1 00:00:01,479 --> 00:00:03,021 PREVIOUSLY ON BUFFY THE VAMPIRE SLAYER. 2 00:00:03,021 --> 00:00:04,104 YOU KILLED A MAN. 3 00:00:04,104 --> 00:00:05,104 I DON'T CARE. 4 00:00:05,104 --> 00:00:06,146 SHE'S TAKEN A LIFE. 5 00:00:06,146 --> 00:00:08,646 SHE'S GOT A TASTE FOR IT NOW. 6 00:00:08,646 --> 00:00:11,271 GUESS THAT MEANS YOU HAVE A JOB OPENING. 7 00:00:11,271 --> 00:00:13,938 THE NECKLACE IS A SYMBOL OF ANYANKA. 8 00:00:13,938 --> 00:00:16,479 SHE'S A DEMON THAT GRANTS WISHES. 9 00:00:16,479 --> 00:00:19,813 I WISH BUFFY SUMMERS HAD NEVER COME TO SUNNYDALE. 10 00:00:22,229 --> 00:00:25,187 I LOVE THIS PART. 11 00:00:28,896 --> 00:00:31,688 SOMEHOW, CORDELIA'S WISH CHANGED THIS WORLD. 12 00:00:31,688 --> 00:00:35,229 IF WE CAN DESTROY THE NECKLACE, WE WILL UNDO THE WISH, 13 00:00:35,229 --> 00:00:37,479 RENDERING ANYANKA MORTAL AND POWERLESS. 14 00:00:43,021 --> 00:00:45,229 DO NOT ASK AGAIN. 15 00:00:46,187 --> 00:00:47,479 BUT, BUT-- 16 00:00:47,479 --> 00:00:49,521 YOUR POWERS WERE A GIFT OF THE LOWER BEINGS. 17 00:00:49,521 --> 00:00:51,688 YOU HAVE PROVED UNWORTHY OF THEM. 18 00:00:51,688 --> 00:00:52,855 I WAS ROBBED OF THEM. 19 00:00:52,855 --> 00:00:55,062 BY YOUR CARELESSNESS. 20 00:00:55,062 --> 00:00:56,563 FOR 1,000 YEARS 21 00:00:56,563 --> 00:00:58,729 I WIELDED THE POWERS OF THE WISH. 22 00:00:58,729 --> 00:01:00,021 I BROUGHT RUIN 23 00:01:00,021 --> 00:01:01,771 TO THE HEADS OF UNFAITHFUL MEN. 24 00:01:01,771 --> 00:01:04,104 I BROUGHT FORTH DESTRUCTION AND CHAOS 25 00:01:04,104 --> 00:01:06,104 FOR THE PLEASURE OF THE LOWER BEINGS. 26 00:01:06,104 --> 00:01:07,312 I WAS FEARED AND WORSHIPED 27 00:01:07,312 --> 00:01:08,938 ACROSS THE MORTAL GLOBE. 28 00:01:08,938 --> 00:01:12,521 AND NOW I'M STUCK AT SUNNYDALE HIGH. 29 00:01:12,521 --> 00:01:14,396 MORTAL. 30 00:01:14,396 --> 00:01:16,980 CHILD. 31 00:01:16,980 --> 00:01:18,855 AND I'M FLUNKING MATH. 32 00:01:18,855 --> 00:01:20,813 THIS IS NO CONCERN OF OURS. 33 00:01:20,813 --> 00:01:23,688 YOU WILL LIVE OUT YOUR MORTAL LIFE AND DIE. 34 00:01:23,688 --> 00:01:24,980 GIVE ME ANOTHER CHANCE. 35 00:01:24,980 --> 00:01:26,354 YOU CAN FOLD THE FABRIC OF TIME. 36 00:01:26,354 --> 00:01:27,604 SEND ME BACK TO THAT PLACE 37 00:01:27,604 --> 00:01:29,354 AND I'LL CHANGE IT. 38 00:01:29,354 --> 00:01:31,062 I WON'T FAIL AGAIN. 39 00:01:31,062 --> 00:01:33,396 YOUR TIME IS PASSED. 40 00:01:33,396 --> 00:01:36,521 DO YOU HAVE ANY IDEA HOW BORING 12th GRADERS ARE? 41 00:01:36,521 --> 00:01:38,896 I'M GETTING MY POWER CENTER BACK. 42 00:01:38,896 --> 00:01:40,146 AND IF YOU WON'T HELP ME, 43 00:01:40,146 --> 00:01:41,229 THEN BY THE PESTILENT GODS, 44 00:01:41,229 --> 00:01:42,563 I WILL FIND SOMEONE WHO WILL. 45 00:01:51,229 --> 00:01:54,187 THE WATCHER COUNCIL SHRINK IS HEAVY INTO TESTS. 46 00:01:54,187 --> 00:01:55,688 HE'S GOT TESTS FOR EVERYTHING. 47 00:01:55,688 --> 00:01:57,021 T.A.T.s, RORSCHACH, 48 00:01:57,021 --> 00:01:59,855 ASSOCIATIVE LOGIC... 49 00:01:59,855 --> 00:02:01,396 HE EVEN HAS THAT TEST TO SEE IF YOU'RE CRAZY 50 00:02:01,396 --> 00:02:02,729 THAT ASKS IF YOU EVER HEAR VOICES 51 00:02:02,729 --> 00:02:04,229 OR YOU EVER WANTED TO BE A FLORIST. 52 00:02:04,229 --> 00:02:06,312 OOH, I USED TO WANT-- WAIT. 53 00:02:06,312 --> 00:02:08,229 FLORIST MEANS CRAZY, RIGHT? 54 00:02:08,229 --> 00:02:10,229 I NEVER WANTED TO DO THAT. 55 00:02:10,229 --> 00:02:11,938 NEAT. 56 00:02:11,938 --> 00:02:15,771 THANKS. IT'S ALL ABOUT EMOTIONAL CONTROL. 57 00:02:15,771 --> 00:02:18,312 PLUS, OBVIOUSLY, MAGIC. 58 00:02:18,312 --> 00:02:20,271 HEY, YOU WANT TO GO TO THE ESPRESSO PUMP 59 00:02:20,271 --> 00:02:22,187 AND GET SUGARED UP ON MOCHAS? 60 00:02:22,187 --> 00:02:24,187 I'M GONNA PASS. HIT THE POOL AND DO SOME LAPS. 61 00:02:24,187 --> 00:02:26,521 HOW COME THE SUDDEN CALISTHENICS? 62 00:02:26,521 --> 00:02:29,229 AREN'T YOU SORT OF NATURALLY BUFF, BUFF? 63 00:02:29,229 --> 00:02:31,146 [CHUCKLES] BUFF BUFF. 64 00:02:31,146 --> 00:02:33,312 WELL, THEY'VE GOT US RUNNING AROUND ON THE PHYSICAL SIDE, TOO. 65 00:02:33,312 --> 00:02:35,146 A LOT OF REFLEX EVALUATION 66 00:02:35,146 --> 00:02:36,187 AND PRECISION TRAINING, YOU KNOW. 67 00:02:36,187 --> 00:02:38,229 I JUST--WELL, I WANT TO DO-- 68 00:02:38,229 --> 00:02:39,980 BETTER THAN FAITH? 69 00:02:41,396 --> 00:02:42,855 SO VERY SHALLOW. 70 00:02:42,855 --> 00:02:46,771 COMPETITION IS NATURAL AND HEALTHY. 71 00:02:46,771 --> 00:02:49,021 PLUS, YOU'LL DEFINITELY ACE HER ON THE PSYCH TESTS. 72 00:02:49,021 --> 00:02:51,021 JUST DON'T MARK THE BOX THAT SAYS 73 00:02:51,021 --> 00:02:53,271 "I SOMETIMES LIKE TO KILL PEOPLE." 74 00:02:53,271 --> 00:02:56,104 I KNOW FAITH'S NOT GONNA BE ON THE COVER 75 00:02:56,104 --> 00:02:57,521 OF SANITY FAIR, 76 00:02:57,521 --> 00:02:59,688 BUT SHE HAD IT ROUGH. 77 00:02:59,688 --> 00:03:02,021 DIFFERENT CIRCUMSTANCES, THAT COULD BE ME. 78 00:03:02,021 --> 00:03:03,146 NO WAY. 79 00:03:03,146 --> 00:03:06,230 SOME PEOPLE JUST DON'T HAVE THAT IN THEM. 80 00:03:06,230 --> 00:03:07,855 LOOK, I'M SORRY. 81 00:03:07,855 --> 00:03:10,021 I KNOW HOW YOU HATE TALKING ABOUT FAITH. 82 00:03:10,021 --> 00:03:11,729 NO, IT'S OK. 83 00:03:11,729 --> 00:03:13,230 NO, REALLY, WE SHOULD JUST-- 84 00:03:13,230 --> 00:03:15,438 NO. IT DOESN'T BOTHER ME. I MEAN IT. 85 00:03:15,438 --> 00:03:17,646 UH, WILL? 86 00:03:18,813 --> 00:03:19,729 OH. 87 00:03:26,229 --> 00:03:27,563 EMOTIONAL CONTROL? 88 00:03:27,563 --> 00:03:29,604 I'M WORKING ON IT. 89 00:03:32,521 --> 00:03:35,521 [HOWLING] 90 00:04:28,813 --> 00:04:30,688 AS FAR AS I'M CONCERNED, 91 00:04:30,688 --> 00:04:33,729 THIS IS A MARRIAGE MADE IN HEAVEN. 92 00:04:33,729 --> 00:04:35,438 WILLOW ROSENBERG, 93 00:04:35,438 --> 00:04:39,396 DESPITE HER UNSAVORY ASSOCIATIONS, 94 00:04:39,396 --> 00:04:41,980 REPRESENTS THE PINNACLE OF ACADEMIC ACHIEVEMENT 95 00:04:41,980 --> 00:04:43,271 AT SUNNYDALE HIGH. 96 00:04:43,271 --> 00:04:46,980 PERCY WEST REPRESENTS A DEVASTATING FAST BREAK 97 00:04:46,980 --> 00:04:51,312 AND 50% FROM BEHIND THE 3-POINT LINE. 98 00:04:51,312 --> 00:04:54,312 I'M NOT SURE I UNDERSTAND THE MARRIAGE PART. 99 00:04:54,312 --> 00:04:55,813 YOU'VE GOT THE BRAINS, 100 00:04:55,813 --> 00:04:57,938 HE'S GOT THE FAST BREAK. 101 00:04:57,938 --> 00:04:59,312 IT'S A PERFECT MATCH. 102 00:04:59,312 --> 00:05:02,479 MATCH? 103 00:05:02,479 --> 00:05:04,479 YOU WANT US TO BREED? 104 00:05:04,479 --> 00:05:06,312 I WANT YOU TO TUTOR HIM. 105 00:05:06,312 --> 00:05:09,855 PERCY IS FLUNKING HISTORY. 106 00:05:09,855 --> 00:05:12,646 NOTHING SEEMS TO BE ABLE TO MOTIVATE HIM. 107 00:05:12,646 --> 00:05:14,021 HEY, I'M CHALLENGED. 108 00:05:14,021 --> 00:05:16,563 YOU'RE LAZY, SELF-INVOLVED, AND SPOILED. 109 00:05:16,563 --> 00:05:17,563 THAT'S QUITE THE CHALLENGE. 110 00:05:17,563 --> 00:05:20,521 BUT WE NEED A WINNING YEAR, 111 00:05:20,521 --> 00:05:22,896 ESPECIALLY AFTER LAST YEAR'S DEBACLE WITH THE SWIM TEAM. 112 00:05:22,896 --> 00:05:24,646 CAN'T HAVE OUR POINT GUARD BENCHED. 113 00:05:24,646 --> 00:05:27,521 SO, YOU'RE GONNA TAKE ON A LITTLE TEACHING JOB. 114 00:05:27,521 --> 00:05:28,938 I KNOW HOW YOU ENJOY TEACHING. 115 00:05:28,938 --> 00:05:31,729 WELL, I HAVE A LOT OF WORK OF MY OWN. 116 00:05:31,729 --> 00:05:33,062 YOU'VE GOT A LETTER OF ACCEPTANCE 117 00:05:33,062 --> 00:05:34,813 FROM EVERY UNIVERSITY WITH A STAMP. 118 00:05:34,813 --> 00:05:37,521 YES, BUT I STILL HAVE CLASSES AND I DON'T-- 119 00:05:37,521 --> 00:05:38,604 ROSENBERG... 120 00:05:38,604 --> 00:05:40,187 IT'S TIME TO GIVE SOMETHING BACK 121 00:05:40,187 --> 00:05:42,855 TO THE COMMUNITY. 122 00:05:42,855 --> 00:05:46,104 I KNOW YOU WANT TO HELP YOUR SCHOOL OUT HERE. 123 00:05:46,104 --> 00:05:47,312 ASK ME HOW I KNOW. 124 00:05:47,312 --> 00:05:48,479 HOW DO YOU-- 125 00:05:48,479 --> 00:05:51,813 I JUST KNOW. 126 00:05:51,813 --> 00:05:55,354 SO HE THREATENED YOU? WITH WHAT? 127 00:05:55,354 --> 00:05:58,312 WELL, IT WASN'T EXACTLY ANYTHING HE SAID. 128 00:05:58,312 --> 00:05:59,980 IT WAS ALL IN HIS EYES. 129 00:05:59,980 --> 00:06:01,646 I MEAN, THERE WAS SOME NOSTRIL WORK AS WELL, 130 00:06:01,646 --> 00:06:03,187 BUT MOSTLY EYES. 131 00:06:03,187 --> 00:06:05,563 SNYDER NEEDS ME TO KICK HIS ASS. 132 00:06:05,563 --> 00:06:07,438 OH, NO, BUFFY, DON'T GET IN TROUBLE. 133 00:06:07,438 --> 00:06:08,521 I'LL BE OK. 134 00:06:08,521 --> 00:06:11,771 I JUST HATE THE WAY HE BULLIES PEOPLE. 135 00:06:11,771 --> 00:06:14,479 HE JUST ASSUMES EVERYONE'S TIME IS HIS. 136 00:06:14,479 --> 00:06:16,062 WILLOW, GET ON THE COMPUTER. 137 00:06:16,062 --> 00:06:17,354 I WANT YOU TO TAKE ANOTHER PASS 138 00:06:17,354 --> 00:06:18,688 AT ACCESSING THE MAYOR'S FILES. 139 00:06:18,688 --> 00:06:20,438 OK. 140 00:06:20,438 --> 00:06:22,312 WELL, THAT WAS A BLAST. 141 00:06:22,312 --> 00:06:23,604 HOW DID IT GO? 142 00:06:23,604 --> 00:06:24,813 PRINCESS MARGARET HERE 143 00:06:24,813 --> 00:06:27,146 HAD A LITTLE TROUBLE KEEPING UP. 144 00:06:28,104 --> 00:06:29,563 HOW DID IT GO? 145 00:06:29,563 --> 00:06:32,396 [BREATHING HEAVILY] FAITH, UH... 146 00:06:32,396 --> 00:06:34,396 DID QUITE WELL ON THE OBSTACLE FIELD. 147 00:06:34,396 --> 00:06:35,938 STILL A LITTLE SLOPPY, THOUGH. 148 00:06:35,938 --> 00:06:39,896 DO YOU FEEL UP TO TAKING BUFFY OUT, OR SHALL I? 149 00:06:39,896 --> 00:06:41,855 OH, NO, NO, NO, I'LL BE FINE. 150 00:06:41,855 --> 00:06:44,187 JUST GIVE ME A MINUTE. 151 00:06:44,187 --> 00:06:45,855 AND SOME DEFIBRILLATORS, 152 00:06:45,855 --> 00:06:47,187 IF IT'S NOT TOO MUCH TROUBLE. 153 00:06:47,187 --> 00:06:48,396 YOU'RE GONNA LOVE IT, B. 154 00:06:48,396 --> 00:06:50,813 IT'S JUST LIKE FUN, ONLY BORING. 155 00:06:50,813 --> 00:06:52,771 FAITH, THIS EVALUATION 156 00:06:52,771 --> 00:06:54,104 IS A NECESSARY PART OF THE COUNCIL. 157 00:06:54,104 --> 00:06:56,062 I KNOW. I'M ON BOARD HERE. 158 00:06:56,062 --> 00:06:57,146 JUST SHOOTING MY MOUTH OFF. 159 00:06:57,146 --> 00:06:59,855 I BETTER CHANGE. 160 00:07:02,062 --> 00:07:03,604 GOOD LUCK. 161 00:07:10,729 --> 00:07:13,604 WHAT YOU DOING? 162 00:07:13,604 --> 00:07:16,521 I'M TRYING TO ACCESS THE MAYOR'S PERSONAL FILES. 163 00:07:16,521 --> 00:07:18,479 CAN YOU DO THAT? 164 00:07:18,479 --> 00:07:21,521 WELL, HE'S GOT SOME TRICKY BARRIERS SET UP. 165 00:07:21,521 --> 00:07:23,187 CAN YOU GET PAST 'EM? 166 00:07:23,187 --> 00:07:25,688 EVENTUALLY, I'LL GET THROUGH. 167 00:07:29,187 --> 00:07:30,729 THAT'S VERY INTERESTING. 168 00:07:30,729 --> 00:07:32,604 YEAH, I THOUGHT SO, TOO. 169 00:07:32,604 --> 00:07:34,521 ARE YOU SERIOUS ABOUT THIS PLACE? 170 00:07:34,521 --> 00:07:36,229 OF COURSE I AM. NO SLAYER OF MINE 171 00:07:36,229 --> 00:07:37,938 IS GONNA LIVE IN A FLEABAG HOTEL. 172 00:07:37,938 --> 00:07:40,729 THAT PLACE HAS A VERY UNSAVORY REPUTATION. 173 00:07:40,729 --> 00:07:43,354 THERE ARE IMMORAL LIAISONS GOING ON THERE. 174 00:07:43,354 --> 00:07:45,021 YEAH, PLUS ALL THE SCREWING. 175 00:07:45,021 --> 00:07:46,563 THIS PLACE IS THE KICK. 176 00:07:46,563 --> 00:07:47,729 WE'LL KEEP YOUR OLD PLACE, 177 00:07:47,729 --> 00:07:49,104 IN CASE YOU NEED TO SEE YOUR FRIENDS THERE, 178 00:07:49,104 --> 00:07:50,479 BUT FROM NOW ON-- 179 00:07:50,479 --> 00:07:52,312 OH, HEY. HEY, HEY, SHOES. SHOES. 180 00:07:54,438 --> 00:07:55,896 THANKS, SUGAR DADDY. 181 00:07:55,896 --> 00:07:58,396 NOW, FAITH, I DON'T FIND THAT SORT OF THING AMUSING. 182 00:07:58,396 --> 00:07:59,771 I'M A FAMILY MAN. 183 00:08:01,021 --> 00:08:02,896 NOW, LET'S KILL YOUR LITTLE FRIEND. 184 00:08:04,813 --> 00:08:06,896 DON'T WORRY. I WOULDN'T ASK YOU TO DO IT. 185 00:08:06,896 --> 00:08:08,896 NOT THIS EARLY IN THE RELATIONSHIP. 186 00:08:08,896 --> 00:08:11,479 BESIDES, I THINK A VAMPIRE ATTACK 187 00:08:11,479 --> 00:08:14,563 WOULD LESS SUSPICIOUS ANYWAY. 188 00:08:14,563 --> 00:08:15,646 IN THE MEANTIME, LET'S TAKE A LOOK 189 00:08:15,646 --> 00:08:17,188 AT THE REST OF THE APARTMENT, HUH? 190 00:08:17,188 --> 00:08:18,688 IF I'M NOT MISTAKEN, SOME LUCKY GIRL 191 00:08:18,688 --> 00:08:20,813 HAS HERSELF A PLAYSTATION. 192 00:08:20,813 --> 00:08:21,729 NO WAY. 193 00:08:21,729 --> 00:08:23,771 YES WAY. 194 00:08:26,438 --> 00:08:27,938 HEY. 195 00:08:27,938 --> 00:08:29,271 OZ. HI. 196 00:08:29,271 --> 00:08:30,479 THERE'S SOMETHING ABOUT YOU 197 00:08:30,479 --> 00:08:32,771 THAT'S CAUSING ME TO HUG YOU. 198 00:08:32,771 --> 00:08:35,729 IT'S LIKE I HAVE NO WILL OF MY OWN. 199 00:08:35,729 --> 00:08:38,146 WHERE WERE YOU YESTERDAY? 200 00:08:38,146 --> 00:08:40,646 WE GOT BACK LATE, SORT OF VERY. 201 00:08:40,646 --> 00:08:42,563 WE? WHO? WHERE? 202 00:08:42,563 --> 00:08:45,396 THE BAND. WE HAD A GIG IN MONTEREY SUNDAY NIGHT. 203 00:08:45,396 --> 00:08:47,688 OH, YOU DID? 204 00:08:47,688 --> 00:08:49,187 HOW COME I DIDN'T KNOW? 205 00:08:49,187 --> 00:08:50,896 I THOUGHT YOU DID. 206 00:08:50,896 --> 00:08:53,938 MAYBE I WOULD HAVE LIKED TO GO. 207 00:08:53,938 --> 00:08:56,354 DIDN'T FIGURE YOU FOR MISSING SCHOOL. 208 00:08:56,354 --> 00:08:57,729 YOU THINK I'M BORING. 209 00:08:57,729 --> 00:09:00,604 I'D CALL THAT A RADICAL INTERPRETATION OF THE TEXT. 210 00:09:02,646 --> 00:09:04,479 WE'RE PLAYING TONIGHT AT THE BRONZE. 211 00:09:04,479 --> 00:09:07,771 I CAN'T. I HAVE TOO MUCH HOMEWORK. 212 00:09:07,771 --> 00:09:09,396 IF YOU GET DONE EARLY... 213 00:09:14,813 --> 00:09:17,188 PERCY. HEY. 214 00:09:17,188 --> 00:09:19,479 LISTEN, I THOUGHT WE COULD GET TOGETHER TODAY AT LUNCH 215 00:09:19,479 --> 00:09:22,146 AND GO OVER YOUR ROOSEVELT PAPER. 216 00:09:22,146 --> 00:09:24,188 YOU KNOW, WHAT BOOKS YOU'LL NEED AND STUFF. 217 00:09:24,188 --> 00:09:25,438 WHAT ARE YOU TALKING ABOUT? 218 00:09:25,438 --> 00:09:27,771 ME TUTORING YOU. YOUR HISTORY PAPER? 219 00:09:27,771 --> 00:09:30,146 OH, YEAH. SNYDER SAID YOU WERE GONNA DO IT. 220 00:09:30,146 --> 00:09:32,312 HE NEVER SAID THAT. 221 00:09:32,312 --> 00:09:34,521 WHAT MEETING WERE YOU AT? 222 00:09:34,521 --> 00:09:36,479 LOOK, I'LL GET THE BOOKS YOU NEED. 223 00:09:36,479 --> 00:09:37,646 JUST MEET ME AT LUNCH AND WE'LL-- 224 00:09:37,646 --> 00:09:39,021 NO, NO, NO. I DON'T HAVE ANY TIME AT LUNCH. 225 00:09:39,021 --> 00:09:40,312 I GOTTA HANG OUT. 226 00:09:40,312 --> 00:09:41,312 WELL... 227 00:09:41,312 --> 00:09:43,604 WHAT, YOU GOT SOMETHING BETTER TO DO? 228 00:09:43,604 --> 00:09:45,813 JUST TYPE IT UP AND PUT MY NAME ON IT. 229 00:09:45,813 --> 00:09:48,521 OH, AND DON'T TYPE TOO GOOD. DEAD GIVEAWAY. 230 00:10:02,021 --> 00:10:03,938 I'M EATING THIS NOW. 231 00:10:03,938 --> 00:10:06,813 IT'S NOT LUNCHTIME, I DON'T EVEN CARE. 232 00:10:06,813 --> 00:10:08,813 HEY. WILLOW, 233 00:10:08,813 --> 00:10:09,980 DID YOU REMEMBER TO TAPE 234 00:10:09,980 --> 00:10:11,187 BIOGRAPHY LAST FRIDAY? 235 00:10:11,187 --> 00:10:12,521 UH-HUH. 236 00:10:12,521 --> 00:10:15,479 SEE, I TOLD YOU. OLD RELIABLE. 237 00:10:15,479 --> 00:10:17,271 OH, THANKS. 238 00:10:17,271 --> 00:10:18,187 WHAT? 239 00:10:18,187 --> 00:10:20,354 OLD RELIABLE? YEAH, GREAT. 240 00:10:20,354 --> 00:10:23,771 THERE'S A SEXY NICKNAME. 241 00:10:23,771 --> 00:10:25,813 WELL, I DIDN'T MEAN IT AS-- 242 00:10:25,813 --> 00:10:28,563 NO, IT'S FINE. I'M OLD RELIABLE. 243 00:10:28,563 --> 00:10:29,771 SHE JUST MEANS, YOU KNOW, 244 00:10:29,771 --> 00:10:31,729 THE GEYSER. YOU'RE LIKE A GEYSER OF FUN 245 00:10:31,729 --> 00:10:34,187 THAT GOES OFF AT REGULAR INTERVALS. 246 00:10:34,187 --> 00:10:35,938 THAT'S OLD FAITHFUL. 247 00:10:35,938 --> 00:10:37,813 ISN'T THAT THE DOG THAT THE GUY HAD TO SHOOT-- 248 00:10:37,813 --> 00:10:39,146 THAT'S OLD YELLER. 249 00:10:39,146 --> 00:10:41,396 XANDER, I BEG YOU NOT TO HELP ME. 250 00:10:41,396 --> 00:10:43,688 WILL, I DIDN'T MEAN IT AS A BAD THING. 251 00:10:43,688 --> 00:10:45,229 I THINK IT'S GOOD TO BE RELIABLE. 252 00:10:45,229 --> 00:10:47,396 WELL, MAYBE I DON'T WANT TO BE 253 00:10:47,396 --> 00:10:49,479 RELIABLE ALL THE TIME. 254 00:10:49,479 --> 00:10:53,104 MAYBE I'M NOT JUST SOME DOORMAT PERSON. 255 00:10:53,104 --> 00:10:54,646 HOMEWORK GAL. 256 00:10:54,646 --> 00:10:57,354 I'M THINKING NERVE STRIKE. 257 00:10:59,563 --> 00:11:01,271 MAYBE I'LL CHANGE MY LOOK. 258 00:11:01,271 --> 00:11:03,271 OR CUT CLASS. YOU DON'T KNOW. 259 00:11:04,479 --> 00:11:06,271 AND I'M EATING THIS BANANA. 260 00:11:06,271 --> 00:11:08,312 LUNCH TIME BE DAMNED. 261 00:11:10,104 --> 00:11:11,229 WILL, WAIT. 262 00:11:11,229 --> 00:11:12,229 I'M REALLY SORRY. 263 00:11:12,229 --> 00:11:14,855 BUFF, I'M STORMING OFF. 264 00:11:14,855 --> 00:11:18,146 IT DOESN'T REALLY WORK IF YOU COME WITH ME. 265 00:11:18,146 --> 00:11:19,813 OH. 266 00:11:30,938 --> 00:11:33,271 UH, WILLOW? 267 00:11:33,271 --> 00:11:35,729 UH, HI. 268 00:11:35,729 --> 00:11:38,104 ANYA. I'M SORT OF NEW HERE. 269 00:11:38,104 --> 00:11:39,563 UM, I KNOW CORDELIA. 270 00:11:39,563 --> 00:11:41,896 OH, FUN. 271 00:11:41,896 --> 00:11:44,396 YEAH. UM, LISTEN, 272 00:11:44,396 --> 00:11:46,396 I HAVE THIS LITTLE PROJECT I'M WORKING ON, 273 00:11:46,396 --> 00:11:48,229 AND I HEARD YOU WERE THE PERSON TO ASK-- 274 00:11:48,229 --> 00:11:51,855 YEAH, THAT'S ME. RELIABLE DOG GEYSER PERSON. 275 00:11:51,855 --> 00:11:53,396 WHAT DO YOU NEED? 276 00:11:53,396 --> 00:11:54,688 OH, IT'S NOTHING BIG. 277 00:11:54,688 --> 00:11:56,688 JUST A LITTLE SPELL I'M WORKING ON. 278 00:11:56,688 --> 00:11:58,104 A SPELL? 279 00:11:58,104 --> 00:12:00,896 OH. I LIKE THE BLACK ARTS. 280 00:12:00,896 --> 00:12:03,646 I JUST NEED A SECONDARY TO CREATE A TEMPORAL FOLD. 281 00:12:03,646 --> 00:12:05,312 I HEARD YOU WERE A PRETTY POWERFUL WICCA, SO... 282 00:12:05,312 --> 00:12:07,771 YOU HEARD RIGHT, MISTER. 283 00:12:07,771 --> 00:12:11,230 I'M ALWAYS READY TO WORK SOME DARK MOJO. 284 00:12:11,230 --> 00:12:13,896 SO, TELL ME, IS IT DANGEROUS? 285 00:12:13,896 --> 00:12:16,187 OH, NO. 286 00:12:16,187 --> 00:12:19,646 WELL, COULD WE PRETEND IT IS? 287 00:12:20,729 --> 00:12:22,312 THE NECKLACE WAS A FAMILY HEIRLOOM 288 00:12:22,312 --> 00:12:24,604 PASSED DOWN FOR GENERATIONS. 289 00:12:24,604 --> 00:12:27,187 THEN IT WAS STOLEN FROM MY MOM'S APARTMENT. 290 00:12:27,187 --> 00:12:29,146 HOW DOES THE SPELL WORK? 291 00:12:29,146 --> 00:12:31,396 UH, WELL... 292 00:12:31,396 --> 00:12:34,479 WE BOTH CALL ON ERYISHON, THE ENDLESS ONE... 293 00:12:34,479 --> 00:12:37,021 OFFER UP THE STANDARD SUPPLICATION, 294 00:12:37,021 --> 00:12:40,438 THEN THERE'S A TEENSY TEMPORAL FOLD--WE HOPE. 295 00:12:40,438 --> 00:12:43,396 UM, THEN I POUR THE SACRED SAND 296 00:12:43,396 --> 00:12:44,896 ON THE REPRESENTATION OF THE NECKLACE, 297 00:12:44,896 --> 00:12:46,354 AND ERYISHON BRINGS IT FORTH 298 00:12:46,354 --> 00:12:48,521 FROM THE TIME AND PLACE IT WAS LOST. 299 00:12:48,521 --> 00:12:50,062 COOL. 300 00:12:50,062 --> 00:12:51,396 ARE WE READY? 301 00:12:51,396 --> 00:12:53,187 I THINK SO. 302 00:12:55,312 --> 00:12:57,479 ERYISHON. K'SHALA. MEH-UHN. 303 00:12:57,479 --> 00:13:00,521 DIPRECHT. DOH-TEHENLO NU-ERYISHON. 304 00:13:02,438 --> 00:13:04,354 THE CHILD TO THE MOTHER. 305 00:13:04,354 --> 00:13:05,938 THE RIVER TO THE SEA. 306 00:13:05,938 --> 00:13:07,646 ERYISHON, HEAR MY PRAYER. 307 00:13:43,688 --> 00:13:46,688 THAT WAS--WHAT WAS THAT? 308 00:13:46,688 --> 00:13:48,563 OH, IT'S NOT HERE. 309 00:13:50,271 --> 00:13:51,271 IT'S NOT HERE. 310 00:13:51,271 --> 00:13:53,855 OK, THAT'S A LITTLE BLACKER 311 00:13:53,855 --> 00:13:55,396 THAN I LIKE MY ARTS. 312 00:13:55,396 --> 00:13:57,354 OH, DON'T BE SUCH A WIMP. 313 00:13:57,354 --> 00:14:00,271 THAT WASN'T JUST SOME TEMPORAL FOLD, 314 00:14:00,271 --> 00:14:02,146 THAT WAS SOME WEIRD HELL PLACE. 315 00:14:02,146 --> 00:14:04,896 I DON'T THINK YOU'RE TELLING ME EVERYTHING. 316 00:14:04,896 --> 00:14:08,396 I SWEAR, I AM JUST TRYING TO FIND MY NECKLACE. 317 00:14:08,396 --> 00:14:11,604 WELL, DID YOU TRY LOOKING INSIDE THE SOFA IN HELL? 318 00:14:11,604 --> 00:14:14,604 LOOK, WE'LL JUST TRY IT AGAIN, AND-- 319 00:14:14,604 --> 00:14:17,396 NO. I THINK EMPHATICALLY NOT. 320 00:14:17,396 --> 00:14:19,229 I CAN'T DO IT BY MYSELF. 321 00:14:19,229 --> 00:14:20,563 THAT'S A RELIEF. 322 00:14:20,563 --> 00:14:21,813 I'M OUT OF HERE. 323 00:14:21,813 --> 00:14:23,771 FINE. GO. 324 00:14:23,771 --> 00:14:25,146 IDIOT CHILD. 325 00:14:26,855 --> 00:14:29,479 I BELIEVE THESE CHICKEN FEET ARE MINE. 326 00:14:29,479 --> 00:14:31,187 LOOK... 327 00:14:31,187 --> 00:14:33,771 MAGIC IS DANGEROUS, ANYA. 328 00:14:33,771 --> 00:14:36,271 IT'S NOT TO BE TOYED WITH. 329 00:14:36,271 --> 00:14:37,771 NOW, IF YOU'LL EXCUSE ME, 330 00:14:37,771 --> 00:14:39,479 I HAVE SOMEONE ELSE'S HOMEWORK TO DO. 331 00:14:45,521 --> 00:14:47,521 NOTHING! 332 00:14:55,021 --> 00:14:57,521 THIS IS WEIRD. 333 00:15:36,354 --> 00:15:37,604 EXCUSE ME, YOUNG LADY-- 334 00:15:37,604 --> 00:15:38,646 SHH! 335 00:15:38,646 --> 00:15:40,521 OH...OH... 336 00:15:44,104 --> 00:15:48,062 ♪ THERE'S A CHAIR IN MY HEAD ♪ 337 00:15:48,062 --> 00:15:50,646 ♪ IN WHICH I USED TO SIT ♪ 338 00:15:50,646 --> 00:15:54,396 ♪ TOOK A PENCIL AND I WROTE ♪ 339 00:15:54,396 --> 00:15:57,479 ♪ THE FOLLOWING ON IT ♪ 340 00:15:57,479 --> 00:16:00,646 ♪ NOW THERE'S A KEY ♪ 341 00:16:00,646 --> 00:16:04,646 ♪ WHERE MY WONDERFUL MOUTH USED TO BE ♪ 342 00:16:07,813 --> 00:16:11,688 ♪ DIG IT UP AND THROW IT AT ME ♪ 343 00:16:11,688 --> 00:16:14,896 ♪ DIG IT UP AND THROW IT AT ME ♪ 344 00:16:16,896 --> 00:16:21,938 ♪ WHERE CAN I RUN TO WHERE CAN I HIDE ♪ 345 00:16:21,938 --> 00:16:26,021 ♪ WHO WILL I TURN TO ♪ 346 00:16:26,021 --> 00:16:30,062 ♪ NOW I'M IN A VIRGIN STATE OF MIND ♪ 347 00:16:30,062 --> 00:16:32,729 ♪ GOT A KNIFE TO DISENGAGE ♪ 348 00:16:32,729 --> 00:16:35,312 ♪ THE VOIDS THAT I CAN'T BEAR ♪ 349 00:16:35,312 --> 00:16:39,187 ♪ CUT OUT WORDS I'VE GOT WRITTEN ♪ 350 00:16:39,187 --> 00:16:42,104 ♪ ON MY CHAIR ♪ 351 00:16:42,104 --> 00:16:46,104 ♪ LIKE DO YOU THINK I'M SEXY ♪ 352 00:16:46,688 --> 00:16:48,438 HEY. 353 00:16:48,438 --> 00:16:50,813 ROSENBERG? 354 00:16:50,813 --> 00:16:52,187 WHAT ARE YOU DOING, TRICK-OR-TREATING? 355 00:16:52,187 --> 00:16:55,563 YOU'RE SUPPOSED TO BE AT HOME DOING MY HISTORY REPORT. 356 00:16:55,563 --> 00:16:58,021 I FLUNK THAT CLASS, YOU'RE IN BIG TROUBLE WITH SNYDER. 357 00:16:58,021 --> 00:17:02,229 TILL WE GRADUATE, I OWN YOUR ASS. 358 00:17:02,229 --> 00:17:04,146 BORED NOW. 359 00:17:08,521 --> 00:17:11,521 I'M HAVING A TERRIBLE NIGHT. 360 00:17:17,771 --> 00:17:19,688 WANT TO MAKE IT BETTER? 361 00:17:25,896 --> 00:17:28,729 WHAT'S GOING ON? IS THERE A FUNNY THING? 362 00:17:30,896 --> 00:17:32,146 BACK OFF. 363 00:17:32,146 --> 00:17:34,187 YOU STAY THE HELL AWAY FROM HER. 364 00:17:34,187 --> 00:17:35,729 OK. SURE. 365 00:17:39,229 --> 00:17:40,521 XANDER... 366 00:17:40,521 --> 00:17:42,396 WILL. CHANGING THE LOOK 367 00:17:42,396 --> 00:17:43,896 NOT AN IDLE THREAT WITH YOU. 368 00:17:43,896 --> 00:17:45,855 YOU'RE ALIVE. 369 00:17:49,187 --> 00:17:50,771 UH... 370 00:17:50,771 --> 00:17:54,146 WILL, THIS IS VERGING ON NAUGHTY TOUCHING HERE. 371 00:17:54,146 --> 00:17:55,813 DON'T WANT TO FALL BACK ON BAD HABITS. 372 00:17:55,813 --> 00:17:58,271 HANDS. HANDS IN NEW PLACES. 373 00:17:58,271 --> 00:18:00,896 YOU'RE ALIVE. 374 00:18:00,896 --> 00:18:04,479 YOU MENTIONED THAT BEFORE. 375 00:18:04,479 --> 00:18:05,646 WILL, ARE YOU OK? 376 00:18:05,646 --> 00:18:10,230 NO. EVERYTHING'S DIFFERENT. 377 00:18:10,230 --> 00:18:11,521 THERE YOU ARE. 378 00:18:11,521 --> 00:18:12,896 HEY, BUFF. 379 00:18:12,896 --> 00:18:14,312 AREN'T YOU GONNA INTRODUCE ME TO YOUR-- 380 00:18:14,312 --> 00:18:17,188 HOLY GOD, YOU'RE WILLOW. 381 00:18:17,188 --> 00:18:18,896 YOU. 382 00:18:18,896 --> 00:18:22,396 YOU KNOW WHAT? I LIKE THE LOOK. 383 00:18:22,396 --> 00:18:25,021 IT'S, UM, IT'S EXTREME, 384 00:18:25,021 --> 00:18:27,563 BUT IT LOOKS GOOD, YOU KNOW. 385 00:18:27,563 --> 00:18:29,438 IT'S A LEATHER THING. 386 00:18:29,438 --> 00:18:34,354 AND, UH...I SAID EXTREME ALREADY, RIGHT? 387 00:18:37,813 --> 00:18:40,146 I DON'T LIKE YOU. 388 00:18:41,563 --> 00:18:43,563 WILL, I'M SORRY ABOUT TODAY. 389 00:18:43,563 --> 00:18:45,813 YOU KNOW HOW MY FOOT LIKES TO LIVE IN MY MOUTH, 390 00:18:45,813 --> 00:18:47,438 BUT YOU KNOW, 391 00:18:47,438 --> 00:18:49,688 YOU REALLY DIDN'T HAVE TO PROVE ANYTHING. 392 00:18:51,187 --> 00:18:53,230 LEAVING NOW. 393 00:18:53,230 --> 00:18:55,896 WILL, GOTTA SAY, NOT LOVING THE NEW YOU. 394 00:18:55,896 --> 00:18:57,062 WILL, WAIT-- 395 00:18:57,062 --> 00:18:58,563 GET OFF ME. 396 00:19:15,104 --> 00:19:17,396 WILLOW ROSENBERG. 397 00:19:17,396 --> 00:19:20,271 I'M NOT SUPPOSED TO TALK TO STRANGERS. 398 00:19:20,271 --> 00:19:21,729 THEN WE WON'T TALK. 399 00:19:37,563 --> 00:19:39,479 YOU MADE ME CRANKY. 400 00:19:39,479 --> 00:19:41,896 THERE'S BEEN A MISTAKE HERE. 401 00:19:41,896 --> 00:19:43,938 WE WERE SENT AFTER A HUMAN. 402 00:19:43,938 --> 00:19:46,021 REALLY? 403 00:19:46,021 --> 00:19:47,396 WHO DO YOU WORK FOR? 404 00:19:47,396 --> 00:19:49,230 I'M NOT TELLING YOU A THING. 405 00:19:52,104 --> 00:19:53,146 AAH! 406 00:19:54,729 --> 00:19:56,813 WHO DO YOU WORK FOR? 407 00:19:56,813 --> 00:19:59,771 WILKINS. THE MAYOR. 408 00:20:03,646 --> 00:20:05,438 AAH! 409 00:20:05,438 --> 00:20:09,855 WHO DO YOU WORK FOR? 410 00:20:09,855 --> 00:20:11,896 YOU. 411 00:20:14,021 --> 00:20:15,479 GET YOUR FRIENDS. 412 00:20:15,479 --> 00:20:17,771 BRING THEM HERE. 413 00:20:17,771 --> 00:20:19,729 THE WORLD'S NO FUN ANYMORE. 414 00:20:21,688 --> 00:20:24,563 WE'RE GONNA MAKE IT THE WAY IT WAS. 415 00:20:24,563 --> 00:20:26,938 STARTING WITH THE BRONZE. 416 00:20:31,104 --> 00:20:33,396 OH, BUFFY. I THOUGHT YOU WERE GOING OUT TONIGHT. 417 00:20:33,396 --> 00:20:34,563 I DIDN'T EXPECT-- 418 00:20:38,980 --> 00:20:40,146 WHAT IS IT? 419 00:20:44,021 --> 00:20:45,646 THIS ISN'T REAL. 420 00:20:47,980 --> 00:20:50,146 I CAN'T FEEL ANYTHING. 421 00:20:50,146 --> 00:20:53,896 ARMS, LEGS, ANYTHING. 422 00:20:53,896 --> 00:20:58,646 SHE WAS TRULY THE FINEST OF ALL OF US. 423 00:21:00,479 --> 00:21:03,855 WAY BETTER THAN ME. 424 00:21:03,855 --> 00:21:06,354 MUCH, MUCH BETTER. 425 00:21:06,354 --> 00:21:08,354 IT'S ALL MY FAULT. 426 00:21:08,354 --> 00:21:11,604 NO, IT'S ME. 427 00:21:11,604 --> 00:21:13,021 IT'S ME. 428 00:21:13,021 --> 00:21:15,229 I'M THE ONE THAT CALLED HER RELIABLE. 429 00:21:15,229 --> 00:21:17,021 SHE MUST HAVE GONE OUT AND GOTTEN ATTACKED, 430 00:21:17,021 --> 00:21:18,229 WHICH SHE NEVER WOULD HAVE DONE 431 00:21:18,229 --> 00:21:20,980 IF I HADN'T HAVE CALLED HER RELIABLE. 432 00:21:20,980 --> 00:21:22,563 AND NOW MY BEST FRIEND IS-- 433 00:21:22,563 --> 00:21:24,104 WHAT'S GOING ON? 434 00:21:25,771 --> 00:21:26,896 JEEZ, WHO DIED? 435 00:21:28,563 --> 00:21:31,021 OH, GOD. WHO DIED? 436 00:21:31,021 --> 00:21:32,438 BACK! 437 00:21:32,438 --> 00:21:34,021 GET BACK, DEMON. 438 00:21:40,104 --> 00:21:42,479 WILLOW, YOU'RE ALIVE. 439 00:21:42,479 --> 00:21:44,021 AREN'T I USUALLY? 440 00:21:45,688 --> 00:21:46,771 OH! 441 00:21:51,062 --> 00:21:53,062 I LOVE YOU GUYS, TOO. 442 00:21:53,062 --> 00:21:56,980 OK. OXYGEN BECOMING AN ISSUE. 443 00:22:00,479 --> 00:22:02,479 GILES, WHAT'S GOING ON WITH THESE-- 444 00:22:02,479 --> 00:22:04,312 OH. 445 00:22:04,312 --> 00:22:06,896 OH. SORRY. 446 00:22:09,104 --> 00:22:12,312 IT'S REALLY NICE THAT YOU GUYS MISSED ME. 447 00:22:12,312 --> 00:22:14,479 SAY, YOU ALL DIDN'T HAPPEN TO DO 448 00:22:14,479 --> 00:22:16,229 A BUNCH OF DRUGS, DID YOU? 449 00:22:16,229 --> 00:22:19,062 WILL, WE SAW YOU AT THE BRONZE. 450 00:22:19,062 --> 00:22:20,521 A VAMPIRE. 451 00:22:20,521 --> 00:22:23,021 I'M NOT A VAMPIRE. 452 00:22:23,021 --> 00:22:27,521 YOU ARE. I MEAN, YOU WERE. 453 00:22:27,521 --> 00:22:28,813 GILES, PLANNING ON JUMPING IN 454 00:22:28,813 --> 00:22:30,396 WITH AN EXPLANATION ANY TIME SOON? 455 00:22:30,396 --> 00:22:32,438 WELL, UH...SOMETHING-- 456 00:22:32,438 --> 00:22:37,062 SOMETHING VERY STRANGE IS HAPPENING. 457 00:22:37,062 --> 00:22:40,396 CAN YOU BELIEVE THE WATCHER'S COUNCIL LET THIS GUY GO? 458 00:22:47,229 --> 00:22:49,354 WHAT A DAY. 459 00:22:49,354 --> 00:22:50,938 GIVE ME A BEER. 460 00:22:50,938 --> 00:22:52,729 I.D. 461 00:22:54,813 --> 00:22:56,771 I.D. 462 00:22:56,771 --> 00:23:00,479 I'M 1,120 YEARS OLD. JUST GIVE ME A FRIGGIN' BEER. 463 00:23:01,438 --> 00:23:03,062 I.D. 464 00:23:03,062 --> 00:23:05,271 [SIGHS] GIVE ME A COKE. 465 00:23:07,230 --> 00:23:09,354 MAN, WE NEED A ROADIE. 466 00:23:09,354 --> 00:23:10,563 OTHER BANDS HAVE ROADIES. 467 00:23:10,563 --> 00:23:13,062 WELL, OTHER BANDS KNOW MORE THAN 3 CHORDS. 468 00:23:13,062 --> 00:23:15,312 YOUR PROFESSIONAL BANDS CAN PLAY UP TO 6, 469 00:23:15,312 --> 00:23:17,438 SOMETIMES 7 COMPLETELY DIFFERENT CHORDS. 470 00:23:17,438 --> 00:23:20,271 THAT'S JUST, LIKE, FRUITY JAZZ BANDS. 471 00:23:20,271 --> 00:23:21,646 OZ. 472 00:23:21,646 --> 00:23:23,104 HEY, MAN. 473 00:23:23,104 --> 00:23:24,271 YOU LOOKING FOR BUFFY? 474 00:23:24,271 --> 00:23:25,271 AS ALWAYS. 475 00:23:25,271 --> 00:23:27,896 WELL, NO SIGHTINGS AS OF YET, 476 00:23:27,896 --> 00:23:29,062 BUT I THINK SHE SAID SHE'D SHOW. 477 00:23:39,479 --> 00:23:41,271 THAT DOESN'T LOOK GOOD. 478 00:23:41,271 --> 00:23:42,646 EVERYBODY, SHUT UP. 479 00:23:45,312 --> 00:23:47,104 ALL RIGHT. 480 00:23:47,104 --> 00:23:49,855 NOBODY CAUSE ANY TROUBLE OR TRY TO LEAVE... 481 00:23:51,354 --> 00:23:53,104 AND NOBODY GETS HURT. 482 00:23:53,104 --> 00:23:54,479 WHY DON'T I BELIEVE HIM? 483 00:23:54,479 --> 00:23:56,729 WELL, HE LACKS CREDIBILITY. 484 00:24:00,062 --> 00:24:02,104 CAN YOU GET OUT OF HERE? 485 00:24:02,104 --> 00:24:03,312 SKYLIGHT IN THE ROOF. 486 00:24:03,312 --> 00:24:05,604 I CAN MAKE IT. 487 00:24:05,604 --> 00:24:07,271 I THINK WE NEED SOME BACKUP. 488 00:24:07,271 --> 00:24:09,146 I THINK I'M NEEDED HERE. 489 00:24:09,146 --> 00:24:11,354 10-1. COULD GET POINTLESS. 490 00:24:32,312 --> 00:24:36,646 LOOK. EVERYONE'S ALL AFRAID. 491 00:24:36,646 --> 00:24:39,229 IT'S JUST LIKE OLD TIMES. 492 00:24:42,521 --> 00:24:44,146 GET BUFFY. 493 00:24:44,146 --> 00:24:45,855 DO IT NOW. 494 00:24:50,729 --> 00:24:53,688 DUDE, CHECK OUT YOUR GIRLFRIEND. 495 00:25:03,021 --> 00:25:04,354 WHAT'S YOUR NAME? 496 00:25:04,354 --> 00:25:06,604 SANDY. 497 00:25:13,646 --> 00:25:15,438 YOU DON'T HAVE TO BE AFRAID... 498 00:25:15,438 --> 00:25:17,813 JUST TO PLEASE ME. 499 00:25:19,021 --> 00:25:21,729 IF YOU'RE ALL GOOD BOYS AND GIRLS, 500 00:25:21,729 --> 00:25:23,896 WE'LL MAKE YOU YOUNG 501 00:25:23,896 --> 00:25:28,563 AND STRONG FOREVER AND EVER. 502 00:25:28,563 --> 00:25:30,521 WE'LL HAVE FUN. 503 00:25:34,938 --> 00:25:36,688 IF YOU'RE NOT... 504 00:25:48,938 --> 00:25:52,438 QUESTIONS? COMMENTS? 505 00:25:52,438 --> 00:25:54,771 WILLOW. 506 00:25:54,771 --> 00:25:56,729 YOU DON'T WANT TO DO THIS. 507 00:25:56,729 --> 00:25:58,688 I DON'T? 508 00:25:58,688 --> 00:26:01,479 BUT I'M SO GOOD AT IT. 509 00:26:05,604 --> 00:26:07,146 WHO DID THIS TO YOU? 510 00:26:07,146 --> 00:26:09,438 I KNOW YOU. 511 00:26:09,438 --> 00:26:11,479 YOU'RE A WHITE HAT. 512 00:26:11,479 --> 00:26:15,062 HOW COME YOU'RE TALKING TO ME LIKE WE'RE FRIENDS? 513 00:26:15,062 --> 00:26:18,021 'CAUSE HE THINKS YOU'RE SOMEONE ELSE. 514 00:26:18,021 --> 00:26:22,062 HE THINKS YOU'RE THE WILLOW THAT BELONGS IN THIS REALITY. 515 00:26:22,062 --> 00:26:24,021 ANOTHER ME? 516 00:26:24,021 --> 00:26:25,479 YOU KNOW THIS ISN'T YOUR WORLD, RIGHT? 517 00:26:25,479 --> 00:26:27,187 I MEAN, YOU KNOW YOU DON'T BELONG HERE. 518 00:26:27,187 --> 00:26:30,729 NO. THIS IS A DUMB WORLD. 519 00:26:30,729 --> 00:26:34,438 IN MY WORLD THERE ARE PEOPLE IN CHAINS, 520 00:26:34,438 --> 00:26:37,479 AND WE CAN RIDE THEM LIKE PONIES. 521 00:26:37,479 --> 00:26:39,938 YOU WANT TO GET BACK THERE. 522 00:26:39,938 --> 00:26:41,729 YEAH. 523 00:26:41,729 --> 00:26:44,021 SO DO I. 524 00:26:47,062 --> 00:26:48,729 THIS IS CREEPY. 525 00:26:48,729 --> 00:26:50,646 I DON'T LIKE THE THOUGHT THAT THERE'S A VAMPIRE 526 00:26:50,646 --> 00:26:52,104 OUT THERE THAT LOOKS LIKE ME. 527 00:26:52,104 --> 00:26:53,938 NOT LOOKS LIKE--IS. 528 00:26:53,938 --> 00:26:56,563 IT WAS EXACTLY YOU, WILL, EVERY DETAIL. 529 00:26:56,563 --> 00:26:59,187 EXCEPT FOR YOUR NOT BEING A DOMINATRIX... 530 00:26:59,187 --> 00:27:00,813 AS FAR AS WE KNOW. 531 00:27:00,813 --> 00:27:02,479 OH, RIGHT. ME AND OZ 532 00:27:02,479 --> 00:27:04,771 PLAY MISTRESS OF PAIN EVERY NIGHT. 533 00:27:05,896 --> 00:27:07,062 DID ANYONE ELSE 534 00:27:07,062 --> 00:27:08,729 JUST GO TO A SCARY VISUAL PLACE? 535 00:27:08,729 --> 00:27:10,396 OH, YEAH. 536 00:27:13,354 --> 00:27:16,855 BUFFY, I-- 537 00:27:16,855 --> 00:27:18,187 SOMETHING'S HAPPENED THAT-- 538 00:27:21,479 --> 00:27:22,771 WILLOW'S DEAD. 539 00:27:25,896 --> 00:27:26,938 HEY, WILLOW. 540 00:27:30,146 --> 00:27:31,271 WAIT A SECOND. 541 00:27:32,312 --> 00:27:34,021 WE'RE RIGHT THERE WITH YOU, BUDDY. 542 00:27:34,021 --> 00:27:35,813 WE SAW HER, TOO. AT THE BRONZE. 543 00:27:38,021 --> 00:27:39,855 OK. SHE'S THERE NOW 544 00:27:39,855 --> 00:27:42,104 WITH A CADRE OF VAMPIRES LOOKING TO PARTY. 545 00:27:42,104 --> 00:27:44,146 WE CAN FIGURE OUT WHO SHE IS 546 00:27:44,146 --> 00:27:46,187 AFTER WE STOP THE FEEDING FRENZY. 547 00:27:46,187 --> 00:27:48,354 HOW MANY OF THEM WERE THERE? 8 OR 10. 548 00:27:48,354 --> 00:27:49,438 SHOULD WE CALL FAITH? 549 00:27:49,438 --> 00:27:50,729 NO, I DON'T WANT HER IN COMBAT YET. 550 00:27:50,729 --> 00:27:52,354 NOT AROUND CIVILIANS. HERE, HERE. 551 00:27:52,354 --> 00:27:53,521 GUYS? 552 00:27:54,646 --> 00:27:58,396 WHAT ARE WE GONNA DO WITH ME? THE OTHER ME? 553 00:28:01,896 --> 00:28:03,229 I DON'T KNOW, WILL. 554 00:28:03,229 --> 00:28:05,396 I MEAN, WE JUST HAVE TO STOP THEM. 555 00:28:05,396 --> 00:28:06,396 I GET THAT. 556 00:28:06,396 --> 00:28:09,271 I JUST KIND OF WANTED TO KNOW-- 557 00:28:09,271 --> 00:28:12,896 OH. HEY. GO. I'LL CATCH UP. 558 00:28:21,396 --> 00:28:24,646 ALONE AT LAST. 559 00:28:33,563 --> 00:28:35,938 WELL, LOOK AT ME. 560 00:28:35,938 --> 00:28:37,229 I'M ALL FUZZY. 561 00:28:38,688 --> 00:28:40,813 WHAT DO I WANT WITH YOU? UH-- 562 00:28:40,813 --> 00:28:42,688 YOUR LITTLE SCHOOL FRIEND ANYA SAID 563 00:28:42,688 --> 00:28:44,396 THAT YOU'RE THE ONE THAT BROUGHT ME HERE. 564 00:28:46,021 --> 00:28:49,312 SHE SAID THAT YOU COULD GET ME BACK TO MY WORLD. 565 00:28:49,312 --> 00:28:50,729 OH. 566 00:28:50,729 --> 00:28:53,062 OH. OOPS. 567 00:28:53,062 --> 00:28:56,146 BUT I DON'T KNOW... 568 00:28:56,146 --> 00:28:59,146 I KIND OF LIKE THE IDEA OF THE TWO OF US. 569 00:29:01,187 --> 00:29:04,271 WE COULD BE QUITE A TEAM 570 00:29:04,271 --> 00:29:06,396 IF YOU CAME AROUND TO MY WAY OF THINKING. 571 00:29:06,396 --> 00:29:09,563 WOULD THAT MEAN WE HAVE TO SNUGGLE? 572 00:29:10,855 --> 00:29:13,146 WHAT DO YOU SAY? 573 00:29:17,021 --> 00:29:20,188 WANT TO BE BAD? 574 00:29:20,188 --> 00:29:22,146 THIS JUST CAN'T GET MORE DISTURBING. 575 00:29:22,146 --> 00:29:23,354 [GROWLS] 576 00:29:23,354 --> 00:29:25,271 ACK! NO MORE. 577 00:29:25,271 --> 00:29:27,479 YOU'RE REALLY STARTING TO FREAK ME OUT. 578 00:29:36,896 --> 00:29:38,396 YOU DON'T WANT TO PLAY, 579 00:29:38,396 --> 00:29:40,146 I GUESS I CAN'T FORCE YOU. 580 00:29:43,187 --> 00:29:44,271 OH, WAIT. 581 00:29:45,479 --> 00:29:47,230 I CAN. 582 00:29:50,563 --> 00:29:52,187 BITCH. 583 00:29:58,938 --> 00:30:00,938 IT'S EXTRAORDINARY. 584 00:30:00,938 --> 00:30:03,062 IT'S HORRIBLE. 585 00:30:03,062 --> 00:30:04,938 THAT'S ME AS A VAMPIRE? 586 00:30:04,938 --> 00:30:07,980 I'M SO EVIL, AND SKANKY. 587 00:30:07,980 --> 00:30:09,813 AND I THINK I'M KIND OF GAY. 588 00:30:09,813 --> 00:30:11,271 WILLOW, JUST REMEMBER, 589 00:30:11,271 --> 00:30:12,396 A VAMPIRE'S PERSONALITY 590 00:30:12,396 --> 00:30:14,813 HAS NOTHING TO DO WITH THE PERSON IT WAS. 591 00:30:14,813 --> 00:30:16,563 WELL, ACTUALLY-- 592 00:30:17,688 --> 00:30:19,688 THAT'S A GOOD POINT. 593 00:30:19,688 --> 00:30:21,187 SO, UH, WHAT DO WE DO NOW? 594 00:30:21,187 --> 00:30:22,980 WE STILL HAVE TO GET TO THE BRONZE. 595 00:30:22,980 --> 00:30:24,229 EVEN IF THEY'RE SUPPOSED TO WAIT FOR HER 596 00:30:24,229 --> 00:30:25,479 THEY MAY START FEEDING. 597 00:30:25,479 --> 00:30:27,438 VAMPIRES ARE NOT NOTORIOUSLY RELIABLE. 598 00:30:27,438 --> 00:30:28,771 SO WE CHARGE IN, 599 00:30:28,771 --> 00:30:30,729 MUCH IN THE STYLE OF JOHN WAYNE? 600 00:30:30,729 --> 00:30:32,604 HIGH CASUALTY RISK. 601 00:30:32,604 --> 00:30:34,354 I HAVEN'T ANY OTHER PLAN, THOUGH. 602 00:30:34,354 --> 00:30:37,688 UH, I HAVE A REALLY BAD IDEA. 603 00:30:44,855 --> 00:30:46,813 THEY'RE STILL IN A HOLDING PATTERN. 604 00:30:46,813 --> 00:30:47,938 THAT'S GOOD. 605 00:30:47,938 --> 00:30:49,938 IT MEANS THEY MUST REALLY BE AFRAID OF YOU. 606 00:30:49,938 --> 00:30:51,396 WHO WOULDN'T BE? 607 00:30:53,229 --> 00:30:55,187 ARE YOU OK IN THAT? 608 00:30:55,187 --> 00:30:56,688 IT'S A LITTLE BINDING. 609 00:30:56,688 --> 00:31:00,354 I GUESS VAMPIRES REALLY DON'T HAVE TO BREATHE. 610 00:31:01,312 --> 00:31:03,187 GOSH, LOOK AT THOSE. 611 00:31:03,187 --> 00:31:06,563 UM, WILLOW, YOU GO IN 612 00:31:06,563 --> 00:31:08,771 AND DEFUSE THE SITUATION AS BEST YOU CAN. 613 00:31:08,771 --> 00:31:10,729 AT LEAST TRY AND GET SOME OF THEM TO COME OUT 614 00:31:10,729 --> 00:31:12,438 AND EVEN UP THE ODDS A BIT. 615 00:31:12,438 --> 00:31:14,438 FIRST SIGN OF TROUBLE, YOU GIVE US A SIGNAL. 616 00:31:14,438 --> 00:31:16,271 WE COME IN HARD AND FAST. 617 00:31:16,271 --> 00:31:17,604 WHAT IS THE SIGNAL? 618 00:31:17,604 --> 00:31:18,688 ME SCREAMING. 619 00:31:18,688 --> 00:31:21,229 GILES, YOU AND XANDER WAIT BY THE BACK ENTRANCE. 620 00:31:21,229 --> 00:31:22,146 GOOD. 621 00:31:23,271 --> 00:31:24,938 NOW, YOU'RE SURE YOU'RE UP TO THIS? 622 00:31:24,938 --> 00:31:26,271 DON'T WORRY. I WON'T DO ANYTHING 623 00:31:26,271 --> 00:31:28,187 THAT COULD BE INTERPRETED AS BRAVE. 624 00:31:28,187 --> 00:31:29,688 WE'LL BE RIGHT OUTSIDE. 625 00:31:50,521 --> 00:31:51,896 HI. I'M BACK. 626 00:31:59,855 --> 00:32:01,813 Alphonse: DID YOU FIND THE GIRL? 627 00:32:03,729 --> 00:32:05,104 YEP. I DID. 628 00:32:06,104 --> 00:32:07,855 WHERE IS SHE? 629 00:32:09,312 --> 00:32:10,771 I KILLED HER. 630 00:32:11,855 --> 00:32:16,312 AND SUCKED HER BLOOD, AS WE VAMPIRES DO. 631 00:32:23,229 --> 00:32:25,938 YOU KNOW, I THINK MAYBE I HEARD SOMETHING OUT THERE. 632 00:32:25,938 --> 00:32:27,312 WHY DON'T YOU GO CHECK? 633 00:32:36,938 --> 00:32:39,021 HOW COULD YOU KILL HER? 634 00:32:39,021 --> 00:32:41,855 SHE WAS OUR BEST SHOT AT GETTING YOUR WORLD BACK. 635 00:32:41,855 --> 00:32:46,312 I DON'T LIKE THAT YOU DARE QUESTION ME. 636 00:32:46,312 --> 00:32:50,813 MAYBE I'LL HAVE MY MINIONS TAKE YOU OUT BACK AND KILL YOU HORRIBLY. 637 00:32:52,146 --> 00:32:54,771 VAMPIRES. ALWAYS THINKING WITH YOUR TEETH. 638 00:32:54,771 --> 00:32:56,813 SHE BOTHERED ME. 639 00:32:56,813 --> 00:32:59,396 SHE'S SO WEAK AND ACCOMMODATING. 640 00:33:00,729 --> 00:33:05,021 SHE'S ALWAYS LETTING PEOPLE WALK ALL OVER HER, 641 00:33:05,021 --> 00:33:08,312 AND THEN SHE GETS CRANKY WITH HER FRIENDS FOR NO REASON. 642 00:33:08,312 --> 00:33:10,646 I JUST COULDN'T LET HER LIVE. 643 00:33:12,187 --> 00:33:14,729 YOU KNOW, HE'S BEEN GONE FOR A WHILE. 644 00:33:14,729 --> 00:33:16,688 WHY DON'T YOU GO CHECK ON HIM? 645 00:33:18,229 --> 00:33:22,354 WELL, BOSS, SINCE THAT PLAN IS OUT, 646 00:33:22,354 --> 00:33:25,312 WHY DON'T WE GET WITH THE KILLING? 647 00:33:42,729 --> 00:33:45,688 OH, THIS IS LIKE A NIGHTMARE. 648 00:33:47,438 --> 00:33:49,729 HELLO? GILES? 649 00:33:51,938 --> 00:33:53,354 WESLEY? 650 00:33:53,354 --> 00:33:57,521 I JUST HAPPENED TO STOP BY... 651 00:33:57,521 --> 00:33:58,938 FOR BOOKS. 652 00:34:01,729 --> 00:34:04,229 HEY, YOU. 653 00:34:04,229 --> 00:34:05,104 HEY ME? 654 00:34:05,104 --> 00:34:06,312 HEY ME WHAT? 655 00:34:06,312 --> 00:34:09,104 I HAVE A NAME, YOU KNOW. 656 00:34:09,104 --> 00:34:12,104 UH, CORDELIA. 657 00:34:12,104 --> 00:34:14,021 WHAT DID YOU DO? 658 00:34:14,021 --> 00:34:16,271 LOCK YOURSELF IN THE BOOK CAGE? 659 00:34:16,271 --> 00:34:17,604 YEAH. 660 00:34:19,187 --> 00:34:20,813 LET ME OUT... 661 00:34:20,813 --> 00:34:24,021 'CAUSE I'M SO HELPLESS. 662 00:34:24,021 --> 00:34:26,104 OK. 663 00:34:26,104 --> 00:34:29,646 I THINK GILES KEEPS A SPARE. 664 00:34:29,646 --> 00:34:32,938 HOW'D YOU MANAGE TO LOCK YOURSELF IN, ANYWAY? 665 00:34:32,938 --> 00:34:35,896 UH, I WAS LOOKING AT BOOKS. 666 00:34:35,896 --> 00:34:38,021 I LIKE BOOKS... 667 00:34:39,813 --> 00:34:41,312 'CAUSE I'M SHY. 668 00:34:41,312 --> 00:34:42,438 YEAH, RIGHT. 669 00:34:42,438 --> 00:34:45,021 THE FAMOUS SHY GIRL ACT ALL THE BOYS FALL FOR. 670 00:34:45,021 --> 00:34:46,855 OPEN THE CAGE. 671 00:34:53,438 --> 00:34:54,980 WAIT. 672 00:34:54,980 --> 00:34:58,980 IT OCCURS TO ME THAT WE'VE NEVER REALLY HAD THE OPPORTUNITY TO TALK. 673 00:34:58,980 --> 00:35:00,855 YOU KNOW, WOMAN TO WOMAN... 674 00:35:00,855 --> 00:35:02,646 WITH YOU LOCKED UP. 675 00:35:02,646 --> 00:35:04,479 DON'T WANT TO TALK. HUNGRY. 676 00:35:06,312 --> 00:35:08,062 WHAT COULD WE TALK ABOUT. OH! 677 00:35:08,062 --> 00:35:12,354 HEY! HOW ABOUT THE ETHICS OF BOYFRIEND STEALING? 678 00:35:14,479 --> 00:35:17,146 I DON'T KNOW IF I FEEL LIKE KILLING ANYMORE. 679 00:35:17,146 --> 00:35:19,521 I'M SO BORED. 680 00:35:25,521 --> 00:35:29,062 IT WOULD BE LIKE SHOOTING FISH IN A BARREL. 681 00:35:29,062 --> 00:35:31,021 WHERE'S THE FUN? 682 00:35:31,021 --> 00:35:35,688 WITH ALL DUE RESPECT, BOSS, THE FUN WOULD BE THE EATING. 683 00:35:35,688 --> 00:35:39,604 MAYBE WE SHOULD LET EVERYONE GO 684 00:35:39,604 --> 00:35:42,187 AND GIVE THEM A 30-SECOND HEAD START. 685 00:35:42,187 --> 00:35:44,354 WAIT A MINUTE. 686 00:35:44,354 --> 00:35:46,938 NO! I LIKE MY PLAN. 687 00:35:46,938 --> 00:35:48,855 OH, NICE TRY. 688 00:35:48,855 --> 00:35:50,563 OK, LET'S GET TO THE KILLING. 689 00:35:50,563 --> 00:35:52,021 WHY DON'T WE START WITH HER? 690 00:35:52,021 --> 00:35:53,896 WHY DON'T WE START WITH YOU? 691 00:35:53,896 --> 00:35:57,229 IF SHE'S A VAMPIRE, THEN I'M THE CREATURE FROM THE BLACK LAGOON. 692 00:35:57,229 --> 00:35:59,438 AND, OK... 693 00:35:59,438 --> 00:36:01,896 IT ISN'T EVEN LIKE I WAS THAT ATTRACTED TO XANDER. 694 00:36:01,896 --> 00:36:06,312 IT WAS MORE JUST THAT WE KEPT BEING PUT IN THESE LIFE OR DEATH SITUATIONS, 695 00:36:06,312 --> 00:36:08,688 AND THAT'S ALWAYS ALL SEXY AND STUFF. 696 00:36:09,896 --> 00:36:12,855 I MEAN, I MORE OR LESS KNEW HE WAS A LOSER, 697 00:36:12,855 --> 00:36:18,312 BUT THAT DOESN'T MAKE IT OK FOR YOU TO COME AROUND AND--WHAT? 698 00:36:20,104 --> 00:36:21,729 DO I HAVE SOMETHING ON MY NECK? 699 00:36:21,729 --> 00:36:23,271 NOT YET. 700 00:36:23,271 --> 00:36:25,855 AM I GETTING A ZIT? 701 00:36:25,855 --> 00:36:29,396 CORDELIA, I'M VERY SORRY. 702 00:36:29,396 --> 00:36:32,021 I REALIZE I WAS WRONG. 703 00:36:32,021 --> 00:36:34,896 I'LL NEVER STEAL YOUR BOYFRIEND AGAIN. 704 00:36:34,896 --> 00:36:37,271 LIKE YOU COULD. 705 00:36:37,271 --> 00:36:39,521 I SHOULD JUST LEAVE YOU IN THERE, 706 00:36:39,521 --> 00:36:41,104 BUT I'M A GREAT HUMANITARIAN, 707 00:36:41,104 --> 00:36:46,229 AND YOU WILL JUST HAVE TO THINK OF A WAY TO PAY ME BACK SOMETIME. 708 00:36:49,271 --> 00:36:50,688 OK. 709 00:36:51,980 --> 00:36:53,396 HOW ABOUT DINNER? 710 00:36:59,438 --> 00:37:03,271 AAH! AAH! AAH! 711 00:37:05,354 --> 00:37:07,396 I DIDN'T MEAN ALL THAT STUFF I SAID BEFORE. 712 00:37:07,396 --> 00:37:10,479 I WANT YOU TO HAVE XANDER. MY BLESSINGS ON YOU BOTH. 713 00:37:10,479 --> 00:37:12,771 I'M SO OVER HIM. 714 00:37:12,771 --> 00:37:15,479 I NEED FRESH BLOOD. 715 00:37:15,479 --> 00:37:16,771 AAH! 716 00:37:18,187 --> 00:37:19,271 AAH! 717 00:37:26,771 --> 00:37:28,062 NO MORE HIDING. 718 00:37:29,896 --> 00:37:31,938 BACK! CREATURE OF THE NIGHT. 719 00:37:31,938 --> 00:37:33,855 LEAVE THIS PLACE! 720 00:37:33,855 --> 00:37:35,855 DON'T WANNA. 721 00:37:41,187 --> 00:37:43,230 [SIGHS] WHATEVER. 722 00:37:50,646 --> 00:37:52,521 YAAHH! 723 00:37:52,521 --> 00:37:54,438 I'M SORRY. 724 00:37:54,438 --> 00:37:57,980 NO, NO. A LITTLE ON EDGE. 725 00:37:57,980 --> 00:38:00,312 YOU KNOW, MEN IN COMBAT. 726 00:38:00,312 --> 00:38:01,688 GRR. 727 00:38:01,688 --> 00:38:03,312 ARE YOU ALL RIGHT? 728 00:38:03,312 --> 00:38:05,271 YOU SAVED MY LIFE. 729 00:38:05,271 --> 00:38:06,813 THANK YOU. 730 00:38:06,813 --> 00:38:11,771 OH, YES. UH...YES. 731 00:38:14,188 --> 00:38:16,188 WAS THAT? 732 00:38:16,188 --> 00:38:17,271 WILLOW. 733 00:38:17,271 --> 00:38:19,188 THEY GOT WILLOW. 734 00:38:20,104 --> 00:38:23,813 SO, YOU DOING ANYTHING TONIGHT? 735 00:38:23,813 --> 00:38:28,230 I'M JUST SO TIRED OF BEING AROUND HUMAN BEINGS AND ALL THEIR BAGGAGE. 736 00:38:28,230 --> 00:38:30,438 I DON'T CARE IF I EVER GET MY POWERS BACK. 737 00:38:30,438 --> 00:38:34,229 I THINK HE SHOULD EAT YOU. 738 00:38:34,229 --> 00:38:39,896 THIS GIRL HAS A HISTORY OF MENTAL PROBLEMS DATING BACK TO EARLY CHILDHOOD. 739 00:38:39,896 --> 00:38:41,855 I'M A BLOOD-SUCKING FIEND. 740 00:38:41,855 --> 00:38:43,354 LOOK AT MY OUTFIT. 741 00:38:43,354 --> 00:38:47,104 A HUMAN. I SHOULD HAVE SMELLED IT RIGHT AWAY. 742 00:38:47,104 --> 00:38:50,771 A HUMAN? OH, YEAH? COULD A HUMAN DO THIS? 743 00:38:50,771 --> 00:38:52,604 AAAAH! 744 00:38:53,688 --> 00:38:55,396 SURE. YEAH. YEAH. 745 00:38:55,396 --> 00:38:57,813 HUMANS DO THAT. YEAH. I THINK, YEAH. 746 00:39:10,396 --> 00:39:11,479 UHH! 747 00:39:11,479 --> 00:39:13,855 OW! OW! OW! HAPPY, BUT OW! 748 00:39:25,146 --> 00:39:26,104 DEVON, COME ON! 749 00:39:33,187 --> 00:39:34,729 NO MORE SNUGGLES? 750 00:40:35,729 --> 00:40:37,104 BUFFY, NO! 751 00:40:45,896 --> 00:40:48,312 NICE REFLEXES. 752 00:40:48,312 --> 00:40:50,104 WELL, I WORK OUT. 753 00:40:52,479 --> 00:40:54,604 THIS WORLD'S NO FUN. 754 00:40:56,146 --> 00:40:57,688 YOU NOTICED THAT, TOO? 755 00:41:06,229 --> 00:41:11,021 SO, UM, IN YOUR REALITY, I'M LIKE THIS BAD ASS VAMPIRE, HUH? 756 00:41:11,021 --> 00:41:12,771 PEOPLE AFRAID OF ME? 757 00:41:14,771 --> 00:41:16,187 OH, YEAH. 758 00:41:16,187 --> 00:41:17,521 I'M BAD. 759 00:41:21,855 --> 00:41:24,980 I'M NOT SURE ABOUT RELEASING THIS THING INTO THE WILD, WILL. 760 00:41:24,980 --> 00:41:26,688 IT IS A DEMON. 761 00:41:26,688 --> 00:41:29,771 I JUST CAN'T KILL HER. 762 00:41:29,771 --> 00:41:31,312 NO. 763 00:41:31,312 --> 00:41:33,021 ME, NEITHER. 764 00:41:33,021 --> 00:41:35,938 I MEAN, I KNOW SHE'S NOT ME. 765 00:41:35,938 --> 00:41:40,646 WE HAVE A BIG NOTHING IN COMMON, BUT STILL. 766 00:41:40,646 --> 00:41:43,062 THERE BUT FOR THE GRACE OF GETTING BIT. 767 00:41:43,062 --> 00:41:47,646 WE SEND HER BACK TO HER WORLD, THEN SHE STANDS A CHANCE. 768 00:41:47,646 --> 00:41:50,229 IT'S THE WAY IT SHOULD BE ANYWAY. 769 00:41:50,229 --> 00:41:52,521 UH, WE'RE ABOUT READY HERE. 770 00:41:58,771 --> 00:42:01,396 DON'T YOU TRY ANY TRICKS NOW, DEAR. 771 00:42:01,396 --> 00:42:02,813 I DON'T NEED TRICKS. 772 00:42:02,813 --> 00:42:06,938 WHEN I GET MY POWERS BACK, YOU WILL ALL GROVEL BEFORE ME. 773 00:42:06,938 --> 00:42:07,855 PFFF! 774 00:42:09,396 --> 00:42:14,104 IF YOU, UH, WILLOWS WOULD LIKE TO, UH, 775 00:42:14,104 --> 00:42:15,855 COMPLETE THE CIRCLE. 776 00:42:17,938 --> 00:42:19,312 GOOD LUCK. 777 00:42:20,813 --> 00:42:22,729 TRY NOT TO KILL PEOPLE. 778 00:42:29,062 --> 00:42:30,813 HANDS! HANDS! 779 00:42:57,938 --> 00:43:00,062 YOU WANNA GO OUT TONIGHT? 780 00:43:00,062 --> 00:43:03,021 STRANGELY, I FEEL LIKE STAYING AT HOME... 781 00:43:03,021 --> 00:43:05,396 AND DOING MY HOMEWORK... 782 00:43:05,396 --> 00:43:07,062 AND FLOSSING... 783 00:43:07,062 --> 00:43:08,521 AND DYING A VIRGIN. 784 00:43:08,521 --> 00:43:11,813 YOU KNOW, YOU CAN O.D. ON VIRTUE. 785 00:43:11,813 --> 00:43:15,771 BETWEEN ME AND MY EVIL SELF, I'VE DOUBLE GUILT COUPONS. 786 00:43:15,771 --> 00:43:19,479 I SEE NOW WHERE THE PATH OF VICE LEADS. 787 00:43:19,479 --> 00:43:22,563 I MEAN, SHE MESSED UP EVERYTHING SHE TOUCHED. 788 00:43:22,563 --> 00:43:25,980 I DON'T EVER WANT TO BE LIKE THAT. 789 00:43:25,980 --> 00:43:27,771 HEY. OH, HI. 790 00:43:27,771 --> 00:43:30,438 OH, HI, LISTEN, I DIDN'T HAVE A CHANCE-- 791 00:43:30,438 --> 00:43:34,438 OK, SO I DID THE OUTLINE FOR THE PAPER ON ROOSEVELT. 792 00:43:34,438 --> 00:43:36,813 IT TURNS OUT THERE WERE 2 PRESIDENT ROOSEVELTS, 793 00:43:36,813 --> 00:43:40,479 SO I DIDN'T KNOW EXACTLY WHICH ONE TO DO, SO I DID BOTH. 794 00:43:40,479 --> 00:43:44,938 I KNOW THEY'RE KIND OF SHORT, BUT I CAN FLESH THEM OUT. 795 00:43:44,938 --> 00:43:47,104 OH, AND HERE'S THE BIBLIOGRAPHY. 796 00:43:47,104 --> 00:43:50,021 UM, AND I CAN RETYPE THAT IF YOU WANT. 797 00:43:50,021 --> 00:43:54,021 YOU JUST LET ME KNOW WHAT I DID WRONG, AND I'LL GET ON IT. 798 00:44:04,146 --> 00:44:05,646 YOU WANNA GO OUT TONIGHT? 799 00:44:05,646 --> 00:44:08,062 9:00 SOUND GOOD? 800 00:44:46,187 --> 00:44:48,021 GRR! ARRGH!