1 00:00:29,646 --> 00:00:31,229 THANKS FOR THE RELOCATE. 2 00:00:31,229 --> 00:00:33,104 I PERFORM BETTER WITHOUT AN AUDIENCE. 3 00:00:39,521 --> 00:00:42,146 YOU WERE THINKING, WHAT, A LITTLE HELPLESS COED BEFORE BED? 4 00:00:56,396 --> 00:00:59,604 YOU KNOW VERY WELL, YOU EAT THIS LATE... 5 00:00:59,604 --> 00:01:01,521 YOU'RE GONNA GET HEARTBURN. 6 00:01:01,521 --> 00:01:04,062 GET IT? HEARTBURN? 7 00:01:06,062 --> 00:01:08,479 THAT'S IT? 8 00:01:08,479 --> 00:01:11,479 THAT'S ALL I GET? 9 00:01:11,479 --> 00:01:13,479 ONE LAME-ASS VAMP 10 00:01:13,479 --> 00:01:17,563 WITH NO APPRECIATION FOR MY PAINSTAKINGLY THOUGHT-OUT PUNS. 11 00:01:17,563 --> 00:01:21,729 I DON'T THINK THE FORCES OF DARKNESS ARE EVEN TRYING. 12 00:01:21,729 --> 00:01:25,396 I MEAN, YOU COULD MAKE A LITTLE EFFORT HERE, YOU KNOW? 13 00:01:25,396 --> 00:01:28,146 GIVE ME SOMETHING TO WORK WITH. 14 00:01:32,938 --> 00:01:35,396 WATCH YOUR MOUTH, LITTLE GIRL. 15 00:01:35,396 --> 00:01:39,438 YOU SHOULD KNOW BETTER THAN TO TEMPT THE FATES THAT WAY 16 00:01:39,438 --> 00:01:41,771 'CAUSE THE BIG BAD IS BACK, 17 00:01:41,771 --> 00:01:43,438 AND THIS TIME, IT'S... 18 00:01:43,438 --> 00:01:45,021 URRGH! 19 00:01:45,021 --> 00:01:47,729 AAAAHHH! 20 00:02:50,855 --> 00:02:53,146 THE BRONZE IS MORE FUN THIS YEAR, ISN'T IT? 21 00:02:53,146 --> 00:02:56,104 'CAUSE OF THE GLOATING FACTOR ALONE, YOU KNOW? 22 00:02:56,104 --> 00:02:57,729 WE'RE ALL ABOUT COLLEGE NOW. 23 00:02:57,729 --> 00:02:59,271 WE'VE GOT HEADY DISCOURSE. 24 00:02:59,271 --> 00:03:02,230 YEAH. CURFEW-FREE NIGHTS OF MOM AND POPLESS HOOTENANNY. 25 00:03:02,230 --> 00:03:05,604 COED DATING PROSPECTS WHO FIND TOWNIES SEXY AND DANGEROUS. 26 00:03:07,938 --> 00:03:10,438 WHAT, I CAN DREAM. 27 00:03:10,438 --> 00:03:13,230 RIGHT. SO IF COLLEGE IS SO GREAT, 28 00:03:13,230 --> 00:03:15,187 WHAT ARE WE DOING HERE AND WHY IS IT MORE FUN? 29 00:03:15,187 --> 00:03:17,646 BECAUSE THE BRONZE IS NICE AND FAMILIAR. 30 00:03:17,646 --> 00:03:19,604 IT'S LIKE A BIG COMFY BLANKY. 31 00:03:19,604 --> 00:03:22,729 I WAS UNDER THE IMPRESSION THAT I WAS YOUR BIG COMFY BLANKY. 32 00:03:22,729 --> 00:03:25,187 AW, YOU'RE MY, MY PERSON BLANKY. 33 00:03:25,187 --> 00:03:27,729 THIS IS MY PLACE BLANKY. 34 00:03:27,729 --> 00:03:30,312 YOU KNOW, WITH ALL THE SHOCK OF THE NEW, 35 00:03:30,312 --> 00:03:32,563 IT'S NICE TO HAVE ONE PLACE THAT YOU CAN COME BACK TO 36 00:03:32,563 --> 00:03:34,521 WHERE EVERYTHING'S PREDICTABLE. 37 00:03:34,521 --> 00:03:36,062 HELLO. 38 00:03:36,062 --> 00:03:37,187 GILES, TROUBLE? 39 00:03:37,187 --> 00:03:38,729 OH, NO, BUFFY. DON'T GET UP. 40 00:03:38,729 --> 00:03:39,980 NO. NOTHING LIKE THAT. 41 00:03:39,980 --> 00:03:42,604 NO, I JUST, YOU KNOW, I THOUGHT I'D DROP BY. 42 00:03:42,604 --> 00:03:45,896 UH, LATTE ANYONE? ON ME? 43 00:03:48,688 --> 00:03:50,813 SO MUCH FOR YOUR PREDICTABLE BLANKY THEORY, WIL. 44 00:03:54,104 --> 00:03:55,104 SORRY. 45 00:03:57,813 --> 00:03:58,980 [ Giles ] SPLENDID. 46 00:03:58,980 --> 00:04:01,312 WELL, IT'S AGES SINCE I'VE BEEN TO A GIG. 47 00:04:04,604 --> 00:04:06,896 WELL, DON'T LOOK THAT WAY. 48 00:04:06,896 --> 00:04:09,646 I'M...I'M...I'M DOWN WITH THE NEW MUSIC. 49 00:04:09,646 --> 00:04:12,104 AND I HAVE THE ALBUMS TO PROVE IT. 50 00:04:12,104 --> 00:04:14,104 YES, BUT IT'S YOUR CUTTING EDGE 8-TRACKS 51 00:04:14,104 --> 00:04:15,312 THAT KEEP YOU AHEAD OF THE SCENE. 52 00:04:15,312 --> 00:04:16,896 DON'T SCOFF, GANG. 53 00:04:16,896 --> 00:04:18,104 I'VE SEEN GILES'S COLLECTION. 54 00:04:18,104 --> 00:04:19,104 HE WAS AN ANIMAL IN HIS DAY. 55 00:04:19,104 --> 00:04:20,271 THANK YOU. 56 00:04:20,271 --> 00:04:21,729 HEY, WHY NOT? 57 00:04:21,729 --> 00:04:25,104 IF THE STONES CAN STILL KEEP ROLLING, WHY CAN'T GILES? 58 00:04:25,104 --> 00:04:26,479 EXACTLY. 59 00:04:26,479 --> 00:04:28,688 I THINK IT'S BRAVE THAT YOU'RE HERE. 60 00:04:28,688 --> 00:04:30,229 WELL, THANK YOU, ALL. 61 00:04:30,229 --> 00:04:32,312 YOU'VE MADE ME FEEL RIGHT AT HOME. 62 00:04:32,312 --> 00:04:34,729 ISN'T HOME THAT EMPTY PLACE YOU'RE TRYING TO ESCAPE? 63 00:04:34,729 --> 00:04:36,688 [ Cheering, Clapping ] 64 00:04:38,980 --> 00:04:43,521 ♪ DIP A FINGER IN ME ♪ 65 00:04:43,521 --> 00:04:46,062 ♪ WASTE ONE MORE WORD... ♪ 66 00:04:46,062 --> 00:04:47,271 OH, YEAH. 67 00:04:47,271 --> 00:04:48,521 VERUCA'S PLAYING TONIGHT. 68 00:04:48,521 --> 00:04:50,479 YEAH. EVERY WEDNESDAY. I TOLD YOU. 69 00:04:52,187 --> 00:04:55,771 ♪ LET ME BE A DISTRACTION ♪ 70 00:04:55,771 --> 00:04:59,855 ♪ LET ME BE A DREAM ♪ 71 00:05:02,855 --> 00:05:04,771 SO, OZ, WHAT ABOUT DINGOES? 72 00:05:04,771 --> 00:05:05,855 WHEN ARE YOU GUYS HERE AGAIN? 73 00:05:07,563 --> 00:05:08,813 OH, WE'RE UP NEXT FRIDAY. 74 00:05:12,604 --> 00:05:16,396 ♪ DIP A FINGER IN ME ♪ 75 00:05:16,396 --> 00:05:18,688 THEY'RE GOOD, AREN'T THEY? 76 00:05:20,230 --> 00:05:21,479 NOTHING SPECIAL. 77 00:05:23,062 --> 00:05:25,062 YEAH. SHE'S QUELLE FIONA. 78 00:05:25,062 --> 00:05:26,563 COLOR ME BORED. 79 00:05:26,563 --> 00:05:29,187 REALLY? I THINK SHE'S RATHER REMARKABLE. 80 00:05:29,187 --> 00:05:31,521 SUCH PRESENCE FOR SOMEONE HER AGE. 81 00:05:35,688 --> 00:05:41,187 ♪ I CAN FEEL YOU TWIST I CAN FEEL YOU WRITHE ♪ 82 00:05:41,187 --> 00:05:46,563 ♪ BECAUSE YOU'RE WITH ME ♪♪ 83 00:05:56,604 --> 00:05:57,688 MM... 84 00:05:57,688 --> 00:05:59,604 IT'S IN THE SANDBLASTER. 85 00:06:04,021 --> 00:06:05,187 UH... 86 00:06:07,563 --> 00:06:09,646 WHAT'S IN THE SANDBLASTER, WIL? 87 00:06:14,896 --> 00:06:16,521 IT'S A DREAM. 88 00:06:16,521 --> 00:06:18,729 COME BACK TO ME. 89 00:06:20,521 --> 00:06:24,396 MMM...HMM... 90 00:06:24,396 --> 00:06:27,230 ALL GEMINIS TO THE RASPBERRY HATS. 91 00:06:28,563 --> 00:06:30,479 NOW YOU'RE FAKING. 92 00:06:30,479 --> 00:06:31,604 AM NOT. 93 00:06:33,438 --> 00:06:35,896 JUST A LITTLE. 94 00:06:40,479 --> 00:06:41,771 MORNING. 95 00:06:41,771 --> 00:06:43,855 MORNING. 96 00:06:43,855 --> 00:06:45,563 BAD DREAM? 97 00:06:45,563 --> 00:06:47,479 I GUESS. 98 00:06:47,479 --> 00:06:51,729 BUT THE WAKING UP PART MAKES UP FOR IT. 99 00:06:51,729 --> 00:06:54,855 IT'S ALWAYS SO BUSY IN THERE. 100 00:06:54,855 --> 00:06:57,896 NOT ALWAYS. 101 00:06:57,896 --> 00:07:02,062 A FEW THINGS SHUT MY BRAIN UP COMPLETELY. 102 00:07:02,062 --> 00:07:04,896 ANYTHING I CAN HELP YOU WITH? 103 00:07:09,229 --> 00:07:11,604 I GOTTA GET TO CLASS RIGHT NOW, 104 00:07:11,604 --> 00:07:13,855 BUT TONIGHT FOR SURE. 105 00:07:13,855 --> 00:07:16,521 I DON'T KNOW ABOUT TONIGHT, 106 00:07:16,521 --> 00:07:19,146 UNLESS THE EXTREME JERRY GARCIA LOOK TURNS YOU ON. 107 00:07:19,146 --> 00:07:20,729 HUH? 108 00:07:20,729 --> 00:07:22,604 NIGHT BEFORE THE FULL MOON. 109 00:07:22,604 --> 00:07:24,646 OH, THAT'S RIGHT. 110 00:07:24,646 --> 00:07:26,688 AND I HAVE A THING. 111 00:07:26,688 --> 00:07:30,229 THERE'S THIS WICCA GROUP ON CAMPUS I WANTED TO CHECK OUT. 112 00:07:30,229 --> 00:07:34,604 THEY HAVE ORIENTATION ON THE 3 NIGHTS YOU'RE WOLFY. 113 00:07:34,604 --> 00:07:36,521 AND IT'S PROBABLY TOTALLY SILLY, BUT-- 114 00:07:36,521 --> 00:07:37,604 NO. GO. 115 00:07:37,604 --> 00:07:39,354 SHOW 'EM HOW IT'S DONE. 116 00:07:39,354 --> 00:07:40,729 ARE YOU SURE? 117 00:07:40,729 --> 00:07:43,146 YOU CAN LOCK YOURSELF UP? 118 00:07:43,146 --> 00:07:44,688 IT'S ONLY THIS ONE MONTH. 119 00:07:44,688 --> 00:07:47,021 AFTER ORIENTATION, THEY MEET ON DIFFERENT NIGHTS. 120 00:07:47,021 --> 00:07:48,521 I'LL BE FINE. 121 00:07:50,354 --> 00:07:51,438 OKAY. 122 00:07:51,438 --> 00:07:53,646 AS LONG AS YOU DON'T MIND. 123 00:07:53,646 --> 00:07:57,521 THE ONLY THING I MIND IS BEING AWAY FROM YOU FOR 3 NIGHTS. 124 00:08:11,729 --> 00:08:13,479 MS. SUMMERS... 125 00:08:13,479 --> 00:08:16,521 I WANT YOU TO PREPARE TO LEAD A DISCUSSION GROUP NEXT CLASS 126 00:08:16,521 --> 00:08:17,813 ON THE PAPER TOPIC. 127 00:08:17,813 --> 00:08:19,187 THAT WAS SMART WORK. 128 00:08:19,187 --> 00:08:21,187 WHAT DO I HAVE TO DO? 129 00:08:21,187 --> 00:08:22,563 IF YOU HAVE ANY QUESTIONS, 130 00:08:22,563 --> 00:08:25,271 BRING THEM UP WITH ONE OF THE T.A.s. 131 00:08:30,604 --> 00:08:32,396 ARE YOU OKAY? HOW'D YOU DO? 132 00:08:34,021 --> 00:08:35,021 THIS IS GOOD. 133 00:08:35,021 --> 00:08:37,521 I MEAN, THIS IS EXCELLENT. 134 00:08:37,521 --> 00:08:39,479 YOU DID BETTER THAN ME. 135 00:08:39,479 --> 00:08:41,729 THIS IS SO UNFAIR! 136 00:08:41,729 --> 00:08:45,479 YOU MADE ME JEALOUS OF YOU ACADEMICALLY. 137 00:08:45,479 --> 00:08:47,646 BUFFY! 138 00:08:47,646 --> 00:08:49,771 I KNOW. CAN YOU BELIEVE IT? 139 00:08:49,771 --> 00:08:52,104 WOW. I GUESS PROFESSOR WALSH 140 00:08:52,104 --> 00:08:54,187 ISN'T SO OGREY AFTER ALL. 141 00:08:54,187 --> 00:08:56,688 AND SHE WANTS ME TO LEAD A DISCUSSION GROUP NEXT CLASS. 142 00:08:56,688 --> 00:08:59,271 THAT MEANS MORE WORK, RIGHT? 143 00:08:59,271 --> 00:09:02,021 SHOULDN'T SHE HAVE A BETTER REWARD SYSTEM? 144 00:09:02,021 --> 00:09:06,021 YOU KNOW, LIKE A COOKIE OR A TOY SURPRISE LIKE AT THE DENTIST? 145 00:09:06,021 --> 00:09:08,813 SHE WANTS YOU TO LEAD A DISCUSSION GROUP? 146 00:09:08,813 --> 00:09:11,146 OKAY. JEALOUS AGAIN. 147 00:09:11,146 --> 00:09:13,563 JEALOUS, JEALOUS-- OKAY. I'M BACK. 148 00:09:13,563 --> 00:09:15,563 HEY, I'M MEETING OZ AT THE CAFE. 149 00:09:15,563 --> 00:09:17,146 YOU WANNA COME? 150 00:09:17,146 --> 00:09:19,896 I'LL BUY YOU THAT CELEBRATORY COOKIE. 151 00:09:19,896 --> 00:09:21,521 GREAT. I'M T.A. BOUND RIGHT NOW, 152 00:09:21,521 --> 00:09:23,396 AND THEN I WILL CATCH UP WITH YOU GUYS. 153 00:09:23,396 --> 00:09:24,229 COOL. 154 00:09:35,646 --> 00:09:37,813 WHAT ARE YOU GONNA DO, SIT ON THE GROUND? 155 00:09:37,813 --> 00:09:40,271 MY GIRLFRIEND'S COMING. 156 00:09:40,271 --> 00:09:42,146 THERE'S ROOM. 157 00:09:50,646 --> 00:09:51,729 BIG LUNCH? 158 00:09:51,729 --> 00:09:54,396 I LIKE TO EAT. 159 00:09:54,396 --> 00:09:56,938 I HATE CHICKS WHO ARE LIKE, "DOES IT HAVE DRESSING ON IT?" 160 00:09:56,938 --> 00:09:59,230 AGREED. 161 00:10:00,604 --> 00:10:02,938 YOU GUYS WERE TIGHT LAST NIGHT. 162 00:10:02,938 --> 00:10:04,813 I GUESS. THE SET'S STARTING TO COME TOGETHER, 163 00:10:04,813 --> 00:10:06,104 BUT THE AMPS STILL SOUND DIRTY TO ME. 164 00:10:06,104 --> 00:10:08,062 WHAT ARE YOU USING? 50 OR 120? 165 00:10:17,104 --> 00:10:18,438 HEY. 166 00:10:18,438 --> 00:10:20,229 HEY. 167 00:10:20,229 --> 00:10:21,771 HEY. 168 00:10:21,771 --> 00:10:23,604 YOU WANNA SIT DOWN? 169 00:10:35,229 --> 00:10:37,146 SO YOU SHOULD BE USING A 50. 170 00:10:37,146 --> 00:10:39,563 AND BLUE VOODOO, NOT YOUR BEST BET, 171 00:10:39,563 --> 00:10:40,729 UNLESS YOU DIG THE DISTORT. 172 00:10:40,729 --> 00:10:42,479 MUSIC TALK, HUH? 173 00:10:42,479 --> 00:10:46,396 COOL. I LOVE TO LISTEN TO OZ TALK ABOUT THE BIZ. 174 00:10:46,396 --> 00:10:49,021 WHAT DO YOU LIKE AGAIN? I KNOW YOU TOLD ME. 175 00:10:49,021 --> 00:10:50,354 THERE'S A COUPLE GOOD ONES. 176 00:10:50,354 --> 00:10:51,855 THE JOHNSON MIL... 177 00:10:51,855 --> 00:10:53,104 THE NUMBER ONE IS REDBONE. 178 00:10:53,104 --> 00:10:54,938 NUMBER ONE? NO. I GOTTA GO WITH HOUND DOG. 179 00:10:54,938 --> 00:10:57,855 ME, TOO. THAT'S A GREAT SONG. 180 00:10:57,855 --> 00:10:59,896 I MEAN, ELVIS, WHAT A GUY. 181 00:10:59,896 --> 00:11:01,604 YOU A BIG ELVIS FAN? 182 00:11:01,604 --> 00:11:02,938 THE BIGGEST. 183 00:11:02,938 --> 00:11:05,354 WELL, I MEAN, AFTER DINGOES, OF COURSE. 184 00:11:05,354 --> 00:11:07,855 WE'RE ACTUALLY TALKING AMPS. 185 00:11:07,855 --> 00:11:09,354 BUT IT'S EASY TO GET CONFUSED, 186 00:11:09,354 --> 00:11:10,938 THE NAMES THEY GIVE 'EM. 187 00:11:10,938 --> 00:11:12,062 OH. HA HA. 188 00:11:17,604 --> 00:11:19,104 YOU KNOW, I GOTTA BAIL. 189 00:11:19,104 --> 00:11:21,396 UM, I'LL CALL YOU LATER. 190 00:11:33,604 --> 00:11:35,479 I SHOULD GO, TOO. 191 00:11:37,104 --> 00:11:38,187 GOOD SHIRT. 192 00:11:43,604 --> 00:11:45,521 CHECK OUT THE RAPID EXITS. 193 00:11:45,521 --> 00:11:47,146 WAS IT ME? 194 00:11:47,146 --> 00:11:48,646 ME. 195 00:11:48,646 --> 00:11:50,896 I DON'T SPEAK MUSICIANESE. 196 00:11:50,896 --> 00:11:52,938 HOW COME YOU DIDN'T TELL ME 197 00:11:52,938 --> 00:11:56,229 I LOOK LIKE A CRAZY BIRTHDAY CAKE IN THIS SHIRT? 198 00:11:56,229 --> 00:11:57,646 I THOUGHT THAT WAS THE POINT. 199 00:11:57,646 --> 00:11:59,729 HE THINKS SHE'S SEXY. 200 00:11:59,729 --> 00:12:04,563 HE GETS THIS BLUSHY THING GOING ON BEHIND HIS EARS. 201 00:12:04,563 --> 00:12:06,604 THAT'S FOR ME ONLY. 202 00:12:06,604 --> 00:12:08,271 IT DOESN'T MEAN ANYTHING. 203 00:12:08,271 --> 00:12:10,604 SO OZ CHECKS OUT ANOTHER GIRL. 204 00:12:10,604 --> 00:12:12,062 HE LOVES YOU. 205 00:12:12,062 --> 00:12:13,230 I KNOW. 206 00:12:13,230 --> 00:12:14,438 I--I KNOW. 207 00:12:14,438 --> 00:12:16,771 AND I DON'T WANNA BE THE KIND OF GIRL 208 00:12:16,771 --> 00:12:20,354 WHO FREAKS EVERY TIME MY BOYFRIEND NOTICES SOMEBODY ELSE. 209 00:12:20,354 --> 00:12:24,354 I MEAN, I HAVE WRONG FEELINGS ABOUT OTHER GUYS SOMETIMES, 210 00:12:24,354 --> 00:12:28,396 BUT I FEEL GUILTY, AND I FLOG AND PUNISH. 211 00:12:28,396 --> 00:12:29,771 EXACTLY. 212 00:12:29,771 --> 00:12:32,771 I'M SURE OZ IS FLOGGING AND PUNISHING HIMSELF. 213 00:12:32,771 --> 00:12:35,271 THIS IS SOUNDING WRONG BEFORE I EVEN FINISH. 214 00:12:35,271 --> 00:12:38,479 LOOK, I PROMISE YOU, 215 00:12:38,479 --> 00:12:40,813 IN A COUPLE OF DAYS, IT'S GONNA BE LIKE "VERUCA WHO?" 216 00:12:40,813 --> 00:12:42,271 YOU THINK? 217 00:12:42,271 --> 00:12:44,729 ABSOLUTELY. 218 00:12:44,729 --> 00:12:46,855 OZ JUST ISN'T THE TYPE TO STRAY. 219 00:12:46,855 --> 00:12:49,146 NOT TONIGHT ANYWAYS. 220 00:12:49,146 --> 00:12:51,229 HE'LL BE LOCKED IN A CAGE. 221 00:13:08,855 --> 00:13:10,688 [ Growling ] 222 00:13:37,604 --> 00:13:38,729 HELLO? 223 00:13:46,521 --> 00:13:47,604 GRRAAH! 224 00:14:03,312 --> 00:14:04,479 OH, GOD. 225 00:14:49,563 --> 00:14:51,396 MORNING. 226 00:15:03,688 --> 00:15:05,938 THAT WAS, UM... 227 00:15:05,938 --> 00:15:07,646 SOME NIGHT. 228 00:15:10,230 --> 00:15:12,521 SO IT APPEARS. 229 00:15:12,521 --> 00:15:13,729 RIGHT. 230 00:15:13,729 --> 00:15:15,021 YOU DON'T REMEMBER. 231 00:15:16,855 --> 00:15:18,521 IT'S LIKE THAT AT FIRST, 232 00:15:18,521 --> 00:15:21,688 BUT THEN LITTLE BITS AND PIECES WILL START COMING BACK TO YOU. 233 00:15:21,688 --> 00:15:23,229 SO YOU'RE A... 234 00:15:23,229 --> 00:15:24,438 WEREWOLF GROUPIE. 235 00:15:24,438 --> 00:15:28,062 NOBODY ELSE GETS IT DONE FOR ME. 236 00:15:28,062 --> 00:15:29,521 WHAT? 237 00:15:29,521 --> 00:15:30,771 KIDDING. 238 00:15:32,438 --> 00:15:34,271 YOU KNOW WHAT I AM. 239 00:15:37,438 --> 00:15:41,146 YOU'VE KNOWN SINCE THE FIRST TIME YOU SAW ME. 240 00:15:43,980 --> 00:15:45,938 NOW, YOU... 241 00:15:45,938 --> 00:15:48,771 NEED...TO RELAX. 242 00:15:48,771 --> 00:15:50,021 NOT A POSSIBILITY. 243 00:15:55,062 --> 00:15:58,271 SO WHAT DO YOU WANT TO DO? 244 00:16:01,271 --> 00:16:03,021 GOD! 245 00:16:03,021 --> 00:16:08,062 THE KIDS IN THIS DORM NEED FASHION 101 IN A BIG WAY. 246 00:16:08,062 --> 00:16:12,229 OR WE COULD START RIGHT HERE AT HOME. 247 00:16:12,229 --> 00:16:15,062 NOT MAKING A STATEMENT. 248 00:16:15,062 --> 00:16:17,563 JUST WANNA GET BACK TO MY PLACE, 249 00:16:17,563 --> 00:16:18,896 FIGURE OUT WHY WE GOT OUT OF OUR CAGES. 250 00:16:18,896 --> 00:16:20,438 YOU HAVE A CAGE? 251 00:16:22,146 --> 00:16:23,271 DON'T YOU? 252 00:16:23,271 --> 00:16:24,438 UH, YEAH. 253 00:16:24,438 --> 00:16:26,229 HAS A LITTLE WHEEL WITH A PLASTIC BALL 254 00:16:26,229 --> 00:16:30,104 AND A CUTE LITTLE BELL IN IT. 255 00:16:30,104 --> 00:16:32,729 GOD! SOMEBODY'S DOMESTICATED THE HELL OUT OF YOU. 256 00:16:32,729 --> 00:16:34,062 IT'S MY CHOICE. 257 00:16:34,062 --> 00:16:35,813 I DON'T WANNA HURT ANYBODY. 258 00:16:35,813 --> 00:16:37,563 MAYBE. 259 00:16:37,563 --> 00:16:40,354 OR MAYBE YOU JUST DON'T WANNA ADMIT WHAT HAPPENED TO YOU. 260 00:16:40,354 --> 00:16:43,146 MAYBE YOU JUST WANNA PRETEND LIKE YOU'RE A REGULAR GUY. 261 00:16:43,146 --> 00:16:44,980 WELL, I AM. 262 00:16:44,980 --> 00:16:47,187 I'M ONLY A WOLF 3 NIGHTS A MONTH. 263 00:16:47,187 --> 00:16:49,563 OR YOU'RE THE WOLF ALL THE TIME 264 00:16:49,563 --> 00:16:51,646 AND THIS HUMAN FACE IS JUST YOUR DISGUISE. 265 00:16:51,646 --> 00:16:53,396 YOU EVER THINK ABOUT THAT, OZ? 266 00:16:53,396 --> 00:16:55,688 I'M GOING. I GOTTA CHECK THE PAPER, 267 00:16:55,688 --> 00:16:57,271 SEE IF WE DID ANY DAMAGE LAST NIGHT. 268 00:16:57,271 --> 00:16:58,604 OH, WE DID. 269 00:17:00,646 --> 00:17:03,062 BUT ONLY TO EACH OTHER. 270 00:17:03,062 --> 00:17:06,438 I KNOW SOME PART OF YOU REMEMBERS THAT. 271 00:17:08,187 --> 00:17:10,188 IT DOESN'T TAKE A FULL MOON. 272 00:17:10,188 --> 00:17:12,646 WE COULD...DO IT AGAIN 273 00:17:12,646 --> 00:17:13,563 RIGHT HERE. 274 00:17:19,062 --> 00:17:21,062 WE AREN'T GOING TO. 275 00:17:21,062 --> 00:17:22,938 THIS ENDS... 276 00:17:22,938 --> 00:17:24,104 RIGHT NOW. 277 00:17:24,104 --> 00:17:26,146 I CAN HELP YOU, OZ. 278 00:17:26,146 --> 00:17:28,187 YOU'RE SCARED. I WAS, TOO. 279 00:17:28,187 --> 00:17:29,896 BUT THEN I ACCEPTED IT. 280 00:17:29,896 --> 00:17:32,062 THE ANIMAL-- IT'S POWERFUL. 281 00:17:32,062 --> 00:17:34,813 INSIDE ME ALL THE TIME. 282 00:17:34,813 --> 00:17:38,146 SOON, YOU JUST START TO FEEL SORRY FOR EVERYBODY ELSE 283 00:17:38,146 --> 00:17:41,396 BECAUSE THEY DON'T KNOW WHAT IT'S LIKE TO BE AS ALIVE AS WE ARE. 284 00:17:42,813 --> 00:17:44,521 AS FREE. 285 00:17:49,104 --> 00:17:50,688 FREE TO KILL PEOPLE? 286 00:17:52,396 --> 00:17:54,062 I WON'T DO THAT. 287 00:17:54,062 --> 00:17:55,646 YOU SHOULDN'T. 288 00:17:57,312 --> 00:17:58,646 YOU DON'T UNDERSTAND. 289 00:18:00,187 --> 00:18:01,813 BUT YOU WILL. 290 00:18:01,813 --> 00:18:04,729 YOU'LL SEE THAT WE BELONG TOGETHER. 291 00:18:04,729 --> 00:18:07,729 NO. 292 00:18:07,729 --> 00:18:10,062 I KNOW WHERE I BELONG. 293 00:18:15,396 --> 00:18:16,855 SEE YA TONIGHT. 294 00:18:18,354 --> 00:18:21,021 TWO OF THEM. IT WAS UNBELIEVABLE. 295 00:18:21,021 --> 00:18:23,688 THE FACT THAT I SURVIVED AT ALL IS A MIRACLE. 296 00:18:23,688 --> 00:18:26,230 EXCUSE ME. MS. WALSH? 297 00:18:26,230 --> 00:18:28,729 I HOPE YOU'RE CAREFUL WHEN YOU WALK AROUND CAMPUS AFTER DARK. 298 00:18:28,729 --> 00:18:30,771 I WAS ATTACKED BY WILD DOGS LAST NIGHT. 299 00:18:30,771 --> 00:18:32,521 WILD DOGS? TWO OF THEM. 300 00:18:32,521 --> 00:18:34,062 BIGGEST THINGS I'VE EVER SEEN. 301 00:18:34,062 --> 00:18:35,646 THE FIRST ONE WAS-- 302 00:18:35,646 --> 00:18:37,312 WELL, FOR A MOMENT, I THOUGHT IT WAS A GORILLA. 303 00:18:37,312 --> 00:18:39,229 DID YOU HAVE A QUESTION, BUFFY? 304 00:18:39,229 --> 00:18:41,021 NO. 305 00:18:41,021 --> 00:18:42,271 NO, I WAS JUST... 306 00:18:42,271 --> 00:18:43,896 SAYIN' HOWDY. 307 00:18:43,896 --> 00:18:45,938 FINE. SEE YOU IN CLASS. 308 00:18:52,938 --> 00:18:54,396 [ Knock On Door ] 309 00:18:54,396 --> 00:18:55,646 YEAH? 310 00:18:58,354 --> 00:18:59,354 HEY. 311 00:18:59,354 --> 00:19:00,271 HEY. 312 00:19:01,855 --> 00:19:03,229 NEW LOOK. 313 00:19:03,229 --> 00:19:04,813 YOU, TOO. 314 00:19:06,187 --> 00:19:08,188 OH. UH... 315 00:19:08,188 --> 00:19:10,521 LAUNDRY DAY KINDA CAME AND WENT. 316 00:19:19,813 --> 00:19:21,354 HEY... 317 00:19:21,354 --> 00:19:24,187 I'M SORRY IF I WAS WEIRD YESTERDAY 318 00:19:24,187 --> 00:19:26,229 WITH YOU AND VERUCA. 319 00:19:26,229 --> 00:19:28,729 I DIDN'T NOTICE ANYTHING. 320 00:19:30,230 --> 00:19:31,604 REALLY? 321 00:19:31,604 --> 00:19:35,688 'CAUSE I FELT ALL SPAZZY. 322 00:19:35,688 --> 00:19:38,479 NO. 323 00:19:38,479 --> 00:19:41,187 OH. GOOD. 324 00:19:41,187 --> 00:19:45,354 GUESS IT WAS JUST ME WORRYING FOR NOTHING AGAIN. 325 00:19:45,354 --> 00:19:50,563 ME AND MY BUSY HEAD ALWAYS THINKING, THINKING, THINKING. 326 00:19:52,855 --> 00:19:54,938 WELL, NOW YOU CAN STOP. 327 00:19:54,938 --> 00:19:57,229 EVERYTHING'S FINE. 328 00:19:57,229 --> 00:20:01,146 MAYBE YOU COULD HELP ME...STOP. 329 00:20:01,146 --> 00:20:06,896 I'D REALLY, REALLY APPRECIATE ANYTHING YOU COULD DO. 330 00:20:17,021 --> 00:20:18,438 WHAT? 331 00:20:18,438 --> 00:20:19,563 WHAT'S WRONG? 332 00:20:20,980 --> 00:20:23,021 UH...SORRY. I... 333 00:20:26,187 --> 00:20:27,729 YOU DON'T WANT TO? 334 00:20:27,729 --> 00:20:29,521 IT'S NOT THAT. I DO. 335 00:20:29,521 --> 00:20:31,604 I JUST... 336 00:20:31,604 --> 00:20:35,354 I DIDN'T GET ANY SLEEP, I GUESS. 337 00:20:35,354 --> 00:20:37,521 I'M REALLY BEAT. 338 00:20:37,521 --> 00:20:40,062 RIGHT. 339 00:20:40,062 --> 00:20:42,563 BUSY WOLF NIGHT. 340 00:20:42,563 --> 00:20:44,062 I GET IT. 341 00:20:44,062 --> 00:20:47,146 IT'S TOTALLY OKAY. 342 00:20:47,146 --> 00:20:48,980 WILLOW, YOU DON'T HAVE TO-- 343 00:20:48,980 --> 00:20:50,354 NO. I--I SHOULD. 344 00:20:50,354 --> 00:20:53,062 I DON'T HAVE MUCH TIME. 345 00:20:53,062 --> 00:20:54,855 SEE YOU LATER. 346 00:20:54,855 --> 00:20:56,729 [ Door Closes ] 347 00:21:00,479 --> 00:21:03,438 [ Game Show Host ] TREATY SIGNED IN 1648 THAT ENDED THE THIRTY YEARS' WAR? 348 00:21:03,438 --> 00:21:05,438 PEACE OF WESTPHALIA. 349 00:21:05,438 --> 00:21:07,230 [ Contestant ] UH, YALTA? 350 00:21:07,230 --> 00:21:07,896 OH, YOU MORON. 351 00:21:07,896 --> 00:21:09,396 [ Host ] THAT'S INCORRECT. 352 00:21:09,396 --> 00:21:11,438 THAT DINETTE SET SHOULD BE MINE. 353 00:21:11,438 --> 00:21:13,521 [ Knock At Door ] 354 00:21:13,521 --> 00:21:14,938 [ Clicks Off TV ] 355 00:21:19,563 --> 00:21:20,646 BUFFY. EXCELLENT. 356 00:21:20,646 --> 00:21:22,521 UH, COME IN. 357 00:21:22,521 --> 00:21:24,187 HI. 358 00:21:24,187 --> 00:21:26,104 CAN I GET YOU ANYTHING? TEA? 359 00:21:26,104 --> 00:21:28,896 I MADE A VERY INTERESTING MOUSSAKA LAST NIGHT, 360 00:21:28,896 --> 00:21:29,896 IF YOU'RE HUNGRY. 361 00:21:29,896 --> 00:21:31,271 PASS ON THE TEA. 362 00:21:31,271 --> 00:21:33,396 AND THE MOOSE, THANK YOU. 363 00:21:33,396 --> 00:21:35,104 YOU COME ON BUSINESS, I HOPE? 364 00:21:35,104 --> 00:21:38,021 YES. LUCKY FOR YOU, PEOPLE MAY BE IN DANGER. 365 00:21:38,021 --> 00:21:41,771 I ONLY MEANT, UH, THAT I'M AT THE READY. 366 00:21:41,771 --> 00:21:43,354 HERE'S THE DEAL. 367 00:21:43,354 --> 00:21:45,438 ONE OF MY PROFESSORS SAID THAT SHE WAS ALMOST ATTACKED 368 00:21:45,438 --> 00:21:47,771 BY 2 WILD DOGS LAST NIGHT... 369 00:21:47,771 --> 00:21:50,354 UNDER THE LIGHT OF A NEARLY FULL MOON. 370 00:21:50,354 --> 00:21:51,354 WEREWOLVES. 371 00:21:51,354 --> 00:21:52,438 TWO OF THEM? 372 00:21:52,438 --> 00:21:53,855 COULD BE. 373 00:21:53,855 --> 00:21:56,813 WELL, I'VE NOT SEEN ANYTHING ABOUT THE ATTACKS 374 00:21:56,813 --> 00:22:00,062 IN THE NEWSPAPERS OR ON THE NEWS. 375 00:22:00,062 --> 00:22:01,396 HAVE YOU SPOKEN WITH OZ? 376 00:22:01,396 --> 00:22:03,062 MY NEXT STOP. 377 00:22:03,062 --> 00:22:04,521 RIGHT. GET RIGHT ON IT. 378 00:22:04,521 --> 00:22:06,271 AND I'LL SEE WHAT I CAN FIND OUT. 379 00:22:06,271 --> 00:22:07,479 AND YOU REPORT BACK TO ME... 380 00:22:07,479 --> 00:22:08,479 ASAP. 381 00:22:08,479 --> 00:22:09,604 PROMISE. 382 00:22:16,771 --> 00:22:17,855 HEY, WIL. 383 00:22:17,855 --> 00:22:18,938 MOM LET YOU IN? 384 00:22:18,938 --> 00:22:21,479 SHE SEEMED CRANKY. 385 00:22:21,479 --> 00:22:25,646 YEAH. WE'RE HAVING A LITTLE LANDLORD-TENANT DISPUTE, 386 00:22:25,646 --> 00:22:27,312 SO I'M WITHHOLDING RENT. 387 00:22:27,312 --> 00:22:29,438 AN EFFECTIVE, AND MIGHT I ADD, THRIFTY TACTIC. 388 00:22:29,438 --> 00:22:30,521 HOW COME? 389 00:22:30,521 --> 00:22:32,271 SHE WON'T LET ME PUT A LOCK ON MY DOOR. 390 00:22:32,271 --> 00:22:35,688 I SUSPECT SHE'S AFRAID I'LL START HAVING THE SEX. 391 00:22:35,688 --> 00:22:37,771 YEAH. PARENTS USUALLY WAIT TILL YOU'RE OUT OF THE HOUSE. 392 00:22:37,771 --> 00:22:38,896 OR UNDER IT. 393 00:22:38,896 --> 00:22:41,146 OR UNDER IT... 394 00:22:41,146 --> 00:22:44,104 TO START WORRYING ABOUT STUFF LIKE THAT. 395 00:22:44,104 --> 00:22:46,396 IT'S MOSTLY TOO LATE. 396 00:22:46,396 --> 00:22:51,688 SO, I KNOW WHY I'M SITTING IN A DANK, SUNLESS LITTLE ROOM. 397 00:22:51,688 --> 00:22:53,187 BUT WHY YOU? 398 00:22:53,187 --> 00:22:55,396 WELL, THINGS WITH OZ ARE WEIRD. 399 00:22:55,396 --> 00:22:58,146 AND I TALKED TO BUFFY ABOUT IT, 400 00:22:58,146 --> 00:23:00,604 BUT I THINK WE'RE IN GUYVILLE HERE. 401 00:23:00,604 --> 00:23:03,229 I NEED A TRANSLATOR FROM THE "Y" SIDE OF THINGS. 402 00:23:03,229 --> 00:23:05,187 WELL, LAST TIME I CHECKED, I HAD THE CREDS. 403 00:23:05,187 --> 00:23:06,271 HIT ME. 404 00:23:09,688 --> 00:23:12,896 WHAT DOES IT MEAN WHEN A GIRL WANTS TO... 405 00:23:12,896 --> 00:23:14,062 YOU KNOW. 406 00:23:14,062 --> 00:23:15,646 IF YOU'RE DOIN' IT, 407 00:23:15,646 --> 00:23:18,062 I THINK YOU SHOULD BE ABLE TO SAY IT. 408 00:23:19,646 --> 00:23:21,729 MAKE LOVE. 409 00:23:21,729 --> 00:23:24,646 WILD MONKEY LOVE OR TENDER SARAH McLACHLAN LOVE? 410 00:23:24,646 --> 00:23:26,104 ANY KIND. 411 00:23:26,104 --> 00:23:31,312 BUT WHAT IF THE GIRL WANTS TO AND THE GUY DOESN'T? 412 00:23:31,312 --> 00:23:33,187 THAT'S A BAD SIGN, RIGHT? 413 00:23:33,187 --> 00:23:34,896 COULD BE. 414 00:23:34,896 --> 00:23:37,813 OR THE GIRL CAUGHT THE GUY IN ONE OF THE 7 ANNUAL MINUTES 415 00:23:37,813 --> 00:23:40,771 HE'S LEGITIMATELY TOO PREOCCUPIED TO DO IT. 416 00:23:40,771 --> 00:23:43,813 WELL, SAY THE GIRL'S BEEN NOTICING-- 417 00:23:43,813 --> 00:23:46,855 WIL, I'VE DECIPHERED YOUR INGENIOUS CODE. 418 00:23:46,855 --> 00:23:52,354 OKAY. SAY I'VE BEEN NOTICING OZ NOTICE SOMEONE ELSE. 419 00:23:52,354 --> 00:23:53,813 A WOMAN. 420 00:23:53,813 --> 00:23:56,104 AND IS THIS CHICK NOTICING BACK? 421 00:23:56,104 --> 00:23:58,104 MOST DEFINITELY. 422 00:23:58,104 --> 00:23:59,563 WELL... 423 00:23:59,563 --> 00:24:02,062 HAVE YOU ASKED OZ ABOUT IT? 424 00:24:02,062 --> 00:24:04,438 WELL, I THOUGHT ABOUT IT, 425 00:24:04,438 --> 00:24:07,146 BUT THEN HE'LL THINK I'M ALL JEALOUS AND WORRIED. 426 00:24:07,146 --> 00:24:08,438 BUT YOU ARE. 427 00:24:08,438 --> 00:24:10,146 AND ODDS ARE, HE FEELS IT. 428 00:24:10,146 --> 00:24:13,771 I'LL BET THAT'S ALL THERE IS TO THE WEIRD YOU'RE FEELING. 429 00:24:13,771 --> 00:24:14,896 YOU GUYS SHOULD TALK THINGS OUT, WIL. 430 00:24:14,896 --> 00:24:16,896 YOU'LL BOTH FEEL BETTER. 431 00:24:31,479 --> 00:24:33,062 HEY. 432 00:24:33,062 --> 00:24:34,813 GOT OUT, HUH? 433 00:24:34,813 --> 00:24:36,021 YEAH. 434 00:24:36,021 --> 00:24:37,938 ANY NEWS ABOUT ATTACKS? 435 00:24:37,938 --> 00:24:40,271 NO. 436 00:24:40,271 --> 00:24:44,229 BUT I DID HEAR ABOUT A WOMAN BEING CHASED BY 2 WILD DOGS. 437 00:24:44,229 --> 00:24:47,229 TWO? REALLY? 438 00:24:47,229 --> 00:24:49,104 YOU DON'T REMEMBER ANYTHING LIKE THAT, DO YOU? 439 00:24:49,104 --> 00:24:51,187 ANOTHER WOLF? 440 00:24:51,187 --> 00:24:54,521 NO. WHEN THE CHANGE COMES, IT'S LIKE...I'M GONE. 441 00:24:54,521 --> 00:24:55,980 TOTAL BLACKOUT. 442 00:24:55,980 --> 00:24:58,604 WELL, IF I FIND WEREWOLF NUMBER 2 OUT ON PATROL TONIGHT, 443 00:24:58,604 --> 00:25:01,312 YOU MIGHT HAVE A ROOMIE IN THERE. 444 00:25:05,271 --> 00:25:06,729 OZ... 445 00:25:06,729 --> 00:25:09,354 OZ, ARE YOU OKAY? 446 00:25:09,354 --> 00:25:11,604 AND IF IT'S POSSIBLE, 447 00:25:11,604 --> 00:25:14,062 YOU SEEM MORE MONOSYLLABIC THAN USUAL. 448 00:25:16,229 --> 00:25:17,354 I'M OKAY. 449 00:25:17,354 --> 00:25:18,396 THANKS. 450 00:25:20,354 --> 00:25:26,396 ♪ I STEP OUT OF MY SKIN ♪ 451 00:25:28,312 --> 00:25:34,312 ♪ YOU WOULDN'T KNOW ME NOW ♪ 452 00:25:34,312 --> 00:25:39,688 ♪ COULDN'T YOU GO AWAY? ♪ 453 00:25:39,688 --> 00:25:43,980 ♪ SHOULDN'T I? ♪ 454 00:25:46,104 --> 00:25:52,104 ♪ LEAVE ME THE HARD PART ♪ 455 00:25:52,104 --> 00:25:57,980 ♪ IT'S ALL I WANT ♪ 456 00:26:00,438 --> 00:26:04,521 ♪ I NEED ♪ 457 00:26:07,604 --> 00:26:12,521 ♪ I WON'T BE ♪ 458 00:26:12,521 --> 00:26:16,021 ♪ YOUR SOFT ONE ♪ 459 00:26:16,021 --> 00:26:21,896 ♪ I WON'T BE ENCIRCLED ♪ 460 00:26:21,896 --> 00:26:27,146 ♪ YOU MIGHT BECOME ♪ 461 00:26:28,187 --> 00:26:33,855 ♪ SOMETHING I NEED ♪ 462 00:26:36,771 --> 00:26:40,229 ♪ TO DESTROY ♪♪ 463 00:26:43,813 --> 00:26:46,521 SO THIS IS WHY YOU CALLED ME HERE? 464 00:26:46,521 --> 00:26:49,062 TO SEE YOUR HABITTRAIL? 465 00:26:52,229 --> 00:26:54,980 RIGHT BEFORE SUNSET, I GET A LITTLE BUZZED, YOU KNOW? 466 00:26:54,980 --> 00:26:57,604 COME HERE. 467 00:26:57,604 --> 00:27:00,021 I'M NOT GETTING IN THAT STUPID CAGE WITH YOU, 468 00:27:00,021 --> 00:27:01,896 IF THAT'S WHAT THIS IS ALL ABOUT. 469 00:27:01,896 --> 00:27:04,230 WE BELONG OUTSIDE. 470 00:27:06,438 --> 00:27:08,187 YOU CAN'T RUN LOOSE TONIGHT. 471 00:27:08,187 --> 00:27:11,062 AND NOT JUST BECAUSE YOU MIGHT HURT SOMEBODY. 472 00:27:11,062 --> 00:27:13,188 I KNOW PEOPLE THAT'LL BE OUT THERE... 473 00:27:13,188 --> 00:27:14,688 HUNTING FOR US. 474 00:27:14,688 --> 00:27:17,729 SO YOU'RE SAYING I SHOULD SPEND THE WHOLE NIGHT WITH YOU... 475 00:27:17,729 --> 00:27:19,896 ALONE... 476 00:27:19,896 --> 00:27:21,855 LOCKED IN A CAGE. 477 00:27:21,855 --> 00:27:23,271 YOU'LL BE SAFE. 478 00:27:24,855 --> 00:27:26,771 NOT FROM YOU. 479 00:27:29,021 --> 00:27:32,438 ISN'T THAT THE POINT OF THIS COZY LITTLE ARRANGEMENT? 480 00:27:35,396 --> 00:27:36,855 IT'S COMING. 481 00:27:36,855 --> 00:27:39,563 DO YOU FEEL IT? 482 00:27:39,563 --> 00:27:42,062 IT'S LIKE BLOOD BOILING. 483 00:27:42,062 --> 00:27:44,646 I FEEL IT. 484 00:27:44,646 --> 00:27:48,479 I'VE WANTED YOU EVEN BEFORE I EVER SAW YOU. 485 00:27:48,479 --> 00:27:51,062 I SENSED YOU. 486 00:27:51,062 --> 00:27:53,271 DID YOU SENSE ME? 487 00:27:55,521 --> 00:27:56,980 COME IN HERE. 488 00:27:56,980 --> 00:27:58,438 DID YOU? 489 00:28:08,563 --> 00:28:11,438 [ Snarling ] 490 00:28:43,855 --> 00:28:46,104 WILLOW... 491 00:28:46,104 --> 00:28:48,855 OH, MY GOD. 492 00:28:53,729 --> 00:28:55,688 OH, MY GOD. 493 00:28:58,771 --> 00:29:00,104 I KNOW WHAT YOU SAW. IT WASN'T-- 494 00:29:00,104 --> 00:29:01,479 [ Zips Pants ] 495 00:29:01,479 --> 00:29:04,438 [ Beeping ] 496 00:29:04,438 --> 00:29:06,271 I HAD TO. 497 00:29:06,271 --> 00:29:08,479 I HAD TO LOCK HER IN THERE WITH ME. 498 00:29:08,479 --> 00:29:11,104 I BET. 499 00:29:11,104 --> 00:29:13,021 SHE'S LIKE ME. A WOLF. 500 00:29:15,230 --> 00:29:18,688 WELL, I KNEW YOU TWO HAD A LOT IN COMMON, BUT... 501 00:29:18,688 --> 00:29:20,021 DON'T TOUCH ME! 502 00:29:23,312 --> 00:29:25,813 SHE WAS GONNA HURT SOMEBODY. 503 00:29:25,813 --> 00:29:27,688 I DIDN'T HAVE A CHOICE. 504 00:29:27,688 --> 00:29:29,479 BUT YOU DID. 505 00:29:29,479 --> 00:29:31,855 YOU COULD'VE TOLD SOMEBODY. 506 00:29:31,855 --> 00:29:34,354 YOUR SOLUTION... 507 00:29:34,354 --> 00:29:37,479 JUST PUT YOU TWO TOGETHER IN A ROOM ALL NIGHT? 508 00:29:37,479 --> 00:29:39,688 GIRL'S GOT A POINT. 509 00:29:39,688 --> 00:29:41,855 LEAVE. 510 00:29:41,855 --> 00:29:43,104 I'M JUST SAYING-- 511 00:29:43,104 --> 00:29:44,104 NOW! 512 00:29:51,938 --> 00:29:54,104 I'M SORRY. 513 00:29:54,104 --> 00:29:55,479 I KNEW. 514 00:29:57,312 --> 00:29:59,312 I KNEW, YOU JERK. 515 00:30:01,062 --> 00:30:05,855 AND YOU SAT THERE, AND YOU TOLD ME EVERYTHING WAS FINE? 516 00:30:05,855 --> 00:30:08,521 AND THAT'S AS BAD AS... 517 00:30:08,521 --> 00:30:09,563 AS... 518 00:30:09,563 --> 00:30:11,813 I KNOW HOW IT FEELS. 519 00:30:11,813 --> 00:30:12,938 I REMEMBER. 520 00:30:12,938 --> 00:30:15,104 OH. 521 00:30:15,104 --> 00:30:18,187 SO WHAT, THIS IS PAYBACK? 522 00:30:18,187 --> 00:30:19,771 I HAD THIS COMING? 523 00:30:19,771 --> 00:30:21,604 NO. IT'S NOT-- 524 00:30:21,604 --> 00:30:25,062 BECAUSE I THOUGHT THAT WAS BEHIND US. 525 00:30:25,062 --> 00:30:29,855 AND YOU KNOW, WHAT HAPPENED WITH XANDER, IT DOESN'T COMPARE. 526 00:30:31,563 --> 00:30:35,312 NOT WITH WHAT YOU AND I HAD. 527 00:30:35,312 --> 00:30:37,980 NOT WITH WHATEVER YOU'VE BEEN DOING WITH HER. 528 00:30:37,980 --> 00:30:39,855 I DON'T KNOW WHAT VERUCA AND I HAVE DONE. 529 00:30:39,855 --> 00:30:41,938 WHEN I CHANGE, IT'S LIKE, 530 00:30:41,938 --> 00:30:45,229 IT'S LIKE I'M GONE AND THE WOLF TAKES OVER. 531 00:30:45,229 --> 00:30:50,271 BUT BEFORE THIS, WHEN YOU WERE REGULAR OZ, 532 00:30:51,479 --> 00:30:54,354 YOU HAD FEELINGS FOR HER, DIDN'T YOU? 533 00:30:54,354 --> 00:30:55,729 NO. 534 00:30:55,729 --> 00:30:57,646 I COULD SENSE SOMETHING, BUT... 535 00:30:57,646 --> 00:31:00,021 BUT YOU WANTED HER... 536 00:31:00,021 --> 00:31:03,271 LIKE IN AN ANIMAL WAY? 537 00:31:05,354 --> 00:31:09,563 LIKE...MORE THAN YOU WANTED ME? 538 00:31:39,271 --> 00:31:40,146 WILLOW! 539 00:31:46,104 --> 00:31:47,646 WILLOW, ARE YOU OKAY? 540 00:31:47,646 --> 00:31:50,146 THANK YOU. I WAS TOO FAR AWAY. 541 00:31:50,146 --> 00:31:52,479 IT WAS LUCKY. SHE ALMOST GOT HIT. 542 00:31:52,479 --> 00:31:53,980 WILLOW, WHAT'S THE MATTER? 543 00:31:55,896 --> 00:31:57,396 MAYBE YOU SHOULD TAKE HER HOME. 544 00:32:01,229 --> 00:32:04,604 WHATEVER IT IS, IT'S NOT WORTH HURTING YOURSELF OVER. 545 00:32:04,604 --> 00:32:06,771 THANK YOU. 546 00:32:11,230 --> 00:32:13,855 I HAVE TO GO. 547 00:32:13,855 --> 00:32:15,729 I HAVE TO FIND VERUCA BEFORE THE SUN SETS. 548 00:32:17,271 --> 00:32:18,896 I WILL, THOUGH. 549 00:32:18,896 --> 00:32:20,104 WHEN I DO, THIS THING STOPS. 550 00:32:20,104 --> 00:32:21,438 SHE'S BAD NEWS. 551 00:32:26,146 --> 00:32:28,354 DO YOU WANT ME TO GET YOU SOMETHING BEFORE I TAKE OFF? 552 00:32:28,354 --> 00:32:30,771 KLEENEX? 553 00:32:30,771 --> 00:32:33,354 CHOCOLATEY... CHOCOLATE ANYTHING? 554 00:32:34,771 --> 00:32:35,896 NO. 555 00:32:35,896 --> 00:32:39,062 I'LL COME BACK AS SOON AS THIS IS FINISHED. 556 00:32:39,062 --> 00:32:41,104 I JUST WANT YOU TO TAKE IT EASY, OKAY? 557 00:32:42,938 --> 00:32:44,729 RILEY WAS RIGHT. 558 00:32:44,729 --> 00:32:47,646 THE MAIN THING IS PUT THE BLAME WHERE IT BELONGS. 559 00:32:47,646 --> 00:32:49,521 DON'T HURT YOURSELF. 560 00:32:49,521 --> 00:32:51,187 OKAY. 561 00:32:51,187 --> 00:32:52,187 OKAY. 562 00:32:54,479 --> 00:32:55,729 YOU'RE OKAY? 563 00:32:55,729 --> 00:32:57,729 I'M FINE. 564 00:32:57,729 --> 00:32:58,980 I PROMISE. 565 00:32:58,980 --> 00:33:00,312 I LOVE YOU. 566 00:33:10,438 --> 00:33:13,021 PUT THE BLAME WHERE IT BELONGS. 567 00:33:23,688 --> 00:33:25,980 SO YOU HAVEN'T SEEN HER AROUND? 568 00:33:25,980 --> 00:33:28,229 OKAY. THANKS, MAN. 569 00:33:29,938 --> 00:33:31,021 [ Door Opens ] 570 00:33:34,062 --> 00:33:35,688 WHERE IS SHE? 571 00:33:35,688 --> 00:33:36,855 I DON'T KNOW. 572 00:33:36,855 --> 00:33:38,813 I ALREADY CHECKED ALL THE USUAL HAUNTS. 573 00:33:38,813 --> 00:33:40,896 BUT I KNOW THE AREAS WE'RE DRAWN TO. 574 00:33:40,896 --> 00:33:42,396 I'M PRETTY SURE I CAN FOLLOW HER SCENT. 575 00:33:42,396 --> 00:33:44,521 WE'LL TRY THAT THEN. 576 00:33:44,521 --> 00:33:46,312 LOOK, BUFFY, YOU SHOULD KNOW THAT-- 577 00:33:46,312 --> 00:33:48,021 OZ... 578 00:33:48,021 --> 00:33:50,729 NOW MIGHT BE A GOOD TIME FOR YOUR TRADEMARK STOICISM. 579 00:34:01,604 --> 00:34:07,521 I CONJURE THEE BY BARABBAS, BY SATANAS, AND THE DEVIL. 580 00:34:07,521 --> 00:34:10,146 AS THOU ART BURNING, 581 00:34:10,146 --> 00:34:13,938 LET OZ AND VERUCA'S DECEITFUL HEARTS BE BROKEN. 582 00:34:25,021 --> 00:34:26,062 THIS WAY. 583 00:34:27,271 --> 00:34:30,813 I CONJURE THEE BY THE SARACEN QUEEN 584 00:34:30,813 --> 00:34:33,104 IN THE NAME OF HELL. 585 00:34:33,104 --> 00:34:36,104 LET THEM FIND NO LOVE OR SOLACE. 586 00:34:36,104 --> 00:34:39,771 LET THEM FIND NO PEACE AS WELL. 587 00:34:44,855 --> 00:34:46,479 [ Oz ] SHE'S NEAR HERE. 588 00:34:46,479 --> 00:34:49,146 I CAN SMELL HER. 589 00:34:49,146 --> 00:34:53,021 OR THE DIRTY PILE OF CLOTHING SHE LEFT ON THE GROUND. 590 00:34:53,021 --> 00:34:54,980 WELL, THEY COULD BE FROM THE OTHER NIGHT WHEN SHE-- 591 00:34:54,980 --> 00:34:56,896 TURNED INTO A WEREWOLF. 592 00:34:56,896 --> 00:35:00,438 UNLESS SHE WANTED TO THROW YOU OFF THE SCENT. 593 00:35:01,688 --> 00:35:02,729 WILLOW. 594 00:35:13,271 --> 00:35:15,521 LET THIS IMAGE SEAL HIS FATE. 595 00:35:15,521 --> 00:35:18,479 NOT TO LOVE, ONLY HATE. 596 00:35:31,187 --> 00:35:34,271 WOW. 597 00:35:34,271 --> 00:35:37,021 FOR A MINUTE THERE, I THOUGHT YOU MIGHT ACTUALLY PLAY ROUGH. 598 00:35:41,062 --> 00:35:43,312 SOMETIMES YOU HAVE TO, YOU KNOW? 599 00:35:43,312 --> 00:35:46,104 TO KEEP WHAT'S YOURS, 600 00:35:46,104 --> 00:35:48,312 SOMETIMES YOU HAVE TO KILL. 601 00:35:51,980 --> 00:35:53,479 HOW 'BOUT THAT? 602 00:35:54,938 --> 00:35:57,021 THE SUN'S ALMOST DOWN. 603 00:36:16,146 --> 00:36:19,646 CAN'T SAY I'M SURPRISED YOU DIDN'T GO THROUGH WITH YOUR LITTLE HEX. 604 00:36:19,646 --> 00:36:21,312 YOU DON'T HAVE THE TEETH. 605 00:36:21,312 --> 00:36:23,438 YOU DON'T KNOW WHAT I HAVE. 606 00:36:23,438 --> 00:36:25,855 YOU DON'T KNOW ANYTHING ABOUT ME. 607 00:36:25,855 --> 00:36:27,688 I KNOW WHAT YOU LOVE. 608 00:36:27,688 --> 00:36:32,021 I HAVE HIS SCENT ON ME RIGHT NOW. 609 00:36:36,896 --> 00:36:39,271 DON'T TOUCH HER AGAIN. 610 00:36:39,271 --> 00:36:40,855 COME STOP ME. 611 00:36:40,855 --> 00:36:43,229 I LIKE IT ROUGH, REMEMBER? 612 00:36:45,479 --> 00:36:47,896 YOU WANNA HURT ME, HURT ME. 613 00:36:47,896 --> 00:36:49,312 YOU LEAVE HER OUT OF THIS. 614 00:36:49,312 --> 00:36:51,021 HOW CAN I? 615 00:36:51,021 --> 00:36:53,104 SHE'S THE REASON YOU'RE LIVING IN CAGES. 616 00:36:53,104 --> 00:36:55,187 SHE'S BLINDING YOU. 617 00:36:55,187 --> 00:36:59,187 WHEN SHE'S GONE, YOU'LL BE ABLE TO ADMIT WHAT YOU ARE. 618 00:37:02,271 --> 00:37:05,062 YOU DON'T WANNA FIND OUT WHAT I AM. 619 00:37:05,062 --> 00:37:07,188 YOU'RE AN ANIMAL. 620 00:37:12,104 --> 00:37:13,729 ANIMALS KILL. 621 00:37:16,438 --> 00:37:18,021 YOU'RE RIGHT. 622 00:37:18,021 --> 00:37:19,396 WE KILL. 623 00:37:33,855 --> 00:37:36,396 [ Growling ] 624 00:37:53,896 --> 00:37:56,521 [ Snarling ] 625 00:37:59,229 --> 00:38:01,229 GRRAAH! 626 00:38:01,229 --> 00:38:02,729 OZ? 627 00:38:05,104 --> 00:38:06,813 GRRR! AAH! 628 00:38:50,438 --> 00:38:52,354 I'M NOT QUITE SURE I UNDERSTAND. 629 00:38:52,354 --> 00:38:56,104 THERE WAS JUST SO MUCH GOING ON WITH OZ AND WILLOW. 630 00:38:56,104 --> 00:38:57,229 AND THERE STILL IS. 631 00:38:57,229 --> 00:38:59,146 BUT I JUST THOUGHT YOU SHOULD KNOW. 632 00:38:59,146 --> 00:39:00,813 WELL, THIS FELLOW IN THE WOODS, 633 00:39:00,813 --> 00:39:03,230 HE WAS IN MILITARY GARB? 634 00:39:03,230 --> 00:39:05,604 AND HE WAS TOTING SOME SERIOUS WEAPONRY. 635 00:39:05,604 --> 00:39:08,563 THE THING IS, I SAW SOME GUYS DRESSED EXACTLY LIKE HIM 636 00:39:08,563 --> 00:39:09,813 ON HALLOWEEN NIGHT. 637 00:39:09,813 --> 00:39:11,604 I JUST ASSUMED THEY WERE IN COSTUME. 638 00:39:11,604 --> 00:39:13,771 BUT MAYBE THEY WERE WORKING. 639 00:39:13,771 --> 00:39:15,396 I WANNA KNOW WHAT'S UP. 640 00:39:15,396 --> 00:39:17,312 THE GUY GOT IN MY WAY. 641 00:39:17,312 --> 00:39:20,146 I ALMOST DIDN'T CATCH UP WITH OZ IN TIME. 642 00:39:20,146 --> 00:39:22,896 AND AS IT WAS, I WAS TOO LATE TO-- 643 00:39:22,896 --> 00:39:25,230 YOU SAVED WILLOW. 644 00:39:25,230 --> 00:39:28,604 RIGHT NOW SHE WISHES I HADN'T. 645 00:39:28,604 --> 00:39:32,187 GILES, I'VE NEVER SEEN HER LIKE THIS. 646 00:39:32,187 --> 00:39:36,604 IT'S LIKE IT HURTS TOO MUCH TO FORM WORDS. 647 00:39:36,604 --> 00:39:38,604 YOU'VE... 648 00:39:38,604 --> 00:39:40,271 YOU'VE FELT THAT WAY YOURSELF, 649 00:39:40,271 --> 00:39:41,438 AND YOU GOT THROUGH IT. 650 00:39:41,438 --> 00:39:44,479 YEAH. I RAN AWAY AND WENT TO HELL 651 00:39:44,479 --> 00:39:46,438 AND THEN GOT THROUGH IT. 652 00:39:46,438 --> 00:39:49,146 I'M KIND OF HOPING SHE DOESN'T USE ME AS A MODEL. 653 00:39:49,146 --> 00:39:50,688 FAIR ENOUGH. 654 00:39:50,688 --> 00:39:55,230 I JUST DON'T KNOW HOW THEY'RE GONNA DEAL WITH THIS. 655 00:39:57,104 --> 00:39:58,646 [ Knock On Door ] 656 00:40:08,604 --> 00:40:11,104 HELLO. 657 00:40:11,104 --> 00:40:12,146 HI. 658 00:40:18,938 --> 00:40:20,813 WHAT ARE YOU DOING? 659 00:40:23,813 --> 00:40:25,396 I'M GOING. 660 00:40:29,146 --> 00:40:30,229 NOW? 661 00:40:30,229 --> 00:40:31,563 MM-HMM. 662 00:40:31,563 --> 00:40:33,354 [ Zips Suitcase ] 663 00:40:33,354 --> 00:40:35,104 THAT'S YOUR SOLUTION? 664 00:40:36,938 --> 00:40:38,271 THAT'S MY DECISION. 665 00:40:38,271 --> 00:40:41,479 DON'T I GET ANY SAY IN THIS? 666 00:40:41,479 --> 00:40:42,771 NO. 667 00:40:47,396 --> 00:40:49,396 VERUCA WAS RIGHT ABOUT SOMETHING. 668 00:40:51,312 --> 00:40:54,479 THE WOLF IS INSIDE ME ALL THE TIME, 669 00:40:54,479 --> 00:41:00,229 AND I DON'T KNOW WHERE THAT LINE IS ANYMORE BETWEEN ME AND IT. 670 00:41:01,688 --> 00:41:05,146 AND UNTIL I FIGURE OUT WHAT THAT MEANS, 671 00:41:06,688 --> 00:41:08,938 I SHOULDN'T BE AROUND YOU... 672 00:41:08,938 --> 00:41:11,438 OR ANYBODY. 673 00:41:11,438 --> 00:41:13,813 WELL, THAT COULD BE A PROBLEM 674 00:41:13,813 --> 00:41:16,021 'CAUSE PEOPLE... 675 00:41:16,021 --> 00:41:20,104 KIND OF A PLANETARY EPIDEMIC. 676 00:41:20,104 --> 00:41:23,438 I'LL FIND SOMEPLACE. 677 00:41:23,438 --> 00:41:26,855 WELL, HOW LONG? 678 00:41:26,855 --> 00:41:29,354 I DON'T KNOW. 679 00:41:30,896 --> 00:41:33,354 OZ... 680 00:41:33,354 --> 00:41:36,396 DON'T YOU LOVE ME? 681 00:41:37,688 --> 00:41:39,229 MY WHOLE LIFE... 682 00:41:39,229 --> 00:41:41,563 I'VE NEVER LOVED ANYTHING ELSE. 683 00:41:52,104 --> 00:41:53,688 OZ... 684 00:41:56,813 --> 00:41:58,980 OH, GOD. 685 00:42:00,312 --> 00:42:01,521 OZ... 686 00:42:41,771 --> 00:42:46,229 [ Turns On Ignition ] 687 00:42:46,229 --> 00:42:48,771 [ Turns Off Ignition ] 688 00:43:03,646 --> 00:43:06,229 [ Turns On Ignition ] 689 00:43:53,146 --> 00:43:54,729 GRR! ARRGH!