT THE HELL FOR? 244 00:12:01,479 --> 00:12:04,062 HE--HE WAS JUST BEING SO CRUDE. 245 00:12:04,062 --> 00:12:05,229 PLEASE. YOU'VE HEARD ME 246 00:12:05,229 --> 00:12:06,479 SAY MUCH GROSSER THINGS THAN THAT. 247 00:12:06,479 --> 00:12:08,604 AND MOST OF THOSE ARE ABOUT YOUR OWN MOTHER. 248 00:12:08,604 --> 00:12:10,146 [ Laughs ] 249 00:12:10,146 --> 00:12:11,021 WHAT IS IT? 250 00:12:15,354 --> 00:12:16,646 I JUST DIDN'T LIKE HEARING HIM 251 00:12:16,646 --> 00:12:18,688 TALK ABOUT BUFFY THAT WAY. 252 00:12:18,688 --> 00:12:21,229 I THINK I... 253 00:12:21,229 --> 00:12:24,479 WELL, I GUESS I LIKE HER. 254 00:12:24,479 --> 00:12:25,604 YOU'RE KIND OF LIKE A MORON. 255 00:12:25,604 --> 00:12:27,271 SO, YOU... 256 00:12:27,271 --> 00:12:30,688 YOU KNEW THAT I HAD FEELINGS FOR HER. 257 00:12:30,688 --> 00:12:32,563 EVERYBODY KNOWS, MAN. 258 00:12:32,563 --> 00:12:35,563 OH, SHE'S PECULIAR? DEAD GIVEAWAY, BUDDY. 259 00:12:35,563 --> 00:12:38,146 I'M ALWAYS THE LAST TO KNOW. 260 00:12:38,146 --> 00:12:39,563 SO, WHATCHA GONNA DO? 261 00:12:41,813 --> 00:12:44,312 WELL, I GUESS I'M GONNA GO SEE A GIRL. 262 00:13:13,813 --> 00:13:15,479 SORRY, CAN'T STAY. 263 00:13:15,479 --> 00:13:17,230 GOT TO GO SEE A GIRL. 264 00:13:24,229 --> 00:13:26,813 [ Alarm Blaring ] 265 00:13:34,354 --> 00:13:36,062 GET THE SERUM! 266 00:13:36,062 --> 00:13:37,312 LET ME OUT! 267 00:13:37,312 --> 00:13:39,354 BIT BUSY RIGHT NOW. 268 00:13:39,354 --> 00:13:40,479 LOOK, I KNOW WHERE THE EXIT IS. 269 00:13:40,479 --> 00:13:41,521 YOU SPRING ME, YOU'RE FREE. 270 00:13:41,521 --> 00:13:43,813 YOU DON'T, YOU'RE DEAD. 271 00:13:56,604 --> 00:13:58,479 HURRY! 272 00:13:58,479 --> 00:13:59,688 HURRY! 273 00:14:06,396 --> 00:14:08,271 THIS WAY! 274 00:14:18,729 --> 00:14:20,521 NEW PLAN! WE SPLIT UP. 275 00:14:20,521 --> 00:14:21,938 YOU GO THAT WAY. 276 00:14:25,062 --> 00:14:27,938 ♪♪ [ Soft Rock Ballad ] 277 00:14:32,813 --> 00:14:35,479 [ Knock On Door ] 278 00:14:35,479 --> 00:14:36,980 COME IN. 279 00:14:39,521 --> 00:14:41,104 OH, RILEY. HI. 280 00:14:41,104 --> 00:14:43,980 HI. GEE, I HOPE I'M NOT 281 00:14:43,980 --> 00:14:45,604 INTERRUPTING ANYTHING REALLY DEPRESSING. 282 00:14:47,146 --> 00:14:50,146 [ Turns Off Music ] 283 00:14:50,146 --> 00:14:51,062 WHAT'S UP? 284 00:14:53,271 --> 00:14:55,187 RIGHT TO THE POINT, OKAY. 285 00:14:59,187 --> 00:15:01,771 I WAS THINKING OF ASKING OUT BUFFY. 286 00:15:01,771 --> 00:15:04,062 SHE'S NOT HERE. 287 00:15:04,062 --> 00:15:06,312 I KNOW. SEE, 288 00:15:06,312 --> 00:15:08,021 I DON'T KNOW THAT MUCH ABOUT BUFFY. 289 00:15:08,021 --> 00:15:09,312 BUT I'M INTERESTED IN WHAT SHE LIKES, 290 00:15:09,312 --> 00:15:13,271 AND SO FAR, WELL, 291 00:15:13,271 --> 00:15:16,521 THE ONLY THING THAT I KNOW SHE LIKES IS YOU. 292 00:15:16,521 --> 00:15:20,688 WHAT--WHAT DO YOU WANT ME TO DO? 293 00:15:20,688 --> 00:15:23,688 JUST TELL ME SOMETHING. ANYTHING. 294 00:15:23,688 --> 00:15:25,146 JUST GIVE ME A CLUE TO-- 295 00:15:25,146 --> 00:15:27,813 HERE, LET ME HELP YOU WITH THAT. 296 00:15:27,813 --> 00:15:31,021 JUST SOMETHING THAT WILL START US TALKING, YOU KNOW? 297 00:15:31,021 --> 00:15:33,104 I'M THINKING THAT "HOW 'BOUT THEM BRONCOS?" 298 00:15:33,104 --> 00:15:34,229 WON'T REALLY CUT IT. 299 00:15:36,896 --> 00:15:39,729 OKAY, SAY THAT I HELP, 300 00:15:39,729 --> 00:15:41,604 AND YOU START A CONVERSATION. 301 00:15:41,604 --> 00:15:42,980 IT GOES GREAT. 302 00:15:42,980 --> 00:15:45,354 YOU LIKE BUFFY. SHE LIKES YOU. 303 00:15:45,354 --> 00:15:49,187 YOU SPEND TIME TOGETHER, FEELINGS GROW DEEPER, 304 00:15:49,187 --> 00:15:51,354 AND ONE DAY, WITHOUT EVEN REALIZING IT, 305 00:15:51,354 --> 00:15:54,688 YOU FIND YOU'RE IN LOVE. TIME STOPS, 306 00:15:54,688 --> 00:15:56,604 AND IT FEELS LIKE THE WHOLE WORLD'S 307 00:15:56,604 --> 00:15:58,938 MADE FOR YOU TWO, AND YOU TWO ALONE, 308 00:15:58,938 --> 00:16:01,312 UNTIL THE DAY ONE OF YOU LEAVES 309 00:16:01,312 --> 00:16:03,771 AND RIPS THE STILL-BEATING HEART FROM THE OTHER, 310 00:16:03,771 --> 00:16:08,896 WHO'S NOW A BROKEN, HOLLOW, MOCKERY OF THE HUMAN CONDITION. 311 00:16:08,896 --> 00:16:12,021 YEP, THAT'S THE PLAN. 312 00:16:12,021 --> 00:16:14,604 I FIGURED IT WAS. 313 00:16:14,604 --> 00:16:17,230 LOOK, IF YOU WANT TO TELL ME 314 00:16:17,230 --> 00:16:18,604 TO GO TO HELL, THAT'S OKAY. 315 00:16:18,604 --> 00:16:20,230 MAYBE THIS IS THE LAST THING 316 00:16:20,230 --> 00:16:21,271 YOU WANT TO TALK ABOUT. 317 00:16:21,271 --> 00:16:24,479 I JUST FEEL THAT, WELL, 318 00:16:24,479 --> 00:16:26,563 I'VE NEVER COURTED ANYONE LIKE BUFFY BEFORE. 319 00:16:26,563 --> 00:16:29,938 I DON'T THINK I'VE EVER MET ANYONE LIKE BUFFY BEFORE. 320 00:16:29,938 --> 00:16:32,479 WHY SHOULD I TRUST YOU? 321 00:16:32,479 --> 00:16:35,729 JUST SORT OF HOPING YOU'D THINK 322 00:16:35,729 --> 00:16:37,229 I HAVE AN HONEST FACE. 323 00:16:37,229 --> 00:16:40,396 I'VE SEEN HONEST FACES BEFORE. 324 00:16:40,396 --> 00:16:42,938 THEY USUALLY COME ATTACHED TO LIARS. 325 00:16:44,604 --> 00:16:46,146 ALL RIGHT. 326 00:16:47,855 --> 00:16:50,563 I GUESS I'M NOT GONNA WIN HERE. 327 00:16:50,563 --> 00:16:53,146 AND I APPRECIATE YOU WANTING TO PROTECT YOUR FRIEND. 328 00:16:54,813 --> 00:16:56,521 I GUESS, UH, SHE KIND OF 329 00:16:56,521 --> 00:16:58,229 BRINGS THAT OUT IN PEOPLE. 330 00:17:02,563 --> 00:17:05,104 SHE LIKES CHEESE. 331 00:17:05,104 --> 00:17:07,188 WHAT? 332 00:17:07,188 --> 00:17:09,230 WELL, I'M NOT SAYING 333 00:17:09,230 --> 00:17:11,021 IT'S THE KEY TO HER HEART, 334 00:17:11,021 --> 00:17:14,229 BUT BUFFY... SHE LIKES CHEESE. 335 00:17:14,229 --> 00:17:16,396 THAT'S A START. 336 00:17:16,396 --> 00:17:22,230 SHE HAS A STUFFED PIGGY NAMED MR. GORDO, 337 00:17:22,230 --> 00:17:24,563 LOVES ICE CAPADES WITHOUT THE IRONY, 338 00:17:24,563 --> 00:17:28,855 AND SHE'S DRAGGING ME TO THIS PARTY TONIGHT AT LOWELL HOUSE. 339 00:17:28,855 --> 00:17:31,062 OH, YOU'RE GOING? THAT'S MY HOUSE. I LIVE THERE. 340 00:17:31,062 --> 00:17:34,187 WELL, IT'LL GIVE YOU A CHANCE TO INTERACT, 341 00:17:34,187 --> 00:17:36,187 BUT DON'T GET FRESH. 342 00:17:36,187 --> 00:17:40,271 FRESH? I DON'T EVEN KNOW IF WE LIKE EACH OTHER YET. 343 00:17:43,062 --> 00:17:46,646 HEY, DOES SHE EVER TALK ABOUT ME? 344 00:17:46,646 --> 00:17:47,688 LIKE, HAS SHE EVER SAID... 345 00:17:47,688 --> 00:17:49,980 SORRY. 346 00:17:49,980 --> 00:17:52,521 THAT'S DISCOURAGING. 347 00:17:52,521 --> 00:17:56,021 STILL, I FEEL LIKE I HAVE A FIGHTING CHANCE 348 00:17:56,021 --> 00:17:57,229 WITH MY NEW ACCOMPLICE. 349 00:17:57,229 --> 00:17:59,021 I'M NOT YOUR ACCOMPLICE. 350 00:17:59,021 --> 00:18:00,062 NO, NO. OF COURSE NOT. 351 00:18:00,062 --> 00:18:01,146 I'M NOT. 352 00:18:01,146 --> 00:18:02,146 YOU'RE NOT. 353 00:18:02,146 --> 00:18:03,646 WE'RE CLEAR. WE'RE CLEAR. 354 00:18:13,729 --> 00:18:16,230 SPIKE? 355 00:18:17,729 --> 00:18:19,438 SPIKE, IS THAT REALLY YOU? 356 00:18:19,438 --> 00:18:20,604 IT'S ME, BABY. 357 00:18:20,604 --> 00:18:24,021 YOUR MAN IS-- BACK. 358 00:18:24,021 --> 00:18:27,479 BASTARD. YOU DUMPED ME AND STAKED ME 359 00:18:27,479 --> 00:18:29,479 AND HURT ME AND LEFT ME-- 360 00:18:29,479 --> 00:18:31,187 I KNOW, SUGAR, BUT YOU'RE FORGETTING 361 00:18:31,187 --> 00:18:34,646 ONE OTHER THING I DID. I MISSED YOU. 362 00:18:34,646 --> 00:18:36,354 REALLY? 363 00:18:40,146 --> 00:18:43,563 OH! JUST DON'T EVER DO THAT TO ME AGAIN. 364 00:18:43,563 --> 00:18:47,271 OH, NEVER, MY LITTLE FOAM LATTE. 365 00:18:47,271 --> 00:18:49,187 YOUR BLONDIE BEAR IS HERE TO STAY. 366 00:18:49,187 --> 00:18:50,396 WELL, WHERE HAVE YOU BEEN? 367 00:18:50,396 --> 00:18:52,021 NO, WAIT. DON'T TELL ME. 368 00:18:52,021 --> 00:18:53,479 I'M JUST GLAD YOU'RE BACK. 369 00:18:53,479 --> 00:18:55,438 AND THIS TIME, IT'S FOR GOOD, RIGHT? 370 00:18:55,438 --> 00:18:58,563 OH, FOREVER AND EVER, MON PETITE CREME BRULEE. 371 00:18:58,563 --> 00:19:01,646 OOH. ITALIAN. 372 00:19:01,646 --> 00:19:04,563 UH, YEAH, AND GET USED TO IT. 373 00:19:04,563 --> 00:19:07,479 BIG DADDY'S HOME. WE'RE GONNA GO WHEREVER YOU WANT, 374 00:19:07,479 --> 00:19:09,271 DO WHATEVER YOU WANT, 375 00:19:09,271 --> 00:19:12,563 KILL WHOEVER YOU WANT. 376 00:19:12,563 --> 00:19:14,188 STARTING WITH THE SLAYER. 377 00:19:15,604 --> 00:19:19,271 AND AFTER THAT, IT'S ALL YOU AND ME, 378 00:19:19,271 --> 00:19:23,396 MY LITTLE MENTHOLATED PACK OF SMOKES. 379 00:19:23,396 --> 00:19:26,354 SPIKEY. LET'S LEAVE THE SLAYER ALONE. 380 00:19:26,354 --> 00:19:28,479 YOU KNOW SHE'LL ONLY SLAP YOU AROUND, 381 00:19:28,479 --> 00:19:30,021 AND I CAN DO THAT. 382 00:19:30,021 --> 00:19:32,479 OW! UH, NO, SEE, OW. 383 00:19:32,479 --> 00:19:33,855 THE HEAD, LOVE. WATCH THE HEAD. 384 00:19:33,855 --> 00:19:34,938 WHOA, WATCH IT! 385 00:19:34,938 --> 00:19:37,312 [ Xander ] EVERY MAN FACES THIS MOMENT. 386 00:19:37,312 --> 00:19:41,021 HERE. NOW. WATCHING. WAITING 387 00:19:41,021 --> 00:19:43,855 FOR AN UNSEEN ENEMY THAT HAS NO FACE. 388 00:19:43,855 --> 00:19:46,813 NERVE ENDINGS SCREAMING IN SILENCE. 389 00:19:46,813 --> 00:19:49,312 NEVER KNOWING WHICH THOUGHT MIGHT BE YOUR LAST. 390 00:19:49,312 --> 00:19:52,230 OH, SHUT UP. 391 00:20:02,938 --> 00:20:04,271 LOOKS COOL. 392 00:20:04,271 --> 00:20:05,521 UH-HUH. 393 00:20:08,396 --> 00:20:10,646 LOOK, WE COULD GO. 394 00:20:10,646 --> 00:20:14,479 NO-NO, WE'RE HERE FOR FUN. 395 00:20:14,479 --> 00:20:17,771 OH, LOOK. SOME OF THE GUYS ARE HERE ALREADY. 396 00:20:17,771 --> 00:20:19,729 I'M GONNA GRAB A SODA. 397 00:20:19,729 --> 00:20:21,438 I'LL--I'LL FIND YOU GUYS. 398 00:20:21,438 --> 00:20:23,896 OKAY. 399 00:20:37,062 --> 00:20:39,604 OKAY, SHE'S WEARING THE HALTER TOP WITH SENSIBLE SHOES. 400 00:20:39,604 --> 00:20:41,563 THAT MEANS MOSTLY DANCING, LIGHT CONTACT, 401 00:20:41,563 --> 00:20:42,646 BUT DON'T PUSH YOUR LUCK. 402 00:20:42,646 --> 00:20:45,771 HEAVY CONVERSATION'S OUT OF THE QUESTION. 403 00:20:45,771 --> 00:20:47,438 SO WHAT DO I DO? 404 00:20:47,438 --> 00:20:49,104 ASK HER TO DANCE. 405 00:20:49,104 --> 00:20:51,729 RIGHT. DANCE. 406 00:20:51,729 --> 00:20:54,479 WAIT. NO. 407 00:20:54,479 --> 00:20:56,271 WHAT'S THE MATTER? 408 00:20:56,271 --> 00:20:58,271 I CAN'T DANCE. 409 00:20:58,271 --> 00:21:01,563 THEN TALK. KEEP EYE CONTACT. 410 00:21:01,563 --> 00:21:02,813 FUNNY IS GOOD, BUT DON'T BE GLIB. 411 00:21:02,813 --> 00:21:05,187 AND REMEMBER, IF YOU HURT HER, 412 00:21:05,187 --> 00:21:08,187 I WILL BEAT YOU TO DEATH WITH A SHOVEL. 413 00:21:08,187 --> 00:21:12,104 A VAGUE DISCLAIMER IS NOBODY'S FRIEND. HAVE FUN. 414 00:21:23,604 --> 00:21:24,729 EXCUSE ME. 415 00:21:28,104 --> 00:21:29,104 HI. 416 00:21:29,104 --> 00:21:29,938 HI. 417 00:21:32,479 --> 00:21:34,813 UM...BUFFY... 418 00:21:40,354 --> 00:21:42,229 YOU DO THE READING ON CHAPTER 9? 419 00:21:42,229 --> 00:21:43,980 UH-HUH. 420 00:21:43,980 --> 00:21:46,646 WOW. SOME THEORIES, HUH? 421 00:21:50,604 --> 00:21:51,980 CHEESE? 422 00:21:56,229 --> 00:21:57,271 FINE. LET'S SPLIT UP. 423 00:21:57,271 --> 00:21:58,563 I DON'T CARE. 424 00:22:00,062 --> 00:22:01,896 [ Clinking ] 425 00:22:19,146 --> 00:22:20,813 HARMONY. 426 00:22:22,021 --> 00:22:23,104 XANDER? 427 00:22:23,104 --> 00:22:25,062 THAT'S CLOSE ENOUGH. 428 00:22:25,062 --> 00:22:26,146 I'M WARNING YOU: 429 00:22:26,146 --> 00:22:27,604 I'VE BEEN HIGHLY TRAINED 430 00:22:27,604 --> 00:22:29,438 TO PUT THIS THROUGH YOUR HEART. 431 00:22:29,438 --> 00:22:31,771 NO MERCY, NO WARNING. 432 00:22:31,771 --> 00:22:34,396 I CAN KILL YOU WHERE YOU STAND. 433 00:22:34,396 --> 00:22:36,521 BRING IT ON, THEN. 434 00:22:41,062 --> 00:22:43,187 OW! 435 00:22:43,187 --> 00:22:45,896 OW! YOU SISSY KICKER! 436 00:22:51,312 --> 00:22:52,563 GET AWAY! 437 00:23:03,479 --> 00:23:04,771 AAH! CUT IT OUT! 438 00:23:06,146 --> 00:23:07,938 OW, I'M SO GONNA BITE YOU! 439 00:23:07,938 --> 00:23:10,230 OW... OKAY, STOP, STOP! 440 00:23:10,230 --> 00:23:10,938 WE SHOULD STOP, OKAY? 441 00:23:10,938 --> 00:23:13,021 OKAY, I WILL IF YOU WILL. 442 00:23:13,021 --> 00:23:14,230 ON THE COUNT OF 3... 443 00:23:14,230 --> 00:23:15,146 UH-HUH. UH-HUH. 444 00:23:15,146 --> 00:23:19,229 1...2...3! 445 00:23:23,563 --> 00:23:26,646 RIGHT, OKAY. 446 00:23:26,646 --> 00:23:28,980 HARMONY, IT'S BEEN GREAT CATCHING UP. 447 00:23:28,980 --> 00:23:29,980 REALLY, I'M JUST GONNA PICK UP 448 00:23:29,980 --> 00:23:31,104 THE TATTERED SHREDS OF MY DIGNITY 449 00:23:31,104 --> 00:23:32,771 AND GO HOME... 450 00:23:32,771 --> 00:23:35,896 LEAVING YOU WITH YOUR FIRE. 451 00:23:35,896 --> 00:23:37,396 MY FIRE? 452 00:23:37,396 --> 00:23:39,271 YEAH, RIGHT. 453 00:23:39,271 --> 00:23:42,438 LIKE I'D LISTEN TO THE SEX PISTOLS. 454 00:23:42,438 --> 00:23:45,104 EWW. THIS CRAP BELONGS TO SPIKE. 455 00:23:46,396 --> 00:23:48,521 SPIKE? 456 00:23:48,521 --> 00:23:50,396 CAN YOU BELIEVE HIM? 457 00:23:50,396 --> 00:23:52,855 HE COMES BACK WITH ALL THESE BIG PROMISES, 458 00:23:52,855 --> 00:23:54,896 NOT THAT I BELIEVED HIM, YOU KNOW. 459 00:23:54,896 --> 00:23:56,813 BUT HE COULD HAVE SPENT ONE NIGHT, BUT, NO. 460 00:23:56,813 --> 00:24:00,062 EVERYTHING WAS "SLAYER THIS" AND "SLAYER THAT." 461 00:24:00,062 --> 00:24:01,604 I MEAN, HE PROBABLY ALREADY KILLED HER. 462 00:24:01,604 --> 00:24:02,938 I'M NOT TAKING HIM BACK, 463 00:24:02,938 --> 00:24:04,604 I JUST...I JUST WANT TO KNOW WHY IT IS 464 00:24:04,604 --> 00:24:08,230 THAT MEN ALWAYS... 465 00:24:08,230 --> 00:24:09,813 LEAVE. 466 00:24:09,813 --> 00:24:13,021 [ Sighs ] 467 00:24:22,187 --> 00:24:24,438 I CAN'T BELIEVE IT. 468 00:24:24,438 --> 00:24:26,396 I CHOKED. 469 00:24:26,396 --> 00:24:28,855 YOU REALLY, REALLY DID. 470 00:24:28,855 --> 00:24:30,271 YOU DON'T UNDERSTAND. 471 00:24:30,271 --> 00:24:31,354 I'M GOOD AT THINGS. 472 00:24:31,354 --> 00:24:32,729 THAT'S WHAT I DO. 473 00:24:32,729 --> 00:24:35,646 WORK HARD, APPLY MYSELF, GET IT DONE. 474 00:24:35,646 --> 00:24:38,396 WELL, YOU FAILED EXTREMELY WELL. 475 00:24:38,396 --> 00:24:40,896 THAT'S A GREAT COMFORT TO ME. 476 00:24:43,438 --> 00:24:45,229 YOU NEED TO RELAX. 477 00:24:45,229 --> 00:24:46,980 I MEAN, YOU'RE NOT PROPOSING. 478 00:24:46,980 --> 00:24:48,896 YOU'RE JUST MAKING CONTACT, 479 00:24:48,896 --> 00:24:50,396 GETTING A REACTION. 480 00:24:50,396 --> 00:24:52,938 ANY REACTION IS OKAY, 481 00:24:52,938 --> 00:24:54,855 EXCEPT PROJECTILE VOMITING. 482 00:24:54,855 --> 00:24:56,604 BUT, WHAT ARE THE CHANCES OF THAT-- 483 00:24:56,604 --> 00:24:59,896 [ A Dingoes Song Plays ] 484 00:24:59,896 --> 00:25:02,312 ARE YOU OKAY? 485 00:25:02,312 --> 00:25:04,438 THIS SONG... 486 00:25:04,438 --> 00:25:06,479 OH, YEAH, IT'S A TAPE OF SOME BANDS 487 00:25:06,479 --> 00:25:09,230 FROM LAST YEAR'S PARTY. 488 00:25:09,230 --> 00:25:09,813 ASSOCIATIONS? 489 00:25:10,896 --> 00:25:12,563 BIG. 490 00:25:12,563 --> 00:25:14,813 BAD? 491 00:25:17,855 --> 00:25:19,438 A.J.! 492 00:25:21,271 --> 00:25:22,563 [ Music Changes ] 493 00:25:24,813 --> 00:25:26,688 THANK YOU. 494 00:25:26,688 --> 00:25:29,021 NOW GO FIND BUFFY. 495 00:25:29,021 --> 00:25:30,896 THERE'S NO HURRY. 496 00:25:30,896 --> 00:25:32,187 I MEAN, IF YOU WANT TO TALK. 497 00:25:32,187 --> 00:25:34,938 NO, I... I WANT YOU TO FIND BUFFY 498 00:25:34,938 --> 00:25:36,354 AND TELL HER THAT I WENT HOME 499 00:25:36,354 --> 00:25:38,646 AND NOT TO WORRY ABOUT ME. 500 00:25:38,646 --> 00:25:41,354 WHICH AT LEAST WILL GIVE YOU SOMETHING TO SAY. 501 00:25:43,271 --> 00:25:46,021 THANKS. 502 00:25:46,021 --> 00:25:48,021 YOU'LL DO FINE. 503 00:25:57,604 --> 00:26:00,354 HEY. 504 00:26:00,354 --> 00:26:03,271 UM, WILLOW SAID TO SAY THAT SHE TOOK OFF. 505 00:26:03,271 --> 00:26:05,229 OH, SHE'S OKAY. 506 00:26:05,229 --> 00:26:08,187 KIND OF BLUE, BUT SHE SAID NOT TO WORRY. 507 00:26:08,187 --> 00:26:09,146 THANK YOU. 508 00:26:11,354 --> 00:26:13,479 YOU KNOW... I WANTED TO ASK YOU SOMETHING. 509 00:26:13,479 --> 00:26:15,230 ASK AWAY. 510 00:26:15,230 --> 00:26:16,312 [ Xander ] BUFFY! 511 00:26:16,312 --> 00:26:17,896 I'VE BEEN LOOKING ALL OVER FOR YOU. 512 00:26:17,896 --> 00:26:19,729 WE NEED... 513 00:26:19,729 --> 00:26:22,104 NEED TO TALK, UH, NOT HERE. 514 00:26:22,104 --> 00:26:25,146 IT'S SORT OF... UNFINISHED BUSINESS. 515 00:26:25,146 --> 00:26:27,146 BUSINESS? RIGHT. 516 00:26:27,146 --> 00:26:29,604 UH, EXCUSE US? 517 00:26:29,604 --> 00:26:31,229 NO PROBLEM. 518 00:26:34,271 --> 00:26:36,396 DENIED. 519 00:26:36,396 --> 00:26:38,187 IT'S NOT LIKE SHE BLEW ME OFF. 520 00:26:38,187 --> 00:26:41,230 SHE JUST LEFT WITH ANOTHER GUY, THAT'S ALL. 521 00:26:41,230 --> 00:26:43,062 WE NEED YOU DOWNSTAIRS, ANYWAY. 522 00:26:45,688 --> 00:26:47,438 [ Forrest ] YOU KNOW, I HATE TO SAY IT, 523 00:26:47,438 --> 00:26:48,855 BUT THEY'RE PROBABLY ON THEIR WAY 524 00:26:48,855 --> 00:26:50,646 TO MAKE CRAZY NAKED SEX. 525 00:26:50,646 --> 00:26:52,479 IS THAT NECESSARY? 526 00:26:52,479 --> 00:26:53,938 I'M PROTECTING YOU, BUDDY. 527 00:26:53,938 --> 00:26:55,604 I DON'T WANT TO SEE YOU MOONING OVER SOME FRESHMAN 528 00:26:55,604 --> 00:26:57,229 FOR THE NEXT 3 MONTHS. 529 00:26:57,229 --> 00:26:58,521 [ Computer ] RETINAL SCAN ACCEPTED. 530 00:26:58,521 --> 00:26:59,646 I LIKE HER. 531 00:26:59,646 --> 00:27:00,688 I'M ON YOUR SIDE HERE. 532 00:27:00,688 --> 00:27:02,271 I KNOW YOU ARE, GRAHAM. 533 00:27:03,396 --> 00:27:04,688 THAT'S WHAT GIVES ME THE STRENGTH 534 00:27:04,688 --> 00:27:06,563 TO PUT UP WITH THIS COMEDIAN. 535 00:27:12,187 --> 00:27:14,188 DUDE, STRAIGHT TIP: 536 00:27:14,188 --> 00:27:15,354 I KNOW ABOUT GIRLS. 537 00:27:15,354 --> 00:27:17,604 EXACTLY! GIRLS, PLURAL. 538 00:27:17,604 --> 00:27:19,813 I'M TALKIN' ABOUT ONE GIRL. 539 00:27:19,813 --> 00:27:22,604 ONE GIRL. 540 00:27:22,604 --> 00:27:24,396 [ Computer ] INITIATIVE VOCAL CODE MATCH COMPLETE. 541 00:27:24,396 --> 00:27:25,771 SPECIAL AGENT FINN, RILEY. 542 00:27:28,229 --> 00:27:30,146 THE PROBLEM IS, 543 00:27:30,146 --> 00:27:31,813 WHAT KIND OF GIRL IS GONNA GO OUT WITH A GUY 544 00:27:31,813 --> 00:27:35,230 WHO'S ACTING ALL JOE REGULAR BY DAY 545 00:27:35,230 --> 00:27:38,229 AND THEN TURNS ALL DEMON-HUNTER BY NIGHT? 546 00:27:38,229 --> 00:27:39,646 [ Graham ] MAYBE A PECULIAR ONE. 547 00:27:39,646 --> 00:27:41,604 [ Riley ] THANK YOU, GRAHAM. 548 00:27:41,604 --> 00:27:43,646 [ Forrest ] OH, SURE. GIVE HIM THE GRATITUDE 549 00:27:43,646 --> 00:27:45,479 WHEN I'M THE GUY SPARING YOU A HEARTBREAK. 550 00:28:03,062 --> 00:28:04,729 [ Graham ] SHE'S A MAJOR BABE. 551 00:28:04,729 --> 00:28:06,396 I STILL SAY YOU GOT A SHOT, RI. 552 00:28:06,396 --> 00:28:07,813 YOU SEE, FORREST? 553 00:28:07,813 --> 00:28:10,771 YOU DON'T HAVE TO BE SO NEGATIVE ALL THE TIME. 554 00:28:10,771 --> 00:28:12,771 HOLD UP. 555 00:28:12,771 --> 00:28:14,771 SITUATION? 556 00:28:16,271 --> 00:28:17,354 GENTLEMEN, SUIT UP. 557 00:28:17,354 --> 00:28:20,230 WE HAVE A CODE RED. 558 00:28:20,230 --> 00:28:21,312 HOSTILE 17 HAS ESCAPED. 559 00:28:29,396 --> 00:28:31,187 [ Walsh ] HERE'S WHAT WE KNOW, AND IT ISN'T MUCH. 560 00:28:31,187 --> 00:28:34,229 HOSTILE 17 BROKE RESTRAINTS AT EXACTLY 2:47 P.M. 561 00:28:34,229 --> 00:28:36,271 [ Forrest ] THAT'S A BIG HEAD START. 562 00:28:36,271 --> 00:28:37,563 GETS BIGGER EVERY TIME YOU INTERRUPT ME. 563 00:28:37,563 --> 00:28:38,855 IT WAS BAGGED AND TAGGED LOCALLY, 564 00:28:38,855 --> 00:28:40,438 SO ASSUME IT KNOWS THE AREA. 565 00:28:40,438 --> 00:28:43,396 THE CREATURE HAS EVERY ADVANTAGE RIGHT NOW. 566 00:28:43,396 --> 00:28:45,479 FAIL TO RECAPTURE IT, AND EVERYTHING WE'VE WORKED FOR-- 567 00:28:45,479 --> 00:28:47,479 THE INITIATIVE ITSELF-- COULD END TONIGHT. 568 00:28:47,479 --> 00:28:49,104 NOBODY'S FAILIN' ON MY WATCH. 569 00:28:49,104 --> 00:28:50,938 GLAD TO HEAR IT. 570 00:29:02,271 --> 00:29:05,521 GENTLEMEN, AGENT FINN IS NOW IN CHARGE OF THIS OPERATION. 571 00:29:06,646 --> 00:29:09,438 I'M COUNTING ON YOU, RILEY. 572 00:29:09,438 --> 00:29:11,229 WE START WITH THE BASIC MOBILIZATION PATTERN. 573 00:29:11,229 --> 00:29:13,688 3 TEAMS. SWEEP AND SEARCH, JUST LIKE PRACTICE. 574 00:29:13,688 --> 00:29:15,521 THOROUGH BUT FAST. 575 00:29:15,521 --> 00:29:16,855 C-TEAM: TAKE THE CAMPUS PERIMETER. 576 00:29:16,855 --> 00:29:18,062 MAKE SURE IT CAN'T LEAVE. 577 00:29:18,062 --> 00:29:20,813 STAKE IT IF YOU GOTTA, BUT ONLY AS A LAST RESORT. 578 00:29:20,813 --> 00:29:24,146 B-TEAM: YOU'RE GOING DOWN. TUNNELS, SEWERS, CEMETERIES. 579 00:29:24,146 --> 00:29:25,729 GATES AND MILLER ARE WITH ME. 580 00:29:25,729 --> 00:29:27,563 WE TAKE THE HEART OF CAMPUS AND WORK OUR WAY OUT. 581 00:29:27,563 --> 00:29:30,354 ALL UNITS, MAINTAIN RADIO CONTACT EARLY AND OFTEN. 582 00:29:30,354 --> 00:29:31,938 WHO'S GOT QUESTIONS? 583 00:29:34,021 --> 00:29:35,729 MOVE! 584 00:29:56,563 --> 00:29:58,688 [ Buffy ] WHAT IS WRONG WITH HIM? 585 00:29:58,688 --> 00:30:00,479 DOESN'T SPIKE GET THAT THIS IS MY TOWN? 586 00:30:00,479 --> 00:30:01,896 HE'S RESILIENT. 587 00:30:01,896 --> 00:30:04,312 AND IT'S MY NIGHT OFF. 588 00:30:04,312 --> 00:30:05,563 I'M SURE HE'D PICK ANOTHER NIGHT 589 00:30:05,563 --> 00:30:07,938 IF HE KNEW YOU WERE BUSY WITH TEUTONIC BOY-TOY. 590 00:30:07,938 --> 00:30:09,354 WHAT IS THAT SUPPOSED TO MEAN? 591 00:30:09,354 --> 00:30:10,771 NOTHING. 592 00:30:10,771 --> 00:30:13,855 RILEY'S A DOOF. HE'S NOT TEUTONIC. 593 00:30:13,855 --> 00:30:16,855 [ Giles ] WE HAVE TO ASSUME THAT SPIKE'S MAIN TARGET IS YOU, BUFFY. 594 00:30:16,855 --> 00:30:17,896 [ Buffy ] FINE. YOU KNOW WHAT? 595 00:30:17,896 --> 00:30:19,021 HE'S WORN OUT HIS WELCOME. 596 00:30:19,021 --> 00:30:20,521 TONIGHT, I KILL HIM. 597 00:30:20,521 --> 00:30:23,229 YOU HAVE A PLAN? I AM THE PLAN. 598 00:30:23,229 --> 00:30:25,438 IF SPIKE WANTS ME, I GO ALONE... 599 00:30:25,438 --> 00:30:27,563 NO ARGUMENTS. 600 00:30:27,563 --> 00:30:29,354 LEAD HIM AWAY FROM THE POPULAR PLACES 601 00:30:29,354 --> 00:30:31,771 AND GIVE HIM WHAT HE WANTS. 602 00:30:31,771 --> 00:30:34,229 OH, WAIT, WAIT! 603 00:30:34,229 --> 00:30:35,479 TAKE THIS. 604 00:30:35,479 --> 00:30:36,771 A FLARE GUN? 605 00:30:36,771 --> 00:30:39,271 XANDER, IF I FIND SPIKE, I'M STAKING HIM, 606 00:30:39,271 --> 00:30:40,604 NOT SIGNALING SHIPS AT SEA. 607 00:30:40,604 --> 00:30:43,813 YOU GET INTO TROUBLE... 608 00:30:43,813 --> 00:30:45,688 OKAY. 609 00:30:45,688 --> 00:30:46,771 I'LL FLARE. 610 00:30:46,771 --> 00:30:48,354 AND WE'LL COME A-RUNNIN'. 611 00:30:53,729 --> 00:30:56,688 DO YOU THINK SPIKE'LL FIND HER? 612 00:30:56,688 --> 00:30:58,438 I'M SURE OF IT. 613 00:31:21,604 --> 00:31:23,729 HELLO, GORGEOUS. 614 00:31:37,729 --> 00:31:38,563 WHAT'VE WE GOT? 615 00:31:38,563 --> 00:31:40,896 CIVILIAN, SIR. 616 00:31:46,729 --> 00:31:48,646 AH, DAMN. 617 00:31:48,646 --> 00:31:50,354 SHE'S COMPROMISING THE AREA. 618 00:31:50,354 --> 00:31:53,771 AT LEAST SHE'S NOT MAKING CRAZY, NAKED SEX. 619 00:31:53,771 --> 00:31:55,938 TOLD YOU. 620 00:31:55,938 --> 00:31:57,563 WE GOTTA CLEAR HER OUTTA THERE... 621 00:31:57,563 --> 00:31:58,479 FAST. 622 00:31:58,479 --> 00:31:59,855 MAYBE NOT. 623 00:31:59,855 --> 00:32:02,230 JUST THINKING. 624 00:32:02,230 --> 00:32:05,688 IF YOU WERE HOSTILE 17, LIVING OFF THE CRAP WE FEED 'EM, 625 00:32:05,688 --> 00:32:07,396 WHAT WOULD YOU RATHER EAT THAN THAT? 626 00:32:07,396 --> 00:32:09,688 YOU WANNA USE THE GIRL I GOT A CRUSH ON AS BAIT? 627 00:32:09,688 --> 00:32:12,354 I CAN TAG A HOSTILE AT 50 YARDS. 628 00:32:12,354 --> 00:32:13,521 DENIED. 629 00:32:13,521 --> 00:32:14,604 SHE'D BE SAFE THE ENTIRE-- 630 00:32:14,604 --> 00:32:16,354 I SAID DENIED, AGENT. 631 00:32:16,354 --> 00:32:18,104 DID YOU JUST PULL RANK ON ME? 632 00:32:18,104 --> 00:32:20,479 DO YOU HAVE A PROBLEM WITH THAT? 633 00:32:22,604 --> 00:32:24,271 NO, SIR. 634 00:32:24,271 --> 00:32:26,980 SO, HOW'RE WE GONNA GET HER OUT OF THERE? 635 00:32:35,646 --> 00:32:38,021 RILEY! 636 00:32:38,021 --> 00:32:39,396 WHAT ARE YOU DOING HERE? 637 00:32:39,396 --> 00:32:41,771 WELL, I DIDN'T GET A CHANCE TO SAY GOOD-BYE TO YOU 638 00:32:41,771 --> 00:32:43,813 AFTER THE PARTY. YOU LEFT SO FAST. 639 00:32:46,021 --> 00:32:48,229 YOU KNOW, WITH YOUR FRIEND... 640 00:32:48,229 --> 00:32:49,521 WHO'S A BOY. 641 00:32:49,521 --> 00:32:51,563 UH, XANDER? 642 00:32:51,563 --> 00:32:55,312 HE'S NOT ANYONE THAT I... WANT TO TALK ABOUT, RIGHT NOW. 643 00:32:55,312 --> 00:32:56,896 UM... 644 00:32:56,896 --> 00:32:59,855 YOU KNOW, I DON'T WANT YOU TAKING THIS THE WRONG WAY... 645 00:32:59,855 --> 00:33:01,479 IT'S JUST, UM... 646 00:33:01,479 --> 00:33:04,146 I NEED A LITTLE ALONE TIME NOW... 647 00:33:04,146 --> 00:33:05,771 ALONE. 648 00:33:05,771 --> 00:33:06,896 WHY? 649 00:33:06,896 --> 00:33:08,230 I NEED SPACE. 650 00:33:08,230 --> 00:33:08,855 WE'RE OUTDOORS. 651 00:33:08,855 --> 00:33:10,771 EMOTIONALLY. 652 00:33:10,771 --> 00:33:12,813 I MEAN, EMOTIONALLY... 653 00:33:12,813 --> 00:33:14,104 YOU KNOW, 654 00:33:14,104 --> 00:33:15,563 THERE'S PLENTY OF SPACE BACK IN YOUR ROOM 655 00:33:15,563 --> 00:33:16,938 WHY DON'T I TAKE YOU? 656 00:33:16,938 --> 00:33:18,646 YOU WOULDN'T BELIEVE THE WEIRDOS OUT AT THIS HOUR. 657 00:33:18,646 --> 00:33:19,938 WHOA! OKAY... 658 00:33:19,938 --> 00:33:22,396 IT'S A FREE CAMPUS. 659 00:33:22,396 --> 00:33:24,021 WHO DIED AND MADE YOU JOHN WAYNE? 660 00:33:24,021 --> 00:33:25,563 I'M JUST TRYING TO HELP. 661 00:33:25,563 --> 00:33:27,187 YOU THINK I NEED HELP? 662 00:33:27,187 --> 00:33:28,479 BELIEVE ME, I DON'T. 663 00:33:29,813 --> 00:33:31,354 YOU KNOW, IF YOU WERE A REAL GENTLEMAN, 664 00:33:31,354 --> 00:33:33,021 THEN YOU WOULD JUST LEAVE. 665 00:33:33,021 --> 00:33:35,771 YOU WOULD GO FAR, FAR AWAY, NOW! 666 00:33:35,771 --> 00:33:36,646 SHOO! 667 00:33:36,646 --> 00:33:37,771 ARE YOU DRUNK? 668 00:33:37,771 --> 00:33:38,938 YES! GO AND REPORT ME. 669 00:33:38,938 --> 00:33:40,604 I'M TAKING YOU HOME. COME ON. 670 00:33:40,604 --> 00:33:43,479 OH, DID YOU EVER THINK MAYBE I'M GONNA TAKE YOU HOME, HUH? 671 00:33:43,479 --> 00:33:46,729 WHAT? YOU THINK THAT BOYS CAN TAKE CARE OF THEMSELVES 672 00:33:46,729 --> 00:33:48,021 AND GIRLS NEED HELP? 673 00:33:48,021 --> 00:33:50,021 YEAH. 674 00:33:50,021 --> 00:33:51,521 THAT IS SO TEUTONIC. 675 00:33:51,521 --> 00:33:52,729 LOOK, BUFFY, 676 00:33:52,729 --> 00:33:55,187 AS LONG AS YOU'RE OUT HERE, I'M STAYING. 677 00:33:55,187 --> 00:33:57,771 WELL, AS LONG AS YOU'RE OUT HERE, I'M STAYING. 678 00:33:57,771 --> 00:33:59,271 [ Scream ] 679 00:33:59,271 --> 00:34:00,062 GOTTA GO. SEE YA! 680 00:34:02,563 --> 00:34:03,396 TELL ME WE'RE TRACKING. 681 00:34:03,396 --> 00:34:06,229 HONING A SIGNAL. 682 00:34:06,229 --> 00:34:07,396 GOT IT... HEADING WEST. 683 00:34:07,396 --> 00:34:09,021 BETTER BE THE HOSTILE. 684 00:34:09,021 --> 00:34:11,104 [ Forrest ] ALL UNITS CONVERGE, ALL UNITS CONVERGE. 685 00:34:11,104 --> 00:34:12,146 HARD TARGET SIGHTED. 686 00:34:12,146 --> 00:34:15,062 HEADING 1-2 ALPHA NINER. 687 00:34:15,062 --> 00:34:17,563 LET'S BAG IT BEFORE THIS GETS UGLY. 688 00:34:20,230 --> 00:34:22,104 [ Knock On Door ] 689 00:34:22,104 --> 00:34:23,187 COME IN. 690 00:34:27,813 --> 00:34:28,938 SPIKE! 691 00:34:30,396 --> 00:34:32,271 WH-WHAT DO YOU WANT? 692 00:34:32,271 --> 00:34:34,396 UH, A SPELL? I CAN DO THAT. 693 00:34:44,479 --> 00:34:45,688 I'LL GIVE YOU A CHOICE. 694 00:34:49,146 --> 00:34:50,896 NOW I'M GONNA KILL YOU. 695 00:34:50,896 --> 00:34:53,521 NO CHOICE IN THAT. 696 00:34:53,521 --> 00:34:56,021 BUT... 697 00:34:56,021 --> 00:34:58,354 I CAN LET YOU STAY DEAD... 698 00:34:58,354 --> 00:35:00,104 OR... 699 00:35:00,104 --> 00:35:03,229 BRING YOU BACK, TO BE LIKE ME. 700 00:35:03,229 --> 00:35:05,479 I--I'LL SCREAM. 701 00:35:05,479 --> 00:35:07,646 BONUS. 702 00:35:07,646 --> 00:35:10,354 [ Screams ] 703 00:35:10,354 --> 00:35:11,729 [ Turns Up Music ] 704 00:35:17,271 --> 00:35:18,521 [ Willow ] NO! 705 00:35:24,938 --> 00:35:26,229 [ Screams ] 706 00:35:26,229 --> 00:35:29,229 [ Loud Music Blasts ] 707 00:35:43,271 --> 00:35:46,396 I DON'T UNDERSTAND. 708 00:35:46,396 --> 00:35:50,021 THIS SORT OF THING'S NEVER HAPPENED TO ME BEFORE. 709 00:35:51,479 --> 00:35:53,354 MAYBE YOU WERE NERVOUS. 710 00:35:53,354 --> 00:35:56,479 I FELT ALL RIGHT WHEN I STARTED. 711 00:35:56,479 --> 00:35:58,271 LET'S TRY AGAIN. 712 00:36:00,396 --> 00:36:01,604 OW! 713 00:36:01,604 --> 00:36:02,521 OH! 714 00:36:08,229 --> 00:36:09,438 OW! 715 00:36:11,479 --> 00:36:12,896 DAMN IT! 716 00:36:21,146 --> 00:36:25,563 MAYBE YOU'RE TRYING TOO HARD. 717 00:36:25,563 --> 00:36:28,104 DOESN'T THIS HAPPEN TO EVERY VAMPIRE? 718 00:36:28,104 --> 00:36:30,229 NOT TO ME, IT DOESN'T! 719 00:36:36,354 --> 00:36:38,813 IT'S ME, ISN'T IT? 720 00:36:40,104 --> 00:36:42,354 WHAT ARE YOU TALKING ABOUT? 721 00:36:42,354 --> 00:36:46,813 WELL, YOU CAME LOOKING FOR BUFFY, THEN SETTLED. 722 00:36:46,813 --> 00:36:48,813 I--I... YOU DIDN'T WANT TO BITE ME. 723 00:36:48,813 --> 00:36:50,271 I JUST HAPPENED TO BE AROUND. 724 00:36:50,271 --> 00:36:52,229 PIFFLE! 725 00:36:52,229 --> 00:36:54,438 I KNOW I'M NOT THE KIND OF GIRL 726 00:36:54,438 --> 00:36:57,146 VAMPS LIKE TO SINK THEIR TEETH INTO. 727 00:36:58,521 --> 00:37:01,187 IT'S ALWAYS LIKE, "OOH, YOU'RE LIKE A SISTER TO ME," 728 00:37:01,187 --> 00:37:04,187 OR, "OH, YOU'RE SUCH A GOOD FRIEND." 729 00:37:04,187 --> 00:37:06,896 DON'T BE RIDICULOUS. 730 00:37:06,896 --> 00:37:09,104 I'D BITE YOU IN A HEARTBEAT. 731 00:37:12,230 --> 00:37:13,062 REALLY? 732 00:37:13,062 --> 00:37:15,604 THOUGHT ABOUT IT. 733 00:37:15,604 --> 00:37:17,230 WHEN? 734 00:37:19,604 --> 00:37:20,771 REMEMBER LAST YEAR, 735 00:37:20,771 --> 00:37:24,062 YOU HAD ON THAT... FUZZY PINK NUMBER 736 00:37:24,062 --> 00:37:26,896 WITH THE LILAC UNDERNEATH? 737 00:37:29,688 --> 00:37:31,354 I NEVER WOULD HAVE GUESSED. 738 00:37:31,354 --> 00:37:33,104 YOU PLAYED THE BLOOD-LUST KINDA COOL. 739 00:37:33,104 --> 00:37:35,312 MMM. I HATE BEING OBVIOUS. 740 00:37:35,312 --> 00:37:37,062 ALL FANG-Y AND "RRRR!" 741 00:37:37,062 --> 00:37:39,438 TAKES THE MYSTERY OUT. 742 00:37:42,229 --> 00:37:43,229 BUT IF YOU COULD... 743 00:37:43,229 --> 00:37:45,813 IF I COULD, YEAH. 744 00:37:47,646 --> 00:37:50,146 YOU KNOW, THIS DOESN'T MAKE YOU ANY LESS TERRIFYING. 745 00:37:50,146 --> 00:37:51,187 [ Sighs ] 746 00:37:51,187 --> 00:37:53,771 DON'T PATRONIZE ME. 747 00:37:55,563 --> 00:37:57,688 [ Graham ] I'M GETTING A PICTURE... 748 00:37:57,688 --> 00:37:58,896 SIGNATURE'S LOCKED. 749 00:37:58,896 --> 00:37:59,980 WHAT'VE WE GOT? 750 00:37:59,980 --> 00:38:01,688 HUMANS OF THE FRESHMAN VARIETY. 751 00:38:01,688 --> 00:38:04,479 98.6, 98.6... 752 00:38:06,104 --> 00:38:07,187 BINGO! 753 00:38:07,187 --> 00:38:08,354 GOT A COLD ONE. 754 00:38:08,354 --> 00:38:10,646 THERMAL OUTPUT CLOCKIN' IN AT EXACTLY... 755 00:38:10,646 --> 00:38:13,230 ROOM TEMPERATURE. VAMPIRE. 756 00:38:13,230 --> 00:38:15,146 CALL IN A STANDARD TRIANGLE FLANKING MANEUVER. 757 00:38:15,146 --> 00:38:16,104 WE'RE GOING IN. 758 00:38:16,104 --> 00:38:18,146 I NEED A LOCKDOWN ON GRID 6. 759 00:38:21,771 --> 00:38:24,146 I'M ONLY 126. 760 00:38:25,729 --> 00:38:27,813 YOU'RE BEING TOO HARD ON YOURSELF. 761 00:38:27,813 --> 00:38:30,271 WHY DON'T WE WAIT A HALF AN HOUR AND TRY AGAIN? 762 00:38:33,271 --> 00:38:34,729 OR... 763 00:38:39,271 --> 00:38:40,771 [ Doors Locking ] 764 00:39:14,354 --> 00:39:15,521 [ Riley ] NO, HOLD YOUR FIRE! 765 00:39:21,062 --> 00:39:22,062 [ Graham ] IT'S ON ME! 766 00:39:22,062 --> 00:39:23,062 [ Spike ] AAH! 767 00:39:23,062 --> 00:39:24,062 MOVE! 768 00:39:27,229 --> 00:39:28,396 OW! MY HEAD! 769 00:39:35,479 --> 00:39:36,855 BAG AND TAG IT. WE'RE GONE. 770 00:39:39,229 --> 00:39:40,479 SIR... 771 00:39:40,479 --> 00:39:43,271 CIVILIAN. COULD HAVE TURNED. 772 00:39:44,438 --> 00:39:45,604 LEAVE HER. 773 00:39:45,604 --> 00:39:48,021 WE CAN'T NEGLECT QUARANTINE. 774 00:40:01,646 --> 00:40:02,604 [ Coughing ] 775 00:40:04,771 --> 00:40:05,688 STOP HER! 776 00:40:06,646 --> 00:40:08,813 SHE'S CONTAINED. 777 00:40:08,813 --> 00:40:10,146 [ Buffy ] CONTAIN THIS! 778 00:40:11,312 --> 00:40:12,938 [ All ] AAH! OW! I'M BLIND! 779 00:40:18,980 --> 00:40:19,938 WHAT THE HELL WAS THAT? 780 00:40:34,146 --> 00:40:35,479 HOSTILE'S ESCAPING! MOVE! 781 00:40:37,521 --> 00:40:39,438 WE GOTTA STOP IT! 782 00:41:01,729 --> 00:41:03,104 ABORT! 783 00:41:23,438 --> 00:41:24,396 I'M SURE YOU'LL UNDERSTAND 784 00:41:24,396 --> 00:41:26,021 IF I SEEM FAR FROM HAPPY. 785 00:41:26,021 --> 00:41:26,980 [ Riley ] YES, MA'AM. 786 00:41:26,980 --> 00:41:28,271 IF YOU READ MY REPORT YOU'LL SEE-- 787 00:41:28,271 --> 00:41:29,771 HOSTILE 17'S FOUND AN ACCOMPLICE 788 00:41:29,771 --> 00:41:31,271 WHO'S SMART, AGGRESSIVE, 789 00:41:31,271 --> 00:41:33,771 AND SOMEHOW ESCAPES DESCRIPTION. 790 00:41:33,771 --> 00:41:35,146 WHOEVER HE WAS, THE GUY WAS BIG. 791 00:41:35,146 --> 00:41:36,187 STRONG, TOO. 792 00:41:36,187 --> 00:41:38,479 WHOEVER... OR WHATEVER. 793 00:41:38,479 --> 00:41:41,021 I'M NOT INTERESTED IN GUESS WORK, GENTLEMEN. 794 00:41:41,021 --> 00:41:43,438 CALL ME OLD-FASHIONED. I LIKE RESULTS. 795 00:41:43,438 --> 00:41:46,146 THIS REPORT READS LIKE A CHILD'S RIDDLE BOOK. 796 00:41:47,521 --> 00:41:50,771 AGENT FINN, TELL ME SOMETHING GOOD. 797 00:41:50,771 --> 00:41:51,813 MY IMPLANT? 798 00:41:51,813 --> 00:41:53,021 THE IMPLANT WORKS. 799 00:41:53,021 --> 00:41:55,021 HOSTILE 17 CAN'T HARM ANY LIVING CREATURE, 800 00:41:55,021 --> 00:41:57,354 IN ANY WAY, WITHOUT INTENSE NEUROLOGICAL PAIN. 801 00:41:57,354 --> 00:42:01,479 CAN'T FEED. CAN'T HARDLY EVEN HIT ANYMORE. 802 00:42:01,479 --> 00:42:02,729 WE'LL BAG IT. 803 00:42:02,729 --> 00:42:05,938 YES, YOU WILL. 804 00:42:05,938 --> 00:42:07,021 DISMISSED. 805 00:42:26,646 --> 00:42:28,229 HEY. 806 00:42:28,229 --> 00:42:30,229 HI. 807 00:42:30,229 --> 00:42:31,855 LISTEN, SORRY ABOUT LAST NIGHT. 808 00:42:31,855 --> 00:42:34,813 NO, NO... I WAS RUDE. 809 00:42:34,813 --> 00:42:37,396 I JUST FELT LIKE BEING ALONE. 810 00:42:37,396 --> 00:42:39,312 SOMETIMES IT'S NICE 811 00:42:39,312 --> 00:42:41,771 TO BE OUT BY YOURSELF AT NIGHT. 812 00:42:41,771 --> 00:42:43,062 I HEAR THAT. 813 00:42:43,062 --> 00:42:44,521 GOTTA BE CAREFUL, THOUGH. 814 00:42:44,521 --> 00:42:46,855 LOTTA STRANGE... PEOPLE OUT THERE. 815 00:42:46,855 --> 00:42:48,771 OH, YEAH. 816 00:42:48,771 --> 00:42:50,688 HOW'S WILLOW DOING? 817 00:42:50,688 --> 00:42:52,312 OKAY. 818 00:42:52,312 --> 00:42:54,563 'COURSE, THAT STUPID FRATERNITY PRANK ON OUR DORM 819 00:42:54,563 --> 00:42:56,104 DIDN'T HELP ANY. 820 00:42:56,104 --> 00:42:59,021 THAT'S RIGHT. I FORGOT YOU GUYS LIVE IN STEVENSON. 821 00:42:59,021 --> 00:43:01,688 YOU KNEW THAT? 822 00:43:01,688 --> 00:43:04,062 WELL, WILLOW AND I WERE... 823 00:43:04,062 --> 00:43:06,646 I THOUGHT SHE MIGHT BE ABLE TO HELP ME ON A PROJECT. 824 00:43:06,646 --> 00:43:07,938 REALLY? 825 00:43:07,938 --> 00:43:10,187 THAT WORK OUT FOR YOU? 826 00:43:10,187 --> 00:43:12,021 DON'T KNOW YET. 827 00:43:12,021 --> 00:43:14,604 UH, LAST NIGHT... 828 00:43:14,604 --> 00:43:16,230 AT THE PARTY, 829 00:43:16,230 --> 00:43:17,187 YOU WANTED TO TELL ME SOMETHING? 830 00:43:19,896 --> 00:43:22,604 OH, YEAH. VERY IMPORTANT STUFF. 831 00:43:23,896 --> 00:43:25,855 I DON'T REMEMBER ANY OF IT NOW. 832 00:43:25,855 --> 00:43:27,396 BUT YOU WOULD HAVE BEEN FASCINATED, 833 00:43:27,396 --> 00:43:30,479 POSSIBLY EVEN MOVED. 834 00:43:30,479 --> 00:43:32,938 DID WILLOW TELL YOU I LIKE CHEESE? 835 00:43:35,062 --> 00:43:36,604 YOU'RE A LITTLE PECULIAR. 836 00:43:38,479 --> 00:43:40,438 I CAN LIVE WITH THAT. 837 00:44:25,604 --> 00:44:28,021 GRR! ARRGH!