1 00:00:02,938 --> 00:00:06,229 ♪♪ [ Alternative Rock ] 2 00:00:06,229 --> 00:00:08,896 ♪ I REALLY BELIEVE ♪ 3 00:00:08,896 --> 00:00:13,354 ♪ WHEN I SEE YOUR FACE ♪ 4 00:00:13,354 --> 00:00:16,521 ♪ MY EYES JUST DILATE ♪ 5 00:00:16,521 --> 00:00:20,813 ♪ BUT I CAN'T ERASE ♪ 6 00:00:20,813 --> 00:00:24,688 ♪ THAT I WANT TO VIOLATE ♪♪ 7 00:00:24,688 --> 00:00:26,646 HEY, LOOK. PARKER'S HERE. 8 00:00:26,646 --> 00:00:27,980 YEAH? 9 00:00:27,980 --> 00:00:29,813 YOU'RE NOT LOOKING? 10 00:00:29,813 --> 00:00:31,688 HE LOOKS REALLY CUTE IN GREEN. 11 00:00:31,688 --> 00:00:33,062 TEAL. 12 00:00:33,062 --> 00:00:35,646 HE'S REFLECTED IN THE MIRROR. 13 00:00:38,771 --> 00:00:40,021 YOU KNOW, WHEN YOU SPEND 14 00:00:40,021 --> 00:00:41,312 ALL WEEK WITH A BOY, 15 00:00:41,312 --> 00:00:43,187 YOU ARE ALLOWED TO LOOK AT HIM DIRECTLY. 16 00:00:43,187 --> 00:00:45,688 NOT ALL WEEK. 17 00:00:45,688 --> 00:00:49,563 WE HUNG OUT MODERATELY INCESSANTLY, 18 00:00:49,563 --> 00:00:50,980 BUT WE'RE NOT HERE TOGETHER TONIGHT. 19 00:00:50,980 --> 00:00:52,146 YOU KNOW, I DON'T WANT TO CROWD HIM. 20 00:00:52,146 --> 00:00:54,229 [ Applause ] 21 00:01:00,688 --> 00:01:02,229 HEY. 22 00:01:02,229 --> 00:01:03,813 YOU GUYS READY TO LOAD UP AND GO? 23 00:01:03,813 --> 00:01:05,104 ALMOST. 24 00:01:05,104 --> 00:01:06,729 BUFFY'S LOOKING AT PARKER, 25 00:01:06,729 --> 00:01:08,896 WHO, IT TURNS OUT, HAS A REFLECTION. 26 00:01:08,896 --> 00:01:10,438 SO BIG PLUS THERE. 27 00:01:10,438 --> 00:01:13,438 BUFFY'S HAVING LUSTY WRONG FEELINGS. 28 00:01:13,438 --> 00:01:15,062 NO, I'M NOT. 29 00:01:15,062 --> 00:01:17,062 NO, YOU'RE NOT. 30 00:01:17,062 --> 00:01:18,980 OH, I SO AM. 31 00:01:18,980 --> 00:01:21,771 NO, THEY'RE NOT WRONG FEELINGS, 32 00:01:21,771 --> 00:01:22,896 'CAUSE THERE'S NO WRONG. 33 00:01:22,896 --> 00:01:25,438 YOU'RE FREE. YOU'RE BOTH GROWN-UPS. 34 00:01:25,438 --> 00:01:27,813 YOU ARE FREE, RIGHT? 35 00:01:29,563 --> 00:01:30,604 HI. 36 00:01:30,604 --> 00:01:31,688 HI. 37 00:01:31,688 --> 00:01:32,646 I JUST WANTED TO LET YOU KNOW 38 00:01:32,646 --> 00:01:33,771 I'M HEADING OUT. 39 00:01:33,771 --> 00:01:35,896 AND IT'S NOT REAL SAFE AROUND HERE, 40 00:01:35,896 --> 00:01:37,521 SO, IF YOU, YOU KNOW, WALK BACK TO YOUR DORM-- 41 00:01:37,521 --> 00:01:40,771 HOW SILLY OF ME NOT TO PLAN AHEAD. 42 00:01:46,938 --> 00:01:48,062 BYE. 43 00:01:48,062 --> 00:01:49,062 SEE YOU GUYS. 44 00:01:56,271 --> 00:01:58,312 THAT WAS, LIKE, THE BEST SET EVER. 45 00:01:58,312 --> 00:02:00,021 WE'LL DO GREAT IN L.A. 46 00:02:00,021 --> 00:02:01,312 WE'RE GONNA HAVE THEM GLUED TO THEIR SEATS. 47 00:02:01,312 --> 00:02:02,646 UH, DEVON? 48 00:02:02,646 --> 00:02:04,729 AREN'T THEY SUPPOSED TO DANCE? 49 00:02:04,729 --> 00:02:06,312 WELL, WE CAN GLUE THEM TO THE DANCE FLOOR. 50 00:02:10,062 --> 00:02:11,938 I DON'T MEAN WITH REAL GLUE. 51 00:02:11,938 --> 00:02:13,438 YOU GOT THAT, RIGHT? 52 00:02:13,438 --> 00:02:15,396 I GOT THAT. 53 00:02:15,396 --> 00:02:17,688 [ Harmony ] WILLOW? 54 00:02:17,688 --> 00:02:20,354 [ Willow ] HARMONY, HEY. 55 00:02:20,354 --> 00:02:22,479 HEY, I HAVEN'T SEEN YOU SINCE-- 56 00:02:22,479 --> 00:02:23,729 SINCE GRADUATION. 57 00:02:23,729 --> 00:02:24,771 BIG SNAKE, HUH? 58 00:02:24,771 --> 00:02:25,855 YEAH. 59 00:02:25,855 --> 00:02:28,688 SO HOW WAS YOUR SUMMER VACATION? 60 00:02:28,688 --> 00:02:31,980 OH, WELL, I WAS GONNA GO TO FRANCE, BUT I DIDN'T. 61 00:02:31,980 --> 00:02:33,229 I WAS DYING TO SEE THE STORES. 62 00:02:33,229 --> 00:02:35,354 OH, AND MUSEUMS. 63 00:02:35,354 --> 00:02:37,604 MUSEUMS? 64 00:02:37,604 --> 00:02:39,438 YEAH, I HEARD THEY HAD THEM. 65 00:02:39,438 --> 00:02:41,521 YOU KNOW, JUST A RUMOR YOU PICK UP ON THE STREETS. 66 00:02:41,521 --> 00:02:43,729 YOU'RE ALWAYS SO FUNNY, WILLOW. 67 00:02:43,729 --> 00:02:45,271 YOU HAVEN'T CHANGED A BIT. 68 00:02:45,271 --> 00:02:46,771 NO, YOU NEITHER. 69 00:02:46,771 --> 00:02:49,271 OH, MAYBE A LITTLE. 70 00:02:51,062 --> 00:02:52,021 [ Gasps ] 71 00:02:52,021 --> 00:02:53,229 [ Growls ] 72 00:02:53,229 --> 00:02:54,438 AAH! 73 00:03:54,396 --> 00:03:55,896 BACK OFF, HARMONY! 74 00:03:56,980 --> 00:03:58,938 OKAY, FINE. 75 00:03:58,938 --> 00:04:00,521 HIDE BEHIND YOUR BOYFRIEND, 76 00:04:00,521 --> 00:04:01,563 BUT GUESS WHAT? 77 00:04:01,563 --> 00:04:03,230 I HAVE A BOYFRIEND, TOO, 78 00:04:03,230 --> 00:04:04,354 AND HE'S GONNA BE MAD 79 00:04:04,354 --> 00:04:06,230 THAT YOU WERE MEAN TO ME. 80 00:04:10,729 --> 00:04:12,521 [ Buffy ] HOBBIES? 81 00:04:12,521 --> 00:04:15,312 YEAH, HOBBIES, INTERESTS. 82 00:04:15,312 --> 00:04:16,688 I FEEL LIKE THERE'S SO MUCH 83 00:04:16,688 --> 00:04:18,021 I STILL DON'T KNOW ABOUT YOU. 84 00:04:18,021 --> 00:04:20,396 WHAT DO YOU LIKE TO DO? 85 00:04:20,396 --> 00:04:24,563 WELL, MOSTLY I HANG OUT 86 00:04:24,563 --> 00:04:27,688 AND DO STUFF. 87 00:04:27,688 --> 00:04:32,021 YEAH, I WAS INTO THAT FOR A WHILE. 88 00:04:32,021 --> 00:04:33,604 WHAT'S THAT? 89 00:04:33,604 --> 00:04:35,312 WHAT'S WHAT? 90 00:04:35,312 --> 00:04:37,062 YOU HAVE A SCAR. 91 00:04:37,062 --> 00:04:38,729 RIGHT. 92 00:04:38,729 --> 00:04:41,229 UM... 93 00:04:41,229 --> 00:04:42,980 ANGRY PUPPY. 94 00:04:45,229 --> 00:04:48,938 SO, DO I GET TO SEE ANY OF YOUR SCARS? 95 00:04:48,938 --> 00:04:51,271 [ Laughs ] OH. 96 00:04:51,271 --> 00:04:54,146 OH, MINE ARE ALL PSYCHOLOGICAL. 97 00:04:54,146 --> 00:04:55,688 OH, PLEASE. THOSE ARE THE BEST KIND. 98 00:04:57,896 --> 00:05:01,229 WELL, MY FATHER DIED LAST YEAR. 99 00:05:01,229 --> 00:05:04,062 OH, GOD. PARKER, I'M SORRY. 100 00:05:04,062 --> 00:05:06,021 I DIDN'T MEAN TO BRING UP THAT STUFF. 101 00:05:06,021 --> 00:05:08,230 OH, BAD, BAD BUFFY. 102 00:05:08,230 --> 00:05:11,021 NO. I'M OK TO TALK ABOUT IT NOW. 103 00:05:11,021 --> 00:05:14,688 I'M NOT DOING THE DEEP GET SYMPATHY ROUTINE. 104 00:05:14,688 --> 00:05:16,563 I MEAN, DON'T YOU JUST HATE GUYS WHO ARE ALL 105 00:05:16,563 --> 00:05:20,521 "I'M DARK AND BROODING, SO GIVE ME LOVE." 106 00:05:20,521 --> 00:05:23,230 I DON'T THINK I'VE EVER MET THAT TYPE. 107 00:05:31,354 --> 00:05:33,604 I JUST WANTED TO SAY THAT 108 00:05:33,604 --> 00:05:36,062 WHAT MADE IT SO SAD 109 00:05:36,062 --> 00:05:38,938 WAS THAT THERE WAS, OH, A LOT OF STUFF 110 00:05:38,938 --> 00:05:40,312 HE DIDN'T GET TO FINISH. 111 00:05:40,312 --> 00:05:42,896 IT MADE ME THINK ABOUT 112 00:05:42,896 --> 00:05:46,729 [ Laughs ] YOU KNOW... 113 00:05:46,729 --> 00:05:48,187 LIVING FOR NOW. 114 00:05:51,688 --> 00:05:54,229 I THINK ABOUT THAT SOMETIMES. 115 00:05:54,229 --> 00:05:57,896 YEAH, I SORT OF... 116 00:05:57,896 --> 00:06:00,021 DROWNED A COUPLE YEARS AGO, 117 00:06:00,021 --> 00:06:03,896 BUT I CAME BACK, OBVIOUSLY. 118 00:06:05,563 --> 00:06:08,312 BUT I DON'T-- I DON'T PUT STUFF OFF ANYMORE, 119 00:06:08,312 --> 00:06:10,229 LIKE YOU WERE SAYING. 120 00:06:10,229 --> 00:06:12,271 THAT'S GREAT. 121 00:06:12,271 --> 00:06:15,563 I MEAN, EVERYBODY SAYS THEY GET IT. 122 00:06:15,563 --> 00:06:17,521 OH, MAN, ME, TOO. LIVE FOR TODAY, 123 00:06:17,521 --> 00:06:18,646 BUT WHAT THEY REALLY WANT 124 00:06:18,646 --> 00:06:20,230 IS AN EXCUSE TO GOOF OFF 125 00:06:20,230 --> 00:06:21,062 AND NOT STUDY FOR FINALS. 126 00:06:21,062 --> 00:06:22,938 ALSO A VALID LIFE CHOICE. 127 00:06:27,271 --> 00:06:30,771 IT'S COOL TO FIND SOMEONE ELSE WHO UNDERSTANDS. 128 00:06:33,062 --> 00:06:35,230 SO, PARKER ABRAMS, 129 00:06:35,230 --> 00:06:36,688 WHEN YOU GO TO SLEEP TONIGHT, 130 00:06:36,688 --> 00:06:38,396 WHAT ARE YOU GONNA REGRET NOT DOING TODAY? 131 00:06:40,354 --> 00:06:43,438 I AM GOING TO REGRET 132 00:06:43,438 --> 00:06:45,521 BEING TOO NERVOUS TO ASK YOU 133 00:06:45,521 --> 00:06:48,312 TO GO TO THE PARTY AT WOLF HOUSE TOMORROW NIGHT. 134 00:06:50,688 --> 00:06:52,604 DO YOU WANT TO GO TO THE PARTY-- YES. 135 00:06:59,354 --> 00:07:01,230 [ Xander ] I'M NOT ENJOYING THIS. 136 00:07:01,230 --> 00:07:03,271 WELL, SHELVE THEM CORRECTLY AND WE CAN FINISH. 137 00:07:03,271 --> 00:07:05,229 I DON'T GET YOUR CRAZY SYSTEM. 138 00:07:05,229 --> 00:07:07,104 MY SYSTEM? IT'S CALLED THE ALPHABET. 139 00:07:09,188 --> 00:07:12,188 HUH. WOULD YOU LOOK AT THAT. 140 00:07:12,188 --> 00:07:14,104 [ Door Opens ] 141 00:07:17,604 --> 00:07:19,104 YOU SHOULD LOCK YOUR DOOR. 142 00:07:19,104 --> 00:07:20,896 BELIEVE ME, I AM KICKING MYSELF. 143 00:07:22,146 --> 00:07:24,396 [ Xander ] ANYA? 144 00:07:24,396 --> 00:07:27,104 LAST TIME I SAW YOU FLEEING IN TERROR. 145 00:07:27,104 --> 00:07:29,230 HOW'D THAT WORK OUT FOR YOU? 146 00:07:29,230 --> 00:07:30,646 I NEED TO TALK TO XANDER. 147 00:07:34,021 --> 00:07:35,396 GO AWAY. 148 00:07:39,771 --> 00:07:41,146 XANDER, COME WITH ME. 149 00:07:45,271 --> 00:07:46,938 YOUR MOTHER SAID YOU WERE WORKING HERE. 150 00:07:46,938 --> 00:07:49,604 YEAH. NEED SOME MONEY, AND-- 151 00:07:49,604 --> 00:07:51,229 SO, WHERE IS OUR RELATIONSHIP GOING? 152 00:07:51,229 --> 00:07:54,563 OUR WHAT? OUR WHO? 153 00:07:54,563 --> 00:07:57,146 RELATIONSHIP. WHAT KIND DO WE HAVE, 154 00:07:57,146 --> 00:07:58,896 AND WHAT IS IT PROGRESSING TOWARD? 155 00:07:58,896 --> 00:08:00,646 I... 156 00:08:00,646 --> 00:08:02,729 UH, WE HAVE A RELATIONSHIP? 157 00:08:02,729 --> 00:08:04,479 WE WENT TO THE PROM. 158 00:08:05,771 --> 00:08:09,146 YEAH. ON OUR ONE AND ONLY DATE. 159 00:08:09,146 --> 00:08:12,062 SECOND DATE CALLED ON ACCOUNT OF SNAKE, REMEMBER? 160 00:08:12,062 --> 00:08:14,354 AND THERE'S THE WHOLE YOU USED TO BE 161 00:08:14,354 --> 00:08:16,188 A MAN-KILLING DEMON THING, 162 00:08:16,188 --> 00:08:19,521 WHICH TO BE FAIR, IS AS MUCH MY ISSUE AS IT IS YOURS. 163 00:08:19,521 --> 00:08:22,771 I CAN'T STOP THINKING ABOUT YOU. 164 00:08:22,771 --> 00:08:26,646 SOMETIMES, IN MY DREAMS, YOU'RE ALL NAKED. 165 00:08:26,646 --> 00:08:28,104 REALLY? [ Laughs ] 166 00:08:28,104 --> 00:08:30,062 YOU KNOW, IF I'M IN THE CHECKOUT LINE AT THE WAL-MART, 167 00:08:30,062 --> 00:08:31,479 I'VE HAD THAT SAME ONE. 168 00:08:31,479 --> 00:08:33,479 SO, I CAN ASSUME 169 00:08:33,479 --> 00:08:35,271 A STANDING FRIDAY NIGHT DATE 170 00:08:35,271 --> 00:08:36,813 AND A MUTUAL RECOGNITION OF PROM NIGHT 171 00:08:36,813 --> 00:08:37,855 AS OUR DATING ANNIVERSARY? 172 00:08:37,855 --> 00:08:39,604 ANYA, SLOW DOWN. 173 00:08:39,604 --> 00:08:42,021 IN FACT, COME TO A SCREECHING HALT. 174 00:08:42,021 --> 00:08:46,229 SEE, THESE THINGS KIND OF HAVE TO DEVELOP ON THEIR OWN. 175 00:08:46,229 --> 00:08:47,688 ALL RIGHT. HOW? 176 00:08:47,688 --> 00:08:50,521 I DON'T KNOW. IT JUST... 177 00:08:52,230 --> 00:08:53,604 HAPPENS. 178 00:08:56,855 --> 00:08:58,312 THIS IS IT. 179 00:08:58,312 --> 00:08:59,688 MY DOOR. 180 00:08:59,688 --> 00:09:01,688 WOOD. [ Knock Knock ] 181 00:09:01,688 --> 00:09:03,604 MAYBE SOME KIND OF WOOD VENEER. 182 00:09:03,604 --> 00:09:06,188 IT'S NICE. 183 00:09:10,521 --> 00:09:12,813 HEY. HI. 184 00:09:12,813 --> 00:09:15,646 HI. UH, REMEMBER HARMONY? 185 00:09:15,646 --> 00:09:17,354 SHE'S BACK FROM HER SUMMER VACATION, 186 00:09:17,354 --> 00:09:18,771 AND SHE'S A LITTLE DIFFERENT. 187 00:09:18,771 --> 00:09:20,187 DIFFERENT. 188 00:09:20,187 --> 00:09:22,230 PALER. 189 00:09:22,230 --> 00:09:23,563 IS YOUR NECK OKAY? 190 00:09:23,563 --> 00:09:25,354 NECK. PALER. 191 00:09:25,354 --> 00:09:27,229 PUPPY. THE ANGRY PUPPY. 192 00:09:27,229 --> 00:09:29,146 YEAH, WE CAME TO WARN YOU 193 00:09:29,146 --> 00:09:30,604 ABOUT THE... ANGRY PUPPY. 194 00:09:31,521 --> 00:09:33,021 UH, UH, I'M... 195 00:09:33,021 --> 00:09:35,230 I SHOULD REALLY TAKE CARE OF THIS NOW. 196 00:09:35,230 --> 00:09:36,646 I'LL PICK YOU UP TOMORROW NIGHT FOR THE PARTY? 197 00:09:36,646 --> 00:09:38,104 I CAN'T WAIT. 198 00:09:41,230 --> 00:09:42,604 BAND-AID, NOW. 199 00:09:44,646 --> 00:09:45,938 THANK YOU. 200 00:09:48,312 --> 00:09:50,396 [ Buffy ] HARMONY'S A VAMPIRE? 201 00:09:50,396 --> 00:09:52,438 SHE MUST BE DYING WITHOUT A REFLECTION. 202 00:09:52,438 --> 00:09:55,271 SHE JUST MADE ME SO MAD. 203 00:09:55,271 --> 00:09:57,104 "MY BOYFRIEND'S GONNA BEAT YOU UP." 204 00:09:57,104 --> 00:09:58,396 MY BOYFRIEND? 205 00:09:58,396 --> 00:10:00,229 WELL, I MEAN, IF YOU BELIEVE HER. 206 00:10:00,229 --> 00:10:02,146 SHE ALWAYS LIED ABOUT STUFF LIKE THAT. 207 00:10:02,146 --> 00:10:04,104 "OH, HE GOES TO ANOTHER SCHOOL. 208 00:10:04,104 --> 00:10:05,396 YOU WOULDN'T KNOW HIM." 209 00:10:05,396 --> 00:10:07,062 UH, DEVON DATED HER FOR A WHILE, 210 00:10:07,062 --> 00:10:08,896 BUT SHE WAS TOO FLAKY FOR HIM 211 00:10:08,896 --> 00:10:11,312 WHICH, STOP AND MARVEL AT THE CONCEPT. 212 00:10:11,312 --> 00:10:14,312 GUY DATING HARMONY DEAD. 213 00:10:14,312 --> 00:10:16,938 MUST BE, LIKE, THE MOST TOLERANT GUY IN THE WORLD. 214 00:10:16,938 --> 00:10:18,688 [ Power Drill Running ] 215 00:10:26,021 --> 00:10:27,771 HI, BABY. I'M BACK. 216 00:10:49,354 --> 00:10:51,521 IT'S DEFINITELY THE CRYPT, RYAN? 217 00:10:51,521 --> 00:10:54,104 I'M NOT KEEN ON TUNNELING INTO SOMEONE'S SEPTIC TANK. 218 00:10:54,104 --> 00:10:55,521 IT'S THE CRYPT. 219 00:10:55,521 --> 00:10:57,104 THE RADAR SOUNDINGS ARE CLEAR. 220 00:10:57,104 --> 00:11:00,229 UH, THE WALLS ARE THINNEST HERE AT THE BOTTOM. 221 00:11:00,229 --> 00:11:02,271 WE HAVE TO TUNNEL FROM UNDERNEATH. 222 00:11:02,271 --> 00:11:04,230 MORE WORK, BUT, UH... 223 00:11:04,230 --> 00:11:05,104 I'M SURE THAT YOU-- 224 00:11:07,062 --> 00:11:09,271 YOU'D BETTER BE MORE THAN SURE, MATE, 225 00:11:09,271 --> 00:11:11,229 'CAUSE I'D HATE TO HAVE TO HURT YOU. 226 00:11:11,229 --> 00:11:14,438 I--I SWEAR. I SWEAR. 227 00:11:14,438 --> 00:11:17,938 HOW'S MY LITTLE BLONDIE BEAR? 228 00:11:17,938 --> 00:11:20,688 HARM, DOES THIS LOOK LIKE A GOOD TIME TO TALK? 229 00:11:20,688 --> 00:11:22,396 ARE YOU GONNA KILL WILLOW TODAY? 230 00:11:22,396 --> 00:11:24,021 'CAUSE I WANT YOU TO SAY, 231 00:11:24,021 --> 00:11:26,229 "THIS IS FOR MESSING WITH MY SWEET GIRL." 232 00:11:26,229 --> 00:11:28,604 AND THEN...YOU KNOW... 233 00:11:28,604 --> 00:11:30,312 [ Sucking ] 234 00:11:34,604 --> 00:11:36,229 NOBODY KNOWS I'M HERE. 235 00:11:36,229 --> 00:11:38,104 NOW, I'M NOT KILLING THE SLAYER'S BEST FRIEND, 236 00:11:38,104 --> 00:11:40,771 AS THAT WOULD TEND TO ANNOUNCE MY PRESENCE, 237 00:11:40,771 --> 00:11:42,104 AND WE'RE TOO BLOODY CLOSE. 238 00:11:42,104 --> 00:11:43,312 YOU ALMOST KILLED HER LAST YEAR. 239 00:11:43,312 --> 00:11:44,521 SUDDENLY IT'S A BIG DEAL? 240 00:11:44,521 --> 00:11:46,646 SOD OFF! 241 00:11:46,646 --> 00:11:48,521 HMM? GO EAT SOMETHING. I'VE GOT WORK TO DO. 242 00:11:57,146 --> 00:11:59,813 THIS ONE TASTES FUNNY. TAKE ME OUT TO EAT. 243 00:11:59,813 --> 00:12:00,813 HE'S PERFECTLY FRESH. 244 00:12:03,312 --> 00:12:05,229 I THINK I HAD A MATH CLASS WITH HIM LAST YEAR, 245 00:12:05,229 --> 00:12:06,729 AND I DIDN'T LIKE HIM THAT MUCH THEN EITHER. 246 00:12:06,729 --> 00:12:07,688 HARM! 247 00:12:07,688 --> 00:12:09,396 I WANT TO GO TO A PARTY! 248 00:12:11,187 --> 00:12:12,312 ROWR! 249 00:12:14,729 --> 00:12:18,021 OH... RIGHT HERE, BABY? 250 00:12:18,021 --> 00:12:19,771 IN FRONT OF RYAN? 251 00:12:19,771 --> 00:12:21,646 YOU'D LIKE THAT, WOULDN'T YOU? 252 00:12:21,646 --> 00:12:23,104 MAYBE I WOULD. 253 00:12:24,646 --> 00:12:26,813 AFTER A PARTY. 254 00:12:28,229 --> 00:12:29,729 HA HA HA! 255 00:12:32,563 --> 00:12:34,604 TONIGHT... 256 00:12:34,604 --> 00:12:35,896 I'LL TAKE YOU SOMEWHERE NICE. 257 00:12:40,062 --> 00:12:41,729 ♪♪ [ Fast Alternative Rock ] 258 00:12:41,729 --> 00:12:43,896 ♪ STANDING IN THE POURING RAIN ♪ 259 00:12:43,896 --> 00:12:46,563 ♪ YOU COULDN'T EVEN BE THERE TO PICK ME UP ♪ 260 00:12:46,563 --> 00:12:49,479 ♪ TAKING ME FOR GRANTED AGAIN ♪ 261 00:12:49,479 --> 00:12:52,187 ♪ YOU'RE RUNNING OUT OF TIME AND YOU'RE OUT OF LUCK ♪♪ 262 00:12:55,312 --> 00:12:57,021 THIS IS SOME PARTY, HUH? 263 00:12:57,021 --> 00:12:58,563 THE LAST DAYS OF ROME. 264 00:12:58,563 --> 00:13:01,354 IT'S BETTER. NO OLD ROMANS. 265 00:13:03,229 --> 00:13:04,563 YOU WANNA DANCE? 266 00:13:04,563 --> 00:13:07,563 NO! LET'S HAVE A MEANINGFUL TALK INSTEAD. 267 00:13:10,729 --> 00:13:12,187 SPIKE. 268 00:13:13,813 --> 00:13:15,438 AND HARMONY. 269 00:13:15,438 --> 00:13:16,604 BUFFY. 270 00:13:16,604 --> 00:13:18,396 HI. 271 00:13:18,396 --> 00:13:19,688 WHAT A CUTE OUTFIT... 272 00:13:19,688 --> 00:13:21,104 LAST YEAR. 273 00:13:21,104 --> 00:13:22,563 [ Spike ] WELL... 274 00:13:22,563 --> 00:13:24,563 THIS IS INTERESTING. 275 00:13:24,563 --> 00:13:27,021 IT'S, UH... SORT OF A DOUBLE DATE. 276 00:13:27,021 --> 00:13:28,479 LOOKS LIKE YOUR FRIEND 277 00:13:28,479 --> 00:13:30,229 STARTED THE PARTY A LITTLE EARLY, HUH? 278 00:13:30,229 --> 00:13:31,563 [ Laughs ] 279 00:13:31,563 --> 00:13:34,980 SAY...LET'S HAVE A LOOK AT THE NEW BOY. 280 00:13:34,980 --> 00:13:37,187 HI. I'M PARKER. 281 00:13:40,229 --> 00:13:42,021 I LIKE HIM. 282 00:13:42,021 --> 00:13:44,104 HE'S GOT, UM... 283 00:13:44,104 --> 00:13:45,771 WHAT'S THE WORD? 284 00:13:45,771 --> 00:13:46,938 VULNERABILITY. 285 00:13:46,938 --> 00:13:48,479 AND YOU'RE WITH HARMONY. 286 00:13:48,479 --> 00:13:49,396 WHAT, DID YOU LOSE A BET? 287 00:13:49,396 --> 00:13:50,521 HEY! 288 00:13:50,521 --> 00:13:52,646 ACTUALLY, UH, HOW WE MET? 289 00:13:52,646 --> 00:13:54,813 IT'S, UM... IT'S A FUNNY STORY, REALLY. IT'S, UH-- 290 00:13:56,438 --> 00:13:57,813 STAY HERE! 291 00:14:24,229 --> 00:14:25,646 WHAT'S THE MATTER, SPIKE? 292 00:14:25,646 --> 00:14:26,729 DRU DUMP YOU AGAIN? 293 00:14:29,813 --> 00:14:31,396 MAYBE I DUMPED HER! 294 00:14:32,479 --> 00:14:34,646 SHE LEFT HIM FOR A FUNGUS DEMON. 295 00:14:34,646 --> 00:14:36,354 THAT'S ALL HE TALKS ABOUT MOST DAYS. 296 00:14:36,354 --> 00:14:39,062 HARM! 297 00:14:39,062 --> 00:14:41,604 WE ARE GOING. 298 00:14:41,604 --> 00:14:43,646 IT ISN'T TIME YET. 299 00:14:43,646 --> 00:14:45,646 YEAH, BUT AS SOON AS WE HAVE THE GEM OF AMARA, 300 00:14:45,646 --> 00:14:47,271 YOU'RE GONNA BE SORRY-- GRR! 301 00:14:47,271 --> 00:14:48,938 WHAT--OW! 302 00:15:02,479 --> 00:15:05,187 [ Knock On Door ] 303 00:15:05,187 --> 00:15:06,271 COME IN. 304 00:15:12,729 --> 00:15:14,312 ANYA. 305 00:15:14,312 --> 00:15:15,312 HI AGAIN. 306 00:15:15,312 --> 00:15:16,938 YOUR MOTHER SENT ME AROUND 307 00:15:16,938 --> 00:15:18,896 FROM THE FRONT OF THE HOUSE. 308 00:15:18,896 --> 00:15:21,771 SHE ALSO SAID TO ASK YOU TO ADD FABRIC SOFTENER WHEN THE TIMER GOES OFF. 309 00:15:21,771 --> 00:15:22,813 CAN WE TALK SOME MORE? 310 00:15:22,813 --> 00:15:25,771 YEAH. I SUPPOSE. 311 00:15:25,771 --> 00:15:27,229 WOULD YOU CARE FOR SOMETHING? 312 00:15:27,229 --> 00:15:28,729 I HAVE CRANAPPLE. 313 00:15:28,729 --> 00:15:29,813 ALL RIGHT. 314 00:15:32,229 --> 00:15:34,521 YOU KNOW, IT IS CUSTOMARY 315 00:15:34,521 --> 00:15:36,396 TO CALL BEFORE YOU SHOW UP. 316 00:15:36,396 --> 00:15:38,187 NOT THAT-- 317 00:15:42,104 --> 00:15:44,187 YEAH. SPIKE WITH HARMONY, 318 00:15:44,187 --> 00:15:45,438 IF YOU CAN BELIEVE IT. 319 00:15:45,438 --> 00:15:47,479 I COULDN'T FIGURE OUT WHY HE RAN AWAY, 320 00:15:47,479 --> 00:15:49,646 BUT HARMONY SAID SOMETHING, 321 00:15:49,646 --> 00:15:50,855 WHY THEY WERE HERE. 322 00:15:50,855 --> 00:15:52,604 THEY WERE LOOKING FOR THE GEM OF SOMETHING. 323 00:15:52,604 --> 00:15:54,813 UM...AMARA. 324 00:15:54,813 --> 00:15:56,896 THE GEM OF AMARA. ARE YOU SURE? 325 00:15:56,896 --> 00:15:58,813 YEAH. WHAT'S UP? 326 00:15:58,813 --> 00:16:02,230 UH, IT'S JUST IT'S SO...IT'S NOT REAL. 327 00:16:02,230 --> 00:16:04,062 IT'S LIKE THE VAMPIRE EQUIVALENT 328 00:16:04,062 --> 00:16:06,312 OF THE...THE HOLY GRAIL 329 00:16:06,312 --> 00:16:09,187 AND A SOURCE OF SOME... ENORMOUS POWER 330 00:16:09,187 --> 00:16:10,563 WHICH IS CONVENIENTLY VAGUE. 331 00:16:12,813 --> 00:16:15,646 I THINK--HERE IT IS. YES. UM, 332 00:16:15,646 --> 00:16:17,396 "THERE WAS A GREAT DEAL OF VAMPIRIC INTEREST 333 00:16:17,396 --> 00:16:20,230 IN LOCATING THE GEM DURING..." 334 00:16:20,230 --> 00:16:21,938 OH, "TENTH CENTURY. 335 00:16:21,938 --> 00:16:24,646 "QUESTING VAMPIRES COMBED THE EARTH, 336 00:16:24,646 --> 00:16:26,187 "BUT NO ONE FOUND IT. 337 00:16:26,187 --> 00:16:28,187 IT WAS CONCLUDED THAT IT NEVER EXISTED." 338 00:16:28,187 --> 00:16:30,396 WELL, SPIKE SEEMS TO THINK IT EXISTS, 339 00:16:30,396 --> 00:16:32,521 AND HE'S LOOKING IN SUNNYDALE. 340 00:16:32,521 --> 00:16:35,479 YES. WELL, I'LL RESEARCH IT AS BEST I CAN. 341 00:16:35,479 --> 00:16:38,146 YOU'VE DONE ALL YOU CAN FOR TONIGHT. GO TO BED. 342 00:16:38,146 --> 00:16:40,896 UH-HUH. SLEEPY. YAWN. 343 00:16:40,896 --> 00:16:42,146 BYE. 344 00:16:47,354 --> 00:16:50,146 IS ANTONIO BANDERAS A VAMPIRE? 345 00:16:50,146 --> 00:16:51,312 NO. 346 00:16:51,312 --> 00:16:53,104 OH. 347 00:16:53,104 --> 00:16:55,604 CAN I MAKE HIM A VAMPIRE? 348 00:16:55,604 --> 00:16:57,021 NO. 349 00:16:59,021 --> 00:17:01,187 WAIT. ON SECOND THOUGHT, YEAH. 350 00:17:01,187 --> 00:17:03,062 GO DO THAT. 351 00:17:03,062 --> 00:17:04,187 TAKE YOUR TIME. 352 00:17:04,187 --> 00:17:06,062 DO MELANIE AND THE KIDS AS WELL. 353 00:17:06,062 --> 00:17:08,312 HEY, I DON'T HAVE A PULSE. 354 00:17:08,312 --> 00:17:10,396 COOL! 355 00:17:10,396 --> 00:17:12,438 CAN WE EAT A DOCTOR SO I CAN GET A STETHOSCOPE 356 00:17:12,438 --> 00:17:14,438 AND HEAR MY HEART NOT BEATING? 357 00:17:14,438 --> 00:17:16,062 HARM... 358 00:17:16,062 --> 00:17:17,438 WHAT DOES IT TAKE TO GET YOU 359 00:17:17,438 --> 00:17:20,021 TO SHUT THE HELL UP?! 360 00:17:26,230 --> 00:17:28,271 AND IF MY HEART'S NOT BEATING... 361 00:17:28,271 --> 00:17:29,896 THEN WHAT ARE ALL THESE VEINS FOR? 362 00:17:31,354 --> 00:17:34,813 I'M SIMPLY COVERED IN THESE BLUE VEINS. 363 00:17:34,813 --> 00:17:36,146 SEE? 364 00:17:37,646 --> 00:17:43,062 ♪ I CAN SEE YOU IN MY PAST ♪ 365 00:17:43,062 --> 00:17:48,021 ♪ BUT THIS TIME'S BEEN SO ALONE ♪ 366 00:17:48,021 --> 00:17:50,938 ♪ CAN'T SEEM TO FIND YOU ♪ 367 00:17:50,938 --> 00:17:55,438 ♪ BUT I'VE COME TO TAKE YOU HOME ♪♪ 368 00:17:55,438 --> 00:17:58,021 WE'VE GOT AN EXTRA SET OF CHAINS. 369 00:17:58,021 --> 00:17:59,271 EW. 370 00:17:59,271 --> 00:18:00,813 JUST BECAUSE DORKUS WENT IN FOR THAT-- 371 00:18:02,396 --> 00:18:04,187 DRUSILLA. 372 00:18:04,187 --> 00:18:05,855 WHATEVER. 373 00:18:07,146 --> 00:18:08,813 SAY HER NAME. 374 00:18:08,813 --> 00:18:09,855 DORKUS. 375 00:18:09,855 --> 00:18:11,312 BITE YOUR TONGUE. 376 00:18:11,312 --> 00:18:12,813 DO IT FOR ME. 377 00:18:20,312 --> 00:18:22,813 AT WHICH POINT THE MATTER IS BROUGHT TO A CONCLUSION 378 00:18:22,813 --> 00:18:24,688 WITH BOTH PARTIES SATISFIED 379 00:18:24,688 --> 00:18:27,479 AND ABLE TO MOVE ON WITH THEIR SEPARATE LIVES AND INTERESTS. 380 00:18:27,479 --> 00:18:30,187 TO SUM UP, I THINK IT'S A WORKABLE PLAN. 381 00:18:30,187 --> 00:18:31,896 SO... 382 00:18:31,896 --> 00:18:33,604 THE CRUX OF THIS PLAN IS-- 383 00:18:33,604 --> 00:18:36,688 SEXUAL INTERCOURSE. I'VE SAID IT, LIKE, A DOZEN TIMES. 384 00:18:36,688 --> 00:18:39,062 UH-HUH. JUST WORKING THROUGH 385 00:18:39,062 --> 00:18:41,688 A LITTLE HYSTERICAL DEAFNESS HERE. 386 00:18:41,688 --> 00:18:44,229 I THINK IT'S THE SECRET TO GETTING YOU OUT OF MY MIND. 387 00:18:44,229 --> 00:18:46,187 PUTTING YOU BEHIND ME. 388 00:18:46,187 --> 00:18:48,230 BEHIND ME, FIGURATIVELY. 389 00:18:48,230 --> 00:18:50,146 I'M THINKING FACE-TO-FACE FOR THE EVENT ITSELF. 390 00:18:50,146 --> 00:18:51,646 AH. 391 00:18:51,646 --> 00:18:53,688 RIGHT. 392 00:18:53,688 --> 00:18:55,729 IT'S JUST WE HARDLY KNOW EACH OTHER. 393 00:18:55,729 --> 00:18:57,104 I MEAN, I LIKE YOU, 394 00:18:57,104 --> 00:18:59,479 AND YOU HAVE A CERTAIN... 395 00:18:59,479 --> 00:19:01,396 DIRECTNESS THAT I ADMIRE. 396 00:19:01,396 --> 00:19:03,146 BUT SEXUAL INTERC-- 397 00:19:05,062 --> 00:19:06,438 WHAT YOU'RE TALKING ABOUT-- 398 00:19:06,438 --> 00:19:09,062 WELL-- 399 00:19:09,062 --> 00:19:12,354 AND I'M ACTUALLY TURNING INTO A WOMAN AS I SAY THIS-- 400 00:19:12,354 --> 00:19:15,479 BUT IT'S ABOUT EXPRESSING SOMETHING. 401 00:19:15,479 --> 00:19:17,021 AND ACCEPTING CONSEQUENCES. 402 00:19:17,021 --> 00:19:18,521 OH, I HAVE CONDOMS. 403 00:19:18,521 --> 00:19:19,729 SOME ARE BLACK. 404 00:19:19,729 --> 00:19:20,771 THAT'S... 405 00:19:23,230 --> 00:19:24,354 THAT'S VERY CONSIDERATE. 406 00:19:24,354 --> 00:19:26,104 I LIKE YOU. 407 00:19:26,104 --> 00:19:27,855 YOU'RE FUNNY, AND YOU'RE NICELY SHAPED, 408 00:19:27,855 --> 00:19:30,396 AND FRANKLY, IT'S LUDICROUS TO HAVE THESE INTERLOCKING BODIES 409 00:19:30,396 --> 00:19:32,646 AND NOT...INTERLOCK. 410 00:19:34,646 --> 00:19:36,855 PLEASE REMOVE YOUR CLOTHING NOW. 411 00:19:39,271 --> 00:19:40,563 AND THE AMAZING THING... 412 00:19:43,229 --> 00:19:45,396 STILL MORE ROMANTIC THAN FAITH. 413 00:19:53,688 --> 00:19:54,813 [ Bell Rings ] 414 00:19:56,771 --> 00:19:58,229 [ Whispering ] Fabric softener. 415 00:20:07,563 --> 00:20:09,604 PARKER. 416 00:20:09,604 --> 00:20:11,980 I WAS AFRAID I WASN'T GOING TO BE ABLE TO FIND YOU. 417 00:20:11,980 --> 00:20:13,813 I WAS GETTING A LITTLE WORRIED. 418 00:20:13,813 --> 00:20:15,062 I'M SO SORRY. 419 00:20:15,062 --> 00:20:17,146 IT'S JUST... 420 00:20:17,146 --> 00:20:20,479 THE ENGLISH GUY IS, UH...AN OLD FRIEND, 421 00:20:20,479 --> 00:20:23,896 AND, UH, HE'S NOT SUPPOSED TO DRINK, 422 00:20:23,896 --> 00:20:26,521 AND I SAW HIM HERE, YOU KNOW, IN THE LAND OF THE BEER. 423 00:20:26,521 --> 00:20:28,229 BUFFY, IT'S OKAY. 424 00:20:28,229 --> 00:20:29,896 YOU DID A GOOD THING FOR YOUR FRIEND. 425 00:20:31,896 --> 00:20:34,229 DID, UH... 426 00:20:34,229 --> 00:20:35,980 YOU AND HE USE TO, LIKE, GO OUT OR-- 427 00:20:37,438 --> 00:20:38,396 OH. 428 00:20:38,396 --> 00:20:39,980 MMM. UM... 429 00:20:39,980 --> 00:20:41,229 NO. 430 00:20:41,229 --> 00:20:43,312 NO. WE REALLY... 431 00:20:43,312 --> 00:20:44,438 REALLY DIDN'T. 432 00:20:45,729 --> 00:20:46,771 GOOD. 433 00:20:50,438 --> 00:20:54,813 NOW WE HAVE TIME TO MAKE UP FOR. 434 00:20:54,813 --> 00:20:56,229 THINK I COULD GET A DANCE 435 00:20:56,229 --> 00:20:58,938 WITH THE PRETTIEST GIRL AT THE PARTY? 436 00:20:58,938 --> 00:21:00,479 AND WHAT'LL I DO, 437 00:21:00,479 --> 00:21:03,021 JUST STAND HERE AND WATCH? 438 00:21:05,813 --> 00:21:08,354 ♪ IT WAS A MONDAY ♪ 439 00:21:08,354 --> 00:21:11,729 ♪ WHEN MY LOVER TOLD ME ♪ 440 00:21:11,729 --> 00:21:14,855 ♪ NEVER PAY THE REAPER ♪ 441 00:21:14,855 --> 00:21:17,980 ♪ WITH LOVE ONLY ♪ 442 00:21:17,980 --> 00:21:21,438 ♪ WHAT COULD I SAY TO YOU ♪ 443 00:21:21,438 --> 00:21:24,146 ♪ EXCEPT I LOVE YOU? ♪ 444 00:21:24,146 --> 00:21:27,563 ♪ AND I'D GIVE MY LIFE FOR YOURS ♪ 445 00:21:27,563 --> 00:21:30,688 ♪ I KNOW WE ARE ♪ 446 00:21:30,688 --> 00:21:33,771 ♪ WE ARE THE LUCKY ONES ♪ 447 00:21:33,771 --> 00:21:36,855 ♪ I KNOW WE ARE ♪ 448 00:21:36,855 --> 00:21:40,187 ♪ WE ARE THE LUCKY ONES ♪ 449 00:21:40,187 --> 00:21:43,021 ♪ I KNOW WE ARE ♪ 450 00:21:43,021 --> 00:21:46,813 ♪ WE ARE THE LUCKY ONES, DEAR ♪♪ 451 00:21:52,896 --> 00:21:56,688 WELL, I DECLARED PRE-MED, BUT I HATED IT, 452 00:21:56,688 --> 00:21:58,396 SO I SWITCHED TO HISTORY. 453 00:21:58,396 --> 00:22:00,855 HISTORY? 454 00:22:00,855 --> 00:22:03,896 FASCINATING DATES AND COMPELLING PLACES. 455 00:22:03,896 --> 00:22:06,396 BUT THERE'S SOMETHING AMAZING 456 00:22:06,396 --> 00:22:08,104 ABOUT THESE HUGE EVENTS 457 00:22:08,104 --> 00:22:09,521 THAT WHEN YOU DIG DOWN INTO THEM, 458 00:22:09,521 --> 00:22:11,396 THEY'RE ALL ABOUT PEOPLE. 459 00:22:11,396 --> 00:22:15,062 JUST REGULAR PEOPLE TRYING TO MAKE CHOICES. 460 00:22:15,062 --> 00:22:17,062 WHEN YOU LOOK BACK AT IT, 461 00:22:17,062 --> 00:22:19,896 IT SEEMS LIKE PEOPLE WERE SWEPT UP IN EVENTS 462 00:22:19,896 --> 00:22:21,771 THEY COULDN'T CONTROL. 463 00:22:21,771 --> 00:22:24,438 BUT I DON'T BELIEVE THAT. 464 00:22:24,438 --> 00:22:26,980 YOU ALWAYS HAVE A CHOICE WITH EVERYTHING YOU DO. 465 00:22:42,729 --> 00:22:44,521 IS THIS OKAY? 466 00:22:46,187 --> 00:22:48,187 BECAUSE I COULD STOP IF YOU WANTED. 467 00:22:48,187 --> 00:22:49,729 IT'S YOUR CHOICE. 468 00:22:52,855 --> 00:22:55,229 WHAT ARE YOU DOING? 469 00:22:57,354 --> 00:22:59,354 MAKING A CHOICE. 470 00:23:01,604 --> 00:23:04,604 ♪ I KNOW ♪ 471 00:23:04,604 --> 00:23:07,438 ♪ I KNOW ♪ 472 00:23:07,438 --> 00:23:10,438 ♪ I KNOW ♪ 473 00:23:10,438 --> 00:23:13,479 ♪ I KNOW ♪♪ 474 00:23:35,688 --> 00:23:37,521 [ Buffy ] HEY, THIS IS BUFFY AND WILLOW. 475 00:23:37,521 --> 00:23:40,062 WE'RE NOT IN RIGHT NOW, SO PLEASE LEAVE A MESSAGE. 476 00:23:40,062 --> 00:23:41,187 [ Beep ] 477 00:23:41,187 --> 00:23:43,896 BUFFY, YOU THERE? 478 00:23:43,896 --> 00:23:46,187 CALL ME. I NEED TO TALK TO YOU RIGHT AWAY. 479 00:23:46,187 --> 00:23:51,521 ♪ WE ARE, WE ARE THE LUCKY ONES ♪ 480 00:23:51,521 --> 00:23:57,146 ♪ I KNOW WE ARE, WE ARE THE LUCKY ONES ♪ 481 00:23:57,146 --> 00:24:00,146 ♪ DEAR, DEAR ♪ 482 00:24:00,146 --> 00:24:03,187 ♪ WE ARE THE LUCKY ONES ♪ 483 00:24:03,187 --> 00:24:05,813 ♪ DEAR, DEAR ♪ 484 00:24:05,813 --> 00:24:08,896 ♪ WE ARE THE LUCKY ONES ♪ 485 00:24:31,980 --> 00:24:33,354 PARKER? 486 00:24:55,021 --> 00:24:56,688 OKAY... 487 00:24:56,688 --> 00:24:57,688 JUST... 488 00:24:57,688 --> 00:24:59,229 SHIRT. 489 00:25:00,479 --> 00:25:02,563 PANTS. 490 00:25:02,563 --> 00:25:04,104 EVERYBODY NEEDS PANTS. 491 00:25:04,104 --> 00:25:05,521 [ Door Opens ] 492 00:25:05,521 --> 00:25:07,271 HEY, YOU'RE UP. 493 00:25:07,271 --> 00:25:08,479 YOU'RE HERE. 494 00:25:08,479 --> 00:25:10,563 I LIVE HERE. 495 00:25:10,563 --> 00:25:11,688 UH, I JUST... 496 00:25:11,688 --> 00:25:13,312 I DIDN'T KNOW WHERE YOU WERE. 497 00:25:13,312 --> 00:25:14,896 IT SEEMED LIKE YOU WERE GONNA BE OUT FOR AWHILE, 498 00:25:14,896 --> 00:25:16,855 SO I RAN OUT FOR COFFEE. 499 00:25:16,855 --> 00:25:18,938 IT'S BETTER THAN WHAT I'VE GOT AROUND HERE-- 500 00:25:18,938 --> 00:25:21,938 WARM SODA AND BREATH MINTS. 501 00:25:21,938 --> 00:25:23,187 BREATH MINTS. 502 00:25:23,187 --> 00:25:24,855 I WOULDN'T BE TURNING THEM DOWN RIGHT NOW. 503 00:25:26,479 --> 00:25:29,563 SO, DO YOU HAVE PLANS TODAY OR-- 504 00:25:29,563 --> 00:25:33,646 ACTUALLY, MY MOM'S COMING TO VISIT. 505 00:25:33,646 --> 00:25:35,604 OH. 506 00:25:35,604 --> 00:25:37,229 WELL, I'LL JUST CLEAR OUT, THEN. 507 00:25:38,813 --> 00:25:41,187 BUT MAYBE WE COULD, UM, 508 00:25:41,187 --> 00:25:42,688 YOU KNOW, TALK OR SOMETHING LATER? 509 00:25:42,688 --> 00:25:44,938 ABSOLUTELY. I'LL GIVE YOU A CALL. 510 00:25:44,938 --> 00:25:47,271 GREAT. 511 00:25:47,271 --> 00:25:49,938 OH, UM, ONE MORE THING BEFORE I GO. 512 00:25:49,938 --> 00:25:51,021 A KISS. 513 00:25:51,021 --> 00:25:54,688 WELL, I WAS GOING TO GO WITH PANTS, BUT, UH... 514 00:25:54,688 --> 00:25:56,771 KISS IS GOOD, TOO. 515 00:26:09,021 --> 00:26:11,312 SO I'M OVER YOU NOW. 516 00:26:12,771 --> 00:26:15,688 UM... 517 00:26:15,688 --> 00:26:16,771 OKAY. 518 00:26:18,563 --> 00:26:20,229 OKAY?! 519 00:26:21,604 --> 00:26:22,855 YEAH. 520 00:26:35,563 --> 00:26:38,896 HARM, WHAT ARE YOU DOING? 521 00:26:38,896 --> 00:26:42,563 I'M WRITING "SPIKE LOVES HARMONY" ON YOUR BACK. 522 00:26:42,563 --> 00:26:43,980 WHY? 523 00:26:43,980 --> 00:26:46,688 I DON'T KNOW. IT'S FUN. I'M BORED. 524 00:26:46,688 --> 00:26:48,479 YOU CAN WRITE ON ME. 525 00:26:50,563 --> 00:26:52,479 GOTTA GET BACK TO WORK. 526 00:26:54,104 --> 00:26:55,855 YOU LOVE THAT TUNNEL MORE THAN ME. 527 00:26:57,563 --> 00:26:59,729 [ Mutters ] I LOVE SYPHILIS MORE THAN YOU. 528 00:27:08,312 --> 00:27:09,688 UM, GOOD MORNING. 529 00:27:09,688 --> 00:27:11,312 GILES. 530 00:27:11,312 --> 00:27:14,230 I--I DIDN'T KNOW YOU WERE HERE. 531 00:27:14,230 --> 00:27:16,438 OH, REALLY? 532 00:27:16,438 --> 00:27:18,104 UM, I--I WAS, UH, STUDYING. 533 00:27:18,104 --> 00:27:19,813 AT THE LIBRARY. 534 00:27:21,271 --> 00:27:23,312 ALL...SATURDAY...NIGHT. 535 00:27:23,312 --> 00:27:24,271 UH... 536 00:27:24,271 --> 00:27:25,813 YOU KNOW WHAT? 537 00:27:25,813 --> 00:27:27,896 I'M AN ADULT AND IT'S NONE OF YOUR BUSINESS WHERE I WAS. 538 00:27:27,896 --> 00:27:29,938 I'M SINCERELY RELIEVED TO HEAR IT. 539 00:27:29,938 --> 00:27:32,813 NOW, UM, CAN WE DISCUSS THE IMPENDING DISASTER? 540 00:27:32,813 --> 00:27:34,604 GILES FOUND SOMETHING. 541 00:27:34,604 --> 00:27:37,104 A TEXT. IT REFERS TO THE GEM OF AMARA 542 00:27:37,104 --> 00:27:39,604 AS RESIDING IN THE VALLEY OF THE SUN. 543 00:27:39,604 --> 00:27:42,104 DEMON FANCY TALK FOR SUNNYDALE. 544 00:27:42,104 --> 00:27:43,771 IT SEEMS THAT SPIKE MAY KNOW WHAT IT'S ABOUT. 545 00:27:43,771 --> 00:27:45,771 THE GEM MAY EXIST AFTER ALL 546 00:27:45,771 --> 00:27:48,354 IN SUNNYDALE IN A SEALED UNDERGROUND CRYPT. 547 00:27:48,354 --> 00:27:50,271 WHY DON'T YOU GUYS TRY AND LOCATE THE CRYPT. 548 00:27:50,271 --> 00:27:52,563 I'LL SEE IF I CAN FIND SPIKE BEFORE HE GETS THERE. 549 00:27:52,563 --> 00:27:54,229 WE'LL GET STARTED. 550 00:27:54,229 --> 00:27:56,688 I'LL CALL XANDER AND OZ, HAVE THEM MEET AT YOUR PLACE. 551 00:27:56,688 --> 00:27:58,271 [ Giles ] RIGHT. 552 00:28:00,354 --> 00:28:01,563 IT HAPPENED, RIGHT? 553 00:28:01,563 --> 00:28:04,354 DID IT HAPPEN WITH PARKER? 554 00:28:04,354 --> 00:28:06,438 YEAH, IT HAPPENED. 555 00:28:06,438 --> 00:28:09,813 WELL, AND? DETAILS. I MEAN, NOT DETAILS. I DON'T NEED A DIAGRAM, 556 00:28:09,813 --> 00:28:13,563 BUT YOU KNOW, LIKE MAYBE A BLURRY WATERCOLOR. 557 00:28:13,563 --> 00:28:15,855 IT WAS NICE. 558 00:28:15,855 --> 00:28:17,188 IT WAS REALLY NICE. 559 00:28:17,188 --> 00:28:18,146 HE'S GONNA CALL. 560 00:28:18,146 --> 00:28:20,021 OH, I LOVE THIS PART. 561 00:28:20,021 --> 00:28:21,146 DON'T YOU LOVE THIS PART? 562 00:28:21,146 --> 00:28:22,479 WHEN IT'S ALL NEW 563 00:28:22,479 --> 00:28:24,646 AND EVERYTHING'S A DISCOVERY. 564 00:28:24,646 --> 00:28:27,104 I DON'T KNOW. 565 00:28:27,104 --> 00:28:29,396 I GUESS I DO. 566 00:28:29,396 --> 00:28:30,521 IT'S HERE! 567 00:28:30,521 --> 00:28:32,187 I KNEW IT WAS HERE. 568 00:28:32,187 --> 00:28:35,104 WE'RE CLOSE NOW. 569 00:28:35,104 --> 00:28:37,271 NO ONE LEAVES THE LAIR TILL WE'RE IN. 570 00:28:37,271 --> 00:28:38,438 I DON'T WANT THE SLAYER 571 00:28:38,438 --> 00:28:39,855 TRACKING ANYONE TO THE TUNNEL. 572 00:28:39,855 --> 00:28:41,104 AND THAT MEANS YOU, HARM. 573 00:28:41,104 --> 00:28:43,146 YOU'RE AN INDOOR KITTY NOW. 574 00:28:43,146 --> 00:28:45,563 BUT, SPIKE, YOU SAID YOU'D TAKE ME PLACES. 575 00:28:45,563 --> 00:28:46,813 YOU SAID WE'D GO TO FRANCE, 576 00:28:46,813 --> 00:28:48,855 AND NOW I CAN'T EVEN LEAVE THE LAIR? 577 00:28:48,855 --> 00:28:51,104 [ Everyone Groans ] 578 00:28:53,896 --> 00:28:55,688 LISTEN TO ME, 579 00:28:55,688 --> 00:28:57,980 YOU STUPID BINT, 580 00:28:57,980 --> 00:29:01,813 THIS GEM IS EVERYTHING. 581 00:29:01,813 --> 00:29:04,146 I CAME BACK TO SUNNYDALE FOR IT, 582 00:29:04,146 --> 00:29:06,229 A PLACE WHICH HAS WITNESSED 583 00:29:06,229 --> 00:29:09,813 SOME TRULY SPECTACULAR KICKINGS OF MY ASS. 584 00:29:09,813 --> 00:29:11,479 NOW... 585 00:29:11,479 --> 00:29:13,188 WHEN I HAVE THE GEM, 586 00:29:13,188 --> 00:29:15,646 THEY ALL DIE. DON'T WORRY. 587 00:29:15,646 --> 00:29:18,896 BUT UNTIL THEN STAY INSIDE. 588 00:29:20,271 --> 00:29:22,354 AND BY THE WAY, 589 00:29:22,354 --> 00:29:25,604 I WOULD BE INSANELY HAPPY IF FROM THIS POINT ON 590 00:29:25,604 --> 00:29:29,438 I HEARD BUGGER ALL ABOUT SODDING FRANCE! 591 00:29:33,563 --> 00:29:37,021 I DON'T KNOW WHY I LET YOU BE SO MEAN TO ME. 592 00:29:37,021 --> 00:29:38,813 LOVE HURTS, BABY. 593 00:29:41,771 --> 00:29:44,104 ♪ WATER TURNS TO SAND ♪ 594 00:29:44,104 --> 00:29:46,521 ♪ IT TURNS TO SAND ♪ 595 00:29:49,938 --> 00:29:55,354 ♪ FOLLOW ME, I'M GOING UNDERGROUND ♪♪ 596 00:30:08,729 --> 00:30:13,604 YOU'VE GOT ONE NEW MESSAGE AT 9:05 P.M. 597 00:30:13,604 --> 00:30:15,312 [ Willow ] HI, IT'S ME. I'M AT GILES'S. 598 00:30:15,312 --> 00:30:16,855 DID PARKER CALL YET? 599 00:30:22,604 --> 00:30:26,688 ♪ LEND ME YOUR FIRE SO I CAN BURN ♪ 600 00:30:29,896 --> 00:30:34,062 ♪ SAVE ALL MY ASHES FOR MY RETURN ♪ 601 00:30:37,813 --> 00:30:42,521 ♪ NOT WITH A SCREAM, BUT WITH A SIGH ♪ 602 00:31:12,354 --> 00:31:13,479 IT'S REAL. 603 00:31:15,229 --> 00:31:17,187 OOH. 604 00:31:17,187 --> 00:31:18,354 PRETTY. 605 00:31:18,354 --> 00:31:20,021 CAN I TAKE STUFF? 606 00:31:20,021 --> 00:31:21,271 [ Sighs ] 607 00:31:21,271 --> 00:31:23,229 TAKE WHATEVER YOU WANT, I DON'T CARE. 608 00:31:45,646 --> 00:31:46,938 EW. 609 00:31:46,938 --> 00:31:49,271 LIKE YOU'RE TOO GOOD TO WORK A CLASP. 610 00:31:52,855 --> 00:31:54,604 SO? 611 00:31:54,604 --> 00:31:56,354 IS IT DOING IT? 612 00:31:56,354 --> 00:31:57,521 DO YOU FEEL IT? 613 00:31:59,729 --> 00:32:02,229 I MEAN, YOU DON'T LOOK ANY DIFFERENT... 614 00:32:02,229 --> 00:32:03,938 IF YOU WONDERED. 615 00:32:03,938 --> 00:32:05,312 I THOUGHT MAYBE YOU'D LOOK TALLER 616 00:32:05,312 --> 00:32:06,688 OR GLOW OR SOMETHING. 617 00:32:14,187 --> 00:32:16,938 AAH! 618 00:32:16,938 --> 00:32:18,646 YOU SHOULD PUT SOME BUTTER ON THAT. 619 00:32:18,646 --> 00:32:20,771 BUT, HEY, MAYBE IT'S WORTH MONEY ANYWAY. 620 00:32:20,771 --> 00:32:22,146 THAT WOULD BE SOMETHING. 621 00:32:22,146 --> 00:32:23,521 AND THEN WE COULD GO TO FRANCE. 622 00:32:23,521 --> 00:32:25,938 AND I ALWAYS WANTED TO GO TO FRANCE AND STAY IN A CHATEAU. 623 00:32:25,938 --> 00:32:27,312 YOU COULD TAKE ME SHOPPING AND-- 624 00:32:30,980 --> 00:32:33,479 I CAN'T BELIEVE YOU JUST DID THAT. 625 00:32:35,563 --> 00:32:36,980 HOLD ON. 626 00:32:43,646 --> 00:32:46,938 WHAT ARE YOU DOING, YOU BIG FREAK? 627 00:32:47,855 --> 00:32:50,021 THAT'S MY GEM. 628 00:32:51,021 --> 00:32:52,021 FINE. FINE. 629 00:32:52,021 --> 00:32:53,187 IF THAT'S ALL THAT MATTERS TO YOU, 630 00:32:53,187 --> 00:32:55,062 THEN JUST TAKE IT! TAKE IT! 631 00:32:55,062 --> 00:32:56,563 TAKE IT AND GET OUT! 632 00:32:58,021 --> 00:32:59,604 THAT'S A GOOD IDEA. 633 00:33:02,021 --> 00:33:03,813 I THINK I'LL GO PLAY OUTSIDE. 634 00:33:10,312 --> 00:33:13,646 OKAY, EITHER I'M BORROWING ALL YOUR ALBUMS OR I'M MOVIN' IN. 635 00:33:13,646 --> 00:33:15,479 OZ, THERE ARE MORE IMPORTANT THINGS THAN RECORDS RIGHT NOW. 636 00:33:16,646 --> 00:33:18,187 MORE IMPORTANT THAN THIS ONE? 637 00:33:19,646 --> 00:33:22,021 UM, I SUPPOSE AN ARGUMENT COULD BE MADE FOR-- 638 00:33:22,021 --> 00:33:24,813 WHOA, GILES HAS A TV. 639 00:33:24,813 --> 00:33:26,729 EVERYBODY, GILES HAS A TV. 640 00:33:26,729 --> 00:33:29,729 HE'S SHALLOW LIKE US. 641 00:33:29,729 --> 00:33:31,021 I GOT TO ADMIT, A LITTLE DISAPPOINTED. 642 00:33:31,021 --> 00:33:31,813 I--I--I-- 643 00:33:31,813 --> 00:33:33,062 WELL, MAYBE IT DOESN'T WORK. 644 00:33:33,062 --> 00:33:34,729 IT'S--IT'S LIKE ART. 645 00:33:34,729 --> 00:33:36,396 [ Newswoman ] AND IN BREAKING LOCAL NEWS, 646 00:33:36,396 --> 00:33:37,855 AREA RESIDENTS FACE TRAFFIC DISRUPTIONS... 647 00:33:37,855 --> 00:33:39,896 PUBLIC TELEVISION. 648 00:33:40,980 --> 00:33:41,980 LOOK, LOOK, COME ON, EVERYONE, 649 00:33:41,980 --> 00:33:43,396 WE HAVE VITAL WORK TO DO. 650 00:33:43,396 --> 00:33:45,396 WATCHING TELEVISION IS NOT GONNA HELP US RIGHT NOW. 651 00:33:45,396 --> 00:33:48,479 NEAR THE UC-SUNNYDALE CAMPUS. 652 00:33:48,479 --> 00:33:50,896 OFFICIALS ATTRIBUTED THE UNUSUAL OCCURRENCE 653 00:33:50,896 --> 00:33:53,813 TO WEAKENING OF THE TOPSOIL SUPPORT NEARBY. 654 00:33:53,813 --> 00:33:57,271 CITY WORK CREWS DENY THAT ANY TUNNELING HAS BEEN DONE IN THE AREA... 655 00:33:57,271 --> 00:33:59,688 TUNNELING? 656 00:33:59,688 --> 00:34:02,938 SPIKE. COME ON. 657 00:34:02,938 --> 00:34:06,187 XANDER, FIND BUFFY AND MEET US THERE. 658 00:34:20,479 --> 00:34:22,396 I MEAN, IT HIT ME HARD, YOU KNOW... 659 00:34:22,396 --> 00:34:24,604 MY DAD. 660 00:34:24,604 --> 00:34:27,229 SINCE THEN I JUST DON'T PUT STUFF OFF ANYMORE. 661 00:34:27,229 --> 00:34:30,187 IT'S ABOUT LIVING FOR NOW. 662 00:34:30,187 --> 00:34:32,146 PARKER? 663 00:34:32,146 --> 00:34:34,312 BUFFY. 664 00:34:34,312 --> 00:34:37,938 BUFFY SUMMERS, THIS IS KATY LOOMIS. 665 00:34:37,938 --> 00:34:41,479 WHAT'S GOING ON? 666 00:34:41,479 --> 00:34:43,312 UH, HEY, KATY, YOU'RE GONNA BE LATE FOR CLASS. 667 00:34:43,312 --> 00:34:45,396 I'LL CATCH UP LATER, OKAY? 668 00:34:49,062 --> 00:34:50,729 SHE'S A FRIEND OF YOURS? 669 00:34:50,729 --> 00:34:53,396 YEAH, YOU'D LIKE HER A BUNCH. 670 00:34:53,396 --> 00:34:55,396 SO, WHAT'S UP? 671 00:34:55,396 --> 00:34:59,855 WELL, UM, YOU DIDN'T CALL. 672 00:34:59,855 --> 00:35:05,062 I--I MEAN, I'D UNDERSTAND IF YOU WERE BUSY OR SICK OR SOMETHING. 673 00:35:05,062 --> 00:35:06,896 IT'S ONLY BEEN A COUPLE OF DAYS. 674 00:35:06,896 --> 00:35:09,021 YOU NEED TO TALK TO ME ABOUT SOMETHING? 675 00:35:09,021 --> 00:35:11,604 IS EVERYTHING OKAY? 676 00:35:11,604 --> 00:35:13,521 SURE IT IS. 677 00:35:13,521 --> 00:35:14,729 IT IS? 678 00:35:14,729 --> 00:35:16,479 SURE. 679 00:35:16,479 --> 00:35:20,688 OH, UM, SO, MAYBE DO YOU WANNA... DO SOMETHING? 680 00:35:20,688 --> 00:35:23,146 WE COULD DO THAT. ABSOLUTELY. 681 00:35:23,146 --> 00:35:25,813 GREAT. HOW ABOUT TONIGHT? 682 00:35:25,813 --> 00:35:28,521 OH...WELL... THE THING IS, 683 00:35:28,521 --> 00:35:32,312 I THINK I'M SUPPOSED TO GET TOGETHER WITH SOME PEOPLE LATER. 684 00:35:34,146 --> 00:35:37,563 PARKER, UM, DID I... 685 00:35:41,604 --> 00:35:43,479 DID I DO SOMETHING WRONG? 686 00:35:43,479 --> 00:35:45,521 SOMETHING WRONG? 687 00:35:45,521 --> 00:35:47,896 NO, OF COURSE NOT. 688 00:35:47,896 --> 00:35:49,229 IT WAS FUN. 689 00:35:49,229 --> 00:35:52,271 DIDN'T YOU HAVE FUN? 690 00:35:52,271 --> 00:35:55,729 I MEAN, WATCH OUT HOW YOU ANSWER THAT. MY EGO IS FRAGILE. 691 00:35:55,729 --> 00:35:58,271 YOU HAD FUN? 692 00:35:58,271 --> 00:36:00,146 IS THAT ALL IT WAS? 693 00:36:00,146 --> 00:36:02,563 WELL, WHAT ELSE WAS IT SUPPOSED TO BE? 694 00:36:05,438 --> 00:36:08,396 IT SEEMED... LIKE... 695 00:36:08,396 --> 00:36:10,187 YOU LIKED ME. 696 00:36:10,187 --> 00:36:12,312 I DO... 697 00:36:12,312 --> 00:36:16,062 BUT I'M STARTING TO FEEL LIKE YOU THOUGHT THAT MEANT...WHAT? 698 00:36:16,062 --> 00:36:18,813 SOME KIND OF COMMITMENT? 699 00:36:18,813 --> 00:36:21,354 I MEAN, IS THAT REALLY WHAT YOU WANT RIGHT NOW? 700 00:36:23,104 --> 00:36:26,855 I JUST...THOUGHT-- 701 00:36:26,855 --> 00:36:30,604 LOOK, I'M SORRY IF YOU MISUNDERSTOOD SOMETHING. 702 00:36:30,604 --> 00:36:33,062 I...I THOUGHT THINGS WERE PRETTY CLEAR. 703 00:36:34,230 --> 00:36:36,646 I--I DIDN'T MEAN TO MIS-- 704 00:36:36,646 --> 00:36:39,187 I'M--I'M-- I'M SORRY. 705 00:36:40,271 --> 00:36:44,062 LOOK, I REALLY HAVE TO GO NOW. 706 00:36:51,271 --> 00:36:53,146 PARKER, WAIT! 707 00:36:54,312 --> 00:36:55,855 I DID THIS ALL WRONG. 708 00:36:55,855 --> 00:36:58,855 NO, IT'S COOL. WE'LL HOOK UP LATER. 709 00:37:00,062 --> 00:37:02,563 [ Spike ] WELL, THAT WAS PATHETIC. 710 00:37:07,855 --> 00:37:09,396 WHAT A FANTASTIC DAY. 711 00:37:09,396 --> 00:37:11,146 BIRDS SINGIN', 712 00:37:11,146 --> 00:37:13,312 SQUIRRELS MAKIN' LOTS OF ROTTEN LITTLE SQUIRRELS, 713 00:37:13,312 --> 00:37:15,646 THE SUN BEAMIN' DOWN IN A NICE NON-FATAL WAY. 714 00:37:15,646 --> 00:37:17,146 IT'S VERY EXCITING. 715 00:37:17,146 --> 00:37:18,563 I CAN'T WAIT TO SEE IF I FRECKLE. 716 00:37:29,729 --> 00:37:32,855 OH, DO IT AGAIN. 717 00:37:32,855 --> 00:37:35,021 IT TICKLES. YOU KNOW, IN A GOOD WAY. 718 00:37:35,021 --> 00:37:36,312 THE GEM. 719 00:37:36,312 --> 00:37:39,062 OH, YEAH. THE GEM OF AMARA. 720 00:37:42,729 --> 00:37:46,688 OFFICIAL SPONSOR OF MY KILLING YOU. 721 00:37:51,896 --> 00:37:53,563 [ Crying ] 722 00:37:53,563 --> 00:37:55,229 [ Willow ] HARMONY? 723 00:37:57,271 --> 00:37:59,354 BEING A VAMPIRE SUCKS. 724 00:38:03,146 --> 00:38:04,729 BUFFY! 725 00:38:07,896 --> 00:38:10,646 XANDER, HEH, I WAS LOOKING FOR YOU. 726 00:38:10,646 --> 00:38:12,438 YOU WEREN'T IN YOUR MUSTY BASEMENT. 727 00:38:12,438 --> 00:38:13,521 HAVE YOU SEEN BUFFY? 728 00:38:13,521 --> 00:38:15,771 NO. UH... 729 00:38:15,771 --> 00:38:18,563 ABOUT... WHAT HAPPENED... 730 00:38:18,563 --> 00:38:20,146 WHEN I SAID I WAS OVER YOU-- 731 00:38:20,146 --> 00:38:23,521 ANYA, I DON'T HAVE TIME. 732 00:38:26,938 --> 00:38:30,438 HARMONY, WHERE'S SPIKE? 733 00:38:30,438 --> 00:38:32,271 DOES HE HAVE THE GEM? 734 00:38:35,855 --> 00:38:38,396 HE STAKED ME AND THEN HE TOOK IT. 735 00:38:38,396 --> 00:38:40,563 HE TRIED TO TAKE IT RIGHT OFF MY FINGER. 736 00:38:40,563 --> 00:38:43,312 LIKE I WOULDN'T HAVE JUST GIVEN IT TO HIM. 737 00:38:43,312 --> 00:38:46,354 I WOULD HAVE GIVEN HIM ANYTHING HE WANTED. 738 00:38:46,354 --> 00:38:48,479 HE WAS MY PLATINUM BABY AND I LOVED HIM. 739 00:38:48,479 --> 00:38:50,062 WHERE DID SPIKE GO? 740 00:39:28,855 --> 00:39:31,604 GETTING TIRED, SLAYER? 741 00:39:40,396 --> 00:39:42,312 [ Buffy ] XANDER? GET OUT OF HERE! 742 00:39:46,813 --> 00:39:51,230 SO, YOU LET PARKER TAKE A POKE, EH? 743 00:39:51,230 --> 00:39:53,104 DIDN'T SEEM LIKE YOU KNEW EACH OTHER THAT WELL. 744 00:39:53,104 --> 00:39:56,771 WHAT EXACTLY DID IT TAKE TO PRY APART THE SLAYER'S DIMPLED KNEES? 745 00:39:56,771 --> 00:39:58,813 YOU'RE A PIG, SPIKE. 746 00:39:59,771 --> 00:40:01,104 UHH! 747 00:40:01,104 --> 00:40:03,813 DID HE PLAY THE SENSITIVE LAD AND GET YOU TO SEDUCE HIM? 748 00:40:03,813 --> 00:40:06,604 THAT'S A GOOD TRICK IF THE GIRL'S THICK ENOUGH TO BUY IT. 749 00:40:10,604 --> 00:40:12,146 I WONDER WHAT YOU DID WRONG? 750 00:40:12,146 --> 00:40:14,271 UH, TOO STRONG? 751 00:40:14,271 --> 00:40:16,396 DID YOU BRUISE THE BOY? 752 00:40:16,396 --> 00:40:20,646 WHATEVER. GUESS YOU'RE NOT WORTH A SECOND GO. 753 00:40:20,646 --> 00:40:22,521 COME TO THINK OF IT, SEEMS LIKE SOMEONE 754 00:40:22,521 --> 00:40:23,896 TOLD ME AS MUCH. WHO WAS THAT? 755 00:40:23,896 --> 00:40:25,479 OH, YEAH. 756 00:40:25,479 --> 00:40:27,271 ANGEL. 757 00:40:39,479 --> 00:40:40,980 UHH! 758 00:40:40,980 --> 00:40:42,771 TAKE IT OFF ME THIS WAY, WE BOTH BURN! 759 00:40:42,771 --> 00:40:43,563 REALLY? 760 00:40:43,563 --> 00:40:45,729 LET'S SEE. 761 00:40:45,729 --> 00:40:47,062 AAH! 762 00:40:47,062 --> 00:40:49,354 AAH! 763 00:40:49,354 --> 00:40:50,354 AAH! 764 00:40:50,354 --> 00:40:52,354 AHH! UH, UH, UH, UHH! 765 00:40:57,479 --> 00:41:00,604 I LIKE IT. 766 00:41:00,604 --> 00:41:01,563 IT'S SMALL. 767 00:41:01,563 --> 00:41:03,813 REALLY WORTH GETTING MY RIBS BASHED IN. 768 00:41:03,813 --> 00:41:07,021 IT'S OBVIOUSLY VERY DANGEROUS, AND WE'RE DESTROYING IT. 769 00:41:07,021 --> 00:41:09,813 WE DON'T DESTROY IT. 770 00:41:09,813 --> 00:41:12,312 BUFFY, ANY VAMPIRE THAT GETS HIS HANDS ON THIS IS GOING TO BE... 771 00:41:12,312 --> 00:41:14,980 ESSENTIALLY UN-KILLABLE. 772 00:41:15,980 --> 00:41:17,312 OH. 773 00:41:21,438 --> 00:41:23,604 I HAVE THAT GIG IN L.A. I COULD SWING BY. 774 00:41:23,604 --> 00:41:25,521 THANKS, OZ. 775 00:41:25,521 --> 00:41:27,688 WHAT'S GOING ON? WHAT'S IN L.A.? 776 00:41:27,688 --> 00:41:29,104 SHE'S GIVING THE RING TO ANGEL. 777 00:41:29,104 --> 00:41:30,479 DON'T MAKE A FUSS. 778 00:41:31,479 --> 00:41:33,104 BUFFY, ARE YOU SURE? 779 00:41:34,771 --> 00:41:36,396 HE SHOULD HAVE IT. 780 00:41:40,855 --> 00:41:42,604 SO WHAT I'M WONDERING IS, 781 00:41:42,604 --> 00:41:46,396 DOES THIS ALWAYS HAPPEN? 782 00:41:46,396 --> 00:41:50,104 SLEEP WITH A GUY AND HE GOES ALL EVIL? 783 00:41:50,104 --> 00:41:52,729 GOD, I'M JUST A FOOL. 784 00:41:52,729 --> 00:41:55,604 WELL, MAYBE YOU MADE A MISTAKE, BUT THAT'S OKAY. 785 00:41:55,604 --> 00:41:58,980 NEXT TIME-- WHAT? 786 00:42:01,062 --> 00:42:04,229 PARKER SAID IT'S OKAY TO MAKE MISTAKES. 787 00:42:04,229 --> 00:42:06,229 HE WAS SWEET. 788 00:42:06,229 --> 00:42:09,438 NO, IT WASN'T. 789 00:42:09,438 --> 00:42:12,896 HE WAS SAYING THAT SO YOU WOULD TAKE A CHANCE AND SLEEP WITH HIM. 790 00:42:12,896 --> 00:42:14,521 HE'S A POOPHEAD. 791 00:42:16,021 --> 00:42:18,146 YOU'RE RIGHT. 792 00:42:18,146 --> 00:42:21,896 HE'S...MANIPULATIVE AND SHALLOW... 793 00:42:21,896 --> 00:42:24,062 AND WHY DOESN'T HE WANT ME? 794 00:42:24,062 --> 00:42:25,980 AM I REPULSIVE? 795 00:42:25,980 --> 00:42:28,771 IF THERE WAS SOMETHING REPULSIVE ABOUT ME, YOU'D TELL ME, RIGHT? 796 00:42:28,771 --> 00:42:31,187 I'M YOUR FRIEND. 797 00:42:31,187 --> 00:42:33,312 I WOULD CALL YOU REPULSIVE IN A SECOND. 798 00:42:35,604 --> 00:42:39,187 MAYBE PARKER AND I COULD STILL WORK IT OUT. 799 00:42:39,187 --> 00:42:41,396 DO YOU THINK THAT WE COULD STILL WORK IT OUT? 800 00:42:41,396 --> 00:42:43,396 I THINK YOU'RE MISSING SOMETHING 801 00:42:43,396 --> 00:42:46,521 ABOUT THE WHOLE POOPHEAD PRINCIPLE. 802 00:42:50,062 --> 00:42:53,021 YOU KNOW, YOU GO ON AHEAD. 803 00:42:53,021 --> 00:42:54,604 I THINK I'M GONNA GO TAKE A WALK. 804 00:42:54,604 --> 00:42:55,646 ARE YOU SURE? 805 00:42:55,646 --> 00:42:57,771 YEAH. 806 00:44:08,563 --> 00:44:10,104 GRR! ARRGH!